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Speaker 1: I'm actually working on a movie right now that it's

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Speaker 1: gonna be hard for me to get off the ground

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Speaker 1: because of what it is, the nature of what it is.

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Speaker 1: It's a comedy about slavery. I'm gonna watch it because

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Speaker 1: I'm let me tell you something, let me tell you something.

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Speaker 2: I'll watch it because I'm your boy.

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Speaker 1: Anything can be done. The brilliance is how you do it.

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Speaker 1: What's the name of the movie, slavery lo o l.

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Speaker 2: All rights. Me and you've been good friends for twenty years.

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Speaker 2: Don't do that. I believe in it. I believe in it.

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Speaker 2: It me and you wasn't friends. Me and you will

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Speaker 2: be fighting. I propose you right. It's crazy.

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Speaker 1: Let's go, let's go.

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Speaker 2: Yeah.

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Speaker 3: I did with pigs.

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Speaker 4: Big can tell me to wig? I said with pigs,

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Speaker 4: big big, saying a kid, a big, big big, tell

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Speaker 4: me to pin. I do a big, big big Say

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Speaker 4: it again.

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Speaker 2: I do a big.

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Speaker 4: I know a big, big big say it again.

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Speaker 3: I do a big.

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Speaker 2: Hello. Everyone, Welcome to the Big Podcast, where we always

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Speaker 2: do it. Big Adam can't be here today, so I'm

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Speaker 2: holding the ship by myself. I'm here with a very

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Speaker 2: special guest, one of my great friends, even though we

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Speaker 2: almost had a fight last last week. We'll get that

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Speaker 2: in a few minutes. The legendary Airy spears, what's that,

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Speaker 2: big fella? What's that? Big fellaw?

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Speaker 5: I'm mad at you. You ridiculous America. Oh, here we go.

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Speaker 5: We don't talk a lot, we don't communicate. But I've

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Speaker 5: been known aries since I first got to La. I'm

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Speaker 5: gonna say in ninety actually in ninety four, ninety five, scud,

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Speaker 5: so you gotta you gotta remember back then the comedy

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Speaker 5: scene was still as hot. But back then, Monday night

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Speaker 5: was in prime. Tuesday Night was a comedy store, chocolate Sundays.

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Speaker 5: I had a lot of places, but I was always

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Speaker 5: at the spot, so I've seen the area. When he

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Speaker 5: first come out and this brother killed me four hours straight.

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Speaker 2: He was scared. He thought I was gonna put them

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Speaker 2: palls on him. We shook hands. I said, hey, you

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Speaker 2: my boy, And we've been knowing each other ever since

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Speaker 2: the other day, somebody put some bid on areas, so

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Speaker 2: I sent it to him in the DM, and you know,

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Speaker 2: I thought he was gonna say, hey, big fella.

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Speaker 1: He was like, hey, none of that, never said none

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Speaker 1: of that.

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Speaker 2: Yeah, I ain't talked to you in three months. I've

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Speaker 2: been talking to Chicago looking for you, and this is

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Speaker 2: what you're gonna send me all the name my man,

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Speaker 2: calm down. I just have to make sure you know

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Speaker 2: you know this.

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Speaker 1: Do everything big, so even the tails, the tall tales

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Speaker 1: are big.

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Speaker 2: Listen.

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Speaker 1: My issue was this. I have tried a gazillion times

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Speaker 1: to reach out to you. There was even that one

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Speaker 1: time I was on a flight and Shanty and I

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Speaker 1: were both sitting at first class and she was like,

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Speaker 1: I'm texting him now. I said, will you tell us

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Speaker 1: call me please? And so I would reach out to

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Speaker 1: you on the DMS. I would call you, you change

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Speaker 1: your number. So I was like, damn, So the first

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Speaker 1: time I hear from you is about this, and I'm like,

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Speaker 1: ill let.

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Speaker 2: Me the reason why I was reaching out because I've

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Speaker 2: been knowing you for twenty thirty years and I think

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Speaker 2: you are misunderstood. You think a lot of people carry you?

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Speaker 2: Do you think a lot of people think you're misunderstood louly?

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Speaker 1: Because I you know what, Listen, man, I say it

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Speaker 1: all the time. My mouth is my biggest attribute, but

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Speaker 1: it's also my biggest detriment. And I got I'm like

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Speaker 1: Charles Barkley, I say how I feel.

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Speaker 2: Okay, so do it in your Charles Buckley voice.

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Speaker 1: Well, first of all, limitated something. Hearn it I've said

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Speaker 1: many times. Well, first of I limitated something. Kobe Bryant

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Speaker 1: one of the greatest athletes, very athletic. I remember one time.

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Speaker 1: Let me tell you real quick. I'm sitting at home

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Speaker 1: one day and I'm watching Inside the NBA on Team

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Speaker 1: I had already done this little thing on Sports Center.

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Speaker 1: I didn't know that it was gonna be EJ's statura

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Speaker 1: the night. So I'm and when I say, I love

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Speaker 1: Inside it religiously. So I'm watching they cut to my

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Speaker 1: clip and then Barkley responds.

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Speaker 2: That's very impressive. I thought that was very.

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Speaker 1: I'm losing it because I'm like, I know, I know Shaq,

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Speaker 1: I've met Kenny, but Barkley know who I am. So

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Speaker 1: then there's this other time I'm watching the show and

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Speaker 1: I'm not lying this. Barkley wanted to say opinion. He

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Speaker 1: said open, and I was trying to text Shack. It's like,

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Speaker 1: you got to call him out on that. First of all,

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Speaker 1: it's my oping that I think lebron J. And then

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Speaker 1: he adds syllables athlete is athlete one of the greatest

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Speaker 1: players to ever play together. I think it's interesting as

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Speaker 1: interest sperienced.

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Speaker 2: My favorite Charles Bucket impression was when I think you

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Speaker 2: did that one of the Shack All Star comedy.

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Speaker 1: James Christopah Krames. First of all, you're gonna play the football.

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Speaker 1: It's like a Chrispa saream. Don't know this round for

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Speaker 1: the point points fifty points because you got to play.

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Speaker 1: You know the thing that I always love about Bargainy,

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Speaker 1: he starts to make a point and before he finish it, well,

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Speaker 1: go somewhere else. Yeah, don't let me tell somethingbody. First

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Speaker 1: of all, finish, don't play no defense. And when you

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Speaker 1: talk about players, the referees, they gotta do a better

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Speaker 1: job because I'm gonna tell you something, Shaq no of

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Speaker 1: Ernie Kennet when I played.

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Speaker 2: If you're gonna dominate.

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Speaker 1: You can't put it on the coaches because you gotta

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Speaker 1: go out there play.

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Speaker 2: First of all, Michael Jordan was the only player that

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Speaker 2: I knew like finish, bro I'll be saying the same

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Speaker 2: day and then when I start to finish your point,

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Speaker 2: then this month interrupt me. And then they be in

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Speaker 2: my ear talking about you got fifteen second less, So

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Speaker 2: then I gotta say something crazy.

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Speaker 1: On that segment with the one two three back to

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Speaker 1: one day, that was a killer.

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Speaker 2: Back to being misunderst Why you think people think you're misunderset.

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Speaker 1: Because I say things like this. And I remember one

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Speaker 1: time I was watching the show and they had Jay

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Speaker 1: Farrow and Keenan Thompson on, and Keenan was doing Barkley

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Speaker 1: and Jay was doing you, and listen. I know that

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Speaker 1: as a host of a show, they're your guests that

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Speaker 1: come on, so you have to be cordial. You have

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Speaker 1: to be nice and respectful, and you have to kind

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Speaker 1: of play the game a little bit. But I'm sitting

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Speaker 1: here watching it's going I know that the Barkley impression

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Speaker 1: it ain't good, but Charles got to act like it is.

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Speaker 1: I know when Jay Farroll does you, he exaggerates the

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Speaker 1: face and ill and I know it's garbage, so I

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Speaker 1: will say it's gobbage. But when something is great, I

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Speaker 1: give it the flowers too. Like people are go aries

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Speaker 1: do your Denzel and I say I stopped doing Denzel

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Speaker 1: because of Sea King. I don't know if you know

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Speaker 1: who c King is. Brother out of Harlem and I

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Speaker 1: tell you to yeah, yeah, yeah. He's good, kills it

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Speaker 1: more than the guys that do it like me Farroh,

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Speaker 1: Dean Edwards, Reggie redg He's hands down the best. So

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Speaker 1: when something is good, I give it its flowers. But

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Speaker 1: when it's garbage, I say, is garbage.

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Speaker 2: So it sounds to me that you're very competitive all

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Speaker 2: the comity. Okay, so all right, so who's the best impression?

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Speaker 2: Is you? Godfrey? You and Godfrey? Who's better?

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Speaker 1: You know what's hard, It's hard to answer that because

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Speaker 1: we all do other people we can't no answer the questions.

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Speaker 1: Well then me, I'm must say me, okay, here's what

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Speaker 1: I love. And for people that'll go all you just

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Speaker 1: you know, being cocky on yourself or whatever. Dude, I

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Speaker 1: loved when I saw drink Champs and Norieger couldn't even

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Speaker 1: get the question out of his mouth when he said

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Speaker 1: who does the best, and you said airy spears. You

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Speaker 1: immediately went to airy spears. And I tell people doing

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Speaker 1: impressions is like being a singer. You have to have

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Speaker 1: ear for tone, inflection, you're hitting the note. You got

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Speaker 1: to be in key. So when I say shack, I

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Speaker 1: go Shack is breathy, he's basic.

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Speaker 2: Yeah, but that's not why I say you're the best.

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Speaker 2: I say you're the best because you was doing it

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Speaker 2: back when I was playing of the Lakers, back when

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Speaker 2: we was getting swept and you started at the cross

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Speaker 2: I think now everybody that does it, yeah, does the

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Speaker 2: cross side thing. So I know where that came from.

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Speaker 1: I remember when I saw you say on tant I'm

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Speaker 1: not cross out, I'm not cross but comedy you exaggerated

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Speaker 1: a little bit.

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Speaker 2: I'm not look, I'm not cross either.

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Speaker 1: When he talked about if you catch that the right time,

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Speaker 1: it's leaning back. It's got some fat Joe to it.

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Speaker 2: It leaned back. But like I said, when.

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Speaker 1: You when you hear it, it's like, as long as.

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Speaker 6: I scored twent air tear and I'm gonna dominate twenty

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Speaker 6: air ten and get a ball a pricker. Rigger says, no,

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Speaker 6: I was not game. You're giving them an give it

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Speaker 6: to b Shaw. I'm gonna get the gold. You gonna

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Speaker 6: do that thing. You ain't never scored twenty air ten.

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Speaker 6: You also go twent air ten and you're dominant.

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Speaker 2: How come we live in the world where everybody gets

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Speaker 2: sensitive like you can tell Godfrey he's trash. He'll get

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Speaker 2: up like, how come your comedians can't do it like

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Speaker 2: the athletes do? Like I could talk trash to Charles

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Speaker 2: it's like on the court thing or were just talking.

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Speaker 2: How come when you guys go back and forth, it's

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Speaker 2: because he's a You know all that.

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Speaker 1: I mean because we just live in a moist time

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Speaker 1: right now, you know, And and you know, like I said,

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Speaker 1: I will say things bluntly and honestly. But at the

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Speaker 1: same time, if I think you're great, I give you

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Speaker 1: your flowers. I do that so so people, and plus

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Speaker 1: it's so much Listen, nothing is exciting about hearing somebody

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Speaker 1: say I got love for you, I got respect for you.

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Speaker 1: Controvers she sells both cells, you know, uh he said,

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Speaker 1: she said, sells. So you know it's like gossip schoolgirl.

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Speaker 2: Because let me tell you, as a fan, I don't

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Speaker 2: like that. I don't like that because I know you're

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Speaker 2: a great brother, and I know them with some great people,

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Speaker 2: we don't need that. We need to work together take

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Speaker 2: it over. That's all I'm saying. I don't disagree with

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Speaker 2: you because what I also love about you is when

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Speaker 2: the mother come as you you go nuclear.

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Speaker 1: Oh yeah, I'm doing my lad the scar faced balcony

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Speaker 1: shooting a thousand Colombians.

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Speaker 2: You and flat Blad with your boy. I don't know

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Speaker 2: about your relationship, but I got the flat TV app

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Speaker 2: every time I clicked him up. I see you. Yeah. Now,

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Speaker 2: all of a sudden, you're all going back and forth.

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Speaker 2: What's that about?

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Speaker 1: I simply said, look, man, I think I know my worth.

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Speaker 1: A lot of people are like yo. I buy subscriptions

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Speaker 1: because of aries, and when Aries isn't on, I canceled

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Speaker 1: my subscriptions. I watched because of him. Boozy left, Godfrey left,

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Speaker 1: Lord Jamar left. I'm just saying, break bread and listen

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Speaker 1: my But he was like this. He wanted to talk

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Speaker 1: about it. I said, at some point, okay, I'll talk

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Speaker 1: about it. I told him, let's talk about it at

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Speaker 1: this time. But Vlad has a way of coming off

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Speaker 1: like you work for him, like don't summon me. I'll

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Speaker 1: talk to you, but you're not gonna summon me. So

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Speaker 1: then when I didn't respond to him, that's when he

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Speaker 1: threw me under the bus. And I didn't even know

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Speaker 1: it until I saw somebody set me the clip and

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Speaker 1: I called him to say, hey, dog, I didn't even

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Speaker 1: watch the clip, but please tell me you're not doing

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Speaker 1: what I think you're doing. His response, you, and then

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Speaker 1: he went hard and started doing all this.

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Speaker 2: God damn, brother, I don't believe that. More man power

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Speaker 2: to the people. Man brother, it's time to conform an uprise.

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Speaker 1: Brother, be as black as Michael Blackson's gums, and Michael knows,

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Speaker 1: I mean that would love.

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Speaker 7: All right, big fella, NBA Chams. We know they are

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Speaker 7: the New York Knicks, But who is coming out of

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Speaker 7: the East next year? DraftKings? They got the odds for US.

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Speaker 7: Celtics and Knicks are neck and neck right now in

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Speaker 7: terms of the odds to come out of the East.

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Speaker 2: Those are the two favorites.

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Speaker 7: Right below them the Miami heat who just locked up

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Speaker 7: Janis Onto Takumpo, and then you have Detroit, the Pacers,

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Speaker 7: the Calves. But I'm curious, who do you see coming

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Speaker 7: out of the East.

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Speaker 2: One thing about you, Adam At Adam left, Bro, you

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Speaker 2: don't get nobody, no Vaca agent. Don you asked me

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Speaker 2: about who's coming out the East? How about I don't know?

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Speaker 2: How about us? Too early? Well, since the Celtics and

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Speaker 2: Knicks are ahead, and add I gotta give it to

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Speaker 2: the Knicks. Man that'll give it to the champs. Can

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Speaker 2: I cannot disrespect the champs or earned the congratulations in

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Speaker 2: New York for the one hundredth time. Well, I'm not

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Speaker 2: going to disrespect the nexuse. I'm going with the next

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Speaker 2: coming out of the East. But beware altboy in Miami.

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Speaker 2: Miami Eagle will be up there.

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Speaker 2: Again, I met you at ninety two ninety three. When

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Speaker 2: did you start comedy? And my fear of comedy? Like

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Speaker 2: I always think I'm funny, but I've been with you.

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Speaker 2: I've been in a comedy story in problem many times.

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Speaker 2: If those first three jokes don't go, panic it's oh yeah,

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Speaker 2: I panic, It's over for me. I make a listen. Yeah,

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Speaker 2: I've been in there when y'all when the first three

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Speaker 2: jokes thing and go, and then y'all start clowning people.

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Speaker 2: That's my fear. If you ever bombed, do you have

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00:14:59,640 --> 00:15:03,000
Speaker 2: that fear? And what is your fear? Yeah?

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00:15:03,040 --> 00:15:06,080
Speaker 1: I have bombed. I bombed on the biggest stage, Madison

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00:15:06,080 --> 00:15:09,240
Speaker 1: Square Garden on the first Deaf Comedy Jam tour with Me,

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00:15:09,960 --> 00:15:14,680
Speaker 1: Bill Bellamy, Adele Gibbons, Bernie mac Reggie McFadden and then

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00:15:14,720 --> 00:15:17,200
Speaker 1: at the Garden, Eddie Griffin did a guest spot and

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Speaker 1: bust the rhymes for him and I did the bit

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00:15:20,280 --> 00:15:22,720
Speaker 1: where I tried to do the four rappers rapping. And

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00:15:23,040 --> 00:15:25,600
Speaker 1: I'm a huge rap fan, but I didn't pay it

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Speaker 1: the respect it deserved, meaning I thought I was just

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00:15:28,040 --> 00:15:29,880
Speaker 1: gonna go out there and wing it and go off

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Speaker 1: the dome. And I'm not a rapper like that. I

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00:15:32,640 --> 00:15:35,040
Speaker 1: can rap, but I have to put it in the time.

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Speaker 1: I gotta write the verses back time, back then when

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Speaker 1: I smoked, hit a l and really get into matrix.

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00:15:41,520 --> 00:15:44,760
Speaker 1: So it bombed horribly. Cut to that made me go,

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Speaker 1: all right, do the right thing. And so I did

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Speaker 1: it the right way and it went viral at a

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Speaker 1: radio station and I got like fifteen million views. And

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Speaker 1: so every time I would go perform, people would yell

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Speaker 1: at yo, do the do the rap ensemble?

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Speaker 2: You know what I mean? I asked God for this

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00:16:00,080 --> 00:16:02,360
Speaker 2: because he does a lot of impressions. How many impressions

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Speaker 2: can you do, and how did you start doing impressions?

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00:16:05,640 --> 00:16:08,240
Speaker 1: I probably counted, like I don't know, close to thirty

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00:16:09,800 --> 00:16:12,640
Speaker 1: and then impressions was the first thing I did. But

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Speaker 1: I didn't want to be known as a one trick pony,

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Speaker 1: so I wanted to make sure that, yeah, I could

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Speaker 1: do impressions. But for me, impressions it is like duncan.

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Speaker 1: Don't think that's all I can do.

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Speaker 2: You know what I mean.

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00:16:23,120 --> 00:16:25,960
Speaker 1: I can write a joke, I can tell stories, I

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00:16:26,000 --> 00:16:27,840
Speaker 1: could get political.

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00:16:28,360 --> 00:16:28,760
Speaker 2: You know that.

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00:16:28,800 --> 00:16:31,160
Speaker 1: I wanted to show people there was other facets to

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00:16:31,280 --> 00:16:33,800
Speaker 1: my game, you know, and I say this too, This

340
00:16:34,000 --> 00:16:38,440
Speaker 1: dude's in this game who do incredible impressions? But the

341
00:16:38,560 --> 00:16:46,000
Speaker 1: material or vice versa. I didn't say no name. I

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00:16:46,000 --> 00:16:48,640
Speaker 1: didn't say no name. I'm gonna let you do. I'm

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00:16:48,640 --> 00:16:50,840
Speaker 1: gonna let you decide who you think that is. But

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00:16:50,920 --> 00:16:54,320
Speaker 1: when you get married a two Come on, man, Now,

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00:16:54,320 --> 00:16:55,840
Speaker 1: why am I wrong for saying that?

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00:16:55,960 --> 00:16:58,040
Speaker 2: You're not wrong? I'm just saying that we live in

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00:16:58,040 --> 00:17:01,440
Speaker 2: the town to where. Listen, if you say what you

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00:17:01,520 --> 00:17:04,920
Speaker 2: said around a couple of people, cool, but you airy spears, don't.

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00:17:05,080 --> 00:17:07,720
Speaker 2: If you say your talented say it again what you.

350
00:17:07,680 --> 00:17:10,760
Speaker 1: Said your talent doesn't match your arrogance.

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00:17:11,000 --> 00:17:13,400
Speaker 2: If you do that, bro, actually gonna go twenty million

352
00:17:13,400 --> 00:17:15,480
Speaker 2: people and it's gonna get back there. You ever heard

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00:17:15,480 --> 00:17:18,120
Speaker 2: the saying, if we're at a table, areas ain't black,

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00:17:18,200 --> 00:17:20,359
Speaker 2: But like, if we're sitting at the table with twelve people,

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00:17:20,920 --> 00:17:22,760
Speaker 2: by the time we get back to you, arias don't

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00:17:22,800 --> 00:17:29,000
Speaker 2: like black girls like right, So when you say it's amplified,

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00:17:29,160 --> 00:17:31,000
Speaker 2: he said, he said, you know what he said.

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00:17:31,119 --> 00:17:34,680
Speaker 1: But because it's me saying it, it gets amplified. When really,

359
00:17:34,680 --> 00:17:36,760
Speaker 1: if you stop and really listen to what I'm saying,

360
00:17:37,000 --> 00:17:39,520
Speaker 1: you're taking sing anything that's not accurate.

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00:17:39,640 --> 00:17:41,760
Speaker 2: You take the shots at people, don't you get.

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00:17:41,920 --> 00:17:45,199
Speaker 1: Oh, man, come on, man, come on man. So you

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00:17:45,240 --> 00:17:47,639
Speaker 1: mean to tell me they have been guys in the league. Oh,

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00:17:47,840 --> 00:17:50,200
Speaker 1: a little bit extra step pep and they step and

365
00:17:50,240 --> 00:17:53,080
Speaker 1: you go that, ain't you hold on? I talk about

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00:17:53,160 --> 00:17:54,160
Speaker 1: Simmons entered the chat.

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00:17:57,200 --> 00:17:59,040
Speaker 2: I talk about Rudy Gobert all the time. You know

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00:17:59,040 --> 00:18:01,280
Speaker 2: what people tell me, I.

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00:18:01,240 --> 00:18:07,359
Speaker 1: Remember this, Javelle McGee, Rudy Gobert. Uh you Dwight Howard

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00:18:07,400 --> 00:18:10,800
Speaker 1: when you were saying he was the fake Superman, Excuse me?

371
00:18:12,400 --> 00:18:13,800
Speaker 2: I said, well, you didn't.

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00:18:13,640 --> 00:18:15,680
Speaker 1: Say he was a fake Superman. You're the real Superman.

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00:18:15,800 --> 00:18:17,600
Speaker 2: I shouldn't have to say that. It's only real.

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00:18:17,760 --> 00:18:19,760
Speaker 1: So when you stop and think about it shocked me.

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00:18:19,800 --> 00:18:21,080
Speaker 1: And you were to say, I.

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00:18:21,119 --> 00:18:23,280
Speaker 2: Know that's what That's what I'm trying to tell you.

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00:18:23,320 --> 00:18:27,280
Speaker 2: All right, Yeah, that's what I'm trying to tell you.

378
00:18:27,520 --> 00:18:30,200
Speaker 2: That's what I'm trying to tell you. Like we say, people.

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00:18:30,080 --> 00:18:34,080
Speaker 1: Just I got in trouble for saying Joel embiid sounds mildly.

380
00:18:35,240 --> 00:18:37,720
Speaker 1: When I play with the ball, I'm gonna dominate with

381
00:18:37,800 --> 00:18:40,640
Speaker 1: the ball, shack saying I need to work more on

382
00:18:40,680 --> 00:18:44,600
Speaker 1: my post game. That's what I'm gonna do. Joel ebiid

383
00:18:44,680 --> 00:18:49,800
Speaker 1: seems mildly. McDonald's. As long as I dominated, I'm gonna

384
00:18:49,800 --> 00:18:50,800
Speaker 1: tell the ball.

385
00:18:54,520 --> 00:18:54,720
Speaker 2: You know.

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00:18:54,800 --> 00:18:57,280
Speaker 1: One of the other pressures I just did on my podcast,

387
00:18:59,240 --> 00:19:02,480
Speaker 1: Jove to bed Saquille on there said I need to

388
00:19:02,480 --> 00:19:05,400
Speaker 1: be more dominant than in the paint, and I know

389
00:19:05,480 --> 00:19:11,520
Speaker 1: I gotta do more posts and not just relund the three. Hello, Hello,

390
00:19:11,560 --> 00:19:13,080
Speaker 1: anybody seeing my helmet?

391
00:19:13,320 --> 00:19:17,280
Speaker 2: Hollo Godfrey, I'm calling you out air sp may have you.

392
00:19:17,640 --> 00:19:20,600
Speaker 2: You know, Shaq, when I played the game, I was

393
00:19:20,680 --> 00:19:22,800
Speaker 2: dominated with all the other centers.

394
00:19:23,200 --> 00:19:25,840
Speaker 1: People noticed that my two front teeth looked like Beverly

395
00:19:25,920 --> 00:19:29,640
Speaker 1: Hills mansion doors. And like I said, mac goffrey, here's Steve,

396
00:19:29,680 --> 00:19:35,159
Speaker 1: here's Steve Harvey in But I'll go I've seen Keenan

397
00:19:35,160 --> 00:19:38,160
Speaker 1: Thompson on SNL try and do Godfrey, I mean trying

398
00:19:38,160 --> 00:19:44,960
Speaker 1: to do Steve and in comparison to gobbage, which one,

399
00:19:44,000 --> 00:19:48,600
Speaker 1: Uh no, Keenan Steve Harvey. He's trying to do Steve Harvey.

400
00:19:48,800 --> 00:19:51,000
Speaker 2: Okay, but can you have a lighter word than garbage?

401
00:19:51,080 --> 00:19:55,520
Speaker 2: Oh god? What? What? What? Terrible?

402
00:19:55,520 --> 00:20:01,359
Speaker 1: It's terrible, not acceptable, gobbage, It's garbage.

403
00:20:02,040 --> 00:20:05,680
Speaker 2: We are the same people everybody. I'm a little late,

404
00:20:05,720 --> 00:20:07,359
Speaker 2: but I don't like to jump on these topics. But

405
00:20:07,440 --> 00:20:10,639
Speaker 2: said you hear, we're gonna talk about everybody's talking about

406
00:20:10,680 --> 00:20:13,520
Speaker 2: complaining about the Kevin Hart roast. Yeah, give me an

407
00:20:13,560 --> 00:20:16,320
Speaker 2: honest opinion on what you thought. As a comedian and

408
00:20:16,359 --> 00:20:17,040
Speaker 2: as a fan.

409
00:20:16,960 --> 00:20:20,360
Speaker 1: It's twofold. As a black man, you want to go

410
00:20:20,920 --> 00:20:23,399
Speaker 1: m But as a comedian, which is the badge and

411
00:20:23,440 --> 00:20:26,080
Speaker 1: we're supposed to die on. We're supposed to die on.

412
00:20:26,680 --> 00:20:29,720
Speaker 1: It is what it is. It is a roast, That's

413
00:20:29,760 --> 00:20:33,120
Speaker 1: what it is. And you got to understand something when

414
00:20:33,160 --> 00:20:35,760
Speaker 1: you whatever or whoever or what you are on that

415
00:20:35,880 --> 00:20:39,080
Speaker 1: day is if you fat, there's fat jokes. If you ugly,

416
00:20:39,119 --> 00:20:42,240
Speaker 1: there's ugly jokes. If you black, there's gonna be black jokes. Now,

417
00:20:42,280 --> 00:20:46,639
Speaker 1: maybe I would have chosen to make sure that the

418
00:20:46,720 --> 00:20:50,200
Speaker 1: writing that because it was all white writers, so other

419
00:20:50,240 --> 00:20:53,320
Speaker 1: than Naim who was Kevin's boy from the Plastic Cup Boys.

420
00:20:53,680 --> 00:20:56,840
Speaker 1: Maybe I don't know, ninety ten eighty twenty seventy thirty

421
00:20:57,520 --> 00:21:00,760
Speaker 1: dominant black to kind of even it out. But at

422
00:21:00,800 --> 00:21:04,040
Speaker 1: the end of the day, everybody understood the assignment and

423
00:21:04,080 --> 00:21:06,919
Speaker 1: they did their jobs. I can't go against that.

424
00:21:07,480 --> 00:21:09,320
Speaker 2: I don't have a sense of bone in my body.

425
00:21:09,359 --> 00:21:12,800
Speaker 2: But when they started talking about Sister Girl's.

426
00:21:12,560 --> 00:21:15,720
Speaker 1: Husband, which Shane Gillis called.

427
00:21:15,480 --> 00:21:19,040
Speaker 2: Oh, I was looking at her right like when he

428
00:21:19,119 --> 00:21:22,439
Speaker 2: told the first joke, I was like, and she started laughing,

429
00:21:23,080 --> 00:21:26,680
Speaker 2: which made me say, okay, it's okay. And then when

430
00:21:26,720 --> 00:21:29,440
Speaker 2: he made the joke about Pete Davis's dad in nine

431
00:21:29,440 --> 00:21:32,080
Speaker 2: to eleven, I was like, and you know, somebody made

432
00:21:32,080 --> 00:21:34,000
Speaker 2: a point that when you tell jokes, you tell them

433
00:21:34,000 --> 00:21:36,600
Speaker 2: for humor and you tell them for shock value. Of course,

434
00:21:36,640 --> 00:21:40,000
Speaker 2: the George Floyd joke. That was a shock value joke.

435
00:21:40,280 --> 00:21:43,680
Speaker 2: And when they talk about our sister girl's husband committing suicide,

436
00:21:43,720 --> 00:21:46,160
Speaker 2: but they seem to be okay with it. So why

437
00:21:46,280 --> 00:21:48,359
Speaker 2: is everyone all up in arms? Listen?

438
00:21:48,600 --> 00:21:51,000
Speaker 1: The biggest issue I have with this social media thing

439
00:21:51,040 --> 00:21:54,879
Speaker 1: and this phone is it gives everybody power. Now everybody's

440
00:21:54,880 --> 00:21:55,840
Speaker 1: a comedian.

441
00:21:55,400 --> 00:21:58,959
Speaker 2: Come out, come out. We are the same people. Yeah,

442
00:22:00,080 --> 00:22:04,040
Speaker 2: i'd say, hey, man, what's your mama name? Right? No,

443
00:22:04,160 --> 00:22:08,440
Speaker 2: what's your mama? Make sure we ain't brothers? No, bro,

444
00:22:08,920 --> 00:22:09,600
Speaker 2: I said the same.

445
00:22:09,960 --> 00:22:14,160
Speaker 1: But let me say this people, Now everybody's a philosopher,

446
00:22:14,240 --> 00:22:18,480
Speaker 1: a comedian, a journalist, a doctor. And my thing is

447
00:22:18,640 --> 00:22:20,560
Speaker 1: I saw a girl say on there, a young black

448
00:22:20,600 --> 00:22:23,119
Speaker 1: girl because she was from Philly, and you know, Kevin's

449
00:22:23,160 --> 00:22:26,080
Speaker 1: born and raised, born and bred Philly. She goes, let

450
00:22:26,119 --> 00:22:28,560
Speaker 1: me speak on behalf of all Philadelphians. When I say

451
00:22:29,080 --> 00:22:32,080
Speaker 1: we're done, we don't want you. And I got into

452
00:22:32,119 --> 00:22:35,639
Speaker 1: comments and I said, really, who are you? And I

453
00:22:35,720 --> 00:22:37,439
Speaker 1: said you got to stop thinking it just because that's

454
00:22:37,480 --> 00:22:40,760
Speaker 1: how you feel, That's how everybody feels. And so many

455
00:22:40,800 --> 00:22:43,760
Speaker 1: people are quick to go, I'm follow you stop thinking

456
00:22:43,800 --> 00:22:45,640
Speaker 1: it just because you get out the water at the beach,

457
00:22:45,920 --> 00:22:49,360
Speaker 1: the sea level changes. No sling again, Just stop thinking

458
00:22:49,359 --> 00:22:50,680
Speaker 1: because you get out the water at the beach, the

459
00:22:50,720 --> 00:22:54,400
Speaker 1: sea level changes. Malcolm X said, all right, I'm telling

460
00:22:54,400 --> 00:22:55,879
Speaker 1: you stop thinking it just because you get out the

461
00:22:55,960 --> 00:23:00,399
Speaker 1: water at the beach. All right, all right, all right,

462
00:23:00,480 --> 00:23:02,679
Speaker 1: I'm telling you stop thinking it. Because you get out

463
00:23:02,680 --> 00:23:04,639
Speaker 1: the water at the beach, the sea level changes.

464
00:23:06,200 --> 00:23:06,560
Speaker 2: All right.

465
00:23:07,119 --> 00:23:12,640
Speaker 1: Huh, listen, you can't be worth half a billion dollars

466
00:23:13,280 --> 00:23:16,600
Speaker 1: and have a community and a legion of fans that

467
00:23:16,840 --> 00:23:19,680
Speaker 1: big and think that it just works your way. There're

468
00:23:19,720 --> 00:23:21,240
Speaker 1: gonna be people that go. If Kevin was to do

469
00:23:21,280 --> 00:23:23,359
Speaker 1: a concert right now in Philly, there're gonna be some

470
00:23:23,440 --> 00:23:25,320
Speaker 1: people to go. I ain't going because of the roast,

471
00:23:25,520 --> 00:23:28,159
Speaker 1: But there's also gonna be people going I'm going because

472
00:23:28,200 --> 00:23:30,280
Speaker 1: of the ros It works both ways.

473
00:23:30,960 --> 00:23:32,360
Speaker 2: Stop thinking you that important.

474
00:23:32,680 --> 00:23:36,159
Speaker 1: Nobody is that important unless you just do something so

475
00:23:36,480 --> 00:23:38,800
Speaker 1: heinously that's unforgivable.

476
00:23:39,760 --> 00:23:40,720
Speaker 2: Everything is forgivable.

477
00:23:41,200 --> 00:23:43,680
Speaker 5: As your brother and as one of your good friends.

478
00:23:43,720 --> 00:23:45,639
Speaker 5: Why do you read the comments? Because I know you

479
00:23:45,720 --> 00:23:49,600
Speaker 5: you're just like me. It's like watching game tape. Everybody's

480
00:23:49,600 --> 00:23:50,280
Speaker 5: a little sensitive.

481
00:23:50,359 --> 00:23:51,639
Speaker 2: Yeah, But why do you read the comments. If you

482
00:23:51,640 --> 00:23:52,480
Speaker 2: know it's gonna chink.

483
00:23:52,359 --> 00:23:54,320
Speaker 1: You off, It's game tape for me because what I

484
00:23:54,440 --> 00:23:56,399
Speaker 1: do is I look at what somebody could say to me.

485
00:23:56,880 --> 00:23:58,720
Speaker 1: So that way, if they say it to me, what's

486
00:23:58,800 --> 00:24:01,560
Speaker 1: my rebuttal? So you can't beat me if I go

487
00:24:01,640 --> 00:24:03,800
Speaker 1: to a comedy club and I go, okay, even as

488
00:24:03,800 --> 00:24:06,240
Speaker 1: a comedian, when I throw you out, I go that,

489
00:24:06,359 --> 00:24:08,720
Speaker 1: what if I was the guy who just heard what

490
00:24:08,840 --> 00:24:11,440
Speaker 1: I said? What's the comeback to beat what I said?

491
00:24:11,880 --> 00:24:14,199
Speaker 1: And if I can figure out what your comeback is, now,

492
00:24:14,200 --> 00:24:17,000
Speaker 1: I got to know what my comeback is. I'm like,

493
00:24:17,080 --> 00:24:19,480
Speaker 1: holy field man, I'm not hitting you with a seventeen

494
00:24:19,600 --> 00:24:23,040
Speaker 1: seventy six musket shot with a two hour reload, biting

495
00:24:23,119 --> 00:24:24,960
Speaker 1: the powder the gun. I'm hitting you with a five

496
00:24:25,040 --> 00:24:27,719
Speaker 1: eight piece combination, So you better hit me with your

497
00:24:27,720 --> 00:24:29,919
Speaker 1: best shot because I'm coming with ted a.

498
00:24:29,960 --> 00:24:32,520
Speaker 2: Lot of your clips. Are you doing CrowdWork? I've seen

499
00:24:32,560 --> 00:24:35,200
Speaker 2: you do CrowdWork. How long did it take you to

500
00:24:35,359 --> 00:24:35,800
Speaker 2: master that?

501
00:24:36,119 --> 00:24:37,200
Speaker 1: I don't think i've mastered it.

502
00:24:37,720 --> 00:24:41,480
Speaker 2: Oh what no, no, no, no, no, I'm telling you mastered.

503
00:24:41,520 --> 00:24:42,600
Speaker 2: I'm saying, well, I'm.

504
00:24:42,480 --> 00:24:46,440
Speaker 1: Gonna give you that. But humility says be humble. There's

505
00:24:46,520 --> 00:24:47,200
Speaker 1: no fuck, no map.

506
00:24:47,400 --> 00:24:49,159
Speaker 2: I'm telling you that you're going. You're not telling me

507
00:24:49,200 --> 00:24:51,040
Speaker 2: that you go. I'm telling you that you're mastered. That's

508
00:24:51,080 --> 00:24:53,320
Speaker 2: why I'm asking you the question. Okay, how long did

509
00:24:53,359 --> 00:24:55,800
Speaker 2: it take you to mass it? You know when I

510
00:24:55,880 --> 00:24:58,120
Speaker 2: first started? Oh? And you know what, get off this, humble.

511
00:24:58,240 --> 00:25:01,360
Speaker 2: I've been knowing you for twenty eight shack. I'm trying

512
00:25:01,359 --> 00:25:02,680
Speaker 2: to fix myself a little bit.

513
00:25:02,840 --> 00:25:03,800
Speaker 1: Fixing to grow.

514
00:25:04,160 --> 00:25:08,320
Speaker 2: Fix yourself at fifty, at fifty one, ten years, me

515
00:25:08,359 --> 00:25:10,360
Speaker 2: and you both gonna be in the mother old folks home.

516
00:25:10,680 --> 00:25:12,960
Speaker 2: It's too late. Be who you are. Brother.

517
00:25:14,160 --> 00:25:16,280
Speaker 1: When I first started doing standup, I was terrified at

518
00:25:16,320 --> 00:25:19,200
Speaker 1: the idea of CrowdWork because it meant not going with

519
00:25:19,320 --> 00:25:21,600
Speaker 1: your script. But then I said to myself again, and

520
00:25:21,640 --> 00:25:26,680
Speaker 1: I'm a Michael Jordan fanatic, no weaknesses. So if you

521
00:25:26,760 --> 00:25:28,720
Speaker 1: want to be one of the best, you have to

522
00:25:28,800 --> 00:25:32,879
Speaker 1: be able to leave the pocket and scramble, you know

523
00:25:32,920 --> 00:25:35,600
Speaker 1: what I mean. And that's the crowd work. And let

524
00:25:35,680 --> 00:25:37,520
Speaker 1: me give you an example. When people go all he

525
00:25:37,600 --> 00:25:40,960
Speaker 1: does is hey. I've said this multiple times. My CrowdWork

526
00:25:41,040 --> 00:25:43,000
Speaker 1: teachers with Joe Tory and d L.

527
00:25:43,119 --> 00:25:45,520
Speaker 2: Hewley. Now is that not me giving them their flowers.

528
00:25:46,040 --> 00:25:46,520
Speaker 2: You know what I mean.

529
00:25:46,840 --> 00:25:49,359
Speaker 1: I'm like a black mother. I smacked it out you

530
00:25:49,560 --> 00:25:51,600
Speaker 1: and then tell you I love you afterwards. But I'm

531
00:25:51,640 --> 00:25:54,240
Speaker 1: telling you them too was beas Joe Tory was crazy.

532
00:25:54,640 --> 00:25:56,600
Speaker 1: And you know what, let me address this because I

533
00:25:56,680 --> 00:26:00,600
Speaker 1: hate where people go. There are people now that go. Man.

534
00:26:00,720 --> 00:26:03,080
Speaker 1: I don't like when people do crowd work. It's easy,

535
00:26:03,400 --> 00:26:04,760
Speaker 1: or it's cheap, or it's a crutch.

536
00:26:05,160 --> 00:26:07,120
Speaker 2: I look at it. I'm gonna put it in football terms.

537
00:26:07,680 --> 00:26:11,160
Speaker 1: You could be a Hall of Fame award winning quarterback

538
00:26:11,240 --> 00:26:14,960
Speaker 1: and stay in the pocket all Tom Brady or Peyton Manning.

539
00:26:15,320 --> 00:26:18,080
Speaker 1: But if you can Michael Vikett and leave the pocket

540
00:26:18,160 --> 00:26:21,000
Speaker 1: and do CrowdWork and go off the dome, now you

541
00:26:21,119 --> 00:26:24,680
Speaker 1: twice as deadly. How you hate on that, just say

542
00:26:24,720 --> 00:26:27,280
Speaker 1: you can't do it. Just say you can't do it.

543
00:26:27,280 --> 00:26:29,440
Speaker 1: It's an art form. It's part of the game.

544
00:26:30,000 --> 00:26:31,800
Speaker 2: For some reason, when I woke up this morning, I

545
00:26:31,880 --> 00:26:34,800
Speaker 2: saw a picture of Patrick Ewen on the phone. And

546
00:26:35,040 --> 00:26:37,680
Speaker 2: Patrick Ewen was the guy that made me step my

547
00:26:37,800 --> 00:26:40,679
Speaker 2: game out. Yeah, I was in high school college. When

548
00:26:40,720 --> 00:26:42,800
Speaker 2: I played him in the garden, I realized I wasn't

549
00:26:42,880 --> 00:26:46,159
Speaker 2: that good. What comedian. When you saw or when you

550
00:26:46,240 --> 00:26:49,159
Speaker 2: went before, when you went after, you said to yourself,

551
00:26:49,200 --> 00:26:50,400
Speaker 2: you know what, I got to step my game.

552
00:26:50,520 --> 00:26:54,080
Speaker 1: I've never performed before or after them, I've never shared

553
00:26:54,080 --> 00:26:59,280
Speaker 1: the stage with them, but hands down, Dave Chappelle, Well,

554
00:26:59,280 --> 00:27:01,639
Speaker 1: I think it's the great comic of this generation. And

555
00:27:01,800 --> 00:27:08,480
Speaker 1: the other one passed away. Patrisea O'Neil to monsters too, monsters.

556
00:27:09,000 --> 00:27:11,960
Speaker 1: And I've said this before, if I had to follow anybody,

557
00:27:12,400 --> 00:27:15,240
Speaker 1: no one strikes fear in my heart except maybe them two.

558
00:27:16,640 --> 00:27:19,600
Speaker 2: That's it. That was real. Humble what you just said.

559
00:27:19,680 --> 00:27:21,080
Speaker 2: Say it again, Say it again.

560
00:27:21,480 --> 00:27:23,560
Speaker 1: No one strikes fear in my heart except them too.

561
00:27:23,600 --> 00:27:25,960
Speaker 2: And one of them is going, you're so humble, brother,

562
00:27:30,480 --> 00:27:33,600
Speaker 2: Remember when and one was around. Yeah. So a lot

563
00:27:33,640 --> 00:27:35,639
Speaker 2: of the NBA players look down on that. So my

564
00:27:35,840 --> 00:27:39,600
Speaker 2: question to you is you look down on the internet comedians.

565
00:27:39,720 --> 00:27:42,000
Speaker 2: You can be honest and don't be humble with this.

566
00:27:42,080 --> 00:27:44,639
Speaker 1: No, no, I don't look down on them. But you

567
00:27:44,760 --> 00:27:47,639
Speaker 1: can't just come to this game thinking what you do

568
00:27:47,880 --> 00:27:52,520
Speaker 1: online is a career substance. You got to have a foundation.

569
00:27:52,920 --> 00:27:54,480
Speaker 1: There's been too many times when let.

570
00:27:54,440 --> 00:27:57,240
Speaker 2: Me stup you. If you're getting twenty million views. That's

571
00:27:57,320 --> 00:28:00,520
Speaker 2: not a foundation, brother, No, that's money. They think it's

572
00:28:00,520 --> 00:28:01,040
Speaker 2: a foundation.

573
00:28:01,440 --> 00:28:03,840
Speaker 1: That's why they aren't where they as good as us,

574
00:28:04,280 --> 00:28:06,480
Speaker 1: because I've gone to cities and they go, yeah, we

575
00:28:06,600 --> 00:28:10,080
Speaker 1: had the YouTube sensation here only did a fifteen to

576
00:28:10,119 --> 00:28:13,960
Speaker 1: twenty minute show. Couldn't maintain an hour. And even there

577
00:28:14,080 --> 00:28:17,960
Speaker 1: there are some dudes in this game who you would

578
00:28:17,960 --> 00:28:21,480
Speaker 1: say are veterans. They'll do an hour. It's the whole

579
00:28:21,560 --> 00:28:26,639
Speaker 1: hour solid, maybe twenty thirty forty. But my thing is

580
00:28:26,880 --> 00:28:29,320
Speaker 1: from the time I come out from Hello to good night,

581
00:28:29,720 --> 00:28:32,160
Speaker 1: I want to be Mike Tyson in the eighties. I'm

582
00:28:32,200 --> 00:28:34,840
Speaker 1: trying to knock your dome off for the whole fight.

583
00:28:35,640 --> 00:28:37,120
Speaker 1: So that's just But that's me though.

584
00:28:37,680 --> 00:28:40,840
Speaker 2: So give me a internet comedian that's one of your

585
00:28:40,880 --> 00:28:44,400
Speaker 2: favorites that you say that if he, if he's taught properly,

586
00:28:44,960 --> 00:28:46,800
Speaker 2: he can get to that next level. I don't have one.

587
00:28:48,160 --> 00:28:51,120
Speaker 1: I don't have one. I don't I don't, I don't

588
00:28:51,600 --> 00:28:53,640
Speaker 1: I combine it internet and comedian.

589
00:28:53,840 --> 00:28:57,000
Speaker 2: Yes, country wain't come on, make give me something. Not

590
00:28:57,120 --> 00:29:01,400
Speaker 2: my cup of tea, DC, Young Fla, the eighty five

591
00:29:01,520 --> 00:29:02,240
Speaker 2: South Boys.

592
00:29:02,280 --> 00:29:05,280
Speaker 1: All good young guns, just not my cup of tea

593
00:29:05,560 --> 00:29:08,200
Speaker 1: and I'm not on them, but you like what you like.

594
00:29:09,320 --> 00:29:12,240
Speaker 2: You know, those brothers are talent. The eighty five absolutely

595
00:29:12,280 --> 00:29:14,680
Speaker 2: and it was phenomenal. I went to one of their

596
00:29:14,720 --> 00:29:15,880
Speaker 2: shows that they killed.

597
00:29:16,440 --> 00:29:19,080
Speaker 1: I caught shit because people thought I said, I'm not

598
00:29:19,160 --> 00:29:21,479
Speaker 1: a big fan of performing in the South, and then

599
00:29:21,520 --> 00:29:24,920
Speaker 1: I jokingly said, I like performing in front of read.

600
00:29:26,360 --> 00:29:26,880
Speaker 2: I saw that.

601
00:29:27,120 --> 00:29:31,480
Speaker 1: You know, I'm being funny. Listen, just hold on, hold on.

602
00:29:31,520 --> 00:29:34,240
Speaker 2: Hold on, say it again, and I'm gonna analyze them

603
00:29:34,320 --> 00:29:36,600
Speaker 2: both sides. I'm gonna go to the funny side first,

604
00:29:36,680 --> 00:29:37,360
Speaker 2: go ahead.

605
00:29:37,360 --> 00:29:40,000
Speaker 1: I'm not a fan of performing in the South because

606
00:29:40,000 --> 00:29:40,960
Speaker 1: I like it read.

607
00:29:41,840 --> 00:29:43,400
Speaker 2: That's funny. That's a great joke.

608
00:29:43,440 --> 00:29:45,240
Speaker 1: Now let me go to do that in my stand up.

609
00:29:45,880 --> 00:29:48,280
Speaker 2: Now, let me go to the sensors side and tell

610
00:29:48,320 --> 00:29:50,800
Speaker 2: you why they said that. Go ahead, say it again.

611
00:29:51,560 --> 00:29:53,160
Speaker 1: I don't like performing in the South because I like

612
00:29:53,280 --> 00:29:53,720
Speaker 1: to read.

613
00:29:54,200 --> 00:29:56,400
Speaker 2: And how you think down in the Mississippi gonna feel

614
00:29:56,400 --> 00:29:58,680
Speaker 2: when you said that because you said Mississippi.

615
00:29:59,320 --> 00:30:00,880
Speaker 1: Well, as long as I don't put it in a book,

616
00:30:00,880 --> 00:30:01,400
Speaker 1: they'll never know.

617
00:30:08,880 --> 00:30:09,880
Speaker 2: That's crazy. Man.

618
00:30:11,560 --> 00:30:13,200
Speaker 1: Listen, and but here's let me let me then then

619
00:30:13,240 --> 00:30:15,400
Speaker 1: let me give you the full thing though. First of all,

620
00:30:15,560 --> 00:30:17,480
Speaker 1: I perform here every year, and now if Fred of

621
00:30:17,520 --> 00:30:20,720
Speaker 1: Georgia at the Helium one of the best clubs. I

622
00:30:20,880 --> 00:30:24,240
Speaker 1: just recently did a concert in Augusta, which before that

623
00:30:24,400 --> 00:30:27,400
Speaker 1: I was in Wilmington, Delaware, East Coast, and I'm such

624
00:30:27,400 --> 00:30:31,200
Speaker 1: an East Coast dude. Augusta was better than there. I

625
00:30:31,560 --> 00:30:35,600
Speaker 1: love Nashville. I was mainly talking about Mississippi and Memphis,

626
00:30:38,240 --> 00:30:40,560
Speaker 1: and did the NBA players just not say Memphis is

627
00:30:40,600 --> 00:30:45,040
Speaker 1: one of the worst places to perform. You know that

628
00:30:45,240 --> 00:30:48,880
Speaker 1: you heard that, so there is validity and what I'm saying.

629
00:30:49,600 --> 00:30:51,720
Speaker 2: I haven't played America. I haven't played in the NBA

630
00:30:51,800 --> 00:30:55,440
Speaker 2: in twenty years. Come on, listen.

631
00:30:56,000 --> 00:30:58,840
Speaker 1: I did Chuckles in Memphis one time, and this was

632
00:30:59,560 --> 00:31:02,800
Speaker 1: kind of like after COVID, so the attendance wasn't that great.

633
00:31:03,120 --> 00:31:05,840
Speaker 1: But my issue was this. The first line of defense

634
00:31:06,000 --> 00:31:09,040
Speaker 1: was a security guard. There's three hundred and fifty pounds,

635
00:31:09,400 --> 00:31:12,400
Speaker 1: but I'll excuse that you got a gun. But while

636
00:31:12,480 --> 00:31:14,760
Speaker 1: the show is going on, this is even hot wings.

637
00:31:15,240 --> 00:31:17,440
Speaker 1: So if some popped off and you gotta reach for

638
00:31:17,560 --> 00:31:20,040
Speaker 1: your gun, you got to lick sauce off your fingers

639
00:31:20,240 --> 00:31:23,200
Speaker 1: and enable fumble the pistol while I'm just getting beat up?

640
00:31:24,440 --> 00:31:27,880
Speaker 1: Is that professional? My life is in your hands and

641
00:31:27,960 --> 00:31:31,000
Speaker 1: you got buffalo sauce, hold on your fingertips, reaching for

642
00:31:31,120 --> 00:31:31,440
Speaker 1: your gun?

643
00:31:33,560 --> 00:31:40,600
Speaker 2: Come on, man, when are you getting your own Netflix special?

644
00:31:41,080 --> 00:31:44,320
Speaker 2: Netflix don't like me. I didn't ask you. I would

645
00:31:44,400 --> 00:31:46,520
Speaker 2: love to get a Netflix special. They don't like me.

646
00:31:46,640 --> 00:31:47,320
Speaker 1: They don't with me.

647
00:31:48,560 --> 00:31:54,200
Speaker 5: You need connections, okay, Shaq, you want to do something, Yeah,

648
00:31:54,520 --> 00:31:58,960
Speaker 5: I'm here. I'm on it, all right, no doubt, I'm

649
00:31:59,000 --> 00:31:59,200
Speaker 5: on it.

650
00:31:59,600 --> 00:32:03,280
Speaker 2: Deal on it. If I did a roast, tell me

651
00:32:03,320 --> 00:32:04,920
Speaker 2: if you like this idea. I want to do a

652
00:32:05,040 --> 00:32:09,479
Speaker 2: roll some color black and white because I think white comedy,

653
00:32:09,560 --> 00:32:12,120
Speaker 2: which I still like and enjoy, is different than black comedy.

654
00:32:12,120 --> 00:32:13,719
Speaker 2: So I want to get five and five. You think

655
00:32:13,760 --> 00:32:16,360
Speaker 2: I'd be a good idea in this climate because my

656
00:32:16,440 --> 00:32:20,160
Speaker 2: people don't seem to like that idea. Yeah, especially if

657
00:32:20,200 --> 00:32:22,520
Speaker 2: you get to write monke. Yeah, but what if they

658
00:32:22,560 --> 00:32:27,640
Speaker 2: start saying some gorilla monkey jokes and will I bother you? No? Nothing, nothing,

659
00:32:27,760 --> 00:32:30,840
Speaker 2: there we go, nothing bothers me. I'm humble, there we go. Yeah,

660
00:32:31,200 --> 00:32:31,760
Speaker 2: I'm humble.

661
00:32:31,800 --> 00:32:36,479
Speaker 1: Oh listen, man, I'm gonna tell you once back when

662
00:32:36,520 --> 00:32:39,400
Speaker 1: I was on Twitter I said something about your man,

663
00:32:39,480 --> 00:32:41,640
Speaker 1: d Wade, and I love d Wade. Matter of fact,

664
00:32:41,640 --> 00:32:44,840
Speaker 1: I tell this story when people go, uh, so, once

665
00:32:44,920 --> 00:32:47,200
Speaker 1: Michael Jordan retired, you stopped watching ball? I said, no,

666
00:32:47,720 --> 00:32:50,720
Speaker 1: what I did was Shack's my man. So when Shaq

667
00:32:50,960 --> 00:32:53,960
Speaker 1: went to Miami, it introduced me to Wade, and I

668
00:32:54,040 --> 00:32:56,320
Speaker 1: fell in love with Wade. So I became a Heat fan.

669
00:32:56,760 --> 00:33:00,160
Speaker 1: And then once you left, then Lebron came on. I'm

670
00:33:00,200 --> 00:33:02,760
Speaker 1: not the biggest Lebron fan, but still it was d Wade.

671
00:33:03,160 --> 00:33:05,920
Speaker 1: But now, at one point in Dwade's career, and d Wade,

672
00:33:05,920 --> 00:33:07,680
Speaker 1: if you see this, you know it's love.

673
00:33:07,720 --> 00:33:07,920
Speaker 2: Brother.

674
00:33:08,320 --> 00:33:09,680
Speaker 1: At one point in his career when he was on

675
00:33:09,760 --> 00:33:12,520
Speaker 1: the down side, I tweeted, I don't even know why

676
00:33:12,600 --> 00:33:14,480
Speaker 1: he washed up after the games. You don't even why

677
00:33:14,520 --> 00:33:18,680
Speaker 1: he shower after games. He already watched up. Now on

678
00:33:18,800 --> 00:33:19,440
Speaker 1: a roast, that.

679
00:33:19,520 --> 00:33:23,360
Speaker 2: Would be yeah, But remember you got ten million, he

680
00:33:23,440 --> 00:33:25,680
Speaker 2: got thirty million. By the time to get back to him,

681
00:33:26,400 --> 00:33:28,920
Speaker 2: you hurt that man's feelings. Man, apologize to that man

682
00:33:29,000 --> 00:33:30,600
Speaker 2: right now. D Wade. You know I love you, bro.

683
00:33:31,240 --> 00:33:35,040
Speaker 2: You know, come on, man, anybody ever try to fight you. Oh,

684
00:33:35,160 --> 00:33:35,560
Speaker 2: you ain't a.

685
00:33:35,560 --> 00:33:37,880
Speaker 1: Comedian unless somebody tries to fight. No, No, I mean

686
00:33:38,000 --> 00:33:40,200
Speaker 1: like I mean, I mean like anybody in our space,

687
00:33:40,360 --> 00:33:44,400
Speaker 1: like you know, celebrity, the comedians, like yeah, other comedians, celebrities.

688
00:33:44,680 --> 00:33:48,160
Speaker 1: I've had, I've had audience members want to fight me.

689
00:33:49,400 --> 00:33:49,560
Speaker 2: You know.

690
00:33:49,640 --> 00:33:51,320
Speaker 1: I had a in Connecticut at the Funny Bone. I

691
00:33:51,360 --> 00:33:53,000
Speaker 1: had a girl throw a ketch a bottle at my face.

692
00:33:53,240 --> 00:33:55,640
Speaker 1: And god it was plastic because once she hit me

693
00:33:56,000 --> 00:33:58,520
Speaker 1: a little bit of my face swelled up and I

694
00:33:58,600 --> 00:33:59,880
Speaker 1: still had to keep on with the show.

695
00:34:00,800 --> 00:34:03,000
Speaker 2: And why did she hit you? What joke did you? Did? You?

696
00:34:03,760 --> 00:34:06,200
Speaker 1: Was that she wasn't laughing at anything. And I don't

697
00:34:06,240 --> 00:34:09,680
Speaker 1: care how good you are for a comic. Let's say

698
00:34:09,680 --> 00:34:12,480
Speaker 1: you perform five hundred people in the room, four ninety

699
00:34:12,560 --> 00:34:15,439
Speaker 1: nine are dying, but this one person isn't you hone

700
00:34:15,520 --> 00:34:17,720
Speaker 1: in on that? Yes, what's your problem?

701
00:34:17,880 --> 00:34:18,239
Speaker 2: That's true?

702
00:34:18,320 --> 00:34:21,759
Speaker 1: So I after calling a couple of bits, but after

703
00:34:21,840 --> 00:34:26,160
Speaker 1: calling a couple But I do that with everybody. I'll

704
00:34:26,200 --> 00:34:28,960
Speaker 1: do that with everybody. Crazy man, you know here, I

705
00:34:29,040 --> 00:34:32,000
Speaker 1: say this all the time again, Michael Joe is my

706
00:34:32,040 --> 00:34:32,560
Speaker 1: favorite player.

707
00:34:32,560 --> 00:34:33,280
Speaker 2: Here's my problem.

708
00:34:33,520 --> 00:34:37,080
Speaker 1: I got Michael Jordan's dreams, but Dennis Robin habits you

709
00:34:37,200 --> 00:34:37,719
Speaker 1: wanted them.

710
00:34:37,640 --> 00:34:40,280
Speaker 2: To do is that you'll you'll, you'll mess with somebody

711
00:34:40,400 --> 00:34:41,719
Speaker 2: and as soon as they hit you, you be like,

712
00:34:42,400 --> 00:34:46,640
Speaker 2: hit me for man, huh hit before men. Let you

713
00:34:46,760 --> 00:34:48,400
Speaker 2: hear it right, You just be your mama and that

714
00:34:48,560 --> 00:34:50,239
Speaker 2: your mother your daddy is I'm gonna kill you this

715
00:34:50,360 --> 00:34:53,279
Speaker 2: as soon as they hit you before, I will suit

716
00:34:53,640 --> 00:34:56,840
Speaker 2: out you. So, if you were starting your career today,

717
00:34:57,200 --> 00:34:59,000
Speaker 2: how would you leverage the internet to get you a

718
00:34:59,080 --> 00:35:03,239
Speaker 2: big break to launch career? How would I leverage the internet? Yeah,

719
00:35:03,360 --> 00:35:04,480
Speaker 2: you internet comedian.

720
00:35:08,040 --> 00:35:09,960
Speaker 1: I'm not savvy when it comes to the Internet, so

721
00:35:10,000 --> 00:35:12,280
Speaker 1: I would have to take a step back and hire

722
00:35:12,320 --> 00:35:16,960
Speaker 1: the right people who know better than I do. That's humility,

723
00:35:17,000 --> 00:35:17,279
Speaker 1: isn't it.

724
00:35:18,480 --> 00:35:26,319
Speaker 2: Yeah, humility about fifteen seconds of each eight hours. Who's

725
00:35:26,360 --> 00:35:28,400
Speaker 2: on that? Oh, I gotta take this.

726
00:35:29,200 --> 00:35:31,320
Speaker 10: He's picking up his phone during the podcast.

727
00:35:31,640 --> 00:35:34,279
Speaker 2: Hello, Hey man, I know you're visiting right now, but

728
00:35:34,600 --> 00:35:38,319
Speaker 2: I just crashed the shockmobile. No need to panic, man.

729
00:35:38,440 --> 00:35:40,920
Speaker 2: Remember when you got the General insurance online? The customer

730
00:35:41,000 --> 00:35:43,239
Speaker 2: service was quick and easy. I did, man. They gave

731
00:35:43,280 --> 00:35:44,839
Speaker 2: me a break on my car insruant when I needed

732
00:35:44,920 --> 00:35:46,640
Speaker 2: it the most, I know. But you got nothing to

733
00:35:46,680 --> 00:35:48,520
Speaker 2: worry about. The General will keep you in the game.

734
00:35:48,760 --> 00:35:50,680
Speaker 2: Call him up or jump on the app to report

735
00:35:50,719 --> 00:35:53,080
Speaker 2: your claim. Now. Trust me, he's going to take care

736
00:35:53,120 --> 00:35:55,719
Speaker 2: of you. It's cool. I got the General Insurance. I'll

737
00:35:55,760 --> 00:35:58,080
Speaker 2: follow my claim on the app right now. All right, man,

738
00:35:58,160 --> 00:36:00,360
Speaker 2: Remember the General is here to keep you moving forward.

739
00:36:00,360 --> 00:36:02,600
Speaker 2: I got to get back to the pot. This episode

740
00:36:02,640 --> 00:36:04,320
Speaker 2: of the Big Podcast is Shack is brought to you

741
00:36:04,440 --> 00:36:07,480
Speaker 2: by the General Insurance. You know, Shaq loves the General,

742
00:36:07,800 --> 00:36:10,719
Speaker 2: before the League, before the Rings, before I got my

743
00:36:10,800 --> 00:36:12,840
Speaker 2: big break. I've been rocking with the General since I

744
00:36:12,920 --> 00:36:15,800
Speaker 2: own my first car. The General has been offering quality

745
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Speaker 2: auto coverage for over sixty years. And you already know

746
00:36:18,800 --> 00:36:20,839
Speaker 2: the General was there for Shack when I needed him.

747
00:36:21,160 --> 00:36:23,760
Speaker 2: Low rates and flexible payment options to keep you covered.

748
00:36:24,040 --> 00:36:26,160
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749
00:36:26,280 --> 00:36:28,279
Speaker 2: to do. Visit the General dot com to get a

750
00:36:28,360 --> 00:36:31,200
Speaker 2: quote today. Again, visit the General dot com to get

751
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Speaker 2: a quote today. And it wouldn't be the Big Podcast

752
00:36:33,800 --> 00:36:36,480
Speaker 2: without the General Insurance. Would you like to sing the song?

753
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754
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Speaker 2: Go to the General. Say you some time beyond your

755
00:36:43,440 --> 00:36:47,799
Speaker 2: own comedy special, Give me your your four or your five?

756
00:36:48,120 --> 00:36:50,480
Speaker 2: Who's start? And give me number two? Number three, number four?

757
00:36:50,880 --> 00:36:51,839
Speaker 2: And who's closing out?

758
00:36:53,200 --> 00:36:56,320
Speaker 1: If he was alive, I'd say me Dave, Patrese?

759
00:36:56,840 --> 00:36:59,520
Speaker 2: No, no, forgive me? Who's I mean? Okay, well, welcome

760
00:36:59,560 --> 00:37:03,239
Speaker 2: to the area, Spirits comedy night, whatever, alright, Who's Who's

761
00:37:03,280 --> 00:37:06,240
Speaker 2: I would? I would start? Okay, you start, I would start.

762
00:37:06,320 --> 00:37:09,200
Speaker 1: I'd have patrise second and Dave close it out?

763
00:37:10,040 --> 00:37:14,480
Speaker 2: No, no, Mike Gaps, no Kevin, no Kat no no.

764
00:37:15,120 --> 00:37:16,320
Speaker 1: And Cat's one of the best.

765
00:37:16,840 --> 00:37:19,120
Speaker 2: Just not my cup of tea? All right? When you

766
00:37:19,200 --> 00:37:21,560
Speaker 2: say not my cup of tea, explain what that means.

767
00:37:22,560 --> 00:37:23,480
Speaker 1: Just who makes me laugh?

768
00:37:23,600 --> 00:37:23,640
Speaker 6: Like?

769
00:37:23,840 --> 00:37:26,600
Speaker 1: Who really touches my funny bone? Who makes me wipe

770
00:37:26,640 --> 00:37:29,080
Speaker 1: my tear ducks and and rub my temples?

771
00:37:29,560 --> 00:37:32,120
Speaker 2: So are you the comedian that only likes your style

772
00:37:32,120 --> 00:37:34,160
Speaker 2: of comedian? I mean you're excuse me.

773
00:37:34,880 --> 00:37:37,399
Speaker 1: I can't respect a style, you know what I mean?

774
00:37:37,520 --> 00:37:38,680
Speaker 1: Like a Franklin and Ji.

775
00:37:39,120 --> 00:37:42,120
Speaker 2: Or or don't make you laugh? Who Mike apps?

776
00:37:42,719 --> 00:37:45,000
Speaker 1: Mike's a funny mother. But Mike to me is more

777
00:37:45,120 --> 00:37:48,480
Speaker 1: entertaining for me in movies than stand up. He's a

778
00:37:48,560 --> 00:37:53,440
Speaker 1: scene stealer. He knows how to make a moment boone hilarious.

779
00:37:54,400 --> 00:37:58,319
Speaker 1: Why are you stand up? He just said listen. Chris

780
00:37:58,480 --> 00:38:02,359
Speaker 1: Rock is a genius, one of the best. I love

781
00:38:02,400 --> 00:38:04,719
Speaker 1: black people. I hate but I've told Tony Rock that's

782
00:38:04,760 --> 00:38:09,920
Speaker 1: his brother. Styles funny and you two. I get Chris's genius,

783
00:38:10,239 --> 00:38:11,680
Speaker 1: but he doesn't do it for me.

784
00:38:12,000 --> 00:38:15,160
Speaker 2: Okay with us. I think the difference between our comedy

785
00:38:15,160 --> 00:38:17,759
Speaker 2: and that comedy. We have different styles inside the style.

786
00:38:18,719 --> 00:38:21,320
Speaker 2: You see what I'm saying. Like, Corey Holcomb is darkest.

787
00:38:21,920 --> 00:38:23,520
Speaker 2: Corey Holcomb is a monster.

788
00:38:23,880 --> 00:38:25,680
Speaker 1: Despite the fact that we can't stand each other.

789
00:38:25,920 --> 00:38:28,719
Speaker 2: He's dark. He's a monster. He is a monster. Yeah,

790
00:38:28,719 --> 00:38:32,000
Speaker 2: it's dark. Then we got Tony Robbins and you go

791
00:38:32,040 --> 00:38:34,200
Speaker 2: boom boom, boom boom all the way it out to

792
00:38:34,320 --> 00:38:37,160
Speaker 2: Chris Rock and Dave Chappelle. I put Dave and Chris

793
00:38:37,280 --> 00:38:40,200
Speaker 2: over here. They're great. They are. But I like all

794
00:38:40,280 --> 00:38:42,680
Speaker 2: types of comedy, but I love that dark. I gotta

795
00:38:42,719 --> 00:38:45,040
Speaker 2: disagree with you on that, Mike Gaps, Mike Epps, make

796
00:38:45,080 --> 00:38:46,920
Speaker 2: me let case see. I like, I hate to say it.

797
00:38:47,040 --> 00:38:50,040
Speaker 2: I love the comedy. Yeah, I love it. Who don't

798
00:38:50,160 --> 00:38:52,279
Speaker 2: I love it? No, that's my right.

799
00:38:52,760 --> 00:38:54,400
Speaker 1: Like that's like that's like, let me go back though

800
00:38:55,440 --> 00:38:58,200
Speaker 1: when people go and I read it a lot online,

801
00:38:58,640 --> 00:39:01,680
Speaker 1: Kevin Hart ain't funny. Just say funny, just say to

802
00:39:01,800 --> 00:39:04,640
Speaker 1: you because and again he's not my cup of tea.

803
00:39:04,800 --> 00:39:08,920
Speaker 1: But to deny his funny it's crazy. I always look

804
00:39:08,960 --> 00:39:12,520
Speaker 1: at Kevin is like a a Caprice son who doesn't

805
00:39:12,600 --> 00:39:15,520
Speaker 1: enjoy a nice, cool Caprice son. I'm like Hennessy out

806
00:39:15,560 --> 00:39:18,560
Speaker 1: the oven. What I mean, I'm a little bit more.

807
00:39:18,840 --> 00:39:21,400
Speaker 2: Oh, I know you. I'm trying to make sure that's

808
00:39:21,480 --> 00:39:22,680
Speaker 2: not a disc say it again.

809
00:39:23,400 --> 00:39:27,560
Speaker 1: Like a Caprice son, He's enjoyable to everybody who doesn't

810
00:39:27,640 --> 00:39:30,040
Speaker 1: enjoy a nice, cool, cold Caprice on on the July.

811
00:39:31,280 --> 00:39:34,080
Speaker 1: It goes down with that that palette. He goes down

812
00:39:34,120 --> 00:39:34,880
Speaker 1: on any palate.

813
00:39:35,080 --> 00:39:37,080
Speaker 2: That's how you should start dissing people. Give him, give

814
00:39:37,120 --> 00:39:39,799
Speaker 2: him nice analysis. That was nice right there. Yeah. I mean,

815
00:39:39,800 --> 00:39:42,080
Speaker 2: because I hate to say, and I kind of know

816
00:39:42,120 --> 00:39:46,320
Speaker 2: why you're misunderstood. You're very harsh and very honest, Charles Bocker.

817
00:39:46,400 --> 00:39:48,920
Speaker 1: That's that's hard for people to take. It's hard for

818
00:39:49,000 --> 00:39:49,520
Speaker 1: people to take.

819
00:39:49,800 --> 00:39:52,160
Speaker 2: You get one hour with these legends. Who are you

820
00:39:52,280 --> 00:39:57,600
Speaker 2: picking and why Richard pryor Bernie mac Patrese O'Neill or

821
00:39:57,719 --> 00:39:59,360
Speaker 2: Red Fox Patrise O'Neill.

822
00:40:02,640 --> 00:40:04,880
Speaker 1: If you really listened to Patrice, do you know.

823
00:40:05,000 --> 00:40:07,840
Speaker 2: Who Patrise was? I know who he is. I was.

824
00:40:08,000 --> 00:40:11,280
Speaker 1: He was so funny on his HBO half hour special

825
00:40:11,600 --> 00:40:15,080
Speaker 1: when he did the joke about, uh, Mike Tyson and

826
00:40:15,560 --> 00:40:19,160
Speaker 1: the woman and uh, what happens if a woman loses

827
00:40:19,480 --> 00:40:22,160
Speaker 1: a terrible train accident? How would you keep your man happy?

828
00:40:22,680 --> 00:40:24,520
Speaker 1: That's that's different level of comedy.

829
00:40:24,560 --> 00:40:26,719
Speaker 2: Man. He was so funny. I got in grouping mode.

830
00:40:26,920 --> 00:40:30,520
Speaker 2: I tried to see if he was related. Know, for

831
00:40:31,280 --> 00:40:33,120
Speaker 2: just I could tell people he was my cousin. Yes,

832
00:40:33,200 --> 00:40:35,719
Speaker 2: he was townly. Yeah, I hate I miss him. But

833
00:40:36,239 --> 00:40:37,040
Speaker 2: over Red Fox.

834
00:40:38,040 --> 00:40:38,880
Speaker 1: Yeah, Red Fox.

835
00:40:39,800 --> 00:40:43,200
Speaker 2: Hold on, I'm telling you now, if you're just Red Fox,

836
00:40:43,239 --> 00:40:44,520
Speaker 2: it's gonna be some furniture movie.

837
00:40:44,600 --> 00:40:49,479
Speaker 1: I played Red Fox in the movie. But Red Fox

838
00:40:49,600 --> 00:40:53,200
Speaker 1: comes from a generation that feels like it's from a

839
00:40:53,320 --> 00:40:56,279
Speaker 1: time that's how do they what's that saying?

840
00:40:56,280 --> 00:40:56,680
Speaker 2: Where they go?

841
00:40:57,280 --> 00:40:59,120
Speaker 1: You did stand from the son? Stop it you're talking

842
00:40:59,120 --> 00:41:00,839
Speaker 1: about a TV show. I'm a stand up.

843
00:41:02,400 --> 00:41:03,279
Speaker 2: Areas you need to stop.

844
00:41:03,360 --> 00:41:05,160
Speaker 1: I don't know that his stand up is timeless.

845
00:41:06,520 --> 00:41:06,840
Speaker 2: Stop.

846
00:41:07,480 --> 00:41:09,719
Speaker 1: I'm the Bridgie Marraaunci told me, hurt me. I hit

847
00:41:09,760 --> 00:41:12,240
Speaker 1: in the head with the brick. That's funny in the sixties,

848
00:41:12,680 --> 00:41:16,840
Speaker 1: in the sixties, was born in the nineteen thirty that

849
00:41:16,920 --> 00:41:19,120
Speaker 1: he can. But some comedy trendscends time.

850
00:41:19,840 --> 00:41:25,320
Speaker 2: Bernie mac Love, Bernie Love, Bernie Okay, Juggernaut, Richard Bryce,

851
00:41:26,080 --> 00:41:29,680
Speaker 2: he's the babe ruth of this.

852
00:41:30,920 --> 00:41:33,120
Speaker 5: What was your first impression that you did as a kid,

853
00:41:33,400 --> 00:41:36,840
Speaker 5: the first one? Oh God, probably Bill Cosby.

854
00:41:37,239 --> 00:41:37,680
Speaker 2: I knew it.

855
00:41:38,239 --> 00:41:40,000
Speaker 1: Yeah, I was then eighties baby, So I grew up

856
00:41:40,400 --> 00:41:42,960
Speaker 1: in the eighties in front of that TV, you know,

857
00:41:43,120 --> 00:41:46,040
Speaker 1: and you know what Bill Bill at Macho man, Randy Savage.

858
00:41:46,760 --> 00:41:49,760
Speaker 11: Yeah, I know who you knew the who you knew

859
00:41:51,120 --> 00:41:57,080
Speaker 11: this fready it's gonna be wrong. It's gonna be a

860
00:41:57,160 --> 00:41:59,080
Speaker 11: blood bit hook in one corner.

861
00:41:59,560 --> 00:42:06,080
Speaker 2: Mean, yeah, Godfrey, you got some explaining it to Lonzo

862
00:42:06,239 --> 00:42:08,719
Speaker 2: one of my sponsor means blue moon And speaking of

863
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864
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865
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Speaker 1: Headed to the moon with this? Yeah, I think they've

866
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Speaker 1: already gotten there, you know. Oh me, I'm headed to

867
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Speaker 1: the moon because Dave and Kevin already did.

868
00:42:23,520 --> 00:42:24,680
Speaker 2: What will get you to the moon.

869
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Speaker 1: I need that one thing.

870
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Speaker 2: What's that?

871
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Speaker 1: I don't know if it's a movie, a viral clip

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879
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Speaker 2: This is looking pretty good. You won't have to make

880
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Speaker 2: me one of those two if the Big Pole Poloma

881
00:42:54,239 --> 00:42:56,800
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882
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Speaker 2: be good. Woo. That's nice, Thank you, It's phenomenal.

883
00:43:06,320 --> 00:43:10,760
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884
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885
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Speaker 1: Think wisely, drink wisely.

886
00:43:15,640 --> 00:43:19,719
Speaker 2: I'm gonna take you two. Oh gosh. Today we're talking

887
00:43:19,800 --> 00:43:22,120
Speaker 2: power moves, you know what I mean, those moments where

888
00:43:22,160 --> 00:43:25,360
Speaker 2: somebody steps up and changes the game, Like when somebody

889
00:43:25,440 --> 00:43:28,279
Speaker 2: goes from overlook to undeniable, puts in the work and

890
00:43:28,360 --> 00:43:31,040
Speaker 2: secures the win. That's a power move. Or when you

891
00:43:31,160 --> 00:43:34,359
Speaker 2: bet on yourself, build something from nothing and it takes off,

892
00:43:34,800 --> 00:43:37,440
Speaker 2: that's a power move. Or when you stay ready, or

893
00:43:37,480 --> 00:43:40,280
Speaker 2: when you stay so ready when your moment comes, you deliver.

894
00:43:40,680 --> 00:43:42,960
Speaker 2: Now that's a power move. And here's another one. Hiring

895
00:43:43,080 --> 00:43:46,240
Speaker 2: Morgan and Morgan. That's a power move of all power moves.

896
00:43:46,480 --> 00:43:49,400
Speaker 2: Morgan and Morgan is America's largest injury law firm, with

897
00:43:49,480 --> 00:43:53,080
Speaker 2: over one hundred offices and more than a thousand lawyers nationwide.

898
00:43:53,200 --> 00:43:55,480
Speaker 2: They've recovered over thirty billion dollars from more than five

899
00:43:55,600 --> 00:43:59,280
Speaker 2: hundred thousand clients. Fighting to get people full in fair compensation.

900
00:44:00,040 --> 00:44:02,279
Speaker 2: Our moves over here only on the big pot. If

901
00:44:02,320 --> 00:44:06,000
Speaker 2: you're injured due to someone else's negligence, you deserve to

902
00:44:06,080 --> 00:44:08,759
Speaker 2: be paid. You can check out Morgan and Morgan and

903
00:44:08,880 --> 00:44:12,000
Speaker 2: their fee is free unless they win. More info go

904
00:44:12,120 --> 00:44:14,719
Speaker 2: to fourther people dot com, slash the b ig or

905
00:44:14,840 --> 00:44:18,640
Speaker 2: dial pound law. That's pound five tow nine. This is

906
00:44:18,680 --> 00:44:19,680
Speaker 2: a paid advertisement.

907
00:44:26,440 --> 00:44:29,239
Speaker 1: I'm actually working on a movie right now that it's

908
00:44:29,280 --> 00:44:30,800
Speaker 1: gonna be hard for me to get off the ground

909
00:44:31,160 --> 00:44:33,120
Speaker 1: because of what it is, the nature of what it is.

910
00:44:33,320 --> 00:44:35,320
Speaker 1: What is it's a comedy about slavery.

911
00:44:43,080 --> 00:44:43,759
Speaker 2: I'm gonna watch it.

912
00:44:44,520 --> 00:44:45,759
Speaker 1: Let me tell you something. Let me tell you something.

913
00:44:46,760 --> 00:44:51,280
Speaker 1: Number guy by the name of Melbrooks Saddles. Yes, anything

914
00:44:51,400 --> 00:44:53,920
Speaker 1: can be done. The brilliance is how you do it.

915
00:44:54,080 --> 00:44:57,040
Speaker 2: That was nineteen seventy. This is twenty twenty six.

916
00:44:57,400 --> 00:45:00,520
Speaker 1: In times of sensitive right, what a be time to

917
00:45:00,560 --> 00:45:02,800
Speaker 1: give the people what they want in terms of the cocaine,

918
00:45:03,000 --> 00:45:03,799
Speaker 1: the comedic coke.

919
00:45:04,480 --> 00:45:06,440
Speaker 2: They starving for it? All right, So how much is

920
00:45:06,480 --> 00:45:09,440
Speaker 2: gonna cost the ship? Between two and five million?

921
00:45:11,000 --> 00:45:12,800
Speaker 1: What's the name of the movie slavery?

922
00:45:12,960 --> 00:45:20,560
Speaker 2: Lol? All right's me and you've been good friends for

923
00:45:20,600 --> 00:45:25,000
Speaker 2: twenty years. Don't do that. I believe in it. I

924
00:45:25,080 --> 00:45:27,320
Speaker 2: believe in it. It me and you wasn't friends. Me

925
00:45:27,360 --> 00:45:29,600
Speaker 2: and you'll be fighting. I propise you.

926
00:45:29,680 --> 00:45:36,320
Speaker 1: Right, ain't no reship. Let's go, let's go. I believe

927
00:45:36,400 --> 00:45:36,560
Speaker 1: in it.

928
00:45:36,719 --> 00:45:38,719
Speaker 2: I believe in it. I believe in it with my soul.

929
00:45:38,840 --> 00:45:42,359
Speaker 2: Man Like, for example, there's a restaurant in the valley.

930
00:45:42,400 --> 00:45:45,480
Speaker 2: It's called Stinking Rolls. I would never eat that. Why

931
00:45:45,760 --> 00:45:47,480
Speaker 2: because it's called stinking rolls. My point.

932
00:45:47,560 --> 00:45:50,920
Speaker 1: So, if you've got slavery all the phenomenon, I'm not

933
00:45:51,040 --> 00:45:53,680
Speaker 1: eating at that much. Ever, but that's but that's what

934
00:45:53,719 --> 00:45:56,080
Speaker 1: I'm talking about. Well one won't another will.

935
00:45:56,680 --> 00:45:59,480
Speaker 2: I understand, but you want the majority so you can

936
00:45:59,560 --> 00:45:59,959
Speaker 2: get paid.

937
00:46:00,320 --> 00:46:03,560
Speaker 1: I hate well I started out with these three quotes,

938
00:46:03,880 --> 00:46:06,640
Speaker 1: and these are actual quotes. You don't know where the

939
00:46:06,719 --> 00:46:10,320
Speaker 1: line is in comedy until you cross it. Dave Chappelle,

940
00:46:10,760 --> 00:46:12,680
Speaker 1: You should know where the line is in comedy and

941
00:46:12,840 --> 00:46:16,920
Speaker 1: deliberately cross it. George Carlin. Great comedy leaves half the

942
00:46:17,000 --> 00:46:21,960
Speaker 1: audience laughing in the other half, Uh petrified. Patrisa Neil.

943
00:46:22,280 --> 00:46:24,120
Speaker 2: I wish the world was like me and you because

944
00:46:24,120 --> 00:46:26,200
Speaker 2: I could, I could hear the darkest joke.

945
00:46:26,239 --> 00:46:29,160
Speaker 1: And I'm telling you, I know because of this climate

946
00:46:29,200 --> 00:46:31,080
Speaker 1: we live in, and I think the pendulum is swinging.

947
00:46:31,800 --> 00:46:32,960
Speaker 1: We want to get back to that.

948
00:46:33,400 --> 00:46:35,800
Speaker 2: We're starving for it. We're starving for it.

949
00:46:36,040 --> 00:46:38,200
Speaker 1: People are tired of being told what they can and

950
00:46:38,280 --> 00:46:39,000
Speaker 1: can't laugh at.

951
00:46:39,640 --> 00:46:42,000
Speaker 2: Was it ever a time where you said okay, because

952
00:46:42,040 --> 00:46:45,240
Speaker 2: the world's sense of now I got my comedy.

953
00:46:45,360 --> 00:46:49,200
Speaker 1: Cocaine has always been uncut. I'm never switching my product

954
00:46:49,280 --> 00:46:52,640
Speaker 1: or Blue Magic like Petsy. That's a brand name. And

955
00:46:52,760 --> 00:46:55,480
Speaker 1: they know that more than they know the chairman of generalman.

956
00:46:58,560 --> 00:47:00,920
Speaker 2: All right, let's play a game called love. Yeah, I'm

957
00:47:00,960 --> 00:47:02,640
Speaker 2: going to say what's up, and you tell me if

958
00:47:02,640 --> 00:47:06,680
Speaker 2: you love it or hate it? Comedians beefing, but they

959
00:47:06,680 --> 00:47:10,480
Speaker 2: could be a good beef. Chicago, the City, Yeah love

960
00:47:10,520 --> 00:47:15,439
Speaker 2: it all right, crowd work love it, Kevin Hart Roast

961
00:47:16,000 --> 00:47:23,560
Speaker 2: love it? Social media, Ah love hate performing in Mississippi

962
00:47:24,080 --> 00:47:32,239
Speaker 2: all hate it? Why slow man? Let me tell you

963
00:47:32,239 --> 00:47:33,400
Speaker 2: a true story. Let me tell you.

964
00:47:33,960 --> 00:47:37,200
Speaker 1: I want to hear what performing at Memphis, Memphis and

965
00:47:37,239 --> 00:47:40,080
Speaker 1: Chuck chuckles in Memphis. And at one point I'm selling

966
00:47:40,160 --> 00:47:42,719
Speaker 1: my merch after the CD. And this one lady says

967
00:47:42,760 --> 00:47:46,719
Speaker 1: to her friend girl, how much that CD was not?

968
00:47:46,840 --> 00:47:49,880
Speaker 1: How much was the CD? How much that CD was?

969
00:47:50,440 --> 00:47:52,600
Speaker 1: Another person was looking for their family members and wait,

970
00:47:52,880 --> 00:47:53,680
Speaker 1: where they is?

971
00:47:54,719 --> 00:47:54,759
Speaker 2: Not?

972
00:47:54,920 --> 00:47:55,600
Speaker 1: Where are they?

973
00:47:56,360 --> 00:47:56,560
Speaker 2: See?

974
00:47:56,600 --> 00:47:59,600
Speaker 1: I come from a home where it's like a nunciate

975
00:48:01,400 --> 00:48:05,000
Speaker 1: and with that mentality comes the behavior and people love

976
00:48:05,080 --> 00:48:06,720
Speaker 1: to go, man, that's just Southern accent.

977
00:48:06,840 --> 00:48:07,200
Speaker 2: No it's not.

978
00:48:07,640 --> 00:48:09,799
Speaker 1: I don't have a problem with an accent. That has

979
00:48:09,880 --> 00:48:12,160
Speaker 1: nothing to do with an accent. As a comedian, you

980
00:48:12,280 --> 00:48:15,759
Speaker 1: go where the joke is. That's what a funny is.

981
00:48:16,480 --> 00:48:18,360
Speaker 2: And this is what I love you because you've crazed

982
00:48:18,400 --> 00:48:20,719
Speaker 2: leg me. So next time I send you a clip.

983
00:48:20,840 --> 00:48:24,320
Speaker 1: I gotta ask ahead as a basketball fan and to

984
00:48:24,400 --> 00:48:27,120
Speaker 1: be sitting here with a legend is crazy. But I

985
00:48:27,239 --> 00:48:29,200
Speaker 1: want to ask you this well before I get through. Okay,

986
00:48:29,920 --> 00:48:32,400
Speaker 1: it pisses me off because, like I said, I religiously

987
00:48:32,520 --> 00:48:36,000
Speaker 1: watched inside the NBA on tant Why can't you find that?

988
00:48:36,960 --> 00:48:39,680
Speaker 1: I'll be trying to set my diva up, my VC archer,

989
00:48:40,280 --> 00:48:41,000
Speaker 1: I can't find it.

990
00:48:41,600 --> 00:48:44,440
Speaker 2: And that's the problem Charles Barkley had and we're addressing

991
00:48:44,520 --> 00:48:46,359
Speaker 2: that this year. And I think it'll be a little

992
00:48:46,360 --> 00:48:46,840
Speaker 2: bit better than you.

993
00:48:46,920 --> 00:48:49,560
Speaker 1: You know how much I used to look forward seeing

994
00:48:49,600 --> 00:48:50,880
Speaker 1: you guys every Thursday.

995
00:48:51,920 --> 00:48:54,520
Speaker 2: Yeah, it's all over play, but it's all about the money.

996
00:48:54,600 --> 00:48:56,799
Speaker 2: Money got a lot of the NBA made a lot

997
00:48:56,840 --> 00:48:58,320
Speaker 2: of money. Players are gonna be making a lot of

998
00:48:58,360 --> 00:48:59,680
Speaker 2: money from it. But yes, we are.

999
00:49:00,400 --> 00:49:03,000
Speaker 1: Well, Okay, now here's my questions. These are basketball things.

1000
00:49:03,600 --> 00:49:06,520
Speaker 1: I get called an old head and an old man.

1001
00:49:06,600 --> 00:49:10,360
Speaker 1: Get off my porch. I'm stuck in the nineties and

1002
00:49:10,480 --> 00:49:12,640
Speaker 1: I'm not saying this just because it's my era. I

1003
00:49:12,760 --> 00:49:15,560
Speaker 1: believe it. So when I go I think Michael's better

1004
00:49:15,600 --> 00:49:18,840
Speaker 1: than Lebron. I think the seventy two and ten Bulls

1005
00:49:19,719 --> 00:49:26,360
Speaker 1: beats that Warriors with kd yes or no. Yeah, I

1006
00:49:26,560 --> 00:49:30,959
Speaker 1: think the Lakers with you and Kobe beats that same team.

1007
00:49:31,120 --> 00:49:32,799
Speaker 2: Do you not we sweep them?

1008
00:49:33,600 --> 00:49:37,480
Speaker 1: I think I think the Celtics Bird Parish McHale beats

1009
00:49:37,520 --> 00:49:37,959
Speaker 1: that team.

1010
00:49:38,640 --> 00:49:41,960
Speaker 2: You know, think, no, what what will get me and

1011
00:49:42,080 --> 00:49:46,320
Speaker 2: Kobe over the top is athletic ability. Bird and Michale

1012
00:49:46,400 --> 00:49:48,200
Speaker 2: was a little They were stiff with it. It was

1013
00:49:48,200 --> 00:49:49,920
Speaker 2: still a great player, but they were too stiff with it.

1014
00:49:50,000 --> 00:49:51,840
Speaker 2: See I can you know I got a little and

1015
00:49:51,880 --> 00:49:55,000
Speaker 2: you know Kobe had had at all. So okay, one more.

1016
00:49:56,000 --> 00:49:59,040
Speaker 1: Your Orlando Penny team beats that team.

1017
00:50:00,360 --> 00:50:04,279
Speaker 2: Come on, shack easily easily? Yeah, okay, Like.

1018
00:50:04,320 --> 00:50:07,000
Speaker 1: I think it's crazy when people say online and I

1019
00:50:07,120 --> 00:50:08,440
Speaker 1: and this is the fight I get into with the

1020
00:50:08,520 --> 00:50:11,640
Speaker 1: young generation when they go Michael would just be an

1021
00:50:11,680 --> 00:50:14,920
Speaker 1: average player in today's game because of the level of talent.

1022
00:50:15,120 --> 00:50:17,400
Speaker 1: But one of the people they use, hold up. One

1023
00:50:17,440 --> 00:50:19,440
Speaker 1: of the people they use is the measuring stick is

1024
00:50:19,560 --> 00:50:23,640
Speaker 1: James and Harden in the playoffs. Where where is how

1025
00:50:23,680 --> 00:50:26,320
Speaker 1: do you compare m J to Jam James Harden?

1026
00:50:27,200 --> 00:50:32,080
Speaker 2: Come on, man, give me your give me your comedian

1027
00:50:32,400 --> 00:50:38,400
Speaker 2: NBA comparisons. Ooh, like, for example, shack give me a

1028
00:50:38,440 --> 00:50:41,920
Speaker 2: comedian a shack me, I would agree, all right, give

1029
00:50:42,000 --> 00:50:46,920
Speaker 2: me a me Charles Buckley, Corett holkm Oh, that's a

1030
00:50:46,960 --> 00:50:50,520
Speaker 2: good one. All right, Give me Kobe Bryant, Kevin Hart,

1031
00:50:52,120 --> 00:50:55,560
Speaker 2: give me Michael Jordan Chappelle. You know, you know it's good.

1032
00:50:55,600 --> 00:50:57,160
Speaker 2: I wish we lived in the world where people could

1033
00:50:57,200 --> 00:50:59,920
Speaker 2: just hear me laugh. Yeah, I really do. Like I know.

1034
00:51:00,080 --> 00:51:03,399
Speaker 2: At one point, and I'm gonna say this, I hate

1035
00:51:03,400 --> 00:51:06,080
Speaker 2: to see legends like y'all arguing going back and forth.

1036
00:51:06,200 --> 00:51:08,759
Speaker 2: I don't like that as your brother, as your friend. Hey,

1037
00:51:09,800 --> 00:51:12,520
Speaker 2: let me finish. I do not like that because we

1038
00:51:12,600 --> 00:51:14,759
Speaker 2: already got so as black men, we already got too

1039
00:51:14,800 --> 00:51:18,000
Speaker 2: much going against us. I don't like to see y'all

1040
00:51:18,680 --> 00:51:20,920
Speaker 2: could comedy beef. You say this, you say that, I

1041
00:51:21,000 --> 00:51:23,319
Speaker 2: we don't like over all all that, but I don't

1042
00:51:23,400 --> 00:51:24,879
Speaker 2: like to see y'all fighting. Listen.

1043
00:51:25,000 --> 00:51:27,320
Speaker 1: I wish more of us could come together because the

1044
00:51:27,360 --> 00:51:29,120
Speaker 1: fact that you got these white boys in the game,

1045
00:51:29,719 --> 00:51:33,520
Speaker 1: like a David Geffen, Jeffrey Katzenberg and Steven Spielberg form

1046
00:51:33,560 --> 00:51:34,240
Speaker 1: of dream works.

1047
00:51:34,560 --> 00:51:36,799
Speaker 2: Where's our version of that? But you can't be telling them,

1048
00:51:36,840 --> 00:51:39,200
Speaker 2: telling people what would you say about my boy, the

1049
00:51:39,280 --> 00:51:42,160
Speaker 2: his talent. You can't say that and then expect them

1050
00:51:42,520 --> 00:51:46,759
Speaker 2: not to be mad. Man. I'm just saying, you're right,

1051
00:51:47,560 --> 00:51:49,799
Speaker 2: and listen, I'm not telling you to switch up. I'm

1052
00:51:49,800 --> 00:51:52,080
Speaker 2: just saying I don't like to see our comedy elections

1053
00:51:52,160 --> 00:51:53,640
Speaker 2: going back and forth. We're gonna go back and forth.

1054
00:51:53,760 --> 00:51:56,040
Speaker 2: Let's keep it rostyle, comedy style. You go biro, you

1055
00:51:56,120 --> 00:51:58,080
Speaker 2: go viral, so you all can get paid for him.

1056
00:51:58,120 --> 00:51:59,680
Speaker 1: No, you're right, you're right, but you got but you

1057
00:51:59,760 --> 00:52:03,200
Speaker 1: gotta understand. Part of that, to some degree for us,

1058
00:52:03,640 --> 00:52:06,680
Speaker 1: has always been cultural. Like whether you our parents called

1059
00:52:06,719 --> 00:52:10,520
Speaker 1: it playing, the dozens call it snapping. Yeah, always going

1060
00:52:10,600 --> 00:52:12,040
Speaker 1: at each other a certain kind of way.

1061
00:52:12,160 --> 00:52:14,000
Speaker 2: Yeah, but you can do that amongst your boys. But

1062
00:52:14,040 --> 00:52:16,600
Speaker 2: once you get on them platforms are twenty and right, right,

1063
00:52:17,880 --> 00:52:20,440
Speaker 2: and then we will respond. We're gonna respond. I'm just

1064
00:52:20,480 --> 00:52:23,080
Speaker 2: saying I would like to see us get together and

1065
00:52:23,160 --> 00:52:25,880
Speaker 2: make a plan so we can control it. That's all

1066
00:52:25,880 --> 00:52:28,239
Speaker 2: I'm saying. Thank you for coming and man, and next

1067
00:52:28,280 --> 00:52:30,160
Speaker 2: time I send you something and you snapping me in

1068
00:52:30,160 --> 00:52:33,000
Speaker 2: and put these hands on you, telling you right now.

1069
00:52:33,160 --> 00:52:35,880
Speaker 1: Right, yo, make sure y'all check out my podcast spears

1070
00:52:35,960 --> 00:52:39,920
Speaker 1: in Steinberg, new episodes every Wednesday and Thursday, and also

1071
00:52:40,239 --> 00:52:43,520
Speaker 1: subscribe to our YouTube channel spears Burg Pod. And I

1072
00:52:43,600 --> 00:52:45,920
Speaker 1: always tell people, man, start from the beginning. I know

1073
00:52:46,000 --> 00:52:49,080
Speaker 1: we seven hundred episodes in, but to see the growth,

1074
00:52:49,120 --> 00:52:52,320
Speaker 1: to development, the characters, the callbacks, it's all worth it.

1075
00:52:52,400 --> 00:52:54,920
Speaker 1: It's like masturbation and potato chips. Once you start, you

1076
00:52:55,000 --> 00:52:59,920
Speaker 1: can't stop. Slide in my DM Joe and I'll send

1077
00:52:59,960 --> 00:53:03,680
Speaker 1: you the links on Instagram every spears you know what

1078
00:53:03,800 --> 00:53:10,840
Speaker 1: it is. This has been a playmaker production.

1079
00:53:11,480 --> 00:53:11,759
Speaker 9: M HM