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Speaker 1: Look at Our Radio is a radiophonic novela, which.

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Speaker 2: Is just a very extra way of saying a podcast.

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Speaker 1: I'm Fosa Fem.

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Speaker 2: And I am ma la Munios. We're podcasting through another

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Speaker 2: Trump election year. We've been podcasting through election years, a

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Speaker 2: global pandemic, civic unrest, political controversies, the Me Too movement,

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Speaker 2: the rise of TikTok, and we are still here. We're

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Speaker 2: not done telling stories.

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Speaker 1: We're still making podcasts. We're older, we're wiser, We're even

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Speaker 1: podcasting through a new decade of our lives.

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Speaker 2: Since twenty sixteen, we've been making Loca thro Our Radio

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Speaker 2: independently until we joined iHeartMedia's Michael Gura Network in twenty

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Speaker 2: twenty two.

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Speaker 1: From Our Lips to your Ears, Fall in Love with

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Speaker 1: Loka to a Radio like you never have before.

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Speaker 2: Welcome to Season nine. Love that first.

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Speaker 1: Listen Olao La Loka mod is. Welcome to season of

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Speaker 1: Lok a Dora Radio. I'm the Osa and I'm Mala

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Speaker 1: Loka Dora Radio is a podcast dedicated to archiving our

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Speaker 1: present and shifting the culture forward. You're tuning into Capitolo

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Speaker 1: Doo two nineteen.

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Speaker 2: Last time on Loca to Our Radio. We interviewed Aiden Castellanos,

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Speaker 2: the host of Susto, a podcast of uki spooky scary stories.

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Speaker 2: For sure.

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Speaker 3: So one of the earlier ones that I remember that

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Speaker 3: isn't Lao Na, because I feel like that is the

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Speaker 3: like the go to right away for everyone. I tell people,

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Speaker 3: she's like the Beyonce of spirits, right, like everybody knows

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Speaker 3: who she is, everybody knows her story. But another one

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Speaker 3: that was really popular in my upbringing was the story

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Speaker 3: of the Girl who Downs at the Devil, and I think.

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Speaker 2: That was centered around the folklore of LATINX and Hispanic cultures.

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Speaker 2: Tune into that episode. It's a good one. We learned

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Speaker 2: about a bunch of brand new horror stories that we

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Speaker 2: had never heard of before. We learn about why Aiden

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Speaker 2: calls himself a folklorist and more amazing.

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Speaker 1: One of my favorites ever, I say that each of

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Speaker 1: a but it's true. One of my favorites.

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Speaker 2: Aiden is very knowledgeable, very storage.

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Speaker 1: I love when I love meeting someone that is like

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Speaker 1: an expert in something that you're like kind of know

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Speaker 1: about and they're like they know a lot about it.

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Speaker 2: You know.

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Speaker 1: That's just always so fun. It's like you are so

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Speaker 1: well researched and well read, and you like love your

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Speaker 1: craft so much that you're just going to keep on

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Speaker 1: learning and super niche.

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Speaker 2: I love how In that episode, Aiden talks about the

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Speaker 2: legacy of ghost stories in the Rio Grande Valley specifically,

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Speaker 2: and that's sort of where he's drawing his inspiration from

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Speaker 2: to pursue this type of research.

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Speaker 1: Absolutely, it's very much folklore, scary horror at the intersection

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Speaker 1: of like she gotta studies, very fascina, which is probably

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Speaker 1: why we love it so much.

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Speaker 2: There you go, Okay, you got us weer nerds.

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Speaker 1: Tune in, tune in today. We're just we're answering some

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Speaker 1: oh you look ask questions. But before that we kind

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Speaker 1: of just want to check in, catch up. We haven't

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Speaker 1: really had a chance to talk to our look amis

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Speaker 1: in a while, so let's just get started.

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Speaker 2: Mala, what have you been up to the assie. You've

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Speaker 2: been busy as always.

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Speaker 1: It's been a very busy couple of weeks. It's been

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Speaker 1: a busy year. It's been a busy couple of weeks.

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Speaker 1: It was just my birthday. That's a big one. I

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Speaker 1: turned thirty one, which is wild. Not that I feel

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Speaker 1: old or anything. I just was talking about this with

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Speaker 1: my mom. And you know, when you're a kid or

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Speaker 1: you hear stories right about like young girls that are

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Speaker 1: like when I'm twenty something, I'm going to be married

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Speaker 1: with babies and this and that, And I just never

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Speaker 1: saw my I never had that image of myself as

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Speaker 1: like an adult. And I don't know why. Maybe something

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Speaker 1: I need to talk about in therapy, who knows. But

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Speaker 1: and now it's like I'm fully in now officially in

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Speaker 1: my thirties. I've been thinking about it, like wow, okay,

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Speaker 1: like I'm in my thirties, I feel more self actualized.

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Speaker 1: I feel more confident in who I am, and feel

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Speaker 1: a lot more confident also in setting boundaries and like

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Speaker 1: letting go of that people please your identity. And I

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Speaker 1: don't know, so I'm thinking that thirties are great so far.

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Speaker 1: They're very challenging. I think you're thirty tried to take

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Speaker 1: me out. I went through like so many life transitions

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Speaker 1: and changes and loss, a lot of loss. So I'm

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Speaker 1: just welcoming thirty one and hoping that the universe is like, Okay,

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Speaker 1: we're gonna like chill on this one for a little bit.

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Speaker 2: Yes, just let it breathe.

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Speaker 1: Yes, I can't take any more.

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Speaker 2: Please, I didn't flow.

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Speaker 1: I'm like enough character development, because your girl can only

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Speaker 1: take so much.

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Speaker 2: The character is developed.

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Speaker 1: Yes, please please give me a break. I need an intermission.

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Speaker 2: You're exiting your Saturn return basically at this stage.

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Speaker 1: Yes, yes, yes, my Saturn return has been complete for

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Speaker 1: about a year, I think so. Yes, please let it

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Speaker 1: all be done for a while.

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Speaker 2: I think the hard part's over.

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Speaker 1: I hope, so, girl. From what do they say, from

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Speaker 1: your lips to God's ears?

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Speaker 2: Yes, from your lips to God's ears to God's hearing. Aid,

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Speaker 2: there we go, turn it up God later, crank of

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Speaker 2: the volume.

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Speaker 1: And to celebrate my birthday, I went to Vaya the

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Speaker 1: Wada Lupe in Baha with a couple of friends and

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Speaker 1: that was really fun. It was definitely a different type

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Speaker 1: of birthday in the sense that I like was a

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Speaker 1: mature adult that didn't get too drunk.

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Speaker 2: Amazing, I know. I mean last year we were hiking

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Speaker 2: to Machipia.

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Speaker 1: I think that might have said it. Yeah, like that

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Speaker 1: set everything in motion.

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Speaker 2: Yes, it's like a pivot on the way the birthday

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Speaker 2: is celebrated.

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Speaker 1: Yes, I have spent many a birthday not remembering, Yes,

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Speaker 1: and I loved that from my twenties. But as I

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Speaker 1: was sharing with you and a couple of our friends,

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Speaker 1: there was one birthday where I like didn't make it,

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Speaker 1: like I like had to go sleep on the couch.

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Speaker 1: Nine yeah, And I remember the next day like all

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Speaker 1: like I don't want to spend my birthday not remembering

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Speaker 1: and I don't want to spend my birthday asleep when

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Speaker 1: my friends are outside with each other. And so for me,

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Speaker 1: that was that moment where I was like, Okay, I

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Speaker 1: did that and I loved it. It's been fun, but

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Speaker 1: like I'm ready for something else totally. And so I

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Speaker 1: think I definitely took that energy into the birthday trip

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Speaker 1: where it's like I don't want to be passing out.

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Speaker 1: I don't want to be sick, Like I want to

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Speaker 1: have some wine, have some snacks, be with my friends,

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Speaker 1: and like take some nice photos, enjoy the ambiance.

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Speaker 2: It's wine tasting, but not wine drunk, right, We're not slashed,

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Speaker 2: We're just we're sipping.

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Speaker 1: Yes. And it's funny because you know, when I went

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Speaker 1: to UC Santa Barbara, and that is depending on your age,

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Speaker 1: and you know, if you're still an undergrad there is wine,

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Speaker 1: there are wineries, and you do wine tasting, but because

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Speaker 1: you're so young, you go to get drunk and it's

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Speaker 1: like cheap. It's like, oh, I can get like really

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Speaker 1: drunk on these wine tastings and it's like twenty dollars.

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Speaker 1: But if I do enough of them, I'm good. Yea right,

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Speaker 1: And so yeah, you know, we were like twenty and

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Speaker 1: like you don't know what you're doing, and so yes,

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Speaker 1: you're wine tasting to like actually taste the wine.

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Speaker 2: And that's so mature, it's so elevated.

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Speaker 1: I know, I know. I was proud of everyone. Nobody

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Speaker 1: like the gopas you know. It was definitely like a

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Speaker 1: trip where everyone was on the same page.

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Speaker 2: That sounds lovely. Yeah, it was lovely and I couldn't

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Speaker 2: make it. But we've been talking about a trip to

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Speaker 2: Vaya for years and now, and then I couldn't go,

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Speaker 2: I know, so I was sad. I have grown accustomed

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Speaker 2: to celebrating your birthday with you.

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Speaker 1: Oh we've celebrated I think all of the birthday since

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Speaker 1: we've known each other together. Yeah, yeah, but you're busy.

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Speaker 2: Yeah. I did go to your house with my tizza.

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Speaker 2: It did.

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Speaker 1: I had a small gathering with my friends that couldn't go,

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Speaker 1: and that was really nice.

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Speaker 2: Yeah, a small intimate, an intimate gathering of close friends.

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Speaker 1: I know. I kept telling everyone, like, this is not

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Speaker 1: a party, like don't dress up, don't bring anything, bring

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Speaker 1: yourself and like please like just hang with me. And

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Speaker 1: that's what we did. We had pizza, we had wine.

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Speaker 2: It was lovely. We haet cake.

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Speaker 1: It was great.

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Speaker 2: You got presents.

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Speaker 1: I got presents. What are they called the little Calico critters?

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Speaker 2: They're so cute. I know, you got a bedroom set.

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Speaker 1: I did. I got a bedroom set, to my dismay,

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Speaker 1: but also with gratitude.

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Speaker 2: Because you have to like put up on put them

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Speaker 2: on a shelf for something.

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Speaker 1: I do, yes, And I you know, my best friend

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Speaker 1: Jackie has been supporting my Calico critter like kind of obsession.

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Speaker 1: But I'm very not willing to be fully obsessed or

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Speaker 1: commit to the obsession. And so you know, I'm like,

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Speaker 1: I don't have space. I'm also thirty one. I'm like

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Speaker 1: not trying to like be the girl with the little things.

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Speaker 1: But I love the little things, you know, I love them.

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Speaker 1: I love me some Hello Kitty. I think of like

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Speaker 1: Hello Kitty as like my Latina birthright, because like you

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Speaker 1: go to Mexico, go to my hand gool, there's Hello

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Speaker 1: Kitty everywhere were I'm like, oh, this is just I

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Speaker 1: was destined.

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Speaker 2: At the Santa Fe Spring Swapmeat, the Hello Kitty vendor. Yes,

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Speaker 2: we bought things from her.

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Speaker 1: We bought thingsats exactly exactly. So anyway, so she gifted

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Speaker 1: me a bedroom set for my little herky twins. I

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Speaker 1: know it's I know, it's so cute.

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Speaker 2: Though, you guys should see it came with bunk beds.

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Speaker 1: It's a really adorable and a dk I don't want

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Speaker 1: to be known as the girl with the little thing.

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Speaker 2: Okay, but you know that that like Renaissance painting, the

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Speaker 2: girl with the pearl earring, you're the girl with the

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Speaker 2: little things.

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Speaker 1: We need to put my things in my hand, my

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Speaker 1: little Hello Kitty, my Calico critters.

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Speaker 2: You need a portrait, you know, acrylic of you need

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Speaker 2: a portrait. You need to sit for a portrait with

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Speaker 2: your things.

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Speaker 1: I cannot.

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Speaker 2: I love it. I cannot.

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Speaker 1: Yes, wow, And then finally I mean wrapping up Latino

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Speaker 1: Hispanic heritage man. I was asked to moderate a panel

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Speaker 1: by Info Blocks. They're a tech company and actually one

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Speaker 1: of my book club members, Kiki. She put me up

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Speaker 1: for this opportunity and I got to interview the fabulous

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Speaker 1: Willie Chavaria.

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Speaker 2: Amazing, amazing iconic. I'm so when you texted me that,

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Speaker 2: I screamed a little bit. I was like, oh my god.

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Speaker 1: What. He's a Chicano designer from Fresno and very much

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Speaker 1: grew up with like farm worker family members, and his

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Speaker 1: designs and his personal brand paid tribute to that cultural

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Speaker 1: historical legacy. And so I got to talk to him

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Speaker 1: and he's just incredible, and so I hope we can

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Speaker 1: want to get him on the podcast and have him

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Speaker 1: talk to us as well, because it was just a

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Speaker 1: fabulous time.

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Speaker 2: He has blown up and I always come across him

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Speaker 2: on TikTok, Like people are always interviewing him on the

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Speaker 2: street asking him about his outfit. His work is on

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Speaker 2: all the big runways, he's in all the major magazines.

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Speaker 2: Like he's becoming a fashion icon in the mainstream, Like

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Speaker 2: he really is hot, cature, but make it Chicano, make

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Speaker 2: it Fresno. But I think he's been New York based, right.

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Speaker 1: Yes, he's New York based and he's also the current

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Speaker 1: senior vice president of design at Calvin Klein. So he's

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Speaker 1: really in the fashion world, so in it. In addition

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Speaker 1: to having his own brand that's his namesake, he's also

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Speaker 1: works for Calvin Klein.

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Speaker 2: I had no idea he was with Calvin Klein, all American. Yes,

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Speaker 2: that's incredible.

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Speaker 1: Yes, I'm so honored that I was able to talk

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Speaker 1: to him, and hopefully we can get him on look

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Speaker 1: at Tora, Don't go Anywhere, Loka Motives. We'll be right.

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Speaker 2: Back and we're back with more of our episode.

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Speaker 1: So, Maley, you have also been quite busy.

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Speaker 2: Yes, I'm in the throes of school. I'm in my

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Speaker 2: second semester of my MFA at USC. I'm studying Film

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Speaker 2: and Television production, and so this semester, the way it

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Speaker 2: works in this class as they put us in trios

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Speaker 2: and we take turns doing different jobs and we make

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Speaker 2: three movies in one semester. So for the first movie

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Speaker 2: of the semester, I was the cinematographer, I was the

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Speaker 2: director of photography, and I was our production designer. That

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Speaker 2: was a super duper fun experience. I've always been a

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Speaker 2: little timid with the camera, and there's a lot of

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Speaker 2: pressure in that job to make everything look good and

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Speaker 2: make sure things are in focus and that the frame

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Speaker 2: is perfect and that the director is getting everything that

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Speaker 2: they want. There's just a lot of people buzzing around

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Speaker 2: and a lot of details with the camera settings and

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Speaker 2: the lighting and continuity and X, Y and Z. But

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Speaker 2: doing that and the production design just gave me, like

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Speaker 2: I don't know, a really beautiful opportunity to blend, Like

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Speaker 2: I love a little interior design, so to blend that

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Speaker 2: with the camera work was really really fun. Right now

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Speaker 2: with the movie that we're making, I'm our producer, and

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Speaker 2: when you're producing a film in this class, you're also

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Speaker 2: the on set sound recordist, So I'm like handling the

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Speaker 2: mixer and I'm operating the boom, and then I also

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Speaker 2: have to edit the film. So they have us cutting

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Speaker 2: our dailies, which are the clips that we film over

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Speaker 2: the weekend. They have us cut our dailies and then

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Speaker 2: screen them in class in between shooting weekends, and then

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Speaker 2: our professors give us feedback, and then we go back

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Speaker 2: a second weekend and we do any reshoots or whatever

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Speaker 2: needs to be shot. So it's a lot of in

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Speaker 2: that producing work. It's like a lot of permits and

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Speaker 2: forms and insurance and scheduling and meals and keeping track

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Speaker 2: of cast and crew and everyone's allergies and who's a

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Speaker 2: vegetarian and where's everyone parking? And do we have our

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Speaker 2: film LA permit? And do we need a stunt coordinator?

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Speaker 2: And is there a fog machine? And like do we

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Speaker 2: need a production safety plan? Like it's a lot of paperwork.

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Speaker 2: But then I also get to turn around and edit,

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Speaker 2: which is also fun. And then the next film that

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Speaker 2: we make, I'll be writing and directing, and so stay

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Speaker 2: tuned because I have more about that one. I'm doing

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Speaker 2: a little horror film which is going to be very

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Speaker 2: fun and cute. So yeah, I'm just in the thick

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Speaker 2: of it. And then I have like a midterm exam

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Speaker 2: in this class called Motion Picture Script Analysis, and we

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Speaker 2: watch movies and then analyze them. So like I don't

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Speaker 2: carry any books in this program, like as a graduate student,

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Speaker 2: there's no books. But we are watching Finding Nemo in

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Speaker 2: class and the School of Rock and like doing an

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Speaker 2: analysis of the film as a text. So that's very

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Speaker 2: fun for me. And yeah, so that's what I've been

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Speaker 2: up to.

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Speaker 1: That's really cool.

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Speaker 2: I thank you.

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Speaker 1: I love when you send me photo updates and when

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Speaker 1: you just send me general updates about what's going on

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Speaker 1: in costs and what you're working on. That's exciting.

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Speaker 2: It is very exciting. And like again in my role

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Speaker 2: as producer, like this film that I'm working on, we

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Speaker 2: have like one character breaks the other character's neck and

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Speaker 2: hit somebody over the head with a bat, and we

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Speaker 2: have like a fake bomb and a whip and blood

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Speaker 2: and rope and baseball bats. And I had to take

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Speaker 2: all of those prop weapons to campus to the Department

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Speaker 2: of Public Safety to get them inspected by the watch commander.

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Speaker 2: And then I had to take them to the physical

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Speaker 2: production office and it's like a whole thing. And I

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Speaker 2: get there and I like open up my bag and

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Speaker 2: the cop is like, okay, let's see these weapons. And

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Speaker 2: it's like, you know, rope and blood and a baseball

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Speaker 2: bat and like a sticks of dynamite from Amazon. Like

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Speaker 2: I just feel so silly, you know, like with my

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Speaker 2: Looney Tune ass bag of tricks. So, yeah, film school

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Speaker 2: is really fun and I'm very actually very excited for

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Speaker 2: the semester to be over because she's tired. But it's okay,

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Speaker 2: that's what it's all about. That's me.

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Speaker 1: Yeah, grad school is hard. And your program is a

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Speaker 1: lot longer than mine. So yes, blessings to.

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Speaker 2: You, thank thank you. I will I will take the blessings.

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Speaker 1: Thank you and Bill, you know, obviously making the show.

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Speaker 1: And we're also hosting an event in collaboration with Sway

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Speaker 1: Studio on Thursday, October twenty fourth in la We will

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Speaker 1: be in conversation with Liliam Rivera. She is the author

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Speaker 1: of Tiny Threads and we're going to be talking about

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Speaker 1: her book and all things fashion, sustainability and the fashion

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Speaker 1: industry in general.

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Speaker 2: Love it. That's going to be really fun. Shout out

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Speaker 2: to our friend Sureley for coordinating with us to get

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Speaker 2: us involved with this event. We're really looking forward to it.

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Speaker 1: Yeah, I'm so excited to just be like out in

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Speaker 1: the world again as podcasters, you know what I mean.

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Speaker 1: Like the studio obviously is amazing, and the podcast is amazing,

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Speaker 1: but like doing actual events like we used to is

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Speaker 1: really fun and I missed that. So it's really fun

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Speaker 1: when we get to be like out and about.

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Speaker 2: And we were at USC not too long ago, yes,

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Speaker 2: moderating a conversation and that was a great time. And

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Speaker 2: it's it's just really fun doing things with students and

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Speaker 2: speaking on campuses. When we were doing our university circuit

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Speaker 2: back in the day before the pandemic, it was just

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Speaker 2: always really fun and the energy is so high, and

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Speaker 2: they's a buzz when there's a student run event, and

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Speaker 2: it's always like the Latino Center or the Association of

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Speaker 2: Latin American Students and you know, all the acronyms, and

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Speaker 2: it's just fun.

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Speaker 1: It's fun.

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Speaker 2: Yeah, they keep us young, they do. Thank god, something

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Speaker 2: something's keeping as young. It's the students, it's the youth

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Speaker 2: of tomorrow. The listeners, the listeners.

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Speaker 1: Yeah. Yeah. So that being said, we actually have some

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Speaker 1: questions that were submitted today by our listeners in our

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Speaker 1: Locomotives channel on Instagram. So in case you missed it,

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Speaker 1: their Instagram now has this feature where you can join

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Speaker 1: a channel, and in order to do that, you just

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Speaker 1: go to our Instagram homepage and there's like a little

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Speaker 1: Locomotives Members channel that you can click and you can

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Speaker 1: join it. And really, I just like to share a

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Speaker 1: little behind the scenes photos and questions and let y'all

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Speaker 1: know when we're doing things. And so I posted a

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Speaker 1: question box in there and y'all submitted some very fun,

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Speaker 1: very interesting questions and so we're just gonna get started

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Speaker 1: and see how many we can get through.

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Speaker 2: You are now listening to Oh yeah, so I love

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Speaker 2: this first one. How do I stop taking everything personally?

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Speaker 2: This one's hard?

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Speaker 1: This it's hard.

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Speaker 2: How do I stop taking everything personally?

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Speaker 1: That's hard. It's hard, especially when you're sensitive like me.

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Speaker 1: But I think I sometimes I when I catch myself

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Speaker 1: doing this, I say to myself, it's actually not about you.

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Speaker 1: It's not about you, And in the kindest way to myself, say,

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Speaker 1: the world actually doesn't revolve around you, and how this

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Speaker 1: person is either responding to you right now, or how

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Speaker 1: maybe they're not prioritizing what's important to you. Whatever it

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Speaker 1: may be, like, it actually has nothing to do with you.

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Speaker 1: It has everything to do with them, truly, and where

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Speaker 1: they're at in their headspace. That doesn't mean like they

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Speaker 1: have the permission to be mean to you or unkind

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Speaker 1: to you, or treat you horribly or poorly. But there

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Speaker 1: are some things that aren't actually about you.

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Speaker 2: It's even like in the way that we say this,

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Speaker 2: like taking it personally, it's not that someone's even giving

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Speaker 2: it to me personally. I'm just taking it and making

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Speaker 2: it personally.

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Speaker 1: Yes, that's a good point.

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Speaker 2: It's in my control how I receive something and how

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Speaker 2: I bring it into my own mind unless there's like

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Speaker 2: definitive evidence and proof that oh no, they actually hate me, yeah,

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Speaker 2: or they actually have a problem with me, but that

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Speaker 2: is that's rarely what happens.

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Speaker 1: Yeah, And I also think it's like who is the person? Yes,

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Speaker 1: you know, is it your mom? Is it someone that

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Speaker 1: loves you and cares about you? Then like it's really

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Speaker 1: probably more about them, And if it's someone that doesn't

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Speaker 1: like you, then like, well you don't need to take

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Speaker 1: anything from them, actually.

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Speaker 2: Very much so. And like in life, people are gonna

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Speaker 2: not like you. Yeah, this is the other thing is

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Speaker 2: actually yeah, maybe they can't stand you. Yeah, but that

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Speaker 2: just comes with the territory of existing and being out

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Speaker 2: in the world and knowing people and meeting people. So

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Speaker 2: it's also just a hard truth we have to just

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Speaker 2: accept sometimes like I'm not for this person, and maybe

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Speaker 2: I leave them alone because I rub them the wrong way.

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Speaker 2: There's something about me that just doesn't mesh with them

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Speaker 2: and their vibe. And that's all right. I don't have

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Speaker 2: to dwell on it. It doesn't have to keep me

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Speaker 2: up at night. I mean, I'm gonna dwell and it

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Speaker 2: will keep me up at night, but I don't have to.

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Speaker 1: Yeah, I think that's part of like letting go. Depending

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Speaker 1: if you're you have those people pleasing tendencies like a

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Speaker 1: lot of us do, right, especially me, It's like, Okay,

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Speaker 1: I'm not going to let this actually determine how I

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Speaker 1: view myself, as hard as it may be. And yes,

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Speaker 1: some people are not gonna like me, and that's a

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Speaker 1: hard pill to swallow sometimes, but there are lots of

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Speaker 1: people that do like you and do love you and

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Speaker 1: want to be around you. So be with those people.

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Speaker 2: Yeah, And if they don't like you, it's probably because

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Speaker 2: they're jealous, such.

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Speaker 1: A like default Senora thing to say, Selos, they're jealous

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Speaker 1: of you because you're so beautiful and talented and smart

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Speaker 1: and they could never and that's why they don't like you.

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Speaker 1: There we go.

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Speaker 2: They can't be in the same room with you, they

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Speaker 2: can't be next to you. They need a burlap sack

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Speaker 2: over your head because your shine is just too bright.

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Speaker 2: You should tell yourself in the mirror.

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Speaker 1: And we don't doll or shine for nobody. Don't go

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Speaker 1: anywhere lokomotives. We'll be right back.

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Speaker 2: We're back with more. We hope you didn't go anywhere

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Speaker 2: all right?

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Speaker 1: Next question, what made you finally you prioritize yourself? Was

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Speaker 1: it a breaking point with people?

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Speaker 2: Have we prioritized ourselves?

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Speaker 1: I don't know. I think we were doing better at it.

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Speaker 2: I think you're doing better at it.

437
00:22:10,080 --> 00:22:13,159
Speaker 1: Yeah, well I think you are too. I think I

438
00:22:13,200 --> 00:22:16,400
Speaker 1: think you moving was a way of you like prioritizing

439
00:22:16,440 --> 00:22:18,879
Speaker 1: yourself and like a new phase of your life, like

440
00:22:18,960 --> 00:22:22,879
Speaker 1: giving yourself that like independence to grow total. I answer

441
00:22:22,920 --> 00:22:23,600
Speaker 1: the question for you.

442
00:22:23,800 --> 00:22:29,080
Speaker 2: Yeah, definitely, moving, Definitely school. There's also been some personal,

443
00:22:30,000 --> 00:22:34,600
Speaker 2: very personal developments that have been going on that I

444
00:22:34,640 --> 00:22:35,200
Speaker 2: will not share it.

445
00:22:35,240 --> 00:22:39,000
Speaker 1: Am I allowed to say that it's romantic? Yeah, that's it.

446
00:22:39,200 --> 00:22:40,080
Speaker 1: That's all we need to say.

447
00:22:40,480 --> 00:22:43,240
Speaker 2: Not only is it romantic, it's incredibly romantic. Yes, it's

448
00:22:43,359 --> 00:22:44,040
Speaker 2: very romantic.

449
00:22:44,080 --> 00:22:46,360
Speaker 1: It's old timy, it's very old.

450
00:22:46,160 --> 00:22:48,080
Speaker 2: Timey, like I've always wanted.

451
00:22:48,119 --> 00:22:51,960
Speaker 1: It has been manifesting an old timey romance and now

452
00:22:52,000 --> 00:22:54,880
Speaker 1: she has it. But that's all we're saying because we're

453
00:22:54,920 --> 00:22:55,520
Speaker 1: protecting it.

454
00:22:55,560 --> 00:22:58,200
Speaker 2: I will say one more thing. In the vegust of terms,

455
00:22:58,680 --> 00:23:01,960
Speaker 2: my mom was like, well, you know, this person needs

456
00:23:02,000 --> 00:23:04,960
Speaker 2: to go talk to your dad and ask for permission

457
00:23:05,280 --> 00:23:06,119
Speaker 2: to date you.

458
00:23:06,880 --> 00:23:09,960
Speaker 1: It's that old timing, that old that's true. Actually, there's

459
00:23:10,000 --> 00:23:10,640
Speaker 1: that layer.

460
00:23:10,720 --> 00:23:13,439
Speaker 2: There's that layer, and this is that case where like

461
00:23:13,560 --> 00:23:16,520
Speaker 2: a it's funny, but be this person is game and

462
00:23:16,600 --> 00:23:20,200
Speaker 2: see like it's actually appropriate, like it actually makes sense.

463
00:23:20,320 --> 00:23:22,240
Speaker 1: Yeah, it doesn't make sense here, Like no, you go.

464
00:23:22,240 --> 00:23:25,040
Speaker 2: Tell my dad, Yeah, you go knock on the door

465
00:23:25,600 --> 00:23:27,800
Speaker 2: and any who, AnyWho. That's all I'm going to say

466
00:23:27,840 --> 00:23:28,920
Speaker 2: is so that's all I'm going to say.

467
00:23:29,000 --> 00:23:32,960
Speaker 1: Okay, okay, okay, okay. So this is how you've finally

468
00:23:33,080 --> 00:23:34,520
Speaker 1: like prioritized yourself.

469
00:23:35,000 --> 00:23:40,399
Speaker 2: By falling madly in love. Yeah, exactly, exactly how have

470
00:23:40,480 --> 00:23:41,880
Speaker 2: you prioritized yourself?

471
00:23:42,000 --> 00:23:44,840
Speaker 1: Oh my god? I okay. I have not shared this

472
00:23:44,920 --> 00:23:48,600
Speaker 1: story with very very many people. Mala obviously knows. But

473
00:23:48,960 --> 00:23:51,280
Speaker 1: I at the beginning of the top of the year,

474
00:23:51,640 --> 00:23:56,679
Speaker 1: I cosplayed as a single girl for a weekend. Nothing

475
00:23:56,680 --> 00:23:59,800
Speaker 1: to do with my amazing partner, but I just needed

476
00:23:59,840 --> 00:24:03,040
Speaker 1: to get away for a weekend because I was at

477
00:24:03,040 --> 00:24:06,840
Speaker 1: my breaking point and that kind of set things in

478
00:24:06,920 --> 00:24:10,639
Speaker 1: motion to change. And you know, sometimes you're around people

479
00:24:10,680 --> 00:24:14,040
Speaker 1: that are not willing to change for themselves, and so

480
00:24:14,480 --> 00:24:16,879
Speaker 1: and you begin to recognize, Okay, these people are not

481
00:24:16,920 --> 00:24:19,760
Speaker 1: going to change, so I have to change, and I

482
00:24:19,960 --> 00:24:23,159
Speaker 1: change my environment, I change myself. I changed my relationship

483
00:24:23,160 --> 00:24:25,879
Speaker 1: with these people, whatever that may look like. And so

484
00:24:26,000 --> 00:24:31,080
Speaker 1: that was my breaking point. My little single girl weekend ended,

485
00:24:31,119 --> 00:24:33,440
Speaker 1: and it wasn't really a single girl weekend, but I

486
00:24:33,520 --> 00:24:37,080
Speaker 1: like stayed alone for the weekend in another place, and

487
00:24:37,400 --> 00:24:40,639
Speaker 1: for me, that was me costplaying as a single girl.

488
00:24:40,960 --> 00:24:45,119
Speaker 1: And when I came back from that little getaway, you know,

489
00:24:45,200 --> 00:24:48,280
Speaker 1: I had a very difficult conversation with my family and

490
00:24:49,320 --> 00:24:54,000
Speaker 1: basically said, like, I'm whatever's going on here, I no

491
00:24:54,119 --> 00:24:55,919
Speaker 1: longer want to be a part of it, and so

492
00:24:56,000 --> 00:24:59,880
Speaker 1: I'm removing myself and by default, my partner is also

493
00:25:00,080 --> 00:25:03,920
Speaker 1: moving himself. And so take what you will with that information.

494
00:25:04,720 --> 00:25:09,520
Speaker 1: And things changed after that, and so I think that was, like, ugh,

495
00:25:10,160 --> 00:25:14,760
Speaker 1: big sigh, Like that was the biggest step that I

496
00:25:14,800 --> 00:25:18,400
Speaker 1: ever took to finally prioritize myself. But it was years

497
00:25:18,480 --> 00:25:21,399
Speaker 1: in the making. It was years of therapy, It was

498
00:25:21,560 --> 00:25:25,240
Speaker 1: all my twenties, all my life practically of like getting

499
00:25:25,240 --> 00:25:27,560
Speaker 1: to this point, and so it took a very long time,

500
00:25:28,119 --> 00:25:30,080
Speaker 1: but it was a process. It was a journey, and

501
00:25:30,440 --> 00:25:32,560
Speaker 1: you know, it was part of what made I think

502
00:25:33,200 --> 00:25:36,280
Speaker 1: this year, however you want to look at it, you're thirty,

503
00:25:36,920 --> 00:25:40,400
Speaker 1: my year, thirty twenty twenty four, like, we're really challenging,

504
00:25:40,640 --> 00:25:42,760
Speaker 1: but I think I'm on the other side of it.

505
00:25:42,800 --> 00:25:45,800
Speaker 1: There's still some challenges, but it was it definitely took

506
00:25:45,840 --> 00:25:48,800
Speaker 1: like getting to my breaking point to finally make some changes.

507
00:25:49,160 --> 00:25:54,680
Speaker 2: Since I've known you, this particular issue has been an issue, right,

508
00:25:55,040 --> 00:25:58,040
Speaker 2: like a big one, yeah, you know, just recurring and

509
00:25:58,680 --> 00:26:01,600
Speaker 2: so to be at the and there had been conversations

510
00:26:01,640 --> 00:26:04,119
Speaker 2: previously about how to fix this, or how it could change,

511
00:26:04,160 --> 00:26:07,000
Speaker 2: or who would need to change, and how the house

512
00:26:07,000 --> 00:26:10,280
Speaker 2: would have to look different. And so then for this

513
00:26:10,280 --> 00:26:13,199
Speaker 2: this big shift to happen like this year, it's one

514
00:26:13,240 --> 00:26:15,159
Speaker 2: of those like, oh, it's happening.

515
00:26:16,160 --> 00:26:17,840
Speaker 1: It's one of those things where you don't believe it's

516
00:26:17,880 --> 00:26:22,520
Speaker 1: happening until it's happened, and you know, the like I

517
00:26:22,560 --> 00:26:25,000
Speaker 1: hate just to speak in such vague terms. The reason

518
00:26:25,040 --> 00:26:26,840
Speaker 1: I'm not so specific it is because it's not just

519
00:26:26,920 --> 00:26:29,920
Speaker 1: involving me, right, it's not my my entirely my story

520
00:26:29,960 --> 00:26:32,359
Speaker 1: to share, which is why I haven't really talked about

521
00:26:32,400 --> 00:26:34,920
Speaker 1: it on the podcast or even on social media because

522
00:26:34,960 --> 00:26:37,200
Speaker 1: it's kind of it's private and it affects it's about

523
00:26:37,200 --> 00:26:40,000
Speaker 1: my family, and so you know, I just will say

524
00:26:40,000 --> 00:26:43,240
Speaker 1: that it was like a really tough couple of months

525
00:26:43,280 --> 00:26:46,199
Speaker 1: to get through, and then you know, I made it

526
00:26:46,240 --> 00:26:48,280
Speaker 1: through the other side, and I have no.

527
00:26:48,320 --> 00:26:51,640
Speaker 2: Regrets, and I do think the hardest part is over.

528
00:26:51,800 --> 00:26:52,520
Speaker 1: Yeah, thank god.

529
00:26:52,960 --> 00:26:55,800
Speaker 2: Yeah, it's got to be smooth from here on out.

530
00:26:56,119 --> 00:26:58,119
Speaker 1: Yes, please, truly.

531
00:26:58,600 --> 00:27:02,080
Speaker 2: All right, next, let's see what are you reaching for

532
00:27:02,400 --> 00:27:05,400
Speaker 2: and what are you letting go of? Oh my goodness,

533
00:27:05,920 --> 00:27:10,800
Speaker 2: right now, definitely just reaching for knowledge and learning and

534
00:27:11,080 --> 00:27:15,359
Speaker 2: just evolving as a creative and just really learning this

535
00:27:15,440 --> 00:27:19,159
Speaker 2: filmmaking stuff and then figuring out how to apply it

536
00:27:19,240 --> 00:27:21,679
Speaker 2: back to look at what our productions and then what

537
00:27:21,720 --> 00:27:25,199
Speaker 2: we can do with it. Because we've talked about what

538
00:27:25,240 --> 00:27:28,240
Speaker 2: can be adapted, like what can be adapted for the

539
00:27:28,280 --> 00:27:30,959
Speaker 2: screen in one way or another, and how can our

540
00:27:31,040 --> 00:27:35,240
Speaker 2: story also be told on screen somehow? Because we have

541
00:27:36,160 --> 00:27:39,080
Speaker 2: now all this audio and we've talked about the show

542
00:27:39,119 --> 00:27:41,400
Speaker 2: as an audio archive that is still what it is.

543
00:27:41,680 --> 00:27:44,879
Speaker 2: So we've archived all these years and all these ideas

544
00:27:44,920 --> 00:27:48,479
Speaker 2: and these thoughts and these interviews and these experiences and

545
00:27:48,520 --> 00:27:51,240
Speaker 2: I just think that the podcast itself is so ripe

546
00:27:51,359 --> 00:27:54,200
Speaker 2: for a different art form, you know, like to be

547
00:27:54,280 --> 00:27:59,320
Speaker 2: expressed in another way. So that's really kind of where

548
00:27:59,359 --> 00:28:02,880
Speaker 2: my mind is. And what am I letting go of? Man,

549
00:28:03,440 --> 00:28:05,840
Speaker 2: I'm just trying to let go of, you know. I

550
00:28:05,880 --> 00:28:09,480
Speaker 2: think over the years, I have evolved a lot as

551
00:28:09,560 --> 00:28:13,560
Speaker 2: far as my ideas about like my ideas about even

552
00:28:13,600 --> 00:28:17,720
Speaker 2: things like femininity and feminism and like the type of

553
00:28:17,760 --> 00:28:19,920
Speaker 2: woman I am or the type of woman I want

554
00:28:19,920 --> 00:28:22,800
Speaker 2: to be. And I think I'm letting go of like

555
00:28:23,040 --> 00:28:29,240
Speaker 2: maybe some more immature or like one dimensional ideas like

556
00:28:29,320 --> 00:28:32,520
Speaker 2: what like you know, I think we've talked about over

557
00:28:32,560 --> 00:28:34,879
Speaker 2: the years, how like you know, things like not wanting

558
00:28:34,960 --> 00:28:38,560
Speaker 2: kids right or waiting or doing it in your own time,

559
00:28:38,960 --> 00:28:41,640
Speaker 2: or but also we've had these conversations about like these

560
00:28:41,680 --> 00:28:45,600
Speaker 2: might seem like disconnected, like fem science, you know, and

561
00:28:45,640 --> 00:28:48,360
Speaker 2: how like the domestic space can actually be this place

562
00:28:48,360 --> 00:28:51,640
Speaker 2: of empowerment and such. And I'm just entering into this

563
00:28:51,760 --> 00:28:56,360
Speaker 2: era of like feeling my like soft girl vibes and

564
00:28:56,480 --> 00:29:00,880
Speaker 2: like finding the nurture in myself and like the lover

565
00:29:01,000 --> 00:29:05,280
Speaker 2: in myself and the caretaker in myself, which are categories

566
00:29:05,320 --> 00:29:09,360
Speaker 2: that I have sort of tiptoed around or like I

567
00:29:09,400 --> 00:29:13,040
Speaker 2: haven't touched Like I haven't always been a very like

568
00:29:13,200 --> 00:29:17,680
Speaker 2: touchy feely or emotional person, and maybe my emotions have

569
00:29:17,760 --> 00:29:23,120
Speaker 2: been more stuck to like like passion and excitement or

570
00:29:23,280 --> 00:29:28,800
Speaker 2: joy or like thrill seeking. But uh, I have stayed

571
00:29:28,840 --> 00:29:32,600
Speaker 2: away from like vulnerability, you know, like I'm not the

572
00:29:32,640 --> 00:29:37,240
Speaker 2: most vulnerable and I'm not the most like uh open

573
00:29:37,520 --> 00:29:41,160
Speaker 2: with like sharing my feelings and such. But I am

574
00:29:42,520 --> 00:29:45,240
Speaker 2: coming into this era where I feel like like the

575
00:29:45,280 --> 00:29:48,040
Speaker 2: ice queen is melting, you know, and like the armor

576
00:29:48,080 --> 00:29:51,400
Speaker 2: is being shed, like I am laying down my sword. Wow,

577
00:29:51,440 --> 00:29:56,040
Speaker 2: which is horrible. It's a horrible feeling, right, but vulnerable, Yeah,

578
00:29:56,040 --> 00:29:58,600
Speaker 2: but it also feels so great at the same time.

579
00:29:59,200 --> 00:30:02,480
Speaker 1: Yeah, when you can be safe and you feel safe

580
00:30:02,600 --> 00:30:06,120
Speaker 1: enough to do it, like it should feel good. It

581
00:30:06,160 --> 00:30:08,120
Speaker 1: can be scary, that's always gonna be scary, but it

582
00:30:08,440 --> 00:30:11,720
Speaker 1: shouldn't feel bad if it actually could feel good.

583
00:30:12,080 --> 00:30:15,200
Speaker 2: Yeah, Like somebody at school was like, oh my god,

584
00:30:15,480 --> 00:30:18,720
Speaker 2: you're glowing, like what's going on? And I was like,

585
00:30:18,880 --> 00:30:22,120
Speaker 2: you know what, I'm in love and it's awful, Like

586
00:30:22,200 --> 00:30:25,160
Speaker 2: I love it. But it's also like I feel like

587
00:30:25,200 --> 00:30:28,080
Speaker 2: this is very much one of those moments where it's like,

588
00:30:28,760 --> 00:30:35,000
Speaker 2: am I grieving? Low key? Like this is a new chapter. Yeah,

589
00:30:35,040 --> 00:30:37,360
Speaker 2: And so I'm sort of I'm shedding, I'm kind of

590
00:30:37,400 --> 00:30:40,360
Speaker 2: grieving a little bit, but also very happily letting go

591
00:30:41,200 --> 00:30:44,239
Speaker 2: and just kind of letting it. I'm just going with it.

592
00:30:44,320 --> 00:30:46,640
Speaker 2: I'm just letting it take me, and I'm not resisting.

593
00:30:47,120 --> 00:30:50,000
Speaker 2: I'm cooperating. I'm being very cooperative.

594
00:30:50,880 --> 00:30:55,600
Speaker 1: Yeah. I think that our whole lives are filled with

595
00:30:55,920 --> 00:31:00,240
Speaker 1: like a grieving process because we're constantly transforming and evolving, yes,

596
00:31:00,400 --> 00:31:03,720
Speaker 1: and so we're like constantly letting go of a version

597
00:31:03,760 --> 00:31:06,280
Speaker 1: of ourselves. And I think, on that note, I've been

598
00:31:06,280 --> 00:31:09,000
Speaker 1: talking about this with my therapist for on and off

599
00:31:09,040 --> 00:31:11,880
Speaker 1: for a couple of years. Is like, you know, kind

600
00:31:11,920 --> 00:31:15,560
Speaker 1: of grieving that the way my life was set up

601
00:31:15,800 --> 00:31:18,200
Speaker 1: and the type of person that I am, I was

602
00:31:18,280 --> 00:31:22,880
Speaker 1: never going to be someone that moved away from my family.

603
00:31:23,720 --> 00:31:25,560
Speaker 1: And I'm not saying that's good or bad if you did,

604
00:31:25,720 --> 00:31:30,280
Speaker 1: Like there's no judgment there, but it also because that's

605
00:31:30,320 --> 00:31:32,720
Speaker 1: not who I was raised to be, and maybe also

606
00:31:32,720 --> 00:31:34,720
Speaker 1: who I chose to be, because I could have just

607
00:31:34,720 --> 00:31:37,600
Speaker 1: said al Rajo I'm leaving, like y'all figure it out

608
00:31:37,640 --> 00:31:41,200
Speaker 1: by yourselves. That's not who I am. But there's that

609
00:31:41,280 --> 00:31:44,480
Speaker 1: part of me that's like, you know, who could I

610
00:31:44,560 --> 00:31:47,360
Speaker 1: have been? And who? Yeah, who could I have been

611
00:31:47,400 --> 00:31:51,160
Speaker 1: if I had done made some different choices? I think that.

612
00:31:51,520 --> 00:31:53,160
Speaker 1: I mean, I'm happy with my life and I'm happy

613
00:31:53,200 --> 00:31:56,200
Speaker 1: with where I'm at, but there is that question that

614
00:31:56,320 --> 00:31:58,960
Speaker 1: doubt of like could my life have been different if

615
00:31:58,960 --> 00:32:02,040
Speaker 1: I had maybe made a choices differently when I was younger.

616
00:32:02,800 --> 00:32:05,000
Speaker 1: And this is not to say that I regrets or anything,

617
00:32:05,080 --> 00:32:07,600
Speaker 1: but I think that to going back to what you're

618
00:32:07,640 --> 00:32:11,680
Speaker 1: saying about grieving and letting go, it's like, okay, letting

619
00:32:11,720 --> 00:32:14,920
Speaker 1: go that like, well, that person is can no longer be?

620
00:32:15,480 --> 00:32:18,240
Speaker 1: That person's gone, so like I cannot get stuck in

621
00:32:18,240 --> 00:32:22,520
Speaker 1: the what if? And should I? And instead, how can

622
00:32:22,600 --> 00:32:26,240
Speaker 1: I think about qualities that maybe that version of me

623
00:32:26,760 --> 00:32:30,440
Speaker 1: has She's somewhere out there, and how can I bring

624
00:32:30,480 --> 00:32:33,800
Speaker 1: her into my current life? You know, how can I

625
00:32:33,880 --> 00:32:36,000
Speaker 1: have some of those qualities that maybe I feel are

626
00:32:36,040 --> 00:32:39,400
Speaker 1: missing for me or from my life or what I want?

627
00:32:40,120 --> 00:32:43,360
Speaker 1: And you know, let them be, let them be here,

628
00:32:43,440 --> 00:32:45,680
Speaker 1: let them be present, as opposed to like thinking my mind,

629
00:32:45,720 --> 00:32:48,240
Speaker 1: letting going and wandering of like what could have been,

630
00:32:48,800 --> 00:32:50,040
Speaker 1: you know, like let's be here in.

631
00:32:50,000 --> 00:32:52,840
Speaker 2: The present, because then it's like, oh, am I just

632
00:32:53,120 --> 00:32:58,880
Speaker 2: living in this nostalgia versus like living exactly my reality.

633
00:32:58,640 --> 00:33:00,640
Speaker 1: And it's like you're not appreciate, eat what's right in

634
00:33:00,680 --> 00:33:03,000
Speaker 1: front of you, you know, and so and I think

635
00:33:03,000 --> 00:33:05,160
Speaker 1: that we can get caught so caught up in that,

636
00:33:05,720 --> 00:33:11,360
Speaker 1: especially if maybe there's unresolved feelings about something, you know,

637
00:33:11,560 --> 00:33:15,200
Speaker 1: whether that be a person or a situation, anything, you

638
00:33:15,240 --> 00:33:19,360
Speaker 1: can get stuck in that like that nostalgia and it's like, oh, actually,

639
00:33:19,440 --> 00:33:21,760
Speaker 1: you know, my life is fabulous, it's great. I've built

640
00:33:21,800 --> 00:33:24,120
Speaker 1: it to be this way, you know, So let me

641
00:33:24,200 --> 00:33:26,360
Speaker 1: be present here and love what's right in front of

642
00:33:26,360 --> 00:33:27,400
Speaker 1: me exactly.

643
00:33:27,720 --> 00:33:31,120
Speaker 2: So important. Also, like if we just think about the

644
00:33:31,200 --> 00:33:35,760
Speaker 2: human brain and like memories, like our brain cannot retain

645
00:33:36,440 --> 00:33:39,560
Speaker 2: every detail of things that have happened in the past,

646
00:33:40,080 --> 00:33:44,080
Speaker 2: and we like fill in details like our minds, you know,

647
00:33:44,200 --> 00:33:47,280
Speaker 2: like our memories are kind of like fragmented together, and

648
00:33:47,320 --> 00:33:52,120
Speaker 2: so the nostalgia sometimes is not completely accurate. Yeah, you know,

649
00:33:52,200 --> 00:33:54,200
Speaker 2: it's like I remember these major things, but a lot

650
00:33:54,200 --> 00:33:57,240
Speaker 2: of this is kind of like being filled in and

651
00:33:57,480 --> 00:34:00,880
Speaker 2: it's almost guessing in some ways. But what we can

652
00:34:00,920 --> 00:34:03,640
Speaker 2: rely on more is, yeah, what's in front of us

653
00:34:03,680 --> 00:34:07,280
Speaker 2: now is much more trustworthy than what we're remembering.

654
00:34:07,840 --> 00:34:10,080
Speaker 1: Definitely, Yeah, I agree.

655
00:34:10,320 --> 00:34:13,959
Speaker 2: So let's see what's next. If you could have lunch

656
00:34:13,960 --> 00:34:16,319
Speaker 2: with anyone dead or alive, who would it be? I

657
00:34:16,320 --> 00:34:19,759
Speaker 2: would much rather the person be alive that I'm having

658
00:34:19,800 --> 00:34:20,200
Speaker 2: lunch with.

659
00:34:20,400 --> 00:34:21,000
Speaker 1: Who would it be?

660
00:34:21,520 --> 00:34:24,440
Speaker 2: Probably? I mean not to be cliche and corny, but

661
00:34:24,480 --> 00:34:25,680
Speaker 2: I mean probably Selena.

662
00:34:25,960 --> 00:34:26,840
Speaker 1: You just said alive?

663
00:34:27,719 --> 00:34:30,560
Speaker 2: Oh she's dead. I forgot. I forgot she's dead for

664
00:34:30,600 --> 00:34:31,640
Speaker 2: a second. How sad?

665
00:34:31,920 --> 00:34:34,040
Speaker 1: You know her memory lives on this?

666
00:34:34,760 --> 00:34:37,560
Speaker 2: So okay? You know who would be fun? I mean

667
00:34:37,600 --> 00:34:40,480
Speaker 2: I think it's very easy to be like, oh, Beyonce. Right,

668
00:34:40,719 --> 00:34:44,080
Speaker 2: I don't actually know how fun she would be over lunch?

669
00:34:44,680 --> 00:34:46,440
Speaker 2: You know, Aubrey Plaza.

670
00:34:47,120 --> 00:34:48,479
Speaker 1: That would be a fun lunch. Yeah.

671
00:34:48,560 --> 00:34:51,400
Speaker 2: I don't know if it would be fun, but it

672
00:34:51,440 --> 00:34:53,200
Speaker 2: would be okay because I don't think you know what

673
00:34:53,280 --> 00:34:54,640
Speaker 2: I mean, Like it's her like.

674
00:34:54,640 --> 00:34:57,440
Speaker 1: Right, you're not like laughing hysterically with each other. No,

675
00:34:57,640 --> 00:34:59,440
Speaker 1: there's some like witty banter going on.

676
00:34:59,560 --> 00:35:01,879
Speaker 2: Maybe hopefully, I think she would be very very fun.

677
00:35:01,920 --> 00:35:02,400
Speaker 2: How about you.

678
00:35:03,200 --> 00:35:05,719
Speaker 1: I am terrible at these types of questions. My mind

679
00:35:05,760 --> 00:35:08,759
Speaker 1: goes blank. So I don't know.

680
00:35:09,480 --> 00:35:12,319
Speaker 2: Yeah, like, are there people in the world.

681
00:35:12,239 --> 00:35:14,520
Speaker 1: Yeah, there are no No one exists. There's no way

682
00:35:14,719 --> 00:35:16,239
Speaker 1: there's no one in the world right now that I

683
00:35:16,280 --> 00:35:17,120
Speaker 1: would have lunch with.

684
00:35:17,280 --> 00:35:18,160
Speaker 2: I would have lunch with you.

685
00:35:18,320 --> 00:35:19,840
Speaker 1: I was about to say, I would have lunch with you.

686
00:35:20,280 --> 00:35:21,480
Speaker 2: We can get left.

687
00:35:21,600 --> 00:35:22,359
Speaker 1: Yes, there we go.

688
00:35:23,640 --> 00:35:26,840
Speaker 2: Great question, guys. Let's see can you do an episode

689
00:35:26,880 --> 00:35:30,280
Speaker 2: on women in their thirties and how that's still baby?

690
00:35:30,280 --> 00:35:32,839
Speaker 1: Well, I love this questions so much, and you're right,

691
00:35:33,040 --> 00:35:33,880
Speaker 1: just love the phrasing.

692
00:35:34,120 --> 00:35:38,040
Speaker 2: Thirty is baby, thirty is baby, I'm baby, I am baby,

693
00:35:39,239 --> 00:35:39,719
Speaker 2: and that's it.

694
00:35:39,760 --> 00:35:41,880
Speaker 1: That's it, that's baby.

695
00:35:42,000 --> 00:35:42,640
Speaker 2: Say no more.

696
00:35:45,480 --> 00:35:47,480
Speaker 1: Yeah, I don't know. I mean I guess there's that

697
00:35:47,560 --> 00:35:51,839
Speaker 1: expectation that like you're like a full grown adult when

698
00:35:51,840 --> 00:35:54,239
Speaker 1: you're in your thirties, right and so, but in so

699
00:35:54,280 --> 00:35:57,520
Speaker 1: many ways, like no, we're still everyone is still learning.

700
00:35:57,560 --> 00:36:00,839
Speaker 1: Everyone is still baby. I will be eighty years old

701
00:36:00,920 --> 00:36:01,800
Speaker 1: and still babies.

702
00:36:01,880 --> 00:36:03,200
Speaker 2: Oh even more so, I will.

703
00:36:03,080 --> 00:36:05,040
Speaker 1: Be even more of a senorita when I'm eighty.

704
00:36:05,080 --> 00:36:10,640
Speaker 2: Okay, absolutely, I mean we're just thirty something teenage girls.

705
00:36:10,680 --> 00:36:14,080
Speaker 1: Literally I think about that, and I think about too

706
00:36:14,239 --> 00:36:16,160
Speaker 1: God not to be so deep today, but I guess

707
00:36:16,160 --> 00:36:18,480
Speaker 1: here we are. I've been thinking about, like, you know,

708
00:36:18,480 --> 00:36:19,719
Speaker 1: the top of the episode, I was like, I don't

709
00:36:19,719 --> 00:36:21,880
Speaker 1: want to have all these little things. And I was like,

710
00:36:21,920 --> 00:36:23,400
Speaker 1: you know what, when I was a little girl, I

711
00:36:23,440 --> 00:36:24,520
Speaker 1: had lots of little things.

712
00:36:24,600 --> 00:36:26,200
Speaker 2: I saw your storage clean up.

713
00:36:26,360 --> 00:36:29,839
Speaker 1: Yeah, yes, I had little beanie babies, I had barbies.

714
00:36:30,239 --> 00:36:35,480
Speaker 1: Like I definitely had things, not like excessively, right, but like,

715
00:36:35,760 --> 00:36:39,439
Speaker 1: you know, my mom bought me things. And so I've

716
00:36:39,440 --> 00:36:43,400
Speaker 1: been thinking about that now as as someone in their thirties,

717
00:36:43,440 --> 00:36:46,080
Speaker 1: and how like everyone is like talking about like we're

718
00:36:46,080 --> 00:36:48,600
Speaker 1: tapping into our inner childs and I think, yeah, I

719
00:36:48,680 --> 00:36:50,560
Speaker 1: think a lot of us in our thirties we start

720
00:36:50,600 --> 00:36:53,799
Speaker 1: to feel safe again to be like I actually don't

721
00:36:53,800 --> 00:36:56,920
Speaker 1: care if anyone thinks this is weird or nerdy or

722
00:36:57,680 --> 00:37:01,520
Speaker 1: you know, immature. I like it and so cares. Yeah,

723
00:37:01,560 --> 00:37:04,120
Speaker 1: And it goes back to like not caring what people think,

724
00:37:04,280 --> 00:37:06,959
Speaker 1: doing it just for you, connecting with your inner child,

725
00:37:07,080 --> 00:37:09,640
Speaker 1: like all those things that I feel like we collectively

726
00:37:09,640 --> 00:37:12,440
Speaker 1: talk about online or women especially talk about online, and

727
00:37:12,480 --> 00:37:15,920
Speaker 1: it's like, yeah, just you're still baby. Just do it, Yeah,

728
00:37:16,000 --> 00:37:17,040
Speaker 1: have your little things.

729
00:37:17,200 --> 00:37:23,120
Speaker 2: Have your little things center play, like finding opportunities to

730
00:37:23,280 --> 00:37:26,000
Speaker 2: not be in charge and to not be in control

731
00:37:26,080 --> 00:37:28,759
Speaker 2: and to not make all the decisions and to like

732
00:37:28,880 --> 00:37:33,320
Speaker 2: not drive and you know, kind of not do anything.

733
00:37:33,560 --> 00:37:34,200
Speaker 1: Yeah.

734
00:37:34,280 --> 00:37:37,080
Speaker 2: I think that's really important. And that's also very baby.

735
00:37:37,200 --> 00:37:40,200
Speaker 1: He's very baby. I've been talking to Phenenmeno about that

736
00:37:40,239 --> 00:37:44,480
Speaker 1: too recently. I told him, like, you know, so much

737
00:37:44,480 --> 00:37:48,640
Speaker 1: of my day to day, I'm like scheduling things and

738
00:37:48,920 --> 00:37:52,280
Speaker 1: organizing things and making sure we're on track as a production.

739
00:37:52,560 --> 00:37:53,680
Speaker 2: So she keeps us running.

740
00:37:53,760 --> 00:37:56,239
Speaker 1: I keep us running, and I do it because that's

741
00:37:56,320 --> 00:38:00,080
Speaker 1: my that's my strength, right, and I'm okay, I'm okay

742
00:38:00,080 --> 00:38:02,360
Speaker 1: with that. That's my role. But I was telling him, like,

743
00:38:02,480 --> 00:38:04,360
Speaker 1: I actually don't want to pick where to go to dinner.

744
00:38:04,480 --> 00:38:07,080
Speaker 1: I actually don't want to plan a weekend away, So

745
00:38:07,239 --> 00:38:09,520
Speaker 1: can you take lead on that because my brain is

746
00:38:09,560 --> 00:38:14,080
Speaker 1: actually like exhausted. And I didn't realize how I was

747
00:38:14,080 --> 00:38:16,560
Speaker 1: feeling until I told him that. And it's like, you know,

748
00:38:16,680 --> 00:38:18,239
Speaker 1: I don't want to be in charge of a date.

749
00:38:18,480 --> 00:38:20,120
Speaker 1: Like I need you to do that, Like you need

750
00:38:20,120 --> 00:38:22,080
Speaker 1: to take lead on that from now on as he should,

751
00:38:22,200 --> 00:38:24,359
Speaker 1: as he should, and but then it's like, well, he's

752
00:38:24,360 --> 00:38:26,239
Speaker 1: not going to know that unless I tell him, right,

753
00:38:26,320 --> 00:38:27,600
Speaker 1: you know. So it's like I have to you have

754
00:38:27,640 --> 00:38:30,200
Speaker 1: to communicate or whatever. And so it's one of those

755
00:38:30,239 --> 00:38:32,120
Speaker 1: things where it's like, Okay, I'm baby, but I have

756
00:38:32,200 --> 00:38:33,640
Speaker 1: to let everybody know that I'm baby.

757
00:38:33,760 --> 00:38:38,160
Speaker 2: Yes, you have to be a very verbose, communicative baby

758
00:38:38,840 --> 00:38:43,360
Speaker 2: who states their intentions and their boundary exactly, very self

759
00:38:43,400 --> 00:38:47,440
Speaker 2: actualized baby, which is what it's all about. Yeah, it's

760
00:38:47,480 --> 00:38:50,240
Speaker 2: what it's all about. Great question.

761
00:38:51,960 --> 00:38:54,239
Speaker 1: We're just like flowing through these questions right now. I

762
00:38:54,280 --> 00:38:55,480
Speaker 1: didn't think we were going to get through them.

763
00:38:55,480 --> 00:38:57,799
Speaker 2: Oh yeah, lookaz, it's fun. Yeah, it's always fun. Send

764
00:38:57,880 --> 00:39:01,160
Speaker 2: us questions, y'all, just like keep them coming, email us,

765
00:39:02,040 --> 00:39:04,760
Speaker 2: go to the website, send us something on speak pipe.

766
00:39:05,800 --> 00:39:10,880
Speaker 2: Do y'all have any tradition traditions for the other loostos

767
00:39:12,080 --> 00:39:14,319
Speaker 2: right now? As a podcast, our tradition is every year

768
00:39:14,360 --> 00:39:17,479
Speaker 2: saying we're gonna like submit anout that for the Grand Park,

769
00:39:17,640 --> 00:39:20,800
Speaker 2: the other Moertos or the Hollywood Forever the other Motos,

770
00:39:20,840 --> 00:39:22,759
Speaker 2: and never doing it, but always talking about it.

771
00:39:22,880 --> 00:39:25,160
Speaker 1: We've been talking about it since twenty sixteen.

772
00:39:25,239 --> 00:39:28,160
Speaker 2: Actually that's our tradition. It's our tradition talking about an

773
00:39:28,200 --> 00:39:29,840
Speaker 2: altar and then not submitting.

774
00:39:29,600 --> 00:39:32,799
Speaker 1: Not doing it. We need a bigger team. There's just

775
00:39:33,000 --> 00:39:35,719
Speaker 1: two of us plus our lovely producer, but she just

776
00:39:35,760 --> 00:39:38,080
Speaker 1: does audio. Like we don't expect her to like event

777
00:39:38,120 --> 00:39:41,400
Speaker 1: plan with us, you know, and so she can't. So yeah,

778
00:39:41,520 --> 00:39:43,160
Speaker 1: that's that is our tradition.

779
00:39:43,440 --> 00:39:46,280
Speaker 2: We have a lot of aspirations and dreams, but something

780
00:39:46,320 --> 00:39:48,319
Speaker 2: like building one of those out that is is it's

781
00:39:48,320 --> 00:39:51,800
Speaker 2: a lot of work. It's construction. Oh yeah, Like it's

782
00:39:51,560 --> 00:39:53,919
Speaker 2: a it's a big art installation.

783
00:39:54,000 --> 00:39:56,880
Speaker 1: And we're not just gonna like throw something together. Like

784
00:39:56,920 --> 00:39:59,080
Speaker 1: it has to be an experience because that's what we

785
00:39:59,120 --> 00:39:59,480
Speaker 1: do here.

786
00:39:59,680 --> 00:40:02,360
Speaker 2: That's what we do here, and at these events, the

787
00:40:02,400 --> 00:40:06,080
Speaker 2: altars are extravagant and they have a purpose and a

788
00:40:06,160 --> 00:40:10,720
Speaker 2: design and intention and a color scheme, and they're they're

789
00:40:10,840 --> 00:40:13,080
Speaker 2: huge and people go all out. So we can't just

790
00:40:13,120 --> 00:40:15,600
Speaker 2: come up with, you know, our little tablecloth and a

791
00:40:15,640 --> 00:40:16,799
Speaker 2: candle and call it a day.

792
00:40:17,400 --> 00:40:19,560
Speaker 1: That's good for your home out that, but not for

793
00:40:20,000 --> 00:40:22,000
Speaker 1: like an installation piece exactly.

794
00:40:22,320 --> 00:40:26,520
Speaker 2: Yeah, how about personally, do you have theos tradition?

795
00:40:26,960 --> 00:40:28,919
Speaker 1: Ah, Well, we build an out of that, and I'm

796
00:40:29,000 --> 00:40:32,680
Speaker 1: actually kind of dreading it this year. Tone shift obviously,

797
00:40:32,760 --> 00:40:36,280
Speaker 1: but this is the this is unexpectedly I am putting

798
00:40:36,520 --> 00:40:39,920
Speaker 1: my dog Glusko on the altar, and I am not

799
00:40:40,040 --> 00:40:44,359
Speaker 1: ready and very devastated and still grieving that loss. And

800
00:40:44,480 --> 00:40:49,560
Speaker 1: so I am, you know, in so many ways. Last

801
00:40:49,640 --> 00:40:52,440
Speaker 1: year was the first year that we put our cat

802
00:40:51,800 --> 00:40:55,719
Speaker 1: are my pet, mister Bean. He had lived with us

803
00:40:55,760 --> 00:40:59,359
Speaker 1: for about eighteen years, and that was his first year

804
00:40:59,440 --> 00:41:02,200
Speaker 1: going on the end, and that was, you know, very sad,

805
00:41:02,280 --> 00:41:07,200
Speaker 1: very beautiful, but an expected loss because he was having

806
00:41:07,280 --> 00:41:10,920
Speaker 1: some problems, some health problems. And then this year, you know,

807
00:41:11,080 --> 00:41:14,719
Speaker 1: just how unexpectedly we lost Gusco. I am just have

808
00:41:14,800 --> 00:41:19,920
Speaker 1: been grieving pretty intensely for the last couple of months,

809
00:41:19,960 --> 00:41:22,799
Speaker 1: and so that is just for me, Like as we

810
00:41:22,880 --> 00:41:27,719
Speaker 1: approach the holiday, I'm feeling very very sad, and you know,

811
00:41:27,800 --> 00:41:31,799
Speaker 1: of course, like there's the human loss, and you know,

812
00:41:32,480 --> 00:41:36,600
Speaker 1: I've lost people, several people in the last couple of years,

813
00:41:36,640 --> 00:41:40,120
Speaker 1: but I just again, like the way I lost Gusco,

814
00:41:40,200 --> 00:41:43,880
Speaker 1: and I haven't shared publicly, but he was hit by

815
00:41:43,880 --> 00:41:47,759
Speaker 1: a car and I have not gotten over it, and

816
00:41:47,800 --> 00:41:50,040
Speaker 1: I don't see myself ever getting over it, and so

817
00:41:50,800 --> 00:41:56,040
Speaker 1: it's just been really hard, really hard, and so yeah,

818
00:41:56,120 --> 00:41:59,600
Speaker 1: that is like something that I'm mentally preparing myself for,

819
00:42:00,040 --> 00:42:03,879
Speaker 1: especially on social media, like the way people build these

820
00:42:04,040 --> 00:42:08,479
Speaker 1: beautiful altars for their dogs. Even I'm like, oh, love

821
00:42:08,520 --> 00:42:10,960
Speaker 1: that for you. I can't. I'm not already.

822
00:42:11,200 --> 00:42:13,360
Speaker 2: It's a lot. That's a lot of attention and like

823
00:42:13,480 --> 00:42:17,200
Speaker 2: thinking about the it's just a lot of focus and energy.

824
00:42:17,719 --> 00:42:22,040
Speaker 1: Yeah, yeah, yeah, but you know, I think it's a

825
00:42:22,080 --> 00:42:24,959
Speaker 1: beautiful tradition and we're still going to do it, and

826
00:42:25,760 --> 00:42:27,799
Speaker 1: as hard as it's going to be. I've actually been

827
00:42:27,840 --> 00:42:32,920
Speaker 1: thinking about going to I haven't been. I've strategically avoided

828
00:42:33,680 --> 00:42:36,600
Speaker 1: the street where he died, and so I have been

829
00:42:36,600 --> 00:42:40,520
Speaker 1: thinking about maybe doing like a public altar, if you will, yeah,

830
00:42:40,560 --> 00:42:44,919
Speaker 1: by the road, a little a little display, but we'll see.

831
00:42:44,960 --> 00:42:46,400
Speaker 1: I don't know if I'm actually ready for that, but

832
00:42:46,440 --> 00:42:47,239
Speaker 1: it's been in my mind.

833
00:42:47,840 --> 00:42:52,320
Speaker 2: That's a beautiful way to remember him. We just recognized

834
00:42:52,360 --> 00:42:56,040
Speaker 2: the anniversary of my grandfather's passing a year ago, so

835
00:42:56,160 --> 00:42:59,239
Speaker 2: for the other and what thos will likely will light

836
00:42:59,320 --> 00:43:03,799
Speaker 2: some candles and you know, my grandmother likes to pray

837
00:43:03,840 --> 00:43:07,279
Speaker 2: the rosary, so maybe a little bit of that. The

838
00:43:07,360 --> 00:43:09,719
Speaker 2: other Moretos is also the same day as my friend

839
00:43:09,800 --> 00:43:14,080
Speaker 2: Lilia's birthday, so she always does something so that ends

840
00:43:14,160 --> 00:43:18,160
Speaker 2: up being kind of like what I am doing on

841
00:43:18,239 --> 00:43:20,920
Speaker 2: the other loss Morthos is somehow like celebrating her birthday

842
00:43:20,960 --> 00:43:22,040
Speaker 2: somehow if she's around.

843
00:43:22,719 --> 00:43:24,920
Speaker 1: So yeah, that's lovely. It is.

844
00:43:25,280 --> 00:43:25,600
Speaker 2: It is.

845
00:43:25,880 --> 00:43:29,200
Speaker 1: It's like a it's like a to like a meeting

846
00:43:29,360 --> 00:43:36,080
Speaker 1: of two things of like birth death anniversaries, you know,

847
00:43:36,160 --> 00:43:39,239
Speaker 1: and a celebration, because that is what the other Martos is, right,

848
00:43:39,239 --> 00:43:42,040
Speaker 1: it is a celebration of of life and memory.

849
00:43:43,040 --> 00:43:47,000
Speaker 2: Very true, Yeah, very true. Yes, yes, yes, it's uh,

850
00:43:47,080 --> 00:43:51,480
Speaker 2: there's a lot of energy exchange there, back and forth

851
00:43:52,080 --> 00:43:55,760
Speaker 2: in a very beautiful way. Yeah, let's see what's next.

852
00:43:56,040 --> 00:43:58,600
Speaker 2: At what moment do you risk it all to follow

853
00:43:58,640 --> 00:44:03,120
Speaker 2: your dreams? I would say, don't risk it all. I mean,

854
00:44:03,400 --> 00:44:05,319
Speaker 2: be able to pay your rent and have like a

855
00:44:05,360 --> 00:44:09,480
Speaker 2: backup plan until you have something concrete coming in is

856
00:44:09,520 --> 00:44:12,400
Speaker 2: what I would say. It's okay to work and follow

857
00:44:12,440 --> 00:44:15,520
Speaker 2: your dreams, and sometimes that's what you have to do.

858
00:44:15,640 --> 00:44:17,440
Speaker 2: I don't know about risking it all. I don't know

859
00:44:17,480 --> 00:44:21,480
Speaker 2: if we've had a moment where we like risked it all.

860
00:44:22,080 --> 00:44:25,320
Speaker 1: No, I think we made very strategic jumps, yeah, and leaps,

861
00:44:25,360 --> 00:44:27,600
Speaker 1: like the leaps came when they had to come. Yeah,

862
00:44:27,640 --> 00:44:30,440
Speaker 1: I think that we didn't. We didn't risk it all

863
00:44:30,560 --> 00:44:33,400
Speaker 1: until we knew there was a safety net because we

864
00:44:33,480 --> 00:44:34,880
Speaker 1: just weren't in a position to do that.

865
00:44:35,800 --> 00:44:39,279
Speaker 2: No, because risking it all means what, oh, now I

866
00:44:39,320 --> 00:44:42,600
Speaker 2: can't pay my bills and now what Like you can't

867
00:44:42,760 --> 00:44:46,640
Speaker 2: follow your dreams? Takes money, is the other piece of it. Yeah,

868
00:44:46,640 --> 00:44:50,080
Speaker 2: And like getting work done being a creative, like it

869
00:44:50,120 --> 00:44:53,160
Speaker 2: takes money to get yourself together and to get yourself

870
00:44:53,200 --> 00:44:55,680
Speaker 2: out there and to build your portfolio and to get

871
00:44:55,680 --> 00:44:59,120
Speaker 2: work done, and so quite often you kind of have

872
00:44:59,239 --> 00:45:02,400
Speaker 2: to be self fun did anyways, and so how are

873
00:45:02,440 --> 00:45:04,560
Speaker 2: you going to do that? You gotta work. So I've

874
00:45:04,680 --> 00:45:08,240
Speaker 2: never been one to say, like, yeah, just take the leap,

875
00:45:08,920 --> 00:45:12,080
Speaker 2: I mean, put it on your vision board, work towards it,

876
00:45:12,880 --> 00:45:15,640
Speaker 2: you know, yes, but don't put yourself in like a

877
00:45:15,680 --> 00:45:18,960
Speaker 2: precarious financial situation that we're going to suffer from. And

878
00:45:18,960 --> 00:45:20,719
Speaker 2: then you can't focus on what you want to do,

879
00:45:21,360 --> 00:45:23,239
Speaker 2: Like you can't focus on the next thing if you're

880
00:45:23,360 --> 00:45:26,000
Speaker 2: just you know, if you have no idea how you're

881
00:45:26,000 --> 00:45:27,000
Speaker 2: going to pay your rent.

882
00:45:28,360 --> 00:45:31,279
Speaker 1: Yeah, that would be my same advice. Don't risk it all,

883
00:45:32,280 --> 00:45:37,720
Speaker 1: strategically risk it all, baby steps, little risks. Yeah, I agree,

884
00:45:37,840 --> 00:45:42,520
Speaker 1: I agree. Okay, final question, what advice would you give

885
00:45:42,560 --> 00:45:46,520
Speaker 1: to your younger self? Oh? Lord, have you seen that meme?

886
00:45:46,719 --> 00:45:49,440
Speaker 1: That's like do it for your younger self or think

887
00:45:49,480 --> 00:45:51,239
Speaker 1: of your younger self? And it's like, why would I

888
00:45:51,239 --> 00:45:53,959
Speaker 1: pay attention to a fifteen year old mentally ill girl?

889
00:45:56,080 --> 00:45:59,400
Speaker 2: Ah? Poor young me? What would I say to my

890
00:45:59,440 --> 00:46:04,160
Speaker 2: younger self? I would say to my younger self, Look, girl,

891
00:46:06,080 --> 00:46:09,440
Speaker 2: you're gonna get through it. Buck up, chin up, You're

892
00:46:09,480 --> 00:46:12,320
Speaker 2: gonna be okay. And I promise that older you is

893
00:46:12,360 --> 00:46:15,920
Speaker 2: gonna give you grace and understanding that I can promise, like,

894
00:46:16,000 --> 00:46:19,480
Speaker 2: don't be afraid to make mistakes because there's forgiveness on

895
00:46:19,560 --> 00:46:22,560
Speaker 2: the other side. And I'm not gonna throw you under

896
00:46:22,560 --> 00:46:27,160
Speaker 2: the bus. I'm gonna defend you. Like That's what I

897
00:46:27,200 --> 00:46:29,439
Speaker 2: would say to my younger self is like I got

898
00:46:29,480 --> 00:46:31,880
Speaker 2: you on the other side. I see you. You're gonna

899
00:46:31,880 --> 00:46:34,480
Speaker 2: be fine. And I'm like, now I'm getting emotional, like

900
00:46:34,520 --> 00:46:37,160
Speaker 2: I've got your back, like make your choices, like do

901
00:46:37,239 --> 00:46:42,040
Speaker 2: your thing, learn and like I'm gonna cover you like

902
00:46:42,400 --> 00:46:43,839
Speaker 2: you are protected.

903
00:46:45,480 --> 00:46:49,759
Speaker 1: Yeah, I love that. That's beautiful. Yeah, I would say

904
00:46:49,840 --> 00:46:53,480
Speaker 1: something similar, you know, like, it's okay to not be perfect.

905
00:46:53,800 --> 00:46:58,239
Speaker 1: It's okay to not know everything. And it's not your

906
00:46:58,360 --> 00:47:01,000
Speaker 1: job to take care of other people. Actually just a kid.

907
00:47:01,719 --> 00:47:05,440
Speaker 1: And when you're older, I got you. I will take

908
00:47:05,480 --> 00:47:09,520
Speaker 1: care of you, and I will nurture you, and I

909
00:47:09,560 --> 00:47:14,160
Speaker 1: will make sure your emotional needs are met. So it's

910
00:47:14,200 --> 00:47:17,000
Speaker 1: okay to make a mistake. It's okay to not have straight.

911
00:47:16,680 --> 00:47:18,640
Speaker 2: A's ooh big one.

912
00:47:19,400 --> 00:47:24,359
Speaker 1: It's okay to not have the highest GPA ooh big one. Yes,

913
00:47:25,000 --> 00:47:28,680
Speaker 1: Catholic schoolgirl here. It's hard. They're mean to us. It's

914
00:47:28,680 --> 00:47:32,080
Speaker 1: gonna work out, and you know what, the tattoos are fine.

915
00:47:32,280 --> 00:47:36,320
Speaker 1: You're your own boss. Now, it's cool. You got it.

916
00:47:36,440 --> 00:47:37,600
Speaker 2: Literally, nobody cares.

917
00:47:37,760 --> 00:47:41,160
Speaker 1: Nobody cares. My boss Mala said it was fine.

918
00:47:41,360 --> 00:47:43,200
Speaker 2: Get more.

919
00:47:43,760 --> 00:47:44,359
Speaker 1: There we go.

920
00:47:46,760 --> 00:47:49,040
Speaker 2: Great questions, y'all, Yeah, thank.

921
00:47:48,840 --> 00:47:51,480
Speaker 1: You so much for listening to another episode of lok

922
00:47:51,480 --> 00:47:54,919
Speaker 1: A Radio. This was a fun episode to make. We've

923
00:47:54,960 --> 00:47:58,480
Speaker 1: done some heavy episodes this season. Yes, it's nice to

924
00:47:58,719 --> 00:48:01,719
Speaker 1: take a moment to answer the questions. Connect with you

925
00:48:01,760 --> 00:48:04,879
Speaker 1: all in this way and also connect with each other.

926
00:48:05,560 --> 00:48:10,680
Speaker 2: Yes, we laughed, we cried, we did it all. So

927
00:48:10,719 --> 00:48:12,759
Speaker 2: thank you for tuning in to another episode of look

928
00:48:12,800 --> 00:48:15,760
Speaker 2: at Radio. Till next time, Bespos.

929
00:48:17,440 --> 00:48:20,680
Speaker 1: Look at Radio is executive produced by Viosa Fem and

930
00:48:20,800 --> 00:48:21,759
Speaker 1: Mala Munios.

931
00:48:21,960 --> 00:48:24,400
Speaker 2: Stephanie Franco is our producer.

932
00:48:24,280 --> 00:48:26,960
Speaker 1: Story editing by Me viosa.

933
00:48:26,680 --> 00:48:28,400
Speaker 2: Creative direction by Me Mala.

934
00:48:28,600 --> 00:48:31,560
Speaker 1: Look At Radio is a part of iHeartRadio's Michael Dura

935
00:48:31,640 --> 00:48:32,520
Speaker 1: podcast network.

936
00:48:32,760 --> 00:48:35,319
Speaker 2: You can listen to look at Radio on the iHeartRadio

937
00:48:35,360 --> 00:48:37,399
Speaker 2: app or wherever you get your podcasts.

938
00:48:37,600 --> 00:48:39,840
Speaker 1: Leave us a review and share with your prima or

939
00:48:39,840 --> 00:48:40,800
Speaker 1: share with your homegirl.

940
00:48:40,920 --> 00:48:43,440
Speaker 2: And thank you to our local motes, to our listeners

941
00:48:43,440 --> 00:48:45,000
Speaker 2: for tuning in each and every week.

942
00:48:45,120 --> 00:48:52,840
Speaker 1: Besitos Loca