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Speaker 1: He is Drink Chants, motherfucker podcast. Make SI. He's a

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Speaker 1: Legends Gary Queens rapper. He ain't agreed. That is your

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Speaker 1: boy in O r E. He's a Miami hip hop pioneer.

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Speaker 1: Put up his dj e f N together they drink

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Speaker 1: it up with some of the biggest players, you know

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Speaker 1: what I mean. And the most professional, unprofessional.

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Speaker 2: Podcast and your number one source for drunk fass drink.

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Speaker 1: Chants, mothering fucking post. Every day is New Year's Eve. Listen,

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Speaker 1: It's time for drink Champions. Drink up, motherfucking mother Hey,

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Speaker 1: Hey said Greed, hope you Savi, this is your boy

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Speaker 1: in O R E. What up is dj e FN?

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Speaker 1: Just drink chess motherfucking podcast? MAXI. Right now, I would

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Speaker 1: like to introduce my guests.

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Speaker 3: We have one of the most of his people were

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Speaker 3: on the Plan. I went to his show yesterday. He

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Speaker 3: not only tore it down, he broke the other comedians

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Speaker 3: at the end to rank on each other until he

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Speaker 3: got in on the Soldier Boy and the Chris Brown

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Speaker 3: Almost I almost threw up the way he rented on it.

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Speaker 1: He has done countless movies.

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Speaker 3: One of my favorite is seven. He has started out

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Speaker 3: with one of the hardest roles ever by replacing Chris

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Speaker 3: Tucker aka Smoky And I remember people in the movie

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Speaker 3: theater just looking and saying, can this guy hold it down?

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Speaker 3: And people left that movie didder and they were satisfied.

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Speaker 3: And he kept going to the top flight security of

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Speaker 3: the world.

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Speaker 1: He continues to do it. He continues to stay funny.

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Speaker 1: He's my friend. Right now. I want to introduce the legendary.

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Speaker 1: First off, let's sake to that what is that dance?

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Speaker 2: You know what I did that originally in your video

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Speaker 2: in two thousand uh little that I don't know, well,

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Speaker 2: in two thousand and one.

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Speaker 1: Something like that. Yeah, yeah, man, And that was called

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Speaker 1: Patrick Weed because I said a lot of girls treat

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Speaker 1: some Rose first.

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Speaker 2: Yeah, man, Cole Rose, and we got to do for

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Speaker 2: you and we got old it looked like everything we got.

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Speaker 1: We also got. This is the upgraded to kill him. Damn.

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Speaker 1: This is dely On. We heard you order patrol, but

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Speaker 1: this is DeLeon and they're sponsoring you can take the

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Speaker 1: classes going. Damn is that col Rose? No, whatever y'all got,

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Speaker 1: let's go, let's go. We're Goanna Pappa Rose want some

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Speaker 1: duce these mother.

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Speaker 3: You don't eat man, yo, we eat, we drink those

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Speaker 3: that cheeseburger baby, we got we got shut out the

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Speaker 3: best Buy Liquors Man looking Liquor, that's Liquors Liquors dot

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Speaker 3: com where at they got five locations two and Kendall Wondar.

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Speaker 1: Ranjer one in Florida City. Best Buy the liquors also

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Speaker 1: shut out to.

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Speaker 2: Jim Beany shut out to Jimmy Bean.

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Speaker 1: I've just seening that nigga at the club last night.

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Speaker 3: Now, one thing I noticed about comedy shows it is

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Speaker 3: nothing like hip hop.

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Speaker 1: Meaning people will come, you know, people come to hip.

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Speaker 3: Hop, you know, dressed as whatever. People come to hip

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Speaker 3: hop with the intent of doing something stupid. Last night,

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Speaker 3: I walked in and I was so safe.

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Speaker 1: It was so clean. At first, I said, damn, this

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Speaker 1: said nothing like hip hop.

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Speaker 3: Then you said, let's go smoke, nigga, And I said,

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Speaker 3: but it's cribed the comedy scene because it's a very

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Speaker 3: safe environment.

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Speaker 1: People come there to laugh.

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Speaker 2: Well, you know, that's that's the thing, you know, comedy

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Speaker 2: and hip hop. I mean, I think comedy is a

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Speaker 2: cousin of hip hop, I believe, but it's kind of

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Speaker 2: the square cousin of hip hop. You know how you

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Speaker 2: got a cousin in the family that really don't get

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Speaker 2: into two much.

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Speaker 1: But he is in the family.

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Speaker 2: But you know what I mean, because you got comments

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Speaker 2: like Cat Williams and myself and many others we didn't

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Speaker 2: have some brushes with the law, you know what I'm saying,

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Speaker 2: but having problems later.

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Speaker 1: Yeah, yeah, he's Mexic comedy he is, he is. Yeah,

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Speaker 1: Cat Williams is definitely.

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Speaker 2: But I got love for Cat, you know what I'm saying,

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Speaker 2: and a lot of other comics out here.

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Speaker 3: Man.

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Speaker 2: But but like you said, the comedy game is a

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Speaker 2: real smooth game.

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Speaker 1: Everybody come in.

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Speaker 2: There to laugh, you know what I'm saying, like hip

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Speaker 2: hop or everybody going in there trying to.

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Speaker 3: Show exactly like like you know, when I go out

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Speaker 3: with my wife, I'm very protective, you know what I'm saying.

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Speaker 1: But last night is that cole mister Lee? Yeah I can't.

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Speaker 1: I mean, you don't know how to part give me

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Speaker 1: that come on, mister, yeah, yeah it can change. That's

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Speaker 1: what's up. Maybe Mike, let's make some champion.

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Speaker 3: So yo, man, you really came up there and you

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Speaker 3: tore that ship.

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Speaker 4: That man.

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Speaker 1: Still love doing what you're doing. I do you know

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Speaker 1: what I'm saying.

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Speaker 2: I've been doing stand up comedy for twenty some years now,

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Speaker 2: you know what I'm saying, And uh, I really love it.

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Speaker 2: And comedy to me is like my real bitch.

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Speaker 1: You know.

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Speaker 2: You know how you got people to say they got

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Speaker 2: a bottom bitch.

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Speaker 1: Comedy is my bottom bitch. I gotta do you you

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Speaker 1: know what I'm saying. Have you do it? Seeing it

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Speaker 1: in front? Damn? You know what I'm saying in France

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Speaker 1: in your mind knowing this is a that's what they

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Speaker 1: don't That's how the police shoot love now.

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Speaker 2: But comedy is comedy is like, uh, you know, stand

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Speaker 2: up comedy is one of the things man, you can't

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Speaker 2: funk around yours. Man, It's just you can't funk around

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Speaker 2: and leave comedy for even a second, or the bitch

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Speaker 2: would be gone, you know what I mean.

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Speaker 1: That's one of them things.

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Speaker 2: If I stopped doing comedy for a month and I

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Speaker 2: come back and do comedy, man my time and.

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Speaker 1: Be off like a mother. So so is it important?

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Speaker 1: Because at the.

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Speaker 3: End of the day, Mike, you're so huge, you can

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Speaker 3: just live off for movies. The residuals over movies. Why

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Speaker 3: is it important for you to still stay in front

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Speaker 3: of and you sold an audience. That audience was huge.

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Speaker 3: This was life.

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Speaker 1: So was.

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Speaker 2: See. You know that's the thing it's like, even for

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Speaker 2: hip hop. No matter what, you guys go out there

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Speaker 2: and do business adventures, money ventures, you still like to

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Speaker 2: rock the stage because.

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Speaker 1: It gives you your age. You get to still stand

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Speaker 1: in front of people, in front of the place, a

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Speaker 1: real live motherfuckers man.

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Speaker 2: So when you get when you get an opportunity in

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Speaker 2: the industr, treat to do whatever you're doing.

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Speaker 1: You're bringing the edge to it. You know what I'm saying.

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Speaker 1: You can't leave the people.

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Speaker 3: Now where's Mike Apps originally FUNDI?

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Speaker 1: Now you fuck with the Colts and ship.

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Speaker 2: Like that, the Pacers and a few niggas out there

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Speaker 2: and then okay, so now.

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Speaker 1: Take us through that. So T. K.

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Speaker 3: Kirkland came on here. He said that he told you

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Speaker 3: to convince you to move to New York. Right, Is

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Speaker 3: that where your comedy started or no?

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Speaker 2: Well I started doing comedy originally in Chicago.

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Speaker 1: You was getting shot, you know what I'm saying.

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Speaker 2: I originally started in Chicago and I went to Atlanta

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Speaker 2: started performing for about a year. Then I moved to

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Speaker 2: New York and I lived in New York for ten years.

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Speaker 1: Man, I lived and you.

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Speaker 2: Know when you ain't got no money and you moved

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Speaker 2: to New York, moved to New York. Yeahs, you move

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Speaker 2: to real New York and you live in every borough.

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Speaker 2: I was jumping from every borough, you know. The first

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Speaker 2: city I moved to, I stayed in Manhattan, you know,

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Speaker 2: for a minute. I stayed uptown, and then I moved

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Speaker 2: to Long Island City, Queens, Yeah, Queens. And then I

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Speaker 2: went from Long Island City the flat Bush. I lived

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Speaker 2: on Sterling Bus.

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Speaker 1: New York. Yeah.

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Speaker 2: So you know, New York is definitely I have to

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Speaker 2: show all the love the gratitude to New York because.

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Speaker 1: It's like a boot camp for any entertainer, you know it.

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Speaker 1: That's right.

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Speaker 2: And I tell people all the time, Man, if you

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Speaker 2: want to go to Hollywood, go to New York first,

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Speaker 2: because it's gonna give you that.

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Speaker 1: This movie happens.

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Speaker 3: It's a movie, It's a Colt movie in our culture

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Speaker 3: title Friday.

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Speaker 1: You hear that? Did you hear that it was a role?

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Speaker 3: How did you because I heard ice Cube discovered you

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Speaker 3: at a club, But how did you get how did

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Speaker 3: you even know that?

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Speaker 1: That role was up.

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Speaker 2: I had a guy one of my producing partners named

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Speaker 2: Niles Curser. He's yeah, he's a black Jew. Now's cursing Cursler? Yeah,

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Speaker 2: google him, Google him, you know what I'm saying, and

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Speaker 2: all kinds of Jews gonna pop up.

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Speaker 1: You know.

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Speaker 2: He had a friend that he was a roommate with

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Speaker 2: a guy in college who really runs ice.

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Speaker 1: Cube's Cube Vision. His name is Matt Alva Redz. They said, Man,

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Speaker 1: we got.

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Speaker 2: A comic man that's really really good, you know. Uh,

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Speaker 2: let's do an audition with him.

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Speaker 1: Man.

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Speaker 2: And they had a line of auditions up at the

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Speaker 2: Comedy Store and I did the audition ice.

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Speaker 1: In Hollywood, right Hollywood. Yeah.

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Speaker 2: Ice Cube walked up to me, Man said, Man, can

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Speaker 2: you act? I said yeah, I didn't know if I could.

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Speaker 2: I said, oh, yeah, I can act. And we went

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Speaker 2: through the whole auditioning process man, And it lasted for

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Speaker 2: about a month. He was trying to find that next

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Speaker 2: Smokey and Man, I was auditioning with about one hundred

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Speaker 2: and fifty comedians out there.

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Speaker 3: And did you think he was still trying to get

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Speaker 3: on Chris Tucker as well?

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Speaker 1: Was that a scare for you or that was just

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Speaker 1: like no.

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Speaker 2: I mean, I didn't have ship, so I didn't care

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Speaker 2: what was going on, you know what I mean, I

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Speaker 2: didn't you know.

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Speaker 1: I was like, ship, it's all for nothing right here.

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Speaker 1: You say when he first approached you, it was for

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Speaker 1: the day they roll. It wasn't like it was just replacement.

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Speaker 1: Already turned the role. You know what I'm saying. I

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Speaker 1: was Cube was like, man, fuck Christ you know, I

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Speaker 1: know you was like look glad. Yeah.

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Speaker 2: So so I auditioned for it, man, and I got

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Speaker 2: the role man, and I never forget, I swear I'll

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Speaker 2: never forget the day that I got the row. And

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Speaker 2: I walked on the set, Man, I was all happy

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Speaker 2: and nice and ship, and with nobody saying ship.

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Speaker 1: They was all quiet, and I did my first role,

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Speaker 1: I mean your scene.

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Speaker 2: And when the first scene was over and they said cut,

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Speaker 2: I didn't hear no laughs.

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Speaker 1: And John Witherspoons was sitting over in the corner looking

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Speaker 1: at the guy they wanted to say bang bang back.

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Speaker 1: Man was saying there looking at me like this.

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Speaker 2: I said, oh, Ship, I want to talk you many

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Speaker 2: ain't laughing, he said, it ain't time to be funny yet.

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Speaker 1: Man. By the time it was time to be funny.

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Speaker 1: I came out there and said, man.

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Speaker 2: This bitch that sprayed my car, You sprayed pimp, you

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Speaker 2: sprayed the play ground.

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Speaker 1: I was on the pop and I was funny in

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Speaker 1: the movie. It was and they were ten, but you

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Speaker 1: kept clean, kept the.

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Speaker 3: Mother besides when you got so I just want you

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Speaker 3: to know that for the hood. But that was a

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Speaker 3: cult movie, so people really didn't want to accept nobody

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Speaker 3: else for that role.

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Speaker 1: They especially for that time Chris Tucker told that ship.

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Speaker 2: I mean, if people still think to this day, the

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Speaker 2: first one was better than the second one and the

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Speaker 2: third one, But you know what, it was a cult movie.

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Speaker 3: I believe the first one apartment for cutting you off.

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Speaker 3: I believe the first one led to the second one.

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Speaker 1: I believe it did. Yeah, I believe it's a foundation

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Speaker 1: to it. But continue what you're saying.

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Speaker 2: No, that's real, that's real. The first one was the

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Speaker 2: foundation to it. But the second one and the third one,

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Speaker 2: I mean, like I said, there's kids that didn't really

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Speaker 2: see the first one, like that didn't understand it. That

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Speaker 2: really like the first one in the second at them,

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Speaker 2: the second.

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Speaker 1: And the third better. So it's different people for different movies.

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Speaker 3: Now that now, Now, I just was watching what the

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Speaker 3: fuck movie? Was just watching?

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Speaker 1: And I never watched the end handcockcock.

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Speaker 2: Even at the end of Hancock they put me at

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Speaker 2: the end of Like I watched Hancock seventeen times, I

254
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Speaker 2: never knew you was in there.

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Speaker 1: Yeah, I watched it today. And what did I say, Babe?

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Speaker 1: For some reason, I said, let me watch the end

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Speaker 1: of this year because I never know what happened at

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Speaker 1: the end. I never knew we died, or nobody never

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Speaker 1: knew I was in the movie. Came the credits. I've

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Speaker 1: been I've been at you know.

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Speaker 2: Knoway, I had a chance to work with a lot

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Speaker 2: of a lot of great actors, a lot of big

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Speaker 2: players in the business, you know, Will Smith and Whitney

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Speaker 2: Houston and Bernie Mack and you know, I've been blessed

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Speaker 2: to work with these great comics man and great artists.

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Speaker 1: Ma I'm gonna be honest with you. You know what.

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Speaker 3: The most classic scene with you and Bernie Matt was

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Speaker 3: when I forget I think so mans old man and

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Speaker 3: he got he said to you, he said, he said,

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Speaker 3: fuck the kids.

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Speaker 1: I say that to this day. I'm the kid looking

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Speaker 1: at me.

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Speaker 3: I've done so many counting this classics. So now let's

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Speaker 3: try to stay on Friday for for a moment. So

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Speaker 3: you you did you understand how hard that was gonna

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Speaker 3: be for filling those shoes? Was like, Yo, I'm a

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Speaker 3: funny guy and.

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Speaker 1: I'm a rocket. No, I understood understood it.

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Speaker 2: Yeah, understood how hard it was because Chris Tucker at

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Speaker 2: the time, man, man want to He's going to be

281
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Speaker 2: the hilarious.

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Speaker 1: And funny and wild and real and everybody loved him

283
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Speaker 1: and he had that voice.

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Speaker 2: And I mean, I'm like, damn, man, I don't know

285
00:14:14,120 --> 00:14:16,120
Speaker 2: what I'm gonna do. I know one thing I'm not

286
00:14:16,160 --> 00:14:18,000
Speaker 2: gonna do. I'm not gonna come in there and try

287
00:14:18,040 --> 00:14:20,560
Speaker 2: to be him, you know what I'm saying. So whatever

288
00:14:20,640 --> 00:14:23,360
Speaker 2: I do gonna be that gonna be me. And I

289
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Speaker 2: had a character by the name of Day. They just

290
00:14:26,000 --> 00:14:26,960
Speaker 2: make some noise for Daya.

291
00:14:29,000 --> 00:14:30,880
Speaker 1: At some point in this interview, I'm gonna call you Day.

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Speaker 1: They just don't don't worry. I don't give a fuck.

293
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Speaker 1: I'm sorry, Yeah, yeah, yeah, I don't give a what

294
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Speaker 1: did you model Day after? Someone? I had a cousin, Yeah,

295
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Speaker 1: I had I had a cousin named Brian. Crying baby

296
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Speaker 1: wild ass.

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Speaker 2: You know what I'm saying, getting in the ship nigga

298
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Speaker 2: all the time.

299
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Speaker 1: And now see Michael Blacksman was also in the movie.

300
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Speaker 2: Michael Blason was in the movie. We had him on

301
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Speaker 2: the show last night.

302
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Speaker 1: Exactly what was it that your first time working with him?

303
00:14:57,640 --> 00:15:01,040
Speaker 2: Then No, me and Michael Blackson started gonna together get

304
00:15:01,040 --> 00:15:01,640
Speaker 2: the funk out.

305
00:15:01,760 --> 00:15:04,400
Speaker 1: Yeah, and all this time I talked to Hurting last night. Yeah,

306
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Speaker 1: I thought this nigga was African.

307
00:15:05,760 --> 00:15:11,000
Speaker 2: This nigga from Philly, nigga from Milo.

308
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Speaker 1: Yeah, all you mother, I get around this niggas mother's nigga.

309
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Speaker 1: Tell Mama you want me take the track? I said, what,

310
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Speaker 1: let's get from the shield on everybody's shoulders. And we're

311
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Speaker 1: gonna also.

312
00:15:29,640 --> 00:15:31,400
Speaker 3: Take a shot a tiger bom. We're gonna introduce you

313
00:15:31,440 --> 00:15:34,760
Speaker 3: to this that that's this is. This is all the

314
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Speaker 3: start of the show.

315
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Speaker 1: Start show.

316
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Speaker 3: It's called Don't Don't Smell It shot glasses and Joe

317
00:15:40,600 --> 00:15:42,560
Speaker 3: tell people back there, my man, please keeping that.

318
00:15:42,600 --> 00:15:46,280
Speaker 1: On my mind. Illegal and stuff country. It's like soy salt, Yes,

319
00:15:49,320 --> 00:15:50,800
Speaker 1: ain't gonna front. This is this is, this is this

320
00:15:50,840 --> 00:15:53,000
Speaker 1: is when you're act gonna come off the glass. That's

321
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Speaker 1: a good. That's a good. Ding can't get into it?

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Speaker 1: Can we get the shot glasses? Yeah, let's get the

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Speaker 1: shot classes. Now what's my man? You can't. It's another

324
00:16:00,400 --> 00:16:03,920
Speaker 1: comedian that you've brung with you. Henry Well, we're here? Well,

325
00:16:04,320 --> 00:16:07,640
Speaker 1: Henry Well, where Henry at? We ain't got another microrap? Okay,

326
00:16:07,640 --> 00:16:09,520
Speaker 1: he'd be right back. Don't take a ship. Yeah, he

327
00:16:09,600 --> 00:16:10,600
Speaker 1: looked like he had to take a ship.

328
00:16:10,760 --> 00:16:12,720
Speaker 2: That niggas then rolled off in his neighborhood. You have

329
00:16:12,840 --> 00:16:21,520
Speaker 2: to looking in and lean somewhere. Just okay.

330
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Speaker 3: Now, at one point of your show, you talked about

331
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Speaker 3: the Chris Brown and Soldier boys. I also looked at

332
00:16:27,240 --> 00:16:29,680
Speaker 3: your Instagram posted a uh.

333
00:16:30,600 --> 00:16:33,160
Speaker 1: A thing of Soldier Boy and talking about how you

334
00:16:33,240 --> 00:16:36,840
Speaker 1: shot the niggas. I've seen that as well, but I

335
00:16:36,880 --> 00:16:40,680
Speaker 1: will get to that. But the pooky, who do you

336
00:16:40,680 --> 00:16:43,400
Speaker 1: think gonna win this fife? Man? You know what I'm saying.

337
00:16:43,760 --> 00:16:44,800
Speaker 1: I think Chris Brown.

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Speaker 2: The only reason why I say Chris Brown because Chris

339
00:16:47,640 --> 00:16:51,080
Speaker 2: Brown could play ball. You know, one of them niggas

340
00:16:51,080 --> 00:16:53,520
Speaker 2: that ride motorcycles, that play ball and know how.

341
00:16:53,440 --> 00:16:54,080
Speaker 1: To do everything.

342
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Speaker 5: Henna, Yeah, one of them niggas you're betting on Chris Brown.

343
00:16:59,600 --> 00:17:04,080
Speaker 1: Yeah, I think Chris Brown. I think Chris Brown is

344
00:17:04,119 --> 00:17:09,320
Speaker 1: brown on them. Yeah, Chris Brown. Somebody got to vote

345
00:17:09,320 --> 00:17:14,160
Speaker 1: for soldiers Brown. You're taking so boy.

346
00:17:14,600 --> 00:17:14,800
Speaker 6: Taking?

347
00:17:15,119 --> 00:17:17,040
Speaker 1: Got a date for this official? I don't know, but

348
00:17:17,040 --> 00:17:20,119
Speaker 1: I'm going wherever it's. Yeah, I'm gonna support.

349
00:17:20,320 --> 00:17:23,840
Speaker 2: Yeah, I mean, and who if they don't win, it's

350
00:17:23,840 --> 00:17:26,159
Speaker 2: gonna be a scratch off. Somebody gonna get scratched in it.

351
00:17:28,480 --> 00:17:30,320
Speaker 2: We got to check both the niggas. Now, one of

352
00:17:30,359 --> 00:17:36,320
Speaker 2: them dance and other niggas do kid raps. They hanging

353
00:17:36,359 --> 00:17:38,640
Speaker 2: with all them gang members that ain't ship.

354
00:17:40,160 --> 00:17:42,840
Speaker 1: They got, they hanging with the game. That's the thing

355
00:17:42,880 --> 00:17:44,560
Speaker 1: about these niggas in the rap business.

356
00:17:44,600 --> 00:17:46,800
Speaker 2: They've been hanging with the niggas that ain't shipped in

357
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Speaker 2: the city.

358
00:17:47,960 --> 00:17:50,000
Speaker 1: Let's thinking at the point of it is to get

359
00:17:50,080 --> 00:17:53,200
Speaker 1: rich and get away from that ship. Away from that ship.

360
00:17:53,240 --> 00:17:55,280
Speaker 1: You don't you know what I mean. It's going backward

361
00:17:55,480 --> 00:17:58,800
Speaker 1: just because you know a nigga.

362
00:17:58,600 --> 00:18:01,720
Speaker 2: In the streets he ain't trying to get in no trouble.

363
00:18:02,480 --> 00:18:03,360
Speaker 1: You know you're gonna have.

364
00:18:03,320 --> 00:18:05,000
Speaker 2: To do that ship when you were a kid, and

365
00:18:05,040 --> 00:18:07,680
Speaker 2: then when you get grown, it's over. You can't get

366
00:18:07,760 --> 00:18:09,880
Speaker 2: rich and live in a mansion and then decided you're

367
00:18:09,880 --> 00:18:11,879
Speaker 2: gonna be a tough on shoot thea Now, yeah, I

368
00:18:11,880 --> 00:18:14,280
Speaker 2: ain't that You're suppsed to shoot a nigga.

369
00:18:16,240 --> 00:18:19,160
Speaker 1: Reverse shoot nigga at thirty four.

370
00:18:19,359 --> 00:18:22,800
Speaker 3: Yeah, and you got a name for yourself, Moso, and

371
00:18:22,880 --> 00:18:24,200
Speaker 3: you have the twenty four or whatever.

372
00:18:24,240 --> 00:18:25,200
Speaker 1: This ship is crazy, Mike.

373
00:18:25,760 --> 00:18:30,560
Speaker 3: But now, now, Mike, you was at one point, I

374
00:18:30,600 --> 00:18:32,080
Speaker 3: think he was doing an album.

375
00:18:32,240 --> 00:18:34,120
Speaker 1: Yeah, kind of starch.

376
00:18:34,359 --> 00:18:37,280
Speaker 3: Yeah, I thought I seen you one day a little

377
00:18:37,280 --> 00:18:37,760
Speaker 3: bit high?

378
00:18:37,960 --> 00:18:41,000
Speaker 1: Is that true? A little bit? Man?

379
00:18:41,920 --> 00:18:45,000
Speaker 2: You gotta be a lot of Let me tell yourself, man,

380
00:18:45,280 --> 00:18:47,440
Speaker 2: I'm one of them real artists, you know what I'm saying.

381
00:18:47,560 --> 00:18:50,760
Speaker 1: Like I Didne did a little bit of everything.

382
00:18:51,119 --> 00:18:57,280
Speaker 2: Yeah, on the drug side, you know, God, because you know,

383
00:18:57,520 --> 00:19:00,880
Speaker 2: I think honestly, I think a lot of artists, like

384
00:19:01,119 --> 00:19:03,639
Speaker 2: some of your greatest artists, if they wasn't high, you

385
00:19:03,640 --> 00:19:05,479
Speaker 2: wouldn't have got Jimmy her You wouldn't have got the

386
00:19:05,520 --> 00:19:07,440
Speaker 2: best out of him, Fucking Jimmy.

387
00:19:07,119 --> 00:19:11,040
Speaker 1: His aid on his eyes. Yeah, he let the ship. Richard, Yeah,

388
00:19:11,160 --> 00:19:13,000
Speaker 1: Richard Pride. Yeah.

389
00:19:13,040 --> 00:19:14,919
Speaker 2: But I'm more of them real niggas. I know how

390
00:19:14,960 --> 00:19:17,560
Speaker 2: to gone get down a little bit. Leave it alone.

391
00:19:17,600 --> 00:19:20,240
Speaker 3: Because when you when you were impersonate a cold nigga,

392
00:19:20,440 --> 00:19:23,440
Speaker 3: would you be doing on your hands doing that?

393
00:19:29,600 --> 00:19:30,040
Speaker 1: That's what.

394
00:19:31,640 --> 00:19:42,080
Speaker 2: You won't let you know man, what I'm saying. But

395
00:19:42,080 --> 00:19:43,800
Speaker 2: but I'm a pro man. You know what I'm saying.

396
00:19:43,800 --> 00:19:45,600
Speaker 2: I ain't never like to work.

397
00:19:47,440 --> 00:19:50,840
Speaker 1: Your shot duty take a bone. You don't pull that

398
00:19:50,920 --> 00:20:00,960
Speaker 1: much of take God, damn, but give me somebody g.

399
00:20:00,240 --> 00:20:03,399
Speaker 2: Or something, the little the little short tiger.

400
00:20:04,119 --> 00:20:07,800
Speaker 1: Yeah, yes's put that homide trying to kill trying to

401
00:20:07,840 --> 00:20:10,000
Speaker 1: kill Mike. Now, come on, we're trying to get Mike

402
00:20:10,040 --> 00:20:11,800
Speaker 1: loose me, trying to kill me. I'll take I'll take this.

403
00:20:11,840 --> 00:20:15,359
Speaker 1: Nigga did my video? Hey my man, Okay, let's how

404
00:20:15,359 --> 00:20:16,840
Speaker 1: you do it? Do you be drinking this ship? Yeah?

405
00:20:16,880 --> 00:20:31,000
Speaker 1: I'm drinking this ship. No man, damn, let's do that.

406
00:20:31,320 --> 00:20:41,680
Speaker 1: Let's do that to us. Were watching you? Bongh who

407
00:20:41,800 --> 00:20:48,280
Speaker 1: is game? Damn? You know what what is that describing

408
00:20:48,560 --> 00:20:55,280
Speaker 1: described that this ship tastes like I dang, nigga, did

409
00:20:55,280 --> 00:21:05,199
Speaker 1: I just drinks? You're going down together? Like? Man? I

410
00:21:05,320 --> 00:21:15,399
Speaker 1: swear to god, this h it tastes gross. Let's go three? Right?

411
00:21:15,800 --> 00:21:18,480
Speaker 1: He was he was not I am.

412
00:21:23,920 --> 00:21:26,800
Speaker 3: But you know who damn a whole bottle style speak,

413
00:21:27,000 --> 00:21:28,800
Speaker 3: you know, actually urged it is.

414
00:21:28,880 --> 00:21:32,199
Speaker 1: It's actually that's what it tastes like. Ginger. Yeah, it

415
00:21:32,240 --> 00:21:34,639
Speaker 1: tastes like one of the mother Chinese. Get your life right.

416
00:21:35,600 --> 00:21:37,480
Speaker 3: It's not a it's not like a Viagara like you'll

417
00:21:37,480 --> 00:21:38,640
Speaker 3: be walking around with the hard ship.

418
00:21:38,680 --> 00:21:40,359
Speaker 1: But if you happen to play the game, you'll be ready.

419
00:21:40,359 --> 00:21:40,840
Speaker 1: You know what I'm saying.

420
00:21:40,920 --> 00:21:43,240
Speaker 2: Mama always told me, you watch the New York niggas,

421
00:21:43,240 --> 00:21:46,160
Speaker 2: ain't too fast.

422
00:21:46,800 --> 00:21:51,240
Speaker 1: You got some new ship. Yeah, be very fast, very fast.

423
00:21:52,080 --> 00:21:55,360
Speaker 3: So Mike, you do so all about the Benjamins came

424
00:21:55,400 --> 00:21:58,640
Speaker 3: in between after Next Friday came all.

425
00:21:58,520 --> 00:22:00,919
Speaker 2: About the Benjamin's was a film that was mine that

426
00:22:01,000 --> 00:22:01,960
Speaker 2: I took to ice Q.

427
00:22:02,520 --> 00:22:04,760
Speaker 7: That was your film, Yeah, that was that was that

428
00:22:04,800 --> 00:22:06,800
Speaker 7: was your Miami, right, Yeah, in Miami.

429
00:22:06,920 --> 00:22:08,720
Speaker 1: I took it to Q. We shot it on the

430
00:22:08,800 --> 00:22:10,680
Speaker 1: Q Vision. I produced it.

431
00:22:10,720 --> 00:22:15,440
Speaker 2: Man, we hard went through a rigorous casting.

432
00:22:15,960 --> 00:22:17,960
Speaker 1: When you say it's your film, you mean that was

433
00:22:18,000 --> 00:22:19,120
Speaker 1: your idea. You wrote it, my.

434
00:22:19,119 --> 00:22:24,000
Speaker 2: Script, my script heard that Yeah. Yeah, Well it's in

435
00:22:24,080 --> 00:22:27,360
Speaker 2: the credits. You might not hear this ship, but it's

436
00:22:27,400 --> 00:22:29,880
Speaker 2: in the credits. If you look at the TV thing

437
00:22:29,920 --> 00:22:32,879
Speaker 2: and the credits going down and mother Mike gave it

438
00:22:32,920 --> 00:22:41,480
Speaker 2: to him the script Q No, but yeah, all about

439
00:22:41,480 --> 00:22:43,960
Speaker 2: the Benjamin was shot here in Miami. Man, and uh

440
00:22:44,320 --> 00:22:46,560
Speaker 2: that was to me. I think that was my best

441
00:22:46,560 --> 00:22:47,360
Speaker 2: film I ever did.

442
00:22:47,440 --> 00:22:47,879
Speaker 1: I love that.

443
00:22:48,200 --> 00:22:50,760
Speaker 3: I mean that is my favorite. Man, that was my

444
00:22:51,200 --> 00:22:52,280
Speaker 3: I can't say it's my favorite.

445
00:22:55,040 --> 00:22:58,440
Speaker 1: Yeah. Yeah, even man, Yes, that was break.

446
00:23:00,080 --> 00:23:03,200
Speaker 2: Remember them auditioning a whole lot of people for They

447
00:23:03,280 --> 00:23:06,000
Speaker 2: auditioned little Kim for that role.

448
00:23:06,200 --> 00:23:07,880
Speaker 1: That role, Yeah, they auditioned.

449
00:23:08,280 --> 00:23:11,720
Speaker 3: I couldn't imagine. I come when you lost your wallet?

450
00:23:11,880 --> 00:23:13,560
Speaker 3: She was like, she grabbed you by your head.

451
00:23:13,600 --> 00:23:22,400
Speaker 1: She was like, that's but yeah, Y'a was a great

452
00:23:22,440 --> 00:23:24,359
Speaker 1: actress in that movie. Man. So you was part of

453
00:23:24,359 --> 00:23:25,639
Speaker 1: the casting and all that for this.

454
00:23:25,760 --> 00:23:28,639
Speaker 2: Oh yeah, man, you know I get really, you know,

455
00:23:28,760 --> 00:23:31,080
Speaker 2: and I mean a lot of films that I do. Man,

456
00:23:31,400 --> 00:23:33,240
Speaker 2: I'm just not one of them artists to wear it

457
00:23:33,280 --> 00:23:36,200
Speaker 2: on my sleeves. But you know, my production company has

458
00:23:36,480 --> 00:23:39,080
Speaker 2: produced a whole lot of different films in the business,

459
00:23:39,800 --> 00:23:42,320
Speaker 2: including Meet the Blacks. That was that's been my latest.

460
00:23:42,800 --> 00:23:43,760
Speaker 2: The latest movie that.

461
00:23:45,280 --> 00:23:47,720
Speaker 1: Is off the chain. Yeah, that niggas crazy. Yes, and

462
00:23:47,720 --> 00:23:50,359
Speaker 1: you're in the resident evil films, right, yeah, resident evil

463
00:23:50,480 --> 00:23:54,480
Speaker 1: stiggas in every film, a lot of movies. I gotta,

464
00:23:54,520 --> 00:24:00,520
Speaker 1: I gotta. So that's about Lebron basketball. Yeah, yeah, that's time.

465
00:24:00,920 --> 00:24:04,040
Speaker 2: You actingwhere Now they killed me on that sholf. I

466
00:24:04,119 --> 00:24:05,159
Speaker 2: asked for some more money.

467
00:24:05,200 --> 00:24:07,880
Speaker 1: But you killed the dog. I seen that you killed.

468
00:24:08,400 --> 00:24:10,800
Speaker 1: What did you do? You sprayed some foul ship and

469
00:24:10,840 --> 00:24:12,879
Speaker 1: the dog went and smelled it and he died. And

470
00:24:12,880 --> 00:24:14,040
Speaker 1: then you went and helped.

471
00:24:13,840 --> 00:24:16,600
Speaker 2: Everybody investigate because the white boy had the dog shipping.

472
00:24:16,320 --> 00:24:19,720
Speaker 1: In my ear. You know what I'm saying. The next

473
00:24:19,720 --> 00:24:21,240
Speaker 1: door neighbor, white boy got a dog.

474
00:24:21,359 --> 00:24:23,760
Speaker 2: He walked the dog and walking past everybody's house and

475
00:24:23,760 --> 00:24:25,399
Speaker 2: get to my house and let the motherfucker ship in

476
00:24:25,440 --> 00:24:28,639
Speaker 2: the yard. So I said, okay, you won't be shipping

477
00:24:28,680 --> 00:24:30,439
Speaker 2: in here again, right, and you killed it.

478
00:24:30,440 --> 00:24:31,960
Speaker 1: I'm gonna send you the dog in heaven.

479
00:24:32,600 --> 00:24:35,960
Speaker 3: He said, Let's let's make some noise for Mike Apps

480
00:24:36,000 --> 00:24:37,040
Speaker 3: being like Mike.

481
00:24:36,920 --> 00:24:44,399
Speaker 8: Vick looking like I'm not sure, he said the movie

482
00:24:44,440 --> 00:24:45,640
Speaker 8: so said, there's a lot of dog.

483
00:24:48,359 --> 00:24:52,600
Speaker 1: Yeah, so now this motherfucker, Yeah, we fucked up you

484
00:24:52,760 --> 00:24:55,040
Speaker 1: on tour right now, let's pick up this tour that

485
00:24:55,119 --> 00:24:55,359
Speaker 1: you're on.

486
00:24:55,520 --> 00:24:57,879
Speaker 2: Yeah, this tour right here is crazy. This is a

487
00:24:57,960 --> 00:25:00,359
Speaker 2: tour that is just like the Last Store.

488
00:25:01,000 --> 00:25:02,480
Speaker 1: You know what I'm saying. Rock Nation is a part

489
00:25:02,480 --> 00:25:02,679
Speaker 1: of this.

490
00:25:02,960 --> 00:25:05,439
Speaker 2: No, no at all, No rock Nations is part of this.

491
00:25:05,560 --> 00:25:07,720
Speaker 2: You know what I'm saying. This is this is what

492
00:25:07,760 --> 00:25:08,200
Speaker 2: I do.

493
00:25:08,280 --> 00:25:11,399
Speaker 1: This is Mike. This is a Mikes Festival. Laughs.

494
00:25:11,480 --> 00:25:14,200
Speaker 2: Now I got I go around the country and I

495
00:25:14,400 --> 00:25:18,000
Speaker 2: just use all of these comics that we all know

496
00:25:18,160 --> 00:25:19,199
Speaker 2: and love and.

497
00:25:19,359 --> 00:25:21,520
Speaker 1: Just put them on the shell. Like last night we

498
00:25:21,600 --> 00:25:21,879
Speaker 1: had on.

499
00:25:22,000 --> 00:25:27,000
Speaker 2: There's Jay you know, Bruce, Bruce J Farrell, I seen

500
00:25:27,080 --> 00:25:28,200
Speaker 2: j You know what I mean.

501
00:25:28,359 --> 00:25:30,000
Speaker 1: So we I use all of them.

502
00:25:30,000 --> 00:25:32,360
Speaker 2: We got I got our senior hall opening up on

503
00:25:32,359 --> 00:25:33,040
Speaker 2: one of these.

504
00:25:32,840 --> 00:25:34,520
Speaker 1: Shows coming up, you know.

505
00:25:34,600 --> 00:25:36,600
Speaker 2: So I've just been grabbing all the comics and putting

506
00:25:36,640 --> 00:25:38,800
Speaker 2: them together and putting them on these big shows called

507
00:25:38,800 --> 00:25:39,400
Speaker 2: the festival.

508
00:25:39,520 --> 00:25:42,920
Speaker 3: Last did you get Michael Blacksman dressed yesterday? Because he

509
00:25:42,960 --> 00:25:45,240
Speaker 3: had I don't know what the fuck that bigg had on. Man,

510
00:25:45,560 --> 00:25:47,480
Speaker 3: He's seen the shoes though, the shoes mat when the

511
00:25:47,520 --> 00:25:48,280
Speaker 3: shirt was Basachi.

512
00:25:48,359 --> 00:25:49,280
Speaker 1: You gotta respect them.

513
00:25:49,200 --> 00:25:51,879
Speaker 2: That nigga had on us. Our soup that when I

514
00:25:51,920 --> 00:25:55,800
Speaker 2: used to eat. Now later they now later called a

515
00:25:55,960 --> 00:25:56,880
Speaker 2: mystery mix.

516
00:26:00,119 --> 00:26:12,040
Speaker 1: The person blacks right now you look like Blacks real daddy.

517
00:26:14,119 --> 00:26:19,400
Speaker 3: Now last night you also you also acknowledged the Miami

518
00:26:19,560 --> 00:26:22,040
Speaker 3: hip hop scene, which I thought was dope. You gave

519
00:26:22,160 --> 00:26:24,560
Speaker 3: love to Uncle Luke, who was actually in the crowd,

520
00:26:24,680 --> 00:26:25,120
Speaker 3: Uncle Lou.

521
00:26:25,680 --> 00:26:28,040
Speaker 1: You gave love the trick Daddy, and gave love to

522
00:26:28,119 --> 00:26:29,359
Speaker 1: Poking Bean projects.

523
00:26:29,840 --> 00:26:33,160
Speaker 3: You gave love to Trina and or Now is that

524
00:26:33,280 --> 00:26:35,199
Speaker 3: when you go to h State you have to know

525
00:26:35,280 --> 00:26:37,880
Speaker 3: about the hood or that's just who you were.

526
00:26:38,080 --> 00:26:39,879
Speaker 2: Well, you know when you travel and you know this

527
00:26:40,000 --> 00:26:41,040
Speaker 2: nord when you've been doing.

528
00:26:41,080 --> 00:26:43,439
Speaker 1: When you travel and you're an artist, man, you.

529
00:26:43,280 --> 00:26:46,000
Speaker 2: Go to really you really live in these towns exactly

530
00:26:46,200 --> 00:26:49,440
Speaker 2: because you're there all the time. You as you learn,

531
00:26:49,800 --> 00:26:52,200
Speaker 2: as you go live in these towns, you learn who's

532
00:26:52,200 --> 00:26:57,280
Speaker 2: who and what's what. Yeah, and they become family to you.

533
00:26:57,280 --> 00:26:58,040
Speaker 1: You know what I'm saying.

534
00:26:58,720 --> 00:27:02,000
Speaker 2: Yeah, I've been coming to Mindami for years, man, I

535
00:27:02,040 --> 00:27:05,240
Speaker 2: mean ever since I mean Luke Skywalker and started.

536
00:27:05,280 --> 00:27:08,280
Speaker 1: Man, I've been loving Two Live Crew and all that jam.

537
00:27:08,920 --> 00:27:12,760
Speaker 2: Yeah, you know I know about them.

538
00:27:11,600 --> 00:27:15,639
Speaker 1: The old artist the shot these.

539
00:27:17,119 --> 00:27:23,280
Speaker 3: Poison in his bed is standing up. She love Miami

540
00:27:23,359 --> 00:27:30,640
Speaker 3: slang wet getting loose over the tiger boom got you can.

541
00:27:30,560 --> 00:27:37,640
Speaker 2: Do that dance after you do that with you.

542
00:27:37,680 --> 00:27:40,159
Speaker 3: I don't know if you know, brother, but I was

543
00:27:40,200 --> 00:27:42,960
Speaker 3: so excited to have you in my video, like I did.

544
00:27:43,760 --> 00:27:43,919
Speaker 1: You know.

545
00:27:44,000 --> 00:27:46,040
Speaker 3: We weren't supposed to film the video in l A,

546
00:27:46,160 --> 00:27:48,199
Speaker 3: shouted in l A, but we shot it because I

547
00:27:48,240 --> 00:27:49,600
Speaker 3: wanted to see important.

548
00:27:49,960 --> 00:27:52,639
Speaker 1: Nothing for the people. This is nothing, nothing for everybody

549
00:27:52,680 --> 00:27:55,520
Speaker 1: because everybody called it homeboy, oh boy. I came in

550
00:27:55,560 --> 00:27:57,359
Speaker 1: the party, but I wanted you in my video.

551
00:27:57,880 --> 00:28:01,520
Speaker 2: My biggest hits, that's one of my biggest was what

552
00:28:01,320 --> 00:28:02,560
Speaker 2: what was your biggest hit?

553
00:28:03,400 --> 00:28:07,160
Speaker 3: That one was depends super soam condo hit the most

554
00:28:07,160 --> 00:28:11,320
Speaker 3: countries ever. I had a Spanish record on equal you

555
00:28:11,359 --> 00:28:14,959
Speaker 3: know half Puerto Rican Ship. All my friends Dominicans fucked up.

556
00:28:16,000 --> 00:28:17,440
Speaker 3: Look at that my barber's Dominican.

557
00:28:17,880 --> 00:28:20,240
Speaker 1: My I'm.

558
00:28:22,200 --> 00:28:24,680
Speaker 9: I got nigga them in me. It's all a nigga.

559
00:28:25,440 --> 00:28:43,920
Speaker 9: You get Puerto Rican quarter. So you can see my

560
00:28:43,960 --> 00:28:48,360
Speaker 9: son ship. Look you can tell you get from the

561
00:28:48,400 --> 00:28:51,520
Speaker 9: pushing the table. How are you the guest is list.

562
00:28:51,800 --> 00:28:54,560
Speaker 3: But I'm like, man, let me tell you something. This

563
00:28:54,640 --> 00:28:58,160
Speaker 3: show was about praising all legends because in this on

564
00:28:58,240 --> 00:29:00,440
Speaker 3: our business. I would like to ask you how it

565
00:29:00,520 --> 00:29:02,479
Speaker 3: is in comedy. But after you get five to ten

566
00:29:02,560 --> 00:29:04,440
Speaker 3: years in this business, whether you're successful or not.

567
00:29:04,360 --> 00:29:06,400
Speaker 1: People want to call you the old person. People want

568
00:29:06,440 --> 00:29:08,000
Speaker 1: to kick you out, and we don't want to do

569
00:29:08,040 --> 00:29:10,960
Speaker 1: that here. Here we interview our legends because we want

570
00:29:11,000 --> 00:29:11,480
Speaker 1: to keep them.

571
00:29:11,640 --> 00:29:14,000
Speaker 3: We want to keep them alive because in our culture,

572
00:29:14,080 --> 00:29:18,000
Speaker 3: you know something that I recognize, you know, Mick Jagger

573
00:29:18,040 --> 00:29:20,880
Speaker 3: and the Rolling Stones, They're sixty five years old and

574
00:29:20,880 --> 00:29:23,920
Speaker 3: they're still cool in their community. But when a person

575
00:29:24,080 --> 00:29:26,440
Speaker 3: hit you know, I'm gonna this year, I'll be forty,

576
00:29:26,480 --> 00:29:28,600
Speaker 3: I'm gonna do a big birthday party that I finally

577
00:29:28,640 --> 00:29:29,240
Speaker 3: hit forty me.

578
00:29:29,520 --> 00:29:32,720
Speaker 2: So I'm gonna do three big birthday party.

579
00:29:31,440 --> 00:29:37,200
Speaker 3: But in our culture, once you get old, people want

580
00:29:37,200 --> 00:29:38,760
Speaker 3: to kick you out and say it over for you

581
00:29:38,800 --> 00:29:40,880
Speaker 3: and things like that, and that's not what we do here.

582
00:29:40,920 --> 00:29:43,040
Speaker 3: What we do here we got you know, people listening

583
00:29:43,080 --> 00:29:45,240
Speaker 3: to us, and we always want to salute the people

584
00:29:45,240 --> 00:29:48,760
Speaker 3: who put it in that work and who's here.

585
00:29:48,960 --> 00:29:52,320
Speaker 1: And we ain't necessarily young. Were young in here, we

586
00:29:52,480 --> 00:29:53,320
Speaker 1: young in the mind.

587
00:29:53,560 --> 00:29:56,560
Speaker 3: So we salute our legends, and tonight we are celebrating

588
00:29:56,640 --> 00:29:59,280
Speaker 3: and we are saluting the motherfucker legend of Mike.

589
00:29:59,480 --> 00:30:09,040
Speaker 1: Motherfucker you mean say that, Yeah, I mean this one works.

590
00:30:10,840 --> 00:30:12,600
Speaker 3: Every day, is New Year, is eve on your birthday.

591
00:30:12,760 --> 00:30:16,760
Speaker 3: That's some blicy dust. Your copon came here, he his horn,

592
00:30:16,920 --> 00:30:17,920
Speaker 3: blew older broom boy.

593
00:30:18,480 --> 00:30:23,840
Speaker 1: You know Boombo bron, you know roombo this nigga, this

594
00:30:24,720 --> 00:30:28,040
Speaker 1: bron you So now, what was it when you was

595
00:30:28,080 --> 00:30:30,760
Speaker 1: putting the powder on your hands that you were smacking

596
00:30:30,840 --> 00:30:32,520
Speaker 1: the nigga? I was baby pout of the pimp.

597
00:30:32,560 --> 00:30:34,560
Speaker 2: But I know a real pimp that used to put

598
00:30:35,120 --> 00:30:37,560
Speaker 2: he used to put cocaine in this and to be

599
00:30:37,640 --> 00:30:45,719
Speaker 2: from Chicago now Milwaukee. I told you don't be playing them.

600
00:30:45,880 --> 00:30:51,840
Speaker 2: The game dust a jumping biscuit destroyed. It's the dust,

601
00:30:51,920 --> 00:30:53,800
Speaker 2: the crowd and smack, all of it that made it.

602
00:30:54,720 --> 00:30:58,400
Speaker 1: Let me tell you one thing. I was in Scott's

603
00:30:58,400 --> 00:31:01,120
Speaker 1: Star's crib one night. I gotta go there because I

604
00:31:01,200 --> 00:31:04,400
Speaker 1: want to take you the dusting. And he has so

605
00:31:04,640 --> 00:31:08,480
Speaker 1: much coke in his draw that when he closed the

606
00:31:08,840 --> 00:31:15,440
Speaker 1: draw like with the bron like that, he was just cocaine. Man.

607
00:31:15,480 --> 00:31:17,440
Speaker 1: He was living the life. He was he was faced,

608
00:31:19,680 --> 00:31:23,160
Speaker 1: he was dead right. He was like he get your

609
00:31:24,480 --> 00:31:26,480
Speaker 1: Come on, you'll give it up. This is a food.

610
00:31:27,360 --> 00:31:29,160
Speaker 2: This nigga right here, This is one of the niggas.

611
00:31:30,120 --> 00:31:33,360
Speaker 2: He's undiscovered and he's a damn food.

612
00:31:33,440 --> 00:31:35,680
Speaker 1: Come on over here and undiscovered that nigga. Is that

613
00:31:35,760 --> 00:31:37,000
Speaker 1: nigga killed the stage last night.

614
00:31:37,040 --> 00:31:43,040
Speaker 3: Everybody give tager bam just cause all want to get

615
00:31:43,040 --> 00:31:43,400
Speaker 3: me drunk.

616
00:31:43,560 --> 00:31:45,880
Speaker 1: Yeah, Mike said you was hitting lean. Is that correct? No,

617
00:31:46,720 --> 00:31:51,440
Speaker 1: I'm on hair run, I get the cheera, need a chair.

618
00:31:51,480 --> 00:31:53,440
Speaker 1: I'm on the boy. Come on, you're on that boy

619
00:31:55,520 --> 00:32:06,320
Speaker 1: about chip? This dude, mother, he got a booty like

620
00:32:06,360 --> 00:32:07,640
Speaker 1: a twelve year old boy and he want to talk

621
00:32:07,640 --> 00:32:14,040
Speaker 1: to she got okward over here, introduce yourself to the

622
00:32:14,080 --> 00:32:15,040
Speaker 1: people here. My name here.

623
00:32:15,120 --> 00:32:17,040
Speaker 10: He was the most fear man in comedy straight out

624
00:32:17,080 --> 00:32:18,160
Speaker 10: of Birmingham, Alabama.

625
00:32:19,200 --> 00:32:24,680
Speaker 1: Yeah, he niggas. I moved to Georgia. So yeah, the

626
00:32:24,720 --> 00:32:27,040
Speaker 1: white vol you can't sip that. You gotta take that down.

627
00:32:27,400 --> 00:32:32,680
Speaker 2: No show, okay, norock over here. Ain't no titties or.

628
00:32:32,760 --> 00:32:38,280
Speaker 1: Didties over you got you don't lacks? Yeah, world and

629
00:32:39,280 --> 00:32:44,600
Speaker 1: killinghone around. Yeah, this ain't the right way now look

630
00:32:44,720 --> 00:32:47,640
Speaker 1: right here, that's what's up.

631
00:32:47,680 --> 00:33:04,480
Speaker 3: We got Mike That's what I'm talking about. So it's

632
00:33:05,120 --> 00:33:06,280
Speaker 3: say the name for the people again.

633
00:33:06,360 --> 00:33:07,280
Speaker 1: Hear me? Well can we?

634
00:33:07,400 --> 00:33:09,320
Speaker 2: Well you can see me right down the shack. All

635
00:33:09,360 --> 00:33:12,200
Speaker 2: Stars liveing from Vegas. I bet I had doing dates

636
00:33:12,240 --> 00:33:15,480
Speaker 2: with Mike Epps, you know somebody fool.

637
00:33:16,440 --> 00:33:16,560
Speaker 1: Man.

638
00:33:16,600 --> 00:33:19,040
Speaker 2: I knowing Mike Guess for twenty years. Yeah, we met

639
00:33:19,080 --> 00:33:19,600
Speaker 2: each other back.

640
00:33:19,640 --> 00:33:22,720
Speaker 1: He's always been this funny. He always been ignorant. Yeah,

641
00:33:23,320 --> 00:33:24,080
Speaker 1: so you knew he owed me.

642
00:33:24,160 --> 00:33:25,320
Speaker 2: So he let me come out here and try to

643
00:33:25,320 --> 00:33:27,840
Speaker 2: make it up to me because I had a car

644
00:33:27,920 --> 00:33:28,720
Speaker 2: when he didn't.

645
00:33:28,440 --> 00:33:29,719
Speaker 1: Back in the day. So I make sure you get

646
00:33:29,720 --> 00:33:30,680
Speaker 1: a ride home and ship.

647
00:33:31,480 --> 00:33:33,080
Speaker 2: That's what he was your uber back then, and he

648
00:33:33,120 --> 00:33:34,760
Speaker 2: got my mama wig off where he did.

649
00:33:38,960 --> 00:33:45,239
Speaker 1: And that was all I been taking your ship out man,

650
00:33:45,360 --> 00:33:47,080
Speaker 1: like you'll been man.

651
00:33:47,160 --> 00:33:49,640
Speaker 3: Listen, man again, I just want to reiterate. You know,

652
00:33:49,720 --> 00:33:52,200
Speaker 3: I went to see you guys show last night, and

653
00:33:52,280 --> 00:33:54,640
Speaker 3: I couldn't believe how many people were suited and booted

654
00:33:54,720 --> 00:33:57,640
Speaker 3: and and and and and you could tell they went to.

655
00:33:57,680 --> 00:34:03,520
Speaker 1: The barber day lines was sharp. Let me ask y'all, song.

656
00:34:04,000 --> 00:34:06,960
Speaker 3: Y'all both old gis in the comedy, what do y'all

657
00:34:07,760 --> 00:34:10,480
Speaker 3: think of when you're head of the title Kings of Comedy.

658
00:34:11,360 --> 00:34:14,040
Speaker 10: I just feel like that's a title. I feel like

659
00:34:14,120 --> 00:34:15,680
Speaker 10: Mike els a king of comedy, you know what I'm

660
00:34:15,680 --> 00:34:17,799
Speaker 10: saying for real? Yeah, because he hadn't been out here

661
00:34:17,840 --> 00:34:20,560
Speaker 10: for years, and he'll go behind anybody on stage. I'm

662
00:34:20,600 --> 00:34:23,120
Speaker 10: talking about anybody. You feel what I'm saying. So that's

663
00:34:23,160 --> 00:34:25,080
Speaker 10: that's a king of comedy to me. And he didn't

664
00:34:25,080 --> 00:34:27,160
Speaker 10: put a lot of us on, you know what I'm saying.

665
00:34:27,160 --> 00:34:29,120
Speaker 10: A lot of us getting attention because of Mike Epps.

666
00:34:30,239 --> 00:34:30,840
Speaker 1: So he has.

667
00:34:32,640 --> 00:34:35,239
Speaker 2: Hey man, you know what, and I feel the same

668
00:34:35,320 --> 00:34:37,440
Speaker 2: way about the other comics, you know what I mean.

669
00:34:37,600 --> 00:34:38,640
Speaker 1: So it's vice versa.

670
00:34:39,600 --> 00:34:42,400
Speaker 2: Henry Welch is a wrong comic man, and one of

671
00:34:42,480 --> 00:34:46,080
Speaker 2: them underground comics like Robin Harris and all the different

672
00:34:46,400 --> 00:34:49,520
Speaker 2: comics like that. Henry's like one of them type of comics.

673
00:34:49,640 --> 00:34:54,400
Speaker 2: Is now them kind of comics like Robin Harris, Bernie

674
00:34:54,480 --> 00:34:56,200
Speaker 2: mad Red Fox.

675
00:34:56,280 --> 00:34:58,680
Speaker 1: Them dudes didn't didn't getting breaks until they was in

676
00:34:58,800 --> 00:35:03,040
Speaker 1: the older. They've been out here for a long time here, Henry,

677
00:35:03,800 --> 00:35:06,680
Speaker 1: you want to get some drugs, take do some drugs.

678
00:35:07,880 --> 00:35:14,319
Speaker 1: You're smoking different hen Marino marijuana. Yeah, I'm going ahead,

679
00:35:14,320 --> 00:35:22,080
Speaker 1: and you you're another one. Buy.

680
00:35:23,360 --> 00:35:27,240
Speaker 3: Let me just tell you something, man, we're gonna continue.

681
00:35:27,400 --> 00:35:29,800
Speaker 1: Where do you get all this energy at NOI me,

682
00:35:30,160 --> 00:35:35,120
Speaker 1: I got energy for old about. Don't try to play

683
00:35:35,120 --> 00:35:41,239
Speaker 1: it on forty in September all the time heramids I

684
00:35:41,360 --> 00:35:41,759
Speaker 1: am forty.

685
00:35:41,800 --> 00:35:43,800
Speaker 3: I'm not forty yet, but you know what I like

686
00:35:43,880 --> 00:35:46,680
Speaker 3: I said, we continue to salute all legends. So now

687
00:35:46,920 --> 00:35:51,400
Speaker 3: you do you do you do next Friday? Now you

688
00:35:51,520 --> 00:35:55,000
Speaker 3: get this called about Friday at the next? Yeah, where

689
00:35:55,160 --> 00:35:57,840
Speaker 3: was you at and what what was your reaction?

690
00:35:59,280 --> 00:36:02,680
Speaker 1: Well, Friday the Next was just that was a relationship film.

691
00:36:02,800 --> 00:36:05,760
Speaker 1: Me and me and me and Q. We was already

692
00:36:06,880 --> 00:36:09,760
Speaker 1: don't shot Yeah, top flight the security of the World.

693
00:36:10,680 --> 00:36:11,600
Speaker 1: And that's what I'm saying.

694
00:36:11,719 --> 00:36:14,200
Speaker 2: See, there's a lot of comics out here to do

695
00:36:14,360 --> 00:36:17,520
Speaker 2: movies and stuff like that, and big ups to them.

696
00:36:17,640 --> 00:36:20,640
Speaker 2: But you don't remember what the fuck they said in

697
00:36:20,719 --> 00:36:21,120
Speaker 2: the movie?

698
00:36:22,239 --> 00:36:24,000
Speaker 1: You know what I mean? You just seen the movie.

699
00:36:24,480 --> 00:36:26,759
Speaker 2: If you ask somebody, if you and if somebody asked

700
00:36:26,800 --> 00:36:28,279
Speaker 2: you what they say in the movie, you'd be like,

701
00:36:28,320 --> 00:36:29,640
Speaker 2: I don't remember what the said.

702
00:36:29,719 --> 00:36:31,920
Speaker 1: Feel like you're talking about Kevin Hart that way, We're

703
00:36:31,960 --> 00:36:35,960
Speaker 1: going it's a lot of them. There's a bunch of

704
00:36:36,000 --> 00:36:39,600
Speaker 1: them motherfuckers, you know what I mean? A memorable line.

705
00:36:39,800 --> 00:36:41,440
Speaker 1: No and I and I so.

706
00:36:41,719 --> 00:36:44,200
Speaker 2: Basically what I'm saying, I stand on that that the

707
00:36:44,280 --> 00:36:46,239
Speaker 2: stuff that I say, it ain't your beauty. It's your

708
00:36:46,280 --> 00:36:49,799
Speaker 2: booty that's gonna last forever, you know what I mean.

709
00:36:50,560 --> 00:36:52,919
Speaker 2: Everybody won't say that now.

710
00:36:52,960 --> 00:36:55,319
Speaker 3: Is you and Kevin Hart because I feel like y'all

711
00:36:55,440 --> 00:36:57,040
Speaker 3: had went through something at some point.

712
00:36:57,360 --> 00:37:00,440
Speaker 2: Kevin Heart, he's my little brother man, you know what

713
00:37:00,520 --> 00:37:04,960
Speaker 2: I mean. Kevin Hard is he's a lot younger than me.

714
00:37:05,760 --> 00:37:09,400
Speaker 2: And big ups to Kevin Hart. He came in, but

715
00:37:09,520 --> 00:37:12,279
Speaker 2: he came in at a time where you know, I

716
00:37:12,400 --> 00:37:17,600
Speaker 2: did deaf comedy jam and he never did death comedy jam. Right, No,

717
00:37:17,719 --> 00:37:20,440
Speaker 2: he didn't do death comedy jam. And he came in

718
00:37:20,520 --> 00:37:23,480
Speaker 2: the game when Instagram was available.

719
00:37:23,600 --> 00:37:25,560
Speaker 1: For I'm trying to figure that this is a shot

720
00:37:25,680 --> 00:37:31,840
Speaker 1: or not continue. Yeah, no, that's a shot against different.

721
00:37:32,400 --> 00:37:36,759
Speaker 2: Devin young motherfucker came in a harder back in the day.

722
00:37:36,960 --> 00:37:40,040
Speaker 1: Came in at a time today what they were doing

723
00:37:40,160 --> 00:37:41,800
Speaker 1: what Instagram is.

724
00:37:43,120 --> 00:37:45,600
Speaker 2: You know, we came in, We came up at a

725
00:37:45,719 --> 00:37:48,120
Speaker 2: time where you know, you had to really rock that

726
00:37:48,280 --> 00:37:51,640
Speaker 2: ship for people to remember you and come back out

727
00:37:51,680 --> 00:37:54,279
Speaker 2: and see you. They couldn't go to your page and

728
00:37:54,360 --> 00:38:00,440
Speaker 2: see ship. So you know, it's a time difference.

729
00:38:00,560 --> 00:38:02,959
Speaker 1: Like you said, yeah, but you got like two million

730
00:38:03,000 --> 00:38:05,040
Speaker 1: people following you, so it's the same thing for you.

731
00:38:06,000 --> 00:38:09,560
Speaker 2: Well, you know I ain't an Instagram dude, because I ain't.

732
00:38:09,760 --> 00:38:12,400
Speaker 2: I mean, I ain't in the mood all the time.

733
00:38:12,360 --> 00:38:14,680
Speaker 1: Being up there fucking with a bunch of strange people.

734
00:38:14,960 --> 00:38:17,480
Speaker 1: But you do get the Internet, but I do get

735
00:38:17,560 --> 00:38:20,880
Speaker 1: you get the internet. Yeah, I'll be on the Internet,

736
00:38:20,960 --> 00:38:23,440
Speaker 1: but I can't. You know what I'm saying. I need

737
00:38:23,480 --> 00:38:26,839
Speaker 1: to know to drink? You want another shot of tight?

738
00:38:27,160 --> 00:38:27,320
Speaker 2: Is that?

739
00:38:27,800 --> 00:38:30,800
Speaker 1: Like? Okay? Get just dot. I don't know why I

740
00:38:30,880 --> 00:38:35,319
Speaker 1: pronounced it like that. I feel like I said, gotta

741
00:38:35,400 --> 00:38:38,800
Speaker 1: remember him saying isn't beef man? Yeah, ya don't. We

742
00:38:38,840 --> 00:38:40,759
Speaker 1: don't have security guards. We have to deal with it.

743
00:38:40,880 --> 00:38:44,080
Speaker 1: You ain't no security, you know me, I don't have security.

744
00:38:44,080 --> 00:38:44,560
Speaker 1: I ain't.

745
00:38:46,280 --> 00:38:48,160
Speaker 2: Because I said, like, but you know what, it was

746
00:38:48,239 --> 00:38:51,720
Speaker 2: so cool, but I swear to God or something with somebody.

747
00:38:52,719 --> 00:38:54,759
Speaker 3: But because this this is my friend. His name is

748
00:38:54,800 --> 00:38:58,040
Speaker 3: Sonny d BT if he's the flea market, got.

749
00:38:57,960 --> 00:39:06,879
Speaker 11: More records and here leather hand mother suddenly d b. Yeah,

750
00:39:07,920 --> 00:39:22,640
Speaker 11: that nigga got that first football. Let you know one brother,

751
00:39:22,719 --> 00:39:26,279
Speaker 11: they're like, meet the brown, mister mister Brown. He was like,

752
00:39:26,360 --> 00:39:32,160
Speaker 11: mister Brown, mister Brown. That is mister Haiti ship God

753
00:39:32,239 --> 00:39:37,359
Speaker 11: damn it. So now with that being said, you said that, uh,

754
00:39:39,760 --> 00:39:42,680
Speaker 11: you know the this is this is the Instagram?

755
00:39:43,120 --> 00:39:45,640
Speaker 1: You know. Let me get that on Mike, Mike you up.

756
00:39:45,640 --> 00:39:49,279
Speaker 1: Come on, man, that's smoke. You got Snoop dog You

757
00:39:50,640 --> 00:40:01,440
Speaker 1: on five more than small. You're smoking Snoop DOGG to smoking. Dude,

758
00:40:01,480 --> 00:40:04,080
Speaker 1: just rolled up with Snoop all day. Yeah, I ain't

759
00:40:04,120 --> 00:40:06,400
Speaker 1: got that. I ain't got that much money yet. You

760
00:40:06,640 --> 00:40:08,440
Speaker 1: can do it. I'm gonna get there. I'm gonna get there.

761
00:40:08,760 --> 00:40:11,040
Speaker 1: I'm gonna get this. So now let me ask you

762
00:40:11,120 --> 00:40:14,879
Speaker 1: a O G question. What does what? What actually makes

763
00:40:14,880 --> 00:40:16,160
Speaker 1: a person a comedian?

764
00:40:16,960 --> 00:40:19,520
Speaker 10: A comedian is somebody that can take a story that

765
00:40:19,560 --> 00:40:22,040
Speaker 10: a lot of y'all takes serious and we can make

766
00:40:22,080 --> 00:40:23,440
Speaker 10: it funny. You know what I'm saying. You know it

767
00:40:23,560 --> 00:40:25,880
Speaker 10: was a serious story. We can turn it around. We

768
00:40:25,960 --> 00:40:27,640
Speaker 10: can tell you the story. You can follow us. It's

769
00:40:27,680 --> 00:40:29,920
Speaker 10: like we like doctors. When we get on stage, we

770
00:40:30,040 --> 00:40:31,759
Speaker 10: got your attention because you go to the doctor, you

771
00:40:31,840 --> 00:40:33,520
Speaker 10: telling you know this was wrong with you, that's wrong

772
00:40:33,560 --> 00:40:35,839
Speaker 10: with you. So we like doctors up there. So that's

773
00:40:35,840 --> 00:40:37,720
Speaker 10: what makes a real comedy. Can go to any crowd

774
00:40:37,840 --> 00:40:40,200
Speaker 10: and let me go and walk up to you, and

775
00:40:43,080 --> 00:40:44,600
Speaker 10: I want you to start laughing.

776
00:40:44,920 --> 00:40:47,920
Speaker 3: I want you to say something funny about Donald Trump.

777
00:40:48,680 --> 00:40:53,759
Speaker 3: Donald Trump, because that's a horrible situation here. Can we

778
00:40:53,840 --> 00:40:54,560
Speaker 3: see the positive?

779
00:40:54,560 --> 00:40:59,200
Speaker 2: Make us left? What the fuck is Donald Trump? Because

780
00:40:59,200 --> 00:41:02,560
Speaker 2: I'm scared of death, well believe it or not. By

781
00:41:02,680 --> 00:41:05,640
Speaker 2: him not being able to really understand how to be

782
00:41:05,760 --> 00:41:06,320
Speaker 2: the president.

783
00:41:07,280 --> 00:41:09,560
Speaker 1: The streets might get a chance to eat. Now, yeah,

784
00:41:10,560 --> 00:41:12,960
Speaker 1: the drugs might don't might get in the streets, and

785
00:41:14,680 --> 00:41:15,799
Speaker 1: you don't understand how.

786
00:41:16,000 --> 00:41:18,520
Speaker 2: Let me tell you something like to put the cocaine.

787
00:41:18,600 --> 00:41:24,440
Speaker 2: Let me tell you something something We love Obama. When

788
00:41:24,520 --> 00:41:28,920
Speaker 2: Obama was in off no cocaine here wasn't He's setting

789
00:41:29,000 --> 00:41:31,839
Speaker 2: hel I went to the house, used to have all

790
00:41:31,880 --> 00:41:32,160
Speaker 2: the work.

791
00:41:32,200 --> 00:41:39,080
Speaker 1: Now he's selling half. So I'm just letting that's what

792
00:41:39,120 --> 00:41:39,840
Speaker 1: they don't understand.

793
00:41:39,920 --> 00:41:42,800
Speaker 2: Right in America, when the streets ain't eating, the country

794
00:41:42,880 --> 00:41:46,000
Speaker 2: ain't eating. Man. That's one thing about that group of dudes,

795
00:41:46,040 --> 00:41:49,239
Speaker 2: the b m F dudes. Man, they were spending money. Man,

796
00:41:49,320 --> 00:41:50,680
Speaker 2: they had people going to the.

797
00:41:50,760 --> 00:41:52,480
Speaker 1: Mall and buying clothes and all.

798
00:41:53,880 --> 00:41:57,560
Speaker 2: You can't hosting t park. You can't discredit the hood. Man,

799
00:41:58,160 --> 00:42:01,480
Speaker 2: Once you discredit the hood, you know. And then they

800
00:42:01,640 --> 00:42:03,840
Speaker 2: locked them Choppo up. I had just talked to.

801
00:42:03,880 --> 00:42:07,320
Speaker 1: Him about you're gonna do a reality shop with he

802
00:42:07,960 --> 00:42:11,000
Speaker 1: gonna do a reality Man.

803
00:42:11,160 --> 00:42:13,600
Speaker 2: They ain't know they're talking about Champain. I was hanging

804
00:42:13,680 --> 00:42:14,239
Speaker 2: winning before.

805
00:42:14,280 --> 00:42:21,880
Speaker 1: It's choking them. Yes, when we sleep to them, chop

806
00:42:23,040 --> 00:42:29,640
Speaker 1: Scott and give what that chocohead told me the bens

807
00:42:29,719 --> 00:42:31,879
Speaker 1: uber driving, I was all set up for the gig.

808
00:42:33,400 --> 00:42:35,640
Speaker 1: You got to get him his shot. Man, What y'all

809
00:42:35,680 --> 00:42:39,799
Speaker 1: trying to do this? Hey man, that's gonna shut ship.

810
00:42:41,760 --> 00:42:45,399
Speaker 2: Got sweat, brother, Hey man, I still got some night

811
00:42:45,520 --> 00:42:45,839
Speaker 2: out there.

812
00:42:50,239 --> 00:42:54,880
Speaker 1: Look at what's not about? Hear me twinking?

813
00:42:55,840 --> 00:43:04,439
Speaker 3: Go ahead, look connect now, come on, man, Now life

814
00:43:04,520 --> 00:43:08,920
Speaker 3: is different now, our life is a little different.

815
00:43:09,040 --> 00:43:10,440
Speaker 1: Very different. It's very different. Now.

816
00:43:10,440 --> 00:43:14,520
Speaker 2: I know this show really is about It's about this liquor.

817
00:43:15,239 --> 00:43:18,640
Speaker 2: Liquor having fun there. You always have great fun.

818
00:43:18,680 --> 00:43:20,359
Speaker 1: I see that. That's what makes it so unique. Y'all

819
00:43:20,400 --> 00:43:22,640
Speaker 1: got to have fun man every day. And people have

820
00:43:22,719 --> 00:43:25,960
Speaker 1: been telling me, man, they said, man, this is you

821
00:43:26,080 --> 00:43:29,880
Speaker 1: guys are a comedic, and yeah, I can't. I can't

822
00:43:30,160 --> 00:43:30,880
Speaker 1: really take that.

823
00:43:32,080 --> 00:43:33,880
Speaker 2: But most group was all funny though. Y'all had the

824
00:43:33,960 --> 00:43:36,759
Speaker 2: best lines and everything. Yeah, y'all had the best line.

825
00:43:36,880 --> 00:43:42,000
Speaker 2: Some funny looking mother. Yeah, talk about I remember brand Pool.

826
00:43:46,400 --> 00:43:48,680
Speaker 1: Happy you didn't be seen. I didn't be seen. I

827
00:43:48,800 --> 00:43:53,040
Speaker 1: didn't and to no comedy.

828
00:43:53,960 --> 00:43:56,439
Speaker 2: I'm gonna do a show like this, but I'm gonna

829
00:43:56,440 --> 00:43:57,799
Speaker 2: sign sponsoring drug deal.

830
00:43:57,840 --> 00:44:02,440
Speaker 1: It's gonna have coaked, I would say, just the sponsor

831
00:44:02,560 --> 00:44:03,560
Speaker 1: of the Bad Brothers.

832
00:44:03,640 --> 00:44:06,239
Speaker 3: Right there, let's big a vapor tein you got that,

833
00:44:06,400 --> 00:44:10,320
Speaker 3: you know, big team smoke the I'm shot.

834
00:44:10,920 --> 00:44:12,640
Speaker 1: Oh yeah, right here, look yeah, you just gotta we

835
00:44:12,719 --> 00:44:15,400
Speaker 1: gotta come on. We ain't prep it. You got you

836
00:44:15,520 --> 00:44:17,920
Speaker 1: smoked the liquor Prepple over here. We got best buy

837
00:44:18,000 --> 00:44:19,719
Speaker 1: liquors for provided and all that.

838
00:44:19,840 --> 00:44:23,719
Speaker 3: Yeah, drink that drink. Bro from the ain't going front.

839
00:44:23,719 --> 00:44:26,719
Speaker 3: Billy D Williams, look your step. We got a little bother,

840
00:44:26,880 --> 00:44:29,120
Speaker 3: you know, Billy D Williams, just that uncle nigga. Come on,

841
00:44:29,280 --> 00:44:31,239
Speaker 3: let's go drink that Jo that move go?

842
00:44:32,680 --> 00:44:34,160
Speaker 1: Is that what? Let you listen?

843
00:44:34,239 --> 00:44:38,239
Speaker 3: Listen, listen, listen, Oh English, ain't Billy D Williams, Billy

844
00:44:38,280 --> 00:44:39,440
Speaker 3: D Willis co co forty five.

845
00:44:39,640 --> 00:44:43,240
Speaker 1: See you get tailing on yourself? You just oh English?

846
00:44:43,520 --> 00:44:47,240
Speaker 1: Is that your time? Hell yeah? Nineteen ninety prime stop, nigga,

847
00:44:47,320 --> 00:44:50,440
Speaker 1: nineteen stop. I remember that nineteen nineties.

848
00:44:50,480 --> 00:44:52,239
Speaker 2: You know what I'm saying when niggas was wearing car

849
00:44:52,400 --> 00:44:55,399
Speaker 2: hearts and driving five point ohs and wearing eight ball

850
00:44:55,440 --> 00:44:58,920
Speaker 2: on troop jackets, wearing be wearing man fucking overhauls. You

851
00:44:59,040 --> 00:45:02,360
Speaker 2: know what I'm saying with with a timberling boots with Lumberjack,

852
00:45:03,040 --> 00:45:05,680
Speaker 2: the Lumberjack shirts, motherfucker's had.

853
00:45:05,719 --> 00:45:06,879
Speaker 1: I'm talking about the drug dealer.

854
00:45:06,920 --> 00:45:08,880
Speaker 2: As soon as a motherfucker would go to buy some

855
00:45:09,000 --> 00:45:11,000
Speaker 2: drugs and nigga pull out one of them little bitty

856
00:45:11,040 --> 00:45:13,200
Speaker 2: scales and just weigh it right there on the block

857
00:45:15,239 --> 00:45:17,719
Speaker 2: and clipping and give you seting grounds right there?

858
00:45:18,080 --> 00:45:21,040
Speaker 1: Are you talking about yourself? I'm telling you talking about yourself? Boy,

859
00:45:21,360 --> 00:45:23,839
Speaker 1: You hear me. I know how to eyeball some dope

860
00:45:23,880 --> 00:45:24,360
Speaker 1: in a minute.

861
00:45:25,239 --> 00:45:28,600
Speaker 2: Sometime a motherfucker catch me right when I just capp.

862
00:45:28,800 --> 00:45:30,800
Speaker 1: And I needed that money, I ain't have time to

863
00:45:30,840 --> 00:45:31,360
Speaker 1: bag it up.

864
00:45:31,400 --> 00:45:33,520
Speaker 2: I'll sit there and serve him right off the brick

865
00:45:34,040 --> 00:45:38,240
Speaker 2: and just eyeball, come up. Yeah, the motherfucker had twenty dollars.

866
00:45:38,320 --> 00:45:43,160
Speaker 2: I serve a twenty dollars motherfucker right here, I'm serving I'm.

867
00:45:43,239 --> 00:45:51,759
Speaker 1: Twenty dollars to get all that motherfucker money. What is this,

868
00:45:52,440 --> 00:45:54,200
Speaker 1: jim b What some jim be? I just feel like

869
00:45:54,239 --> 00:45:57,239
Speaker 1: you drink jim Bean? You feeling wrong? You feel like

870
00:45:59,000 --> 00:46:07,000
Speaker 1: I'm just get on this table the ball. I just

871
00:46:07,040 --> 00:46:09,239
Speaker 1: look like this. I don't really drink this. You don't.

872
00:46:09,440 --> 00:46:11,320
Speaker 1: You don't really like you?

873
00:46:11,719 --> 00:46:11,880
Speaker 12: You know.

874
00:46:11,920 --> 00:46:16,080
Speaker 3: We got marijuana infused vodka, right, Wow, is the best

875
00:46:16,120 --> 00:46:20,040
Speaker 3: box in the world. Take the ball it okay, it's

876
00:46:20,080 --> 00:46:24,480
Speaker 3: marijuana infused. You want one? Mics Mayjuanna infuse and man

877
00:46:24,560 --> 00:46:25,880
Speaker 3: for some reason, we got gifts.

878
00:46:26,239 --> 00:46:32,000
Speaker 1: Yeah, my favorite new show One for you, man, One

879
00:46:32,120 --> 00:46:33,839
Speaker 1: for you, and we got my boy. We do coming

880
00:46:33,920 --> 00:46:34,160
Speaker 1: up right.

881
00:46:34,200 --> 00:46:37,320
Speaker 3: I said that her name right, Ritodrito come avery and

882
00:46:37,400 --> 00:46:38,040
Speaker 3: save him something.

883
00:46:37,880 --> 00:46:40,320
Speaker 1: To these people. God, damn, God damn Rito in the building.

884
00:46:40,760 --> 00:46:43,000
Speaker 3: You got the cups? He I ain't even got that car.

885
00:46:43,440 --> 00:46:46,160
Speaker 3: You got shot, I know, but I need a cup

886
00:46:46,200 --> 00:46:49,520
Speaker 3: for here you got shots. Look Mike, look me taking

887
00:46:49,520 --> 00:46:51,000
Speaker 3: care of y'all. Henry, we taking care of y'all.

888
00:46:52,280 --> 00:46:57,239
Speaker 1: This ship is one of my cousins. Talk reader was

889
00:46:57,280 --> 00:46:59,920
Speaker 1: going on, you're going on your no, no, no you

890
00:47:01,440 --> 00:47:05,880
Speaker 1: Who was this little fat spliff star? I thought that

891
00:47:05,960 --> 00:47:06,480
Speaker 1: were your guy?

892
00:47:06,560 --> 00:47:07,800
Speaker 13: This was your guy.

893
00:47:11,440 --> 00:47:13,880
Speaker 1: Going on. I'm going on, man, I thought that was

894
00:47:13,960 --> 00:47:14,600
Speaker 1: Sea Thong. Bro.

895
00:47:14,719 --> 00:47:20,440
Speaker 2: Man's like that.

896
00:47:28,680 --> 00:47:31,480
Speaker 1: You kind of like a big midget, you know what

897
00:47:31,520 --> 00:47:38,840
Speaker 1: I mean. He's gonna grow out up. Girl. You was

898
00:47:38,840 --> 00:47:53,560
Speaker 1: about to be a mentioned guy saying talk about me, man,

899
00:47:53,760 --> 00:47:58,040
Speaker 1: I look like that, and talking about what about this

900
00:47:58,160 --> 00:48:02,440
Speaker 1: shirt right here? Is that a school teacher? Ain't he

901
00:48:02,480 --> 00:48:07,640
Speaker 1: built like a blunt? Like a little shot out to you, nigga,

902
00:48:07,680 --> 00:48:12,200
Speaker 1: you look like dying with mister Cooper. Nigga. You know.

903
00:48:14,920 --> 00:48:19,080
Speaker 4: That's a good nigga with mister Cooper. A nigga with

904
00:48:19,120 --> 00:48:19,960
Speaker 4: a late front bear.

905
00:48:20,200 --> 00:48:21,000
Speaker 1: So I'll take it.

906
00:48:21,480 --> 00:48:26,960
Speaker 2: He got a late front bearded with mister Cooper.

907
00:48:29,440 --> 00:48:32,600
Speaker 1: That blood nigga smoke, but that blood you know he

908
00:48:33,440 --> 00:48:35,920
Speaker 1: on Instagram he famous this is this is this is

909
00:48:35,920 --> 00:48:42,120
Speaker 1: a is an element. I was thinking watching that I'm

910
00:48:42,160 --> 00:48:45,279
Speaker 1: putting comedians together. That's what I do. But chance, you

911
00:48:45,320 --> 00:48:46,040
Speaker 1: gotta do what we do.

912
00:48:46,280 --> 00:48:49,080
Speaker 3: Put people together, bigga make Seawan is super old for

913
00:48:49,200 --> 00:48:50,600
Speaker 3: helping me put this together.

914
00:48:50,840 --> 00:48:54,000
Speaker 1: Your nat you have, dude, that's super old for which

915
00:48:54,320 --> 00:48:57,400
Speaker 1: we put this to know you left the club and

916
00:48:57,480 --> 00:48:58,879
Speaker 1: selling this morning, Sean.

917
00:48:59,800 --> 00:49:02,400
Speaker 3: I'm on the whole on type of ship making up

918
00:49:03,160 --> 00:49:04,960
Speaker 3: with the pocat car because he snitched on me.

919
00:49:05,040 --> 00:49:07,480
Speaker 1: You know that right when Nate, Sean snitched.

920
00:49:07,200 --> 00:49:09,640
Speaker 3: On me, I had said something wrong about whole okay

921
00:49:09,800 --> 00:49:12,719
Speaker 3: and hold him call me the day after Thanksgiving had

922
00:49:12,800 --> 00:49:15,239
Speaker 3: me sweating all type of places I ain't supposed to

923
00:49:15,239 --> 00:49:16,320
Speaker 3: be swepting, did it?

924
00:49:16,360 --> 00:49:19,600
Speaker 2: But that's my man that I've seen him. I said,

925
00:49:20,000 --> 00:49:22,160
Speaker 2: you know, I've seen your look nephew.

926
00:49:22,400 --> 00:49:24,440
Speaker 1: Yeah he was. He was having fun with me. Was

927
00:49:24,960 --> 00:49:25,520
Speaker 1: he was laughing.

928
00:49:25,600 --> 00:49:28,480
Speaker 2: I said, I see your son, your nephew. He said,

929
00:49:29,080 --> 00:49:36,400
Speaker 2: you better watch him. He'd be having them holes around

930
00:49:36,800 --> 00:49:38,040
Speaker 2: and all kind of ship.

931
00:49:39,880 --> 00:49:45,680
Speaker 1: He's gang related related. Oh man, I ain't know that, Sean.

932
00:49:45,719 --> 00:49:48,319
Speaker 1: I ain't know that about you. This is my nigga, Seawan.

933
00:49:49,120 --> 00:49:53,680
Speaker 1: Your pop that bottle he propped the bottle, nigga the

934
00:49:53,800 --> 00:49:58,480
Speaker 1: more Yeah no, no, no that yeah hit that. Have

935
00:49:58,640 --> 00:50:03,320
Speaker 1: you ever started cocaine. I never have coca story. I

936
00:50:03,440 --> 00:50:05,560
Speaker 1: think he is lying. I know, I swear the way

937
00:50:05,600 --> 00:50:10,160
Speaker 1: he said. I know, I never. That's the one ship.

938
00:50:11,160 --> 00:50:14,640
Speaker 1: You ain't funk away this God damn time, man, you

939
00:50:14,760 --> 00:50:16,280
Speaker 1: got coka, got cocaine.

940
00:50:16,320 --> 00:50:21,520
Speaker 2: He's white over there like this, He'll be like, Okay,

941
00:50:21,600 --> 00:50:22,520
Speaker 2: we like Straws.

942
00:50:24,320 --> 00:50:25,800
Speaker 1: I love his cocaine story.

943
00:50:26,960 --> 00:50:28,080
Speaker 2: Shut shut.

944
00:50:31,560 --> 00:50:34,720
Speaker 1: It's like, this is what this is. He mother fucking

945
00:50:34,800 --> 00:50:38,640
Speaker 1: TV shows this over the TV show right here. You

946
00:50:38,680 --> 00:50:41,879
Speaker 1: know you got the vault. Wow, this is on TV

947
00:50:42,760 --> 00:50:48,440
Speaker 1: right now. Shut out to Diddy, but by p Diddy. So,

948
00:50:48,640 --> 00:50:51,120
Speaker 1: like I said again, the de Leon is the best

949
00:50:51,160 --> 00:50:51,920
Speaker 1: thing in the world.

950
00:50:52,719 --> 00:51:00,920
Speaker 2: You're saying, y'all, don't forget this. You can't go when

951
00:51:00,920 --> 00:51:05,120
Speaker 2: you got the rock going on. I'm gonna tell you

952
00:51:05,280 --> 00:51:08,440
Speaker 2: something now. This motherfucker will kill a nigga with the Beaties?

953
00:51:09,840 --> 00:51:16,960
Speaker 1: Would I call it the Beata meet you the Bees?

954
00:51:17,520 --> 00:51:20,640
Speaker 1: The Beaties? Your ass? Hmm. But check this out, man,

955
00:51:20,680 --> 00:51:23,719
Speaker 1: this is a real show. It's a real show. Have

956
00:51:23,960 --> 00:51:26,680
Speaker 1: fun everybody watching this too. That's what I like. Y'all

957
00:51:26,680 --> 00:51:27,600
Speaker 1: got it. I'm not gonna lie.

958
00:51:27,800 --> 00:51:30,040
Speaker 3: You popped it, but you didn't pour And I'm offended.

959
00:51:30,080 --> 00:51:32,080
Speaker 3: You gotta pull, you gotta pull yourself something. You probably

960
00:51:32,400 --> 00:51:37,520
Speaker 3: probably him take the yes, yeah, give them. And that's

961
00:51:37,520 --> 00:51:39,160
Speaker 3: the rock guy just wasn't pulled up in here. He

962
00:51:39,280 --> 00:51:42,520
Speaker 3: making sure I'm we're all doing our job. You know,

963
00:51:42,800 --> 00:51:47,880
Speaker 3: everybody else else you don't know him. See that nigga

964
00:51:47,920 --> 00:51:48,759
Speaker 3: on instant.

965
00:51:48,560 --> 00:51:50,640
Speaker 1: And we never met you.

966
00:51:51,080 --> 00:51:57,000
Speaker 3: Man. That's right that you and I love so y'all

967
00:51:57,040 --> 00:52:00,279
Speaker 3: could actually just make fun of somebody every day and everybody,

968
00:52:00,400 --> 00:52:03,000
Speaker 3: And when you're a comedian you have to understand that.

969
00:52:03,120 --> 00:52:06,319
Speaker 1: That's right. I can walk up on people and they say,

970
00:52:06,480 --> 00:52:10,640
Speaker 1: you know, just start laughing. I'll be like, do you

971
00:52:10,760 --> 00:52:17,960
Speaker 1: know what I just you get get See that's the thing. See,

972
00:52:18,080 --> 00:52:19,319
Speaker 1: that's why that's what I'm saying.

973
00:52:19,360 --> 00:52:20,960
Speaker 2: When I as soon as I came in town, I

974
00:52:21,880 --> 00:52:23,960
Speaker 2: got in the rental car and drove straight to the

975
00:52:24,000 --> 00:52:26,840
Speaker 2: Porking Bean and jumped out the car right there with

976
00:52:27,160 --> 00:52:28,480
Speaker 2: first for somebody.

977
00:52:30,520 --> 00:52:32,960
Speaker 1: They had Teddy Bears and ship right there at the

978
00:52:33,040 --> 00:52:34,520
Speaker 1: door where motherfucker just died.

979
00:52:35,200 --> 00:52:37,760
Speaker 2: And I jumped out the car just you know, because

980
00:52:38,760 --> 00:52:41,040
Speaker 2: you know, when when you when you know, when you

981
00:52:41,200 --> 00:52:43,960
Speaker 2: of the people, you're not gonna ever be scared of them.

982
00:52:44,680 --> 00:52:47,239
Speaker 1: And you're gonna be ready to die when you of

983
00:52:47,440 --> 00:52:50,239
Speaker 1: the people. I respect that, but I'm gonna have to

984
00:52:50,320 --> 00:52:53,959
Speaker 1: ask you to stop that. You already proved you the hood.

985
00:52:54,040 --> 00:52:56,319
Speaker 3: This nigga in the world, You're gonna have to keep

986
00:52:56,360 --> 00:52:59,080
Speaker 3: you in South Beach. Okay, poking beans is not safe.

987
00:52:59,160 --> 00:53:01,480
Speaker 3: I'm just keeping it with you, you, Mike Epps. And

988
00:53:01,520 --> 00:53:04,800
Speaker 3: I've seen Jingi promoters, brother, I jump.

989
00:53:04,680 --> 00:53:09,239
Speaker 2: Out on the South side of Chicago anywhere any motherfucker

990
00:53:09,400 --> 00:53:12,160
Speaker 2: were out of the car and and be right there.

991
00:53:12,360 --> 00:53:13,960
Speaker 1: Only stay for about five minutes.

992
00:53:15,320 --> 00:53:27,240
Speaker 2: Yeah, came up here. It was great for ten minutes,

993
00:53:27,280 --> 00:53:29,200
Speaker 2: like you said. But I swear to God, man, that

994
00:53:29,360 --> 00:53:31,000
Speaker 2: is the That is the beauty. Because a lot of

995
00:53:31,040 --> 00:53:33,560
Speaker 2: people come to Miami and they come straight to they

996
00:53:33,680 --> 00:53:36,840
Speaker 2: never cross, so they don't go to the real Miami.

997
00:53:36,920 --> 00:53:40,000
Speaker 2: They don't go down motherfucking down there over and the

998
00:53:40,080 --> 00:53:42,880
Speaker 2: porking beans and jump out the car a little right

999
00:53:42,920 --> 00:53:46,840
Speaker 2: now over here, lads down there where it's real and

1000
00:53:46,920 --> 00:53:48,799
Speaker 2: jump out the car and that real ship. Don't wait

1001
00:53:48,880 --> 00:53:51,480
Speaker 2: till you get to live and we walk around that motherfucker.

1002
00:53:51,160 --> 00:53:52,759
Speaker 1: With a gun and your cock. I'm let me tell

1003
00:53:52,760 --> 00:53:54,160
Speaker 1: you one story. This ship don't count.

1004
00:53:54,200 --> 00:53:57,560
Speaker 3: I'm across the street from Parkland being right, or for

1005
00:53:57,680 --> 00:53:58,759
Speaker 3: the Liberty City right.

1006
00:53:58,920 --> 00:53:59,800
Speaker 14: No, this is this.

1007
00:54:00,239 --> 00:54:02,480
Speaker 1: I had caught a flat tie. I remember, I was

1008
00:54:02,600 --> 00:54:08,040
Speaker 1: we was all they got, So I went, I went

1009
00:54:08,200 --> 00:54:11,000
Speaker 1: to get my tire fixed. But the poker bean right

1010
00:54:11,080 --> 00:54:11,720
Speaker 1: there or whatever.

1011
00:54:11,800 --> 00:54:14,240
Speaker 3: It was just one project and there's so much gunshot

1012
00:54:14,560 --> 00:54:16,960
Speaker 3: my mind going on. So I told a police police,

1013
00:54:16,960 --> 00:54:19,560
Speaker 3: I said, you gonna hear that. They said, oh, that's

1014
00:54:19,640 --> 00:54:23,279
Speaker 3: not my cherish. I never see that in my life.

1015
00:54:24,360 --> 00:54:25,600
Speaker 3: Police said, that's not my jersey.

1016
00:54:26,160 --> 00:54:27,480
Speaker 1: I said, you've been chanced to go.

1017
00:54:29,360 --> 00:54:32,600
Speaker 10: That's how crazy you didn't want to album and thistle these.

1018
00:54:32,560 --> 00:54:36,439
Speaker 1: Like Miami like people just only think about South Beach.

1019
00:54:37,080 --> 00:54:40,919
Speaker 3: Miami is a very rough place. It's got nowhere to walk,

1020
00:54:41,239 --> 00:54:44,440
Speaker 3: but always respected. And that's why in those hoods like

1021
00:54:44,520 --> 00:54:46,239
Speaker 3: Pork and Beans, they real isolated too.

1022
00:54:46,600 --> 00:54:48,320
Speaker 1: You see, Mike had been there ten years ago. It

1023
00:54:48,400 --> 00:54:50,480
Speaker 1: was like a reunion. When they sawn back, They're like, Mike,

1024
00:54:50,560 --> 00:54:53,359
Speaker 1: you was here ten years ago. You came back. Yeah,

1025
00:54:53,480 --> 00:54:56,320
Speaker 1: so they felt like he came back for he didn't,

1026
00:54:56,360 --> 00:54:57,239
Speaker 1: but he did come back.

1027
00:54:58,200 --> 00:55:00,880
Speaker 2: But when I be standing around hoods like that, and

1028
00:55:01,000 --> 00:55:04,719
Speaker 2: everybody be laughing at cheering. I something, I say, turn in,

1029
00:55:04,960 --> 00:55:07,480
Speaker 2: look and when I look, it'd be one nigga looking at.

1030
00:55:09,320 --> 00:55:12,680
Speaker 1: Okay, it's time to get on. He ain't feeling it.

1031
00:55:13,520 --> 00:55:16,439
Speaker 1: Had one nigga that you feel like the neighborhood dude

1032
00:55:18,080 --> 00:55:22,719
Speaker 1: ain't from. Yeah, but I love it. Man. I want

1033
00:55:22,800 --> 00:55:24,280
Speaker 1: to ask you a motherfucker question.

1034
00:55:24,760 --> 00:55:28,200
Speaker 3: Okay, you can get to Jinki promoters real quick. That's

1035
00:55:28,239 --> 00:55:31,640
Speaker 3: another Hood classic. Do you know that hood classic? Hood

1036
00:55:31,920 --> 00:55:40,080
Speaker 3: Classic entertained and Russell red in conjunction. Whose idea was

1037
00:55:40,160 --> 00:55:44,040
Speaker 3: the ji? Because that was no head on with every rapper.

1038
00:55:44,360 --> 00:55:46,799
Speaker 3: Because your niggas, your comedians ain't drinking ship. You popped

1039
00:55:46,800 --> 00:55:49,319
Speaker 3: the bottle. You popped the bottle on night. You ain't

1040
00:55:49,320 --> 00:55:53,000
Speaker 3: even pulling that nigga, What are you doing? Let me

1041
00:55:53,040 --> 00:55:54,880
Speaker 3: show your niggas. This is how French people pull.

1042
00:55:54,800 --> 00:55:59,479
Speaker 1: This ship from New York. I was in these French

1043
00:56:00,160 --> 00:56:01,000
Speaker 1: I got I.

1044
00:56:01,040 --> 00:56:07,279
Speaker 15: Got French ways a week with me in week, I

1045
00:56:07,360 --> 00:56:11,839
Speaker 15: got a favorite video. You got drink we're hearing me shot.

1046
00:56:12,080 --> 00:56:14,400
Speaker 3: You want to switch up? You want to switch up

1047
00:56:14,800 --> 00:56:16,920
Speaker 3: on the alcohol. Let's do another shot. Come on, Mike,

1048
00:56:17,080 --> 00:56:18,840
Speaker 3: you go missus three fifty.

1049
00:56:19,239 --> 00:56:22,680
Speaker 1: You can pick the link. He don't drink fifty four

1050
00:56:22,840 --> 00:56:25,160
Speaker 1: and this is documented. When we done so far three,

1051
00:56:25,280 --> 00:56:27,440
Speaker 1: I mean we've done three. We can do go for.

1052
00:56:27,600 --> 00:56:28,120
Speaker 1: We gotta go for.

1053
00:56:28,320 --> 00:56:30,920
Speaker 3: You gotta tie fifty at least, come on, Mike, give

1054
00:56:30,960 --> 00:56:31,920
Speaker 3: us another shot tier ball.

1055
00:56:32,000 --> 00:56:35,239
Speaker 1: We're gonna take you were switching looking up though, if

1056
00:56:35,280 --> 00:56:37,600
Speaker 1: you want to switch the thing, I'm fucking with you.

1057
00:56:37,760 --> 00:56:37,920
Speaker 12: Mike.

1058
00:56:39,120 --> 00:56:40,799
Speaker 1: You was the hottest nigg in the world. I can't

1059
00:56:40,840 --> 00:56:42,719
Speaker 1: believe you did my video whit it. I want to

1060
00:56:42,760 --> 00:56:42,960
Speaker 1: thank you.

1061
00:56:43,280 --> 00:56:47,239
Speaker 13: He's the dude from the Two Lives Drunks and you

1062
00:56:47,320 --> 00:56:51,040
Speaker 13: can't tell mister here's your daughter, mister mick daughter, Yeah,

1063
00:56:51,880 --> 00:56:58,680
Speaker 13: shot me so on. That's your daddy, girl, Like I

1064
00:56:58,719 --> 00:56:59,359
Speaker 13: ain't played alone.

1065
00:56:59,400 --> 00:57:04,239
Speaker 1: It's my daddy up. Look at you know how to poor? Yeah? More,

1066
00:57:06,239 --> 00:57:11,920
Speaker 1: get your name Rightdoto? Where's the where's gotta make you

1067
00:57:12,280 --> 00:57:12,840
Speaker 1: gotta just be?

1068
00:57:14,120 --> 00:57:17,200
Speaker 3: I want you don't know because you let's say the shot,

1069
00:57:18,440 --> 00:57:20,200
Speaker 3: because you know this is liquid cocaine.

1070
00:57:20,280 --> 00:57:23,680
Speaker 1: In case you know, Soli where you are. You ain't

1071
00:57:23,680 --> 00:57:28,360
Speaker 1: got one nigga. Look out, nigga, I got big.

1072
00:57:31,520 --> 00:57:38,640
Speaker 2: So even though you're yeah, you a rapper right now,

1073
00:57:38,960 --> 00:57:41,640
Speaker 2: you're a rapper from the nineties, shot, Yeah, come out.

1074
00:57:42,040 --> 00:57:46,400
Speaker 1: How do you feel about these young rappers? Right now? Right? Okay? Now,

1075
00:57:46,480 --> 00:57:48,520
Speaker 1: what do you think about that? I'm gonna get.

1076
00:57:48,520 --> 00:57:51,160
Speaker 3: I'm gonna give you the base, the best answer I

1077
00:57:51,200 --> 00:57:55,560
Speaker 3: could ever get. I've always been two people, right because

1078
00:57:55,560 --> 00:57:58,360
Speaker 3: I'm Black and Puerto Rican. So I've been always You

1079
00:57:58,600 --> 00:58:00,680
Speaker 3: dropped me in Mexico out of learn how to relate

1080
00:58:00,720 --> 00:58:01,360
Speaker 3: with them niggas.

1081
00:58:01,400 --> 00:58:04,320
Speaker 1: You drop me in Kingston, relate with them niggas. So

1082
00:58:04,480 --> 00:58:05,760
Speaker 1: I try to look at life like that.

1083
00:58:06,520 --> 00:58:09,200
Speaker 3: A part of me says, that's not what hip hop is,

1084
00:58:09,280 --> 00:58:11,680
Speaker 3: but then the part of me says, that's what they

1085
00:58:11,720 --> 00:58:12,440
Speaker 3: said about.

1086
00:58:12,280 --> 00:58:13,160
Speaker 1: Me when I was young.

1087
00:58:13,360 --> 00:58:13,600
Speaker 2: Wow.

1088
00:58:13,840 --> 00:58:14,040
Speaker 1: Yeah.

1089
00:58:14,560 --> 00:58:17,480
Speaker 3: So I learned to accept both, and I learned to

1090
00:58:17,720 --> 00:58:21,080
Speaker 3: approach both with the same love. Like when I hear

1091
00:58:21,160 --> 00:58:24,200
Speaker 3: real hip hop, I always be like, yeah, what the fuck?

1092
00:58:24,280 --> 00:58:27,320
Speaker 3: Of course, when I hear a LOOPEI fiasco a fucking

1093
00:58:27,440 --> 00:58:29,200
Speaker 3: because I want to pick up loup beggas I felt

1094
00:58:29,280 --> 00:58:29,760
Speaker 3: he here you.

1095
00:58:31,360 --> 00:58:31,640
Speaker 1: Twitter.

1096
00:58:31,880 --> 00:58:34,000
Speaker 3: But when I hear Loop AI Fiasco or T live

1097
00:58:34,080 --> 00:58:37,880
Speaker 3: Quality a nas J Cole, when I hear real hip hop,

1098
00:58:37,920 --> 00:58:40,600
Speaker 3: always but I can't be mad at.

1099
00:58:40,680 --> 00:58:48,880
Speaker 1: My bitch is bad and boogie buck up coca with

1100
00:58:49,040 --> 00:58:53,000
Speaker 1: that because because you know why, I ain't aged. I

1101
00:58:53,040 --> 00:58:55,120
Speaker 1: ain't age. That's Elliott Wilson trade. Don't worry about it.

1102
00:58:55,200 --> 00:58:58,280
Speaker 1: We know you don't know who he is. Don't problem, please,

1103
00:58:58,560 --> 00:59:02,000
Speaker 1: nigga have it all right? Come on, you're what you

1104
00:59:02,120 --> 00:59:03,880
Speaker 1: came in. You came with a bag of wing. And

1105
00:59:04,400 --> 00:59:10,880
Speaker 1: where your weigle? Yeah, go ahead, nigga, I thinkgas got

1106
00:59:10,960 --> 00:59:15,560
Speaker 1: some weik So bring heroin. I'm saying. You understand I'm saying.

1107
00:59:15,560 --> 00:59:18,000
Speaker 1: What I'm saying is I can't.

1108
00:59:18,600 --> 00:59:21,360
Speaker 15: I'm gonna fuck with the old one.

1109
00:59:22,240 --> 00:59:23,080
Speaker 2: You don't do that.

1110
00:59:23,200 --> 00:59:36,520
Speaker 1: That's how taking the niggaho, the lookings to the woman

1111
00:59:36,560 --> 00:59:36,800
Speaker 1: get a.

1112
00:59:42,840 --> 00:59:44,800
Speaker 2: And then you know I used to when I when

1113
00:59:44,800 --> 00:59:46,440
Speaker 2: I used to cop some dope, right, you know I

1114
00:59:46,560 --> 00:59:48,880
Speaker 2: used to cop up at right there on one hundred

1115
00:59:48,880 --> 00:59:52,480
Speaker 2: and forty seventh Broadway between Broadway and Amsterdam.

1116
00:59:52,800 --> 00:59:54,960
Speaker 1: That's the one time, yea, the Dominicans.

1117
00:59:55,000 --> 00:59:57,959
Speaker 2: One time I'm up in that motherfucker buying some some dope,

1118
00:59:58,400 --> 01:00:01,560
Speaker 2: and the motherfucker took me upstairs. The dude sitting at

1119
01:00:01,600 --> 01:00:04,640
Speaker 2: the desk, he had the cocaine right there in the

1120
01:00:04,720 --> 01:00:05,439
Speaker 2: luminum fall.

1121
01:00:05,520 --> 01:00:06,320
Speaker 1: He had the crusher.

1122
01:00:06,680 --> 01:00:09,080
Speaker 2: He was sitting there crushing and putting it in the

1123
01:00:09,160 --> 01:00:12,000
Speaker 2: luminum fall and one of them saying pop and what

1124
01:00:12,120 --> 01:00:16,880
Speaker 2: he said, Nigga, the police was coming in. While I'm standing,

1125
01:00:17,000 --> 01:00:19,800
Speaker 2: I swear to God. While I'm standing there copping, they

1126
01:00:19,880 --> 01:00:20,720
Speaker 2: started starting running.

1127
01:00:20,760 --> 01:00:24,360
Speaker 1: I said, man, what what I'm doing. So the dude

1128
01:00:24,400 --> 01:00:26,360
Speaker 1: that was serving the coat, I followed him. He's like,

1129
01:00:26,440 --> 01:00:30,960
Speaker 1: come on, and I swear, we were just running through

1130
01:00:31,120 --> 01:00:36,920
Speaker 1: the doors. God in New York. And when we ran out,

1131
01:00:37,000 --> 01:00:38,000
Speaker 1: we came out of a door.

1132
01:00:38,120 --> 01:00:38,400
Speaker 2: Nigga.

1133
01:00:38,440 --> 01:00:41,080
Speaker 1: We was on the inside of the apartment like it was.

1134
01:00:43,520 --> 01:00:46,840
Speaker 2: Like like in New York in the fridays, they had

1135
01:00:46,960 --> 01:00:48,840
Speaker 2: like a fork on the inside of them.

1136
01:00:49,760 --> 01:00:53,120
Speaker 1: The courtyard, like a courtyard inside of the process like

1137
01:00:53,240 --> 01:00:55,840
Speaker 1: you turn like the projects are surrounded on the side.

1138
01:00:56,600 --> 01:01:00,240
Speaker 2: Nigga, we was talking. We was running through motherfucker water

1139
01:01:00,320 --> 01:01:01,960
Speaker 2: and all that. We went through a door and there

1140
01:01:02,040 --> 01:01:05,040
Speaker 2: we was on water. Yeah, we was on one twenty

1141
01:01:05,080 --> 01:01:09,480
Speaker 2: fifth Street. Now we was on Broadway when we went

1142
01:01:09,520 --> 01:01:12,160
Speaker 2: through the door. We walked out the door, Niggas. We

1143
01:01:12,320 --> 01:01:12,960
Speaker 2: was on Broadway.

1144
01:01:13,000 --> 01:01:14,920
Speaker 1: He went that way. I went that way. I said, Nigga,

1145
01:01:14,920 --> 01:01:23,040
Speaker 1: ain't never coming on you.

1146
01:01:24,800 --> 01:01:29,520
Speaker 2: When I when I moved act, when I first moved

1147
01:01:29,520 --> 01:01:31,280
Speaker 2: to New York, York. I had a Cadillac, right, and

1148
01:01:31,400 --> 01:01:33,120
Speaker 2: I went to pick a girl. This bitch said, I

1149
01:01:33,160 --> 01:01:34,320
Speaker 2: didn't know you drove a cab.

1150
01:01:34,400 --> 01:01:35,080
Speaker 1: I said, just.

1151
01:01:39,560 --> 01:01:46,640
Speaker 16: From Indiana, just a luxury India, like a cab. Lucky

1152
01:01:48,520 --> 01:01:57,120
Speaker 16: people they leave you got. I wouldn't wear these my

1153
01:01:57,200 --> 01:01:58,360
Speaker 16: bucks to a backpipe.

1154
01:02:01,080 --> 01:02:09,120
Speaker 1: You ain't buried, man, where even though were happened to

1155
01:02:09,240 --> 01:02:17,800
Speaker 1: that boy? I can't you, Mike, Yeah, we're gonna shot

1156
01:02:17,880 --> 01:02:24,320
Speaker 1: your feet. You're gonna shoot his feet. She's going to

1157
01:02:24,400 --> 01:02:26,880
Speaker 1: the Michael Jackson to night. Oh ship, she got she

1158
01:02:27,000 --> 01:02:27,959
Speaker 1: got real love.

1159
01:02:28,600 --> 01:02:31,760
Speaker 10: We got lucky, and you get back like somebody got

1160
01:02:31,800 --> 01:02:33,120
Speaker 10: the loves of the New York raphers.

1161
01:02:33,120 --> 01:02:35,600
Speaker 1: I've never really seen him down south. No, very man,

1162
01:02:36,000 --> 01:02:39,800
Speaker 1: we're talking about we don't with Barry. I'm here in

1163
01:02:39,840 --> 01:02:43,560
Speaker 1: New York. That's the same bed. Woa there.

1164
01:02:43,600 --> 01:02:46,760
Speaker 10: That's a whole other country down there. Yeah, come on,

1165
01:02:47,120 --> 01:02:49,960
Speaker 10: that's the same thing. No, no, no, that's the right city.

1166
01:02:50,040 --> 01:02:52,320
Speaker 10: Everybody from New York, all y'all go to family unions

1167
01:02:52,360 --> 01:02:52,800
Speaker 10: down south.

1168
01:02:53,360 --> 01:02:55,680
Speaker 1: You know, I'm not lying with you. Nobody going to

1169
01:02:57,440 --> 01:03:00,040
Speaker 1: chef Ain't nobody going to Brooklyn.

1170
01:02:59,760 --> 01:03:03,600
Speaker 2: For ant go see the game, but we ain't going

1171
01:03:03,680 --> 01:03:06,280
Speaker 2: to No, damn, we'll.

1172
01:03:06,160 --> 01:03:08,800
Speaker 3: Go see Jesuary very right, Black, your family and you

1173
01:03:08,880 --> 01:03:13,000
Speaker 3: in the down south South Carolina, South Aabaina, Louisiana, Florida.

1174
01:03:12,920 --> 01:03:15,520
Speaker 2: And the education in New York. You can run down

1175
01:03:15,560 --> 01:03:17,439
Speaker 2: the same down South.

1176
01:03:17,560 --> 01:03:20,600
Speaker 1: Yea, yeah, usually with the first fine New York niggas

1177
01:03:20,640 --> 01:03:31,400
Speaker 1: down you know, right, New York.

1178
01:03:32,160 --> 01:03:33,160
Speaker 2: Shut the video.

1179
01:03:34,680 --> 01:03:38,640
Speaker 1: You ain't yet. Oh god, damn. I don't like Yeah,

1180
01:03:39,000 --> 01:03:40,720
Speaker 1: Thatson got the hell out of the hill.

1181
01:03:41,000 --> 01:03:41,240
Speaker 2: Listen.

1182
01:03:41,360 --> 01:03:43,640
Speaker 1: I don't like yeah. I'll be in that accurate this

1183
01:03:43,880 --> 01:03:46,800
Speaker 1: this is crazy. You love it that it got grass?

1184
01:03:47,120 --> 01:03:48,960
Speaker 1: You like that tagle? Mom? Did you have to turn

1185
01:03:49,080 --> 01:03:54,080
Speaker 1: like this? Called freemooth? It's a lot of things you

1186
01:03:54,120 --> 01:03:56,960
Speaker 1: can put on your front right smooth. It ain't smooth

1187
01:03:57,280 --> 01:03:58,800
Speaker 1: that you can take them on for twenty years. I

1188
01:03:58,880 --> 01:04:03,320
Speaker 1: still ain't used to it. Wow, fat, But it's it's

1189
01:04:03,480 --> 01:04:04,000
Speaker 1: you know, it's.

1190
01:04:03,920 --> 01:04:06,440
Speaker 3: Meant to loosen the guests up because you know it's

1191
01:04:06,480 --> 01:04:08,800
Speaker 3: actually an herb. It's actually that you know, so it

1192
01:04:08,840 --> 01:04:10,840
Speaker 3: ain't bad for you. It ain't bad for you, but

1193
01:04:11,040 --> 01:04:13,959
Speaker 3: but but it's real bad for you. If a person

1194
01:04:14,000 --> 01:04:15,400
Speaker 3: ain't ready, they talking about man, you.

1195
01:04:15,440 --> 01:04:18,120
Speaker 1: Know, you know I was thinking popping Lizzy Lohan.

1196
01:04:18,240 --> 01:04:18,600
Speaker 2: Like, what the.

1197
01:04:20,480 --> 01:04:21,080
Speaker 1: On here? Right?

1198
01:04:21,160 --> 01:04:24,040
Speaker 8: Yeah, it's very pleasing, So that's how you get it

1199
01:04:24,080 --> 01:04:26,040
Speaker 8: out of the people. But you know, you guys are

1200
01:04:26,080 --> 01:04:32,640
Speaker 8: already liberal. It's not really working with you guys because

1201
01:04:32,960 --> 01:04:35,160
Speaker 8: you guys are already just an open book and this

1202
01:04:35,840 --> 01:04:37,040
Speaker 8: is a fantastic thing.

1203
01:04:37,440 --> 01:04:40,160
Speaker 1: So what does comedians need to do? Because like right now, right,

1204
01:04:40,680 --> 01:04:41,919
Speaker 1: hip hop and hip hop?

1205
01:04:41,960 --> 01:04:43,840
Speaker 3: I feel like hip hop in order for hip hop

1206
01:04:43,880 --> 01:04:47,280
Speaker 3: to keep surviving and keep maintaining a person like me

1207
01:04:47,360 --> 01:04:50,080
Speaker 3: who's considered the old person only even though I'm only

1208
01:04:50,160 --> 01:04:52,440
Speaker 3: thirty nine, I'm considered the old person because I came

1209
01:04:52,480 --> 01:04:54,640
Speaker 3: out since I was, you know, seventeen eighteen.

1210
01:04:55,680 --> 01:04:59,520
Speaker 1: But for me, to me to sustain hip hop is

1211
01:04:59,600 --> 01:05:01,240
Speaker 1: just like I'm just gonna.

1212
01:05:01,000 --> 01:05:03,680
Speaker 3: Support anything in hip hop, right, I'm gonna support everything.

1213
01:05:03,920 --> 01:05:07,000
Speaker 3: Anybody that's popping, I'm gonna help them maintain they popping, right,

1214
01:05:07,080 --> 01:05:07,880
Speaker 3: I'm gonna help them.

1215
01:05:08,000 --> 01:05:08,120
Speaker 14: You know.

1216
01:05:08,360 --> 01:05:11,560
Speaker 3: But what does comedy need to do to keep sustaining?

1217
01:05:11,960 --> 01:05:17,000
Speaker 3: So it's more younger generation people getting in to the

1218
01:05:17,120 --> 01:05:23,880
Speaker 3: comedic stance and then maintaining the righteousness, being original. That's

1219
01:05:23,920 --> 01:05:25,920
Speaker 3: the whole key to being yourself. You can look at

1220
01:05:25,960 --> 01:05:27,800
Speaker 3: Mike Elpes, but you can't be Mike Epps. You can

1221
01:05:27,880 --> 01:05:30,400
Speaker 3: watch me, you can watch Dave Chapelle, but you can't

1222
01:05:30,440 --> 01:05:31,320
Speaker 3: be us Chris Rob.

1223
01:05:31,480 --> 01:05:33,560
Speaker 2: You gotta be who you are. That's will make comedy.

1224
01:05:33,600 --> 01:05:36,080
Speaker 2: So your nigga, it's about you. If you ain't gonna

1225
01:05:36,080 --> 01:05:37,520
Speaker 2: be who you is, you can't go up there and

1226
01:05:37,840 --> 01:05:40,320
Speaker 2: take And it takes time for you find your voice

1227
01:05:40,360 --> 01:05:42,720
Speaker 2: in comedy because it takes to really learn how to

1228
01:05:42,760 --> 01:05:43,440
Speaker 2: be a comedian.

1229
01:05:43,880 --> 01:05:45,520
Speaker 1: You know what I'm saying. They made you laugh, yeah,

1230
01:05:45,520 --> 01:05:47,200
Speaker 1: because you can go up the next night and bomb.

1231
01:05:47,920 --> 01:05:49,480
Speaker 2: I know a lot of comedy that was funny one

1232
01:05:49,560 --> 01:05:51,680
Speaker 2: night and it ain't see him no more because they got.

1233
01:05:51,640 --> 01:05:52,840
Speaker 1: Booed, and it's like I ain't going.

1234
01:05:53,840 --> 01:05:57,080
Speaker 2: Yeah, And comedy is not music, right because music you

1235
01:05:57,160 --> 01:05:59,080
Speaker 2: can blow up overnight, but not comedy.

1236
01:05:59,160 --> 01:06:01,200
Speaker 1: You can play the symbol to be the comedy you

1237
01:06:01,360 --> 01:06:01,640
Speaker 1: have to.

1238
01:06:02,240 --> 01:06:04,840
Speaker 2: It takes time for you to learn the craft and

1239
01:06:05,080 --> 01:06:09,480
Speaker 2: build yourself up. But one thing about comics and comedians,

1240
01:06:09,560 --> 01:06:19,600
Speaker 2: we never go away. No, they don't respect well, well,

1241
01:06:19,760 --> 01:06:24,800
Speaker 2: this is the reality of that is that you guys

1242
01:06:25,280 --> 01:06:30,560
Speaker 2: got an opportunity to go over seas. And I mean

1243
01:06:30,720 --> 01:06:33,240
Speaker 2: like in some countries, nor Jega is brand new.

1244
01:06:33,880 --> 01:06:36,200
Speaker 1: I can imagine you, like.

1245
01:06:36,840 --> 01:06:39,200
Speaker 2: You brand new like them when them saws come out,

1246
01:06:39,680 --> 01:06:42,360
Speaker 2: because them them countries and some of these sea cities

1247
01:06:42,400 --> 01:06:42,920
Speaker 2: are dated.

1248
01:06:43,040 --> 01:06:44,040
Speaker 1: They really primitive.

1249
01:06:44,080 --> 01:06:46,560
Speaker 2: They don't really they get the material very long they do,

1250
01:06:47,240 --> 01:06:49,520
Speaker 2: and you brand new to them, and they don't understand

1251
01:06:49,600 --> 01:06:51,880
Speaker 2: that the ship that's two ahead of them is what

1252
01:06:52,040 --> 01:06:52,560
Speaker 2: it's playing.

1253
01:06:52,680 --> 01:06:56,680
Speaker 1: Now. You're gonna always eat too, you know what I mean.

1254
01:06:56,760 --> 01:06:58,440
Speaker 1: That's the great thing. But but you have to be

1255
01:06:58,560 --> 01:06:59,360
Speaker 1: a great artist.

1256
01:06:59,440 --> 01:07:02,200
Speaker 2: And what I do notice about that is that a

1257
01:07:02,320 --> 01:07:05,600
Speaker 2: lot of the older artists that come from your era,

1258
01:07:07,280 --> 01:07:11,440
Speaker 2: theyre the ones eating right like these new artists. I

1259
01:07:11,480 --> 01:07:14,200
Speaker 2: don't think they're gonna eat like that when they get old.

1260
01:07:14,240 --> 01:07:18,800
Speaker 2: But the longevity when every day they won't be it's

1261
01:07:18,880 --> 01:07:20,480
Speaker 2: a new artist every day.

1262
01:07:20,560 --> 01:07:23,120
Speaker 1: And what he was saying, like he saying supporting all

1263
01:07:23,120 --> 01:07:25,600
Speaker 1: the new artists. The difference is that a lot of

1264
01:07:25,640 --> 01:07:28,360
Speaker 1: these they all sound the same, like you say, develop

1265
01:07:28,400 --> 01:07:30,800
Speaker 1: your own thing, right. It sounds like the nineties era.

1266
01:07:31,120 --> 01:07:32,760
Speaker 1: You could not sound like the next.

1267
01:07:33,240 --> 01:07:35,920
Speaker 3: But that's why I'm big up the comedic stance, because

1268
01:07:36,280 --> 01:07:40,680
Speaker 3: you can't go on the show on a comedy show.

1269
01:07:40,840 --> 01:07:43,240
Speaker 1: Sounded like just the very same.

1270
01:07:43,400 --> 01:07:45,680
Speaker 3: Noah came on before you you came But right now

1271
01:07:46,120 --> 01:07:47,920
Speaker 3: there's three twenty one savages.

1272
01:07:48,360 --> 01:07:51,200
Speaker 1: This is a twenty one savage, twenty two is a

1273
01:07:51,320 --> 01:07:57,840
Speaker 1: twenty two twenty three Yeah, I'm a twenty five sad. Yeah,

1274
01:07:57,880 --> 01:08:01,520
Speaker 1: I'm savage. Gonna tell him that? Are you gonna tell

1275
01:08:01,560 --> 01:08:05,560
Speaker 1: them that? Are everybody just lead twenty one second? Like

1276
01:08:06,120 --> 01:08:09,200
Speaker 1: he established the name first. I don't give a full right,

1277
01:08:09,560 --> 01:08:12,280
Speaker 1: but he should be the only one yourself. I don't

1278
01:08:12,280 --> 01:08:13,720
Speaker 1: care what you say. You rap like here in the

1279
01:08:13,760 --> 01:08:23,559
Speaker 1: Widen Protection Program. That's how you to me? Just talking

1280
01:08:23,680 --> 01:08:27,120
Speaker 1: he to me now, but they're looking at me right yeah. Yeah.

1281
01:08:27,360 --> 01:08:29,040
Speaker 1: But that's what I like about my new artists.

1282
01:08:29,040 --> 01:08:32,080
Speaker 3: When when I see a new artist that's actually afraid

1283
01:08:32,120 --> 01:08:35,280
Speaker 3: of the cameras, I actually gravitate to him more because.

1284
01:08:35,080 --> 01:08:37,200
Speaker 1: I know that that's what the era I come from.

1285
01:08:37,280 --> 01:08:38,680
Speaker 1: I'm afraid. I got a question for you.

1286
01:08:38,920 --> 01:08:41,360
Speaker 10: By being a New York rapper, how did you feel

1287
01:08:41,560 --> 01:08:44,400
Speaker 10: when rich Tommy Kahn didn't know the verse to Biggie

1288
01:08:44,439 --> 01:08:45,240
Speaker 10: Small Song.

1289
01:08:46,520 --> 01:08:48,920
Speaker 1: We just talked about this with with the tribe situation.

1290
01:08:50,200 --> 01:08:51,920
Speaker 1: Every since they have been about You've been in New York.

1291
01:08:51,960 --> 01:08:54,759
Speaker 10: Please, I got a degree in psychiomy and not abound

1292
01:08:54,760 --> 01:08:55,559
Speaker 10: the state university.

1293
01:08:55,600 --> 01:08:56,400
Speaker 1: I just teach school.

1294
01:08:56,520 --> 01:08:58,760
Speaker 2: It was, But I can make more money telling jokes

1295
01:08:58,760 --> 01:08:59,640
Speaker 2: with Mike Epps.

1296
01:09:01,320 --> 01:09:02,320
Speaker 1: And I get sleep later.

1297
01:09:02,640 --> 01:09:05,559
Speaker 2: Nigga, nigga, you better give me that forty dollars from

1298
01:09:05,600 --> 01:09:08,920
Speaker 2: that streep. Why you're sitting there telling me all these

1299
01:09:09,000 --> 01:09:12,280
Speaker 2: degrees and ship. I set there at the bitch, That

1300
01:09:12,479 --> 01:09:15,760
Speaker 2: bitch that you had over there, she sat there and

1301
01:09:15,880 --> 01:09:17,720
Speaker 2: danced for you and kept looking at me because the bitch.

1302
01:09:17,840 --> 01:09:20,880
Speaker 1: No, I was gonna give you the money. Now, I'm like,

1303
01:09:21,000 --> 01:09:24,840
Speaker 1: I'm not webbing on your ass. Now you get that nerve.

1304
01:09:25,320 --> 01:09:29,600
Speaker 2: That's that gas money from ninety six. So well, no,

1305
01:09:29,800 --> 01:09:30,719
Speaker 2: but that's real ship.

1306
01:09:31,120 --> 01:09:34,200
Speaker 1: This might after week this, Oh, come on, it's from

1307
01:09:34,320 --> 01:09:38,160
Speaker 1: County baby. Yeah, this what you want? No, I can't

1308
01:09:38,240 --> 01:09:41,840
Speaker 1: tell you all that kind of ship. I brought it

1309
01:09:41,920 --> 01:09:46,400
Speaker 1: from Atlanta. I'm for big boys. Watch this show too. Now,

1310
01:09:46,479 --> 01:09:47,360
Speaker 1: they ain't fucking with us.

1311
01:09:47,800 --> 01:09:50,879
Speaker 2: Man, love your chef. They got a whole social network.

1312
01:09:51,040 --> 01:09:53,519
Speaker 2: That's what the niggas don't understand. Has got a whole

1313
01:09:53,600 --> 01:09:57,240
Speaker 2: social network. The fans be tagging each other and everything.

1314
01:09:58,160 --> 01:09:59,960
Speaker 2: That's why I nigga standing there on nothing with the gun.

1315
01:10:00,160 --> 01:10:02,639
Speaker 2: It's like, nigga, why is you telling on your sake?

1316
01:10:03,479 --> 01:10:07,080
Speaker 2: It's a snitchy society now, Yeah, because it because because

1317
01:10:07,120 --> 01:10:09,519
Speaker 2: guess what. The first thing I'm saying to myself when

1318
01:10:09,560 --> 01:10:11,960
Speaker 2: I see a motherfucker with all of them guns on

1319
01:10:12,120 --> 01:10:14,920
Speaker 2: the internet. Now, I'm saying to myself, somebody around there

1320
01:10:14,960 --> 01:10:19,400
Speaker 2: ain't never been to prison, right because somebody is able

1321
01:10:19,479 --> 01:10:23,400
Speaker 2: to go buy these guns. So there's a nerd around

1322
01:10:23,479 --> 01:10:27,479
Speaker 2: here buying these guns. It's a little cause of gun laws.

1323
01:10:27,600 --> 01:10:28,400
Speaker 1: Is that stupid?

1324
01:10:28,680 --> 01:10:31,639
Speaker 3: I ain't gonna lie, not from New York born and raised. Yeah,

1325
01:10:31,920 --> 01:10:34,320
Speaker 3: I came out here. My niggas was going to Walmart

1326
01:10:34,360 --> 01:10:37,040
Speaker 3: buying bullets. I'm serious, like this is whatever.

1327
01:10:37,280 --> 01:10:41,320
Speaker 1: Yeah, but that's that's that's different in different states. Yea.

1328
01:10:41,720 --> 01:10:45,719
Speaker 1: In the South, you show gun show by an arsenal army.

1329
01:10:46,920 --> 01:10:49,040
Speaker 1: Look at Mike hitting that ship like an old nigga.

1330
01:10:49,080 --> 01:10:52,040
Speaker 1: Look at you. I am old, no, no, no, you

1331
01:10:52,160 --> 01:10:54,200
Speaker 1: an old player. I'm telling you, an old player. Man.

1332
01:10:54,320 --> 01:10:55,639
Speaker 1: That's that's what I'm talking about.

1333
01:10:55,720 --> 01:10:55,840
Speaker 2: Man.

1334
01:10:55,840 --> 01:10:57,640
Speaker 1: I see a lot of these Commandians.

1335
01:10:57,920 --> 01:11:00,280
Speaker 2: I grew up in the real in the after our

1336
01:11:00,400 --> 01:11:03,360
Speaker 2: clubs where it was old players in there, and they

1337
01:11:03,520 --> 01:11:05,960
Speaker 2: was all gambling it. Have a sign on the wall

1338
01:11:06,040 --> 01:11:08,200
Speaker 2: and said no guns, dope and.

1339
01:11:08,320 --> 01:11:10,240
Speaker 1: All of that and all of that is in there.

1340
01:11:11,920 --> 01:11:12,920
Speaker 1: That's why we're in there.

1341
01:11:15,760 --> 01:11:18,200
Speaker 2: One time, I was seventeen, right, I'm in the after

1342
01:11:18,320 --> 01:11:21,960
Speaker 2: our club shooting crass with all these old players and

1343
01:11:22,040 --> 01:11:22,760
Speaker 2: pencil shit.

1344
01:11:23,360 --> 01:11:25,720
Speaker 1: And back in the nineties, the police used just jump

1345
01:11:25,800 --> 01:11:26,200
Speaker 1: out the car.

1346
01:11:26,320 --> 01:11:28,320
Speaker 2: So if you ain't have that dope up under your

1347
01:11:28,360 --> 01:11:31,200
Speaker 2: tongue like that ready to swallow it, they gonna bust you.

1348
01:11:31,240 --> 01:11:31,920
Speaker 1: They gonna catch you.

1349
01:11:31,960 --> 01:11:34,240
Speaker 2: They going in your drawers and everything with the flashlight.

1350
01:11:34,720 --> 01:11:37,200
Speaker 2: So I took a motherfucking razor. I had them old

1351
01:11:37,240 --> 01:11:40,280
Speaker 2: starter jackets, you know them started. I had a greater

1352
01:11:40,479 --> 01:11:43,720
Speaker 2: started jacket and I cut the motherfuckers.

1353
01:11:43,560 --> 01:11:45,920
Speaker 1: The hem in it and put the dope down in there.

1354
01:11:46,240 --> 01:11:48,760
Speaker 2: So the police has searched me and the whole time

1355
01:11:48,840 --> 01:11:51,720
Speaker 2: I got the packs in my motherfucking jacket. Man, I'm

1356
01:11:51,760 --> 01:11:53,759
Speaker 2: in the after our club and I take the dice

1357
01:11:54,320 --> 01:11:55,160
Speaker 2: and when I throw the.

1358
01:11:55,240 --> 01:11:58,080
Speaker 1: Dice out, cocaine came out too.

1359
01:12:00,080 --> 01:12:05,639
Speaker 2: When the cocaine came out o place, and one old

1360
01:12:05,720 --> 01:12:09,160
Speaker 2: nigga grabbed me to get you out of here and

1361
01:12:09,240 --> 01:12:11,000
Speaker 2: he had me like this and he took me out time.

1362
01:12:11,080 --> 01:12:12,720
Speaker 2: He said, man, what the fuck is wrong with you?

1363
01:12:13,000 --> 01:12:15,880
Speaker 2: And he said, nigga, how much you want to do?

1364
01:12:25,200 --> 01:12:34,400
Speaker 1: I said, I made another out right cocaine a drug. See.

1365
01:12:34,600 --> 01:12:37,479
Speaker 2: See that's the thing man, see that. See that's one

1366
01:12:37,560 --> 01:12:40,599
Speaker 2: thing about New York in l A. New York City

1367
01:12:40,840 --> 01:12:46,040
Speaker 2: in l A has always been the leaders of black

1368
01:12:46,120 --> 01:12:51,040
Speaker 2: men in America and other cities. The biggest influence was

1369
01:12:51,240 --> 01:12:54,719
Speaker 2: New York in l A on a lot of cities

1370
01:12:54,960 --> 01:12:59,599
Speaker 2: in America, And depending on what city you lived.

1371
01:12:59,400 --> 01:13:02,080
Speaker 1: In and who you thought was cool, you would roll

1372
01:13:02,160 --> 01:13:02,519
Speaker 1: with them.

1373
01:13:03,040 --> 01:13:05,040
Speaker 2: So if it was the West Coast and you was

1374
01:13:05,120 --> 01:13:08,200
Speaker 2: from some city, you would roll with the West Coast,

1375
01:13:08,800 --> 01:13:10,519
Speaker 2: or if you was from another city and you would

1376
01:13:10,560 --> 01:13:13,280
Speaker 2: roll with New York. But it's a lot of real

1377
01:13:13,360 --> 01:13:15,560
Speaker 2: niggas all over the world. They just don't have a

1378
01:13:15,720 --> 01:13:16,360
Speaker 2: brand name.

1379
01:13:17,200 --> 01:13:17,920
Speaker 1: You see what I'm saying.

1380
01:13:18,240 --> 01:13:20,720
Speaker 2: You know, when you're from New York and you from

1381
01:13:20,920 --> 01:13:26,880
Speaker 2: LA and you automatically get branded as a real nigga.

1382
01:13:28,120 --> 01:13:29,800
Speaker 1: You see what I'm saying. You have to literally go

1383
01:13:29,920 --> 01:13:30,519
Speaker 1: to them, nigga.

1384
01:13:30,520 --> 01:13:32,880
Speaker 2: You literally had to go to New York in LA

1385
01:13:33,280 --> 01:13:35,840
Speaker 2: and go down in them niggas neighborhoods and run around

1386
01:13:35,880 --> 01:13:37,640
Speaker 2: their real friends for them friends to tell them, that's

1387
01:13:37,680 --> 01:13:41,200
Speaker 2: a bitch ass nigga. Man, the niggas that nigga ain't

1388
01:13:41,360 --> 01:13:43,240
Speaker 2: you know what I'm saying. That's how that shit work.

1389
01:13:44,240 --> 01:13:46,160
Speaker 2: You know what I mean, That's how that ship worked

1390
01:13:46,240 --> 01:13:49,599
Speaker 2: right there. I do it all the time. I check

1391
01:13:49,680 --> 01:13:52,400
Speaker 2: every motherfucker's file in the business. They don't even know it.

1392
01:13:52,479 --> 01:13:59,160
Speaker 2: I'll be standing right there with their friends. I haven't

1393
01:13:59,200 --> 01:14:00,639
Speaker 2: met none of your friend Hans though.

1394
01:14:01,360 --> 01:14:03,679
Speaker 1: Everybody here is my friend. I know it's the family reunion.

1395
01:14:16,880 --> 01:14:19,120
Speaker 1: So we got the call. When you got the call

1396
01:14:19,240 --> 01:14:22,200
Speaker 1: that you said, they said, Noriega wants to do the.

1397
01:14:22,439 --> 01:14:25,439
Speaker 3: How did you fail because the record didn't come out yet.

1398
01:14:25,560 --> 01:14:27,759
Speaker 3: Remember that's how I know you're a real nigga.

1399
01:14:27,840 --> 01:14:29,519
Speaker 1: Let me let me big you up. Hold on, let

1400
01:14:29,560 --> 01:14:31,360
Speaker 1: me big you up because I'll be caught in in

1401
01:14:31,439 --> 01:14:35,880
Speaker 1: yours from back in the day. They have because I

1402
01:14:36,040 --> 01:14:42,000
Speaker 1: wanted so bad head bands we had that. I said, man,

1403
01:14:42,120 --> 01:14:42,720
Speaker 1: I look at.

1404
01:14:47,120 --> 01:14:51,439
Speaker 2: Head bands that head man talking about it was white and.

1405
01:14:53,560 --> 01:15:00,599
Speaker 1: I said, man as because you don't know your niggas

1406
01:15:00,600 --> 01:15:01,040
Speaker 1: is dressing.

1407
01:15:01,120 --> 01:15:04,720
Speaker 2: Man, niggas get all the clothes before any niggas down.

1408
01:15:06,000 --> 01:15:07,880
Speaker 3: Look, your niggas ain't even bicking me up. Did you

1409
01:15:07,960 --> 01:15:09,960
Speaker 3: see how I just poured that? Are you a fool

1410
01:15:10,000 --> 01:15:10,519
Speaker 3: with the dressing?

1411
01:15:10,800 --> 01:15:16,799
Speaker 1: Come on, you could look look at the perfectly.

1412
01:15:17,040 --> 01:15:18,800
Speaker 17: If you don't get them over, rap gives you can

1413
01:15:18,880 --> 01:15:27,960
Speaker 17: be a part. Turn to waiter.

1414
01:15:27,840 --> 01:15:31,160
Speaker 1: Now that I can tell you he drink champagne like

1415
01:15:31,200 --> 01:15:32,880
Speaker 1: that on time that hit it.

1416
01:15:32,960 --> 01:15:35,120
Speaker 2: Come hey, man, niggas are scared of Donald Trump, but

1417
01:15:35,320 --> 01:15:35,760
Speaker 2: let me tell you.

1418
01:15:36,200 --> 01:15:38,040
Speaker 1: Let me tell you something about Donald Trump. Tell me

1419
01:15:38,120 --> 01:15:41,360
Speaker 1: something about Donald Trump. Donald Trump, he don't want to

1420
01:15:41,400 --> 01:15:46,080
Speaker 1: be the president. He met Steve Harvey. Yeah many times. Yeah,

1421
01:15:46,560 --> 01:15:50,120
Speaker 1: the first I didn't. I didn't understand that. Listen, Steve Harvey.

1422
01:15:50,520 --> 01:15:53,920
Speaker 1: Steve Harvey is he don't give a what a nigga

1423
01:15:54,000 --> 01:15:56,840
Speaker 1: think about him, right, That's how he feels.

1424
01:15:57,120 --> 01:15:59,040
Speaker 2: It's like a nigga can't do nothing for me, no way,

1425
01:15:59,120 --> 01:16:00,800
Speaker 2: So I don't give a fuck what your niggas think

1426
01:16:00,800 --> 01:16:06,240
Speaker 2: about me. Steve Harvey is on a daytime television show

1427
01:16:06,400 --> 01:16:11,320
Speaker 2: and all of his fans are probably Donald Trump's fans, right.

1428
01:16:12,920 --> 01:16:13,840
Speaker 1: In some kind of way.

1429
01:16:14,000 --> 01:16:16,320
Speaker 2: Somebody then told him that and he was like, fuck

1430
01:16:16,400 --> 01:16:22,960
Speaker 2: them niggas, and I put that pistol on all you

1431
01:16:23,080 --> 01:16:25,960
Speaker 2: bitch has nigga, I have from Cleveland.

1432
01:16:26,040 --> 01:16:29,439
Speaker 1: Here's from Cleveland. Yeah, so I'll tell you how the

1433
01:16:29,520 --> 01:16:31,120
Speaker 1: niggas feel. Man, the nigga probably.

1434
01:16:31,560 --> 01:16:34,360
Speaker 2: But but but the thing about being a black man

1435
01:16:34,479 --> 01:16:38,080
Speaker 2: in America and you from the you're from poverty, and

1436
01:16:38,160 --> 01:16:41,760
Speaker 2: you from the ghetto, is that people in the that

1437
01:16:42,000 --> 01:16:44,400
Speaker 2: was in office, they never really had nothing to do

1438
01:16:44,479 --> 01:16:47,759
Speaker 2: with your motherfucking life anyway. It never affected you anyway

1439
01:16:47,800 --> 01:16:50,240
Speaker 2: because you've always been on the bottom, no matter who

1440
01:16:50,320 --> 01:16:53,800
Speaker 2: the fuck got an office, nigga been how what I've

1441
01:16:53,800 --> 01:16:56,160
Speaker 2: been in I've been on the budget. Obama was the

1442
01:16:56,240 --> 01:16:59,640
Speaker 2: first time we had a president and Clinton where I

1443
01:16:59,760 --> 01:17:02,479
Speaker 2: had anything in my pocket. All the other presidents they

1444
01:17:02,600 --> 01:17:05,760
Speaker 2: never affected me anyway. Reagan affected me because he put

1445
01:17:05,760 --> 01:17:09,200
Speaker 2: them foodstack my mama's Yeah, he put them foodstamps in.

1446
01:17:10,479 --> 01:17:15,160
Speaker 1: Yeah. Reagan getting money, man, and motherfuckers don't understand that

1447
01:17:15,240 --> 01:17:16,080
Speaker 1: the country.

1448
01:17:17,439 --> 01:17:21,960
Speaker 2: Republicans, and when Republicans is in office, niggas get money

1449
01:17:22,439 --> 01:17:23,360
Speaker 2: because the country is.

1450
01:17:23,320 --> 01:17:24,599
Speaker 1: Based off of crime.

1451
01:17:24,640 --> 01:17:28,280
Speaker 2: Any motherfucker, the criminals built this motherfucker country, man, real,

1452
01:17:29,080 --> 01:17:30,120
Speaker 2: So when the streets.

1453
01:17:29,840 --> 01:17:33,400
Speaker 1: Ain't eating ain't nobody eating So what what what?

1454
01:17:33,560 --> 01:17:33,600
Speaker 2: What?

1455
01:17:33,840 --> 01:17:35,280
Speaker 1: What Trump is finn do?

1456
01:17:35,840 --> 01:17:39,320
Speaker 2: Is he finna make the whole the whole country is

1457
01:17:39,360 --> 01:17:40,760
Speaker 2: about to be about Snapchat.

1458
01:17:41,600 --> 01:17:43,800
Speaker 1: They're not USA.

1459
01:17:43,640 --> 01:17:51,320
Speaker 2: Snap Snapchat us because he's making America the entertainment capital, which.

1460
01:17:51,200 --> 01:17:54,519
Speaker 1: It already was. But he wanted he want to make

1461
01:17:54,600 --> 01:17:55,240
Speaker 1: this do Bay.

1462
01:17:56,120 --> 01:17:59,040
Speaker 2: But don't forget that's why he's doing all the remodel

1463
01:17:59,080 --> 01:18:01,360
Speaker 2: on this ship, because it's it's all entertainment for him.

1464
01:18:01,479 --> 01:18:04,760
Speaker 1: He's using the United States to sell his dope. He

1465
01:18:04,840 --> 01:18:06,600
Speaker 1: said he ain't gonna stay in the White House. You know,

1466
01:18:06,720 --> 01:18:09,720
Speaker 1: he said, stay the white in New York, New York.

1467
01:18:10,040 --> 01:18:11,719
Speaker 1: Respect that white.

1468
01:18:13,120 --> 01:18:15,960
Speaker 3: He gonna end up staying because that nigga, that nigga

1469
01:18:16,000 --> 01:18:17,200
Speaker 3: off is next to the Gucci store.

1470
01:18:17,240 --> 01:18:19,760
Speaker 2: That all Okay, I know you're a new president, but

1471
01:18:19,800 --> 01:18:21,960
Speaker 2: don't get on Thursday, Obama mixtape drop.

1472
01:18:23,840 --> 01:18:27,240
Speaker 1: It's download Obama Ship. The name of the Obama's mix

1473
01:18:27,360 --> 01:18:31,479
Speaker 1: tape is I want my mouth, safety, just security back

1474
01:18:32,800 --> 01:18:33,599
Speaker 1: from the White House.

1475
01:18:33,640 --> 01:18:36,320
Speaker 2: I want my first month and last month rent back

1476
01:18:37,439 --> 01:18:39,000
Speaker 2: that I had to pay when I got in the

1477
01:18:39,080 --> 01:18:39,519
Speaker 2: White House.

1478
01:18:39,640 --> 01:18:41,920
Speaker 1: You think it's gonna be that bad, Yeah, that's bad.

1479
01:18:41,920 --> 01:18:44,240
Speaker 1: It's gonna be We're gonna blow your money. It's gonna be,

1480
01:18:44,320 --> 01:18:47,920
Speaker 1: we will be weird because he already every day here

1481
01:18:47,960 --> 01:18:49,759
Speaker 1: on Twitter he's very angry.

1482
01:18:50,000 --> 01:18:52,200
Speaker 2: Well, he wants to be famous. Yeah, he wanted to

1483
01:18:53,000 --> 01:18:56,640
Speaker 2: like a bridge and spam right, like a sixteen year

1484
01:18:56,640 --> 01:19:01,280
Speaker 2: old lady, like an old white lady. And the niggas

1485
01:19:01,320 --> 01:19:05,840
Speaker 2: that's endorsing them. They the niggas that's endorsing Donald Trump.

1486
01:19:07,080 --> 01:19:09,160
Speaker 2: They them, and the niggas that don't give a fuck

1487
01:19:09,240 --> 01:19:11,560
Speaker 2: what the nigga is saying about, right, because that's he

1488
01:19:11,640 --> 01:19:13,479
Speaker 2: can't get nobody to perform this weekend.

1489
01:19:13,960 --> 01:19:18,240
Speaker 1: You might play my mixtape to nobody want to play.

1490
01:19:19,120 --> 01:19:20,920
Speaker 1: He can't get nobody. He called you right now say

1491
01:19:21,040 --> 01:19:25,240
Speaker 1: at five minutes, Well, he basically told you that he

1492
01:19:25,439 --> 01:19:28,080
Speaker 1: was racist. He basically told you that he that he

1493
01:19:28,160 --> 01:19:32,720
Speaker 1: from they want with Steve Harvey. Steve, he just told you, Well,

1494
01:19:34,120 --> 01:19:35,639
Speaker 1: the same about Steve.

1495
01:19:37,240 --> 01:19:39,960
Speaker 12: Jim Brown hurt me as he put her in the

1496
01:19:40,040 --> 01:19:42,879
Speaker 12: cabinet Morosa, the chick from his reality.

1497
01:19:44,880 --> 01:19:47,040
Speaker 1: Which one of them, Well, let's see which one of them?

1498
01:19:47,120 --> 01:19:52,240
Speaker 2: Black people get up on dream and play joker and

1499
01:19:52,400 --> 01:19:55,200
Speaker 2: get what they need to get to help us, because

1500
01:19:55,240 --> 01:19:57,000
Speaker 2: we might it might be one.

1501
01:19:56,880 --> 01:19:58,280
Speaker 1: Of them doing that. Which one do you think can

1502
01:19:58,360 --> 01:20:00,720
Speaker 1: do it? Though? You think Jim Brown is the one

1503
01:20:00,800 --> 01:20:03,120
Speaker 1: that's doing that. Jim Brown, Jim Brown that with him,

1504
01:20:03,120 --> 01:20:05,840
Speaker 1: that's right, he's getting willing to get the jet to

1505
01:20:05,920 --> 01:20:08,000
Speaker 1: give my nigga that caught the body. What's the nigga

1506
01:20:08,000 --> 01:20:11,200
Speaker 1: that caught the bottles? Ray Lewis? Ray Lewis, Yeah, what's

1507
01:20:12,040 --> 01:20:17,280
Speaker 1: when he's ray Lewis to hit what's little that niggas

1508
01:20:17,280 --> 01:20:21,479
Speaker 1: as out of what promote him to hang with him? Up?

1509
01:20:21,479 --> 01:20:24,040
Speaker 1: What's tyson? Dude? Don King?

1510
01:20:24,200 --> 01:20:27,599
Speaker 3: Donkey King ain't craving years old though he did everything

1511
01:20:27,680 --> 01:20:28,040
Speaker 3: but died.

1512
01:20:28,040 --> 01:20:30,920
Speaker 1: He out of him, saying over Donkey, you don't know

1513
01:20:30,960 --> 01:20:34,360
Speaker 1: where he just hang out with that? He did? He

1514
01:20:34,800 --> 01:20:39,960
Speaker 1: one of my little bitches. Mitchell said. The Vince was

1515
01:20:40,000 --> 01:20:42,400
Speaker 1: in the bathroom and the phone rang and he said,

1516
01:20:42,840 --> 01:20:43,479
Speaker 1: don King.

1517
01:20:49,320 --> 01:21:00,240
Speaker 6: So he's got And when I hit it said, ain't

1518
01:21:00,240 --> 01:21:04,000
Speaker 6: tag a bone tag all.

1519
01:21:05,720 --> 01:21:09,880
Speaker 2: I've never had been here, dream that ship. Y'all better

1520
01:21:09,960 --> 01:21:14,800
Speaker 2: put a leasha on this little look a little man, dude,

1521
01:21:24,040 --> 01:21:24,240
Speaker 2: I know.

1522
01:21:24,560 --> 01:21:27,200
Speaker 1: I had rollerblades. One nigga that the bok got me?

1523
01:21:27,320 --> 01:21:30,280
Speaker 2: Fun nigga, you ain't telling me I wasn't supposed to

1524
01:21:30,320 --> 01:21:33,280
Speaker 2: get up, niggah.

1525
01:21:34,160 --> 01:21:40,599
Speaker 1: He was putting on my looks for a second. Doubt

1526
01:21:40,680 --> 01:21:46,000
Speaker 1: nigga everything Now you're throwing up, you like, and he

1527
01:21:46,080 --> 01:21:50,200
Speaker 1: got together now now you know it was dragging right,

1528
01:21:50,760 --> 01:21:53,519
Speaker 1: You know that is nerve. His pill just kicked in.

1529
01:21:55,040 --> 01:21:57,960
Speaker 1: The pill just kicked in. The dragon was on thay

1530
01:21:58,000 --> 01:21:58,760
Speaker 1: that Mondy.

1531
01:21:58,600 --> 01:21:59,040
Speaker 18: Just hit.

1532
01:22:00,800 --> 01:22:05,000
Speaker 1: With the tiger. Heard of my life. That was funny.

1533
01:22:05,080 --> 01:22:07,840
Speaker 2: Shout out to Shout out to Sea Murder man, shout

1534
01:22:07,880 --> 01:22:08,760
Speaker 2: out to se Murder.

1535
01:22:08,920 --> 01:22:12,280
Speaker 1: Yeah, and you know, man, that's my man right there,

1536
01:22:12,439 --> 01:22:17,160
Speaker 1: see Murder. That's what. Yeah, that's that's that's see. That's why.

1537
01:22:17,200 --> 01:22:18,439
Speaker 1: I mean, that's why.

1538
01:22:18,520 --> 01:22:21,519
Speaker 2: When I be seeing all these rappers and these dudes

1539
01:22:21,720 --> 01:22:25,080
Speaker 2: doing all that stuff like that, and then you think

1540
01:22:25,160 --> 01:22:27,920
Speaker 2: of somebody like Se Murder, you say yourself, y'all need

1541
01:22:28,080 --> 01:22:30,960
Speaker 2: this bullship for real. If you're getting money and you're

1542
01:22:31,040 --> 01:22:33,760
Speaker 2: enjoying life, just do that. And if you're not gonna

1543
01:22:33,800 --> 01:22:35,800
Speaker 2: do that, and you're gonna do the other thing, really

1544
01:22:35,960 --> 01:22:39,160
Speaker 2: do it bull all the way the other way.

1545
01:22:39,240 --> 01:22:39,479
Speaker 1: Don't know.

1546
01:22:39,800 --> 01:22:41,760
Speaker 2: I don't even play with it. It ain't no game

1547
01:22:42,479 --> 01:22:44,920
Speaker 2: serious about that game. Don't do Examples of what not

1548
01:22:45,040 --> 01:22:49,800
Speaker 2: to do right. Yeah, don't do it, man, because the

1549
01:22:49,920 --> 01:22:52,200
Speaker 2: day you layoffs, the day you payoff.

1550
01:22:54,280 --> 01:23:01,400
Speaker 1: Put drink. You should see them.

1551
01:23:01,960 --> 01:23:05,679
Speaker 2: He was wrestling with something on the piece of sweat,

1552
01:23:06,000 --> 01:23:06,799
Speaker 2: y'all gonn see.

1553
01:23:07,560 --> 01:23:10,000
Speaker 1: You gotta show everybody go get his other jewey, you

1554
01:23:10,080 --> 01:23:12,679
Speaker 1: gotta better show you. This is the jury by the show.

1555
01:23:12,800 --> 01:23:14,880
Speaker 1: You gotta should like, don't get the big piece. You

1556
01:23:14,880 --> 01:23:22,400
Speaker 1: got the glasses. We gotta show nigga. That's called damn nigga.

1557
01:23:22,479 --> 01:23:28,800
Speaker 1: Whis those man? I got them the liquor stuff that liquid? Yeah,

1558
01:23:31,439 --> 01:23:50,120
Speaker 1: I got the bucks right there on Marisa, He's I'm

1559
01:23:50,280 --> 01:23:54,720
Speaker 1: gonna we got five more minutes and that's it. Oh man,

1560
01:23:54,920 --> 01:23:58,280
Speaker 1: I thought it was Are you really hold on? Are

1561
01:23:58,320 --> 01:24:00,320
Speaker 1: you really taking a piece? Are you going to shoot?

1562
01:24:01,000 --> 01:24:05,880
Speaker 1: You're go with me? I'm your follow Come out you

1563
01:24:05,920 --> 01:24:07,880
Speaker 1: want to strong? I see you walking with a straw?

1564
01:24:10,080 --> 01:24:11,439
Speaker 1: What I know?

1565
01:24:11,560 --> 01:24:17,320
Speaker 19: You with me to take your ship? That nigga used

1566
01:24:17,320 --> 01:24:20,880
Speaker 19: to take some ship with me on them? You want

1567
01:24:20,960 --> 01:24:22,800
Speaker 19: some one of that actually did that before?

1568
01:24:23,400 --> 01:24:25,400
Speaker 1: It was a shooter. I'm a different type of ning, right.

1569
01:24:25,600 --> 01:24:28,880
Speaker 1: I was a shooter, so okay, I shooting nigga. So

1570
01:24:29,760 --> 01:24:33,920
Speaker 1: when I used to bring see things in your arm.

1571
01:24:34,840 --> 01:24:36,840
Speaker 1: Look at that. I'm not a shooter. You're you're talking

1572
01:24:36,840 --> 01:24:37,400
Speaker 1: about shooting?

1573
01:24:37,920 --> 01:24:48,439
Speaker 4: Talking about Yeah, yeah, what's that favorite what's the favorite vein?

1574
01:24:48,840 --> 01:24:52,760
Speaker 1: What with favorite vein? I ain't ain't he said, you

1575
01:24:53,040 --> 01:25:01,519
Speaker 1: shoot shooter a comedian. I got heard you're gonna let

1576
01:25:01,560 --> 01:25:22,599
Speaker 1: me take my car's way too. That ship, girl walk

1577
01:25:23,280 --> 01:25:24,240
Speaker 1: my real TV.

1578
01:25:24,160 --> 01:25:27,479
Speaker 2: Show man in the room. Man, there's some frames, man,

1579
01:25:27,520 --> 01:25:30,639
Speaker 2: we get them. Man, Freddy mine, he's saying, Freddy mines

1580
01:25:30,720 --> 01:25:36,280
Speaker 2: right there at the few mourn you man did. Man smiled,

1581
01:25:39,160 --> 01:25:42,120
Speaker 2: y'all niggas. Man, this is that ship right here. Man,

1582
01:25:43,080 --> 01:25:45,240
Speaker 2: y'all should be shooting dice out of y'all. Y'all on

1583
01:25:45,320 --> 01:25:48,000
Speaker 2: four five six. That's four five six or something that

1584
01:25:48,400 --> 01:25:51,439
Speaker 2: nobody just got dice. Just carry somebody, go to the

1585
01:25:51,479 --> 01:25:54,919
Speaker 2: liquor store and get some dice. Man, cut your motherfucker,

1586
01:25:54,960 --> 01:25:59,840
Speaker 2: young rich niggas out three four thousand a piece. That

1587
01:26:00,080 --> 01:26:02,000
Speaker 2: nigga loaded right there, the one with the beer with

1588
01:26:02,120 --> 01:26:04,200
Speaker 2: the chains on loaded.

1589
01:26:05,800 --> 01:26:08,080
Speaker 1: Load me right there. Man. I want to gamble with you. Man,

1590
01:26:08,439 --> 01:26:11,000
Speaker 1: what's the head of the dice game? What's the most

1591
01:26:11,040 --> 01:26:14,559
Speaker 1: I had the most of the thirty thousand, thirty thousand.

1592
01:26:18,600 --> 01:26:21,320
Speaker 2: I beat Jerrel LeVert, I beat Jay Lavert and uh

1593
01:26:22,040 --> 01:26:25,920
Speaker 2: course yeah, way I beat.

1594
01:26:29,280 --> 01:26:32,120
Speaker 1: The bath bathroom. Yo, listen, let these niggas go craz

1595
01:26:32,520 --> 01:26:34,080
Speaker 1: What does the niggas say he beat? He said, you

1596
01:26:34,160 --> 01:26:37,839
Speaker 1: beat Joelvert? He said, he said he won thirty thousands

1597
01:26:37,840 --> 01:26:42,400
Speaker 1: of shooting dice. Shooting dice? Wait wait what yep?

1598
01:26:42,479 --> 01:26:45,040
Speaker 2: I won thirty thousand off of Jerrel Vert and she

1599
01:26:45,280 --> 01:26:49,360
Speaker 2: sweat one time and both of them, No, I've won

1600
01:26:49,520 --> 01:26:53,080
Speaker 2: thirty between the both of them shooting dice. How about

1601
01:26:53,080 --> 01:26:59,200
Speaker 2: you lost, oh man, honey, loss one motherfucker. Charles Oakley

1602
01:26:59,240 --> 01:27:01,600
Speaker 2: beat me out of forty thousand one night in the

1603
01:27:01,840 --> 01:27:03,880
Speaker 2: hotel room. How glad you gave it to him because

1604
01:27:03,920 --> 01:27:06,080
Speaker 2: you don't mind fighting, and I know you to kick

1605
01:27:06,160 --> 01:27:08,760
Speaker 2: his ass. You just went at him, shot ship out.

1606
01:27:13,120 --> 01:27:15,280
Speaker 2: That's the only thing about it. That's the only thing

1607
01:27:15,360 --> 01:27:18,160
Speaker 2: about being black. People don't understand how hard it is

1608
01:27:18,280 --> 01:27:24,400
Speaker 2: to a young a man in America. We don't know

1609
01:27:24,479 --> 01:27:26,360
Speaker 2: how hard it is because we just live in it.

1610
01:27:27,080 --> 01:27:29,320
Speaker 2: But when you're on the outside looking at us that

1611
01:27:29,479 --> 01:27:32,040
Speaker 2: live in America, this is a very hard place to

1612
01:27:32,120 --> 01:27:33,519
Speaker 2: live in. But you know what.

1613
01:27:35,840 --> 01:27:42,400
Speaker 1: A finish lost album is called filthy America.

1614
01:27:42,520 --> 01:27:47,080
Speaker 3: It's beautiful because they're actually big enough everything that's bad

1615
01:27:47,160 --> 01:27:49,639
Speaker 3: in America, and they're actually big enough everything that's good

1616
01:27:49,680 --> 01:27:51,439
Speaker 3: in America. So you just describe that.

1617
01:27:52,280 --> 01:27:53,880
Speaker 10: I'm just saying, how when people walk up to me

1618
01:27:53,960 --> 01:27:56,320
Speaker 10: and they'll say your wrong name, when you get offended

1619
01:27:56,360 --> 01:27:58,680
Speaker 10: because you tell them that ain't my name, It's like,

1620
01:27:58,760 --> 01:28:00,600
Speaker 10: would you do the community to know I'm not you

1621
01:28:01,479 --> 01:28:03,240
Speaker 10: black folks be I don't get when they don't know

1622
01:28:03,280 --> 01:28:04,160
Speaker 10: who you are instead of.

1623
01:28:04,200 --> 01:28:05,840
Speaker 1: Just asking who you are, Like if they don't know

1624
01:28:05,880 --> 01:28:07,799
Speaker 1: what is another comedian?

1625
01:28:07,880 --> 01:28:10,000
Speaker 10: Right say, didn't get a fitting? You said that ain't

1626
01:28:10,040 --> 01:28:12,360
Speaker 10: my name? You showing you driver's license was, don't give

1627
01:28:12,400 --> 01:28:14,080
Speaker 10: them a fun what they say?

1628
01:28:14,280 --> 01:28:15,040
Speaker 1: I know who you are.

1629
01:28:15,640 --> 01:28:19,080
Speaker 2: I'm dealing with right now all the time. Yeah, people

1630
01:28:19,200 --> 01:28:23,360
Speaker 2: call me all the time. People are like, oh my god,

1631
01:28:24,560 --> 01:28:27,280
Speaker 2: class man call him.

1632
01:28:28,720 --> 01:28:34,519
Speaker 1: We need to jump you what you said? They call

1633
01:28:34,560 --> 01:28:37,599
Speaker 1: you your Dina, your dina. I'm a classic.

1634
01:28:37,840 --> 01:28:38,000
Speaker 2: Man.

1635
01:28:49,760 --> 01:28:53,320
Speaker 1: You're trying to throw one in. I did he man?

1636
01:28:54,160 --> 01:28:58,280
Speaker 2: When they do Morgan Freeman's life story, I'm coming to

1637
01:28:58,320 --> 01:29:02,080
Speaker 2: get you because you looks just like Morgan Freeman. It's

1638
01:29:02,120 --> 01:29:05,960
Speaker 2: all good nesson Mandel. You look like a cross between

1639
01:29:06,760 --> 01:29:11,599
Speaker 2: Morgan Freeman, jay Z and Nake came on the seawrette.

1640
01:29:22,240 --> 01:29:22,920
Speaker 1: It's all good.

1641
01:29:23,720 --> 01:29:28,880
Speaker 10: Let me tell you, look like a cross between James Ingham, Nelson, Mandela,

1642
01:29:29,840 --> 01:29:31,479
Speaker 10: your Dina and my uber driver.

1643
01:29:35,040 --> 01:29:41,080
Speaker 1: You look across between a man and a pig. You're

1644
01:29:41,080 --> 01:29:48,720
Speaker 1: a mean man. That's a good one. That's a good one.

1645
01:29:48,800 --> 01:29:49,760
Speaker 1: Ron DMC.

1646
01:29:51,920 --> 01:29:56,639
Speaker 2: With your love boots in the background, Russell said, college, yeah, man.

1647
01:29:56,800 --> 01:30:02,840
Speaker 1: Shout out to jay Z. I love jay Z. Now, yeah, but.

1648
01:30:05,120 --> 01:30:07,559
Speaker 2: Let me ask they're doing a lot of great things

1649
01:30:07,600 --> 01:30:09,519
Speaker 2: that titled you know what I mean, a.

1650
01:30:09,560 --> 01:30:12,240
Speaker 1: Lot of music behind the scenes we're doing it. But

1651
01:30:12,360 --> 01:30:21,080
Speaker 1: let me ask you a question. Man, I forgot, I got,

1652
01:30:21,160 --> 01:30:25,200
Speaker 1: I got, so let me let me I got rich

1653
01:30:27,040 --> 01:30:30,080
Speaker 1: with that? What's up with that move? Because you know,

1654
01:30:30,479 --> 01:30:32,920
Speaker 1: I thought about it this morning. I woke up in

1655
01:30:32,960 --> 01:30:34,599
Speaker 1: the morning and I said.

1656
01:30:34,760 --> 01:30:37,000
Speaker 3: Damn, because you know, Rich, probably that's gotta be hard

1657
01:30:37,040 --> 01:30:40,040
Speaker 3: to play, because you're gonna play because that that's not

1658
01:30:40,280 --> 01:30:41,280
Speaker 3: just a comedic brow.

1659
01:30:42,400 --> 01:30:45,760
Speaker 1: That is a lighte frow. That's serious. It's a light.

1660
01:30:46,080 --> 01:30:48,320
Speaker 3: He was in love with a white woman, and the

1661
01:30:48,520 --> 01:30:51,600
Speaker 3: men and any women, but in the middle.

1662
01:30:53,520 --> 01:30:58,639
Speaker 1: And and and he was still a nigga.

1663
01:30:58,960 --> 01:31:01,479
Speaker 3: Yeah, so he was like the first person to say

1664
01:31:01,520 --> 01:31:02,880
Speaker 3: that the rains don't really matter.

1665
01:31:03,000 --> 01:31:06,200
Speaker 1: Like whoever love you, love him back? Come on and

1666
01:31:07,200 --> 01:31:12,799
Speaker 1: now you got it. You got that role. Explain, explain,

1667
01:31:13,040 --> 01:31:21,800
Speaker 1: just explain that well, I mean, you know, that's like,

1668
01:31:22,560 --> 01:31:23,680
Speaker 1: that's like you know what I mean.

1669
01:31:23,800 --> 01:31:25,360
Speaker 3: By the way, I'm sorry to cut you off an

1670
01:31:25,360 --> 01:31:28,240
Speaker 3: ask you a question, but there's no of the person

1671
01:31:28,320 --> 01:31:30,360
Speaker 3: in the world I wanted to play that role.

1672
01:31:30,600 --> 01:31:34,840
Speaker 1: I appreciate that man like hands down, was like Mike,

1673
01:31:39,400 --> 01:31:45,800
Speaker 1: that is it. But but explain how the process was

1674
01:31:46,040 --> 01:31:46,400
Speaker 1: getting it?

1675
01:31:47,600 --> 01:31:51,760
Speaker 2: Well, you know, I was I was out about doing

1676
01:31:51,840 --> 01:31:57,400
Speaker 2: my thing and his wife reached out to meet the

1677
01:31:58,600 --> 01:32:04,320
Speaker 2: white One. Yeah, yeah, watch that people. Yes, yes, Jennifer

1678
01:32:04,400 --> 01:32:07,760
Speaker 2: Prior she reached out to me and said that they

1679
01:32:07,800 --> 01:32:12,240
Speaker 2: were doing the film about the old man and come

1680
01:32:12,320 --> 01:32:13,200
Speaker 2: and come seeing.

1681
01:32:13,400 --> 01:32:15,080
Speaker 1: She said, come up to the house and see him

1682
01:32:15,400 --> 01:32:18,400
Speaker 1: because he was still alive. He was still alive. Oh ship,

1683
01:32:18,560 --> 01:32:21,519
Speaker 1: that has been that long the movie has been Wow.

1684
01:32:22,320 --> 01:32:25,840
Speaker 2: Yeah, it's been a long road, man, And it's been

1685
01:32:26,600 --> 01:32:31,000
Speaker 2: a lot of set ready and no goals, you know, but.

1686
01:32:32,640 --> 01:32:35,040
Speaker 1: It was a hell of a process, man. You know.

1687
01:32:35,560 --> 01:32:39,479
Speaker 1: Champagne and the Fridge I went. I went to visit him, man,

1688
01:32:39,600 --> 01:32:44,479
Speaker 1: and it was amazing. Man. It was like it was

1689
01:32:44,600 --> 01:32:46,360
Speaker 1: like it was like this cribon Cali.

1690
01:32:46,680 --> 01:32:48,840
Speaker 2: Yeah, it was like if you had to go see

1691
01:32:49,840 --> 01:32:51,439
Speaker 2: Africa bambody exactly.

1692
01:32:51,560 --> 01:32:55,280
Speaker 20: You know what I'm saying, that kind of shuithor cool

1693
01:32:57,640 --> 01:33:02,040
Speaker 20: that's real, Like you have to go see cool hurt.

1694
01:33:02,080 --> 01:33:06,920
Speaker 1: Cool. Yeah, he was playing cool hurt. You know what

1695
01:33:06,960 --> 01:33:07,400
Speaker 1: I'm saying.

1696
01:33:07,560 --> 01:33:11,720
Speaker 2: That would be That made me like, you know, I

1697
01:33:11,760 --> 01:33:16,840
Speaker 2: mean real real ship cool hurt right like and I

1698
01:33:17,040 --> 01:33:20,000
Speaker 2: can't That's how it felt to me as a comic

1699
01:33:20,200 --> 01:33:22,519
Speaker 2: to go see a grand wizard.

1700
01:33:23,120 --> 01:33:25,479
Speaker 1: It was a wizard, man. It was like I was

1701
01:33:25,560 --> 01:33:28,880
Speaker 1: going to see Yoda straight up, you know what I mean? Like,

1702
01:33:29,400 --> 01:33:32,000
Speaker 1: now you walk in the crib. Is he in a wheelchair?

1703
01:33:32,040 --> 01:33:35,040
Speaker 1: At this time? He's in a wheelchair. He's got he's

1704
01:33:35,120 --> 01:33:40,000
Speaker 1: got multiple sclerosis, So that means but it's still funny.

1705
01:33:40,080 --> 01:33:43,240
Speaker 1: I heard already, still funny nerve disorder, you know what

1706
01:33:43,280 --> 01:33:43,639
Speaker 1: I mean.

1707
01:33:43,840 --> 01:33:47,840
Speaker 2: So he can't really talk or move on that one

1708
01:33:47,840 --> 01:33:50,600
Speaker 2: because the only way he could talk to you was

1709
01:33:50,680 --> 01:33:53,120
Speaker 2: through his eyes, you know what I mean. Because he's

1710
01:33:53,160 --> 01:33:57,479
Speaker 2: got multiple scrosis, he he can he feel how we feel,

1711
01:33:57,680 --> 01:33:59,880
Speaker 2: But just imagine you feel how you feel right now,

1712
01:34:00,400 --> 01:34:03,040
Speaker 2: like you feel. You could talk and stuff, but you

1713
01:34:03,120 --> 01:34:06,320
Speaker 2: can't move express it. You can't express it only through

1714
01:34:06,360 --> 01:34:08,000
Speaker 2: your eyes, you know what I'm saying. So when you

1715
01:34:08,120 --> 01:34:09,200
Speaker 2: say something to me, you like.

1716
01:34:11,320 --> 01:34:14,040
Speaker 1: You know what I mean? You know what I'm saying.

1717
01:34:14,120 --> 01:34:17,000
Speaker 2: Yeah, I might blink my eyes or roll my eyes

1718
01:34:17,080 --> 01:34:19,000
Speaker 2: if I don't like something, I might just row my

1719
01:34:19,120 --> 01:34:21,240
Speaker 2: eyes that you like, fuck that ship, you know what

1720
01:34:21,280 --> 01:34:21,519
Speaker 2: I mean.

1721
01:34:22,080 --> 01:34:23,680
Speaker 1: That's what I was. I had to read that.

1722
01:34:24,960 --> 01:34:27,400
Speaker 2: Some days I went up there, I could tell he

1723
01:34:27,439 --> 01:34:29,280
Speaker 2: ain't want to be bothered. He was looking at me

1724
01:34:29,400 --> 01:34:33,800
Speaker 2: like niggas by you know what I mean. Sometimes when

1725
01:34:33,840 --> 01:34:36,360
Speaker 2: I come in, when I come in the door, he

1726
01:34:36,520 --> 01:34:37,320
Speaker 2: just be looking.

1727
01:34:37,080 --> 01:34:37,960
Speaker 1: At it, look at that.

1728
01:34:38,360 --> 01:34:41,760
Speaker 2: I was like, yeah, So I'd be like, oh, he

1729
01:34:41,840 --> 01:34:45,800
Speaker 2: ain't feeling it tonight. And some days I made him laugh.

1730
01:34:45,960 --> 01:34:48,160
Speaker 1: You know. His wife said he ain't laughed in years.

1731
01:34:48,240 --> 01:34:50,640
Speaker 2: But the days that I came in the house and

1732
01:34:50,720 --> 01:34:53,479
Speaker 2: I tried to make him laugh, he wouldn't laugh.

1733
01:34:54,040 --> 01:34:55,559
Speaker 1: How did you know if he was laughing.

1734
01:34:56,840 --> 01:34:58,680
Speaker 2: I wasn't trying to make him laugh, and I was

1735
01:34:58,800 --> 01:35:01,160
Speaker 2: just being myself. You know what I'm saying. When I

1736
01:35:01,280 --> 01:35:04,160
Speaker 2: was like, I'm just being regular, and I wasn't trying

1737
01:35:04,160 --> 01:35:06,800
Speaker 2: to make him laugh. He was laughing because the little

1738
01:35:06,920 --> 01:35:08,960
Speaker 2: maid walked through because he had a maid wife man,

1739
01:35:09,160 --> 01:35:09,920
Speaker 2: and she farted.

1740
01:35:11,160 --> 01:35:13,640
Speaker 1: Only me and him, Only me and him heard it.

1741
01:35:13,760 --> 01:35:17,160
Speaker 1: Were sitting there together, and she said and when.

1742
01:35:17,080 --> 01:35:20,960
Speaker 2: She said, his eyes looked over at me, and I

1743
01:35:21,080 --> 01:35:23,840
Speaker 2: looked at him and I said, damn, that ass sounds

1744
01:35:23,840 --> 01:35:24,880
Speaker 2: like I'd been tempered with.

1745
01:35:26,720 --> 01:35:38,880
Speaker 21: And he said, I made Richard. I made Richard proud.

1746
01:35:39,479 --> 01:35:50,320
Speaker 1: You drink. Don't die on m please. We went to

1747
01:35:50,479 --> 01:35:59,120
Speaker 1: went to can you take you? You ain't taking boy

1748
01:35:59,800 --> 01:36:01,000
Speaker 1: rich your problems living?

1749
01:36:01,080 --> 01:36:06,000
Speaker 2: He definitely would have been ANYEGA fan, Let's make some annoy.

1750
01:36:11,439 --> 01:36:13,439
Speaker 1: You know. When you called me after the video, I was,

1751
01:36:14,720 --> 01:36:16,960
Speaker 1: but that's the thing I was trying to ask. It was,

1752
01:36:17,680 --> 01:36:18,400
Speaker 1: let me tell you something.

1753
01:36:18,960 --> 01:36:21,759
Speaker 3: You know, who is the Steve car Steve the actual

1754
01:36:21,880 --> 01:36:28,160
Speaker 3: director who filmed Next Friday and now depth Jam, I

1755
01:36:28,320 --> 01:36:31,320
Speaker 3: finally go Platinum, do whatever? So Deth Jam trying to

1756
01:36:31,360 --> 01:36:34,680
Speaker 3: flow us on me. They said, well, we're gonna get

1757
01:36:34,680 --> 01:36:37,120
Speaker 3: you the the illis director of us.

1758
01:36:37,200 --> 01:36:38,120
Speaker 1: I said, well, who is that?

1759
01:36:39,439 --> 01:36:41,559
Speaker 3: They said, Steve Carr? I said, I don't know that nigga.

1760
01:36:44,240 --> 01:36:46,360
Speaker 3: They said, that's the nigga that did Next Friday. I said,

1761
01:36:46,520 --> 01:36:48,960
Speaker 3: the next Friday. Yeah, except for real.

1762
01:36:49,439 --> 01:36:53,000
Speaker 1: He is like that, tell him bring Mike Apps. I

1763
01:36:53,200 --> 01:36:56,599
Speaker 1: love you for that man, that's real. And I bluffed

1764
01:36:57,000 --> 01:36:59,000
Speaker 1: up until the day and they said he got my gaps.

1765
01:36:59,040 --> 01:37:02,920
Speaker 1: I said wow, because I'm like, you.

1766
01:37:02,960 --> 01:37:06,240
Speaker 3: Know, because I wanted you to go a different record

1767
01:37:06,280 --> 01:37:06,720
Speaker 3: at the time.

1768
01:37:07,080 --> 01:37:10,400
Speaker 1: But when they said I and I was like, because

1769
01:37:10,400 --> 01:37:14,719
Speaker 1: I wanted to film. We shot shot law want.

1770
01:37:14,640 --> 01:37:17,360
Speaker 2: Some ship now we shot? I seen we shot was

1771
01:37:17,400 --> 01:37:20,559
Speaker 2: in Santa Monica. Yeah, it was in Santa Monica.

1772
01:37:20,800 --> 01:37:21,000
Speaker 1: It was.

1773
01:37:21,360 --> 01:37:23,920
Speaker 3: I also had Alex Thomas in there all time. I

1774
01:37:24,040 --> 01:37:25,799
Speaker 3: never knew Alex Thomas went.

1775
01:37:25,680 --> 01:37:28,799
Speaker 1: On tour with n W Way that motherfucker been around.

1776
01:37:29,160 --> 01:37:33,360
Speaker 1: I ain't know that nigga four years old. Yes, Thomas T. K.

1777
01:37:33,560 --> 01:37:36,639
Speaker 1: Kirkland was in the n w A video The Niggas

1778
01:37:36,680 --> 01:37:39,400
Speaker 1: is ninety nine. I just had a friend. I just

1779
01:37:39,520 --> 01:37:42,160
Speaker 1: had a friend that was That was a guy who

1780
01:37:42,320 --> 01:37:44,679
Speaker 1: was one of snoops, guy named Ricky Harris to die

1781
01:37:45,520 --> 01:37:52,720
Speaker 1: played Tad Blessed Ricky. He died just recently and I

1782
01:37:52,760 --> 01:37:54,320
Speaker 1: didn't know how much work he did here.

1783
01:37:54,439 --> 01:37:57,680
Speaker 10: Niggas want some champagne, We might as well question who

1784
01:37:57,760 --> 01:37:58,960
Speaker 10: is the dude that hold your jury?

1785
01:37:59,400 --> 01:38:00,240
Speaker 1: Who me? I know?

1786
01:38:01,240 --> 01:38:03,080
Speaker 10: The whole new jewels because you chin you didn't have

1787
01:38:03,120 --> 01:38:06,160
Speaker 10: that jewey that chain on that for you yesterday twitched

1788
01:38:06,240 --> 01:38:07,599
Speaker 10: up yesterday I had gold.

1789
01:38:07,760 --> 01:38:09,439
Speaker 1: No, you had on the bathtub stop and you want

1790
01:38:09,479 --> 01:38:16,360
Speaker 1: to bathtubs? I respect that. I respect respect this. What

1791
01:38:16,640 --> 01:38:17,120
Speaker 1: are you from?

1792
01:38:17,200 --> 01:38:23,880
Speaker 3: Queens from Queens? Left Rock City, left right City City? Yes, sir,

1793
01:38:23,960 --> 01:38:26,720
Speaker 3: I had a bitch over there. Everybody got mentioned over there,

1794
01:38:27,000 --> 01:38:30,559
Speaker 3: and I had another thing. Man, I had a visit

1795
01:38:30,720 --> 01:38:36,800
Speaker 3: work at V A M. The whole life was based

1796
01:38:36,840 --> 01:38:37,400
Speaker 3: on V I M.

1797
01:38:38,640 --> 01:38:42,840
Speaker 1: Go out City. Listen Bronx that up there off the

1798
01:38:42,960 --> 01:38:47,040
Speaker 1: off of the Deacon. I used to drive on the Deacon.

1799
01:38:47,520 --> 01:38:50,519
Speaker 1: See man, Yeah, see, I was in New York and

1800
01:38:50,640 --> 01:38:53,840
Speaker 1: I look, I ran around all I used to be around.

1801
01:38:53,640 --> 01:38:56,400
Speaker 2: Tracy Morgan and all them. I started with all them dudes.

1802
01:38:56,439 --> 01:38:57,679
Speaker 2: But I wasn't from New York.

1803
01:38:58,040 --> 01:38:58,639
Speaker 1: You know what I'm saying.

1804
01:38:59,000 --> 01:39:00,880
Speaker 3: But we always thought you was from you because you

1805
01:39:01,120 --> 01:39:02,400
Speaker 3: picked the swag so good.

1806
01:39:02,439 --> 01:39:05,479
Speaker 1: Because that's how I'm a chameleon. That's what I ask.

1807
01:39:05,520 --> 01:39:07,439
Speaker 1: What I do when I'm in Rome, I do what

1808
01:39:07,560 --> 01:39:11,280
Speaker 1: the romans do. Because I'm an actor. See, I learned

1809
01:39:11,320 --> 01:39:13,760
Speaker 1: that young when I was young, and because I ain't

1810
01:39:13,800 --> 01:39:17,519
Speaker 1: never been no tough looking motherfucker. So motherfuckers would.

1811
01:39:17,280 --> 01:39:19,960
Speaker 2: Try me because I was light skin as curly hair,

1812
01:39:20,000 --> 01:39:22,719
Speaker 2: and I had a bitness lamper. So the ugly niggas

1813
01:39:22,760 --> 01:39:25,200
Speaker 2: gonna whoop my ass. I'm gonna get up pone this nigga,

1814
01:39:25,200 --> 01:39:26,040
Speaker 2: but it ain't know I had a.

1815
01:39:26,040 --> 01:39:26,519
Speaker 1: Lot of heart.

1816
01:39:27,200 --> 01:39:29,400
Speaker 2: So I pull out a cigarette in front of it.

1817
01:39:29,479 --> 01:39:31,760
Speaker 2: I'll be nine years old. I pull a cigarette out

1818
01:39:32,120 --> 01:39:33,120
Speaker 2: and start smoking it.

1819
01:39:33,600 --> 01:39:35,479
Speaker 1: So the toughest nigga be looking at me like that's

1820
01:39:35,520 --> 01:39:48,880
Speaker 1: a bad nig cigarette. You know what I'm saying. But

1821
01:39:49,920 --> 01:39:51,960
Speaker 1: that's that's been my thing, man, You know what I mean.

1822
01:39:52,360 --> 01:39:53,160
Speaker 1: And for motherfucker.

1823
01:39:53,240 --> 01:39:56,080
Speaker 2: See, I tell I tell every motherfucker you're going to Indianapolis.

1824
01:39:56,600 --> 01:39:58,800
Speaker 2: When you go through that motherfucker and you ask the

1825
01:39:58,920 --> 01:39:59,760
Speaker 2: niggas about me.

1826
01:40:00,040 --> 01:40:02,080
Speaker 1: Gonna tell you the truth. That's what you do to

1827
01:40:02,160 --> 01:40:03,080
Speaker 1: a nigga. You go to his.

1828
01:40:03,200 --> 01:40:08,080
Speaker 2: Hometown and they gonna tell on your motherfucking ass. I

1829
01:40:08,240 --> 01:40:10,320
Speaker 2: dare that nigga to go back and check my ship.

1830
01:40:10,880 --> 01:40:13,360
Speaker 2: They're gonna tell you about me and be trying to

1831
01:40:13,400 --> 01:40:14,520
Speaker 2: get in your pocket.

1832
01:40:14,280 --> 01:40:19,320
Speaker 1: Too, God damn it her word of guard. And listen,

1833
01:40:19,439 --> 01:40:22,320
Speaker 1: let me just that's how it became. Who I am

1834
01:40:22,720 --> 01:40:24,640
Speaker 1: cracking jokes and.

1835
01:40:24,800 --> 01:40:27,840
Speaker 2: Tell you I'm an unsuccessful thug.

1836
01:40:34,720 --> 01:40:36,400
Speaker 1: That ship did I tried to wear.

1837
01:40:37,120 --> 01:40:39,519
Speaker 2: Now, you know what you got to be born with

1838
01:40:39,640 --> 01:40:42,400
Speaker 2: that you got to be You got to be really,

1839
01:40:42,520 --> 01:40:45,839
Speaker 2: really a heartless motherfucker to be a gangster.

1840
01:40:46,400 --> 01:40:49,280
Speaker 1: So I'm saying and and and.

1841
01:40:49,360 --> 01:40:52,120
Speaker 2: When once I got in it, I realized that. I said,

1842
01:40:52,160 --> 01:40:55,080
Speaker 2: oh man, my mother raised me too nice. Because I

1843
01:40:55,160 --> 01:40:57,120
Speaker 2: went on a robbery with a nigga one time and

1844
01:40:57,240 --> 01:40:58,920
Speaker 2: we went under Dominoes and robbed it.

1845
01:40:59,040 --> 01:41:01,719
Speaker 1: Now it was it was a uh piece of honey.

1846
01:41:01,960 --> 01:41:03,720
Speaker 1: Uh No, I wasn't a piece of hend it was.

1847
01:41:04,000 --> 01:41:08,040
Speaker 2: It was what was it called noble romans call it

1848
01:41:08,240 --> 01:41:10,120
Speaker 2: was a piece of place called noble Romans. And we

1849
01:41:10,200 --> 01:41:13,360
Speaker 2: went in the robbery and the dude was robbing was

1850
01:41:13,400 --> 01:41:15,439
Speaker 2: a nigga named and Twine, and he was robbing the

1851
01:41:15,520 --> 01:41:16,600
Speaker 2: bitch and after he.

1852
01:41:16,640 --> 01:41:18,639
Speaker 1: Got the money, he smacked the bitch with the gun

1853
01:41:20,080 --> 01:41:22,000
Speaker 1: and I said, what you do that for? Right in

1854
01:41:22,080 --> 01:41:25,320
Speaker 1: front of the lady, And he got mad. He's like

1855
01:41:25,439 --> 01:41:29,160
Speaker 1: nigga's robbery.

1856
01:41:29,240 --> 01:41:35,400
Speaker 10: Niggas get emotional, so you get the fittings at the

1857
01:41:35,520 --> 01:41:37,880
Speaker 10: rocket the robbin.

1858
01:41:39,840 --> 01:41:43,600
Speaker 2: I wasn't a good criminal man a night criminals, so

1859
01:41:43,640 --> 01:41:45,720
Speaker 2: I went on the robbery. One time, we robbed this

1860
01:41:45,840 --> 01:41:49,400
Speaker 2: nigga named Sean Sean kimbro.

1861
01:41:52,320 --> 01:41:57,800
Speaker 1: Man. First we got on ski mask and while we.

1862
01:41:57,920 --> 01:42:00,840
Speaker 2: Robbing the nigga, I'm saying my buddy name. I'm saying,

1863
01:42:01,560 --> 01:42:04,599
Speaker 2: put him over Raybot and I just stop and looked

1864
01:42:04,640 --> 01:42:07,000
Speaker 2: at me so I can't see his face.

1865
01:42:07,320 --> 01:42:09,600
Speaker 1: I can see him his eyes in his mouth. He

1866
01:42:09,720 --> 01:42:13,680
Speaker 1: looking at me, going to care because I'm saying the

1867
01:42:13,760 --> 01:42:14,320
Speaker 1: nigga's name.

1868
01:42:15,800 --> 01:42:17,639
Speaker 2: After we got the nigga in the truck, the nigga

1869
01:42:17,680 --> 01:42:18,960
Speaker 2: snatched the mask off, said.

1870
01:42:18,760 --> 01:42:28,719
Speaker 1: You said my name some time. One time I got robbed.

1871
01:42:30,880 --> 01:42:35,439
Speaker 1: Some niggas put me in the trunk. You got wrong,

1872
01:42:35,680 --> 01:42:39,920
Speaker 1: you got rob that. Some niggas put me in the trunk.

1873
01:42:40,000 --> 01:42:42,680
Speaker 1: I'm in the truck. Ain't nothing but dirty clothes back there.

1874
01:42:44,120 --> 01:42:46,519
Speaker 1: It's one like guess. I swear to God, I'm scaring

1875
01:42:46,560 --> 01:42:46,840
Speaker 1: him up.

1876
01:42:48,000 --> 01:42:50,439
Speaker 2: So I'm scared. I'm like, boy, these niggas, I swear,

1877
01:42:50,520 --> 01:42:52,679
Speaker 2: I'm praying. I hope these niggas don't cook. I didn't

1878
01:42:52,880 --> 01:42:54,719
Speaker 2: pray to everybody, Jehovah Budders.

1879
01:42:55,960 --> 01:42:59,320
Speaker 1: I got about nine different prayers out and dead. When

1880
01:42:59,320 --> 01:43:01,960
Speaker 1: the niggas stop that, to stop signing and they cut

1881
01:43:02,040 --> 01:43:02,800
Speaker 1: the music down.

1882
01:43:03,240 --> 01:43:03,760
Speaker 2: This is how I know.

1883
01:43:03,840 --> 01:43:06,479
Speaker 1: I'm a comedian and it saved my life. I beat

1884
01:43:06,560 --> 01:43:08,880
Speaker 1: on the seat. I was like, and he said what

1885
01:43:09,439 --> 01:43:10,599
Speaker 1: I said, play that again?

1886
01:43:28,720 --> 01:43:31,479
Speaker 2: That jail, that jail right now.

1887
01:43:31,600 --> 01:43:32,240
Speaker 1: You want to hear it.

1888
01:43:35,520 --> 01:43:44,280
Speaker 2: It was DJ Quick Black Pussy running Hangover the movie. Yeah,

1889
01:43:44,720 --> 01:43:46,560
Speaker 2: you want to at how was that?

1890
01:43:47,280 --> 01:43:47,439
Speaker 18: Man?

1891
01:43:47,640 --> 01:43:47,960
Speaker 1: You know what?

1892
01:43:48,479 --> 01:43:50,880
Speaker 2: That that movie right there. Nobody knew that they was

1893
01:43:50,960 --> 01:43:54,160
Speaker 2: gonna be superstars. I can remember being on the set.

1894
01:43:54,280 --> 01:43:58,280
Speaker 2: Nobody knew who Zach was, nobody knew that, nobody knew

1895
01:43:58,280 --> 01:44:00,800
Speaker 2: who them guys was, and they were just shooting the

1896
01:44:00,880 --> 01:44:04,519
Speaker 2: movie and having fun and just you know, it was

1897
01:44:04,680 --> 01:44:07,920
Speaker 2: just like some white kids shooting the movie after school.

1898
01:44:08,920 --> 01:44:11,679
Speaker 2: And when that movie came out, they blew up made

1899
01:44:11,720 --> 01:44:14,360
Speaker 2: everybody a start. When they came back to do Hangover

1900
01:44:14,520 --> 01:44:19,360
Speaker 2: three number two, everybody lost their bellies, had new cars,

1901
01:44:21,240 --> 01:44:22,360
Speaker 2: had Gucci blowfers on.

1902
01:44:23,479 --> 01:44:24,040
Speaker 1: You know what I mean.

1903
01:44:24,439 --> 01:44:26,000
Speaker 2: You know, when mother gonna get some money, he come

1904
01:44:26,080 --> 01:44:30,360
Speaker 2: back everybody came back new but it was cool.

1905
01:44:30,439 --> 01:44:32,080
Speaker 1: You know, I played the black guy in the movie.

1906
01:44:33,560 --> 01:44:37,960
Speaker 1: You sold them the drugs actually got them fucked up.

1907
01:44:39,640 --> 01:44:43,560
Speaker 1: It's not a bottom of it with popping in the

1908
01:44:45,439 --> 01:44:47,760
Speaker 1: only real time is it? Man?

1909
01:44:48,080 --> 01:44:52,160
Speaker 3: It's uh, it's ten thirty. Yeah, God damn you whatever

1910
01:44:52,200 --> 01:44:52,840
Speaker 3: he's going.

1911
01:44:53,120 --> 01:45:03,120
Speaker 1: You already show we don't we just be wilding. Hey,

1912
01:45:03,160 --> 01:45:12,439
Speaker 1: this is a great show. Listen. They couldn't have picked

1913
01:45:12,520 --> 01:45:13,600
Speaker 1: no better niggas.

1914
01:45:13,280 --> 01:45:17,560
Speaker 3: Because your energy, you know why, you know why I

1915
01:45:17,680 --> 01:45:23,840
Speaker 3: might people Sometimes they sit back and they say, uh,

1916
01:45:24,160 --> 01:45:28,560
Speaker 3: you know, you know this nigga is cheating because he

1917
01:45:28,720 --> 01:45:32,599
Speaker 3: knew these niggas. But if that's a real nigga cheat

1918
01:45:32,680 --> 01:45:35,000
Speaker 3: code for me to be a real nigga like me

1919
01:45:35,080 --> 01:45:36,400
Speaker 3: and you have been.

1920
01:45:36,400 --> 01:45:38,160
Speaker 1: Cool whatever, how can you cheat that?

1921
01:45:38,800 --> 01:45:40,640
Speaker 3: So if that's what they want to call cheating, it

1922
01:45:41,040 --> 01:45:46,599
Speaker 3: for me being a real relationship holding relationships when niggas

1923
01:45:46,640 --> 01:45:47,559
Speaker 3: that I want to funk with.

1924
01:45:47,880 --> 01:45:57,760
Speaker 1: Then fuck it. Did big up to New York trying

1925
01:45:57,800 --> 01:45:58,120
Speaker 1: to get.

1926
01:45:58,040 --> 01:46:02,080
Speaker 3: Your motherfucking money, man, niggas, And now listen, So now

1927
01:46:02,600 --> 01:46:04,920
Speaker 3: this tour, your next stop is well on this.

1928
01:46:05,080 --> 01:46:08,920
Speaker 2: Tour, this next stop is where Little Rock, Arkansas, Little

1929
01:46:09,040 --> 01:46:11,400
Speaker 2: rock archs when they got a lot of fake gangster.

1930
01:46:11,640 --> 01:46:16,160
Speaker 1: H don't say, don't listen, you know the niggas. That's

1931
01:46:16,200 --> 01:46:19,559
Speaker 1: a few. Don't say that's fair. Been a little rock.

1932
01:46:22,080 --> 01:46:24,080
Speaker 1: But some of those guys are watching cars. They were

1933
01:46:24,160 --> 01:46:27,280
Speaker 1: not out saw the show was like what this guy

1934
01:46:27,640 --> 01:46:30,680
Speaker 1: lived his mama? What is guy for? What he's seen on?

1935
01:46:30,760 --> 01:46:33,200
Speaker 1: You know how that lie? I've been there a lot.

1936
01:46:34,280 --> 01:46:37,160
Speaker 1: I'm gonna say Little rockets for real. Yeah, but a

1937
01:46:37,200 --> 01:46:39,200
Speaker 1: lot of those guys are now who you thought they were.

1938
01:46:39,760 --> 01:46:42,160
Speaker 3: Maybe on the documentary, but we're telling you Little Rock

1939
01:46:44,040 --> 01:46:47,080
Speaker 3: play expect a little rock. I love Little Rock City.

1940
01:46:48,160 --> 01:46:50,280
Speaker 3: They got real motherfuckers. Man, They want to do that

1941
01:46:50,400 --> 01:46:51,599
Speaker 3: used to do the city.

1942
01:46:52,360 --> 01:46:55,200
Speaker 1: Yes, they every city got ro ros in the you

1943
01:46:55,280 --> 01:46:57,920
Speaker 1: know what I mean. And that's the thing, that's what

1944
01:46:58,080 --> 01:46:58,560
Speaker 1: we have to do.

1945
01:46:58,720 --> 01:47:01,360
Speaker 2: We have to learn that as a community, as Black people,

1946
01:47:01,800 --> 01:47:06,880
Speaker 2: as Spanish people, that we are really really, really showing

1947
01:47:06,960 --> 01:47:09,600
Speaker 2: off for each other, you know.

1948
01:47:10,080 --> 01:47:12,679
Speaker 1: And the reality of it is, most of the brothers

1949
01:47:12,800 --> 01:47:14,240
Speaker 1: in the federal prison.

1950
01:47:15,080 --> 01:47:17,840
Speaker 2: A lot of them are in there because they were

1951
01:47:17,880 --> 01:47:21,920
Speaker 2: competing with another black man in the community. Because they

1952
01:47:21,960 --> 01:47:24,360
Speaker 2: weren't even doing it for the women they It passed

1953
01:47:24,400 --> 01:47:27,240
Speaker 2: the women, you know what I'm saying, But they start

1954
01:47:27,320 --> 01:47:30,599
Speaker 2: competing with each other and end up catching.

1955
01:47:30,920 --> 01:47:32,880
Speaker 1: Oh I'm gonna catch more bodies than you, or I'm

1956
01:47:32,880 --> 01:47:36,479
Speaker 1: gonna catch more than you. Yes, macho shit, now you

1957
01:47:36,560 --> 01:47:39,200
Speaker 1: know it. Don't hit you to you seventy years old

1958
01:47:39,280 --> 01:47:41,960
Speaker 1: and in the federal prison. Man, you know what I mean.

1959
01:47:42,680 --> 01:47:44,719
Speaker 1: And you got deceased on your outdate.

1960
01:47:46,400 --> 01:47:49,960
Speaker 2: Ain't no motherfucker outdate, Nigga, you got deceased on that motherfucker.

1961
01:47:51,200 --> 01:47:53,839
Speaker 1: Now, it's just you know, I got buddies.

1962
01:47:53,880 --> 01:47:56,400
Speaker 2: I got buddies that got deceased on the outdate, and

1963
01:47:56,520 --> 01:47:59,479
Speaker 2: they be singing church songs on me on the phone

1964
01:47:59,520 --> 01:48:01,240
Speaker 2: to me, and there thing, Mike, I want to sing

1965
01:48:01,320 --> 01:48:01,840
Speaker 2: a song to you.

1966
01:48:02,200 --> 01:48:03,960
Speaker 1: I said, okay, come on, let's do it. He said,

1967
01:48:04,040 --> 01:48:06,400
Speaker 1: dear Old, I love you.

1968
01:48:07,439 --> 01:48:12,200
Speaker 5: You know what I'm saying. Hey, it goes down. You know,

1969
01:48:12,800 --> 01:48:17,160
Speaker 5: you got the song fucking right, but it be spiritual,

1970
01:48:17,240 --> 01:48:17,960
Speaker 5: and you know it.

1971
01:48:18,040 --> 01:48:18,879
Speaker 1: Makes it makes.

1972
01:48:20,479 --> 01:48:24,400
Speaker 2: You got like what our parole be on the phone

1973
01:48:24,479 --> 01:48:26,200
Speaker 2: with you and be talking to you and said, Mike,

1974
01:48:26,200 --> 01:48:27,160
Speaker 2: I want to sing a song to you.

1975
01:48:27,240 --> 01:48:28,360
Speaker 1: I said, come on, go ahead and sing.

1976
01:48:28,439 --> 01:48:33,280
Speaker 2: And he said, dear Lord, I love you and I'm

1977
01:48:33,280 --> 01:48:35,559
Speaker 2: talking about chill bowls going up on my arm because

1978
01:48:35,560 --> 01:48:38,200
Speaker 2: I'm like, this man will never see the street, you

1979
01:48:38,280 --> 01:48:41,160
Speaker 2: know what I mean, So I'll be I'll be wanting

1980
01:48:41,200 --> 01:48:44,080
Speaker 2: to stress to the kids, man that you know you

1981
01:48:44,280 --> 01:48:46,960
Speaker 2: you you're doing this for Instagram and you're doing this.

1982
01:48:47,120 --> 01:48:49,479
Speaker 1: To show off and ship like that. But you better

1983
01:48:49,560 --> 01:48:50,960
Speaker 1: save yourself.

1984
01:48:51,439 --> 01:48:55,080
Speaker 2: Because everybody told you know life is short, but they

1985
01:48:55,200 --> 01:48:57,920
Speaker 2: never told you you got to prepare for the future.

1986
01:48:58,680 --> 01:49:02,000
Speaker 2: Because you suck around and live eighty years old and say, damn,

1987
01:49:02,040 --> 01:49:04,320
Speaker 2: if I'd known I was gonna live this far, I'll

1988
01:49:04,360 --> 01:49:05,360
Speaker 2: have worked like a motherfucker.

1989
01:49:05,400 --> 01:49:07,559
Speaker 1: I ain't got no Social Security coming in no kind

1990
01:49:07,600 --> 01:49:10,400
Speaker 1: of way, you know what I'm saying. Talk to be

1991
01:49:10,479 --> 01:49:11,559
Speaker 1: that old, you gotta be happy.

1992
01:49:11,800 --> 01:49:13,920
Speaker 2: You better make a good relationship with your kids and

1993
01:49:14,080 --> 01:49:16,679
Speaker 2: all them youngsters, because you're gonna need somebody to wipe.

1994
01:49:16,479 --> 01:49:19,880
Speaker 1: Your ass when you get old. You want, but you'd

1995
01:49:19,880 --> 01:49:20,400
Speaker 1: be surprised.

1996
01:49:20,520 --> 01:49:21,920
Speaker 2: Who want to put you in the nurse on you

1997
01:49:22,000 --> 01:49:25,040
Speaker 2: sitting around and one of your kids be like, send

1998
01:49:25,120 --> 01:49:25,920
Speaker 2: his ass to the nurse.

1999
01:49:26,160 --> 01:49:28,400
Speaker 1: You can't even talk you, Oh, you look like what

2000
01:49:28,560 --> 01:49:29,040
Speaker 1: the hell.

2001
01:49:31,479 --> 01:49:34,120
Speaker 3: To come up the nurse hold on the dap.

2002
01:49:36,800 --> 01:49:41,599
Speaker 1: I'm a big fan. I'm yeah, yeah, yeah, I've been

2003
01:49:41,760 --> 01:49:43,439
Speaker 1: watching you for years. I fuck with you, bro. I

2004
01:49:43,520 --> 01:49:46,840
Speaker 1: love your shirt too. I appreciate it. Yeah, I got one.

2005
01:49:48,240 --> 01:49:49,880
Speaker 1: You got all the rock, but you're missing one. You

2006
01:49:49,920 --> 01:49:50,200
Speaker 1: want to do?

2007
01:49:50,280 --> 01:49:53,519
Speaker 10: You got missing the black you can do? They got

2008
01:49:54,040 --> 01:49:56,960
Speaker 10: they got to put the biggest small ass on the ball.

2009
01:49:57,640 --> 01:49:59,960
Speaker 1: You don't have that. I'm just let you know you're missing.

2010
01:50:00,640 --> 01:50:02,800
Speaker 1: What did you get that hospital shirt?

2011
01:50:04,960 --> 01:50:06,840
Speaker 2: The same place you got that? God damn, I'm a

2012
01:50:06,880 --> 01:50:10,040
Speaker 2: classic man. Where you get that shirt from your shirt like?

2013
01:50:10,120 --> 01:50:10,960
Speaker 2: You need some lotions on it?

2014
01:50:11,040 --> 01:50:17,000
Speaker 1: Looks ashy. Yeah, you have coke up? Butter nerve get coke?

2015
01:50:18,200 --> 01:50:22,040
Speaker 1: We need coco butter nerdy, Henry, Why does your lip

2016
01:50:22,160 --> 01:50:25,920
Speaker 1: look like brooms? Call?

2017
01:50:25,960 --> 01:50:30,800
Speaker 2: Your auntie kissed me, Sherry. I would have been your daddy,

2018
01:50:30,880 --> 01:50:34,160
Speaker 2: but I ain't have change for a five. Well, you know,

2019
01:50:34,479 --> 01:50:35,120
Speaker 2: I know your mama.

2020
01:50:35,240 --> 01:50:37,240
Speaker 10: You put a puss on the hips that you're gonna

2021
01:50:37,240 --> 01:50:38,200
Speaker 10: make money on the side.

2022
01:50:40,680 --> 01:50:42,880
Speaker 1: Herry, your lips are so big you can whisper in

2023
01:50:42,960 --> 01:50:47,479
Speaker 1: your own ear. You know you ain't have the many

2024
01:50:47,560 --> 01:50:54,000
Speaker 1: mama waters. Henry. Greyhounds is looking for you.

2025
01:50:54,120 --> 01:50:54,719
Speaker 18: They said.

2026
01:50:57,960 --> 01:51:16,679
Speaker 1: They said you jumped off the side of the door. Okay,

2027
01:51:17,240 --> 01:51:21,479
Speaker 1: they want to make sure Mad your dinal.

2028
01:51:23,720 --> 01:51:26,760
Speaker 2: Henry, what you think about, what you think about, what

2029
01:51:26,920 --> 01:51:30,360
Speaker 2: you think about Orlando Brown, what you think about the

2030
01:51:30,439 --> 01:51:33,240
Speaker 2: little brother Orlando Brown, because I'll be watching all that

2031
01:51:34,240 --> 01:51:37,719
Speaker 2: hilarious because I think it's something y'all slipped at Mamalia

2032
01:51:37,800 --> 01:51:38,439
Speaker 2: or some I don't know what.

2033
01:51:38,520 --> 01:51:41,040
Speaker 1: Happened to him. He got hot, you got hot. I

2034
01:51:41,120 --> 01:51:43,400
Speaker 1: think he slipped his own something like he puts something

2035
01:51:43,400 --> 01:51:43,800
Speaker 1: in the drink.

2036
01:51:43,840 --> 01:51:46,320
Speaker 2: Now he put it in the drink. Nobody else do it. Yeah,

2037
01:51:46,320 --> 01:51:48,439
Speaker 2: I think he got hot. What about Soldier Boy? I

2038
01:51:48,520 --> 01:51:53,519
Speaker 2: saw her work up. They playing let's get physical. I

2039
01:51:53,640 --> 01:51:55,240
Speaker 2: won't want to get the physical.

2040
01:51:55,720 --> 01:51:56,160
Speaker 1: I was in.

2041
01:51:58,320 --> 01:52:05,800
Speaker 10: Themials. He's a gates On, He's a Alcopola Instagram and

2042
01:52:05,880 --> 01:52:09,240
Speaker 10: the most richard on Instagram was Black Jongs. Black nobody

2043
01:52:09,280 --> 01:52:14,800
Speaker 10: got more money than Black Yos. But he went to

2044
01:52:14,880 --> 01:52:18,439
Speaker 10: the Wills Fogo draw out twenty fIF and he blew

2045
01:52:18,520 --> 01:52:21,439
Speaker 10: up every since after that. Yeah, because it was.

2046
01:52:21,439 --> 01:52:22,800
Speaker 2: I don't know where you get the money from, And

2047
01:52:22,880 --> 01:52:23,920
Speaker 2: it was like, yo guy to say, go.

2048
01:52:23,920 --> 01:52:24,760
Speaker 1: Ahead and get it. I got you.

2049
01:52:26,320 --> 01:52:29,599
Speaker 2: Well, I can tell you this motherfucking much. Okay, James

2050
01:52:29,760 --> 01:52:33,160
Speaker 2: Ingham called me James, and I gave my bed.

2051
01:52:34,920 --> 01:52:37,080
Speaker 1: Do you know what's crazy? What these dudes don't even

2052
01:52:37,120 --> 01:52:40,320
Speaker 1: know who that is? Oh nerdd Nordy went to high school?

2053
01:52:41,360 --> 01:52:46,040
Speaker 1: He laughed. He ain't gotta laugh. You don't go on

2054
01:52:46,160 --> 01:52:50,080
Speaker 1: that fake a rod MC. Can you get jam to tell?

2055
01:52:50,960 --> 01:52:53,320
Speaker 2: Rest in Peace said? Can you god damn kid Russ

2056
01:52:53,360 --> 01:52:56,280
Speaker 2: on the phone. We don't put the group back together, Henry.

2057
01:52:58,880 --> 01:53:07,360
Speaker 1: If you don't take that boys and Girls club, the

2058
01:53:07,479 --> 01:53:08,480
Speaker 1: social worker.

2059
01:53:08,320 --> 01:53:09,040
Speaker 2: For the boys and.

2060
01:53:12,360 --> 01:53:15,040
Speaker 1: Niggas do special services, child service.

2061
01:53:17,080 --> 01:53:20,760
Speaker 10: Work, child services man defects himself talking ship.

2062
01:53:20,920 --> 01:53:35,160
Speaker 2: You know, I got a black eb Ta cart, so know,

2063
01:53:35,400 --> 01:53:37,559
Speaker 2: I want to ask you some real hip hop questions.

2064
01:53:38,280 --> 01:53:40,479
Speaker 1: So let's go. You're ready to go, I'm ready.

2065
01:53:40,520 --> 01:53:43,559
Speaker 2: Don't have a rap beef, no, no, I shoot niggas

2066
01:53:43,640 --> 01:53:46,080
Speaker 2: that love that That's why I go ahead, Mike, give

2067
01:53:46,080 --> 01:53:50,000
Speaker 2: me the week. Do you remember do you remember who

2068
01:53:50,120 --> 01:53:52,680
Speaker 2: Granddaddy I you were? That's my favorite rapper ever.

2069
01:53:53,520 --> 01:53:56,920
Speaker 3: I knew a girl named Kenya from West Virginia. Boy

2070
01:53:57,520 --> 01:54:08,320
Speaker 3: Lord of Sticks saw me. That's my favorite.

2071
01:54:12,040 --> 01:54:14,800
Speaker 2: Yeah, okay, okay, let me drop another one on you

2072
01:54:14,960 --> 01:54:20,080
Speaker 2: right here. What about what about Joskie Love I don't

2073
01:54:20,120 --> 01:54:23,800
Speaker 2: really know him. See what I'm saying. Break it down

2074
01:54:23,920 --> 01:54:27,000
Speaker 2: for us, Josky Love. That's a New York rapper, right there,

2075
01:54:27,720 --> 01:54:31,720
Speaker 2: Joe ski Love. What about what about a tea rock?

2076
01:54:32,960 --> 01:54:33,160
Speaker 1: Yeah?

2077
01:54:33,640 --> 01:54:37,280
Speaker 2: From the rock?

2078
01:54:37,360 --> 01:54:39,400
Speaker 1: I definitely got lost right there. Yeah, but you know

2079
01:54:39,560 --> 01:54:43,200
Speaker 1: that rock? Yeah? Okay, continue, what about that? Uh?

2080
01:54:43,920 --> 01:54:49,760
Speaker 2: What about that? What about that? Straight out of motherfucking uh?

2081
01:54:50,520 --> 01:54:59,360
Speaker 2: That Freddie Fox? I don't know about That's the truth.

2082
01:54:59,480 --> 01:55:00,440
Speaker 2: That's the right.

2083
01:55:02,520 --> 01:55:05,120
Speaker 1: See. I ain't gonna say because everybody expected me to say.

2084
01:55:04,960 --> 01:55:09,560
Speaker 2: Somebody who DNI and all them. No, you gotta because

2085
01:55:09,600 --> 01:55:11,280
Speaker 2: you got to talk about.

2086
01:55:11,040 --> 01:55:14,520
Speaker 3: The dudes who name some new school ship, some new

2087
01:55:14,560 --> 01:55:17,520
Speaker 3: school ship, any region, any area.

2088
01:55:17,680 --> 01:55:20,840
Speaker 1: That nigga. I like that nigga can't set on it,

2089
01:55:21,160 --> 01:55:24,240
Speaker 1: you know, I man, you ever heard on it? That's

2090
01:55:24,280 --> 01:55:30,480
Speaker 1: his name? K Why you just said kids sat on it?

2091
01:55:31,120 --> 01:55:34,480
Speaker 1: That's the name of the you know artists. You know

2092
01:55:37,520 --> 01:55:41,360
Speaker 1: that ship they ain't got that's just hard. That's that ship.

2093
01:55:43,200 --> 01:55:47,400
Speaker 1: That niggas Hard. I like him, and I like uh.

2094
01:55:48,400 --> 01:55:50,640
Speaker 1: I like that. I like the young nigga. I like

2095
01:55:50,760 --> 01:55:53,200
Speaker 1: all that black you know, big soldier from the hood.

2096
01:55:54,000 --> 01:55:57,400
Speaker 1: I like little from the Hood. No, man, So Boy,

2097
01:55:57,840 --> 01:56:00,760
Speaker 1: I try to d M and he wouldn't talk to

2098
01:56:00,880 --> 01:56:01,200
Speaker 1: me back.

2099
01:56:01,280 --> 01:56:04,680
Speaker 2: I was trying to tell it, man, stop playing for

2100
01:56:04,840 --> 01:56:08,440
Speaker 2: somebody fuck around will get killed. Because what happens is

2101
01:56:09,080 --> 01:56:12,240
Speaker 2: is it be the dudes that's surround that it's from

2102
01:56:12,320 --> 01:56:13,120
Speaker 2: the hood for real.

2103
01:56:13,840 --> 01:56:16,920
Speaker 1: They get involved in it. The extra dudes. No, yeah,

2104
01:56:16,960 --> 01:56:18,920
Speaker 1: the dudes that really do it, they be right.

2105
01:56:20,400 --> 01:56:23,160
Speaker 2: And now you got them niggas. Once the niggas go,

2106
01:56:23,440 --> 01:56:26,920
Speaker 2: got them mad? Yeah, now once them niggas go. Now

2107
01:56:27,040 --> 01:56:30,680
Speaker 2: you bullshit. But if Soldier Boy was a real nigga,

2108
01:56:31,320 --> 01:56:37,360
Speaker 2: he'd be dead. That's how the streets work. A real

2109
01:56:37,480 --> 01:56:39,920
Speaker 2: nigga get up on the nigga that he knowed. Ain't

2110
01:56:39,960 --> 01:56:41,960
Speaker 2: that to be like, nigga, will get your bitch inside

2111
01:56:41,960 --> 01:56:45,200
Speaker 2: of here. If you're a real nigga, you got to go.

2112
01:56:46,560 --> 01:56:49,400
Speaker 2: That's how Pop was. He was a real nigga. I'm

2113
01:56:50,080 --> 01:56:52,920
Speaker 2: I'm saying, they gonna get up on you. And that's

2114
01:56:52,960 --> 01:56:54,640
Speaker 2: how that ship is. That's a real ship.

2115
01:56:55,280 --> 01:57:01,440
Speaker 3: You know who our most invited guest is who still

2116
01:57:01,680 --> 01:57:06,320
Speaker 3: nigga still be hit this hit two? Go get him

2117
01:57:06,360 --> 01:57:11,800
Speaker 3: in Cuba? Might you very you was in California?

2118
01:57:11,920 --> 01:57:15,120
Speaker 1: Love right? No? No, no, no, no, I felt love

2119
01:57:15,200 --> 01:57:20,520
Speaker 1: was Chris Tucker. Chris Tucker. But listen, I feel like

2120
01:57:20,600 --> 01:57:27,440
Speaker 1: you deeply ruled in California. Roots. It's Parking, Cuba man.

2121
01:57:29,200 --> 01:57:34,160
Speaker 2: The nigga spirit, the nigga spirit was so strong you

2122
01:57:34,320 --> 01:57:39,440
Speaker 2: believe he's alive. His spirit was stronger than his flesh.

2123
01:57:40,520 --> 01:57:45,240
Speaker 2: Wowee what I'm saying, so you you that that's real ship,

2124
01:57:45,400 --> 01:57:51,360
Speaker 2: the flesh ship. His spirit was so strong that you

2125
01:57:51,480 --> 01:57:54,800
Speaker 2: ain't got to see him. You don't have to see

2126
01:57:54,880 --> 01:57:55,480
Speaker 2: him physically.

2127
01:57:55,840 --> 01:57:58,560
Speaker 1: He's still alive for sure. I swear when you look.

2128
01:57:58,440 --> 01:58:00,919
Speaker 2: At that nigga and you listen to his music, sometimes

2129
01:58:01,400 --> 01:58:03,600
Speaker 2: he feels like he's still runs.

2130
01:58:03,720 --> 01:58:08,840
Speaker 1: Tu he doesn't standing there with young Thug. You know

2131
01:58:08,880 --> 01:58:11,280
Speaker 1: what I'm saying. It don't look like he ever left.

2132
01:58:12,120 --> 01:58:13,240
Speaker 1: But it's revant.

2133
01:58:14,240 --> 01:58:16,920
Speaker 2: Don't put him with young Thug. Just let's put him

2134
01:58:16,920 --> 01:58:17,360
Speaker 2: with somebody.

2135
01:58:18,280 --> 01:58:20,280
Speaker 1: Don't put them. I'm just saying, yeah, that's a good one.

2136
01:58:20,320 --> 01:58:26,920
Speaker 1: But yeah, all kind of Henry. We're too old to

2137
01:58:27,000 --> 01:58:29,720
Speaker 1: be involved with these little young rocks. I just know

2138
01:58:29,800 --> 01:58:30,920
Speaker 1: the songs. I live in Atlanta.

2139
01:58:31,000 --> 01:58:32,680
Speaker 10: You know, I'm like a street and and ah, you

2140
01:58:32,840 --> 01:58:35,200
Speaker 10: are right, I'm like a hustle. Simmons type dude on.

2141
01:58:35,200 --> 01:58:38,560
Speaker 2: The streets and tell us who whoever you broke in

2142
01:58:38,680 --> 01:58:40,280
Speaker 2: the business, we have break future.

2143
01:58:40,400 --> 01:58:43,480
Speaker 10: We broke all trouble, trouble, we broke a little hot

2144
01:58:43,600 --> 01:58:45,360
Speaker 10: rest in peace. I can name a bunch of people

2145
01:58:45,360 --> 01:58:47,680
Speaker 10: we broke. You know, I'm on the outcast scenes. I

2146
01:58:47,800 --> 01:58:50,240
Speaker 10: got a real body of work. That's why I you

2147
01:58:50,280 --> 01:58:52,400
Speaker 10: know what I'm saying. Yeah, yeah, I appreciate that.

2148
01:58:52,560 --> 01:58:56,480
Speaker 2: Henry, Henry Welch is in Atlanta. Henry Welch's loved by

2149
01:58:56,560 --> 01:58:57,240
Speaker 2: the strippers.

2150
01:58:57,640 --> 01:59:00,640
Speaker 1: Yeah. I work in the strip, the street, Magic City,

2151
01:59:00,960 --> 01:59:04,680
Speaker 1: work out the street. Yeah, I love all the street.

2152
01:59:04,760 --> 01:59:06,800
Speaker 2: If you go to Atlanta and I'll be staying with Henry,

2153
01:59:06,840 --> 01:59:08,840
Speaker 2: and it'll be a nigga there. I said, Henry, who's

2154
01:59:08,840 --> 01:59:10,800
Speaker 2: that nigga right there? Henry said, Oh, that's.

2155
01:59:12,280 --> 01:59:14,640
Speaker 1: Getting money like that. And you gotta shoot us too.

2156
01:59:14,920 --> 01:59:19,400
Speaker 1: He knows all the info. I just know what's going

2157
01:59:19,440 --> 01:59:22,880
Speaker 1: on in Texas. So we hanging out, were walking out

2158
01:59:22,920 --> 01:59:24,919
Speaker 1: the streets. You know, Mike Ups the international superstar.

2159
01:59:25,120 --> 01:59:26,720
Speaker 10: So all of a sudden we see this dude named

2160
01:59:26,760 --> 01:59:29,360
Speaker 10: red Dread Mike us, what the hell is he doing

2161
01:59:29,440 --> 01:59:29,880
Speaker 10: down here?

2162
01:59:30,400 --> 01:59:32,160
Speaker 2: He said, get some weed from him and to get

2163
01:59:32,200 --> 01:59:34,320
Speaker 2: him away from us. But he didn't know, like, this

2164
01:59:34,480 --> 01:59:36,480
Speaker 2: is the plug, this is the guy. He from Atlanta,

2165
01:59:36,520 --> 01:59:38,600
Speaker 2: but he was in hollidaen Texas, damn near in Mexico.

2166
01:59:38,960 --> 01:59:40,240
Speaker 1: He was like, marijuana.

2167
01:59:40,960 --> 01:59:43,600
Speaker 2: Well know what he was involved in. I know, but

2168
01:59:43,720 --> 01:59:45,600
Speaker 2: ye see a lot of you've been in a criminal

2169
01:59:45,640 --> 01:59:47,600
Speaker 2: it didn't matter. But let me tell you something. A

2170
01:59:47,680 --> 01:59:49,640
Speaker 2: lot of times a nigga will catch a case and

2171
01:59:49,720 --> 01:59:50,320
Speaker 2: won't tell you.

2172
01:59:50,640 --> 01:59:52,760
Speaker 1: Yeah, but I didn't what was going on. You don't

2173
01:59:52,840 --> 01:59:54,880
Speaker 1: know that himro, I haven't told you about it. I

2174
01:59:56,080 --> 01:59:58,800
Speaker 1: I'm a genius. I told you that. Check my resume.

2175
02:00:00,040 --> 02:00:03,960
Speaker 1: Conversations being recorded. Guys. Yeah, but I because me and him,

2176
02:00:04,640 --> 02:00:10,080
Speaker 1: me and him selling ounces. Man, we're selling ounces. Yeah,

2177
02:00:10,080 --> 02:00:12,040
Speaker 1: I got two, three, five to get rid of right now.

2178
02:00:12,200 --> 02:00:14,680
Speaker 1: I'll send him three ounces a week. And he's selling

2179
02:00:17,000 --> 02:00:19,720
Speaker 1: That's how the mail, that's how get paid for my

2180
02:00:19,840 --> 02:00:20,400
Speaker 1: comedy show.

2181
02:00:20,960 --> 02:00:24,320
Speaker 2: Three ounces of cushion. The mail is selling them. He's

2182
02:00:24,360 --> 02:00:25,560
Speaker 2: selling nix and dime.

2183
02:00:26,320 --> 02:00:26,920
Speaker 1: You are to see.

2184
02:00:27,040 --> 02:00:28,960
Speaker 2: One day I'm over his house and the lady came

2185
02:00:29,040 --> 02:00:31,400
Speaker 2: and copped some weed from this bitch had laundry and

2186
02:00:31,560 --> 02:00:32,360
Speaker 2: kids in the car.

2187
02:00:32,520 --> 02:00:35,480
Speaker 1: It was about six kids in the back seat. I

2188
02:00:35,600 --> 02:00:41,760
Speaker 1: love her you food stamps and everything.

2189
02:00:43,000 --> 02:00:44,920
Speaker 2: See, that's what I like about That's what I like

2190
02:00:45,000 --> 02:00:47,880
Speaker 2: about real life. I just I like anybody who can

2191
02:00:47,960 --> 02:00:51,240
Speaker 2: live with who can live with live with themselves.

2192
02:00:51,920 --> 02:00:55,200
Speaker 1: No matter what I tell humans all the time.

2193
02:00:55,400 --> 02:01:00,160
Speaker 2: That's that's one of the things that control your destinyation

2194
02:01:00,880 --> 02:01:01,480
Speaker 2: in your life.

2195
02:01:01,640 --> 02:01:02,240
Speaker 1: You know what I mean?

2196
02:01:02,960 --> 02:01:06,800
Speaker 2: Your health and everything is about how you feel about

2197
02:01:06,880 --> 02:01:11,840
Speaker 2: how another motherfucker feel about you. That's what Instagram is about,

2198
02:01:12,280 --> 02:01:15,480
Speaker 2: is how does another motherfucker feel about you? You know

2199
02:01:15,520 --> 02:01:17,720
Speaker 2: what I'm saying, because people say some foul ship on

2200
02:01:17,800 --> 02:01:20,640
Speaker 2: Instagram tell you up. You know, you be in a

2201
02:01:20,720 --> 02:01:24,040
Speaker 2: good mood and you post a picture and sometimes they

2202
02:01:24,120 --> 02:01:26,320
Speaker 2: tell you some shit you don't want to hear, but

2203
02:01:26,480 --> 02:01:27,360
Speaker 2: you needed to hear.

2204
02:01:28,800 --> 02:01:30,040
Speaker 1: Sometimes I be reading.

2205
02:01:29,840 --> 02:01:32,800
Speaker 2: My comments and a motherfucker say some shit, and I'll

2206
02:01:32,840 --> 02:01:35,000
Speaker 2: be like, man, I want to cuss this nigga out,

2207
02:01:35,040 --> 02:01:36,960
Speaker 2: but I damn that nigga did say some real shit.

2208
02:01:38,400 --> 02:01:39,040
Speaker 1: I respect that.

2209
02:01:39,920 --> 02:01:44,600
Speaker 2: Respect that yeahs and told you all man, you swagged out,

2210
02:01:44,640 --> 02:01:47,080
Speaker 2: you looking cool, you play And then a nigga, a

2211
02:01:47,160 --> 02:01:49,440
Speaker 2: nigga get on there and said, nigga, you old mike,

2212
02:01:49,520 --> 02:01:52,640
Speaker 2: you washed up, you need to get your life together.

2213
02:01:53,560 --> 02:01:55,400
Speaker 2: I'd be like, I be wanting to say something back

2214
02:01:55,480 --> 02:01:57,560
Speaker 2: banded the nigga, I said, I can't say none of this, nigga.

2215
02:01:57,560 --> 02:01:59,560
Speaker 10: I don't even know who the fuck this with a

2216
02:01:59,640 --> 02:02:01,960
Speaker 10: shirt though, you like you work at the lunge back,

2217
02:02:02,080 --> 02:02:03,000
Speaker 10: So that's what that's about.

2218
02:02:03,160 --> 02:02:06,400
Speaker 2: The fuck out here, your hairdline in a minute, you're

2219
02:02:06,400 --> 02:02:08,400
Speaker 2: going to have to start washing your face way up here.

2220
02:02:09,760 --> 02:02:13,240
Speaker 1: You salute like this if you can't look like your

2221
02:02:13,320 --> 02:02:14,320
Speaker 1: hand is on them now.

2222
02:02:14,680 --> 02:02:18,080
Speaker 10: But I guess with the realist though, that's one thing

2223
02:02:18,120 --> 02:02:20,120
Speaker 10: I gotta respect to how I've been around his whole

2224
02:02:20,160 --> 02:02:20,920
Speaker 10: family and everything.

2225
02:02:21,040 --> 02:02:22,800
Speaker 1: So but you see what him ain't ne fake.

2226
02:02:23,440 --> 02:02:25,960
Speaker 2: And I swear to god, I'm just as scared as

2227
02:02:26,000 --> 02:02:28,720
Speaker 2: everybody else, because that's all it is a bunch of

2228
02:02:29,120 --> 02:02:32,040
Speaker 2: scared mother The whole world is scared. That's why they

2229
02:02:32,200 --> 02:02:36,360
Speaker 2: acting the way they act. That's everybody's scared. I'm telling

2230
02:02:36,400 --> 02:02:38,520
Speaker 2: you some real shit. When you said, a motherfucker go

2231
02:02:38,600 --> 02:02:41,040
Speaker 2: on Instagram and start trying to do some crazy sess

2232
02:02:41,120 --> 02:02:43,560
Speaker 2: to get some attention. Something that is SCAREDY and his

2233
02:02:43,680 --> 02:02:47,880
Speaker 2: own thoughts, and they whether it's something scared somebody ain't

2234
02:02:47,880 --> 02:02:48,960
Speaker 2: gonna pay attention.

2235
02:02:48,720 --> 02:02:51,280
Speaker 1: To me or nothing. But you just have to learn

2236
02:02:51,320 --> 02:02:52,840
Speaker 1: how to enjoy your own life.

2237
02:02:53,000 --> 02:02:56,600
Speaker 2: Inside of your life and all the attention that you want,

2238
02:02:57,160 --> 02:02:59,960
Speaker 2: it's just gonna come to you automatically, because that's how

2239
02:03:00,040 --> 02:03:04,360
Speaker 2: attention is. If you notice that attention is paying attention

2240
02:03:04,520 --> 02:03:07,480
Speaker 2: to you, attention won't pay attention to you no more.

2241
02:03:10,360 --> 02:03:22,600
Speaker 1: That you all thought that was deep.

2242
02:03:26,080 --> 02:03:29,760
Speaker 4: Those notice you're talking to the nigga to get attention.

2243
02:03:29,880 --> 02:03:38,160
Speaker 1: Man, you told me that one I lost would a genius.

2244
02:03:38,720 --> 02:03:42,760
Speaker 1: That the motherfucker that's real. Ship.

2245
02:03:42,800 --> 02:03:45,000
Speaker 2: I tell you because I tell I tell my daughters,

2246
02:03:45,040 --> 02:03:47,560
Speaker 2: because I got teenage daughters and I tell them all

2247
02:03:47,560 --> 02:03:50,840
Speaker 2: the time. I said, stop looking to see if you

2248
02:03:51,000 --> 02:03:56,600
Speaker 2: losing weight, because your your body isn't know that. Your

2249
02:03:56,680 --> 02:03:58,800
Speaker 2: body be like, oh this is bitch thinks he's doing something.

2250
02:04:01,600 --> 02:04:04,000
Speaker 1: You look at the mirror to morrow. You ain't going

2251
02:04:04,080 --> 02:04:10,600
Speaker 1: back to the gym at all that I did. Sure wain't.

2252
02:04:11,840 --> 02:04:13,960
Speaker 2: Because you got it because it's just got to be

2253
02:04:14,000 --> 02:04:17,160
Speaker 2: a lifestyle. With anything you do, you can't pay attention

2254
02:04:17,280 --> 02:04:19,520
Speaker 2: to it. It's got to be something you just do,

2255
02:04:20,280 --> 02:04:21,520
Speaker 2: like you scratch your face.

2256
02:04:21,920 --> 02:04:24,520
Speaker 1: You know what I'm saying. It's consistency.

2257
02:04:24,880 --> 02:04:27,920
Speaker 2: You just do it, It's like, and the results come

2258
02:04:28,040 --> 02:04:31,160
Speaker 2: from that instead of because everybody that is trying to

2259
02:04:31,240 --> 02:04:34,520
Speaker 2: do something they monitoring it the whole time they're doing it.

2260
02:04:35,960 --> 02:04:39,080
Speaker 2: I'm gonna monitor everything. That's like posting a picture and

2261
02:04:39,200 --> 02:04:42,880
Speaker 2: looking at the fucking comments. You can't look at the comments.

2262
02:04:42,960 --> 02:04:45,040
Speaker 2: You just got to post a picture and if the

2263
02:04:45,120 --> 02:04:47,480
Speaker 2: numbers ain't right or people liking it, they erased it.

2264
02:04:55,120 --> 02:04:57,760
Speaker 1: I don't like what's going on. I can change it.

2265
02:05:00,200 --> 02:05:03,080
Speaker 1: And these youngsters too. Another thing you annoying.

2266
02:05:03,120 --> 02:05:05,160
Speaker 2: You and a lot of them, A lot of the

2267
02:05:05,280 --> 02:05:08,680
Speaker 2: youngsters out there, they are not acknowledging God. They don't

2268
02:05:08,760 --> 02:05:14,160
Speaker 2: know that strength, the real strength in everything that you

2269
02:05:14,320 --> 02:05:18,280
Speaker 2: do is God. There's a few other guys, Kevin Gates,

2270
02:05:18,320 --> 02:05:20,520
Speaker 2: a couple of them, dudes like that. You can tell

2271
02:05:20,560 --> 02:05:23,400
Speaker 2: they God fearing. Because if a nigga don't fear that

2272
02:05:23,440 --> 02:05:26,880
Speaker 2: there's a bigger spirit than him, he gonna he gonna,

2273
02:05:26,920 --> 02:05:27,760
Speaker 2: he gonna destruct.

2274
02:05:27,840 --> 02:05:30,680
Speaker 1: Man. You know what I'm saying. If a young nigga

2275
02:05:30,720 --> 02:05:33,400
Speaker 1: got there, if a nigga got choppers and all that.

2276
02:05:33,480 --> 02:05:36,200
Speaker 2: Shit and showing them and all that shit, guess what

2277
02:05:36,720 --> 02:05:39,240
Speaker 2: we know you by polar the next time I see

2278
02:05:39,240 --> 02:05:41,720
Speaker 2: you on Instagram, I want you on there talking about God.

2279
02:05:42,880 --> 02:05:43,680
Speaker 1: Repent nigga.

2280
02:05:43,720 --> 02:05:46,880
Speaker 2: You just show us all this motherfuckers twenty five thousand

2281
02:05:46,920 --> 02:05:49,800
Speaker 2: dollars worth of guns and show on Instagram. Repent on

2282
02:05:50,120 --> 02:05:52,600
Speaker 2: Instagram too. Let's give us a whole story of who

2283
02:05:52,680 --> 02:05:55,480
Speaker 2: you are. That Guess what, not only do you think

2284
02:05:55,560 --> 02:05:58,720
Speaker 2: you investible? That guess what you know that there's something

2285
02:05:58,800 --> 02:06:02,000
Speaker 2: greater than yourself up on this planet.

2286
02:06:03,160 --> 02:06:04,200
Speaker 1: That's a strength right there.

2287
02:06:04,280 --> 02:06:06,960
Speaker 2: It took me a long time to understand that being

2288
02:06:07,040 --> 02:06:10,000
Speaker 2: a good person and a nice person is the real strength.

2289
02:06:10,960 --> 02:06:12,240
Speaker 1: That not being evil.

2290
02:06:12,880 --> 02:06:17,480
Speaker 2: That's the that's the fit, that's the scared motherfucker. That's

2291
02:06:17,560 --> 02:06:21,400
Speaker 2: all those all these little young rappers, they're scared. So

2292
02:06:22,040 --> 02:06:24,400
Speaker 2: if I'm scared of you, I'm gonna I'm gonna try

2293
02:06:24,440 --> 02:06:26,760
Speaker 2: to scare you off by showing you what I'll do, Nigga,

2294
02:06:26,800 --> 02:06:27,520
Speaker 2: I'll throw out.

2295
02:06:29,040 --> 02:06:29,200
Speaker 1: Man.

2296
02:06:29,760 --> 02:06:31,920
Speaker 2: Come on, man, you ain't supposed to show that ship.

2297
02:06:32,760 --> 02:06:37,280
Speaker 2: That ship looked like they look like they got fake guns.

2298
02:06:38,040 --> 02:06:40,640
Speaker 2: Them guns don't look real on there, but they are.

2299
02:06:41,200 --> 02:06:41,360
Speaker 1: Yeah.

2300
02:06:42,000 --> 02:06:44,440
Speaker 2: But the reason why they look like they fake guns

2301
02:06:44,560 --> 02:06:47,080
Speaker 2: is because it's fake kids with the guns.

2302
02:06:47,920 --> 02:06:50,680
Speaker 1: It looks like they toys and.

2303
02:06:50,720 --> 02:06:53,600
Speaker 2: The little niggas you know, they shoot motherfuckers up and

2304
02:06:53,640 --> 02:06:55,840
Speaker 2: ship and then they in the and they in the

2305
02:06:55,960 --> 02:06:58,680
Speaker 2: prison crying at three in the morning.

2306
02:06:58,800 --> 02:07:03,280
Speaker 1: You hear them in there all day.

2307
02:07:03,360 --> 02:07:05,760
Speaker 2: Little nigga been running around there talking about I like

2308
02:07:05,880 --> 02:07:08,760
Speaker 2: prison food and talking shit. And then later on that

2309
02:07:08,920 --> 02:07:11,360
Speaker 2: night they be crying and you come down there and man,

2310
02:07:11,440 --> 02:07:11,920
Speaker 2: what's going on?

2311
02:07:12,160 --> 02:07:15,840
Speaker 1: Man? Oh mut I just don't know what, don't know

2312
02:07:15,920 --> 02:07:18,200
Speaker 1: what to do. Nigga, don't kill five people on the street.

2313
02:07:18,280 --> 02:07:23,120
Speaker 1: Nigga's over with you know what you do? Yeah, you

2314
02:07:23,200 --> 02:07:25,360
Speaker 1: might as well got damn settle in in like you

2315
02:07:25,440 --> 02:07:28,600
Speaker 1: know what I'm saying. You might as well. Yeah, you

2316
02:07:28,680 --> 02:07:29,640
Speaker 1: might as well gone.

2317
02:07:29,960 --> 02:07:32,440
Speaker 2: And settle in man, and just be an inspiration to

2318
02:07:32,600 --> 02:07:35,320
Speaker 2: some other little young dude to come in here until

2319
02:07:35,320 --> 02:07:36,200
Speaker 2: your time is up.

2320
02:07:36,720 --> 02:07:37,320
Speaker 1: You know what I mean.

2321
02:07:37,440 --> 02:07:40,400
Speaker 2: That's your job now. But they don't understand you. See

2322
02:07:40,440 --> 02:07:42,840
Speaker 2: Gucci Man, I love Gucci Man. That nigga went in

2323
02:07:43,920 --> 02:07:48,680
Speaker 2: and yep, and whatever happened, it made him. I had

2324
02:07:48,720 --> 02:07:50,720
Speaker 2: a buddy that was in Florida that was in prison

2325
02:07:50,840 --> 02:07:53,520
Speaker 2: with him. He said, Man, I said, what Gucci Man doing?

2326
02:07:53,600 --> 02:07:55,680
Speaker 2: He said, Man, walking around with a Bible on his

2327
02:07:55,720 --> 02:07:59,840
Speaker 2: in because that's how real it is.

2328
02:08:00,360 --> 02:08:00,640
Speaker 12: Wow.

2329
02:08:00,960 --> 02:08:04,360
Speaker 2: And then we entertainers, we can't be sitting there laying

2330
02:08:04,440 --> 02:08:07,520
Speaker 2: up in the penitentiary where a motherfucker that's hungry, that

2331
02:08:07,680 --> 02:08:10,480
Speaker 2: didn't killed everybody in the world, and you in there

2332
02:08:10,560 --> 02:08:12,640
Speaker 2: trying to convince him that you were a good nigga.

2333
02:08:12,680 --> 02:08:15,960
Speaker 2: He looking at you like a state like, Man, what

2334
02:08:16,080 --> 02:08:19,640
Speaker 2: you doing in here with me? You crazying a motherbucker.

2335
02:08:20,640 --> 02:08:22,480
Speaker 2: Me and t I talk all the time. I had

2336
02:08:22,520 --> 02:08:25,360
Speaker 2: to tell them, man, hey, man, they trying to trick us. Man,

2337
02:08:25,480 --> 02:08:29,560
Speaker 2: they already tricked you a couple of times. They yeah,

2338
02:08:29,680 --> 02:08:31,960
Speaker 2: they tricked you. They them niggas have had your ass

2339
02:08:32,120 --> 02:08:34,840
Speaker 2: out here ready to kill something. And then you have

2340
02:08:34,920 --> 02:08:37,120
Speaker 2: to lay up independitentiary. If I had to fight it

2341
02:08:37,240 --> 02:08:39,680
Speaker 2: every day, and I'm forty some years old, people walk

2342
02:08:39,800 --> 02:08:41,840
Speaker 2: up to me and say and do A nigga walked

2343
02:08:41,920 --> 02:08:43,520
Speaker 2: up to me at the wal wrings the other day

2344
02:08:44,000 --> 02:08:46,040
Speaker 2: and just put his hand on my neck like that

2345
02:08:46,160 --> 02:08:47,120
Speaker 2: and said, day day.

2346
02:08:48,600 --> 02:08:51,280
Speaker 1: I said, nig what you doing? He said what? He said?

2347
02:08:51,320 --> 02:08:51,960
Speaker 2: What you got a.

2348
02:08:52,000 --> 02:08:52,640
Speaker 1: Problem with it?

2349
02:08:52,800 --> 02:08:55,560
Speaker 2: I said, Man, I swear to God, I said, many,

2350
02:08:55,680 --> 02:08:57,960
Speaker 2: come on, man, what what would I do to He said,

2351
02:08:58,000 --> 02:08:59,000
Speaker 2: nigg I'm just a fan.

2352
02:08:59,240 --> 02:09:01,760
Speaker 1: But see that's the ship that don't nobody see me

2353
02:09:01,960 --> 02:09:03,960
Speaker 1: deal with you. See what I'm saying.

2354
02:09:05,800 --> 02:09:07,920
Speaker 2: I could have went on to wrestle with you and

2355
02:09:08,400 --> 02:09:11,480
Speaker 2: and sneak that knife out of my pockets and stabling

2356
02:09:11,560 --> 02:09:13,680
Speaker 2: him to death, but I didn't even won't do none

2357
02:09:13,720 --> 02:09:16,120
Speaker 2: of that. I'm trying to talk my way out of

2358
02:09:16,200 --> 02:09:20,160
Speaker 2: that motherfucker, man, because it's that easy. Get sucked up

2359
02:09:20,280 --> 02:09:23,120
Speaker 2: out here. I'm gonna start preaching when I get done

2360
02:09:23,120 --> 02:09:23,920
Speaker 2: with this comedy ship.

2361
02:09:23,960 --> 02:09:25,840
Speaker 1: I can get a church full of old people. Get

2362
02:09:25,880 --> 02:09:33,320
Speaker 1: that old people like me money, the old people like

2363
02:09:33,480 --> 02:09:36,000
Speaker 1: me knowing, let's get a church together.

2364
02:09:37,040 --> 02:09:48,720
Speaker 7: Hem define that nigga ain't gonna show up, show.

2365
02:09:49,320 --> 02:09:50,600
Speaker 1: Out because that.

2366
02:09:50,720 --> 02:09:53,920
Speaker 2: See that's another nigga. That nigga right there is that

2367
02:09:54,200 --> 02:09:59,360
Speaker 2: that nigga is annoying. He's annoying that U O. D.

2368
02:09:59,600 --> 02:10:02,480
Speaker 2: B will annoying it. It was a bunch of people

2369
02:10:02,560 --> 02:10:03,440
Speaker 2: that was annoying it.

2370
02:10:03,560 --> 02:10:03,760
Speaker 1: Man.

2371
02:10:05,320 --> 02:10:08,480
Speaker 3: You know blessed from God, but you say annoying it.

2372
02:10:08,560 --> 02:10:12,120
Speaker 3: You're talking about blessed, super blessed, super blessed.

2373
02:10:12,360 --> 02:10:14,840
Speaker 2: Ain't I ain't supposed to be here, no kind of

2374
02:10:14,920 --> 02:10:19,960
Speaker 2: way form of fashion. And you see innocent people die

2375
02:10:20,080 --> 02:10:25,040
Speaker 2: every day, and the motherfucker this rotten like myself and

2376
02:10:25,200 --> 02:10:28,760
Speaker 2: many more lived to eighty ninety years or reason, and

2377
02:10:28,880 --> 02:10:29,760
Speaker 2: you'd be sitting there and.

2378
02:10:30,360 --> 02:10:33,400
Speaker 1: Bad niggas died. I want to die, but you die.

2379
02:10:34,000 --> 02:10:36,040
Speaker 1: I'm gonna die bad. All this shit you did when

2380
02:10:36,080 --> 02:10:39,080
Speaker 1: you was a kid. I'm a bad great preacher in

2381
02:10:39,120 --> 02:10:42,800
Speaker 1: the movie. I'm gonna get it back to your spirit.

2382
02:10:42,960 --> 02:10:45,400
Speaker 1: I'm a great I'm a great I'm a great spirit.

2383
02:10:45,720 --> 02:10:49,240
Speaker 1: You're a great spirit. When your birthday September six, you

2384
02:10:49,360 --> 02:10:51,800
Speaker 1: a fucking virgo real.

2385
02:10:52,680 --> 02:10:57,880
Speaker 22: That's Michael Jackson. That's it, Prince that Beyonce, That's that's right.

2386
02:11:02,960 --> 02:11:03,760
Speaker 22: Come on, make so nice.

2387
02:11:04,200 --> 02:11:10,840
Speaker 1: I never heard of broke it down. I'm a motherfucker Scorpio.

2388
02:11:11,640 --> 02:11:14,960
Speaker 1: So you're either gonna like me or you're not. It's

2389
02:11:15,040 --> 02:11:18,560
Speaker 1: October if you like Meatarius what what? What? What?

2390
02:11:18,800 --> 02:11:18,840
Speaker 3: What?

2391
02:11:19,120 --> 02:11:22,640
Speaker 1: What? What's this ship? November? You scorediop too? Okay, Okay,

2392
02:11:22,920 --> 02:11:31,680
Speaker 1: I relax, he said, relaxed. Remember mother Gemini. You good people,

2393
02:11:32,720 --> 02:11:33,120
Speaker 1: good people.

2394
02:11:33,120 --> 02:11:37,640
Speaker 2: With what I'm saying them is strong spirits right there, man,

2395
02:11:37,800 --> 02:11:39,680
Speaker 2: all of the spirits, all of the all of the

2396
02:11:39,880 --> 02:11:42,920
Speaker 2: things is we just we just gotta all just love

2397
02:11:43,000 --> 02:11:43,360
Speaker 2: each other.

2398
02:11:43,480 --> 02:11:46,880
Speaker 1: Man. And this show right here, this is this is

2399
02:11:46,960 --> 02:11:51,440
Speaker 1: what you call a therapeutic show. That's what I'm going

2400
02:11:51,520 --> 02:11:52,040
Speaker 1: for the rest.

2401
02:11:58,480 --> 02:12:02,440
Speaker 2: This ship right here has ability to win Grammys and

2402
02:12:02,560 --> 02:12:07,240
Speaker 2: Emmys because this is the direct opposite of what Doctor

2403
02:12:07,320 --> 02:12:08,120
Speaker 2: Phil is doing.

2404
02:12:08,640 --> 02:12:11,640
Speaker 1: No fun ahead. But that's what I'm saying. But you

2405
02:12:11,680 --> 02:12:17,480
Speaker 1: see what I'm saying. You are you a nigga doctor Phield.

2406
02:12:17,520 --> 02:12:20,120
Speaker 1: I'm a nigga doctor Field. And that's can tell you, Mike,

2407
02:12:20,200 --> 02:12:22,120
Speaker 1: that's what niggas tell you. Give me hype.

2408
02:12:23,800 --> 02:12:33,040
Speaker 14: I'm getting the Holy dors God, Damn, Mike. Just keep

2409
02:12:33,080 --> 02:12:34,720
Speaker 14: reaching your wife.

2410
02:12:34,840 --> 02:12:39,760
Speaker 1: You are scared of your wife. I'm definitely no point

2411
02:12:39,840 --> 02:12:44,000
Speaker 1: at me. That's between us. You are scared of your wife,

2412
02:12:44,120 --> 02:12:45,800
Speaker 1: scared of my wife. I love my wife. That's how

2413
02:12:45,920 --> 02:12:48,960
Speaker 1: you're supposed to be. That's gonna keep you out of

2414
02:12:49,120 --> 02:12:52,120
Speaker 1: everything everything. High five. You know what I'm saying. But

2415
02:12:52,320 --> 02:12:56,840
Speaker 1: Rock wasn't sitting with that. Michelle. Yeah, Michelle kept Brigadellion Yea,

2416
02:12:57,520 --> 02:13:00,720
Speaker 1: she kept. And let's see that's that that's the maturity

2417
02:13:00,840 --> 02:13:01,240
Speaker 1: right there.

2418
02:13:01,320 --> 02:13:05,240
Speaker 2: When the niggas started acknowledging all parts of everything around

2419
02:13:05,360 --> 02:13:08,160
Speaker 2: us right and get out of the pimp mentality.

2420
02:13:08,360 --> 02:13:10,160
Speaker 1: That's right, because you was a pimper at one time.

2421
02:13:10,280 --> 02:13:15,720
Speaker 2: I tried and again, if you wasn't born with it,

2422
02:13:16,400 --> 02:13:18,880
Speaker 2: you can't pull it off. I tried to pimp some business.

2423
02:13:18,880 --> 02:13:21,240
Speaker 2: I had some business at the hotel. I had my

2424
02:13:21,440 --> 02:13:24,640
Speaker 2: cousin and this other little fat white bitches Crocomo.

2425
02:13:24,360 --> 02:13:28,920
Speaker 1: Indiana, and I slapped my cousin and she slapped me back.

2426
02:13:30,080 --> 02:13:33,320
Speaker 1: I don't ever hit me back like that, And I said,

2427
02:13:33,840 --> 02:13:41,000
Speaker 1: I'm the pimp. I ended up owning both of them

2428
02:13:41,080 --> 02:13:49,240
Speaker 1: bitches some money. Man, you're a fool man A receipts

2429
02:13:49,280 --> 02:13:51,200
Speaker 1: and all kinds of ship on me. I said, I

2430
02:13:51,360 --> 02:13:59,400
Speaker 1: quit this. I don't want to do this. Ship that

2431
02:13:59,520 --> 02:14:02,560
Speaker 1: fucked me when I first moved to New York. Man,

2432
02:14:03,480 --> 02:14:04,640
Speaker 1: that shit fucked me up.

2433
02:14:04,760 --> 02:14:07,880
Speaker 2: Man, I swear. I got off the bus and Port Authority.

2434
02:14:09,240 --> 02:14:11,200
Speaker 2: First time I've been to New York. I got off

2435
02:14:11,240 --> 02:14:13,800
Speaker 2: the bus in Port Authority. It was in nineteen ninety

2436
02:14:13,880 --> 02:14:18,320
Speaker 2: one and I didn't know nobody I was. I had

2437
02:14:18,360 --> 02:14:21,520
Speaker 2: a manager. He was a Jewish manager named Dave Cleman.

2438
02:14:22,720 --> 02:14:25,600
Speaker 2: He came tk Kirkland. Hooked me up with Dave Cleaning.

2439
02:14:25,680 --> 02:14:26,600
Speaker 1: That was his manager.

2440
02:14:27,520 --> 02:14:29,520
Speaker 2: I went up there to meet Dave. He said Dave

2441
02:14:29,640 --> 02:14:32,480
Speaker 2: was with the Jewish mafia. I went up there, Dave

2442
02:14:32,680 --> 02:14:35,640
Speaker 2: was looked like look Danny DeVito, he was at side.

2443
02:14:35,640 --> 02:14:40,000
Speaker 2: I said, this ain't no mother Jewish mona. But I'll

2444
02:14:40,040 --> 02:14:42,080
Speaker 2: never forget man. I'm moved to New York. And I

2445
02:14:42,560 --> 02:14:45,840
Speaker 2: went in the club and I seen Tracy Morgan and

2446
02:14:45,960 --> 02:14:51,160
Speaker 2: I seen Dave Chappelle. I seen and from my eyes

2447
02:14:51,360 --> 02:14:54,560
Speaker 2: coming from Indiana and I seen all of these niggas

2448
02:14:54,600 --> 02:14:58,839
Speaker 2: on TV. It was a different thing for me because

2449
02:14:59,640 --> 02:15:03,240
Speaker 2: I was a nigga coming from my hometown, and what

2450
02:15:03,440 --> 02:15:06,280
Speaker 2: I was going off of was people around me telling

2451
02:15:06,360 --> 02:15:07,360
Speaker 2: me that I was funny.

2452
02:15:08,280 --> 02:15:10,760
Speaker 1: These was niggas who was really in the business. They

2453
02:15:11,920 --> 02:15:16,760
Speaker 1: was funny. But I had that moment that I had to.

2454
02:15:16,800 --> 02:15:20,720
Speaker 2: Come around these niggas and say, guess what, I don't

2455
02:15:20,760 --> 02:15:24,120
Speaker 2: even know if I'm really funny right now unless I'm man.

2456
02:15:24,160 --> 02:15:26,640
Speaker 2: When I got on the stage, I was different. That's

2457
02:15:26,680 --> 02:15:29,400
Speaker 2: what made me different from everybody in New York. Because

2458
02:15:29,400 --> 02:15:31,680
Speaker 2: everybody in New York was going on stage and talk

2459
02:15:31,720 --> 02:15:36,120
Speaker 2: about Jamaicans and subways and Puerto Ricans and Dominicans.

2460
02:15:35,560 --> 02:15:38,000
Speaker 1: With no socks on it. They was all the same.

2461
02:15:38,800 --> 02:15:41,680
Speaker 2: I would go up on stage and talk about that

2462
02:15:41,880 --> 02:15:45,520
Speaker 2: country shit, and it made me different in New York.

2463
02:15:46,160 --> 02:15:47,800
Speaker 1: But boy, I'm telling you, I had to fight all

2464
02:15:47,840 --> 02:15:49,600
Speaker 1: the time, you know what I mean?

2465
02:15:49,680 --> 02:15:52,680
Speaker 2: Because they was soon as motherfucker found out I wasn't

2466
02:15:52,680 --> 02:15:54,000
Speaker 2: from New York, they was trying me.

2467
02:15:55,080 --> 02:15:55,760
Speaker 1: I used to be in the.

2468
02:15:55,800 --> 02:15:58,280
Speaker 2: Tunnel, you know what I'm saying. I used to go

2469
02:15:58,360 --> 02:16:00,200
Speaker 2: to the tunnel. All that shit this is. I'd have

2470
02:16:00,240 --> 02:16:05,400
Speaker 2: been the Essholes Man with Davis Essholes on on a

2471
02:16:05,480 --> 02:16:06,160
Speaker 2: Wednesday night.

2472
02:16:06,640 --> 02:16:14,400
Speaker 1: Yeah, motherfucking nails, nails on Tuesday night. I used to

2473
02:16:14,480 --> 02:16:15,520
Speaker 1: go to Man.

2474
02:16:15,560 --> 02:16:17,880
Speaker 2: I used to go to God Damn and Chads and

2475
02:16:17,960 --> 02:16:20,440
Speaker 2: Wilson's Honeysuckles West.

2476
02:16:21,760 --> 02:16:25,120
Speaker 1: I've never heard of that one. That was? That was

2477
02:16:25,400 --> 02:16:28,080
Speaker 1: That was? That was like on seventy something in Broadway.

2478
02:16:29,320 --> 02:16:35,280
Speaker 1: China Club China what they call it. That's also the

2479
02:16:35,400 --> 02:16:36,160
Speaker 1: Chinese nigga.

2480
02:16:36,280 --> 02:16:36,520
Speaker 2: That's the.

2481
02:16:38,320 --> 02:16:44,279
Speaker 1: Chinese nigga. You we don't shattles, remember Club Shadows. That's

2482
02:16:44,360 --> 02:16:46,000
Speaker 1: that's still that's still popping right now.

2483
02:16:46,879 --> 02:16:52,720
Speaker 18: That's the old, don't that's the old. That's the old

2484
02:16:52,800 --> 02:16:56,880
Speaker 18: nigga Palace right now, ship right there. Club shadows.

2485
02:16:56,920 --> 02:16:58,880
Speaker 2: The thing you can see a nigga do is the

2486
02:16:59,000 --> 02:17:03,800
Speaker 2: nigga that now his his age. I'mn't give a fuck

2487
02:17:03,840 --> 02:17:06,199
Speaker 2: about his nigga trying to be a young nigga. Okay,

2488
02:17:06,280 --> 02:17:09,120
Speaker 2: I want to fit in with the young niggas. You

2489
02:17:11,560 --> 02:17:14,720
Speaker 2: you know, you came from slick ricking this is your

2490
02:17:14,800 --> 02:17:18,480
Speaker 2: best concept exactly to one of the motherfuck concerts, and

2491
02:17:18,520 --> 02:17:24,120
Speaker 2: they got slick with fucking Dougie Fresh, Big Daddy camee

2492
02:17:25,200 --> 02:17:28,040
Speaker 2: man them motherfucking shows us off the hook.

2493
02:17:28,480 --> 02:17:31,400
Speaker 1: They actually called it in the young shows. You don't

2494
02:17:31,400 --> 02:17:33,600
Speaker 1: know what you're gonna get to the young show. So

2495
02:17:33,800 --> 02:17:35,240
Speaker 1: now let me ask you that fight.

2496
02:17:36,400 --> 02:17:41,560
Speaker 3: What you because Indiana is not considered the East coast, right,

2497
02:17:41,680 --> 02:17:43,320
Speaker 3: that's the Midwest, Midwest.

2498
02:17:43,680 --> 02:17:47,120
Speaker 1: So now Chicago's little brother. We can get to Chicago

2499
02:17:47,240 --> 02:17:48,520
Speaker 1: and iron Hat exactly.

2500
02:17:48,920 --> 02:17:55,520
Speaker 3: So now you get this these rolls. Yeah, uh so,

2501
02:17:55,680 --> 02:17:59,720
Speaker 3: Now what happens after that when you go back to

2502
02:18:00,640 --> 02:18:01,519
Speaker 3: to your hometown.

2503
02:18:02,959 --> 02:18:03,600
Speaker 1: It's these people.

2504
02:18:04,200 --> 02:18:07,560
Speaker 2: Are they proud of you or they saying they was Okay,

2505
02:18:15,920 --> 02:18:17,000
Speaker 2: I fucked around.

2506
02:18:16,840 --> 02:18:22,480
Speaker 1: And let them. They fucked around and re got acquainted

2507
02:18:22,520 --> 02:18:25,600
Speaker 1: with me. You know what I mean. That's how it is.

2508
02:18:25,680 --> 02:18:28,200
Speaker 2: I tell kids, I'll tak you leave your hometown. You

2509
02:18:28,280 --> 02:18:31,880
Speaker 2: stay the funk away from that motherfucker come back trying

2510
02:18:31,920 --> 02:18:33,760
Speaker 2: to be Robin Hood. It's cool, you know what I mean?

2511
02:18:34,640 --> 02:18:36,680
Speaker 2: And the Bible would say no man is honor in

2512
02:18:36,760 --> 02:18:40,760
Speaker 2: his own hometown. So it's hard in hometown for me.

2513
02:18:41,760 --> 02:18:45,160
Speaker 2: I go back to hometown, it's tough because it's you know,

2514
02:18:45,360 --> 02:18:45,800
Speaker 2: you got.

2515
02:18:45,760 --> 02:18:48,960
Speaker 1: People who know you. You know what I'm saying, and

2516
02:18:49,160 --> 02:18:51,279
Speaker 1: they can't accept that you actually grew.

2517
02:18:51,680 --> 02:18:55,920
Speaker 2: No, they can't. And you can't give them enough. You

2518
02:18:56,040 --> 02:18:59,879
Speaker 2: can give them everything that you have, and it's never

2519
02:19:00,160 --> 02:19:03,320
Speaker 2: enough because what they want from you you can't give them.

2520
02:19:05,400 --> 02:19:08,800
Speaker 1: Yeah, it's always something can be with me, motherfucker be

2521
02:19:08,959 --> 02:19:09,560
Speaker 1: heard me?

2522
02:19:09,800 --> 02:19:12,520
Speaker 2: So yeah, you as an artist, you always feel guilty

2523
02:19:12,600 --> 02:19:17,480
Speaker 2: about having fame and success and money and doing good

2524
02:19:17,560 --> 02:19:22,360
Speaker 2: for yourself because somebody else can't have it. But I

2525
02:19:22,480 --> 02:19:24,440
Speaker 2: tell people all the time, you take that up with

2526
02:19:24,560 --> 02:19:27,800
Speaker 2: God because I can't make you rich or happy.

2527
02:19:28,600 --> 02:19:31,000
Speaker 1: And whatever's for me is for me. It's going to

2528
02:19:31,080 --> 02:19:32,520
Speaker 1: my motherfucking pod, damn.

2529
02:19:32,640 --> 02:19:35,040
Speaker 3: And if I can give it to you, idea, this

2530
02:19:35,240 --> 02:19:43,760
Speaker 3: makes a noise, But now I know I gotta, I know,

2531
02:19:43,840 --> 02:19:46,320
Speaker 3: I gotta. I gotta see you out because TC is

2532
02:19:46,440 --> 02:19:49,119
Speaker 3: my man. By the way, they show TC.

2533
02:19:51,040 --> 02:19:59,840
Speaker 1: People what you said, But you about to take on

2534
02:20:00,080 --> 02:20:05,200
Speaker 1: that's richer prior role. Yeah, is this the most complicated

2535
02:20:05,360 --> 02:20:08,640
Speaker 1: role you ever had? Not really?

2536
02:20:09,160 --> 02:20:12,280
Speaker 9: I oh, you just felt like you got you guys

2537
02:20:12,320 --> 02:20:13,440
Speaker 9: haven't started shooting at all.

2538
02:20:13,840 --> 02:20:17,560
Speaker 2: No, man, because Lee Daniels is the director, and he

2539
02:20:17,840 --> 02:20:21,720
Speaker 2: is really successful. That's the big of that's Empire, and

2540
02:20:21,800 --> 02:20:23,840
Speaker 2: he's got the new show Stars. Make sure y'all go

2541
02:20:24,000 --> 02:20:25,840
Speaker 2: watch Stars Empire.

2542
02:20:25,879 --> 02:20:26,360
Speaker 1: You know what I mean.

2543
02:20:26,440 --> 02:20:29,960
Speaker 2: Lee Daniels is an incredible director who's in charge of

2544
02:20:30,120 --> 02:20:34,480
Speaker 2: the script, in charge of the movie. So when he

2545
02:20:34,560 --> 02:20:36,680
Speaker 2: gets ready to shoot it, I'm gonna be ready to

2546
02:20:36,720 --> 02:20:40,560
Speaker 2: shoot it. Until then, I'm in a new movie with

2547
02:20:41,920 --> 02:20:45,560
Speaker 2: Bruce Willis called Death Wish. It's the old trilogy of

2548
02:20:46,000 --> 02:20:50,600
Speaker 2: Charles Bronson movies called Death Wish. Bruce Willis is playing

2549
02:20:51,200 --> 02:20:54,080
Speaker 2: Charles Bronson, and I'm playing a doctor in the movie.

2550
02:20:55,320 --> 02:20:55,959
Speaker 1: You know what I mean.

2551
02:20:56,840 --> 02:20:58,959
Speaker 2: Yeah, I'm playing a doctor in the movie. I didn't

2552
02:20:58,959 --> 02:21:01,640
Speaker 2: played a lot of characters. I didn't play again as

2553
02:21:01,680 --> 02:21:04,840
Speaker 2: a doctor. No, No, I don't get the doctor respect

2554
02:21:04,879 --> 02:21:06,000
Speaker 2: that this makes a noise.

2555
02:21:09,560 --> 02:21:11,160
Speaker 1: Because because there's you.

2556
02:21:11,240 --> 02:21:14,000
Speaker 2: Know, there's a business side to me too, as well

2557
02:21:14,040 --> 02:21:16,720
Speaker 2: as the artist side and the food side that I

2558
02:21:16,840 --> 02:21:21,320
Speaker 2: have to maintain. And like I said, I produced Meet

2559
02:21:21,360 --> 02:21:22,800
Speaker 2: the Blacks, the movie Meet the Blacks.

2560
02:21:22,840 --> 02:21:24,880
Speaker 1: We put it together, big week the Blacks out, and

2561
02:21:25,000 --> 02:21:27,800
Speaker 1: we had we had a lot of great artists in it,

2562
02:21:28,040 --> 02:21:28,720
Speaker 1: you know what I mean.

2563
02:21:28,800 --> 02:21:32,720
Speaker 2: We had Mike Tyson, Mike Tyson, Charlie Murphy, Charlie Murphy,

2564
02:21:32,840 --> 02:21:35,240
Speaker 2: you know, a lot of comedians, a little duvall.

2565
02:21:36,240 --> 02:21:38,880
Speaker 1: The white girl in there too, The white girl. Yeah,

2566
02:21:40,280 --> 02:21:45,440
Speaker 1: you don't even remember this little foul. He's a foul.

2567
02:21:52,080 --> 02:21:55,000
Speaker 1: I know, you go into the white business man.

2568
02:21:55,920 --> 02:21:58,600
Speaker 3: But you know what it's about, Tom niggas get a

2569
02:21:58,720 --> 02:22:01,120
Speaker 3: chance to not to remember the white people names.

2570
02:22:01,200 --> 02:22:07,720
Speaker 1: Let's make some noise. The girl was Spanish. Her name is,

2571
02:22:09,800 --> 02:22:10,600
Speaker 1: Her name is Lou.

2572
02:22:10,800 --> 02:22:11,240
Speaker 14: Uh uh.

2573
02:22:11,879 --> 02:22:16,600
Speaker 1: Look what the saw the movie. She's beautiful. Listen, she's lucky.

2574
02:22:16,840 --> 02:22:19,760
Speaker 1: Let him go. She's beautiful. I mean, look, I've given

2575
02:22:19,800 --> 02:22:22,640
Speaker 1: a lot of girls opportunities. I gave you. Uh uh.

2576
02:22:24,800 --> 02:22:28,680
Speaker 2: Even then I told ice Cube that's the girl right there,

2577
02:22:29,760 --> 02:22:31,400
Speaker 2: you know what I mean, said that was you.

2578
02:22:31,640 --> 02:22:36,400
Speaker 1: She been clowning. But I remember Rick Ross's first Rick

2579
02:22:36,520 --> 02:22:40,600
Speaker 1: Ross was on the the they did the video for

2580
02:22:40,720 --> 02:22:42,119
Speaker 1: the song the Traating record.

2581
02:22:42,560 --> 02:22:47,280
Speaker 2: Rick Ross was on the sound all about Diamondo. What's

2582
02:22:47,360 --> 02:22:48,640
Speaker 2: his first joint?

2583
02:22:49,040 --> 02:22:50,680
Speaker 1: And I think you wrote verse for that.

2584
02:22:51,120 --> 02:22:54,400
Speaker 3: Yeah, I don't know what's going on going on with

2585
02:22:54,560 --> 02:22:57,680
Speaker 3: Miami history because I have no idea what you're talking about.

2586
02:22:58,200 --> 02:23:05,000
Speaker 1: That that's that's fantastic his first entrance. Man, Yeah, I

2587
02:23:05,160 --> 02:23:13,240
Speaker 1: mean what happened? Yeah? Yeah, I like this. I like this.

2588
02:23:13,720 --> 02:23:16,360
Speaker 3: I like this pay per view battleship because you could tell,

2589
02:23:16,600 --> 02:23:18,480
Speaker 3: you could tell, you could tell you sniffed coked in

2590
02:23:18,560 --> 02:23:19,000
Speaker 3: his life.

2591
02:23:19,040 --> 02:23:22,640
Speaker 1: At some point he's cutting the blunts, he's he is

2592
02:23:22,760 --> 02:23:26,520
Speaker 1: keeping everything clean around him. That is the old school

2593
02:23:26,600 --> 02:23:28,840
Speaker 1: cokeine from back in the day. I'm sorry, no, that's

2594
02:23:28,840 --> 02:23:30,600
Speaker 1: not prison's prison.

2595
02:23:33,320 --> 02:23:36,039
Speaker 2: Tent, you know what I mean, because you'd be surprised

2596
02:23:36,080 --> 02:23:40,000
Speaker 2: at how many these niggas sells is found funky niggas.

2597
02:23:40,280 --> 02:23:42,480
Speaker 1: That's how you could tell the niggas got some class,

2598
02:23:42,520 --> 02:23:45,320
Speaker 1: because the niggas jail cells dirty. The motherfucker.

2599
02:23:45,760 --> 02:23:52,800
Speaker 2: You gotta keep yourself clean, your honey, peanut butter, I'm looking,

2600
02:23:53,840 --> 02:23:55,560
Speaker 2: where is the fucking toutsies at.

2601
02:23:57,040 --> 02:23:58,400
Speaker 1: Down the street? Right down the street.

2602
02:23:59,120 --> 02:24:05,240
Speaker 2: That's why I'm gonna go You're Finnah, you're gonna take one.

2603
02:24:05,840 --> 02:24:20,600
Speaker 1: No, you never know about No, you never had the

2604
02:24:20,680 --> 02:24:24,760
Speaker 1: fried lobster. You gotta get the fried lobster. Look, let

2605
02:24:24,840 --> 02:24:29,400
Speaker 1: me talk to you. You you do a movie together. Nor, No,

2606
02:24:29,520 --> 02:24:33,800
Speaker 1: we're gonna You're gonna your country. Cousin moves to Drink

2607
02:24:33,879 --> 02:24:36,760
Speaker 1: Champs movie and listen, this is what happens all right

2608
02:24:36,959 --> 02:24:38,080
Speaker 1: in the Drink Champs movie.

2609
02:24:42,080 --> 02:24:47,560
Speaker 3: Relax, We're gonna go somewhere and some niggas gonna challenge us,

2610
02:24:48,080 --> 02:24:50,040
Speaker 3: and then we can't do what we gotta do. But

2611
02:24:50,120 --> 02:24:52,040
Speaker 3: then they say, Mike as come out here like that,

2612
02:24:54,040 --> 02:24:56,760
Speaker 3: and in my mind it's bright ship that come out.

2613
02:25:00,000 --> 02:25:05,440
Speaker 3: I said, I got damn and you're gonna back us,

2614
02:25:06,120 --> 02:25:08,800
Speaker 3: and we're gonna go against like a Brazilian naire.

2615
02:25:11,320 --> 02:25:13,800
Speaker 1: What that nigga name like the white guy that with

2616
02:25:13,879 --> 02:25:17,480
Speaker 1: French Montana. Keep paying in them niggas, and.

2617
02:25:17,640 --> 02:25:19,720
Speaker 3: We got to get that old white man, you know,

2618
02:25:19,720 --> 02:25:24,359
Speaker 3: the most interesting in the world, that nigga name that being.

2619
02:25:25,920 --> 02:25:30,200
Speaker 1: No man the guy to be like he was like

2620
02:25:30,320 --> 02:25:33,680
Speaker 1: French Montana, the guy from Vegas. This is gonna be

2621
02:25:33,760 --> 02:25:38,520
Speaker 1: on revolves they have on here. Fifty said this say

2622
02:25:38,600 --> 02:25:46,760
Speaker 1: nothing about Puffy. I told relax, did you gotta let

2623
02:25:46,840 --> 02:25:48,640
Speaker 1: That's who I want to see. I want to see

2624
02:25:48,680 --> 02:25:52,000
Speaker 1: all them dudes fight. Why. I want to see these

2625
02:25:52,040 --> 02:25:55,160
Speaker 1: old niggas. We can't do that, Yes, yes they can

2626
02:25:55,920 --> 02:25:59,040
Speaker 1: take a shot shot. I want to see these fights.

2627
02:25:59,240 --> 02:26:03,440
Speaker 1: They put your own niggas are fighting. No more. Listen

2628
02:26:03,480 --> 02:26:06,640
Speaker 1: to no more Champagne's plenty of tiger bo. Y'all got

2629
02:26:06,800 --> 02:26:11,520
Speaker 1: by your niggas. Get you ready to leave? Mike, Yeah,

2630
02:26:11,600 --> 02:26:16,920
Speaker 1: I still ain't drunk. Oh, let's give him shot out tile.

2631
02:26:18,000 --> 02:26:25,000
Speaker 1: That one up great more than he dropped.

2632
02:26:25,040 --> 02:26:25,600
Speaker 4: Se Lo go.

2633
02:26:26,640 --> 02:26:30,320
Speaker 1: He wanted good marble again. I don't know what had

2634
02:26:30,360 --> 02:26:36,040
Speaker 1: on man, I'm having trick that he was with us.

2635
02:26:36,120 --> 02:26:43,560
Speaker 1: He stayed. Check that you no more that we gotta

2636
02:26:43,560 --> 02:26:44,680
Speaker 1: take take a picture.

2637
02:26:54,040 --> 02:26:57,360
Speaker 12: Drink Champs is a Drink Champs ll C production hosts

2638
02:26:57,400 --> 02:27:01,000
Speaker 12: and executive producers and O r E and ej e FN.

2639
02:27:02,160 --> 02:27:03,240
Speaker 1: Listen to Drink Champs on.

2640
02:27:03,320 --> 02:27:08,240
Speaker 12: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

2641
02:27:09,360 --> 02:27:11,760
Speaker 12: Thanks for joining us for another episode of Drink Champs

2642
02:27:11,840 --> 02:27:14,440
Speaker 12: hosted by Yours truly, DJ E f N and n

2643
02:27:14,440 --> 02:27:16,520
Speaker 12: O r E. Please make sure to follow us on

2644
02:27:16,600 --> 02:27:19,720
Speaker 12: all our socials. That's at Drink Champs across all platforms,

2645
02:27:20,240 --> 02:27:24,400
Speaker 12: at the real noriagon ig at Noriega on Twitter, mine

2646
02:27:24,480 --> 02:27:24,840
Speaker 12: is at.

2647
02:27:24,760 --> 02:27:28,920
Speaker 1: Who's Crazy on ig at dj e f N on Twitter, and.

2648
02:27:29,000 --> 02:27:31,400
Speaker 12: Most importantly, stay up to date with the latest releases,

2649
02:27:31,840 --> 02:27:33,480
Speaker 12: news and merch by going

2650
02:27:33,520 --> 02:27:35,000
Speaker 1: To drink champs dot com