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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I Heart Radio and his Drink chas motherfucking podcast. Mason,

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Speaker 1: He's a legendary queen's rapper. He's like Green is your

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Speaker 1: boy in O R. He's a Miami hip hop pioneer

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Speaker 1: d J e f N. Together they drink it up

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Speaker 1: with some of the biggest players in the most professional,

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Speaker 1: unprofessional podcast. And your number one sorts for drunk Mother

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Speaker 1: is New year Z. Just for Drink Champs Trink Up.

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Speaker 1: Would it could be Hope with Super It's your boy

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Speaker 1: in O R? What up is d J e FN

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Speaker 1: And this is drink champce motherfuckering yappy right now. This

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Speaker 1: was our second guest we ever had on Drink Channels.

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Speaker 1: It's been my friend forever. We lived down the block

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Speaker 1: from each other for ten years. I actually got to

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Speaker 1: see this man's success bubble like he he was like

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Speaker 1: a go artist and he moved on the block. Then

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Speaker 1: he became ten million. He still lived down the block.

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Speaker 1: This man cars changed drastically. He had six cars. I

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Speaker 1: had six cars. My six was not like his six.

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Speaker 1: He had a may back before may back was a

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Speaker 1: baby back. This is a factor Reno Countless continuously number

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Speaker 1: one hits legend. Dry stands on his own with this group,

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Speaker 1: but he stands on his own just win against what

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Speaker 1: rightfully can would have been very It would have been

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Speaker 1: drastic how they went the other way. A lot of

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Speaker 1: people betted against him, big facts, but he stood out there,

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Speaker 1: he stood the test of time, and the people have

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Speaker 1: chosen and said, this is the Victoria. In case you

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Speaker 1: guys are listening to this show, guys are driving, you

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Speaker 1: don't know who the funk we're talking about. We're talking

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Speaker 1: about fucking love Love my brother. Okay, listen, listen to

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Speaker 1: f and you know how we do this week. We

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Speaker 1: usually asked a couple of questions before we pop a bottle.

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Speaker 1: But this is how we do this a special occasion.

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Speaker 1: This is a special occasion, a special Yeah. Yeah, we

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Speaker 1: blended him to deady D said yeah, yeah, yeah, this

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Speaker 1: is what's doing. First goal, I want you to pick

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Speaker 1: your bottles, so you pick your grammy Okay, okay, I'm

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Speaker 1: gonna go saying new gold bottles look good but good. Yeah,

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Speaker 1: but you know you girls ros you know what I'm saying.

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Speaker 1: You can do the flowers. Yeah yeah, then you get

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Speaker 1: your old bott over here. We don't shoots. You don't

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Speaker 1: do that. Don't kind of teat somebody with nails kick

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Speaker 1: nails from you know, you know you're gonna give me

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Speaker 1: a night and shout out a crazy boat for them

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Speaker 1: prime dude crazy Okay, yeah, I mean one of those

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Speaker 1: crazy that's it. That's just crazy crazy. Yeah, I need you.

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Speaker 1: But you know what they know what you're gonna doing.

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Speaker 1: Does somebody know how? Yeah? Yeah? Because and then two

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Speaker 1: videos nothing there, that's your weed in there, getting there,

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Speaker 1: all right, that's gonna come all right now, riding up,

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Speaker 1: hold on, hold on you you gotta take every little piece,

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Speaker 1: every little thing that we do. That right, come on,

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Speaker 1: don't don't nothing, you gotta all right. Okay, now he's

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Speaker 1: he's doing it right, Okay, Okay again you and I

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Speaker 1: don't know, I feel like you pick up something. Way

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Speaker 1: it's gonna drink MS okay, right, boys, it's just grinding

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Speaker 1: the funk up though. Yeah, yeah, yeah, you're just dumping

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Speaker 1: in them. Yeah. Yeah, there you go, there you go,

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Speaker 1: there you go. Come on, let's get it. Let's get it.

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Speaker 1: Take it, take it, take it, take it, take it.

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Speaker 1: Take a Compete grinder Compton Grind that's one about a

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Speaker 1: thousand of them things. Yeah, yeah, he go take that too.

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Speaker 1: You know, let's keep it all together, all right. So yeah,

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Speaker 1: that's that's we are, man. Well, that's just what we do.

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Speaker 1: We just need it. We don't take it. I'm a

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Speaker 1: papa goal about it though. So I'm gonna one of

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Speaker 1: these so one of the I can talk to you

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Speaker 1: about acting, I can talk to you about wrapping, but

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Speaker 1: I want to focus on these verses. I want to

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Speaker 1: focus on that is that? Okay, people, anybody les, let's focuses. Okay.

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Speaker 1: One of the first records you came out with, sir,

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Speaker 1: what record was that? Which one? The first person? It

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Speaker 1: was you? J and X the murdering This murder Okay,

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Speaker 1: that's just murder. Okay, yeah, y'all nigg is ready. And

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Speaker 1: what I had to start off? The dog were in

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Speaker 1: the mecca. You know what I'm saying. We're in the garden.

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Speaker 1: You know how to give the rest in peace to

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Speaker 1: the to the dog man. Look he's looking at you

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Speaker 1: right now. Look at the dog. Makes a noise for

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Speaker 1: the dog, makes a noise for the dog. I actually

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Speaker 1: actually nicknamed uh that theater. It's called the Doghouse. Now,

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Speaker 1: so anybody want to go and versus you're going to

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Speaker 1: the dog house? Is this really near? It's real and near,

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Speaker 1: it's not. It's not you know, Queen's You don't drinking

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Speaker 1: from the bottom. I'm a cup type of dude. But

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Speaker 1: it's okay, let's okay, it's bottom match my pants. Let go.

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Speaker 1: So so I need to understand how does this happen?

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Speaker 1: Fat Joe calls you, Swiss calls you, Triller calls you.

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Speaker 1: When where was you at and what happened when you

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Speaker 1: got the call? Okay, I'm gonna tell I'm saying that.

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Speaker 1: So it was, it was, it was. It was in

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Speaker 1: the morning when I started getting the calls. So the

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Speaker 1: first call I've seen that I missed. I missed the calls.

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Speaker 1: I missed the calls, and I looked at my phone.

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Speaker 1: I see a call from Swiss. Swiss don't usually call me,

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Speaker 1: you know what I'm saying, unless just you know or

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Speaker 1: you know whatever. When I've seen Swiss, I said, wait, wait,

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Speaker 1: a time going to fast. So when you see Swiss call,

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Speaker 1: you said immediately first and you don't know what time

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Speaker 1: it was, and you think it makes calling you out. Na,

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Speaker 1: I'm thinking I'm thinking said, because let me flow, I'm

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Speaker 1: not not a real sh is. The real shi is.

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Speaker 1: Like I thought it was double dude, because that's the

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Speaker 1: verses everybody's been trying to make. So I was like, oh,

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Speaker 1: they got him to the table, you know what I'm saying.

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Speaker 1: So then right after that, I looked at my next

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Speaker 1: miss goal. It was fat Jail. So then I said, okay,

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Speaker 1: properly jail, you know what I'm saying. So then I

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Speaker 1: I called the who do I called first? I think

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Speaker 1: I called Crack first. I definitely call Crack first. Cracks

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Speaker 1: going on, you know what I'm saying. I wanted to

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Speaker 1: see if he was the actual opponent. I said, Crack,

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Speaker 1: what's going on? I said versus? I said, okay, you know,

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Speaker 1: so it's me and Cracks. You know, Me and Crack

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Speaker 1: talked about you know what we're gonna do, how we're

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Speaker 1: gonna do versus, which was cool. I said, yeah, let's let's,

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Speaker 1: you know, go and put on for the people. Let's

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Speaker 1: do it, we brothers. It would be great, you know

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Speaker 1: what I'm saying. They're now called Swiss and uh Swiss

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Speaker 1: was like, yo, you know you want to do it?

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Speaker 1: You want to you know, whatever. I said, Yeah, you know,

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Speaker 1: I'm with it. You know, but in the access time frame,

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Speaker 1: had the locks and dip set already battled or they haven't,

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Speaker 1: ye already this is fresh, This wasn't playing out. This

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Speaker 1: was recent. But they we put this versus together in

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Speaker 1: two like two weeks, working up two or three weeks.

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Speaker 1: They called me this is the date. I was like, bad,

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Speaker 1: let's let's do it. No, it wasn't really I didn't

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Speaker 1: really have real prep time. I guess, you know what

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Speaker 1: I'm saying. I don't know how everybody else got there,

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Speaker 1: you know, alert that they were doing versus in advance,

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Speaker 1: but because it comes I was, you know, I was straight.

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Speaker 1: I you know, versus, Like I said, versus is what

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Speaker 1: it is, man. But it's no longer friendly. It's no

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Speaker 1: longer not when you bring niggers in the garden, it's yeah,

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Speaker 1: when you go into the doghouse, when the doghouse, it's

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Speaker 1: it's the doghouse, and you gotta go in there, and

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Speaker 1: you gotta just in case you feel, yeah, you know,

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Speaker 1: I'll do that was the open up. Ye. Yeah, that's

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Speaker 1: keep going. Yeah, but you know, it was, it was.

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Speaker 1: It was definitely one of those things where it felt

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Speaker 1: like a real heavy weight fight. It felt so I

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Speaker 1: used to box too, so I know it's like to

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Speaker 1: get in a ring with a person, you know and

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Speaker 1: spall whatever. You know what I'm saying. I ain't box

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Speaker 1: like that, but you know, I know how. I know

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Speaker 1: how it feels to get in But did you talk

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Speaker 1: about that in the stage, like we're gonna it's gonna

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Speaker 1: be a battle. We're gonna put that on the stage.

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Speaker 1: It's gonna be we're gonna be against each other. Yo.

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Speaker 1: So at first it was like we brothers, we're gonna

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Speaker 1: brotherly love it out. I'm like, yeah, whatever we could.

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Speaker 1: Then as you know, it went along, it was like, okay, okay,

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Speaker 1: we gotta he went for the kill. We gotta. You

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Speaker 1: know what I'm saying, like it's saying while you're doing

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Speaker 1: versus no no no, no, no no, even before before

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Speaker 1: wants to exactly, I don't. This is my brothers over here.

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Speaker 1: You see how we talk to each other when we're

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Speaker 1: playing dice shoes, right, So you get it. So I

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Speaker 1: get it. So I but I'm walking in there, I'm like,

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Speaker 1: that's not personal. And I not for nothing. I used

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Speaker 1: to me and me and the dog. I used to

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Speaker 1: go around in battle too. That was where I came from.

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Speaker 1: That's why we you know, the doghouses. It's the same

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Speaker 1: that we used to have, you know, the locks me.

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Speaker 1: You know that was you know, up in Yanker's with

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Speaker 1: D and Wind and were going the doghouse. What I'm saying,

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Speaker 1: and we we get it in. You know what I'm

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Speaker 1: saying That a lot of people don't know. Yeah, because

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Speaker 1: they hear. They hear the records, you know, uh, the

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Speaker 1: number one records by the way, you know what I'm saying. Um,

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Speaker 1: they hear the records. And I think that was like

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Speaker 1: the illest thing about versus was I guess people thought that.

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Speaker 1: I don't know. I'm just saying. I guess people thought

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Speaker 1: you was a sucker. You know, I guess. And I'm

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Speaker 1: your friends, so I know the difference. And I've been

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Speaker 1: fighting for you for ten years and saying, no, I

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Speaker 1: got it wrong, what I'm saying, but how I can't

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Speaker 1: fight everybody, And for lack of a better term, that's

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Speaker 1: what it seemed like the crowd was won over. It's like,

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Speaker 1: damn rules still to his ground. I'm not to as

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Speaker 1: many devils. You don't know me. Now you know me.

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Speaker 1: You know what I'm saying, But it make some noise

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Speaker 1: for that, right I'm not but like you know, I

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Speaker 1: come from the bottom. You know, we all. I don't know,

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Speaker 1: like that's every black man's story, struggle. I wish it

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Speaker 1: wasn't what it is. We come from very very humble beginnings.

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Speaker 1: Drain and boris you got quick time of slim, you're

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Speaker 1: gonna do it like I don't care if you grew

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Speaker 1: up with some grass and use in a house. You're

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Speaker 1: still poor. You still and use middle class. You want sunny, drain,

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Speaker 1: you want sunny, you want sunny. My bad he was

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Speaker 1: still considered poor. So we all come from that. I

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Speaker 1: don't like like it, like when no crackers making the

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Speaker 1: jokes and ship like. You know, I forgive the other

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Speaker 1: dragon destreats. I'm like thereats whether fun? You think out

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Speaker 1: from Beverly Hills like I'm comfortable there, I live there.

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Speaker 1: But let's be fair, you've you've been making a lot

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Speaker 1: of Beverly Hills rackets. So that see here is what

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Speaker 1: I want to clarify. Let's clarify the ship out. I

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Speaker 1: want to clarify. Let's do it as an artist let's

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Speaker 1: go and pops music. It's all make make music. I

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Speaker 1: make music for the world. So when does a rapper

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Speaker 1: and they started rapping battle rapping and then you know,

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Speaker 1: starts to create records that are bigger than life? When

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Speaker 1: does he not become a rapper anymore? And why does

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Speaker 1: he not become a rapper anymore? This should make is proud,

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Speaker 1: This should make my fucking rap nick is proud that

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Speaker 1: a nigger that came from that can do that and

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Speaker 1: be that. So I think the narrative is fucked up

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Speaker 1: when you look at the nigga like Dre Nigga's looking

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Speaker 1: tra like like he's like some nick nigga. He ain't

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Speaker 1: saw it on that mic, Nigga Nigga go, I think

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Speaker 1: he I think buff that niggas fit. I think of

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Speaker 1: fighting on that I talking to I'm talking about on

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Speaker 1: that mic. That niggas talking about that too as well,

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Speaker 1: on that mic that point to be played with you

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Speaker 1: know what I'm saying. But because he makes a certain

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Speaker 1: type of record, niggas looking at it his sucks. That's

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Speaker 1: always been you know, out thing in hip hop, you know,

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Speaker 1: because we've always been the underdog. We've always been the outcast.

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Speaker 1: So if a rapper made it bigger than what that is,

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Speaker 1: he was commercial or he was you know, the only

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Speaker 1: rappers that didn't really get that stigma was like run DM.

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Speaker 1: Everybody else got that ship hello, but everybody, he ain't commercial.

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Speaker 1: He's going. You know what I'm saying these niggas is

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Speaker 1: these niggas is fucking masters a ceremony man Bob Smith's

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Speaker 1: and and and and we shouldn't do that to our legends.

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Speaker 1: We shouldn't do that to our icons. We're the only

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Speaker 1: genre that does this ship. Were the were the number

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Speaker 1: one genre in music right now. That says a lot.

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Speaker 1: We've overtook in country, We've overtok rock. And that's because

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Speaker 1: artists like myself and and and other artists are able

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Speaker 1: to step outside of that peripheral box and do some

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Speaker 1: other ship than just two turntables in the microphone. But

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Speaker 1: don't get sucked up. I do that very well, you

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Speaker 1: know what I'm saying, And that and that's what versus.

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Speaker 1: Let's lets you and let you fucking personify, let you

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Speaker 1: go out there and and illustrate that to the world.

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Speaker 1: And I think that's the importance of versus. So when

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Speaker 1: I I wasn't battling fact, Joe. You know what I'm saying.

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Speaker 1: I was. Let me stop right there. I know he

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Speaker 1: wasn't battle a fact, jo it was. I know you

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Speaker 1: was battling in the world. That's this is what I'm saying.

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Speaker 1: You know, you know what I'm saying. I was. I

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Speaker 1: was going out the world everything I'm believer he was

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Speaker 1: going to hate hate America. Your motherfucker America. I just

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Speaker 1: want to y'all got wrong. Y'all got this fucked up.

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Speaker 1: You've been talking that said, and so I just hope

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Speaker 1: everybody you know now that they experienced my stage show

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Speaker 1: and my passion for the art, for the music, for

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Speaker 1: the coaching. I just hope now people understand why I

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Speaker 1: am this, yall. I love motherfucking hip hop. Hip Hop

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Speaker 1: allowed me to put three motherfucking beautiful kids through college.

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Speaker 1: Got to love hip hop. Goddamn. I will never denounced

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Speaker 1: hip hop. Goddamn you understanding. And I'm never gonna sit

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Speaker 1: here and say I'm a pop artist or I'm or

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Speaker 1: I'm an R and B artists. No, motherfucker, I'm a

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Speaker 1: hip hop artist that's able to do all of that. Ship.

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Speaker 1: What's what's wen do name loy Wood Tango Tang. I

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Speaker 1: don't want to go on, but my honey, bud something

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Speaker 1: of that. I thought that you were the first hip

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Speaker 1: hop artist singing on the record Grandmaster cast out on

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Speaker 1: the first and that seat and said it was Hollywood

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Speaker 1: and he had and I knew that record. Okay, you

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Speaker 1: know it's crazy because I was gonna give that. I

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Speaker 1: was gonna give that to Curtis Blocker with Daydreaming. No,

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Speaker 1: but that that's before that, that's before that. Yeah, that's why.

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Speaker 1: You know, that's that it would take a hip hop

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Speaker 1: his story and thinking that big hip hop to tell

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Speaker 1: you that because you know what I'm saying, I don't

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Speaker 1: know which one of those records came first, but he would,

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Speaker 1: you know what I'm saying. But let's be clear. But

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Speaker 1: when I got to also tipped my hat to to

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Speaker 1: Curtis blow because he definitely the first like song sung

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Speaker 1: by a rapper was Daydreaming. Curtis block I gotta give

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Speaker 1: it to that. But but look, just what I think

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Speaker 1: it's important about everything talking about is that it's not

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Speaker 1: whether you could do crossover records or do pop records

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Speaker 1: as a hip hop artist, is if it comes natural

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Speaker 1: to you. And that's the thing. There's nothing wrong with

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Speaker 1: someone being underground if that's what they do. Good. First off,

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Speaker 1: he's here on a Friday night. That's white people, night

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Speaker 1: after day, white people like listen, I've never been a

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Speaker 1: Friday and live ever ever, Thursday, Wednesday. None of that

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Speaker 1: ship something. So you know, I'm a nick nigga, Like

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Speaker 1: you know what. They don't let me in finding something

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Speaker 1: different from different. Man, I'm telling you so a lot

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Speaker 1: of people don't know that rue like, um uh, this

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Speaker 1: is the Top forty tours that happened every year, right,

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Speaker 1: and if Pap is lucky, I would be on two

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Speaker 1: or four of them every year. And I remember one

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Speaker 1: year you all know all of them? He was on

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Speaker 1: every Top forty tour there was. It was on one

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Speaker 1: tour one time. I think he was the only black

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Speaker 1: dude there. Like it was just all, how does how

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Speaker 1: does that feel? You know what I'm saying, like being

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Speaker 1: able to to be like almost o J. What I

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Speaker 1: mean by that is, I know this sounds crazy at

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Speaker 1: one point. At one point, right, he wasn't like how

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Speaker 1: do you not lose yourself by being on a show

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Speaker 1: with Katie Perry? And I'm always black. I'n't gonna get

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Speaker 1: in front of a whole white audience and do destiny.

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Speaker 1: But you know what I'm saying, I did it that

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Speaker 1: fucking versus you know what I mean. My pain gonna

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Speaker 1: be death for me, but to be loved is my destiny.

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Speaker 1: My black people, I'm where I'm at because this is

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Speaker 1: the beauty of Jahu. I need to be me, you know.

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Speaker 1: You know what I'm saying is I get to be

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Speaker 1: me anytime. I don't have to. I don't have to

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Speaker 1: put on it for sal I don't have to dress

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Speaker 1: a certain way at a certain way. None of that

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Speaker 1: I need. And sometimes me comes across shocking to people.

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Speaker 1: People the shock that I played golf. People in shock

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Speaker 1: that I do. You know, I went to fucking Harvard

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Speaker 1: and and and you know, got my fucking you know,

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Speaker 1: my certificate degree? Bullshit? What Harvard? Yeah, wait, we gotta

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Speaker 1: make some I'll be seeing you in your golf tight shirts.

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Speaker 1: I'll be seeing you. I like golf. I mean, golf

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Speaker 1: is relaxing to me. And you never played, and I'm

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Speaker 1: a competitive person. You ever with Brad, I don't go.

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Speaker 1: I don't call Brad. Let me stop. You ever play

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Speaker 1: with not Yeah, I gotta I gotta play with face.

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Speaker 1: Face is really good. Actually, you know, I'm gonna be

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Speaker 1: out in Houston. Um um this Sunday. Man, maybe maybe

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Speaker 1: I'll maybe I'll fix And he just got kidney. He

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Speaker 1: just got a kid Yo. Plays uh fantasy football together.

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Speaker 1: We're in the league and ship. So we played. We

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Speaker 1: actually played each other. And this Sunday for me and

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Speaker 1: we're gonna I'm in Houston, so we gotta show together.

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Speaker 1: So we're gonna watch the game together and hang out.

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Speaker 1: So what did he say after that? The Harvard what

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Speaker 1: is this Harvard shit about? It was, I took a

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Speaker 1: business course and you know, Entrepreneurial Essentials, and you know,

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Speaker 1: it's it's a really cool course to take, you know.

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Speaker 1: Um but yeah I passed and then got my Harbor

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Speaker 1: certificate for for that for that course. But you know,

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Speaker 1: these are the things that people don't. No, I'll realize

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Speaker 1: about you'll who I am, But I get to be that.

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Speaker 1: I don't. I'm not. I don't shy away from that.

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Speaker 1: So it's like, you know, when when we cracked, you know,

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Speaker 1: he hits the other stage. He's like, you're gonna go

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Speaker 1: see me Chris Brown yeah, nigga, I say, nigga, what

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Speaker 1: the singing? I never, I'm not, I'm not, I'm not.

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Speaker 1: I'm not ashamed who I am. I'm not scared to

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Speaker 1: be me. That's why when things go wrong for me,

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Speaker 1: and I know that I'm on the right side of

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Speaker 1: history when it even when they went wrong, I ain't

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Speaker 1: scared to come out and show my face and be

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Speaker 1: around and be the same person. And I am because

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Speaker 1: I get to be me because I choose that. I don't.

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Speaker 1: I don't, you know, And so that that's important for

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Speaker 1: all of you, your young new artists out there. Be yourself, man,

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Speaker 1: be you do what the funk you want to do.

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Speaker 1: Go ahead, I want to fucking pink snails and We're

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Speaker 1: addresses and all that ship. It's not all for everybody,

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Speaker 1: everything and for everybody, but but if it's for you,

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Speaker 1: do that, express yourself for yourself, you know what I'm saying.

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Speaker 1: Like I like the little lies ex Dude, little Lisa,

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Speaker 1: little Nasacs. You know I caught that. I look, I

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Speaker 1: look at what he's doing from artistry level. You know

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Speaker 1: what I'm saying. If you can step outside of everything

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Speaker 1: else you know that's going on inste the dude makes

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Speaker 1: good music, you know what I'm saying. He does, He

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Speaker 1: makes good records and and and I think sometimes people

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Speaker 1: get caught up in what people doing personally and then

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Speaker 1: personal lives in the personal time and don't get a

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Speaker 1: chance to love and and and you know, experience the

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Speaker 1: actual actual arts, you know what I'm saying. But we

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Speaker 1: don't do that with other artists. We don't really do

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Speaker 1: that with you know, like entertainers, like if you know,

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Speaker 1: musicians and actors. You know, we don't do that with

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Speaker 1: Kasso and Baska. You know, we don't do that with them.

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Speaker 1: They get to beat them and they were flawed as men.

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Speaker 1: They art still sells for millions and millions of dollars.

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Speaker 1: It's not they don't get canceled. You know, they didn't

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Speaker 1: live to really benefit I know, but it doesn't matter

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Speaker 1: in this day and age. If you did something and

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Speaker 1: fucking thirty years ago and you're still around or whatever,

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Speaker 1: they'll fucking get you now. So it's like, you know,

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Speaker 1: it's just it's just it's just one of those things

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Speaker 1: where I feel like, you know, us as a culture,

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Speaker 1: and I says, people, you know, we can appreciate the

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Speaker 1: art and sometimes exclude the arts. It's tough to do.

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Speaker 1: That's why we need to put on Kelly Rex said

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Speaker 1: night it's tough to do. It's no, it's tough to do.

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Speaker 1: Eversation about Listen, this is a good talking I need

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Speaker 1: to hear this. I need to hear you and Joe

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Speaker 1: talking about aunt. Kelly and I need to hear this. Mark,

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Speaker 1: let's go. It sounds like a bar Joe flawed. He's

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Speaker 1: got it's a flawed man. He you know, he's he's

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Speaker 1: going through his problem. So he's gonna do some ship. Yeah,

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Speaker 1: he's flowing. Nobody's perfect. He's flowing. And I'm you know,

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Speaker 1: what he's done is what he's done. He has to

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Speaker 1: account for his you know, his his things these time.

397
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Speaker 1: But do we throw it away like like Bill Cosby,

398
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Speaker 1: did we stop really watching the Cosmy show? Come on,

399
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Speaker 1: you can tell me I gotta stop watching Cosmy show.

400
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Speaker 1: I'm just saying this is this is this is to

401
00:25:15,800 --> 00:25:19,320
Speaker 1: be able to separate the separate baba the same thing

402
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Speaker 1: like what he did for the culture, like cut deep,

403
00:25:22,000 --> 00:25:25,359
Speaker 1: cut deep right there, but this but this is but

404
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Speaker 1: this is you know me and a matter of conversation

405
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Speaker 1: about it. You know it was like, Yo, we're gonna

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Speaker 1: play you are, Kelly or you are? Said, yeah, we're

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Speaker 1: doing all. We were playing all you know whatever, Oh

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Speaker 1: all right, we're doing on. I said, I was gonna

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Speaker 1: play unless you play it anyway. I like you throwing

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Speaker 1: I was throwing on because it's such a it's such

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Speaker 1: a touching subject like and and for me it's even

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Speaker 1: touch of your subject. And you worked using the studio

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Speaker 1: were all, no, no, no, here's the crazy ship. Okay,

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Speaker 1: I rute my part, insented to all the same. You

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Speaker 1: understand nobody does that. No, he's saying yeah, yeah he

416
00:26:03,840 --> 00:26:08,520
Speaker 1: said that, and Joe said that too. He no body

417
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Speaker 1: sends are anything to say, I writes the fucking hooks

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Speaker 1: sends back to everybody. But why you actually me if

419
00:26:15,160 --> 00:26:20,920
Speaker 1: I know, like, I'm cool, you like just going on?

420
00:26:21,119 --> 00:26:27,840
Speaker 1: He said, right like anyway, an you know what Trum

421
00:26:28,000 --> 00:26:35,119
Speaker 1: saying to me? Right, you know, we all don't know

422
00:26:35,640 --> 00:26:37,320
Speaker 1: us know we us know, but we do know a

423
00:26:37,400 --> 00:26:41,000
Speaker 1: little bit a little bit. I don't know. Ship. You

424
00:26:41,119 --> 00:26:53,120
Speaker 1: tell him, sorry, said you knew. Yeah, he said, we're

425
00:26:53,119 --> 00:26:58,960
Speaker 1: coming back to the back. We're not. This is this

426
00:26:59,160 --> 00:27:02,159
Speaker 1: the game that we do here, By the way, our

427
00:27:02,240 --> 00:27:04,640
Speaker 1: normal stabbuds out here, get the get the jo let's

428
00:27:04,640 --> 00:27:07,119
Speaker 1: go on the joint. Oh flower, let's go, let's get

429
00:27:07,560 --> 00:27:11,879
Speaker 1: ya got real flower thing of the second person to

430
00:27:11,920 --> 00:27:17,560
Speaker 1: receiver were out here, we got gold bottles and gold flowers,

431
00:27:17,560 --> 00:27:21,200
Speaker 1: and think they got the frill flower. I like those flowers,

432
00:27:21,240 --> 00:27:25,320
Speaker 1: Padelia bro. I like these flowers. Come on to receive

433
00:27:25,400 --> 00:27:27,520
Speaker 1: these on drink chance. That's what I'm talking about. I'm

434
00:27:27,520 --> 00:27:30,040
Speaker 1: always number two. I'm saying, yeah, I'll get you all.

435
00:27:34,440 --> 00:27:41,760
Speaker 1: You don't asking the phone the first time? Come on,

436
00:27:41,960 --> 00:27:45,080
Speaker 1: Look what's your name on it? What's your name on it?

437
00:27:45,400 --> 00:27:59,120
Speaker 1: And go on, let's fahi man, go on, man, make

438
00:27:59,200 --> 00:28:07,000
Speaker 1: some noise. I the fucking jobs. Dope, No, not a

439
00:28:07,040 --> 00:28:10,440
Speaker 1: dope fucking edition to drink chap. Yeah, hell yeah, this

440
00:28:10,640 --> 00:28:15,359
Speaker 1: last few years dope ddition to drink Chaps. And I'm

441
00:28:15,359 --> 00:28:22,719
Speaker 1: sucking honored and and and appreciating. Okay, I know your

442
00:28:22,760 --> 00:28:25,919
Speaker 1: second to grand master cast. Come on you that, come on,

443
00:28:26,200 --> 00:28:41,040
Speaker 1: come on, so Job, I'm your friend. I know exactly

444
00:28:41,520 --> 00:28:45,920
Speaker 1: how you live. I know exactly you know. But it

445
00:28:46,040 --> 00:28:52,760
Speaker 1: was a it was a perception. Yeah it's over for y'all.

446
00:28:54,120 --> 00:28:58,280
Speaker 1: That's what people would say. Job is not this job

447
00:28:58,360 --> 00:29:03,920
Speaker 1: is not that. But then some people, some people champion

448
00:29:03,960 --> 00:29:08,400
Speaker 1: what you're doing. But this also I told you, I

449
00:29:08,440 --> 00:29:11,000
Speaker 1: told you, I said that. A unique thing about job

450
00:29:11,560 --> 00:29:15,280
Speaker 1: and your fans is you got die hard fast and

451
00:29:15,320 --> 00:29:22,800
Speaker 1: you got die hate fans like you like I hate him.

452
00:29:25,080 --> 00:29:33,480
Speaker 1: And this might have been since it was murder, it

453
00:29:33,640 --> 00:29:35,480
Speaker 1: was at the top. Since the murder, it was at

454
00:29:35,480 --> 00:29:37,000
Speaker 1: the top. This might have been the first time I've

455
00:29:37,040 --> 00:29:41,120
Speaker 1: seen just the crowd that you'jectually we just be fully

456
00:29:41,200 --> 00:29:46,440
Speaker 1: on your side. Like I was so happy. I was

457
00:29:46,520 --> 00:29:51,320
Speaker 1: so proud because I'm a street dude, I'm also half

458
00:29:51,320 --> 00:29:54,400
Speaker 1: a nerd. So I'll be on the internet like, yeah,

459
00:29:54,520 --> 00:29:57,320
Speaker 1: I go ahead, I'll be wanting to see anybody. And

460
00:29:57,760 --> 00:30:02,400
Speaker 1: it was like the whole world like went from almost

461
00:30:02,440 --> 00:30:06,840
Speaker 1: against you to old that wouldn't me, Like everyone got

462
00:30:06,840 --> 00:30:09,320
Speaker 1: there all around you right now. Is that how you feel?

463
00:30:09,400 --> 00:30:13,960
Speaker 1: Is that what you see or no? You know, Um,

464
00:30:14,120 --> 00:30:18,480
Speaker 1: that's a that's a a great, you know, assessment of

465
00:30:18,560 --> 00:30:23,960
Speaker 1: the whole city. I do see it that way sometimes

466
00:30:24,000 --> 00:30:25,680
Speaker 1: a lot of a lot of times. You know, I lived,

467
00:30:27,400 --> 00:30:30,600
Speaker 1: but I also live in my own world where I

468
00:30:30,640 --> 00:30:33,440
Speaker 1: get the gross but the internet don't matter. Yeah, people

469
00:30:33,440 --> 00:30:36,120
Speaker 1: don't act like that person people, you know, if you

470
00:30:36,160 --> 00:30:39,640
Speaker 1: love me, that rule. It's basically, you know, I travel

471
00:30:39,640 --> 00:30:42,320
Speaker 1: the world and it's like that, you know, so I

472
00:30:42,400 --> 00:30:44,840
Speaker 1: get it. This is a swell of people that have

473
00:30:45,000 --> 00:30:48,960
Speaker 1: that you know whatever, but it really lives mostly online

474
00:30:49,000 --> 00:30:51,280
Speaker 1: for me, and so when I don't want to see

475
00:30:51,280 --> 00:30:55,000
Speaker 1: the bullshit that's still flying, but it's like, you know,

476
00:30:55,040 --> 00:30:57,800
Speaker 1: I get it here and there, But after that, I

477
00:30:57,880 --> 00:31:04,480
Speaker 1: do feel it's like a a feeling of we forgot

478
00:31:04,800 --> 00:31:08,840
Speaker 1: almost we forgot you know, Big said it best. You know,

479
00:31:09,200 --> 00:31:11,080
Speaker 1: they love you, they hate you, and I was time

480
00:31:11,160 --> 00:31:14,640
Speaker 1: for the love again and and I and I feel

481
00:31:14,680 --> 00:31:19,280
Speaker 1: like I feel like it's it's a people they're starting

482
00:31:19,320 --> 00:31:22,920
Speaker 1: to feel what I've been going through and what the

483
00:31:22,960 --> 00:31:25,280
Speaker 1: whole situation was, and they see it a little bit

484
00:31:25,280 --> 00:31:30,440
Speaker 1: differently now, which is school grown now high school? When

485
00:31:30,480 --> 00:31:32,760
Speaker 1: when when when the ship was was was hitting the fan,

486
00:31:32,880 --> 00:31:36,720
Speaker 1: But you know, now it's it's a different thought process,

487
00:31:36,760 --> 00:31:41,120
Speaker 1: it's a different feeling. And you know, I think switch

488
00:31:41,160 --> 00:31:45,040
Speaker 1: to I hate him, I said, yo, man, I want

489
00:31:45,040 --> 00:31:47,760
Speaker 1: to I want to say think because Versus is an

490
00:31:47,800 --> 00:31:51,760
Speaker 1: amazing platform. This is after yeah, because he hit me,

491
00:31:51,760 --> 00:31:57,880
Speaker 1: he said, Yo, congratulations King, amazing Swiss second gratulations. Okay,

492
00:31:58,840 --> 00:32:01,040
Speaker 1: so I hit him back and ship swists, young man.

493
00:32:01,960 --> 00:32:03,440
Speaker 1: I just want to tell you what I'm saying. I

494
00:32:03,480 --> 00:32:05,800
Speaker 1: don't have Tims numbers. I want to say this right

495
00:32:05,800 --> 00:32:07,960
Speaker 1: now for Tim too, because he's a part of that's

496
00:32:08,000 --> 00:32:12,640
Speaker 1: a big part of that um. That platform is amazing

497
00:32:13,040 --> 00:32:18,960
Speaker 1: and what it allows artists to be. And do you

498
00:32:19,360 --> 00:32:23,719
Speaker 1: know I thank them for allowing me to, you know,

499
00:32:24,240 --> 00:32:27,320
Speaker 1: share my passion with the world, because that's all I

500
00:32:27,360 --> 00:32:30,479
Speaker 1: ever wanted to do making music. That's all I ever

501
00:32:30,520 --> 00:32:32,840
Speaker 1: wanted to do. That's who I am as an artist.

502
00:32:32,880 --> 00:32:35,080
Speaker 1: I just want to make dope ass. Like when I

503
00:32:35,160 --> 00:32:36,680
Speaker 1: make all of these records and I write all these

504
00:32:36,680 --> 00:32:41,760
Speaker 1: records in my eyes, in my mind, they're like instruments.

505
00:32:42,000 --> 00:32:45,200
Speaker 1: Their voices are the record instruments on these records. To me,

506
00:32:45,920 --> 00:32:48,120
Speaker 1: I write these songs, I heard voices in my head.

507
00:32:48,120 --> 00:32:50,320
Speaker 1: I hear different artists on them. I write them. I

508
00:32:50,680 --> 00:32:52,240
Speaker 1: you know, I hope I can get them to bring

509
00:32:52,280 --> 00:32:54,880
Speaker 1: them to to to bring this to be that vessel

510
00:32:55,080 --> 00:32:57,600
Speaker 1: to bring my words to the world. And that's what

511
00:32:58,000 --> 00:33:00,320
Speaker 1: all of these amazing voices are to me. All these

512
00:33:00,320 --> 00:33:05,760
Speaker 1: amazing talents are their their their their, you know, other

513
00:33:05,960 --> 00:33:14,640
Speaker 1: instruments if you will to welcome to drink. Tim, what's up?

514
00:33:14,720 --> 00:33:20,200
Speaker 1: I hang up. No, We're gonna make this happen, he said. Yeah,

515
00:33:20,960 --> 00:33:26,280
Speaker 1: says something Tim boy King or something maybe. Now I

516
00:33:27,000 --> 00:33:31,080
Speaker 1: was giving you your flowers, man, you know I ain't

517
00:33:31,120 --> 00:33:32,920
Speaker 1: got your numbers. I was telling them how you know,

518
00:33:32,960 --> 00:33:35,680
Speaker 1: I got a chance to just tell Swiss that, you

519
00:33:35,720 --> 00:33:41,200
Speaker 1: know how how amazing a platform versus is and and

520
00:33:41,360 --> 00:33:43,960
Speaker 1: how you know I well, I just want to say

521
00:33:44,000 --> 00:33:47,880
Speaker 1: thank you all for letting me, you know, gives my

522
00:33:47,960 --> 00:33:50,680
Speaker 1: talents to the world and share my passion with the world,

523
00:33:50,720 --> 00:33:54,200
Speaker 1: because that's all I ever wanted to do. That. I

524
00:33:54,320 --> 00:33:56,920
Speaker 1: want you to and when you get on that day,

525
00:33:58,160 --> 00:34:02,840
Speaker 1: bring them out. Yeah, listen, Missy needs to do one. Man,

526
00:34:03,000 --> 00:34:05,080
Speaker 1: Tell tell Missy to get in there and do one,

527
00:34:05,160 --> 00:34:08,919
Speaker 1: because you know she she don't. She don't, she don't

528
00:34:08,920 --> 00:34:10,719
Speaker 1: have to, you know, the hater on her like I

529
00:34:10,840 --> 00:34:13,120
Speaker 1: do or nothing like that. But but I think people

530
00:34:13,360 --> 00:34:17,040
Speaker 1: need to motherfucking see her stage show and experience what

531
00:34:17,239 --> 00:34:21,520
Speaker 1: she is to this motherfucking industry, to this to the culture.

532
00:34:21,640 --> 00:34:25,200
Speaker 1: Right we all like, I'm I'm happy I was able

533
00:34:25,239 --> 00:34:26,399
Speaker 1: to do that. You know, you know what I'm saying,

534
00:34:26,400 --> 00:34:29,080
Speaker 1: because because motherfucker's forgots. You know what I'm saying. You know,

535
00:34:29,200 --> 00:34:31,440
Speaker 1: say Tim, So I'm glad I got a chance to

536
00:34:31,520 --> 00:34:46,160
Speaker 1: let niggas know many job. Yeah, man, yeah, man, man,

537
00:34:46,200 --> 00:34:47,520
Speaker 1: I ain't need to talk to you that night. I'm

538
00:34:47,560 --> 00:34:53,040
Speaker 1: about to catch Yeah. Thank you, my brother, Thank you,

539
00:34:53,080 --> 00:34:56,000
Speaker 1: my brother. It was a good night, man, it was

540
00:34:56,040 --> 00:35:08,200
Speaker 1: a good night. I appreciate you, Tim. Love love that's

541
00:35:08,200 --> 00:35:11,040
Speaker 1: what we do. Want drink chance understand I'm saying what

542
00:35:11,200 --> 00:35:18,359
Speaker 1: you throw it out there? You know what? So what

543
00:35:18,440 --> 00:35:20,359
Speaker 1: we were talking about before that, I was into it

544
00:35:20,440 --> 00:35:24,480
Speaker 1: the vessel, the vessel. Oh yeah, you know we we

545
00:35:24,480 --> 00:35:26,080
Speaker 1: could get off that we're going to something else. But

546
00:35:26,080 --> 00:35:28,760
Speaker 1: I was just talking about, you know, just in music

547
00:35:28,800 --> 00:35:31,440
Speaker 1: and hap did you feel this was like a reintroduction

548
00:35:31,960 --> 00:35:36,840
Speaker 1: of yourself to people? Let me, we introduced myself, not

549
00:35:37,120 --> 00:35:41,840
Speaker 1: to me really, you know, like like I gotta, I

550
00:35:41,840 --> 00:35:51,719
Speaker 1: gotta just versus is a heavyweight fight. And I'm gonna

551
00:35:51,760 --> 00:35:57,120
Speaker 1: say that again because most artists are not friendly like

552
00:35:57,239 --> 00:36:01,280
Speaker 1: me and Crack. They don't have you know, relationships, speak

553
00:36:01,280 --> 00:36:05,440
Speaker 1: on the phone like and so getting in there is different.

554
00:36:07,040 --> 00:36:09,400
Speaker 1: You know what I'm saying, because now it has become

555
00:36:09,440 --> 00:36:13,000
Speaker 1: I'm telling you, it's become it's no more celebration. But no,

556
00:36:13,160 --> 00:36:16,160
Speaker 1: but it's also become Let's be clear, it's not a celebration.

557
00:36:16,600 --> 00:36:21,160
Speaker 1: It's a celebration. People want to win more. Ain't celebrating.

558
00:36:22,560 --> 00:36:26,960
Speaker 1: I'm being honest. I'm inside me to relax, and I'm

559
00:36:27,000 --> 00:36:30,359
Speaker 1: just it's no more celebration like that is what got

560
00:36:30,400 --> 00:36:34,200
Speaker 1: guns like celebrated. You're trying to kill. Hip always win.

561
00:36:34,480 --> 00:36:38,120
Speaker 1: You trying to kill and hip hop will always winning

562
00:36:38,160 --> 00:36:42,120
Speaker 1: these battles. But that's politically correct. No, no, no, that's

563
00:36:42,160 --> 00:36:44,359
Speaker 1: the real thing. Because but what it's being I love

564
00:36:44,480 --> 00:36:47,680
Speaker 1: that it's becoming a showcase of more than just your records,

565
00:36:47,680 --> 00:36:50,359
Speaker 1: more than just the music. When you're performing in front

566
00:36:50,400 --> 00:36:52,719
Speaker 1: of a crowd, it's becoming a showcase of your showmanship,

567
00:36:52,760 --> 00:36:55,239
Speaker 1: how you know, how you command the stage, how you

568
00:36:55,520 --> 00:36:59,080
Speaker 1: who's who's you know who, who's holding the fucking room.

569
00:36:59,160 --> 00:37:03,440
Speaker 1: It becomes all that too, And that's what Versus has becoming.

570
00:37:03,440 --> 00:37:07,040
Speaker 1: Its started, I'm gonna break it down, started when Jada

571
00:37:07,480 --> 00:37:12,640
Speaker 1: got drunk and Jaden Fabris in the same room and

572
00:37:12,760 --> 00:37:16,680
Speaker 1: Jada realized that Fabri is too smooth and too cool

573
00:37:16,719 --> 00:37:19,880
Speaker 1: for school. I don't think that's when this started. This

574
00:37:20,040 --> 00:37:23,759
Speaker 1: started breaking down. Let me break up. I'm going I'm

575
00:37:23,880 --> 00:37:28,360
Speaker 1: going there. And because everyone like damn Fab got the

576
00:37:28,360 --> 00:37:32,319
Speaker 1: same amount of records, Fab is just as good. Why

577
00:37:32,480 --> 00:37:35,920
Speaker 1: And when Jada commanded the room, it's set of precedence.

578
00:37:36,280 --> 00:37:38,120
Speaker 1: I don't know how to say that word, but you

579
00:37:38,239 --> 00:37:40,680
Speaker 1: know what I'm saying pretty well. But you know what

580
00:37:40,719 --> 00:37:51,160
Speaker 1: I mean. It's up press you the first time. Then

581
00:37:52,760 --> 00:37:57,640
Speaker 1: dip set in the box was set off the whole night,

582
00:37:59,760 --> 00:38:05,240
Speaker 1: can't And on the beach ship, everyone thinks that Cam

583
00:38:05,320 --> 00:38:09,840
Speaker 1: kicked the styles people not realizing the houses pulling Cam

584
00:38:09,920 --> 00:38:13,040
Speaker 1: off in a friendly way. This is not this is

585
00:38:13,080 --> 00:38:18,120
Speaker 1: not like Camo's like me, so look like Cam is

586
00:38:18,200 --> 00:38:25,239
Speaker 1: kicking them. But that was the presidents of this is

587
00:38:25,239 --> 00:38:27,360
Speaker 1: not what we're doing. You're not laying down on a

588
00:38:27,440 --> 00:38:29,920
Speaker 1: beach chair. It's not going to just be this easy.

589
00:38:30,440 --> 00:38:33,600
Speaker 1: So from that moment there was no more celebration the

590
00:38:33,600 --> 00:38:36,520
Speaker 1: audience and is what makes it. The audience is even foul.

591
00:38:37,160 --> 00:38:45,600
Speaker 1: What are you talking about? Yelling out would and listen,

592
00:38:45,600 --> 00:38:48,399
Speaker 1: I'm gonna be honest, job, I gotta be honest. You're

593
00:38:48,440 --> 00:38:53,880
Speaker 1: my brother. We really down the block. I said, damn,

594
00:38:54,000 --> 00:38:59,960
Speaker 1: how he's gonna do these girls records and dog cows.

595
00:39:00,719 --> 00:39:03,680
Speaker 1: There's nothing but dudes in there. I know there's nothing

596
00:39:03,719 --> 00:39:10,640
Speaker 1: but do rags, waves, blades nah, and for coats. Nah.

597
00:39:11,320 --> 00:39:17,319
Speaker 1: It wasn't up, showed up, showed out here and showed out,

598
00:39:17,640 --> 00:39:20,440
Speaker 1: and so did the felons. Don't let them know I

599
00:39:20,480 --> 00:39:23,520
Speaker 1: was there. I was watching the fetters singing, singing like

600
00:39:23,880 --> 00:39:33,680
Speaker 1: Mary's I was wanting the guy, yes, yes, take something

601
00:39:33,880 --> 00:39:39,600
Speaker 1: like canarithing? Man? Tell you something? Man, uncle, what what?

602
00:39:39,600 --> 00:39:43,320
Speaker 1: What do you say me? Or people back? Because I

603
00:39:43,320 --> 00:39:46,280
Speaker 1: adn't say it. Let's go my niggas was getting pussy

604
00:39:46,320 --> 00:39:49,239
Speaker 1: to Ja rule music. Man, get pusy to jab rule music.

605
00:39:49,320 --> 00:39:51,960
Speaker 1: I'm saying, when it was out and popping expressing ecstasy

606
00:39:52,040 --> 00:40:01,080
Speaker 1: at the same time music started seeing job music go

607
00:40:01,160 --> 00:40:07,719
Speaker 1: together like everytime John come from time about listen, I'm

608
00:40:07,719 --> 00:40:09,959
Speaker 1: gonna be honest with y'all. I'm looking y'all on your face.

609
00:40:10,040 --> 00:40:14,000
Speaker 1: If you took an ecstasy, what what a y'alla? You

610
00:40:14,000 --> 00:40:27,759
Speaker 1: ain't get you, y'all y'all, And somehow I ain't gonna

611
00:40:27,800 --> 00:40:33,120
Speaker 1: lie job. I've seen I've really seen the shift and

612
00:40:33,320 --> 00:40:38,600
Speaker 1: you because like you really like when you say, baby,

613
00:40:38,760 --> 00:40:46,680
Speaker 1: I'm not always dead when you call, but I'm always

614
00:40:46,920 --> 00:40:50,520
Speaker 1: on time. Keep keep it going, keep going, And I

615
00:40:50,520 --> 00:40:54,319
Speaker 1: don't know how the fund do you write ship like that?

616
00:40:54,800 --> 00:40:58,280
Speaker 1: Like like just just let's just go into my frame

617
00:40:58,640 --> 00:41:01,799
Speaker 1: a job. Are you now, let's just be clear. Are

618
00:41:01,800 --> 00:41:04,920
Speaker 1: you writing this say that for the niggers to relate

619
00:41:04,960 --> 00:41:08,360
Speaker 1: to it? Are you saying nah, let me not the ladies?

620
00:41:09,320 --> 00:41:13,000
Speaker 1: What are you doing? So? So it's a contrast, it's

621
00:41:13,040 --> 00:41:19,600
Speaker 1: like opposite the track, right, So if I have a

622
00:41:19,719 --> 00:41:26,320
Speaker 1: hook with a beautiful voice on with my raspy voice

623
00:41:26,320 --> 00:41:31,600
Speaker 1: and I'm talking nasty ship, it even analysis you understand,

624
00:41:32,080 --> 00:41:35,720
Speaker 1: I get to talk my nasty ship and rather whatever

625
00:41:35,800 --> 00:41:42,520
Speaker 1: I want to say. But this makes it all pretty,

626
00:41:43,680 --> 00:41:48,799
Speaker 1: you understand. No, you got way too deep for us.

627
00:41:49,800 --> 00:41:58,960
Speaker 1: Anybody else don't understand need sweet like that. There's nothing

628
00:41:59,000 --> 00:42:02,520
Speaker 1: really clean about the lyrics that I spit on these records. So,

629
00:42:03,200 --> 00:42:06,680
Speaker 1: like even the Jailer record I started, it must be

630
00:42:06,880 --> 00:42:10,560
Speaker 1: the ass got me like that. If it get any

631
00:42:10,600 --> 00:42:14,200
Speaker 1: fatter and rule I have to get out of It's

632
00:42:14,239 --> 00:42:18,719
Speaker 1: that's clean, but it's I'm talking about her ass, and

633
00:42:19,480 --> 00:42:21,480
Speaker 1: if it gets fatter, I'm gonna get out of It's

634
00:42:21,640 --> 00:42:25,680
Speaker 1: like it's really like you understand, but it gets gloss

635
00:42:25,719 --> 00:42:30,080
Speaker 1: tong or what I'm saying because she's like that fun,

636
00:42:31,239 --> 00:42:35,719
Speaker 1: she's her voice sounds angelic, is beautiful and submit and

637
00:42:35,800 --> 00:42:42,480
Speaker 1: so like sometimes when I hit my voice over radio,

638
00:42:42,600 --> 00:42:45,600
Speaker 1: it's comes across very, very loud. Even when I watched

639
00:42:45,600 --> 00:42:48,680
Speaker 1: the verses back, like she's my voice is every big

640
00:42:49,000 --> 00:42:50,279
Speaker 1: and I was a little horse that night, so it

641
00:42:50,320 --> 00:42:56,200
Speaker 1: was even no. So so what's crazy is when I'm horse,

642
00:42:56,800 --> 00:43:00,400
Speaker 1: it makes it that much crazier, like would have been

643
00:43:00,400 --> 00:43:03,160
Speaker 1: a little toned down, so you know, you know, everything

644
00:43:03,200 --> 00:43:04,919
Speaker 1: was a little amplified because it was a little horse.

645
00:43:05,480 --> 00:43:08,560
Speaker 1: But whatever. But when I watched that, I'm like ship

646
00:43:08,800 --> 00:43:14,120
Speaker 1: it's very aggressive, is it can be intimidating almost So

647
00:43:14,520 --> 00:43:18,160
Speaker 1: the female contract came in in my mind, Here's what

648
00:43:18,200 --> 00:43:21,479
Speaker 1: I'm gonna do. If I have a beautiful voice over

649
00:43:22,400 --> 00:43:24,600
Speaker 1: the track, or I have a beautiful voice with me

650
00:43:24,680 --> 00:43:26,759
Speaker 1: on the track, it will take away from the fact

651
00:43:26,840 --> 00:43:29,840
Speaker 1: that my voice is so overpas trying to balance it.

652
00:43:29,920 --> 00:43:31,360
Speaker 1: You have to have balance and everything. You have to

653
00:43:31,400 --> 00:43:35,319
Speaker 1: have balance in life, in music and relationships. It does

654
00:43:35,400 --> 00:43:39,360
Speaker 1: have a fucking balance and so that was my balance.

655
00:43:39,680 --> 00:43:41,239
Speaker 1: A lot of people don't know that it gave them

656
00:43:41,239 --> 00:43:44,480
Speaker 1: a fucking secret on drink chance, because that that is

657
00:43:44,520 --> 00:43:47,600
Speaker 1: a that is a very big secret for artists that

658
00:43:47,760 --> 00:43:50,960
Speaker 1: are making making records to understand that that is a

659
00:43:51,040 --> 00:43:55,080
Speaker 1: fucking balance and that is something that people will adapt

660
00:43:55,120 --> 00:43:58,920
Speaker 1: to and and and and you know, I wanna want

661
00:43:58,960 --> 00:44:02,160
Speaker 1: to sing, you understand, because they're getting that balance. They're

662
00:44:02,160 --> 00:44:04,560
Speaker 1: getting You're giving them the bestival worlds. You're giving them

663
00:44:04,600 --> 00:44:07,640
Speaker 1: these lyrics, and you're giving them that harmony where they can,

664
00:44:08,880 --> 00:44:10,759
Speaker 1: you know, feel free to sing and it feels like

665
00:44:10,800 --> 00:44:14,239
Speaker 1: it's not that degrading or raunchy or whatever. Not that

666
00:44:14,280 --> 00:44:17,840
Speaker 1: my ship was that crazy, but I was allowed to

667
00:44:17,880 --> 00:44:20,359
Speaker 1: say things that other artists may not have got away

668
00:44:20,400 --> 00:44:22,840
Speaker 1: with two on records, you know what I'm saying. So

669
00:44:22,840 --> 00:44:24,919
Speaker 1: so basically, you're doing best of both worlds before best

670
00:44:24,920 --> 00:44:29,360
Speaker 1: of both forms. Yeah, actually that was doing Bestival, but

671
00:44:29,440 --> 00:44:32,000
Speaker 1: you know that that that was one of my favorite projects,

672
00:44:32,000 --> 00:44:33,600
Speaker 1: and ship Bestival for us, and they didn't get to

673
00:44:33,680 --> 00:44:35,719
Speaker 1: do that. You're going to with that project. So that's

674
00:44:36,040 --> 00:44:42,000
Speaker 1: ship Jada kiss in the building. Man, it's your picture

675
00:44:42,120 --> 00:44:53,080
Speaker 1: right what you're doing raspby doing I don't know. Ask me, Yeah,

676
00:44:53,080 --> 00:44:56,640
Speaker 1: what the funking got going on? Raspby, Oh lord, we

677
00:44:56,680 --> 00:45:01,520
Speaker 1: are drink champs. Yeah, this is even put on the road.

678
00:45:01,600 --> 00:45:08,319
Speaker 1: What you're doing rap me rather getting goods? And you

679
00:45:08,360 --> 00:45:10,480
Speaker 1: know what I gotta sit. You come on, arrasp me.

680
00:45:11,040 --> 00:45:17,000
Speaker 1: You could have picked up later. You could have answered this.

681
00:45:17,800 --> 00:45:29,479
Speaker 1: Wrasp me right back. Cool, what's good? Rasp me, rasp

682
00:45:29,560 --> 00:45:33,000
Speaker 1: me to the motherfucker versus m v P, the versus

683
00:45:33,120 --> 00:45:38,440
Speaker 1: champ versus Yo yo, raspey, Now hold on, tell him

684
00:45:38,440 --> 00:45:41,520
Speaker 1: where it's like going in there? It is it the

685
00:45:41,560 --> 00:45:43,880
Speaker 1: dog house, nigger going in there when you're doing the

686
00:45:44,040 --> 00:45:48,240
Speaker 1: versus battle on the stage with a live audience. Because

687
00:45:48,239 --> 00:45:56,239
Speaker 1: we're the only ones that did it this far. You

688
00:45:56,840 --> 00:46:09,759
Speaker 1: got it. Didn't even stick to this cript. Listen me

689
00:46:09,840 --> 00:46:12,520
Speaker 1: and rasked me at the conversation for without did Nigga

690
00:46:12,560 --> 00:46:14,600
Speaker 1: it was you know, sand I said, listen, got the

691
00:46:14,680 --> 00:46:19,359
Speaker 1: pointies from me, Nigga, not raspies, not rasp He gave

692
00:46:19,400 --> 00:46:21,080
Speaker 1: me some good ship. Stick to the script, that's what

693
00:46:21,080 --> 00:46:23,560
Speaker 1: we said. But I was I was already in that mode.

694
00:46:23,640 --> 00:46:26,360
Speaker 1: Stick to the script that like Nigga, I got what

695
00:46:26,400 --> 00:46:29,680
Speaker 1: I got, Nigga, I got these hips, Nigga, We're gonna go,

696
00:46:29,760 --> 00:46:33,440
Speaker 1: We're gonna give me these hits. But yeah, nigga, Yeah, nigga,

697
00:46:33,840 --> 00:46:36,480
Speaker 1: it was a fucking beautiful knight for fucking hip ho hop.

698
00:46:37,800 --> 00:46:57,919
Speaker 1: W from the crowd. I'm I'm yes, sir, crazy it was, Yeah,

699
00:46:57,960 --> 00:46:59,880
Speaker 1: it was. It was a dope night. I gotta go

700
00:47:00,080 --> 00:47:02,040
Speaker 1: the one now, I gotta go to the next one

701
00:47:02,040 --> 00:47:05,800
Speaker 1: and being the crowd and be I gotta feel it

702
00:47:05,960 --> 00:47:07,840
Speaker 1: because it is different when you're on stage. You know

703
00:47:07,840 --> 00:47:12,399
Speaker 1: what I'm saying, you do, I'm damn blacking out on stage, Nick,

704
00:47:12,440 --> 00:47:18,120
Speaker 1: I ain't even Yeah, they's corner, that's it, that's it,

705
00:47:18,640 --> 00:47:21,760
Speaker 1: that's it killing. Let's kill tonight. We here to killer tonight.

706
00:47:22,080 --> 00:47:24,279
Speaker 1: I don't know what the funk euse everybody else talking

707
00:47:24,280 --> 00:47:26,279
Speaker 1: about We here to killer the night and the roof

708
00:47:26,520 --> 00:47:29,239
Speaker 1: stap up, slap up later nigger, it was like it's

709
00:47:29,280 --> 00:47:31,040
Speaker 1: I told you, it's like getting in the ring with

710
00:47:31,200 --> 00:47:34,560
Speaker 1: your brother, but like a real boxing ring. But you

711
00:47:34,600 --> 00:47:37,680
Speaker 1: know it's like, Yo, we're gonna box tonight. Somebody got

712
00:47:37,800 --> 00:47:39,399
Speaker 1: to be the victor, and I want to be the victor,

713
00:47:39,520 --> 00:47:41,640
Speaker 1: you know what I'm saying. And we'll love each other

714
00:47:41,680 --> 00:47:43,239
Speaker 1: at the end. But next somebody got you know what

715
00:47:43,239 --> 00:47:46,399
Speaker 1: I'm saying, and it's it's that, it's that whole. So yeah,

716
00:47:46,600 --> 00:47:49,920
Speaker 1: all this getting into getting in the motherfuck doghouse. Nigga's

717
00:47:51,880 --> 00:47:57,840
Speaker 1: the epic when it comes to guy, get you get nigga,

718
00:47:58,239 --> 00:48:06,320
Speaker 1: my nigga, nigga, Holy moly, guacamole. All right, listen, do

719
00:48:06,440 --> 00:48:09,040
Speaker 1: quick time with slimming. And they were going in what's

720
00:48:09,080 --> 00:48:14,319
Speaker 1: this is? Tell you it's some new because you've been

721
00:48:14,320 --> 00:48:16,279
Speaker 1: here from the beginning. God damn it. We owe your chain.

722
00:48:16,320 --> 00:48:19,560
Speaker 1: The actually you fat Joe and j that we all

723
00:48:19,640 --> 00:48:22,440
Speaker 1: you always change. I love it. I ain't got it.

724
00:48:26,200 --> 00:48:33,880
Speaker 1: Oh yeah, I'm the whole person. Money. We're gonna get

725
00:48:33,760 --> 00:48:35,960
Speaker 1: out together at some point. You're gonna get of like together,

726
00:48:37,000 --> 00:48:40,799
Speaker 1: all right, cool y'all ready? Oh no, so what what's

727
00:48:40,840 --> 00:48:43,000
Speaker 1: your shot a preference? Yeah, we gotta get ready. We

728
00:48:43,040 --> 00:48:47,440
Speaker 1: gotta yeah something. I didn't even tell you the rules, right,

729
00:48:47,560 --> 00:48:51,400
Speaker 1: So the rules is showed the exactly what tonight. You

730
00:48:51,800 --> 00:48:53,160
Speaker 1: don't want to car bones and if you don't take

731
00:48:53,160 --> 00:48:56,399
Speaker 1: a nap, it's okay. I had I got your whole

732
00:48:56,480 --> 00:48:58,479
Speaker 1: day playing out. Nig I'm getting mad. It's meant today

733
00:49:00,000 --> 00:49:08,759
Speaker 1: at Rocket Rocket gotta relax, I freeze like no, all right,

734
00:49:08,880 --> 00:49:12,520
Speaker 1: So here's the rules. You can pick one or the other.

735
00:49:13,120 --> 00:49:16,320
Speaker 1: But if you pick both, you gotta take a shot

736
00:49:16,520 --> 00:49:19,400
Speaker 1: what you like. If you say like you want to

737
00:49:19,440 --> 00:49:23,239
Speaker 1: be politically correctly, you take a shot. But the point

738
00:49:23,239 --> 00:49:24,959
Speaker 1: of the game is is to take You say neither.

739
00:49:25,000 --> 00:49:26,719
Speaker 1: You can say neither, say neither, and you still got

740
00:49:26,760 --> 00:49:28,440
Speaker 1: to get a shot. I gotta take a shot of

741
00:49:28,480 --> 00:49:31,680
Speaker 1: what whatever you want? No, no, no, no no, no, no, no,

742
00:49:31,800 --> 00:49:34,759
Speaker 1: that's not shot shot. That's a drink, sir. This is

743
00:49:34,760 --> 00:49:38,040
Speaker 1: a real drinking all right, you do right right there.

744
00:49:38,080 --> 00:49:43,560
Speaker 1: God damn, we make a whole proud todayroud. But let's

745
00:49:43,600 --> 00:49:46,719
Speaker 1: not forget. Let's not forget the chairman. Think pass me.

746
00:49:47,360 --> 00:49:50,600
Speaker 1: That's not my bigger baby by. I ain't forgetting the chairman. Baby.

747
00:49:50,920 --> 00:49:54,080
Speaker 1: Hold on someone shoot, we'll give him. We'll do want

748
00:49:55,520 --> 00:49:59,000
Speaker 1: we triple blacks anywhere. Let's go. This is trouple black ship.

749
00:49:59,080 --> 00:50:02,000
Speaker 1: Wait wait wait, wait, what's the one one? This is

750
00:50:02,000 --> 00:50:05,160
Speaker 1: all right, represido. It will do that big shot? When

751
00:50:05,400 --> 00:50:07,880
Speaker 1: did big shot? When they can hold Yes, I got

752
00:50:07,960 --> 00:50:10,839
Speaker 1: some wine coming to talk about it. Yeah, I'm doing

753
00:50:11,160 --> 00:50:12,719
Speaker 1: I kind of feel like I put you on the wine.

754
00:50:12,760 --> 00:50:18,240
Speaker 1: Let's just be clear. Okay, Let's don't you tell people,

755
00:50:18,480 --> 00:50:23,719
Speaker 1: tell the people. I know you come to the bring

756
00:50:23,800 --> 00:50:29,960
Speaker 1: me hardcore. My body body just killing My body was

757
00:50:30,040 --> 00:50:33,360
Speaker 1: killing killing yourself like that body was killing me. Okay,

758
00:50:33,400 --> 00:50:35,360
Speaker 1: So we're gonna get to it. Are you ready? Okay?

759
00:50:37,360 --> 00:50:40,600
Speaker 1: I think you're drinking off top, but I could be.

760
00:50:40,719 --> 00:50:42,600
Speaker 1: Are we drinking with you? If you were drinking with you,

761
00:50:42,640 --> 00:50:45,279
Speaker 1: we don't. We don't leave you like Okay, I might

762
00:50:45,320 --> 00:50:51,920
Speaker 1: just just medic you got okay, jay z or nas

763
00:50:55,320 --> 00:51:02,719
Speaker 1: we're drinking. Um. No, I'm tied to my sucking opigot Okay, Um,

764
00:51:02,760 --> 00:51:06,279
Speaker 1: I'm gonna go with Jack okay, And I do love

765
00:51:06,320 --> 00:51:08,600
Speaker 1: nos and I'm from Queens so obviously love Nois. But yeah,

766
00:51:08,600 --> 00:51:17,560
Speaker 1: I'm gonna going home. Okay, BIGGI a tupap Um. We're

767
00:51:17,560 --> 00:51:19,840
Speaker 1: gonna be mad at me, but I'm gonnao pap. But

768
00:51:19,920 --> 00:51:22,239
Speaker 1: I love Big obviously. You know what I'm saying. But

769
00:51:22,800 --> 00:51:27,120
Speaker 1: I don't know why whoever did this? We gotta have

770
00:51:27,160 --> 00:51:30,279
Speaker 1: a conversation. You know who did this? Sunny did this?

771
00:51:31,239 --> 00:51:36,719
Speaker 1: All right? Did her? Guy? Now I gotta go home?

772
00:51:36,760 --> 00:51:39,560
Speaker 1: Team got you know what's my brother, we got we

773
00:51:39,560 --> 00:51:44,279
Speaker 1: gotta talk about God, these comments, this comments, I ain't

774
00:51:44,280 --> 00:51:46,560
Speaker 1: gonna lie. I'm a fan of just got his that

775
00:51:46,600 --> 00:51:50,799
Speaker 1: was the whole other like we got told about that

776
00:51:50,840 --> 00:51:54,400
Speaker 1: he him and Fat Fat fab fab was crazy. Okay,

777
00:51:55,040 --> 00:52:04,120
Speaker 1: recording or performing live? Oh, that's a tough one. Let's

778
00:52:04,120 --> 00:52:07,080
Speaker 1: take a shot for it. Shot a shot for it.

779
00:52:07,160 --> 00:52:09,040
Speaker 1: Come on, you gotta fighting. You ain't got the fighting.

780
00:52:09,280 --> 00:52:13,840
Speaker 1: You ain't got the fight it. See, I'm not scared

781
00:52:13,840 --> 00:52:16,000
Speaker 1: to answer these questions. I'm gonna tied into my opinion.

782
00:52:17,239 --> 00:52:20,040
Speaker 1: The point I can still love both parties. Yes, salut,

783
00:52:20,120 --> 00:52:30,920
Speaker 1: that's the way that Salu. What's that? Mama? Mama? Okay, Okay,

784
00:52:30,640 --> 00:52:43,480
Speaker 1: bout a little kid? Oh fuck, I think you just did. Okay,

785
00:52:44,360 --> 00:52:50,520
Speaker 1: Nikki or Cardi b Nicki? I love Cardi too though,

786
00:52:50,560 --> 00:52:52,560
Speaker 1: and I love Kims. I love everybody. But I'm just

787
00:52:52,600 --> 00:52:54,520
Speaker 1: picking my picks. All right. You will take a shot

788
00:52:54,560 --> 00:53:02,680
Speaker 1: to this one, Shanti or little mom shant my sister okay,

789
00:53:02,680 --> 00:53:16,759
Speaker 1: and I love mo Okay, I hate your next all right,

790
00:53:18,400 --> 00:53:23,439
Speaker 1: Miami or l a oh in Miami. Right now, world,

791
00:53:23,520 --> 00:53:27,960
Speaker 1: Let's just be clear, that's a good moment. It's different.

792
00:53:29,360 --> 00:53:35,600
Speaker 1: Take a shot shot being complicated, they're different. You know

793
00:53:35,600 --> 00:53:38,719
Speaker 1: what I'm saying. I don't know what the answer was

794
00:53:38,719 --> 00:53:44,680
Speaker 1: gonna end up. Let's just take a shot solo. Okay,

795
00:53:46,000 --> 00:53:55,200
Speaker 1: mm hmm, Okay, Major are independent? Mm hmm. You see him.

796
00:53:55,280 --> 00:53:58,839
Speaker 1: I told you I don't do a long time ago.

797
00:53:58,960 --> 00:54:01,440
Speaker 1: I don't think you heard the question I said. I

798
00:54:01,600 --> 00:54:03,319
Speaker 1: told you along and you I knew you thought he

799
00:54:03,320 --> 00:54:07,680
Speaker 1: was gonna say major. I'm disappointed. Wait a minute. Listen

800
00:54:07,760 --> 00:54:13,319
Speaker 1: his thing. He wants ownership, absolutely, ownership is everything. Why

801
00:54:13,320 --> 00:54:15,120
Speaker 1: the fun the majors? Why do you think the major

802
00:54:15,200 --> 00:54:18,880
Speaker 1: is amazes you understand? Because they want to ownership of

803
00:54:19,080 --> 00:54:23,600
Speaker 1: nothing is still Yeah, not to hear it, but here's

804
00:54:23,640 --> 00:54:30,520
Speaker 1: the thing. In today's society, you have all the tools

805
00:54:31,239 --> 00:54:36,279
Speaker 1: as an independent artist that you didn't have, but you

806
00:54:36,280 --> 00:54:38,920
Speaker 1: don't have the marketing dollars. Okay, I get that, I

807
00:54:38,960 --> 00:54:41,799
Speaker 1: get spent. I get that, I get that. But if

808
00:54:41,840 --> 00:54:50,440
Speaker 1: you market yourself properly, right, the majors will come and

809
00:54:50,480 --> 00:54:54,239
Speaker 1: then you have the option of how you want to

810
00:54:55,120 --> 00:55:00,560
Speaker 1: you understand situate this actual deal. You you know, if

811
00:55:00,600 --> 00:55:03,440
Speaker 1: you just go major, they own hold on. But you know,

812
00:55:03,520 --> 00:55:07,839
Speaker 1: if you're independent, they come to you and then you

813
00:55:07,880 --> 00:55:10,400
Speaker 1: get structured. That's what That's what I tell you all

814
00:55:10,400 --> 00:55:14,759
Speaker 1: the time, so so you can take advantage of the

815
00:55:14,760 --> 00:55:20,080
Speaker 1: major at that Now it's on my terms. Now I'm

816
00:55:20,120 --> 00:55:26,560
Speaker 1: disappointed in you. Um, I'm disappointing to you. The majors

817
00:55:26,760 --> 00:55:31,040
Speaker 1: was the major. I love majors. I loves you're speaking

818
00:55:31,080 --> 00:55:34,760
Speaker 1: as that came in at the time you came out seasons.

819
00:55:35,080 --> 00:55:37,840
Speaker 1: But at the time you came and came in. Here's

820
00:55:37,880 --> 00:55:40,239
Speaker 1: here's what you need to know about independent. You needed

821
00:55:40,239 --> 00:55:46,480
Speaker 1: about majors the end. You know, here's the thing about majors.

822
00:55:48,280 --> 00:55:53,040
Speaker 1: Don't be there. You see what's going on. What's going on.

823
00:55:53,640 --> 00:55:56,000
Speaker 1: Don't you be talking down about the majors. I'm not

824
00:55:56,080 --> 00:55:59,520
Speaker 1: mad about the majors. I just feel like that was

825
00:55:59,520 --> 00:56:01,720
Speaker 1: scary though. I just feel like that's how that happened.

826
00:56:03,920 --> 00:56:08,640
Speaker 1: Every major was independent. Absolutely, they all have a starting point,

827
00:56:08,719 --> 00:56:12,800
Speaker 1: my nigger, So why not me? Why I can't start?

828
00:56:14,160 --> 00:56:17,839
Speaker 1: Why I can't become the major? You understand what I'm saying,

829
00:56:17,840 --> 00:56:20,240
Speaker 1: and that's my thought process. That's why I said independent,

830
00:56:20,440 --> 00:56:22,879
Speaker 1: because there's so many independence I feel like you should

831
00:56:22,880 --> 00:56:26,239
Speaker 1: take a shot. Let's killed that. You killed that, even

832
00:56:26,239 --> 00:56:28,839
Speaker 1: though you ain't convinced me, you kill that. How many

833
00:56:28,880 --> 00:56:31,080
Speaker 1: times have you gotta tell you this? You know, if

834
00:56:31,120 --> 00:56:33,160
Speaker 1: you build it, they will come. If you build it,

835
00:56:33,160 --> 00:56:40,800
Speaker 1: they will come solo solo for this cooked tim a

836
00:56:40,840 --> 00:56:46,359
Speaker 1: slap totally forgotten. Okay, only ship with the joints a man,

837
00:56:46,640 --> 00:56:48,839
Speaker 1: But the smoke now, I can't smoke this one more.

838
00:56:49,080 --> 00:56:50,720
Speaker 1: This one is the blunts, the one that's the blunt.

839
00:56:50,960 --> 00:56:54,319
Speaker 1: But it's not a blood. It's tobacco free. It's tobacco free.

840
00:56:54,360 --> 00:56:57,480
Speaker 1: I don't like blunts. It's tobacco free. It's not it's

841
00:56:58,400 --> 00:57:06,640
Speaker 1: a vegan blunt. It's gluten free. What the fuck it's

842
00:57:06,719 --> 00:57:09,440
Speaker 1: organic foodkine blunts. Come on, okay, let's go. Let's do

843
00:57:09,719 --> 00:57:13,279
Speaker 1: Look at that. Look at that welcome hey man, shut

844
00:57:13,280 --> 00:57:16,560
Speaker 1: out me out here man, Welcome to the Welcome to

845
00:57:16,640 --> 00:57:22,000
Speaker 1: the future. It's a prototype available in California. That's tell us.

846
00:57:22,280 --> 00:57:24,840
Speaker 1: Even give me electronics for ten years you've been breaking up,

847
00:57:24,960 --> 00:57:28,400
Speaker 1: breaking apart. You'd be like, it's a prototype. Come on,

848
00:57:29,200 --> 00:57:37,680
Speaker 1: I ain't I do lotto type man. Come on, man, okay,

849
00:57:37,800 --> 00:57:42,960
Speaker 1: hen us your vodka vodka, well neither, I'm a one

850
00:57:43,160 --> 00:57:59,480
Speaker 1: wine guy. I don't I did not just say solotle. God,

851
00:57:59,520 --> 00:58:06,200
Speaker 1: damn it, we're going to carbones on one. Okay, drinking

852
00:58:06,280 --> 00:58:10,600
Speaker 1: or smoking smoking? I knew that was the answer. Podcast

853
00:58:10,720 --> 00:58:18,200
Speaker 1: or radio radio. I felt even gonna see that's a

854
00:58:18,200 --> 00:58:22,280
Speaker 1: major ship. What I'm saying, just like he backstepping right now,

855
00:58:22,800 --> 00:58:25,680
Speaker 1: when you pick radio, that's go your major. No, I

856
00:58:25,840 --> 00:58:31,520
Speaker 1: was gonna pick podcasts. But I still feel radio has

857
00:58:32,080 --> 00:58:34,880
Speaker 1: a broader reach. If you if you're a top for

858
00:58:35,000 --> 00:58:37,320
Speaker 1: the artist, it's nothing. You think it still has the

859
00:58:37,320 --> 00:58:46,160
Speaker 1: impact nothing. Listen if there's nothing like being top forty Z,

860
00:58:46,360 --> 00:58:52,560
Speaker 1: one hundred, every rhythmic even today, rhythmic fucking this is

861
00:58:52,600 --> 00:59:00,880
Speaker 1: what it relaxed? Man, you know nothing like that exactly,

862
00:59:01,720 --> 00:59:07,640
Speaker 1: because that's when you get the Grammy nods, the MTV nods,

863
00:59:08,040 --> 00:59:15,280
Speaker 1: those those that's when you do you think one thing. Yo,

864
00:59:15,400 --> 00:59:18,880
Speaker 1: I had a top Tendon record. I never knew New

865
00:59:18,960 --> 00:59:25,480
Speaker 1: York had seven stations years ago. I'm talking about right now.

866
00:59:26,120 --> 00:59:29,160
Speaker 1: Is it still reaching the same audience the same amount

867
00:59:29,160 --> 00:59:32,160
Speaker 1: of people. I don't feel it it is radio. People

868
00:59:32,320 --> 00:59:36,600
Speaker 1: assume people consume music differently these days. Absolutely. I think

869
00:59:37,800 --> 00:59:41,480
Speaker 1: actually the playlists are bigger than the radio stations right now,

870
00:59:42,080 --> 00:59:49,000
Speaker 1: getting your songs playlist, the title pay you to come

871
00:59:49,000 --> 00:59:50,880
Speaker 1: on like, you know, you want to hip hop playlist

872
00:59:51,040 --> 00:59:54,560
Speaker 1: on Apple or you want the mother insulate playlist on

873
00:59:54,600 --> 00:59:58,160
Speaker 1: that you want you on these playlists? That is to

874
00:59:58,320 --> 01:00:01,880
Speaker 1: me right now is more value bull then being on

875
01:00:01,920 --> 01:00:08,360
Speaker 1: the radio. But trust what I tell you, there's an

876
01:00:08,360 --> 01:00:15,680
Speaker 1: old god and they don't they haven't adapted to that yet.

877
01:00:15,760 --> 01:00:18,680
Speaker 1: So if you want to get Grammys and motherfucking American

878
01:00:18,800 --> 01:00:22,560
Speaker 1: music was the old girl, and you got a motherfucker's

879
01:00:22,960 --> 01:00:26,280
Speaker 1: radio to get that, you know. So, so yes, artists don't,

880
01:00:26,320 --> 01:00:28,920
Speaker 1: don't listen man, strive for it all. Man, I'm not

881
01:00:28,960 --> 01:00:31,520
Speaker 1: telling y'all to not to want radio. And then I

882
01:00:31,640 --> 01:00:34,960
Speaker 1: want it all. I wanted like I was telling to

883
01:00:34,960 --> 01:00:37,440
Speaker 1: Crack the other day and Ship matter Fact was on

884
01:00:37,560 --> 01:00:41,520
Speaker 1: his live and he said you you came out singing

885
01:00:41,520 --> 01:00:44,600
Speaker 1: in another round. He's like the fun. He wants it all. Yes,

886
01:00:45,320 --> 01:00:48,520
Speaker 1: I want it all. I want it all. Give me

887
01:00:48,600 --> 01:00:52,920
Speaker 1: top forty, give me rhythmic, give me on beig and

888
01:00:52,960 --> 01:00:57,440
Speaker 1: he hits on me it all. I'm everything. I'm this

889
01:00:57,480 --> 01:01:02,560
Speaker 1: is why I became such a big artist. Yes, I

890
01:01:02,600 --> 01:01:10,080
Speaker 1: was getting hip hop spins, R and B spins, pop spins.

891
01:01:11,040 --> 01:01:15,400
Speaker 1: I was checking all the boxes and so you understand.

892
01:01:15,440 --> 01:01:18,640
Speaker 1: And so that's why my records became so big. Didn't

893
01:01:18,680 --> 01:01:21,480
Speaker 1: Charlotte Mane say you you kept the lights on in

894
01:01:21,520 --> 01:01:25,000
Speaker 1: the radio stations? Like I think someone said that recently. Well,

895
01:01:25,040 --> 01:01:26,960
Speaker 1: I don't know about all that. I don't mean. I

896
01:01:26,960 --> 01:01:29,120
Speaker 1: think he was just saying that in general, like the

897
01:01:29,120 --> 01:01:32,480
Speaker 1: records were so big, and at that time, it was,

898
01:01:32,520 --> 01:01:36,320
Speaker 1: it was, it was, it was. It was a great time. Man,

899
01:01:36,440 --> 01:01:39,840
Speaker 1: blood is nice thought. Look like it was not a

900
01:01:39,840 --> 01:01:42,160
Speaker 1: blunt though. It's not to back. It's like a good

901
01:01:43,120 --> 01:01:45,720
Speaker 1: vegan on the yon day, you know what I mean?

902
01:01:46,160 --> 01:01:48,040
Speaker 1: Get that smoke champs in Okay, so this is the

903
01:01:48,120 --> 01:01:51,960
Speaker 1: last one. Okay, god nineties or two thousand's hip hop?

904
01:01:52,640 --> 01:01:56,080
Speaker 1: Let's take a shot, take a shot. Who want to

905
01:01:56,080 --> 01:01:58,280
Speaker 1: play the game? Goddamn it? Come on, Matt, who want

906
01:01:58,280 --> 01:02:02,280
Speaker 1: to play the God? Damn? I'm drunk. Good Good deserved

907
01:02:02,320 --> 01:02:11,320
Speaker 1: to be drunk. He deserved to be drunk. So so

908
01:02:12,840 --> 01:02:17,560
Speaker 1: one part of the night you bring out a shanty. Yes, sir,

909
01:02:21,160 --> 01:02:22,840
Speaker 1: I don't know how to ask this or how to

910
01:02:22,880 --> 01:02:30,360
Speaker 1: put this question, but we all you're all family. Yeah, yeah,

911
01:02:30,400 --> 01:02:35,240
Speaker 1: everyone was good. But I don't think Remy would have

912
01:02:35,560 --> 01:02:38,600
Speaker 1: done what a shanty? Did that? My? You what do

913
01:02:38,640 --> 01:02:42,240
Speaker 1: you mean meaning I don't have any records with but

914
01:02:42,360 --> 01:02:45,240
Speaker 1: had you had records with Remy, I understand. Yes, see

915
01:02:45,240 --> 01:02:47,800
Speaker 1: what do you think really would have? Really was over

916
01:02:47,880 --> 01:02:51,840
Speaker 1: on outside chilling at the halftime. Really, I was like, really,

917
01:02:51,880 --> 01:02:54,520
Speaker 1: get your ass back over there, going over the side,

918
01:02:54,840 --> 01:02:59,400
Speaker 1: like it really is love the camps. I'm his family really,

919
01:03:00,120 --> 01:03:05,600
Speaker 1: you know Vita and and you know uh Shanny and

920
01:03:05,640 --> 01:03:07,160
Speaker 1: she funks with all of them, you know what I'm saying.

921
01:03:07,200 --> 01:03:10,800
Speaker 1: So it says they're all cool me and cracking cause

922
01:03:10,880 --> 01:03:13,440
Speaker 1: the family were all were like the camps are closed.

923
01:03:13,440 --> 01:03:16,560
Speaker 1: So it's not like it wasn't like that. But you know,

924
01:03:17,680 --> 01:03:21,840
Speaker 1: like I said, when you go in there, it don't matter. No,

925
01:03:22,000 --> 01:03:23,600
Speaker 1: but just just let's just be clear. Let's just be

926
01:03:23,640 --> 01:03:28,000
Speaker 1: clear for people that don't don't have the access to

927
01:03:28,080 --> 01:03:31,080
Speaker 1: hip hop. Yeah, absolutely, let's keep you close to both yea.

928
01:03:32,440 --> 01:03:34,560
Speaker 1: So people that don't have the access to hip hop,

929
01:03:34,600 --> 01:03:39,560
Speaker 1: people don't have the access to folks. If you're looking,

930
01:03:39,720 --> 01:03:43,919
Speaker 1: it's like, all right, Shawnee supposed to be on jos

931
01:03:44,040 --> 01:03:47,360
Speaker 1: side and me it's supposed to be just on Joe side. Yeah,

932
01:03:47,360 --> 01:03:49,440
Speaker 1: but you can't look at it like that. Okay, you

933
01:03:49,480 --> 01:03:51,840
Speaker 1: know what I'm saying because I'm asking this is this

934
01:03:51,960 --> 01:03:57,080
Speaker 1: is you know, it's a battle. Yeah, but it's also

935
01:03:58,360 --> 01:04:01,880
Speaker 1: a celebration of hip hop and we have records together.

936
01:04:02,200 --> 01:04:04,640
Speaker 1: He has a record with the shan Tia. But you

937
01:04:04,680 --> 01:04:06,720
Speaker 1: know what I'm saying solely of course, so it's not

938
01:04:06,840 --> 01:04:11,000
Speaker 1: like that, you know, but it isn't. This is why

939
01:04:11,040 --> 01:04:15,520
Speaker 1: it's a it's an ill fucking thing, yes, because it's like, yeah,

940
01:04:15,600 --> 01:04:18,240
Speaker 1: this is family and his love. That's why I said,

941
01:04:18,240 --> 01:04:21,120
Speaker 1: it's like boxing your brother in the ring with gloves,

942
01:04:21,160 --> 01:04:23,840
Speaker 1: like we're fighting for this belt. I want to whoop

943
01:04:23,880 --> 01:04:26,160
Speaker 1: your ass because I want to belt. You know what

944
01:04:26,160 --> 01:04:27,720
Speaker 1: I'm saying. You want with my ask because you want

945
01:04:27,760 --> 01:04:29,760
Speaker 1: the bell. Somebody got to be the victor of us.

946
01:04:31,080 --> 01:04:33,000
Speaker 1: So fighting your brother in the ring, you know what

947
01:04:33,040 --> 01:04:35,880
Speaker 1: I mean? Like the Kutch goes going up against each other.

948
01:04:35,920 --> 01:04:39,480
Speaker 1: It's like that, you know what I'm saying. And and

949
01:04:39,560 --> 01:04:43,200
Speaker 1: we did that. So where was your birket bags? I

950
01:04:43,200 --> 01:04:49,600
Speaker 1: don't answer this person's or versus what are we doing? Persons?

951
01:04:52,280 --> 01:04:58,760
Speaker 1: Like come on man? That that that was? That was?

952
01:05:00,200 --> 01:05:06,720
Speaker 1: I don't know what I love, I love his life.

953
01:05:06,800 --> 01:05:10,800
Speaker 1: What was it what what why he gave it? Yeah, explain,

954
01:05:10,840 --> 01:05:14,400
Speaker 1: I explain that he just said that he he just

955
01:05:14,400 --> 01:05:17,400
Speaker 1: wanted to show them love. He wasn't thinking about other people.

956
01:05:17,440 --> 01:05:19,280
Speaker 1: He just wanted to show them love by giving them

957
01:05:21,040 --> 01:05:23,120
Speaker 1: like he just thought that was a good platform. So

958
01:05:23,240 --> 01:05:27,360
Speaker 1: I can't afford that. I can't afford that I'm being something,

959
01:05:27,680 --> 01:05:31,880
Speaker 1: keeping it a hunted like I didn't my wife don't

960
01:05:31,880 --> 01:05:34,160
Speaker 1: gotta breaken back. She got a juice ball. You know

961
01:05:34,200 --> 01:05:36,720
Speaker 1: what I'm saying, Like I've been establish I don't even

962
01:05:36,720 --> 01:05:40,320
Speaker 1: know what the fun that is. Burger, We're gonna, we're gonna,

963
01:05:40,320 --> 01:05:44,040
Speaker 1: we're gonna make you come outside someone man means on

964
01:05:44,120 --> 01:05:48,560
Speaker 1: outside side. I think I don't know. Don't you got

965
01:05:48,680 --> 01:05:54,640
Speaker 1: to know about way about Burkens Man, Damn got real.

966
01:05:54,800 --> 01:05:57,320
Speaker 1: I ain't worry about it, Burken. You know, listen man,

967
01:05:57,720 --> 01:06:05,360
Speaker 1: that was an amazing uh gift from Crack to Remy

968
01:06:05,480 --> 01:06:09,680
Speaker 1: and and and Shanti was cool. It was let's say

969
01:06:09,720 --> 01:06:12,880
Speaker 1: something you didn't feel obligated to match that. Listen, man,

970
01:06:13,520 --> 01:06:15,120
Speaker 1: do a funk about none of that. You know what

971
01:06:15,160 --> 01:06:17,880
Speaker 1: I'm saying, because let me say something, those were tactics.

972
01:06:18,640 --> 01:06:22,360
Speaker 1: We're in a motherfucking goddamn battle and you're giving bags

973
01:06:22,440 --> 01:06:25,160
Speaker 1: away crack. What are we doing it? So that's you know,

974
01:06:25,240 --> 01:06:29,760
Speaker 1: I listen, I didn't. I didn't. You know, that was

975
01:06:29,800 --> 01:06:31,880
Speaker 1: like a police knock. It was. It was just it

976
01:06:32,040 --> 01:06:34,640
Speaker 1: was just funny. You know what I'm saying. Hear that knock?

977
01:06:34,840 --> 01:06:39,240
Speaker 1: That was but listen, it was a celebration of hip hop.

978
01:06:39,360 --> 01:06:46,000
Speaker 1: You know, love celebrating, man. Yeah, we celebrated. I celebrated. Yeah,

979
01:06:47,080 --> 01:06:49,920
Speaker 1: I'm celebrating right now with drink Champs for the ship

980
01:06:49,960 --> 01:06:53,720
Speaker 1: Bottle of eights. Got that you got here? Bullshit? And

981
01:06:54,240 --> 01:06:57,000
Speaker 1: you're doing a quick time cook time over before a

982
01:06:57,040 --> 01:07:01,480
Speaker 1: long time, a little quick time. Know, I'm trunk. Yeah,

983
01:07:01,480 --> 01:07:06,320
Speaker 1: I don't listen. So at one point, again this is

984
01:07:06,360 --> 01:07:08,840
Speaker 1: not this is Joe cracking my brother. I love him

985
01:07:09,680 --> 01:07:11,440
Speaker 1: and I know that y'all was battling. But at one

986
01:07:11,480 --> 01:07:14,160
Speaker 1: point he you leaned over to try to give him

987
01:07:14,240 --> 01:07:16,760
Speaker 1: a five. Yeah, that's why I punched him in his stomach.

988
01:07:19,400 --> 01:07:25,000
Speaker 1: Calm down, calm down. Wait yeah, yeah, oh I didn't

989
01:07:25,000 --> 01:07:29,320
Speaker 1: see that. I didn't see that was lovely giving me

990
01:07:29,360 --> 01:07:36,520
Speaker 1: a motherfucking pounding. Yeah, that's why I said, yo, yo,

991
01:07:36,760 --> 01:07:40,000
Speaker 1: getting in there. It's the guntlet. Yeah, you gotta go.

992
01:07:40,600 --> 01:07:44,040
Speaker 1: The trajection you re changes it's yo. Do you feel

993
01:07:44,080 --> 01:07:47,880
Speaker 1: the moment changes you completely once you're on stage. I'm

994
01:07:47,920 --> 01:07:54,440
Speaker 1: gonna just tell y'all about me like a blackout on stage.

995
01:07:55,040 --> 01:07:57,600
Speaker 1: I'm gonna be like a man Sanchez in my line

996
01:07:57,640 --> 01:08:00,240
Speaker 1: to you. That's my TJ matter fact. Come in, said, says,

997
01:08:00,440 --> 01:08:08,880
Speaker 1: your name is Don de Marco. Get get my chick.

998
01:08:10,440 --> 01:08:12,680
Speaker 1: Name is Don de Marco. There's nothing san chance you

999
01:08:12,800 --> 01:08:20,679
Speaker 1: bet you better. Oh, Joe Crack the dollar, Joe Crab.

1000
01:08:21,400 --> 01:08:27,479
Speaker 1: Come on, nigga, I'm talking about you right now. I'm

1001
01:08:27,520 --> 01:08:29,439
Speaker 1: saying some good ship. I want to let you know

1002
01:08:30,320 --> 01:08:37,400
Speaker 1: I was on your ass, nigga. I love you, my nigger.

1003
01:08:37,439 --> 01:08:48,320
Speaker 1: What's good? I love it? Nigga. Were you in Jersey?

1004
01:08:49,120 --> 01:08:54,880
Speaker 1: Look at this beautiful crip? Look at this beautiful crip. Nigga,

1005
01:08:55,120 --> 01:08:58,519
Speaker 1: Hold on, hold up, I know I better get invite

1006
01:08:58,560 --> 01:09:01,240
Speaker 1: to the Bobby. You ni as you have the block

1007
01:09:01,360 --> 01:09:05,559
Speaker 1: from me, you are the block for me. I got

1008
01:09:05,640 --> 01:09:09,439
Speaker 1: some gifts for you, Yes, I got housewarming gifts. I

1009
01:09:09,600 --> 01:09:17,960
Speaker 1: got housewarming gifts. Crack, I got you. I love you, Yeah,

1010
01:09:22,080 --> 01:09:25,560
Speaker 1: I just show you all on Swiss is trying to

1011
01:09:25,640 --> 01:09:29,320
Speaker 1: call you know. This is a messendary fucking fucking drink hampster.

1012
01:09:29,439 --> 01:09:36,000
Speaker 1: By the way, this dude, this is not looking new

1013
01:09:36,280 --> 01:09:42,560
Speaker 1: immediate and come on, my damn Joe. These niggas go

1014
01:09:42,760 --> 01:09:50,000
Speaker 1: be drinking Asis Fades, rules and dellyon and smoking the ships.

1015
01:09:50,080 --> 01:09:52,720
Speaker 1: I don't know the fuck's in this ship. Money. You

1016
01:09:52,800 --> 01:09:55,120
Speaker 1: don't take sipsing to me right now. I don't know

1017
01:09:55,160 --> 01:10:01,360
Speaker 1: the ship. What are you doing on? What we do?

1018
01:10:01,720 --> 01:10:07,160
Speaker 1: We did that, nigga? What do yo? Crack? Get that

1019
01:10:07,439 --> 01:10:13,040
Speaker 1: motherfucking money. Nigga, You understand and you don't listen listen,

1020
01:10:13,840 --> 01:10:16,320
Speaker 1: I better get an invite to the body queue nigga. Yeah,

1021
01:10:16,320 --> 01:10:19,400
Speaker 1: I've been around the corner. I'm up the block, nigga.

1022
01:10:19,479 --> 01:10:22,960
Speaker 1: Hollight me. I'm gonna invite you to my ship, which

1023
01:10:23,400 --> 01:10:35,160
Speaker 1: I'm right here alright, yo, Yo. The house looks so beautiful, man. Yeah,

1024
01:10:35,200 --> 01:10:41,200
Speaker 1: you said I love it. I love it, hold on,

1025
01:10:41,439 --> 01:10:47,439
Speaker 1: hold on, crack, and that's the new one you built. Yes, yes,

1026
01:10:47,840 --> 01:10:51,360
Speaker 1: I love it. It's nice nigga. Yeah, it's nice, nigga.

1027
01:10:51,600 --> 01:11:11,679
Speaker 1: I'm coming over a minute. I love you too, my nigger.

1028
01:11:11,720 --> 01:11:19,640
Speaker 1: I touched you later Christmas calling too. Yeah, we were

1029
01:11:19,720 --> 01:11:24,240
Speaker 1: on his hills too. Don DeMarco in the building. I

1030
01:11:24,400 --> 01:11:26,200
Speaker 1: let us sing around here. Let me tell you something

1031
01:11:26,640 --> 01:11:30,519
Speaker 1: then sting with junior high school together, get the stand.

1032
01:11:31,200 --> 01:11:34,320
Speaker 1: I ain't gonna lie, Don DeMarco, your high school battle

1033
01:11:34,400 --> 01:11:41,640
Speaker 1: pretty little, your battle technician at facts and test and

1034
01:11:41,760 --> 01:11:47,280
Speaker 1: test soul would happen. Hello, Hello, like that, I'm saying.

1035
01:11:47,320 --> 01:11:51,439
Speaker 1: We were queased, though, you know that we had we

1036
01:11:51,479 --> 01:11:54,040
Speaker 1: had to do what we had to do because it

1037
01:11:54,160 --> 01:11:56,839
Speaker 1: was crazy out there. Terts crazy. He was talking crazy.

1038
01:11:57,600 --> 01:11:59,720
Speaker 1: He's like, you know, you know that he was against rule,

1039
01:11:59,800 --> 01:12:02,919
Speaker 1: like you said, so we know we couldn't have no hiccups,

1040
01:12:03,400 --> 01:12:06,439
Speaker 1: know nothing at that point in time on that stage

1041
01:12:07,560 --> 01:12:11,160
Speaker 1: the facts. I ain't gonna lie, he answered that perfectly.

1042
01:12:11,200 --> 01:12:12,640
Speaker 1: I just feel like you gotta make noise and you

1043
01:12:15,400 --> 01:12:21,920
Speaker 1: gotta take a shot for no reason. Yeah. Yeah, and

1044
01:12:22,040 --> 01:12:24,479
Speaker 1: by the way, let me just be honest talk to me.

1045
01:12:26,080 --> 01:12:28,679
Speaker 1: I know, Don DeMarco. So when I kept here in Sanchez,

1046
01:12:28,760 --> 01:12:32,640
Speaker 1: I said, who the fun? And it didn't just hit

1047
01:12:32,720 --> 01:12:34,880
Speaker 1: me to just now, I said, holy ship. He called it,

1048
01:12:35,000 --> 01:12:39,800
Speaker 1: Don Demarcos, What the Sanchez? What is this about? Since

1049
01:12:39,880 --> 01:12:45,080
Speaker 1: junior high school basketball facts, we went this is my

1050
01:12:45,240 --> 01:12:48,080
Speaker 1: brother brother, so that's my childhood name, so as me

1051
01:12:48,160 --> 01:12:50,880
Speaker 1: and Ruth growing up, that's always been my name Sanchez,

1052
01:12:51,320 --> 01:12:53,280
Speaker 1: but as we got older, I became Don de Marco.

1053
01:12:53,439 --> 01:12:56,280
Speaker 1: And then you know, he's still in that DeMarco DeMarco,

1054
01:12:57,160 --> 01:13:01,519
Speaker 1: like that bang bang and what's funny about you? It's

1055
01:13:01,600 --> 01:13:06,880
Speaker 1: used to host battles. Facts, used to be smacked in betweens. Yeah,

1056
01:13:07,160 --> 01:13:13,200
Speaker 1: that's all you were here? So was this your chance

1057
01:13:13,240 --> 01:13:17,280
Speaker 1: to going back to battles? Rule relaxed. I got this playlist?

1058
01:13:17,560 --> 01:13:21,040
Speaker 1: What did it? You know? It's so funny. So the

1059
01:13:21,120 --> 01:13:23,479
Speaker 1: battle was on Tuesday. I want to say that Thursday,

1060
01:13:23,560 --> 01:13:26,240
Speaker 1: before the battle, Rule has spoke the page six the

1061
01:13:26,320 --> 01:13:29,400
Speaker 1: Daily News, and he told them I'm gonna let my

1062
01:13:29,520 --> 01:13:31,720
Speaker 1: DJ curate the playlist and this, that and thir. I

1063
01:13:31,800 --> 01:13:33,439
Speaker 1: just wanted him to say, you know, certain songs that

1064
01:13:33,479 --> 01:13:35,160
Speaker 1: I want to put in the playlist, but he already

1065
01:13:35,200 --> 01:13:38,760
Speaker 1: told them that way before the battle. Even so we

1066
01:13:38,880 --> 01:13:49,439
Speaker 1: already had wet facts. Okay, so KNT so then we

1067
01:13:49,479 --> 01:13:51,240
Speaker 1: know we spoke about the list and things like that.

1068
01:13:51,439 --> 01:13:54,080
Speaker 1: But he's money, like, yo, sachion, we're gonna put it together.

1069
01:13:54,120 --> 01:13:56,120
Speaker 1: We're gonna make sure it's right and tighten. And that's

1070
01:13:56,120 --> 01:13:58,320
Speaker 1: what we did. But we made some adjustments along the

1071
01:13:58,360 --> 01:14:00,040
Speaker 1: way while I was going on, because it was a

1072
01:14:00,120 --> 01:14:01,640
Speaker 1: lot of songs that we knew he was going to

1073
01:14:01,720 --> 01:14:06,519
Speaker 1: perform that we had answers to absolutely like man like

1074
01:14:06,680 --> 01:14:12,240
Speaker 1: Flow Joe, uh like John j John Blaze, Sean Blaze.

1075
01:14:12,320 --> 01:14:15,840
Speaker 1: So what was you asked the John Blaze murder gramm,

1076
01:14:16,320 --> 01:14:19,679
Speaker 1: murder gramm shop with him and Jack's okay, you feel

1077
01:14:20,880 --> 01:14:24,240
Speaker 1: And that was the halftime before the half a little

1078
01:14:24,640 --> 01:14:27,360
Speaker 1: and like like all the way up, living all the

1079
01:14:27,400 --> 01:14:29,120
Speaker 1: way up. So when he played all the way Up,

1080
01:14:29,920 --> 01:14:32,760
Speaker 1: we knew we was gonna play Living it up. Yeah

1081
01:14:33,600 --> 01:14:40,479
Speaker 1: I didn't hear, but we just you know, we had

1082
01:14:40,760 --> 01:14:43,800
Speaker 1: we definitely had a plan on. We wanted instruction, right,

1083
01:14:44,080 --> 01:14:46,600
Speaker 1: That's that's that's another thing so annoying when you do

1084
01:14:46,680 --> 01:14:52,320
Speaker 1: with yours. I ain't doing. I'm done. I'm done. I'm done, man,

1085
01:14:52,439 --> 01:14:55,560
Speaker 1: I'm done. Man. I wanted to celebrate the celebrating no

1086
01:14:55,680 --> 01:14:58,639
Speaker 1: more that nik is stabbing each other and I without

1087
01:14:58,760 --> 01:15:02,360
Speaker 1: know the nice I'm done, I'm done. I want to,

1088
01:15:03,280 --> 01:15:09,640
Speaker 1: But it's also it's a bad Joe funked it up,

1089
01:15:11,240 --> 01:15:17,680
Speaker 1: y'all funded up? Gee, yeah up, Yeah, funked it up

1090
01:15:17,720 --> 01:15:24,599
Speaker 1: because yeah, I went to war. It wasn't like just battle.

1091
01:15:24,840 --> 01:15:28,599
Speaker 1: It was warm, and then everyone hugged at the end.

1092
01:15:29,040 --> 01:15:32,080
Speaker 1: But and then act like I saw you stab him?

1093
01:15:35,640 --> 01:15:38,920
Speaker 1: You want, but we just wanted to actually friends, which

1094
01:15:40,120 --> 01:15:42,200
Speaker 1: would you imagine people who don't even funk with each other.

1095
01:15:43,040 --> 01:15:46,400
Speaker 1: It's gonna be crazy, like imagine the East Coast West

1096
01:15:46,439 --> 01:15:51,280
Speaker 1: coast dude against each other. Listen. I used to I

1097
01:15:51,400 --> 01:15:54,400
Speaker 1: used to get into battle raps with Nigs me and

1098
01:15:54,400 --> 01:15:58,280
Speaker 1: actually go battle rap Niggs. We some of the nastiest

1099
01:15:58,320 --> 01:16:03,720
Speaker 1: ship do we each other face to face right here? Yeah,

1100
01:16:03,760 --> 01:16:07,360
Speaker 1: and then walk away like y'all love it's a bass trap.

1101
01:16:08,560 --> 01:16:11,439
Speaker 1: So that was the mentality I had going in, and

1102
01:16:11,600 --> 01:16:14,439
Speaker 1: I forgot to say, I know my brother really loved me.

1103
01:16:16,280 --> 01:16:17,519
Speaker 1: I feel like you just take a shot for that.

1104
01:16:17,520 --> 01:16:19,000
Speaker 1: I don't don't know why, you just want to take

1105
01:16:19,000 --> 01:16:24,640
Speaker 1: a Come on, come on, man, let's want to take

1106
01:16:24,640 --> 01:16:32,720
Speaker 1: a shot. Take a shot. Let's listen. You gotta get

1107
01:16:32,760 --> 01:16:37,080
Speaker 1: a breaking back. Hello, this is my last shot, motherfucker.

1108
01:16:37,160 --> 01:16:39,560
Speaker 1: I got ship to do only one more after this,

1109
01:16:40,000 --> 01:16:48,800
Speaker 1: but I got your whole artenderary playing out that guy

1110
01:16:49,439 --> 01:16:52,519
Speaker 1: let me get here sense, Oh yeah, smoke that smoke

1111
01:16:52,640 --> 01:16:54,760
Speaker 1: champ y'all. Let's do it. Hit that Yond day on

1112
01:16:54,800 --> 01:16:57,000
Speaker 1: the Yond day and hit it y'all, y'all you understand

1113
01:16:57,760 --> 01:17:12,840
Speaker 1: a little soot y'allo. There you go. Okay, we talked

1114
01:17:12,840 --> 01:17:17,400
Speaker 1: about the Sean, We talked about the battle, we talked

1115
01:17:17,439 --> 01:17:21,559
Speaker 1: about Have you spoke to Vita since this controversy has

1116
01:17:21,880 --> 01:17:28,000
Speaker 1: has been Okay, spoke to Via. You know, I don't

1117
01:17:28,360 --> 01:17:31,639
Speaker 1: hold it down, but I don't know Vita, so I don't.

1118
01:17:31,760 --> 01:17:36,360
Speaker 1: I don't. Actually Vida was hurt, she was okay. She

1119
01:17:36,439 --> 01:17:38,599
Speaker 1: didn't go on social media, which is good, which means

1120
01:17:38,680 --> 01:17:44,160
Speaker 1: she's a gangster. Because listen, I don't like the social media. Yeah, yeah, nobody.

1121
01:17:44,520 --> 01:17:47,000
Speaker 1: We were all family. You know what I'm saying. We could,

1122
01:17:47,040 --> 01:17:49,439
Speaker 1: we could, we can talk about these things. You know,

1123
01:17:50,479 --> 01:17:53,240
Speaker 1: record you know I'm saying behind you know, we all

1124
01:17:53,280 --> 01:17:56,200
Speaker 1: have each other's numbers. So I don't really like the

1125
01:17:56,240 --> 01:17:58,760
Speaker 1: social media ship play player. But it was when people

1126
01:17:58,800 --> 01:18:05,160
Speaker 1: gotta stand, here's about to crack. I said, crap, fuck up,

1127
01:18:06,439 --> 01:18:10,719
Speaker 1: disrespect to these black wings. You know what you gotta

1128
01:18:10,760 --> 01:18:13,320
Speaker 1: do is you gotta apologize on it and apologize. No,

1129
01:18:13,400 --> 01:18:16,479
Speaker 1: mag there's no other there's no other way. You said

1130
01:18:16,479 --> 01:18:18,960
Speaker 1: something fun up ship. You know what I'm saying. He's like,

1131
01:18:19,200 --> 01:18:21,880
Speaker 1: right right, you know, I understand that I want to

1132
01:18:21,880 --> 01:18:24,519
Speaker 1: apologize kid. You know he wanted to to speak them over.

1133
01:18:25,080 --> 01:18:27,559
Speaker 1: You wanted to speak to Vita personally. And I said,

1134
01:18:27,560 --> 01:18:29,160
Speaker 1: that's the other way you gotta do that. You know

1135
01:18:29,200 --> 01:18:31,560
Speaker 1: what I'm saying. I just don't like taking it to

1136
01:18:31,720 --> 01:18:34,160
Speaker 1: social media and making it public. But what I also

1137
01:18:34,280 --> 01:18:38,720
Speaker 1: expressed the practice, you know, and everybody involved, is what

1138
01:18:38,960 --> 01:18:41,040
Speaker 1: what you don't understand. What I had to learn too,

1139
01:18:41,200 --> 01:18:43,760
Speaker 1: and what you said spoke about learning earlier too, is

1140
01:18:45,240 --> 01:18:49,519
Speaker 1: when you say something that offends somebody, you don't get

1141
01:18:49,560 --> 01:18:53,679
Speaker 1: to tell him how they offended or how they felt

1142
01:18:53,720 --> 01:18:57,479
Speaker 1: about what you said. And that's the thing that people

1143
01:18:57,600 --> 01:19:01,439
Speaker 1: have to realize when they say it offensive ship, Like

1144
01:19:01,960 --> 01:19:04,040
Speaker 1: I get it. You may look at it it's like

1145
01:19:04,160 --> 01:19:05,720
Speaker 1: I didn't you know, and it wasn't that big that

1146
01:19:05,720 --> 01:19:07,760
Speaker 1: I was just playing or I didn't say it like

1147
01:19:07,840 --> 01:19:10,680
Speaker 1: that didn't mean like, but you don't get to dictate,

1148
01:19:11,680 --> 01:19:15,160
Speaker 1: h how that made that other person feel. You know

1149
01:19:15,240 --> 01:19:17,679
Speaker 1: what other persons going through. You don't know what they've

1150
01:19:17,720 --> 01:19:20,519
Speaker 1: been through, and so you don't get to dictate that.

1151
01:19:20,760 --> 01:19:23,720
Speaker 1: And and I had to learn that as well. And

1152
01:19:23,960 --> 01:19:27,599
Speaker 1: so you know, listen, man, I'm all I'm all about

1153
01:19:28,360 --> 01:19:33,160
Speaker 1: I'm all about second chances for people and people you know,

1154
01:19:33,360 --> 01:19:36,160
Speaker 1: right their wrongs, you know what I mean, hatee I've

1155
01:19:36,160 --> 01:19:39,760
Speaker 1: been righting my wrongs, but since they don't right, it's

1156
01:19:39,800 --> 01:19:42,840
Speaker 1: more like I've been gathering thoughts, you know what they're saying.

1157
01:19:43,479 --> 01:19:46,840
Speaker 1: But but but but but that that's like the thing

1158
01:19:46,960 --> 01:19:50,160
Speaker 1: that I say to everybody because it's like, listen, you

1159
01:19:50,280 --> 01:19:56,479
Speaker 1: gotta rein it in. Let's internalize m Let's figure out

1160
01:19:57,040 --> 01:20:01,800
Speaker 1: you know, what was said, why said, and the context

1161
01:20:01,880 --> 01:20:05,799
Speaker 1: it was said, and let's try to do that behind

1162
01:20:05,960 --> 01:20:08,600
Speaker 1: closed doors instead of in public. And because when you

1163
01:20:08,600 --> 01:20:10,720
Speaker 1: were emotions in your sleeve sometimes think that said I

1164
01:20:10,760 --> 01:20:12,680
Speaker 1: don't want to be said like the moment, you know

1165
01:20:12,680 --> 01:20:15,599
Speaker 1: what I mean. And and you know, but that could

1166
01:20:15,600 --> 01:20:19,720
Speaker 1: go further, you know. And so I'm just glad that

1167
01:20:21,560 --> 01:20:26,639
Speaker 1: Crack apologize to them beautiful black queens the way he did,

1168
01:20:27,120 --> 01:20:32,040
Speaker 1: because it was needed to be done. And I'm happy

1169
01:20:32,160 --> 01:20:36,200
Speaker 1: that you know more also accepted his apology. She said

1170
01:20:36,360 --> 01:20:39,120
Speaker 1: she loved them love me because because I think it

1171
01:20:39,280 --> 01:20:42,200
Speaker 1: was I think it was just beautiful. Yeah, that's the

1172
01:20:42,240 --> 01:20:45,600
Speaker 1: way it needed to be handled at that because I

1173
01:20:45,640 --> 01:20:47,439
Speaker 1: think he just in the moment, I don't think he

1174
01:20:47,560 --> 01:20:53,120
Speaker 1: meant that at all. I know Joe very well. Yeah, yeah,

1175
01:20:53,120 --> 01:20:55,880
Speaker 1: I don't think he meant that at all. But you

1176
01:20:55,920 --> 01:20:59,080
Speaker 1: know it came across wrong and came across too, you know,

1177
01:21:00,280 --> 01:21:03,200
Speaker 1: address that in the right way, you know, uh uh.

1178
01:21:03,760 --> 01:21:08,160
Speaker 1: You know, when you say some ship to somebody disrespectfully publicly,

1179
01:21:08,840 --> 01:21:11,560
Speaker 1: then you need to apologize for publicly. Yeah, And I

1180
01:21:11,600 --> 01:21:13,840
Speaker 1: think that's what Charlemagne said. Charlemagne said he would have

1181
01:21:14,200 --> 01:21:16,559
Speaker 1: appreciated it more if he would have did it on stage,

1182
01:21:16,600 --> 01:21:18,960
Speaker 1: but he didn't know he violated until he got off stage.

1183
01:21:19,560 --> 01:21:21,680
Speaker 1: You know. You know that's either you know there, but

1184
01:21:22,280 --> 01:21:24,360
Speaker 1: you know, that's that's that's not what we want to

1185
01:21:24,360 --> 01:21:26,439
Speaker 1: talk about. We wann't talk about, is the fact that

1186
01:21:27,439 --> 01:21:34,880
Speaker 1: he realized that he mann bron he mand up in

1187
01:21:34,920 --> 01:21:37,760
Speaker 1: the apologize and that and that's what you know, that's

1188
01:21:37,880 --> 01:21:40,519
Speaker 1: that's the important bottles what I'm saying, because we all

1189
01:21:41,000 --> 01:21:43,719
Speaker 1: we all go through learning, you know what I'm saying.

1190
01:21:44,040 --> 01:21:47,599
Speaker 1: Situations in life, Man, sometimes you may not even realize

1191
01:21:47,640 --> 01:21:49,960
Speaker 1: that you're doing some ship wrong. Like you know, you

1192
01:21:50,120 --> 01:21:53,639
Speaker 1: look back twenty years. We just say, some fucking really

1193
01:21:53,720 --> 01:21:58,320
Speaker 1: fascion on records man, that should come fly today. And

1194
01:21:58,400 --> 01:22:02,439
Speaker 1: it's like if you actually look at listen to Joe

1195
01:22:02,600 --> 01:22:06,479
Speaker 1: set his first song or the second song. He says,

1196
01:22:07,560 --> 01:22:09,840
Speaker 1: I don't like ball, so I'm funk with the rucker

1197
01:22:10,600 --> 01:22:15,160
Speaker 1: and you like what not cry? He says that this

1198
01:22:15,320 --> 01:22:17,800
Speaker 1: is inversive right right right, And I look and I'm like,

1199
01:22:17,920 --> 01:22:23,599
Speaker 1: oh ship, look fast forward, just thinking coaches. He loves

1200
01:22:23,640 --> 01:22:27,519
Speaker 1: the wall. But like, like that's what it is. Sometimes

1201
01:22:27,560 --> 01:22:29,599
Speaker 1: your old records, you know, come back and bring out

1202
01:22:29,640 --> 01:22:33,720
Speaker 1: old ghost because everybody evolves. I don't like to listen

1203
01:22:33,760 --> 01:22:36,840
Speaker 1: to some of my old record cringe should I said, yeah,

1204
01:22:38,040 --> 01:22:40,120
Speaker 1: cringe something that should? I said, you know you're thinking

1205
01:22:40,160 --> 01:22:42,479
Speaker 1: of the the commercial records, but I'm talking about that.

1206
01:22:42,680 --> 01:22:46,080
Speaker 1: I'm talking about I'm some abother y'all. Y'all, yeah, going on.

1207
01:22:46,280 --> 01:22:48,240
Speaker 1: You know what it's on Blood in my Eye when

1208
01:22:48,280 --> 01:22:52,640
Speaker 1: I'm just just just going bananas. Just the blood in

1209
01:22:52,680 --> 01:23:00,160
Speaker 1: my Eye. That's the clapback album. My brother, you you

1210
01:23:00,200 --> 01:23:03,720
Speaker 1: were too rich to be angry. No, sometimes it's not

1211
01:23:03,760 --> 01:23:05,760
Speaker 1: about anger, it's not about money, it's not about none

1212
01:23:05,800 --> 01:23:08,240
Speaker 1: of that. I'm an artist intent and that's what it

1213
01:23:08,439 --> 01:23:12,040
Speaker 1: was real none. That's a great answer. It wasn't none

1214
01:23:12,040 --> 01:23:13,720
Speaker 1: about none of that, you know. It was about Yo,

1215
01:23:13,800 --> 01:23:15,559
Speaker 1: I don't give a funk. I don't need money right now.

1216
01:23:16,160 --> 01:23:18,160
Speaker 1: I'm making this album because Nigga, this is what I

1217
01:23:18,240 --> 01:23:19,640
Speaker 1: want to say. This is what we're doing. And I

1218
01:23:19,680 --> 01:23:21,560
Speaker 1: didn't make it as an album. That's the crazy to this.

1219
01:23:21,960 --> 01:23:24,479
Speaker 1: I made this a mix tape, but I was such

1220
01:23:24,520 --> 01:23:27,440
Speaker 1: a big artist. Depth was like, nah, Nigga, wen gabolize

1221
01:23:27,479 --> 01:23:31,000
Speaker 1: on this, we make up of the holds offstand. It

1222
01:23:31,120 --> 01:23:35,360
Speaker 1: wasn't wrong wrong. It was wrong because you wanted it

1223
01:23:35,439 --> 01:23:38,880
Speaker 1: to be a mixtape. Yes, because because I knew it

1224
01:23:38,920 --> 01:23:42,280
Speaker 1: wouldn't be received like my other ship. I knew it

1225
01:23:42,320 --> 01:23:45,040
Speaker 1: wouldn't be received like what I do. It wasn't not

1226
01:23:45,080 --> 01:23:47,960
Speaker 1: gonna go tripping platinum. Nigga, it's not gonna sell four

1227
01:23:48,040 --> 01:23:51,000
Speaker 1: or five six million records. That ship wasn't gonna go platinum.

1228
01:23:51,160 --> 01:23:53,040
Speaker 1: I knew that. I knew it gonna be a scar

1229
01:23:53,240 --> 01:23:55,919
Speaker 1: on my record, so I said, put it as a mixtape.

1230
01:23:56,400 --> 01:23:59,240
Speaker 1: But they've seen it as a money opportunity. I'm gonna

1231
01:23:59,280 --> 01:24:01,800
Speaker 1: get this money on that because gold to them is

1232
01:24:01,920 --> 01:24:06,519
Speaker 1: money going to me. His money. This money put his niggers.

1233
01:24:06,520 --> 01:24:08,880
Speaker 1: I'm just saying, are you going too far? And I'm

1234
01:24:08,920 --> 01:24:12,680
Speaker 1: just saying they can go on money. It wasn't but

1235
01:24:12,880 --> 01:24:16,120
Speaker 1: I was. It wasn't what I wanted. I wanted to

1236
01:24:16,200 --> 01:24:20,240
Speaker 1: put that out as a mixing, and they see it

1237
01:24:20,320 --> 01:24:23,080
Speaker 1: as a money opportunity. Nigga, did we have a fucking

1238
01:24:23,160 --> 01:24:25,720
Speaker 1: cash CALLI here, How'm gonna let him put all of

1239
01:24:25,800 --> 01:24:29,360
Speaker 1: this material album change what? I don't know how many

1240
01:24:29,360 --> 01:24:31,479
Speaker 1: songs on me or whatever? How'm gon let this nigger

1241
01:24:31,479 --> 01:24:35,000
Speaker 1: without all of any who saying favoral records? Two blocks,

1242
01:24:35,439 --> 01:24:39,200
Speaker 1: fucking put long claws hold me. How the fun we're

1243
01:24:39,240 --> 01:24:45,600
Speaker 1: gonna let We're gonna let these records go for free. No,

1244
01:24:46,720 --> 01:24:49,479
Speaker 1: So they took it and they made it an album.

1245
01:24:49,560 --> 01:24:50,960
Speaker 1: I didn't want that to be. I wanted to just

1246
01:24:51,040 --> 01:24:55,000
Speaker 1: put it out. It was my warrior paint album. Nigga,

1247
01:24:55,080 --> 01:24:57,880
Speaker 1: I'm fu these niggas. I don't care about nothing. Niggas

1248
01:24:57,880 --> 01:25:01,519
Speaker 1: just coming at him, coming at y'all, let's go. And

1249
01:25:01,600 --> 01:25:03,519
Speaker 1: I wanted it to be that blood in my eye.

1250
01:25:03,600 --> 01:25:07,240
Speaker 1: Nick I'm living like George. I don't give a fuck.

1251
01:25:08,080 --> 01:25:13,040
Speaker 1: That's what the whole album is about. It didn't turn

1252
01:25:13,040 --> 01:25:17,439
Speaker 1: out that way. But I don't what I tell people.

1253
01:25:17,520 --> 01:25:19,240
Speaker 1: You know, I didn't want to. I didn't want to

1254
01:25:19,960 --> 01:25:21,680
Speaker 1: go there. I didn't want to ask this questions. But

1255
01:25:22,600 --> 01:25:24,479
Speaker 1: I have to because you just you just did. That

1256
01:25:26,920 --> 01:25:32,800
Speaker 1: was it, And this is real talk. You always took

1257
01:25:32,840 --> 01:25:38,280
Speaker 1: the high row when it came to the beef. Never responded.

1258
01:25:38,400 --> 01:25:41,479
Speaker 1: I didn't respond. I responded blood in my eyes, a

1259
01:25:41,600 --> 01:25:44,560
Speaker 1: response to everything. But what I mean it was it

1260
01:25:44,680 --> 01:25:48,160
Speaker 1: was almost like two years later. You know, here's what

1261
01:25:48,200 --> 01:25:53,679
Speaker 1: people don't understand. Okay, anybody in this room ever faced

1262
01:25:53,840 --> 01:25:59,400
Speaker 1: fal indictment. I don't see nobody shaking their head down.

1263
01:26:00,000 --> 01:26:01,840
Speaker 1: They didn't say yes. So let me tell you how

1264
01:26:01,920 --> 01:26:05,920
Speaker 1: they work. I wasn't on the Federal time. It was

1265
01:26:06,040 --> 01:26:09,880
Speaker 1: Earth and they put Chris Scotti from the time whatever.

1266
01:26:10,560 --> 01:26:13,840
Speaker 1: If they drained you of everything they drained. They drain

1267
01:26:13,960 --> 01:26:17,439
Speaker 1: your fucking resources, they drain your fucking money, They drained

1268
01:26:17,520 --> 01:26:21,080
Speaker 1: every free your freeze, your assets. They take everything from you.

1269
01:26:22,479 --> 01:26:25,559
Speaker 1: How so so they so that you can't fight them.

1270
01:26:28,160 --> 01:26:33,760
Speaker 1: How you gonna fight a rap battle with one of

1271
01:26:33,840 --> 01:26:37,759
Speaker 1: the biggest conglomerates of the world, one of the biggest labels,

1272
01:26:37,800 --> 01:26:40,320
Speaker 1: one of the biggest everything in the world. Right, and

1273
01:26:40,439 --> 01:26:44,880
Speaker 1: then your own label. They dropped you too because they

1274
01:26:44,880 --> 01:26:47,000
Speaker 1: don't want to be a part of the lawsuits going.

1275
01:26:47,120 --> 01:26:51,760
Speaker 1: But you're saying death Cam, No, I didn't mean that.

1276
01:26:52,040 --> 01:26:56,320
Speaker 1: That was they threw us like the building, you kidd

1277
01:26:56,360 --> 01:27:02,519
Speaker 1: it be. I didn't know that that was. Oh you know, yeah,

1278
01:27:02,520 --> 01:27:05,439
Speaker 1: I was too Oh for real, I didn't know that

1279
01:27:05,520 --> 01:27:08,040
Speaker 1: sweat God, that sweet of God right now. I mean

1280
01:27:08,240 --> 01:27:13,840
Speaker 1: all I said, if you don't let these niggas go,

1281
01:27:15,880 --> 01:27:19,759
Speaker 1: we're gonna start looking up under your hood, nigga, Wow,

1282
01:27:20,880 --> 01:27:22,560
Speaker 1: we want to see what's going on. It was like

1283
01:27:22,760 --> 01:27:27,880
Speaker 1: fucking it was, this is what the feds do. So

1284
01:27:28,040 --> 01:27:31,680
Speaker 1: they so death Tam they loved us. Come on, man,

1285
01:27:31,840 --> 01:27:34,439
Speaker 1: we will believe. Come on, he'll keep the lights on

1286
01:27:34,560 --> 01:27:38,840
Speaker 1: in that building. Man, death Tam loved us. It wasn't

1287
01:27:38,880 --> 01:27:40,800
Speaker 1: like we all and we wanted to let us go.

1288
01:27:40,960 --> 01:27:45,679
Speaker 1: They loved us, We loved them. It had to be done.

1289
01:27:45,840 --> 01:27:49,720
Speaker 1: They had to fucking saveritize with it because it just

1290
01:27:49,960 --> 01:27:54,920
Speaker 1: wasn't It wasn't good business now. And so that happened.

1291
01:27:57,080 --> 01:27:59,760
Speaker 1: And so how am I supposed to deal with all

1292
01:27:59,840 --> 01:28:02,160
Speaker 1: this other thing that's going around when I don't have

1293
01:28:02,320 --> 01:28:05,920
Speaker 1: a major I can't put out records anymore the way

1294
01:28:05,920 --> 01:28:08,960
Speaker 1: I used to do. They're not gonna move the same way.

1295
01:28:09,439 --> 01:28:15,439
Speaker 1: There's no Internet, there's no Instagram, there's no Twitter, there's

1296
01:28:15,479 --> 01:28:19,639
Speaker 1: no fucking sound class, none of this ship nigga. I'm

1297
01:28:19,720 --> 01:28:21,519
Speaker 1: just like, Yeah, what the fund am my school to do?

1298
01:28:22,200 --> 01:28:26,000
Speaker 1: So we get to deal with some with motown and

1299
01:28:26,200 --> 01:28:30,439
Speaker 1: that didn't Universal didn't want the Universal system. It didn't

1300
01:28:30,439 --> 01:28:32,040
Speaker 1: work out the way we wanted to. But that was

1301
01:28:32,120 --> 01:28:34,640
Speaker 1: after Blood of my eye. Is that when Lloyd came out,

1302
01:28:35,000 --> 01:28:37,639
Speaker 1: was LAYD came out and came out for that, blood

1303
01:28:37,640 --> 01:28:40,280
Speaker 1: came up for that. Okay, that's an after blood of

1304
01:28:40,320 --> 01:28:41,760
Speaker 1: my eye. You know what I'm saying. And I try

1305
01:28:41,800 --> 01:28:44,840
Speaker 1: to put out um well, I forget what the album was,

1306
01:28:44,960 --> 01:28:48,840
Speaker 1: but you know, it's like, you know, it was just

1307
01:28:49,280 --> 01:28:52,360
Speaker 1: that was it was different, you know, I'm saying, a different,

1308
01:28:52,439 --> 01:28:56,479
Speaker 1: different time in their product. Internet wasn't like that. Social

1309
01:28:56,520 --> 01:28:59,719
Speaker 1: media wasn't like that. It wasn't even existed, didn't exists

1310
01:29:00,080 --> 01:29:03,439
Speaker 1: when he was crazy. Instagram came out when I was

1311
01:29:03,479 --> 01:29:07,479
Speaker 1: in jail. I was in jail, nigger. Instagram wasn't even

1312
01:29:08,000 --> 01:29:11,599
Speaker 1: whether around whatever. You ain't had to app no nig

1313
01:29:11,720 --> 01:29:17,040
Speaker 1: I was in jail, Like, I'm in jail. In jail,

1314
01:29:17,120 --> 01:29:21,200
Speaker 1: you're either going Instagram and jail man. It's like, Yo,

1315
01:29:21,360 --> 01:29:25,120
Speaker 1: this new ship Instagram. Yeah, I didn't even get it

1316
01:29:25,200 --> 01:29:28,920
Speaker 1: a friend before you went to jail. Yeah, okay, Twitter

1317
01:29:29,080 --> 01:29:33,840
Speaker 1: was out that Twitter? Yeah, my Space, Yeah, I mean

1318
01:29:33,880 --> 01:29:36,439
Speaker 1: I went to jail. The motherfuck eight Ni. He was

1319
01:29:36,479 --> 01:29:40,120
Speaker 1: friends with Tom Nigger. Actually, Tom was at my crib

1320
01:29:40,160 --> 01:29:42,720
Speaker 1: when he sold. That's the crazy City kid in my

1321
01:29:42,760 --> 01:29:45,080
Speaker 1: crib in l A the night he sold the day

1322
01:29:45,160 --> 01:29:48,920
Speaker 1: after my right sold my Space, and he was like, Yo, John,

1323
01:29:48,960 --> 01:29:52,439
Speaker 1: I think I think they gonna fucking I think I

1324
01:29:52,520 --> 01:29:56,120
Speaker 1: sold for too long. They fucked him. I just think

1325
01:29:56,160 --> 01:29:57,840
Speaker 1: he felt good. I got the billy instead of the

1326
01:29:57,880 --> 01:30:00,400
Speaker 1: five I got. I got mad Champagne left. I'm campaign.

1327
01:30:00,400 --> 01:30:04,920
Speaker 1: You gotta be more Champagne. Don't worry about the simping. Huh,

1328
01:30:05,040 --> 01:30:07,200
Speaker 1: don't worr about simping. Come on, man, you got your

1329
01:30:07,280 --> 01:30:10,040
Speaker 1: gross man, I'm smoking. I don't even see smoking. You

1330
01:30:10,080 --> 01:30:14,360
Speaker 1: know this is you And he just said you don't

1331
01:30:14,360 --> 01:30:19,960
Speaker 1: see me smoking. This niggas fuck up jellous click smoke blast.

1332
01:30:20,360 --> 01:30:23,080
Speaker 1: That's my nigga, my nigger, Chris Black right there Chrissy

1333
01:30:23,120 --> 01:30:26,400
Speaker 1: black Man. Yeah, Nick Cash what he clicks ship cash money? Click?

1334
01:30:27,439 --> 01:30:30,320
Speaker 1: Come on, grab a chair man, Grab a chair man. Listen,

1335
01:30:30,400 --> 01:30:32,680
Speaker 1: listen over there, go grab and give him a chair man.

1336
01:30:33,760 --> 01:30:35,840
Speaker 1: Let me tell you something, man, how my first years,

1337
01:30:35,920 --> 01:30:38,640
Speaker 1: my early years, and this how mad? How mad of

1338
01:30:38,760 --> 01:30:41,640
Speaker 1: y'all was the cash money label when the niggas just

1339
01:30:41,760 --> 01:30:47,120
Speaker 1: took your ship and they didn't take our ship? Go on, man, listen, listen.

1340
01:30:47,200 --> 01:30:49,920
Speaker 1: Young dog took about ship man. Young dog is running

1341
01:30:49,960 --> 01:30:53,160
Speaker 1: with slime City. I don't even know you know what

1342
01:30:53,160 --> 01:30:55,960
Speaker 1: I'm saying. Come on, man, I'm gonna keeping the blood man,

1343
01:30:56,280 --> 01:31:00,760
Speaker 1: cash money took your ship. Let's just be click because

1344
01:31:00,760 --> 01:31:04,040
Speaker 1: they ain't sucking. New Orleans were queens and out. Now

1345
01:31:04,120 --> 01:31:09,639
Speaker 1: that we went out like that New Orleans at that time,

1346
01:31:09,960 --> 01:31:12,400
Speaker 1: I've been a wrong time. And this is my brother,

1347
01:31:12,479 --> 01:31:14,360
Speaker 1: Chris black Come on, man, it makes a noise for

1348
01:31:14,439 --> 01:31:19,560
Speaker 1: Chris black Man as my clear So it's click my

1349
01:31:19,640 --> 01:31:23,200
Speaker 1: group and ship, so let's just rock. Let's just be clear.

1350
01:31:24,920 --> 01:31:28,639
Speaker 1: I want to ask this question one more time. How

1351
01:31:28,760 --> 01:31:32,439
Speaker 1: mad at y'all was cash money when they stole your ship?

1352
01:31:32,760 --> 01:31:37,680
Speaker 1: Stop it, b I was in the can when that

1353
01:31:38,000 --> 01:31:46,599
Speaker 1: cant get me that Chris ChRI they bumked, y'all. Man,

1354
01:31:46,640 --> 01:31:54,479
Speaker 1: they buked, they bumped. I don't believe Chris, you believe

1355
01:31:54,520 --> 01:32:04,719
Speaker 1: that doesn't It's cool. Were motivated. Hold on, Katie, Harold

1356
01:32:04,800 --> 01:32:08,680
Speaker 1: can make sure we hero. Are we hearing them? Yeah?

1357
01:32:08,720 --> 01:32:10,920
Speaker 1: Put the put them yeah, put it down, put it down,

1358
01:32:10,920 --> 01:32:13,240
Speaker 1: put down for them? Are we hearing them? Come on,

1359
01:32:13,560 --> 01:32:16,680
Speaker 1: iles on, how you but a real, real, real quick

1360
01:32:16,720 --> 01:32:19,840
Speaker 1: that you guys know we celebrating and those birthdays still okay,

1361
01:32:20,080 --> 01:32:22,000
Speaker 1: so you know this is the second time we give roses.

1362
01:32:22,080 --> 01:32:25,000
Speaker 1: But Kevin, come in, man, we got some special Yeah.

1363
01:32:25,520 --> 01:32:46,639
Speaker 1: Happy let's happy birthday for Nori. Happy birthday, birthday. Yeah,

1364
01:32:48,360 --> 01:32:51,880
Speaker 1: yea something man. This is a fucking dope addition to

1365
01:32:52,200 --> 01:32:55,960
Speaker 1: fucking thank you man Us. On our second show, I

1366
01:32:56,000 --> 01:32:59,240
Speaker 1: apologize because we would we did not have our ship

1367
01:32:59,320 --> 01:33:05,160
Speaker 1: together our second release show. It was it Jada who

1368
01:33:05,280 --> 01:33:09,439
Speaker 1: was no Jada, no, no, no, it was just crazy.

1369
01:33:10,240 --> 01:33:13,920
Speaker 1: Told told Garrod to come at four o'clock. I told

1370
01:33:14,000 --> 01:33:16,640
Speaker 1: Jaden come at eight o'clock. And they both came in.

1371
01:33:19,720 --> 01:33:21,880
Speaker 1: They're gonna be at the same time, and they came

1372
01:33:21,960 --> 01:33:23,680
Speaker 1: at the same time, and I was I'm sitting there

1373
01:33:23,720 --> 01:33:26,800
Speaker 1: getting the haircut in the bathroom and I'm like, do

1374
01:33:26,960 --> 01:33:30,080
Speaker 1: we separate though? And that was that was an epic

1375
01:33:30,200 --> 01:33:34,320
Speaker 1: put you all together, and that's what started us in

1376
01:33:34,360 --> 01:33:36,800
Speaker 1: the part because because they laughed at us. Fat Joe

1377
01:33:36,920 --> 01:33:39,599
Speaker 1: was our first episode spick up to our brother Fat Joe.

1378
01:33:42,840 --> 01:33:46,200
Speaker 1: We actually recorded Kenny and itself was the first episode

1379
01:33:46,240 --> 01:33:52,000
Speaker 1: we recorded. Person came and sat down with Kenny Anderson.

1380
01:33:52,040 --> 01:33:55,760
Speaker 1: You know, you know it left hip. Yeah, I could

1381
01:33:55,800 --> 01:34:02,680
Speaker 1: tell so and ship, Oh come on, my little bit

1382
01:34:02,760 --> 01:34:05,840
Speaker 1: many a little big ship. So I gott He hasn't

1383
01:34:05,840 --> 01:34:11,679
Speaker 1: talked to me since the Mike Geronimo episode to my nigga.

1384
01:34:11,720 --> 01:34:18,280
Speaker 1: Mike Gerontimo, Man, he bade you up big everybody. Mike

1385
01:34:18,360 --> 01:34:22,160
Speaker 1: drums a legend. Man. I love Mike. Man it what

1386
01:34:22,320 --> 01:34:24,760
Speaker 1: is what is him and herb? I don't know what

1387
01:34:24,920 --> 01:34:30,800
Speaker 1: is problem. You know they had the issues over you know,

1388
01:34:31,479 --> 01:34:35,720
Speaker 1: I was I was a little black too. He was

1389
01:34:35,760 --> 01:34:38,680
Speaker 1: around for that too. But they had the issues over

1390
01:34:39,360 --> 01:34:45,400
Speaker 1: producers stuff, you know, music stuff. Mike I wanted to

1391
01:34:45,479 --> 01:34:56,679
Speaker 1: do stuff with you know, large professors fire you know, oh, premiere,

1392
01:34:59,040 --> 01:35:01,920
Speaker 1: You've got him wrong with that, not wrong that these

1393
01:35:01,920 --> 01:35:05,320
Speaker 1: were niggas like it was more like in his area

1394
01:35:05,360 --> 01:35:08,080
Speaker 1: in his hood and ship. But you know, Earth felt like, Nigga,

1395
01:35:08,080 --> 01:35:10,120
Speaker 1: I'm the nigging that these nigs wouldn't think about you

1396
01:35:10,520 --> 01:35:13,640
Speaker 1: when he was doing what you was doing. I'm the

1397
01:35:13,760 --> 01:35:16,600
Speaker 1: nigged that, you know factly, so I kind of I

1398
01:35:16,720 --> 01:35:20,120
Speaker 1: see both the arguments. I think it could have been,

1399
01:35:21,400 --> 01:35:23,960
Speaker 1: you know, something that could have been ironed out if

1400
01:35:24,000 --> 01:35:25,920
Speaker 1: I was a bigger artist. I feel like I would

1401
01:35:25,920 --> 01:35:28,000
Speaker 1: I I could have ironed it out, you know what

1402
01:35:28,000 --> 01:35:30,400
Speaker 1: I mean. But you know, I was the younger NY

1403
01:35:30,479 --> 01:35:31,960
Speaker 1: at the time. I always just you know, I didn't

1404
01:35:31,960 --> 01:35:33,680
Speaker 1: give a funk. I was just trying to get on

1405
01:35:33,840 --> 01:35:38,240
Speaker 1: and do me. So I was amazing. But but then

1406
01:35:38,439 --> 01:35:42,760
Speaker 1: he because you know what, you know, because we have

1407
01:35:42,920 --> 01:35:45,120
Speaker 1: different no, because we have a different relationship, man, But

1408
01:35:45,479 --> 01:35:47,560
Speaker 1: I understand me and Michael artist sweet we we we

1409
01:35:47,640 --> 01:35:51,800
Speaker 1: shared conversations about art and what this is and and

1410
01:35:51,920 --> 01:35:54,960
Speaker 1: and making music and dreams of being big artists. We

1411
01:35:55,120 --> 01:35:58,040
Speaker 1: shared those moments, you know what I'm saying, being Mike, Yeah,

1412
01:35:58,080 --> 01:36:02,439
Speaker 1: you know what I'm saying. And and I'm show him

1413
01:36:02,439 --> 01:36:04,920
Speaker 1: and ever have had those I'm saying, share those moments too.

1414
01:36:04,960 --> 01:36:07,200
Speaker 1: I don't. I don't know, but you know, but I know,

1415
01:36:07,320 --> 01:36:10,639
Speaker 1: me and Mike had moments where we talked about those

1416
01:36:10,720 --> 01:36:13,840
Speaker 1: things and share those things. And he was on the

1417
01:36:13,920 --> 01:36:18,320
Speaker 1: trajectory at that moment of doing that, and I was

1418
01:36:19,680 --> 01:36:22,280
Speaker 1: just a fledging artists like, yeah, maybe you do it,

1419
01:36:22,439 --> 01:36:24,880
Speaker 1: you know what I'm saying, Like like I want to

1420
01:36:25,080 --> 01:36:28,360
Speaker 1: do it too, you know what I mean? And so

1421
01:36:28,479 --> 01:36:30,200
Speaker 1: that's what you know that that was, you know, me

1422
01:36:30,280 --> 01:36:34,280
Speaker 1: and Mike's relationship at that time. You know, as as

1423
01:36:34,360 --> 01:36:36,639
Speaker 1: far as you know Art the Street, we would talk

1424
01:36:36,680 --> 01:36:42,760
Speaker 1: about Art the Street. And I just think that when

1425
01:36:42,880 --> 01:36:46,280
Speaker 1: Mike put his first album out or helped him get

1426
01:36:46,320 --> 01:36:50,400
Speaker 1: to the status that he was, Yeah, and it wasn't

1427
01:36:50,479 --> 01:36:54,519
Speaker 1: those guys that he wanted to do music with. That's fine,

1428
01:36:54,720 --> 01:36:56,920
Speaker 1: Like you know, I feel like artists are allowed to

1429
01:36:56,960 --> 01:36:59,920
Speaker 1: grow and have growth, you know what I mean. I've

1430
01:37:00,080 --> 01:37:04,719
Speaker 1: never me myself, I've never done any records from anybody.

1431
01:37:04,840 --> 01:37:07,080
Speaker 1: Did you think I thought about a little bit because

1432
01:37:07,439 --> 01:37:11,200
Speaker 1: he was clearly from Flushing and then his videos actually

1433
01:37:11,280 --> 01:37:13,560
Speaker 1: looked like he was from South Jamaica. I don't, I

1434
01:37:13,600 --> 01:37:16,160
Speaker 1: don't know, I don't. I don't that that ship that

1435
01:37:16,360 --> 01:37:19,320
Speaker 1: that's just my queen's nigga, that's just neither meant a

1436
01:37:19,400 --> 01:37:22,000
Speaker 1: lot to us. That's just I don't know about like,

1437
01:37:22,240 --> 01:37:24,360
Speaker 1: like we know you ain't seen the you don't see

1438
01:37:24,360 --> 01:37:36,920
Speaker 1: ship is really he did very Queens, but I don't like,

1439
01:37:37,000 --> 01:37:38,800
Speaker 1: I don't look at that. I don't know about that

1440
01:37:38,800 --> 01:37:41,200
Speaker 1: ship when I know, but we do though, We'll give

1441
01:37:41,200 --> 01:37:44,559
Speaker 1: a funk about that. Yeah. No, if you would nah,

1442
01:37:44,920 --> 01:37:48,880
Speaker 1: if you're shot, I don't know because hip hop is

1443
01:37:48,880 --> 01:37:53,160
Speaker 1: global nigga, so I can't. I can't just say wrong

1444
01:37:53,280 --> 01:37:55,320
Speaker 1: at the same time. But you can't rip all the Queens.

1445
01:37:55,439 --> 01:37:59,280
Speaker 1: I don't get Why can't I rep every You can't

1446
01:37:59,320 --> 01:38:02,840
Speaker 1: let me tell you something, nigga. If Fat Joe would

1447
01:38:02,880 --> 01:38:06,040
Speaker 1: have attacked, but he did. He did it early. Yeah,

1448
01:38:06,080 --> 01:38:08,640
Speaker 1: he came up to the bridges right, But if he

1449
01:38:08,640 --> 01:38:10,600
Speaker 1: would have did it, like I was, I had it

1450
01:38:10,680 --> 01:38:13,719
Speaker 1: in my mind, who's gonna freestyle over bridges? Over? Okay

1451
01:38:13,920 --> 01:38:16,240
Speaker 1: you had you had a response? Yeah? Absolutely, I was like,

1452
01:38:16,240 --> 01:38:17,960
Speaker 1: I'm not gonna let that go on my watch. Nigga

1453
01:38:18,000 --> 01:38:20,320
Speaker 1: from Queens. I'm not from Queens Bridge, but I'm from

1454
01:38:20,400 --> 01:38:26,080
Speaker 1: motherfuck from Queen's Bridge, but were from motherfucker Queen. I

1455
01:38:26,120 --> 01:38:31,120
Speaker 1: don't like this. Slash anybody slap you guys have queens

1456
01:38:32,240 --> 01:38:34,960
Speaker 1: queens right now, everybody here, I'm not. I'm like, I'm

1457
01:38:35,000 --> 01:38:36,560
Speaker 1: not gonna let go on my watch. You know what

1458
01:38:36,560 --> 01:38:38,640
Speaker 1: I'm saying, Like, Nigga, we we queens, niggas. You know what.

1459
01:38:38,800 --> 01:38:41,160
Speaker 1: I'm from the other side, nick without means ship. You know,

1460
01:38:41,160 --> 01:38:44,320
Speaker 1: I'm saying, it's Queen's bridges over a district to our whole.

1461
01:38:44,880 --> 01:38:47,240
Speaker 1: You know, so I even though we're not from Queen's Bridge,

1462
01:38:47,280 --> 01:38:52,760
Speaker 1: Man up one right, man, pick up the shin, Nigga said,

1463
01:38:53,120 --> 01:38:55,639
Speaker 1: because that was me and me fat Joe thinking that's

1464
01:38:55,680 --> 01:38:57,880
Speaker 1: the Bronx. You know what I'm saying. So good, we

1465
01:38:58,280 --> 01:39:00,360
Speaker 1: needed one on that one man. But to be clear,

1466
01:39:00,479 --> 01:39:02,240
Speaker 1: let's be clear, all right, cool, because because you you

1467
01:39:02,320 --> 01:39:04,800
Speaker 1: win deep, so let's let's just stay there. We needed one.

1468
01:39:04,840 --> 01:39:08,960
Speaker 1: Or that you said that you had a response to

1469
01:39:09,120 --> 01:39:17,760
Speaker 1: the bridges over, meaning if he would have rhymed over

1470
01:39:17,840 --> 01:39:22,880
Speaker 1: the bridges over or okay, if you'd around a little Brasilves.

1471
01:39:22,920 --> 01:39:24,439
Speaker 1: Something I was gonna do for that, you know what

1472
01:39:24,439 --> 01:39:26,920
Speaker 1: I'm saying. I thought of something, I put it together

1473
01:39:27,120 --> 01:39:29,679
Speaker 1: like I was gonna would have been crazy. I would

1474
01:39:29,680 --> 01:39:37,400
Speaker 1: have brought Shannon. That would have been wild. Would have been.

1475
01:39:37,600 --> 01:39:41,479
Speaker 1: It was. It wasn't a very that would have been.

1476
01:39:41,760 --> 01:39:43,719
Speaker 1: It wasn't a barrow battle, you know what I'm saying.

1477
01:39:43,760 --> 01:39:47,519
Speaker 1: But I thought of everything. So I'm gonna tell you

1478
01:39:47,760 --> 01:39:50,680
Speaker 1: start the fifty fifty would come out. I thought I

1479
01:39:50,760 --> 01:39:54,240
Speaker 1: had something for that too. You thought that could have happened.

1480
01:39:54,439 --> 01:39:56,600
Speaker 1: I didn't think Joe would go that, but you was

1481
01:39:57,640 --> 01:39:59,880
Speaker 1: was now was war and that was really war war

1482
01:40:00,040 --> 01:40:01,840
Speaker 1: And now like cracks my brother, he's not gonna bring

1483
01:40:01,920 --> 01:40:04,400
Speaker 1: him out, but I thought he might maybe try to

1484
01:40:04,520 --> 01:40:07,760
Speaker 1: freestyle over like like like in the club or something

1485
01:40:07,840 --> 01:40:09,120
Speaker 1: like that, you know what I'm saying, like to get

1486
01:40:09,160 --> 01:40:11,920
Speaker 1: the crowd reaction. So I had something for that. But

1487
01:40:13,400 --> 01:40:16,240
Speaker 1: you know, you see he mentioned candy show. I produce

1488
01:40:16,320 --> 01:40:20,040
Speaker 1: candy shot, you know, saying So you know, this is

1489
01:40:20,280 --> 01:40:22,439
Speaker 1: what people don't understand. This is a This is why

1490
01:40:22,439 --> 01:40:24,880
Speaker 1: I said, we're in the doghouse, motherfucker. This is a

1491
01:40:25,120 --> 01:40:28,840
Speaker 1: rap battle. Like it's like real, like even though it's

1492
01:40:28,880 --> 01:40:33,519
Speaker 1: my brother with brothers, it's a real rap batt And

1493
01:40:33,600 --> 01:40:35,840
Speaker 1: if you've ever been in a rap battle, motherfucker's say,

1494
01:40:35,880 --> 01:40:43,240
Speaker 1: ship that's nasty, dirty like you Yeah, but but but

1495
01:40:43,360 --> 01:40:45,439
Speaker 1: it's at the end of the day. This is our sport.

1496
01:40:46,479 --> 01:40:50,439
Speaker 1: It's more like a sport. It's nothing personal. It's not

1497
01:40:50,600 --> 01:40:53,519
Speaker 1: disrespectful in the way of being. So that's how I

1498
01:40:53,600 --> 01:40:55,280
Speaker 1: sit because I come from that. I used to do

1499
01:40:55,360 --> 01:40:57,040
Speaker 1: what I'm trying. I used to do this ship, Me

1500
01:40:57,160 --> 01:40:59,080
Speaker 1: and X used to go to the next video shoots

1501
01:41:00,000 --> 01:41:04,240
Speaker 1: do all that ship was battle nigger and d widely.

1502
01:41:04,840 --> 01:41:06,599
Speaker 1: They sick them, get them, you know what I'm saying,

1503
01:41:06,640 --> 01:41:08,679
Speaker 1: Like we dogs and ship like were just like a dog.

1504
01:41:09,080 --> 01:41:14,280
Speaker 1: But that was you know for me, I'm like, this

1505
01:41:14,439 --> 01:41:16,760
Speaker 1: is the school of them seeing it I'm from. And

1506
01:41:16,840 --> 01:41:19,120
Speaker 1: I don't think nig's really understanding. I don't think niggas

1507
01:41:19,200 --> 01:41:21,920
Speaker 1: understand where I can't hid. I came up in this ship,

1508
01:41:22,040 --> 01:41:26,800
Speaker 1: you know what I'm saying. Like it was it's lyrical exercise. Man,

1509
01:41:28,400 --> 01:41:32,040
Speaker 1: it's different. So you know, I've seen Bust to the

1510
01:41:32,120 --> 01:41:35,880
Speaker 1: night of MTV board your Bust Talk. I seen Joe

1511
01:41:35,920 --> 01:41:38,160
Speaker 1: too that night. I've seen Bucks Bus. Are you ready?

1512
01:41:38,720 --> 01:41:42,400
Speaker 1: I'm ready? Buck, So Bust, I'm come from different cloth.

1513
01:41:43,360 --> 01:41:45,080
Speaker 1: Bus said, you know, I'm come from that cloth to

1514
01:41:46,920 --> 01:41:48,840
Speaker 1: I said, you are busts over show. You know what

1515
01:41:48,880 --> 01:41:51,759
Speaker 1: I'm saying. I said, But I'm cut from that cloth, nigga.

1516
01:41:51,760 --> 01:41:54,720
Speaker 1: I'm you know, and crackers the hell of the m C.

1517
01:41:55,479 --> 01:41:59,639
Speaker 1: But I don't think crack ever was a battle round MC.

1518
01:42:00,479 --> 01:42:02,560
Speaker 1: I don't know. I disagree with you. I think he

1519
01:42:02,720 --> 01:42:04,840
Speaker 1: was a bad rap. Okay, okay, I don't know that.

1520
01:42:04,840 --> 01:42:06,800
Speaker 1: I don't know his history. I don't know it. Yeah,

1521
01:42:07,120 --> 01:42:10,120
Speaker 1: I just get um. But did you know you was

1522
01:42:10,160 --> 01:42:14,600
Speaker 1: the underdog? Yeah? Kind of short up. You know what

1523
01:42:14,600 --> 01:42:19,720
Speaker 1: I'm saying, Because I felt like he's crazy ship. I

1524
01:42:19,880 --> 01:42:26,960
Speaker 1: like crazy ship, it's crazy. I felt like because Practice

1525
01:42:27,000 --> 01:42:30,200
Speaker 1: was friendly with every like the industry, that the industry

1526
01:42:30,320 --> 01:42:33,120
Speaker 1: wanted to crack the wind and wanted them to you

1527
01:42:33,160 --> 01:42:35,160
Speaker 1: know what I'm saying. And I'm like, and I look

1528
01:42:35,200 --> 01:42:37,560
Speaker 1: at it. Let's just be clear. You're also declaring that

1529
01:42:37,680 --> 01:42:41,640
Speaker 1: you want of course, okay, but I'm just saying I

1530
01:42:42,720 --> 01:42:44,439
Speaker 1: don't have to. I don't got to spike the ball.

1531
01:42:44,479 --> 01:42:46,240
Speaker 1: You know. You know what I'm saying, You gotta touch

1532
01:42:46,320 --> 01:42:49,920
Speaker 1: down his room still walk away. All I'm saying, that's sick.

1533
01:42:51,840 --> 01:42:53,560
Speaker 1: Maybe I'll spike the ball. I don't even jump on

1534
01:42:55,120 --> 01:42:59,120
Speaker 1: you know what I'm saying, the ball. But but but

1535
01:42:59,320 --> 01:43:02,560
Speaker 1: I'm just saying, like I just felt like, you know,

1536
01:43:03,120 --> 01:43:08,040
Speaker 1: everybody you know rooted for for the but what's just fine?

1537
01:43:08,720 --> 01:43:11,560
Speaker 1: You know what I'm saying, Like I said earlier to

1538
01:43:11,800 --> 01:43:15,519
Speaker 1: somebody that you was disappointed in, I was disappointed to about, Yeah,

1539
01:43:16,560 --> 01:43:18,920
Speaker 1: what do you want to root for? You know, we

1540
01:43:19,040 --> 01:43:21,519
Speaker 1: all have an opinion. You know, I don't give a fuck.

1541
01:43:21,760 --> 01:43:24,759
Speaker 1: You know what I'm saying. If I could change your opinion,

1542
01:43:25,640 --> 01:43:28,400
Speaker 1: that means I made you believe you understand. I don't

1543
01:43:28,400 --> 01:43:32,000
Speaker 1: know where we're going, but I'm just saying it like

1544
01:43:32,280 --> 01:43:36,599
Speaker 1: like like like it's really talk when you when you're

1545
01:43:36,600 --> 01:43:40,439
Speaker 1: in a boxing match and everybody sorry, sorry, so we

1546
01:43:40,479 --> 01:43:43,200
Speaker 1: got some special we got home. Everybody makes a much

1547
01:43:43,240 --> 01:43:52,599
Speaker 1: for a little more. Please what amazing? And I love

1548
01:43:52,680 --> 01:43:58,360
Speaker 1: like we love Cycermon. We love Cycermon said, what's up to?

1549
01:44:00,640 --> 01:44:07,840
Speaker 1: You know? We don't what's good? Baby? How are you feeling?

1550
01:44:07,880 --> 01:44:10,920
Speaker 1: How you feeling off? That off? That motherfucker versus stage

1551
01:44:13,120 --> 01:44:16,040
Speaker 1: was good? So you already know, Like I was excited

1552
01:44:16,080 --> 01:44:22,559
Speaker 1: to actually because the stage one or six apart retired

1553
01:44:22,640 --> 01:44:30,720
Speaker 1: the video let him. I got to say, I ain't

1554
01:44:30,720 --> 01:44:34,800
Speaker 1: got to say sometimes you ain't got to say. It

1555
01:44:34,920 --> 01:44:39,960
Speaker 1: was good energy, amazing, engy. It was amazing. Ensy, I'm glad.

1556
01:44:40,040 --> 01:44:42,400
Speaker 1: I'm glad. You know you would Crack had your chance to.

1557
01:44:42,680 --> 01:44:47,200
Speaker 1: We know, we all talked about Listen. You was the

1558
01:44:47,240 --> 01:44:51,240
Speaker 1: one make up kissing. That was my text. I sent

1559
01:44:51,360 --> 01:44:53,120
Speaker 1: the text of both of them say kissing, make up.

1560
01:44:53,360 --> 01:44:57,559
Speaker 1: But you know, because because I feel like we all family,

1561
01:44:57,760 --> 01:45:00,519
Speaker 1: and I think things sometimes things play out social media

1562
01:45:00,600 --> 01:45:01,840
Speaker 1: don't need to play out that way, you know what

1563
01:45:01,840 --> 01:45:04,880
Speaker 1: I mean, especially when we can. But I also let

1564
01:45:04,960 --> 01:45:07,679
Speaker 1: Crack know that you don't you know, when you say

1565
01:45:07,720 --> 01:45:10,439
Speaker 1: some hurtful ship, you don't get to dictate how a

1566
01:45:10,520 --> 01:45:13,680
Speaker 1: person feels or how you made me feel from that

1567
01:45:13,800 --> 01:45:16,600
Speaker 1: comment or things like that. So you know, I'm just

1568
01:45:16,680 --> 01:45:21,440
Speaker 1: glad that you were able to you know, yeah, now

1569
01:45:21,520 --> 01:45:31,920
Speaker 1: let's go get this money until a nigger maturity because yeah,

1570
01:45:33,080 --> 01:45:35,680
Speaker 1: so bigger. Everybody has differently, so that went to the

1571
01:45:35,760 --> 01:45:40,400
Speaker 1: part was just like Listen markets are fans of like everyone,

1572
01:45:40,520 --> 01:45:42,479
Speaker 1: so when they saw what was going on, it was

1573
01:45:42,520 --> 01:45:44,280
Speaker 1: just like, oh my god, we love fan. I was

1574
01:45:44,320 --> 01:45:45,680
Speaker 1: just like you, we can't go I like this, so

1575
01:45:46,840 --> 01:45:49,679
Speaker 1: you don't know everybody I keep seeing this. I didn't

1576
01:45:49,720 --> 01:45:51,760
Speaker 1: know that it was a run up like that, but

1577
01:45:51,840 --> 01:45:53,360
Speaker 1: it was like, you know, I didn't want that to

1578
01:45:53,439 --> 01:45:57,360
Speaker 1: take away from you know, to be on the stage. Listen,

1579
01:45:57,520 --> 01:45:59,880
Speaker 1: let's sen, let's sen listen. You didn't do nothing wrong, Queen.

1580
01:46:00,720 --> 01:46:03,600
Speaker 1: You understand me. You didn't do nothing wrong. Queen. You

1581
01:46:03,760 --> 01:46:06,080
Speaker 1: you you you you you. You expressed how the funk

1582
01:46:06,160 --> 01:46:09,519
Speaker 1: you felt, you understand it needed to be addressed. You

1583
01:46:09,600 --> 01:46:13,240
Speaker 1: addressed it. Crack also addressed the way he needs to

1584
01:46:13,280 --> 01:46:16,160
Speaker 1: be apologize for it. And and and this is what

1585
01:46:16,280 --> 01:46:19,240
Speaker 1: it's about, man. Sometimes we make mistakes, we do things,

1586
01:46:19,560 --> 01:46:21,479
Speaker 1: and we hold each other accountable. That's what the fund

1587
01:46:21,560 --> 01:46:23,560
Speaker 1: is supposed to be about. And I'm glad that's a

1588
01:46:23,680 --> 01:46:26,240
Speaker 1: hip hop community. We was able to put that together,

1589
01:46:26,720 --> 01:46:30,240
Speaker 1: grasp it say this was a moment that needed to

1590
01:46:30,320 --> 01:46:32,479
Speaker 1: be handled in that way. We ain't want to disrespect

1591
01:46:32,560 --> 01:46:34,800
Speaker 1: each other that way. And we you know what I'm saying, No,

1592
01:46:34,960 --> 01:46:37,200
Speaker 1: we ain't gonna do that. And we made it right.

1593
01:46:37,360 --> 01:46:40,840
Speaker 1: And Crack understands his mistake and he apologized. But you know,

1594
01:46:41,040 --> 01:46:45,639
Speaker 1: like I sold him to, you know, public humuliation deserves

1595
01:46:46,320 --> 01:46:57,240
Speaker 1: you know, also public apologies. Yeah, public apologize. Yeah all up? Yeah?

1596
01:47:00,200 --> 01:47:03,200
Speaker 1: Did I think everybody could honestly say that you want

1597
01:47:03,240 --> 01:47:13,879
Speaker 1: that person yeah, take away you music industry. You stamp

1598
01:47:14,680 --> 01:47:18,160
Speaker 1: and like like you did your thing, like y'all bounds.

1599
01:47:18,200 --> 01:47:25,479
Speaker 1: What's you? What's your friend? Who place that? I'm glad

1600
01:47:25,520 --> 01:47:27,360
Speaker 1: to be a part of that song that I appreciate

1601
01:47:27,800 --> 01:47:30,439
Speaker 1: must love you know we love you you Listen, man,

1602
01:47:30,680 --> 01:47:32,680
Speaker 1: I popped up on your drink tamps thinking it was

1603
01:47:32,720 --> 01:47:41,640
Speaker 1: only right. I love you, thank you, appreciate you, thank you.

1604
01:47:44,200 --> 01:47:52,400
Speaker 1: So John gotta act straight up? How good do you?

1605
01:47:56,240 --> 01:47:59,200
Speaker 1: How good do you feel right now? Good? Man? I

1606
01:47:59,280 --> 01:48:03,439
Speaker 1: feel good? Especially have all these drinks yet it take

1607
01:48:03,920 --> 01:48:10,679
Speaker 1: shot shot? I was crazy, but get a shot? Yeah,

1608
01:48:11,840 --> 01:48:16,320
Speaker 1: shot a shot? Goddamnit? Held hold on. Anybody want mama,

1609
01:48:16,320 --> 01:48:20,160
Speaker 1: want anybody? Anybody? Nobody like wanted there? What the fun? Man?

1610
01:48:20,240 --> 01:48:23,800
Speaker 1: What's you're drinking? What's that? Dominicking? Mama? I can't. I

1611
01:48:23,880 --> 01:48:28,920
Speaker 1: wish I would have started with a little bit of yeah, yeah,

1612
01:48:28,920 --> 01:48:31,240
Speaker 1: with a shot cup. I got with a shot cup.

1613
01:48:31,320 --> 01:48:33,920
Speaker 1: More one, a little more, Let me get, let me

1614
01:48:33,960 --> 01:48:37,439
Speaker 1: get a shot up. I'll be grabbing and taking nat

1615
01:48:37,479 --> 01:48:39,360
Speaker 1: We're gonna live to three in the morning that we're

1616
01:48:39,400 --> 01:48:42,080
Speaker 1: going to call gonna eat, and then we're gonna taking nap.

1617
01:48:43,720 --> 01:48:47,639
Speaker 1: You get the little show see you get another table,

1618
01:48:47,680 --> 01:48:49,799
Speaker 1: that cap on. You know, I take care of my niggas,

1619
01:48:50,160 --> 01:48:52,760
Speaker 1: no problem. Yeah you cap On, I don't know. I

1620
01:48:52,760 --> 01:48:54,599
Speaker 1: don't know about a whole another table like they can

1621
01:48:54,640 --> 01:48:57,519
Speaker 1: get him. Ship is real. I know it's you're going

1622
01:48:57,640 --> 01:49:00,200
Speaker 1: to get four. But you used to come on, man,

1623
01:49:00,200 --> 01:49:04,559
Speaker 1: I've never said I don't never said that we're making

1624
01:49:08,960 --> 01:49:11,960
Speaker 1: because our show was about pick up the all gay

1625
01:49:12,000 --> 01:49:14,040
Speaker 1: food case as well, you know what I mean. I

1626
01:49:15,600 --> 01:49:18,800
Speaker 1: can't in the building all right, So it was like

1627
01:49:18,920 --> 01:49:21,160
Speaker 1: cracking the eighties six he said, So let's just let's

1628
01:49:21,160 --> 01:49:24,479
Speaker 1: just let's just describe it, right, because I've I've never

1629
01:49:24,560 --> 01:49:28,960
Speaker 1: done a verse. Just try to do a verse. I tried.

1630
01:49:29,040 --> 01:49:33,080
Speaker 1: I tried, Man shut me down? Who shut you down? Anybody?

1631
01:49:36,080 --> 01:49:39,280
Speaker 1: Not one nigg accepting my call? Man. I tried a

1632
01:49:39,400 --> 01:49:41,920
Speaker 1: CAM at first. Let me just tell you something. I

1633
01:49:42,040 --> 01:49:46,240
Speaker 1: hung out with Cam and a cigar cigar ball, and

1634
01:49:46,320 --> 01:49:48,599
Speaker 1: they played CAM records for two hours, and I said,

1635
01:49:48,600 --> 01:49:50,519
Speaker 1: I'm so glad this nigga ain't bite on this ship

1636
01:49:53,479 --> 01:49:56,479
Speaker 1: because I would have been the first, even a bodied me.

1637
01:49:56,600 --> 01:49:58,800
Speaker 1: I'm gonna be honest. I stood in the cigar ball

1638
01:49:58,960 --> 01:50:03,000
Speaker 1: like Jesus didn't I know, I brought him. I just

1639
01:50:03,120 --> 01:50:07,360
Speaker 1: kept playing, and I'm sitting there like, oh think I

1640
01:50:07,400 --> 01:50:15,760
Speaker 1: can just like my mind. I'm glad they ain't fight

1641
01:50:15,880 --> 01:50:21,280
Speaker 1: on my ship. I invited Memphis Bleake, I invited Beans.

1642
01:50:22,120 --> 01:50:24,559
Speaker 1: These niggas ain't cold. These niggas got my real number.

1643
01:50:24,680 --> 01:50:26,800
Speaker 1: Your beings would be dope. I would like that. I

1644
01:50:26,880 --> 01:50:29,519
Speaker 1: think I'm gonna go because I'll definitely washed him up

1645
01:50:33,439 --> 01:50:35,720
Speaker 1: to the rock with them. I never signed to the rock, sir,

1646
01:50:36,920 --> 01:50:50,720
Speaker 1: I sweet ship. No big still madded me. Let me

1647
01:50:50,800 --> 01:50:58,880
Speaker 1: relax like when you do. They never got the big man. Yeah,

1648
01:50:59,720 --> 01:51:03,880
Speaker 1: say that makes you say killing it ain't such a

1649
01:51:03,920 --> 01:51:06,400
Speaker 1: good dude too. Man, that was killing it man at

1650
01:51:06,439 --> 01:51:09,160
Speaker 1: the at the at the mp M. Yeah, man, it

1651
01:51:09,280 --> 01:51:11,519
Speaker 1: was dope. Man. You still go to the vm H.

1652
01:51:11,520 --> 01:51:13,560
Speaker 1: I don't know a lot. I don't go if I

1653
01:51:14,120 --> 01:51:16,600
Speaker 1: presented at the VMA, do you know? Do you know

1654
01:51:16,880 --> 01:51:22,679
Speaker 1: how new not eleven crash? Wow? You knocked on my door, nigger,

1655
01:51:22,720 --> 01:51:24,599
Speaker 1: because I made you know I made I made many

1656
01:51:24,720 --> 01:51:29,759
Speaker 1: days that morning that day the ship. Okay, my wife waits,

1657
01:51:29,840 --> 01:51:32,360
Speaker 1: I'm recorded raining days. Nigga. You never give me my

1658
01:51:32,479 --> 01:51:38,960
Speaker 1: engineer credit, he recorded. Listen, I want to see you

1659
01:51:42,040 --> 01:51:51,240
Speaker 1: don't press this Button'll give you my credit. I want

1660
01:51:51,240 --> 01:51:52,800
Speaker 1: to hear your side of the story. Yeah, can go.

1661
01:51:53,080 --> 01:51:56,559
Speaker 1: So so my wife cross, he says, hey, baby, baby,

1662
01:51:58,120 --> 01:52:02,280
Speaker 1: planes hit towns my way for talk about She's like plains,

1663
01:52:02,320 --> 01:52:06,000
Speaker 1: they're going to trade center. So she turning to teeth.

1664
01:52:06,040 --> 01:52:08,639
Speaker 1: I'm literally see. I'm like, oh, ships in the round

1665
01:52:08,680 --> 01:52:12,080
Speaker 1: of the second one. He's going into this ship. So

1666
01:52:12,160 --> 01:52:15,439
Speaker 1: I'm like, oh my god, I'm just sneaking in my house.

1667
01:52:15,640 --> 01:52:21,479
Speaker 1: I'm watching this this thing was he was extracted out fat.

1668
01:52:22,200 --> 01:52:27,920
Speaker 1: This is a whole fat. I'm sneaking in, right, she said,

1669
01:52:31,000 --> 01:52:33,880
Speaker 1: I'm yeah, all right, I'm you know cool, I'm watching

1670
01:52:34,080 --> 01:52:36,680
Speaker 1: on TV, scream like this is trazy. All day. I'm

1671
01:52:36,720 --> 01:52:40,280
Speaker 1: watching the ship and I get this crazy motherfucker No,

1672
01:52:40,439 --> 01:52:45,479
Speaker 1: this nigga knocked on my door like this down. I'm like,

1673
01:52:46,080 --> 01:52:48,960
Speaker 1: I'm looking at Rue. I'm like, oh, he's the ultimate

1674
01:52:49,720 --> 01:52:55,040
Speaker 1: like good guy. Because like she doesn't know, I just block.

1675
01:52:56,080 --> 01:52:59,800
Speaker 1: But see what happened, was my my malandager to he

1676
01:53:00,160 --> 01:53:03,160
Speaker 1: he had walked from the Brooklyn Bridge. Oh, this is

1677
01:53:03,479 --> 01:53:06,320
Speaker 1: a smudgle on the space. Is the craziest ship from

1678
01:53:06,479 --> 01:53:09,679
Speaker 1: from smoking the smallest ship was crazy and our kids

1679
01:53:09,760 --> 01:53:11,880
Speaker 1: went to school together at the time, and he's like,

1680
01:53:12,360 --> 01:53:14,759
Speaker 1: let's go get our kids. I'm looking like this nigga

1681
01:53:14,800 --> 01:53:18,439
Speaker 1: is the ultimate wing man. This nigg is good. I

1682
01:53:18,520 --> 01:53:21,680
Speaker 1: don't know he's really saying that I was went down. Well, yeah,

1683
01:53:21,760 --> 01:53:23,880
Speaker 1: he wasn't believe in it, No, I thought. I think

1684
01:53:23,920 --> 01:53:28,200
Speaker 1: he was just he saw me sneak in. He was like,

1685
01:53:32,080 --> 01:53:36,040
Speaker 1: anyway I wanted to be. I felt like, this is

1686
01:53:36,760 --> 01:53:39,679
Speaker 1: this after you want to report after them? Yeah, because

1687
01:53:39,720 --> 01:53:43,799
Speaker 1: I felt like this is the world needs to understand

1688
01:53:43,840 --> 01:53:47,760
Speaker 1: this moment. It's a rainy day. Can I take the

1689
01:53:47,800 --> 01:53:52,760
Speaker 1: story from this point? Brother? Look, first of all, use

1690
01:53:52,800 --> 01:53:55,560
Speaker 1: the bathroom wizard. Hold on, finish the story. Use the

1691
01:53:55,560 --> 01:54:06,160
Speaker 1: bathroom day right here, right listen. At this time, there

1692
01:54:06,240 --> 01:54:09,439
Speaker 1: was a lot of ecstacy involved, and you're telling me,

1693
01:54:09,560 --> 01:54:14,160
Speaker 1: hold on. This guy was going in but the y'all

1694
01:54:14,320 --> 01:54:18,120
Speaker 1: live up. Y'all just got a brand new studio and

1695
01:54:18,240 --> 01:54:26,120
Speaker 1: his basement. He had hit factory and do dog. So

1696
01:54:26,800 --> 01:54:30,080
Speaker 1: he's sitting there. He goes this, do you stop me

1697
01:54:30,160 --> 01:54:32,520
Speaker 1: f I'm wrong? He said, you don't press this button

1698
01:54:32,680 --> 01:54:39,000
Speaker 1: right here. I said, I'm not dural at all. What

1699
01:54:39,200 --> 01:54:42,000
Speaker 1: is we doing? He and the nigga went in there

1700
01:54:42,080 --> 01:54:51,800
Speaker 1: is that. I said, this nigga high and you weren't

1701
01:54:52,640 --> 01:54:59,400
Speaker 1: this nigga. That's it turned out that rainy days, I say,

1702
01:54:59,440 --> 01:55:04,920
Speaker 1: wait a minute, wait, so wait more bringing out when

1703
01:55:04,960 --> 01:55:08,080
Speaker 1: the twin hours happened, y'all was he had the melody

1704
01:55:08,240 --> 01:55:09,920
Speaker 1: to the ship. We lived at the block. We hung

1705
01:55:09,960 --> 01:55:12,200
Speaker 1: out every day, every day, every day. I've seen it,

1706
01:55:12,240 --> 01:55:14,440
Speaker 1: so it was like a normal thing. So I wanted

1707
01:55:14,480 --> 01:55:17,880
Speaker 1: to record that day that inspired you or no you

1708
01:55:17,920 --> 01:55:22,240
Speaker 1: already I didn't know, and I want to record I didn't.

1709
01:55:22,240 --> 01:55:24,320
Speaker 1: I don't you know, just hit the button. You know

1710
01:55:24,360 --> 01:55:27,280
Speaker 1: what I'm saying. I was literally did hit the button, nigger.

1711
01:55:27,360 --> 01:55:32,200
Speaker 1: And because we was over it was something that happened,

1712
01:55:33,120 --> 01:55:35,240
Speaker 1: and it was later the day, come on and don't

1713
01:55:35,560 --> 01:55:37,640
Speaker 1: know what I'm saying. I want to record something, and

1714
01:55:37,840 --> 01:55:40,720
Speaker 1: that was turned out to the rainy days turned out

1715
01:55:41,200 --> 01:55:46,280
Speaker 1: because I wanted to express what I was feeling, what

1716
01:55:46,440 --> 01:55:50,040
Speaker 1: we were going through as a tree when that happened

1717
01:55:50,120 --> 01:55:58,840
Speaker 1: to me, who hit that button? That was a very

1718
01:55:58,920 --> 01:56:05,680
Speaker 1: talented but a quick sidebar to this is And then

1719
01:56:05,720 --> 01:56:09,240
Speaker 1: I did my I did Rap City the Basement with

1720
01:56:09,400 --> 01:56:13,680
Speaker 1: Big Tigger the day before and and I believe bt

1721
01:56:13,800 --> 01:56:16,520
Speaker 1: Suitors was very close to the Twin Towers to the

1722
01:56:16,560 --> 01:56:19,480
Speaker 1: World Trade at that time. I don't remember the original

1723
01:56:19,600 --> 01:56:22,480
Speaker 1: bat Suits, not the not the DC ones when they

1724
01:56:22,520 --> 01:56:28,680
Speaker 1: moved well, I mean, I'm from Miami, so to me,

1725
01:56:28,760 --> 01:56:33,000
Speaker 1: it was all very close. But I went and visited

1726
01:56:33,040 --> 01:56:35,040
Speaker 1: the Twin Towers and I flew back, and I woke

1727
01:56:35,160 --> 01:56:38,840
Speaker 1: up from flying back American airlines to that and you're

1728
01:56:38,880 --> 01:56:41,160
Speaker 1: picking up American bro. I'm just saying that was one

1729
01:56:41,200 --> 01:56:44,600
Speaker 1: of them that was on the play. Definitely not funny,

1730
01:56:44,960 --> 01:56:48,200
Speaker 1: it was one of the play I'm just saying. I

1731
01:56:48,240 --> 01:56:49,760
Speaker 1: mean the way I felt when I woke up, like

1732
01:56:49,800 --> 01:56:54,960
Speaker 1: holy sh I just flew back. Ya, let me go

1733
01:56:55,080 --> 01:57:02,800
Speaker 1: take a pepiece time ship. Okay, See, niggas could get

1734
01:57:02,840 --> 01:57:05,640
Speaker 1: car phones, get car phones. Residation. I don't see nobody

1735
01:57:05,640 --> 01:57:10,080
Speaker 1: with car bone, carbone bones, car right, yeah, yeah, yeah,

1736
01:57:13,360 --> 01:57:21,360
Speaker 1: carpone outfit, yeah, little car bone, nigger stocks. I just

1737
01:57:21,640 --> 01:57:28,880
Speaker 1: without nigga. Would it look like that? Can you have work?

1738
01:57:29,240 --> 01:57:40,320
Speaker 1: Are you worry? I'm on drinks and nigger yeah? Makes yeah,

1739
01:57:40,360 --> 01:57:45,200
Speaker 1: I'm a little you know, you know noise with his bullshit. Yeah,

1740
01:57:46,560 --> 01:57:52,560
Speaker 1: just know me. Huh, I'm good. I'm good, though, man.

1741
01:57:52,800 --> 01:57:57,120
Speaker 1: You know, we'll talk about that victory. Talk about that victory,

1742
01:57:58,960 --> 01:58:04,760
Speaker 1: don't about that big yeah, listen, hold on, hold on,

1743
01:58:04,880 --> 01:58:08,880
Speaker 1: hold on, you need to talk to fucking Nori because

1744
01:58:09,040 --> 01:58:13,440
Speaker 1: nor called me the next morning after. But he said,

1745
01:58:13,480 --> 01:58:17,840
Speaker 1: let me say something. He's said, Nigga, sometimes you know,

1746
01:58:17,960 --> 01:58:20,400
Speaker 1: niggas don't know if you got he's still cool your brothers.

1747
01:58:20,440 --> 01:58:21,760
Speaker 1: And I said, I don't know, how is that, but

1748
01:58:21,880 --> 01:58:23,840
Speaker 1: you know that's my nigga. He said, Now that needs

1749
01:58:23,880 --> 01:58:25,600
Speaker 1: to be knowing. And you said, he said, but if

1750
01:58:25,680 --> 01:58:30,280
Speaker 1: these ain't know, they know the night nigga, they know

1751
01:58:30,480 --> 01:58:33,640
Speaker 1: after the night Nick that niggas in the comments going

1752
01:58:33,880 --> 01:58:38,320
Speaker 1: half how didn't see the comment? Hold on, I need you,

1753
01:58:38,520 --> 01:58:42,600
Speaker 1: hold on, I need you that this conversation with you know, no,

1754
01:58:42,840 --> 01:58:44,920
Speaker 1: I know you was my nigga. I know he was

1755
01:58:45,000 --> 01:58:47,560
Speaker 1: holding down with your brother, but hold on, I needed

1756
01:58:47,600 --> 01:58:50,440
Speaker 1: that compation, you know, because you know I was telling

1757
01:58:50,480 --> 01:58:53,280
Speaker 1: me like nigger. It was comedy in the comments. Hold on,

1758
01:58:53,360 --> 01:58:56,080
Speaker 1: hold on, hold on, I wanted Rude to know. I'll say,

1759
01:58:56,160 --> 01:59:00,560
Speaker 1: you'll listen, man gott he went at every single first

1760
01:59:00,680 --> 01:59:05,040
Speaker 1: everybody needs a friend like you. Listen, niggas got like

1761
01:59:05,080 --> 01:59:08,640
Speaker 1: a friend everybody. I never seen anything to go to war.

1762
01:59:08,760 --> 01:59:12,680
Speaker 1: You went to war with it, you know what It's like.

1763
01:59:13,440 --> 01:59:16,880
Speaker 1: I know I shouldn't say nothing. You know it's old,

1764
01:59:16,960 --> 01:59:18,960
Speaker 1: but I don't know. It's just me as a human

1765
01:59:19,040 --> 01:59:22,480
Speaker 1: being and as a person. I trying to let nobody talk.

1766
01:59:22,760 --> 01:59:26,280
Speaker 1: And they're talking. If it was real cool, that's what.

1767
01:59:26,520 --> 01:59:28,720
Speaker 1: But I'm like, yeah, I think it's it's talking and

1768
01:59:28,920 --> 01:59:33,520
Speaker 1: like your hero ain't what what you're thinking is nig

1769
01:59:33,920 --> 01:59:39,240
Speaker 1: Like you know that. You know, it's just so much

1770
01:59:39,360 --> 01:59:42,600
Speaker 1: that they think I shouldn't say nothing, and you know

1771
01:59:43,360 --> 01:59:46,240
Speaker 1: I should take the high road and ship like that. Yeah,

1772
01:59:46,600 --> 01:59:49,320
Speaker 1: we gotta say ship got it like that? Yeah. But

1773
01:59:49,680 --> 01:59:52,520
Speaker 1: at the same time, no, I'm you know, they're talking

1774
01:59:52,560 --> 01:59:56,520
Speaker 1: about rule and and and saying shit about rule and rules.

1775
01:59:56,600 --> 01:59:59,200
Speaker 1: Just he was just smashing you know what I'm saying.

1776
01:59:59,680 --> 02:00:03,520
Speaker 1: First with the battle, you know, Cracky is our brother, right,

1777
02:00:03,880 --> 02:00:08,160
Speaker 1: but I personally thought it wasn't a good battle because

1778
02:00:08,200 --> 02:00:11,880
Speaker 1: I knew Rule just got too many smash records, right.

1779
02:00:12,720 --> 02:00:16,400
Speaker 1: And then but when he did puns record, I'm like,

1780
02:00:16,480 --> 02:00:20,200
Speaker 1: what the fun is going on? That's not your record?

1781
02:00:20,520 --> 02:00:23,600
Speaker 1: When he let Nellie perform a record, it's like, what

1782
02:00:23,760 --> 02:00:27,600
Speaker 1: the fund is that what's going on? You know, saying

1783
02:00:27,640 --> 02:00:29,040
Speaker 1: if that was the case, we could have had a

1784
02:00:29,120 --> 02:00:32,360
Speaker 1: shanty do mad of her own records too on behalf,

1785
02:00:33,440 --> 02:00:35,440
Speaker 1: I almost got it. Let me tell you that he

1786
02:00:35,520 --> 02:00:42,560
Speaker 1: went to hold on almost let almost let a shot. No, no, no,

1787
02:00:42,680 --> 02:00:45,120
Speaker 1: I wasn't. I'm not gonna do that, was you mad?

1788
02:00:45,680 --> 02:00:52,120
Speaker 1: Let that be the Nellie and a shanty hug. I

1789
02:00:52,160 --> 02:00:59,240
Speaker 1: went to what everyone needs to know. It's like me

1790
02:00:59,320 --> 02:01:02,360
Speaker 1: and Nellie is like cool and ship. They don't know

1791
02:01:02,480 --> 02:01:05,680
Speaker 1: that it's no thing like you know what I'm saying,

1792
02:01:05,680 --> 02:01:09,560
Speaker 1: it's no thing with a shanty. It's like that's completely

1793
02:01:09,920 --> 02:01:13,640
Speaker 1: like over and dead. And I'm happy for whatever she does.

1794
02:01:13,760 --> 02:01:17,800
Speaker 1: And you know I'm it's not there like like no

1795
02:01:18,560 --> 02:01:23,320
Speaker 1: me and rules on. I'm on the path there, I say,

1796
02:01:23,400 --> 02:01:26,920
Speaker 1: to become a billionaire, like I think she makes annoys

1797
02:01:26,920 --> 02:01:30,280
Speaker 1: for that makes a noise to that, Like I'm on

1798
02:01:30,400 --> 02:01:34,480
Speaker 1: the path. I'm on the path with music, TV and

1799
02:01:36,000 --> 02:01:40,000
Speaker 1: movies and film with visionary ideas. I got billionaires that's

1800
02:01:40,040 --> 02:01:43,160
Speaker 1: backing me. I'm like, I like to say, I'm sort

1801
02:01:43,200 --> 02:01:46,240
Speaker 1: of like dream works, but the hip hop version of

1802
02:01:46,400 --> 02:01:51,320
Speaker 1: dream works. And I'm moving right. Steven Spielberg, right, Steven Spiller.

1803
02:01:51,800 --> 02:01:54,680
Speaker 1: But I like to say I'm Spielberg Katzenberg and getting

1804
02:01:54,800 --> 02:02:00,040
Speaker 1: rolled into no. But I mean, you know, I to

1805
02:02:00,080 --> 02:02:02,480
Speaker 1: see I posed the question, and I posed like a

1806
02:02:02,600 --> 02:02:07,040
Speaker 1: question to you and the drink Champs people. I'm I

1807
02:02:07,120 --> 02:02:09,920
Speaker 1: don't know anyone like me like I make the music,

1808
02:02:10,040 --> 02:02:13,640
Speaker 1: I produced the records. I'm the executive. I make the videos.

1809
02:02:14,120 --> 02:02:18,080
Speaker 1: Then I create the TV series. I produced the TV series,

1810
02:02:18,320 --> 02:02:21,280
Speaker 1: I directed and write the TV series. I'm about to

1811
02:02:21,400 --> 02:02:24,840
Speaker 1: direct and produce my first movie. I'm branching out with

1812
02:02:24,920 --> 02:02:28,320
Speaker 1: Tales and Tales Presents. We Made It in America, which

1813
02:02:28,600 --> 02:02:31,360
Speaker 1: Jay Z and Kanye song That's Gotta People, Tales versa

1814
02:02:31,680 --> 02:02:36,120
Speaker 1: first feature film, and then I'm doing, of course The

1815
02:02:36,200 --> 02:02:39,280
Speaker 1: Supreme Team with Warner Brothers and my dog typ Phillips.

1816
02:02:39,640 --> 02:02:42,320
Speaker 1: But even with that, I'm putting the money up and

1817
02:02:42,400 --> 02:02:46,080
Speaker 1: I'm co owning the films persons. I'm paying for it

1818
02:02:46,200 --> 02:02:50,200
Speaker 1: with my own money and I will own that. Bring

1819
02:02:50,280 --> 02:02:55,920
Speaker 1: into a different stratospheans and executive where you know, my

1820
02:02:56,200 --> 02:02:58,960
Speaker 1: my billionaire friends. You know, they drifted in my head.

1821
02:02:59,000 --> 02:03:01,280
Speaker 1: They said, God, you can't sell nothing you don't own.

1822
02:03:01,920 --> 02:03:04,240
Speaker 1: So they was like own all the ship, get tonda

1823
02:03:06,600 --> 02:03:09,600
Speaker 1: and own this ship. So now, if I could build

1824
02:03:09,640 --> 02:03:13,280
Speaker 1: my company to say worth just a hundred million dollars,

1825
02:03:13,600 --> 02:03:15,960
Speaker 1: and it's worth a hundred million dollars, I can sell

1826
02:03:16,040 --> 02:03:18,640
Speaker 1: it for one to two billions. I'm not even thinking

1827
02:03:18,680 --> 02:03:21,760
Speaker 1: a billion to normal. I'm thinking ten twenty billion, you

1828
02:03:21,800 --> 02:03:23,800
Speaker 1: know what I'm saying. And ship like that, and it's

1829
02:03:23,840 --> 02:03:31,160
Speaker 1: widow and it's actually real, so obtainable. Why not? But

1830
02:03:31,280 --> 02:03:34,040
Speaker 1: I just want every want to know, like me and Role,

1831
02:03:34,480 --> 02:03:36,760
Speaker 1: what y'all fail to realize? You think me and Role

1832
02:03:37,080 --> 02:03:41,080
Speaker 1: is sitting at home doing nothing nigga, And oh oh

1833
02:03:41,200 --> 02:03:44,880
Speaker 1: that's so that you out your fucking mind. Like me

1834
02:03:45,000 --> 02:03:49,240
Speaker 1: and Rule is like the real talk the greatest dues

1835
02:03:49,320 --> 02:03:53,160
Speaker 1: in the world. Man, we goodhearted, good energy and also

1836
02:03:53,320 --> 02:03:56,800
Speaker 1: we ain't to be funned with. Ain't nobody counc Oh

1837
02:03:56,960 --> 02:03:59,320
Speaker 1: you didn't live in yeah every and ain't nigga that

1838
02:03:59,440 --> 02:04:04,840
Speaker 1: tried men get him off the lock. I'm hearing York

1839
02:04:04,880 --> 02:04:07,040
Speaker 1: the loves come and go. I see you letter, my name,

1840
02:04:08,400 --> 02:04:19,680
Speaker 1: my brother loved Okay, you got the love, got you

1841
02:04:19,800 --> 02:04:25,000
Speaker 1: got off the lock when he got him back on drinks. Right,

1842
02:04:27,520 --> 02:04:30,240
Speaker 1: It's been plenty of times the job told me you

1843
02:04:30,400 --> 02:04:33,640
Speaker 1: hit me inside. God, he's going to create go too far.

1844
02:04:35,400 --> 02:04:44,200
Speaker 1: He definitely passionate man on them comments. I really felt

1845
02:04:44,240 --> 02:04:47,400
Speaker 1: his passion. I really felt like he went from that.

1846
02:04:47,560 --> 02:04:50,680
Speaker 1: He wasn't there, but he really wanted to beat it.

1847
02:04:51,840 --> 02:04:54,240
Speaker 1: Like and I don't see that. I don't see that

1848
02:04:54,320 --> 02:04:56,240
Speaker 1: from a CEO. I don't see that from partners. I

1849
02:04:56,280 --> 02:05:01,600
Speaker 1: don't see that from Yeah, so how developed that love? Like?

1850
02:05:02,200 --> 02:05:04,440
Speaker 1: What type of ship is that? Our relationship is different?

1851
02:05:05,040 --> 02:05:08,880
Speaker 1: You know what I'm saying? Yeah, Okay, God damn it.

1852
02:05:11,080 --> 02:05:13,480
Speaker 1: Come on, we live on drink Champs at night. It's

1853
02:05:13,480 --> 02:05:15,400
Speaker 1: supposed to be to be love on drink champce God

1854
02:05:15,440 --> 02:05:22,920
Speaker 1: damn it makes them know. P John on the phone,

1855
02:05:22,920 --> 02:05:27,000
Speaker 1: hold on, what Sweezy without baby? What King? How you

1856
02:05:27,040 --> 02:05:29,600
Speaker 1: feeling like how that person's affects feeling for you? Yo?

1857
02:05:29,840 --> 02:05:33,040
Speaker 1: Liga that versus effect is real? N I was you know?

1858
02:05:33,120 --> 02:05:35,840
Speaker 1: I told to tell you know, but I spoke to

1859
02:05:35,880 --> 02:05:41,000
Speaker 1: you about it and text you about it, but U hey,

1860
02:05:41,040 --> 02:05:44,360
Speaker 1: something about swez swizzy, something about come on man. Everybody

1861
02:05:44,400 --> 02:05:55,720
Speaker 1: else at the best I would get only come on

1862
02:05:55,920 --> 02:05:58,960
Speaker 1: the hat on man. We need we need you, We

1863
02:05:59,040 --> 02:06:02,360
Speaker 1: need you, man, We needs you. Hold on, hold on, yeah, yeah, yeah,

1864
02:06:04,200 --> 02:06:10,280
Speaker 1: I definitely didn't look at my stupid come on, let's

1865
02:06:10,280 --> 02:06:13,920
Speaker 1: see me think up. Noah, he got the one little

1866
02:06:14,760 --> 02:06:18,400
Speaker 1: he got the on y'all, y'all, y'all, y'alla, y'alla, y'alla.

1867
02:06:19,680 --> 02:06:22,960
Speaker 1: Ainybody had it on. Yeah, you give us come on

1868
02:06:23,600 --> 02:06:25,960
Speaker 1: many times. Give him a minute. You got to put

1869
02:06:26,040 --> 02:06:31,000
Speaker 1: on this, put us back. That person is a friend.

1870
02:06:32,800 --> 02:06:35,840
Speaker 1: It's a fact. So let me ask you the question.

1871
02:06:37,840 --> 02:06:45,120
Speaker 1: Ringing your hang up, bro, no, not picking up? You

1872
02:06:45,200 --> 02:06:54,080
Speaker 1: know what you like? We look, it's right there. Look

1873
02:06:54,120 --> 02:06:58,760
Speaker 1: at all of this ship rolled up already? Can you

1874
02:06:58,840 --> 02:07:01,240
Speaker 1: can you come back to the blunt? No? I don't

1875
02:07:01,240 --> 02:07:05,040
Speaker 1: do you want you do? You know how I mean?

1876
02:07:05,160 --> 02:07:09,520
Speaker 1: You connected when we first lived in the same I

1877
02:07:09,560 --> 02:07:12,880
Speaker 1: don't remember you guys looking at the same islands, A

1878
02:07:12,880 --> 02:07:15,800
Speaker 1: little island in Jersey. Just the island. Just leave it alone,

1879
02:07:19,160 --> 02:07:27,800
Speaker 1: Swiss beachs. God damn, it's tell my brother's eyes eyes.

1880
02:07:28,000 --> 02:07:37,200
Speaker 1: I went on. I see you use at the mcgalla,

1881
02:07:37,360 --> 02:07:41,680
Speaker 1: the MTV, A Wars, the Virtue yet a long weekend,

1882
02:07:41,760 --> 02:07:46,200
Speaker 1: my brother, I'm telling you. Man went out on me.

1883
02:07:50,800 --> 02:07:53,280
Speaker 1: Oh no, let me I see. Let me tell you something.

1884
02:07:53,320 --> 02:07:57,040
Speaker 1: Hold on I seen the video, nigger. He was like, rude,

1885
02:07:57,360 --> 02:08:04,960
Speaker 1: it's bully in the Bronx right now. I don't like guys.

1886
02:08:04,960 --> 02:08:08,480
Speaker 1: You definitely got your shot off, saying your boot had

1887
02:08:08,560 --> 02:08:14,440
Speaker 1: some excellent showmanship. Yeah, it was amazing versus it was

1888
02:08:14,520 --> 02:08:16,720
Speaker 1: with people. It was with people didn't know they need

1889
02:08:16,800 --> 02:08:21,720
Speaker 1: it so bad. This is facts. This is fact. He

1890
02:08:21,840 --> 02:08:24,680
Speaker 1: was able to get your flowers as well. You know,

1891
02:08:25,400 --> 02:08:29,320
Speaker 1: show me your flowers, get some some some recognition outside

1892
02:08:29,360 --> 02:08:32,840
Speaker 1: of tones. When the Swiss comes, he gets what I'm saying. Yeah,

1893
02:08:33,080 --> 02:08:35,880
Speaker 1: for shows a whole another chapter for you. And I

1894
02:08:35,960 --> 02:08:39,920
Speaker 1: think it's cold now. It was good drinks. Halms gave

1895
02:08:39,960 --> 02:08:51,800
Speaker 1: me my flowers. Oh they give me flowers for real. Yeah, clowers.

1896
02:08:52,880 --> 02:08:59,120
Speaker 1: I like. I like it. It's come back Swiss. You

1897
02:08:59,200 --> 02:09:02,080
Speaker 1: gotta you gotta. Yeah, it's a new thing. It's a

1898
02:09:02,160 --> 02:09:05,760
Speaker 1: new I was offitted. I was the second I said down. Damn.

1899
02:09:05,800 --> 02:09:08,360
Speaker 1: I'm always the second to anything on the show. You

1900
02:09:10,080 --> 02:09:14,840
Speaker 1: holl word. Where you at, Nigga, you're looking you on

1901
02:09:14,920 --> 02:09:25,320
Speaker 1: your birthday vibes niggah you at. I love you. Stop

1902
02:09:25,400 --> 02:09:27,680
Speaker 1: fronting on the people. Nigga didn't do that to the people.

1903
02:09:30,360 --> 02:09:33,480
Speaker 1: I love it. Nigga. I love it. I love it, yo.

1904
02:09:33,640 --> 02:09:38,080
Speaker 1: Man Versus is a motherfucking had on a platform, and

1905
02:09:38,200 --> 02:09:40,880
Speaker 1: I like, I text you, I said, Man, I appreciate you,

1906
02:09:41,040 --> 02:09:43,880
Speaker 1: thank you and tim Bo for let me, you know,

1907
02:09:44,000 --> 02:09:47,680
Speaker 1: showcase my motherfucking passion to the world. Man, I appreciate

1908
02:09:47,720 --> 02:09:51,120
Speaker 1: my nigga respect that you didn't kind of have the

1909
02:09:51,200 --> 02:09:54,000
Speaker 1: last minute you would no hesitation, like that's what hip

1910
02:09:54,040 --> 02:09:58,040
Speaker 1: hop is about. Oh yeah, Like people are trying to

1911
02:09:58,120 --> 02:10:03,800
Speaker 1: get to sometimes and I'm just like, yo, like Pop

1912
02:10:03,920 --> 02:10:16,839
Speaker 1: was always like people, that's it. Nigga. It ain't nothing swiss.

1913
02:10:17,000 --> 02:10:20,960
Speaker 1: I don't niggat. I'm battle to everybody in this motherfucking industry. Nigga,

1914
02:10:21,200 --> 02:10:24,680
Speaker 1: it wasn't you know, you understand what I'm saying, Like nigga, Nigga,

1915
02:10:24,880 --> 02:10:28,080
Speaker 1: I'm nigga, I'm him, Nigga. I don't give a fuck. Nigga.

1916
02:10:29,400 --> 02:10:32,440
Speaker 1: It's love, But nigga got a'm battle to that everybody. Niggas.

1917
02:10:32,520 --> 02:10:34,680
Speaker 1: Everybody came at me, went at me, and I went

1918
02:10:34,760 --> 02:10:37,200
Speaker 1: at them and was loved and were here. You know

1919
02:10:37,200 --> 02:10:40,400
Speaker 1: what I'm saying. And I loved that. I love that,

1920
02:10:40,920 --> 02:10:47,720
Speaker 1: you know, having that excitement really really love. That's my brother,

1921
02:10:48,280 --> 02:10:52,200
Speaker 1: if you called with you and I thought that was

1922
02:10:53,080 --> 02:10:56,240
Speaker 1: that wasn No, that's love. But he didn't try to

1923
02:10:56,280 --> 02:10:59,360
Speaker 1: take my head off, Swiss. He didn't. He did not

1924
02:10:59,520 --> 02:11:10,560
Speaker 1: try to wind off. Nigga. Everybody love like mm hmm.

1925
02:11:11,720 --> 02:11:15,360
Speaker 1: Can we do? We can be We do stage and

1926
02:11:15,480 --> 02:11:22,800
Speaker 1: creative on stage and it still is love. That's hip

1927
02:11:22,840 --> 02:11:27,960
Speaker 1: ho hop, that's hip hop. Like I told Nigga, I said, Nigga,

1928
02:11:27,960 --> 02:11:30,480
Speaker 1: we talked dirty into each other in dice games. Nigga,

1929
02:11:30,560 --> 02:11:33,760
Speaker 1: this say nothing. You know what I'm saying. It say nothing.

1930
02:11:34,160 --> 02:11:36,920
Speaker 1: Like so we at the time when people can't, people

1931
02:11:37,000 --> 02:11:42,280
Speaker 1: can't watch everything we say. You know, when Joe, you know,

1932
02:11:42,480 --> 02:11:47,280
Speaker 1: called that little bit of moment, yeah yeah, yeah, yeah yeah,

1933
02:11:47,320 --> 02:11:52,680
Speaker 1: but listen, but listen. I also had to check him

1934
02:11:52,720 --> 02:11:56,160
Speaker 1: on that moment because Nigga, you can't we listen we

1935
02:11:56,280 --> 02:11:58,320
Speaker 1: were doing this, you know. So it was it was,

1936
02:11:59,120 --> 02:12:01,960
Speaker 1: it all worked in the way it needed to work,

1937
02:12:02,040 --> 02:12:05,120
Speaker 1: because like nigger, we can't. We can't disrespect each other

1938
02:12:05,200 --> 02:12:07,640
Speaker 1: as that. And so I'm glad I was at that

1939
02:12:07,760 --> 02:12:10,440
Speaker 1: moment and and and and was able to fucking let

1940
02:12:10,560 --> 02:12:13,000
Speaker 1: Joe know that he made a mistake. And Joe was

1941
02:12:13,040 --> 02:12:16,080
Speaker 1: able to to let people know that he you understand

1942
02:12:16,080 --> 02:12:19,080
Speaker 1: I'm saying like he admitted his mistake. Let me take

1943
02:12:19,120 --> 02:12:26,880
Speaker 1: you one moment. I was really nervous when he did that.

1944
02:12:27,040 --> 02:12:31,760
Speaker 1: What the fun? Who keep talking? And you fell into

1945
02:12:31,840 --> 02:12:36,640
Speaker 1: that trap when he dropped that beat, I was like,

1946
02:12:36,920 --> 02:12:44,680
Speaker 1: oh yeah, when I wasn't worried about it, Swiss, Swiss,

1947
02:12:46,320 --> 02:12:48,400
Speaker 1: I see you, I tell you, I see, I see.

1948
02:12:48,400 --> 02:12:50,080
Speaker 1: I didn't know he was in the building, but I've

1949
02:12:50,080 --> 02:12:53,760
Speaker 1: seen you in buster commentary. I seen it. Bust. Don't

1950
02:12:53,760 --> 02:12:56,320
Speaker 1: want to give it up at the moment the bus

1951
02:12:56,880 --> 02:13:10,760
Speaker 1: were do you know it is? Nicka? Yeah, Nigga, you

1952
02:13:10,880 --> 02:13:12,800
Speaker 1: did right. I'm glad you ain't doing like what you

1953
02:13:12,880 --> 02:13:24,800
Speaker 1: told me. What's it? It does not telling like that, Nigga. Listen,

1954
02:13:25,960 --> 02:13:27,680
Speaker 1: he told me he was coming out with the band.

1955
02:13:27,800 --> 02:13:32,080
Speaker 1: I was like, I don't know. Yeah, you right, but no, no, Swiss,

1956
02:13:32,120 --> 02:13:35,920
Speaker 1: let me tell you something. I wanted a band. So

1957
02:13:36,040 --> 02:13:39,240
Speaker 1: everything is about to present presentation. Nigga, I'm the singing rapper,

1958
02:13:39,240 --> 02:13:41,480
Speaker 1: I'm the rap singer. Niggas ain't mad at what I do.

1959
02:13:41,640 --> 02:13:46,960
Speaker 1: I'm Nigga. I'm comfortable with who I am. Swiss. It's

1960
02:13:47,000 --> 02:13:52,320
Speaker 1: no shaming who I am. Nicka come on, I don't

1961
02:13:52,320 --> 02:13:54,400
Speaker 1: want to bad. This is mother. Let me take something

1962
02:13:55,920 --> 02:13:57,440
Speaker 1: and let's send me take it after we take it

1963
02:13:57,480 --> 02:14:04,920
Speaker 1: after come on your first day YouTube. Yeah. Now, I'm glad,

1964
02:14:05,040 --> 02:14:07,920
Speaker 1: I'm glad. I'm glad there was no room for them

1965
02:14:07,920 --> 02:14:11,560
Speaker 1: anyway on the stage. But but I want people to

1966
02:14:11,680 --> 02:14:14,840
Speaker 1: understand that hip hop it's an art form that is

1967
02:14:14,920 --> 02:14:19,320
Speaker 1: fucking expanded. It's fucking it is, it is the it

1968
02:14:19,480 --> 02:14:22,240
Speaker 1: is the number one genre of music right now. And

1969
02:14:22,360 --> 02:14:25,560
Speaker 1: that's not because we're still boomed back and sucking two

1970
02:14:25,680 --> 02:14:28,840
Speaker 1: turntables in the microphone. That's because we've expanded, my nigga,

1971
02:14:29,040 --> 02:14:32,640
Speaker 1: and I'm one of them expanses nikka. So why the

1972
02:14:32,800 --> 02:14:36,440
Speaker 1: funk I'm not gonna experience and express my who I

1973
02:14:36,560 --> 02:14:39,880
Speaker 1: am and what the funk I've made. My contributions to

1974
02:14:40,000 --> 02:14:43,760
Speaker 1: hip hop is bigger than just whatever. You know what

1975
02:14:43,840 --> 02:14:52,200
Speaker 1: I'm saying, my nigga. Yeah, everyone was just range energy,

1976
02:14:52,720 --> 02:14:55,800
Speaker 1: your show, we ship, your selection of records, the way

1977
02:14:55,840 --> 02:14:59,520
Speaker 1: that you're communicated with the crowd, and and you know,

1978
02:14:59,640 --> 02:15:11,000
Speaker 1: and you're not clear around me. Yeah fact, yeah yeah, yeah, yeah.

1979
02:15:12,200 --> 02:15:17,120
Speaker 1: I had hard to do it. Yeah, ye said that,

1980
02:15:17,560 --> 02:15:20,640
Speaker 1: to do it. Respect that nigga niggas ain't want to

1981
02:15:20,680 --> 02:15:23,320
Speaker 1: come to the doghouse with me, Swiss. And and let

1982
02:15:23,360 --> 02:15:28,160
Speaker 1: me tell you why, because they know how I am nigga.

1983
02:15:28,800 --> 02:15:33,040
Speaker 1: Certain niggas know for real, for real, how I get

1984
02:15:33,160 --> 02:15:36,280
Speaker 1: down nigga and who I am nigga, And they didn't

1985
02:15:36,320 --> 02:15:39,560
Speaker 1: want to come to the doghouse. Pick up to my

1986
02:15:39,680 --> 02:15:43,120
Speaker 1: nigger crack. That's my brother. You know what I'm saying.

1987
02:15:45,240 --> 02:15:49,160
Speaker 1: Love is love my nigga. Enjoy your birthday, my nigga's

1988
02:15:49,200 --> 02:15:58,200
Speaker 1: eyes eyes you know yo, I'm here, brother, Happy birthday,

1989
02:15:58,240 --> 02:16:00,600
Speaker 1: burgo brother. You know I love you, man, Thank you

1990
02:16:00,680 --> 02:16:04,200
Speaker 1: so much for everything. Appreciate it. Man, We thank you,

1991
02:16:04,800 --> 02:16:11,120
Speaker 1: Thank you, brother, Thank you Swiss. We love you. Bro.

1992
02:16:12,800 --> 02:16:15,440
Speaker 1: I banged it on him. Sorry. You've been to drink

1993
02:16:15,480 --> 02:16:18,720
Speaker 1: the whole night. You want to take the shot? What yeah,

1994
02:16:19,040 --> 02:16:22,640
Speaker 1: we shot? We got you talking? Oh my god, this

1995
02:16:22,760 --> 02:16:27,480
Speaker 1: is a whole you're gonna shot at. You ain't talking nothing.

1996
02:16:27,520 --> 02:16:29,200
Speaker 1: You ain't talking nothing. You gotta take it out of

1997
02:16:29,240 --> 02:16:31,200
Speaker 1: Give Jody a little shot of something. Man. I gotta

1998
02:16:31,960 --> 02:16:36,760
Speaker 1: brother what you want. Yeah, I ain't. I drink some

1999
02:16:36,879 --> 02:16:39,760
Speaker 1: much like that's what I drink. You know what I'm saying.

2000
02:16:39,840 --> 02:16:47,200
Speaker 1: You know why you're doing this. Mine these things, man

2001
02:16:49,520 --> 02:17:00,160
Speaker 1: lose hold on. We gotta nigges. We realize about I M.

2002
02:17:03,920 --> 02:17:07,000
Speaker 1: You can't know. I don't put that in there, what

2003
02:17:07,120 --> 02:17:14,800
Speaker 1: you need. Can't mix it all up. Get that solo.

2004
02:17:15,000 --> 02:17:21,760
Speaker 1: Hold on, solo, sute brother DeMarco, I get to play

2005
02:17:23,440 --> 02:17:26,200
Speaker 1: don demonc out, So hold on. Let me tell you

2006
02:17:26,240 --> 02:17:30,720
Speaker 1: a story. Nor So back in the day, I want

2007
02:17:30,720 --> 02:17:33,280
Speaker 1: to say, this is like nineties, six ninety seven eight

2008
02:17:35,040 --> 02:17:37,920
Speaker 1: D shout the DJ Clue, that's my homie. He had.

2009
02:17:38,240 --> 02:17:39,800
Speaker 1: He had a show on the radio called the Mother

2010
02:17:39,920 --> 02:17:42,480
Speaker 1: Name Mix. It moved the mic to you and uh

2011
02:17:42,920 --> 02:17:45,600
Speaker 1: you was on Poor super Fire at this point in time,

2012
02:17:46,480 --> 02:17:50,000
Speaker 1: and Clue got a phone call for a certain person

2013
02:17:50,080 --> 02:17:52,800
Speaker 1: to want to come up there and wrap and nobody

2014
02:17:52,879 --> 02:17:55,960
Speaker 1: knew who he was. But he was young, fabulous at

2015
02:17:56,000 --> 02:18:00,400
Speaker 1: that time. Nobody he was tabulous, sport fabulous. He was

2016
02:18:00,440 --> 02:18:02,760
Speaker 1: fabulous scort. So that was clues first time I ever

2017
02:18:02,879 --> 02:18:05,040
Speaker 1: meeting him, number one, So he wasn't doesn't storm yet.

2018
02:18:05,080 --> 02:18:07,880
Speaker 1: No Clue signed him that same night after he freestyle

2019
02:18:07,920 --> 02:18:10,520
Speaker 1: with Norri on the radio. Nor Like it was the

2020
02:18:10,640 --> 02:18:16,800
Speaker 1: night he got signed that so make some noise for that.

2021
02:18:20,360 --> 02:18:23,680
Speaker 1: So North's on fire. Clue says, Yo, I got somebody

2022
02:18:23,760 --> 02:18:26,199
Speaker 1: want to come up to the station and rout. Nobody

2023
02:18:26,280 --> 02:18:29,760
Speaker 1: knew Fab, nobody know him at all. So then Nor's like,

2024
02:18:29,800 --> 02:18:32,039
Speaker 1: hey're cool, let him come up. Look, let them freestyle

2025
02:18:32,080 --> 02:18:34,360
Speaker 1: because Nor he's about to do a freestyle. So then

2026
02:18:34,400 --> 02:18:37,360
Speaker 1: Fab comes in. Now he does the freestyle and then

2027
02:18:37,400 --> 02:18:40,400
Speaker 1: they go crazy. I'm that from that day on. Now

2028
02:18:40,480 --> 02:18:44,520
Speaker 1: when you see who Fab is that because of Nor

2029
02:18:45,080 --> 02:18:48,880
Speaker 1: Nor nom like you said, he set him up to

2030
02:18:48,959 --> 02:18:51,720
Speaker 1: ask you first, they asked me, and I just I

2031
02:18:51,840 --> 02:18:54,760
Speaker 1: just pictured myself asked him. I said, of course I

2032
02:18:54,800 --> 02:18:59,800
Speaker 1: would let the next person up, and he got on.

2033
02:19:00,000 --> 02:19:04,320
Speaker 1: From that moment he was on, I ain't even lie

2034
02:19:04,360 --> 02:19:08,760
Speaker 1: to you like I always say. I wish you'll to

2035
02:19:08,840 --> 02:19:11,160
Speaker 1: knew who he was because I would rhyme twice but

2036
02:19:11,920 --> 02:19:15,360
Speaker 1: once he won once and he won again. And that's

2037
02:19:15,400 --> 02:19:18,680
Speaker 1: when cluing them you know which is dope, which is dope.

2038
02:19:18,760 --> 02:19:20,640
Speaker 1: I was on fire. I was already like number one

2039
02:19:21,120 --> 02:19:23,080
Speaker 1: in the New York City, so I went on. So

2040
02:19:23,160 --> 02:19:26,080
Speaker 1: he got discovered by that moment. Yeah, and cluing him

2041
02:19:26,120 --> 02:19:31,200
Speaker 1: sign all that from that moment. And let me just

2042
02:19:31,240 --> 02:19:32,840
Speaker 1: tell you something that I had a chance to do

2043
02:19:32,959 --> 02:19:35,160
Speaker 1: it all over again. I would do it the same

2044
02:19:35,240 --> 02:19:39,000
Speaker 1: way absolutely, man. I just every time I look at fab,

2045
02:19:39,320 --> 02:19:41,720
Speaker 1: why would you just be looking at him like I

2046
02:19:42,959 --> 02:19:48,240
Speaker 1: saw you from the beginning, like it like almost almost

2047
02:19:48,280 --> 02:19:51,680
Speaker 1: with you too. I'm sorry, I don't like I don't

2048
02:19:51,680 --> 02:19:53,760
Speaker 1: want to Clay in the bigger homie car. But the

2049
02:19:53,840 --> 02:19:58,520
Speaker 1: first time I met you, Cones brought me to you.

2050
02:19:59,440 --> 02:20:03,520
Speaker 1: You remember, yes, st story, I want I want to

2051
02:20:03,560 --> 02:20:10,320
Speaker 1: hang us, thought okay, Leon him said, we're trying to

2052
02:20:10,440 --> 02:20:15,680
Speaker 1: sign this guy Noriega. Think it's good. H come with

2053
02:20:15,840 --> 02:20:20,160
Speaker 1: me down right now. I was hot and come with

2054
02:20:20,280 --> 02:20:24,000
Speaker 1: me right now. You'll meet Noriega's queens, your queens. We

2055
02:20:24,120 --> 02:20:33,240
Speaker 1: don't make sense, it makes sense. He said. They wrote

2056
02:20:33,280 --> 02:20:36,480
Speaker 1: me in the video that I'm shooting Big Puns video,

2057
02:20:36,640 --> 02:20:40,560
Speaker 1: but you know he was shooting you came on Big

2058
02:20:40,640 --> 02:20:45,199
Speaker 1: Puns video. But that's why I'm like, yourn, I'm gonna

2059
02:20:45,760 --> 02:20:53,120
Speaker 1: meet you before bro. Come on bro like yeah, because

2060
02:20:53,160 --> 02:21:01,840
Speaker 1: he's trying to sign y'alla, because that was gonna bring

2061
02:21:01,920 --> 02:21:05,199
Speaker 1: my hot new nigger out right now. You're going wrong

2062
02:21:05,360 --> 02:21:09,560
Speaker 1: rule to like to like, you know, break, what's that

2063
02:21:09,640 --> 02:21:15,480
Speaker 1: say called? Break? What's what's it? So he brong because

2064
02:21:16,000 --> 02:21:20,040
Speaker 1: obviously I know fucking ji rous. So he brought the

2065
02:21:20,160 --> 02:21:21,680
Speaker 1: jar you know, had he had the band d on

2066
02:21:21,879 --> 02:21:25,000
Speaker 1: Classic rule. You know what I'm saying, Like he had

2067
02:21:25,040 --> 02:21:26,959
Speaker 1: the band on. So I looked like, all right, cool,

2068
02:21:27,040 --> 02:21:29,880
Speaker 1: so Leo, because Leo that was the flying shipped to me.

2069
02:21:30,000 --> 02:21:33,400
Speaker 1: By the way, they all called me and said, what

2070
02:21:33,520 --> 02:21:39,560
Speaker 1: are you doing today? I'm sorry I didn't. I didn't

2071
02:21:39,600 --> 02:21:49,560
Speaker 1: pedified voice. I didn't mean to pifi voice completely video

2072
02:21:50,240 --> 02:21:52,360
Speaker 1: he said, he said. He said to me, what are

2073
02:21:52,400 --> 02:21:55,760
Speaker 1: you doing today? And I said, I'm filming the video

2074
02:21:56,400 --> 02:21:58,920
Speaker 1: and he said with two and I said with big pun.

2075
02:21:59,120 --> 02:22:01,800
Speaker 1: And he said I would be there and he hung up,

2076
02:22:02,080 --> 02:22:04,720
Speaker 1: and I was like, wait a minute. He asked me

2077
02:22:04,800 --> 02:22:09,720
Speaker 1: the address he just knew. He asked me a little bit.

2078
02:22:09,959 --> 02:22:13,640
Speaker 1: He asked me nothing. He said, who are you from

2079
02:22:13,800 --> 02:22:16,760
Speaker 1: the video with I said pun? He said I should

2080
02:22:16,760 --> 02:22:18,640
Speaker 1: be there and hung up. I was like, wait a minute,

2081
02:22:18,840 --> 02:22:21,520
Speaker 1: this is ill, this is ill, like if he actually

2082
02:22:21,640 --> 02:22:25,240
Speaker 1: show up this so I'm just sitting around waiting, like,

2083
02:22:25,480 --> 02:22:27,640
Speaker 1: let me see if Leo show up. I don't know

2084
02:22:27,720 --> 02:22:30,120
Speaker 1: who Leo. I don't know who he is, but I

2085
02:22:30,120 --> 02:22:32,680
Speaker 1: don't know how you look. And then he pulls up

2086
02:22:32,720 --> 02:22:36,560
Speaker 1: in the car service and this nigger jump out first.

2087
02:22:38,760 --> 02:22:47,600
Speaker 1: He's hottest. Let me be on point and it just

2088
02:22:47,720 --> 02:22:51,800
Speaker 1: met him and Leo and then I'm go a little

2089
02:22:51,879 --> 02:22:57,560
Speaker 1: deeper with you. J would the Damna's so sorry man

2090
02:22:58,280 --> 02:23:02,320
Speaker 1: because he might take this the wrong way. So I

2091
02:23:03,040 --> 02:23:13,080
Speaker 1: get up. I'm gold. I go buy a property to

2092
02:23:13,440 --> 02:23:17,840
Speaker 1: Three months later, chick that sol many the property calls me.

2093
02:23:18,760 --> 02:23:22,160
Speaker 1: He says, hey, you know the model house, which is

2094
02:23:22,240 --> 02:23:25,040
Speaker 1: the big boy house on the block. This is the

2095
02:23:25,120 --> 02:23:30,400
Speaker 1: house that's fully furnished. A lot of people can't buy

2096
02:23:30,480 --> 02:23:36,800
Speaker 1: this house. So she says to me about to sell

2097
02:23:36,879 --> 02:23:43,480
Speaker 1: that to ju y'all was like, yo, I'm not I

2098
02:23:43,640 --> 02:23:52,280
Speaker 1: work too hard. So I'm like, damn, where he got that?

2099
02:23:52,440 --> 02:24:00,400
Speaker 1: Like that true story, as long as it's a true sorry.

2100
02:24:00,400 --> 02:24:04,720
Speaker 1: I love listen to apologize the way I'm being funny,

2101
02:24:04,840 --> 02:24:06,960
Speaker 1: I know exactly what you talking about because I bought

2102
02:24:07,320 --> 02:24:11,680
Speaker 1: I bought that house turn key. Yes, listen, everything was

2103
02:24:12,400 --> 02:24:15,920
Speaker 1: ready to go. I'm like, I'm sitting back, I'm like, damn,

2104
02:24:16,560 --> 02:24:22,200
Speaker 1: damage there, where is this? And this? I don't know this,

2105
02:24:22,360 --> 02:24:26,240
Speaker 1: there's no I'm just saying I didn't want to live

2106
02:24:26,320 --> 02:24:30,440
Speaker 1: the Jay damnag, it's not that this bro, It's not this.

2107
02:24:32,080 --> 02:24:35,720
Speaker 1: So the rude hit hands because this is this part.

2108
02:24:35,959 --> 02:24:40,040
Speaker 1: The real must have been like you no, norm hit

2109
02:24:40,080 --> 02:24:44,000
Speaker 1: me and say, hey man, we don't have no problem,

2110
02:24:45,120 --> 02:24:49,720
Speaker 1: Like oh yeah, but he's like, because I'm trying to body.

2111
02:24:49,720 --> 02:24:54,240
Speaker 1: I said that said j Rule. You said this before,

2112
02:24:54,280 --> 02:24:57,680
Speaker 1: and it's the old ship. I don't want. He's not

2113
02:24:58,040 --> 02:25:02,440
Speaker 1: gonna gerald No David coming on drink. He's coming on tomorrow.

2114
02:25:02,440 --> 02:25:09,039
Speaker 1: You ready. I've been ready for what he's talking about.

2115
02:25:09,360 --> 02:25:13,240
Speaker 1: So I bought that turnkey. Absolutely. Listen, this is the

2116
02:25:13,320 --> 02:25:17,039
Speaker 1: model hole. Did you see your name on Twitter? Tell

2117
02:25:17,120 --> 02:25:21,039
Speaker 1: him the name he gave him on Twitter? Ru Oh

2118
02:25:26,120 --> 02:25:29,320
Speaker 1: what we said? We got one drink chats but you

2119
02:25:29,360 --> 02:25:32,200
Speaker 1: know I'm a hot nagger and they put Rule on

2120
02:25:32,360 --> 02:25:38,959
Speaker 1: drink champs. Everyone knew who I was talking about. Though.

2121
02:25:39,000 --> 02:25:42,920
Speaker 1: Let's make a noise my dumb fast, all right. So

2122
02:25:43,240 --> 02:25:45,720
Speaker 1: we got about two moments like like like yeah, like

2123
02:25:45,879 --> 02:25:54,680
Speaker 1: like five moments, sixteen moments. So what is the actual

2124
02:25:54,840 --> 02:26:01,320
Speaker 1: versus effect? Let's just snarrow it down. I see you

2125
02:26:01,400 --> 02:26:04,680
Speaker 1: got the paddock on with fifteen thousand dollar worth for

2126
02:26:04,800 --> 02:26:07,960
Speaker 1: fifteen thousand all bracelets. You got the you got the

2127
02:26:08,440 --> 02:26:11,039
Speaker 1: I got the ros gold. You got the rose gold,

2128
02:26:11,120 --> 02:26:16,200
Speaker 1: the gold and platinum and the bullet, y'all. You don't

2129
02:26:16,200 --> 02:26:20,280
Speaker 1: have to make it feel poor. Yeah, that's like jury

2130
02:26:20,360 --> 02:26:27,600
Speaker 1: just went good. Continue to what is the versus effect

2131
02:26:28,320 --> 02:26:36,160
Speaker 1: versus effect? Man? Is is it has an effect? Definitely

2132
02:26:36,200 --> 02:26:41,320
Speaker 1: has and yesterday's prices not today's yesterday's prices at all,

2133
02:26:42,320 --> 02:26:48,920
Speaker 1: solo way up. So wait wait wait wait wait wait

2134
02:26:48,959 --> 02:26:52,680
Speaker 1: wait wait wait wait wait. I'm very disappointed in you

2135
02:26:52,800 --> 02:26:55,360
Speaker 1: right now because because of course of what the question

2136
02:26:55,640 --> 02:26:58,880
Speaker 1: should be, there was never an effect on drink chaps

2137
02:27:00,000 --> 02:27:02,040
Speaker 1: a chance effect as the fact. But it's not like

2138
02:27:02,160 --> 02:27:05,200
Speaker 1: the No I know, it's not like versus right now

2139
02:27:05,520 --> 02:27:11,800
Speaker 1: versus Jesus lord, it's a showcase of talent. No, this

2140
02:27:11,920 --> 02:27:15,560
Speaker 1: is an interview. What I'm saying, that's different effect. And

2141
02:27:15,680 --> 02:27:18,200
Speaker 1: we made you cool though that is I'm just saying,

2142
02:27:18,280 --> 02:27:21,600
Speaker 1: you just give it something. Job. You didn't give me

2143
02:27:21,680 --> 02:27:24,160
Speaker 1: what I wanted. I said, give me something like what

2144
02:27:24,360 --> 02:27:28,640
Speaker 1: happened after the dreaming stamp. I was like, and then yes,

2145
02:27:29,040 --> 02:27:36,960
Speaker 1: supercase didn't work out the way I wanted. That is

2146
02:27:38,840 --> 02:27:42,640
Speaker 1: amazing effect as well. No, no, no, but but we

2147
02:27:42,760 --> 02:27:47,000
Speaker 1: brought to you John, we know what versus only dude,

2148
02:27:47,040 --> 02:27:51,240
Speaker 1: You only dude the older news, you know like I

2149
02:27:51,400 --> 02:27:54,800
Speaker 1: only do. Like the real topic is the music game.

2150
02:27:55,160 --> 02:27:59,400
Speaker 1: So take a shot, the champions take real ship to

2151
02:27:59,480 --> 02:28:02,200
Speaker 1: take a shot. This is in your glory. We got

2152
02:28:03,160 --> 02:28:05,440
Speaker 1: hold up, we're doing this. How did you just what

2153
02:28:05,640 --> 02:28:10,040
Speaker 1: the fund was that spin? To see that spin? That

2154
02:28:10,240 --> 02:28:13,879
Speaker 1: was some Eddie Murphy Charlie Murphy print shit right there.

2155
02:28:19,959 --> 02:28:29,280
Speaker 1: Shot with me. You're going in on that shot a right, Joe, Yeah,

2156
02:28:30,000 --> 02:28:36,120
Speaker 1: ain't gonna respect respect, It's like you gotta do it.

2157
02:28:37,160 --> 02:28:41,800
Speaker 1: M I don't know. That was y'alla, y'alla. You know

2158
02:28:41,800 --> 02:28:44,400
Speaker 1: what I'm saying. Let's talk, yes, and we got to

2159
02:28:44,440 --> 02:28:47,800
Speaker 1: get about it. Let's talk motherfucker n f T sending

2160
02:28:47,840 --> 02:28:50,039
Speaker 1: to get you in the m T s and then

2161
02:28:50,080 --> 02:28:54,680
Speaker 1: let's let's wrap it up. You guys, we we already

2162
02:28:55,200 --> 02:28:57,440
Speaker 1: we already made the n f T right now. Yeah

2163
02:28:58,040 --> 02:29:01,880
Speaker 1: you are? You are okay? So I need to talk him.

2164
02:29:02,120 --> 02:29:05,360
Speaker 1: That's good. I'm glad. I'm glad that's y'all doing n

2165
02:29:05,440 --> 02:29:07,120
Speaker 1: f T. You know how to sneak in America right now?

2166
02:29:07,160 --> 02:29:10,800
Speaker 1: Because no, I'm glad you're doing NT Drink Champs one

2167
02:29:10,840 --> 02:29:12,840
Speaker 1: of my n f T I did. Don't avoid this

2168
02:29:15,680 --> 02:29:19,080
Speaker 1: that I did with Mogul just the other day with

2169
02:29:19,280 --> 02:29:22,680
Speaker 1: a reboot camp. It just saw it for like one eight,

2170
02:29:23,920 --> 02:29:35,200
Speaker 1: which is ether that's when either about three or four. Yeah, ethereum,

2171
02:29:35,280 --> 02:29:43,320
Speaker 1: etherium man ethereum. It's like I got a eight. But

2172
02:29:43,400 --> 02:29:46,480
Speaker 1: what I'm dying is have I also have a a

2173
02:29:46,640 --> 02:29:51,200
Speaker 1: metaverse clothing line that I selled for your metaverse characters

2174
02:29:51,240 --> 02:29:54,720
Speaker 1: in the clothes in the metaverse type. It's called Stone

2175
02:29:54,760 --> 02:29:58,160
Speaker 1: and Robert. You can, you know, go to my collection

2176
02:29:58,200 --> 02:30:02,040
Speaker 1: and open sea my parting over there black. Yeah. And

2177
02:30:02,480 --> 02:30:05,040
Speaker 1: I also have a new collection called Club Cards coming

2178
02:30:05,040 --> 02:30:06,760
Speaker 1: out on the n f T space. This is you

2179
02:30:06,840 --> 02:30:11,080
Speaker 1: gotta do listen. That's the Paddock Rose goal, right yeah,

2180
02:30:12,280 --> 02:30:24,200
Speaker 1: all right, let's just make some noise for that. Yeah, man, man,

2181
02:30:25,120 --> 02:30:28,640
Speaker 1: I want to tell you, man, I'm blessed. I'm very

2182
02:30:28,760 --> 02:30:32,240
Speaker 1: proud of for you. Um, you're one of my closest

2183
02:30:32,280 --> 02:30:34,880
Speaker 1: friends for real, Like a lot of people say that.

2184
02:30:35,000 --> 02:30:38,400
Speaker 1: But we talked about ship, you know, I literally speak

2185
02:30:38,440 --> 02:30:41,440
Speaker 1: to you like once a week, and we talked about

2186
02:30:41,480 --> 02:30:43,560
Speaker 1: we talked about real ship, real ship. We don't talk

2187
02:30:43,600 --> 02:30:48,200
Speaker 1: about no industry ship. Yeah, And I would constantly be

2188
02:30:48,320 --> 02:30:52,520
Speaker 1: on these streets, and I would constantly be fighting every

2189
02:30:52,959 --> 02:30:56,240
Speaker 1: battle when you ain't around, because that's school, he posted

2190
02:30:57,040 --> 02:31:04,000
Speaker 1: as a friend, and um, I'm just so proud how

2191
02:31:04,120 --> 02:31:08,840
Speaker 1: the trajectory shift and how they just everybody's like, you

2192
02:31:08,920 --> 02:31:12,039
Speaker 1: know what, like it was a beautiful thing. My nephew

2193
02:31:12,080 --> 02:31:15,440
Speaker 1: called me. My nephew said they were watching the verses

2194
02:31:15,520 --> 02:31:20,080
Speaker 1: in l A and some just random Uber driver. It

2195
02:31:20,200 --> 02:31:24,560
Speaker 1: was like, I used to hate your rule and my

2196
02:31:24,680 --> 02:31:27,960
Speaker 1: neph is like what, he goes, I didn't know why.

2197
02:31:30,640 --> 02:31:34,959
Speaker 1: And that's just very simple. It's a very simple fact.

2198
02:31:35,080 --> 02:31:40,520
Speaker 1: It's like sometimes where people it just how your image

2199
02:31:40,720 --> 02:31:44,280
Speaker 1: was was at one point, people didn't understand it. People

2200
02:31:44,320 --> 02:31:52,880
Speaker 1: didn't understand who you were. That's why this this versus

2201
02:31:53,120 --> 02:31:58,360
Speaker 1: very important for you, because if you would have slipped

2202
02:31:58,400 --> 02:32:00,920
Speaker 1: and you would have broke your ankle and you couldn't

2203
02:32:00,920 --> 02:32:03,440
Speaker 1: perform how you would have did, people would have just

2204
02:32:03,840 --> 02:32:07,640
Speaker 1: rolled you the fun all understood them. This is real ship,

2205
02:32:09,560 --> 02:32:13,760
Speaker 1: that's facts, this is real ship. You came, you didn't change,

2206
02:32:13,840 --> 02:32:16,520
Speaker 1: you didn't want to change, and everyone knew to your

2207
02:32:16,560 --> 02:32:29,520
Speaker 1: second alfabe o Comania's studia. Anybody know this job gonna

2208
02:32:31,680 --> 02:32:34,400
Speaker 1: that's your second, alfabe, I'm forty five. By the way,

2209
02:32:37,480 --> 02:32:41,520
Speaker 1: what are you doing? Let me just say something. We

2210
02:32:41,640 --> 02:32:44,200
Speaker 1: love you, We love fat Joe, we love Joe was

2211
02:32:44,240 --> 02:32:46,640
Speaker 1: my brother. I swear to God this is not nothing

2212
02:32:46,760 --> 02:32:49,760
Speaker 1: like that. But this is not about not giving Joe's flowers,

2213
02:32:49,760 --> 02:32:51,840
Speaker 1: because he got his flowers all the time. But it's

2214
02:32:51,840 --> 02:32:56,000
Speaker 1: about giving you yours, and you deserve it. You really

2215
02:32:56,040 --> 02:32:58,640
Speaker 1: went out there, you went against all ours, you went

2216
02:32:58,680 --> 02:33:02,800
Speaker 1: against everybody, and you stood there through the test of time.

2217
02:33:02,840 --> 02:33:04,600
Speaker 1: How you even called you and I said better? How

2218
02:33:04,640 --> 02:33:07,400
Speaker 1: your crew out there? He was like, no, coming out there,

2219
02:33:07,480 --> 02:33:13,560
Speaker 1: don't know real ship. So with that being said, our

2220
02:33:13,600 --> 02:33:17,520
Speaker 1: shows about giving people they flowers, shows about big in people.

2221
02:33:18,040 --> 02:33:21,360
Speaker 1: Oh you know though we've always picked you up. We

2222
02:33:21,440 --> 02:33:25,280
Speaker 1: always did this today and this day in time, you

2223
02:33:25,520 --> 02:33:31,040
Speaker 1: deserve a bad bigger I don't know what word I

2224
02:33:31,200 --> 02:33:34,040
Speaker 1: just used. That's the right world, use the right word, bro,

2225
02:33:35,320 --> 02:33:38,560
Speaker 1: words and I love you and you deserve all this

2226
02:33:38,680 --> 02:33:43,440
Speaker 1: ship you want to make it, Let's make some more.

2227
02:33:44,879 --> 02:33:47,800
Speaker 1: Come on, weake a picture and I'll drop it to

2228
02:33:47,879 --> 02:33:51,080
Speaker 1: be good. Come on. Thanks for joining us for another

2229
02:33:51,120 --> 02:33:53,920
Speaker 1: episode of Drink Champs, hosten by yours truly d J E.

2230
02:33:54,080 --> 02:33:56,440
Speaker 1: F F and n r E. Please make sure to

2231
02:33:56,480 --> 02:33:59,000
Speaker 1: follow us on all our socials. Let's add Drink Champs

2232
02:33:59,000 --> 02:34:02,240
Speaker 1: across all platform. Arms at the Real Noriegon, I g

2233
02:34:02,959 --> 02:34:06,080
Speaker 1: at Noriega on Twitter, mine is at Who's Crazy on

2234
02:34:06,240 --> 02:34:08,920
Speaker 1: I g at d j E f N on Twitter,

2235
02:34:09,320 --> 02:34:11,879
Speaker 1: and most importantly, stay up to date with the latest releases,

2236
02:34:12,280 --> 02:34:15,440
Speaker 1: news and merged by going to drink Champs dot com.

2237
02:34:19,920 --> 02:34:22,960
Speaker 1: For more podcasts from my heart Radio, visit the iHeart

2238
02:34:23,040 --> 02:34:26,560
Speaker 1: Radio app, Apple Podcast, or wherever you listen to your

2239
02:34:26,600 --> 02:34:27,279
Speaker 1: favorite shows.