Speaker 1: And I would see jay z nas a big l
Speaker 1: all the rappers freestyling and ciphers in front of the club.
Speaker 2: That's how we met Mace actually in the cipher on
Speaker 2: one hundred and twenty fifth Street in front of the Mark.
Speaker 1: It's your boy, Josse Antronio Hanna, Ah, your.
Speaker 2: Boy Jason, Terrence Philip. This is the Joe and.
Speaker 1: Jaysen Show, brought to you by boost Mobile. Get the
Speaker 1: whole block up. If you're going on a bus ride
Speaker 1: of Kings Dominium, wherever you're going, get the whole bus
Speaker 1: up mobile right Playland, Playland a boost bobile dot com.
Speaker 2: Get everybody won that, everybody with you on the whole bus.
Speaker 1: Hey, if you're a big ball out there in the hood,
Speaker 1: just get the whole block boost Mobiles. That's what we're
Speaker 1: doing it for. And Yo, shout out the cash At
Speaker 1: just jumped on board cash Aat. We love you baby.
Speaker 1: The Joe and Jadas Show. Listen, man, check this out.
Speaker 1: We're gonna talk about hip hop the origins. Ah, how
Speaker 1: hard it was for us to get in the game.
Speaker 1: I'm curious to know. See, I knew about the Warlocks,
Speaker 1: I knew about y'all. Yeah, yeah, I knew about y'all
Speaker 1: from day one, But what what was what you think
Speaker 1: is the difference of then and now? Or rather you
Speaker 1: just say how y'all got in the game, and I'll
Speaker 1: explain how I got in the game, or terror squad.
Speaker 2: Man evey way we any way, we cut and slice it.
Speaker 2: It was still well we had to do to get here.
Speaker 2: It was much harder. It was much harder and much
Speaker 2: challenging just to be able to record music. Getting in
Speaker 2: the game just didn't be find somebody. This is before
Speaker 2: ever going in the studio. Just to find somebody that
Speaker 2: had equipment to record some freestyles or record whatever you
Speaker 2: had the right was like a task. It was only
Speaker 2: it was it was only a fewel you know what
Speaker 2: I mean. So to past that stage and then into
Speaker 2: going into the studio and finally, you know, recording some
Speaker 2: music that you thought was good enough to pass to
Speaker 2: the DJs or pass or a record executive, the journey
Speaker 2: from just dead to day was crazy.
Speaker 1: Well, a record executive is like it's impossible. Like like
Speaker 1: when I first started rapping, I just thought it was
Speaker 1: I'm just rapping for the hood. I didn't think I
Speaker 1: would ever get a record deal. Like I thought it
Speaker 1: was like just be for the homies playing this shit.
Speaker 1: I never thought, you know, shut out Keyboard Money, Mike.
Speaker 1: It first got whoever with me on like Bronx Cable
Speaker 1: and me and my brother told one time that we
Speaker 1: used to watch that shit over and over again, Like
Speaker 1: he'd be like, Yo, you're gonna blow one day. I'm
Speaker 1: like blow, Like you know what I'm saying. So when
Speaker 1: did you get close enough to where you felt like, oh,
Speaker 1: I could give this person this mixtape and they could
Speaker 1: get it into the proper hands.
Speaker 2: We was actually it was a bunch of shit that happened.
Speaker 2: But fast forward to the to the to the demo
Speaker 2: that actually was the one that was able to get
Speaker 2: past to Mary that eventually went to Puff's hands. We
Speaker 2: was recorded in D and D D and D Studios.
Speaker 1: Wow, you got the D and D shot out Mary.
Speaker 1: She was in the house last night.
Speaker 2: Yeah, MJ was up. Baby, we shot up.
Speaker 1: We was in D and D.
Speaker 2: However we got the bread to make it the D
Speaker 2: and D and it was actually while Old was making
Speaker 2: reasonable doubt.
Speaker 1: He was there.
Speaker 2: Yeah, he was in another room making reason with doubt
Speaker 2: and we actually seen it was a pool. Remember that
Speaker 2: you could play pool in there.
Speaker 1: That's where fucking big Out threatened me and the enemy.
Speaker 1: I had to write the rhyme in his face.
Speaker 2: That's we bumped into Jazzo in there and ended up
Speaker 2: getting a beat from jazz O that went on our
Speaker 2: demo that ended up actually being a song on Puff
Speaker 2: No Way Out Out that sold ten million. So we
Speaker 2: recorded a demo in D and D was we were
Speaker 2: still wet behind the ears, but we felt like these
Speaker 2: songs was good enough. Mary got a cousin that was
Speaker 2: a part of our every day onto rage Jay Bob Jamarco,
Speaker 2: so he was he kept them. We knew once we
Speaker 2: got some songs good enough, we could get it to
Speaker 2: him and he could get it to Mary. So that's
Speaker 2: what we did. And she happened to be on tour
Speaker 2: with Josy and and them, and she popped it in
Speaker 2: I think on the tour bus and that was That
Speaker 2: was our end before all other ship and that I'm
Speaker 2: gonna tell you.
Speaker 1: You know, that's crazy because shout out the D and D.
Speaker 1: One time I beat the guy's breaks with your phone
Speaker 1: with a red phone in D and D, just was
Speaker 1: pounding them out with the phone. The old school phone
Speaker 1: with the wire or a house phone. Nah. Yo. They
Speaker 1: hated me forever since because it was like, you know,
Speaker 1: D and D was like the fly studio, but I
Speaker 1: had the juice. I was already fat. Joe my man
Speaker 1: was like, Yo, my girl, she in the studio with
Speaker 1: these other rap guys. She was like, she's in D
Speaker 1: and D and this this mom, Yo, when I tell
Speaker 1: you who be out to see you? Go? Bug guy?
Speaker 1: He was like, Yo, she in there with the dude.
Speaker 1: So I had to use my face to get in there.
Speaker 1: I'm like, Yo, it's Joe Crack. They opened the door
Speaker 1: and then we beat the brakes off this guy. And
Speaker 1: they never liked they They who was it Dave? And
Speaker 1: the was it Dave and Mike? But anyway, man shout
Speaker 1: out the D and D, D and D. One day
Speaker 1: I saw Jay in there recording with OC. They had
Speaker 1: this one song together. I was up in there and
Speaker 1: they was rocking you.
Speaker 2: D and D was like, if you made it to
Speaker 2: D and D, you made it to that was like
Speaker 2: the to get the recording D and D was He
Speaker 2: felt like ended up mining D and D.
Speaker 1: He ended up buying D and D and then you
Speaker 1: had so the who's who was in there. It was
Speaker 1: almost similar to like a Barbito a stretch, and so
Speaker 1: I tell you a better one. I went to a
Speaker 1: ron G mixed stake and I was going in and
Speaker 1: Biggie was coming out. I'm like, your big what's up
Speaker 1: this this stall?
Speaker 2: The shots by the shower? When he said that one,
Speaker 2: we said the shot he is by the shower. You
Speaker 2: try to shoot me while I'm shitting.
Speaker 1: I don't even know.
Speaker 2: I'm telling you that run walking there that pocking big one.
Speaker 1: I was there, so no, it wasn't Polo Grounds. It
Speaker 1: was he had almost about up n y C. He
Speaker 1: had a crib on a side drive, so it was
Speaker 1: like right around from up n YC. So I'm walking
Speaker 1: in there, Biggie Small's just walking out. I do a
Speaker 1: freestyle and when I'm walking out, two Pocket is coming in.
Speaker 1: So that was the type of shit we were happening
Speaker 1: and stretching Barbito. When you hear the infamous we wouldn't
Speaker 1: call it a battle, but the infamous freestyle were big
Speaker 1: Al and jay Z. Barbito had an open door. That
Speaker 1: shit was like a if you fucked up Barbito and
Speaker 1: stretches like they had everybody coming in the craziest guys
Speaker 1: you could think of. The door was always open, and
Speaker 1: so that's when they had that legendary I wouldn't say battle,
Speaker 1: but it was big Al and jay Z in there
Speaker 1: like Pun, you know, Pun broke through uh stretching barbito.
Speaker 1: But this this before in the morning. You gotta wait.
Speaker 1: You might go there one night and the whole Wu
Speaker 1: Tang Klan is in there, thirteen deep, freestyling for twenty hours,
Speaker 1: and then you might get the last ten minutes to
Speaker 1: play your new demo in there like like this.
Speaker 2: Speaking the mixtapes, I got the story. Do you remember this?
Speaker 2: I don't even know how we all ended up. What's
Speaker 2: the first you know, fifty fourth Sony and Hit Factories
Speaker 2: in the middle. We was in Sony, all of us,
Speaker 2: some me, you was richer Rory No, no, no, we was,
Speaker 2: we was, We was already who we were. It's still
Speaker 2: it's still the earth. This is nineties early Sony. So listened,
Speaker 2: we in we in there me you know the locks,
Speaker 2: Joe Crack Nori, some other artists, clue Is. Did y'all
Speaker 2: put pressure on him? You felt he was putting your
Speaker 2: songs too far down? The thing like because in the mixtape,
Speaker 2: if you wasn't in a certain if, then he'll put
Speaker 2: you in a certain part of the tape.
Speaker 1: When they put you number twenty eight, twenty.
Speaker 2: Six, it's like that's the Ultimasius Scott. Nobody's listening to that.
Speaker 2: So you seeing me, I've seen it was. I don't
Speaker 2: even I don't even remember how we all end up.
Speaker 2: We wasn't recording like a wee all the world and
Speaker 2: none of that for everybody to be there. But it
Speaker 2: happened to be mad artist and Clue and y'all put
Speaker 2: a little pressure on Clue, like your clue, why the
Speaker 2: fuck you keep making my shaws number twenty something? Inn
Speaker 2: and a good thing. We was able to We worked
Speaker 2: that out.
Speaker 1: You know, I saw Biggie. Biggie Clue hates the story,
Speaker 1: but I gotta say my brother one of them bigs.
Speaker 1: I was in Club USA, by the way, that was
Speaker 1: the flyest club ever. When Biggie came up to me
Speaker 1: at that the Derringer, he had the twenty two diligence, Like, yo,
Speaker 1: you've seen clue. I swear to god, I just saw
Speaker 1: a clue. He was like, yo, you've seen clue. He
Speaker 1: put my shit on the tape. I'm gonna go get
Speaker 1: I was like, yeah, I ain't see him, and I
Speaker 1: just saw Clue walk through. Clue hate when I tell
Speaker 1: that story. But Biggie definitely showed me the hammer and
Speaker 1: say he gonna find Clue, he gonna give it to him.
Speaker 1: Did you used to drive out the Queens to give
Speaker 1: clue to your song?
Speaker 2: We wouldna by that Clue was coming to either rough
Speaker 2: Riders or they would pick rest in Peace. Pick would
Speaker 2: bring clue to songs, or he'll come to the store.
Speaker 1: Man. I used to have to go to Queens. It
Speaker 1: was that highway and the police was always on that highway,
Speaker 1: pulling everybody over. And then at the end they had
Speaker 1: like a twenty four hour fruit market. That's where I
Speaker 1: used to meet Clue to give him the songs. But
Speaker 1: I remember, you know, I was scared to fly. So
Speaker 1: I used to drive down to Miami twice a week
Speaker 1: and just be listening to every Clue tape. Shout out
Speaker 1: the bakm mother of everybody who ever sold the mixtapes.
Speaker 1: You know all of music, hut hall of music, hut yo.
Speaker 1: You know. One day when I had my my sneaker
Speaker 1: store in I'm not sneaker store because we ain't have sneakers,
Speaker 1: but it was Fat Joe halftime. But yeah, we used
Speaker 1: to sell a mixtape. One day, the police came in
Speaker 1: there and it was locking me up for the mixtapes.
Speaker 1: Because we used to sell the mixtapes was illegal. So
Speaker 1: they was like, yo, somebody got to go to jail.
Speaker 1: We had my man Dja, he's in that letter. He
Speaker 1: didn't want to take the charge. He was like, Yo,
Speaker 1: I can't go to jail. I wound up almost getting
Speaker 1: locked up over mixtapes. Thank god, the cops just gave
Speaker 1: me a summons. But I was going to jail for
Speaker 1: selling mixtapes. It was the craziest shit. I was already
Speaker 1: a rapper, but you know what I would do right
Speaker 1: shout out to Ralph McDaniels. He get me huge opportunities.
Speaker 1: So for kids that don't understand, were talking about analog
Speaker 1: and shit before shit was digital and all that. All
Speaker 1: the kids would run home at three o'clock to go
Speaker 1: see video music box.
Speaker 2: That's how it turned. This when the TV had knobs
Speaker 2: on the kids. This is when turning.
Speaker 1: Out when your man, damn, I don't even got a pocket.
Speaker 1: This when your man special lad had the one hand
Speaker 1: in the pocket and the bubble and was like, I
Speaker 1: got a dog, a dog with a solid gold ball.
Speaker 1: Got it what we was like excited. But I met
Speaker 1: Ralph McDaniels, I'm not sure where, and I started going
Speaker 1: to see him.
Speaker 2: Uh.
Speaker 1: He had an office downtown by City Hall, and I
Speaker 1: used to have to walk the elevator was always broken,
Speaker 1: thirty one flights and stairs and that's fat Fat Joe.
Speaker 1: And then Ralph started letting me host, so we going
Speaker 1: to clubs and all that, and I'm hosting, Yo, what
Speaker 1: up this fat joe y'all video music? But I'm still
Speaker 1: in the streets too. I'm wearing like vance suits, big cubans,
Speaker 1: like they know, that's Poppy who got the work up
Speaker 1: in the Bronx. But I needed that, look, you know
Speaker 1: what I'm saying. I needed that, you know, video music
Speaker 1: box type shit. I went to Apollo Theater. So for
Speaker 1: you to understand is my whole crew was already on.
Speaker 1: So Finesse. I grew up with Finesse, Lord Finesse, he said,
Speaker 1: I could say this story, but Lord Fess used to
Speaker 1: you know, back in the days he was an entrepreneur.
Speaker 1: So he would sell the newspaper, right, so he had
Speaker 1: a newspaper route. So he'll come.
Speaker 2: Around and go pay for two you too.
Speaker 1: So Finesse used to go payaper and then your mom's
Speaker 1: are paying him a dollar for the newspaper. But he
Speaker 1: bought it for fifty cent. He made fifty cent to
Speaker 1: go to the store to go get it. So I
Speaker 1: met Finesse do that, and we used to hang out.
Speaker 1: But he used to tell me all the time, y'all,
Speaker 1: I'm gonna be a rapper, right, And I would go
Speaker 1: to his house and he would dj his grandmother was there.
Speaker 1: And one day I was listening to The Better Alert
Speaker 1: and your man Finesse, he played like three or four
Speaker 1: Finessa songs and I was just like he made it.
Speaker 1: If it wasn't for Lord Finesse, that would have never
Speaker 1: ever ever been fat Joe like, I would never believe
Speaker 1: that I could become an artist in my life. I
Speaker 1: had to see it to believe it. So when I'm
Speaker 1: listening to this Lord Finesse is the man that you
Speaker 1: had to hear, I'm like, yo, I'm going crazy. And
Speaker 1: so finess gets on show Business ag get on and
Speaker 1: Diamond was on before all of Us Stunts, Bloods and
Speaker 1: hip Hop Classic album. And so I said, you know
Speaker 1: what I was hustling. I was in the streets and
Speaker 1: I said, Yo, I'm going to Apollo Theater. So y'all
Speaker 1: gotta understand. I'm in the streets, making money, respected in
Speaker 1: the streets, doing everything I gotta do. And I said,
Speaker 1: I'm going to the Apollo amateur night to get on.
Speaker 1: And there's a real story, right. So I'm already buying
Speaker 1: that a dish. I'm caking. I'm caking, I'm caked up.
Speaker 1: You see me in the clubs, popping bottles, all types
Speaker 1: of shit. I'm doing what I'm doing. So I go
Speaker 1: in there and I remember, so this is the heart
Speaker 1: of a lion, heart of someone who I remember. I
Speaker 1: went up in there and there was like one hundred
Speaker 1: and fifty groups, and I remember, like, Yo, why these
Speaker 1: people in here? Like you know, I'm here, like this
Speaker 1: this is over, like no brain what I walked up
Speaker 1: in there, like yo, this ship shout out the cocoa graft.
Speaker 1: She just won the tennis.
Speaker 2: She said.
Speaker 1: The whole crowd was screaming for hard Plumnet in the
Speaker 1: French joint, and she started telling herself cold, cold, cold
Speaker 1: co They screaming Coco, but they were screaming the other
Speaker 1: girl's name. And so you gotta talk yourself into you
Speaker 1: gotta speaking to existence. So I walked up in there.
Speaker 1: I ain't know what it was, but I looked at them.
Speaker 1: I said, these guys can't fuck with me. I'm you know.
Speaker 1: And sure enough we went out there. I had the
Speaker 1: yellow Dapper Dan track suit. We came outside, I had
Speaker 1: to dances and I had a song. It was called
Speaker 1: he He's a big shot. Fat Joe is a big shot.
Speaker 1: And I came outside and crowd way crazy. And I
Speaker 1: tried one day to really think about it and be like, yo,
Speaker 1: what did I say to make them go crazy? But
Speaker 1: I really ain't saying nothing. The second I walked outside
Speaker 1: and started rapping, they just there's always no disrestract. There's
Speaker 1: always a fat girl that gets up there and goes
Speaker 1: and I am telling you, and she kicked her ship off.
Speaker 1: She kicked them shoes off. You know What's so when
Speaker 1: the fat girl come up in the Apollo and go
Speaker 1: and I am telling you kick her ship, it's over.
Speaker 1: That's the cheek colt, yo, that's the cheek cole. She
Speaker 1: kick her volumptuous. She she kicked her shoe off. Yeah,
Speaker 1: all right, we're in a different type of thing. What's
Speaker 1: the survey? And in telling you I'm not yo, and
Speaker 1: she come up in there that shit is everybody going
Speaker 1: crazy shit. So it's similar to her. The fat guy
Speaker 1: came out. I tried. I stood up in the hotel
Speaker 1: room one day, really trying to think about how I
Speaker 1: wanted to apollo, and they just went crazy. They seen
Speaker 1: Joe Krack. I don't know if they knew me from
Speaker 1: the hood, from everywhere or whatever the case, and they
Speaker 1: just started screaming like crazy. They couldn't have heard one rhyme.
Speaker 1: I don't even remember one rime. You understand what I'm saying.
Speaker 1: They just I was blessed. God said, Yo, they're gonna
Speaker 1: go crazy for this guy. And I won four weeks
Speaker 1: in a row. And that's how I met Redd Alert.
Speaker 1: Red Alert came up to me and was like, yo,
Speaker 1: DJ read Alert who ran the game? It was him
Speaker 1: and missed the magic. It's only two DJ's playing hip
Speaker 1: hop facts prime time every week. So redd Alurke came
Speaker 1: to me and was like, Yo, do you got any jingles,
Speaker 1: any demos? So I gave him Flow Joe. So I
Speaker 1: remember I was home in the projects and I had
Speaker 1: the flu and this must have been COVID wavy for
Speaker 1: the COVID like, I was fucked, fucked, fucked up. This
Speaker 1: that COVID eighty eight. It was eighty eight, nigger like, yo,
Speaker 1: that COVID came up on it. I was fucked up.
Speaker 1: And for like two months after I gave him my demo,
Speaker 1: I was waiting to hear it and man, that s
Speaker 1: shit weir, boom boom weird. I was like, yo, I
Speaker 1: jumped up, Yo, I must have hit the ceiling and
Speaker 1: I ran. I had to speak and I threw it
Speaker 1: on the window right quick, and everybody was in front
Speaker 1: of the projects and I was like, yo, this is
Speaker 1: my ship, this is my ship. Ready to learn playing
Speaker 1: my ship. And so he played the flow joke. And
Speaker 1: then maybe like a year later, Chris Lighty, wrestling piece,
Speaker 1: came to my my hood, my block, I'm hustling, fuck
Speaker 1: my checks. He came to the spot. He said, Yo,
Speaker 1: you know who I am. I said, yeah, I know
Speaker 1: who you is because I used to see Chris Lighty
Speaker 1: in the streets and all that. He was like, yo,
Speaker 1: I'm Chris Lighty, I think you could be a big rapper.
Speaker 1: I just signed a big deal with Relativity Records. He
Speaker 1: had chi Ali, he had to beat nuts, and then
Speaker 1: I was the third one and he was like, yo,
Speaker 1: you know I want I want to make you a rapper.
Speaker 1: And I was like, what the fuck? I showed everybody
Speaker 1: that check. It was a fifty thousand, but it was
Speaker 1: a legit check. It's a little bit different getting drug
Speaker 1: money getting real real check, Like look, I got a
Speaker 1: real check. I'm showing everybody my check, like yo, my
Speaker 1: check like yo? And and that that changed my life.
Speaker 1: What songs? You were here? Before? You was on what? What? Songs?
Speaker 2: From a lot of shit? But I remember always hearing
Speaker 2: and Rock Kim came in the door check out my Melody?
Speaker 2: M hm, I remember check out my Melody was always
Speaker 2: playing in the park, basketball courts coming out of it.
Speaker 2: I remember him and running them. King King of Rock,
Speaker 2: Big Daddy came Roll Rock saying, Shante.
Speaker 1: Man, I'm shante, I'm shant.
Speaker 2: Ship right there, shout out to.
Speaker 1: Mally map that man, Mally Mal is a dangerous guy.
Speaker 1: I just got back from France and I was pumping
Speaker 1: that biz market, the biz Mark is going off the Biz.
Speaker 1: That was the shots that that's one of my favorite
Speaker 1: rappers of all time, Biz Markey and he went rest
Speaker 1: in peace. It wasn't because lyrical. It was just like.
Speaker 2: Yo, Krst told me anybody in the world he never
Speaker 2: wanted the battle Biz and that ship was amazing to
Speaker 2: me because he like, I'm like, Chris, you I kind
Speaker 2: of thought you was just like I kind of see
Speaker 2: you not being scared of the battle Biz. But he
Speaker 2: like he has so much humor and crowd control that
Speaker 2: he could really actually embarrass him. So he's like, I
Speaker 2: would figure I would think it would be g rap
Speaker 2: rock Kim hell them type of He's like, nah, I
Speaker 2: never wanted the battle Bizz because he could just do
Speaker 2: some funny shit or do something crazy. And I said
Speaker 2: that that was very interesting. And here kr say, out
Speaker 2: of everybody, all of them gladiated that he didn't want
Speaker 2: no smoke.
Speaker 1: He know, you know I used to hear the nordse
Speaker 1: of the underground.
Speaker 2: Oh mister funk.
Speaker 1: Yeah, I'm living for the fun I'm talking about on
Speaker 1: the block. While I'm on the block. The Jungle Brothers
Speaker 1: Jungles spished to knock the Jungle Yeah, and I used
Speaker 1: to ride around looking for guys with the hammer on
Speaker 1: my lap looking for guys. Now I'm just telling y'all
Speaker 1: the truth show, all right, But I'm just saying it's
Speaker 1: crazy because in the prime of violence, I'll be pumping
Speaker 1: plucked one pluck two answer that shows under this a
Speaker 1: lot of it. And I'm looking for the funk boy,
Speaker 1: and I'm listening to the Daisy's pot holes in my lawn. Like, Yo,
Speaker 1: this sick crazy man or the biggest most dangerous guys.
Speaker 1: I knew all nice and smooth kind of like put
Speaker 1: me on so great nice and smooth be they used
Speaker 1: to put me on shows when they was the biggest. Yo.
Speaker 1: Let me tell you something about nice and smooth. Let's
Speaker 1: go there, right, nice and smooth say, I'm Greg Nice
Speaker 1: and I am MC smooth. Together we are pure blend,
Speaker 1: imperfect calm with me. Yo. They had dances to do.
Speaker 1: Cliff Love just what keeping you waiting for alone? I'm
Speaker 1: sorry for waiting alone? Like Yo, they were like a
Speaker 1: super mega group.
Speaker 2: They wasn't a shot out Teddy Tennis k the production
Speaker 2: nice and smooth production was crazy.
Speaker 1: Well that's the awesome too, the awesome two which you
Speaker 1: had to be allowed to be up at like four
Speaker 1: in the morning to hear their show. So with me,
Speaker 1: I live in the fact fifth floor of the projects
Speaker 1: that we had the phone, the public phone like the
Speaker 1: regular phone of the building. They would crack open the
Speaker 1: thing and they would plug the boombox on to the
Speaker 1: thing for the power. So shout out to a j
Speaker 1: GP Craigo dance romance. All the older dudes, they would
Speaker 1: listen to the awesome two at four in the morning.
Speaker 1: I'd be out my window. That's where I heard. We
Speaker 1: don't want to be left behind. All we want to
Speaker 1: do is just blow your mind just one more time.
Speaker 1: That's I say, right about now New York City ash Whip.
Speaker 2: For being in my uncle's room listening to that repeatedively,
Speaker 2: I was repetitively just kept listening to that. That shit
Speaker 2: captivated my mind as a little kid. But then for
Speaker 2: some stupid reason, I took the Crown Royal grease and
Speaker 2: schmitted on the receiver. They beat the bricks so I
Speaker 2: don't even know the in that song. And then and
Speaker 2: then listening to that pery, I'm listening to that ship
Speaker 2: over and over. The little kid, I just opened it.
Speaker 2: Take the silver top off and put the grease on
Speaker 2: the with the dow dunk slash on the I know
Speaker 2: my grandmother, my mother, my uncle, they all mighty. Somebody
Speaker 2: beat the ship out of me for that man. Uncle
Speaker 2: Mike was in.
Speaker 1: The back walking down the street that box in mind
Speaker 1: the music on Boison Clan and you saying yourself there
Speaker 1: is sound very nice. Let me tell you something I
Speaker 1: know now the whole Man Block is China sound like me,
Speaker 1: but the original yo. Let's say one day he showed
Speaker 1: one day when I'm coaching at the Rucker. It said, well,
Speaker 1: I'm walking down the street where I'm in the back
Speaker 1: like getting the team was rocking, yo, jay. That's the
Speaker 1: times they didn't even have videos. I heard that ship
Speaker 1: in the middle of we Gotta win you I'm coaching.
Speaker 1: I ran to that fucking rocker park and I was
Speaker 1: in the back. I ran in there so fast like
Speaker 1: a baby bro. I was in there like and they
Speaker 1: was like, you know, doing And to me, it was
Speaker 1: just so innovative, so creative when we were when I
Speaker 1: was a kid, they rhymed like nobody else. And I
Speaker 1: got to see him in real life, like I really
Speaker 1: got to see him like I was It's like, Yo,
Speaker 1: the fucking crash cours. Ever sign up for a phone plan,
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Speaker 1: Five G speeds not available in all areas. After thirty gigabytes,
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Speaker 1: a month as long as they remain active on the
Speaker 1: boost a limited plan. Yo, listen, So we had to
Speaker 1: do stuff like you know, I started out graffiti. So
Speaker 1: I started out writing graffiti. That's how I met donad D.
Speaker 1: He used to write ze rock. I used to write
Speaker 1: I think. I used to write says and some shit
Speaker 1: or poppy I don't fucking know. And then so I
Speaker 1: always came from like a graffiti mentality to where with
Speaker 1: graffiti it's all about a subculture that you king. So
Speaker 1: if you're looking for graffiti, you'll see the names up
Speaker 1: on the walls. Most people won't see him, but I
Speaker 1: don't know if somebody's doing some shit, right, So we
Speaker 1: started like that. So when I when I finally got
Speaker 1: my deal with Relativity, I told him to make these
Speaker 1: huge posters. So I don't even got one right now,
Speaker 1: right now, If you got one, let me know, I'm
Speaker 1: ready to buy it. It's a black and white poster
Speaker 1: and it had to cover and it said fat Jo
Speaker 1: the Gangster. And we tore this city a new ass everywhere.
Speaker 2: Bro.
Speaker 1: We used to come home every night looking like nine
Speaker 1: to eleven, all white. Because it was the glue in
Speaker 1: the water. You have to put the glue in the water.
Speaker 1: So we on fifty ninth Street, over the fifty ninth
Speaker 1: Street bridge, they had the green. Then we put it
Speaker 1: up there. We put Atlantic Avenue, Brooklyn, we put it
Speaker 1: Westside Highway, we put it in Ford them, we put it.
Speaker 1: We was doing graffiti, so I had me the tax crew,
Speaker 1: a bunch of graffiti artists bombing these posters like we
Speaker 1: was bombing like it was graffiti. So we like King
Speaker 1: of the City like and so everywhere you go the
Speaker 1: other record label started like Leo Cohen, I never forget.
Speaker 1: He actually went to Relativity and said, Yo, y'all gotta
Speaker 1: stop this. Uh this fat Joe to gangster. These posters
Speaker 1: is too big. How do y'all have a budget to
Speaker 1: destroy this? Like because he knew now or his artists,
Speaker 1: was like, yo, we went the big postest. We went
Speaker 1: there and he was like, y'o, you're starting some new shit.
Speaker 1: Y'all got the chill, Like these guys are going too crazy.
Speaker 1: But that's how we did with the poster boards, with
Speaker 1: Big Pond, the Don Carda Gina. We was out there.
Speaker 2: It was moman like you said before, back when we
Speaker 2: was when you when we had to roll out something
Speaker 2: back in the days or in the nineties, rather you
Speaker 2: had to be more man. Of course you had to
Speaker 2: label doing whatever they did, but you had to form
Speaker 2: your own staff and get out in the street and
Speaker 2: do shit yourself, you know what I mean, whether it
Speaker 2: was painting them the stencils or just going outside, going
Speaker 2: everywhere you can go on ford them and that's like
Speaker 2: the emotional days.
Speaker 1: That's exactly you know what I mean. After I would
Speaker 1: bomb all night, get home maybe six in the morning,
Speaker 1: I'd bet at the train station and for them giving
Speaker 1: out little cards saying hey, y'all, I'm Fat Joe the
Speaker 1: rapper and giving them like the cover to the single.
Speaker 1: Like I'd be on the train station like yo, I'm
Speaker 1: Fat Joe the rapper and just giving him shit to say,
Speaker 1: fat Joe the Gangster. Same thing where the first time
Speaker 1: I ever met Biz, I went down to the lyricists
Speaker 1: Lounch and I was giving the DJ flow Joe. You
Speaker 1: know what I'm saying. I had the vinyls, so I'm
Speaker 1: giving it to him personally. And that's where I saw
Speaker 1: a big battle like twenty guys and he was up
Speaker 1: on stage just killing him with a backpack on. That's
Speaker 1: when I met him and he was like, Yo, you
Speaker 1: flow Joe. This Yo, it's crazy man. But everything was man.
Speaker 1: You you know. I used to come out the clubs
Speaker 1: right and this could be uh, I don't want this
Speaker 1: to be taking anyway. But I would come out of
Speaker 1: SOB's different hip hop clubs and I would see jay
Speaker 1: Z Nas a big l all the rappers freestyling and
Speaker 1: ciphers in front of the club like I would see
Speaker 1: everybody who became a legendary, they would just be at
Speaker 1: the clubs freestyling, like outside in front of the joint.
Speaker 1: They'd be spitting their bars out there. Alma, how was
Speaker 1: it for you? Was you going to like?
Speaker 2: Yeah? I mean, of course we were younger, so we
Speaker 2: wasn't catching the clubs until we got of age, until
Speaker 2: we got on the label. But ciphers was a thing
Speaker 2: of the of a norm like to where every day
Speaker 2: we go downtown to get with D and before that
Speaker 2: night was over it to be some type of cipher.
Speaker 2: That's how we met Mace actually in the cipher on
Speaker 2: one hundred and twenty fifth Street in front of the
Speaker 2: mark T Dan Swisses Pops. We was with D in
Speaker 2: the Martin T like, yo, I got I know somebody
Speaker 2: that's that's super nice too. Were living around here in
Speaker 2: thirty something, then thirty third, thirty knife, so he came.
Speaker 2: I remember that day. Mace had on some Nike sandals.
Speaker 2: I think he was dumping. He was crazy. He was
Speaker 2: going crazy, right, crazy was understated flow. The flow was
Speaker 2: crazy and didn't The rest was history. He was you know, you.
Speaker 1: Knew then and there he was gonna be a big
Speaker 1: boy or you just knew he was that nice knew,
Speaker 1: we just.
Speaker 2: Knew he was nice. We didn't know, we ain't know
Speaker 2: we was we would be getting signed. Uh what was
Speaker 2: gonna happen in the yourself, all of us because we
Speaker 2: got signed around the same time Conn.
Speaker 1: Yeah, you know, I mean, I know that's what big
Speaker 1: That's that's where uh Finesse met big Al right in
Speaker 1: front of the Mark. Finesse went over there was signing
Speaker 1: some autographs. The Big Air was like, let me spit
Speaker 1: for you. That's where he met big Al in front
Speaker 1: of there, and then he put him on and brought
Speaker 1: him with him and he did the the remix to
Speaker 1: Yes You Made. And I remember just as a team
Speaker 1: player standing on in the stage in the back and
Speaker 1: just seeing l catch wreck and I knew we had one.
Speaker 1: I was just sitting in the back, like, y'all, this
Speaker 1: guy is nasty. And you know when they're coming digging
Speaker 1: in the crazy I used to have. You know, AG
Speaker 1: had this one rhyme, Sally so she shlls down by
Speaker 1: the sea shore. How much work can the Woodchuck, Chuck,
Speaker 1: I don't give a fuck. Where I saw a g
Speaker 1: Andre the giant, I would make him sit at rhyming
Speaker 1: me Sally, so she shlls down by the sea short.
Speaker 1: How much work could the wood chuck Chuck wore. I'd
Speaker 1: be like yo, say the ron say to rhyme, and
Speaker 1: he would always do it for me. But that's how
Speaker 1: we literally started. Back in the days, it was word
Speaker 1: of mouth, and you would hear about guys like I
Speaker 1: hear the infamous stories like Jay said he used to
Speaker 1: pull up on DMX and they would.
Speaker 2: Have Yeah, they had a legendary battle in the pool hoole.
Speaker 2: I wasn't there for that, but that's the good back
Speaker 2: and that's what you had to do. If somebody was nice,
Speaker 2: you had to pull up on them and hear them
Speaker 2: and no let him hear what you had. Or I
Speaker 2: think that's a that's that's something that's different in today's
Speaker 2: climbing of music. It was I was in many sessions
Speaker 2: with everybody opposed, and now was emailing it or sending
Speaker 2: it to a cloud, or they ill take bizarre to
Speaker 2: the studio, remembers.
Speaker 1: And shout out Jazzy J's studio. Man, I did my
Speaker 1: whole album when I got signed. The same day I
Speaker 1: got signed, my mother caught me over. I went over
Speaker 1: and she told me she was she was diagnosed with cancer.
Speaker 1: And I'm rushing to tell her, Yo, I got a
Speaker 1: record deal. You know, I'm gonna change my life. And
Speaker 1: she tells me, Yo, I got cancer. She used to
Speaker 1: smoke a lot of cigarettes. So I remember going to
Speaker 1: the doctor and the doctor telling us, uh, she had
Speaker 1: So the doctor was like, Yo, if this was my mother,
Speaker 1: I would just send her home and spend whatever couple
Speaker 1: of months I got. I was only like nineteen eighteen,
Speaker 1: I was. It was crazy to me, right, But we
Speaker 1: asked to talk about that. Yeah, we asked the doc, Yo, Doc,
Speaker 1: what's her chances? Doc, what's the chances? And the doc said, Yo,
Speaker 1: after chemo, after this, and that she got like a
Speaker 1: one percent chance. And my moms looked at me and said,
Speaker 1: you heard him, Joe. He said, we got a chance.
Speaker 1: We got one percent. We the one percent, We got
Speaker 1: a chance. She went to the hospital, she did an operation.
Speaker 1: Her ship was this big because they cut her from
Speaker 1: here to year. She had to talk. But she lasted
Speaker 1: maybe forty years after that operation, thank god. But my
Speaker 1: moral to the story is, remember that fifty thousand dollars.
Speaker 1: Check my moms. They wouldn't let family spend the night
Speaker 1: with us, so my moms were scared to spend the
Speaker 1: night by herself. So at least forty thousand of the
Speaker 1: fifty thousand I had to pay a registered nurse. At
Speaker 1: that time, they was expensive like now like it was,
Speaker 1: you know, like fifteen hundred a night or some shit.
Speaker 1: So I only had ten g's left and that was
Speaker 1: only enough to pay for the studio. And then Diamond
Speaker 1: did me the favor. Whoever worked on the album pretty
Speaker 1: much did the beats for free. And I remember I
Speaker 1: ran out of money to mix the album and shout
Speaker 1: out to the beat nuts juju or less. They actually
Speaker 1: mixed my album for free. They mixed the album, you know,
Speaker 1: to look out for me, so I'm always forever and
Speaker 1: debted to the beat nuts. But that you know, that's
Speaker 1: the type of shit he was doing back in them days.
Speaker 1: And then we asked them guys Messages of funk. That
Speaker 1: was around two signed Relativity. There was Good Brothers too,
Speaker 1: and shit wasn't easy, man, And the money's different, right,
Speaker 1: so let's go to that. So no, no, the money's different,
Speaker 1: So you go Magic Johnson. This Joe, y'all could understand
Speaker 1: youth or anybody's watching. Magic Johnson made one million dollars
Speaker 1: and they put them on Time Magazine, Sports Illustrated everybody.
Speaker 1: It was a one million a year. Now you got
Speaker 1: the bummiest guy in the world on the bench for
Speaker 1: ninety seven million dollars, and guys are saying his Greek
Speaker 1: freak coming, or he's gonna stay over there and get
Speaker 1: the max and get three hundred something million. The money
Speaker 1: was different, So FlowJo went number one in the country,
Speaker 1: but I was only getting five hundred dollars a show.
Speaker 1: So I'm doing Yonkers, Staten Island and Fever fifteen hundred
Speaker 1: on a Friday Saturday. I'm doing Va, North Carolina, DC,
Speaker 1: Bang bang bang, like flying, like trying to kill myself
Speaker 1: to come back with a little fifteen hundred a night.
Speaker 1: And so this is this is the difference with the money.
Speaker 1: So no matter how popping you was, it wasn't no
Speaker 1: money at the time. So you're thinking like boom and
Speaker 1: I go from you know, I literally was selling drug drugs,
Speaker 1: so I took a I don't know if y'all truly
Speaker 1: understand like I changed my life like Cinderella. But I
Speaker 1: was making a lot of money to like hustle for
Speaker 1: fifteen hundred dollars like and I had to stay the course.
Speaker 1: So you have to understand if you're gonna change your
Speaker 1: life youth and you're gonna get into the rap game
Speaker 1: and you ain't making that kind of money yet or
Speaker 1: whatever the case may be, you got to state of
Speaker 1: course because I could have easily said, Yo, let me
Speaker 1: go sell y'all, let me stare somebody up. Like guys
Speaker 1: kept coming to be like, you know, I used to
Speaker 1: stick people up so that you know, I stuck everything
Speaker 1: up to supermarkets, drug dealers, everything you can name. So
Speaker 1: guys would come up to me and be like, Yo,
Speaker 1: we gotta lick. You know what I'm saying. We got
Speaker 1: a dude, he got this couple of honeys. You know
Speaker 1: what I'm saying. I beg I even was offered.
Speaker 2: You know it's not crazy, dude, you crazy.
Speaker 1: No, I'm telling you the truth. Like they would be like, Yo,
Speaker 1: we got the lit and then they pull it off
Speaker 1: and come around with the new benzes, your crack. We
Speaker 1: try to tell you we had the lick. I'm already flowed, Yoe.
Speaker 2: Look how is your transition from that to that? Because
Speaker 2: we had to buy a brick, we had to cop
Speaker 2: a bird with our advent. Three dudes, the event was
Speaker 2: only enough so you got the deal.
Speaker 1: And then when it kind of got.
Speaker 2: When we got our first deal and the money clip,
Speaker 2: we copped.
Speaker 1: It said that the Baltimore there was always rumors of that.
Speaker 2: I mean, that's real. That's just really.
Speaker 1: So instead of you deal and you know you was
Speaker 1: going legit, you went the other way.
Speaker 2: Three of us that was a legitimate, illegitimate thing to do.
Speaker 2: At the time, they get it real, evinced that wasn't enough,
Speaker 2: you know what I mean? Three of us were splitting
Speaker 2: everything down the middle, thirty three and the third man.
Speaker 1: I had to do so much. So my reputation on
Speaker 1: the street was straight violence, right, And I came in
Speaker 1: this game and try to become the pussiest guy in
Speaker 1: the game because I already knew people were scared to
Speaker 1: deal with me because they thinking I'm like a New
Speaker 1: Yorkshire night and the stories was going. So I was
Speaker 1: trying my best to be the nicest guy in the world,
Speaker 1: Like I'm trying to convince people, yo, I'm a good guy.
Speaker 1: Don't listen to what people are saying.
Speaker 2: Look at this, did you ever have some this is
Speaker 2: back since we on it. We just were on the train.
Speaker 1: Now on something.
Speaker 2: Did you ever have an altercation in Mount Vernon back
Speaker 2: in the day, back because we had a show, we
Speaker 2: were supposed to have a show the Young Luck whatever
Speaker 2: we was, and we got arrested. But we heard before
Speaker 2: that y'all had some type of fight or something happened
Speaker 2: in it in Mount Vernon.
Speaker 1: Let's talk about the god the original right that Mount
Speaker 1: Vernon show. Mount Vernon showed me what I could do
Speaker 1: and couldn't do. So I was very young, and I
Speaker 1: was very crewe oriented to the ight, and these guys
Speaker 1: were dangerous guys like the terror Terror squad from day
Speaker 1: one was very dangerous. I don't have to elaborate. I'm
Speaker 1: telling you this is not a game. Everybody was like
Speaker 1: seven point thirty and I would take them to my
Speaker 1: original shows. Mount Vernon's one of the first shows I
Speaker 1: ever did. And I used to look up to Mount
Speaker 1: Vernon because Heavy D's one of my idols. Some money
Speaker 1: earning Mount Vernon. But these guys went and started beating
Speaker 1: up the fans, like sometimes you bring the wrong hood
Speaker 1: with you, they'll beat up your fans. And so they
Speaker 1: start stomping out the fans. And that's when I realized.
Speaker 1: I said, yo, I cannot bring these guys. So somebody
Speaker 1: grabbing me, like, yo, you gotta float Yoe. The Float
Speaker 1: show was number one. It's why I'm trying to tell
Speaker 1: you I did young, because I did Mount Vernon. I
Speaker 1: did every movie theater you could think of. Now I'm
Speaker 1: telling you, like you know, they used to have a
Speaker 1: little movie theater. Float Joe was ringing Nigga thirst Thanksgiving night,
Speaker 1: so doubt lines around the block for Flow Joe. But
Speaker 1: these guys would fight the fans, and so I'll be
Speaker 1: like a right Ski recipe. I'd be like, Ski, you
Speaker 1: can't come. Such just said you can't come, and everybody
Speaker 1: started getting mad at me. I was like, yo, you're
Speaker 1: beating up the fans. This ain't like the enemy. Somebody
Speaker 1: wants to beat me up. Somebody was say yes, winging
Speaker 1: on the fans, and so that's crazy. It reminds me
Speaker 1: of they asked some ship. I don't know who the
Speaker 1: young boy is, but there's a young boy that was
Speaker 1: really really parked popping. What's his name? Although something somedy.
Speaker 1: He beat up the fan. They put him on in
Speaker 1: a coma or something. So sometimes you really gotta reframe it.
Speaker 1: Get but yeah, Mount.
Speaker 2: Vernon, Yes, you know, I just I was wondering. We
Speaker 2: never made it to the you got arrested in the alley.
Speaker 2: We didn't even make it to the where we was
Speaker 2: supposed to perform.
Speaker 1: Man, so you you got there and they picked you up.
Speaker 2: Yeah, you know, so we walking and it just came
Speaker 2: with a bus and shackles and mad cop cause we
Speaker 2: was in Mount Vernon City jail. We all got to rest.
Speaker 2: Didn't even make it.
Speaker 1: To the show. The shout out to Mount Vernon Man
Speaker 1: money Earning Mount Vernon, they put out, you know, Mount
Speaker 1: Vernon was the Beverly Hills of black people in America
Speaker 1: at one time. You know, Malcolm X living in one
Speaker 1: the house, Stephanie Mill, New York, Freddie your girl, Nina Simone,
Speaker 1: he was like, you know, like no, Mount Vernon was
Speaker 1: like if anybody black had real money. I'm talking about
Speaker 1: Malcolm X, Nina Simone, Stephanie Mills while she's running around
Speaker 1: with fucking Michael Jackson, like the biggest royalty they was
Speaker 1: in Mount Vernons. You know, what I'm saying, So Mount
Speaker 1: Vernon was really really a stretch of like Loue Albannos
Speaker 1: from Captain rest you Captain Lou Albanna you remember him,
Speaker 1: and that what was that? The Madonna video girls, the
Speaker 1: City Officer girls, they want to have fun on Oh gosh.
Speaker 2: He had a big he had a big cameo that
Speaker 2: he was her dad. He was trying to stop up.
Speaker 2: You know that song is that's one of the ones.
Speaker 1: That's a legendary to this day. Girls want to have fun,
Speaker 1: not shoe. To this day, that's a legendary. That one stood.
Speaker 1: That one aged well, you know, and so mina day
Speaker 1: you say, somebody like recipes u X text shown. They
Speaker 1: say that guy never left his house. They say made
Speaker 1: his music, press, play in the computer, was getting rich
Speaker 1: off of streams and everything. We said, he never even
Speaker 1: left his house. You got artists out here now.
Speaker 2: That shows the difference. That shows that the marginal gap
Speaker 2: of from you having to put up actually put the
Speaker 2: glue on the back of the glue hole shits and
Speaker 2: put them up yourself to being able to make millions
Speaker 2: of dollars without even leaving the crib is incredible.
Speaker 1: It's beyond incredible. And so the only thing I say
Speaker 1: that that that's not right with that.
Speaker 2: Is touching the people.
Speaker 1: Yes, you don't touch the people, you don't create. So
Speaker 1: every time I put out an album, I went on
Speaker 1: something they used to call a promo tour. I hated
Speaker 1: it because you went out there to go for free.
Speaker 1: But it ain't nothing like meeting like you know, you
Speaker 1: go out to San Francisco, you see Vaughn and Sway
Speaker 1: and all these guys, and then you go to LA
Speaker 1: and your relationship with Phelly Fell and Big Boy and
Speaker 1: Bacon Cruise Boy. Remember the Baker Boys. They the first
Speaker 1: syndicated crew. They was the first syndicated. So you go
Speaker 1: around and you meet all these cosmic cavs and all
Speaker 1: these guys, and then when you put out a record
Speaker 1: that I call a strup, it's one thing. They support
Speaker 1: you with a hit, but when you put out a
Speaker 1: record that's like struggling, that's when them guys that relationship
Speaker 1: kick in and they start playing your ship and then
Speaker 1: if it deserved to blow, then it'll blow. And so
Speaker 1: that's what I think the youth is missing, of that
Speaker 1: communication with actual people that can help you when you're struggling,
Speaker 1: you know, because I have a push of a button.
Speaker 1: I never get involved with Like when people tell me, yo,
Speaker 1: why you don't tell these young kids, these rappers, why
Speaker 1: you don't this, I'd be like, okay, So the numbers
Speaker 1: are to discourage you. The numbers are one out of
Speaker 1: maybe ten million people actually make it and rap music.
Speaker 2: So I think that I think you're watching the numbers all.
Speaker 1: Right, So what's the number? What do you think that's
Speaker 1: the number?
Speaker 2: It's fifty three new rappers every day? Who's he let
Speaker 2: three of them blow? Who's just nah?
Speaker 1: Not every day?
Speaker 2: You're very confused right now, composed. It is all making
Speaker 2: money that we never gonna hear.
Speaker 1: You're never gonna hero. Yes, but he's successful. Yeah, but
Speaker 1: it's hard though, it's not. It's not what you think.
Speaker 2: You think anybody, how many guys you said numbers? That's
Speaker 2: hard in the NBA. You know, it's easier to hit
Speaker 2: the lotto than to make it to the NBA. You
Speaker 2: just made a rap numbers harder than.
Speaker 1: Both of wrap numbers? Is that hard? To be really successful? Hard?
Speaker 1: Do you know how many guys are forty years.
Speaker 2: Old on a housecss successful?
Speaker 1: Do you know how many anybody wraps and somebody dies
Speaker 1: and they be like your rapper, whopp he wop, he
Speaker 1: was a rapper. He got killed in Brooklyn the day. No,
Speaker 1: we don't know this guy just because he made a demo.
Speaker 1: He's a rapper. Now, you know, I'm talking about successful.
Speaker 1: Every year we could think what a sexy read who
Speaker 1: is the most successful rapper?
Speaker 2: Last year?
Speaker 1: Who was the first, Who is the newest rapper successful?
Speaker 1: Glorilla blew up, but she was already out. I'm trying
Speaker 1: to say that last year, sex yep, sexy red shooper,
Speaker 1: who just came out this successful. We can name maybe
Speaker 1: one to three that's really making money, that's really successful. Oh,
Speaker 1: Lotto Lodo been out since she was twelve rapping on
Speaker 1: the show. But let's think she put in the work
Speaker 1: that she deserves it. What I'm saying to you is
Speaker 1: like they gotta be a million something plus girls trying
Speaker 1: to rap and they made it. And so what I'm
Speaker 1: trying to tell you is that the odds are very,
Speaker 1: very very discouraging. You got guys just because your crew
Speaker 1: is selling you nice, just because you know you know
Speaker 1: you got god. You got grown men who refuse to
Speaker 1: get a nine to five, and they sleeping on their
Speaker 1: couch at forty four with three kids, and they baby
Speaker 1: mama working and they out here talking them by they're
Speaker 1: gonna rap. If you ain't getting paid to do a show,
Speaker 1: if you ain't got no real people streaming your shit,
Speaker 1: you are not successful. You understand. So what I'm trying
Speaker 1: to tell you is that this is harder than you think.
Speaker 1: Everybody and their mother think they could rap and be successful.
Speaker 1: It does not work like that.
Speaker 2: It ain't. It ain't that easy, But it ain't as
Speaker 2: hard as when we had to. It's not as hard.
Speaker 2: They don't got to go through this shit.
Speaker 1: No, no, no, I agree this. This reminds me of
Speaker 1: the classic interview that Cali had with Cali. I think
Speaker 1: he was with Ebro and them when he started basking
Speaker 1: you know how hard it was to get on and
Speaker 1: this and this and that. It was hard. Back in
Speaker 1: the day you had, it was almost impossible.
Speaker 2: Everything was hands on.
Speaker 1: And now I get what you're saying. With the press
Speaker 1: of a button, you could be successful. A lot of
Speaker 1: people who did that, But there's a lot of people
Speaker 1: rapping thinking they're gonna make it, and they never make it.
Speaker 1: Most people never make it and it's very similar to
Speaker 1: the NBA. The numbers of very similar to the NBA.
Speaker 1: Now we ain't discouraging you. I'm just trying to give you.
Speaker 1: You need to plan A and the plan B. You know,
Speaker 1: especially if you know it's not working. Because another thing.
Speaker 1: Let me tell you something, this game, the entertainment business
Speaker 1: is off momentum. That's why I got a little upset
Speaker 1: because we came out the box number one in the country,
Speaker 1: you know, Apple Music, and then we I had to
Speaker 1: go on Vaca. It was set up ahead of time.
Speaker 1: I know that when you got momentum, you gotta keep
Speaker 1: your foot on their neck. That's the way the game works. Now,
Speaker 1: I'm in the artists we seen come out and get
Speaker 1: hype at the beginning, you think they're gonna blow, and
Speaker 1: then they lost that and then for years they keep
Speaker 1: trying to come back to get Once you got that momentum,
Speaker 1: you got to stay your foot on their neck and
Speaker 1: keep that momentum going. Think about that, how many rappers
Speaker 1: you could easily think about how many rappers Quarterbus. I
Speaker 1: don't know if it was their work ethic. I don't
Speaker 1: know if they couldn't deliver the record because I remember
Speaker 1: fifty cent killing the mixtapes and all that, and then
Speaker 1: when I heard go Go Coach Chawty, It's sure, I knew,
Speaker 1: Holy shit, the man here, No, he delivered. He created
Speaker 1: the hype and then drop a motherfucking monsoon or tsunami
Speaker 1: on the ass. Now that's not all rappers. You know
Speaker 1: how many rappers created some type of hype and then
Speaker 1: drop the ball when it was time to let the
Speaker 1: single go, they also.
Speaker 2: Shut They blocked it. You can't even use you can't
Speaker 2: ball people's beats. How fifty was taking shits and making
Speaker 2: his own songs and destroying shit, they blocked that. So
Speaker 2: we gotta be mindful of what they're doing. Though. Here
Speaker 2: I can tell you what even that mixtape you had
Speaker 2: that was crazy that they took.
Speaker 1: Yo. Man, they try to sue me ten different ways.
Speaker 1: It was like the Princess tape. Michael Jackson to state this,
Speaker 1: I put out a mixtape. The ship was hard. I
Speaker 1: actually concentrated on that mixtape almost like an album. I
Speaker 1: took that shit serious. I dropped that ship at one hour.
Speaker 1: They was like, yo, it came like and I don't
Speaker 1: know why is that? Why that Joe can't make a mix.
Speaker 2: No, likey can't they blocking that ship?
Speaker 1: No, that shit came ceasing assist Prince the Beg's the
Speaker 1: disc the total every beat. I yes, I used the
Speaker 1: biggest beats. But it was a mixtape. I'm telling everybody
Speaker 1: it's a mixtape. I'm trying to get it going. They
Speaker 1: shut my ship down. So yo, I must have asked
Speaker 1: so much hot blood pressure. No, Yo, I drove it.
Speaker 1: Put your breath. When I drove from the Lower East
Speaker 1: Side to the Bronx, I had like nine pendent lawsuits.
Speaker 1: Like this shit was coming, like it was the same lawyer.
Speaker 1: They was like, hey, Joe, just to let you know.
Speaker 1: The BG said, you know better, they're gonna sue the
Speaker 1: next thing. Princess State is saying they want damages. They're
Speaker 1: gonna sue this, and just the shit just kept coming
Speaker 1: off a mixtape and just and look he telling you
Speaker 1: all these mixtapes everybody did, Fat Joe did one, and man,
Speaker 1: when I tell you, the rules were different, they shut
Speaker 1: that shit down. I never heard the mixtape again. How
Speaker 1: about that. I never heard the mixtape again. Yo. I'm
Speaker 1: telling you, I never heard the mixtape again. They shut
Speaker 1: that ship down. He raced it from yr Yo, they
Speaker 1: moved that ship. I was so scared after that ship.
Speaker 2: I said, Yo, you see nine loss. You can just
Speaker 2: go in the stew balls. Anybody's beat, put it out,
Speaker 2: create a buzz. You good. Now that shit have lasted
Speaker 2: thirteen man.
Speaker 1: Now I'm fucking over there. I'm in Sancho Pei. They
Speaker 1: playing all type of ed m shit and then when
Speaker 1: you go on to Spotify, they call it a mixtape.
Speaker 1: You see, they took the they took the yalla, they
Speaker 1: took the no, they took the yaller. Right now, the
Speaker 1: language on Spotify or Apple or whatever, it's like, yo,
Speaker 1: the mixtape.
Speaker 2: And they took our shit and made it they shit.
Speaker 2: And you can't even do this shit. That was our shit.
Speaker 2: That's some shit.
Speaker 1: That's big ship, that's big time shit and so and
Speaker 1: that's where the game is at. You know what I'm saying. Well,
Speaker 1: we talk about hip hop music and I listen to
Speaker 1: country and they be like country's the biggest genre or whatever.
Speaker 1: I hear mad lyrics like you gotta be rap dudes
Speaker 1: in the back room writing they ship because I hear like,
Speaker 1: how about all corny, like watered down, Like we in
Speaker 1: Sancho Pei and every legendary song you ever heard from
Speaker 1: Stevie Wander, from whoever. They make their own version of
Speaker 1: it and they play it in the hotels, the clubs,
Speaker 1: the bars, and you there were days. If you go
Speaker 1: on YouTube, to be honest with you and you like
Speaker 1: slow jams, you hear the fake boys to man, the
Speaker 1: fake Louta, the fake like, what the fuck is why
Speaker 1: we can't hear the real fucking Brest.
Speaker 2: Something to do with the streaming and all that, the
Speaker 2: ship that we never.
Speaker 1: Had to wag yoll the mainly out of like, you know,
Speaker 1: because my shit is on being all that. So I
Speaker 1: go to a hotel, I throw on the YouTube and
Speaker 1: I keep hearing the fake Joe, the fake Lina Richie
Speaker 1: like niggas is coming over somebody. But how do they
Speaker 1: get the placement? How do they get the stream the
Speaker 1: fake covers get the streams missed.
Speaker 2: It's something they leaving out in order to be because
Speaker 2: you know how to go if you they left one
Speaker 2: symbol off of one one shnaire is missing or something,
Speaker 2: they give them the ability to do it.
Speaker 1: I also never like, I never like, uh very rare.
Speaker 2: I get it.
Speaker 1: A lot of artists we've been robbed I've been robbed.
Speaker 1: You know, I got robbed for my publishing. When I
Speaker 1: was young. God pull up on me. He was like, yo,
Speaker 1: we Latino, We gotta take care of each other's name, Jellybean, Benitas,
Speaker 1: they supposedly discovered Madonna and all that. He gave me
Speaker 1: fifty thousand dollars and never gave me another dollar. He
Speaker 1: must have robbed me for ten twenty million. I'm talking
Speaker 1: about and big pun.
Speaker 2: He deserved a torpedo.
Speaker 1: Bet no, this guy needs more than a torpedo. But
Speaker 1: you know, we never seeing it's cool. But the man
Speaker 1: robbed me right for my publishing, So I get it.
Speaker 1: Everybody get robbed. You know, whoever you name a Timberlaye
Speaker 1: and the MISSI it is, they always was in the
Speaker 1: kitchen cooking up. Scott Storch was cooking up, not getting
Speaker 1: the credit right. So we all got robbed in one
Speaker 1: way or another. Right when the artists go now and
Speaker 1: do their own song over because they got robbed for
Speaker 1: their publishing or something like that, and they could own
Speaker 1: the master now it never sound like the original. And
Speaker 1: we're so used to the original. And I don't care
Speaker 1: who you name. I listen to a bunch of artists
Speaker 1: like redo the song. Their voice don't sound the same.
Speaker 1: You're older now, your shit don't sound the same, and
Speaker 1: you out here trying to recreate the magic. I say,
Speaker 1: keep performing, make your money. Don't fuck up the song
Speaker 1: because now they switch it out, so they don't take
Speaker 1: out the original that we love and put you with that.
Speaker 1: But if with your ship in there, it's money for
Speaker 1: the artists. But the ship is whacking in the original.
Speaker 1: Let me use the bathrooms, tad on the ears. Nobody
Speaker 1: can do. They swing over and it sounds good.
Speaker 2: I don't give a fuck. You can't if he did
Speaker 2: Slow Joe right now, it's gonna sound garbage.
Speaker 1: You can't.
Speaker 2: You can't get back intim.
Speaker 1: Because we've been used to you're hearing the ship is
Speaker 1: certain one. We love when the drum hit unheavy. We
Speaker 1: love when that ship. Wait, guys, and then it's just
Speaker 1: switch up you.
Speaker 2: Like even though you're the one who made it. If
Speaker 2: I had to go back and do listen the sound
Speaker 2: the only guys, you know what, I'm not even gonna.
Speaker 1: Say, who sound It's never gonna sound and scene like
Speaker 1: this is this is the part of the show. Can't Jada,
Speaker 1: You can't do. Can't he played the shit comes from
Speaker 1: different plans. You never get I never understood weed. Like
Speaker 1: if I went to the same guy, Pablo, he can't
Speaker 1: guarantee me that the weedy sold me earlier come from
Speaker 1: the same plan.
Speaker 2: Oh men, the fucking went to Montego Bay. These niggas
Speaker 2: spent forty ms. They went to Cali and copied the
Speaker 2: whole shit. They went to Montego Bay, spent forty ms,
Speaker 2: cloned the whole shit everything and grew straight garbage. They
Speaker 2: wasted forty ms. You know what it was to saw
Speaker 2: you in the heat and then how Jamaica is eight
Speaker 2: Cali weed is like that because the demographics of Cali.
Speaker 2: Just because you copied it and tried it in Jamaica,
Speaker 2: it was too hot. This shit came out garbage and
Speaker 2: they wasted the breath.
Speaker 1: My shit is this. That's an interesting story. But listen,
Speaker 1: My thing is this. If I go to McDonald's, I
Speaker 1: know what the chicken McNugget is. No, I'm teared out.
Speaker 1: Why don't I tell you something that I'm just saying.
Speaker 1: When I go my ship is food, your ship is weed.
Speaker 1: So when I go no Na, when I go somewhere,
Speaker 1: I that go do but listen, listen, we got it
Speaker 1: sh we rolling. No, I come off the plane. I'm
Speaker 1: as Sancho Pey all this ship right, I'm eating all
Speaker 1: this kind of weird ass. Sh right.
Speaker 2: You need to get that.
Speaker 1: I got right back to Jimmy's Bronze Cafe. Took two
Speaker 1: scoops and I was like, oh, I noticed. What I
Speaker 1: didn't understand is how the weed guy can never tell
Speaker 1: you with like Newport, it tastes like a new Port.
Speaker 1: How could you buy weed from a different solid?
Speaker 2: You see how you when you go the restaurants, you
Speaker 2: know is guaranteed. If when you go weed shopping, you
Speaker 2: got you have to go and try it every time.
Speaker 2: Say we we sent them Sam, you send them.
Speaker 1: For a diapad. You got to sample it.
Speaker 2: Yeah, you gotta try it every time. With weed, you
Speaker 2: gotta try it every time. It's not gonna be right
Speaker 2: every time.
Speaker 1: You gotta.
Speaker 2: Oh no, let me see this, Oh no, oh like that.
Speaker 2: I can't guarantee it because you're gonna order what you
Speaker 2: ordered and it ain't gonna be with you.
Speaker 1: Order any weed they give me, make me run but
Speaker 1: naked outside. I don't want it. No, I don't want it.
Speaker 2: That was franky baby. Yeah, ain't that ship for Friday?
Speaker 2: That's smoke it. Let me tell you something, bro, shout
Speaker 2: out to Doci man, she had one of the Yeah,
Speaker 2: she knew she had.
Speaker 1: It about one.
Speaker 2: Do you know how many dough cheese? It's not gonna
Speaker 2: need that many more.
Speaker 1: You know how many girls it's rapping right now? How
Speaker 1: many millions of girls is rapping in Doci made it.
Speaker 1: I'm just trying to tell you the odds, yo, Bro,
Speaker 1: everybody's sitting on the couch is not gonna be a
Speaker 1: successful rapper. They all around the world and all around
Speaker 1: like in Africa right now, they must think they're gonna
Speaker 1: be the next Davi Do or whatever the case may be.
Speaker 1: I'm just saying you got to keep an A and
Speaker 1: a B plan. I'm not discouraging you. I'm just saying,
Speaker 1: chances are You know how many times I went to
Speaker 1: karaoke and the girl came up in there and sung
Speaker 1: the fuck out of the karaoke, but she never blew
Speaker 1: up as a superstar, like the chances is really hard.
Speaker 1: So what I'm saying to you is this all right,
Speaker 1: I'm giving you a good one. Our fans love shit
Speaker 1: like that are fans of the podcast Joe and Jada,
Speaker 1: and we want to thank you for one hundred thousand subscribers.
Speaker 2: Like that twenty two days baby Instagram.
Speaker 1: About the crack one hundred thousand, We like ninety seven
Speaker 1: thousand or some shit like that. But listen. Top five
Speaker 1: greatest hip hop songs ever. I'm gonna let you, Yeah,
Speaker 1: I'm gonna let you set it off and your artists
Speaker 1: producers stop getting fucking mad. We love all of y'all.
Speaker 1: We don't fucking whatever it's up, Papa ship like yo, stop.
Speaker 1: I love all of y'all. Y'all all are supposed to
Speaker 1: be the greatest of all for he's gonna pick five.
Speaker 1: I'm gonna pick five. Don't rob bass, do not call
Speaker 1: me and curse me out tomorrow when this ship drive
Speaker 1: the right to because it takes two try to get
Speaker 1: good big.
Speaker 2: You know what I'm saying. It's millions of them. I
Speaker 2: don't want to fixing minding me making me.
Speaker 1: Do this right. That's right. Top five biggest hip hop
Speaker 1: songs of all time.
Speaker 2: You see why this is a bad thing because it
Speaker 2: goes off your age. I can say five and somebody
Speaker 2: that a new never heard it.
Speaker 1: But it's okay, it's okay. Our demographic is people our
Speaker 1: age real hip hop, and then we got some young
Speaker 1: kids who really want to know the real.
Speaker 2: So the top five hip hop songs of all time?
Speaker 2: How the fuck am I supposed to do?
Speaker 1: I don't know? But what what? What you think? When
Speaker 1: you heard it? You are? You hear it and you
Speaker 1: just like yo, this is the biggest ship ever.
Speaker 2: See. I'm trying to think of when since I ever't
Speaker 2: first heard hip hop? And now, Oh now that's hard,
Speaker 2: nothing but clustered.
Speaker 1: No, that's hard.
Speaker 2: I'm drawing white noise. Why don't you go first?
Speaker 1: Damn said? Why is what? This is?
Speaker 2: All?
Speaker 1: You? Right here? You go first? I'll say hip hop hoaray,
Speaker 1: naughty by nature. I'll say still dre I swear it
Speaker 1: gets tricky. I'll say, I'm just saying, biggest hip hop
Speaker 1: ship you get caught hold on, hold on, caught up thinking,
Speaker 1: I'll say, uh, New York, Alicia Keys and jay Z,
Speaker 1: you right.
Speaker 2: Bouncing around years. You made it easier for me. I
Speaker 2: like this because I count it easily. That's three three?
Speaker 1: What three? I said? What three? I said? Said? New
Speaker 1: York hip Hop Array in New York Alicia Kes and
Speaker 1: I think we got the best New York hip hop record. Now,
Speaker 1: I'm just saying not even the five already crack. Hip
Speaker 1: hop Array won the hip hop Array won the first
Speaker 1: uh Grammy, the first rap for the first grade for
Speaker 1: the Rap album, for for a rap album, and that
Speaker 1: hip hop fucking hooray, Okay, I got hip hop Array,
Speaker 1: I got what was the second one? I said, still
Speaker 1: dre right, you know you hit them pianos?
Speaker 2: Huh?
Speaker 1: And then we got New York.
Speaker 2: Two of the greatest songs of all time.
Speaker 1: He on two of the greatest songs of all time.
Speaker 2: You're only on three though, you got two more.
Speaker 1: Biggie Hypnotize Biggie hypnotized, right, and fuck it, I'll go cliche,
Speaker 1: I'll go Tupac dear Mama, Wow, I needed.
Speaker 2: I'm you did. All that was his own fucking top
Speaker 2: ten songs. I can't be mad at we have said
Speaker 2: talken about all time.
Speaker 1: Right, Yeah, you think I just hit a.
Speaker 2: There's no way to be right or room. I think
Speaker 2: those songs.
Speaker 1: That's exactly the point. There's no way to be right
Speaker 1: or wrong. So so my people don't call me and
Speaker 1: curse me out every time I do a producer every
Speaker 1: time I do this, every time I do it that
Speaker 1: they want to fucking kill me. Like y'all. I love everybody, man,
Speaker 1: but I'm just telling you hip hop paray. Oh hey, oh,
Speaker 1: I'm talking about hypnotize.
Speaker 2: No, y'all, this niggas fucking talking.
Speaker 1: About the biggest shit.
Speaker 2: He fucked me up.
Speaker 1: I don't know, man.
Speaker 2: Let me say, nobody take nothing cause I don't like
Speaker 2: doing these. So I'm on y'all side where y'all call
Speaker 2: him and flip on them and everybody call crack. This
Speaker 2: is his idea.
Speaker 1: But have I got to give you five?
Speaker 2: I can't, but let me try.
Speaker 1: One of them.
Speaker 2: Gotta be something from Snoop what Gin and Juice or
Speaker 2: or the g Thing or one of them. Shit is
Speaker 2: definitely one of them. Snoop and Drake together got one
Speaker 2: of them. I don't know which one. Take your pick.
Speaker 2: That's one for count That A's one right now. One
Speaker 2: d m C.
Speaker 1: King the Rock.
Speaker 2: I gotta be one because that's one of the first
Speaker 2: songs I ever heard in my life.
Speaker 1: Now, that's what setting it off.
Speaker 2: I'm uth at three now. The other one was you
Speaker 2: Gotta make your own one I gave you Dre and
Speaker 2: Snoop is one one of these ships is one is
Speaker 2: I'm cheating, but I got he's cheating, no choice.
Speaker 1: He ain't go specific with it. I said, Jenny, juice
Speaker 1: or g thing those take.
Speaker 3: Your one fault that dog of all times clocked Yeah,
Speaker 3: because this.
Speaker 1: Is y'a Jada man, this ship you got, I'm mean
Speaker 1: what else? I mean? Uh, you got a whole bunch.
Speaker 2: That scott one too. I don't know which one it is.
Speaker 1: Look, that's the stop drop shut him off on moup.
Speaker 2: What you call him is bigger than that. What it
Speaker 2: make me lose my mind?
Speaker 1: Y'all.
Speaker 2: Make that ship rips out there up.
Speaker 1: Here, that his cruising, y'all gonna make me go all out.
Speaker 2: So the hook is so top forty. The verses is dishrich.
Speaker 2: The verses is saying.
Speaker 1: That day when when the one thing gun thing like yo,
Speaker 1: he's going crazy free. You know we had a thing,
Speaker 1: let me let me shout out, cooling Dre. We had
Speaker 1: a thing we would make. We would kill him on
Speaker 1: the verse and make him dance on the hook. We
Speaker 1: will always do that.
Speaker 2: Gotta stuff giving the formulas out. Don't get don't tell
Speaker 2: these people that when I'm up to three or four.
Speaker 1: Man, You up to three?
Speaker 2: Now, I'm up to four.
Speaker 1: Y'all gonna make me lose my mind.
Speaker 2: I'm leaving ship out. I think one of see don't
Speaker 2: hold me. Don't quote me, boy, because I ain't said ship.
Speaker 2: N w A got one too, and pick it.
Speaker 1: Fuck the police.
Speaker 2: If you' every one you want, that's one. N w A.
Speaker 1: They got one, biggest of all time, great biggest one.
Speaker 1: You don't question. My n w CONTs bigger than fuck
Speaker 1: the police. That's why I just give you. N w A.
Speaker 2: They got one of them, one of them ships they
Speaker 2: got caught bigger than I gotta switched demographic.
Speaker 1: I shit alone in my four corner. I got, I
Speaker 1: got millions of more. But I just had to verse
Speaker 1: bum boom bomb ole production there saying that listen, man,
Speaker 1: I was hustling. I was in the street, hustling, and
Speaker 1: my brother told Mantane to pull up in the red truck,
Speaker 1: the Wrangler truck, and he looked at me. I swear
Speaker 1: to god, this is like a movie. He pulled over.
Speaker 1: I'm on the block watching the ship. I don't want
Speaker 1: to say what block, but I'm on the block watching
Speaker 1: and he ran up to me and his face it
Speaker 1: looked like a movie. This is my best friend, rest
Speaker 1: in peace, and he running like he had to tell
Speaker 1: me something crazy. So I'm like, yo, turning something. He said, Yo,
Speaker 1: come here, come here, please come in, and the man
Speaker 1: press play because he had the system. Boom bu got
Speaker 1: damn boom boom boom boom boom boomom. I sit alone
Speaker 1: in my fall on the room stall. Or that we
Speaker 1: started dancing around this truck when they played My mind's
Speaker 1: playing tricks on me, dancing around like Yo, this ship
Speaker 1: is great, and every drug dealer felt like paranoid. You
Speaker 1: felt like I took the fads everywhere I go and
Speaker 1: swam paranoid like everybody living that life.
Speaker 2: You know that was one of them ones.
Speaker 1: Nah, So let me get Jada's all. What what did
Speaker 1: you write down Jada's five? No, it ain't his other
Speaker 1: songs bigger than mine than his, were just saying he.
Speaker 2: Says, Go is one of the biggest songs, Go Go?
Speaker 1: What's from Go? Shut in the club? Fifty? Is your birthdays?
Speaker 1: In the will? That don't know that sort?
Speaker 2: You could go niggas.
Speaker 1: I can't talk. No, I'm just saying I agree with
Speaker 1: you with that. You know what I'm saying with the
Speaker 1: with with the fifty damn, that was a good one.
Speaker 1: That should have made some ship. No, no, it's your birthday.
Speaker 2: That's the ic to talk and you can sing that.
Speaker 1: That's the that's the cheat code. But what did we do? What? What? What?
Speaker 1: What did I pick? What Jada picked on the top five?
Speaker 1: Jada just ran down. It was either you had King
Speaker 1: Rock or on d M c uh pick a Snooper
Speaker 1: dre G thing or I think thin would be the
Speaker 1: one Mon's playing tricks on me. D M X up
Speaker 1: in here w a fuck the police or Compton? What
Speaker 1: did I pick? Yo?
Speaker 2: You gotta stop Layton, that's one of my favorite songs. Late,
Speaker 2: that's one of my favorite songs.
Speaker 1: Kidd Yo, your man violating my ship by here tayta
Speaker 1: be on that bullshit. He throw the hoodie over. He
Speaker 1: like standing alone in the four room with us, those missiles,
Speaker 1: those hip hop rays, Biggie Hypmetize, Snoop Dogg. So I said,
Speaker 1: still Dre. I went still Dre, and then I went
Speaker 1: was tupac damn?
Speaker 2: That was great? Those is great. Whole Give it to
Speaker 2: me is one of them ships too. They know that
Speaker 2: ship every where anywhere you could go on with human beings, and.
Speaker 1: Then we're gonna both agree honorary should be in. There
Speaker 1: is the in the club. It is mad P fifty
Speaker 1: seve in the club is definitely when the club is
Speaker 1: like the biggest disrespect ever created. You know, we start disrespecting,
Speaker 1: we go to doom doom, but don't yeah with the
Speaker 1: daily satility. That what the delly? You then when realposed
Speaker 1: to be on baby, if you give it to me,
Speaker 1: I give it to you. You know what that one?
Speaker 1: You know I got it.
Speaker 2: I can't take y'all.
Speaker 1: Listen boost Mobile, yo, yo, you know what this is?
Speaker 1: Boost Mobile, Jo Crack Jada, stay tuned, number one podcast
Speaker 1: in the game, and we want to smoke with everybody.
Speaker 1: I'm talking about Joe Rogan, I'm talking about Alice Cooper,
Speaker 1: whoever y'all won Somebody step up please, I'm gonna knock
Speaker 1: your coofie off.
Speaker 2: Thank you for tuning into another episode of The Joe
Speaker 2: and Jada Show, sponsored by Presented by Boost Mobile. Joe
Speaker 2: and Jada, Let's go this. Ain't that mean?
Speaker 1: It is? Because it's cracked kids. What