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Speaker 1: And I would see jay z nas a big l

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Speaker 1: all the rappers freestyling and ciphers in front of the club.

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Speaker 2: That's how we met Mace actually in the cipher on

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Speaker 2: one hundred and twenty fifth Street in front of the Mark.

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Speaker 1: It's your boy, Josse Antronio Hanna, Ah, your.

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Speaker 2: Boy Jason, Terrence Philip. This is the Joe and.

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Speaker 1: Jaysen Show, brought to you by boost Mobile. Get the

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Speaker 1: whole block up. If you're going on a bus ride

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Speaker 1: of Kings Dominium, wherever you're going, get the whole bus

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Speaker 1: up mobile right Playland, Playland a boost bobile dot com.

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Speaker 2: Get everybody won that, everybody with you on the whole bus.

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Speaker 1: Hey, if you're a big ball out there in the hood,

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Speaker 1: just get the whole block boost Mobiles. That's what we're

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Speaker 1: doing it for. And Yo, shout out the cash At

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Speaker 1: just jumped on board cash Aat. We love you baby.

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Speaker 1: The Joe and Jadas Show. Listen, man, check this out.

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Speaker 1: We're gonna talk about hip hop the origins. Ah, how

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Speaker 1: hard it was for us to get in the game.

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Speaker 1: I'm curious to know. See, I knew about the Warlocks,

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Speaker 1: I knew about y'all. Yeah, yeah, I knew about y'all

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Speaker 1: from day one, But what what was what you think

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Speaker 1: is the difference of then and now? Or rather you

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Speaker 1: just say how y'all got in the game, and I'll

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Speaker 1: explain how I got in the game, or terror squad.

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Speaker 2: Man evey way we any way, we cut and slice it.

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Speaker 2: It was still well we had to do to get here.

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Speaker 2: It was much harder. It was much harder and much

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Speaker 2: challenging just to be able to record music. Getting in

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Speaker 2: the game just didn't be find somebody. This is before

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Speaker 2: ever going in the studio. Just to find somebody that

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Speaker 2: had equipment to record some freestyles or record whatever you

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Speaker 2: had the right was like a task. It was only

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Speaker 2: it was it was only a fewel you know what

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Speaker 2: I mean. So to past that stage and then into

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Speaker 2: going into the studio and finally, you know, recording some

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Speaker 2: music that you thought was good enough to pass to

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Speaker 2: the DJs or pass or a record executive, the journey

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Speaker 2: from just dead to day was crazy.

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Speaker 1: Well, a record executive is like it's impossible. Like like

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Speaker 1: when I first started rapping, I just thought it was

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Speaker 1: I'm just rapping for the hood. I didn't think I

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Speaker 1: would ever get a record deal. Like I thought it

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Speaker 1: was like just be for the homies playing this shit.

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Speaker 1: I never thought, you know, shut out Keyboard Money, Mike.

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Speaker 1: It first got whoever with me on like Bronx Cable

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Speaker 1: and me and my brother told one time that we

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Speaker 1: used to watch that shit over and over again, Like

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Speaker 1: he'd be like, Yo, you're gonna blow one day. I'm

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Speaker 1: like blow, Like you know what I'm saying. So when

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Speaker 1: did you get close enough to where you felt like, oh,

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Speaker 1: I could give this person this mixtape and they could

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Speaker 1: get it into the proper hands.

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Speaker 2: We was actually it was a bunch of shit that happened.

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Speaker 2: But fast forward to the to the to the demo

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Speaker 2: that actually was the one that was able to get

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Speaker 2: past to Mary that eventually went to Puff's hands. We

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Speaker 2: was recorded in D and D D and D Studios.

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Speaker 1: Wow, you got the D and D shot out Mary.

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Speaker 1: She was in the house last night.

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Speaker 2: Yeah, MJ was up. Baby, we shot up.

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Speaker 1: We was in D and D.

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Speaker 2: However we got the bread to make it the D

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Speaker 2: and D and it was actually while Old was making

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Speaker 2: reasonable doubt.

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Speaker 1: He was there.

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Speaker 2: Yeah, he was in another room making reason with doubt

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Speaker 2: and we actually seen it was a pool. Remember that

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Speaker 2: you could play pool in there.

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Speaker 1: That's where fucking big Out threatened me and the enemy.

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Speaker 1: I had to write the rhyme in his face.

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Speaker 2: That's we bumped into Jazzo in there and ended up

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Speaker 2: getting a beat from jazz O that went on our

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Speaker 2: demo that ended up actually being a song on Puff

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Speaker 2: No Way Out Out that sold ten million. So we

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Speaker 2: recorded a demo in D and D was we were

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Speaker 2: still wet behind the ears, but we felt like these

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Speaker 2: songs was good enough. Mary got a cousin that was

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Speaker 2: a part of our every day onto rage Jay Bob Jamarco,

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Speaker 2: so he was he kept them. We knew once we

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Speaker 2: got some songs good enough, we could get it to

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Speaker 2: him and he could get it to Mary. So that's

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Speaker 2: what we did. And she happened to be on tour

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Speaker 2: with Josy and and them, and she popped it in

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Speaker 2: I think on the tour bus and that was That

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Speaker 2: was our end before all other ship and that I'm

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Speaker 2: gonna tell you.

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Speaker 1: You know, that's crazy because shout out the D and D.

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Speaker 1: One time I beat the guy's breaks with your phone

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Speaker 1: with a red phone in D and D, just was

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Speaker 1: pounding them out with the phone. The old school phone

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Speaker 1: with the wire or a house phone. Nah. Yo. They

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Speaker 1: hated me forever since because it was like, you know,

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Speaker 1: D and D was like the fly studio, but I

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Speaker 1: had the juice. I was already fat. Joe my man

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Speaker 1: was like, Yo, my girl, she in the studio with

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Speaker 1: these other rap guys. She was like, she's in D

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Speaker 1: and D and this this mom, Yo, when I tell

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Speaker 1: you who be out to see you? Go? Bug guy?

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Speaker 1: He was like, Yo, she in there with the dude.

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Speaker 1: So I had to use my face to get in there.

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Speaker 1: I'm like, Yo, it's Joe Crack. They opened the door

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Speaker 1: and then we beat the brakes off this guy. And

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Speaker 1: they never liked they They who was it Dave? And

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Speaker 1: the was it Dave and Mike? But anyway, man shout

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Speaker 1: out the D and D, D and D. One day

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Speaker 1: I saw Jay in there recording with OC. They had

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Speaker 1: this one song together. I was up in there and

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Speaker 1: they was rocking you.

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Speaker 2: D and D was like, if you made it to

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Speaker 2: D and D, you made it to that was like

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Speaker 2: the to get the recording D and D was He

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Speaker 2: felt like ended up mining D and D.

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Speaker 1: He ended up buying D and D and then you

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Speaker 1: had so the who's who was in there. It was

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Speaker 1: almost similar to like a Barbito a stretch, and so

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Speaker 1: I tell you a better one. I went to a

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Speaker 1: ron G mixed stake and I was going in and

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Speaker 1: Biggie was coming out. I'm like, your big what's up

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Speaker 1: this this stall?

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Speaker 2: The shots by the shower? When he said that one,

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Speaker 2: we said the shot he is by the shower. You

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Speaker 2: try to shoot me while I'm shitting.

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Speaker 1: I don't even know.

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Speaker 2: I'm telling you that run walking there that pocking big one.

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Speaker 1: I was there, so no, it wasn't Polo Grounds. It

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Speaker 1: was he had almost about up n y C. He

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Speaker 1: had a crib on a side drive, so it was

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Speaker 1: like right around from up n YC. So I'm walking

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Speaker 1: in there, Biggie Small's just walking out. I do a

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Speaker 1: freestyle and when I'm walking out, two Pocket is coming in.

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Speaker 1: So that was the type of shit we were happening

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Speaker 1: and stretching Barbito. When you hear the infamous we wouldn't

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Speaker 1: call it a battle, but the infamous freestyle were big

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Speaker 1: Al and jay Z. Barbito had an open door. That

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Speaker 1: shit was like a if you fucked up Barbito and

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Speaker 1: stretches like they had everybody coming in the craziest guys

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Speaker 1: you could think of. The door was always open, and

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Speaker 1: so that's when they had that legendary I wouldn't say battle,

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Speaker 1: but it was big Al and jay Z in there

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Speaker 1: like Pun, you know, Pun broke through uh stretching barbito.

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Speaker 1: But this this before in the morning. You gotta wait.

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Speaker 1: You might go there one night and the whole Wu

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Speaker 1: Tang Klan is in there, thirteen deep, freestyling for twenty hours,

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Speaker 1: and then you might get the last ten minutes to

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Speaker 1: play your new demo in there like like this.

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Speaker 2: Speaking the mixtapes, I got the story. Do you remember this?

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Speaker 2: I don't even know how we all ended up. What's

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Speaker 2: the first you know, fifty fourth Sony and Hit Factories

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Speaker 2: in the middle. We was in Sony, all of us,

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Speaker 2: some me, you was richer Rory No, no, no, we was,

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Speaker 2: we was, We was already who we were. It's still

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Speaker 2: it's still the earth. This is nineties early Sony. So listened,

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Speaker 2: we in we in there me you know the locks,

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Speaker 2: Joe Crack Nori, some other artists, clue Is. Did y'all

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Speaker 2: put pressure on him? You felt he was putting your

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Speaker 2: songs too far down? The thing like because in the mixtape,

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Speaker 2: if you wasn't in a certain if, then he'll put

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Speaker 2: you in a certain part of the tape.

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Speaker 1: When they put you number twenty eight, twenty.

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Speaker 2: Six, it's like that's the Ultimasius Scott. Nobody's listening to that.

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Speaker 2: So you seeing me, I've seen it was. I don't

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Speaker 2: even I don't even remember how we all end up.

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Speaker 2: We wasn't recording like a wee all the world and

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Speaker 2: none of that for everybody to be there. But it

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Speaker 2: happened to be mad artist and Clue and y'all put

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Speaker 2: a little pressure on Clue, like your clue, why the

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Speaker 2: fuck you keep making my shaws number twenty something? Inn

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Speaker 2: and a good thing. We was able to We worked

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Speaker 2: that out.

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Speaker 1: You know, I saw Biggie. Biggie Clue hates the story,

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Speaker 1: but I gotta say my brother one of them bigs.

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Speaker 1: I was in Club USA, by the way, that was

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Speaker 1: the flyest club ever. When Biggie came up to me

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Speaker 1: at that the Derringer, he had the twenty two diligence, Like, yo,

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Speaker 1: you've seen clue. I swear to god, I just saw

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Speaker 1: a clue. He was like, yo, you've seen clue. He

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Speaker 1: put my shit on the tape. I'm gonna go get

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Speaker 1: I was like, yeah, I ain't see him, and I

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Speaker 1: just saw Clue walk through. Clue hate when I tell

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Speaker 1: that story. But Biggie definitely showed me the hammer and

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Speaker 1: say he gonna find Clue, he gonna give it to him.

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Speaker 1: Did you used to drive out the Queens to give

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Speaker 1: clue to your song?

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Speaker 2: We wouldna by that Clue was coming to either rough

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Speaker 2: Riders or they would pick rest in Peace. Pick would

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Speaker 2: bring clue to songs, or he'll come to the store.

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Speaker 1: Man. I used to have to go to Queens. It

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Speaker 1: was that highway and the police was always on that highway,

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Speaker 1: pulling everybody over. And then at the end they had

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Speaker 1: like a twenty four hour fruit market. That's where I

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Speaker 1: used to meet Clue to give him the songs. But

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Speaker 1: I remember, you know, I was scared to fly. So

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Speaker 1: I used to drive down to Miami twice a week

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Speaker 1: and just be listening to every Clue tape. Shout out

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Speaker 1: the bakm mother of everybody who ever sold the mixtapes.

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Speaker 1: You know all of music, hut hall of music, hut yo.

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Speaker 1: You know. One day when I had my my sneaker

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Speaker 1: store in I'm not sneaker store because we ain't have sneakers,

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Speaker 1: but it was Fat Joe halftime. But yeah, we used

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Speaker 1: to sell a mixtape. One day, the police came in

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Speaker 1: there and it was locking me up for the mixtapes.

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Speaker 1: Because we used to sell the mixtapes was illegal. So

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Speaker 1: they was like, yo, somebody got to go to jail.

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Speaker 1: We had my man Dja, he's in that letter. He

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Speaker 1: didn't want to take the charge. He was like, Yo,

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Speaker 1: I can't go to jail. I wound up almost getting

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Speaker 1: locked up over mixtapes. Thank god, the cops just gave

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Speaker 1: me a summons. But I was going to jail for

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Speaker 1: selling mixtapes. It was the craziest shit. I was already

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Speaker 1: a rapper, but you know what I would do right

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Speaker 1: shout out to Ralph McDaniels. He get me huge opportunities.

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Speaker 1: So for kids that don't understand, were talking about analog

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Speaker 1: and shit before shit was digital and all that. All

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Speaker 1: the kids would run home at three o'clock to go

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Speaker 1: see video music box.

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Speaker 2: That's how it turned. This when the TV had knobs

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Speaker 2: on the kids. This is when turning.

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Speaker 1: Out when your man, damn, I don't even got a pocket.

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Speaker 1: This when your man special lad had the one hand

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Speaker 1: in the pocket and the bubble and was like, I

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Speaker 1: got a dog, a dog with a solid gold ball.

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Speaker 1: Got it what we was like excited. But I met

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Speaker 1: Ralph McDaniels, I'm not sure where, and I started going

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Speaker 1: to see him.

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Speaker 2: Uh.

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Speaker 1: He had an office downtown by City Hall, and I

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Speaker 1: used to have to walk the elevator was always broken,

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Speaker 1: thirty one flights and stairs and that's fat Fat Joe.

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Speaker 1: And then Ralph started letting me host, so we going

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Speaker 1: to clubs and all that, and I'm hosting, Yo, what

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Speaker 1: up this fat joe y'all video music? But I'm still

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Speaker 1: in the streets too. I'm wearing like vance suits, big cubans,

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Speaker 1: like they know, that's Poppy who got the work up

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Speaker 1: in the Bronx. But I needed that, look, you know

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Speaker 1: what I'm saying. I needed that, you know, video music

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Speaker 1: box type shit. I went to Apollo Theater. So for

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Speaker 1: you to understand is my whole crew was already on.

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Speaker 1: So Finesse. I grew up with Finesse, Lord Finesse, he said,

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Speaker 1: I could say this story, but Lord Fess used to

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Speaker 1: you know, back in the days he was an entrepreneur.

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Speaker 1: So he would sell the newspaper, right, so he had

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Speaker 1: a newspaper route. So he'll come.

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Speaker 2: Around and go pay for two you too.

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Speaker 1: So Finesse used to go payaper and then your mom's

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Speaker 1: are paying him a dollar for the newspaper. But he

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Speaker 1: bought it for fifty cent. He made fifty cent to

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Speaker 1: go to the store to go get it. So I

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Speaker 1: met Finesse do that, and we used to hang out.

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Speaker 1: But he used to tell me all the time, y'all,

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Speaker 1: I'm gonna be a rapper, right, And I would go

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Speaker 1: to his house and he would dj his grandmother was there.

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Speaker 1: And one day I was listening to The Better Alert

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Speaker 1: and your man Finesse, he played like three or four

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Speaker 1: Finessa songs and I was just like he made it.

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Speaker 1: If it wasn't for Lord Finesse, that would have never

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Speaker 1: ever ever been fat Joe like, I would never believe

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Speaker 1: that I could become an artist in my life. I

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Speaker 1: had to see it to believe it. So when I'm

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Speaker 1: listening to this Lord Finesse is the man that you

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Speaker 1: had to hear, I'm like, yo, I'm going crazy. And

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Speaker 1: so finess gets on show Business ag get on and

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Speaker 1: Diamond was on before all of Us Stunts, Bloods and

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Speaker 1: hip Hop Classic album. And so I said, you know

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Speaker 1: what I was hustling. I was in the streets and

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Speaker 1: I said, Yo, I'm going to Apollo Theater. So y'all

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Speaker 1: gotta understand. I'm in the streets, making money, respected in

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Speaker 1: the streets, doing everything I gotta do. And I said,

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Speaker 1: I'm going to the Apollo amateur night to get on.

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Speaker 1: And there's a real story, right. So I'm already buying

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Speaker 1: that a dish. I'm caking. I'm caking, I'm caked up.

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Speaker 1: You see me in the clubs, popping bottles, all types

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Speaker 1: of shit. I'm doing what I'm doing. So I go

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Speaker 1: in there and I remember, so this is the heart

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Speaker 1: of a lion, heart of someone who I remember. I

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Speaker 1: went up in there and there was like one hundred

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Speaker 1: and fifty groups, and I remember, like, Yo, why these

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Speaker 1: people in here? Like you know, I'm here, like this

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Speaker 1: this is over, like no brain what I walked up

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Speaker 1: in there, like yo, this ship shout out the cocoa graft.

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Speaker 1: She just won the tennis.

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Speaker 2: She said.

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Speaker 1: The whole crowd was screaming for hard Plumnet in the

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Speaker 1: French joint, and she started telling herself cold, cold, cold

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Speaker 1: co They screaming Coco, but they were screaming the other

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Speaker 1: girl's name. And so you gotta talk yourself into you

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Speaker 1: gotta speaking to existence. So I walked up in there.

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Speaker 1: I ain't know what it was, but I looked at them.

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Speaker 1: I said, these guys can't fuck with me. I'm you know.

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Speaker 1: And sure enough we went out there. I had the

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Speaker 1: yellow Dapper Dan track suit. We came outside, I had

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Speaker 1: to dances and I had a song. It was called

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Speaker 1: he He's a big shot. Fat Joe is a big shot.

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Speaker 1: And I came outside and crowd way crazy. And I

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Speaker 1: tried one day to really think about it and be like, yo,

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Speaker 1: what did I say to make them go crazy? But

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Speaker 1: I really ain't saying nothing. The second I walked outside

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Speaker 1: and started rapping, they just there's always no disrestract. There's

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Speaker 1: always a fat girl that gets up there and goes

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Speaker 1: and I am telling you, and she kicked her ship off.

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Speaker 1: She kicked them shoes off. You know What's so when

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Speaker 1: the fat girl come up in the Apollo and go

302
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Speaker 1: and I am telling you kick her ship, it's over.

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Speaker 1: That's the cheek colt, yo, that's the cheek cole. She

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Speaker 1: kick her volumptuous. She she kicked her shoe off. Yeah,

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Speaker 1: all right, we're in a different type of thing. What's

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Speaker 1: the survey? And in telling you I'm not yo, and

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Speaker 1: she come up in there that shit is everybody going

308
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Speaker 1: crazy shit. So it's similar to her. The fat guy

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Speaker 1: came out. I tried. I stood up in the hotel

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Speaker 1: room one day, really trying to think about how I

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Speaker 1: wanted to apollo, and they just went crazy. They seen

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Speaker 1: Joe Krack. I don't know if they knew me from

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Speaker 1: the hood, from everywhere or whatever the case, and they

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Speaker 1: just started screaming like crazy. They couldn't have heard one rhyme.

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Speaker 1: I don't even remember one rime. You understand what I'm saying.

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Speaker 1: They just I was blessed. God said, Yo, they're gonna

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Speaker 1: go crazy for this guy. And I won four weeks

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Speaker 1: in a row. And that's how I met Redd Alert.

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Speaker 1: Red Alert came up to me and was like, yo,

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Speaker 1: DJ read Alert who ran the game? It was him

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Speaker 1: and missed the magic. It's only two DJ's playing hip

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Speaker 1: hop facts prime time every week. So redd Alurke came

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Speaker 1: to me and was like, Yo, do you got any jingles,

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Speaker 1: any demos? So I gave him Flow Joe. So I

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Speaker 1: remember I was home in the projects and I had

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Speaker 1: the flu and this must have been COVID wavy for

327
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Speaker 1: the COVID like, I was fucked, fucked, fucked up. This

328
00:18:17,720 --> 00:18:22,679
Speaker 1: that COVID eighty eight. It was eighty eight, nigger like, yo,

329
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Speaker 1: that COVID came up on it. I was fucked up.

330
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Speaker 1: And for like two months after I gave him my demo,

331
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Speaker 1: I was waiting to hear it and man, that s

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00:18:32,840 --> 00:18:41,080
Speaker 1: shit weir, boom boom weird. I was like, yo, I

333
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Speaker 1: jumped up, Yo, I must have hit the ceiling and

334
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Speaker 1: I ran. I had to speak and I threw it

335
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Speaker 1: on the window right quick, and everybody was in front

336
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Speaker 1: of the projects and I was like, yo, this is

337
00:18:50,640 --> 00:18:52,960
Speaker 1: my ship, this is my ship. Ready to learn playing

338
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Speaker 1: my ship. And so he played the flow joke. And

339
00:18:56,520 --> 00:19:00,280
Speaker 1: then maybe like a year later, Chris Lighty, wrestling piece,

340
00:19:00,960 --> 00:19:04,440
Speaker 1: came to my my hood, my block, I'm hustling, fuck

341
00:19:04,520 --> 00:19:07,280
Speaker 1: my checks. He came to the spot. He said, Yo,

342
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Speaker 1: you know who I am. I said, yeah, I know

343
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Speaker 1: who you is because I used to see Chris Lighty

344
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Speaker 1: in the streets and all that. He was like, yo,

345
00:19:12,760 --> 00:19:14,879
Speaker 1: I'm Chris Lighty, I think you could be a big rapper.

346
00:19:14,960 --> 00:19:18,320
Speaker 1: I just signed a big deal with Relativity Records. He

347
00:19:18,359 --> 00:19:21,560
Speaker 1: had chi Ali, he had to beat nuts, and then

348
00:19:21,640 --> 00:19:23,440
Speaker 1: I was the third one and he was like, yo,

349
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Speaker 1: you know I want I want to make you a rapper.

350
00:19:26,560 --> 00:19:29,840
Speaker 1: And I was like, what the fuck? I showed everybody

351
00:19:30,840 --> 00:19:33,720
Speaker 1: that check. It was a fifty thousand, but it was

352
00:19:33,760 --> 00:19:37,520
Speaker 1: a legit check. It's a little bit different getting drug

353
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Speaker 1: money getting real real check, Like look, I got a

354
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Speaker 1: real check. I'm showing everybody my check, like yo, my

355
00:19:45,640 --> 00:19:51,200
Speaker 1: check like yo? And and that that changed my life.

356
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Speaker 1: What songs? You were here? Before? You was on what? What? Songs?

357
00:19:56,400 --> 00:20:00,000
Speaker 2: From a lot of shit? But I remember always hearing

358
00:20:00,080 --> 00:20:06,680
Speaker 2: and Rock Kim came in the door check out my Melody?

359
00:20:07,320 --> 00:20:10,679
Speaker 2: M hm, I remember check out my Melody was always

360
00:20:10,680 --> 00:20:14,639
Speaker 2: playing in the park, basketball courts coming out of it.

361
00:20:15,359 --> 00:20:19,040
Speaker 2: I remember him and running them. King King of Rock,

362
00:20:20,480 --> 00:20:25,760
Speaker 2: Big Daddy came Roll Rock saying, Shante.

363
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Speaker 1: Man, I'm shante, I'm shant.

364
00:20:33,440 --> 00:20:34,840
Speaker 2: Ship right there, shout out to.

365
00:20:34,840 --> 00:20:39,800
Speaker 1: Mally map that man, Mally Mal is a dangerous guy.

366
00:20:39,840 --> 00:20:42,240
Speaker 1: I just got back from France and I was pumping

367
00:20:42,240 --> 00:20:47,320
Speaker 1: that biz market, the biz Mark is going off the Biz.

368
00:20:48,119 --> 00:20:50,399
Speaker 1: That was the shots that that's one of my favorite

369
00:20:50,480 --> 00:20:53,359
Speaker 1: rappers of all time, Biz Markey and he went rest

370
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Speaker 1: in peace. It wasn't because lyrical. It was just like.

371
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Speaker 2: Yo, Krst told me anybody in the world he never

372
00:21:01,880 --> 00:21:06,240
Speaker 2: wanted the battle Biz and that ship was amazing to

373
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Speaker 2: me because he like, I'm like, Chris, you I kind

374
00:21:09,640 --> 00:21:13,440
Speaker 2: of thought you was just like I kind of see

375
00:21:13,920 --> 00:21:16,720
Speaker 2: you not being scared of the battle Biz. But he

376
00:21:16,880 --> 00:21:21,760
Speaker 2: like he has so much humor and crowd control that

377
00:21:22,080 --> 00:21:25,520
Speaker 2: he could really actually embarrass him. So he's like, I

378
00:21:25,520 --> 00:21:27,960
Speaker 2: would figure I would think it would be g rap

379
00:21:29,200 --> 00:21:32,879
Speaker 2: rock Kim hell them type of He's like, nah, I

380
00:21:32,920 --> 00:21:36,000
Speaker 2: never wanted the battle Bizz because he could just do

381
00:21:36,119 --> 00:21:38,920
Speaker 2: some funny shit or do something crazy. And I said

382
00:21:38,960 --> 00:21:42,280
Speaker 2: that that was very interesting. And here kr say, out

383
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Speaker 2: of everybody, all of them gladiated that he didn't want

384
00:21:48,320 --> 00:21:48,840
Speaker 2: no smoke.

385
00:21:49,800 --> 00:21:55,520
Speaker 1: He know, you know I used to hear the nordse

386
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Speaker 1: of the underground.

387
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Speaker 2: Oh mister funk.

388
00:21:59,119 --> 00:22:02,639
Speaker 1: Yeah, I'm living for the fun I'm talking about on

389
00:22:02,680 --> 00:22:06,160
Speaker 1: the block. While I'm on the block. The Jungle Brothers

390
00:22:06,400 --> 00:22:16,960
Speaker 1: Jungles spished to knock the Jungle Yeah, and I used

391
00:22:16,960 --> 00:22:20,560
Speaker 1: to ride around looking for guys with the hammer on

392
00:22:20,760 --> 00:22:24,040
Speaker 1: my lap looking for guys. Now I'm just telling y'all

393
00:22:24,040 --> 00:22:28,200
Speaker 1: the truth show, all right, But I'm just saying it's

394
00:22:28,320 --> 00:22:33,120
Speaker 1: crazy because in the prime of violence, I'll be pumping

395
00:22:33,520 --> 00:22:38,080
Speaker 1: plucked one pluck two answer that shows under this a

396
00:22:38,160 --> 00:22:41,680
Speaker 1: lot of it. And I'm looking for the funk boy,

397
00:22:41,840 --> 00:22:47,000
Speaker 1: and I'm listening to the Daisy's pot holes in my lawn. Like, Yo,

398
00:22:47,080 --> 00:22:52,760
Speaker 1: this sick crazy man or the biggest most dangerous guys.

399
00:22:52,800 --> 00:22:55,240
Speaker 1: I knew all nice and smooth kind of like put

400
00:22:55,280 --> 00:22:58,600
Speaker 1: me on so great nice and smooth be they used

401
00:22:58,640 --> 00:23:04,399
Speaker 1: to put me on shows when they was the biggest. Yo.

402
00:23:04,720 --> 00:23:06,640
Speaker 1: Let me tell you something about nice and smooth. Let's

403
00:23:06,640 --> 00:23:10,359
Speaker 1: go there, right, nice and smooth say, I'm Greg Nice

404
00:23:10,800 --> 00:23:16,840
Speaker 1: and I am MC smooth. Together we are pure blend,

405
00:23:17,200 --> 00:23:20,639
Speaker 1: imperfect calm with me. Yo. They had dances to do.

406
00:23:20,840 --> 00:23:26,640
Speaker 1: Cliff Love just what keeping you waiting for alone? I'm

407
00:23:26,680 --> 00:23:32,320
Speaker 1: sorry for waiting alone? Like Yo, they were like a

408
00:23:32,600 --> 00:23:33,919
Speaker 1: super mega group.

409
00:23:35,320 --> 00:23:38,600
Speaker 2: They wasn't a shot out Teddy Tennis k the production

410
00:23:39,359 --> 00:23:41,960
Speaker 2: nice and smooth production was crazy.

411
00:23:42,040 --> 00:23:45,600
Speaker 1: Well that's the awesome too, the awesome two which you

412
00:23:45,720 --> 00:23:48,200
Speaker 1: had to be allowed to be up at like four

413
00:23:48,200 --> 00:23:51,119
Speaker 1: in the morning to hear their show. So with me,

414
00:23:51,880 --> 00:23:54,600
Speaker 1: I live in the fact fifth floor of the projects

415
00:23:55,320 --> 00:23:58,520
Speaker 1: that we had the phone, the public phone like the

416
00:23:58,600 --> 00:24:02,400
Speaker 1: regular phone of the building. They would crack open the

417
00:24:02,440 --> 00:24:07,080
Speaker 1: thing and they would plug the boombox on to the

418
00:24:07,160 --> 00:24:09,639
Speaker 1: thing for the power. So shout out to a j

419
00:24:11,119 --> 00:24:16,920
Speaker 1: GP Craigo dance romance. All the older dudes, they would

420
00:24:16,920 --> 00:24:20,159
Speaker 1: listen to the awesome two at four in the morning.

421
00:24:20,200 --> 00:24:24,240
Speaker 1: I'd be out my window. That's where I heard. We

422
00:24:24,359 --> 00:24:27,679
Speaker 1: don't want to be left behind. All we want to

423
00:24:27,720 --> 00:24:31,720
Speaker 1: do is just blow your mind just one more time.

424
00:24:31,840 --> 00:24:41,480
Speaker 1: That's I say, right about now New York City ash Whip.

425
00:24:41,720 --> 00:24:47,400
Speaker 2: For being in my uncle's room listening to that repeatedively,

426
00:24:48,000 --> 00:24:51,720
Speaker 2: I was repetitively just kept listening to that. That shit

427
00:24:51,960 --> 00:24:55,520
Speaker 2: captivated my mind as a little kid. But then for

428
00:24:55,560 --> 00:25:00,320
Speaker 2: some stupid reason, I took the Crown Royal grease and

429
00:25:00,480 --> 00:25:06,520
Speaker 2: schmitted on the receiver. They beat the bricks so I

430
00:25:06,520 --> 00:25:09,879
Speaker 2: don't even know the in that song. And then and

431
00:25:09,920 --> 00:25:12,440
Speaker 2: then listening to that pery, I'm listening to that ship

432
00:25:12,520 --> 00:25:15,560
Speaker 2: over and over. The little kid, I just opened it.

433
00:25:16,440 --> 00:25:19,159
Speaker 2: Take the silver top off and put the grease on

434
00:25:19,240 --> 00:25:23,439
Speaker 2: the with the dow dunk slash on the I know

435
00:25:23,560 --> 00:25:27,640
Speaker 2: my grandmother, my mother, my uncle, they all mighty. Somebody

436
00:25:27,680 --> 00:25:30,560
Speaker 2: beat the ship out of me for that man. Uncle

437
00:25:30,600 --> 00:25:32,119
Speaker 2: Mike was in.

438
00:25:32,119 --> 00:25:36,600
Speaker 1: The back walking down the street that box in mind

439
00:25:38,920 --> 00:25:45,000
Speaker 1: the music on Boison Clan and you saying yourself there

440
00:25:45,200 --> 00:25:49,080
Speaker 1: is sound very nice. Let me tell you something I

441
00:25:49,240 --> 00:25:54,320
Speaker 1: know now the whole Man Block is China sound like me,

442
00:25:54,560 --> 00:25:59,960
Speaker 1: but the original yo. Let's say one day he showed

443
00:26:00,119 --> 00:26:05,760
Speaker 1: one day when I'm coaching at the Rucker. It said, well,

444
00:26:05,840 --> 00:26:08,680
Speaker 1: I'm walking down the street where I'm in the back

445
00:26:09,080 --> 00:26:27,040
Speaker 1: like getting the team was rocking, yo, jay. That's the

446
00:26:27,040 --> 00:26:31,760
Speaker 1: times they didn't even have videos. I heard that ship

447
00:26:32,280 --> 00:26:35,360
Speaker 1: in the middle of we Gotta win you I'm coaching.

448
00:26:36,040 --> 00:26:39,480
Speaker 1: I ran to that fucking rocker park and I was

449
00:26:39,520 --> 00:26:42,640
Speaker 1: in the back. I ran in there so fast like

450
00:26:42,680 --> 00:26:45,399
Speaker 1: a baby bro. I was in there like and they

451
00:26:45,480 --> 00:26:49,159
Speaker 1: was like, you know, doing And to me, it was

452
00:26:49,240 --> 00:26:52,280
Speaker 1: just so innovative, so creative when we were when I

453
00:26:52,359 --> 00:26:55,239
Speaker 1: was a kid, they rhymed like nobody else. And I

454
00:26:55,280 --> 00:26:58,760
Speaker 1: got to see him in real life, like I really

455
00:26:58,800 --> 00:27:00,600
Speaker 1: got to see him like I was It's like, Yo,

456
00:27:01,400 --> 00:27:11,280
Speaker 1: the fucking crash cours. Ever sign up for a phone plan,

457
00:27:11,400 --> 00:27:15,320
Speaker 1: thinking wow, great price, and then a few months later

458
00:27:15,400 --> 00:27:19,440
Speaker 1: it's like surprise, your bill is higher. With boost Mobile.

459
00:27:19,800 --> 00:27:24,600
Speaker 1: You pay twenty five dollars a month forever. That's unlimited talk,

460
00:27:24,840 --> 00:27:28,800
Speaker 1: texts and data starting adjust twenty five dollars a month,

461
00:27:28,920 --> 00:27:33,000
Speaker 1: no price, heights, no contract forever Plus.

462
00:27:33,040 --> 00:27:36,960
Speaker 2: Boost Mobile is now legit nationwide five G network. They've

463
00:27:37,040 --> 00:27:41,000
Speaker 2: invested billions building five G tours across the country. Visit

464
00:27:41,040 --> 00:27:43,960
Speaker 2: boostmobile dot com or add to your local boost Mobile

465
00:27:43,960 --> 00:27:48,400
Speaker 2: store today. Get unlimited talk text data for twenty five

466
00:27:48,440 --> 00:27:49,680
Speaker 2: dollars a month forever.

467
00:27:50,200 --> 00:27:55,080
Speaker 1: Five G speeds not available in all areas. After thirty gigabytes,

468
00:27:55,440 --> 00:28:00,800
Speaker 1: customers may experience slower speeds. Customers will pay five dollars

469
00:28:00,840 --> 00:28:04,040
Speaker 1: a month as long as they remain active on the

470
00:28:04,160 --> 00:28:12,280
Speaker 1: boost a limited plan. Yo, listen, So we had to

471
00:28:12,359 --> 00:28:15,439
Speaker 1: do stuff like you know, I started out graffiti. So

472
00:28:15,560 --> 00:28:18,199
Speaker 1: I started out writing graffiti. That's how I met donad D.

473
00:28:18,320 --> 00:28:20,400
Speaker 1: He used to write ze rock. I used to write

474
00:28:21,320 --> 00:28:23,640
Speaker 1: I think. I used to write says and some shit

475
00:28:23,800 --> 00:28:28,479
Speaker 1: or poppy I don't fucking know. And then so I

476
00:28:28,520 --> 00:28:32,480
Speaker 1: always came from like a graffiti mentality to where with

477
00:28:32,600 --> 00:28:37,919
Speaker 1: graffiti it's all about a subculture that you king. So

478
00:28:38,000 --> 00:28:40,360
Speaker 1: if you're looking for graffiti, you'll see the names up

479
00:28:40,400 --> 00:28:43,160
Speaker 1: on the walls. Most people won't see him, but I

480
00:28:43,200 --> 00:28:46,760
Speaker 1: don't know if somebody's doing some shit, right, So we

481
00:28:46,840 --> 00:28:49,440
Speaker 1: started like that. So when I when I finally got

482
00:28:49,480 --> 00:28:53,880
Speaker 1: my deal with Relativity, I told him to make these

483
00:28:53,960 --> 00:28:57,400
Speaker 1: huge posters. So I don't even got one right now,

484
00:28:57,480 --> 00:28:59,160
Speaker 1: right now, If you got one, let me know, I'm

485
00:28:59,200 --> 00:29:01,920
Speaker 1: ready to buy it. It's a black and white poster

486
00:29:01,960 --> 00:29:03,800
Speaker 1: and it had to cover and it said fat Jo

487
00:29:03,880 --> 00:29:09,960
Speaker 1: the Gangster. And we tore this city a new ass everywhere.

488
00:29:10,160 --> 00:29:10,320
Speaker 2: Bro.

489
00:29:10,560 --> 00:29:13,080
Speaker 1: We used to come home every night looking like nine

490
00:29:13,120 --> 00:29:17,160
Speaker 1: to eleven, all white. Because it was the glue in

491
00:29:17,200 --> 00:29:19,280
Speaker 1: the water. You have to put the glue in the water.

492
00:29:19,320 --> 00:29:22,400
Speaker 1: So we on fifty ninth Street, over the fifty ninth

493
00:29:22,400 --> 00:29:25,120
Speaker 1: Street bridge, they had the green. Then we put it

494
00:29:25,200 --> 00:29:27,920
Speaker 1: up there. We put Atlantic Avenue, Brooklyn, we put it

495
00:29:28,000 --> 00:29:30,520
Speaker 1: Westside Highway, we put it in Ford them, we put it.

496
00:29:31,000 --> 00:29:34,640
Speaker 1: We was doing graffiti, so I had me the tax crew,

497
00:29:35,160 --> 00:29:39,920
Speaker 1: a bunch of graffiti artists bombing these posters like we

498
00:29:39,960 --> 00:29:43,120
Speaker 1: was bombing like it was graffiti. So we like King

499
00:29:43,200 --> 00:29:45,880
Speaker 1: of the City like and so everywhere you go the

500
00:29:45,960 --> 00:29:49,160
Speaker 1: other record label started like Leo Cohen, I never forget.

501
00:29:50,040 --> 00:29:52,960
Speaker 1: He actually went to Relativity and said, Yo, y'all gotta

502
00:29:53,040 --> 00:29:57,440
Speaker 1: stop this. Uh this fat Joe to gangster. These posters

503
00:29:57,560 --> 00:30:00,920
Speaker 1: is too big. How do y'all have a budget to

504
00:30:00,960 --> 00:30:04,680
Speaker 1: destroy this? Like because he knew now or his artists,

505
00:30:04,760 --> 00:30:07,840
Speaker 1: was like, yo, we went the big postest. We went

506
00:30:07,920 --> 00:30:10,320
Speaker 1: there and he was like, y'o, you're starting some new shit.

507
00:30:11,080 --> 00:30:14,000
Speaker 1: Y'all got the chill, Like these guys are going too crazy.

508
00:30:14,040 --> 00:30:16,480
Speaker 1: But that's how we did with the poster boards, with

509
00:30:16,560 --> 00:30:19,640
Speaker 1: Big Pond, the Don Carda Gina. We was out there.

510
00:30:19,840 --> 00:30:22,840
Speaker 2: It was moman like you said before, back when we

511
00:30:22,880 --> 00:30:26,200
Speaker 2: was when you when we had to roll out something

512
00:30:26,240 --> 00:30:30,400
Speaker 2: back in the days or in the nineties, rather you

513
00:30:30,480 --> 00:30:33,040
Speaker 2: had to be more man. Of course you had to

514
00:30:33,160 --> 00:30:35,760
Speaker 2: label doing whatever they did, but you had to form

515
00:30:35,840 --> 00:30:39,880
Speaker 2: your own staff and get out in the street and

516
00:30:39,960 --> 00:30:42,160
Speaker 2: do shit yourself, you know what I mean, whether it

517
00:30:42,320 --> 00:30:48,280
Speaker 2: was painting them the stencils or just going outside, going

518
00:30:48,360 --> 00:30:50,560
Speaker 2: everywhere you can go on ford them and that's like

519
00:30:50,800 --> 00:30:51,800
Speaker 2: the emotional days.

520
00:30:51,880 --> 00:30:54,920
Speaker 1: That's exactly you know what I mean. After I would

521
00:30:55,240 --> 00:30:58,640
Speaker 1: bomb all night, get home maybe six in the morning,

522
00:31:00,200 --> 00:31:04,680
Speaker 1: I'd bet at the train station and for them giving

523
00:31:04,720 --> 00:31:08,560
Speaker 1: out little cards saying hey, y'all, I'm Fat Joe the

524
00:31:08,680 --> 00:31:12,280
Speaker 1: rapper and giving them like the cover to the single.

525
00:31:12,360 --> 00:31:14,400
Speaker 1: Like I'd be on the train station like yo, I'm

526
00:31:14,440 --> 00:31:17,560
Speaker 1: Fat Joe the rapper and just giving him shit to say,

527
00:31:17,640 --> 00:31:21,200
Speaker 1: fat Joe the Gangster. Same thing where the first time

528
00:31:21,240 --> 00:31:24,320
Speaker 1: I ever met Biz, I went down to the lyricists

529
00:31:24,360 --> 00:31:28,000
Speaker 1: Lounch and I was giving the DJ flow Joe. You

530
00:31:28,000 --> 00:31:30,520
Speaker 1: know what I'm saying. I had the vinyls, so I'm

531
00:31:30,520 --> 00:31:32,800
Speaker 1: giving it to him personally. And that's where I saw

532
00:31:33,200 --> 00:31:37,000
Speaker 1: a big battle like twenty guys and he was up

533
00:31:37,040 --> 00:31:40,440
Speaker 1: on stage just killing him with a backpack on. That's

534
00:31:40,520 --> 00:31:41,960
Speaker 1: when I met him and he was like, Yo, you

535
00:31:42,080 --> 00:31:47,240
Speaker 1: flow Joe. This Yo, it's crazy man. But everything was man.

536
00:31:47,320 --> 00:31:50,160
Speaker 1: You you know. I used to come out the clubs

537
00:31:51,080 --> 00:31:54,840
Speaker 1: right and this could be uh, I don't want this

538
00:31:54,960 --> 00:31:58,240
Speaker 1: to be taking anyway. But I would come out of

539
00:31:58,400 --> 00:32:03,040
Speaker 1: SOB's different hip hop clubs and I would see jay

540
00:32:03,120 --> 00:32:10,080
Speaker 1: Z Nas a big l all the rappers freestyling and

541
00:32:10,240 --> 00:32:15,080
Speaker 1: ciphers in front of the club like I would see

542
00:32:15,160 --> 00:32:19,080
Speaker 1: everybody who became a legendary, they would just be at

543
00:32:19,120 --> 00:32:23,440
Speaker 1: the clubs freestyling, like outside in front of the joint.

544
00:32:23,920 --> 00:32:27,400
Speaker 1: They'd be spitting their bars out there. Alma, how was

545
00:32:27,400 --> 00:32:28,720
Speaker 1: it for you? Was you going to like?

546
00:32:29,080 --> 00:32:32,160
Speaker 2: Yeah? I mean, of course we were younger, so we

547
00:32:32,160 --> 00:32:35,520
Speaker 2: wasn't catching the clubs until we got of age, until

548
00:32:35,560 --> 00:32:38,480
Speaker 2: we got on the label. But ciphers was a thing

549
00:32:38,600 --> 00:32:42,800
Speaker 2: of the of a norm like to where every day

550
00:32:42,880 --> 00:32:47,080
Speaker 2: we go downtown to get with D and before that

551
00:32:47,200 --> 00:32:50,160
Speaker 2: night was over it to be some type of cipher.

552
00:32:50,240 --> 00:32:53,480
Speaker 2: That's how we met Mace actually in the cipher on

553
00:32:53,480 --> 00:32:55,360
Speaker 2: one hundred and twenty fifth Street in front of the

554
00:32:55,400 --> 00:33:00,440
Speaker 2: mark T Dan Swisses Pops. We was with D in

555
00:33:00,440 --> 00:33:02,960
Speaker 2: the Martin T like, yo, I got I know somebody

556
00:33:03,000 --> 00:33:05,920
Speaker 2: that's that's super nice too. Were living around here in

557
00:33:06,040 --> 00:33:10,520
Speaker 2: thirty something, then thirty third, thirty knife, so he came.

558
00:33:11,560 --> 00:33:14,560
Speaker 2: I remember that day. Mace had on some Nike sandals.

559
00:33:14,600 --> 00:33:18,320
Speaker 2: I think he was dumping. He was crazy. He was

560
00:33:18,360 --> 00:33:23,600
Speaker 2: going crazy, right, crazy was understated flow. The flow was

561
00:33:23,680 --> 00:33:28,720
Speaker 2: crazy and didn't The rest was history. He was you know, you.

562
00:33:28,760 --> 00:33:30,440
Speaker 1: Knew then and there he was gonna be a big

563
00:33:30,480 --> 00:33:32,400
Speaker 1: boy or you just knew he was that nice knew,

564
00:33:32,600 --> 00:33:32,920
Speaker 1: we just.

565
00:33:32,960 --> 00:33:35,360
Speaker 2: Knew he was nice. We didn't know, we ain't know

566
00:33:35,480 --> 00:33:38,600
Speaker 2: we was we would be getting signed. Uh what was

567
00:33:38,640 --> 00:33:42,000
Speaker 2: gonna happen in the yourself, all of us because we

568
00:33:42,120 --> 00:33:44,240
Speaker 2: got signed around the same time Conn.

569
00:33:44,840 --> 00:33:46,600
Speaker 1: Yeah, you know, I mean, I know that's what big

570
00:33:46,840 --> 00:33:50,800
Speaker 1: That's that's where uh Finesse met big Al right in

571
00:33:50,800 --> 00:33:53,480
Speaker 1: front of the Mark. Finesse went over there was signing

572
00:33:53,520 --> 00:33:56,280
Speaker 1: some autographs. The Big Air was like, let me spit

573
00:33:56,320 --> 00:33:59,120
Speaker 1: for you. That's where he met big Al in front

574
00:33:59,160 --> 00:34:02,360
Speaker 1: of there, and then he put him on and brought

575
00:34:02,400 --> 00:34:04,800
Speaker 1: him with him and he did the the remix to

576
00:34:04,920 --> 00:34:09,640
Speaker 1: Yes You Made. And I remember just as a team

577
00:34:09,800 --> 00:34:13,560
Speaker 1: player standing on in the stage in the back and

578
00:34:13,760 --> 00:34:17,480
Speaker 1: just seeing l catch wreck and I knew we had one.

579
00:34:17,520 --> 00:34:20,839
Speaker 1: I was just sitting in the back, like, y'all, this

580
00:34:20,920 --> 00:34:25,760
Speaker 1: guy is nasty. And you know when they're coming digging

581
00:34:25,800 --> 00:34:29,160
Speaker 1: in the crazy I used to have. You know, AG

582
00:34:29,440 --> 00:34:32,040
Speaker 1: had this one rhyme, Sally so she shlls down by

583
00:34:32,080 --> 00:34:34,520
Speaker 1: the sea shore. How much work can the Woodchuck, Chuck,

584
00:34:35,160 --> 00:34:38,880
Speaker 1: I don't give a fuck. Where I saw a g

585
00:34:39,120 --> 00:34:42,040
Speaker 1: Andre the giant, I would make him sit at rhyming

586
00:34:42,120 --> 00:34:44,439
Speaker 1: me Sally, so she shlls down by the sea short.

587
00:34:44,760 --> 00:34:47,359
Speaker 1: How much work could the wood chuck Chuck wore. I'd

588
00:34:47,360 --> 00:34:50,360
Speaker 1: be like yo, say the ron say to rhyme, and

589
00:34:50,400 --> 00:34:53,920
Speaker 1: he would always do it for me. But that's how

590
00:34:53,960 --> 00:34:57,040
Speaker 1: we literally started. Back in the days, it was word

591
00:34:57,080 --> 00:35:00,560
Speaker 1: of mouth, and you would hear about guys like I

592
00:35:00,640 --> 00:35:04,000
Speaker 1: hear the infamous stories like Jay said he used to

593
00:35:04,000 --> 00:35:06,800
Speaker 1: pull up on DMX and they would.

594
00:35:06,600 --> 00:35:09,879
Speaker 2: Have Yeah, they had a legendary battle in the pool hoole.

595
00:35:11,000 --> 00:35:13,799
Speaker 2: I wasn't there for that, but that's the good back

596
00:35:13,840 --> 00:35:16,719
Speaker 2: and that's what you had to do. If somebody was nice,

597
00:35:16,760 --> 00:35:18,680
Speaker 2: you had to pull up on them and hear them

598
00:35:18,680 --> 00:35:22,400
Speaker 2: and no let him hear what you had. Or I

599
00:35:22,440 --> 00:35:25,960
Speaker 2: think that's a that's that's something that's different in today's

600
00:35:26,560 --> 00:35:30,560
Speaker 2: climbing of music. It was I was in many sessions

601
00:35:30,760 --> 00:35:35,960
Speaker 2: with everybody opposed, and now was emailing it or sending

602
00:35:36,000 --> 00:35:39,719
Speaker 2: it to a cloud, or they ill take bizarre to

603
00:35:39,719 --> 00:35:43,880
Speaker 2: the studio, remembers.

604
00:35:42,239 --> 00:35:46,440
Speaker 1: And shout out Jazzy J's studio. Man, I did my

605
00:35:46,480 --> 00:35:50,279
Speaker 1: whole album when I got signed. The same day I

606
00:35:50,280 --> 00:35:54,399
Speaker 1: got signed, my mother caught me over. I went over

607
00:35:54,480 --> 00:35:58,240
Speaker 1: and she told me she was she was diagnosed with cancer.

608
00:35:59,320 --> 00:36:02,480
Speaker 1: And I'm rushing to tell her, Yo, I got a

609
00:36:02,520 --> 00:36:05,600
Speaker 1: record deal. You know, I'm gonna change my life. And

610
00:36:05,760 --> 00:36:10,560
Speaker 1: she tells me, Yo, I got cancer. She used to

611
00:36:10,640 --> 00:36:13,319
Speaker 1: smoke a lot of cigarettes. So I remember going to

612
00:36:13,360 --> 00:36:17,439
Speaker 1: the doctor and the doctor telling us, uh, she had

613
00:36:17,760 --> 00:36:20,359
Speaker 1: So the doctor was like, Yo, if this was my mother,

614
00:36:20,400 --> 00:36:23,680
Speaker 1: I would just send her home and spend whatever couple

615
00:36:23,719 --> 00:36:26,600
Speaker 1: of months I got. I was only like nineteen eighteen,

616
00:36:26,640 --> 00:36:29,759
Speaker 1: I was. It was crazy to me, right, But we

617
00:36:29,800 --> 00:36:33,399
Speaker 1: asked to talk about that. Yeah, we asked the doc, Yo, Doc,

618
00:36:33,520 --> 00:36:38,040
Speaker 1: what's her chances? Doc, what's the chances? And the doc said, Yo,

619
00:36:38,800 --> 00:36:41,239
Speaker 1: after chemo, after this, and that she got like a

620
00:36:41,320 --> 00:36:44,839
Speaker 1: one percent chance. And my moms looked at me and said,

621
00:36:44,880 --> 00:36:47,080
Speaker 1: you heard him, Joe. He said, we got a chance.

622
00:36:47,160 --> 00:36:50,080
Speaker 1: We got one percent. We the one percent, We got

623
00:36:50,120 --> 00:36:54,000
Speaker 1: a chance. She went to the hospital, she did an operation.

624
00:36:54,160 --> 00:36:56,239
Speaker 1: Her ship was this big because they cut her from

625
00:36:56,280 --> 00:36:59,400
Speaker 1: here to year. She had to talk. But she lasted

626
00:36:59,440 --> 00:37:05,520
Speaker 1: maybe forty years after that operation, thank god. But my

627
00:37:05,640 --> 00:37:08,320
Speaker 1: moral to the story is, remember that fifty thousand dollars.

628
00:37:08,440 --> 00:37:12,040
Speaker 1: Check my moms. They wouldn't let family spend the night

629
00:37:12,120 --> 00:37:14,600
Speaker 1: with us, so my moms were scared to spend the

630
00:37:14,719 --> 00:37:19,920
Speaker 1: night by herself. So at least forty thousand of the

631
00:37:20,000 --> 00:37:22,839
Speaker 1: fifty thousand I had to pay a registered nurse. At

632
00:37:22,840 --> 00:37:25,360
Speaker 1: that time, they was expensive like now like it was,

633
00:37:26,040 --> 00:37:28,919
Speaker 1: you know, like fifteen hundred a night or some shit.

634
00:37:29,680 --> 00:37:33,719
Speaker 1: So I only had ten g's left and that was

635
00:37:33,760 --> 00:37:37,760
Speaker 1: only enough to pay for the studio. And then Diamond

636
00:37:37,800 --> 00:37:40,000
Speaker 1: did me the favor. Whoever worked on the album pretty

637
00:37:40,040 --> 00:37:42,960
Speaker 1: much did the beats for free. And I remember I

638
00:37:43,040 --> 00:37:45,360
Speaker 1: ran out of money to mix the album and shout

639
00:37:45,360 --> 00:37:49,400
Speaker 1: out to the beat nuts juju or less. They actually

640
00:37:49,480 --> 00:37:53,040
Speaker 1: mixed my album for free. They mixed the album, you know,

641
00:37:53,120 --> 00:37:55,440
Speaker 1: to look out for me, so I'm always forever and

642
00:37:55,480 --> 00:37:59,120
Speaker 1: debted to the beat nuts. But that you know, that's

643
00:37:59,160 --> 00:38:01,480
Speaker 1: the type of shit he was doing back in them days.

644
00:38:01,520 --> 00:38:03,960
Speaker 1: And then we asked them guys Messages of funk. That

645
00:38:04,120 --> 00:38:08,680
Speaker 1: was around two signed Relativity. There was Good Brothers too,

646
00:38:09,560 --> 00:38:14,080
Speaker 1: and shit wasn't easy, man, And the money's different, right,

647
00:38:14,120 --> 00:38:17,720
Speaker 1: so let's go to that. So no, no, the money's different,

648
00:38:17,760 --> 00:38:22,440
Speaker 1: So you go Magic Johnson. This Joe, y'all could understand

649
00:38:22,520 --> 00:38:27,320
Speaker 1: youth or anybody's watching. Magic Johnson made one million dollars

650
00:38:27,920 --> 00:38:32,800
Speaker 1: and they put them on Time Magazine, Sports Illustrated everybody.

651
00:38:32,840 --> 00:38:35,759
Speaker 1: It was a one million a year. Now you got

652
00:38:35,800 --> 00:38:38,239
Speaker 1: the bummiest guy in the world on the bench for

653
00:38:38,400 --> 00:38:42,440
Speaker 1: ninety seven million dollars, and guys are saying his Greek

654
00:38:42,480 --> 00:38:44,960
Speaker 1: freak coming, or he's gonna stay over there and get

655
00:38:44,960 --> 00:38:48,440
Speaker 1: the max and get three hundred something million. The money

656
00:38:48,719 --> 00:38:51,960
Speaker 1: was different, So FlowJo went number one in the country,

657
00:38:52,520 --> 00:38:54,960
Speaker 1: but I was only getting five hundred dollars a show.

658
00:38:55,800 --> 00:39:01,880
Speaker 1: So I'm doing Yonkers, Staten Island and Fever fifteen hundred

659
00:39:01,920 --> 00:39:08,480
Speaker 1: on a Friday Saturday. I'm doing Va, North Carolina, DC,

660
00:39:09,360 --> 00:39:13,400
Speaker 1: Bang bang bang, like flying, like trying to kill myself

661
00:39:13,920 --> 00:39:17,239
Speaker 1: to come back with a little fifteen hundred a night.

662
00:39:17,920 --> 00:39:21,600
Speaker 1: And so this is this is the difference with the money.

663
00:39:21,719 --> 00:39:26,080
Speaker 1: So no matter how popping you was, it wasn't no

664
00:39:26,239 --> 00:39:28,960
Speaker 1: money at the time. So you're thinking like boom and

665
00:39:29,040 --> 00:39:34,160
Speaker 1: I go from you know, I literally was selling drug drugs,

666
00:39:34,840 --> 00:39:38,040
Speaker 1: so I took a I don't know if y'all truly

667
00:39:38,160 --> 00:39:41,640
Speaker 1: understand like I changed my life like Cinderella. But I

668
00:39:41,680 --> 00:39:45,600
Speaker 1: was making a lot of money to like hustle for

669
00:39:45,680 --> 00:39:49,840
Speaker 1: fifteen hundred dollars like and I had to stay the course.

670
00:39:50,800 --> 00:39:53,239
Speaker 1: So you have to understand if you're gonna change your

671
00:39:53,280 --> 00:39:56,080
Speaker 1: life youth and you're gonna get into the rap game

672
00:39:56,160 --> 00:39:58,040
Speaker 1: and you ain't making that kind of money yet or

673
00:39:58,040 --> 00:40:00,560
Speaker 1: whatever the case may be, you got to state of

674
00:40:00,680 --> 00:40:04,200
Speaker 1: course because I could have easily said, Yo, let me

675
00:40:04,239 --> 00:40:07,800
Speaker 1: go sell y'all, let me stare somebody up. Like guys

676
00:40:07,880 --> 00:40:09,400
Speaker 1: kept coming to be like, you know, I used to

677
00:40:09,400 --> 00:40:13,800
Speaker 1: stick people up so that you know, I stuck everything

678
00:40:13,920 --> 00:40:18,279
Speaker 1: up to supermarkets, drug dealers, everything you can name. So

679
00:40:18,400 --> 00:40:20,040
Speaker 1: guys would come up to me and be like, Yo,

680
00:40:20,080 --> 00:40:22,680
Speaker 1: we gotta lick. You know what I'm saying. We got

681
00:40:22,680 --> 00:40:25,759
Speaker 1: a dude, he got this couple of honeys. You know

682
00:40:25,760 --> 00:40:28,440
Speaker 1: what I'm saying. I beg I even was offered.

683
00:40:29,200 --> 00:40:32,320
Speaker 2: You know it's not crazy, dude, you crazy.

684
00:40:32,520 --> 00:40:34,640
Speaker 1: No, I'm telling you the truth. Like they would be like, Yo,

685
00:40:34,719 --> 00:40:37,080
Speaker 1: we got the lit and then they pull it off

686
00:40:37,080 --> 00:40:39,880
Speaker 1: and come around with the new benzes, your crack. We

687
00:40:40,000 --> 00:40:42,440
Speaker 1: try to tell you we had the lick. I'm already flowed, Yoe.

688
00:40:42,960 --> 00:40:46,200
Speaker 2: Look how is your transition from that to that? Because

689
00:40:46,200 --> 00:40:48,479
Speaker 2: we had to buy a brick, we had to cop

690
00:40:48,520 --> 00:40:52,319
Speaker 2: a bird with our advent. Three dudes, the event was

691
00:40:52,360 --> 00:40:54,080
Speaker 2: only enough so you got the deal.

692
00:40:54,200 --> 00:40:55,680
Speaker 1: And then when it kind of got.

693
00:40:55,640 --> 00:40:58,319
Speaker 2: When we got our first deal and the money clip,

694
00:40:58,920 --> 00:40:59,959
Speaker 2: we copped.

695
00:41:00,400 --> 00:41:03,600
Speaker 1: It said that the Baltimore there was always rumors of that.

696
00:41:03,920 --> 00:41:06,640
Speaker 2: I mean, that's real. That's just really.

697
00:41:06,680 --> 00:41:09,640
Speaker 1: So instead of you deal and you know you was

698
00:41:09,680 --> 00:41:11,279
Speaker 1: going legit, you went the other way.

699
00:41:11,320 --> 00:41:16,160
Speaker 2: Three of us that was a legitimate, illegitimate thing to do.

700
00:41:16,280 --> 00:41:19,840
Speaker 2: At the time, they get it real, evinced that wasn't enough,

701
00:41:20,600 --> 00:41:22,880
Speaker 2: you know what I mean? Three of us were splitting

702
00:41:22,920 --> 00:41:25,239
Speaker 2: everything down the middle, thirty three and the third man.

703
00:41:25,280 --> 00:41:28,080
Speaker 1: I had to do so much. So my reputation on

704
00:41:28,120 --> 00:41:32,120
Speaker 1: the street was straight violence, right, And I came in

705
00:41:32,200 --> 00:41:35,040
Speaker 1: this game and try to become the pussiest guy in

706
00:41:35,120 --> 00:41:38,120
Speaker 1: the game because I already knew people were scared to

707
00:41:38,160 --> 00:41:40,560
Speaker 1: deal with me because they thinking I'm like a New

708
00:41:40,640 --> 00:41:43,839
Speaker 1: Yorkshire night and the stories was going. So I was

709
00:41:43,960 --> 00:41:48,080
Speaker 1: trying my best to be the nicest guy in the world,

710
00:41:48,160 --> 00:41:51,440
Speaker 1: Like I'm trying to convince people, yo, I'm a good guy.

711
00:41:51,520 --> 00:41:53,759
Speaker 1: Don't listen to what people are saying.

712
00:41:53,760 --> 00:41:56,759
Speaker 2: Look at this, did you ever have some this is

713
00:41:56,880 --> 00:41:59,719
Speaker 2: back since we on it. We just were on the train.

714
00:41:59,520 --> 00:42:00,680
Speaker 1: Now on something.

715
00:42:01,120 --> 00:42:06,160
Speaker 2: Did you ever have an altercation in Mount Vernon back

716
00:42:06,200 --> 00:42:08,480
Speaker 2: in the day, back because we had a show, we

717
00:42:08,480 --> 00:42:11,480
Speaker 2: were supposed to have a show the Young Luck whatever

718
00:42:11,520 --> 00:42:15,120
Speaker 2: we was, and we got arrested. But we heard before

719
00:42:15,239 --> 00:42:18,280
Speaker 2: that y'all had some type of fight or something happened

720
00:42:18,280 --> 00:42:19,800
Speaker 2: in it in Mount Vernon.

721
00:42:19,920 --> 00:42:24,959
Speaker 1: Let's talk about the god the original right that Mount

722
00:42:25,040 --> 00:42:29,640
Speaker 1: Vernon show. Mount Vernon showed me what I could do

723
00:42:29,719 --> 00:42:33,040
Speaker 1: and couldn't do. So I was very young, and I

724
00:42:33,120 --> 00:42:37,399
Speaker 1: was very crewe oriented to the ight, and these guys

725
00:42:37,800 --> 00:42:41,319
Speaker 1: were dangerous guys like the terror Terror squad from day

726
00:42:41,360 --> 00:42:45,680
Speaker 1: one was very dangerous. I don't have to elaborate. I'm

727
00:42:45,719 --> 00:42:48,920
Speaker 1: telling you this is not a game. Everybody was like

728
00:42:49,120 --> 00:42:51,040
Speaker 1: seven point thirty and I would take them to my

729
00:42:51,120 --> 00:42:55,319
Speaker 1: original shows. Mount Vernon's one of the first shows I

730
00:42:55,360 --> 00:42:58,160
Speaker 1: ever did. And I used to look up to Mount

731
00:42:58,239 --> 00:43:00,480
Speaker 1: Vernon because Heavy D's one of my idols. Some money

732
00:43:00,520 --> 00:43:04,280
Speaker 1: earning Mount Vernon. But these guys went and started beating

733
00:43:04,360 --> 00:43:08,920
Speaker 1: up the fans, like sometimes you bring the wrong hood

734
00:43:08,960 --> 00:43:13,560
Speaker 1: with you, they'll beat up your fans. And so they

735
00:43:13,640 --> 00:43:17,560
Speaker 1: start stomping out the fans. And that's when I realized.

736
00:43:17,600 --> 00:43:20,960
Speaker 1: I said, yo, I cannot bring these guys. So somebody

737
00:43:21,000 --> 00:43:24,200
Speaker 1: grabbing me, like, yo, you gotta float Yoe. The Float

738
00:43:24,239 --> 00:43:26,359
Speaker 1: show was number one. It's why I'm trying to tell

739
00:43:26,400 --> 00:43:28,880
Speaker 1: you I did young, because I did Mount Vernon. I

740
00:43:28,920 --> 00:43:31,759
Speaker 1: did every movie theater you could think of. Now I'm

741
00:43:31,920 --> 00:43:33,719
Speaker 1: telling you, like you know, they used to have a

742
00:43:33,719 --> 00:43:38,399
Speaker 1: little movie theater. Float Joe was ringing Nigga thirst Thanksgiving night,

743
00:43:39,320 --> 00:43:42,719
Speaker 1: so doubt lines around the block for Flow Joe. But

744
00:43:42,920 --> 00:43:46,680
Speaker 1: these guys would fight the fans, and so I'll be

745
00:43:46,719 --> 00:43:48,839
Speaker 1: like a right Ski recipe. I'd be like, Ski, you

746
00:43:48,880 --> 00:43:51,600
Speaker 1: can't come. Such just said you can't come, and everybody

747
00:43:51,640 --> 00:43:53,399
Speaker 1: started getting mad at me. I was like, yo, you're

748
00:43:53,440 --> 00:43:57,360
Speaker 1: beating up the fans. This ain't like the enemy. Somebody

749
00:43:57,440 --> 00:44:00,400
Speaker 1: wants to beat me up. Somebody was say yes, winging

750
00:44:00,520 --> 00:44:04,359
Speaker 1: on the fans, and so that's crazy. It reminds me

751
00:44:04,440 --> 00:44:06,480
Speaker 1: of they asked some ship. I don't know who the

752
00:44:06,560 --> 00:44:09,040
Speaker 1: young boy is, but there's a young boy that was

753
00:44:09,120 --> 00:44:13,760
Speaker 1: really really parked popping. What's his name? Although something somedy.

754
00:44:13,840 --> 00:44:15,840
Speaker 1: He beat up the fan. They put him on in

755
00:44:15,880 --> 00:44:20,640
Speaker 1: a coma or something. So sometimes you really gotta reframe it.

756
00:44:20,719 --> 00:44:21,720
Speaker 1: Get but yeah, Mount.

757
00:44:21,600 --> 00:44:25,520
Speaker 2: Vernon, Yes, you know, I just I was wondering. We

758
00:44:25,640 --> 00:44:28,600
Speaker 2: never made it to the you got arrested in the alley.

759
00:44:28,640 --> 00:44:30,520
Speaker 2: We didn't even make it to the where we was

760
00:44:30,520 --> 00:44:31,360
Speaker 2: supposed to perform.

761
00:44:31,440 --> 00:44:34,799
Speaker 1: Man, so you you got there and they picked you up.

762
00:44:34,880 --> 00:44:40,080
Speaker 2: Yeah, you know, so we walking and it just came

763
00:44:40,120 --> 00:44:43,919
Speaker 2: with a bus and shackles and mad cop cause we

764
00:44:43,960 --> 00:44:46,279
Speaker 2: was in Mount Vernon City jail. We all got to rest.

765
00:44:46,800 --> 00:44:47,680
Speaker 2: Didn't even make it.

766
00:44:47,560 --> 00:44:50,200
Speaker 1: To the show. The shout out to Mount Vernon Man

767
00:44:50,239 --> 00:44:53,080
Speaker 1: money Earning Mount Vernon, they put out, you know, Mount

768
00:44:53,200 --> 00:44:57,160
Speaker 1: Vernon was the Beverly Hills of black people in America

769
00:44:57,200 --> 00:44:59,239
Speaker 1: at one time. You know, Malcolm X living in one

770
00:44:59,320 --> 00:45:06,480
Speaker 1: the house, Stephanie Mill, New York, Freddie your girl, Nina Simone,

771
00:45:07,000 --> 00:45:13,120
Speaker 1: he was like, you know, like no, Mount Vernon was

772
00:45:13,200 --> 00:45:17,600
Speaker 1: like if anybody black had real money. I'm talking about

773
00:45:17,920 --> 00:45:23,400
Speaker 1: Malcolm X, Nina Simone, Stephanie Mills while she's running around

774
00:45:23,440 --> 00:45:28,000
Speaker 1: with fucking Michael Jackson, like the biggest royalty they was

775
00:45:28,040 --> 00:45:30,919
Speaker 1: in Mount Vernons. You know, what I'm saying, So Mount

776
00:45:31,000 --> 00:45:35,560
Speaker 1: Vernon was really really a stretch of like Loue Albannos

777
00:45:35,560 --> 00:45:40,960
Speaker 1: from Captain rest you Captain Lou Albanna you remember him,

778
00:45:40,960 --> 00:45:45,080
Speaker 1: and that what was that? The Madonna video girls, the

779
00:45:45,400 --> 00:45:50,719
Speaker 1: City Officer girls, they want to have fun on Oh gosh.

780
00:45:50,520 --> 00:45:52,400
Speaker 2: He had a big he had a big cameo that

781
00:45:53,200 --> 00:45:56,000
Speaker 2: he was her dad. He was trying to stop up.

782
00:45:56,840 --> 00:45:59,400
Speaker 2: You know that song is that's one of the ones.

783
00:46:00,680 --> 00:46:04,120
Speaker 1: That's a legendary to this day. Girls want to have fun,

784
00:46:05,360 --> 00:46:10,640
Speaker 1: not shoe. To this day, that's a legendary. That one stood.

785
00:46:11,320 --> 00:46:16,719
Speaker 1: That one aged well, you know, and so mina day

786
00:46:16,760 --> 00:46:21,120
Speaker 1: you say, somebody like recipes u X text shown. They

787
00:46:21,160 --> 00:46:24,279
Speaker 1: say that guy never left his house. They say made

788
00:46:24,280 --> 00:46:28,040
Speaker 1: his music, press, play in the computer, was getting rich

789
00:46:28,120 --> 00:46:31,000
Speaker 1: off of streams and everything. We said, he never even

790
00:46:31,080 --> 00:46:33,239
Speaker 1: left his house. You got artists out here now.

791
00:46:33,400 --> 00:46:37,400
Speaker 2: That shows the difference. That shows that the marginal gap

792
00:46:37,480 --> 00:46:41,399
Speaker 2: of from you having to put up actually put the

793
00:46:41,440 --> 00:46:43,960
Speaker 2: glue on the back of the glue hole shits and

794
00:46:44,000 --> 00:46:47,560
Speaker 2: put them up yourself to being able to make millions

795
00:46:47,640 --> 00:46:51,120
Speaker 2: of dollars without even leaving the crib is incredible.

796
00:46:52,560 --> 00:46:57,839
Speaker 1: It's beyond incredible. And so the only thing I say

797
00:46:57,880 --> 00:47:00,279
Speaker 1: that that that's not right with that.

798
00:47:01,160 --> 00:47:03,520
Speaker 2: Is touching the people.

799
00:47:03,680 --> 00:47:07,360
Speaker 1: Yes, you don't touch the people, you don't create. So

800
00:47:07,480 --> 00:47:09,360
Speaker 1: every time I put out an album, I went on

801
00:47:09,480 --> 00:47:12,520
Speaker 1: something they used to call a promo tour. I hated

802
00:47:12,560 --> 00:47:15,560
Speaker 1: it because you went out there to go for free.

803
00:47:16,239 --> 00:47:18,719
Speaker 1: But it ain't nothing like meeting like you know, you

804
00:47:18,800 --> 00:47:23,880
Speaker 1: go out to San Francisco, you see Vaughn and Sway

805
00:47:24,160 --> 00:47:26,960
Speaker 1: and all these guys, and then you go to LA

806
00:47:27,160 --> 00:47:31,880
Speaker 1: and your relationship with Phelly Fell and Big Boy and

807
00:47:32,000 --> 00:47:36,399
Speaker 1: Bacon Cruise Boy. Remember the Baker Boys. They the first

808
00:47:36,440 --> 00:47:41,840
Speaker 1: syndicated crew. They was the first syndicated. So you go

809
00:47:41,960 --> 00:47:44,359
Speaker 1: around and you meet all these cosmic cavs and all

810
00:47:44,400 --> 00:47:47,040
Speaker 1: these guys, and then when you put out a record

811
00:47:47,080 --> 00:47:49,280
Speaker 1: that I call a strup, it's one thing. They support

812
00:47:49,320 --> 00:47:51,440
Speaker 1: you with a hit, but when you put out a

813
00:47:51,480 --> 00:47:56,760
Speaker 1: record that's like struggling, that's when them guys that relationship

814
00:47:56,880 --> 00:47:59,920
Speaker 1: kick in and they start playing your ship and then

815
00:48:00,160 --> 00:48:04,440
Speaker 1: if it deserved to blow, then it'll blow. And so

816
00:48:04,719 --> 00:48:08,320
Speaker 1: that's what I think the youth is missing, of that

817
00:48:08,440 --> 00:48:13,600
Speaker 1: communication with actual people that can help you when you're struggling,

818
00:48:14,440 --> 00:48:17,360
Speaker 1: you know, because I have a push of a button.

819
00:48:18,080 --> 00:48:22,000
Speaker 1: I never get involved with Like when people tell me, yo,

820
00:48:22,080 --> 00:48:24,759
Speaker 1: why you don't tell these young kids, these rappers, why

821
00:48:24,840 --> 00:48:29,880
Speaker 1: you don't this, I'd be like, okay, So the numbers

822
00:48:30,000 --> 00:48:35,640
Speaker 1: are to discourage you. The numbers are one out of

823
00:48:35,800 --> 00:48:39,560
Speaker 1: maybe ten million people actually make it and rap music.

824
00:48:40,760 --> 00:48:44,919
Speaker 2: So I think that I think you're watching the numbers all.

825
00:48:44,920 --> 00:48:48,120
Speaker 1: Right, So what's the number? What do you think that's

826
00:48:48,160 --> 00:48:48,560
Speaker 1: the number?

827
00:48:48,680 --> 00:48:52,160
Speaker 2: It's fifty three new rappers every day? Who's he let

828
00:48:52,320 --> 00:48:54,279
Speaker 2: three of them blow? Who's just nah?

829
00:48:54,960 --> 00:48:55,480
Speaker 1: Not every day?

830
00:48:55,480 --> 00:49:00,840
Speaker 2: You're very confused right now, composed. It is all making

831
00:49:00,920 --> 00:49:02,440
Speaker 2: money that we never gonna hear.

832
00:49:02,560 --> 00:49:06,080
Speaker 1: You're never gonna hero. Yes, but he's successful. Yeah, but

833
00:49:06,120 --> 00:49:08,839
Speaker 1: it's hard though, it's not. It's not what you think.

834
00:49:08,880 --> 00:49:12,839
Speaker 2: You think anybody, how many guys you said numbers? That's

835
00:49:12,880 --> 00:49:15,560
Speaker 2: hard in the NBA. You know, it's easier to hit

836
00:49:15,560 --> 00:49:17,799
Speaker 2: the lotto than to make it to the NBA. You

837
00:49:18,040 --> 00:49:19,880
Speaker 2: just made a rap numbers harder than.

838
00:49:19,760 --> 00:49:24,319
Speaker 1: Both of wrap numbers? Is that hard? To be really successful? Hard?

839
00:49:24,480 --> 00:49:26,400
Speaker 1: Do you know how many guys are forty years.

840
00:49:26,239 --> 00:49:29,080
Speaker 2: Old on a housecss successful?

841
00:49:29,160 --> 00:49:31,719
Speaker 1: Do you know how many anybody wraps and somebody dies

842
00:49:31,760 --> 00:49:34,520
Speaker 1: and they be like your rapper, whopp he wop, he

843
00:49:34,680 --> 00:49:37,000
Speaker 1: was a rapper. He got killed in Brooklyn the day. No,

844
00:49:37,160 --> 00:49:40,600
Speaker 1: we don't know this guy just because he made a demo.

845
00:49:40,680 --> 00:49:45,200
Speaker 1: He's a rapper. Now, you know, I'm talking about successful.

846
00:49:46,040 --> 00:49:49,120
Speaker 1: Every year we could think what a sexy read who

847
00:49:49,239 --> 00:49:50,680
Speaker 1: is the most successful rapper?

848
00:49:51,320 --> 00:49:51,919
Speaker 2: Last year?

849
00:49:52,600 --> 00:49:56,600
Speaker 1: Who was the first, Who is the newest rapper successful?

850
00:49:56,600 --> 00:50:00,479
Speaker 1: Glorilla blew up, but she was already out. I'm trying

851
00:50:00,480 --> 00:50:04,760
Speaker 1: to say that last year, sex yep, sexy red shooper,

852
00:50:04,920 --> 00:50:08,840
Speaker 1: who just came out this successful. We can name maybe

853
00:50:08,880 --> 00:50:13,040
Speaker 1: one to three that's really making money, that's really successful. Oh,

854
00:50:13,520 --> 00:50:18,920
Speaker 1: Lotto Lodo been out since she was twelve rapping on

855
00:50:18,960 --> 00:50:21,200
Speaker 1: the show. But let's think she put in the work

856
00:50:21,200 --> 00:50:23,759
Speaker 1: that she deserves it. What I'm saying to you is

857
00:50:23,840 --> 00:50:27,319
Speaker 1: like they gotta be a million something plus girls trying

858
00:50:27,320 --> 00:50:30,160
Speaker 1: to rap and they made it. And so what I'm

859
00:50:30,160 --> 00:50:33,120
Speaker 1: trying to tell you is that the odds are very,

860
00:50:33,360 --> 00:50:37,040
Speaker 1: very very discouraging. You got guys just because your crew

861
00:50:37,120 --> 00:50:41,360
Speaker 1: is selling you nice, just because you know you know

862
00:50:41,440 --> 00:50:44,279
Speaker 1: you got god. You got grown men who refuse to

863
00:50:44,320 --> 00:50:48,000
Speaker 1: get a nine to five, and they sleeping on their

864
00:50:48,080 --> 00:50:51,800
Speaker 1: couch at forty four with three kids, and they baby

865
00:50:51,840 --> 00:50:54,640
Speaker 1: mama working and they out here talking them by they're

866
00:50:54,640 --> 00:50:57,400
Speaker 1: gonna rap. If you ain't getting paid to do a show,

867
00:50:57,840 --> 00:51:01,120
Speaker 1: if you ain't got no real people streaming your shit,

868
00:51:01,760 --> 00:51:05,200
Speaker 1: you are not successful. You understand. So what I'm trying

869
00:51:05,239 --> 00:51:07,680
Speaker 1: to tell you is that this is harder than you think.

870
00:51:08,320 --> 00:51:13,160
Speaker 1: Everybody and their mother think they could rap and be successful.

871
00:51:13,800 --> 00:51:15,359
Speaker 1: It does not work like that.

872
00:51:16,000 --> 00:51:18,359
Speaker 2: It ain't. It ain't that easy, But it ain't as

873
00:51:18,400 --> 00:51:21,680
Speaker 2: hard as when we had to. It's not as hard.

874
00:51:21,760 --> 00:51:22,919
Speaker 2: They don't got to go through this shit.

875
00:51:23,200 --> 00:51:25,520
Speaker 1: No, no, no, I agree this. This reminds me of

876
00:51:25,560 --> 00:51:30,440
Speaker 1: the classic interview that Cali had with Cali. I think

877
00:51:30,480 --> 00:51:32,760
Speaker 1: he was with Ebro and them when he started basking

878
00:51:32,800 --> 00:51:35,120
Speaker 1: you know how hard it was to get on and

879
00:51:35,239 --> 00:51:37,759
Speaker 1: this and this and that. It was hard. Back in

880
00:51:37,800 --> 00:51:40,759
Speaker 1: the day you had, it was almost impossible.

881
00:51:40,920 --> 00:51:41,920
Speaker 2: Everything was hands on.

882
00:51:42,960 --> 00:51:45,720
Speaker 1: And now I get what you're saying. With the press

883
00:51:45,760 --> 00:51:48,000
Speaker 1: of a button, you could be successful. A lot of

884
00:51:48,000 --> 00:51:49,880
Speaker 1: people who did that, But there's a lot of people

885
00:51:50,040 --> 00:51:53,960
Speaker 1: rapping thinking they're gonna make it, and they never make it.

886
00:51:54,640 --> 00:51:57,600
Speaker 1: Most people never make it and it's very similar to

887
00:51:57,640 --> 00:52:01,480
Speaker 1: the NBA. The numbers of very similar to the NBA.

888
00:52:02,000 --> 00:52:05,320
Speaker 1: Now we ain't discouraging you. I'm just trying to give you.

889
00:52:05,320 --> 00:52:09,080
Speaker 1: You need to plan A and the plan B. You know,

890
00:52:09,280 --> 00:52:12,200
Speaker 1: especially if you know it's not working. Because another thing.

891
00:52:12,280 --> 00:52:18,400
Speaker 1: Let me tell you something, this game, the entertainment business

892
00:52:19,080 --> 00:52:22,240
Speaker 1: is off momentum. That's why I got a little upset

893
00:52:22,320 --> 00:52:25,239
Speaker 1: because we came out the box number one in the country,

894
00:52:25,680 --> 00:52:28,239
Speaker 1: you know, Apple Music, and then we I had to

895
00:52:28,239 --> 00:52:30,440
Speaker 1: go on Vaca. It was set up ahead of time.

896
00:52:31,400 --> 00:52:34,239
Speaker 1: I know that when you got momentum, you gotta keep

897
00:52:34,280 --> 00:52:37,239
Speaker 1: your foot on their neck. That's the way the game works. Now,

898
00:52:37,239 --> 00:52:40,080
Speaker 1: I'm in the artists we seen come out and get

899
00:52:40,760 --> 00:52:43,120
Speaker 1: hype at the beginning, you think they're gonna blow, and

900
00:52:43,160 --> 00:52:46,120
Speaker 1: then they lost that and then for years they keep

901
00:52:46,160 --> 00:52:49,320
Speaker 1: trying to come back to get Once you got that momentum,

902
00:52:49,640 --> 00:52:51,719
Speaker 1: you got to stay your foot on their neck and

903
00:52:51,840 --> 00:53:01,840
Speaker 1: keep that momentum going. Think about that, how many rappers

904
00:53:01,960 --> 00:53:06,920
Speaker 1: you could easily think about how many rappers Quarterbus. I

905
00:53:06,960 --> 00:53:09,520
Speaker 1: don't know if it was their work ethic. I don't

906
00:53:09,520 --> 00:53:12,840
Speaker 1: know if they couldn't deliver the record because I remember

907
00:53:12,920 --> 00:53:19,960
Speaker 1: fifty cent killing the mixtapes and all that, and then

908
00:53:20,000 --> 00:53:25,120
Speaker 1: when I heard go Go Coach Chawty, It's sure, I knew,

909
00:53:25,440 --> 00:53:33,840
Speaker 1: Holy shit, the man here, No, he delivered. He created

910
00:53:33,920 --> 00:53:38,440
Speaker 1: the hype and then drop a motherfucking monsoon or tsunami

911
00:53:38,520 --> 00:53:42,319
Speaker 1: on the ass. Now that's not all rappers. You know

912
00:53:42,320 --> 00:53:44,920
Speaker 1: how many rappers created some type of hype and then

913
00:53:45,400 --> 00:53:47,279
Speaker 1: drop the ball when it was time to let the

914
00:53:47,320 --> 00:53:49,040
Speaker 1: single go, they also.

915
00:53:48,880 --> 00:53:51,880
Speaker 2: Shut They blocked it. You can't even use you can't

916
00:53:51,920 --> 00:53:56,080
Speaker 2: ball people's beats. How fifty was taking shits and making

917
00:53:56,320 --> 00:53:59,480
Speaker 2: his own songs and destroying shit, they blocked that. So

918
00:53:59,520 --> 00:54:03,279
Speaker 2: we gotta be mindful of what they're doing. Though. Here

919
00:54:03,320 --> 00:54:05,279
Speaker 2: I can tell you what even that mixtape you had

920
00:54:05,320 --> 00:54:06,799
Speaker 2: that was crazy that they took.

921
00:54:08,640 --> 00:54:11,600
Speaker 1: Yo. Man, they try to sue me ten different ways.

922
00:54:11,600 --> 00:54:14,480
Speaker 1: It was like the Princess tape. Michael Jackson to state this,

923
00:54:14,600 --> 00:54:18,719
Speaker 1: I put out a mixtape. The ship was hard. I

924
00:54:18,800 --> 00:54:23,360
Speaker 1: actually concentrated on that mixtape almost like an album. I

925
00:54:23,440 --> 00:54:26,040
Speaker 1: took that shit serious. I dropped that ship at one hour.

926
00:54:26,080 --> 00:54:29,600
Speaker 1: They was like, yo, it came like and I don't

927
00:54:29,600 --> 00:54:32,839
Speaker 1: know why is that? Why that Joe can't make a mix.

928
00:54:34,280 --> 00:54:36,520
Speaker 2: No, likey can't they blocking that ship?

929
00:54:36,719 --> 00:54:42,279
Speaker 1: No, that shit came ceasing assist Prince the Beg's the

930
00:54:42,400 --> 00:54:45,960
Speaker 1: disc the total every beat. I yes, I used the

931
00:54:45,960 --> 00:54:49,600
Speaker 1: biggest beats. But it was a mixtape. I'm telling everybody

932
00:54:49,640 --> 00:54:52,480
Speaker 1: it's a mixtape. I'm trying to get it going. They

933
00:54:52,560 --> 00:54:55,279
Speaker 1: shut my ship down. So yo, I must have asked

934
00:54:55,280 --> 00:55:00,440
Speaker 1: so much hot blood pressure. No, Yo, I drove it.

935
00:55:00,560 --> 00:55:05,040
Speaker 1: Put your breath. When I drove from the Lower East

936
00:55:05,080 --> 00:55:09,120
Speaker 1: Side to the Bronx, I had like nine pendent lawsuits.

937
00:55:09,120 --> 00:55:11,360
Speaker 1: Like this shit was coming, like it was the same lawyer.

938
00:55:11,400 --> 00:55:13,799
Speaker 1: They was like, hey, Joe, just to let you know.

939
00:55:13,840 --> 00:55:17,759
Speaker 1: The BG said, you know better, they're gonna sue the

940
00:55:17,760 --> 00:55:20,839
Speaker 1: next thing. Princess State is saying they want damages. They're

941
00:55:20,840 --> 00:55:23,520
Speaker 1: gonna sue this, and just the shit just kept coming

942
00:55:23,680 --> 00:55:28,000
Speaker 1: off a mixtape and just and look he telling you

943
00:55:28,080 --> 00:55:33,080
Speaker 1: all these mixtapes everybody did, Fat Joe did one, and man,

944
00:55:33,160 --> 00:55:36,520
Speaker 1: when I tell you, the rules were different, they shut

945
00:55:36,560 --> 00:55:40,680
Speaker 1: that shit down. I never heard the mixtape again. How

946
00:55:40,680 --> 00:55:46,000
Speaker 1: about that. I never heard the mixtape again. Yo. I'm

947
00:55:46,040 --> 00:55:49,760
Speaker 1: telling you, I never heard the mixtape again. They shut

948
00:55:49,800 --> 00:55:52,440
Speaker 1: that ship down. He raced it from yr Yo, they

949
00:55:52,560 --> 00:55:55,279
Speaker 1: moved that ship. I was so scared after that ship.

950
00:55:55,360 --> 00:55:59,000
Speaker 2: I said, Yo, you see nine loss. You can just

951
00:55:59,040 --> 00:56:01,640
Speaker 2: go in the stew balls. Anybody's beat, put it out,

952
00:56:01,760 --> 00:56:05,600
Speaker 2: create a buzz. You good. Now that shit have lasted

953
00:56:05,760 --> 00:56:06,520
Speaker 2: thirteen man.

954
00:56:06,560 --> 00:56:09,799
Speaker 1: Now I'm fucking over there. I'm in Sancho Pei. They

955
00:56:09,960 --> 00:56:13,239
Speaker 1: playing all type of ed m shit and then when

956
00:56:13,280 --> 00:56:15,839
Speaker 1: you go on to Spotify, they call it a mixtape.

957
00:56:17,360 --> 00:56:20,839
Speaker 1: You see, they took the they took the yalla, they

958
00:56:20,840 --> 00:56:23,840
Speaker 1: took the no, they took the yaller. Right now, the

959
00:56:24,080 --> 00:56:28,919
Speaker 1: language on Spotify or Apple or whatever, it's like, yo,

960
00:56:29,120 --> 00:56:29,880
Speaker 1: the mixtape.

961
00:56:31,120 --> 00:56:34,080
Speaker 2: And they took our shit and made it they shit.

962
00:56:34,480 --> 00:56:37,640
Speaker 2: And you can't even do this shit. That was our shit.

963
00:56:39,080 --> 00:56:39,800
Speaker 2: That's some shit.

964
00:56:41,000 --> 00:56:46,600
Speaker 1: That's big ship, that's big time shit and so and

965
00:56:46,640 --> 00:56:48,719
Speaker 1: that's where the game is at. You know what I'm saying. Well,

966
00:56:48,760 --> 00:56:51,520
Speaker 1: we talk about hip hop music and I listen to

967
00:56:51,640 --> 00:56:54,920
Speaker 1: country and they be like country's the biggest genre or whatever.

968
00:56:55,920 --> 00:56:58,840
Speaker 1: I hear mad lyrics like you gotta be rap dudes

969
00:56:58,840 --> 00:57:02,520
Speaker 1: in the back room writing they ship because I hear like,

970
00:57:03,400 --> 00:57:09,719
Speaker 1: how about all corny, like watered down, Like we in

971
00:57:09,840 --> 00:57:15,040
Speaker 1: Sancho Pei and every legendary song you ever heard from

972
00:57:15,080 --> 00:57:19,360
Speaker 1: Stevie Wander, from whoever. They make their own version of

973
00:57:19,400 --> 00:57:24,160
Speaker 1: it and they play it in the hotels, the clubs,

974
00:57:24,840 --> 00:57:27,600
Speaker 1: the bars, and you there were days. If you go

975
00:57:27,640 --> 00:57:29,800
Speaker 1: on YouTube, to be honest with you and you like

976
00:57:29,880 --> 00:57:32,960
Speaker 1: slow jams, you hear the fake boys to man, the

977
00:57:33,040 --> 00:57:35,800
Speaker 1: fake Louta, the fake like, what the fuck is why

978
00:57:35,840 --> 00:57:37,640
Speaker 1: we can't hear the real fucking Brest.

979
00:57:37,720 --> 00:57:41,680
Speaker 2: Something to do with the streaming and all that, the

980
00:57:41,720 --> 00:57:42,760
Speaker 2: ship that we never.

981
00:57:42,600 --> 00:57:47,520
Speaker 1: Had to wag yoll the mainly out of like, you know,

982
00:57:47,600 --> 00:57:50,600
Speaker 1: because my shit is on being all that. So I

983
00:57:50,680 --> 00:57:53,440
Speaker 1: go to a hotel, I throw on the YouTube and

984
00:57:53,480 --> 00:57:57,440
Speaker 1: I keep hearing the fake Joe, the fake Lina Richie

985
00:57:57,760 --> 00:58:02,280
Speaker 1: like niggas is coming over somebody. But how do they

986
00:58:02,320 --> 00:58:05,520
Speaker 1: get the placement? How do they get the stream the

987
00:58:05,600 --> 00:58:09,200
Speaker 1: fake covers get the streams missed.

988
00:58:09,280 --> 00:58:12,479
Speaker 2: It's something they leaving out in order to be because

989
00:58:12,520 --> 00:58:15,240
Speaker 2: you know how to go if you they left one

990
00:58:15,280 --> 00:58:19,400
Speaker 2: symbol off of one one shnaire is missing or something,

991
00:58:20,600 --> 00:58:22,720
Speaker 2: they give them the ability to do it.

992
00:58:23,680 --> 00:58:27,919
Speaker 1: I also never like, I never like, uh very rare.

993
00:58:29,800 --> 00:58:30,360
Speaker 2: I get it.

994
00:58:30,720 --> 00:58:33,520
Speaker 1: A lot of artists we've been robbed I've been robbed.

995
00:58:34,080 --> 00:58:36,000
Speaker 1: You know, I got robbed for my publishing. When I

996
00:58:36,080 --> 00:58:38,880
Speaker 1: was young. God pull up on me. He was like, yo,

997
00:58:38,920 --> 00:58:42,640
Speaker 1: we Latino, We gotta take care of each other's name, Jellybean, Benitas,

998
00:58:43,520 --> 00:58:46,480
Speaker 1: they supposedly discovered Madonna and all that. He gave me

999
00:58:46,520 --> 00:58:49,000
Speaker 1: fifty thousand dollars and never gave me another dollar. He

1000
00:58:49,120 --> 00:58:52,600
Speaker 1: must have robbed me for ten twenty million. I'm talking

1001
00:58:52,640 --> 00:58:54,120
Speaker 1: about and big pun.

1002
00:58:54,360 --> 00:58:55,880
Speaker 2: He deserved a torpedo.

1003
00:58:56,000 --> 00:58:58,800
Speaker 1: Bet no, this guy needs more than a torpedo. But

1004
00:58:58,880 --> 00:59:03,320
Speaker 1: you know, we never seeing it's cool. But the man

1005
00:59:03,440 --> 00:59:06,560
Speaker 1: robbed me right for my publishing, So I get it.

1006
00:59:07,520 --> 00:59:11,000
Speaker 1: Everybody get robbed. You know, whoever you name a Timberlaye

1007
00:59:11,000 --> 00:59:13,200
Speaker 1: and the MISSI it is, they always was in the

1008
00:59:13,280 --> 00:59:18,200
Speaker 1: kitchen cooking up. Scott Storch was cooking up, not getting

1009
00:59:18,240 --> 00:59:21,840
Speaker 1: the credit right. So we all got robbed in one

1010
00:59:21,880 --> 00:59:26,160
Speaker 1: way or another. Right when the artists go now and

1011
00:59:26,280 --> 00:59:29,000
Speaker 1: do their own song over because they got robbed for

1012
00:59:29,120 --> 00:59:32,160
Speaker 1: their publishing or something like that, and they could own

1013
00:59:32,200 --> 00:59:36,880
Speaker 1: the master now it never sound like the original. And

1014
00:59:36,960 --> 00:59:40,880
Speaker 1: we're so used to the original. And I don't care

1015
00:59:40,920 --> 00:59:43,120
Speaker 1: who you name. I listen to a bunch of artists

1016
00:59:43,160 --> 00:59:46,439
Speaker 1: like redo the song. Their voice don't sound the same.

1017
00:59:47,200 --> 00:59:51,720
Speaker 1: You're older now, your shit don't sound the same, and

1018
00:59:51,760 --> 00:59:55,520
Speaker 1: you out here trying to recreate the magic. I say,

1019
00:59:56,360 --> 00:59:59,919
Speaker 1: keep performing, make your money. Don't fuck up the song

1020
01:00:00,760 --> 01:00:03,280
Speaker 1: because now they switch it out, so they don't take

1021
01:00:03,320 --> 01:00:06,400
Speaker 1: out the original that we love and put you with that.

1022
01:00:06,560 --> 01:00:08,920
Speaker 1: But if with your ship in there, it's money for

1023
01:00:08,960 --> 01:00:11,440
Speaker 1: the artists. But the ship is whacking in the original.

1024
01:00:12,640 --> 01:00:17,320
Speaker 1: Let me use the bathrooms, tad on the ears. Nobody

1025
01:00:17,360 --> 01:00:19,479
Speaker 1: can do. They swing over and it sounds good.

1026
01:00:20,080 --> 01:00:23,480
Speaker 2: I don't give a fuck. You can't if he did

1027
01:00:23,640 --> 01:00:26,000
Speaker 2: Slow Joe right now, it's gonna sound garbage.

1028
01:00:26,480 --> 01:00:26,920
Speaker 1: You can't.

1029
01:00:27,120 --> 01:00:29,120
Speaker 2: You can't get back intim.

1030
01:00:29,280 --> 01:00:32,600
Speaker 1: Because we've been used to you're hearing the ship is

1031
01:00:32,680 --> 01:00:36,640
Speaker 1: certain one. We love when the drum hit unheavy. We

1032
01:00:36,840 --> 01:00:39,960
Speaker 1: love when that ship. Wait, guys, and then it's just

1033
01:00:40,000 --> 01:00:40,800
Speaker 1: switch up you.

1034
01:00:40,880 --> 01:00:44,040
Speaker 2: Like even though you're the one who made it. If

1035
01:00:44,120 --> 01:00:46,800
Speaker 2: I had to go back and do listen the sound

1036
01:00:47,200 --> 01:00:50,760
Speaker 2: the only guys, you know what, I'm not even gonna.

1037
01:00:50,560 --> 01:00:54,520
Speaker 1: Say, who sound It's never gonna sound and scene like

1038
01:00:54,600 --> 01:00:57,840
Speaker 1: this is this is the part of the show. Can't Jada,

1039
01:00:58,760 --> 01:01:01,480
Speaker 1: You can't do. Can't he played the shit comes from

1040
01:01:01,520 --> 01:01:06,600
Speaker 1: different plans. You never get I never understood weed. Like

1041
01:01:06,680 --> 01:01:09,720
Speaker 1: if I went to the same guy, Pablo, he can't

1042
01:01:09,800 --> 01:01:13,760
Speaker 1: guarantee me that the weedy sold me earlier come from

1043
01:01:13,800 --> 01:01:14,680
Speaker 1: the same plan.

1044
01:01:15,360 --> 01:01:19,000
Speaker 2: Oh men, the fucking went to Montego Bay. These niggas

1045
01:01:19,040 --> 01:01:23,160
Speaker 2: spent forty ms. They went to Cali and copied the

1046
01:01:23,240 --> 01:01:26,680
Speaker 2: whole shit. They went to Montego Bay, spent forty ms,

1047
01:01:26,720 --> 01:01:32,600
Speaker 2: cloned the whole shit everything and grew straight garbage. They

1048
01:01:32,680 --> 01:01:36,560
Speaker 2: wasted forty ms. You know what it was to saw

1049
01:01:36,640 --> 01:01:39,600
Speaker 2: you in the heat and then how Jamaica is eight

1050
01:01:40,000 --> 01:01:43,560
Speaker 2: Cali weed is like that because the demographics of Cali.

1051
01:01:44,040 --> 01:01:46,400
Speaker 2: Just because you copied it and tried it in Jamaica,

1052
01:01:46,440 --> 01:01:49,040
Speaker 2: it was too hot. This shit came out garbage and

1053
01:01:49,080 --> 01:01:50,120
Speaker 2: they wasted the breath.

1054
01:01:50,600 --> 01:01:55,640
Speaker 1: My shit is this. That's an interesting story. But listen,

1055
01:01:55,880 --> 01:01:59,520
Speaker 1: My thing is this. If I go to McDonald's, I

1056
01:01:59,640 --> 01:02:04,720
Speaker 1: know what the chicken McNugget is. No, I'm teared out.

1057
01:02:06,640 --> 01:02:09,800
Speaker 1: Why don't I tell you something that I'm just saying.

1058
01:02:10,080 --> 01:02:12,400
Speaker 1: When I go my ship is food, your ship is weed.

1059
01:02:13,040 --> 01:02:16,720
Speaker 1: So when I go no Na, when I go somewhere,

1060
01:02:16,960 --> 01:02:22,040
Speaker 1: I that go do but listen, listen, we got it

1061
01:02:22,840 --> 01:02:27,600
Speaker 1: sh we rolling. No, I come off the plane. I'm

1062
01:02:27,600 --> 01:02:31,080
Speaker 1: as Sancho Pey all this ship right, I'm eating all

1063
01:02:31,080 --> 01:02:33,480
Speaker 1: this kind of weird ass. Sh right.

1064
01:02:33,560 --> 01:02:34,960
Speaker 2: You need to get that.

1065
01:02:35,640 --> 01:02:40,120
Speaker 1: I got right back to Jimmy's Bronze Cafe. Took two

1066
01:02:40,240 --> 01:02:44,400
Speaker 1: scoops and I was like, oh, I noticed. What I

1067
01:02:44,440 --> 01:02:47,400
Speaker 1: didn't understand is how the weed guy can never tell

1068
01:02:47,440 --> 01:02:52,480
Speaker 1: you with like Newport, it tastes like a new Port.

1069
01:02:53,320 --> 01:02:57,280
Speaker 1: How could you buy weed from a different solid?

1070
01:02:57,880 --> 01:03:01,200
Speaker 2: You see how you when you go the restaurants, you

1071
01:03:01,360 --> 01:03:04,720
Speaker 2: know is guaranteed. If when you go weed shopping, you

1072
01:03:04,880 --> 01:03:08,080
Speaker 2: got you have to go and try it every time.

1073
01:03:08,760 --> 01:03:11,880
Speaker 2: Say we we sent them Sam, you send them.

1074
01:03:11,800 --> 01:03:13,520
Speaker 1: For a diapad. You got to sample it.

1075
01:03:14,080 --> 01:03:16,440
Speaker 2: Yeah, you gotta try it every time. With weed, you

1076
01:03:16,480 --> 01:03:19,360
Speaker 2: gotta try it every time. It's not gonna be right

1077
01:03:19,440 --> 01:03:19,880
Speaker 2: every time.

1078
01:03:20,400 --> 01:03:21,160
Speaker 1: You gotta.

1079
01:03:21,360 --> 01:03:23,840
Speaker 2: Oh no, let me see this, Oh no, oh like that.

1080
01:03:23,840 --> 01:03:26,440
Speaker 2: I can't guarantee it because you're gonna order what you

1081
01:03:26,600 --> 01:03:27,840
Speaker 2: ordered and it ain't gonna be with you.

1082
01:03:27,960 --> 01:03:30,160
Speaker 1: Order any weed they give me, make me run but

1083
01:03:30,400 --> 01:03:33,440
Speaker 1: naked outside. I don't want it. No, I don't want it.

1084
01:03:33,520 --> 01:03:37,920
Speaker 2: That was franky baby. Yeah, ain't that ship for Friday?

1085
01:03:37,960 --> 01:03:41,320
Speaker 2: That's smoke it. Let me tell you something, bro, shout

1086
01:03:41,320 --> 01:03:44,000
Speaker 2: out to Doci man, she had one of the Yeah,

1087
01:03:44,120 --> 01:03:45,280
Speaker 2: she knew she had.

1088
01:03:45,160 --> 01:03:46,160
Speaker 1: It about one.

1089
01:03:47,920 --> 01:03:50,440
Speaker 2: Do you know how many dough cheese? It's not gonna

1090
01:03:50,520 --> 01:03:51,280
Speaker 2: need that many more.

1091
01:03:51,320 --> 01:03:54,360
Speaker 1: You know how many girls it's rapping right now? How

1092
01:03:54,400 --> 01:03:57,320
Speaker 1: many millions of girls is rapping in Doci made it.

1093
01:03:57,920 --> 01:04:00,160
Speaker 1: I'm just trying to tell you the odds, yo, Bro,

1094
01:04:00,320 --> 01:04:02,720
Speaker 1: everybody's sitting on the couch is not gonna be a

1095
01:04:02,760 --> 01:04:08,800
Speaker 1: successful rapper. They all around the world and all around

1096
01:04:08,960 --> 01:04:11,959
Speaker 1: like in Africa right now, they must think they're gonna

1097
01:04:11,960 --> 01:04:14,960
Speaker 1: be the next Davi Do or whatever the case may be.

1098
01:04:15,960 --> 01:04:18,280
Speaker 1: I'm just saying you got to keep an A and

1099
01:04:18,280 --> 01:04:21,160
Speaker 1: a B plan. I'm not discouraging you. I'm just saying,

1100
01:04:21,720 --> 01:04:23,600
Speaker 1: chances are You know how many times I went to

1101
01:04:23,680 --> 01:04:26,479
Speaker 1: karaoke and the girl came up in there and sung

1102
01:04:27,200 --> 01:04:30,640
Speaker 1: the fuck out of the karaoke, but she never blew

1103
01:04:30,720 --> 01:04:36,760
Speaker 1: up as a superstar, like the chances is really hard.

1104
01:04:37,000 --> 01:04:38,960
Speaker 1: So what I'm saying to you is this all right,

1105
01:04:39,040 --> 01:04:42,040
Speaker 1: I'm giving you a good one. Our fans love shit

1106
01:04:42,280 --> 01:04:45,280
Speaker 1: like that are fans of the podcast Joe and Jada,

1107
01:04:45,280 --> 01:04:49,560
Speaker 1: and we want to thank you for one hundred thousand subscribers.

1108
01:04:48,720 --> 01:04:53,040
Speaker 2: Like that twenty two days baby Instagram.

1109
01:04:52,640 --> 01:04:55,640
Speaker 1: About the crack one hundred thousand, We like ninety seven

1110
01:04:55,720 --> 01:05:01,000
Speaker 1: thousand or some shit like that. But listen. Top five

1111
01:05:01,880 --> 01:05:06,400
Speaker 1: greatest hip hop songs ever. I'm gonna let you, Yeah,

1112
01:05:06,520 --> 01:05:09,760
Speaker 1: I'm gonna let you set it off and your artists

1113
01:05:10,160 --> 01:05:15,240
Speaker 1: producers stop getting fucking mad. We love all of y'all.

1114
01:05:15,920 --> 01:05:22,360
Speaker 1: We don't fucking whatever it's up, Papa ship like yo, stop.

1115
01:05:22,440 --> 01:05:25,400
Speaker 1: I love all of y'all. Y'all all are supposed to

1116
01:05:25,440 --> 01:05:28,880
Speaker 1: be the greatest of all for he's gonna pick five.

1117
01:05:28,920 --> 01:05:32,480
Speaker 1: I'm gonna pick five. Don't rob bass, do not call

1118
01:05:32,600 --> 01:05:37,000
Speaker 1: me and curse me out tomorrow when this ship drive

1119
01:05:37,120 --> 01:05:40,600
Speaker 1: the right to because it takes two try to get

1120
01:05:40,760 --> 01:05:41,240
Speaker 1: good big.

1121
01:05:41,720 --> 01:05:43,640
Speaker 2: You know what I'm saying. It's millions of them. I

1122
01:05:43,640 --> 01:05:46,880
Speaker 2: don't want to fixing minding me making me.

1123
01:05:46,960 --> 01:05:52,400
Speaker 1: Do this right. That's right. Top five biggest hip hop

1124
01:05:52,440 --> 01:05:53,360
Speaker 1: songs of all time.

1125
01:05:54,720 --> 01:05:58,000
Speaker 2: You see why this is a bad thing because it

1126
01:05:58,240 --> 01:06:02,960
Speaker 2: goes off your age. I can say five and somebody

1127
01:06:03,040 --> 01:06:05,160
Speaker 2: that a new never heard it.

1128
01:06:05,480 --> 01:06:11,000
Speaker 1: But it's okay, it's okay. Our demographic is people our

1129
01:06:11,040 --> 01:06:13,160
Speaker 1: age real hip hop, and then we got some young

1130
01:06:13,240 --> 01:06:14,800
Speaker 1: kids who really want to know the real.

1131
01:06:15,400 --> 01:06:19,080
Speaker 2: So the top five hip hop songs of all time?

1132
01:06:19,880 --> 01:06:21,640
Speaker 2: How the fuck am I supposed to do?

1133
01:06:21,800 --> 01:06:24,760
Speaker 1: I don't know? But what what? What you think? When

1134
01:06:24,800 --> 01:06:27,080
Speaker 1: you heard it? You are? You hear it and you

1135
01:06:27,320 --> 01:06:30,040
Speaker 1: just like yo, this is the biggest ship ever.

1136
01:06:30,920 --> 01:06:33,240
Speaker 2: See. I'm trying to think of when since I ever't

1137
01:06:33,280 --> 01:06:36,560
Speaker 2: first heard hip hop? And now, Oh now that's hard,

1138
01:06:36,600 --> 01:06:37,560
Speaker 2: nothing but clustered.

1139
01:06:37,880 --> 01:06:38,720
Speaker 1: No, that's hard.

1140
01:06:39,480 --> 01:06:42,120
Speaker 2: I'm drawing white noise. Why don't you go first?

1141
01:06:42,440 --> 01:06:47,400
Speaker 1: Damn said? Why is what? This is?

1142
01:06:47,480 --> 01:06:47,640
Speaker 2: All?

1143
01:06:47,680 --> 01:06:52,280
Speaker 1: You? Right here? You go first? I'll say hip hop hoaray,

1144
01:06:52,920 --> 01:07:00,600
Speaker 1: naughty by nature. I'll say still dre I swear it

1145
01:07:00,640 --> 01:07:05,640
Speaker 1: gets tricky. I'll say, I'm just saying, biggest hip hop

1146
01:07:05,720 --> 01:07:09,000
Speaker 1: ship you get caught hold on, hold on, caught up thinking,

1147
01:07:09,480 --> 01:07:15,080
Speaker 1: I'll say, uh, New York, Alicia Keys and jay Z,

1148
01:07:15,920 --> 01:07:16,680
Speaker 1: you right.

1149
01:07:16,760 --> 01:07:20,440
Speaker 2: Bouncing around years. You made it easier for me. I

1150
01:07:20,560 --> 01:07:25,760
Speaker 2: like this because I count it easily. That's three three?

1151
01:07:25,800 --> 01:07:28,040
Speaker 1: What three? I said? What three? I said? Said? New

1152
01:07:28,120 --> 01:07:32,520
Speaker 1: York hip Hop Array in New York Alicia Kes and

1153
01:07:32,720 --> 01:07:36,000
Speaker 1: I think we got the best New York hip hop record. Now,

1154
01:07:36,040 --> 01:07:40,280
Speaker 1: I'm just saying not even the five already crack. Hip

1155
01:07:40,320 --> 01:07:43,720
Speaker 1: hop Array won the hip hop Array won the first

1156
01:07:43,920 --> 01:07:46,880
Speaker 1: uh Grammy, the first rap for the first grade for

1157
01:07:46,920 --> 01:07:49,760
Speaker 1: the Rap album, for for a rap album, and that

1158
01:07:50,000 --> 01:07:54,560
Speaker 1: hip hop fucking hooray, Okay, I got hip hop Array,

1159
01:07:55,360 --> 01:07:58,960
Speaker 1: I got what was the second one? I said, still

1160
01:07:59,080 --> 01:08:05,200
Speaker 1: dre right, you know you hit them pianos?

1161
01:08:05,240 --> 01:08:05,439
Speaker 2: Huh?

1162
01:08:06,280 --> 01:08:07,960
Speaker 1: And then we got New York.

1163
01:08:09,840 --> 01:08:12,560
Speaker 2: Two of the greatest songs of all time.

1164
01:08:13,920 --> 01:08:16,479
Speaker 1: He on two of the greatest songs of all time.

1165
01:08:18,080 --> 01:08:20,000
Speaker 2: You're only on three though, you got two more.

1166
01:08:20,520 --> 01:08:31,480
Speaker 1: Biggie Hypnotize Biggie hypnotized, right, and fuck it, I'll go cliche,

1167
01:08:31,640 --> 01:08:37,160
Speaker 1: I'll go Tupac dear Mama, Wow, I needed.

1168
01:08:37,120 --> 01:08:40,840
Speaker 2: I'm you did. All that was his own fucking top

1169
01:08:40,960 --> 01:08:44,599
Speaker 2: ten songs. I can't be mad at we have said

1170
01:08:44,720 --> 01:08:46,759
Speaker 2: talken about all time.

1171
01:08:47,520 --> 01:08:50,880
Speaker 1: Right, Yeah, you think I just hit a.

1172
01:08:50,880 --> 01:08:53,800
Speaker 2: There's no way to be right or room. I think

1173
01:08:54,080 --> 01:08:55,000
Speaker 2: those songs.

1174
01:08:55,040 --> 01:08:57,599
Speaker 1: That's exactly the point. There's no way to be right

1175
01:08:57,680 --> 01:09:01,680
Speaker 1: or wrong. So so my people don't call me and

1176
01:09:01,760 --> 01:09:04,280
Speaker 1: curse me out every time I do a producer every

1177
01:09:04,280 --> 01:09:06,120
Speaker 1: time I do this, every time I do it that

1178
01:09:06,840 --> 01:09:11,360
Speaker 1: they want to fucking kill me. Like y'all. I love everybody, man,

1179
01:09:11,400 --> 01:09:17,400
Speaker 1: but I'm just telling you hip hop paray. Oh hey, oh,

1180
01:09:17,760 --> 01:09:19,880
Speaker 1: I'm talking about hypnotize.

1181
01:09:21,720 --> 01:09:25,920
Speaker 2: No, y'all, this niggas fucking talking.

1182
01:09:25,720 --> 01:09:26,639
Speaker 1: About the biggest shit.

1183
01:09:26,960 --> 01:09:27,960
Speaker 2: He fucked me up.

1184
01:09:28,560 --> 01:09:29,559
Speaker 1: I don't know, man.

1185
01:09:29,640 --> 01:09:33,840
Speaker 2: Let me say, nobody take nothing cause I don't like

1186
01:09:34,000 --> 01:09:37,840
Speaker 2: doing these. So I'm on y'all side where y'all call

1187
01:09:37,960 --> 01:09:41,400
Speaker 2: him and flip on them and everybody call crack. This

1188
01:09:41,520 --> 01:09:42,160
Speaker 2: is his idea.

1189
01:09:42,960 --> 01:09:44,360
Speaker 1: But have I got to give you five?

1190
01:09:46,280 --> 01:09:47,599
Speaker 2: I can't, but let me try.

1191
01:09:48,840 --> 01:09:49,400
Speaker 1: One of them.

1192
01:09:49,439 --> 01:09:54,519
Speaker 2: Gotta be something from Snoop what Gin and Juice or

1193
01:09:55,439 --> 01:09:57,800
Speaker 2: or the g Thing or one of them. Shit is

1194
01:09:57,880 --> 01:10:02,400
Speaker 2: definitely one of them. Snoop and Drake together got one

1195
01:10:02,439 --> 01:10:04,920
Speaker 2: of them. I don't know which one. Take your pick.

1196
01:10:05,200 --> 01:10:12,240
Speaker 2: That's one for count That A's one right now. One

1197
01:10:12,360 --> 01:10:12,800
Speaker 2: d m C.

1198
01:10:13,200 --> 01:10:14,000
Speaker 1: King the Rock.

1199
01:10:15,320 --> 01:10:17,320
Speaker 2: I gotta be one because that's one of the first

1200
01:10:17,360 --> 01:10:18,639
Speaker 2: songs I ever heard in my life.

1201
01:10:18,840 --> 01:10:20,200
Speaker 1: Now, that's what setting it off.

1202
01:10:21,479 --> 01:10:24,800
Speaker 2: I'm uth at three now. The other one was you

1203
01:10:24,880 --> 01:10:27,600
Speaker 2: Gotta make your own one I gave you Dre and

1204
01:10:27,720 --> 01:10:31,400
Speaker 2: Snoop is one one of these ships is one is

1205
01:10:33,560 --> 01:10:36,080
Speaker 2: I'm cheating, but I got he's cheating, no choice.

1206
01:10:36,240 --> 01:10:39,439
Speaker 1: He ain't go specific with it. I said, Jenny, juice

1207
01:10:39,560 --> 01:10:42,639
Speaker 1: or g thing those take.

1208
01:10:42,520 --> 01:10:55,840
Speaker 3: Your one fault that dog of all times clocked Yeah,

1209
01:10:55,920 --> 01:10:56,479
Speaker 3: because this.

1210
01:10:56,520 --> 01:11:00,240
Speaker 1: Is y'a Jada man, this ship you got, I'm mean

1211
01:11:00,280 --> 01:11:05,280
Speaker 1: what else? I mean? Uh, you got a whole bunch.

1212
01:11:07,080 --> 01:11:09,519
Speaker 2: That scott one too. I don't know which one it is.

1213
01:11:10,040 --> 01:11:15,960
Speaker 1: Look, that's the stop drop shut him off on moup.

1214
01:11:16,320 --> 01:11:18,400
Speaker 2: What you call him is bigger than that. What it

1215
01:11:18,640 --> 01:11:19,719
Speaker 2: make me lose my mind?

1216
01:11:19,880 --> 01:11:20,160
Speaker 1: Y'all.

1217
01:11:20,520 --> 01:11:24,559
Speaker 2: Make that ship rips out there up.

1218
01:11:24,840 --> 01:11:29,400
Speaker 1: Here, that his cruising, y'all gonna make me go all out.

1219
01:11:30,800 --> 01:11:35,080
Speaker 2: So the hook is so top forty. The verses is dishrich.

1220
01:11:35,760 --> 01:11:37,000
Speaker 2: The verses is saying.

1221
01:11:36,800 --> 01:11:44,000
Speaker 1: That day when when the one thing gun thing like yo,

1222
01:11:44,120 --> 01:11:48,639
Speaker 1: he's going crazy free. You know we had a thing,

1223
01:11:48,760 --> 01:11:50,639
Speaker 1: let me let me shout out, cooling Dre. We had

1224
01:11:50,680 --> 01:11:54,479
Speaker 1: a thing we would make. We would kill him on

1225
01:11:54,520 --> 01:11:56,560
Speaker 1: the verse and make him dance on the hook. We

1226
01:11:56,600 --> 01:11:57,599
Speaker 1: will always do that.

1227
01:11:57,720 --> 01:12:01,080
Speaker 2: Gotta stuff giving the formulas out. Don't get don't tell

1228
01:12:01,120 --> 01:12:05,120
Speaker 2: these people that when I'm up to three or four.

1229
01:12:05,000 --> 01:12:07,000
Speaker 1: Man, You up to three?

1230
01:12:07,360 --> 01:12:08,280
Speaker 2: Now, I'm up to four.

1231
01:12:08,479 --> 01:12:10,759
Speaker 1: Y'all gonna make me lose my mind.

1232
01:12:11,960 --> 01:12:17,320
Speaker 2: I'm leaving ship out. I think one of see don't

1233
01:12:17,320 --> 01:12:20,280
Speaker 2: hold me. Don't quote me, boy, because I ain't said ship.

1234
01:12:20,800 --> 01:12:23,519
Speaker 2: N w A got one too, and pick it.

1235
01:12:24,200 --> 01:12:25,200
Speaker 1: Fuck the police.

1236
01:12:25,479 --> 01:12:28,479
Speaker 2: If you' every one you want, that's one. N w A.

1237
01:12:29,280 --> 01:12:33,280
Speaker 1: They got one, biggest of all time, great biggest one.

1238
01:12:33,160 --> 01:12:37,559
Speaker 1: You don't question. My n w CONTs bigger than fuck

1239
01:12:37,640 --> 01:12:41,080
Speaker 1: the police. That's why I just give you. N w A.

1240
01:12:41,439 --> 01:12:43,840
Speaker 2: They got one of them, one of them ships they

1241
01:12:43,880 --> 01:12:47,920
Speaker 2: got caught bigger than I gotta switched demographic.

1242
01:12:50,240 --> 01:12:57,880
Speaker 1: I shit alone in my four corner. I got, I

1243
01:12:57,960 --> 01:13:02,320
Speaker 1: got millions of more. But I just had to verse

1244
01:13:03,439 --> 01:13:07,840
Speaker 1: bum boom bomb ole production there saying that listen, man,

1245
01:13:07,920 --> 01:13:11,120
Speaker 1: I was hustling. I was in the street, hustling, and

1246
01:13:11,160 --> 01:13:14,240
Speaker 1: my brother told Mantane to pull up in the red truck,

1247
01:13:14,920 --> 01:13:18,160
Speaker 1: the Wrangler truck, and he looked at me. I swear

1248
01:13:18,200 --> 01:13:21,719
Speaker 1: to god, this is like a movie. He pulled over.

1249
01:13:21,840 --> 01:13:25,320
Speaker 1: I'm on the block watching the ship. I don't want

1250
01:13:25,320 --> 01:13:27,439
Speaker 1: to say what block, but I'm on the block watching

1251
01:13:28,600 --> 01:13:32,120
Speaker 1: and he ran up to me and his face it

1252
01:13:32,160 --> 01:13:34,160
Speaker 1: looked like a movie. This is my best friend, rest

1253
01:13:34,200 --> 01:13:36,679
Speaker 1: in peace, and he running like he had to tell

1254
01:13:36,760 --> 01:13:40,320
Speaker 1: me something crazy. So I'm like, yo, turning something. He said, Yo,

1255
01:13:40,360 --> 01:13:44,599
Speaker 1: come here, come here, please come in, and the man

1256
01:13:44,720 --> 01:13:48,280
Speaker 1: press play because he had the system. Boom bu got

1257
01:13:48,360 --> 01:13:52,519
Speaker 1: damn boom boom boom boom boom boomom. I sit alone

1258
01:13:52,600 --> 01:13:55,040
Speaker 1: in my fall on the room stall. Or that we

1259
01:13:55,160 --> 01:13:59,240
Speaker 1: started dancing around this truck when they played My mind's

1260
01:13:59,240 --> 01:14:04,040
Speaker 1: playing tricks on me, dancing around like Yo, this ship

1261
01:14:04,160 --> 01:14:07,880
Speaker 1: is great, and every drug dealer felt like paranoid. You

1262
01:14:07,960 --> 01:14:11,240
Speaker 1: felt like I took the fads everywhere I go and

1263
01:14:11,320 --> 01:14:14,080
Speaker 1: swam paranoid like everybody living that life.

1264
01:14:14,800 --> 01:14:16,439
Speaker 2: You know that was one of them ones.

1265
01:14:16,720 --> 01:14:20,000
Speaker 1: Nah, So let me get Jada's all. What what did

1266
01:14:20,000 --> 01:14:23,840
Speaker 1: you write down Jada's five? No, it ain't his other

1267
01:14:24,000 --> 01:14:28,200
Speaker 1: songs bigger than mine than his, were just saying he.

1268
01:14:28,280 --> 01:14:32,280
Speaker 2: Says, Go is one of the biggest songs, Go Go?

1269
01:14:33,680 --> 01:14:37,360
Speaker 1: What's from Go? Shut in the club? Fifty? Is your birthdays?

1270
01:14:38,960 --> 01:14:40,679
Speaker 1: In the will? That don't know that sort?

1271
01:14:41,160 --> 01:14:42,400
Speaker 2: You could go niggas.

1272
01:14:42,439 --> 01:14:45,680
Speaker 1: I can't talk. No, I'm just saying I agree with

1273
01:14:45,720 --> 01:14:47,600
Speaker 1: you with that. You know what I'm saying with the

1274
01:14:47,720 --> 01:14:50,840
Speaker 1: with with the fifty damn, that was a good one.

1275
01:14:50,960 --> 01:14:55,680
Speaker 1: That should have made some ship. No, no, it's your birthday.

1276
01:14:56,640 --> 01:15:00,360
Speaker 2: That's the ic to talk and you can sing that.

1277
01:15:00,360 --> 01:15:06,000
Speaker 1: That's the that's the cheat code. But what did we do? What? What? What?

1278
01:15:04,840 --> 01:15:07,760
Speaker 1: What did I pick? What Jada picked on the top five?

1279
01:15:08,120 --> 01:15:11,960
Speaker 1: Jada just ran down. It was either you had King

1280
01:15:12,080 --> 01:15:15,160
Speaker 1: Rock or on d M c uh pick a Snooper

1281
01:15:15,240 --> 01:15:18,400
Speaker 1: dre G thing or I think thin would be the

1282
01:15:18,439 --> 01:15:21,840
Speaker 1: one Mon's playing tricks on me. D M X up

1283
01:15:21,840 --> 01:15:28,080
Speaker 1: in here w a fuck the police or Compton? What

1284
01:15:28,160 --> 01:15:32,680
Speaker 1: did I pick? Yo?

1285
01:15:32,800 --> 01:15:38,400
Speaker 2: You gotta stop Layton, that's one of my favorite songs. Late,

1286
01:15:39,000 --> 01:15:41,559
Speaker 2: that's one of my favorite songs.

1287
01:15:41,040 --> 01:15:47,400
Speaker 1: Kidd Yo, your man violating my ship by here tayta

1288
01:15:47,479 --> 01:15:50,240
Speaker 1: be on that bullshit. He throw the hoodie over. He

1289
01:15:50,400 --> 01:15:58,919
Speaker 1: like standing alone in the four room with us, those missiles,

1290
01:15:58,960 --> 01:16:04,080
Speaker 1: those hip hop rays, Biggie Hypmetize, Snoop Dogg. So I said,

1291
01:16:04,120 --> 01:16:07,519
Speaker 1: still Dre. I went still Dre, and then I went

1292
01:16:09,000 --> 01:16:10,360
Speaker 1: was tupac damn?

1293
01:16:11,439 --> 01:16:13,960
Speaker 2: That was great? Those is great. Whole Give it to

1294
01:16:14,040 --> 01:16:15,840
Speaker 2: me is one of them ships too. They know that

1295
01:16:15,880 --> 01:16:20,599
Speaker 2: ship every where anywhere you could go on with human beings, and.

1296
01:16:20,560 --> 01:16:25,840
Speaker 1: Then we're gonna both agree honorary should be in. There

1297
01:16:26,040 --> 01:16:28,639
Speaker 1: is the in the club. It is mad P fifty

1298
01:16:28,720 --> 01:16:31,599
Speaker 1: seve in the club is definitely when the club is

1299
01:16:31,680 --> 01:16:35,960
Speaker 1: like the biggest disrespect ever created. You know, we start disrespecting,

1300
01:16:36,000 --> 01:16:41,840
Speaker 1: we go to doom doom, but don't yeah with the

1301
01:16:41,960 --> 01:16:46,840
Speaker 1: daily satility. That what the delly? You then when realposed

1302
01:16:46,880 --> 01:16:48,720
Speaker 1: to be on baby, if you give it to me,

1303
01:16:49,400 --> 01:16:51,720
Speaker 1: I give it to you. You know what that one?

1304
01:16:52,360 --> 01:16:53,320
Speaker 1: You know I got it.

1305
01:16:54,040 --> 01:16:55,080
Speaker 2: I can't take y'all.

1306
01:16:55,160 --> 01:16:59,080
Speaker 1: Listen boost Mobile, yo, yo, you know what this is?

1307
01:16:59,120 --> 01:17:04,400
Speaker 1: Boost Mobile, Jo Crack Jada, stay tuned, number one podcast

1308
01:17:04,560 --> 01:17:06,760
Speaker 1: in the game, and we want to smoke with everybody.

1309
01:17:07,240 --> 01:17:10,080
Speaker 1: I'm talking about Joe Rogan, I'm talking about Alice Cooper,

1310
01:17:10,320 --> 01:17:15,599
Speaker 1: whoever y'all won Somebody step up please, I'm gonna knock

1311
01:17:15,640 --> 01:17:16,519
Speaker 1: your coofie off.

1312
01:17:18,120 --> 01:17:21,320
Speaker 2: Thank you for tuning into another episode of The Joe

1313
01:17:21,400 --> 01:17:28,240
Speaker 2: and Jada Show, sponsored by Presented by Boost Mobile. Joe

1314
01:17:28,280 --> 01:17:31,360
Speaker 2: and Jada, Let's go this. Ain't that mean?

1315
01:17:31,439 --> 01:17:34,720
Speaker 1: It is? Because it's cracked kids. What