1
00:00:00,880 --> 00:00:12,760
Speaker 1: The transmitting this. Hello's good, welcome to the show. We're

2
00:00:12,800 --> 00:00:17,560
Speaker 1: back today. Everybody have a good long weekend. Oh yeah, Amy,

3
00:00:17,600 --> 00:00:19,759
Speaker 1: what happened at your house? So the delivery guy came

4
00:00:20,200 --> 00:00:22,240
Speaker 1: and dropped off the package, but you think he dropped

5
00:00:22,280 --> 00:00:24,919
Speaker 1: it off inside your house? Yeah, well, this is my assumption. Otherwise,

6
00:00:24,960 --> 00:00:26,800
Speaker 1: I have no idea. It was either the delivery guy

7
00:00:26,920 --> 00:00:29,720
Speaker 1: or a neighbor. My front door was unlocked. It isn't

8
00:00:29,760 --> 00:00:32,199
Speaker 1: always be pulled orea. I locked my door, and I

9
00:00:32,280 --> 00:00:34,960
Speaker 1: have a doorbell video cam. Okay, you don't have to

10
00:00:35,000 --> 00:00:37,680
Speaker 1: lay up all the things and a security guard and

11
00:00:37,760 --> 00:00:40,639
Speaker 1: there's a dog any moment I get my Yeah. No, No,

12
00:00:40,760 --> 00:00:42,680
Speaker 1: I do have a cam, but we have to take

13
00:00:42,720 --> 00:00:44,520
Speaker 1: it off and charge it every once in a while,

14
00:00:44,520 --> 00:00:46,479
Speaker 1: which is annoying because then it's like in the kitchen

15
00:00:46,560 --> 00:00:49,800
Speaker 1: charging and it's not picking up video footage of somebody

16
00:00:49,840 --> 00:00:54,520
Speaker 1: delivering this massive box. I ordered this like coffee table thing,

17
00:00:54,800 --> 00:00:57,200
Speaker 1: and I got home and no one had been inside

18
00:00:57,240 --> 00:00:59,640
Speaker 1: my house. But this huge box is in my entryway.

19
00:01:00,000 --> 00:01:03,040
Speaker 1: I don't know how I got there. Weird, weird. Did

20
00:01:03,080 --> 00:01:07,160
Speaker 1: delivery guys put stuff in the house? No way. The

21
00:01:07,240 --> 00:01:09,640
Speaker 1: reason I would say no, yeah is because what if

22
00:01:09,640 --> 00:01:12,039
Speaker 1: there's a security alarm on, because we have an alarm

23
00:01:12,080 --> 00:01:14,800
Speaker 1: at our house and have any perimeter window door if

24
00:01:14,840 --> 00:01:18,919
Speaker 1: any of them are our jar, Yeah opened, yeah, it'll

25
00:01:18,920 --> 00:01:22,240
Speaker 1: go booooo. And I would assume a deliver guy wouldn't

26
00:01:22,240 --> 00:01:26,399
Speaker 1: want to make that happen. Yeah, it was, It wasn't.

27
00:01:26,560 --> 00:01:30,240
Speaker 1: Nobody knows how the box got there. Nobody knows, And

28
00:01:30,280 --> 00:01:32,000
Speaker 1: I'm like, did somebody else swing by the house and

29
00:01:32,040 --> 00:01:34,080
Speaker 1: they saw this big package on the porch so they

30
00:01:34,080 --> 00:01:36,080
Speaker 1: thought I'll be nice and bring it in? And then

31
00:01:36,200 --> 00:01:38,280
Speaker 1: it's just weird. That part's weird too. Yeah. Are you

32
00:01:38,280 --> 00:01:40,360
Speaker 1: sure you didn't do it and you don't remember? Yes,

33
00:01:40,640 --> 00:01:44,240
Speaker 1: that's more likely. Yeah, I think that's it's it's a

34
00:01:44,440 --> 00:01:46,920
Speaker 1: huge box and I came home and it was just

35
00:01:47,000 --> 00:01:50,160
Speaker 1: in my entryway and I've asked everybody and nobody knows.

36
00:01:50,240 --> 00:01:53,840
Speaker 1: So my assumption was the delivery guy was like, this

37
00:01:53,880 --> 00:01:56,840
Speaker 1: is a really big box. Let me give this front

38
00:01:56,840 --> 00:01:59,040
Speaker 1: door a nudge, and it was open. So they just

39
00:01:59,080 --> 00:02:01,560
Speaker 1: said it right and side and carried on. We'll post

40
00:02:01,560 --> 00:02:03,600
Speaker 1: this on our social media and see if this happens

41
00:02:03,640 --> 00:02:05,840
Speaker 1: with the delivery go. Has it ever happened where you'd

42
00:02:05,880 --> 00:02:07,560
Speaker 1: come home and a package has been inside and you

43
00:02:07,560 --> 00:02:09,400
Speaker 1: don't know how I got there. Well, we should update

44
00:02:09,440 --> 00:02:11,639
Speaker 1: two about your house in your neighborhood. Is that car

45
00:02:11,919 --> 00:02:15,119
Speaker 1: that was parked in your neighborhood that everybody wanted a tow?

46
00:02:15,360 --> 00:02:18,919
Speaker 1: Yeah it is now it's gone. Yes, it got TOED.

47
00:02:19,040 --> 00:02:22,600
Speaker 1: I don't know. It's not a good update because it

48
00:02:22,680 --> 00:02:24,359
Speaker 1: just say, isn't there? Badly it's gone, And I mean

49
00:02:24,400 --> 00:02:27,360
Speaker 1: I'm not always there watching it, not filming it, so

50
00:02:28,240 --> 00:02:30,760
Speaker 1: I don't know if it got TOED or someone came

51
00:02:30,800 --> 00:02:33,280
Speaker 1: and moved it. That's my hope. My hope is that

52
00:02:33,800 --> 00:02:36,360
Speaker 1: someone came and moved it. What do you think themselves?

53
00:02:37,160 --> 00:02:39,960
Speaker 1: But they probably towed it. Do you think so somebody? Yeah,

54
00:02:40,200 --> 00:02:41,960
Speaker 1: maybe the tow truck guy saw the box on your

55
00:02:41,960 --> 00:02:44,960
Speaker 1: porch before he towed the car, a big muscular guy

56
00:02:44,960 --> 00:02:47,120
Speaker 1: and moved it in and then towed the car. Well, hey,

57
00:02:47,160 --> 00:02:49,959
Speaker 1: I was thankful. It's a big box. I hope you

58
00:02:50,000 --> 00:02:51,520
Speaker 1: guys are having a good day. We're glad to be

59
00:02:51,560 --> 00:02:58,760
Speaker 1: back today. It is time to open up the mailback something.

60
00:03:01,600 --> 00:03:05,079
Speaker 1: Hey Bobby, I'm a healthcare worker and about a month

61
00:03:05,080 --> 00:03:07,880
Speaker 1: into COVID, I started drinking a lot more I had

62
00:03:07,919 --> 00:03:09,600
Speaker 1: four to five drinks a night, which was a lot

63
00:03:09,639 --> 00:03:12,600
Speaker 1: more than my usual two drinks a week. In June

64
00:03:12,639 --> 00:03:14,919
Speaker 1: of last year, I decided to quit drinking. I gave

65
00:03:15,000 --> 00:03:17,800
Speaker 1: up all alcohol. I've been alcohol free since June of

66
00:03:17,800 --> 00:03:20,080
Speaker 1: twenty twenty. A sister and I had dinner the other

67
00:03:20,160 --> 00:03:22,200
Speaker 1: night and she started an argument with me about why

68
00:03:22,240 --> 00:03:25,000
Speaker 1: I don't drink anymore. I got upset. I left. I

69
00:03:25,120 --> 00:03:27,960
Speaker 1: have numerous reasons not to drink, but I don't feel

70
00:03:27,960 --> 00:03:30,359
Speaker 1: like I have to justify my actions or reasons to her.

71
00:03:30,960 --> 00:03:34,120
Speaker 1: How do you handle people, especially ones that you care about,

72
00:03:34,160 --> 00:03:39,360
Speaker 1: pressuring you to drink. Thanks, signed Russell. Thanks for the email, Russell,

73
00:03:39,440 --> 00:03:42,360
Speaker 1: I could tell for new listeners. I don't drink, but

74
00:03:42,520 --> 00:03:44,640
Speaker 1: I've never had a drink of alcohol because of the

75
00:03:44,680 --> 00:03:47,920
Speaker 1: history of alcoholism and drug addiction in my family. I

76
00:03:47,960 --> 00:03:50,200
Speaker 1: also don't think it's wrong to drink, so I'm also

77
00:03:50,280 --> 00:03:52,760
Speaker 1: not the guy who's like, don't drink. I also am

78
00:03:53,040 --> 00:03:56,520
Speaker 1: great in situations where everybody else is drinking, so I'm

79
00:03:56,520 --> 00:04:00,320
Speaker 1: not coming from a place of morally I feel longer

80
00:04:00,320 --> 00:04:02,160
Speaker 1: and better than you. I just don't drink because I

81
00:04:02,160 --> 00:04:04,520
Speaker 1: know it ain't good for me. Russell here's how you

82
00:04:04,560 --> 00:04:08,760
Speaker 1: handle people. You don't You don't owe an explanation to anybody.

83
00:04:09,320 --> 00:04:11,160
Speaker 1: If you don't want to drink, you don't have to drink.

84
00:04:11,160 --> 00:04:13,440
Speaker 1: There are things you can do to avoid weird conflict,

85
00:04:13,800 --> 00:04:15,640
Speaker 1: Like I will go out because I don't want to

86
00:04:15,640 --> 00:04:17,120
Speaker 1: be questioned about it. And if we're somewhere and I

87
00:04:17,120 --> 00:04:19,040
Speaker 1: don't know a lot of the people, I'll have them

88
00:04:19,080 --> 00:04:20,920
Speaker 1: make me. I used to call it a virgin drink,

89
00:04:20,960 --> 00:04:22,720
Speaker 1: but I realized that's old school. You have to call

90
00:04:22,760 --> 00:04:25,680
Speaker 1: it a mocktail now. Now they look at you weird.

91
00:04:25,680 --> 00:04:27,159
Speaker 1: If you go, hey, can I get a virgin so

92
00:04:27,240 --> 00:04:29,960
Speaker 1: and so, they're like, and I don't want to get

93
00:04:29,960 --> 00:04:31,440
Speaker 1: canceled because I have a bar a consum in a

94
00:04:31,520 --> 00:04:34,279
Speaker 1: virgin So now it's a mocktail. But you can go, hey,

95
00:04:34,320 --> 00:04:36,680
Speaker 1: can I get a mocktail version of this just at

96
00:04:36,680 --> 00:04:38,640
Speaker 1: the bar and walk back with it and just drink

97
00:04:38,640 --> 00:04:40,560
Speaker 1: and maybe no questions or asked, or you can just

98
00:04:40,600 --> 00:04:43,719
Speaker 1: tell your sister, I don't feel going a drinks it

99
00:04:44,200 --> 00:04:47,520
Speaker 1: And also why you busting your child's about that part's weird.

100
00:04:47,520 --> 00:04:49,479
Speaker 1: But I chose not to really involve myself in that

101
00:04:49,520 --> 00:04:53,200
Speaker 1: part of the family dynamic. You'd owe nothing to anyone.

102
00:04:53,920 --> 00:04:56,840
Speaker 1: Good for you for going. Hey, I'm cutting it because

103
00:04:56,839 --> 00:04:58,359
Speaker 1: I don't feel like I was in a healthy place.

104
00:04:58,600 --> 00:04:59,800
Speaker 1: And if you ever decide you want to have a

105
00:04:59,839 --> 00:05:01,880
Speaker 1: drin or so and you can handle it, good for you.

106
00:05:02,120 --> 00:05:04,240
Speaker 1: But but but don't feel like you owe an explanation

107
00:05:04,240 --> 00:05:07,640
Speaker 1: to anybody at any time about anything that is affecting

108
00:05:07,640 --> 00:05:12,200
Speaker 1: your mental wellbeing and your physical wellbeing. So that's all

109
00:05:12,240 --> 00:05:14,480
Speaker 1: I have to say. Do you have to say anything? Yeah? No,

110
00:05:14,520 --> 00:05:16,520
Speaker 1: I mean I'm proud of them for you set a

111
00:05:16,560 --> 00:05:20,040
Speaker 1: boundary for yourself and sometimes who the people that are

112
00:05:20,080 --> 00:05:23,320
Speaker 1: affected by the boundaries the most are those around you

113
00:05:23,360 --> 00:05:25,640
Speaker 1: that maybe don't like it. So that's the problem with

114
00:05:25,680 --> 00:05:29,760
Speaker 1: your sister and you love getting hammered with them or what? Yeah,

115
00:05:29,800 --> 00:05:31,479
Speaker 1: I mean just taie one on and go to town

116
00:05:31,520 --> 00:05:34,200
Speaker 1: every Wednesday. She misses her drinking buddy, and so yeah,

117
00:05:34,160 --> 00:05:36,320
Speaker 1: I'm fortune that might be another boundary you have to

118
00:05:36,320 --> 00:05:38,760
Speaker 1: set by not hanging out with her as much if

119
00:05:38,800 --> 00:05:41,520
Speaker 1: she's going to pressure you for something. Here, that part's

120
00:05:41,600 --> 00:05:44,040
Speaker 1: just weird that you would get mad. But here I'm

121
00:05:44,080 --> 00:05:47,359
Speaker 1: gonna end on this. You don't know anybody anything about anything.

122
00:05:47,560 --> 00:05:49,279
Speaker 1: If when it comes to your physical and mental wellbeing

123
00:05:49,560 --> 00:05:53,440
Speaker 1: the end. Drinking or not, it doesn't matter what it is. Thanks,

124
00:05:53,560 --> 00:05:55,560
Speaker 1: have a good day. Close it up. We've got your

125
00:05:58,600 --> 00:06:02,680
Speaker 1: that was about to close. If you have a question

126
00:06:02,680 --> 00:06:05,400
Speaker 1: for us or a comment, because we'll answer questions or

127
00:06:05,440 --> 00:06:07,320
Speaker 1: comment on anything, all you have to do is send

128
00:06:07,400 --> 00:06:10,160
Speaker 1: us an email. Morgan, what do they do? Mailbag at

129
00:06:10,200 --> 00:06:13,960
Speaker 1: Bobby Bones dot com. There you go. So Mike Deed

130
00:06:14,080 --> 00:06:17,560
Speaker 1: is a podcast called Movie Mike's Movie Podcast, and in

131
00:06:17,640 --> 00:06:20,320
Speaker 1: his Instagram story, he asked, should I watch all the

132
00:06:20,320 --> 00:06:24,560
Speaker 1: Harry Potter movies? They're eight of them. That's a's a

133
00:06:24,560 --> 00:06:26,960
Speaker 1: lot of any kind of movie commitment. I've never seen

134
00:06:27,000 --> 00:06:29,799
Speaker 1: a Harry Potter movie, and most people said you should

135
00:06:29,800 --> 00:06:32,120
Speaker 1: watch them. Eighty percent said you should have watched him

136
00:06:32,120 --> 00:06:34,200
Speaker 1: for sure. So he's Mike sent me a text last

137
00:06:34,279 --> 00:06:36,000
Speaker 1: night he goes hear me out, I'd like to say

138
00:06:36,000 --> 00:06:38,320
Speaker 1: something on the air. Here is your time, go ahead.

139
00:06:38,480 --> 00:06:40,320
Speaker 1: I think you need to at least watch the first

140
00:06:40,360 --> 00:06:43,320
Speaker 1: Harry Potter movie. If you don't like it, don't watch

141
00:06:43,360 --> 00:06:45,159
Speaker 1: the rest of them. But they're all on HBO Max

142
00:06:45,200 --> 00:06:47,159
Speaker 1: now I think you need to watch them now. But

143
00:06:47,320 --> 00:06:48,960
Speaker 1: why do I need to watch Harry Potter. They will

144
00:06:49,040 --> 00:06:52,000
Speaker 1: change your life, change his life will and I think

145
00:06:52,040 --> 00:06:54,560
Speaker 1: you'll be able to identify with other people who love them,

146
00:06:54,600 --> 00:06:56,640
Speaker 1: so it'll open up a whole new world for you. Mike,

147
00:06:56,640 --> 00:06:58,520
Speaker 1: he's a forty year old man, I know, forty one.

148
00:06:58,640 --> 00:07:00,599
Speaker 1: Forty one. Yeah, but it's one of the biggest movies

149
00:07:00,640 --> 00:07:02,920
Speaker 1: of all time. I agree, franchise, I agree. I think

150
00:07:02,960 --> 00:07:05,640
Speaker 1: you should watch it. Eddie, have you seen them? No? Okay,

151
00:07:05,680 --> 00:07:07,800
Speaker 1: I'm willing to make a deal here. Oh why are

152
00:07:07,800 --> 00:07:09,560
Speaker 1: you dragging us with I'd like the devil. I'm down

153
00:07:09,560 --> 00:07:14,080
Speaker 1: in Georgia. Oh look at that fiddle of gold. Okay.

154
00:07:14,320 --> 00:07:18,280
Speaker 1: I will watch the first Harry Potter movie. If Amy,

155
00:07:18,680 --> 00:07:21,800
Speaker 1: Eddie and Lunchbox all agree to watch the first Harry

156
00:07:21,800 --> 00:07:28,160
Speaker 1: Potter movie. I love it. Oh yeah, my kids wanted

157
00:07:28,240 --> 00:07:30,560
Speaker 1: to work through them and Amy's out ray have you

158
00:07:30,600 --> 00:07:34,320
Speaker 1: seen it? I actually have an ex girlfriend wanted me

159
00:07:34,360 --> 00:07:36,000
Speaker 1: to watch some of them. I didn't like him, but

160
00:07:36,080 --> 00:07:37,800
Speaker 1: I've been watched them before. I can watch him again.

161
00:07:37,840 --> 00:07:41,800
Speaker 1: I hated it. Well, if you, if Eddie and Lunchbox

162
00:07:41,840 --> 00:07:43,720
Speaker 1: agree to watch it, I will watch the first Harry

163
00:07:43,720 --> 00:07:46,320
Speaker 1: Potter I mean, do we have a chance not to agree.

164
00:07:46,760 --> 00:07:49,320
Speaker 1: I feel like you can kill the bed, but we

165
00:07:49,320 --> 00:07:51,000
Speaker 1: don't do the bed. No, no, we don't do that.

166
00:07:51,440 --> 00:07:55,840
Speaker 1: What about Morgan number two? I'm sure she's seen. He's

167
00:07:55,840 --> 00:07:59,080
Speaker 1: in the fan club, she's wrote a letter. Um, okay,

168
00:07:59,280 --> 00:08:04,080
Speaker 1: so today's Tuesday. I'm gonna give everybody two weeks to

169
00:08:04,080 --> 00:08:06,240
Speaker 1: watch it. It's oh, that's plenty of time. That's plenty

170
00:08:06,280 --> 00:08:08,600
Speaker 1: of time. Yeah. I mean if I do two minutes

171
00:08:08,640 --> 00:08:10,480
Speaker 1: a day, I'll do I like it a teen. Mom.

172
00:08:10,480 --> 00:08:12,800
Speaker 1: When Lunchbox man we watch that show, it's two hours

173
00:08:12,800 --> 00:08:17,640
Speaker 1: and thirty three minutes. I know that said the first. Okay,

174
00:08:17,640 --> 00:08:20,520
Speaker 1: so that's we have two weeks to watch the first

175
00:08:20,520 --> 00:08:23,160
Speaker 1: Harry Potter movie. Me, Eddie and Lunchbox love it. And

176
00:08:23,200 --> 00:08:26,280
Speaker 1: if this movie doesn't change our lives, punch Mike exactly

177
00:08:27,600 --> 00:08:30,880
Speaker 1: awhere else. How about this? How about this? There should

178
00:08:30,920 --> 00:08:34,440
Speaker 1: be a real penalty. Yes, two of three of us

179
00:08:34,480 --> 00:08:36,280
Speaker 1: have to love it, not all three, because Lunchbox maybe

180
00:08:36,320 --> 00:08:38,200
Speaker 1: the guy that loves and doesn't admit it. I will

181
00:08:38,240 --> 00:08:41,240
Speaker 1: never lie to you, guys, But if two of three

182
00:08:41,280 --> 00:08:44,160
Speaker 1: of us don't like it, we get to come up

183
00:08:44,160 --> 00:08:46,560
Speaker 1: with some sort of penalty. Okay, well, we'll figure the

184
00:08:46,559 --> 00:08:49,520
Speaker 1: pen I don't think it's that you just have to

185
00:08:49,559 --> 00:08:51,040
Speaker 1: like it. You don't have to feel as though it

186
00:08:51,200 --> 00:08:56,480
Speaker 1: changed to give it four out of five roomsticks. Okay, okay, okay, Yeah,

187
00:08:56,600 --> 00:09:00,280
Speaker 1: that's that's high. Okay, that's the deal. Well have the

188
00:09:00,320 --> 00:09:02,760
Speaker 1: penalty thing tomorrow. Okay, guys, come up with some stuff.

189
00:09:05,200 --> 00:09:09,040
Speaker 1: The latest from Nashville. In Tullywood Morgan number two, thirty

190
00:09:09,080 --> 00:09:13,440
Speaker 1: second Skinny, Lauren Elena talked about her dream movie role.

191
00:09:13,679 --> 00:09:17,360
Speaker 1: I would love to do a movie about Dolly Parton

192
00:09:17,840 --> 00:09:20,240
Speaker 1: and get to play her. I'd have to get a

193
00:09:20,240 --> 00:09:23,160
Speaker 1: boob job or something, but I'd love to do it.

194
00:09:23,280 --> 00:09:26,000
Speaker 1: Lady A shared what they'd like their Nashville bar to

195
00:09:26,040 --> 00:09:29,560
Speaker 1: be like if they ever got one. Downstairs speak easy

196
00:09:29,640 --> 00:09:32,319
Speaker 1: and then let the top part be like Champagne wine bar.

197
00:09:32,679 --> 00:09:35,680
Speaker 1: Justin Moore shared what his first jobs were like. My

198
00:09:35,760 --> 00:09:38,560
Speaker 1: mom and dad actually owned a restaurant. I wited tables there,

199
00:09:38,640 --> 00:09:42,240
Speaker 1: which you don't make much, just mostly tips. And the

200
00:09:42,280 --> 00:09:44,280
Speaker 1: other job where I made pretty good at the time

201
00:09:44,320 --> 00:09:47,400
Speaker 1: of ten bucks an hour was our rooftouses with my uncle.

202
00:09:47,520 --> 00:09:52,000
Speaker 1: I'm Morgan number two. That's your skinny. It's time for

203
00:09:52,040 --> 00:09:58,160
Speaker 1: the good news producer Ready, so there's been a lot

204
00:09:58,160 --> 00:09:59,920
Speaker 1: of families that are having to deal with the destruction

205
00:10:00,040 --> 00:10:03,040
Speaker 1: of the wildfires in northern California. But there's a guy

206
00:10:03,120 --> 00:10:06,280
Speaker 1: named Morgan Earl. He's a lego expert on YouTube. He's

207
00:10:06,320 --> 00:10:08,319
Speaker 1: got a lot of videos where he does these awesome

208
00:10:08,360 --> 00:10:11,719
Speaker 1: creations of legos. Well, he wants to brighten up the

209
00:10:11,800 --> 00:10:13,800
Speaker 1: days of the kids that have been affected by these fires.

210
00:10:13,800 --> 00:10:17,160
Speaker 1: So he's donating his personal lego collection to all these

211
00:10:17,240 --> 00:10:19,480
Speaker 1: kids that have lost their homes or dealing with his stuff.

212
00:10:19,720 --> 00:10:22,520
Speaker 1: And he's also raising money because he says that legos

213
00:10:22,920 --> 00:10:25,280
Speaker 1: are a great way for kids to forget the realities

214
00:10:25,280 --> 00:10:27,400
Speaker 1: of life. So that's pretty cool. I bet that's a

215
00:10:27,400 --> 00:10:29,839
Speaker 1: significant amount of legos. Yeah, he's got a lot. He's

216
00:10:29,840 --> 00:10:33,240
Speaker 1: got eight thousand dollars worth of legos. Oh is he married?

217
00:10:33,440 --> 00:10:36,839
Speaker 1: You know, he didn't say, but probably not. I don't know. Yeah,

218
00:10:36,960 --> 00:10:39,839
Speaker 1: I don't know, probably not. I'm just asking like, does

219
00:10:39,880 --> 00:10:42,160
Speaker 1: he need his own room? Is there like an addict

220
00:10:42,240 --> 00:10:44,360
Speaker 1: for the lego? Yes, because if you're married to a

221
00:10:44,400 --> 00:10:47,280
Speaker 1: guy that has that many legos, it's like, oh, probably not.

222
00:10:47,640 --> 00:10:52,640
Speaker 1: Both art that's true and I'm married. He also has

223
00:10:52,800 --> 00:10:55,640
Speaker 1: on TikTok six hundred and twenty three thousand followers. There

224
00:10:55,640 --> 00:10:58,040
Speaker 1: you go. So maybe he just made fun of him. Well,

225
00:10:58,040 --> 00:10:59,920
Speaker 1: if he's not married, then he will be married since

226
00:11:01,960 --> 00:11:05,960
Speaker 1: a lot of ladies watching those videos. Okay, he's a

227
00:11:06,000 --> 00:11:08,520
Speaker 1: good dude. What's his name again? His name is Morgan Earl,

228
00:11:08,920 --> 00:11:12,720
Speaker 1: Morgan Earle. That's awesome. He is known as the lego dad. Yeah. Oh,

229
00:11:12,840 --> 00:11:14,560
Speaker 1: so he's a dad. He has kids. And to top

230
00:11:14,600 --> 00:11:16,360
Speaker 1: it off here, so Eddie, you know what that means

231
00:11:16,360 --> 00:11:21,440
Speaker 1: a dad? That doesn't mean he's married. Well, go ahead. Also,

232
00:11:21,559 --> 00:11:24,000
Speaker 1: he also says here that he dressed up as Santa

233
00:11:24,080 --> 00:11:26,280
Speaker 1: to deliver these legos. So you guys are giving this

234
00:11:26,360 --> 00:11:28,320
Speaker 1: guy a hard time. He's a loving dude. I'm assuming

235
00:11:28,320 --> 00:11:30,320
Speaker 1: he's big and he has a beard. So he does

236
00:11:30,360 --> 00:11:33,079
Speaker 1: have a beard. Yeah, that's what it's all about. That

237
00:11:33,480 --> 00:11:37,480
Speaker 1: was tell me something good. If you call our show

238
00:11:37,520 --> 00:11:39,640
Speaker 1: when we're not on the air, the voicemail picks up,

239
00:11:40,160 --> 00:11:44,280
Speaker 1: it's eight seven, seven seventy seven, Bobby, and it's like

240
00:11:44,320 --> 00:11:46,000
Speaker 1: me going, hey, leave a message. We're not here, but

241
00:11:46,360 --> 00:11:49,000
Speaker 1: we'll play it on the air. Maybe. So sometimes Luxbox

242
00:11:49,040 --> 00:11:50,400
Speaker 1: will come in here and just answer the phone and

243
00:11:50,440 --> 00:11:52,640
Speaker 1: act like the voicemail. Yeah, I just act like a

244
00:11:52,720 --> 00:11:55,640
Speaker 1: voice recording, like Hello, you've reached the Bobby Bone Show

245
00:11:55,720 --> 00:11:58,400
Speaker 1: voicemail And I tell him you can leave a message,

246
00:11:58,400 --> 00:12:00,000
Speaker 1: and I make him do a bunch of dumb stuff

247
00:12:00,200 --> 00:12:02,240
Speaker 1: and they do it. It's really great. Here we go.

248
00:12:02,320 --> 00:12:04,480
Speaker 1: Here's clut number one. Thank you for calling the Bobby

249
00:12:04,520 --> 00:12:08,079
Speaker 1: Bones Show. This is our voicemail. Unfortunately, we are getting

250
00:12:08,080 --> 00:12:10,280
Speaker 1: a high number of calls right now and couldn't get

251
00:12:10,280 --> 00:12:12,800
Speaker 1: to your call. Please leave a voicemail out to the

252
00:12:12,800 --> 00:12:14,960
Speaker 1: Beep and maybe we'll play it back on the air

253
00:12:15,280 --> 00:12:20,200
Speaker 1: Beep Morning Studio. This is Rachel from Nashville, and I

254
00:12:20,280 --> 00:12:24,280
Speaker 1: just had a thought a potential flaw in the lunchbox

255
00:12:24,480 --> 00:12:29,040
Speaker 1: pulling the rock bit in downtown. There is no flaw lunchboxes.

256
00:12:29,679 --> 00:12:34,800
Speaker 1: Lunchbox is amazing. Lunchbox is amazing. There is no flaw. Hello,

257
00:12:34,920 --> 00:12:38,560
Speaker 1: If you are satisfied with your message, press one. I'm

258
00:12:38,559 --> 00:12:41,680
Speaker 1: so confused. Is there anything else you'd like to say

259
00:12:41,720 --> 00:12:44,520
Speaker 1: to the show? Oh man, I had my voicemail all

260
00:12:44,559 --> 00:12:49,079
Speaker 1: planned out, but now it's confused. If you are satisfied

261
00:12:49,120 --> 00:12:52,080
Speaker 1: with your message, press one. If you'd like Eddie to

262
00:12:52,120 --> 00:12:56,360
Speaker 1: send you a picture of his bald head press. It's

263
00:12:56,400 --> 00:13:01,400
Speaker 1: wrong with you. That's so stupid, But it's so funny.

264
00:13:01,840 --> 00:13:03,600
Speaker 1: She was really going in on something too. I wonder

265
00:13:03,640 --> 00:13:09,400
Speaker 1: what the flaw? Why is it? Okay, here's that's funny.

266
00:13:09,440 --> 00:13:12,520
Speaker 1: Here's another clip. Thank you for calling the Bobby Bones Show.

267
00:13:12,720 --> 00:13:15,480
Speaker 1: You have reached our voicemail. If you'd like to leave

268
00:13:15,480 --> 00:13:19,120
Speaker 1: a message for Bobby, say NERD alert if you like,

269
00:13:20,960 --> 00:13:27,000
Speaker 1: you selected Bobby at the beep, leave a message for Bobby. Bobby.

270
00:13:27,080 --> 00:13:29,760
Speaker 1: I would like to reash my husband DM Miles a

271
00:13:29,880 --> 00:13:33,079
Speaker 1: happy birthday. Would you like to sing him Happy birthday

272
00:13:33,120 --> 00:13:36,360
Speaker 1: on this message before we hang up? Yeah? You sing

273
00:13:36,400 --> 00:13:43,880
Speaker 1: happy birthday after the beat beep, Happy birthday, Happy birthday,

274
00:13:44,040 --> 00:13:49,280
Speaker 1: dear ben Mouse. I loved you, I do, thank you

275
00:13:49,360 --> 00:13:52,080
Speaker 1: and have a great day. I can't believe. How are

276
00:13:52,080 --> 00:13:57,120
Speaker 1: they believing that's funny? What time of the day do

277
00:13:57,160 --> 00:14:01,960
Speaker 1: you do that? Yeah? Whatever? I would also believe it

278
00:14:02,000 --> 00:14:04,959
Speaker 1: too if I called. But the technology is not there. Well,

279
00:14:06,840 --> 00:14:09,559
Speaker 1: but when he does beep in his own voice after

280
00:14:09,600 --> 00:14:14,800
Speaker 1: the bee Okay, so you never know, but we would

281
00:14:14,920 --> 00:14:17,040
Speaker 1: like you to call and leave us a voicemail right

282
00:14:17,080 --> 00:14:18,679
Speaker 1: we were, we would if we're not on the air

283
00:14:18,720 --> 00:14:21,800
Speaker 1: and you have something you want to say, please leave us.

284
00:14:21,800 --> 00:14:25,680
Speaker 1: For example, this is a real voicemail from Jackie in California.

285
00:14:25,720 --> 00:14:28,440
Speaker 1: Here about a week behind on the podcast. But I

286
00:14:28,520 --> 00:14:32,240
Speaker 1: just listened to lunchboxes segment on being the top twenty

287
00:14:32,240 --> 00:14:36,160
Speaker 1: five famous people in Nashville, and I was dying. I

288
00:14:36,240 --> 00:14:39,000
Speaker 1: was laughing so hard in my car. I was basically crying.

289
00:14:39,360 --> 00:14:42,400
Speaker 1: And I'm super excited for this bit. If it has

290
00:14:42,440 --> 00:14:44,920
Speaker 1: not happened already. With him standing on the side of

291
00:14:44,960 --> 00:14:48,920
Speaker 1: the road, I think he's like relatively famous. Maybe no

292
00:14:49,040 --> 00:14:51,600
Speaker 1: Carrie Underwood or any of the people that you listed,

293
00:14:51,720 --> 00:14:54,440
Speaker 1: but I would go next. Okay, well we will find out.

294
00:14:54,440 --> 00:14:56,960
Speaker 1: But that's a real voicemail. Okay, that was the real one.

295
00:14:57,040 --> 00:14:59,080
Speaker 1: I kept waiting for Lunchbox to come in and be like,

296
00:14:59,160 --> 00:15:04,680
Speaker 1: I am famous eight seven, seven seventy seven, Bobby to

297
00:15:04,760 --> 00:15:07,160
Speaker 1: call us live, or to call us after the show

298
00:15:07,160 --> 00:15:15,680
Speaker 1: too on the Bobby Bones Show. Now he's back to

299
00:15:15,800 --> 00:15:20,880
Speaker 1: make us smarter about law. What up John Morgan? Poward

300
00:15:20,960 --> 00:15:24,400
Speaker 1: things in nash Vegas. You know what they're doing pretty good?

301
00:15:24,400 --> 00:15:27,480
Speaker 1: Were what part of the world is the well traveled

302
00:15:27,560 --> 00:15:33,280
Speaker 1: John Morgan? And today today I am in New Hampshire,

303
00:15:34,720 --> 00:15:39,800
Speaker 1: looking out at the lake and waiting for the Toby

304
00:15:39,880 --> 00:15:45,480
Speaker 1: Keith concert this weekend. Okay, this is a country state

305
00:15:45,600 --> 00:15:49,040
Speaker 1: up here, This is a country world. That's how I

306
00:15:49,120 --> 00:15:51,880
Speaker 1: like Willie Nelson next weekend. And I bet you have

307
00:15:51,960 --> 00:15:57,640
Speaker 1: backstage passes to all this stuff, don't you? Probably for Willie. Yeah,

308
00:16:00,120 --> 00:16:03,640
Speaker 1: poker with him and Maui. And I'm sure that you

309
00:16:04,360 --> 00:16:09,080
Speaker 1: have a haze about that game. I had a haze

310
00:16:09,120 --> 00:16:13,600
Speaker 1: about that game. And it was the last time I

311
00:16:13,680 --> 00:16:18,000
Speaker 1: was there. Paul Simon actually came and played, and uh,

312
00:16:18,400 --> 00:16:20,960
Speaker 1: but yeah, there was that. We were. We listened to

313
00:16:21,160 --> 00:16:26,840
Speaker 1: Willie Road whatever the Willie Road serious music, and we

314
00:16:27,000 --> 00:16:31,760
Speaker 1: have sandwiches and other refreshments, other refreshments. I think we

315
00:16:31,840 --> 00:16:34,680
Speaker 1: didn't know it, that got it? Okay, listen. We love

316
00:16:34,720 --> 00:16:37,800
Speaker 1: when you come on because you shed light onto situations

317
00:16:37,840 --> 00:16:40,120
Speaker 1: that we just don't know the answer too. For example,

318
00:16:40,160 --> 00:16:42,600
Speaker 1: Amy got in a wreck and a guy tried to

319
00:16:42,600 --> 00:16:45,240
Speaker 1: pay her in cash on the spot. What do you

320
00:16:45,280 --> 00:16:47,440
Speaker 1: do if you get into a wreck and they don't

321
00:16:47,440 --> 00:16:52,480
Speaker 1: have insurance but they want to give you cash right there? Well,

322
00:16:55,120 --> 00:16:59,400
Speaker 1: a cash without a release is just cash gone. But

323
00:16:59,800 --> 00:17:02,160
Speaker 1: I wouldn't take it. What I would tell you is

324
00:17:03,000 --> 00:17:07,080
Speaker 1: if they don't have insurance. Maybe you do and you

325
00:17:07,160 --> 00:17:13,000
Speaker 1: have what's called uninsured or underinsured motors coverage. But usually

326
00:17:13,000 --> 00:17:15,359
Speaker 1: the people are trying to pay for cash. They have

327
00:17:15,520 --> 00:17:20,920
Speaker 1: bigger problems than no insurance, like no driver's license, like

328
00:17:21,440 --> 00:17:29,040
Speaker 1: warrant for their arrest, like escapee from prison. So it's

329
00:17:29,119 --> 00:17:34,760
Speaker 1: usually not about insurance. It's usually about something else. And

330
00:17:34,920 --> 00:17:37,880
Speaker 1: you did not take the cash, Yeah, I almost did,

331
00:17:37,920 --> 00:17:39,679
Speaker 1: just because I well, I didn't want to take anything.

332
00:17:39,720 --> 00:17:42,040
Speaker 1: I just felt so bad because he was just so

333
00:17:42,119 --> 00:17:45,040
Speaker 1: insistent that we not call the police. And I of

334
00:17:45,040 --> 00:17:47,000
Speaker 1: course was feeling really bad for him, even though the

335
00:17:47,040 --> 00:17:49,040
Speaker 1: wreck was totally his fault. But yeah, I didn't take it.

336
00:17:49,080 --> 00:17:51,080
Speaker 1: But he was only offering me two hundred dollars and

337
00:17:51,200 --> 00:17:53,840
Speaker 1: I got the damage assess and it's a five thousand

338
00:17:53,920 --> 00:17:56,119
Speaker 1: dollar thing to fix, and yeah, I'm having to go

339
00:17:56,160 --> 00:18:00,000
Speaker 1: through my insurance to do it, and he might have insurance.

340
00:18:00,400 --> 00:18:04,840
Speaker 1: You know, don't don't let that. Don't let the two

341
00:18:04,960 --> 00:18:07,000
Speaker 1: hundred dollars because a lot of people are thinking, hey,

342
00:18:07,000 --> 00:18:09,119
Speaker 1: I'd rather pay two hundred dollars and not have my

343
00:18:09,280 --> 00:18:12,200
Speaker 1: rates go up. A lot of people try to make

344
00:18:12,280 --> 00:18:17,000
Speaker 1: a bit a business decision at the scene of the accident.

345
00:18:17,840 --> 00:18:21,240
Speaker 1: Another situation that happened here. Lunchbox on our show dented

346
00:18:21,320 --> 00:18:23,840
Speaker 1: a car with a shopping cart as he was trying

347
00:18:23,840 --> 00:18:26,359
Speaker 1: to squeeze between two cars and a parking lot. Is

348
00:18:26,400 --> 00:18:32,040
Speaker 1: he legally responsible to pay for that damage? Yes, he is,

349
00:18:32,359 --> 00:18:38,600
Speaker 1: and most likely his homeowners insurance will cover that claim

350
00:18:39,480 --> 00:18:42,920
Speaker 1: homeowners even though he's a grocery store. Though it was

351
00:18:42,960 --> 00:18:47,080
Speaker 1: a basket from a grocery store, how does homeowners cover that?

352
00:18:49,119 --> 00:18:52,359
Speaker 1: Homeowners cover slanders? So, you guys, when you all are

353
00:18:52,440 --> 00:18:56,760
Speaker 1: slandering people, if you ever get sued, and I understand

354
00:18:56,840 --> 00:18:59,200
Speaker 1: you all do quite a bit of slander down there,

355
00:19:00,080 --> 00:19:04,040
Speaker 1: but when you slander someone, many times your homeowners will

356
00:19:04,080 --> 00:19:07,920
Speaker 1: cover your the cost of defense and your claim for slander.

357
00:19:08,960 --> 00:19:12,600
Speaker 1: How did you feel all the fine print and those

358
00:19:12,640 --> 00:19:17,359
Speaker 1: homeowners policies? How did you feel whenever the people sued

359
00:19:17,440 --> 00:19:20,360
Speaker 1: Subway for not having enough tuna in their tuna sandwich

360
00:19:20,440 --> 00:19:22,680
Speaker 1: and there's a class action lawsuit, did you feel like

361
00:19:22,720 --> 00:19:27,520
Speaker 1: that was warranted? It could be. I mean, you know,

362
00:19:27,600 --> 00:19:31,280
Speaker 1: there's a lot of of bs class actions out there.

363
00:19:31,359 --> 00:19:34,359
Speaker 1: But on the other hand, well, first of all, it

364
00:19:35,359 --> 00:19:38,040
Speaker 1: to me, that's I don't know about that. You may

365
00:19:38,080 --> 00:19:42,440
Speaker 1: have to bleep that out. That's slander, Sander, his homeowners

366
00:19:42,440 --> 00:19:46,880
Speaker 1: will cover it. Well, look, slander, there's is one thing.

367
00:19:46,960 --> 00:19:54,959
Speaker 1: But truth is an absolute defense to slander. But no, seriously,

368
00:19:55,160 --> 00:20:00,760
Speaker 1: the it probably is a claim because are you really

369
00:20:00,800 --> 00:20:03,760
Speaker 1: getting tuna fish? Are you really getting enough tuna fish?

370
00:20:03,840 --> 00:20:06,080
Speaker 1: What does it say on the side of We trust

371
00:20:06,160 --> 00:20:09,360
Speaker 1: what it says on the side of the package. But

372
00:20:09,840 --> 00:20:11,959
Speaker 1: I would say, by and large, there's a lot of

373
00:20:12,000 --> 00:20:16,520
Speaker 1: class actions. That's just really more for the lawyers than

374
00:20:16,600 --> 00:20:21,359
Speaker 1: for the consumers. On right now with John Morgan and Morgan.

375
00:20:21,640 --> 00:20:23,919
Speaker 1: If I go to a restaurant and I burned the

376
00:20:23,960 --> 00:20:27,359
Speaker 1: top of my mouth on a really hot piece of pizza,

377
00:20:27,640 --> 00:20:36,920
Speaker 1: do I have a case? Probably not the famous McDonald's case. Now,

378
00:20:37,040 --> 00:20:39,600
Speaker 1: remember that's what we all that's what we all think about,

379
00:20:39,640 --> 00:20:44,720
Speaker 1: the famous McDonald's case where the woman got the hot coffee.

380
00:20:47,680 --> 00:20:51,800
Speaker 1: What you gotta remember by that case is McDonald's was

381
00:20:51,880 --> 00:20:55,160
Speaker 1: heating that coffee up in like one hundred and forty degrees.

382
00:20:56,560 --> 00:20:59,399
Speaker 1: It was stephen hot. The reason they did it was

383
00:20:59,440 --> 00:21:02,800
Speaker 1: because by the time people got back to the office,

384
00:21:02,880 --> 00:21:06,119
Speaker 1: the coffee was coldly kept heating it up hotter and

385
00:21:06,240 --> 00:21:12,000
Speaker 1: hotter and hotter and hotter. They had had many cases

386
00:21:12,040 --> 00:21:14,600
Speaker 1: like that before, but they never turned the heat down

387
00:21:14,640 --> 00:21:17,640
Speaker 1: on the coffee. If you google that case and look

388
00:21:17,680 --> 00:21:21,000
Speaker 1: at the woman's burns, you will not believe what happened

389
00:21:21,000 --> 00:21:24,760
Speaker 1: to her legs. And so that verdict came after many

390
00:21:24,800 --> 00:21:29,480
Speaker 1: many bites of the apple where McDonald's didn't change their conduct,

391
00:21:29,520 --> 00:21:35,440
Speaker 1: and the verdict was reduced substantially. But if a pizza

392
00:21:35,520 --> 00:21:39,080
Speaker 1: place over and over and over was cooking their pizzas

393
00:21:39,119 --> 00:21:43,440
Speaker 1: so hot that the cheese was burning off the flesh

394
00:21:43,560 --> 00:21:47,879
Speaker 1: on the roof of your mouth, and they'd never changed conduct,

395
00:21:48,200 --> 00:21:51,640
Speaker 1: then you might have a case, but not a one off.

396
00:21:52,840 --> 00:21:56,280
Speaker 1: You know, it's always, at least in my lifetime, I've

397
00:21:56,280 --> 00:21:59,760
Speaker 1: been told if there's an accident, the person who rear

398
00:21:59,840 --> 00:22:02,920
Speaker 1: in the person is at fault. Is that true? It's

399
00:22:02,960 --> 00:22:06,679
Speaker 1: always the person's fault who does the rear ending. No,

400
00:22:06,920 --> 00:22:10,520
Speaker 1: Because there's there's a big defense out there called sudden

401
00:22:10,680 --> 00:22:13,680
Speaker 1: stop and listen up. How many of us have had

402
00:22:13,720 --> 00:22:19,600
Speaker 1: people suddenly stop in front of us. So you got

403
00:22:19,600 --> 00:22:22,960
Speaker 1: people who are not paying attention ahead of you suddenly

404
00:22:23,119 --> 00:22:26,760
Speaker 1: stop all of a sudden. You're caught off guard and

405
00:22:27,119 --> 00:22:30,879
Speaker 1: you don't have time to react. So but what was

406
00:22:30,920 --> 00:22:34,040
Speaker 1: the rule? What was the rule? And driver's ed. We're

407
00:22:34,040 --> 00:22:38,800
Speaker 1: supposed to be one car length behind per ten miles

408
00:22:39,320 --> 00:22:42,879
Speaker 1: per hour or whatever. So I've got an A and

409
00:22:43,040 --> 00:22:47,960
Speaker 1: Driver's ED at Warner Park High School. So sudden stop

410
00:22:48,040 --> 00:22:50,200
Speaker 1: won't affect you if you're not up. If you if

411
00:22:50,200 --> 00:22:53,359
Speaker 1: you follow that rule, this is not injury related. But

412
00:22:53,400 --> 00:22:55,000
Speaker 1: if I were to win the lottery, what's the first

413
00:22:55,000 --> 00:23:02,520
Speaker 1: step you would recommend for me to do? Legally? If

414
00:23:02,560 --> 00:23:06,159
Speaker 1: you are you married? I am okay. I was going

415
00:23:06,240 --> 00:23:08,480
Speaker 1: to suggest you go to Vegas to the Bunny Ranch,

416
00:23:08,560 --> 00:23:14,800
Speaker 1: but I'll I'll scratch that. The first thing I would

417
00:23:14,800 --> 00:23:22,880
Speaker 1: do is I would go around my family and give them,

418
00:23:23,200 --> 00:23:27,240
Speaker 1: make them as whole as I possibly could. If they

419
00:23:27,280 --> 00:23:30,760
Speaker 1: had debt, I'd end their debt. If they had financial troubles,

420
00:23:30,800 --> 00:23:34,800
Speaker 1: I'd end their troubles. And then I'd go to I'd

421
00:23:34,840 --> 00:23:37,720
Speaker 1: go to Europe on a vacation. But legally, if I

422
00:23:37,800 --> 00:23:40,560
Speaker 1: win millions of dollars, should I call an attorney to say, hey,

423
00:23:40,640 --> 00:23:42,480
Speaker 1: watch over this, or do I just run wild and

424
00:23:42,520 --> 00:23:45,960
Speaker 1: free like you're saying. I wouldn't run wild and free.

425
00:23:45,960 --> 00:23:48,480
Speaker 1: I wouldn't call a lawyer, because I don't know what

426
00:23:48,560 --> 00:23:50,399
Speaker 1: a lawyer, I mean, what is a lawyer going to do?

427
00:23:50,440 --> 00:23:55,560
Speaker 1: Go help you pick up the check? But but I'd

428
00:23:55,560 --> 00:23:57,919
Speaker 1: be happy to represent you, and I'll only take twenty

429
00:23:57,920 --> 00:24:04,240
Speaker 1: five percent. I do one. Yes, of course you all

430
00:24:04,560 --> 00:24:08,359
Speaker 1: will always have the Morgan and Morgan friends and family discount.

431
00:24:08,440 --> 00:24:11,879
Speaker 1: So if you or anybody on at the station wins

432
00:24:11,880 --> 00:24:15,280
Speaker 1: the laudry, I'll do it for twenty five percent maybe less, wow,

433
00:24:15,480 --> 00:24:20,159
Speaker 1: thank you very much. Less. They're offering one hundred thousand

434
00:24:20,200 --> 00:24:22,360
Speaker 1: dollars and a contest for a new jingle. They're looking

435
00:24:22,400 --> 00:24:24,800
Speaker 1: for a catchy tune and not and he loves music,

436
00:24:24,840 --> 00:24:27,600
Speaker 1: but not just for his own enjoyment. So a big prize,

437
00:24:27,640 --> 00:24:30,520
Speaker 1: one hundred thousand bucks. And so do you want to

438
00:24:30,520 --> 00:24:33,359
Speaker 1: play yours? Eddie? Absolutely? I want to let him know

439
00:24:33,400 --> 00:24:36,280
Speaker 1: that I'm in on this contest. So, mister Morgan, we

440
00:24:36,320 --> 00:24:39,560
Speaker 1: actually have Eddie who is a real musician who has

441
00:24:39,560 --> 00:24:41,200
Speaker 1: made a jingle. Would you like to hear it right now?

442
00:24:41,920 --> 00:24:44,359
Speaker 1: I would? Okay, here we go, And how long is it?

443
00:24:44,440 --> 00:24:47,600
Speaker 1: Raimundo thirty? It's oh it's thirty sere a thirty sec. Yeah,

444
00:24:47,600 --> 00:24:49,399
Speaker 1: Well listen here, I want I want him to know

445
00:24:49,440 --> 00:24:51,480
Speaker 1: this before he goes and listen to it. There are

446
00:24:51,560 --> 00:24:54,879
Speaker 1: multiple jingles in one. Part of the rules was you

447
00:24:54,880 --> 00:24:57,359
Speaker 1: have to put certain slogans in there, like for the

448
00:24:57,440 --> 00:25:01,520
Speaker 1: people and dial pound law that's all. So those are

449
00:25:01,520 --> 00:25:05,119
Speaker 1: all in there. But think of this as different ways

450
00:25:05,160 --> 00:25:07,399
Speaker 1: you can use this slogan. Are you prepared to hear

451
00:25:07,440 --> 00:25:11,439
Speaker 1: a thirty second? I think he's talking about jingles within

452
00:25:11,520 --> 00:25:14,040
Speaker 1: the jingle. That's what I'm talking about, John Morgan, you

453
00:25:14,080 --> 00:25:17,600
Speaker 1: know what I'm talking about. Jingles with the jingle. I

454
00:25:17,720 --> 00:25:20,359
Speaker 1: love it. Ray, Let's make sure he can hear it

455
00:25:20,359 --> 00:25:21,840
Speaker 1: through the phone. Just hear Let him hear a second

456
00:25:21,840 --> 00:25:25,160
Speaker 1: of it. Okay, can you hear that? Dial that thing?

457
00:25:26,080 --> 00:25:28,880
Speaker 1: Very well? Okay, here we go. Here's Eddie's thirty second jingle.

458
00:25:28,960 --> 00:25:38,280
Speaker 1: Go ahead, did not song? If you've been in it's

459
00:25:38,359 --> 00:25:47,400
Speaker 1: not your fall dial power that's all. We will fight

460
00:25:47,760 --> 00:25:59,200
Speaker 1: to do what's right for the people. Found song. Come on?

461
00:26:02,840 --> 00:26:06,520
Speaker 1: That is excellent. That's what I'm talking about. Good job

462
00:26:06,640 --> 00:26:10,720
Speaker 1: that is that? Is he a professional? Does he right

463
00:26:10,840 --> 00:26:13,520
Speaker 1: for Garth and some of the other Nashville He's works

464
00:26:13,560 --> 00:26:15,760
Speaker 1: on this show. He's my producer, my best friends. So yeah,

465
00:26:15,760 --> 00:26:17,320
Speaker 1: I just sit right here with Bobby John. That's it.

466
00:26:19,160 --> 00:26:24,360
Speaker 1: Very talented. We're gonna submit. Can he submit that legally? Yeah,

467
00:26:24,359 --> 00:26:26,720
Speaker 1: because he's not a professional. I mean, you got you

468
00:26:26,840 --> 00:26:29,600
Speaker 1: can't be you know, Willie Nelson can't do it, but

469
00:26:29,800 --> 00:26:32,639
Speaker 1: you can. And uh, you know what I liked about

470
00:26:32,680 --> 00:26:39,240
Speaker 1: it is we've had you cannot imagine what one hundred

471
00:26:39,320 --> 00:26:42,639
Speaker 1: thousand dollars will do in America. We have got so

472
00:26:42,840 --> 00:26:46,119
Speaker 1: many uh entries, and I'll tell you some of them

473
00:26:46,119 --> 00:26:50,160
Speaker 1: are really really very good, but some of them it's

474
00:26:50,200 --> 00:26:52,879
Speaker 1: hard to understand. What I loved about that jingle was

475
00:26:54,080 --> 00:26:57,480
Speaker 1: you could understand it. You could understand all the words.

476
00:26:58,480 --> 00:27:05,080
Speaker 1: It was catchy and memorable over time. So I give

477
00:27:05,160 --> 00:27:08,280
Speaker 1: that a very high grade. I mean, please submit it.

478
00:27:08,400 --> 00:27:18,240
Speaker 1: Come on, pen law. That's all Morgan. Okay, listen, we've

479
00:27:18,280 --> 00:27:21,440
Speaker 1: had our cut field of humor of the law. We

480
00:27:21,560 --> 00:27:23,360
Speaker 1: learned about the law, and then we got to hear

481
00:27:23,560 --> 00:27:27,200
Speaker 1: Eddie's jingle submission one hundred thousand dollars. Yeah, and we

482
00:27:27,359 --> 00:27:29,800
Speaker 1: never let all your listeners know that if they want

483
00:27:29,800 --> 00:27:33,280
Speaker 1: to submit, the contest goes on into late September. They

484
00:27:33,359 --> 00:27:36,879
Speaker 1: just need to go to Morgan jingle dot com or

485
00:27:37,040 --> 00:27:40,520
Speaker 1: anywhere for the people on social media. We don't want

486
00:27:40,520 --> 00:27:43,920
Speaker 1: them to get your hundred hundred thousand dollars. We just

487
00:27:44,000 --> 00:27:47,040
Speaker 1: bleeped you, John Morgan. Sorry, they don't hear anyone, no

488
00:27:47,200 --> 00:27:53,399
Speaker 1: more submissions. We're just getting on. I just knew what

489
00:27:53,480 --> 00:27:56,480
Speaker 1: I was told, all right, one of my favorite guest

490
00:27:56,520 --> 00:27:59,040
Speaker 1: John Morgan and Morgan and Morgan, Uh, thank you very

491
00:27:59,119 --> 00:28:01,639
Speaker 1: much as allays and we'll talk to you again hopefully

492
00:28:01,680 --> 00:28:05,080
Speaker 1: in a month or two. Take care of everybody in

493
00:28:05,240 --> 00:28:08,640
Speaker 1: nash Vegas. Please. All right, there is John More again

494
00:28:08,880 --> 00:28:16,240
Speaker 1: sing it with me, Donda. That's on phone JJ in Boston. JJ.

495
00:28:16,480 --> 00:28:19,000
Speaker 1: What's going on, Bud? Um? Yeah, so I just I

496
00:28:19,160 --> 00:28:21,840
Speaker 1: just finished Breaking Bobby Bones. First of all, love the

497
00:28:21,920 --> 00:28:25,479
Speaker 1: shows great, loved every episode. Um. So, I just had

498
00:28:25,520 --> 00:28:28,159
Speaker 1: a quick question for you. Out of all the jobs

499
00:28:28,280 --> 00:28:30,440
Speaker 1: on the show that you did, which could you see

500
00:28:30,480 --> 00:28:33,800
Speaker 1: yourself doing as an everyday job? That's pretty good. You know,

501
00:28:33,920 --> 00:28:35,280
Speaker 1: it was really tough for me to drive a truck,

502
00:28:35,359 --> 00:28:38,600
Speaker 1: but I think I liked the solitude, noess of it.

503
00:28:39,560 --> 00:28:42,280
Speaker 1: You just drive and you're by yourself, you know, listening

504
00:28:42,280 --> 00:28:45,400
Speaker 1: to music or podcasts, and the truck driving The learning

505
00:28:45,480 --> 00:28:48,000
Speaker 1: part for me was tough, but I think I would

506
00:28:48,000 --> 00:28:50,080
Speaker 1: like driving a big rigg across the country. As long

507
00:28:50,120 --> 00:28:52,400
Speaker 1: as you knew how to do it. I would feel

508
00:28:52,400 --> 00:28:54,440
Speaker 1: nervous the whole time. I think it's like anything else.

509
00:28:54,440 --> 00:28:55,920
Speaker 1: I think when you started doing this radio show you

510
00:28:55,960 --> 00:28:58,360
Speaker 1: were super nervous at first. I think it's like anything else. Yeah,

511
00:28:59,320 --> 00:29:04,280
Speaker 1: the truck truck driving, Um, most of those jobs were

512
00:29:04,280 --> 00:29:06,000
Speaker 1: just tough. The underwater stuff was tough. To hanging off

513
00:29:06,000 --> 00:29:07,920
Speaker 1: a grand cane. You feel like maybe the crushing cars,

514
00:29:08,680 --> 00:29:10,720
Speaker 1: Oh yeah, that would be fun. The problem with that

515
00:29:10,880 --> 00:29:13,880
Speaker 1: was it was pretty dirty and I don't like germs,

516
00:29:14,200 --> 00:29:16,160
Speaker 1: and that was like in the middle of like, oh,

517
00:29:16,960 --> 00:29:18,920
Speaker 1: because I was working on a scrap yard. That was disgusting.

518
00:29:19,400 --> 00:29:22,960
Speaker 1: I'd probably go truck driver and then hockey player. Oh yeah,

519
00:29:23,120 --> 00:29:26,040
Speaker 1: but I got the stuff was tough. But I appreciate that.

520
00:29:26,040 --> 00:29:27,920
Speaker 1: And thanks for thanks for calling and saying you watched

521
00:29:27,920 --> 00:29:30,840
Speaker 1: the show. JJ of course appreciate. All Right, you guys

522
00:29:30,880 --> 00:29:33,960
Speaker 1: can catch all sixteen episodes on Disney Plus. Which of

523
00:29:34,040 --> 00:29:36,280
Speaker 1: the jobs would you do? Oh? You may do wyoming.

524
00:29:36,800 --> 00:29:41,560
Speaker 1: Uh me, I really like the Montana. No, I would

525
00:29:41,600 --> 00:29:44,360
Speaker 1: do the fishing boat. I know that you hated vomited

526
00:29:44,400 --> 00:29:46,560
Speaker 1: the whole time. I know that you hated it, but

527
00:29:46,800 --> 00:29:48,880
Speaker 1: I would love the vomited the whole time you. I

528
00:29:49,240 --> 00:29:52,000
Speaker 1: would do the scrap yard. I want to crush things. Yeah,

529
00:29:52,080 --> 00:29:55,760
Speaker 1: you're having some rage. I just feel like you'd be

530
00:29:55,840 --> 00:29:57,520
Speaker 1: therapeutic to be like every day you come in and

531
00:29:57,560 --> 00:29:59,680
Speaker 1: like I need to get a rage room. You do,

532
00:30:00,040 --> 00:30:02,000
Speaker 1: Hi do not? Sorry this morning when you came in,

533
00:30:03,120 --> 00:30:10,240
Speaker 1: you have a rage in your shoulder. Here's Amy's pile

534
00:30:10,320 --> 00:30:14,280
Speaker 1: of stories. So Lionel Ritchie has an ice cream flavor

535
00:30:14,440 --> 00:30:21,000
Speaker 1: called all Night Love Love, All Night, All Night Love, Yeah,

536
00:30:21,000 --> 00:30:23,640
Speaker 1: because it's like supposed to represent all the things he loves,

537
00:30:23,680 --> 00:30:26,480
Speaker 1: like an ice cream. So he's got vanilla mixed with

538
00:30:26,600 --> 00:30:30,560
Speaker 1: midnight Cookie crumble swirls, salted caramel and milk chocolate fudge

539
00:30:30,600 --> 00:30:33,440
Speaker 1: covered hearts. Oh that does sound good. So you're eating

540
00:30:34,200 --> 00:30:36,640
Speaker 1: a pint of All Night Love. And he's partnered with

541
00:30:36,720 --> 00:30:39,040
Speaker 1: Tyra Banks on this. I guess she has an ice

542
00:30:39,120 --> 00:30:43,000
Speaker 1: cream brand called SMIs Cream and you can now you

543
00:30:43,080 --> 00:30:47,200
Speaker 1: can order it online starting tomorrow, September eighth. So as

544
00:30:47,240 --> 00:30:49,920
Speaker 1: marsh friend who did ice cream, Lionel Richie, Yeah, like

545
00:30:50,000 --> 00:30:52,200
Speaker 1: he was invited to your wedding, but he couldn't make

546
00:30:52,240 --> 00:30:56,480
Speaker 1: it um. A study says that we have insecurities from

547
00:30:57,120 --> 00:31:01,240
Speaker 1: zoom dysmorphia, and this comes from Harvard University and it's

548
00:31:01,280 --> 00:31:04,160
Speaker 1: this new phenomenon. They say, it's not going to go anyway,

549
00:31:04,360 --> 00:31:07,240
Speaker 1: go away anytime soon, because we're continuing the video calls.

550
00:31:07,280 --> 00:31:09,440
Speaker 1: Maybe it's not even on Zoom, it's on Microsoft teams

551
00:31:09,560 --> 00:31:12,600
Speaker 1: or FaceTime meetings, whatever it is. We're constantly looking at

552
00:31:12,640 --> 00:31:15,240
Speaker 1: ourselves in our phones and in our computers, and it's

553
00:31:15,600 --> 00:31:18,000
Speaker 1: escalating the problem. And dys morphia will explain what that

554
00:31:18,160 --> 00:31:24,360
Speaker 1: is is unrealistic image that you are getting and of yourself. Yes,

555
00:31:24,520 --> 00:31:26,920
Speaker 1: like you're seeing yourself out. Nobody else is seeing what

556
00:31:27,080 --> 00:31:28,960
Speaker 1: you're seeing. Sometimes I look at myself and we have

557
00:31:28,960 --> 00:31:31,000
Speaker 1: a full length mirror and I almost vomit, Like if

558
00:31:31,040 --> 00:31:33,280
Speaker 1: I'm just an underwear, I'm like, oh, I ask KAYN.

559
00:31:33,320 --> 00:31:34,680
Speaker 1: I'm like, how do you even make out with that?

560
00:31:35,320 --> 00:31:37,960
Speaker 1: Like I'm disgusting? And what does she say? She's like,

561
00:31:38,120 --> 00:31:42,880
Speaker 1: I know, no, it doesn't bring you any comfort. When

562
00:31:42,920 --> 00:31:45,000
Speaker 1: she's like no, I has to say what she has

563
00:31:45,000 --> 00:31:49,400
Speaker 1: to say, and she's not with you because I'm look

564
00:31:49,400 --> 00:31:51,880
Speaker 1: at myself and I'm like I'm disgusting, Like, how do

565
00:31:52,000 --> 00:31:56,040
Speaker 1: you even And she's like, I don't know. Man. Well, Also,

566
00:31:56,240 --> 00:31:59,280
Speaker 1: what everybody should realize, like whether it's your friend or

567
00:31:59,360 --> 00:32:03,040
Speaker 1: your romance tick partner is like, yeah, you're ultimately at

568
00:32:03,040 --> 00:32:04,680
Speaker 1: the end of the day, like you're not friends with

569
00:32:04,760 --> 00:32:06,840
Speaker 1: someone or with someone or in love with someone because

570
00:32:06,880 --> 00:32:10,080
Speaker 1: of how they are on the outside. I thought, so,

571
00:32:10,240 --> 00:32:12,440
Speaker 1: I guess how do you distinguish the difference between the

572
00:32:12,560 --> 00:32:15,520
Speaker 1: dysmorphia and the reality mind's reality. I don't have this morphia.

573
00:32:15,560 --> 00:32:20,160
Speaker 1: I'm telling you. I'm telling you true dyspha. I don't

574
00:32:20,200 --> 00:32:22,040
Speaker 1: want to be like you have this because I'm not

575
00:32:22,160 --> 00:32:25,280
Speaker 1: an expert to diagnose you. But you've had body dysmorphia

576
00:32:25,320 --> 00:32:27,920
Speaker 1: for a very long time. I do a song that

577
00:32:27,960 --> 00:32:30,360
Speaker 1: I sing where I'm like, I'm skinny on top and

578
00:32:30,400 --> 00:32:32,640
Speaker 1: I'm chubby in the middle and I'm skinny on bottom. Again,

579
00:32:32,840 --> 00:32:42,160
Speaker 1: what made it? And she's like that song, wait, this

580
00:32:42,320 --> 00:32:45,360
Speaker 1: is what she did every night before bed have most

581
00:32:45,440 --> 00:32:48,000
Speaker 1: nights because and I'll start below my chin and she go,

582
00:32:48,000 --> 00:32:49,960
Speaker 1: why don't you do above your chin? I'm like, because

583
00:32:50,000 --> 00:32:54,320
Speaker 1: I got a big old man. Oh man, okay, okay, listen.

584
00:32:54,480 --> 00:32:58,240
Speaker 1: Does it annoy anybody in the room when I'm fidgeting. Yes, you, well,

585
00:32:58,240 --> 00:33:00,880
Speaker 1: you don't stop fidgeting, right all the time. If I'm

586
00:33:01,400 --> 00:33:06,040
Speaker 1: shaking like I show shake, like I shake my feet,

587
00:33:06,120 --> 00:33:08,280
Speaker 1: I can't help it. It's hereditary, like I got it,

588
00:33:08,400 --> 00:33:11,280
Speaker 1: or I'm doodling or whatever all the time. Yes, well,

589
00:33:11,560 --> 00:33:14,760
Speaker 1: if you hate seeing people fidget, you're not alone. A

590
00:33:14,960 --> 00:33:19,840
Speaker 1: third of people have misso kenesia, which is hatred of

591
00:33:19,920 --> 00:33:23,800
Speaker 1: movements and fidgeting. So that's just like I don't have

592
00:33:23,960 --> 00:33:25,960
Speaker 1: that one. I don't have the other one. Apparently I

593
00:33:26,440 --> 00:33:28,240
Speaker 1: don't have that. Yeah, so it doesn't you don't hate it,

594
00:33:28,560 --> 00:33:30,440
Speaker 1: you put it, But I mean, I just like it.

595
00:33:31,200 --> 00:33:34,040
Speaker 1: Is it distracting to you? Sometimes? Okay? And sometimes I'm like, hey, Amy,

596
00:33:34,040 --> 00:33:35,640
Speaker 1: so we're talking about a really serious topic and you're

597
00:33:35,640 --> 00:33:38,160
Speaker 1: down there and you're drawn, like what's doodling? But like

598
00:33:38,320 --> 00:33:41,400
Speaker 1: the leg shaking. I don't want to see that. Give

599
00:33:41,400 --> 00:33:43,360
Speaker 1: a table over there. Okay, I'm I'm going to start

600
00:33:43,440 --> 00:33:45,080
Speaker 1: doing some things that are going to help me with that.

601
00:33:45,160 --> 00:33:48,640
Speaker 1: Add By the way, pills, no natural no clust time

602
00:33:48,680 --> 00:33:53,040
Speaker 1: I took pills, I was concentrating too much, all right,

603
00:33:53,200 --> 00:33:57,600
Speaker 1: Maybe that's my fro. That was Amy's pile of stories.

604
00:33:59,240 --> 00:34:07,640
Speaker 1: It's time the good news. Nathan tore me was at lunch,

605
00:34:07,720 --> 00:34:11,320
Speaker 1: you know, eating some nacho lets. Taste good nacho cheese,

606
00:34:11,440 --> 00:34:15,200
Speaker 1: Give me some of that. He starts choking on a chip,

607
00:34:15,560 --> 00:34:18,680
Speaker 1: and his buddy jumps up, runs over the resource officers

608
00:34:18,680 --> 00:34:21,280
Speaker 1: and says, hey, hey, hurry up. Nathan's, you know, choking

609
00:34:21,360 --> 00:34:26,200
Speaker 1: on a chip. Sean Duval goes over there and gets

610
00:34:26,280 --> 00:34:27,880
Speaker 1: the chip out of his throat. How old are these

611
00:34:27,960 --> 00:34:31,960
Speaker 1: kids in middle school? That's pretty cool. Yeah, it's impressive.

612
00:34:32,000 --> 00:34:33,200
Speaker 1: I don't know if we could have done that middle

613
00:34:33,280 --> 00:34:34,920
Speaker 1: I think in middle school dollar have been done enough

614
00:34:34,920 --> 00:34:36,920
Speaker 1: to try to do it. It's my point. I'd have

615
00:34:36,960 --> 00:34:38,839
Speaker 1: been like I got this, and I would have tried

616
00:34:38,880 --> 00:34:41,360
Speaker 1: the wrong way and probably broken some ribs. But he

617
00:34:41,400 --> 00:34:43,920
Speaker 1: went got the resource officer and hero, and good for

618
00:34:44,000 --> 00:34:46,200
Speaker 1: that resource officer too. That's what it's all about. What's

619
00:34:46,200 --> 00:34:48,560
Speaker 1: his name, Sean Duval? Sean Duval, shout out to you.

620
00:34:48,719 --> 00:34:51,360
Speaker 1: That is what it's all about. That was tell me

621
00:34:51,480 --> 00:34:56,440
Speaker 1: something good. Going over to Amy now with the morning Corny,

622
00:35:00,360 --> 00:35:04,359
Speaker 1: Morning Corny. What did the rooster do to impress the hen?

623
00:35:04,920 --> 00:35:08,239
Speaker 1: What did the rooster? I'm always trying to figure it out. Now,

624
00:35:08,239 --> 00:35:10,680
Speaker 1: I'm always a little weary about where she's going. Rooster,

625
00:35:13,560 --> 00:35:15,520
Speaker 1: it has nothing to do. What did they rooster do

626
00:35:15,640 --> 00:35:19,600
Speaker 1: to impress the hen? He wrote poultry for her poultry? Okay,

627
00:35:20,239 --> 00:35:28,040
Speaker 1: that morning corny after dark, but even after dark. You

628
00:35:28,080 --> 00:35:30,040
Speaker 1: probably shouldn't I know how to make that after dark?

629
00:35:31,200 --> 00:35:34,440
Speaker 1: Oh yeah, okay, yeah, Like a lot of stuff sent

630
00:35:34,520 --> 00:35:35,880
Speaker 1: to me all the time, like please play me on

631
00:35:35,960 --> 00:35:39,000
Speaker 1: the air. Please look at my artists who I just signed.

632
00:35:40,120 --> 00:35:42,520
Speaker 1: Even sometimes at a valet will give me something or

633
00:35:42,600 --> 00:35:45,000
Speaker 1: water at a restaurant, and heck, got brought some of

634
00:35:45,040 --> 00:35:48,360
Speaker 1: them in the studio. But I've never had someone pitched

635
00:35:48,400 --> 00:35:50,399
Speaker 1: to me just to be on the Friday morning dance party.

636
00:35:50,560 --> 00:35:54,000
Speaker 1: Oh that's fun. Which happened here? This guy sent up

637
00:35:54,000 --> 00:35:56,480
Speaker 1: a bunch of cookies. What he sent up a whole

638
00:35:56,640 --> 00:35:59,160
Speaker 1: frame picture that says for your consideration for the Friday

639
00:35:59,200 --> 00:36:03,600
Speaker 1: morning dance party, Aaron. This song is called Lonely Drum.

640
00:36:03,880 --> 00:36:08,680
Speaker 1: That's very original, right, yes, clever? Here are the points

641
00:36:08,719 --> 00:36:11,320
Speaker 1: on it. Is this double platinum Canadian country radio smash

642
00:36:11,480 --> 00:36:16,320
Speaker 1: twenty seven plus million streams global line dance sensation Okay

643
00:36:17,120 --> 00:36:20,719
Speaker 1: from Warner Music Canada. And reviver. Wow. So I love

644
00:36:20,760 --> 00:36:22,359
Speaker 1: the fact that he went right for the dance party

645
00:36:22,400 --> 00:36:25,040
Speaker 1: and it's like, I'm not even gonna play like I

646
00:36:25,200 --> 00:36:27,200
Speaker 1: just want in the party that puts everybody in a

647
00:36:27,239 --> 00:36:30,080
Speaker 1: good mood. And he has a plaque, so he sent

648
00:36:30,200 --> 00:36:32,600
Speaker 1: this up. I haven't heard the song yet. I thought

649
00:36:32,600 --> 00:36:35,200
Speaker 1: we would do it together. Okay, Ray, do you have

650
00:36:35,360 --> 00:36:40,080
Speaker 1: it with you? Let's hear Aaron Goodvin. Let's but if

651
00:36:40,080 --> 00:36:41,480
Speaker 1: it doesn't fit the dance party, I mean, if it's

652
00:36:41,520 --> 00:36:43,480
Speaker 1: a sad song and I'm talking about seer, you know,

653
00:36:43,920 --> 00:36:46,520
Speaker 1: giving me tears, and it says it's a line dancing sensation,

654
00:36:46,880 --> 00:36:49,480
Speaker 1: it's a really slow line dance. Okay, you know, let's

655
00:36:49,520 --> 00:36:53,839
Speaker 1: hear lonely drum because it sounds sad. What if it's

656
00:36:53,880 --> 00:37:01,880
Speaker 1: only one drum? Okay, here we go. Okay, I'm beating

657
00:37:02,080 --> 00:37:05,960
Speaker 1: on my lonely drum girl. Don't you want to come over?

658
00:37:09,719 --> 00:37:14,480
Speaker 1: I'm halfway through Sharden and I don't plan on staying sober.

659
00:37:18,520 --> 00:37:21,520
Speaker 1: You can bring your hair guitar. Don't let this not

660
00:37:21,719 --> 00:37:29,319
Speaker 1: get any older. I'm beating all my lonely drunk girl.

661
00:37:29,400 --> 00:37:38,359
Speaker 1: Don't you want to come over? I'm getting a car,

662
00:37:38,680 --> 00:37:50,279
Speaker 1: make it conven I hope you get here. I mean

663
00:37:50,560 --> 00:37:58,160
Speaker 1: you playing. We gotta see hit boys on my lonely

664
00:37:58,320 --> 00:38:05,160
Speaker 1: DRUMA might get drunk and didn't care you okey hell,

665
00:38:05,239 --> 00:38:09,840
Speaker 1: you can be my beat box. I'll render smooky from schooling.

666
00:38:13,560 --> 00:38:16,400
Speaker 1: And if your father Jagger shot, I might just do

667
00:38:16,680 --> 00:38:22,239
Speaker 1: the whole keep spoking and my last yeah, I'm we

668
00:38:22,760 --> 00:38:25,640
Speaker 1: all my lonely trauma. I might get trunk and shank

669
00:38:25,719 --> 00:38:36,200
Speaker 1: here you. I loved your car making room room, broom,

670
00:38:36,880 --> 00:38:48,200
Speaker 1: dr room, room room. I hope you get here, so yeah,

671
00:38:49,040 --> 00:38:51,120
Speaker 1: I love that. Here's what I'm gonna say. It won't

672
00:38:51,160 --> 00:38:53,320
Speaker 1: for sure be on the Friday morning this we go on.

673
00:38:54,560 --> 00:38:57,439
Speaker 1: That's my new favorite song though, dude, that's good boom

674
00:38:57,680 --> 00:39:06,440
Speaker 1: in my room, room room, dang, dang, Aaron Goodban lonely Drum.

675
00:39:06,880 --> 00:39:09,440
Speaker 1: I'll tell you what. Get him in next. Maybe we

676
00:39:09,520 --> 00:39:10,839
Speaker 1: get him in next week to go play this song.

677
00:39:11,400 --> 00:39:13,440
Speaker 1: He's in the dance party this week. I'll mix him

678
00:39:13,480 --> 00:39:15,120
Speaker 1: in and then maybe we get him in the studio

679
00:39:15,200 --> 00:39:19,160
Speaker 1: next week. Okay, he brought cookies boot well, he sent

680
00:39:19,239 --> 00:39:27,080
Speaker 1: him up here. Okay, yeah boonoo. Okay, Aaron Goodban, you

681
00:39:27,200 --> 00:39:32,640
Speaker 1: got yourself a date like that, right there, the Bobby

682
00:39:32,719 --> 00:39:36,440
Speaker 1: Bone Show. That jingle? Yeah, who was that? Oh? I

683
00:39:36,520 --> 00:39:38,080
Speaker 1: don't know. I haven't listen to that again. I know

684
00:39:38,200 --> 00:39:41,120
Speaker 1: that's the game because people always go, who was that? Heck,

685
00:39:41,200 --> 00:39:43,440
Speaker 1: I don't know who that was? Just from that one,

686
00:39:43,680 --> 00:39:47,719
Speaker 1: the Bobby Bone sho. Maybe it's me, it wasn't you.

687
00:39:48,239 --> 00:39:51,440
Speaker 1: So I'm gonna play you the isolated vocals of people

688
00:39:51,520 --> 00:39:54,600
Speaker 1: recording jingles for us. We just have to name who

689
00:39:54,640 --> 00:39:56,279
Speaker 1: it is. I'm gonna play too, because I don't. I

690
00:39:56,320 --> 00:39:59,919
Speaker 1: didn't know who that was. All right, ready, everybody, here's

691
00:40:00,080 --> 00:40:06,080
Speaker 1: number one. This is the Bobby Boss Show. I've got

692
00:40:06,160 --> 00:40:07,960
Speaker 1: that one. I got that. We play one more time, please,

693
00:40:08,800 --> 00:40:14,480
Speaker 1: this is the Bobby Boss Show. Lunch box. His eyes

694
00:40:14,480 --> 00:40:17,319
Speaker 1: are wide, he doesn't have them. I mean it's one

695
00:40:17,400 --> 00:40:19,360
Speaker 1: of it's one of two people, Amy, do you have it?

696
00:40:19,840 --> 00:40:22,840
Speaker 1: I have two? Well, just keep scoring the one of

697
00:40:22,880 --> 00:40:25,520
Speaker 1: the people. Thank you. All right, here we go, thank you.

698
00:40:25,800 --> 00:40:31,040
Speaker 1: On the count of three, say it one, two, three, okay,

699
00:40:31,120 --> 00:40:35,160
Speaker 1: so oh wow? Three people. I almost Amy, I had

700
00:40:35,280 --> 00:40:37,759
Speaker 1: runaway June. That was another option I couldn't sign. It's

701
00:40:37,800 --> 00:40:41,719
Speaker 1: Maddie and Tay right right, Eddie, And I said, what

702
00:40:41,800 --> 00:40:43,279
Speaker 1: do you say? I said, Maddie and Tate. But I

703
00:40:43,680 --> 00:40:46,600
Speaker 1: that was was the day the baiting between was runaway.

704
00:40:46,800 --> 00:40:49,640
Speaker 1: Got it right, got it right? He fi I forgot

705
00:40:49,719 --> 00:40:51,520
Speaker 1: it right. I was just telling Amy that don't feel

706
00:40:51,520 --> 00:40:52,799
Speaker 1: bad like that's where I wasn't. I was like, man,

707
00:40:52,840 --> 00:40:56,560
Speaker 1: that sounded like three people. If I feel who are you? Support?

708
00:40:56,760 --> 00:40:58,960
Speaker 1: Thank you every day? Let you know what it feels

709
00:40:58,960 --> 00:41:00,880
Speaker 1: good not to be in last place? There he is?

710
00:41:01,360 --> 00:41:03,879
Speaker 1: That was Maddie and Tay. Okay, here is the next one.

711
00:41:04,120 --> 00:41:10,200
Speaker 1: BC is the Bobby Bone Show. No you're not? Yes,

712
00:41:10,320 --> 00:41:13,200
Speaker 1: I am man wow, because I thought I knew who

713
00:41:13,239 --> 00:41:16,120
Speaker 1: it wasn't first, but then it got like a little

714
00:41:16,160 --> 00:41:23,520
Speaker 1: too like perfect like Birstina Aguilera. Yeah, BC is the

715
00:41:23,600 --> 00:41:29,200
Speaker 1: Bobby Bone Show. Oh yeah, that changed my answer so easy.

716
00:41:29,320 --> 00:41:31,880
Speaker 1: I know who it is the first part of it

717
00:41:32,040 --> 00:41:35,040
Speaker 1: sounds just like John Party to me. I'm willing to

718
00:41:35,200 --> 00:41:38,520
Speaker 1: bet that they Oh I never even watch John Party.

719
00:41:39,080 --> 00:41:41,080
Speaker 1: Oh I'm willing to bet one of them gets it wrong.

720
00:41:41,600 --> 00:41:43,920
Speaker 1: Well I might miss it too. That let me hear

721
00:41:44,000 --> 00:41:46,960
Speaker 1: the beginning of the whole thing again. BC is the

722
00:41:47,040 --> 00:41:51,600
Speaker 1: Bobby Bone Show. Oh, now I hear John p John,

723
00:41:51,920 --> 00:41:54,279
Speaker 1: but I hear that his kind of nasal thing. I

724
00:41:54,360 --> 00:41:57,759
Speaker 1: thought it was John at first. I didn't put John.

725
00:41:57,800 --> 00:41:59,879
Speaker 1: I'm telling you I put John Party. Okay, I put

726
00:42:00,040 --> 00:42:05,920
Speaker 1: Jimmy Allen. It's one Jimmy Allen. You played again. This

727
00:42:06,680 --> 00:42:09,200
Speaker 1: is the Bobby Bone Show. I hear Jimmy now, but

728
00:42:09,280 --> 00:42:15,439
Speaker 1: I heard John Parties ain't good job guys? Yeah, thank you? Eddie?

729
00:42:15,440 --> 00:42:20,000
Speaker 1: Didn't you say? I guess I missed it? All right?

730
00:42:20,200 --> 00:42:26,680
Speaker 1: Next one up? This is the Bobby Bone Show. What's that?

731
00:42:27,239 --> 00:42:31,560
Speaker 1: That's someone who's been here. This is the Bobby Bone Show.

732
00:42:32,200 --> 00:42:38,360
Speaker 1: I'm in you are? I have one guess what? This

733
00:42:39,000 --> 00:42:43,120
Speaker 1: is the Bobby Bone Show. Okay, everybody in, No, not

734
00:42:43,360 --> 00:42:45,440
Speaker 1: write your answer down. I'll tell you why. I guess who.

735
00:42:45,480 --> 00:42:49,200
Speaker 1: I guess everybody up. This is not the right person.

736
00:42:49,440 --> 00:42:54,120
Speaker 1: Amy Monco Brown, alright, lunch box shy Carter, Eddie, that's weird.

737
00:42:54,200 --> 00:42:56,960
Speaker 1: No Scotty McCary, which is wrong? No? I hear Morgan

738
00:42:57,080 --> 00:43:00,279
Speaker 1: Wallen on the Bobby that that part? I hear Morgan

739
00:43:00,360 --> 00:43:02,120
Speaker 1: wat Wow, I think you got it? Hit it again.

740
00:43:02,719 --> 00:43:06,560
Speaker 1: This is the Bobby Bone Show. You got it? Bobby Bones.

741
00:43:06,880 --> 00:43:15,200
Speaker 1: It sounds like his affecting songs. The answer is, good job,

742
00:43:15,280 --> 00:43:18,319
Speaker 1: Bones I guess, are we all even on score? Make

743
00:43:19,760 --> 00:43:21,279
Speaker 1: or we didn't give up like keep the score because

744
00:43:21,280 --> 00:43:23,560
Speaker 1: we've been all over the place. Amy's down to one. Okay,

745
00:43:26,360 --> 00:43:31,000
Speaker 1: this is the Bobby Bone Show. I mean, this is

746
00:43:31,160 --> 00:43:34,160
Speaker 1: the Bobby Bone Show. I have it now. I'm only

747
00:43:34,239 --> 00:43:36,840
Speaker 1: ever hearing one note in these things that I do

748
00:43:37,239 --> 00:43:38,839
Speaker 1: because of a song. I don't hear this one at all.

749
00:43:38,880 --> 00:43:42,279
Speaker 1: Do it again. This is the Bobby Bone show. For me.

750
00:43:42,400 --> 00:43:46,160
Speaker 1: It's the his like listen to that. This is that

751
00:43:46,480 --> 00:43:50,080
Speaker 1: to me is where I hear him in songs. This

752
00:43:50,600 --> 00:43:54,080
Speaker 1: is the Bobby Bone Show. Okay, I mean it kind

753
00:43:54,120 --> 00:43:56,600
Speaker 1: of sounds the way he talks. I'm crumbling, lunchbox. What

754
00:43:56,680 --> 00:43:59,719
Speaker 1: you have, Broldruge, not what I have? I know it's

755
00:43:59,760 --> 00:44:02,200
Speaker 1: not I have a Brett, but I have Brett Young.

756
00:44:02,760 --> 00:44:10,680
Speaker 1: I'm I think it's yours. Russell Russell. I think I

757
00:44:10,760 --> 00:44:13,640
Speaker 1: have Russell Dickers. You play the top again. This is

758
00:44:13,880 --> 00:44:21,960
Speaker 1: the Bobby Bones shows. Like, hum, that's it? Thank god? Wait,

759
00:44:22,120 --> 00:44:24,080
Speaker 1: Eddie and you were like, what's his name? He was

760
00:44:24,120 --> 00:44:26,759
Speaker 1: just on the show. He opened for us or played

761
00:44:26,800 --> 00:44:28,279
Speaker 1: as the main support. That's why I can't believe I

762
00:44:28,320 --> 00:44:31,360
Speaker 1: said that out loud. Oh yeah, Okay, um, let's do

763
00:44:31,480 --> 00:44:36,480
Speaker 1: one more. This is the Bobby Bone Show. Yes, I

764
00:44:36,640 --> 00:44:38,480
Speaker 1: hear you, I do not hear them. I hear you.

765
00:44:38,640 --> 00:44:43,160
Speaker 1: I know who you are. What's a score? Eddie and

766
00:44:43,160 --> 00:44:44,840
Speaker 1: I are tide. Yeah, okay, I don't know who that is.

767
00:44:45,200 --> 00:44:48,879
Speaker 1: This is the Bobby Bone Show. I'm gonna tell you this, Edie.

768
00:44:48,880 --> 00:44:50,960
Speaker 1: If you get this, you win. Dude. I know who

769
00:44:51,000 --> 00:44:52,839
Speaker 1: it is, like I I hear him, I know who.

770
00:44:52,960 --> 00:44:55,160
Speaker 1: I can even see his face kind of can I

771
00:44:55,200 --> 00:44:59,000
Speaker 1: hear one more time? Yeah? This is Bobby Bone Show.

772
00:44:59,480 --> 00:45:01,360
Speaker 1: Got it? If you have it, you went. I'll go

773
00:45:01,480 --> 00:45:03,239
Speaker 1: first because I have no idea what I'm gonna say.

774
00:45:03,239 --> 00:45:09,400
Speaker 1: My friend Quinn Grove's coolin and recorded one does a

775
00:45:09,440 --> 00:45:14,560
Speaker 1: podcast now, Quinn Grove, Amy, Zach Brown, Lunchbox, Shy Carter,

776
00:45:15,040 --> 00:45:17,359
Speaker 1: shy Carter. You're just hanging on humh And guy came

777
00:45:17,400 --> 00:45:19,680
Speaker 1: in here and didn't he can he see? Yeah, that's

778
00:45:19,680 --> 00:45:22,040
Speaker 1: true exactly for the way, Eddie. Guys, he's been here

779
00:45:22,200 --> 00:45:25,000
Speaker 1: plenty of times. Jordan Davis, will you play the clip again?

780
00:45:25,320 --> 00:45:29,000
Speaker 1: This is the Bobby Bone Show. Still, even though you're

781
00:45:29,000 --> 00:45:42,759
Speaker 1: saying it, I don't wow. Oh, guys kind of sound

782
00:45:42,800 --> 00:45:45,759
Speaker 1: like shy Carter a little bit. I'm being told we

783
00:45:45,800 --> 00:45:49,719
Speaker 1: do have a shy Carter clip. Why are you guys

784
00:45:49,760 --> 00:45:53,320
Speaker 1: playing already? Guessing? Three times? Man? Here, I could have

785
00:45:53,360 --> 00:45:55,799
Speaker 1: been winning this thing, um because we have a whole

786
00:45:56,440 --> 00:45:57,840
Speaker 1: we have a whole other game that we could do

787
00:45:57,920 --> 00:45:59,719
Speaker 1: this later in a month or so. Well, you gotta

788
00:45:59,719 --> 00:46:02,239
Speaker 1: play the Okay, here is a Raymondo says they have

789
00:46:02,239 --> 00:46:06,239
Speaker 1: a chicrter one. Go ahead, this is the Bobby Bones Show.

790
00:46:06,840 --> 00:46:10,920
Speaker 1: Everybody rolled on the radio having fun. Baby, it's the

791
00:46:11,080 --> 00:46:14,480
Speaker 1: Bobby Bones Show. Okay, you wouldn't have gotten that ch

792
00:46:14,680 --> 00:46:21,160
Speaker 1: Carter got that one? Who else would it be? Like?

793
00:46:21,280 --> 00:46:24,040
Speaker 1: So joyful? And that's what I thought. Those other ones

794
00:46:24,080 --> 00:46:26,480
Speaker 1: were joyful. And hey, play Addy's theme song. He's a

795
00:46:26,520 --> 00:46:42,399
Speaker 1: big one. They Hey, okay on the Bobby Bones Show. Now,

796
00:46:42,840 --> 00:46:45,400
Speaker 1: Josh Greyson, Josh, how are you, Bud? I'm doing well, man,

797
00:46:45,440 --> 00:46:47,920
Speaker 1: how are you? It's been I guess a month and

798
00:46:47,920 --> 00:46:50,040
Speaker 1: a half since I've seen you. Congratulations in a game

799
00:46:50,120 --> 00:46:52,759
Speaker 1: out of thanks man. So what happened was just for

800
00:46:52,880 --> 00:46:54,640
Speaker 1: those at home that are playing the home version of

801
00:46:54,719 --> 00:46:58,759
Speaker 1: this game, is that my wife loves Josh Grayson. When

802
00:46:58,840 --> 00:47:00,879
Speaker 1: she was to she said she was going to create

803
00:47:00,920 --> 00:47:04,120
Speaker 1: a new highwayman. She put Josh Grayson in him and

804
00:47:04,360 --> 00:47:06,600
Speaker 1: she would always sing his songs. And once I put

805
00:47:06,680 --> 00:47:08,600
Speaker 1: on Instagram of Kaitlyn sing in one of his songs

806
00:47:08,680 --> 00:47:10,799
Speaker 1: and he replied back and I said, you know, it'd

807
00:47:10,800 --> 00:47:13,000
Speaker 1: be really cool to have Josh Grayson surprise her. So

808
00:47:13,080 --> 00:47:15,360
Speaker 1: it's kind of hard to find. We emailed and we

809
00:47:15,480 --> 00:47:18,440
Speaker 1: finally tracked you down and Josh showed up at our

810
00:47:18,640 --> 00:47:24,680
Speaker 1: rehearsal dinner and played and oh yeah, So, you know,

811
00:47:25,239 --> 00:47:27,320
Speaker 1: there was so much going on and I think you

812
00:47:27,440 --> 00:47:29,320
Speaker 1: but I just, you know, publicly, like you didn't have

813
00:47:29,360 --> 00:47:31,480
Speaker 1: to do that. We didn't pay you. You know. I

814
00:47:31,640 --> 00:47:33,239
Speaker 1: just was so grateful that you would show up and

815
00:47:33,480 --> 00:47:35,319
Speaker 1: do that for us because it was really special to her.

816
00:47:35,360 --> 00:47:37,239
Speaker 1: So again on a public stage here, I just really

817
00:47:37,239 --> 00:47:39,719
Speaker 1: appreciate that. No problem. I appreciate you all thinking of me,

818
00:47:39,840 --> 00:47:42,560
Speaker 1: and I'm glad I could help out comes out he plays,

819
00:47:42,560 --> 00:47:45,960
Speaker 1: We're all singing along. It's a good moment. Huh sounds great. Yeah.

820
00:47:46,480 --> 00:47:50,040
Speaker 1: So I was thinking about you because you were a

821
00:47:50,160 --> 00:47:53,319
Speaker 1: marine and then you got into music, and I think

822
00:47:53,360 --> 00:47:55,560
Speaker 1: like Craig Morgan was in the service before he got

823
00:47:55,640 --> 00:47:58,719
Speaker 1: into music When you were in the Marines, were you

824
00:47:58,880 --> 00:48:03,200
Speaker 1: playing music? Actually? I was here and there, and uh,

825
00:48:03,400 --> 00:48:06,239
Speaker 1: you know, it's it's it's kind of like an unspoken thing. Really.

826
00:48:06,280 --> 00:48:07,680
Speaker 1: You don't know how the guys are gonna take it

827
00:48:07,760 --> 00:48:09,719
Speaker 1: when you're in the barracks or anything like else like that.

828
00:48:09,880 --> 00:48:12,120
Speaker 1: But I guess in boot camp it kind of started

829
00:48:12,160 --> 00:48:14,560
Speaker 1: when things were kind of really hard and people are

830
00:48:14,600 --> 00:48:16,920
Speaker 1: kind of missing home and stuff like that. I was.

831
00:48:17,200 --> 00:48:18,759
Speaker 1: They kind of caught me singing just to kind of

832
00:48:18,800 --> 00:48:20,440
Speaker 1: calm myself down, and the next thing, you know, I

833
00:48:20,480 --> 00:48:22,480
Speaker 1: would be asked to sing, like at the end of

834
00:48:22,520 --> 00:48:24,319
Speaker 1: the night while everyone was laying in their rack trying

835
00:48:24,320 --> 00:48:26,399
Speaker 1: to get to sleep and calm down. And so that's

836
00:48:26,440 --> 00:48:28,120
Speaker 1: what you know, I would do pretty much the rest

837
00:48:28,160 --> 00:48:30,719
Speaker 1: of boot camp, and it just kind of snowballed into

838
00:48:30,800 --> 00:48:33,799
Speaker 1: there as far as intertwined with the military. Did they

839
00:48:33,920 --> 00:48:36,799
Speaker 1: get you a guitar or did you just sing acapella?

840
00:48:36,920 --> 00:48:39,319
Speaker 1: Like it was just it was just acapella the whole time.

841
00:48:39,520 --> 00:48:42,440
Speaker 1: Like I grew up, I grew up out outside of Detroit,

842
00:48:42,560 --> 00:48:44,440
Speaker 1: so I learned how to sing off motown music, r

843
00:48:44,480 --> 00:48:48,319
Speaker 1: and b Oldies music, and then I got into country music.

844
00:48:48,400 --> 00:48:49,880
Speaker 1: At a at a very young age and up there

845
00:48:49,920 --> 00:48:52,320
Speaker 1: in Michigan, you know, in the mid nineties before it

846
00:48:52,400 --> 00:48:54,320
Speaker 1: really kind of took off, it was kind of a

847
00:48:54,520 --> 00:48:56,960
Speaker 1: different thing. But uh so I would sing like, you know,

848
00:48:57,040 --> 00:48:59,040
Speaker 1: like the Boys de Men stuff and things like that

849
00:48:59,640 --> 00:49:02,279
Speaker 1: in the in the barracks until it kind of transitioned

850
00:49:02,320 --> 00:49:04,879
Speaker 1: and more people started telling me they wanted some country stuff.

851
00:49:04,920 --> 00:49:07,680
Speaker 1: So did you get like a singing nickname? Like all right,

852
00:49:07,920 --> 00:49:11,160
Speaker 1: singing boy, all right, Johnny Singer? Like did you have

853
00:49:11,239 --> 00:49:13,360
Speaker 1: a million like a singing nickname in the military. Not

854
00:49:13,480 --> 00:49:15,200
Speaker 1: in the military, to be honest with you, but one

855
00:49:15,200 --> 00:49:17,200
Speaker 1: of the things that a former label used to do

856
00:49:17,280 --> 00:49:19,360
Speaker 1: to kind of embarrass me because they know that I

857
00:49:19,440 --> 00:49:24,239
Speaker 1: don't like like attention, like like immediate attention like that

858
00:49:24,320 --> 00:49:26,400
Speaker 1: in publica is every time I used to go somewhere

859
00:49:26,800 --> 00:49:28,960
Speaker 1: radio stuff used to say the singing Marine. You used

860
00:49:28,960 --> 00:49:31,279
Speaker 1: to open the doors and like just say that really

861
00:49:31,320 --> 00:49:33,120
Speaker 1: really loud. So I guess I'd probably be the only

862
00:49:33,239 --> 00:49:35,400
Speaker 1: nickname attached to that as a singing Marines, But they

863
00:49:35,440 --> 00:49:37,120
Speaker 1: wouldn't call you that why you're in the Marines, because

864
00:49:37,160 --> 00:49:41,480
Speaker 1: then you're just exactly singing us exactly. There you go

865
00:49:41,800 --> 00:49:43,400
Speaker 1: I do want to talk about your new single in

866
00:49:43,440 --> 00:49:46,200
Speaker 1: a second, but if you wouldn't mind, and I know

867
00:49:46,280 --> 00:49:48,440
Speaker 1: we asked you to do this at the at the rehearsal,

868
00:49:48,520 --> 00:49:50,560
Speaker 1: would you give us a verse and a chorus of

869
00:49:50,719 --> 00:49:53,279
Speaker 1: nothing to Lose? Yeah, it's just amataia. Come on. I

870
00:49:53,360 --> 00:49:55,000
Speaker 1: can't keep up just trying to sing along with it

871
00:49:55,000 --> 00:49:59,359
Speaker 1: because it's so fast and it's just like about there

872
00:49:59,440 --> 00:50:01,560
Speaker 1: have to be times where sometimes you get off tracking

873
00:50:01,600 --> 00:50:03,879
Speaker 1: to start making stuff, making up sounds. Is that happen?

874
00:50:04,160 --> 00:50:06,640
Speaker 1: Are you pretty much got it? I usually do this song.

875
00:50:08,040 --> 00:50:09,400
Speaker 1: I usually do this song at the end of the

876
00:50:09,440 --> 00:50:12,040
Speaker 1: show because everyone's drunk by the time they get there,

877
00:50:12,080 --> 00:50:13,600
Speaker 1: so they don't realize if I've messed up any of

878
00:50:13,600 --> 00:50:15,600
Speaker 1: the words or not. But you know what, that's the

879
00:50:15,719 --> 00:50:18,600
Speaker 1: one song that surprisingly I have not messed up any

880
00:50:18,640 --> 00:50:21,719
Speaker 1: of the words. Well, I'll be day because my grandmaas says,

881
00:50:22,239 --> 00:50:24,319
Speaker 1: here he is Josh Grayson, give us a person. Of course,

882
00:50:24,400 --> 00:50:41,239
Speaker 1: here we go. This is nothing to lose. He was

883
00:50:41,320 --> 00:50:44,040
Speaker 1: doing time Downtown breakdowns for time to time. Any times

884
00:50:44,080 --> 00:50:46,200
Speaker 1: he was pretty fine, real light, green light, go on,

885
00:50:46,360 --> 00:50:48,600
Speaker 1: fight up sat downtown, So should give me on around

886
00:50:48,640 --> 00:50:50,840
Speaker 1: time shoon didn't going nowis to go Win Jones and

887
00:50:50,960 --> 00:50:53,759
Speaker 1: Drew and feeling good if you would oh yeah bad,

888
00:50:54,400 --> 00:50:57,880
Speaker 1: she looked. She's got me ronand and allow you sun

889
00:50:57,920 --> 00:51:01,319
Speaker 1: breaking one natural big three even by mouth. She's got

890
00:51:01,400 --> 00:51:05,680
Speaker 1: me pretty tied up, tip down any way out. I've

891
00:51:05,800 --> 00:51:09,879
Speaker 1: got nothing news there it is. It's not going alone

892
00:51:09,960 --> 00:51:11,279
Speaker 1: right now. I would be like what you should have

893
00:51:11,360 --> 00:51:15,120
Speaker 1: seen lunchbox face. He was like, what can you do

894
00:51:15,320 --> 00:51:18,600
Speaker 1: that much slower? Like? Could you slow it way down

895
00:51:19,080 --> 00:51:21,960
Speaker 1: and almost do it as a ballad? Go ahead? There?

896
00:51:23,200 --> 00:51:27,960
Speaker 1: He was noontown, downtown, Brigtown, summertown, doing a time anytown.

897
00:51:28,280 --> 00:51:31,719
Speaker 1: She was looking pretty found really loud green go on

898
00:51:31,960 --> 00:51:35,880
Speaker 1: fighting sound downtown. She was shocking me all around. It

899
00:51:36,000 --> 00:51:39,279
Speaker 1: was tuned ing going New yor sing going June June

900
00:51:39,400 --> 00:51:44,640
Speaker 1: Drew and feeling goody if you even that is fast,

901
00:51:45,400 --> 00:51:49,279
Speaker 1: even the slower version. So you know, you mentioned and

902
00:51:49,360 --> 00:51:51,120
Speaker 1: I mentioned too, that you're working on new music. You

903
00:51:51,200 --> 00:51:53,160
Speaker 1: have this new single. I'm gonna play some a love

904
00:51:53,239 --> 00:51:57,120
Speaker 1: like right now. I never had a little like men

905
00:51:58,960 --> 00:52:20,600
Speaker 1: file Oka Crazy true back. I'm always curious because you

906
00:52:20,680 --> 00:52:22,800
Speaker 1: wrote the song. When you go into the room with

907
00:52:22,880 --> 00:52:25,680
Speaker 1: these other guys, you know, it was this idea when

908
00:52:25,719 --> 00:52:27,279
Speaker 1: it was brought in, if it was by you, are

909
00:52:27,360 --> 00:52:28,520
Speaker 1: these guys like, how did this come up in the

910
00:52:28,600 --> 00:52:30,359
Speaker 1: room and how did you guys settle on this song? Well,

911
00:52:30,520 --> 00:52:32,839
Speaker 1: it was fun. Days came in, we started writing. I've

912
00:52:32,840 --> 00:52:35,680
Speaker 1: never written with Parker Casey or Greg before, and so

913
00:52:35,800 --> 00:52:37,880
Speaker 1: it came in the room and it's kind of intimidating,

914
00:52:37,920 --> 00:52:41,040
Speaker 1: you know, uh, getting into getting into You'd never know

915
00:52:41,320 --> 00:52:43,839
Speaker 1: what somebody's gonna think of it, and it's songwriting. He's

916
00:52:43,840 --> 00:52:45,759
Speaker 1: actually really intimidating because you know, you always don't want

917
00:52:45,760 --> 00:52:47,600
Speaker 1: to throw out something that everybody looks at you like, Okay,

918
00:52:47,680 --> 00:52:49,279
Speaker 1: that's you know, that's not We're not gonna go with that.

919
00:52:49,480 --> 00:52:52,040
Speaker 1: So but they were really cool and we sat down

920
00:52:52,120 --> 00:52:55,000
Speaker 1: and started from some core progressions. I sang a little bit,

921
00:52:55,280 --> 00:52:56,839
Speaker 1: they sang a little bit, and we kind of messed

922
00:52:56,880 --> 00:53:00,120
Speaker 1: the melodies and started writing the lyrics and then I

923
00:53:00,200 --> 00:53:03,960
Speaker 1: got what you never want happened in a songwriting situation.

924
00:53:04,200 --> 00:53:05,960
Speaker 1: I was in the middle of a lot of things

925
00:53:06,000 --> 00:53:07,600
Speaker 1: going on at my time in life, and I had

926
00:53:07,600 --> 00:53:10,080
Speaker 1: a really important phone call that just kept blowing at

927
00:53:10,120 --> 00:53:12,320
Speaker 1: my phone my phone. I walked out and I literally

928
00:53:12,440 --> 00:53:15,120
Speaker 1: was maybe gone for like five ten minutes at most,

929
00:53:15,200 --> 00:53:16,400
Speaker 1: and I came back and they're like, hey, yeah, we

930
00:53:16,440 --> 00:53:19,520
Speaker 1: got the chorus done. I was like, holy crap, you know, glad,

931
00:53:19,560 --> 00:53:21,279
Speaker 1: I got glad. I got some parts in as far

932
00:53:21,360 --> 00:53:23,280
Speaker 1: as the as far as the verse and the melody

933
00:53:23,320 --> 00:53:24,839
Speaker 1: and stuff like that. But no, they were a great

934
00:53:24,840 --> 00:53:28,160
Speaker 1: bunch of writers, and we did a real quick um

935
00:53:28,440 --> 00:53:29,960
Speaker 1: you know, I guess you called living Room demo and

936
00:53:30,000 --> 00:53:32,040
Speaker 1: it kind of took off from there. So and right

937
00:53:32,080 --> 00:53:34,359
Speaker 1: now you guys can stream love like it's Josh's new single,

938
00:53:34,560 --> 00:53:36,160
Speaker 1: can you? Because you're so good live? And I know

939
00:53:36,280 --> 00:53:38,560
Speaker 1: we just heard heard the track there, but I think

940
00:53:38,600 --> 00:53:42,000
Speaker 1: our listeners like to hear someone play their song, So

941
00:53:42,040 --> 00:53:43,640
Speaker 1: would you mind playing this one verse and chorus? I

942
00:53:43,680 --> 00:53:59,000
Speaker 1: love like absolutely? You got that fine like Georgia's son guy.

943
00:54:01,480 --> 00:54:06,040
Speaker 1: You got that sweet like Marvin gig got you give

944
00:54:06,120 --> 00:54:11,520
Speaker 1: me that happy hal but feeding every day? Do you

945
00:54:11,600 --> 00:54:15,160
Speaker 1: got it all? You got me? Yeah? You got me.

946
00:54:16,440 --> 00:54:20,719
Speaker 1: I never had a love like me. Now a motown

947
00:54:20,840 --> 00:54:24,680
Speaker 1: battle of Cameline of Summer on the Street lads feels

948
00:54:24,920 --> 00:54:29,080
Speaker 1: that and know it's good shitty. I'm tuning South finding

949
00:54:29,600 --> 00:54:36,040
Speaker 1: Crazy Sunday Troupe never had a love black love black

950
00:54:36,480 --> 00:54:52,920
Speaker 1: love black you ave black You Oh good daddy, sound great, dang.

951
00:54:53,640 --> 00:54:58,840
Speaker 1: Listen stream that song here history repeats, playlad clip of

952
00:54:58,920 --> 00:55:00,920
Speaker 1: dot Yeah you want to heck you want to play?

953
00:55:00,960 --> 00:55:02,400
Speaker 1: I thought you grab your guitar. I know, I mean,

954
00:55:02,440 --> 00:55:03,840
Speaker 1: I thought I didn't know if you if you one,

955
00:55:03,880 --> 00:55:05,759
Speaker 1: guys want to play cripple clip of? That's what would

956
00:55:05,760 --> 00:55:07,120
Speaker 1: you rather do? Would you rather play a little bit

957
00:55:07,120 --> 00:55:10,480
Speaker 1: for us and showcase that fine voice of yours. This

958
00:55:10,520 --> 00:55:12,360
Speaker 1: sounds a little hard, but okay, just give us a

959
00:55:12,400 --> 00:55:16,279
Speaker 1: little bit of it. Okay, guys are testing me early

960
00:55:16,320 --> 00:55:19,200
Speaker 1: in the morning, early in the morning for an artist,

961
00:55:19,239 --> 00:55:31,080
Speaker 1: and he was I guess, I say, I knew how

962
00:55:31,239 --> 00:55:36,520
Speaker 1: the schools, I knew how its shooting up at you

963
00:55:36,760 --> 00:55:43,359
Speaker 1: from door lie with just friends, you ting Machael, we'll

964
00:55:43,440 --> 00:55:48,960
Speaker 1: start talking on cows. You're asking bad he see it

965
00:55:49,080 --> 00:55:57,879
Speaker 1: didn't work out then now staying to long, it's waning,

966
00:55:58,400 --> 00:56:02,520
Speaker 1: am as shoot it would be gone. But don't blame

967
00:56:02,560 --> 00:56:07,000
Speaker 1: it on the night. Don't blame it on us. You

968
00:56:07,160 --> 00:56:10,880
Speaker 1: don't blame it all the way because it ain't strong.

969
00:56:11,200 --> 00:56:15,400
Speaker 1: N I won't blame it on it. If you don't

970
00:56:15,480 --> 00:56:22,200
Speaker 1: blame it on me. Yeah, let's blame it on his story.

971
00:56:22,920 --> 00:56:29,360
Speaker 1: You can see his story, be peach. I mean, color

972
00:56:29,480 --> 00:56:32,920
Speaker 1: me impressed. I knew you could sing so good man,

973
00:56:33,480 --> 00:56:36,680
Speaker 1: but I mean, you're you're just you're annihilating it. Thank you.

974
00:56:36,760 --> 00:56:39,080
Speaker 1: I appreciate that. I'm glad that we didn't play the clip.

975
00:56:39,520 --> 00:56:43,440
Speaker 1: Holy crap, Josh Grayson is here, He's whooping these songs, man,

976
00:56:43,560 --> 00:56:45,279
Speaker 1: and I know we're just gonna do nothing to lose.

977
00:56:45,480 --> 00:56:47,520
Speaker 1: Do you know all your songs? Like, are you like? Yeah,

978
00:56:47,520 --> 00:56:49,759
Speaker 1: I know, I'm all no problem. Uh, you know, I

979
00:56:49,840 --> 00:56:53,320
Speaker 1: don't know. I wish I did um like, if I

980
00:56:53,400 --> 00:56:55,640
Speaker 1: were to go you know, I want to live, right

981
00:56:55,680 --> 00:56:58,360
Speaker 1: because since that was a top five song for you,

982
00:56:58,480 --> 00:57:00,480
Speaker 1: do you know I want to live? I do not?

983
00:57:00,640 --> 00:57:02,440
Speaker 1: You know why because I'll tell you. I'll tell you why.

984
00:57:02,480 --> 00:57:04,000
Speaker 1: Go ahead. I'm a big monkey when it comes to

985
00:57:04,120 --> 00:57:06,080
Speaker 1: hitting the hitting the guitar, and I like, I like

986
00:57:06,200 --> 00:57:09,560
Speaker 1: to play all this stuff. And I self taught myself

987
00:57:09,760 --> 00:57:11,759
Speaker 1: or I taught myself how to play guitar. I think

988
00:57:11,800 --> 00:57:13,719
Speaker 1: like nineteen years old when I was in college. Um

989
00:57:13,800 --> 00:57:15,680
Speaker 1: so I definitely know how to play like all the stuff.

990
00:57:15,800 --> 00:57:18,000
Speaker 1: I'm singing everything, But that song has got so many

991
00:57:18,040 --> 00:57:20,360
Speaker 1: intricate rhythms. If I sit there and I try to

992
00:57:20,400 --> 00:57:23,520
Speaker 1: play the rhythm and sing at the same time, it's

993
00:57:23,560 --> 00:57:25,840
Speaker 1: not gonna work out for me. What is your favorite song?

994
00:57:25,920 --> 00:57:28,480
Speaker 1: If you're at somebody's house and like, uh, you go

995
00:57:28,560 --> 00:57:30,600
Speaker 1: with a buddy and they're like, this is Josh Grayson country,

996
00:57:30,600 --> 00:57:32,200
Speaker 1: start job and they're like, oh, you play. They give

997
00:57:32,200 --> 00:57:34,680
Speaker 1: you a guitar and they're like, plays something? What? What? Like?

998
00:57:35,040 --> 00:57:37,920
Speaker 1: What cover song do you go to first at a party?

999
00:57:38,920 --> 00:57:40,840
Speaker 1: At a party, we'll see. I'm a sucker for ballad,

1000
00:57:40,880 --> 00:57:42,680
Speaker 1: so those don't go over very well. Come on, like,

1001
00:57:42,760 --> 00:57:45,080
Speaker 1: what's your ballot? What is? Because I also hear that

1002
00:57:45,160 --> 00:57:47,520
Speaker 1: soul in your voice too, because I can definitely hear

1003
00:57:47,560 --> 00:57:49,880
Speaker 1: the country, but I do hear like the Motown influenced soul.

1004
00:57:52,640 --> 00:58:02,360
Speaker 1: Remember play this one? We're in the rain? Isn't blowing

1005
00:58:02,520 --> 00:58:11,040
Speaker 1: in your face? Here? The who is on your case?

1006
00:58:15,320 --> 00:58:24,160
Speaker 1: I usually do a lot of all right, I could

1007
00:58:24,160 --> 00:58:30,480
Speaker 1: do this one a while and desp Why don't you

1008
00:58:30,920 --> 00:58:38,120
Speaker 1: come to your senses. You've been out riding fancies for

1009
00:58:38,320 --> 00:58:45,240
Speaker 1: so long now you're hard won, but I know that

1010
00:58:45,760 --> 00:58:51,680
Speaker 1: you got your reasons. These things that aren't please, and

1011
00:58:51,880 --> 00:59:00,720
Speaker 1: you can hurt you somehow, don't you? And a queen

1012
00:59:00,920 --> 00:59:06,560
Speaker 1: a diamonds book should beat you, which zible you knew

1013
00:59:06,640 --> 00:59:09,920
Speaker 1: the Queen of Halts and his homies, you will be

1014
00:59:10,000 --> 00:59:17,760
Speaker 1: its bit And it sits me some fathings having to

1015
00:59:17,920 --> 00:59:24,840
Speaker 1: lead upon your table. But you only walt you king'

1016
00:59:28,120 --> 00:59:34,480
Speaker 1: d Hey, dude, just so good. So you got these

1017
00:59:34,640 --> 00:59:36,760
Speaker 1: two new songs out now, and what's the goal? You're

1018
00:59:36,760 --> 00:59:39,040
Speaker 1: trying to put out a full record? You want to? Yeah,

1019
00:59:39,240 --> 00:59:43,440
Speaker 1: actually we're looking for uh end of October, middle of

1020
00:59:43,560 --> 00:59:47,080
Speaker 1: November to release an album. Uh. It's always one of

1021
00:59:47,120 --> 00:59:48,600
Speaker 1: those things where you write a bunch of stuff and

1022
00:59:48,800 --> 00:59:50,640
Speaker 1: you kind of want to wait to see if you uh,

1023
00:59:51,440 --> 00:59:53,920
Speaker 1: you know, write that just that one thing that might

1024
00:59:54,040 --> 00:59:56,320
Speaker 1: hit you. And being the fact that you know, I've

1025
00:59:56,360 --> 00:59:58,640
Speaker 1: got my own label, got investor, and I kind of

1026
00:59:58,680 --> 00:59:59,960
Speaker 1: make my own music. We can go out of dri

1027
01:00:00,040 --> 01:00:02,000
Speaker 1: up of the hat and go and record. We'll want to.

1028
01:00:02,160 --> 01:00:05,520
Speaker 1: And I've got so many good friends still in Nashville

1029
01:00:05,560 --> 01:00:07,360
Speaker 1: that kind of believe in me and believe in what

1030
01:00:07,520 --> 01:00:09,800
Speaker 1: I'm doing and think that, you know, we get things

1031
01:00:09,880 --> 01:00:12,960
Speaker 1: really going again, and so much so that actually we're

1032
01:00:12,960 --> 01:00:15,120
Speaker 1: getting ready to record a song that Morgan Wallen was

1033
01:00:15,160 --> 01:00:17,800
Speaker 1: gracious enough to let me cut something. He wrote a

1034
01:00:17,840 --> 01:00:19,840
Speaker 1: song called taking You. So there's a lot of great

1035
01:00:19,880 --> 01:00:21,800
Speaker 1: things happening, a lot of good things going on. Well,

1036
01:00:21,960 --> 01:00:24,560
Speaker 1: I believe in you. When you get that record ready

1037
01:00:24,640 --> 01:00:27,600
Speaker 1: or that song ready, call me up. Absolutely, we'll put

1038
01:00:27,640 --> 01:00:30,080
Speaker 1: you on again. We'll talk about it. Absolutely. This I

1039
01:00:30,120 --> 01:00:31,479
Speaker 1: don't know how to play a little bit more songs

1040
01:00:31,640 --> 01:00:34,680
Speaker 1: on the spot. Listen. We never put people on the

1041
01:00:34,720 --> 01:00:36,960
Speaker 1: spot that we're not impressed by. I can tell you.

1042
01:00:37,040 --> 01:00:38,400
Speaker 1: No one ever comes in and they suck and I'm like,

1043
01:00:38,440 --> 01:00:41,520
Speaker 1: we'll do this. We only did that with people were like,

1044
01:00:41,560 --> 01:00:45,040
Speaker 1: holy crap, we're actually entertained. That's really good. So thank

1045
01:00:45,080 --> 01:00:47,400
Speaker 1: you for coming in. You guys. Follow Josh at Josh

1046
01:00:47,560 --> 01:00:51,720
Speaker 1: Grayson g R a ci N, check out love like,

1047
01:00:52,000 --> 01:00:53,920
Speaker 1: check out history repeats. I mean he played a verse

1048
01:00:53,960 --> 01:00:56,080
Speaker 1: of chorus here. Obviously he's great live, And when you

1049
01:00:56,120 --> 01:00:58,760
Speaker 1: get that record ready, you let me know absolutely. All right,

1050
01:00:58,800 --> 01:01:03,840
Speaker 1: there is Josh Grayson. Everybody, It's time for the good news.

1051
01:01:08,680 --> 01:01:10,680
Speaker 1: So there's a guy named Ron. He's a professor at

1052
01:01:10,760 --> 01:01:14,360
Speaker 1: Cornell University. He was living with in stage renal disease.

1053
01:01:14,640 --> 01:01:16,880
Speaker 1: He had been on dialysis for five years to give

1054
01:01:16,960 --> 01:01:19,240
Speaker 1: him more time with his family. Seventy five years old.

1055
01:01:19,240 --> 01:01:22,120
Speaker 1: He says, you know, he was giving up on getting

1056
01:01:22,200 --> 01:01:25,320
Speaker 1: that new kidney that he just wasn't getting. And then

1057
01:01:25,360 --> 01:01:27,480
Speaker 1: he got a call. He said, hey, we had a donor,

1058
01:01:27,480 --> 01:01:30,840
Speaker 1: would come forward. The donor wanted to remain anonymous, but

1059
01:01:30,920 --> 01:01:33,120
Speaker 1: he was like, let me know who they are, Like

1060
01:01:33,200 --> 01:01:35,320
Speaker 1: he begged them. That's when he got a message from

1061
01:01:35,360 --> 01:01:38,600
Speaker 1: his coworker of seven years, who's an associate professor at Cornell.

1062
01:01:39,080 --> 01:01:41,560
Speaker 1: His name is Adam seth litt One. Adam wanted to

1063
01:01:41,600 --> 01:01:44,280
Speaker 1: donate his kidney, but at first he wasn't allowed because

1064
01:01:44,320 --> 01:01:46,880
Speaker 1: he wasn't healthy enough. So he spent two years, as

1065
01:01:46,960 --> 01:01:48,720
Speaker 1: this guy was going through the five years of dialysis,

1066
01:01:49,200 --> 01:01:51,920
Speaker 1: improving his health in order to donate his kidney. He

1067
01:01:52,000 --> 01:01:55,080
Speaker 1: improved his diet, he stabilizes blood sugar. He lost twenty

1068
01:01:55,120 --> 01:01:57,560
Speaker 1: five pounds all while trying to get approval for transplant.

1069
01:01:57,880 --> 01:02:01,640
Speaker 1: Finally got approval, was able to give from the transplant. Dang,

1070
01:02:01,920 --> 01:02:05,000
Speaker 1: that's a double like so it's not even just that

1071
01:02:05,080 --> 01:02:06,720
Speaker 1: the don that the donation is the biggest part, but

1072
01:02:06,800 --> 01:02:10,000
Speaker 1: the guest spent two years. Yeah, we're ready. That's a

1073
01:02:10,040 --> 01:02:15,480
Speaker 1: crazy story. Good on you, Adam Seth Litwin. That I mean,

1074
01:02:15,560 --> 01:02:18,560
Speaker 1: and he's an associate professor Cornell. You bump them up? Yeah,

1075
01:02:19,040 --> 01:02:23,080
Speaker 1: don't you can. That's what it's all about right there.

1076
01:02:23,800 --> 01:02:27,120
Speaker 1: That was tell me something good. Let's go talk to

1077
01:02:27,360 --> 01:02:34,040
Speaker 1: Michael and Manhattan, Kansas. Michael, what's up in morning Corner studio? Morning? Hey, Bobby,

1078
01:02:34,440 --> 01:02:37,160
Speaker 1: my wife and I we went to your Bobby Chests

1079
01:02:37,200 --> 01:02:41,960
Speaker 1: on Sunday night. First of all, fantastic. I really hope

1080
01:02:41,960 --> 01:02:44,440
Speaker 1: you guys do it again. It's a great show. Thank you.

1081
01:02:44,800 --> 01:02:48,240
Speaker 1: With everybody to reform. Um No. I wanted to say

1082
01:02:48,320 --> 01:02:51,640
Speaker 1: thank you to you and Eddie. Um. I caught Eddie's

1083
01:02:51,640 --> 01:02:54,480
Speaker 1: eye in the crowd and I talked to them our

1084
01:02:54,600 --> 01:02:57,960
Speaker 1: baby Onesie that my wife and I made. He says

1085
01:02:57,960 --> 01:03:01,480
Speaker 1: we're about to have a newborn and said beteamer on it.

1086
01:03:01,680 --> 01:03:03,600
Speaker 1: And I just wanted to say thank you. So I

1087
01:03:03,640 --> 01:03:05,320
Speaker 1: didn't get to say thank you to you guys about

1088
01:03:05,320 --> 01:03:08,440
Speaker 1: the show. Now, I appreciate that, and what a weekend

1089
01:03:08,480 --> 01:03:10,240
Speaker 1: of shows. I will play you in a little bit.

1090
01:03:10,760 --> 01:03:14,880
Speaker 1: Raymundo performing Kid Rock Cowboy in Texas. An Abbey performing

1091
01:03:14,960 --> 01:03:19,320
Speaker 1: heads Carolina tells California in Kansas because we had a

1092
01:03:19,320 --> 01:03:22,240
Speaker 1: special show appearance each night. Yeah, so I'll play you

1093
01:03:22,320 --> 01:03:24,600
Speaker 1: that audio coming up in a minute. But I mean,

1094
01:03:24,640 --> 01:03:27,480
Speaker 1: with a great couple of days, thousands and thousands of

1095
01:03:27,480 --> 01:03:30,280
Speaker 1: people is unbelievable. And just thank you and Michael, thank

1096
01:03:30,320 --> 01:03:31,520
Speaker 1: you for that call. Man. I hope you had a

1097
01:03:31,640 --> 01:03:35,200
Speaker 1: great time, which early did. I appreciate it so much.

1098
01:03:35,240 --> 01:03:37,240
Speaker 1: All right, buddy, let's do the news. Here we go

1099
01:03:38,400 --> 01:03:44,240
Speaker 1: Bobby's story. You got three good ones today. The first

1100
01:03:44,280 --> 01:03:46,200
Speaker 1: one is a man was caught trying to smuggle three

1101
01:03:46,320 --> 01:03:49,040
Speaker 1: hundred and fifty pounds of meat over the Texas border.

1102
01:03:50,440 --> 01:03:53,440
Speaker 1: The US border authorities confiscated the meat from a man

1103
01:03:54,120 --> 01:03:57,560
Speaker 1: attempting to smuggle the goods over the border. They discovered

1104
01:03:57,560 --> 01:04:01,680
Speaker 1: the haul around six am. The guy twenty was carrying

1105
01:04:01,920 --> 01:04:05,400
Speaker 1: three hundred twenty pounds of port maloney and thirty pounds

1106
01:04:05,400 --> 01:04:08,000
Speaker 1: of turkey ham in the back seat of a twenty

1107
01:04:08,040 --> 01:04:10,400
Speaker 1: twelve hand to Odyssey. I would just think it be

1108
01:04:10,400 --> 01:04:13,240
Speaker 1: a truck or something and it be hidden. The I

1109
01:04:13,400 --> 01:04:15,240
Speaker 1: basically just sitting in the back seat for the seatbelt over.

1110
01:04:16,400 --> 01:04:19,920
Speaker 1: A border agent ordered a secondary inspection due to the

1111
01:04:20,040 --> 01:04:24,720
Speaker 1: driver's negative declaration of carrying foods because he could see

1112
01:04:24,800 --> 01:04:28,280
Speaker 1: the meat and the back seat you got new food, Eddie,

1113
01:04:28,320 --> 01:04:30,520
Speaker 1: as someone who grew up at the border, Yes, and

1114
01:04:30,560 --> 01:04:33,000
Speaker 1: you had to cross the border a bunch. Yes. What's

1115
01:04:33,040 --> 01:04:35,600
Speaker 1: the deal with crossing the border with stuff? Do most

1116
01:04:35,640 --> 01:04:38,240
Speaker 1: people just get through because they don't get checked or

1117
01:04:38,520 --> 01:04:41,520
Speaker 1: everybody get checked? So to go to Mexico, no problem.

1118
01:04:41,760 --> 01:04:43,720
Speaker 1: I mean, they don't care what you take in there.

1119
01:04:43,880 --> 01:04:46,640
Speaker 1: America doesn't care what you're taking new Mexico. Coming back

1120
01:04:46,720 --> 01:04:50,560
Speaker 1: into America from Mexico, it's high security and it does

1121
01:04:50,640 --> 01:04:53,120
Speaker 1: start with a question do you wanted to clear anything? First?

1122
01:04:53,160 --> 01:04:56,160
Speaker 1: Are you US citizens? Yes? Great? Are you bringing anything

1123
01:04:56,240 --> 01:04:58,400
Speaker 1: from Mexico? Then you have to tell him what you have.

1124
01:04:58,640 --> 01:05:01,320
Speaker 1: If you don't and they suspect something, they're like go

1125
01:05:01,440 --> 01:05:03,440
Speaker 1: into stall number four please, and they just check your

1126
01:05:03,600 --> 01:05:05,880
Speaker 1: entire vehicle. Sometimes, though, if you play it so cool,

1127
01:05:06,240 --> 01:05:09,040
Speaker 1: do they not suspect anything you do sneak stuff in? Sometimes?

1128
01:05:09,120 --> 01:05:10,840
Speaker 1: What we would do as kids, because we weren't supposed

1129
01:05:10,840 --> 01:05:12,640
Speaker 1: to be going over there as like high school kids,

1130
01:05:12,800 --> 01:05:15,720
Speaker 1: we would put on like you know, nice easy listening

1131
01:05:15,880 --> 01:05:18,520
Speaker 1: music and have to do We're good kids, Yeah, play

1132
01:05:18,560 --> 01:05:22,400
Speaker 1: Michael Bolton. Yes that way. They're just like, oh, these

1133
01:05:22,440 --> 01:05:24,440
Speaker 1: guys are cool, they're no problems. But what were you

1134
01:05:24,520 --> 01:05:27,200
Speaker 1: smuggling back? Nothing? Just we were just drinking over there

1135
01:05:27,560 --> 01:05:29,200
Speaker 1: anywhere and we didn't want to Yeah, we don't want

1136
01:05:29,200 --> 01:05:31,720
Speaker 1: to do it. Have you ever smuggled food? It's nerve wreck?

1137
01:05:31,800 --> 01:05:35,240
Speaker 1: What are you talking suggling? I have ta haiti. I've

1138
01:05:35,320 --> 01:05:37,600
Speaker 1: taken like limons. You have to declare it and I

1139
01:05:37,720 --> 01:05:39,560
Speaker 1: don't and they ask me, do you have anything? But

1140
01:05:39,640 --> 01:05:41,720
Speaker 1: I really didn't want them to take my limons, so

1141
01:05:41,800 --> 01:05:44,000
Speaker 1: I'm like, no, I'm good. And then I start sweating

1142
01:05:44,040 --> 01:05:46,120
Speaker 1: because I'm like, what if they bust me for my

1143
01:05:46,240 --> 01:05:49,000
Speaker 1: limons because it's against the law. Then I made it

1144
01:05:49,280 --> 01:05:50,560
Speaker 1: and he goes, you have a key short of cell

1145
01:05:50,560 --> 01:05:56,400
Speaker 1: phone into a prison? No, no, okay, next story. If

1146
01:05:56,440 --> 01:05:59,120
Speaker 1: you go over to Cameo, you'll see all these people

1147
01:05:59,240 --> 01:06:01,400
Speaker 1: that are like, I'll cut video for you end and

1148
01:06:01,760 --> 01:06:03,920
Speaker 1: I'll say your friend's name and it would cost you

1149
01:06:04,080 --> 01:06:07,200
Speaker 1: this much money. They have now released the top five

1150
01:06:07,360 --> 01:06:10,680
Speaker 1: most popular TV Stars for Cameo. Now, this is most

1151
01:06:10,840 --> 01:06:14,200
Speaker 1: videos done, it's not most money made because some of

1152
01:06:14,240 --> 01:06:17,480
Speaker 1: the videos are still pretty cheap. William Hung from American

1153
01:06:17,560 --> 01:06:22,520
Speaker 1: Idol at number five. She bangs, She bangs. Fun fact.

1154
01:06:22,720 --> 01:06:25,680
Speaker 1: Eddie and I first met ever at a William Hung event.

1155
01:06:25,880 --> 01:06:27,520
Speaker 1: That's all right. We brought him in for the radio

1156
01:06:27,560 --> 01:06:30,360
Speaker 1: station and Eddie was doing news there. Crazy. I was

1157
01:06:30,400 --> 01:06:32,680
Speaker 1: there to interview William Hung, but he wasn't available, so

1158
01:06:32,720 --> 01:06:38,680
Speaker 1: I interviewed Bobby as William Hum Number four. Larry Thomas,

1159
01:06:39,000 --> 01:06:43,880
Speaker 1: who is the soup Nazi on Seinfeld eighty bucks number three.

1160
01:06:44,000 --> 01:06:46,560
Speaker 1: Now this guy makes more money than the rest because

1161
01:06:46,600 --> 01:06:49,720
Speaker 1: he charges so much. But in number of videos made.

1162
01:06:50,040 --> 01:06:54,479
Speaker 1: Brian Baumgartner, Kevin Malone from the Office, good one, Josh

1163
01:06:54,760 --> 01:06:58,440
Speaker 1: Sussman from Glee and Wizards of Waverley Place. I don't, Morgan,

1164
01:06:59,040 --> 01:07:01,920
Speaker 1: I don't know. Do you know who Josh Sussman is? Yeah, No,

1165
01:07:02,080 --> 01:07:04,640
Speaker 1: for sure I do. I'm looking at a picture of him.

1166
01:07:05,320 --> 01:07:08,400
Speaker 1: He kind of has Bob Ross hair. Yeah, he was

1167
01:07:08,400 --> 01:07:12,560
Speaker 1: a really popular show. Yeah. Number one, ed Big Ed

1168
01:07:12,640 --> 01:07:16,440
Speaker 1: Brown from ninety Day Fiance. Okay, I've never heard of him,

1169
01:07:16,920 --> 01:07:21,600
Speaker 1: sixty nine of course. Yeah, people love that ninety Day

1170
01:07:21,600 --> 01:07:24,400
Speaker 1: Fiance show so much. So where I go? Man? Should

1171
01:07:24,400 --> 01:07:26,920
Speaker 1: I even get into this? What do they do? I

1172
01:07:27,000 --> 01:07:29,360
Speaker 1: don't there unless someone watches it. I don't want to

1173
01:07:29,400 --> 01:07:31,840
Speaker 1: speak wrongly on it, but isn't it where they get

1174
01:07:31,840 --> 01:07:33,840
Speaker 1: someone from another country that comes in and they have

1175
01:07:33,960 --> 01:07:36,000
Speaker 1: ninety days? Ray, you have to watch ninety Day Fiance.

1176
01:07:36,080 --> 01:07:38,440
Speaker 1: I have all the shows we watch, watch a lot

1177
01:07:38,480 --> 01:07:41,200
Speaker 1: of garbage, but definitely not that one. Mike, what's the

1178
01:07:41,280 --> 01:07:43,520
Speaker 1: premise of ninety Day Fiance? If you'll look that up

1179
01:07:43,600 --> 01:07:48,520
Speaker 1: for me, because I think that's long distance relationships have

1180
01:07:48,680 --> 01:07:52,000
Speaker 1: challenges are difficult overcome. But if considered the distance traveled,

1181
01:07:52,000 --> 01:07:54,439
Speaker 1: it's halfway around the world and a couple had ninety

1182
01:07:54,520 --> 01:07:57,440
Speaker 1: days to decide whether the courtship should conclude with marriage.

1183
01:07:57,560 --> 01:08:00,200
Speaker 1: That's the situation. So that's what I heard the trees

1184
01:08:00,240 --> 01:08:01,680
Speaker 1: and you can't just get married and get someone a

1185
01:08:01,720 --> 01:08:05,160
Speaker 1: green card or get someone him citizenship. Crazy? Is that?

1186
01:08:05,240 --> 01:08:06,480
Speaker 1: Not one of us has watched that I know. And

1187
01:08:06,560 --> 01:08:08,960
Speaker 1: it's a massive show, and it also shows you obviously,

1188
01:08:09,080 --> 01:08:12,040
Speaker 1: regardless how massive it is, everything is still cut into

1189
01:08:12,080 --> 01:08:16,400
Speaker 1: such small sections. Now finally in the news, and I

1190
01:08:16,479 --> 01:08:18,800
Speaker 1: only bring this up because we talked about it a

1191
01:08:18,880 --> 01:08:21,120
Speaker 1: long time ago, but little Uzi Vert is a rapper

1192
01:08:21,160 --> 01:08:25,040
Speaker 1: who had a jewel placed in his forehead now here's

1193
01:08:25,080 --> 01:08:31,240
Speaker 1: some of his music. He had a twenty four million

1194
01:08:31,320 --> 01:08:36,280
Speaker 1: dollar rock embedded in his forehead. He's saved for years

1195
01:08:36,479 --> 01:08:40,200
Speaker 1: and it's a pink gemstone, twenty four million dollars embedded

1196
01:08:40,280 --> 01:08:42,160
Speaker 1: into his forehead. I mean, why would he do that?

1197
01:08:42,439 --> 01:08:43,960
Speaker 1: We talked about this on the show. I know, but

1198
01:08:44,080 --> 01:08:46,400
Speaker 1: it's still I'm like, people will chop your head off. Well,

1199
01:08:46,439 --> 01:08:50,800
Speaker 1: what happened was he jumped into the crowd at a festival. Oh,

1200
01:08:51,120 --> 01:08:53,960
Speaker 1: I try to get it so little Louzy Vert says.

1201
01:08:53,960 --> 01:08:56,080
Speaker 1: The pink diamond he had implanted in his forehead got

1202
01:08:56,200 --> 01:08:59,280
Speaker 1: dislodged when he jumped into the crowd at Rolling Loud.

1203
01:09:00,920 --> 01:09:04,560
Speaker 1: He said that his idea wasn't full proof because he

1204
01:09:04,640 --> 01:09:06,720
Speaker 1: did a stage dive and the fans ripped it right

1205
01:09:06,760 --> 01:09:09,599
Speaker 1: out of his forehead. What the good news. He didn't

1206
01:09:09,640 --> 01:09:13,120
Speaker 1: suffer any serious facial damage and has a barbell piercing

1207
01:09:13,160 --> 01:09:16,880
Speaker 1: in its place. And yes he does have the diamond back.

1208
01:09:18,320 --> 01:09:23,479
Speaker 1: It's reimplanted now, but it is a rock right up

1209
01:09:23,560 --> 01:09:26,479
Speaker 1: in between his eyes. It's like that superhero. But you

1210
01:09:26,560 --> 01:09:28,760
Speaker 1: have to cut out some bone because it's not like

1211
01:09:29,120 --> 01:09:31,800
Speaker 1: unless you're just taping it right. You have to put

1212
01:09:31,840 --> 01:09:33,679
Speaker 1: it in. Oh, I was thinking they would just pierce

1213
01:09:33,760 --> 01:09:36,280
Speaker 1: in some ways to secure it, and then you clip

1214
01:09:36,360 --> 01:09:38,680
Speaker 1: it into the piercing. You're thinking on a far different level.

1215
01:09:38,760 --> 01:09:40,600
Speaker 1: You're in twenty twenty five right now, and I'm in

1216
01:09:40,640 --> 01:09:43,600
Speaker 1: like eight nine to eighty seven. Mike, which do you

1217
01:09:43,680 --> 01:09:45,600
Speaker 1: think it is? Do you think that they clipped it

1218
01:09:46,120 --> 01:09:48,240
Speaker 1: like Amy said? Or do they cut some bone? If

1219
01:09:48,280 --> 01:09:50,200
Speaker 1: you had to guess, I mean it kind of like

1220
01:09:50,280 --> 01:09:54,080
Speaker 1: I just fell out. But how's it secured in? Like?

1221
01:09:54,200 --> 01:09:57,600
Speaker 1: How does it even stay there? Gorilla glue? Yeah? And

1222
01:09:57,680 --> 01:10:01,320
Speaker 1: sometimes in those late night infommercials, they're look, we've strapped

1223
01:10:01,360 --> 01:10:02,920
Speaker 1: his baby to the top of the ledge of a

1224
01:10:03,000 --> 01:10:05,760
Speaker 1: ten story building. Now will the gorilla glue hold? And

1225
01:10:05,840 --> 01:10:07,800
Speaker 1: I'm like, oh, come on, it's gonna be crazy right now,

1226
01:10:08,000 --> 01:10:10,400
Speaker 1: And then the baby just dangles first safely. It looks

1227
01:10:10,400 --> 01:10:13,479
Speaker 1: believable crazy Anyway, it's a twenty four million dollars stone

1228
01:10:13,479 --> 01:10:15,400
Speaker 1: in his head. It came out. How do they get that? Yeah?

1229
01:10:15,400 --> 01:10:18,959
Speaker 1: Who gave it back? No chance? Because they're fans. I mean, okay,

1230
01:10:20,160 --> 01:10:22,519
Speaker 1: if you're a fan, I just don't. I don't jump

1231
01:10:22,600 --> 01:10:26,000
Speaker 1: into this crowd with a diamond on my finger like that.

1232
01:10:26,200 --> 01:10:31,360
Speaker 1: Much less my head. All right, that's the news stories,

1233
01:10:33,160 --> 01:10:36,720
Speaker 1: all right, playback time of the weekend. Raymundo went up

1234
01:10:36,760 --> 01:10:40,840
Speaker 1: on stage at Bobbyfest in Texas and he had begged

1235
01:10:40,920 --> 01:10:44,120
Speaker 1: can I please do Cowboy? In front of the thousands

1236
01:10:44,160 --> 01:10:46,799
Speaker 1: of people that were going to be there, and Raymundo

1237
01:10:46,920 --> 01:10:48,960
Speaker 1: was a bit nervous. He says, he wasn't. Will you

1238
01:10:49,040 --> 01:10:51,560
Speaker 1: admit now you were a bit nervous, Sure, if you

1239
01:10:51,640 --> 01:10:53,880
Speaker 1: want to say that, But I mean, we do this

1240
01:10:54,080 --> 01:10:56,479
Speaker 1: every day. We're we're on microphones and we talk to people.

1241
01:10:56,479 --> 01:10:59,679
Speaker 1: I don't get very different. You've got thousands of people

1242
01:11:00,240 --> 01:11:02,760
Speaker 1: in front of the stage. You're live people, eyeballs are

1243
01:11:02,840 --> 01:11:05,760
Speaker 1: on you, we're live now. Everyone there said he was

1244
01:11:06,080 --> 01:11:08,040
Speaker 1: very nervous. His wife was like, I've never seen him

1245
01:11:08,040 --> 01:11:13,799
Speaker 1: so nervous anyone out in sound check and he bombed

1246
01:11:13,840 --> 01:11:17,599
Speaker 1: it hard. Didn't get a single word right, It's not nervous.

1247
01:11:18,520 --> 01:11:20,720
Speaker 1: And so you know it's showtime. We've started the show

1248
01:11:20,760 --> 01:11:23,600
Speaker 1: and the raging idiots are playing. We're probably six or

1249
01:11:23,680 --> 01:11:25,880
Speaker 1: seven songs into our set and I'm like, all right,

1250
01:11:25,920 --> 01:11:30,720
Speaker 1: time for Raymundo. In the crowd, new level cheers. Ray

1251
01:11:30,800 --> 01:11:34,640
Speaker 1: comes out. Yeah, the crowd goes yeah, and so then

1252
01:11:34,760 --> 01:11:37,599
Speaker 1: we hit it and here is kid Rock Cowboy as

1253
01:11:37,680 --> 01:11:45,679
Speaker 1: performed by Raymundo live on stage. Chexas Let's go come

1254
01:11:45,760 --> 01:12:15,599
Speaker 1: on by, don't don your block, got by out, Little

1255
01:12:15,680 --> 01:12:19,519
Speaker 1: Black Team chilling the boat rock down, up and down

1256
01:12:19,680 --> 01:12:25,800
Speaker 1: the color dra to the star and crossed out the ball.

1257
01:12:28,200 --> 01:12:35,600
Speaker 1: You want to fight boat townell back fight set up,

1258
01:12:35,720 --> 01:12:40,400
Speaker 1: shot the top four feet rocking. I'm the real boy,

1259
01:12:40,560 --> 01:12:49,280
Speaker 1: can't you? He came out and he nailed it that.

1260
01:12:49,640 --> 01:12:52,840
Speaker 1: The prime time lights came on and Ray Moon Dogger

1261
01:12:52,960 --> 01:12:55,800
Speaker 1: came the primetime guy. I tell you what, it's hard

1262
01:12:55,840 --> 01:12:58,400
Speaker 1: to find that beat man when you're loved it. And

1263
01:12:58,920 --> 01:13:00,880
Speaker 1: you know, I thought I would give him hel becase

1264
01:13:00,880 --> 01:13:02,240
Speaker 1: I would just jump on words with him to kind

1265
01:13:02,240 --> 01:13:03,880
Speaker 1: of but he didn't need it. No, he was on

1266
01:13:03,960 --> 01:13:06,160
Speaker 1: it and you would hear me go and he was

1267
01:13:06,160 --> 01:13:09,479
Speaker 1: already he was on the word. You couldn't have done better. Well.

1268
01:13:09,520 --> 01:13:11,280
Speaker 1: I did want to go on stage to approve to

1269
01:13:11,360 --> 01:13:13,320
Speaker 1: people how hard it is to sing and be on beat.

1270
01:13:13,400 --> 01:13:15,799
Speaker 1: And I think I proved that because it was very difficult.

1271
01:13:15,800 --> 01:13:17,439
Speaker 1: I did everything I could to hold my hand in

1272
01:13:17,479 --> 01:13:20,000
Speaker 1: my ear. It was not easy. He was doing the

1273
01:13:20,040 --> 01:13:21,760
Speaker 1: thing like Christina aguiler I does when she sent a

1274
01:13:21,760 --> 01:13:26,880
Speaker 1: studio when she got her finger. Yeah, He's like, but

1275
01:13:27,000 --> 01:13:29,679
Speaker 1: he crushed it. Yea. It was so bad and rehearsal

1276
01:13:30,520 --> 01:13:33,760
Speaker 1: we were worried, but the lights came on and so

1277
01:13:33,920 --> 01:13:36,920
Speaker 1: did Ray. Mundo is great, nailed it, crowd loved it.

1278
01:13:37,320 --> 01:13:39,559
Speaker 1: The next night we go to Kansas, We're on Wichita

1279
01:13:40,160 --> 01:13:44,240
Speaker 1: and phone screen or Abbey it was her birthday too. Abby,

1280
01:13:44,439 --> 01:13:46,920
Speaker 1: were you nervous before performing in front of thousands of people?

1281
01:13:47,360 --> 01:13:50,479
Speaker 1: I actually really wasn't it. I was just more excited now.

1282
01:13:50,960 --> 01:13:52,320
Speaker 1: It was a little bit of you wanting to prove

1283
01:13:52,439 --> 01:13:54,920
Speaker 1: Lunchbox wrong because he said you couldn't sing yes, and

1284
01:13:55,040 --> 01:13:57,839
Speaker 1: I want to right now, like he needs to stop.

1285
01:13:58,680 --> 01:14:02,120
Speaker 1: I'm so nervous, Like I mean, I'm worry. I'm worried

1286
01:14:02,160 --> 01:14:03,960
Speaker 1: that the crowd's going to cheer for her. But it's

1287
01:14:03,960 --> 01:14:06,000
Speaker 1: a pity cheer because it's her birthday. And That's what

1288
01:14:06,080 --> 01:14:09,639
Speaker 1: I'm worried about right now. What Abby went out on stage?

1289
01:14:09,800 --> 01:14:12,400
Speaker 1: She seemed very comfortable, right Eddie, Oh yeah, very something

1290
01:14:12,479 --> 01:14:14,680
Speaker 1: nailed at in rehearsal where she was right on it

1291
01:14:14,760 --> 01:14:16,840
Speaker 1: was the opposite of Ray. We're like, wow, Abby's ready

1292
01:14:16,880 --> 01:14:19,920
Speaker 1: to go. And so same time, like six songs into

1293
01:14:19,920 --> 01:14:24,560
Speaker 1: the set in Kansas on Sunday, our band starts to

1294
01:14:24,600 --> 01:14:27,240
Speaker 1: playing We're playing heads, Carolina tells California. Then Abbey comes

1295
01:14:27,280 --> 01:14:30,360
Speaker 1: out and here she is in her hometown on her birthday.

1296
01:14:30,560 --> 01:15:26,599
Speaker 1: It's about a minute of heads. Carolina tells California. She nailed.

1297
01:15:29,600 --> 01:15:32,840
Speaker 1: It was so fun, so fun. You sounded great, he

1298
01:15:32,920 --> 01:15:35,920
Speaker 1: sounded great, Thank you? What what can you say about that?

1299
01:15:36,560 --> 01:15:38,160
Speaker 1: I felt like in the middle, it got a little

1300
01:15:38,200 --> 01:15:42,200
Speaker 1: in the middle. Now he's picking alive from it got

1301
01:15:42,240 --> 01:15:44,080
Speaker 1: a little bit there. But it was a great song

1302
01:15:44,160 --> 01:15:46,120
Speaker 1: because then the crowd sings with you. So even if

1303
01:15:46,160 --> 01:15:49,080
Speaker 1: you do sound a little pitchy or like you don't

1304
01:15:49,200 --> 01:15:50,760
Speaker 1: you're not as good as the runs, they don't notice

1305
01:15:50,760 --> 01:15:52,880
Speaker 1: because they're singing with you. So it was a great

1306
01:15:52,920 --> 01:15:56,559
Speaker 1: song choice. Now she sounded good too, know, like I'm

1307
01:15:57,479 --> 01:15:59,519
Speaker 1: Ray and Abbey. They were just up there living their

1308
01:15:59,560 --> 01:16:01,360
Speaker 1: best live. I looked at Abby and she tried to

1309
01:16:01,400 --> 01:16:03,200
Speaker 1: run a stage, which was finishing her part of the

1310
01:16:03,240 --> 01:16:05,240
Speaker 1: song was like, no, stay out here and let the

1311
01:16:05,320 --> 01:16:06,920
Speaker 1: crowd like cheer for you, like filled the love, and

1312
01:16:06,920 --> 01:16:16,280
Speaker 1: the crowd was like and Abby started crying heavy. It

1313
01:16:16,400 --> 01:16:19,000
Speaker 1: was awesome. Sweet was it a was it a cool

1314
01:16:19,080 --> 01:16:22,200
Speaker 1: moment before you? Yes, it was amazing. I was like

1315
01:16:22,560 --> 01:16:25,240
Speaker 1: the adrenaline. I was bouncing off. I was literally bouncing

1316
01:16:25,280 --> 01:16:27,439
Speaker 1: off the stage like it was a crazy I was

1317
01:16:27,520 --> 01:16:29,720
Speaker 1: like jumping up and down. It was so fun. Are

1318
01:16:29,760 --> 01:16:32,599
Speaker 1: you reconsidering your career path? I want to be a singer.

1319
01:16:32,760 --> 01:16:37,120
Speaker 1: I want to be a singer now, Bobby, Okay, what

1320
01:16:37,240 --> 01:16:40,760
Speaker 1: you are your dreams? No, Bobby, she's old enough to

1321
01:16:40,960 --> 01:16:43,200
Speaker 1: be honest with her that she shouldn't chase her dreams.

1322
01:16:43,600 --> 01:16:45,519
Speaker 1: Like you know how those parents like take their kids

1323
01:16:45,560 --> 01:16:47,640
Speaker 1: to try out for American Idol. It's like you know

1324
01:16:47,720 --> 01:16:49,800
Speaker 1: they're not good enough, but you still take them. Just

1325
01:16:50,160 --> 01:16:51,559
Speaker 1: tell her, hey, it was a good job, but don't

1326
01:16:51,640 --> 01:16:53,800
Speaker 1: chase her dreams. Well, I thought you did a great job.

1327
01:16:53,840 --> 01:16:56,479
Speaker 1: I hope your birthday was awesome. And I think listen

1328
01:16:56,520 --> 01:16:58,439
Speaker 1: to you want to work this show and you're doing

1329
01:16:58,560 --> 01:17:00,640
Speaker 1: you're producing Chuck Wick's podcast, asked, and you still want

1330
01:17:00,640 --> 01:17:02,960
Speaker 1: to go sing a little bit. Don't let anybody tell

1331
01:17:02,960 --> 01:17:05,960
Speaker 1: you you ain't good. You do what you want to do. Yeah,

1332
01:17:06,160 --> 01:17:09,000
Speaker 1: whatever fills your up. Okay, great job, Raymond, do a

1333
01:17:09,040 --> 01:17:11,479
Speaker 1: great job. Abbey. You guys really kill it this weekend.

1334
01:17:13,000 --> 01:17:16,679
Speaker 1: Louisiana woman and nine one one dispatcher is currently wanted

1335
01:17:17,200 --> 01:17:21,040
Speaker 1: by authorities in New Orleans after allegedly fielding several emergency

1336
01:17:21,120 --> 01:17:23,200
Speaker 1: calls and then hanging up on people in need of assistance.

1337
01:17:23,360 --> 01:17:27,759
Speaker 1: Oh man, oh no, cool. She's twenty five. She stands

1338
01:17:27,800 --> 01:17:31,040
Speaker 1: accused of malfeasance in office and interfering with an emergency

1339
01:17:31,080 --> 01:17:36,000
Speaker 1: communication for allegedly disconnecting calls without gathering their requisite information.

1340
01:17:37,760 --> 01:17:39,840
Speaker 1: But the weird thing is why is she on the

1341
01:17:39,960 --> 01:17:42,800
Speaker 1: run for that? Did you go to prison for this?

1342
01:17:43,640 --> 01:17:45,759
Speaker 1: I would think this wouldn't be a prison charge, except

1343
01:17:45,760 --> 01:17:47,320
Speaker 1: for now that you're on the run. Now it's going

1344
01:17:47,360 --> 01:17:50,080
Speaker 1: to be prison now, enough of it could be. And

1345
01:17:50,160 --> 01:17:52,000
Speaker 1: then why is she hanging up on people like and

1346
01:17:52,040 --> 01:17:54,520
Speaker 1: I don't know, I'm just gonna go or my mind spirals.

1347
01:17:55,320 --> 01:17:57,120
Speaker 1: If you know the person that's doing the wrong to

1348
01:17:57,200 --> 01:18:00,599
Speaker 1: the person that's calling, that would be a red. That's

1349
01:18:00,680 --> 01:18:03,360
Speaker 1: next level thinking. And that's wow. Well, I mean she's

1350
01:18:03,360 --> 01:18:04,880
Speaker 1: at large and has a worn out for her rest

1351
01:18:04,920 --> 01:18:07,680
Speaker 1: on both charges. I'm sure it's an overwhelming job, so

1352
01:18:07,840 --> 01:18:11,160
Speaker 1: maybe sometimes she's overwhelmed, so she just if you're overwhelmed

1353
01:18:11,160 --> 01:18:14,160
Speaker 1: by this job. Job exactly. I think that now we

1354
01:18:14,240 --> 01:18:18,280
Speaker 1: know she can't do this job. What was she charged with? Malnifficen. Yeah,

1355
01:18:18,320 --> 01:18:24,400
Speaker 1: it's exactly it mauthfeasance. I mean, Amy's not googling the

1356
01:18:24,439 --> 01:18:26,559
Speaker 1: word malfeasance well because I want to know, like why

1357
01:18:26,840 --> 01:18:29,960
Speaker 1: that's why she would go to jail or what? I

1358
01:18:30,000 --> 01:18:32,439
Speaker 1: don't know? What is? What is your search? It's where

1359
01:18:32,520 --> 01:18:37,160
Speaker 1: you um malfeasance the willful inappropriate action or intentional incorrect

1360
01:18:37,200 --> 01:18:41,000
Speaker 1: action or advice and you're you're you're in. You could

1361
01:18:41,040 --> 01:18:43,160
Speaker 1: injure a party. I mean, the thing is, people's lives

1362
01:18:43,200 --> 01:18:45,000
Speaker 1: are in danger, in their at risk. If they're calling

1363
01:18:45,080 --> 01:18:47,760
Speaker 1: nine one one potentially and you're hanging up on them

1364
01:18:48,160 --> 01:18:50,719
Speaker 1: like you you could be the reason someone lives or dies.

1365
01:18:50,840 --> 01:18:54,320
Speaker 1: It's true. I agree. Don't yell at me. You're yelling

1366
01:18:54,360 --> 01:18:56,439
Speaker 1: at Amy's right now, taking all hanger out on me.

1367
01:18:58,200 --> 01:18:59,840
Speaker 1: I just I just never heard of someone on the

1368
01:19:00,080 --> 01:19:01,920
Speaker 1: run or getting in trouble because they would hang up

1369
01:19:02,000 --> 01:19:04,080
Speaker 1: nine on one calls. I mean, lunchbox has important calls

1370
01:19:04,120 --> 01:19:05,920
Speaker 1: to make and we need someone to answer. Yeah, there

1371
01:19:06,040 --> 01:19:10,720
Speaker 1: was a story about a woman is so scared by

1372
01:19:10,760 --> 01:19:15,479
Speaker 1: a spider that she screams, and then the police came

1373
01:19:15,560 --> 01:19:18,519
Speaker 1: because of her blood curdling scream. Because when you hear

1374
01:19:18,560 --> 01:19:21,160
Speaker 1: a scream, obviously you're like, what happened? Where is that story?

1375
01:19:21,920 --> 01:19:24,719
Speaker 1: So they go to a house and they're like, no problem,

1376
01:19:24,960 --> 01:19:28,840
Speaker 1: she just saw a spider. But it made Lunchbox remember

1377
01:19:28,920 --> 01:19:31,120
Speaker 1: his first ever nine one one call, because that's his thing.

1378
01:19:31,200 --> 01:19:33,160
Speaker 1: He loved to call nine on one was when someone screamed.

1379
01:19:33,360 --> 01:19:35,280
Speaker 1: I was a sophomore in college and I just thought

1380
01:19:35,320 --> 01:19:36,640
Speaker 1: of it when I read this story. And in the

1381
01:19:36,680 --> 01:19:39,040
Speaker 1: middle of the night, I heard the woman next door screaming,

1382
01:19:39,600 --> 01:19:42,320
Speaker 1: and so I called nine one one and the police

1383
01:19:42,400 --> 01:19:44,680
Speaker 1: knocked on her door. And I don't ever know what

1384
01:19:44,720 --> 01:19:47,000
Speaker 1: happened because I never really talked to her. The next day,

1385
01:19:47,080 --> 01:19:48,920
Speaker 1: but the police came, knocked on the door, talked to her,

1386
01:19:48,960 --> 01:19:50,840
Speaker 1: and left. But it was like three am when she

1387
01:19:50,960 --> 01:19:53,720
Speaker 1: was screaming, and I remember calling nine one one, and

1388
01:19:53,920 --> 01:19:56,360
Speaker 1: that story right there made me. Man, that's when my

1389
01:19:56,520 --> 01:19:58,679
Speaker 1: nine one one loved, you know, that's when it began.

1390
01:19:58,960 --> 01:20:01,360
Speaker 1: That's when I opened a new Pandora's box. I wish

1391
01:20:01,400 --> 01:20:03,200
Speaker 1: we could find her, like where are they now? The

1392
01:20:03,320 --> 01:20:07,400
Speaker 1: nine one one victims of all of them through his life. Yeah,

1393
01:20:07,760 --> 01:20:10,240
Speaker 1: let's go over and talk to Charlie and West Virginia.

1394
01:20:10,240 --> 01:20:13,080
Speaker 1: Who's on the phone. Hey, Charlie, appreciate your calling. What's

1395
01:20:13,080 --> 01:20:17,160
Speaker 1: going on, buddy, Yeah, good morning by studio. I just

1396
01:20:17,280 --> 01:20:19,720
Speaker 1: want to say what a great job that Ramondo did

1397
01:20:19,800 --> 01:20:23,240
Speaker 1: and Abbey and I just want to challenge lunch of

1398
01:20:23,280 --> 01:20:25,400
Speaker 1: box what he had to Calhoun is saying, what's a

1399
01:20:25,439 --> 01:20:29,360
Speaker 1: lot got to do with it? Off on stage? He

1400
01:20:29,439 --> 01:20:31,840
Speaker 1: would do that, but yeah, he's a guy who can't

1401
01:20:31,920 --> 01:20:35,120
Speaker 1: do but tells others they can't do it. No, no, no, no.

1402
01:20:35,240 --> 01:20:37,400
Speaker 1: Here's the thing. I don't claim but that I'm a singer.

1403
01:20:37,439 --> 01:20:38,640
Speaker 1: But I'll get up and sing if you want me

1404
01:20:38,680 --> 01:20:40,639
Speaker 1: to get up and sing on the stage. No one's

1405
01:20:40,640 --> 01:20:42,960
Speaker 1: asking you to sing. But on Abbey, she can't sing

1406
01:20:43,080 --> 01:20:45,240
Speaker 1: when you can't sing, right, But I don't claim to

1407
01:20:45,280 --> 01:20:47,720
Speaker 1: be a singer. Abby says she's a singer and that's

1408
01:20:47,760 --> 01:20:48,840
Speaker 1: what she was going to do for a career, and

1409
01:20:48,920 --> 01:20:50,640
Speaker 1: I was just I'm just telling it and do it

1410
01:20:50,720 --> 01:20:52,439
Speaker 1: as a career. I was just letting you know the truth.

1411
01:20:52,479 --> 01:20:55,880
Speaker 1: She wasn't gonna do it his career. Charlie, thank you

1412
01:20:56,160 --> 01:20:59,080
Speaker 1: and you know we've heard Lunchbox singer he can't carry you.

1413
01:20:59,160 --> 01:21:01,360
Speaker 1: Tune enough and go and bucket. There you have it.

1414
01:21:01,439 --> 01:21:03,639
Speaker 1: You got it. You got no argument there all right?

1415
01:21:04,400 --> 01:21:09,200
Speaker 1: I mean like Tanya who is calling us from Alabama? Tanya,

1416
01:21:09,240 --> 01:21:17,800
Speaker 1: what's going on? Hey, good morning, Bobby. Well, I had

1417
01:21:17,840 --> 01:21:19,680
Speaker 1: just called to tell Abby that I thought she did

1418
01:21:19,760 --> 01:21:23,200
Speaker 1: an amazing job and that lunch Box is just a hater.

1419
01:21:23,760 --> 01:21:25,920
Speaker 1: That's true. He is just a hater. Thank you for

1420
01:21:26,000 --> 01:21:27,960
Speaker 1: that call. We got a lot of calls about Bobby

1421
01:21:28,000 --> 01:21:30,840
Speaker 1: Fest this weekend. Our goal because it was quite successful,

1422
01:21:30,840 --> 01:21:32,439
Speaker 1: as to do it again next year in different places,

1423
01:21:32,800 --> 01:21:34,720
Speaker 1: maybe the same place as too. But it was just

1424
01:21:34,880 --> 01:21:36,839
Speaker 1: it was great with so many great at Russell Dickerson.

1425
01:21:36,960 --> 01:21:39,680
Speaker 1: His live show is so good. If you get a

1426
01:21:39,760 --> 01:21:41,960
Speaker 1: chance to see Russell Dickerson. And he played before us,

1427
01:21:42,000 --> 01:21:43,599
Speaker 1: and we're like, well, great, now what do we do? Right?

1428
01:21:43,720 --> 01:21:45,680
Speaker 1: He's got so much energy, so much energy. He had

1429
01:21:45,680 --> 01:21:48,280
Speaker 1: a big lighting rig and he had smoke. We walk

1430
01:21:48,360 --> 01:21:51,839
Speaker 1: out there, we're dressed like idiots. We're just like a hello, everybody,

1431
01:21:52,320 --> 01:21:55,160
Speaker 1: it's Bobby and any But he's so good and so

1432
01:21:55,960 --> 01:21:59,160
Speaker 1: at the bar High Well, it was an unattainable bar.

1433
01:21:59,320 --> 01:22:01,080
Speaker 1: We just do a different kind of show like that,

1434
01:22:01,240 --> 01:22:03,240
Speaker 1: we do funny songs. We might put them at noon

1435
01:22:03,320 --> 01:22:05,720
Speaker 1: next time. Huh. Yeah, we should put Russell in. Like,

1436
01:22:09,280 --> 01:22:11,200
Speaker 1: if you get a chance to see Russell Dickerson, go

1437
01:22:11,400 --> 01:22:14,280
Speaker 1: because that guy is a plus a plus good. Let

1438
01:22:14,320 --> 01:22:18,240
Speaker 1: me play a voicemail from Albuquerque, New Mexico. Hi, Bobby

1439
01:22:18,600 --> 01:22:20,320
Speaker 1: just wanted to say thank you for a great show

1440
01:22:20,360 --> 01:22:23,160
Speaker 1: at New Bronfels this weekend. We also wanted to say

1441
01:22:23,280 --> 01:22:25,720
Speaker 1: to the couple in front of us breaking up the

1442
01:22:25,960 --> 01:22:28,920
Speaker 1: entire show, good luck to you both. There's lots of

1443
01:22:28,960 --> 01:22:32,280
Speaker 1: other fishing to see your beautiful guy, beautiful girl. You

1444
01:22:32,320 --> 01:22:34,759
Speaker 1: guys will be okay, You guys will be okay. Sorry

1445
01:22:34,840 --> 01:22:38,160
Speaker 1: that you missed the entire show. It was a great one.

1446
01:22:38,280 --> 01:22:43,799
Speaker 1: We love you taking up up and they missed basically

1447
01:22:44,040 --> 01:22:46,800
Speaker 1: all the performances all right around the room. Give me

1448
01:22:47,000 --> 01:22:49,360
Speaker 1: give me one sentence because running short on time. Here

1449
01:22:49,720 --> 01:22:53,040
Speaker 1: about your weekend, Give me the highest of high headline, Amy.

1450
01:22:53,200 --> 01:22:56,960
Speaker 1: I cleaned out my closet and it feels so good. Nice. Yeah,

1451
01:22:57,080 --> 01:22:59,200
Speaker 1: I had the extra time to do it. That's a

1452
01:22:59,200 --> 01:23:02,800
Speaker 1: lot of calm, is there. But Eddie, I mean Raye

1453
01:23:02,800 --> 01:23:05,120
Speaker 1: the Idiot's good at Texas and mom and dad were there.

1454
01:23:05,360 --> 01:23:06,880
Speaker 1: I mean to me, it's so cool that mom and

1455
01:23:06,960 --> 01:23:09,720
Speaker 1: dad came to the shows. I will go since that's

1456
01:23:09,720 --> 01:23:12,760
Speaker 1: been discussed. I will go Arkansas with the big poll

1457
01:23:12,800 --> 01:23:17,800
Speaker 1: away win week one of college football. Oh congrats. I

1458
01:23:18,080 --> 01:23:19,840
Speaker 1: didn't go do the meeting. I was late to the

1459
01:23:19,880 --> 01:23:22,400
Speaker 1: meeting greet the VIP performance because the game was still long,

1460
01:23:22,920 --> 01:23:25,240
Speaker 1: ran long. It was scary amy because they weren't leading

1461
01:23:25,320 --> 01:23:28,759
Speaker 1: and a half and I like but people. But eventually

1462
01:23:28,800 --> 01:23:32,960
Speaker 1: you went, yeah, eventually he went Okay, because y'all won.

1463
01:23:33,920 --> 01:23:37,559
Speaker 1: I would have gone anyway. Okay, lunchbox. My parents booked

1464
01:23:37,600 --> 01:23:39,800
Speaker 1: their flight because I'm about to have baby number three,

1465
01:23:39,840 --> 01:23:42,240
Speaker 1: so they officially booked airfare to come here when the

1466
01:23:42,280 --> 01:23:44,439
Speaker 1: birds is happening. So that's exciting. That's a big headline.

1467
01:23:44,520 --> 01:23:47,680
Speaker 1: Yeah more Agan. Oh. I went on a really big

1468
01:23:47,760 --> 01:23:50,160
Speaker 1: boat this weekend that I've never been on before because

1469
01:23:50,200 --> 01:23:52,000
Speaker 1: one of my friends had a birthday and it was

1470
01:23:52,040 --> 01:23:53,760
Speaker 1: so much fun. I spent like ten hours in the sun,

1471
01:23:53,920 --> 01:23:57,200
Speaker 1: got fried, and then one more Raymundo. Yeah. The last

1472
01:23:57,240 --> 01:23:59,479
Speaker 1: time I was in New Braunfels, Texas, I was actually

1473
01:24:00,160 --> 01:24:02,360
Speaker 1: in boxes at the Walmart distribution center, and then to

1474
01:24:02,439 --> 01:24:04,040
Speaker 1: go back there and be on stage in front of

1475
01:24:04,080 --> 01:24:07,479
Speaker 1: twenty thousand people. I was like, I'm bad. A couple

1476
01:24:07,520 --> 01:24:09,760
Speaker 1: of cool things about this one Ray used to work

1477
01:24:09,800 --> 01:24:12,439
Speaker 1: at the Walmart down there, and too, there weren't twenty

1478
01:24:12,479 --> 01:24:15,880
Speaker 1: thousand people. There were thousands of thousands of people. Believe that,

1479
01:24:15,960 --> 01:24:18,120
Speaker 1: but there weren't twenty thousand. In his mind. There were

1480
01:24:18,600 --> 01:24:20,040
Speaker 1: say what you want, there were some bright lights. I

1481
01:24:20,080 --> 01:24:23,960
Speaker 1: couldn't even see the people. Yeah, there were twenty All right,

1482
01:24:24,120 --> 01:24:31,759
Speaker 1: that's it show today. This story comes to us from Canada.

1483
01:24:32,240 --> 01:24:35,080
Speaker 1: Two people walking to Hugo's bar pulled out a gun

1484
01:24:35,120 --> 01:24:36,960
Speaker 1: and said, give me all the money. So they give

1485
01:24:37,040 --> 01:24:39,600
Speaker 1: him all the money. They run out, jump on a motorcycle,

1486
01:24:39,760 --> 01:24:43,920
Speaker 1: driving away police chase. They crash, one guy gets apprehended.

1487
01:24:43,920 --> 01:24:47,320
Speaker 1: Another guy goes na runs, jumps in the lake and

1488
01:24:47,439 --> 01:24:51,160
Speaker 1: start swimming. Well. Police just getting a little paddleboat paddle

1489
01:24:51,200 --> 01:24:54,040
Speaker 1: adroim and he starts drowning. Help help he oh, he

1490
01:24:54,080 --> 01:24:56,000
Speaker 1: had to help, and they pulled him onto the paddle

1491
01:24:56,000 --> 01:24:59,240
Speaker 1: boat for help. Tough decision, I know, what do you do?

1492
01:24:59,640 --> 01:25:04,400
Speaker 1: It's not tough decision when you're drowning get away. I

1493
01:25:04,520 --> 01:25:06,479
Speaker 1: thought you were saying, tough decision. I'm no, you don't

1494
01:25:06,520 --> 01:25:08,200
Speaker 1: know you want to get away. But then you're like,

1495
01:25:08,240 --> 01:25:10,800
Speaker 1: I'm drowning. I need help. Or do you even jump

1496
01:25:10,880 --> 01:25:13,519
Speaker 1: in the water, like if you're running up to it,

1497
01:25:13,640 --> 01:25:15,439
Speaker 1: maybe do you run up to it, splash it with

1498
01:25:15,520 --> 01:25:16,920
Speaker 1: your hand so it sounds like you're getting in, and

1499
01:25:16,960 --> 01:25:18,600
Speaker 1: then run on the edge. See that's what you would do.

1500
01:25:18,800 --> 01:25:22,120
Speaker 1: So smart. I'll be like, I got all rockets, then

1501
01:25:22,160 --> 01:25:24,960
Speaker 1: I keep on running on land. But that's funny. They

1502
01:25:24,960 --> 01:25:27,160
Speaker 1: got them in a powder boat, and they say they

1503
01:25:27,200 --> 01:25:28,720
Speaker 1: got to them fast enough in a powder boat to

1504
01:25:28,720 --> 01:25:30,120
Speaker 1: save them from drowning. I know. I kind of a

1505
01:25:30,240 --> 01:25:31,439
Speaker 1: tell me something good too. All right, there you go,

1506
01:25:31,520 --> 01:25:33,479
Speaker 1: I'm lunchbox. That's your bone head story of the day.

1507
01:25:37,439 --> 01:25:39,800
Speaker 1: What happened to you? Well? I spilled water on my

1508
01:25:39,920 --> 01:25:43,000
Speaker 1: newish computer. How do you do that on your last computer?

1509
01:25:43,080 --> 01:25:44,280
Speaker 1: And that's why I had to get a new one.

1510
01:25:44,600 --> 01:25:47,200
Speaker 1: But it's not that it happens. It's not that I

1511
01:25:47,360 --> 01:25:50,240
Speaker 1: spill the water once and then I'm done. It's over

1512
01:25:50,400 --> 01:25:52,559
Speaker 1: time like the other one I had. I was proud

1513
01:25:52,600 --> 01:25:54,200
Speaker 1: of it for holding on as long as it did,

1514
01:25:54,520 --> 01:25:57,599
Speaker 1: and then finally just stuffed working. I think the final

1515
01:25:57,720 --> 01:26:00,840
Speaker 1: water still and this one. I had been incident free

1516
01:26:00,920 --> 01:26:03,439
Speaker 1: for like two months and then boom knocked a bottle

1517
01:26:03,439 --> 01:26:05,960
Speaker 1: of water over. Do you have insurance on those things? Oh? Yeah,

1518
01:26:05,960 --> 01:26:08,360
Speaker 1: I get all the Apple Care. Yeah, I have all

1519
01:26:08,360 --> 01:26:10,720
Speaker 1: the Apple doubles up on it. So far, I'm doing

1520
01:26:10,760 --> 01:26:12,600
Speaker 1: pretty good. It's just the return button. I have to

1521
01:26:12,680 --> 01:26:16,840
Speaker 1: hit it with extra force, but I'm fine. Why do

1522
01:26:16,920 --> 01:26:21,120
Speaker 1: you keep liquids near your can? You can? I'm thirsty? No? No, no, no,

1523
01:26:21,360 --> 01:26:23,880
Speaker 1: you can. You're blaming this on Amy Bones. But why

1524
01:26:23,920 --> 01:26:27,400
Speaker 1: can't Apple just make this waterproof? Right? Oh? Okay, why

1525
01:26:27,439 --> 01:26:29,960
Speaker 1: wouldn't they make it? Two completely different things? Okay, well

1526
01:26:30,600 --> 01:26:32,240
Speaker 1: you know you're not. You're not supposed to have water

1527
01:26:32,360 --> 01:26:35,479
Speaker 1: near your computer. It's not their job. Could be an

1528
01:26:35,479 --> 01:26:37,479
Speaker 1: old rule, though, you know, not the company's job to

1529
01:26:37,560 --> 01:26:40,600
Speaker 1: make everything dummy proof. I'd appreciate it. A lot of

1530
01:26:40,640 --> 01:26:44,160
Speaker 1: dummies is why we can't have nice things? No we you.

1531
01:26:46,240 --> 01:26:48,599
Speaker 1: I hope you guys have a great I was gonna

1532
01:26:48,640 --> 01:26:53,760
Speaker 1: say Monday, Yeah that's Tuesday. Tuesday, have a great Tuesday.

1533
01:26:54,160 --> 01:26:55,960
Speaker 1: We will see you tomorrow. Goodbye, friends,