WEBVTT - Time to Talk About Clocks

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<v Speaker 1>Again in text with technology with tech Stuff from stuff

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<v Speaker 1>works dot com. Hey there, and welcome to tech Stuff.

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<v Speaker 1>I am your host, Jonathan Strickland. I'm an executive producer

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<v Speaker 1>here at how Stuff Works, and I love all things tech,

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<v Speaker 1>and today I wanted to talk about something that I've

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<v Speaker 1>always found interesting but also intimidating. A couple of years ago,

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<v Speaker 1>I traveled to Berlin, Germany to give a talk at

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<v Speaker 1>a conference. After my talk, a couple of really friendly

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<v Speaker 1>locals offered to give me a walking tour of Berlin,

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<v Speaker 1>and so we kind of set out to explore the

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<v Speaker 1>city and at one point we ducked into a luxury

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<v Speaker 1>clock shop and I got a nice explanation, half of

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<v Speaker 1>it in German, of the inner workings of some of

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<v Speaker 1>the more intricate clocks there. And it was really interesting

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<v Speaker 1>and incredible to see the workmanship that went into creating

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<v Speaker 1>these clocks. And I thought, well, it's about time to

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<v Speaker 1>talk about time, or rather to talk about how we

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<v Speaker 1>mark the passage of time. So today we're gonna talk

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<v Speaker 1>about clocks. Now, most of this episode I'm going to

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<v Speaker 1>focus on mechanical clocks, but you know me, I like

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<v Speaker 1>to talk about precursors. And history leading up to the

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<v Speaker 1>development of technology. And so we'll first take a quick

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<v Speaker 1>look back at some of the earliest timekeeping technologies before

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<v Speaker 1>the invention of the mechanical clock. So to count as

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<v Speaker 1>a clock, you really need two elements. The first is

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<v Speaker 1>some sort of consistent, regular action or process that gives

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<v Speaker 1>you the ability to mark off equal increments of time.

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<v Speaker 1>In theory, this could be something like the rate that

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<v Speaker 1>water drips out of a container, which is the basis

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<v Speaker 1>of many water clocks, or sands through an hourglass, so

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<v Speaker 1>are the days of our lives. But we'll talk more

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<v Speaker 1>about water clocks later. With mechanical clocks, it's the rate

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<v Speaker 1>at which parts move within the clock itself. In order

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<v Speaker 1>to keep time, you have to find a way to

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<v Speaker 1>regulate that so that it is consistent. So that's element

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<v Speaker 1>number one. The second element you need for a clock

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<v Speaker 1>is some sort of way to keep track of the

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<v Speaker 1>increments of time so that you know what time it is.

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<v Speaker 1>You need a way to be able to read the time.

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<v Speaker 1>So early clocks, some of the early mechanical clocks that

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<v Speaker 1>came out of Europe didn't have a dial or a

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<v Speaker 1>face or hands or anything like that. They were really

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<v Speaker 1>automated systems to chime bells, so it was the chime

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<v Speaker 1>of the bell that would indicate what the time was.

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<v Speaker 1>That was the best you could do. But later on

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<v Speaker 1>it would be a mechanical clock with a dial and

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<v Speaker 1>a face with hands on it, and that would be

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<v Speaker 1>the part that tells you what the time is. So

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<v Speaker 1>it's not enough that the clock keeps time. It also

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<v Speaker 1>has to communicate that or display it in some way.

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<v Speaker 1>So those are the two elements you need for it

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<v Speaker 1>to be a clock. Now, since ancient times, people have

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<v Speaker 1>found ways to mark the passing of time, everything from

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<v Speaker 1>various versions of calendars to massive structures that could tell

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<v Speaker 1>you all about when certain things are going to happen,

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<v Speaker 1>like equal n ox Is. I mean, you've heard about

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<v Speaker 1>structures like Stonehenge, But if you're talking about time, as

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<v Speaker 1>in dividing up the increments of a day, you kind

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<v Speaker 1>of have to look at the people's of Summer and

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<v Speaker 1>ancient Egypt and their use of sun dials. The most

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<v Speaker 1>primitive type of sun dial would be a stick stuck

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<v Speaker 1>in the ground, and you can mark the passing of

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<v Speaker 1>time by observing where the stick's shadow falls as the

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<v Speaker 1>sun's position overhead changes throughout the day. Sun dials tend

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<v Speaker 1>to be a bit more robust than a stick stuck

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<v Speaker 1>in the ground. The sun dials of ancient summer were

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<v Speaker 1>pretty much gone by the time historians got around to

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<v Speaker 1>documenting these kinds of things, but there were still some

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<v Speaker 1>that existed in Egypt. Now we know that the ones

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<v Speaker 1>in Egypt were predated by the ones that were in

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<v Speaker 1>sumer but we just don't have any examples of those

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<v Speaker 1>so UH. In Egypt you could find things like obelisks.

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<v Speaker 1>The obelisks dates to at least thirty d b c

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<v Speaker 1>e before Common era. The shadows cast by those structures

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<v Speaker 1>could help people mark the passing of time, and in fact,

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<v Speaker 1>you might end up seeing one that has markings on

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<v Speaker 1>the ground that indicates such. Now, both the Sumerians and

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<v Speaker 1>the Egyptians created divisions for daytime, similar to the way

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<v Speaker 1>we have ours. The Egyptians created ten segments of daytime

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<v Speaker 1>between UH and between two and four for night time,

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<v Speaker 1>but of course you couldn't track nighttime with a sun

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<v Speaker 1>dial because for a sundal to work, you kind of

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<v Speaker 1>need a sun and at nighttime that's in short supply.

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<v Speaker 1>The same was true on any days with whether that

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<v Speaker 1>would obscure the sun. Obviously, tracking time on those days

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<v Speaker 1>would become difficult, but on clear days you could track

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<v Speaker 1>the passing of time fairly well. The Egyptians would create

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<v Speaker 1>markings on the ground that would indicate the time of day,

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<v Speaker 1>so you'd see where the shadow falls. If it falls

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<v Speaker 1>in atcular section, then you know it's time for lunch

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<v Speaker 1>or I don't know. To listen to the New Bengals

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<v Speaker 1>single if the Earth's axis didn't have a tilt to

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<v Speaker 1>it relative to the position of the Sun, this would

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<v Speaker 1>be a consistent way to track the time of day.

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<v Speaker 1>But because of that tilt, during different parts of the year,

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<v Speaker 1>the sun will occupy a slightly different part of the sky.

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<v Speaker 1>This also depends upon where north or south of the

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<v Speaker 1>equator you are. If you're right, if you're very close

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<v Speaker 1>to the equator, the variation is slight, but the further

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<v Speaker 1>way you are from the equator, the greater the variation is.

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<v Speaker 1>And because of that tilt, during different parts of the year,

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<v Speaker 1>the sun will occupy those different areas of the sky,

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<v Speaker 1>meaning the shadow that it casts on the ground from

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<v Speaker 1>any object is going to be different at one time

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<v Speaker 1>of year than at a different time of year. The

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<v Speaker 1>Egyptians had all this sussed out, and they would include

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<v Speaker 1>indicators for the time of year so that timekeeping could

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<v Speaker 1>remain fairly accurate. And it was easy to see which

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<v Speaker 1>days were the longest and the shortest, because on the

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<v Speaker 1>longest day, the obelisk would cast a longer shadow because

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<v Speaker 1>the sun would appear lowest in the sky as it

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<v Speaker 1>crossed overhead. On the shortest day, the shadow would be

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<v Speaker 1>short as the Sun would pass closer to directly overhead.

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<v Speaker 1>So little indicators there that can tell you more about

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<v Speaker 1>the time of year. Now, the fact that the Earth

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<v Speaker 1>is round, sorry flat earther's it also meant that you

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<v Speaker 1>couldn't just design a universal sun dial that's going to

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<v Speaker 1>be accurate wherever you go all year round. As you

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<v Speaker 1>travel north or south, the angle of the Sun's light

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<v Speaker 1>hitting your sun dial changes, and so you have to

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<v Speaker 1>take that into account. A sun dial must be designed

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<v Speaker 1>for the specific location if you want the time markings

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<v Speaker 1>to be accurate throughout the year. The sun dial made

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<v Speaker 1>its way to Greece and from there pretty much everywhere else.

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<v Speaker 1>The Greeks created some pretty cool sun dials, including hemispherical

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<v Speaker 1>sun dials. Now, as this name suggests. These sun dials

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<v Speaker 1>used a hemispherical surface upon which shadows would fall. Typically

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<v Speaker 1>the surface kind of like a bowl that have been

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<v Speaker 1>cut in half or even quartered. So you had this

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<v Speaker 1>this little bowl shaped area, but not a not a

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<v Speaker 1>full bowl with lines on the inside to mark time segments.

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<v Speaker 1>And the object that was to cast a shadow would

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<v Speaker 1>be an appropriate distance from the sides of that bowl,

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<v Speaker 1>and it's orientation would be such that no matter which

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<v Speaker 1>way it's facing, it's facing away where the sun is

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<v Speaker 1>always going to cast a shadow against the bowl. So

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<v Speaker 1>you want to make sure that it's facing the right direction,

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<v Speaker 1>otherwise you get a part of the day where the

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<v Speaker 1>shadow would be outside the bowl and you would say

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<v Speaker 1>it is the end of times and cause a panic. Now.

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<v Speaker 1>I learned more about Sundale construction by visiting a website

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<v Speaker 1>called sun dials dot org. It's a site dedicated to

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<v Speaker 1>the art and science of sun dials, which is pretty

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<v Speaker 1>fascinating stuff, even to a liberal arts major such as myself.

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<v Speaker 1>For one thing, I learned that the two parts of

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<v Speaker 1>your basic sun dial, like the kind you might see

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<v Speaker 1>in a park or a garden, are the dial plate

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<v Speaker 1>and the nomon g n O m o n The

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<v Speaker 1>gnomon is the thing that casts a shadow onto the

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<v Speaker 1>dial plate. And you've probably seen sun dials that have

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<v Speaker 1>a common nomon that has set an angle respective to

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<v Speaker 1>the dial plate, so it comes up almost like a

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<v Speaker 1>triangle sticking up out of this circular dial. I learned

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<v Speaker 1>from sundals dot org that that angle should equal the

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<v Speaker 1>location's latitude. The markings on the dial plate also depend

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<v Speaker 1>upon the latitude of the location. Only by pairing these

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<v Speaker 1>two will you get a reliable way to mark the

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<v Speaker 1>passage of time throughout the year at that location, and

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<v Speaker 1>of course only on sunny days. Sun dials would continue

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<v Speaker 1>to be an important method of timekeeping for thousands of years.

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<v Speaker 1>It was only with the development and refinement of mechanical

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<v Speaker 1>clocks that sun dials even fell out of use in

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<v Speaker 1>naval ships in the seventeen hundreds. But sun dials were

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<v Speaker 1>just one method of keeping time in those early days.

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<v Speaker 1>Another method was to use a water clock. Now, a

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<v Speaker 1>basic water clock is sort of like an hour glass,

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<v Speaker 1>which of course is another form of ancient timekeeping, but

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<v Speaker 1>we'll set that aside. So you have two containers, typically

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<v Speaker 1>in a very simple water clock, connected by a tube

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<v Speaker 1>or a channel of some sort. One container is set

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<v Speaker 1>higher than the other, and it has water in it,

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<v Speaker 1>and gravity pulls that water, so it flows down into

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<v Speaker 1>the lower container through the tube or the channel in

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<v Speaker 1>a more or less controlled way. The lower container has

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<v Speaker 1>markings on the inside of it indicating how much time

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<v Speaker 1>has passed based upon the amount of water in the

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<v Speaker 1>second container. Occasionally you have to dump out the water

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<v Speaker 1>in the lower container and refill the water in the

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<v Speaker 1>upper container. Otherwise the clock just runs out of water.

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<v Speaker 1>You can't tell the time anymore. It's kind of like

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<v Speaker 1>if a a watch that has a spring in it,

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<v Speaker 1>once it unwinds all the way, it won't keep time anymore.

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<v Speaker 1>Same sort of thing here. Now. The method had one

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<v Speaker 1>major advantage over sun dials, because it would work what

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<v Speaker 1>there the sun was out or not. But it wasn't

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<v Speaker 1>necessarily always consistent. Even a well designed water clock couldn't

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<v Speaker 1>regulate the flow of water precisely enough to keep excellent time.

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<v Speaker 1>But it worked well enough for most folks. It wasn't

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<v Speaker 1>like you had a whole bunch of people saying, uh,

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<v Speaker 1>you know, over here in the fiefdom, I've gotta go

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<v Speaker 1>meet my lord for talking about how much corn. I've

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<v Speaker 1>harvested um, and I've got a three fifteen meeting, so

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<v Speaker 1>i really need this water clock to be precise. Now,

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<v Speaker 1>that just didn't happen in those days. Now, water clocks

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<v Speaker 1>date as far back as fifteen hundred b c. E.

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<v Speaker 1>The Greeks would call their water clocks clipsid draws. Now

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<v Speaker 1>that actually means water thieves, as the word comes from

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<v Speaker 1>clip time, meaning to steal. You might have heard the

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<v Speaker 1>term kleptomaniac that's someone who has a compulsion to steal things,

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<v Speaker 1>and high door, which means water. They started using water

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<v Speaker 1>clocks around three b C. And then since than everyone

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<v Speaker 1>uses clepsydras to be the term for water clocks. And

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<v Speaker 1>there are several variations. I described the simple one just

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<v Speaker 1>a second ago, but others might involve one vessel dipping

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<v Speaker 1>water out of a small hole into a second vessel

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<v Speaker 1>which has markings on this inside identicate the passing of time.

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<v Speaker 1>Or you could have a single vessel with markings on

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<v Speaker 1>the inside that are revealed as the water level decreases

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<v Speaker 1>when water drips out of it. So, in other words,

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<v Speaker 1>you create a small hole in a vessel, you fill

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<v Speaker 1>the vessel with water, and it's sort of a reverse

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<v Speaker 1>of what I was talking about. Before the more water

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<v Speaker 1>leaks out of the container, you see more markers telling

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<v Speaker 1>you what hour it is. In North Africa, people would

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<v Speaker 1>mark time by placing a metal bowl with a hole

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<v Speaker 1>in it inside a larger container of water, and they

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<v Speaker 1>marked the passing of time by the sinking of that

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<v Speaker 1>metal bowl. It would sink within a certain amount of time,

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<v Speaker 1>and that method was used in some parts of Africa

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<v Speaker 1>as late as the twentieth cent well. Many water clocks

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<v Speaker 1>were simple, some were devilishly complicated. For example, the water

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<v Speaker 1>clock tower built by Sue Song in the eleventh century CE.

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<v Speaker 1>Historians descriptions of Sue Song put him in that rare

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<v Speaker 1>category of humans that includes other amazing polly maths like

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<v Speaker 1>Leonardo da Vinci. He was a cartographer, he was a mathematician,

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<v Speaker 1>he was a physician, and he was a horologist. Now

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<v Speaker 1>that last one essentially means he was a clockmaker. Sue

0:12:28.440 --> 0:12:31.160
<v Speaker 1>Song and a team of mathematicians came up with the

0:12:31.240 --> 0:12:34.960
<v Speaker 1>idea for the mechanics that would make the clock tower possible.

0:12:35.360 --> 0:12:39.840
<v Speaker 1>The tower was pretty tall, uh. It had inside of

0:12:39.880 --> 0:12:43.040
<v Speaker 1>it several levels, like it was three stories tall. The

0:12:43.120 --> 0:12:46.760
<v Speaker 1>top level had a model of the universe on it.

0:12:46.880 --> 0:12:49.960
<v Speaker 1>The middle one had kind of a a globe to

0:12:50.000 --> 0:12:53.360
<v Speaker 1>show you what constellations would be where at what point

0:12:53.480 --> 0:12:56.600
<v Speaker 1>point of the year, so sort of an astronomical slash

0:12:56.640 --> 0:13:01.160
<v Speaker 1>astrological clock. And then the base level had the actual

0:13:01.320 --> 0:13:06.040
<v Speaker 1>time piece itself. Uh. There was a vertically aligned water

0:13:06.120 --> 0:13:10.000
<v Speaker 1>wheel which was eleven feet in diameter, So think of

0:13:10.000 --> 0:13:13.720
<v Speaker 1>a wheel on its side. It's it's you know, vertically aligned,

0:13:13.720 --> 0:13:17.760
<v Speaker 1>it's got scoops on the outer edge of it. Water

0:13:17.800 --> 0:13:20.960
<v Speaker 1>would flow from a giant container through a narrow slit

0:13:21.000 --> 0:13:24.240
<v Speaker 1>at the container's base, and that water would then fill

0:13:24.480 --> 0:13:27.920
<v Speaker 1>whichever of the thirty six scoops mounted on the outside

0:13:27.920 --> 0:13:32.040
<v Speaker 1>of the wheel was level with that that drainage spot.

0:13:32.960 --> 0:13:35.600
<v Speaker 1>So water flows out of the container and it starts

0:13:35.640 --> 0:13:39.040
<v Speaker 1>to fill up that that scoop. Once the scoop got

0:13:39.080 --> 0:13:42.520
<v Speaker 1>heavy enough, the wheel would rotate, which in turn would

0:13:42.520 --> 0:13:45.280
<v Speaker 1>power all the other gears in the tower and help

0:13:45.360 --> 0:13:49.720
<v Speaker 1>keep time. Now, a series of horizontally aligned gears on

0:13:50.040 --> 0:13:53.559
<v Speaker 1>this tower had small figurines mounted to the outer edges.

0:13:53.600 --> 0:13:57.320
<v Speaker 1>So these gears are are all horizontal, not vertical, so

0:13:57.320 --> 0:14:00.960
<v Speaker 1>they're at a nine degree angle relative to the water wheel.

0:14:01.480 --> 0:14:03.640
<v Speaker 1>The figurines were positioned in such a way to be

0:14:03.679 --> 0:14:06.800
<v Speaker 1>easily seen through windows of the tower, So if you

0:14:06.840 --> 0:14:09.280
<v Speaker 1>looked at the tower from the outside, you'd see these

0:14:09.320 --> 0:14:13.040
<v Speaker 1>little figures in various windows along that side, like three

0:14:13.120 --> 0:14:18.520
<v Speaker 1>levels of them, with one window showing certain figures that

0:14:18.640 --> 0:14:21.800
<v Speaker 1>indicate a certain increment of time. The figures all carried

0:14:21.880 --> 0:14:26.080
<v Speaker 1>signs that represent numbers. That means they were effectively digit counters,

0:14:26.880 --> 0:14:29.000
<v Speaker 1>so you look at the figures and you could suss

0:14:29.040 --> 0:14:31.520
<v Speaker 1>out what time it is. But Sue Song had to

0:14:31.560 --> 0:14:33.920
<v Speaker 1>come up with a way to make this a steady,

0:14:34.240 --> 0:14:37.680
<v Speaker 1>regular series of events. If you left this on its own,

0:14:37.720 --> 0:14:40.560
<v Speaker 1>if you just had a big water wheel and you

0:14:40.600 --> 0:14:43.400
<v Speaker 1>were having water flow into these scoops, the water wheel

0:14:43.400 --> 0:14:46.400
<v Speaker 1>would eventually just start turning continuously as long as there

0:14:46.480 --> 0:14:49.200
<v Speaker 1>was water to push it, which means all the figures

0:14:49.200 --> 0:14:51.720
<v Speaker 1>would constantly be in motion, and that could be tricky

0:14:51.760 --> 0:14:55.080
<v Speaker 1>to read the time, especially between minutes. So you know,

0:14:55.200 --> 0:14:56.960
<v Speaker 1>you could have a figure that's half in view and

0:14:57.000 --> 0:14:59.120
<v Speaker 1>half out of you you're not really sure what time

0:14:59.120 --> 0:15:01.280
<v Speaker 1>it is. So Song need a way to keep a

0:15:01.320 --> 0:15:05.680
<v Speaker 1>gear in position for a certain interval a given amount

0:15:05.720 --> 0:15:08.440
<v Speaker 1>of time, such as a minute, and so he and

0:15:08.480 --> 0:15:10.240
<v Speaker 1>his team had to come up with a way of

0:15:10.280 --> 0:15:13.400
<v Speaker 1>stopping gears, but only temporarily, so that the passage of

0:15:13.400 --> 0:15:16.800
<v Speaker 1>time could be more regularly communicated. So he and his

0:15:16.880 --> 0:15:19.280
<v Speaker 1>team created a clever gadget that would end up being

0:15:19.280 --> 0:15:24.480
<v Speaker 1>an important part of clocks for centuries. It's called an escapement.

0:15:25.200 --> 0:15:28.440
<v Speaker 1>So what is an escapement. We'll go into that in

0:15:28.520 --> 0:15:31.600
<v Speaker 1>just a bit, but first let's take a quick break

0:15:31.840 --> 0:15:43.360
<v Speaker 1>to thank our sponsor. Okay, So, an escapement, what isn't

0:15:43.840 --> 0:15:46.760
<v Speaker 1>well in clocks is an element within a device that

0:15:46.920 --> 0:15:50.120
<v Speaker 1>regulates the turning of other gears. You can think of

0:15:50.120 --> 0:15:53.760
<v Speaker 1>it as a lock that unlocks itself at consistent intervals

0:15:53.760 --> 0:15:56.640
<v Speaker 1>to allow gears to turn before locking back in place.

0:15:57.080 --> 0:16:00.240
<v Speaker 1>And if you've ever seen a pendulum clock, that the

0:16:00.360 --> 0:16:03.000
<v Speaker 1>purpose for that pendulum. But we'll get into that a

0:16:03.000 --> 0:16:06.360
<v Speaker 1>little bit later. Sue Song created an escapement to lock

0:16:06.520 --> 0:16:09.040
<v Speaker 1>the gears in place in his water tower until there

0:16:09.080 --> 0:16:10.840
<v Speaker 1>was a need for them to shift to the next

0:16:10.920 --> 0:16:14.400
<v Speaker 1>increment of time. Sue Song's approach was using a balance

0:16:14.480 --> 0:16:18.360
<v Speaker 1>called a steel yard. It's all one word. Steel yards

0:16:18.400 --> 0:16:21.320
<v Speaker 1>are pretty cool applications of one of the simplest machines

0:16:21.480 --> 0:16:24.120
<v Speaker 1>the lever. If you have a lever with a pivot

0:16:24.160 --> 0:16:27.440
<v Speaker 1>point in the exact center of its length, assuming the

0:16:27.480 --> 0:16:30.680
<v Speaker 1>mass is equal on both sides, the lever will balance

0:16:30.720 --> 0:16:34.160
<v Speaker 1>out if you put two equal weights, two equal masses

0:16:34.200 --> 0:16:37.840
<v Speaker 1>really on either end, and it remains balanced. Well. It

0:16:37.920 --> 0:16:40.320
<v Speaker 1>does so because of this very nature of levers. So

0:16:40.440 --> 0:16:42.760
<v Speaker 1>are you with me so far? Now imagine that we

0:16:42.800 --> 0:16:45.960
<v Speaker 1>move that pivot point more toward the right side of

0:16:46.000 --> 0:16:48.560
<v Speaker 1>the lever. That would mean that more of the lever's

0:16:48.640 --> 0:16:51.680
<v Speaker 1>mass is on the left side. The right side is

0:16:51.720 --> 0:16:53.840
<v Speaker 1>shorter than the left side because we've moved the pivot

0:16:53.880 --> 0:16:56.400
<v Speaker 1>point closer to the right end. So if you just

0:16:56.440 --> 0:16:58.360
<v Speaker 1>step back the left side, the lever will be on

0:16:58.400 --> 0:17:00.720
<v Speaker 1>the ground. It's gonna tilt downward it until it's either

0:17:00.800 --> 0:17:02.960
<v Speaker 1>on the ground, or if you haven't suspended in the air,

0:17:03.360 --> 0:17:07.640
<v Speaker 1>it's gonna be dangling vertically with the short end at

0:17:07.640 --> 0:17:10.199
<v Speaker 1>the top, you know, the bit that's closer to the pivot.

0:17:10.720 --> 0:17:13.800
<v Speaker 1>So to balance it out, you would have to put

0:17:13.840 --> 0:17:16.200
<v Speaker 1>more weight on the right side. You would have to

0:17:16.240 --> 0:17:19.479
<v Speaker 1>have more mass to equal out the mass that's on

0:17:19.520 --> 0:17:21.920
<v Speaker 1>the left and balance it all out. This is how

0:17:21.920 --> 0:17:24.720
<v Speaker 1>a steel yard works, and you may have used one

0:17:24.720 --> 0:17:27.399
<v Speaker 1>of these with weight scales. If you've ever stepped on

0:17:27.440 --> 0:17:30.199
<v Speaker 1>a scale that requires you to move a counterweight along

0:17:30.200 --> 0:17:33.080
<v Speaker 1>an arm, you've used a steel yard. The trick is

0:17:33.080 --> 0:17:35.919
<v Speaker 1>to get the counterweight adjust the right spot on the

0:17:36.000 --> 0:17:39.040
<v Speaker 1>lever to make the arm balance out. If the counterweight

0:17:39.119 --> 0:17:41.320
<v Speaker 1>is too close to the pivot point, the arm will

0:17:41.520 --> 0:17:43.240
<v Speaker 1>be up in the air. It will say no, you

0:17:43.359 --> 0:17:46.720
<v Speaker 1>weigh more than that. You need to push that counterweight

0:17:46.760 --> 0:17:49.440
<v Speaker 1>further towards the end of the arm. If it's too

0:17:49.480 --> 0:17:51.600
<v Speaker 1>close to the end of the arm, it's gonna go

0:17:51.720 --> 0:17:53.800
<v Speaker 1>down as far as it can go. Like in a scale,

0:17:53.800 --> 0:17:56.840
<v Speaker 1>there's typically a little stop point and it'll just sink

0:17:56.880 --> 0:17:58.760
<v Speaker 1>to the bottom. So getting the counterweight in the right

0:17:58.800 --> 0:18:01.000
<v Speaker 1>position makes the arm ba elens in the middle, and

0:18:01.040 --> 0:18:03.600
<v Speaker 1>the position of the counterweight will tell you how much

0:18:03.760 --> 0:18:07.040
<v Speaker 1>you way. There will be some marking. They're saying, congratulations,

0:18:07.080 --> 0:18:10.240
<v Speaker 1>away a hundred fifty pounds. Sue Song's tower used a

0:18:10.280 --> 0:18:12.359
<v Speaker 1>steel lyard kind of like this. Now, I want you

0:18:12.400 --> 0:18:15.680
<v Speaker 1>to imagine a vertical wheel made of spoons. All right,

0:18:16.040 --> 0:18:18.920
<v Speaker 1>All the spoons are facing in the same direction, and

0:18:19.040 --> 0:18:21.840
<v Speaker 1>all the scoop parts of the spoon are faced in

0:18:21.880 --> 0:18:25.560
<v Speaker 1>such a way where they're you know, they're just if

0:18:25.600 --> 0:18:26.960
<v Speaker 1>you were to stack them in a stack, they would

0:18:27.000 --> 0:18:29.720
<v Speaker 1>all be stacked together perfectly, but you've fanned them out

0:18:29.760 --> 0:18:34.160
<v Speaker 1>into this circle. It's a vertical circle. Uh. And imagine

0:18:34.160 --> 0:18:36.280
<v Speaker 1>we're looking at this wheel from the side, so we're

0:18:36.280 --> 0:18:39.640
<v Speaker 1>looking at the profile of the wheel, not dead on position.

0:18:39.680 --> 0:18:42.320
<v Speaker 1>Halfway up the wheel to one side is a chamber

0:18:42.359 --> 0:18:45.959
<v Speaker 1>of water that can flow out into the empty spoon

0:18:46.520 --> 0:18:49.520
<v Speaker 1>that is next to it. The one that's closest to it.

0:18:49.560 --> 0:18:52.639
<v Speaker 1>Will say that this this spoon is parallel to the ground,

0:18:53.119 --> 0:18:56.000
<v Speaker 1>So this is the one that is at the three

0:18:56.040 --> 0:18:59.200
<v Speaker 1>o'clock position for those of you who still know how

0:18:59.280 --> 0:19:02.240
<v Speaker 1>to read analog clocks. On the other side of the wheel,

0:19:02.280 --> 0:19:05.440
<v Speaker 1>over at the nine o'clock position is a weighted arm,

0:19:05.800 --> 0:19:09.040
<v Speaker 1>and it rests on the back of the spoon opposite

0:19:09.080 --> 0:19:12.360
<v Speaker 1>to the one getting filled. And the weighted arm, it

0:19:12.400 --> 0:19:16.919
<v Speaker 1>can't reverse the direction of the wheel. It just holds

0:19:16.960 --> 0:19:19.480
<v Speaker 1>it in place. The weight of that arm just keeps

0:19:19.520 --> 0:19:22.439
<v Speaker 1>it locked there. But the weighted arm is on a pivot,

0:19:22.800 --> 0:19:26.560
<v Speaker 1>so it can be lifted if enough force is applied. Now,

0:19:26.600 --> 0:19:29.920
<v Speaker 1>as soon as the spoon fills with water, it gets heavier.

0:19:30.680 --> 0:19:32.800
<v Speaker 1>When it gets heavy enough to counteract the weighted arm

0:19:32.800 --> 0:19:35.879
<v Speaker 1>on the other side, the weighted arm pivots up. This

0:19:35.960 --> 0:19:40.000
<v Speaker 1>allows the wheel of spoons to turn in one increment.

0:19:40.520 --> 0:19:43.320
<v Speaker 1>It turns so that the next spoon is moved into place.

0:19:43.520 --> 0:19:46.359
<v Speaker 1>The weighted arms slips off the back of the spoon

0:19:46.480 --> 0:19:48.720
<v Speaker 1>it had been on and comes down to prevent the

0:19:48.760 --> 0:19:51.960
<v Speaker 1>next one from moving upward, locks it into place. That

0:19:52.040 --> 0:19:55.720
<v Speaker 1>whole process repeats, and that's basically how siouxs Song's escapement worked.

0:19:55.760 --> 0:19:59.000
<v Speaker 1>As long as there was water steadily flowing into the tower,

0:19:59.440 --> 0:20:03.080
<v Speaker 1>the clock would keep accurate time. Now I wish I

0:20:03.119 --> 0:20:05.479
<v Speaker 1>could tell you that you could go and visit this

0:20:05.560 --> 0:20:09.879
<v Speaker 1>amazing clock tower in Kaifeng, but sadly you can't. The

0:20:09.960 --> 0:20:13.240
<v Speaker 1>tower was finished in ten ninety four. Sue Song himself

0:20:13.280 --> 0:20:16.360
<v Speaker 1>died in eleven oh one, which means he didn't live

0:20:16.400 --> 0:20:20.040
<v Speaker 1>to see his amazing creation disassembled by soldiers. After the

0:20:20.040 --> 0:20:24.680
<v Speaker 1>Manchurian Army invaded Kaifeng, they took the clocks pieces back

0:20:24.720 --> 0:20:28.880
<v Speaker 1>to their capital, which is today's modern Beijing. They attempted

0:20:28.920 --> 0:20:31.879
<v Speaker 1>to reassemble it, but the complex nature of the clock

0:20:32.000 --> 0:20:35.920
<v Speaker 1>confounded them and it never worked again. There is, however,

0:20:36.440 --> 0:20:40.480
<v Speaker 1>a working replica of the tower in the Gishido Suwako

0:20:40.800 --> 0:20:44.240
<v Speaker 1>Watch and Clock Museum in the Nagano Prefecture in Japan.

0:20:44.960 --> 0:20:47.520
<v Speaker 1>I've seen photos of it and it is gorgeous. I

0:20:47.560 --> 0:20:50.600
<v Speaker 1>hope one day to see it in person. This particular

0:20:50.800 --> 0:20:54.639
<v Speaker 1>replica was built based upon the best understanding of sus

0:20:54.640 --> 0:20:58.760
<v Speaker 1>Song's designs. Many of those designs survived all of that

0:20:59.520 --> 0:21:04.200
<v Speaker 1>invade Jian issue, but there were little details left out,

0:21:04.280 --> 0:21:08.159
<v Speaker 1>so people the modern replica makers had to kind of

0:21:08.160 --> 0:21:10.680
<v Speaker 1>fudge things here and there to make it work properly.

0:21:10.760 --> 0:21:14.560
<v Speaker 1>So it may not be one to one a replica,

0:21:14.720 --> 0:21:17.439
<v Speaker 1>but it's really close and it looks amazing in the

0:21:17.440 --> 0:21:20.320
<v Speaker 1>pictures I've seen. This escapement would prove to be a

0:21:20.440 --> 0:21:23.160
<v Speaker 1>very important component of clocks and watches as the art

0:21:23.160 --> 0:21:27.080
<v Speaker 1>and science of clockmaking evolved. As for purely mechanical clocks

0:21:27.119 --> 0:21:30.800
<v Speaker 1>that did not depend upon water, their origin is somewhat

0:21:30.840 --> 0:21:35.000
<v Speaker 1>lost to time, which is not an irony but seems fitting.

0:21:35.320 --> 0:21:40.159
<v Speaker 1>Monasteries were building clock towers called turret clocks as early

0:21:40.359 --> 0:21:43.600
<v Speaker 1>as the fourteenth century, at least maybe earlier. These were

0:21:43.720 --> 0:21:47.080
<v Speaker 1>massive towers that passed marked the passing of time by

0:21:47.119 --> 0:21:50.480
<v Speaker 1>tolling a bell, so there were no dials or hands

0:21:50.560 --> 0:21:53.080
<v Speaker 1>or other indications of what time it is. The machinery

0:21:53.200 --> 0:21:57.040
<v Speaker 1>was large and relied upon weights and gears. Now, the

0:21:57.040 --> 0:21:59.919
<v Speaker 1>weight is a very important part of these early make

0:22:00.040 --> 0:22:03.399
<v Speaker 1>chanical clocks. And here's how a weighted clock works. Now,

0:22:03.480 --> 0:22:07.639
<v Speaker 1>imagine you have an axle wound around That axle is

0:22:07.800 --> 0:22:10.239
<v Speaker 1>a cable or rope. If you were to pull on

0:22:10.359 --> 0:22:14.040
<v Speaker 1>that cable or rope, it would provide enough rotational force

0:22:14.119 --> 0:22:17.320
<v Speaker 1>to make the axle rotate. At the end of this

0:22:17.400 --> 0:22:20.159
<v Speaker 1>rope is a heavy weight, and if you lock the

0:22:20.160 --> 0:22:23.200
<v Speaker 1>axle into place, the weight represents potential energy. Right it's

0:22:23.600 --> 0:22:27.080
<v Speaker 1>hanging it suspended above the ground, but the wheel is

0:22:27.119 --> 0:22:30.160
<v Speaker 1>locked so it cannot turn. That's potential energy. The weight

0:22:30.240 --> 0:22:33.000
<v Speaker 1>has the potential to move the clock or move this

0:22:33.080 --> 0:22:36.720
<v Speaker 1>wheel this axle. Gravity is pulling the weight down towards

0:22:36.760 --> 0:22:39.439
<v Speaker 1>the center of the earth, and once you unlock the wheel,

0:22:39.720 --> 0:22:42.919
<v Speaker 1>it allows that potential energy to convert into kinetic energy.

0:22:42.960 --> 0:22:45.760
<v Speaker 1>The weight will start to drop toward the ground and

0:22:45.920 --> 0:22:49.360
<v Speaker 1>it applies for uce to the rope, which thus applies

0:22:49.400 --> 0:22:52.080
<v Speaker 1>force to the axle, causing it to rotate. And then

0:22:52.119 --> 0:22:54.280
<v Speaker 1>it can end up making other elements of the clock

0:22:54.680 --> 0:22:57.520
<v Speaker 1>move as well. You have gears and pinions and stuff,

0:22:57.560 --> 0:23:00.199
<v Speaker 1>and they're all interlocked, and that allows for or the

0:23:00.200 --> 0:23:03.000
<v Speaker 1>operation of a clock, which ultimately makes a bell go

0:23:03.200 --> 0:23:09.080
<v Speaker 1>ding dong ding. But here's a problem. Gravity causes acceleration.

0:23:09.640 --> 0:23:14.040
<v Speaker 1>Things do not fall at a steady velocity. The velocity

0:23:14.119 --> 0:23:16.960
<v Speaker 1>is always increasing as long as the fall is continuing,

0:23:17.040 --> 0:23:20.879
<v Speaker 1>at least until you hit terminal velocity. So everything accelerates

0:23:20.880 --> 0:23:23.800
<v Speaker 1>according to the gravitational pull of the Earth. At least

0:23:23.920 --> 0:23:26.679
<v Speaker 1>stuff dropped here on Earth does that. If you were

0:23:26.720 --> 0:23:29.280
<v Speaker 1>to drop something on Mars, it would accelerate according to

0:23:29.320 --> 0:23:32.880
<v Speaker 1>Mars's gravity, not Earth's gravity, even if it originally came

0:23:32.880 --> 0:23:36.480
<v Speaker 1>from Earth, because Mars just don't care. But here on

0:23:36.560 --> 0:23:39.760
<v Speaker 1>Earth we know gravitational acceleration is equal to nine point

0:23:39.800 --> 0:23:43.680
<v Speaker 1>eight meters per second per second. So if you drop

0:23:43.680 --> 0:23:46.320
<v Speaker 1>a weight high enough for it to fall for several seconds,

0:23:46.720 --> 0:23:48.879
<v Speaker 1>each second that passes will see the velocity of the

0:23:48.920 --> 0:23:52.720
<v Speaker 1>falling object increase by nine point eight meters. So after

0:23:52.800 --> 0:23:55.080
<v Speaker 1>one second, the weight is falling at nine point eight

0:23:55.200 --> 0:23:58.720
<v Speaker 1>ms per second downwards. During second number two, the weight

0:23:58.840 --> 0:24:02.320
<v Speaker 1>is falling at nineteen point six meters per second downwards,

0:24:02.560 --> 0:24:05.720
<v Speaker 1>and so on. It increases each second the weights falling

0:24:05.800 --> 0:24:09.919
<v Speaker 1>speed increases until the weight achieves terminal velocity. I mentioned

0:24:09.920 --> 0:24:12.840
<v Speaker 1>that earlier. This is the speed and object reaches when

0:24:12.840 --> 0:24:16.480
<v Speaker 1>the resistance of the medium it is falling through. In

0:24:16.520 --> 0:24:18.600
<v Speaker 1>our examples, we're just talking about Earth, so we're talking

0:24:18.640 --> 0:24:22.439
<v Speaker 1>about Earth's atmosphere. When the resistance of Earth's atmosphere is

0:24:22.560 --> 0:24:26.240
<v Speaker 1>enough to prevent it from accelerating further, then the object

0:24:26.320 --> 0:24:30.640
<v Speaker 1>has reached terminal velocity. So eventually, falling speed does top out,

0:24:30.760 --> 0:24:34.280
<v Speaker 1>and it remains consistent at that point until you know,

0:24:35.160 --> 0:24:37.720
<v Speaker 1>you collide with the ground, in which case the falling

0:24:37.720 --> 0:24:41.399
<v Speaker 1>speed stops and the splatting speed begins. Okay, but what

0:24:41.480 --> 0:24:43.919
<v Speaker 1>does that have to do with clocks. Well, remember at

0:24:43.920 --> 0:24:45.480
<v Speaker 1>the top of the show I said that a clock

0:24:45.560 --> 0:24:49.480
<v Speaker 1>needs some sort of consistent, regular action or process that

0:24:49.560 --> 0:24:52.480
<v Speaker 1>gives you the ability to mark off equal increments of time.

0:24:53.040 --> 0:24:56.639
<v Speaker 1>If you have an accelerating falling weight, it's tricky to

0:24:56.760 --> 0:24:59.240
<v Speaker 1>use it as a means for the rest of your structure,

0:24:59.480 --> 0:25:02.280
<v Speaker 1>right because it would have to account for that acceleration.

0:25:02.840 --> 0:25:06.120
<v Speaker 1>You would have to have some really complex machinery that

0:25:06.280 --> 0:25:10.480
<v Speaker 1>would operate in such a way to counteract that acceleration.

0:25:10.640 --> 0:25:14.120
<v Speaker 1>You'd much rather have a regular force that remains consistent

0:25:14.400 --> 0:25:17.960
<v Speaker 1>in speed and power, something that's not going to increase

0:25:18.000 --> 0:25:21.240
<v Speaker 1>an amplitude over time. And that's where the design of

0:25:21.280 --> 0:25:25.000
<v Speaker 1>an escapement is so important. The escapement design allows clockmakers

0:25:25.000 --> 0:25:27.639
<v Speaker 1>to regulate this action and make sure it happens at

0:25:27.680 --> 0:25:32.080
<v Speaker 1>these regular intervals. Now, the oldest surviving mechanical clock in

0:25:32.119 --> 0:25:36.680
<v Speaker 1>England is Salisbury Cathedral's clock. The clock dates to probably

0:25:36.720 --> 0:25:40.600
<v Speaker 1>around thirteen eighty six. According to historians, this is not

0:25:40.680 --> 0:25:44.720
<v Speaker 1>necessarily the oldest surviving mechanical clock in the world. There's

0:25:44.720 --> 0:25:49.159
<v Speaker 1>actually some controversy about that, but this is certainly the

0:25:49.200 --> 0:25:52.280
<v Speaker 1>oldest surviving one in England. And I saw that clock

0:25:52.320 --> 0:25:55.359
<v Speaker 1>in person back in nine. I even had a photo

0:25:55.400 --> 0:25:57.800
<v Speaker 1>taken of me appearing to set my watch according to

0:25:57.840 --> 0:26:00.199
<v Speaker 1>the clock, which at the time I consider it to

0:26:00.240 --> 0:26:03.639
<v Speaker 1>be high comedy. And let's be honest, I'd probably do

0:26:03.720 --> 0:26:05.560
<v Speaker 1>the exact same thing today if I were to visit.

0:26:05.800 --> 0:26:09.479
<v Speaker 1>The Salisbury Cathedral clock originally had was called a verge

0:26:09.680 --> 0:26:13.240
<v Speaker 1>and folio escapement. Now, this is a tricky thing to

0:26:13.320 --> 0:26:16.680
<v Speaker 1>describe in an audio podcast, but I'm gonna try and

0:26:16.720 --> 0:26:20.719
<v Speaker 1>do my best. Imagine that you have a vertically aligned wheel,

0:26:21.080 --> 0:26:23.359
<v Speaker 1>kind of similar to the water wheel I was talking about,

0:26:23.840 --> 0:26:27.240
<v Speaker 1>but instead of the wheel's edge ending in scoops, the

0:26:27.280 --> 0:26:30.920
<v Speaker 1>wheel has pegs sticking out along the rim on one

0:26:31.040 --> 0:26:33.879
<v Speaker 1>side of it alright, So one side of the wheel

0:26:34.000 --> 0:26:38.040
<v Speaker 1>is is just flat, it's featureless. The other side of

0:26:38.040 --> 0:26:41.359
<v Speaker 1>the wheel has pegs sticking out right along the edge

0:26:41.400 --> 0:26:45.600
<v Speaker 1>at regular intervals. This is called the escape wheel. The

0:26:45.600 --> 0:26:48.600
<v Speaker 1>wheel is on an axle, and that axle at some

0:26:48.720 --> 0:26:51.600
<v Speaker 1>point has a weight attached to it. So left on

0:26:51.640 --> 0:26:54.280
<v Speaker 1>its own, the wheel would rotate as the weight falls,

0:26:54.680 --> 0:26:58.840
<v Speaker 1>with the rotation accelerating as the weight accelerated during its fall.

0:26:59.320 --> 0:27:01.560
<v Speaker 1>So we would have to have something to regulate the

0:27:01.560 --> 0:27:05.760
<v Speaker 1>wheel's rotation. The force applied to the axle should remain steady,

0:27:05.880 --> 0:27:08.640
<v Speaker 1>so we can't mess with the weight. We can't change that.

0:27:09.040 --> 0:27:12.680
<v Speaker 1>We need to have some other way to alter this,

0:27:13.280 --> 0:27:17.200
<v Speaker 1>and that would be the verge and folio. Position. Next

0:27:17.320 --> 0:27:20.280
<v Speaker 1>to this vertical wheel, the one that has the pegs

0:27:20.280 --> 0:27:24.040
<v Speaker 1>the escape wheel, you have a vertical rod. This rod

0:27:24.119 --> 0:27:27.560
<v Speaker 1>is called the verge. The verge can rotate on its

0:27:27.640 --> 0:27:33.320
<v Speaker 1>axis in either direction of rotation along its respective orientation.

0:27:33.760 --> 0:27:37.760
<v Speaker 1>The rod has two stoppers or protrusions that are called palettes.

0:27:38.440 --> 0:27:40.800
<v Speaker 1>They're like flaps like you know, they could just be

0:27:41.280 --> 0:27:45.160
<v Speaker 1>a little square flaps that stick out from the rod

0:27:45.280 --> 0:27:48.240
<v Speaker 1>to the side. One of those positioned near the top

0:27:48.240 --> 0:27:50.480
<v Speaker 1>of the vertical wheel, and one of them is positioned

0:27:50.480 --> 0:27:53.160
<v Speaker 1>towards the bottom of the vertical wheel, and their their

0:27:53.160 --> 0:27:58.280
<v Speaker 1>alignem is slightly offset in respect to the axis of

0:27:58.359 --> 0:28:01.760
<v Speaker 1>the verge. That means that they can catch the pegs

0:28:01.800 --> 0:28:05.439
<v Speaker 1>of the rotating vertical wheel at different points. So you

0:28:05.520 --> 0:28:08.840
<v Speaker 1>have these pegs that can come into contact with these palettes,

0:28:09.200 --> 0:28:12.920
<v Speaker 1>and when they do, obviously there's there's an impact there.

0:28:12.960 --> 0:28:16.400
<v Speaker 1>There's a collision, and it causes the verge to rotate

0:28:16.480 --> 0:28:19.280
<v Speaker 1>and it puts the other palette, the one on the

0:28:19.320 --> 0:28:22.119
<v Speaker 1>opposite side of the verge, into the right position to

0:28:22.200 --> 0:28:24.679
<v Speaker 1>catch the pegs on the opposite end of the wheel.

0:28:25.200 --> 0:28:30.040
<v Speaker 1>So one palette is always going to be pushed in

0:28:30.200 --> 0:28:33.440
<v Speaker 1>one direction of rotation for the verge, the other palette

0:28:33.480 --> 0:28:35.639
<v Speaker 1>is always going to be pushed in the other direction

0:28:35.680 --> 0:28:38.400
<v Speaker 1>of rotation for the verge. Because you have this ninety

0:28:38.480 --> 0:28:45.360
<v Speaker 1>degree difference of orientation with respect to the the escape wheel.

0:28:46.160 --> 0:28:50.960
<v Speaker 1>So the the the attached to the very top of

0:28:51.000 --> 0:28:55.120
<v Speaker 1>the verge is a horizontally balanced lever. It's actually kind

0:28:55.120 --> 0:28:58.440
<v Speaker 1>of kind of like another horizontal rod that's on the

0:28:58.520 --> 0:29:01.640
<v Speaker 1>very top of the verge. There's weights attached to either end.

0:29:01.680 --> 0:29:04.680
<v Speaker 1>This is called the folio, and it swings back and forth,

0:29:04.720 --> 0:29:07.560
<v Speaker 1>it oscillates. So how does it work? Well, As I said,

0:29:07.560 --> 0:29:09.680
<v Speaker 1>one palette is position so it catches pegs at the

0:29:09.680 --> 0:29:12.280
<v Speaker 1>top of the vertically aligned wheel, the escape wheel. The

0:29:12.320 --> 0:29:15.360
<v Speaker 1>other palettes at the bottom. They're offset, so one pallet

0:29:15.400 --> 0:29:17.320
<v Speaker 1>makes contact with the pegs, the other one is free

0:29:17.320 --> 0:29:20.000
<v Speaker 1>and clear. It doesn't interfere because otherwise, if you had

0:29:20.040 --> 0:29:23.520
<v Speaker 1>both palettes positioned so that they locked in with the pegs,

0:29:24.080 --> 0:29:26.560
<v Speaker 1>no movement could happen. You would effectively have a break

0:29:26.880 --> 0:29:30.280
<v Speaker 1>on that escape wheel and it would just not rotate. So,

0:29:30.560 --> 0:29:32.640
<v Speaker 1>as the vertical wheel turns, a peg at the top

0:29:32.640 --> 0:29:35.240
<v Speaker 1>of the wheel catches the top pallett and provides enough

0:29:35.280 --> 0:29:38.640
<v Speaker 1>force to push it and rotate the verge on its axis.

0:29:39.120 --> 0:29:42.200
<v Speaker 1>The folio at the top would rotate accordingly. Now, that

0:29:42.240 --> 0:29:44.480
<v Speaker 1>puts the palette at the lower end of the the

0:29:44.640 --> 0:29:47.560
<v Speaker 1>lever in position to catch a peg at the bottom

0:29:47.600 --> 0:29:50.320
<v Speaker 1>of the vertical wheel the escape wheel. Because of the

0:29:50.360 --> 0:29:53.960
<v Speaker 1>alignment of the virgin wheel, this creates a force opposing

0:29:53.960 --> 0:29:57.440
<v Speaker 1>the direction of the folio's previous rotation, making it rotate

0:29:57.440 --> 0:30:01.440
<v Speaker 1>the other way or oscillate. Uh. This is similar to

0:30:01.560 --> 0:30:04.920
<v Speaker 1>the oscillations of a pendulum, and we'll cover that when

0:30:04.920 --> 0:30:08.080
<v Speaker 1>we get to pendulum clocks. The pegs will catch the

0:30:08.120 --> 0:30:12.120
<v Speaker 1>pallets and create this TikTok sound you here with a clock. Uh.

0:30:12.120 --> 0:30:14.920
<v Speaker 1>It's the pegs making contact with those pallets and making

0:30:14.920 --> 0:30:17.440
<v Speaker 1>the folio swing one way or swing the other way.

0:30:17.720 --> 0:30:19.960
<v Speaker 1>The weights on the folio give it enough inertia to

0:30:20.080 --> 0:30:22.480
<v Speaker 1>keep it from rotating too far and provide just enough

0:30:22.520 --> 0:30:25.800
<v Speaker 1>force to regulate the turning of the vertical wheel. The

0:30:25.920 --> 0:30:28.600
<v Speaker 1>escape wheel is just one part of the clock. The

0:30:28.640 --> 0:30:31.120
<v Speaker 1>elements that actually track the time, as in the ones

0:30:31.160 --> 0:30:33.640
<v Speaker 1>that govern the movements of the hands on a dial

0:30:33.680 --> 0:30:38.600
<v Speaker 1>face or govern when a bell gets struck. That's called

0:30:38.640 --> 0:30:42.320
<v Speaker 1>the train or wheel work of a clock. These are

0:30:42.360 --> 0:30:44.480
<v Speaker 1>all the gears that transmit motion to the parts of

0:30:44.480 --> 0:30:47.200
<v Speaker 1>the clock that illustrate the time or market in some way.

0:30:47.520 --> 0:30:50.720
<v Speaker 1>In the earlier clocks, this was pretty primitive, as originally again,

0:30:50.720 --> 0:30:53.040
<v Speaker 1>there were no dials or hands to turn. There just

0:30:53.080 --> 0:30:56.120
<v Speaker 1>need to be a way to designate an hour had passed. Later,

0:30:56.160 --> 0:30:58.880
<v Speaker 1>clocks would add an hour hand, but no minute hand,

0:30:59.120 --> 0:31:00.840
<v Speaker 1>so you would be able to see what hour it was.

0:31:00.920 --> 0:31:03.600
<v Speaker 1>But that was it. As clocks became more complicated than

0:31:03.600 --> 0:31:07.600
<v Speaker 1>necessity for precision increased, wheels and pinions have to be

0:31:07.640 --> 0:31:10.880
<v Speaker 1>crafted precisely to transmit motion as steadily as possible in

0:31:11.000 --> 0:31:14.240
<v Speaker 1>order for this to work. Now you might wonder what

0:31:14.360 --> 0:31:16.920
<v Speaker 1>happens when the weight that's providing the force to turn

0:31:16.960 --> 0:31:20.120
<v Speaker 1>all this machinery reaches the ground. What happens is the

0:31:20.120 --> 0:31:23.040
<v Speaker 1>whole thing stops. You have to wind the mechanism so

0:31:23.080 --> 0:31:25.360
<v Speaker 1>that the weight is lifted back to the top, creating

0:31:25.360 --> 0:31:28.800
<v Speaker 1>that potential energy necessary for the clocks operation. This it

0:31:28.840 --> 0:31:31.160
<v Speaker 1>is true of other mechanical clocks as well, whether the

0:31:31.200 --> 0:31:34.120
<v Speaker 1>force comes from a suspended weight or a spring. With

0:31:34.280 --> 0:31:37.200
<v Speaker 1>a spring, you have to wind it to increase its

0:31:37.200 --> 0:31:39.880
<v Speaker 1>potential energy before you let go and it starts to

0:31:39.920 --> 0:31:43.320
<v Speaker 1>convert it into kinetic energy. In fact, spring powered clocks

0:31:43.320 --> 0:31:48.080
<v Speaker 1>would emerge before pendulum clocks did. Peter Henline of Nuremberg

0:31:48.400 --> 0:31:52.320
<v Speaker 1>gets the credit for inventing spring clocks. Early in the

0:31:52.520 --> 0:31:56.680
<v Speaker 1>sixteenth century, sometime between fifteen hundred and fifteen ten, hen

0:31:56.760 --> 0:31:59.560
<v Speaker 1>Line would use a coiler metal while entightly to provide

0:31:59.600 --> 0:32:03.240
<v Speaker 1>the potential energy necessary to drive clockwork. The spring would

0:32:03.240 --> 0:32:07.160
<v Speaker 1>have a natural tendency to unwind and assume its normal shape,

0:32:07.400 --> 0:32:09.800
<v Speaker 1>so winding it would build up that potential energy, and

0:32:09.880 --> 0:32:13.360
<v Speaker 1>using an escapement kept the unwinding to a somewhat regular

0:32:13.440 --> 0:32:16.680
<v Speaker 1>series emotions. And as the coil unwinds, the amount of

0:32:16.680 --> 0:32:19.520
<v Speaker 1>force it exerts decreases, which actually meant that a clock

0:32:19.640 --> 0:32:23.080
<v Speaker 1>would start to run more slowly and begin to lose time.

0:32:23.160 --> 0:32:24.640
<v Speaker 1>To get it going again, you have to wind it

0:32:24.720 --> 0:32:28.520
<v Speaker 1>up again. Now, these early clocks weren't exactly the most accurate.

0:32:28.520 --> 0:32:31.680
<v Speaker 1>According to the Anderson Institute, the big ones could be

0:32:31.720 --> 0:32:34.480
<v Speaker 1>off by as much as an hour per day, and

0:32:34.560 --> 0:32:37.040
<v Speaker 1>they only marked the passing of an hour at a time,

0:32:37.200 --> 0:32:40.600
<v Speaker 1>with no indication for smaller increments. Still, it was a

0:32:40.600 --> 0:32:43.360
<v Speaker 1>way to keep track of time that didn't require members

0:32:43.400 --> 0:32:45.920
<v Speaker 1>of the church to track it themselves and then hike

0:32:46.000 --> 0:32:47.680
<v Speaker 1>up to the top of a bell tower and give

0:32:47.720 --> 0:32:50.280
<v Speaker 1>it the old toll. And if you're wondering how they

0:32:50.320 --> 0:32:53.280
<v Speaker 1>told time at night before they had mechanical clocks. It

0:32:53.440 --> 0:32:57.480
<v Speaker 1>usually involved burning something that had a pretty steady combustion rate.

0:32:57.800 --> 0:33:00.480
<v Speaker 1>This included candles that would burn at a pretty steady

0:33:00.520 --> 0:33:02.800
<v Speaker 1>and predictable rate. You'd have to figure out how big

0:33:02.800 --> 0:33:04.959
<v Speaker 1>your candle needed to be and make the wax as

0:33:05.000 --> 0:33:07.960
<v Speaker 1>consistent as you could, and try and keep track that way.

0:33:08.000 --> 0:33:09.520
<v Speaker 1>You would just mark it on the candle, and when

0:33:09.520 --> 0:33:11.320
<v Speaker 1>the candle burned down to a certain amount, you knew

0:33:11.360 --> 0:33:13.880
<v Speaker 1>an hour had passed. It wasn't down to the minute,

0:33:13.920 --> 0:33:16.760
<v Speaker 1>but it served well enough for the chiming of bells. Now,

0:33:17.000 --> 0:33:20.640
<v Speaker 1>in our next part, we're gonna talk about pendulum clocks.

0:33:20.640 --> 0:33:22.680
<v Speaker 1>But before I get into that, one thing I want

0:33:22.720 --> 0:33:27.400
<v Speaker 1>to mention is if the version folio description has completely baffled,

0:33:27.440 --> 0:33:31.480
<v Speaker 1>you do a search for the terms on YouTube, because

0:33:31.520 --> 0:33:33.920
<v Speaker 1>there are lots of illustrations on there that will show

0:33:33.960 --> 0:33:36.560
<v Speaker 1>you exactly what I'm talking about folio. By the way,

0:33:36.600 --> 0:33:40.160
<v Speaker 1>it's spelled fo L I O T, and you can

0:33:40.200 --> 0:33:44.680
<v Speaker 1>see exactly the mechanisms I'm mentioning and see how they

0:33:44.720 --> 0:33:48.720
<v Speaker 1>were able to regulate the turning of gears. And before

0:33:48.720 --> 0:33:51.040
<v Speaker 1>I get into pendulum clocks, I need to take another

0:33:51.120 --> 0:34:02.160
<v Speaker 1>quick break and thank my sponsor the virgin folio. Escapement

0:34:02.200 --> 0:34:04.960
<v Speaker 1>was the dominant method of regulating the motion of mechanical

0:34:05.000 --> 0:34:09.160
<v Speaker 1>clocks for a couple of centuries. But then an Italian

0:34:09.280 --> 0:34:12.640
<v Speaker 1>smarty pants by the name of Galileo Galilei made an

0:34:12.680 --> 0:34:16.839
<v Speaker 1>interesting observation. He discovered that a pendulum takes the same

0:34:16.880 --> 0:34:20.400
<v Speaker 1>amount of time to complete one full swing out and back,

0:34:21.320 --> 0:34:23.919
<v Speaker 1>over and over and over again. The time for one

0:34:24.000 --> 0:34:26.960
<v Speaker 1>complete cycle is what we call a period. So the

0:34:27.000 --> 0:34:29.520
<v Speaker 1>period of a swing remains the same even as the

0:34:29.520 --> 0:34:33.600
<v Speaker 1>pendulum's swing decreases in amplitude. So what do I mean

0:34:33.640 --> 0:34:36.080
<v Speaker 1>by that? Well, if we were working with a pendulum

0:34:36.120 --> 0:34:40.480
<v Speaker 1>mounted on a massless rod or a line uh and

0:34:40.680 --> 0:34:44.080
<v Speaker 1>had a frictionless pivot, then the pendulum is always going

0:34:44.120 --> 0:34:47.040
<v Speaker 1>to return to the same height as its initial release.

0:34:47.760 --> 0:34:51.560
<v Speaker 1>But that's not how the real world works. So let's

0:34:51.600 --> 0:34:54.400
<v Speaker 1>say you tie a rope to the limb of a tree,

0:34:55.000 --> 0:34:57.000
<v Speaker 1>and on the other end of the rope you tie

0:34:57.040 --> 0:34:59.440
<v Speaker 1>a bowling ball, and you get on a step ladder,

0:34:59.640 --> 0:35:02.320
<v Speaker 1>and you're are far enough back so that the line

0:35:02.440 --> 0:35:06.080
<v Speaker 1>is taught between the limb and the bowling ball, and

0:35:06.120 --> 0:35:08.720
<v Speaker 1>you're standing at a certain level. You're holding the bowling

0:35:08.760 --> 0:35:11.919
<v Speaker 1>ball right up to your chin. With the that line there,

0:35:12.000 --> 0:35:13.960
<v Speaker 1>you let go of the bowling ball. And by the

0:35:14.000 --> 0:35:17.160
<v Speaker 1>way I say let go, you don't push the bowling ball,

0:35:17.719 --> 0:35:19.960
<v Speaker 1>but you just let go. Now if you do that,

0:35:20.120 --> 0:35:23.160
<v Speaker 1>is it going to swing back and knock your teeth out? No,

0:35:23.840 --> 0:35:27.080
<v Speaker 1>it won't, And the reason for that is because elements

0:35:27.120 --> 0:35:30.800
<v Speaker 1>like friction and drag are sapping some of the energy

0:35:31.080 --> 0:35:35.040
<v Speaker 1>from the overall system. The returning bowling ball doesn't have

0:35:35.120 --> 0:35:38.359
<v Speaker 1>the same amount of energy that the departing bowling ball had,

0:35:38.440 --> 0:35:41.160
<v Speaker 1>so it doesn't rise up as high as when you

0:35:41.239 --> 0:35:45.080
<v Speaker 1>dropped it, which means you get to keep your choppers. Congratulations,

0:35:45.719 --> 0:35:48.799
<v Speaker 1>go brush your teeth. But even though the bowling ball

0:35:48.960 --> 0:35:51.920
<v Speaker 1>isn't rising up to the starting height of its release,

0:35:52.400 --> 0:35:56.320
<v Speaker 1>the journey of its swing, its period will remain the same.

0:35:56.360 --> 0:35:59.719
<v Speaker 1>That time remains the same, at least for small amplitudes.

0:35:59.800 --> 0:36:02.360
<v Speaker 1>This story is different if you're swinging that sucker really hard,

0:36:02.760 --> 0:36:05.960
<v Speaker 1>But for simple pendulums at small amplitudes, this is true.

0:36:06.360 --> 0:36:08.920
<v Speaker 1>The ball isn't traveling as far on each swing because

0:36:09.200 --> 0:36:12.080
<v Speaker 1>it's losing that energy to friction and drag, but it's

0:36:12.120 --> 0:36:16.960
<v Speaker 1>also not swinging quite as quickly per swing, so it's

0:36:16.960 --> 0:36:18.879
<v Speaker 1>not going as far, but it's also moving a little

0:36:18.880 --> 0:36:21.239
<v Speaker 1>more slowly, and the overall amount of time it takes

0:36:21.280 --> 0:36:26.080
<v Speaker 1>to complete one period remains constant. Now that means if

0:36:26.120 --> 0:36:29.359
<v Speaker 1>you make a pendulum of a precise length, you can

0:36:29.400 --> 0:36:33.040
<v Speaker 1>create a swing of one second. The period of a

0:36:33.080 --> 0:36:36.200
<v Speaker 1>pendulum swing can be expressed as an equation, and the

0:36:36.239 --> 0:36:39.760
<v Speaker 1>period is equal to two times pie times the square

0:36:39.880 --> 0:36:45.320
<v Speaker 1>root of the length of the pendulum divided by gravity's acceleration. Now,

0:36:45.440 --> 0:36:48.920
<v Speaker 1>ignoring for a moment that gravity's acceleration is not uniform

0:36:49.040 --> 0:36:52.759
<v Speaker 1>everywhere on Earth due to several factors that really are

0:36:53.160 --> 0:36:56.160
<v Speaker 1>too complicated for us to get into here, we can

0:36:56.200 --> 0:36:59.839
<v Speaker 1>simplify this to say that a pendulum of nine nine

0:37:00.160 --> 0:37:03.839
<v Speaker 1>millimeters or about thirty nine inches is the right length

0:37:03.920 --> 0:37:07.200
<v Speaker 1>to have a swing period of a second. Now, Galileo

0:37:07.280 --> 0:37:10.480
<v Speaker 1>recognized the potential for pendulums in timekeeping, but he never

0:37:10.560 --> 0:37:14.080
<v Speaker 1>built a clock using one. That honor goes to a

0:37:14.160 --> 0:37:18.239
<v Speaker 1>Dutch scientist named Christian Hygens, who in the mid seventeenth

0:37:18.239 --> 0:37:21.600
<v Speaker 1>century figured it out. He used the oscillation of a

0:37:21.600 --> 0:37:25.280
<v Speaker 1>pendulum to regulate the motions of clockwork in many ways.

0:37:25.400 --> 0:37:28.360
<v Speaker 1>It was similar to the virgin folio design, except instead

0:37:28.360 --> 0:37:32.200
<v Speaker 1>of relying upon a weighted lever and inertia, Hygen's design

0:37:32.239 --> 0:37:35.040
<v Speaker 1>relied on the natural oscillation of a pendulum of an

0:37:35.080 --> 0:37:40.040
<v Speaker 1>appropriate length. So how does a pendulum escapement work. The

0:37:40.160 --> 0:37:43.600
<v Speaker 1>escapement still engages a gear, preventing it from rotating freely,

0:37:44.000 --> 0:37:47.359
<v Speaker 1>and as the pendulum swings, it rocks the escapement so

0:37:47.400 --> 0:37:50.480
<v Speaker 1>that it disengages with the gear, and the gear begins

0:37:50.520 --> 0:37:53.759
<v Speaker 1>to rotate. At the end of the pendulums period, when

0:37:53.760 --> 0:37:57.520
<v Speaker 1>it returns to its starting point, the escapement is locked

0:37:57.560 --> 0:38:01.000
<v Speaker 1>back into position and the whole process start again. But

0:38:01.040 --> 0:38:04.240
<v Speaker 1>I'm sure you're all wondering how the pendulum keeps moving.

0:38:04.280 --> 0:38:07.120
<v Speaker 1>I mean, if it's losing energy with each swing, how

0:38:07.120 --> 0:38:09.839
<v Speaker 1>does it continue more for more than just a few

0:38:09.880 --> 0:38:13.640
<v Speaker 1>seconds without adding more energy to the pendulum. It's eventually

0:38:13.680 --> 0:38:15.759
<v Speaker 1>just going to slow down and stop swinging completely. I

0:38:15.760 --> 0:38:17.799
<v Speaker 1>mean I talked about this with friction and drag. Well,

0:38:17.840 --> 0:38:20.799
<v Speaker 1>Hygen's got around this by designing a gear that would

0:38:20.800 --> 0:38:24.799
<v Speaker 1>give the pendulum a little nudge each time the escapement disengaged,

0:38:25.000 --> 0:38:28.920
<v Speaker 1>so it provides just enough force to counteract dragon fiction friction.

0:38:29.440 --> 0:38:32.800
<v Speaker 1>So it worked. Hygen's initial design was accurate enough to

0:38:32.880 --> 0:38:36.080
<v Speaker 1>keep time within about a minute per day, meaning you'd

0:38:36.080 --> 0:38:39.239
<v Speaker 1>only lose sixty seconds during a day long operation of

0:38:39.239 --> 0:38:42.120
<v Speaker 1>one of his clocks, which was incredible for the time,

0:38:42.360 --> 0:38:45.160
<v Speaker 1>and he improved upon his design within his own lifetime.

0:38:45.160 --> 0:38:48.319
<v Speaker 1>He cut it down to losing only ten seconds per day,

0:38:48.320 --> 0:38:50.680
<v Speaker 1>which is not bad for an entirely new method of

0:38:50.719 --> 0:38:57.160
<v Speaker 1>regulating gear rotation. Pendulums do come with a couple of complications, however,

0:38:57.760 --> 0:39:01.160
<v Speaker 1>so it doesn't matter what the mass of the pendulum is.

0:39:01.400 --> 0:39:03.560
<v Speaker 1>By the way, you don't whatever the bob is at

0:39:03.600 --> 0:39:06.320
<v Speaker 1>the end of your pendulum. That mass can be anything.

0:39:06.360 --> 0:39:09.040
<v Speaker 1>It's that it's immaterial. It's the length of the pendulum

0:39:09.080 --> 0:39:11.920
<v Speaker 1>that's that's important, not the bob, the mass of the bob,

0:39:12.640 --> 0:39:15.480
<v Speaker 1>except that you don't want something so massive that's going

0:39:15.520 --> 0:39:19.680
<v Speaker 1>to cause damage to the clock itself. But that pendulum's

0:39:19.719 --> 0:39:22.000
<v Speaker 1>length is incredibly important. And this is where we get

0:39:22.040 --> 0:39:26.200
<v Speaker 1>into some trouble because of temperatures. Most pendulums are made

0:39:26.200 --> 0:39:28.800
<v Speaker 1>of metal, and metal has a tendency to expand in

0:39:28.840 --> 0:39:31.800
<v Speaker 1>the presence of heat or contract when it gets colder.

0:39:32.239 --> 0:39:35.440
<v Speaker 1>And since the pendulum's period is dependent in part upon

0:39:35.520 --> 0:39:40.400
<v Speaker 1>its length, this poses a problem. A precisely designed pendulum

0:39:40.480 --> 0:39:44.640
<v Speaker 1>might swing it exactly one second per period, but or

0:39:44.680 --> 0:39:46.800
<v Speaker 1>have a period of one second is the more appropriate

0:39:46.800 --> 0:39:48.360
<v Speaker 1>way of saying that. But if the length of that

0:39:48.400 --> 0:39:50.839
<v Speaker 1>pendulum were to change, it would no longer be true.

0:39:50.880 --> 0:39:54.160
<v Speaker 1>The period would be slightly off from a second, and

0:39:54.239 --> 0:39:58.239
<v Speaker 1>that would be enough to cause errors in timekeeping. Clockmakers

0:39:58.320 --> 0:40:00.759
<v Speaker 1>recognize that issue and they try to fix it in

0:40:00.840 --> 0:40:04.759
<v Speaker 1>different ways. The most common way was do you use

0:40:04.800 --> 0:40:07.759
<v Speaker 1>alloys of metals for pendulums. So an alloy is a

0:40:07.760 --> 0:40:10.400
<v Speaker 1>combination of two or more metals, and one of the

0:40:10.440 --> 0:40:12.960
<v Speaker 1>interesting features of alloys is that you can mix together

0:40:13.040 --> 0:40:16.880
<v Speaker 1>metals that have different coefficients of expansion. So if you

0:40:16.920 --> 0:40:20.160
<v Speaker 1>do this carefully enough, you can cancel out the effects

0:40:20.239 --> 0:40:23.560
<v Speaker 1>of temperature to a great deal. So, for example, you

0:40:23.560 --> 0:40:27.440
<v Speaker 1>can use zinc and iron or brass and steel and

0:40:27.560 --> 0:40:30.759
<v Speaker 1>pair them together in this way, and that ends up

0:40:30.840 --> 0:40:33.960
<v Speaker 1>reducing that effects so that the clock can be more

0:40:34.000 --> 0:40:37.120
<v Speaker 1>accurate no matter what the temperature happens to be. For

0:40:37.160 --> 0:40:39.960
<v Speaker 1>a pendulum clock to be really accurate, you have to

0:40:40.000 --> 0:40:43.600
<v Speaker 1>reduce the impact the impulse of the impulse of the

0:40:43.719 --> 0:40:47.279
<v Speaker 1>turning crown wheel. The crown wheel is the element that

0:40:47.400 --> 0:40:51.719
<v Speaker 1>the escapement locks into, so you have to reduce the

0:40:51.760 --> 0:40:54.640
<v Speaker 1>impact of its motion on the pinchul lium itself and

0:40:54.680 --> 0:40:57.960
<v Speaker 1>needs to give just the right impulse to keep the

0:40:57.960 --> 0:41:01.080
<v Speaker 1>pendulum from swinging and no or or less than that.

0:41:01.480 --> 0:41:04.759
<v Speaker 1>Ideally it would be uniform every single time, meaning you

0:41:04.880 --> 0:41:08.799
<v Speaker 1>have very precise distances between pegs on the crown so

0:41:08.840 --> 0:41:11.920
<v Speaker 1>that it's impact on the escapement would remain consistent no

0:41:11.960 --> 0:41:15.560
<v Speaker 1>matter where it is in the crown wheels rotation. There

0:41:15.600 --> 0:41:18.920
<v Speaker 1>was a guy named Edward Beckett who later on would

0:41:19.200 --> 0:41:22.560
<v Speaker 1>be lorded and would be known as Lord Grimthorpe, which

0:41:22.640 --> 0:41:26.480
<v Speaker 1>is possibly the coolest title I've ever seen. He invented

0:41:26.480 --> 0:41:30.560
<v Speaker 1>what was called the double three legged gravity escapement, which

0:41:30.640 --> 0:41:34.840
<v Speaker 1>honestly sounds like a routine you'd see at Sercla, but

0:41:35.080 --> 0:41:38.040
<v Speaker 1>in fact it was a particular arrangement that allowed for

0:41:38.120 --> 0:41:42.360
<v Speaker 1>extremely consistent operation. He used it to build an enormous

0:41:42.400 --> 0:41:47.040
<v Speaker 1>clock over at Westminster. The clock is world famous, and

0:41:47.160 --> 0:41:50.120
<v Speaker 1>actually people generally call it by the name of the

0:41:50.200 --> 0:41:53.560
<v Speaker 1>huge bell that is also in that clock tower, and

0:41:53.600 --> 0:41:55.920
<v Speaker 1>people just called the whole thing by the bell's name.

0:41:56.200 --> 0:42:00.160
<v Speaker 1>That bell's name, by the way, is Big Ben I

0:42:00.239 --> 0:42:04.560
<v Speaker 1>would describe to you how his escapement works, but I'm

0:42:04.600 --> 0:42:07.719
<v Speaker 1>pretty sure my brain would melt as I tried to

0:42:07.760 --> 0:42:11.439
<v Speaker 1>do this without the use of visual aids. Fortunately, there

0:42:11.480 --> 0:42:15.879
<v Speaker 1>are videos about the double three legged gravity escapement on

0:42:15.960 --> 0:42:19.799
<v Speaker 1>YouTube that show exactly how this works, and it is fascinating.

0:42:19.840 --> 0:42:22.839
<v Speaker 1>I I it really drives home the fact that engineers

0:42:23.239 --> 0:42:26.759
<v Speaker 1>are remarkable people who are way smarter than I am,

0:42:27.120 --> 0:42:29.560
<v Speaker 1>and I highly recommend you go and check these videos

0:42:29.560 --> 0:42:33.200
<v Speaker 1>out to get an appreciation for the actual clockwork that

0:42:33.320 --> 0:42:37.080
<v Speaker 1>makes the regulation possible. And that pretty much wraps up

0:42:37.120 --> 0:42:40.160
<v Speaker 1>this episode of tech stuff. But there's a lot more

0:42:40.160 --> 0:42:42.880
<v Speaker 1>to talk about with watches and clocks. I'm sure in

0:42:42.920 --> 0:42:46.640
<v Speaker 1>a future episode I'll tackle things like quartz watches, which

0:42:46.680 --> 0:42:51.040
<v Speaker 1>rely upon the peculiar piezo electric qualities of quartz, and

0:42:51.080 --> 0:42:53.880
<v Speaker 1>I'll talk about other types of time keeping, things like

0:42:53.920 --> 0:42:57.279
<v Speaker 1>atomic clocks and how those work. But for now, I'm

0:42:57.320 --> 0:43:00.640
<v Speaker 1>going to say it's time to conclude this episode and

0:43:00.680 --> 0:43:03.760
<v Speaker 1>remind you the next time you look at a clock,

0:43:04.280 --> 0:43:06.719
<v Speaker 1>think about all the amazing work it took to make

0:43:06.760 --> 0:43:10.640
<v Speaker 1>it all work out properly. From physics to mathematics to

0:43:10.800 --> 0:43:17.000
<v Speaker 1>engineering to craftsmanship. A clock represents lifetimes of genius, so

0:43:17.120 --> 0:43:20.000
<v Speaker 1>take some time to appreciate it. If you guys have

0:43:20.040 --> 0:43:22.800
<v Speaker 1>suggestions for something I should cover in a future episode

0:43:22.800 --> 0:43:25.080
<v Speaker 1>of tech Stuff, or maybe there's a guest you would

0:43:25.120 --> 0:43:26.680
<v Speaker 1>like me to try and book on the show for

0:43:26.719 --> 0:43:29.720
<v Speaker 1>an interview, or a guest host to talk about specific topic,

0:43:30.200 --> 0:43:32.480
<v Speaker 1>let me know. Send me a message. The email for

0:43:32.520 --> 0:43:35.840
<v Speaker 1>the show is text Stuff at how stuff works dot com,

0:43:35.960 --> 0:43:38.080
<v Speaker 1>or you can always drop me a line on Twitter

0:43:38.320 --> 0:43:40.759
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0:43:40.800 --> 0:43:44.520
<v Speaker 1>Stuff hs W. Remember we've got an Instagram account. You

0:43:44.520 --> 0:43:47.840
<v Speaker 1>can see all sorts of cool and interesting tech related

0:43:47.880 --> 0:43:50.719
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0:43:50.800 --> 0:43:54.160
<v Speaker 1>that out. And of course I record this show on

0:43:54.200 --> 0:43:57.719
<v Speaker 1>Wednesdays and Fridays, and typically I live stream it. If

0:43:57.760 --> 0:44:00.160
<v Speaker 1>I am doing it on my own, it's to is

0:44:00.200 --> 0:44:01.880
<v Speaker 1>to be live streamed. And if you want to watch

0:44:01.920 --> 0:44:06.360
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0:44:06.400 --> 0:44:09.920
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0:44:09.920 --> 0:44:12.200
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0:44:12.640 --> 0:44:14.799
<v Speaker 1>and whenever I take a break, I'm happy to chat

0:44:14.880 --> 0:44:17.239
<v Speaker 1>with all of my fans in there and uh and

0:44:17.320 --> 0:44:20.120
<v Speaker 1>answer any questions. Sometimes you guys point out things that

0:44:20.200 --> 0:44:23.880
<v Speaker 1>I need to address, like maybe I gave an explanation

0:44:24.000 --> 0:44:25.719
<v Speaker 1>that was a little too vague and I should go

0:44:25.800 --> 0:44:28.759
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0:44:28.800 --> 0:44:31.279
<v Speaker 1>appreciate it because it means that the podcast everyone gets

0:44:31.360 --> 0:44:33.319
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0:44:33.320 --> 0:44:35.480
<v Speaker 1>can help me out if you like, or just hang

0:44:35.520 --> 0:44:37.719
<v Speaker 1>out and make jokes. That's also cool. I have no

0:44:37.800 --> 0:44:40.680
<v Speaker 1>problem with that Twitch, dot tv, slash tech stuff. Hope

0:44:40.719 --> 0:44:43.680
<v Speaker 1>to see there, and I'll talk to you again really

0:44:43.719 --> 0:44:51.480
<v Speaker 1>soon for more on this and thousands of other topics

0:44:51.520 --> 0:45:00.520
<v Speaker 1>because it staff works dot com eight