WEBVTT - Philip Galanes Lies Like a Rug

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the thing,

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<v Speaker 1>My chance to talk with artists, policymakers and performers, to

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<v Speaker 1>hear their stories, what inspires their creations, what decisions change

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<v Speaker 1>their careers, what relationships influenced their work. Here's a quote,

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<v Speaker 1>Who died and made you? Dear Abbey? It was an insult,

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<v Speaker 1>no matter how you spun it, but a particularly fraught

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<v Speaker 1>one for Philip Galanas after the debut of his New

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<v Speaker 1>York Times advice column in two thousand eight. Dear Abbey

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<v Speaker 1>had been his guiding force as a boy, growing up

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<v Speaker 1>with a distant father and mother who refused to accept

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<v Speaker 1>that her son was gay. Dear Abbey left him with

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<v Speaker 1>nothing but answers. Some people might have given up, but Gallanis,

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<v Speaker 1>who had already sailed through Yale, undergrad and law school,

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<v Speaker 1>isn't one of them. He kept writing the column, kept

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<v Speaker 1>answering questions about bullying, ex boyfriends, and sibling rivalry, and

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<v Speaker 1>nine years later, he still is. It's one of many

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<v Speaker 1>endearing qualities. The warm and witty lawyer turned writer possesses

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<v Speaker 1>quiet refusal to be anything but himself. In his weekly

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<v Speaker 1>column Social Cues, he pushes readers to do the same,

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<v Speaker 1>even if that means temporarily suspending the truth. I lie

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<v Speaker 1>like a rug and generally, um, I mean, I would

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<v Speaker 1>never lie, you know, I would never become a fraud.

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<v Speaker 1>I'd never lie and steal to steal from someone, but

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<v Speaker 1>to smooth over something I'd like every single day of

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<v Speaker 1>the week and twice on Sunday, definitely. But when you're

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<v Speaker 1>in a conflict with your significant other, I find I lie.

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<v Speaker 1>Some of the time. I'm lying to just cast a

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<v Speaker 1>spray of ether over the whole room so we can

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<v Speaker 1>all rest. Well, I'm very defensive, so it doesn't really

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<v Speaker 1>even occurred to me. Not occurred doesn't sink in that

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<v Speaker 1>I am wrong sometimes for days or weeks later. But

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<v Speaker 1>you can't have a fight going on with your partner

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<v Speaker 1>for weeks until it actually occurs to you. So I do.

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<v Speaker 1>I get down immediately, and I lie, and then and

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<v Speaker 1>I said, I'm sorry, it's all my fault. And then

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<v Speaker 1>most of the time when he says to me, know,

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<v Speaker 1>that was really shitty what you did, I'll three days later,

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<v Speaker 1>four days later, it well, it will hit me and

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<v Speaker 1>I'll go, you know, yeah, that's right. But growing up

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<v Speaker 1>I think the way that I did. The first impulse

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<v Speaker 1>had to be I was not to blame. You weren't

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<v Speaker 1>I was in my house, it was who was to blame?

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<v Speaker 1>Everybody is running to the to the blameless corner. And

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<v Speaker 1>I don't think my mother ever apologized one single time

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<v Speaker 1>in her life for anything so funny. Never. And when

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<v Speaker 1>I was in therapy, when I started to really you know,

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<v Speaker 1>become an adult in my twenties and thirties, thanks to

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<v Speaker 1>a guy who lives, you know, right around the corner

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<v Speaker 1>from us, and I would go to see him twice

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<v Speaker 1>or three times a week, and he would say, before

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<v Speaker 1>we get anywhere, you've got to get angry with your mother.

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<v Speaker 1>You've got to go tell her, or tell me, or

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<v Speaker 1>tell someone all the things that you've got pent up

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<v Speaker 1>inside of you. And so I did it with him,

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<v Speaker 1>and he said, I think you need to go do

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<v Speaker 1>this one thing with her. And I went to her

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<v Speaker 1>and it was about an episode that happened when I

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<v Speaker 1>was you know, maybe seven or eight or something like that.

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<v Speaker 1>It was when it first started to occur to her

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<v Speaker 1>that she had a gay kid on her hands, and

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<v Speaker 1>she was really, you know, in the what would have

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<v Speaker 1>in the seven early seventies, you wouldn't be thrilled about it.

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<v Speaker 1>But she was gonna always be in my corner. But

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<v Speaker 1>she wasn't happy. So I was like, that clear, how

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<v Speaker 1>did she make by shipping into a shrink? By she

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<v Speaker 1>made that clear to you by saying you need to

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<v Speaker 1>go talk to somebody, right, and by also encouraging. I mean,

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<v Speaker 1>it starts in very subtle ways, like, you know, have

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<v Speaker 1>you ever thought about maybe being the principal when you

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<v Speaker 1>play school as opposed to you know, the home act teacher,

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<v Speaker 1>something like, yeah, pouring tea for everyone exactly. Um, So

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<v Speaker 1>she starts that way, and then it gets to like

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<v Speaker 1>all of a sudden coaching. Yeah that the Teddy Bear

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<v Speaker 1>collection disappears one day because and in its place is

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<v Speaker 1>a bunch of baseball cards and you've never picked up

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<v Speaker 1>a mint in your life. And but so I go

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<v Speaker 1>and say to her, I say to her, I said

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<v Speaker 1>to her this thing. I remember that. I remember really clearly,

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<v Speaker 1>this ugly episode we had on the drive to this train.

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<v Speaker 1>Isn't Vermond the wilds of Vermond? And she, to her credit,

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<v Speaker 1>she's found the one shrink who deals with kids in

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<v Speaker 1>the woods of Vermont. And she says something to me about,

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<v Speaker 1>you know, you could make more of an effort with

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<v Speaker 1>your father, you know, And I said, well, Mom, he

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<v Speaker 1>doesn't really you know. He comes home for dinner and

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<v Speaker 1>then he retreats to his study and that's the end

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<v Speaker 1>of him for the night. I said, he doesn't really

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<v Speaker 1>talk to me either. And I had siblings, two brothers,

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<v Speaker 1>two brothers, both younger. They were one is and with

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<v Speaker 1>both of them he could do more boy type stuff.

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<v Speaker 1>I mean, he was always doing the right thing. So

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<v Speaker 1>he'd come home from his day at work, he'd offered

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<v Speaker 1>to play catch. I didn't really want to play your brother,

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<v Speaker 1>Your brother who was gay, at least he was bodybuilding

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<v Speaker 1>in the gym. At least he was he was trying

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<v Speaker 1>to be. He was trying to be what everybody wanted

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<v Speaker 1>him to be. I was the first one. I was

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<v Speaker 1>definitely trying to be people pleaser. But I invented myself

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<v Speaker 1>before them, they before they came along. So I just

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<v Speaker 1>actually thought that I was supposed to do things I

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<v Speaker 1>like doing. But that's really not true. Willful, right, So

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<v Speaker 1>she so on the way to the strength this day,

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<v Speaker 1>she says to me, the situation with your father is

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<v Speaker 1>totally your fault. I mean, you're the one who's not

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<v Speaker 1>if you're the problem. If you actually engaged this wonderful

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<v Speaker 1>stand up guy, he'd be locked in that study because

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<v Speaker 1>of you. Exactly so years later, I said to her,

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<v Speaker 1>I said to her, I really thought I needed to, like,

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<v Speaker 1>I wanted to talk to her about that, because not

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<v Speaker 1>because I wanted to blame her. She didn't know what

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<v Speaker 1>was coming down the pike anymore than anyone else did.

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<v Speaker 1>But I I said to her, you know, I just

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<v Speaker 1>I wanted to tell you this story, and I wanted

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<v Speaker 1>to tell you how much this story lives with me

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<v Speaker 1>all the time. And she looked at me and she said,

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<v Speaker 1>you know, what is so wonderful about you, Philip, And

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<v Speaker 1>I knew something really shitty was going to come down play.

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<v Speaker 1>She said, what's wonderful about you is their active imagination.

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<v Speaker 1>I just love it. And so she just denied it,

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<v Speaker 1>shut it down. She couldn't even say I mean, as

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<v Speaker 1>any right thinking adult would say, like, you know, it's

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<v Speaker 1>a one car drive. It was just to say wow,

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<v Speaker 1>I don't obviously she wouldn't remember it, but just to say, wow,

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<v Speaker 1>it's so great that you remember that. I'm so sorry

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<v Speaker 1>if that if I made you feel that way. I mean,

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<v Speaker 1>she didn't put the idea that you were asked to do,

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<v Speaker 1>the understanding, the idea that you were asked to do,

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<v Speaker 1>the reaching. I think the only way to survive in

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<v Speaker 1>my family was to triangulate stuff. There's no way that

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<v Speaker 1>my mother or my father was there We're going to

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<v Speaker 1>look at me and go good boy. So the best

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<v Speaker 1>I could do was sort of create a triangle out

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<v Speaker 1>of the two of them and try to play from

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<v Speaker 1>each other, all play them off against each other enough

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<v Speaker 1>to get a little tiny bit of attention that way, like,

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<v Speaker 1>you might be a horrible kid, but at least you're

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<v Speaker 1>not as horrible as this. Or did you feel you

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<v Speaker 1>were a horrible kid? Ahmed? Because in general it worked

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<v Speaker 1>its way to in general, but we had two big

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<v Speaker 1>secrets in the family. One was my mother was clearly saying,

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<v Speaker 1>there's something very wrong with you. I didn't even have

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<v Speaker 1>no the word. I didn't know that the problem with

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<v Speaker 1>me was that it would end up with me being

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<v Speaker 1>attracted to other boys that didn't even I'm seven or eight.

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<v Speaker 1>I didn't even get that, but I knew that was

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<v Speaker 1>a problem. Number one, your sexuality and the problem Number

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<v Speaker 1>two was that we had a father who was going

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<v Speaker 1>through the motions but would then disappear. But we were

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<v Speaker 1>never allowed to let anyone know that our family only

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<v Speaker 1>in private, was any different from anybody else. Yeah, so

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<v Speaker 1>there were two big secrets and they were both really

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<v Speaker 1>I mean, now I know we've all got what's so

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<v Speaker 1>great is when you get to a point and you

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<v Speaker 1>realize you had two secrets, and Emily had two secrets,

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<v Speaker 1>and Tom had two secrets, and we all had two

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<v Speaker 1>secrets and or three and we had somehow, Yeah, march

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<v Speaker 1>through the world and diffuse and diffused. Your mother wanted

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<v Speaker 1>you to attempt to reach your father in a way

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<v Speaker 1>that she could not. One Christmas and this was one

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<v Speaker 1>of the things that I once later tried to talk

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<v Speaker 1>to her about too. She said to me, I'm Christmas Eve.

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<v Speaker 1>I knew I was old enough to know that. You know,

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<v Speaker 1>we were pretty pretty well off. So they everything was there,

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<v Speaker 1>was never in We were never wanting for anything, and

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<v Speaker 1>they almost overdid it to overcompensate for all the stuff

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<v Speaker 1>they knew they weren't doing. So I don't know where

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<v Speaker 1>the hell My dad would ask where I'm Christmas Eve.

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<v Speaker 1>At seven o'clock or eight o'clock. My dad is at large,

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<v Speaker 1>and my brothers are getting into bed. And I said

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<v Speaker 1>to my mother, I can help you bring the presents,

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<v Speaker 1>because there were so many presents, lots of presents. And

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<v Speaker 1>she said to me, oh, I didn't. I haven't gotten

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<v Speaker 1>any of the presents yet, and I would have been

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<v Speaker 1>like ten, and she said, I said, well, but mom,

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<v Speaker 1>everything is going to be closed, and tomorrow's Chris and

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<v Speaker 1>tomorrow's Christmas. And I was thinking, actually, and I feel

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<v Speaker 1>like maybe I wasn't always so shitty, because I actually

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<v Speaker 1>think I was thinking of my brothers and I thought, well,

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<v Speaker 1>what what are we going to do? And she said

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<v Speaker 1>I don't know, because I don't have any money either.

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<v Speaker 1>And I ran upstairs and through you know, being a

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<v Speaker 1>shitty kid, through stealing from my father's pants every night,

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<v Speaker 1>you know, and putting things together, maybe had like forty

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<v Speaker 1>dollars or fifty dollars hidden away. And I came down

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<v Speaker 1>and brought it to her, and she thought that that

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<v Speaker 1>was funny and wonderful that I had been generous. But

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<v Speaker 1>she didn't see any of this money I stole from dad.

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<v Speaker 1>Let's use that she didn't see the trauma of how

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<v Speaker 1>scary it was for me to think there wasn't going

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<v Speaker 1>to be any Christmas family there there were tons. When

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<v Speaker 1>did they come in? She she had just lied. She

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<v Speaker 1>thought it was like a funny thing. I mean, my

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<v Speaker 1>mother would treated me like very much like I should

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<v Speaker 1>have been an adult and understood of course they were testing,

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<v Speaker 1>but she wasn't going to involve me in bringing them down.

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<v Speaker 1>It would all happen later when I was in bed too.

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<v Speaker 1>But I had a nervous breakdown and because I thought

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<v Speaker 1>that this would be the year there wasn't going to

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<v Speaker 1>be Christmas and in the Galana's household, and she thought,

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<v Speaker 1>she's I can sort of remember her laughing and and

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<v Speaker 1>and at the time I think I was just profoundly relieved.

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<v Speaker 1>But it's the kind of thing where you can spend,

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<v Speaker 1>you know, months on a story like that. At the shrink,

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<v Speaker 1>you know who was wearing what? Where did I say

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<v Speaker 1>that I'm gonna write a movie. I'm gonna steal that

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<v Speaker 1>from movie? Now? You went to boarding school where I

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<v Speaker 1>went to boarding school at this place called Deerfield Academy.

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<v Speaker 1>But at the time when I went in the in

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<v Speaker 1>the seventies and eighties, it was still all boys, so

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<v Speaker 1>it was kind of that for you. No, no, it

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<v Speaker 1>was really they were dumb boys. It's so it's so funny,

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<v Speaker 1>because why would you not make a school coach. I mean,

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<v Speaker 1>it's like, if you do make something co ed, the

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<v Speaker 1>first thing you do is you get rid of the

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<v Speaker 1>really bad ones on the bottom, and all the boats

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<v Speaker 1>rise up because all the girls are bright, and then

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<v Speaker 1>you keep the bright boys. But this was a place.

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<v Speaker 1>It was like a nesting pen for like lesser semi

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<v Speaker 1>retarded Rockefellers, and so it was people that they wanted

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<v Speaker 1>out of the house. They were shelving them. Yeah, it was.

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<v Speaker 1>It was a weird little school. And also what you

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<v Speaker 1>picked this up kind of a weird impulse. If you're

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<v Speaker 1>sending a boy two a school to butch him up

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<v Speaker 1>a little bit and see if there's like a last

0:13:37.160 --> 0:13:41.120
<v Speaker 1>ditch effort to make him straight, why in God's name

0:13:41.160 --> 0:13:43.440
<v Speaker 1>would you choose an all boys school to do it.

0:13:43.520 --> 0:13:47.160
<v Speaker 1>It's a very straights training man is playing. All the

0:13:47.200 --> 0:13:49.840
<v Speaker 1>teachers are claud or not all, but you know a

0:13:49.880 --> 0:13:52.360
<v Speaker 1>good percentage of them in my day where they were

0:13:52.360 --> 0:13:55.120
<v Speaker 1>all you you've read about choked in the Yeah, well

0:13:55.120 --> 0:13:58.160
<v Speaker 1>it was like that. They were, but of course the teachers,

0:13:58.520 --> 0:14:02.559
<v Speaker 1>the closet Kate's teachers, they're never coming after. I mean,

0:14:02.880 --> 0:14:07.280
<v Speaker 1>I would, you know, had elaborate fantasies at fifteen about

0:14:07.800 --> 0:14:09.880
<v Speaker 1>you know, the man who taught English and he was

0:14:10.080 --> 0:14:13.760
<v Speaker 1>like my dream boat. But they would of course be

0:14:13.880 --> 0:14:18.000
<v Speaker 1>after the lacrosse players who didn't have you know, and

0:14:18.040 --> 0:14:20.840
<v Speaker 1>it's a terrible I don't mean to do with years.

0:14:21.320 --> 0:14:23.160
<v Speaker 1>I was about there for four years, and there were

0:14:23.200 --> 0:14:28.680
<v Speaker 1>good things that happened. No, it's to me. It was

0:14:28.720 --> 0:14:32.280
<v Speaker 1>a wonderful place because it took me out of a

0:14:32.360 --> 0:14:36.240
<v Speaker 1>household where I felt ashamed every time I turned around.

0:14:36.880 --> 0:14:40.360
<v Speaker 1>But I what I learned to do there was to

0:14:40.520 --> 0:14:46.040
<v Speaker 1>create a public persona. When I first got there, I thought,

0:14:46.080 --> 0:14:48.440
<v Speaker 1>oh my god, I am going to be toast. These

0:14:48.440 --> 0:14:52.360
<v Speaker 1>guys are gonna beat me up. They're gonna tease the

0:14:52.400 --> 0:14:54.440
<v Speaker 1>hell out of me. It's going to be really tough.

0:14:55.400 --> 0:14:59.960
<v Speaker 1>But very quickly I saw that if I could be eccentric,

0:15:00.800 --> 0:15:03.720
<v Speaker 1>and if I could be funny, and if I could

0:15:03.800 --> 0:15:08.080
<v Speaker 1>be a little funny, and unfortunately the funny that they

0:15:08.120 --> 0:15:10.640
<v Speaker 1>crave in an environment like that is mean funny. So

0:15:10.680 --> 0:15:15.640
<v Speaker 1>I developed not the goodhearted sense of humor. But I

0:15:16.320 --> 0:15:18.960
<v Speaker 1>took a page out of your mother's humor book and

0:15:19.000 --> 0:15:21.320
<v Speaker 1>my mother's humor book, which was a kind of Betty

0:15:21.440 --> 0:15:26.640
<v Speaker 1>Davis meanness. But it I learned how to survive. I

0:15:26.720 --> 0:15:28.840
<v Speaker 1>learned how to It's what I call it's what I

0:15:28.880 --> 0:15:33.040
<v Speaker 1>call my Grandville Thorndyke theory. And I always say that

0:15:33.160 --> 0:15:37.280
<v Speaker 1>you could be amongst the most filthy flea bitten, you know,

0:15:37.680 --> 0:15:41.720
<v Speaker 1>just moronic rattle, and if you can entertain them, you

0:15:41.840 --> 0:15:45.080
<v Speaker 1>buy yourself that they take the noose off your neck. Absolutely,

0:15:45.480 --> 0:15:50.400
<v Speaker 1>And I met a couple of kids there who really

0:15:50.440 --> 0:15:52.800
<v Speaker 1>became good friends. I mean they were It was the

0:15:52.800 --> 0:15:57.440
<v Speaker 1>first time I really made good friends. And there were

0:15:57.480 --> 0:16:00.480
<v Speaker 1>a couple of teachers there who were really in uraging

0:16:00.680 --> 0:16:04.400
<v Speaker 1>and so yeah, on balance, it was a very positive

0:16:04.400 --> 0:16:08.280
<v Speaker 1>experience for me, mostly because I think my dad's situation

0:16:08.560 --> 0:16:12.320
<v Speaker 1>at home, even though nobody would talk about it, he

0:16:12.440 --> 0:16:18.120
<v Speaker 1>was sort of slowly getting more depressed, and I was

0:16:18.880 --> 0:16:21.960
<v Speaker 1>not forced to worry about that. So you go off

0:16:22.000 --> 0:16:24.080
<v Speaker 1>to go to college from So I go off to

0:16:24.120 --> 0:16:26.880
<v Speaker 1>go to college. I go to Yale. Was that a

0:16:26.920 --> 0:16:28.760
<v Speaker 1>fed company or did you want to go to Yale?

0:16:29.040 --> 0:16:31.880
<v Speaker 1>Other places? You want to. My parents were really really

0:16:31.880 --> 0:16:36.880
<v Speaker 1>interesting that way. My parents didn't care at all. I

0:16:36.920 --> 0:16:39.200
<v Speaker 1>want you to understand the kind of well off they were.

0:16:39.720 --> 0:16:43.360
<v Speaker 1>My parents were well off because my dad's father, who

0:16:43.400 --> 0:16:47.960
<v Speaker 1>was a Greek immigrant who came to this country and no, no, no,

0:16:48.280 --> 0:16:51.200
<v Speaker 1>his job was to go around and take the pennies

0:16:51.240 --> 0:16:55.400
<v Speaker 1>and nickels out of you know, gumball machines and and

0:16:55.400 --> 0:16:59.480
<v Speaker 1>and collect money and collect money and deliver it to somebody.

0:16:59.640 --> 0:17:03.960
<v Speaker 1>And he got where he got by working twenty hours

0:17:03.960 --> 0:17:09.400
<v Speaker 1>a day. And my dad was, you know, largely employed

0:17:09.480 --> 0:17:12.320
<v Speaker 1>by him, and my dad's brother was They built into

0:17:12.320 --> 0:17:15.320
<v Speaker 1>a big company. They built it, they bought real estate

0:17:15.440 --> 0:17:18.879
<v Speaker 1>and then and they were and they were really really

0:17:18.920 --> 0:17:22.440
<v Speaker 1>hard working. The idea that they had a kid who

0:17:22.480 --> 0:17:28.880
<v Speaker 1>wanted to study Emily Dickinson, Yes, I was literature. They

0:17:28.880 --> 0:17:34.359
<v Speaker 1>didn't think that was good. Education was very very highly regarded,

0:17:34.680 --> 0:17:37.160
<v Speaker 1>but they certainly didn't They thought that I was maybe

0:17:37.200 --> 0:17:39.399
<v Speaker 1>taking it a bit far. So when you go to Yale,

0:17:39.840 --> 0:17:44.959
<v Speaker 1>what was Yale? Yale was heaven. If I could send everyone,

0:17:45.080 --> 0:17:50.720
<v Speaker 1>if if I could give everyone the four years go

0:17:50.880 --> 0:17:54.840
<v Speaker 1>to Yale, Yeah, I had the best. I mean, it

0:17:55.040 --> 0:17:57.480
<v Speaker 1>really worked for me. People didn't want me to be

0:17:57.640 --> 0:18:00.919
<v Speaker 1>anything different than I was. I got to stop lying.

0:18:01.359 --> 0:18:03.720
<v Speaker 1>People were like, well, yeah, well of course you're gay.

0:18:03.760 --> 0:18:07.000
<v Speaker 1>It's obvious you're gay. Who cares? Um, it was the

0:18:07.040 --> 0:18:09.600
<v Speaker 1>gay scene like at the Yale then Jodie Foster and me.

0:18:11.000 --> 0:18:14.560
<v Speaker 1>It was like it was around So it was no,

0:18:14.680 --> 0:18:17.760
<v Speaker 1>it was the wonderful It was sort of. It was

0:18:17.840 --> 0:18:21.639
<v Speaker 1>all yeah, it was a great time and the student

0:18:21.840 --> 0:18:25.600
<v Speaker 1>and four years were you there? Um, from nineteen eighty

0:18:26.320 --> 0:18:31.840
<v Speaker 1>one to your five years? Okay, so that period comes

0:18:31.880 --> 0:18:34.480
<v Speaker 1>to an end. And as it comes to an end,

0:18:34.560 --> 0:18:37.159
<v Speaker 1>who are you well at that? What happened that you're

0:18:37.160 --> 0:18:39.120
<v Speaker 1>going to become an attorney? Well, no, no, no, I'm

0:18:39.119 --> 0:18:41.520
<v Speaker 1>so not going to become an attorney. I go and

0:18:41.560 --> 0:18:43.960
<v Speaker 1>take my first job, which is working at the New

0:18:44.040 --> 0:18:47.800
<v Speaker 1>York Times as a copy boy. They have these old

0:18:47.800 --> 0:18:51.560
<v Speaker 1>this is like six or so eight seven. They have

0:18:51.640 --> 0:18:54.680
<v Speaker 1>these fat old men who sit behind desks and they

0:18:55.000 --> 0:18:57.680
<v Speaker 1>rip a piece of paper off and they go international

0:18:58.359 --> 0:19:00.719
<v Speaker 1>and they hand it to me. And my job is

0:19:01.200 --> 0:19:04.639
<v Speaker 1>I walk it to the international desk, and then I

0:19:04.800 --> 0:19:07.879
<v Speaker 1>walk back to the old man and he rips another

0:19:07.920 --> 0:19:12.960
<v Speaker 1>piece off and he goes culture and Hearthur, I'm there

0:19:13.000 --> 0:19:17.159
<v Speaker 1>for like two weeks and I'm going get get me

0:19:17.240 --> 0:19:19.520
<v Speaker 1>out of here. This isn't working. So it did. And

0:19:19.520 --> 0:19:24.120
<v Speaker 1>and I'm also not a journalist really, because they would

0:19:24.160 --> 0:19:27.880
<v Speaker 1>encourage us to go right stories after hours, and lots

0:19:27.880 --> 0:19:31.280
<v Speaker 1>of people would want to go to you know, there'd

0:19:31.280 --> 0:19:35.560
<v Speaker 1>be a shooting and they'd want to figure out who

0:19:35.600 --> 0:19:38.720
<v Speaker 1>did it, or where how it happened, or why I

0:19:38.800 --> 0:19:42.440
<v Speaker 1>came alive at Christmas? Remember in the Metropolitan section there

0:19:42.480 --> 0:19:45.960
<v Speaker 1>used to be this these this little feature called Remember

0:19:46.040 --> 0:19:51.000
<v Speaker 1>the Neediest, and we go. I'd go up to Harm,

0:19:51.040 --> 0:19:53.720
<v Speaker 1>I'd go up to Harlem and I'd sit in the

0:19:53.800 --> 0:19:57.440
<v Speaker 1>room and I think, I want to understand how these

0:19:57.480 --> 0:20:02.120
<v Speaker 1>people got to this place? How do they feel about this?

0:20:02.600 --> 0:20:07.040
<v Speaker 1>And so I was always interested in the personality, the dynamics,

0:20:07.040 --> 0:20:10.320
<v Speaker 1>and like the woman is sitting there, she angry that

0:20:10.400 --> 0:20:16.199
<v Speaker 1>she's you know, she's got this terrible school system for

0:20:16.280 --> 0:20:20.800
<v Speaker 1>her disabled daughter. Is she does she does? She just does?

0:20:20.840 --> 0:20:23.320
<v Speaker 1>She want help? Is is the husband helping? Where is

0:20:23.359 --> 0:20:25.639
<v Speaker 1>the husband? How did all this happen? Those were the

0:20:25.720 --> 0:20:27.920
<v Speaker 1>kind of stories that I liked, And so like within

0:20:27.960 --> 0:20:29.600
<v Speaker 1>a few weeks they sent me up to work for

0:20:29.640 --> 0:20:34.560
<v Speaker 1>Carrie Donovan in the magazine, and I thought that that

0:20:34.680 --> 0:20:38.280
<v Speaker 1>was going to be what I would do, and then

0:20:38.520 --> 0:20:44.720
<v Speaker 1>my dad killed himself. Coming up, Philip Galanis looks back

0:20:44.760 --> 0:20:48.520
<v Speaker 1>on an interview with former President Barack Obama and Emmy

0:20:48.560 --> 0:20:55.840
<v Speaker 1>Award winning actor Brian Cranston. In the literary world, a

0:20:55.880 --> 0:20:59.600
<v Speaker 1>few names hold more weight than The New Yorker's longtime

0:20:59.800 --> 0:21:02.920
<v Speaker 1>editor David Remnick. As a writer, I take too much

0:21:02.960 --> 0:21:04.960
<v Speaker 1>time clearing my throat in the beginning of the piece,

0:21:05.119 --> 0:21:07.320
<v Speaker 1>and I hope I've learned myself to get rid of

0:21:07.359 --> 0:21:11.000
<v Speaker 1>a lot of the crap. But very often my editor,

0:21:11.080 --> 0:21:15.000
<v Speaker 1>Henry Finder, will just very quietly take a pen. He's

0:21:15.000 --> 0:21:17.880
<v Speaker 1>your editor. Oh yeah, that's who edits you. Oh yeah,

0:21:17.880 --> 0:21:22.280
<v Speaker 1>and he's great. He's unbelievable. To hear more about David

0:21:22.320 --> 0:21:32.040
<v Speaker 1>Remnick's story, go to Here's the Thing dot org. This

0:21:32.240 --> 0:21:35.120
<v Speaker 1>is Alec Baldwin, and you were listening to Here's the Thing.

0:21:35.960 --> 0:21:39.879
<v Speaker 1>Philip Galanus's mom once blamed him for his father's depression,

0:21:40.359 --> 0:21:43.600
<v Speaker 1>but he didn't let that stifle him. After receiving a

0:21:43.680 --> 0:21:46.760
<v Speaker 1>phone call from his uncle that his father had ended

0:21:46.840 --> 0:21:52.320
<v Speaker 1>his life, Philip sprang into action immediately. I came home,

0:21:53.040 --> 0:21:55.840
<v Speaker 1>went back to Vermont. And I'll tell you something that

0:21:55.920 --> 0:22:00.240
<v Speaker 1>I've never said out loud before. I found out the

0:22:00.520 --> 0:22:05.119
<v Speaker 1>morning after I'd had my first one night stand. So

0:22:05.680 --> 0:22:09.240
<v Speaker 1>all through the night, my not my mother, because she

0:22:09.400 --> 0:22:15.040
<v Speaker 1>was so zonked out. My mom was um. Any any

0:22:15.920 --> 0:22:19.280
<v Speaker 1>resentment I have for my mom disappears in a second

0:22:19.960 --> 0:22:22.160
<v Speaker 1>if I think of her walking out that back door

0:22:22.880 --> 0:22:25.960
<v Speaker 1>and having to find her husband having in the yard,

0:22:26.240 --> 0:22:30.720
<v Speaker 1>in the yard, having shot his head off with a rifle,

0:22:31.920 --> 0:22:34.800
<v Speaker 1>and which you all thought was inevitable. You thought you

0:22:34.840 --> 0:22:37.320
<v Speaker 1>thought that was coming anyway, well, or you weren't sure.

0:22:37.640 --> 0:22:39.800
<v Speaker 1>I don't think anyone thought it was coming. I think

0:22:39.880 --> 0:22:42.919
<v Speaker 1>everyone thought he's you know, he was the guy who

0:22:43.200 --> 0:22:45.320
<v Speaker 1>did the right thing all that. He went to work

0:22:45.400 --> 0:22:49.240
<v Speaker 1>every day, he came home, he'd throw catch and then

0:22:49.320 --> 0:22:51.960
<v Speaker 1>he should go and he'd sit and he'd watch television.

0:22:52.000 --> 0:22:54.720
<v Speaker 1>He was never treated for his depression formally. He I

0:22:54.800 --> 0:22:57.440
<v Speaker 1>think my mother tried to intervene a few times. But

0:22:57.600 --> 0:23:02.359
<v Speaker 1>this is before no shrinks, No there. He He was

0:23:02.440 --> 0:23:04.359
<v Speaker 1>not a talk therapy person. You have to be a

0:23:04.680 --> 0:23:08.040
<v Speaker 1>you have to be a verbal person. Yeh. And medicine

0:23:08.080 --> 0:23:11.359
<v Speaker 1>back then was rough, and it would you know, it

0:23:11.440 --> 0:23:16.920
<v Speaker 1>would totally wipe you out. So I'm off having my

0:23:17.040 --> 0:23:21.280
<v Speaker 1>first one night stand and my uncle, my mother's brother,

0:23:21.440 --> 0:23:24.200
<v Speaker 1>is trying to reach me, trying to reach me, and

0:23:25.400 --> 0:23:28.640
<v Speaker 1>I four cell phones. This is a way before cell phones.

0:23:28.720 --> 0:23:34.119
<v Speaker 1>This is yeah, so he is everyone's trying to reach me.

0:23:34.160 --> 0:23:35.600
<v Speaker 1>Where is he? Where is he? Where is he? Where

0:23:35.680 --> 0:23:40.640
<v Speaker 1>is he? And I come in to work and I'm

0:23:40.680 --> 0:23:43.760
<v Speaker 1>on the Upper West Side with a person I've just met,

0:23:44.160 --> 0:23:46.560
<v Speaker 1>and it was I thought, Wow, this is so great.

0:23:46.600 --> 0:23:49.040
<v Speaker 1>I mean because the other thing I should say is

0:23:49.119 --> 0:23:51.960
<v Speaker 1>at Yale people we were all we talked about being

0:23:52.000 --> 0:23:53.800
<v Speaker 1>gay a lot, but there wasn't a lot of what

0:23:54.000 --> 0:23:58.320
<v Speaker 1>nobody was doing a lot. So um, I was very

0:23:58.359 --> 0:24:00.639
<v Speaker 1>sexually and experienced. I thought, oh god, this is the

0:24:00.720 --> 0:24:03.800
<v Speaker 1>most miraculous this thing. I'm having sex. It's great. And

0:24:03.920 --> 0:24:06.280
<v Speaker 1>then the next morning I walk into work and I

0:24:06.359 --> 0:24:10.880
<v Speaker 1>see every eye is on me, and I'm thinking, wow,

0:24:11.000 --> 0:24:13.760
<v Speaker 1>can they tell that I've just had sex? And I thought,

0:24:15.280 --> 0:24:19.840
<v Speaker 1>because they're really this, I'm working on and walking on air.

0:24:20.440 --> 0:24:23.520
<v Speaker 1>And what really has happened is my uncle has been

0:24:23.600 --> 0:24:27.320
<v Speaker 1>trying to has been calling every fifteen minutes for the

0:24:27.440 --> 0:24:31.879
<v Speaker 1>last hour looking for me, and So I get to

0:24:32.240 --> 0:24:39.360
<v Speaker 1>my little copyboy station and I am pulled aside by

0:24:39.800 --> 0:24:45.480
<v Speaker 1>a woman called Marie, who is the copyboy dead mother,

0:24:45.720 --> 0:24:48.480
<v Speaker 1>dead mother. She takes me into a room and says,

0:24:48.640 --> 0:24:51.000
<v Speaker 1>I need you to call your uncle and I'm going

0:24:51.040 --> 0:24:53.600
<v Speaker 1>to give you some space. I'm gonna give you my office.

0:24:54.280 --> 0:25:00.119
<v Speaker 1>And I'm thinking, doesn't this doesn't feel right? But my

0:25:00.520 --> 0:25:06.679
<v Speaker 1>but my impulse went to my mother's dad, and um,

0:25:07.080 --> 0:25:11.040
<v Speaker 1>because because that would have been the end of I mean,

0:25:11.640 --> 0:25:14.840
<v Speaker 1>because she was my jailer. She's my jailer, but she's

0:25:14.880 --> 0:25:21.159
<v Speaker 1>also my savior and everything. And when I reached my

0:25:21.320 --> 0:25:26.960
<v Speaker 1>uncle and he says, your father is dead, and this

0:25:27.200 --> 0:25:30.960
<v Speaker 1>is something I feel terribly guilty about for you know,

0:25:31.080 --> 0:25:35.120
<v Speaker 1>the next ten years, I think, few it wasn't my mother,

0:25:35.240 --> 0:25:40.080
<v Speaker 1>She's okay, And then it sinks in that my father's dead.

0:25:40.520 --> 0:25:47.480
<v Speaker 1>And there he when a present when such a big

0:25:47.640 --> 0:25:52.720
<v Speaker 1>part of your life is really is it is really

0:25:52.800 --> 0:25:56.000
<v Speaker 1>more of an absence than a presence. It was really

0:25:56.080 --> 0:25:58.720
<v Speaker 1>complicated to know what to feel. I mean, he was

0:25:58.800 --> 0:26:02.280
<v Speaker 1>a wonderful man, never did a mean thing. He's a

0:26:02.440 --> 0:26:06.320
<v Speaker 1>decent guy. But I just didn't have any I didn't have,

0:26:06.720 --> 0:26:09.000
<v Speaker 1>you know, I didn't. It was like in the chorus line,

0:26:09.560 --> 0:26:12.280
<v Speaker 1>I had to Yeah, It's like nothing. It's like, I'm

0:26:13.480 --> 0:26:16.480
<v Speaker 1>I feel the air, I feel the CRISTI and I

0:26:16.560 --> 0:26:20.520
<v Speaker 1>go to Grand Central. I get on a train. I

0:26:20.600 --> 0:26:23.280
<v Speaker 1>get on a train that's going the wrong way. I

0:26:23.359 --> 0:26:26.520
<v Speaker 1>get on a train that's not going I mean, I'm

0:26:28.000 --> 0:26:31.080
<v Speaker 1>I've taken this train ride a thousand times. My uncle

0:26:31.119 --> 0:26:33.000
<v Speaker 1>lives in Westport. All I had to do it was

0:26:33.119 --> 0:26:36.359
<v Speaker 1>to get from Grand Central to Westport. And for some reason,

0:26:36.440 --> 0:26:40.360
<v Speaker 1>I get on there. I'm so I'm so shaken by

0:26:40.440 --> 0:26:42.840
<v Speaker 1>it that I get online. I don't know I'm going

0:26:42.880 --> 0:26:46.320
<v Speaker 1>to Westchester or something like that. Finally I get there

0:26:47.200 --> 0:26:51.639
<v Speaker 1>and we get to my my uncle picks me up.

0:26:51.680 --> 0:26:53.840
<v Speaker 1>He's my uncle is still alive, and he's in He

0:26:54.119 --> 0:26:59.360
<v Speaker 1>is the loveliest man, my mother's brother. He's an ophthalmology.

0:26:59.400 --> 0:27:03.120
<v Speaker 1>He wasn't homologist and a great, great guy, the first

0:27:03.320 --> 0:27:08.120
<v Speaker 1>sort of gay person. I didn't know because he had

0:27:08.359 --> 0:27:14.240
<v Speaker 1>a tenant, and I was thinking, and now you think, like, well,

0:27:14.720 --> 0:27:17.240
<v Speaker 1>he's a surgeon, why does he need a tenant in

0:27:17.359 --> 0:27:20.479
<v Speaker 1>his house? But that's how it was told to us,

0:27:21.240 --> 0:27:24.359
<v Speaker 1>and so for a very long time he has a

0:27:24.520 --> 0:27:28.040
<v Speaker 1>tenant in his house. Um, and so he drives me

0:27:28.119 --> 0:27:34.760
<v Speaker 1>to Vermont and everyone is administered a valium. I don't

0:27:34.800 --> 0:27:36.640
<v Speaker 1>know what I mean. I guess they thought we all

0:27:36.680 --> 0:27:39.920
<v Speaker 1>needed it. They were like we were just they gave

0:27:40.000 --> 0:27:44.119
<v Speaker 1>us value. For several days, people just kept giving us

0:27:44.160 --> 0:27:47.200
<v Speaker 1>more valum, like that was the thing we needed. But

0:27:47.640 --> 0:27:49.800
<v Speaker 1>and it was then. It was then that I thought

0:27:50.040 --> 0:27:52.800
<v Speaker 1>I need to grow up. I need to become the

0:27:52.960 --> 0:27:56.320
<v Speaker 1>man now. So that's what made me go to Yale

0:27:56.359 --> 0:27:58.680
<v Speaker 1>Law school. I did, I had. I would never have

0:27:58.760 --> 0:28:02.960
<v Speaker 1>gone to law school except for this, because what was

0:28:03.000 --> 0:28:05.040
<v Speaker 1>the feeling to find that boo? Because you're so smart,

0:28:05.520 --> 0:28:08.200
<v Speaker 1>you go, I'm gonna man up here, whether you want

0:28:08.200 --> 0:28:10.120
<v Speaker 1>to do? Why did you be quite going to Yale

0:28:10.119 --> 0:28:11.480
<v Speaker 1>because you were going to have a career that was

0:28:11.520 --> 0:28:13.520
<v Speaker 1>a serious Because I was going to have a career

0:28:13.680 --> 0:28:16.640
<v Speaker 1>that was going to be serious. Did well, Yeah, getting

0:28:16.680 --> 0:28:18.480
<v Speaker 1>into law school was not a problem. Not in Bang.

0:28:18.520 --> 0:28:22.720
<v Speaker 1>You're in Yale Law School and I go, and I

0:28:23.760 --> 0:28:29.680
<v Speaker 1>made a life changing decision based on I'm gonna be

0:28:29.680 --> 0:28:31.159
<v Speaker 1>an actor and I wouldn't bang, and I think him

0:28:31.160 --> 0:28:36.200
<v Speaker 1>an actress. Some were stupid, sort of emotional. I had

0:28:36.320 --> 0:28:39.760
<v Speaker 1>some like little some little thing in the back of

0:28:39.880 --> 0:28:42.960
<v Speaker 1>my head said this was important and this was not important,

0:28:43.000 --> 0:28:45.280
<v Speaker 1>and this would be what a man would do, and

0:28:45.440 --> 0:28:49.560
<v Speaker 1>this would be what a This is responsible, This is responsibility,

0:28:49.960 --> 0:28:52.520
<v Speaker 1>This is what my my dad doing, Doing the right thing,

0:28:53.440 --> 0:28:56.480
<v Speaker 1>doing the right in honor of my dad maybe became

0:28:56.760 --> 0:28:58.800
<v Speaker 1>going to laws. So when you go to law school

0:28:58.840 --> 0:29:02.680
<v Speaker 1>and you're there, are you choking it down that it's tough?

0:29:03.040 --> 0:29:04.520
<v Speaker 1>Or do you fall in love with Can I tell

0:29:04.560 --> 0:29:07.680
<v Speaker 1>you again? I would say I sound like an advertisement

0:29:07.720 --> 0:29:11.000
<v Speaker 1>for Yale, but it was. I've never been in a

0:29:11.160 --> 0:29:16.680
<v Speaker 1>room with so many smart, engaged people and they're only

0:29:16.800 --> 0:29:21.440
<v Speaker 1>talking about things that are interesting, the constitution matter. You're

0:29:21.480 --> 0:29:23.960
<v Speaker 1>talking about things that really matter. It was the first time,

0:29:24.000 --> 0:29:27.280
<v Speaker 1>and this is in the early nineties, and we're talking

0:29:27.400 --> 0:29:30.640
<v Speaker 1>about what we are now dealing with issues that we're

0:29:30.680 --> 0:29:34.480
<v Speaker 1>now dealing with, the warehousing of men of color in

0:29:34.680 --> 0:29:39.000
<v Speaker 1>the prisons instead of I mean, and we're really seriously grappling,

0:29:39.400 --> 0:29:43.280
<v Speaker 1>grappling with this stuff. And I loved it, and then

0:29:43.520 --> 0:29:49.400
<v Speaker 1>I graduated and it is the worst most mind numbing

0:29:49.800 --> 0:29:53.680
<v Speaker 1>work you can being the law. You're practicing law. It's

0:29:53.680 --> 0:29:55.480
<v Speaker 1>a fete company. You're gonna go to some top firm

0:29:55.640 --> 0:29:59.320
<v Speaker 1>they recruited. You can I tell you a smarter person,

0:29:59.480 --> 0:30:03.000
<v Speaker 1>a person who would have considered more, would have been

0:30:03.120 --> 0:30:07.400
<v Speaker 1>less horrorsh than I was. I looked at the firms

0:30:07.560 --> 0:30:10.360
<v Speaker 1>and I said, what, what firm was paying what? So?

0:30:10.480 --> 0:30:13.840
<v Speaker 1>I was interested in the top ten firms who were

0:30:13.920 --> 0:30:17.960
<v Speaker 1>paying the most. Yeah, and I just go and what

0:30:18.080 --> 0:30:19.560
<v Speaker 1>kind of work do they have you doing? Year one?

0:30:19.800 --> 0:30:23.480
<v Speaker 1>In the very beginning, I'm working in mergers and acquisitions,

0:30:24.120 --> 0:30:28.960
<v Speaker 1>and it could not be less. I don't understand anything

0:30:29.520 --> 0:30:32.240
<v Speaker 1>that's going on because I've been talking about the fourteenth

0:30:32.280 --> 0:30:36.040
<v Speaker 1>Amendment for three years and yeah, and all of a

0:30:36.120 --> 0:30:38.640
<v Speaker 1>sudden they're saying, take a look at the balance sheet,

0:30:38.760 --> 0:30:41.760
<v Speaker 1>make sure they can really afford this note. And I'm thinking,

0:30:42.600 --> 0:30:45.360
<v Speaker 1>what note is that I'm looking for? Like the note

0:30:45.520 --> 0:30:48.680
<v Speaker 1>that miss so and so passed to somebody else or

0:30:48.760 --> 0:30:54.479
<v Speaker 1>playing the piano and the note. So quickly, very very quickly,

0:30:54.720 --> 0:30:59.520
<v Speaker 1>I get myself transferred to the entertainment department. Where where

0:30:59.560 --> 0:31:02.520
<v Speaker 1>so I'm thinking, okay, well this breathe. I was like, okay,

0:31:02.560 --> 0:31:05.640
<v Speaker 1>I've got to work out a royalty. Yeah, I can

0:31:05.720 --> 0:31:08.240
<v Speaker 1>do this. I work with mostly with theater and fine

0:31:08.360 --> 0:31:11.240
<v Speaker 1>arts and music. I don't want to get too greatest

0:31:11.280 --> 0:31:13.440
<v Speaker 1>hits here, but then you wind up working with I'm

0:31:13.480 --> 0:31:17.840
<v Speaker 1>working with amazing clients. I'm working with Stephenson, I'm working

0:31:17.880 --> 0:31:21.240
<v Speaker 1>with Jerry Herman, I'm working with Lincoln Center Theater huge,

0:31:23.160 --> 0:31:29.720
<v Speaker 1>I'm working with Scott rudin Um. I really thought this

0:31:29.960 --> 0:31:33.240
<v Speaker 1>is fantastic. This is about as good as it could get.

0:31:33.800 --> 0:31:37.920
<v Speaker 1>And after two years of it, I'm realizing, Oh, if

0:31:38.240 --> 0:31:42.440
<v Speaker 1>I go look at what Stephen Sondheim's personal assistant is

0:31:42.560 --> 0:31:47.200
<v Speaker 1>doing and I look at what I'm doing, there's really

0:31:47.280 --> 0:31:52.480
<v Speaker 1>not that big a difference being a lawyer unless you're

0:31:52.560 --> 0:31:56.280
<v Speaker 1>doing something that it's very ad hoc. It is very

0:31:56.320 --> 0:32:01.920
<v Speaker 1>ad hoc. And working on the fourteen revival of Company

0:32:02.920 --> 0:32:06.440
<v Speaker 1>by a you know, yeah, the great doing the contracts

0:32:06.480 --> 0:32:09.560
<v Speaker 1>and working out the royalty pools and is Wendy wasser

0:32:09.600 --> 0:32:13.160
<v Speaker 1>Stein going to fly business class or coach. It's not fascinating.

0:32:13.200 --> 0:32:15.520
<v Speaker 1>But I'm getting paid a lot. So I'm going, well,

0:32:15.760 --> 0:32:17.760
<v Speaker 1>I think this is what I want. I want to

0:32:17.800 --> 0:32:21.200
<v Speaker 1>be paid, talking about the constitution anymore small. I want

0:32:21.200 --> 0:32:24.320
<v Speaker 1>to be paid, but it's very small, And so I thought, Okay,

0:32:24.400 --> 0:32:26.680
<v Speaker 1>the way I'm gonna the way I'm going to bridge

0:32:26.760 --> 0:32:30.960
<v Speaker 1>this because, um, my parents are also very big or

0:32:31.080 --> 0:32:33.000
<v Speaker 1>my mother at this point is also very big on

0:32:33.360 --> 0:32:37.200
<v Speaker 1>everybody pulls their own weight. You were given a wonderful

0:32:37.360 --> 0:32:41.640
<v Speaker 1>first class education, and now you will pay you'll support yourself,

0:32:41.760 --> 0:32:44.200
<v Speaker 1>go off into the world. Go. So it wasn't like

0:32:44.400 --> 0:32:47.920
<v Speaker 1>I could have had the luxury. I mean, good people,

0:32:48.120 --> 0:32:50.920
<v Speaker 1>truly good, better people than I do, would go work

0:32:51.040 --> 0:32:53.400
<v Speaker 1>for the A C. L U and they would live

0:32:53.800 --> 0:32:57.600
<v Speaker 1>in a land so they'd live in Massapequa and they

0:32:57.640 --> 0:33:02.000
<v Speaker 1>would take the train in and they'd work for dollars

0:33:02.080 --> 0:33:04.320
<v Speaker 1>a year and they do work that they really cared about.

0:33:04.640 --> 0:33:06.760
<v Speaker 1>But I was a little too horsh for that, and

0:33:07.000 --> 0:33:09.800
<v Speaker 1>so I wanted to be in business. I wanted to

0:33:09.920 --> 0:33:12.800
<v Speaker 1>stay working at a firm where I was going to

0:33:12.880 --> 0:33:15.240
<v Speaker 1>get paid. But here's what it was interesting to me

0:33:15.560 --> 0:33:17.160
<v Speaker 1>from the moment I met you. You know, you're like

0:33:17.280 --> 0:33:19.560
<v Speaker 1>cave it. You know, this is really bright and this

0:33:19.760 --> 0:33:22.800
<v Speaker 1>wit and this warmth is everything sewn into that fabric.

0:33:23.240 --> 0:33:24.600
<v Speaker 1>And when I met you, I thought, God, this guy

0:33:24.720 --> 0:33:26.720
<v Speaker 1>is just so fun to talk to you. I mean,

0:33:26.840 --> 0:33:29.800
<v Speaker 1>it's so bright and funny and in statche when are

0:33:29.840 --> 0:33:32.680
<v Speaker 1>you there? Does someone see that in you. Does someone

0:33:32.760 --> 0:33:34.600
<v Speaker 1>tap you on the shoulder and go, you gotta get

0:33:34.640 --> 0:33:36.720
<v Speaker 1>out of here, or do you just do that for yourself?

0:33:36.880 --> 0:33:39.840
<v Speaker 1>Know what happens is I start thinking the way I'm

0:33:39.840 --> 0:33:41.480
<v Speaker 1>going to bridge all this is that I'm going to

0:33:41.560 --> 0:33:44.840
<v Speaker 1>do something creative on my own. So I'm gonna wake up,

0:33:45.000 --> 0:33:47.240
<v Speaker 1>I'm gonna set my alarm at five o'clock every morning,

0:33:47.920 --> 0:33:51.080
<v Speaker 1>and I'm going to start writing a novel. I've got

0:33:51.120 --> 0:33:53.400
<v Speaker 1>a novel to write, and that is going to be

0:33:53.480 --> 0:33:56.200
<v Speaker 1>the thing I really care about. And I'm going to

0:33:56.320 --> 0:34:00.360
<v Speaker 1>go into Paul Weiss or you know whatever league job

0:34:00.480 --> 0:34:03.080
<v Speaker 1>I m m in that's going to pay the bills

0:34:03.200 --> 0:34:06.200
<v Speaker 1>for living on in the apartment that I live in.

0:34:06.960 --> 0:34:10.319
<v Speaker 1>And I do it, and I wait, I mean, because

0:34:10.360 --> 0:34:12.880
<v Speaker 1>the one great quality I think I have his discipline.

0:34:13.160 --> 0:34:15.279
<v Speaker 1>I set that alarm clock and I'm up at five

0:34:15.320 --> 0:34:18.000
<v Speaker 1>o'clock in the morning. So for two hours I'd write

0:34:18.560 --> 0:34:21.640
<v Speaker 1>and then I'd go into work. And I published the novel.

0:34:22.760 --> 0:34:29.919
<v Speaker 1>And it is a one failure. It gets. It gets

0:34:30.160 --> 0:34:32.879
<v Speaker 1>really doesn't make you go running back into the arms

0:34:32.920 --> 0:34:35.960
<v Speaker 1>of the offer. You know, it gets great, great reviews

0:34:36.040 --> 0:34:39.840
<v Speaker 1>and Barnes and Noble makes me a discover great new writers,

0:34:40.239 --> 0:34:43.440
<v Speaker 1>and Sunny met Office is like, oh yeah, I'm very

0:34:43.480 --> 0:34:45.680
<v Speaker 1>proud of the book. Everybody's like, this is gonna be

0:34:45.840 --> 0:34:47.920
<v Speaker 1>I mean, you were going to sell this book to

0:34:47.960 --> 0:34:53.239
<v Speaker 1>the movies. We're gonna and absolutely nothing happens. I'm like,

0:34:53.520 --> 0:34:58.160
<v Speaker 1>it's like dropping a feather into a well and waiting

0:34:58.280 --> 0:35:02.319
<v Speaker 1>for the noise. When it in a little and then

0:35:02.480 --> 0:35:05.320
<v Speaker 1>there's there ain't no noise. But all of a sudden,

0:35:05.680 --> 0:35:08.200
<v Speaker 1>out of comes a call from an editor at The

0:35:08.200 --> 0:35:12.320
<v Speaker 1>New York Times who says, please come and write for

0:35:12.520 --> 0:35:15.400
<v Speaker 1>us where they want you to write. Well. At the time,

0:35:15.560 --> 0:35:19.319
<v Speaker 1>I was working for a company that was owned by

0:35:20.040 --> 0:35:23.879
<v Speaker 1>uh Lorne Michaels and Barry Diller and Dick Snyder called

0:35:23.960 --> 0:35:29.600
<v Speaker 1>Golden Books Golden Books Family Entertainment. And the more it failed,

0:35:29.800 --> 0:35:33.960
<v Speaker 1>the higher I rose, because you know, smart people would leave,

0:35:34.160 --> 0:35:36.880
<v Speaker 1>but I kind of thought they were all interesting personalities,

0:35:36.960 --> 0:35:40.759
<v Speaker 1>and I stayed and how there um I was there

0:35:40.920 --> 0:35:43.919
<v Speaker 1>until it failed so badly it went into bankruptcy court,

0:35:44.000 --> 0:35:46.600
<v Speaker 1>and then I negotiated the sale of the thing to

0:35:47.719 --> 0:35:51.440
<v Speaker 1>various enterprises. Uh So, so that's where I am, and

0:35:52.239 --> 0:35:55.719
<v Speaker 1>the New York Times calls, and I thought, well, this

0:35:55.880 --> 0:35:58.960
<v Speaker 1>is really really interesting. First they wanted me to do

0:35:59.040 --> 0:36:03.279
<v Speaker 1>a column, you know, one of those you'd know everything

0:36:03.360 --> 0:36:06.320
<v Speaker 1>about me and my boyfriend and my dog. And it

0:36:06.440 --> 0:36:08.640
<v Speaker 1>was supposed to be about my life, the life of

0:36:09.040 --> 0:36:13.000
<v Speaker 1>you know, a metropolitan gentleman. Yeah, going around to the

0:36:13.120 --> 0:36:15.719
<v Speaker 1>movies and what I saw at the theater, and I thought,

0:36:15.760 --> 0:36:19.880
<v Speaker 1>people will be so fucking like it's like I can

0:36:19.960 --> 0:36:22.640
<v Speaker 1>see that. For three weeks, they said, come in with

0:36:22.760 --> 0:36:26.279
<v Speaker 1>a list, Philip, lightly from now. They said, come with

0:36:26.400 --> 0:36:29.200
<v Speaker 1>a list of twenty five columns that you'll write. And

0:36:30.239 --> 0:36:33.239
<v Speaker 1>I could come in with like three. I had three,

0:36:33.480 --> 0:36:35.839
<v Speaker 1>and I thought, I thought, I know what I need

0:36:35.920 --> 0:36:37.800
<v Speaker 1>to do. I need to switch the pitch on this.

0:36:38.000 --> 0:36:40.160
<v Speaker 1>And I said, you know, I think people would be

0:36:40.239 --> 0:36:43.920
<v Speaker 1>a lot more interested if they could write into me

0:36:44.520 --> 0:36:48.479
<v Speaker 1>for advice. And they said, that is the tackiest idea

0:36:48.560 --> 0:36:52.000
<v Speaker 1>we've ever heard. Thank you very much. You can show

0:36:52.040 --> 0:36:54.360
<v Speaker 1>yourself the door. And then they thought about it some

0:36:54.560 --> 0:36:56.520
<v Speaker 1>and we did it. What was the column call It's

0:36:56.520 --> 0:36:59.560
<v Speaker 1>called Social Cues. It's still runs to this day. It's

0:36:59.640 --> 0:37:02.080
<v Speaker 1>me the founder and I was the founder of it.

0:37:02.600 --> 0:37:07.760
<v Speaker 1>And then that grew into I developed a show at HBO.

0:37:07.960 --> 0:37:11.239
<v Speaker 1>I developed a show. At CBS, we developed shows about

0:37:11.280 --> 0:37:16.120
<v Speaker 1>an advice columnist who's you know, a little got a

0:37:16.160 --> 0:37:19.880
<v Speaker 1>little spring in his little bottle rocket at every single place,

0:37:20.480 --> 0:37:23.359
<v Speaker 1>intend of never it's never seen the light of day

0:37:23.400 --> 0:37:26.840
<v Speaker 1>because it shouldn't, because it's a show about an advice columnist.

0:37:27.800 --> 0:37:29.840
<v Speaker 1>So you're back at the Times and what was the

0:37:29.920 --> 0:37:35.000
<v Speaker 1>gap in between twenty years? Twenty year gap? So how

0:37:35.120 --> 0:37:37.399
<v Speaker 1>was the Times different when you go back? Well, now

0:37:37.520 --> 0:37:41.160
<v Speaker 1>they're all obviously it's different, But what's your description back then?

0:37:42.120 --> 0:37:45.960
<v Speaker 1>Was it was? Yeah? They were they were so grand.

0:37:46.480 --> 0:37:49.920
<v Speaker 1>They were in this big, shabby building and everybody was

0:37:50.239 --> 0:37:53.000
<v Speaker 1>jostling next to each other. They were a little tight

0:37:53.160 --> 0:37:56.640
<v Speaker 1>for space. People were the phone was ringing off the hook.

0:37:56.880 --> 0:38:00.319
<v Speaker 1>Now you go back and it's really I mean, it's

0:38:00.400 --> 0:38:02.839
<v Speaker 1>the it's not the failing New York Times, but it's

0:38:02.920 --> 0:38:06.400
<v Speaker 1>like all media. It's boy, they're sure are some empty

0:38:06.640 --> 0:38:09.719
<v Speaker 1>cautious New York Sure are some empty desks, cautious New

0:38:09.800 --> 0:38:13.200
<v Speaker 1>York Times? And how do we deal with this? But

0:38:13.560 --> 0:38:15.360
<v Speaker 1>I want to interject something that this is so interesting.

0:38:15.680 --> 0:38:18.360
<v Speaker 1>We have Jill Abramson on the show, and she was

0:38:18.600 --> 0:38:23.719
<v Speaker 1>very gracious, and she was of course more um disclosive

0:38:23.800 --> 0:38:27.160
<v Speaker 1>than anybody in that position before. And New York Magazine

0:38:27.160 --> 0:38:30.440
<v Speaker 1>reports that Sulzberger was complaining to people that she talks

0:38:30.480 --> 0:38:32.840
<v Speaker 1>too much to the press, she's too out there in

0:38:32.880 --> 0:38:35.360
<v Speaker 1>that role, and he doesn't like that she's too media centric,

0:38:35.960 --> 0:38:38.400
<v Speaker 1>and he cited her appearance on My show that he

0:38:38.480 --> 0:38:41.239
<v Speaker 1>didn't like that. And I thought to myself, all we

0:38:41.440 --> 0:38:43.799
<v Speaker 1>did was kissed the ass of the Times. I mean,

0:38:43.880 --> 0:38:47.239
<v Speaker 1>I am somebody who I have a very separate relationship,

0:38:47.280 --> 0:38:49.279
<v Speaker 1>but I'm kind of proud of myself that I read

0:38:49.360 --> 0:38:51.759
<v Speaker 1>the Times every day. I'm a big fan of The Times.

0:38:51.880 --> 0:38:53.440
<v Speaker 1>I just don't like when I read my name in

0:38:53.520 --> 0:38:55.879
<v Speaker 1>the Times. Well, it's in big It's a big part

0:38:55.960 --> 0:38:57.839
<v Speaker 1>of the change that we're talking about. In the thirty

0:38:57.920 --> 0:39:01.520
<v Speaker 1>year period. It was before the event of celebrity journalism.

0:39:01.600 --> 0:39:04.879
<v Speaker 1>People there was there was maybe did people magazine maybe

0:39:04.920 --> 0:39:07.320
<v Speaker 1>had just started when we when I was when I

0:39:07.440 --> 0:39:10.680
<v Speaker 1>was first there, and now that is what the news is.

0:39:11.200 --> 0:39:16.480
<v Speaker 1>The news is, you're the news. I mean, it's very hard.

0:39:16.560 --> 0:39:18.799
<v Speaker 1>I admire the guys and women who were up there.

0:39:18.840 --> 0:39:21.160
<v Speaker 1>I mean I personally, by the way, I think Joe

0:39:21.200 --> 0:39:25.959
<v Speaker 1>Abramson was tremendous because she also had a great people sense.

0:39:26.080 --> 0:39:28.960
<v Speaker 1>When I got I started doing this other I used

0:39:29.000 --> 0:39:32.520
<v Speaker 1>the social cues column to sort of segue into the

0:39:32.560 --> 0:39:36.480
<v Speaker 1>table for three column, which you've done with me and um.

0:39:37.360 --> 0:39:41.719
<v Speaker 1>When I would get somebody really amazing, like Ruth Bader

0:39:41.800 --> 0:39:45.640
<v Speaker 1>Ginsburg and Gloria Steinhum, she would send a little note.

0:39:46.200 --> 0:39:50.200
<v Speaker 1>Or when I would get a good get, she would

0:39:50.320 --> 0:39:52.560
<v Speaker 1>say it would it was only a line and she

0:39:52.680 --> 0:39:54.520
<v Speaker 1>but she was the head of this huge thing. But

0:39:54.680 --> 0:39:58.400
<v Speaker 1>she was seeing. It's so important when you're working, when

0:39:58.440 --> 0:40:00.399
<v Speaker 1>you're working at a place like that, to of someone

0:40:00.560 --> 0:40:02.799
<v Speaker 1>say I see you. That's all they have to say,

0:40:02.920 --> 0:40:04.920
<v Speaker 1>I see you, and I like what you're doing. And

0:40:05.040 --> 0:40:08.680
<v Speaker 1>I feel like they're there's under so much siege now

0:40:08.840 --> 0:40:12.640
<v Speaker 1>because reporting couldn't there couldn't be a more important time

0:40:12.760 --> 0:40:15.439
<v Speaker 1>for it. Do you consider yourself political in the work

0:40:15.520 --> 0:40:17.440
<v Speaker 1>you do and the writing you do, in the in

0:40:17.480 --> 0:40:19.920
<v Speaker 1>the interviews you're doing well? Now? It is such a

0:40:20.160 --> 0:40:22.800
<v Speaker 1>it's at such an interesting time because I was getting

0:40:23.520 --> 0:40:27.080
<v Speaker 1>I was getting good gets in the political world. I

0:40:27.200 --> 0:40:30.000
<v Speaker 1>was I got the president, I got the president, I

0:40:30.080 --> 0:40:33.440
<v Speaker 1>got Nancy Pelosi, I got to do Table for three,

0:40:33.680 --> 0:40:36.080
<v Speaker 1>Table for three. Did Obama do it with Obama? Did

0:40:36.120 --> 0:40:39.960
<v Speaker 1>it with Brian Cranston? What was that like? The three

0:40:40.000 --> 0:40:42.600
<v Speaker 1>of them? Well, the three, I mean it was it

0:40:42.840 --> 0:40:46.320
<v Speaker 1>was the reason it happened. I think john was the

0:40:46.400 --> 0:40:50.080
<v Speaker 1>Johnson movie, and I think the Obama press people were

0:40:50.120 --> 0:40:52.719
<v Speaker 1>starting to think about legacy and they were trying to

0:40:52.800 --> 0:40:56.080
<v Speaker 1>create a parallel track and trying to get Obama on

0:40:56.120 --> 0:40:58.880
<v Speaker 1>this show. I Oh, he was fantastic. I mean, we

0:40:58.920 --> 0:41:01.320
<v Speaker 1>talked about you'd love it because we talked about we

0:41:01.400 --> 0:41:04.960
<v Speaker 1>talked about fathers, and we talked about guys who were

0:41:05.040 --> 0:41:10.280
<v Speaker 1>really raised without fathers, who most important role in life

0:41:10.320 --> 0:41:13.600
<v Speaker 1>they felt was being a father. And it was really

0:41:13.680 --> 0:41:17.839
<v Speaker 1>touching and I was really nervous. But but I mean,

0:41:18.440 --> 0:41:21.560
<v Speaker 1>so this column has really gotten some great political figures,

0:41:21.560 --> 0:41:24.640
<v Speaker 1>Elizabeth Warren, Christian Jella Brand. I mean, we've gotten all

0:41:24.760 --> 0:41:28.960
<v Speaker 1>the great ones. That was it ever difficult? Was there

0:41:28.960 --> 0:41:34.400
<v Speaker 1>any friction with anybody? Umble was David Duke? The problem

0:41:34.480 --> 0:41:37.719
<v Speaker 1>is I have not been able to crack Republicans. Okay,

0:41:38.080 --> 0:41:42.160
<v Speaker 1>you're a lawyer from Yale the time the funk? Would

0:41:42.160 --> 0:41:43.680
<v Speaker 1>I want to have lunch with you? So? Did you

0:41:43.760 --> 0:41:45.719
<v Speaker 1>do Trump? Have you interviewed Trump? No? I have not

0:41:45.880 --> 0:41:49.319
<v Speaker 1>interviewed Trump. I was very close. Not I don't want

0:41:49.320 --> 0:41:50.879
<v Speaker 1>to say very close, because I don't know how close

0:41:50.920 --> 0:41:54.160
<v Speaker 1>I was. Really. I was really close to getting Ivanka Trump,

0:41:54.560 --> 0:41:57.960
<v Speaker 1>which I thought would have been very interesting during the

0:41:58.040 --> 0:42:01.560
<v Speaker 1>campaign super woman. But the old has switched so much

0:42:01.680 --> 0:42:04.680
<v Speaker 1>that I mean, and I had never understood how much.

0:42:05.080 --> 0:42:07.440
<v Speaker 1>I mean. I think for you it's very different, But

0:42:08.719 --> 0:42:12.760
<v Speaker 1>for me it wasn't an access game, and my access

0:42:13.719 --> 0:42:18.560
<v Speaker 1>to certain people pipelines has totally dried up. And I

0:42:18.719 --> 0:42:23.759
<v Speaker 1>really wouldn't love nothing. I would love to get Mitch McConnell.

0:42:24.000 --> 0:42:25.600
<v Speaker 1>I mean, I'm not. I mean, and if you read

0:42:25.640 --> 0:42:27.880
<v Speaker 1>the table for three, you know it's now it's what

0:42:28.040 --> 0:42:30.120
<v Speaker 1>you're saying. You're never in the hot seat. I don't

0:42:30.120 --> 0:42:32.120
<v Speaker 1>want to put him in a gotcha moment. I want

0:42:32.160 --> 0:42:34.200
<v Speaker 1>to think, tell us what you wanted to know, tell

0:42:34.280 --> 0:42:36.719
<v Speaker 1>us how you're thinking about this, so that we can

0:42:36.840 --> 0:42:40.080
<v Speaker 1>understand it better. And since I'm so interested in in

0:42:40.320 --> 0:42:43.319
<v Speaker 1>in the subjects childhoods and what their relationships with their

0:42:43.360 --> 0:42:45.680
<v Speaker 1>parents were, as you are, I think you can do

0:42:45.800 --> 0:42:47.960
<v Speaker 1>it in a in a way you can get with

0:42:48.120 --> 0:42:53.480
<v Speaker 1>political people in a way that Trump's their politics. In

0:42:53.600 --> 0:42:57.480
<v Speaker 1>a recent social Cues column, a reader complained about having

0:42:57.600 --> 0:43:01.040
<v Speaker 1>his table at a restaurant given to a list celebrity.

0:43:01.600 --> 0:43:05.160
<v Speaker 1>In response, Philip Galamis did what he does best, put

0:43:05.280 --> 0:43:09.320
<v Speaker 1>things in perspective through pros take solace in the words

0:43:09.360 --> 0:43:13.400
<v Speaker 1>of Emily Dickinson. He wrote, how dreary to be somebody,

0:43:13.920 --> 0:43:17.000
<v Speaker 1>how public, like a frog to tell one's name the

0:43:17.120 --> 0:43:23.000
<v Speaker 1>Livelong June to an admiring bog, This is Alec Baldwin

0:43:23.320 --> 0:43:25.040
<v Speaker 1>and you're listening to here's the thing.