WEBVTT - Bob Kolker

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<v Speaker 1>Welcome, Welcome, Welcome back to The Bob Left's podcast. My

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<v Speaker 1>guest today is Robert cole Curl, author of the best

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<v Speaker 1>selling book Hit in Value With Robert, it's great to

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<v Speaker 1>be here, Bob. Thanks so much for having me on

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<v Speaker 1>the show. Now you're like me. We're talking before we

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<v Speaker 1>started that you're Bob. Were you ever? Robert? I was

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<v Speaker 1>Bobby until I think the day I arrived for college

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<v Speaker 1>and um, someone asked me my name and I tried

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<v Speaker 1>to say Bobby, but I, um, I got stuck on

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<v Speaker 1>the second syllable. Something kept me from saying Bobby, and

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<v Speaker 1>I just switched to Bob immediately and that was it. Yeah.

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<v Speaker 1>I was certainly Bobby growing up and occasionally in my family.

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<v Speaker 1>Certainly by time I hit college, I was not Bobby either.

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<v Speaker 1>But I have never been Robert. It's really kind of funny. Okay,

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<v Speaker 1>So you wrote this book Kin in Valley Road. It's

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<v Speaker 1>about a family, the Galvin family from Colorado Springs. There

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<v Speaker 1>are twelve children and six of them get schizophrenia. How

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<v Speaker 1>did you come and become involved with this story? Well,

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<v Speaker 1>my career really took shape at New York Magazine, where

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<v Speaker 1>I wrote a lot of true crime stories and other

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<v Speaker 1>dramatic and vivid nonfiction tales. And I just tended to

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<v Speaker 1>specialize in writing about people who never imagined that they

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<v Speaker 1>would get news coverage. So not politicians or movie stars,

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<v Speaker 1>but everyday people caught up in something extremely uh, you know,

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<v Speaker 1>of human interest. And my longtime editor there, John Gluck,

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<v Speaker 1>contacted me one day about four years ago. We both

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<v Speaker 1>had left New York Magazine years earlier and had lunch

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<v Speaker 1>every now and then. But he, uh, he contacted me

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<v Speaker 1>saying that he went to school with a friend of

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<v Speaker 1>his high school decades ago. Her name was Lindsay. They

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<v Speaker 1>dated in high school. And it's just because I've read

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<v Speaker 1>the book Is This Hot Kiss with referring to his

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<v Speaker 1>high school, the prep school that she ultimately went to. Yes,

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<v Speaker 1>they both were, um, you know, outsiders at Hotchkiss, sort

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<v Speaker 1>of not part of the preppy set, and they dated then,

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<v Speaker 1>and of course Lindsay wasn't really talking much about her

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<v Speaker 1>home life or anything then. But as the decades went

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<v Speaker 1>on and they stayed friendly, he learned the ins and

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<v Speaker 1>outs of her family, and he got to know her

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<v Speaker 1>older sister, Margaret also, and then one day in the

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<v Speaker 1>sisters came to him and said, we've been thinking about

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<v Speaker 1>for decades now, ways to try to tell the story

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<v Speaker 1>of our family, ways to let the world know about

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<v Speaker 1>our family. We believe scientists have been studying our family

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<v Speaker 1>for decades. The things that happened to us as children

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<v Speaker 1>are so extreme and unbelievable, no one would believe it.

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<v Speaker 1>And we've struggled, but we've decided that the time is

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<v Speaker 1>right to talk to an independent journalist about telling the

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<v Speaker 1>story and following the story wherever it goes, and talking

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<v Speaker 1>to everybody, not just making it a a story of

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<v Speaker 1>the two sisters. And so I got on the phone

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<v Speaker 1>with them four years ago, and this was the first

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<v Speaker 1>I heard about any of it. This is a family

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<v Speaker 1>with twelve children born during the baby boom. The oldest

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<v Speaker 1>in nt the youngest in nineteen. And we're since we're

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<v Speaker 1>being truthful, how old are you today? I am fifty one? Okay,

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<v Speaker 1>So the children were born during the baby boom, yes,

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<v Speaker 1>And a couple of years after the youngest was born,

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<v Speaker 1>the oldest started to get sick, started to behave strangely,

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<v Speaker 1>had psychotic breaks, was examined by psychiatrists. The parents were

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<v Speaker 1>desperate to try to mainstream him and have him kind

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<v Speaker 1>of grow out of it. And then another one got sick,

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<v Speaker 1>and another and another um six of the twelve, and

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<v Speaker 1>then there was abuse, and there were among the brothers,

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<v Speaker 1>and there was a murder suicide with one brother. As

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<v Speaker 1>sisters were telling me about this in that first phone

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<v Speaker 1>call four years ago, I was simply stunned and really

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<v Speaker 1>brought low. I thought to myself, how could all this

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<v Speaker 1>happen to just one family? And then I wondered how

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<v Speaker 1>they could even remain a family. You know, why would

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<v Speaker 1>either of these sisters want to stay in a family

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<v Speaker 1>like this given everything that happened to them. But they

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<v Speaker 1>were not that way on the phone. They were ready

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<v Speaker 1>to talk and to tell their story, and they believed

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<v Speaker 1>that everybody else in their family would too. Um they

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<v Speaker 1>felt like people could perhaps learn from their experiences. But

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<v Speaker 1>also they had done a lot of work in the

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<v Speaker 1>inter intervening decades. They had um a lot of therapy

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<v Speaker 1>and a lot of internal examination to try to move

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<v Speaker 1>through the traumas of their childhood. So they felt like

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<v Speaker 1>that could be a big part of the book as well.

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<v Speaker 1>I was more skeptical. I it took me some doing,

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<v Speaker 1>but I what I said, what to myself was there's

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<v Speaker 1>no way I would work on this unless every living

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<v Speaker 1>family member was supportive of it. I didn't want to

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<v Speaker 1>uh to suddenly being emotionally invested in writing this family

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<v Speaker 1>story and then see that there was opposition within the

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<v Speaker 1>family to even having it be out there. So I

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<v Speaker 1>decided to go very slowly and talk to everybody very gradually.

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<v Speaker 1>Let's let's let's go a little bit slower here. So

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<v Speaker 1>at what point did you decide there's a book here

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<v Speaker 1>and you wanted to do it? Um? It was about

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<v Speaker 1>three months after that first phone call. What I did

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<v Speaker 1>in those three months was very strategic, I said, um,

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<v Speaker 1>And I was very open with the sisters. I said,

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<v Speaker 1>let's let's take this slowly. Books take time, anyway. UM,

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<v Speaker 1>what if once a week I get on the phone

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<v Speaker 1>for an hour with a different family member of yours,

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<v Speaker 1>and then also with a few doctors who have talked

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<v Speaker 1>to the family and might be able to give me

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<v Speaker 1>some perspective on the medical side of things. And I'll

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<v Speaker 1>be very open ended in these phone calls. I'll just say,

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<v Speaker 1>so the sisters are interested in a book, what do

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<v Speaker 1>you think about that? And then just see what they

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<v Speaker 1>have to say. And I said to the sisters, we'll

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<v Speaker 1>all know at the end of three months or so

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<v Speaker 1>whether or not this is doable or not. And if

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<v Speaker 1>it isn't, I'll give you the tapes of the conversations

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<v Speaker 1>that that I've had with these folks, and you can

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<v Speaker 1>write your memoir whether it'll be my good deed for

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<v Speaker 1>the year, and and and they could go off and

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<v Speaker 1>do what they needed to do in their own way.

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<v Speaker 1>But um, being opened this way and being kind of

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<v Speaker 1>casual about it was helpful because I was able to

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<v Speaker 1>really really hear what each individual family member had to

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<v Speaker 1>say about their family, what had to say about the

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<v Speaker 1>idea of the book, and everyone was comfortable enough with

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<v Speaker 1>it so that a year later, when I got a

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<v Speaker 1>book contract and started working on it full time, I

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<v Speaker 1>really was up at full speed from the from the

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<v Speaker 1>get go. Then okay, let's go. So you do this

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<v Speaker 1>three month period of research, then what goes off in

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<v Speaker 1>your brain, and then how do you get the book deal? Um, Well,

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<v Speaker 1>after the three months, I thought, well, this is this

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<v Speaker 1>is really doable. I should get to Colorado, where most

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<v Speaker 1>of the family lives, and try to meet some people personally,

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<v Speaker 1>and most importantly, I should meet face to face with

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<v Speaker 1>Mimi Galvin, who was the matriarch of the family, who

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<v Speaker 1>at that point was years old, I believe, and to

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<v Speaker 1>start doing interviews with her to put together a book proposal.

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<v Speaker 1>And um, and then I, you know, I reached out

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<v Speaker 1>to my agents, who I had been my agents for

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<v Speaker 1>more than ten years, and were they really believe that

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<v Speaker 1>this was something special? Um. The more I talked about

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<v Speaker 1>it with them, the more I realized how unique this was.

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<v Speaker 1>There are wonderful, wonderful books about mental illness out there,

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<v Speaker 1>about the science and mental illness, and there are wonderful

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<v Speaker 1>books that are memoirs about the experience of either having

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<v Speaker 1>your own issue or um having a family member experienced

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<v Speaker 1>that issue. But nobody, to my knowledge, had been able

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<v Speaker 1>to do a three sixty degree omniscent you know book

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<v Speaker 1>that would read like a novel where you have every

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<v Speaker 1>input from every family member and everybody's perspective of woven

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<v Speaker 1>together so that it it really reads like some ambitious

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<v Speaker 1>narrative nonfiction. And so I felt like I had a

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<v Speaker 1>unicorn here, you know, something something that nobody else had,

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<v Speaker 1>and I wanted to see how far I could take it.

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<v Speaker 1>It really was a mystery at the beginning, whether it

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<v Speaker 1>would be a science book about an interesting case study

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<v Speaker 1>or a story of sisters surviving trauma. But by the

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<v Speaker 1>end of those three months I got invested in this

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<v Speaker 1>being much more ambitious. This could be an epic, an

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<v Speaker 1>intergenerational family saga that also is a medical mystery, a

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<v Speaker 1>book about a family where you get to know the

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<v Speaker 1>parents nice and slowly. You you walk in their shoes,

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<v Speaker 1>You live with them for years as they raise a family,

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<v Speaker 1>as they have dreams, as they realize some of those dreams,

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<v Speaker 1>and then as things start to fall apart, and then

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<v Speaker 1>in the whole second half of the book, the children

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<v Speaker 1>start to grow up and get new perspectives on everything

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<v Speaker 1>their parents have done. And because you've read part one,

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<v Speaker 1>you have all perspective on on the parents that you

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<v Speaker 1>wouldn't have otherwise had. And then interwoven you get a

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<v Speaker 1>little bit of information about why this family mattered for

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<v Speaker 1>medical research, which I think kind of raises the stakes

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<v Speaker 1>a little bit. Okay, let's really good. Down to the

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<v Speaker 1>nuts and bolts. You say this to your you tell this,

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<v Speaker 1>give the picture your agents. They immediately say, we're in.

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<v Speaker 1>They wanted me to do it before I wanted to

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<v Speaker 1>do it. Um, they understood how how different this was

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<v Speaker 1>and how potentially, um it could really connect with a

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<v Speaker 1>lot of people. And how do you sell it to

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<v Speaker 1>a publisher? Um, you write what's called a book proposal

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<v Speaker 1>when you're a novelist, and you do this often, that

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<v Speaker 1>means you've written half the book already, written some chapters already.

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<v Speaker 1>Maybe you've if you've written the entire thing already. But

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<v Speaker 1>with nonfiction, it's more of a perhaps you'd have some

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<v Speaker 1>sample chapters, but really it's more of a a high

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<v Speaker 1>speed version of what the book will be, like a

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<v Speaker 1>flyover of I'm going to do this, and I'm gonna

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<v Speaker 1>do that, and I already have done this, and I

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<v Speaker 1>already have and that, and this is how I envisioned it,

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<v Speaker 1>a little like a Hollywood pitch meeting. And I sent

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<v Speaker 1>that to How long did it take you right there? Oh? Um,

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<v Speaker 1>over Christmas time, so like a couple of weeks, and

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<v Speaker 1>then it went. Then my agents helped me revise it,

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<v Speaker 1>and then we sent it out in the spring. Um uh,

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<v Speaker 1>the timing of it. There was some particular reason to

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<v Speaker 1>send it out then, and um, something like a dozen

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<v Speaker 1>publishers received it, and I took meetings with ten of them,

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<v Speaker 1>and eight of them bid on it. And the interesting

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<v Speaker 1>part was that I have a good friend, one of

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<v Speaker 1>my best friends, Jennifer Senior. She she's an author and

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<v Speaker 1>worked with me at New York Magazine and most recently

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<v Speaker 1>has been a book critic and cultural critic at the

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<v Speaker 1>New York Times. She's on the op ed page now.

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<v Speaker 1>And she said, I predict that the people you meet

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<v Speaker 1>with who have the most people in the room are

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<v Speaker 1>the people who are going to bid the highest. What

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<v Speaker 1>was the thought there? The thought was that they were

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<v Speaker 1>so that there would be enough instito usitional investment in

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<v Speaker 1>the idea of the book, that there'd be people in

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<v Speaker 1>the house, would be so psyched about it that they

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<v Speaker 1>would want to try and put on a good show

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<v Speaker 1>for me. So um lo and behold, she was right.

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<v Speaker 1>Double Day had the most people in the room, and

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<v Speaker 1>and and they won the auction. And I could not

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<v Speaker 1>be happy. Or my editor, Chris Popolo, is one of

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<v Speaker 1>the best in the business. It's been a wonderful experience

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<v Speaker 1>the whole way through. Okay, how luquiative is a deal

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<v Speaker 1>like this, Well, it had to be enough for me

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<v Speaker 1>to work full time on it. Um Uh. That was

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<v Speaker 1>not the case with my first book, Lost Girls, where

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<v Speaker 1>I had enough time to maybe take six months of

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<v Speaker 1>leave from my job at New York Magazine at the

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<v Speaker 1>time and write it, and then I was working full

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<v Speaker 1>time and revising the book for the next six months

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<v Speaker 1>to a year. That that was difficult, But that would

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<v Speaker 1>not have been possible with a book like this because

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<v Speaker 1>while I certainly had access to the family and could

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<v Speaker 1>go and interview them any time I wanted to, the

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<v Speaker 1>science of schizophrenia was something I was starting at zero

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<v Speaker 1>with and I really needed to hit the books and

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<v Speaker 1>really need to needed to interview researchers and understand neurobiology

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<v Speaker 1>and biology and genetics and psychiatry and brain chemistry and pharmacology.

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<v Speaker 1>It was very daunting, and so there was no way

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<v Speaker 1>I could do what so many people I admired you,

0:12:16.360 --> 0:12:17.920
<v Speaker 1>which is, you know, wake up at four in the

0:12:17.960 --> 0:12:19.720
<v Speaker 1>morning and write for three hours and then go to

0:12:19.760 --> 0:12:21.679
<v Speaker 1>their day job. It just wasn't going to happen with

0:12:21.720 --> 0:12:23.760
<v Speaker 1>a book like this, so that the advance had to

0:12:23.760 --> 0:12:26.120
<v Speaker 1>be enough to sustain me for a few years while

0:12:26.160 --> 0:12:28.960
<v Speaker 1>I worked on it. Luckily, I had written one book before,

0:12:29.080 --> 0:12:30.640
<v Speaker 1>so I had a bit of a track record. So

0:12:30.679 --> 0:12:33.880
<v Speaker 1>I wasn't. Um, I wasn't somebody coming in out of

0:12:33.920 --> 0:12:37.080
<v Speaker 1>absolutely nowhere saying I got a book idea and you

0:12:37.120 --> 0:12:40.920
<v Speaker 1>gotta give me a lot of money. I had a

0:12:40.960 --> 0:12:45.200
<v Speaker 1>little legitimacy. I get it. Okay, did you do any

0:12:45.240 --> 0:12:48.080
<v Speaker 1>other work while you were writing this book? No? It

0:12:48.160 --> 0:12:51.600
<v Speaker 1>was all full time. And then if you say you

0:12:51.640 --> 0:12:55.400
<v Speaker 1>started four years ago and ultimately the deal was six

0:12:55.440 --> 0:12:57.920
<v Speaker 1>months after you started, how much time did you actually

0:12:58.000 --> 0:13:05.120
<v Speaker 1>spend writing the book? I mean we start drinking in writing. Um. Well, um,

0:13:05.240 --> 0:13:08.440
<v Speaker 1>the from the I I first met the Galvins on

0:13:08.480 --> 0:13:11.320
<v Speaker 1>that phone call in the spring of and I handed

0:13:11.320 --> 0:13:17.800
<v Speaker 1>in a manuscript in um September. Um. But it really

0:13:17.840 --> 0:13:19.480
<v Speaker 1>was a year and a half of full time work,

0:13:19.559 --> 0:13:22.439
<v Speaker 1>not two and a half years, because um uh, that

0:13:22.480 --> 0:13:25.280
<v Speaker 1>first year I was still you know, talking to the

0:13:25.360 --> 0:13:28.440
<v Speaker 1>family and putting the book proposal together and whatnot. How

0:13:29.000 --> 0:13:32.920
<v Speaker 1>how come the book was turned in in September and

0:13:32.920 --> 0:13:36.200
<v Speaker 1>didn't come out for another sixteen eighteen months. That's the

0:13:36.200 --> 0:13:40.200
<v Speaker 1>book business. It's really unbelievable. Um. But but things moved

0:13:40.280 --> 0:13:43.880
<v Speaker 1>very very slowly. The book was pretty much ready nine

0:13:43.920 --> 0:13:49.240
<v Speaker 1>months before its publication date in April, UM what what

0:13:49.320 --> 0:13:54.079
<v Speaker 1>the publisher needed was time to build buzz. Because this

0:13:54.160 --> 0:13:56.240
<v Speaker 1>is a big book. It's a thick book. It has

0:13:56.280 --> 0:14:00.040
<v Speaker 1>lots of footnotes, you know, it's it's heavily researched. It

0:14:00.080 --> 0:14:03.040
<v Speaker 1>is not realistic to however, just saying people who have

0:14:03.040 --> 0:14:05.600
<v Speaker 1>not read the book, it's not dry in any form

0:14:05.679 --> 0:14:07.600
<v Speaker 1>or fashion. I don't want to make it sound like

0:14:07.640 --> 0:14:10.920
<v Speaker 1>a toll. Oh yes, of course. Um and uh you know,

0:14:11.280 --> 0:14:12.800
<v Speaker 1>god willing you read it and you think, oh, it's

0:14:12.800 --> 0:14:15.240
<v Speaker 1>like a novel, you know, lifts off exactly. That's a

0:14:15.280 --> 0:14:18.680
<v Speaker 1>great thing about it. Um. But it's an ambitious, big,

0:14:18.800 --> 0:14:20.960
<v Speaker 1>big book of the year. And with an ambitious big

0:14:20.960 --> 0:14:22.720
<v Speaker 1>book of the year, they don't want to just dump

0:14:22.720 --> 0:14:24.760
<v Speaker 1>it on people and say, Hi, review this for next

0:14:24.800 --> 0:14:27.160
<v Speaker 1>week please. They want to start building up interest and

0:14:27.200 --> 0:14:29.720
<v Speaker 1>sending it out early and getting it to critics and

0:14:29.720 --> 0:14:33.680
<v Speaker 1>getting it too bloggers and getting it to uh special

0:14:33.760 --> 0:14:36.600
<v Speaker 1>readers on good Reads, just to get people starting to

0:14:36.640 --> 0:14:39.040
<v Speaker 1>talk about it. Um. They put me in front of

0:14:39.040 --> 0:14:44.560
<v Speaker 1>the media in December with people like um People magazine

0:14:44.760 --> 0:14:47.360
<v Speaker 1>or the Wall Street Journal, places that plan their news

0:14:47.360 --> 0:14:50.640
<v Speaker 1>coverage way in advance. So so it really is a

0:14:50.800 --> 0:14:55.160
<v Speaker 1>function of the book promotion business. It's not about it's

0:14:55.160 --> 0:14:57.320
<v Speaker 1>not about the physical act of publishing, which of course

0:14:57.360 --> 0:14:58.840
<v Speaker 1>they could do with the push of a button and

0:14:59.600 --> 0:15:03.120
<v Speaker 1>get it people's kindles tomorrow. To what degreed is the

0:15:03.160 --> 0:15:07.960
<v Speaker 1>success of the book align with your personal expectations. It's done,

0:15:08.120 --> 0:15:12.120
<v Speaker 1>it's it's it's it's been overwhelming. It's more than I

0:15:12.160 --> 0:15:17.480
<v Speaker 1>ever could have imagined. I am. I had in my

0:15:17.560 --> 0:15:20.320
<v Speaker 1>fondest dreams. I imagined it would be very well reviewed

0:15:20.720 --> 0:15:23.240
<v Speaker 1>and respected, and everyone would say, oh, it's a very

0:15:23.280 --> 0:15:26.880
<v Speaker 1>noble book, when very well intentioned, and how interesting that

0:15:26.920 --> 0:15:29.480
<v Speaker 1>you did all this work. And the people in it,

0:15:29.840 --> 0:15:32.360
<v Speaker 1>I'm sure they're very happy to tell their story told.

0:15:33.320 --> 0:15:35.720
<v Speaker 1>But you know, big nonfiction books like this that are

0:15:35.880 --> 0:15:38.920
<v Speaker 1>narratives that are about a specific issue, they all are

0:15:38.960 --> 0:15:41.600
<v Speaker 1>like that. They're all big swings for the bleachers. And

0:15:41.640 --> 0:15:45.440
<v Speaker 1>they either either get published and people say, oh, nice,

0:15:45.520 --> 0:15:47.360
<v Speaker 1>good job, and then move on to the next thing,

0:15:47.880 --> 0:15:50.400
<v Speaker 1>or they build up ahead of steam and momentum and

0:15:50.480 --> 0:15:53.680
<v Speaker 1>really connect with a lot more people. And so I'm

0:15:54.040 --> 0:15:55.760
<v Speaker 1>when I write a book. When when I write books

0:15:55.760 --> 0:15:58.240
<v Speaker 1>like this, and this is my second one, they are

0:15:58.320 --> 0:16:00.680
<v Speaker 1>bets at the big at the High State table for

0:16:00.760 --> 0:16:05.760
<v Speaker 1>sure in that sense. Okay, Uh, what day did the

0:16:05.760 --> 0:16:09.720
<v Speaker 1>book actually come out? April seven? Okay, so right in

0:16:09.760 --> 0:16:13.160
<v Speaker 1>the heart of the COVID nineteen era. I've talked to

0:16:13.200 --> 0:16:17.120
<v Speaker 1>other people whose books were in the pipeline, and they say, traditionally,

0:16:17.280 --> 0:16:19.240
<v Speaker 1>other than the big media you're talking about, the Wall

0:16:19.280 --> 0:16:22.760
<v Speaker 1>Street Journal, at the Times, Washington Post, they go on

0:16:22.760 --> 0:16:26.120
<v Speaker 1>a tour, which, needless to say, you cannot do now.

0:16:26.840 --> 0:16:30.600
<v Speaker 1>So was it a good or bad thing to put

0:16:30.600 --> 0:16:33.640
<v Speaker 1>out the book then? And how did you promote it

0:16:33.680 --> 0:16:37.920
<v Speaker 1>beyond the traditional outlet? Um? I had book dates set

0:16:38.000 --> 0:16:40.480
<v Speaker 1>up at bookstores around the country. It was going to

0:16:40.560 --> 0:16:44.760
<v Speaker 1>be a solid week of running around basically every region

0:16:44.880 --> 0:16:48.960
<v Speaker 1>very quickly. UM. And of course all those dates got

0:16:49.040 --> 0:16:53.680
<v Speaker 1>scrubbed as soon as the shutdown started happening. UM. I

0:16:53.760 --> 0:16:57.560
<v Speaker 1>had one huge advantage and I and I don't want

0:16:57.560 --> 0:17:00.240
<v Speaker 1>anyone who's listening to think that I would complain about

0:17:00.800 --> 0:17:02.880
<v Speaker 1>publishing in the time of COVID at all, because I'm

0:17:02.880 --> 0:17:05.440
<v Speaker 1>in a very privileged position. Because the book got selected

0:17:05.520 --> 0:17:09.720
<v Speaker 1>for Oprah's Book Club, and uh that I knew about

0:17:09.760 --> 0:17:13.520
<v Speaker 1>that a few weeks before it actually was announced. So

0:17:13.880 --> 0:17:16.720
<v Speaker 1>I had a few weeks there where the pandemic was

0:17:16.720 --> 0:17:21.160
<v Speaker 1>was coming, and without Oprah, I would have been very,

0:17:21.240 --> 0:17:23.520
<v Speaker 1>very despondent and sure that my book was going to

0:17:23.600 --> 0:17:25.399
<v Speaker 1>fall off the face of the earth. But because it

0:17:25.440 --> 0:17:27.119
<v Speaker 1>was part of Oprah's book Club, I knew it was

0:17:27.119 --> 0:17:30.360
<v Speaker 1>going to get a huge publicity push. No matter what

0:17:30.720 --> 0:17:32.680
<v Speaker 1>that a lot of people would order it online. Even

0:17:32.720 --> 0:17:35.719
<v Speaker 1>if Amazon wasn't shipping packages on April seven because of

0:17:35.760 --> 0:17:39.600
<v Speaker 1>a world economic collapse, people could still read it on

0:17:39.640 --> 0:17:42.479
<v Speaker 1>April seven. It gave me a bit of calm, and

0:17:42.520 --> 0:17:44.879
<v Speaker 1>so I don't want to give anybody the impression that

0:17:45.840 --> 0:17:47.560
<v Speaker 1>that I was cool in the pool while other people

0:17:47.560 --> 0:17:50.639
<v Speaker 1>were sweating for for no good reason. There there was

0:17:51.200 --> 0:17:52.879
<v Speaker 1>a very nice turn of events for me that I

0:17:52.880 --> 0:17:57.720
<v Speaker 1>don't take for granted. Okay, in April um Amazon went

0:17:57.760 --> 0:18:00.320
<v Speaker 1>out of a lot of physical bestsellers. Did that happened

0:18:00.359 --> 0:18:02.720
<v Speaker 1>to you. There was a little bit of a lag

0:18:02.760 --> 0:18:05.119
<v Speaker 1>at some point where, but but I think that was

0:18:05.160 --> 0:18:09.359
<v Speaker 1>mostly because they were prioritizing shipments for essential supplies. So

0:18:09.480 --> 0:18:11.760
<v Speaker 1>normally Prime members could get the book in a couple

0:18:11.760 --> 0:18:14.080
<v Speaker 1>of days, but they were getting notices saying it's going

0:18:14.119 --> 0:18:15.840
<v Speaker 1>to be a week or so because we need to

0:18:15.880 --> 0:18:20.160
<v Speaker 1>send out hand sanitizer to people around the country. Um,

0:18:20.280 --> 0:18:22.960
<v Speaker 1>And that that that subsided after a little while. But

0:18:23.520 --> 0:18:26.600
<v Speaker 1>that was minor that issue, okay. And how did it

0:18:26.680 --> 0:18:32.399
<v Speaker 1>become one of Oprah's picks? Well, as far as I know, Um,

0:18:32.520 --> 0:18:36.359
<v Speaker 1>the books editor at Oprah Magazine heard about the book

0:18:36.359 --> 0:18:38.800
<v Speaker 1>early during that press period that I was telling you

0:18:38.840 --> 0:18:41.520
<v Speaker 1>about earlier, and she put it in front of Oprah

0:18:41.560 --> 0:18:46.679
<v Speaker 1>because Oprah was planning to do a TV special for

0:18:46.960 --> 0:18:49.159
<v Speaker 1>about mental health. She was going to work on it

0:18:49.200 --> 0:18:51.880
<v Speaker 1>with Prince Harry And I don't know if she's done

0:18:51.920 --> 0:18:54.640
<v Speaker 1>that yet or that's still in the works. Her deal

0:18:54.720 --> 0:18:57.920
<v Speaker 1>is with Apple Plus, the streaming service, and so she

0:18:58.119 --> 0:19:00.919
<v Speaker 1>was going to put together a special for Apple Plus.

0:19:01.359 --> 0:19:03.560
<v Speaker 1>And so this is the way it works. Apparently people

0:19:03.560 --> 0:19:05.520
<v Speaker 1>put books in front of Oprah and she has a

0:19:05.560 --> 0:19:07.919
<v Speaker 1>bunch of them, and then one of them, you know,

0:19:08.000 --> 0:19:09.960
<v Speaker 1>she just says, let's make this the book club book.

0:19:09.960 --> 0:19:11.680
<v Speaker 1>And that's what she did this time. She went back

0:19:11.720 --> 0:19:14.600
<v Speaker 1>to Lee Haybor at Oprah Magazine and said let's make

0:19:14.640 --> 0:19:17.520
<v Speaker 1>this the book club book. And Lee said okay, And

0:19:17.560 --> 0:19:20.520
<v Speaker 1>she okay. In talking with me, she said, I mean,

0:19:20.960 --> 0:19:22.960
<v Speaker 1>mental health is a big issue for her. It's important.

0:19:24.359 --> 0:19:30.000
<v Speaker 1>You spoke with Oprah? What what was that like? Well, I, Um,

0:19:30.040 --> 0:19:32.760
<v Speaker 1>I did not have one of those moments where she

0:19:32.920 --> 0:19:35.280
<v Speaker 1>called and I said, you're kidding, it's not you know,

0:19:35.359 --> 0:19:37.480
<v Speaker 1>your your friend playing a joke on me, Like she

0:19:37.560 --> 0:19:40.840
<v Speaker 1>sounds exactly like Open Winfrey. So I immediately knew who

0:19:40.840 --> 0:19:42.880
<v Speaker 1>she was. And as I said, I was sitting there

0:19:42.920 --> 0:19:46.720
<v Speaker 1>at home sweating out pre publications. So the minute she called,

0:19:46.760 --> 0:19:49.240
<v Speaker 1>I started laughing. I burst out laughing because I knew

0:19:49.440 --> 0:19:51.560
<v Speaker 1>there could only be one reason why she was calling

0:19:52.160 --> 0:19:56.600
<v Speaker 1>and um and uh, and that I was suddenly being saved.

0:19:56.640 --> 0:20:00.679
<v Speaker 1>I was being being really helped out tremendously by a

0:20:00.720 --> 0:20:03.719
<v Speaker 1>tremendous act of kindness by her. So I was I

0:20:03.840 --> 0:20:07.639
<v Speaker 1>was hyperventilating, and I was laughing, and then I was

0:20:07.680 --> 0:20:09.440
<v Speaker 1>thanking her a lot and telling her how much it

0:20:09.440 --> 0:20:13.560
<v Speaker 1>would mean to the family too, you know the family. Uh.

0:20:13.640 --> 0:20:17.040
<v Speaker 1>The girls say that they would watch over show as kids,

0:20:17.040 --> 0:20:19.199
<v Speaker 1>and they would say, the people on the on her

0:20:19.240 --> 0:20:21.960
<v Speaker 1>show have nothing on us, like we should really be

0:20:22.080 --> 0:20:24.600
<v Speaker 1>on her show. So I think that might be why

0:20:24.680 --> 0:20:27.359
<v Speaker 1>Oprah was interested too, because it is that the family

0:20:27.560 --> 0:20:29.600
<v Speaker 1>at first glance would be a good subject for the

0:20:29.600 --> 0:20:33.920
<v Speaker 1>Oprah Winfrey Show. Okay, did you have a substantive conversation

0:20:33.960 --> 0:20:36.919
<v Speaker 1>with her, or was just basically I'm calling to congratulate you.

0:20:38.040 --> 0:20:42.359
<v Speaker 1>She um, she was calling to congratulate I. Um. I

0:20:42.400 --> 0:20:45.639
<v Speaker 1>said to her that, you know, I love I said, I,

0:20:46.320 --> 0:20:48.280
<v Speaker 1>but I was extremely grateful, and I said, it was

0:20:48.440 --> 0:20:51.359
<v Speaker 1>the challenge of a career to be able to weave

0:20:51.400 --> 0:20:54.960
<v Speaker 1>together so many different perspectives of so many different people,

0:20:55.200 --> 0:20:58.600
<v Speaker 1>to to juggle so many characters, if you will, it's

0:20:58.600 --> 0:21:01.679
<v Speaker 1>not characters because it's nonfiction. A juggle twelve kids and

0:21:01.760 --> 0:21:04.240
<v Speaker 1>two parents in a book and have readers actually be

0:21:04.320 --> 0:21:07.240
<v Speaker 1>able to keep track of it all was a huge challenge,

0:21:07.680 --> 0:21:09.800
<v Speaker 1>and that I wanted to try to make it like

0:21:09.880 --> 0:21:11.879
<v Speaker 1>something like East of Eden. And I mentioned East of

0:21:12.000 --> 0:21:13.479
<v Speaker 1>Eden to her because I know that that was an

0:21:13.480 --> 0:21:16.080
<v Speaker 1>Oprah's Book Club pick a couple of years ago, and

0:21:16.080 --> 0:21:18.520
<v Speaker 1>that she liked it and that was an influence on

0:21:18.600 --> 0:21:21.120
<v Speaker 1>me as well. And she got it. She said, Oh, yes,

0:21:21.160 --> 0:21:23.280
<v Speaker 1>of course, this is a lot like this makes me

0:21:23.320 --> 0:21:25.000
<v Speaker 1>think of used to be eating a lot. I see

0:21:25.000 --> 0:21:28.200
<v Speaker 1>what you're saying. So she definitely read it. Oh yeah,

0:21:28.280 --> 0:21:31.520
<v Speaker 1>she definitely read it. She's a reader. The other day

0:21:31.600 --> 0:21:35.080
<v Speaker 1>in the prior to her leaving television, the book would

0:21:35.119 --> 0:21:40.080
<v Speaker 1>also get a TV segment. So they say, it's great

0:21:40.320 --> 0:21:43.520
<v Speaker 1>having Oprah picket. But what does it that actually mean

0:21:43.680 --> 0:21:46.919
<v Speaker 1>today other than, you know, giving a higher level of

0:21:46.960 --> 0:21:49.560
<v Speaker 1>notice to the book. The new version of Oprah's Book

0:21:49.560 --> 0:21:55.000
<v Speaker 1>Club is a promotion deal with Apple, so she um.

0:21:55.000 --> 0:21:58.320
<v Speaker 1>Obviously the books available everywhere, including Amazon, but when she

0:21:58.400 --> 0:22:00.760
<v Speaker 1>promotes the book online, she said, has swipe up to

0:22:00.800 --> 0:22:03.439
<v Speaker 1>buy it on Apple Books. And when she does a

0:22:03.480 --> 0:22:06.320
<v Speaker 1>TV show about the book, it's a special for Apple Plus.

0:22:06.480 --> 0:22:10.480
<v Speaker 1>So I was interviewed. Unfortunately it was on Facetown because

0:22:10.480 --> 0:22:13.680
<v Speaker 1>of the pandemic, but family members and I and experts

0:22:13.720 --> 0:22:16.240
<v Speaker 1>were all interviewed on FaceTime for a show that will

0:22:16.240 --> 0:22:18.880
<v Speaker 1>be out on June four or June five, I think

0:22:19.200 --> 0:22:22.520
<v Speaker 1>on Apple Plus on Apple Plus. But the big thing,

0:22:22.640 --> 0:22:24.720
<v Speaker 1>and the thing that I did not realize that she does,

0:22:25.600 --> 0:22:28.359
<v Speaker 1>is that she and the club actually read the book

0:22:28.400 --> 0:22:31.640
<v Speaker 1>together week after week after week. They've divided this book

0:22:31.680 --> 0:22:36.239
<v Speaker 1>into six weeks and they meet on Instagram on on

0:22:36.280 --> 0:22:39.639
<v Speaker 1>the Oprah's book Club account and each Monday morning at

0:22:39.680 --> 0:22:42.120
<v Speaker 1>ten am for the last five weeks. The last one

0:22:42.160 --> 0:22:46.720
<v Speaker 1>is next Monday. UM her account runs a short video

0:22:46.760 --> 0:22:50.040
<v Speaker 1>by Oprah who she's holding my book and she says, Okay,

0:22:50.080 --> 0:22:53.760
<v Speaker 1>so we've read chapters whatever through whatever, and this happened,

0:22:53.800 --> 0:22:55.760
<v Speaker 1>and that happened, and this happened. My question for you

0:22:55.920 --> 0:22:58.520
<v Speaker 1>is how what do you think Lindsay was feeling when

0:22:58.560 --> 0:23:01.480
<v Speaker 1>she made that decision? And then in the comments section

0:23:01.520 --> 0:23:04.159
<v Speaker 1>of Instagram, hundreds of people start to weigh in in

0:23:04.240 --> 0:23:07.399
<v Speaker 1>real time giving their perspectives on the book. So it

0:23:07.480 --> 0:23:10.040
<v Speaker 1>is a real live book club that is actually reading

0:23:10.480 --> 0:23:12.920
<v Speaker 1>the book. And for an author, it's been mind blowing

0:23:13.200 --> 0:23:16.080
<v Speaker 1>week after week to watch hundreds of people reading your

0:23:16.119 --> 0:23:18.359
<v Speaker 1>book and talking together about it, and I get to

0:23:18.359 --> 0:23:20.920
<v Speaker 1>sit in and look at it. It's it's more than

0:23:20.960 --> 0:23:24.280
<v Speaker 1>I could ever have imagined. It's just stunning. If someone

0:23:24.440 --> 0:23:28.200
<v Speaker 1>is picked by Oprah generally speaking, how many additional sales

0:23:28.280 --> 0:23:32.520
<v Speaker 1>do you get? Well, I only know that they increased

0:23:32.560 --> 0:23:35.440
<v Speaker 1>my my initial print run dramatically by like tens of

0:23:35.480 --> 0:23:37.520
<v Speaker 1>thousands of copies. I don't know if it's different for

0:23:37.600 --> 0:23:41.360
<v Speaker 1>fiction or if it's you know, or different for from

0:23:41.359 --> 0:23:43.600
<v Speaker 1>book to book, but it it's a it's a huge

0:23:43.680 --> 0:23:47.359
<v Speaker 1>leg up. Okay, So how many did they ultimately print?

0:23:47.359 --> 0:23:51.960
<v Speaker 1>Originally double day, Um, they print. Originally they printed close

0:23:51.960 --> 0:23:56.440
<v Speaker 1>to a hundred thousand copies and um hardcover, and now

0:23:56.480 --> 0:24:01.119
<v Speaker 1>they're up to like a hundred thirty three thousand hardcover. Okay,

0:24:01.200 --> 0:24:03.080
<v Speaker 1>what's the arc of a book like this? So, I

0:24:03.080 --> 0:24:05.960
<v Speaker 1>mean every book is unique, but is it tend to

0:24:05.960 --> 0:24:09.359
<v Speaker 1>be front loaded forgetting the paperback sales? Somewhere down the

0:24:09.400 --> 0:24:13.600
<v Speaker 1>future a hardcover book? Will it sustained for months? Has

0:24:13.640 --> 0:24:20.160
<v Speaker 1>it already peaked? Is it yet to peek? I think that, Um,

0:24:20.200 --> 0:24:22.480
<v Speaker 1>this book's a little bit of an outlier because it

0:24:22.520 --> 0:24:25.719
<v Speaker 1>has because it's been very successful, so it has remained

0:24:25.720 --> 0:24:28.439
<v Speaker 1>on the best seller list. Um, the sales are not

0:24:28.480 --> 0:24:30.280
<v Speaker 1>what they were in the first couple of weeks. They've

0:24:30.359 --> 0:24:32.520
<v Speaker 1>they've gone lower, but the sales are still high enough

0:24:32.560 --> 0:24:35.359
<v Speaker 1>to keep it on the best seller list. But sometime soon,

0:24:35.480 --> 0:24:38.359
<v Speaker 1>you know, the house always wins, you know, someday soon

0:24:38.840 --> 0:24:42.360
<v Speaker 1>one week coming up, maybe next week, maybe two, three, four,

0:24:42.520 --> 0:24:44.320
<v Speaker 1>seven weeks from now, it will fall off the best

0:24:44.359 --> 0:24:46.719
<v Speaker 1>seller list and then hopefully it will it will develop

0:24:46.760 --> 0:24:49.720
<v Speaker 1>some sort of niche where it continues to sell let's

0:24:49.720 --> 0:24:52.399
<v Speaker 1>hope thousand cops a week or something like that, and

0:24:52.400 --> 0:24:55.439
<v Speaker 1>then it becomes a regular earner for the company, and

0:24:55.480 --> 0:24:58.199
<v Speaker 1>then within a year the paperback comes and gives it

0:24:58.240 --> 0:25:00.520
<v Speaker 1>another jolt, and that that's at a different ice points.

0:25:00.560 --> 0:25:03.720
<v Speaker 1>So it really is, it's really appealing to an entirely

0:25:03.720 --> 0:25:06.239
<v Speaker 1>different book buying public. There there are people out there

0:25:06.240 --> 0:25:09.280
<v Speaker 1>who never in the world in their in their lives

0:25:09.320 --> 0:25:13.400
<v Speaker 1>have bought a big, heavy, first edition hardcover book because

0:25:13.400 --> 0:25:15.760
<v Speaker 1>it's so expensive. They wait for the paperback, and so

0:25:15.880 --> 0:25:20.280
<v Speaker 1>that whole market gets reached. Meanwhile, electronic books, especially in

0:25:20.320 --> 0:25:24.120
<v Speaker 1>the time of COVID, are basically half the sales. Um,

0:25:24.280 --> 0:25:27.320
<v Speaker 1>so wait, wait, wait, slow there half of Hidden Valley

0:25:27.400 --> 0:25:33.560
<v Speaker 1>Road was essentially kindled. Yes, but um, I'll be why

0:25:33.600 --> 0:25:36.679
<v Speaker 1>don't I be a little clearer. Let's say this. It's like,

0:25:36.840 --> 0:25:42.840
<v Speaker 1>roughly is Kindle or Apple books or electronic, Roughly forty

0:25:42.920 --> 0:25:46.600
<v Speaker 1>or forty one is hardcover books, and then the rest

0:25:46.720 --> 0:25:50.880
<v Speaker 1>is audiobook. The audiobook sales are not trivial. They're they're

0:25:50.960 --> 0:25:56.159
<v Speaker 1>over some Sometimes it seems like it's closer to audio

0:25:56.200 --> 0:26:00.920
<v Speaker 1>books are a big deal. Okay, who reads the audiobook? Um, well,

0:26:01.160 --> 0:26:05.040
<v Speaker 1>anyone who drives? Um no, no, no, no. Who literally

0:26:05.080 --> 0:26:07.960
<v Speaker 1>did the reading of the book for the recording? Oh?

0:26:08.520 --> 0:26:12.440
<v Speaker 1>Um he's wonderful. Sean Pratt, he's terrific. He actually read

0:26:12.520 --> 0:26:16.040
<v Speaker 1>Lost Girls, which was my first book, and they asked

0:26:16.080 --> 0:26:18.160
<v Speaker 1>me if I was all right with using him again

0:26:18.280 --> 0:26:21.880
<v Speaker 1>and using him some bad term. He used me, I'm

0:26:21.920 --> 0:26:24.639
<v Speaker 1>really fortunate. He's a star. People love him and he did.

0:26:24.840 --> 0:26:26.800
<v Speaker 1>My brother in law listen to it, actually said it

0:26:26.880 --> 0:26:30.680
<v Speaker 1>was great. Okay, you're obviously a student of the game. Uh.

0:26:30.920 --> 0:26:33.240
<v Speaker 1>If you read the New York Times Walt Three Journal,

0:26:33.680 --> 0:26:38.439
<v Speaker 1>kindle sales continued to decrease as the percentage of overall sales.

0:26:38.760 --> 0:26:42.000
<v Speaker 1>Yet in your case, they're really notable. Is it a

0:26:42.160 --> 0:26:45.480
<v Speaker 1>COVID thing? What do you think's going on here? I

0:26:45.560 --> 0:26:49.040
<v Speaker 1>think it's a COVID thing. And also the the book.

0:26:49.119 --> 0:26:52.080
<v Speaker 1>A lot of bookstores just aren't open, and which obviously

0:26:52.119 --> 0:26:54.400
<v Speaker 1>contributes more to the kindle thing. But it means fewer

0:26:54.480 --> 0:26:57.600
<v Speaker 1>people are browsing and seeing the Oprah's book club stand

0:26:57.640 --> 0:27:00.760
<v Speaker 1>and saying, oh, I'll buy this. So who knows, maybe

0:27:00.800 --> 0:27:03.720
<v Speaker 1>that will change. Maybe in the fall, um the hardcover

0:27:03.840 --> 0:27:06.400
<v Speaker 1>will be sitting at airport bookstores again and people will

0:27:06.400 --> 0:27:08.600
<v Speaker 1>be flying again. I'm being a little optimistic thinking that

0:27:08.640 --> 0:27:10.200
<v Speaker 1>people are gonna be flying in the fall. But you

0:27:10.280 --> 0:27:14.560
<v Speaker 1>know what I'm saying, Okay, you got your advance. When

0:27:14.640 --> 0:27:20.400
<v Speaker 1>will you see another check? Well, typically it's for payments, UM,

0:27:20.560 --> 0:27:23.800
<v Speaker 1>so I'm gonna use fake numbers. You know, if the

0:27:23.800 --> 0:27:26.760
<v Speaker 1>advance is a million dollars, you get two dollars when

0:27:26.760 --> 0:27:30.760
<v Speaker 1>you sign, you get another two fifty when um, you

0:27:30.920 --> 0:27:35.359
<v Speaker 1>deliver the manuscript and the publisher decides it's good enough

0:27:35.440 --> 0:27:38.720
<v Speaker 1>to be edited and a play, see you on the schedule.

0:27:39.359 --> 0:27:41.760
<v Speaker 1>So that might that's a little wiggly, that could be.

0:27:41.960 --> 0:27:43.520
<v Speaker 1>That could take some time because they might want you

0:27:43.600 --> 0:27:47.080
<v Speaker 1>to do another draft or do another revision. But once

0:27:47.160 --> 0:27:50.000
<v Speaker 1>it's once it's put on the schedule, payment number two comes,

0:27:50.480 --> 0:27:53.440
<v Speaker 1>and then payment number three comes on publication day, and

0:27:53.520 --> 0:27:57.000
<v Speaker 1>then payment number four comes a year after publication day,

0:27:57.400 --> 0:28:00.840
<v Speaker 1>which more or less usually coincide it's with the paperback

0:28:00.920 --> 0:28:04.240
<v Speaker 1>coming out. Well, in this particular, Kay, you're obviously have

0:28:04.440 --> 0:28:08.920
<v Speaker 1>earned back the advance already. So in terms of royalties,

0:28:09.800 --> 0:28:15.080
<v Speaker 1>those will come a year from publication. UM. I usually

0:28:15.119 --> 0:28:18.359
<v Speaker 1>get a royalty statement twice a year, in April and October,

0:28:18.640 --> 0:28:20.600
<v Speaker 1>and it's pretty much right up to the date. So

0:28:20.960 --> 0:28:23.200
<v Speaker 1>if this book earns back by the end of the summer,

0:28:23.280 --> 0:28:26.520
<v Speaker 1>which hopefully it would. I might actually see some royalties

0:28:26.560 --> 0:28:30.520
<v Speaker 1>in that October statement, Okay, with such a successful book,

0:28:30.960 --> 0:28:33.440
<v Speaker 1>even though we're in the COVID nineteen era, did you

0:28:33.600 --> 0:28:37.240
<v Speaker 1>splurge it all in your personal life? No? It basically

0:28:37.320 --> 0:28:39.360
<v Speaker 1>gave me peace of mind in the COVID nineteen era.

0:28:39.520 --> 0:28:42.560
<v Speaker 1>It meant that, UM. It meant that I didn't have

0:28:42.800 --> 0:28:46.280
<v Speaker 1>to worry about lining up a new project right away,

0:28:47.000 --> 0:28:49.400
<v Speaker 1>that I could that I can sit and and take

0:28:49.440 --> 0:28:53.080
<v Speaker 1>care of my family and and take it slow during

0:28:53.120 --> 0:28:56.280
<v Speaker 1>this difficult time and not sit and worry about the

0:28:56.400 --> 0:28:59.959
<v Speaker 1>house being far closed on. The book is a huge success.

0:29:00.200 --> 0:29:02.560
<v Speaker 1>S Has this even though we're in this crazy era?

0:29:02.920 --> 0:29:07.320
<v Speaker 1>Has this led to any new opportunities? Not yet. UM.

0:29:08.240 --> 0:29:10.320
<v Speaker 1>I have a couple of ideas that are hopping, but nothing,

0:29:10.840 --> 0:29:14.280
<v Speaker 1>nothing that's really book length. Um. The biggest opportunities have

0:29:14.400 --> 0:29:18.320
<v Speaker 1>been uh meeting other people, UM who are in the

0:29:18.360 --> 0:29:20.960
<v Speaker 1>mental health community, people who have been touched by mental illness,

0:29:21.040 --> 0:29:23.680
<v Speaker 1>either in their family or through their work. And those

0:29:23.720 --> 0:29:26.320
<v Speaker 1>people are emailing up a storm. And so I'm I'm

0:29:26.360 --> 0:29:28.520
<v Speaker 1>handling a lot of reader feedback at the moment from

0:29:28.560 --> 0:29:32.120
<v Speaker 1>people who have really emotionally connected with the book, And

0:29:32.480 --> 0:29:36.360
<v Speaker 1>have you personally been to therapy, Yes, but not for

0:29:36.560 --> 0:29:40.080
<v Speaker 1>anything but remotely like schizophrenia, and of course not, but

0:29:40.200 --> 0:29:42.480
<v Speaker 1>you had some experience in the field. We live in

0:29:42.520 --> 0:29:45.640
<v Speaker 1>a world where many males or anti psychotherapy. That's why

0:29:45.640 --> 0:29:48.960
<v Speaker 1>I asked the question. Oh yeah, sure. Um, it's been

0:29:49.680 --> 0:29:54.240
<v Speaker 1>like regular meet and potatoes therapy for for for garden

0:29:54.320 --> 0:29:58.440
<v Speaker 1>variety anxiety and um and so I've done on and

0:29:58.520 --> 0:30:01.640
<v Speaker 1>off chid this and that with various people over the years.

0:30:02.200 --> 0:30:06.760
<v Speaker 1>Um and UM. I think it's terrific. And it's also

0:30:06.880 --> 0:30:09.360
<v Speaker 1>I mean as a writer and someone who interviews people,

0:30:09.760 --> 0:30:13.760
<v Speaker 1>I'm basically sitting and witnessing the therapists interviewing style and

0:30:13.840 --> 0:30:16.360
<v Speaker 1>getting pointers from them and tips from them on how

0:30:16.440 --> 0:30:19.240
<v Speaker 1>they how they listen and how they draw me out.

0:30:19.360 --> 0:30:22.040
<v Speaker 1>So I have an appreciation for that as well. While

0:30:22.040 --> 0:30:30.560
<v Speaker 1>I'm in the middle of it, Okay, you have the deal,

0:30:31.080 --> 0:30:34.680
<v Speaker 1>it's a go. You start. How do you start? Tell

0:30:34.800 --> 0:30:43.600
<v Speaker 1>us some of the story? Um? Well, uh, the story

0:30:43.840 --> 0:30:48.720
<v Speaker 1>is is the American dream that that is suddenly shattered

0:30:49.080 --> 0:30:51.440
<v Speaker 1>when when everything goes wrong. It's about a couple that

0:30:51.800 --> 0:30:56.120
<v Speaker 1>falls in love during World War Two and raises their

0:30:56.160 --> 0:30:58.440
<v Speaker 1>family during the Cold War. And then by the late

0:30:58.560 --> 0:31:01.680
<v Speaker 1>sixties their model family that everyone else looks up to.

0:31:02.760 --> 0:31:07.520
<v Speaker 1>They're smart, they're charismatic, they're cosmopolitan. In what is basically

0:31:07.560 --> 0:31:10.400
<v Speaker 1>a very small town out in Colorado Springs, they have

0:31:10.520 --> 0:31:14.720
<v Speaker 1>a high profile, and they are self consciously invested in

0:31:14.840 --> 0:31:17.040
<v Speaker 1>being a model family toward others. It makes them feel

0:31:17.120 --> 0:31:20.760
<v Speaker 1>good that other people think that they're perfect. And then

0:31:20.840 --> 0:31:23.880
<v Speaker 1>the worst happens. Then this illness hits them, and and

0:31:24.160 --> 0:31:25.960
<v Speaker 1>they have the bad luck of it happening at a

0:31:26.040 --> 0:31:29.080
<v Speaker 1>time where half of the experts want to blame them

0:31:29.280 --> 0:31:33.400
<v Speaker 1>for causing schizophrenia in their children, and the other half

0:31:33.520 --> 0:31:37.520
<v Speaker 1>want to put them in institutions and medicate them into

0:31:37.600 --> 0:31:40.760
<v Speaker 1>a stupor for the rest of their lives. Um there's

0:31:40.800 --> 0:31:43.880
<v Speaker 1>no middle ground, and there's no no way to really

0:31:44.840 --> 0:31:47.800
<v Speaker 1>do anything without becoming scandalized, and so they try to

0:31:47.840 --> 0:31:49.800
<v Speaker 1>cover it up for a few years, and then things

0:31:49.880 --> 0:31:52.320
<v Speaker 1>get worse and worse and worse. Another son gets sick

0:31:52.360 --> 0:31:56.200
<v Speaker 1>and abuses his wife and starts surreptitiously abusing the two

0:31:56.360 --> 0:32:03.360
<v Speaker 1>younger sisters. And then a third boy decompensates you know, uh,

0:32:03.520 --> 0:32:05.560
<v Speaker 1>in the middle of his classroom at a young age.

0:32:05.640 --> 0:32:10.200
<v Speaker 1>He's only fourteen and then uh, in the worst possible moment,

0:32:11.080 --> 0:32:14.600
<v Speaker 1>the golden child Michael, sorry not Michael Brian, who has

0:32:14.640 --> 0:32:16.680
<v Speaker 1>gone off to California to be a rock star, he

0:32:17.840 --> 0:32:23.000
<v Speaker 1>kills his girlfriend and then shoots himself. Um, and everybody

0:32:23.040 --> 0:32:25.040
<v Speaker 1>wonders if it could have been prevented and what what

0:32:25.400 --> 0:32:29.360
<v Speaker 1>is going on? And finally that the by five or so,

0:32:29.560 --> 0:32:34.040
<v Speaker 1>the family can't hide it anymore. They they they have

0:32:34.360 --> 0:32:37.120
<v Speaker 1>at least three mentally ill sons living at home. They

0:32:37.160 --> 0:32:39.239
<v Speaker 1>have two more with the warning signs. They have one

0:32:39.240 --> 0:32:43.680
<v Speaker 1>who's dead. And um that the families in totally dire

0:32:43.760 --> 0:32:47.800
<v Speaker 1>straits and that that's when the father has a stroke.

0:32:48.920 --> 0:32:54.560
<v Speaker 1>Um I I. As I tell the story, it sounds impossible.

0:32:54.840 --> 0:32:58.120
<v Speaker 1>But then um, interesting things happen. Stuff that's out of

0:32:58.200 --> 0:33:00.880
<v Speaker 1>Charles Dickens, like a wealthy family that's friendly with the

0:33:00.920 --> 0:33:03.680
<v Speaker 1>family with the Galvin family. They they pluck one of

0:33:03.720 --> 0:33:06.440
<v Speaker 1>the daughters up out of the family and they move

0:33:06.520 --> 0:33:08.640
<v Speaker 1>her in with them and they help her out. And

0:33:08.760 --> 0:33:11.600
<v Speaker 1>then Lindsay goes off to hotch Kiss and tries to

0:33:12.200 --> 0:33:14.440
<v Speaker 1>she changes her name. She actually was born with the

0:33:14.520 --> 0:33:16.760
<v Speaker 1>name Mary, and now she goes by Lindsay. She tries

0:33:16.800 --> 0:33:21.160
<v Speaker 1>to reinvent her life. There's a quickie marriage that one

0:33:21.240 --> 0:33:23.440
<v Speaker 1>of them has in order to try to run away

0:33:23.520 --> 0:33:26.920
<v Speaker 1>from her family. There's um years of therapy where they

0:33:26.960 --> 0:33:29.720
<v Speaker 1>try to find a way to confront their abusive brother,

0:33:30.360 --> 0:33:33.480
<v Speaker 1>and then there's different levels of denial that their mother

0:33:33.560 --> 0:33:36.920
<v Speaker 1>continues to go through because they can't understand why their

0:33:37.000 --> 0:33:41.240
<v Speaker 1>mother shows the six sons over them. They feel forsaken,

0:33:41.280 --> 0:33:45.880
<v Speaker 1>they feel abandoned, and then, out of nowhere, in the

0:33:45.960 --> 0:33:48.760
<v Speaker 1>middle of the nineteen eighties, there's a knock at the door,

0:33:49.320 --> 0:33:52.400
<v Speaker 1>and it's a medical researcher from the National Institute Mental Health.

0:33:53.920 --> 0:33:58.320
<v Speaker 1>She's there to tell uh Mimi that her family has

0:33:58.360 --> 0:34:01.840
<v Speaker 1>a genetic disorder, that it's not bad parenting that caused it,

0:34:01.920 --> 0:34:04.040
<v Speaker 1>that it's not something in the drinking water, that it's

0:34:04.080 --> 0:34:07.600
<v Speaker 1>not a contagious disease, that she's not to blame at all,

0:34:08.560 --> 0:34:11.719
<v Speaker 1>And and they suddenly become studied by some of the

0:34:11.800 --> 0:34:17.799
<v Speaker 1>pioneers in mental health medicine, and and the story takes

0:34:17.800 --> 0:34:21.680
<v Speaker 1>an entirely new and potentially quite hopeful turn as the

0:34:21.800 --> 0:34:25.080
<v Speaker 1>daughters start to rebuild their lives, as everybody starts to

0:34:25.120 --> 0:34:28.160
<v Speaker 1>see their parents with new eyes, and as further secrets

0:34:28.200 --> 0:34:31.800
<v Speaker 1>get revealed later on. It's the way I try to

0:34:31.880 --> 0:34:34.520
<v Speaker 1>describe it. It does sound enormously twisting and turning and

0:34:34.600 --> 0:34:37.600
<v Speaker 1>complicated with a lot of moving parts. There are interesting

0:34:37.680 --> 0:34:40.640
<v Speaker 1>subplots to where one son goes off to a commune

0:34:41.080 --> 0:34:44.560
<v Speaker 1>and lives there and it changes his life. Um. I

0:34:44.680 --> 0:34:46.919
<v Speaker 1>wanted it to have this kind of epic feel where

0:34:47.000 --> 0:34:50.440
<v Speaker 1>you can follow the family on different detours and digressions

0:34:50.480 --> 0:34:53.360
<v Speaker 1>and see how many different people experience their family in

0:34:53.440 --> 0:34:56.520
<v Speaker 1>different ways. I wanted it to have that kind of, um,

0:34:57.640 --> 0:35:00.879
<v Speaker 1>big Russian novel kind of feeling, so that you got

0:35:01.000 --> 0:35:04.120
<v Speaker 1>so swept up in the families ups and downs that

0:35:04.320 --> 0:35:07.080
<v Speaker 1>you forgot that you were being spoon fed a lot

0:35:07.160 --> 0:35:12.760
<v Speaker 1>of technical information about neurobiology. Okay, we covered your initial

0:35:12.880 --> 0:35:18.120
<v Speaker 1>conversations with Margaret and Lindsay, what were your conversations like

0:35:18.280 --> 0:35:20.240
<v Speaker 1>with the rest of the members. The father was already

0:35:20.280 --> 0:35:22.799
<v Speaker 1>dead when you started then, and there was one brother

0:35:22.840 --> 0:35:24.959
<v Speaker 1>who was dead, but you spoke with all these people.

0:35:25.000 --> 0:35:28.200
<v Speaker 1>What was that like. Well, the one big challenge was

0:35:28.400 --> 0:35:31.440
<v Speaker 1>to talk to the mother of the family, Mimi, who

0:35:31.520 --> 0:35:34.800
<v Speaker 1>was nine. She was my first phone call after the sisters,

0:35:35.000 --> 0:35:39.720
<v Speaker 1>and it was it was it was really really quite wonderful.

0:35:39.880 --> 0:35:43.160
<v Speaker 1>This is a woman who, despite everything she's been through,

0:35:43.320 --> 0:35:50.120
<v Speaker 1>is a tremendous good cheer and really um tries very

0:35:50.160 --> 0:35:52.000
<v Speaker 1>hard to look on the sunny side of things. That

0:35:52.280 --> 0:35:54.600
<v Speaker 1>that means that she was very willing to talk to

0:35:54.719 --> 0:35:56.759
<v Speaker 1>me because she knew that this book would be more

0:35:56.800 --> 0:36:00.960
<v Speaker 1>about the genetics and less about UH judging her, and

0:36:01.080 --> 0:36:03.560
<v Speaker 1>she was tired of being judged by the medical establishment.

0:36:03.680 --> 0:36:06.760
<v Speaker 1>That was really a big problem for her. The problem

0:36:06.840 --> 0:36:08.839
<v Speaker 1>with Mimi is that she didn't want to really talk

0:36:08.880 --> 0:36:11.960
<v Speaker 1>about unpleasant subjects. She was had spent a lifetime sort

0:36:11.960 --> 0:36:15.759
<v Speaker 1>of deflecting unpleasantness, and so it took the personal visit

0:36:15.840 --> 0:36:18.359
<v Speaker 1>with her, with help from her daughters also to try

0:36:18.400 --> 0:36:21.760
<v Speaker 1>to nudge her into a place where she felt comfortable

0:36:21.840 --> 0:36:24.239
<v Speaker 1>talking about the years and years of shame she was

0:36:24.360 --> 0:36:26.600
<v Speaker 1>made to feel for having this problem in her house,

0:36:27.200 --> 0:36:29.120
<v Speaker 1>the way that she was told that she was a failure,

0:36:29.520 --> 0:36:32.720
<v Speaker 1>the way that she sometimes felt unsafe around her own sons,

0:36:32.840 --> 0:36:35.400
<v Speaker 1>and how she had to keep that to herself. Um,

0:36:35.600 --> 0:36:37.640
<v Speaker 1>these are things that weren't easy for her to talk about.

0:36:37.719 --> 0:36:41.640
<v Speaker 1>But but but to her credit, she really did. But

0:36:41.800 --> 0:36:44.000
<v Speaker 1>mainly I found her inspiring. I mean one of her

0:36:44.040 --> 0:36:47.520
<v Speaker 1>big sayings was you can't be heartbroken every day, which

0:36:47.600 --> 0:36:50.880
<v Speaker 1>I think, you know, for someone who's been through everything

0:36:50.960 --> 0:36:53.200
<v Speaker 1>she's been through, is a pretty astonishing thing to say.

0:36:53.320 --> 0:36:55.279
<v Speaker 1>And sometimes if I'm having a bad day, I think

0:36:55.320 --> 0:36:57.880
<v Speaker 1>about that still, I think, well, it can't be heartbroken

0:36:57.920 --> 0:37:00.880
<v Speaker 1>every day, and maybe maybe there's something to that. And

0:37:01.000 --> 0:37:04.480
<v Speaker 1>then I talked to medical before you leave, Mimi, since

0:37:04.560 --> 0:37:07.279
<v Speaker 1>you're with an observer and you wrote the book, how

0:37:07.320 --> 0:37:12.240
<v Speaker 1>do you believe she coped? Um? I think she developed

0:37:12.280 --> 0:37:17.120
<v Speaker 1>a certain set of blinders where she decided, um that

0:37:17.480 --> 0:37:19.840
<v Speaker 1>that certain things were important than other things she was

0:37:19.920 --> 0:37:21.920
<v Speaker 1>going to ignore. And I think that some of the

0:37:22.239 --> 0:37:25.160
<v Speaker 1>things that she decided to ignore were the healthy children

0:37:25.239 --> 0:37:28.120
<v Speaker 1>and her family, which was a you know, of course,

0:37:28.200 --> 0:37:30.560
<v Speaker 1>something the healthy children grew up feeling horrible about and

0:37:30.680 --> 0:37:34.040
<v Speaker 1>really judged her for. But this was her this was

0:37:34.120 --> 0:37:36.919
<v Speaker 1>her survival strategy. She was going to focus on making

0:37:36.960 --> 0:37:39.960
<v Speaker 1>sure that the sick boys like Donald and Peter and

0:37:40.120 --> 0:37:44.439
<v Speaker 1>Matthew and Joe and Jim, not Brian because he had died,

0:37:45.040 --> 0:37:48.040
<v Speaker 1>We're getting all the help they they could have and

0:37:48.120 --> 0:37:50.200
<v Speaker 1>had a place to come home to if they needed to,

0:37:50.360 --> 0:37:52.520
<v Speaker 1>if they weren't in the hospital or in a group home.

0:37:53.320 --> 0:37:56.120
<v Speaker 1>And and that meant seeing a million doctors and going

0:37:56.200 --> 0:37:58.640
<v Speaker 1>all over the place and becoming an advocate basically for

0:37:58.719 --> 0:38:04.160
<v Speaker 1>her children. But it didn't It meant that if little

0:38:04.239 --> 0:38:06.400
<v Speaker 1>Lindsay or Margaret went to their mother and said I

0:38:06.440 --> 0:38:09.640
<v Speaker 1>have a problem, the response for Mimi would be, you

0:38:09.719 --> 0:38:12.880
<v Speaker 1>don't have any problems. You know, these boys have problems.

0:38:13.040 --> 0:38:18.399
<v Speaker 1>You You're fine. And so they they basically lost their mother,

0:38:19.120 --> 0:38:22.000
<v Speaker 1>and and so that that that this was her strategy.

0:38:22.120 --> 0:38:25.680
<v Speaker 1>And in a way, um you see as the book

0:38:25.719 --> 0:38:28.040
<v Speaker 1>goes on that that the children, as they grow up,

0:38:28.080 --> 0:38:30.279
<v Speaker 1>they start to understand her strategy better. They may not

0:38:30.400 --> 0:38:33.880
<v Speaker 1>forgive her everything that she's done, but they get her

0:38:33.960 --> 0:38:35.480
<v Speaker 1>in a way that they didn't get her when they

0:38:35.520 --> 0:38:37.160
<v Speaker 1>were children. And this is something I think that we

0:38:37.280 --> 0:38:41.400
<v Speaker 1>as readers can really um identify with. We all judge

0:38:41.400 --> 0:38:44.040
<v Speaker 1>our parents in a certain way when we're younger, and

0:38:44.080 --> 0:38:46.200
<v Speaker 1>then we all see them with slightly different eyes when

0:38:46.239 --> 0:38:48.360
<v Speaker 1>we get older. Sometimes it's because we have children of

0:38:48.400 --> 0:38:51.040
<v Speaker 1>our own, or sometimes because you learned things that you

0:38:51.120 --> 0:38:53.799
<v Speaker 1>weren't told when you were a child, or sometimes you're

0:38:53.840 --> 0:38:55.719
<v Speaker 1>just older and you get what it's like to be

0:38:56.400 --> 0:39:01.680
<v Speaker 1>fifty and have responsibilities or whatever. So um to me

0:39:01.880 --> 0:39:03.879
<v Speaker 1>that that it was. It was exciting to be able

0:39:03.880 --> 0:39:05.640
<v Speaker 1>to try to tell that version of the story in

0:39:05.719 --> 0:39:08.239
<v Speaker 1>the book. But what it means is that in this book,

0:39:08.800 --> 0:39:11.480
<v Speaker 1>the first part of the book, Mimi comes off pretty terribly,

0:39:12.040 --> 0:39:14.200
<v Speaker 1>but in the second part she comes off in a

0:39:14.280 --> 0:39:17.600
<v Speaker 1>slightly more nuanced way. And I'm very very glad about

0:39:17.640 --> 0:39:20.160
<v Speaker 1>that actually, because I think there are too many stories

0:39:20.200 --> 0:39:23.160
<v Speaker 1>out there, both fiction and nonfiction, that really where the

0:39:23.239 --> 0:39:25.239
<v Speaker 1>mother really takes it on the chin, where it's the

0:39:25.280 --> 0:39:28.279
<v Speaker 1>mother's fault, you know that the mother has caused all

0:39:28.280 --> 0:39:30.440
<v Speaker 1>the problems, and I didn't want this book to be

0:39:31.120 --> 0:39:35.640
<v Speaker 1>unnecessarily about that. Let's switch back to the father, because

0:39:36.200 --> 0:39:40.080
<v Speaker 1>on one hand, he's a real achiever. He enters the military,

0:39:40.239 --> 0:39:45.160
<v Speaker 1>ends up the Air Force, he develops the Falcon logo

0:39:45.400 --> 0:39:50.440
<v Speaker 1>insignia for the Air Force. But there's some subtleties. Actually

0:39:50.560 --> 0:39:54.600
<v Speaker 1>he's kinda pushed off the fast track. He's now in

0:39:54.800 --> 0:39:57.680
<v Speaker 1>PR and then they you know, you say that he

0:39:58.520 --> 0:40:03.720
<v Speaker 1>ran this big Western States UH Arts and Development unit

0:40:04.400 --> 0:40:08.480
<v Speaker 1>and then he but in the in the interim, he

0:40:08.600 --> 0:40:12.800
<v Speaker 1>had been into what will just labeled generally a mental hospital,

0:40:13.640 --> 0:40:17.280
<v Speaker 1>but bab on all your research, was this a stable

0:40:17.400 --> 0:40:19.960
<v Speaker 1>guy or was this guy? The other thing you did

0:40:20.080 --> 0:40:23.400
<v Speaker 1>say was despite there being twelve kids, he was not

0:40:23.640 --> 0:40:26.560
<v Speaker 1>that engaged and he had a fears himself. Well, what

0:40:26.760 --> 0:40:30.600
<v Speaker 1>was your insight there? Um, he was most certainly a

0:40:30.640 --> 0:40:33.680
<v Speaker 1>man of his time, and that he didn't he might

0:40:33.719 --> 0:40:36.200
<v Speaker 1>have taken intense pride at having such a large family

0:40:36.719 --> 0:40:39.040
<v Speaker 1>and really loved being the captain of the ship or

0:40:39.120 --> 0:40:42.040
<v Speaker 1>the leader of the football team or whatever of of

0:40:42.320 --> 0:40:44.920
<v Speaker 1>of his little troop of kids, but that he wasn't

0:40:44.960 --> 0:40:47.840
<v Speaker 1>gonna really just you know, concern himself with the minute

0:40:47.880 --> 0:40:51.600
<v Speaker 1>to minute domestic issues in the house. And that meant

0:40:51.600 --> 0:40:54.279
<v Speaker 1>that at all, that that was the wife's job. And

0:40:54.520 --> 0:40:57.320
<v Speaker 1>also he had a globe trotting job. He in the

0:40:57.440 --> 0:41:00.919
<v Speaker 1>beginning he was um with the military, Harry Flatt, going

0:41:01.400 --> 0:41:03.759
<v Speaker 1>around everywhere, and then as the years went on he

0:41:04.480 --> 0:41:06.920
<v Speaker 1>was working nights to get his master's and PhD. And

0:41:07.040 --> 0:41:09.319
<v Speaker 1>became an instructor at the Air Force Academy. And then

0:41:09.680 --> 0:41:11.600
<v Speaker 1>he didn't stop there. He became the head of the

0:41:11.640 --> 0:41:14.720
<v Speaker 1>falconry program and traveled all over the country flying falcons

0:41:14.760 --> 0:41:18.040
<v Speaker 1>at football games wherever the Air Force played, and tid

0:41:18.160 --> 0:41:21.759
<v Speaker 1>doing speaking engagements about falconry. And then he didn't stop there.

0:41:21.800 --> 0:41:24.320
<v Speaker 1>Then he went and worked for NORAD and he traveled

0:41:24.360 --> 0:41:27.360
<v Speaker 1>all over the country to give information sessions during the

0:41:27.440 --> 0:41:30.560
<v Speaker 1>Cold War about everything that Nora could do. And then

0:41:30.640 --> 0:41:33.600
<v Speaker 1>he didn't stop there. He went to work for the International,

0:41:33.880 --> 0:41:37.239
<v Speaker 1>you know, for International for the Western States lobbying organization,

0:41:37.320 --> 0:41:39.920
<v Speaker 1>and he went to Washington to lobby for more resources,

0:41:40.000 --> 0:41:44.280
<v Speaker 1>and he gave out grants to dance companies and arts organizations.

0:41:44.719 --> 0:41:46.800
<v Speaker 1>And he had Mimi on his arm a lot of

0:41:46.840 --> 0:41:48.920
<v Speaker 1>the time, but a lot of the time he was

0:41:49.040 --> 0:41:52.680
<v Speaker 1>off alone. So he was he was a mythic, iconic,

0:41:54.000 --> 0:41:58.279
<v Speaker 1>highly idolized figure in the house. But when he came home,

0:41:59.280 --> 0:42:02.200
<v Speaker 1>he was about being everybody's buddy and not really necessarily

0:42:02.239 --> 0:42:05.640
<v Speaker 1>about being too too deep into what was going on.

0:42:06.200 --> 0:42:09.760
<v Speaker 1>And so the parents, the kids tended to just judge

0:42:09.800 --> 0:42:13.279
<v Speaker 1>their mother harshly because she was the disciplinarian. As the

0:42:13.360 --> 0:42:15.840
<v Speaker 1>years went on and as they got older, they started

0:42:15.840 --> 0:42:19.239
<v Speaker 1>to ask themselves more realistic questions, like, wait a minute,

0:42:19.280 --> 0:42:21.120
<v Speaker 1>where was Dad when all of this was going on?

0:42:21.400 --> 0:42:24.360
<v Speaker 1>He could have gotten out, She couldn't she stayed, you know,

0:42:24.560 --> 0:42:26.879
<v Speaker 1>she could have she could have blown out of town too,

0:42:26.960 --> 0:42:29.279
<v Speaker 1>and we all would have been on the street. Um,

0:42:29.719 --> 0:42:32.880
<v Speaker 1>but she didn't. She stayed. Okay, let's talk about the

0:42:32.920 --> 0:42:37.800
<v Speaker 1>oldest brother who first shows signs of schizophrenia. Don He

0:42:37.960 --> 0:42:41.759
<v Speaker 1>goes to Colorado State. He has an early marriage. One

0:42:41.840 --> 0:42:45.239
<v Speaker 1>thing that is consistent through the book. Even though his

0:42:46.239 --> 0:42:50.000
<v Speaker 1>wife at some point ex wife moves to the Northwest

0:42:50.080 --> 0:42:55.200
<v Speaker 1>to pursue further education, he is constantly trying to win

0:42:55.360 --> 0:42:59.120
<v Speaker 1>her back in his mind. How long does that actually

0:42:59.200 --> 0:43:02.040
<v Speaker 1>go on for and what's the status? And did you

0:43:02.080 --> 0:43:04.800
<v Speaker 1>ever speak with her and get her perspective? Um? I

0:43:04.960 --> 0:43:09.759
<v Speaker 1>never spoke with her, Um I I did, was never

0:43:09.880 --> 0:43:12.520
<v Speaker 1>able to track her down. UM. But I know from

0:43:12.520 --> 0:43:15.520
<v Speaker 1>the medical records and from you know, from written records

0:43:15.560 --> 0:43:18.640
<v Speaker 1>of the time that when he would break away from

0:43:18.680 --> 0:43:21.200
<v Speaker 1>the house or break away from a medical setting, it

0:43:21.280 --> 0:43:23.279
<v Speaker 1>often was to go to Oregon to try to find her.

0:43:23.600 --> 0:43:26.160
<v Speaker 1>And then there'd be one line in the medical records

0:43:26.200 --> 0:43:29.560
<v Speaker 1>saying he was not able to see her, or he

0:43:29.680 --> 0:43:31.560
<v Speaker 1>made it to her house and they did not let

0:43:31.640 --> 0:43:35.080
<v Speaker 1>him in, or they talked for five minutes and she

0:43:35.239 --> 0:43:38.480
<v Speaker 1>told him to leave. UM. So it was it was

0:43:38.560 --> 0:43:43.560
<v Speaker 1>never very productive. His psychotic break was was contemporaneous with

0:43:43.640 --> 0:43:46.320
<v Speaker 1>the end of his marriage, and the marriage seemed to

0:43:46.400 --> 0:43:48.960
<v Speaker 1>be extremely important to Donald because it was the signal

0:43:49.040 --> 0:43:51.839
<v Speaker 1>that he was a grown up, independent man who could

0:43:51.840 --> 0:43:55.560
<v Speaker 1>make his own decisions. Um, he really needed that in

0:43:55.719 --> 0:43:58.640
<v Speaker 1>his life, perhaps even independent of his mental illness. He

0:43:58.760 --> 0:44:03.440
<v Speaker 1>needed to be the the to to inherit the mantle

0:44:03.520 --> 0:44:05.720
<v Speaker 1>of his father, to be the big shot of the family,

0:44:05.800 --> 0:44:09.120
<v Speaker 1>to be everybody's role model. And for a time in

0:44:09.239 --> 0:44:11.520
<v Speaker 1>high school he was. He was an all state athlete

0:44:11.600 --> 0:44:16.440
<v Speaker 1>and the wrestling champion, a star football player. He climbed

0:44:16.440 --> 0:44:19.320
<v Speaker 1>and repelled and jumped out of airplanes. He dated the

0:44:19.400 --> 0:44:23.200
<v Speaker 1>general's daughter. He was really big deal in high school.

0:44:23.280 --> 0:44:27.960
<v Speaker 1>But um, he was masking a lot of real difficulties.

0:44:28.000 --> 0:44:30.279
<v Speaker 1>He was having trouble connecting with people. He was really

0:44:30.320 --> 0:44:33.800
<v Speaker 1>happier outside repelling off of cliffs than he was hanging

0:44:33.840 --> 0:44:37.000
<v Speaker 1>out with friends. And once he was at college he

0:44:37.120 --> 0:44:41.319
<v Speaker 1>started to really become very strange and insecure. He would

0:44:41.360 --> 0:44:44.279
<v Speaker 1>do impulsive things that he didn't understand why he was

0:44:44.360 --> 0:44:47.080
<v Speaker 1>doing them. This is a hallmark of schizophrenia. He would

0:44:47.600 --> 0:44:50.759
<v Speaker 1>he jumped into a bonfire and burned himself. He he

0:44:51.160 --> 0:44:55.160
<v Speaker 1>tortured and killed a cat. He wandered into health services

0:44:55.239 --> 0:45:00.560
<v Speaker 1>one day convinced that um he had his roommate had

0:45:00.600 --> 0:45:03.480
<v Speaker 1>syphilis and that he was going to give it to him. Yeah,

0:45:03.840 --> 0:45:06.279
<v Speaker 1>he's just started to lift off away from reality for

0:45:06.360 --> 0:45:09.040
<v Speaker 1>a little bit, and and he was troubled by it too.

0:45:09.200 --> 0:45:11.840
<v Speaker 1>He was very anxious and upset, and so the marriage

0:45:12.840 --> 0:45:15.480
<v Speaker 1>or dating and girlfriends was one way to tell himself

0:45:15.560 --> 0:45:18.120
<v Speaker 1>that everything was all right. You know, that if he

0:45:18.200 --> 0:45:21.200
<v Speaker 1>could just get married, then he could become a man

0:45:21.360 --> 0:45:23.400
<v Speaker 1>just like his father. He could he could have a

0:45:23.480 --> 0:45:26.719
<v Speaker 1>family just like mom and dad. Everything would be fine.

0:45:26.880 --> 0:45:29.640
<v Speaker 1>But it wasn't fine. He and his wife, the marriage

0:45:30.960 --> 0:45:34.840
<v Speaker 1>was extraordinarily difficult. At some point she decided she was

0:45:34.880 --> 0:45:38.560
<v Speaker 1>going to leave, and that brought him back into therapy again.

0:45:38.719 --> 0:45:41.080
<v Speaker 1>And just when the therapist was convinced that he was

0:45:41.160 --> 0:45:43.839
<v Speaker 1>starting to mellow out a little bit, he had an

0:45:43.960 --> 0:45:47.800
<v Speaker 1>enormous psychotic break and almost did real serious harm to

0:45:48.000 --> 0:45:50.200
<v Speaker 1>his wife and to himself. That was the end of

0:45:50.239 --> 0:45:53.120
<v Speaker 1>the marriage, and that was Donald's first trip to a

0:45:53.239 --> 0:46:00.120
<v Speaker 1>real heavy duty mental hospital in Pueblo, Colorado. Okay, you

0:46:00.280 --> 0:46:03.720
<v Speaker 1>actually spoke to the schizophrenic brothers who were still alive

0:46:04.239 --> 0:46:07.360
<v Speaker 1>I did, and that was another huge issue going forward

0:46:07.400 --> 0:46:09.839
<v Speaker 1>that I really overlooked earlier in our in our talk

0:46:10.320 --> 0:46:13.080
<v Speaker 1>that early on, I really I said to myself, I

0:46:13.160 --> 0:46:17.120
<v Speaker 1>can't write a book about six people with schizophrenia where

0:46:17.200 --> 0:46:20.080
<v Speaker 1>they just go crazy and that's the end of it.

0:46:20.200 --> 0:46:23.960
<v Speaker 1>I don't want to say. And then Joe went insane too,

0:46:24.239 --> 0:46:26.320
<v Speaker 1>and then we walk away from that. I needed to

0:46:26.360 --> 0:46:28.840
<v Speaker 1>be able to write about these people as people, not

0:46:29.080 --> 0:46:32.960
<v Speaker 1>just as a cookie cutter sufferers of the same illness.

0:46:33.600 --> 0:46:36.800
<v Speaker 1>And so when I met the three surviving mentally ill brothers,

0:46:37.480 --> 0:46:41.359
<v Speaker 1>I was pleased. And perhaps I shouldn't have worried at

0:46:41.400 --> 0:46:43.520
<v Speaker 1>all about this, but I was pleased to see that

0:46:43.640 --> 0:46:46.400
<v Speaker 1>they were different people, where where their illness manifested in

0:46:46.480 --> 0:46:49.759
<v Speaker 1>different ways, and they had different personalities and and so

0:46:50.480 --> 0:46:52.640
<v Speaker 1>it was not difficult at all to write about them

0:46:52.680 --> 0:46:58.000
<v Speaker 1>as individuals. Peter is a peripatetic and high energy and affectionate,

0:46:58.719 --> 0:47:01.520
<v Speaker 1>a gregarious guy. He loves to play the recorder and

0:47:02.560 --> 0:47:05.000
<v Speaker 1>and loves his family and knows and loves to recite

0:47:05.040 --> 0:47:09.600
<v Speaker 1>everybody's name and um. Matthew is cantankerous and grumpy and

0:47:10.200 --> 0:47:13.960
<v Speaker 1>self pitying, and often goes on long jags about how

0:47:14.160 --> 0:47:18.719
<v Speaker 1>the Stato's in money and how um he if he

0:47:18.800 --> 0:47:21.120
<v Speaker 1>doesn't get what he wants, that big hurricanes are going

0:47:21.200 --> 0:47:26.120
<v Speaker 1>to happen um. But he is gentle as as can

0:47:26.160 --> 0:47:29.160
<v Speaker 1>be and and nothing never ever acts on any of

0:47:29.280 --> 0:47:33.279
<v Speaker 1>his anger. And Donald, who we still spoke about a

0:47:33.360 --> 0:47:37.120
<v Speaker 1>moment ago. Donald has been through decades of difficulties but

0:47:37.280 --> 0:47:41.120
<v Speaker 1>now is quite quite serene and quite calm. He still

0:47:41.200 --> 0:47:45.200
<v Speaker 1>has this intense hyper religiosity that he developed in the

0:47:45.280 --> 0:47:48.480
<v Speaker 1>seventies and never let go of, but he's quiet about

0:47:48.520 --> 0:47:54.440
<v Speaker 1>it and and very very peaceable around everyone. Doesn't say much,

0:47:54.560 --> 0:47:57.440
<v Speaker 1>but knows exactly what's happening. You can ask him about

0:47:57.440 --> 0:47:59.640
<v Speaker 1>his family, and he knows who everybody is and who's

0:47:59.680 --> 0:48:02.759
<v Speaker 1>related to everyone else. But then he will spin off

0:48:02.800 --> 0:48:09.680
<v Speaker 1>into his delusions. He'll say that he is h descended

0:48:09.719 --> 0:48:13.720
<v Speaker 1>from an octopus, or that um he actually his parents

0:48:13.800 --> 0:48:16.480
<v Speaker 1>aren't actually Don and Mevie Mimi Galvin. He was born

0:48:16.520 --> 0:48:19.560
<v Speaker 1>a few years before in Ireland to another family named Galvin,

0:48:20.080 --> 0:48:24.920
<v Speaker 1>and they sent him here and then he designed ten

0:48:25.040 --> 0:48:28.680
<v Speaker 1>thousand buildings because he's an architect, And then he has

0:48:28.800 --> 0:48:31.400
<v Speaker 1>eight thousand other careers and his favorite one is a

0:48:31.480 --> 0:48:36.200
<v Speaker 1>falconer um. You see, it's become sort of a word

0:48:36.320 --> 0:48:39.560
<v Speaker 1>salad after a while. So he's not able to sustain it.

0:48:40.680 --> 0:48:44.480
<v Speaker 1>But but he's I guess the point I'm trying to

0:48:44.560 --> 0:48:47.760
<v Speaker 1>get at is that these aren't these aren't straight jacket

0:48:47.920 --> 0:48:52.839
<v Speaker 1>maximum security hospital situations for these guys. They all are

0:48:53.040 --> 0:48:57.600
<v Speaker 1>under some level of care and and getting lots of prescriptions.

0:48:58.080 --> 0:49:00.600
<v Speaker 1>But you know, Matthew has been able to live independently

0:49:00.680 --> 0:49:04.800
<v Speaker 1>most of his adult life in federally subsidized Section eight housing.

0:49:04.880 --> 0:49:08.279
<v Speaker 1>He can drive a car. Um the other guys, you know,

0:49:08.400 --> 0:49:10.800
<v Speaker 1>they can be with their family on holidays and on

0:49:10.960 --> 0:49:14.200
<v Speaker 1>weekends of they their guests and and so it's it's

0:49:14.280 --> 0:49:19.600
<v Speaker 1>been interesting to see um how they have come along

0:49:19.680 --> 0:49:23.520
<v Speaker 1>over the years. Of course, their their family only sees

0:49:23.560 --> 0:49:26.200
<v Speaker 1>the loss like they see what the people they used

0:49:26.200 --> 0:49:29.560
<v Speaker 1>to be. And Okay, so talking about the other two

0:49:29.640 --> 0:49:31.840
<v Speaker 1>brothers who are still with us, you could have a

0:49:31.960 --> 0:49:34.560
<v Speaker 1>conversation with them just like you're having one with me

0:49:34.800 --> 0:49:37.200
<v Speaker 1>right now. Not just like it. No, they all have

0:49:37.320 --> 0:49:40.520
<v Speaker 1>cognitive issues. It's it's you're definitely talking with somebody who

0:49:40.640 --> 0:49:43.200
<v Speaker 1>is disabled in some way, and they all have convert

0:49:43.280 --> 0:49:45.160
<v Speaker 1>they all have subjects that they like to go back

0:49:45.239 --> 0:49:49.280
<v Speaker 1>to and become broken records about um. So you they

0:49:49.360 --> 0:49:52.040
<v Speaker 1>basically control the conversation and it's about one or two

0:49:52.719 --> 0:49:57.160
<v Speaker 1>or three limited subjects. Um uh. But in the in

0:49:57.320 --> 0:50:00.360
<v Speaker 1>the fringes, you sort of get little senses of their memories,

0:50:00.400 --> 0:50:04.080
<v Speaker 1>their childhood memories. You see the tenderness they feel towards

0:50:04.120 --> 0:50:08.040
<v Speaker 1>their their family members who come to visit them quite often.

0:50:08.120 --> 0:50:10.560
<v Speaker 1>You see the gratitude that they have towards the family

0:50:10.640 --> 0:50:12.560
<v Speaker 1>members who come to visit them, which is really quite

0:50:12.640 --> 0:50:15.759
<v Speaker 1>nice to see as well. So it's a at this level,

0:50:15.840 --> 0:50:19.120
<v Speaker 1>at this age, with this this many years of medication

0:50:19.239 --> 0:50:22.920
<v Speaker 1>behind them, it's become more a little bit more analogous

0:50:22.960 --> 0:50:26.560
<v Speaker 1>to visiting a relative with Down syndrome, let's say, or

0:50:27.239 --> 0:50:30.640
<v Speaker 1>what comes syndrome with Down syndrome or something like that. Somebody,

0:50:30.680 --> 0:50:37.160
<v Speaker 1>they're just cognitive issues, right, But uh you did you

0:50:37.360 --> 0:50:42.320
<v Speaker 1>feel any danger being around them? Oh? Absolutely not. No, No,

0:50:42.520 --> 0:50:45.640
<v Speaker 1>They're all everybody's And then that's I think the trajectory

0:50:45.680 --> 0:50:49.040
<v Speaker 1>of this illness is that the volatility and unpredictability and

0:50:49.600 --> 0:50:54.040
<v Speaker 1>anxiety it one people tend to mellow out a little

0:50:54.040 --> 0:50:55.839
<v Speaker 1>bit by the time they're in middle age, and then

0:50:55.920 --> 0:50:59.920
<v Speaker 1>sometimes the drugs they've been taking for decades of muffled

0:51:00.000 --> 0:51:06.120
<v Speaker 1>the symptoms as well. Okay, so um, one thing even

0:51:06.200 --> 0:51:09.560
<v Speaker 1>I know from writing about it. Uh, it's almost like

0:51:10.360 --> 0:51:15.120
<v Speaker 1>the Democratic left in that some of the terms are

0:51:15.280 --> 0:51:19.040
<v Speaker 1>very touchy. You know. You say that now schizophrenia is

0:51:19.160 --> 0:51:22.640
<v Speaker 1>a spectrum, mentally ill is an issue. So what is

0:51:22.719 --> 0:51:29.280
<v Speaker 1>the proper terminology today? Well? I think, um, the safest

0:51:29.360 --> 0:51:31.880
<v Speaker 1>thing would be to say that someone has been diagnosed

0:51:31.920 --> 0:51:35.799
<v Speaker 1>in schizophrenia. Um. I think these thing schizophrenic as a noun,

0:51:36.520 --> 0:51:39.520
<v Speaker 1>like like, you know, three schizophrenics walking to a bar.

0:51:39.800 --> 0:51:44.799
<v Speaker 1>That's not cool. Um. It that the word schizophrenic, even

0:51:44.840 --> 0:51:48.680
<v Speaker 1>as an adjective, tends to be sound a little pejorative.

0:51:48.760 --> 0:51:50.759
<v Speaker 1>And so I actually did a little house cleaning with

0:51:50.840 --> 0:51:52.520
<v Speaker 1>the book late in the game, and I went and

0:51:52.640 --> 0:51:54.920
<v Speaker 1>vacuumed out all the times that I use the word

0:51:54.960 --> 0:51:57.880
<v Speaker 1>schizophrenic as an adjective and or as a noun, and

0:51:58.160 --> 0:52:00.800
<v Speaker 1>instead I would say people with schizophrenic neo or patients

0:52:00.840 --> 0:52:04.560
<v Speaker 1>diagnosed the schizophrenia or schizophrenia patients. Just to make sure

0:52:04.600 --> 0:52:09.160
<v Speaker 1>that I wasn't seeming too cavalier. Um, I don't think

0:52:09.200 --> 0:52:12.920
<v Speaker 1>that that's a I don't think that these are these

0:52:12.960 --> 0:52:16.919
<v Speaker 1>are huge abusive terms necessarily the way that some other

0:52:17.640 --> 0:52:20.440
<v Speaker 1>terms might be. But they but but it's that's the

0:52:20.560 --> 0:52:24.680
<v Speaker 1>recent thinking on that stuff. Okay, John ends up moving

0:52:24.760 --> 0:52:28.840
<v Speaker 1>to Idaho and pretty much distances himselves from the family.

0:52:29.400 --> 0:52:32.520
<v Speaker 1>You believe that self preservation. He's working as a music teacher,

0:52:32.600 --> 0:52:37.600
<v Speaker 1>not making a huge income. What's your perspective on the well,

0:52:37.800 --> 0:52:40.960
<v Speaker 1>his He's the third child, and the two older brothers,

0:52:41.080 --> 0:52:45.960
<v Speaker 1>Jim and Donald, they they feuded amongst one another, and

0:52:46.080 --> 0:52:49.359
<v Speaker 1>they bullied one another, but they also bullied everybody younger

0:52:49.440 --> 0:52:51.640
<v Speaker 1>than them. So John was directly in the line of

0:52:51.719 --> 0:52:55.080
<v Speaker 1>fire of that. Growing up, the parents were so invested

0:52:55.120 --> 0:52:56.959
<v Speaker 1>in being a model family that they kind of turned

0:52:57.000 --> 0:52:59.840
<v Speaker 1>a blind eye to any rough housing and kind of

0:53:00.000 --> 0:53:02.800
<v Speaker 1>orowed it off. But John was legitimately afraid. He was

0:53:02.840 --> 0:53:05.600
<v Speaker 1>getting beat up a lot. And then, of course you

0:53:05.719 --> 0:53:08.400
<v Speaker 1>can't discount the fact that there probably were early signs

0:53:08.400 --> 0:53:10.920
<v Speaker 1>of extreme mental illness in both Jim and Donald, and

0:53:11.040 --> 0:53:13.800
<v Speaker 1>so they didn't probably didn't know limits, and they probably

0:53:14.760 --> 0:53:17.759
<v Speaker 1>you know, things probably got pretty ugly. So I think

0:53:17.880 --> 0:53:20.080
<v Speaker 1>John was very happy to leave for college and then

0:53:20.200 --> 0:53:23.480
<v Speaker 1>very happy to meet and marry someone almost immediately, and

0:53:23.800 --> 0:53:27.200
<v Speaker 1>and and really not come back. Um. He came back

0:53:27.239 --> 0:53:29.520
<v Speaker 1>to visit obviously, and he has good relationships with a

0:53:29.600 --> 0:53:32.239
<v Speaker 1>lot of his siblings, but he really did not, um,

0:53:33.239 --> 0:53:35.279
<v Speaker 1>you know, he really was glad to get out at

0:53:35.320 --> 0:53:38.880
<v Speaker 1>that time. Okay, the father at first, he's in the

0:53:38.960 --> 0:53:42.920
<v Speaker 1>year force. The mother doesn't work outside the home. How

0:53:43.000 --> 0:53:46.239
<v Speaker 1>does this work monetarily with twelve children? Is it just

0:53:46.400 --> 0:53:49.440
<v Speaker 1>a different era or were There's there a lot of sacrifice,

0:53:49.480 --> 0:53:53.080
<v Speaker 1>so there was enough money. Well, she made all their clothes,

0:53:53.200 --> 0:53:57.719
<v Speaker 1>she worked the sewing machine. Um. The Air Force gave

0:53:57.800 --> 0:54:02.239
<v Speaker 1>them health benefits obviously, so there wasn't that kind of issue. Um.

0:54:02.360 --> 0:54:04.640
<v Speaker 1>But no, money was very very tight all the time.

0:54:04.960 --> 0:54:07.439
<v Speaker 1>And and that was the one good thing about writing

0:54:07.480 --> 0:54:10.520
<v Speaker 1>about this particular family is that they really weren't They

0:54:10.680 --> 0:54:13.240
<v Speaker 1>didn't send anybody to the Meninger clinic. There was nobody

0:54:13.280 --> 0:54:16.960
<v Speaker 1>who who went to I don't know, to Sweden or

0:54:17.040 --> 0:54:19.680
<v Speaker 1>something to to deal with their psychiatric issues. There was

0:54:20.600 --> 0:54:23.319
<v Speaker 1>these were these were middle class people with with real

0:54:23.480 --> 0:54:25.560
<v Speaker 1>money issues, and they often ended up in the state

0:54:25.640 --> 0:54:29.319
<v Speaker 1>mental hospital. But yeah, there was it was clear they

0:54:29.360 --> 0:54:33.920
<v Speaker 1>would have to go to state colleges and and they

0:54:34.200 --> 0:54:37.840
<v Speaker 1>when they bought their dream house in nineteen in the

0:54:37.920 --> 0:54:41.520
<v Speaker 1>suburbs on Hidden Valley Road. It was a ranch house

0:54:41.680 --> 0:54:44.879
<v Speaker 1>that it was extremely ordinary looking and that barely held

0:54:44.960 --> 0:54:47.080
<v Speaker 1>them all. You know. It wasn't like they suddenly everybody

0:54:47.120 --> 0:54:49.760
<v Speaker 1>suddenly had a room of their own with twelve children.

0:54:49.840 --> 0:54:53.000
<v Speaker 1>They had like three different rooms with two bunk beds

0:54:53.040 --> 0:54:56.920
<v Speaker 1>in them. Let's talk about the survivors. Who can we

0:54:57.080 --> 0:55:01.040
<v Speaker 1>say mentally ill? Because I got to blow back on that. Sure, Okay,

0:55:01.360 --> 0:55:05.240
<v Speaker 1>the survivors were not mentally Lindsay does a lot of psychotherapy,

0:55:05.719 --> 0:55:09.160
<v Speaker 1>gets her older sister Margaret, a little bit into psychotherapy,

0:55:09.840 --> 0:55:13.800
<v Speaker 1>but Lindsay ends up being hands on and Margaret is

0:55:13.920 --> 0:55:18.880
<v Speaker 1>definitely hands off. So of the remaining people with there's John,

0:55:19.640 --> 0:55:22.400
<v Speaker 1>There is it Michael who was in the uh, the

0:55:22.920 --> 0:55:25.759
<v Speaker 1>farm or whatever it was, So there's there there for

0:55:26.040 --> 0:55:32.160
<v Speaker 1>any other ones who were not diagnosed. There's Mark Mark Mark,

0:55:32.200 --> 0:55:34.920
<v Speaker 1>who who has led a quiet life. He worked at

0:55:34.960 --> 0:55:38.160
<v Speaker 1>the University of Colorado bookstore for a while and Boulder

0:55:38.520 --> 0:55:41.480
<v Speaker 1>and now is uh he's retired. That he married and

0:55:41.560 --> 0:55:43.560
<v Speaker 1>had a few kids, but he kind of kept to himself.

0:55:44.120 --> 0:55:47.799
<v Speaker 1>Mark was a sad case because in any very large

0:55:47.880 --> 0:55:50.960
<v Speaker 1>family that the siblings closest to you become your sort

0:55:50.960 --> 0:55:53.880
<v Speaker 1>of family unit within the family. And so he was

0:55:54.000 --> 0:55:58.000
<v Speaker 1>one of a foursome with with Peter and Matthew and Joe.

0:55:58.560 --> 0:56:00.480
<v Speaker 1>The four of them played hockey to that they were

0:56:00.520 --> 0:56:04.280
<v Speaker 1>on the same teams. They often were in the paper

0:56:04.360 --> 0:56:08.880
<v Speaker 1>together about scoring goals together. They really were, we're tighter

0:56:09.360 --> 0:56:11.799
<v Speaker 1>than than the rest of the family was to them.

0:56:12.320 --> 0:56:14.919
<v Speaker 1>But all three of those brothers all became mentally ill.

0:56:15.120 --> 0:56:20.000
<v Speaker 1>He lost Matthew, Joe and and and and it was

0:56:20.280 --> 0:56:22.000
<v Speaker 1>really hard for him. It was like he lost his

0:56:22.080 --> 0:56:27.200
<v Speaker 1>whole family. So, of the five remaining I'll say lucid members,

0:56:27.480 --> 0:56:30.719
<v Speaker 1>to what degree are they affected permanently by this upbringing?

0:56:31.600 --> 0:56:33.680
<v Speaker 1>I would say that the one thing they all share

0:56:33.719 --> 0:56:36.719
<v Speaker 1>as a certain hyper vigilance that that even if they

0:56:37.320 --> 0:56:40.560
<v Speaker 1>Michael may not acknowledge it because he's a, you know,

0:56:41.080 --> 0:56:43.120
<v Speaker 1>sort of a child of the sixties and a hippie

0:56:43.280 --> 0:56:46.440
<v Speaker 1>and feels as if he's laid back, but it's clear

0:56:46.719 --> 0:56:50.200
<v Speaker 1>from my observation that he's And and Margaret and Lindsay

0:56:50.239 --> 0:56:54.360
<v Speaker 1>and Mark that they all are are. They remember what

0:56:54.440 --> 0:56:56.000
<v Speaker 1>it was like to grow up in a house where

0:56:56.160 --> 0:56:58.239
<v Speaker 1>either you were going to go insane yourself, or you

0:56:58.320 --> 0:57:00.720
<v Speaker 1>were going to watch somebody else in your family go insane.

0:57:01.120 --> 0:57:03.160
<v Speaker 1>And so you would go to bed every night wondering

0:57:03.840 --> 0:57:05.960
<v Speaker 1>would you wake up the same in the morning, And

0:57:06.040 --> 0:57:09.279
<v Speaker 1>then once you were up, you were wondering, I sure

0:57:09.360 --> 0:57:11.759
<v Speaker 1>hope that I don't step out of line, or else

0:57:11.840 --> 0:57:14.040
<v Speaker 1>my parents will think that something is wrong with me.

0:57:14.760 --> 0:57:17.040
<v Speaker 1>And so that sort of hyper vigilance doesn't really ever

0:57:17.120 --> 0:57:20.560
<v Speaker 1>go away. And they all they all lead functional lives

0:57:20.600 --> 0:57:23.440
<v Speaker 1>and are I you know, have had happy marriages and

0:57:24.160 --> 0:57:26.720
<v Speaker 1>many of them have kids. And but but I think

0:57:26.800 --> 0:57:28.800
<v Speaker 1>if you talk to them at length, you'll get the

0:57:28.840 --> 0:57:33.320
<v Speaker 1>sense that they have a certain watchfulness and weariness about them. Okay,

0:57:33.320 --> 0:57:35.760
<v Speaker 1>if you go into the science, which was threaded throughout,

0:57:36.480 --> 0:57:38.200
<v Speaker 1>even when we get to the end, and I don't

0:57:38.200 --> 0:57:40.840
<v Speaker 1>really think I'm giving anything away here, there is not

0:57:40.960 --> 0:57:45.400
<v Speaker 1>a definitive solution in terms of what exactly is going

0:57:45.480 --> 0:57:48.120
<v Speaker 1>on and how to treat it. Can you amplify that

0:57:48.200 --> 0:57:50.840
<v Speaker 1>a little bit? That's true? And I didn't want to

0:57:50.880 --> 0:57:52.720
<v Speaker 1>oversell the book that way. I didn't want to say

0:57:52.800 --> 0:57:55.840
<v Speaker 1>that there was a smoking gun or a Rosetta stone

0:57:56.440 --> 0:58:01.400
<v Speaker 1>that the family supplied. But um, I do think that

0:58:01.520 --> 0:58:04.640
<v Speaker 1>they had something of value to offer that they were um,

0:58:07.520 --> 0:58:12.640
<v Speaker 1>they existed at a time when we were just discovering, uh,

0:58:13.320 --> 0:58:15.920
<v Speaker 1>how to understand the genetic code and how to analyze

0:58:16.640 --> 0:58:19.040
<v Speaker 1>the human genome, and at the time there was a

0:58:19.120 --> 0:58:22.120
<v Speaker 1>lot of excitement that if you just had a general

0:58:22.240 --> 0:58:25.120
<v Speaker 1>understanding of what a normal so called normal human genome

0:58:25.160 --> 0:58:28.640
<v Speaker 1>should be, all you'd have to do is look on

0:58:29.280 --> 0:58:32.720
<v Speaker 1>the computer and compare that with somebody who had schizophrenia

0:58:33.760 --> 0:58:36.960
<v Speaker 1>or cancer or any other you know, disease, and just

0:58:37.080 --> 0:58:40.280
<v Speaker 1>see what was different, and you would solve the problem

0:58:40.360 --> 0:58:42.640
<v Speaker 1>by dinner time. Like you you you would be able

0:58:42.680 --> 0:58:45.720
<v Speaker 1>to find the smoking gun genes that would cause the

0:58:45.880 --> 0:58:48.800
<v Speaker 1>cause those diseases. But what we learned once the human

0:58:48.880 --> 0:58:52.240
<v Speaker 1>genome got sequenced is that for complicated diseases like cancer

0:58:52.320 --> 0:58:58.080
<v Speaker 1>and Alzheimer's disease and Parkinson's and schizophrenia, it's not one gene,

0:58:58.120 --> 0:59:00.640
<v Speaker 1>and it's not three genes, and it's not four teen genes.

0:59:00.720 --> 0:59:02.840
<v Speaker 1>It's more than a hundred genes so far that they

0:59:02.880 --> 0:59:06.240
<v Speaker 1>have found that have genetic irregularities that might play some

0:59:06.440 --> 0:59:10.720
<v Speaker 1>tiny little role in schizophrenia. And that is that's been

0:59:10.840 --> 0:59:13.480
<v Speaker 1>very dispiriting, but What that's meant is that the people

0:59:13.600 --> 0:59:16.800
<v Speaker 1>like the researchers in Hidden Valley Road who have been

0:59:17.280 --> 0:59:21.000
<v Speaker 1>studying families like the Galvin's, it means that they would

0:59:21.040 --> 0:59:23.400
<v Speaker 1>have been on the right track all along, because it's

0:59:23.480 --> 0:59:27.720
<v Speaker 1>those families who actually might be able to demonstrate exactly

0:59:27.760 --> 0:59:32.520
<v Speaker 1>how the disease plays out in uh, not just in genetics,

0:59:32.600 --> 0:59:34.600
<v Speaker 1>but in the brain because they all, if they all

0:59:34.640 --> 0:59:37.360
<v Speaker 1>share a certain mutation, they can see how that mutation

0:59:37.480 --> 0:59:41.040
<v Speaker 1>might affect brain function. And so there's promise from them

0:59:41.120 --> 0:59:44.040
<v Speaker 1>in that regard. That's kind of a long answer that

0:59:44.200 --> 0:59:48.800
<v Speaker 1>the shorter answer to your question is um to me

0:59:49.000 --> 0:59:51.800
<v Speaker 1>that the science and this story serves the family story,

0:59:51.920 --> 0:59:54.520
<v Speaker 1>that the that the march of progress in science is

0:59:54.600 --> 0:59:57.360
<v Speaker 1>not like not everything is polio and not everything is

0:59:58.040 --> 1:00:00.520
<v Speaker 1>a horrible illness that one day we just solved and

1:00:00.640 --> 1:00:03.480
<v Speaker 1>then we we we all can go to bed um.

1:00:03.800 --> 1:00:07.120
<v Speaker 1>Most sciences wiggily and wobbly and two steps forward and

1:00:07.160 --> 1:00:10.760
<v Speaker 1>one step back. And that's been the story of schizophrenia

1:00:10.880 --> 1:00:14.960
<v Speaker 1>so far. And this family is our window into that story.

1:00:21.200 --> 1:00:23.920
<v Speaker 1>What amazing thing is because you know, you start early

1:00:24.000 --> 1:00:26.240
<v Speaker 1>in the last century and then the kids are born

1:00:26.280 --> 1:00:28.320
<v Speaker 1>in the baby boom era is. You know, you're talking

1:00:28.320 --> 1:00:31.840
<v Speaker 1>about the research and then it's ten years later that

1:00:31.960 --> 1:00:34.400
<v Speaker 1>these people come back in that you say, this was

1:00:34.480 --> 1:00:37.400
<v Speaker 1>not a wealthy family. They could necessarily seek out the

1:00:37.520 --> 1:00:40.600
<v Speaker 1>best and the brightest. They're living. You know, people come in,

1:00:40.680 --> 1:00:43.000
<v Speaker 1>we got the cure, and then they disappear for ten years.

1:00:43.440 --> 1:00:45.480
<v Speaker 1>That must have been very depressing. I don't know how

1:00:45.840 --> 1:00:50.200
<v Speaker 1>they kept it together, absolutely, and and I think one

1:00:50.280 --> 1:00:53.720
<v Speaker 1>reason why they they finally decided to move forward with

1:00:53.800 --> 1:00:57.040
<v Speaker 1>the book is that they had some inkling from one

1:00:57.160 --> 1:00:59.360
<v Speaker 1>research team that there was some work being done that

1:00:59.480 --> 1:01:01.640
<v Speaker 1>they had a and in helping out with, but they

1:01:01.720 --> 1:01:03.840
<v Speaker 1>really didn't know what was going on with the other team,

1:01:03.880 --> 1:01:05.720
<v Speaker 1>and so they were hoping a reporter could help with

1:01:05.840 --> 1:01:08.960
<v Speaker 1>that too. So I almost one of the very first

1:01:09.000 --> 1:01:11.880
<v Speaker 1>things I did was I called up Dr Lynde de

1:01:11.920 --> 1:01:16.400
<v Speaker 1>Lacy in New England and I said, you know that

1:01:16.600 --> 1:01:18.720
<v Speaker 1>the family says that you studied them long ago, And

1:01:18.800 --> 1:01:21.160
<v Speaker 1>she said, oh, yes, I remember them. I've been meaning

1:01:21.240 --> 1:01:23.560
<v Speaker 1>to call them because we just found out something about

1:01:23.560 --> 1:01:26.400
<v Speaker 1>their jeans. And I said, you've got to be kidding me.

1:01:26.720 --> 1:01:31.680
<v Speaker 1>And so they connected them together in and a lot

1:01:31.720 --> 1:01:33.520
<v Speaker 1>of the revelations from that are sort of at the

1:01:33.600 --> 1:01:36.160
<v Speaker 1>end of the book. So let's talk about you for

1:01:36.320 --> 1:01:40.320
<v Speaker 1>a second. You're from where originally? Um, My whole family's

1:01:40.320 --> 1:01:43.320
<v Speaker 1>from Baltimore, and I um as a kid, I moved

1:01:43.320 --> 1:01:45.640
<v Speaker 1>out to the bourb So I'm from Columbia, Maryland, between

1:01:45.640 --> 1:01:49.040
<v Speaker 1>Baltimore and Washington. And your parents did what for a living?

1:01:49.960 --> 1:01:53.040
<v Speaker 1>My my dad was a real estate developer who's retired now,

1:01:53.120 --> 1:01:56.640
<v Speaker 1>and my mother for twenty five years was what worked

1:01:56.680 --> 1:01:59.520
<v Speaker 1>in the in the psychiatric part of our little local hospital.

1:01:59.640 --> 1:02:02.320
<v Speaker 1>She was she was not a psychiatrist. She was a

1:02:02.880 --> 1:02:06.240
<v Speaker 1>She had a master's in counseling psychology, so she was

1:02:06.280 --> 1:02:11.040
<v Speaker 1>a psychosistant. And this was a local hospital where you know,

1:02:11.160 --> 1:02:13.800
<v Speaker 1>people would cycle through who maybe maybe there'd be some

1:02:13.840 --> 1:02:16.440
<v Speaker 1>people with schizophrenia who would go into their health benefits

1:02:16.800 --> 1:02:18.560
<v Speaker 1>ran out for the month and then they so they'd

1:02:18.600 --> 1:02:20.240
<v Speaker 1>come for a few days at a time, but mostly

1:02:20.320 --> 1:02:24.400
<v Speaker 1>it was trauma from people who were in car crashes

1:02:24.600 --> 1:02:27.920
<v Speaker 1>or teenagers with suicide attempts, you know, the sort of

1:02:27.960 --> 1:02:30.280
<v Speaker 1>thing a local hospital would deal with. So she was

1:02:30.440 --> 1:02:33.200
<v Speaker 1>and she was not a theoretician. She she didn't come

1:02:33.240 --> 1:02:36.120
<v Speaker 1>home and talk about Freud and young with us. She

1:02:36.320 --> 1:02:39.800
<v Speaker 1>was very practical and very pragmatic and really was really

1:02:39.880 --> 1:02:41.920
<v Speaker 1>just there to help out. So it's I don't want

1:02:41.960 --> 1:02:44.640
<v Speaker 1>to go to suggest that I got this fascination with

1:02:44.720 --> 1:02:48.400
<v Speaker 1>psychiatry from my mother, but I did get her listening skills,

1:02:48.480 --> 1:02:50.960
<v Speaker 1>for sure. She was a really, really good, active listener,

1:02:51.040 --> 1:02:54.240
<v Speaker 1>and so I credit her with that. How many kids

1:02:54.240 --> 1:02:58.160
<v Speaker 1>in the family, I'm the youngest of three, and so

1:02:58.320 --> 1:03:01.400
<v Speaker 1>you go to college where um I went to Columbia

1:03:01.600 --> 1:03:06.880
<v Speaker 1>University undergrad and I got here in New York. I

1:03:07.040 --> 1:03:11.640
<v Speaker 1>arrived in the fall of n when nobody wanted to

1:03:11.720 --> 1:03:14.320
<v Speaker 1>move to New York, and so it was very easy

1:03:14.360 --> 1:03:16.720
<v Speaker 1>to get into Columbia. And my friends and I from

1:03:16.760 --> 1:03:18.280
<v Speaker 1>that time we all say how we never could have

1:03:18.320 --> 1:03:21.160
<v Speaker 1>gotten in now, because that's what they say. But leaving

1:03:21.200 --> 1:03:23.880
<v Speaker 1>that aside, at what at what point do you decide

1:03:23.920 --> 1:03:27.000
<v Speaker 1>you want to become a writer? UM? I loved writing

1:03:27.160 --> 1:03:30.200
<v Speaker 1>from from fifth grade onward. I didn't know what I

1:03:30.280 --> 1:03:31.680
<v Speaker 1>was going to do with it, but I just thought

1:03:31.720 --> 1:03:33.600
<v Speaker 1>I would keep going with it, and I really was not.

1:03:34.080 --> 1:03:38.560
<v Speaker 1>Didn't discover reporting until I was twenty three and out

1:03:38.600 --> 1:03:40.680
<v Speaker 1>of college for a year or two and working at

1:03:40.720 --> 1:03:44.920
<v Speaker 1>a little local neighborhood newspaper doing neighborhood news um when

1:03:44.960 --> 1:03:47.760
<v Speaker 1>I was a kid in the eighties. But the people

1:03:47.800 --> 1:03:50.120
<v Speaker 1>who wanted to become reporters wanted to be Woodward and

1:03:50.200 --> 1:03:54.680
<v Speaker 1>Bernstein or a foreign correspondent or Sam Donaldson. They were

1:03:55.240 --> 1:03:57.880
<v Speaker 1>you know, in the white House pool and these were

1:03:57.960 --> 1:04:01.320
<v Speaker 1>things that I just never really connected with emotionally. I

1:04:01.400 --> 1:04:03.600
<v Speaker 1>wanted to be, you know, maybe a movie critic or

1:04:03.640 --> 1:04:08.720
<v Speaker 1>an essay writer or something. But then, um, I majored

1:04:08.760 --> 1:04:11.240
<v Speaker 1>in history in college, and I love the narrative aspect

1:04:11.320 --> 1:04:14.960
<v Speaker 1>of history, the the idea of different concepts coming up

1:04:15.000 --> 1:04:17.280
<v Speaker 1>over and over again and following them through over time.

1:04:17.720 --> 1:04:19.600
<v Speaker 1>And then as a reporter, I found that I was

1:04:19.720 --> 1:04:23.600
<v Speaker 1>talking to people who where everyday people people who never

1:04:23.640 --> 1:04:26.240
<v Speaker 1>thought they'd ever be in the papers, and they were

1:04:26.640 --> 1:04:29.360
<v Speaker 1>dealing with situations on their block, like I don't know,

1:04:29.560 --> 1:04:33.000
<v Speaker 1>fighting the local market because they were littering, or worried

1:04:33.000 --> 1:04:36.520
<v Speaker 1>about a drug war happening on their block, or um

1:04:37.200 --> 1:04:39.760
<v Speaker 1>fighting the skyscraper that was planned to go up two

1:04:39.840 --> 1:04:42.360
<v Speaker 1>blocks away. And I would come back to them week

1:04:42.440 --> 1:04:45.120
<v Speaker 1>after week after week, and it became a serial. It

1:04:45.200 --> 1:04:49.080
<v Speaker 1>became like a like a soap opera, and I also

1:04:49.160 --> 1:04:51.520
<v Speaker 1>developed nice relationships with those sources and got to know

1:04:51.640 --> 1:04:54.560
<v Speaker 1>them as people. And so I was writing about everyday

1:04:54.640 --> 1:04:58.960
<v Speaker 1>human dramas and UM. When my career really took off

1:04:59.400 --> 1:05:01.880
<v Speaker 1>several years later and I got worked at New York Magazine,

1:05:01.920 --> 1:05:05.080
<v Speaker 1>I was able to spin out reporting like that into longer,

1:05:05.200 --> 1:05:08.320
<v Speaker 1>bigger feature stories with that that were about higher stakes

1:05:08.360 --> 1:05:10.920
<v Speaker 1>issues and higher profile things. But I never really stepped

1:05:10.960 --> 1:05:14.520
<v Speaker 1>away from that approach, which is to tell narrative stories

1:05:14.600 --> 1:05:18.080
<v Speaker 1>about people going through difficult situations. Now, you did or

1:05:18.160 --> 1:05:20.760
<v Speaker 1>did not go to graduate school. It's unclear here. I

1:05:20.840 --> 1:05:23.680
<v Speaker 1>did not, um the way you were talking about that,

1:05:23.760 --> 1:05:26.240
<v Speaker 1>I went to undergraduate school, not that you had to,

1:05:26.400 --> 1:05:28.280
<v Speaker 1>but I was wondering whether it was a shoot a

1:05:28.400 --> 1:05:31.720
<v Speaker 1>drop there. No, I'm smiling because I worked at the

1:05:31.720 --> 1:05:34.320
<v Speaker 1>school paper, in the arts section of the school paper,

1:05:34.800 --> 1:05:38.840
<v Speaker 1>and and there was a reverse snobbery at Columbia's UH

1:05:39.080 --> 1:05:41.600
<v Speaker 1>school newspaper where where everybody said, we don't have to

1:05:41.640 --> 1:05:43.800
<v Speaker 1>go to J school because we're putting out the school

1:05:43.840 --> 1:05:46.120
<v Speaker 1>paper at Columbia and you know, we're better than the

1:05:46.200 --> 1:05:48.600
<v Speaker 1>J school and who needs J School? And of course

1:05:48.640 --> 1:05:51.880
<v Speaker 1>half the people who who said that ended up going

1:05:51.920 --> 1:05:54.480
<v Speaker 1>to J School, and and J School is great, but

1:05:54.680 --> 1:05:56.920
<v Speaker 1>most of the many of the people I love in

1:05:57.120 --> 1:05:58.880
<v Speaker 1>my career went to J School, but I just never

1:05:59.040 --> 1:06:00.960
<v Speaker 1>ended up there for one reason or another. Okay, so

1:06:01.000 --> 1:06:03.840
<v Speaker 1>how did you end up working at New York Magazine? Well?

1:06:03.880 --> 1:06:06.840
<v Speaker 1>I got there when I was twenty nine. Before that,

1:06:06.960 --> 1:06:11.280
<v Speaker 1>I really jumped around a lot. I Um, I wanted

1:06:11.320 --> 1:06:13.360
<v Speaker 1>to work in magazines and wasn't sure how. I didn't

1:06:13.400 --> 1:06:15.480
<v Speaker 1>know how to make that jump from little weekly papers

1:06:15.520 --> 1:06:18.800
<v Speaker 1>to magazines, and so I worked at Backstage the Theater newspaper,

1:06:18.880 --> 1:06:21.200
<v Speaker 1>and I edited articles for them, and I wrote articles

1:06:21.280 --> 1:06:26.520
<v Speaker 1>for them, and then um, one day, Time Out magazine

1:06:26.560 --> 1:06:29.040
<v Speaker 1>announced that it was going to launch its New York

1:06:29.080 --> 1:06:32.400
<v Speaker 1>City version of the magazine, you know, the London Time

1:06:32.440 --> 1:06:36.040
<v Speaker 1>Out magazine. So Time Out New York launched in and

1:06:36.120 --> 1:06:39.400
<v Speaker 1>that was suddenly, in a very difficult time financially in

1:06:39.480 --> 1:06:43.360
<v Speaker 1>New York. That was thirty new journalism jobs suddenly, and

1:06:43.760 --> 1:06:45.400
<v Speaker 1>I was one of the people hired there, and I

1:06:45.480 --> 1:06:47.280
<v Speaker 1>was part of a launch, which was great, and it

1:06:47.400 --> 1:06:49.200
<v Speaker 1>was like being in college all over again. We worked

1:06:49.200 --> 1:06:50.920
<v Speaker 1>twenty four hours a day to get this thing off

1:06:50.960 --> 1:06:55.439
<v Speaker 1>the ground, and I was writing City stories that were

1:06:55.520 --> 1:06:58.600
<v Speaker 1>really that would have been at home at New York Magazine.

1:06:58.600 --> 1:07:00.439
<v Speaker 1>And so it kind of makes sense. And in site

1:07:00.480 --> 1:07:02.680
<v Speaker 1>that three years later, I got hired at New York

1:07:02.720 --> 1:07:04.360
<v Speaker 1>Magazine to do a lot of the same sort of

1:07:04.360 --> 1:07:06.920
<v Speaker 1>stuff that I was doing at Time Out Magazine, and

1:07:07.680 --> 1:07:11.960
<v Speaker 1>you ultimately wrote a story about a superintendent of schools

1:07:12.280 --> 1:07:15.600
<v Speaker 1>on Long Island that was just recently a very highly

1:07:15.720 --> 1:07:19.640
<v Speaker 1>reviewed HBO series. Yes, I can take no credit for

1:07:19.720 --> 1:07:22.840
<v Speaker 1>the movie, but it's the sort of thing that magazine

1:07:22.880 --> 1:07:25.600
<v Speaker 1>writer's dream of happening, that one day somebody's making a

1:07:25.640 --> 1:07:29.680
<v Speaker 1>movie and options your story and and uh and uses

1:07:29.720 --> 1:07:31.040
<v Speaker 1>it and it makes it into a movie. And the

1:07:31.080 --> 1:07:32.960
<v Speaker 1>New York Magazine has a nice track record with that.

1:07:33.120 --> 1:07:36.920
<v Speaker 1>Hustlers came from a New York Magazine story, and American

1:07:36.960 --> 1:07:40.000
<v Speaker 1>Gangster came from a New York Magazine story, and Saturday

1:07:40.080 --> 1:07:42.479
<v Speaker 1>Night Fever obviously came from a New York Magazine story.

1:07:42.720 --> 1:07:45.600
<v Speaker 1>But the in this case, I've been writing a lot

1:07:45.680 --> 1:07:48.880
<v Speaker 1>of stories set out on Long Island. Um. I think

1:07:48.920 --> 1:07:50.880
<v Speaker 1>it's because I live in Brooklyn, which is not so

1:07:51.000 --> 1:07:52.680
<v Speaker 1>far from Long Island, and that I had a car,

1:07:52.960 --> 1:07:54.720
<v Speaker 1>so they thought, well, you can go out there, it's

1:07:54.720 --> 1:07:58.360
<v Speaker 1>easy for you, and they were all these kind of

1:07:58.440 --> 1:08:01.600
<v Speaker 1>gritty narratives. This was This was a few years after

1:08:01.760 --> 1:08:04.360
<v Speaker 1>Amy Fisher enjoy Bafuco. But there were plenty of other

1:08:04.440 --> 1:08:07.040
<v Speaker 1>stories like that happening out there. And this was an

1:08:07.080 --> 1:08:12.520
<v Speaker 1>amazing story about UM the biggest public school system embezzlement

1:08:12.560 --> 1:08:15.680
<v Speaker 1>scandal in America, all happening in a very high profile,

1:08:16.240 --> 1:08:19.519
<v Speaker 1>very swanky part of Long Island where the kids all

1:08:19.560 --> 1:08:24.000
<v Speaker 1>went to Harvard Um called Rosalind and Um the superintendent

1:08:24.960 --> 1:08:28.519
<v Speaker 1>was a was a was a god um there. He

1:08:28.680 --> 1:08:30.800
<v Speaker 1>was really held up in high esteem because he was

1:08:30.880 --> 1:08:33.760
<v Speaker 1>delivering for everyone. And he probably would have done that

1:08:33.840 --> 1:08:37.320
<v Speaker 1>for years and years more if if his if it

1:08:37.400 --> 1:08:40.439
<v Speaker 1>hadn't been found out that he was, you know, stealing

1:08:40.479 --> 1:08:43.400
<v Speaker 1>from the register. And so the question I asked in

1:08:43.479 --> 1:08:48.280
<v Speaker 1>that article was did he swindle the town or did

1:08:48.360 --> 1:08:51.679
<v Speaker 1>the town allow him themselves to be swindled by him? Because,

1:08:52.320 --> 1:08:55.040
<v Speaker 1>you know, because they needed his success, they needed him

1:08:55.080 --> 1:08:58.360
<v Speaker 1>to be delivering for them. And I never dreamed it

1:08:58.400 --> 1:09:00.280
<v Speaker 1>would be a story. And then there was a young

1:09:00.360 --> 1:09:03.400
<v Speaker 1>man named Mike mccowski who was a junior high school

1:09:03.439 --> 1:09:06.800
<v Speaker 1>student at the time of the scandal. Years go by,

1:09:07.000 --> 1:09:09.639
<v Speaker 1>he grows up, he becomes a screenwriter, and he decides

1:09:09.680 --> 1:09:11.680
<v Speaker 1>to write about it, and he options my story. And

1:09:11.760 --> 1:09:13.960
<v Speaker 1>I know, I don't blink an eye, like I think, well,

1:09:14.600 --> 1:09:17.200
<v Speaker 1>these things never get made into movies. And then one

1:09:17.280 --> 1:09:20.240
<v Speaker 1>day I get an email from the magazine, years after

1:09:20.360 --> 1:09:22.640
<v Speaker 1>I left the magazine saying good news, they're starting to

1:09:22.640 --> 1:09:25.680
<v Speaker 1>shoot it with Hugh Jackman and Alison Janney. And I was,

1:09:26.400 --> 1:09:28.080
<v Speaker 1>you know, I fell on the floor. It was wonderful,

1:09:28.200 --> 1:09:30.280
<v Speaker 1>really wonderful, and I really I really liked the movie

1:09:30.280 --> 1:09:33.320
<v Speaker 1>a lot. Okay, what is the deal with New York

1:09:33.400 --> 1:09:36.400
<v Speaker 1>If you write something and it's optioned? Uh, do you

1:09:36.479 --> 1:09:38.680
<v Speaker 1>split it with New York Magazine or you get all

1:09:38.720 --> 1:09:41.200
<v Speaker 1>of it? Or how's it work? Well, in the old days,

1:09:41.320 --> 1:09:42.880
<v Speaker 1>you'd get all of it. And then that was just

1:09:43.000 --> 1:09:45.360
<v Speaker 1>sort of a convention of the business that you um

1:09:46.920 --> 1:09:49.960
<v Speaker 1>that that that even if technically it was a work

1:09:50.080 --> 1:09:54.160
<v Speaker 1>for hire, um and uh, and it was technically the

1:09:54.200 --> 1:09:57.759
<v Speaker 1>intellectual property of the publication, it was a professional courtesy

1:09:57.840 --> 1:10:00.439
<v Speaker 1>that they would sign a one Sheeeter called a Bulsher's

1:10:00.479 --> 1:10:02.600
<v Speaker 1>release and allow you to option the story and you

1:10:02.640 --> 1:10:05.200
<v Speaker 1>would get the money for the store. The idea was

1:10:05.360 --> 1:10:07.679
<v Speaker 1>that it doesn't happen that often, and that the magazine

1:10:07.760 --> 1:10:11.080
<v Speaker 1>was too busy making money other ways to try to

1:10:11.280 --> 1:10:14.120
<v Speaker 1>horn in on these deals. Because the amount of time

1:10:14.160 --> 1:10:16.280
<v Speaker 1>and hours it takes to try to develop those deals,

1:10:16.680 --> 1:10:18.439
<v Speaker 1>you end up spending all the money that you would

1:10:18.479 --> 1:10:20.720
<v Speaker 1>make on those deals. But then the business changed and

1:10:22.560 --> 1:10:25.519
<v Speaker 1>and uh, this is maybe longer answer than you're expecting,

1:10:25.560 --> 1:10:28.400
<v Speaker 1>but the business really contracted and every and everybody needed

1:10:28.439 --> 1:10:31.400
<v Speaker 1>money everywhere, and there were a couple of huge successes

1:10:32.680 --> 1:10:35.720
<v Speaker 1>out there that the that the publication didn't get a

1:10:35.800 --> 1:10:38.760
<v Speaker 1>dime from, and UM speaking specifically of Sex in the

1:10:38.880 --> 1:10:41.760
<v Speaker 1>City and the New York Observer, Like the New York

1:10:41.760 --> 1:10:44.559
<v Speaker 1>Observer was this tiny little paper that was losing money

1:10:44.600 --> 1:10:49.280
<v Speaker 1>all the time. And Canadas, Bushnell sold the idea for

1:10:49.360 --> 1:10:51.519
<v Speaker 1>Sex in the City, which was printed in the Observer,

1:10:52.040 --> 1:10:53.960
<v Speaker 1>and the Observer didn't get a cent from it. And

1:10:54.120 --> 1:10:57.400
<v Speaker 1>so I think magazines and publications started to wake up

1:10:57.479 --> 1:11:00.840
<v Speaker 1>about ten or fifteen years ago and say, all, we

1:11:00.960 --> 1:11:03.600
<v Speaker 1>can't let that happen, And so they started to negotiate

1:11:03.760 --> 1:11:08.519
<v Speaker 1>with their writers and UM and they started to come

1:11:08.560 --> 1:11:10.960
<v Speaker 1>up with revenue sharing arrangements. So now even the New

1:11:11.040 --> 1:11:16.720
<v Speaker 1>York Times, which develops TV series and movies from and

1:11:16.960 --> 1:11:20.320
<v Speaker 1>and reality shows and whatnot. From various things that they print.

1:11:20.400 --> 1:11:23.240
<v Speaker 1>They have a revenue sharing arrangement where the paper gets

1:11:23.320 --> 1:11:26.040
<v Speaker 1>some and the writer gets some, and I think New

1:11:26.120 --> 1:11:28.960
<v Speaker 1>York Magazine does too. What happened on your deal on

1:11:29.040 --> 1:11:31.840
<v Speaker 1>that movie? I think I was grandfathered in so, like

1:11:32.320 --> 1:11:36.000
<v Speaker 1>everything up to this exceanely high amount, I was going

1:11:36.080 --> 1:11:38.519
<v Speaker 1>to get a percent of and then if it if

1:11:38.560 --> 1:11:43.080
<v Speaker 1>it became a superhero franchise or or Sex in the

1:11:43.160 --> 1:11:45.360
<v Speaker 1>City or something like that, then then I would start

1:11:45.400 --> 1:11:47.919
<v Speaker 1>having to split fifty cents on the dollar with the magazine.

1:11:48.120 --> 1:11:50.720
<v Speaker 1>But when the picture actually went to HBO when it

1:11:50.800 --> 1:11:53.960
<v Speaker 1>was developed, you got another payment. Yeah, exactly when they

1:11:54.040 --> 1:11:57.519
<v Speaker 1>when they started the day they started shooting, with the

1:11:57.640 --> 1:12:00.960
<v Speaker 1>first day of principal photography, I got another check. Okay,

1:12:01.479 --> 1:12:05.320
<v Speaker 1>did you have any other stories option that didn't ultimately

1:12:05.400 --> 1:12:08.840
<v Speaker 1>go to screen? Oh? Yes, Um, those were all for

1:12:08.960 --> 1:12:12.080
<v Speaker 1>TV movies because you know, there was even before the

1:12:12.160 --> 1:12:15.680
<v Speaker 1>true crime boom of the streaming era with Making a

1:12:15.760 --> 1:12:20.519
<v Speaker 1>Murderer and whatnot. Um, there was always a demand at

1:12:20.680 --> 1:12:23.840
<v Speaker 1>like the forrom the A and E Channel or from

1:12:24.400 --> 1:12:27.559
<v Speaker 1>from from Lifetime you know, for for a quick grip

1:12:27.680 --> 1:12:30.519
<v Speaker 1>from the headlines movies, and so quite often the reported

1:12:30.560 --> 1:12:32.519
<v Speaker 1>stories like the ones I did for New York Magazine

1:12:32.560 --> 1:12:37.400
<v Speaker 1>got option. There was one about John O'Neill, the FBI's

1:12:37.479 --> 1:12:40.679
<v Speaker 1>terror asm expert who who died in the World Trade

1:12:40.720 --> 1:12:43.559
<v Speaker 1>Center attacks. That was optioned. It never got made into anything.

1:12:44.200 --> 1:12:46.920
<v Speaker 1>And then the murder of Ted Ammen out in the

1:12:46.960 --> 1:12:49.920
<v Speaker 1>Hampton's he was a huge multi millionaire whose wife hadn't

1:12:50.040 --> 1:12:53.200
<v Speaker 1>killed That that got made into a movie, but not

1:12:53.400 --> 1:12:56.559
<v Speaker 1>my story. Someone else's the Vanity Fair story got option.

1:12:57.120 --> 1:13:02.760
<v Speaker 1>And then the story of Carlina White who solved her

1:13:02.800 --> 1:13:06.840
<v Speaker 1>own kidnapping one day she she uh one day she

1:13:07.200 --> 1:13:08.960
<v Speaker 1>did a little legwork and saw that the woman she

1:13:09.040 --> 1:13:11.000
<v Speaker 1>thought was her mother had actually kidnapped her as a

1:13:11.080 --> 1:13:14.560
<v Speaker 1>baby from the hospital. That was an amazing story that

1:13:14.720 --> 1:13:17.000
<v Speaker 1>got made into a Time a Lifetime movie, but again

1:13:17.120 --> 1:13:19.800
<v Speaker 1>not my story. It was somebody else's story. So but

1:13:19.920 --> 1:13:22.960
<v Speaker 1>they all everybody's sort of putting little bets on the table.

1:13:23.040 --> 1:13:24.840
<v Speaker 1>So they pick up these stories every now and then.

1:13:25.320 --> 1:13:27.360
<v Speaker 1>And how do you end up leaving New York Magazine?

1:13:27.880 --> 1:13:30.400
<v Speaker 1>UM I had written Lost Girls, which was a success.

1:13:31.080 --> 1:13:34.240
<v Speaker 1>Um it was a you know, briefly a bestseller, it

1:13:34.360 --> 1:13:36.719
<v Speaker 1>got option for the movies and eventually became a movie

1:13:36.760 --> 1:13:39.240
<v Speaker 1>this past spring on Netflix with Amy Ryan that I'm

1:13:39.240 --> 1:13:43.360
<v Speaker 1>really proud of. UM. But UM, the magazine at that

1:13:43.520 --> 1:13:47.080
<v Speaker 1>time went bi weekly. Instead of being coming out every week,

1:13:47.120 --> 1:13:49.400
<v Speaker 1>it was coming out every other week, which meant that

1:13:49.479 --> 1:13:52.559
<v Speaker 1>they need fewer people like me to write the big,

1:13:52.720 --> 1:13:56.000
<v Speaker 1>longer stories and cover stories. And so they started talking

1:13:56.080 --> 1:13:58.280
<v Speaker 1>with each of us about how our roles might change.

1:13:58.600 --> 1:14:00.120
<v Speaker 1>And I thought, well, this is the right time for

1:14:00.240 --> 1:14:02.720
<v Speaker 1>me to you know, write elsewhere, and to to write

1:14:02.760 --> 1:14:04.600
<v Speaker 1>continue writing for New York but also right for the

1:14:04.600 --> 1:14:09.240
<v Speaker 1>New York Times magazine, to write for Wired. UM. And

1:14:09.400 --> 1:14:12.400
<v Speaker 1>so I did I UM, I moved on and then

1:14:12.439 --> 1:14:15.960
<v Speaker 1>I quit very quickly got recruited by Bloomberg Business Week

1:14:16.040 --> 1:14:19.519
<v Speaker 1>to be an investigative reporter for Bloomberg Projects reporter for them.

1:14:20.040 --> 1:14:23.120
<v Speaker 1>And that was an amazing job, a wonderful job because

1:14:23.160 --> 1:14:28.479
<v Speaker 1>I could write really exciting, entertaining, propulsive narrative feature stories

1:14:28.640 --> 1:14:32.840
<v Speaker 1>for for Business Week magazine, but the subject matter could

1:14:32.840 --> 1:14:35.360
<v Speaker 1>be new and fresh to me, and I would learn

1:14:35.479 --> 1:14:38.760
<v Speaker 1>something new every time. And because it was Bloomberg, it

1:14:38.840 --> 1:14:41.040
<v Speaker 1>was worldwide. I was no longer just writing about the

1:14:41.080 --> 1:14:43.479
<v Speaker 1>New York metro area. I was flying all around the

1:14:43.520 --> 1:14:46.360
<v Speaker 1>world writing about stories. And it was shortly after I

1:14:46.479 --> 1:14:49.599
<v Speaker 1>started my job there that I first had that first

1:14:49.680 --> 1:14:53.080
<v Speaker 1>phone call with Lindsay and Margaret, with the Galvin family. Yeah.

1:14:53.120 --> 1:14:55.840
<v Speaker 1>One of the things I said to them was, I

1:14:56.000 --> 1:14:59.880
<v Speaker 1>just started a new job. I can't exactly walk a

1:15:00.000 --> 1:15:02.839
<v Speaker 1>way from it, but anyway, it all goes slowly anyway.

1:15:02.880 --> 1:15:05.760
<v Speaker 1>Books take forever anyway, so let's keep talking. And that's

1:15:05.880 --> 1:15:09.479
<v Speaker 1>how it happened. So you ultimately did quit Bloomberg. I did.

1:15:09.600 --> 1:15:12.000
<v Speaker 1>They're very good with book leave at Bloomberg, but they're

1:15:12.000 --> 1:15:15.000
<v Speaker 1>at a totally different model. They the people who go

1:15:15.120 --> 1:15:17.880
<v Speaker 1>and write books for them. They are beat writers who

1:15:17.920 --> 1:15:20.839
<v Speaker 1>have a certain expertise, Like they read about Jeff Bezos,

1:15:21.040 --> 1:15:23.840
<v Speaker 1>or they write about Instagram and they break away for

1:15:23.960 --> 1:15:26.240
<v Speaker 1>six weeks and write their book about Instagram and then

1:15:26.280 --> 1:15:28.559
<v Speaker 1>they come back. Whereas I was having to learn about

1:15:28.600 --> 1:15:32.640
<v Speaker 1>schizophrenia from the from scratch and so I had to

1:15:32.680 --> 1:15:35.400
<v Speaker 1>go away for too long. But I love those guys.

1:15:35.479 --> 1:15:38.559
<v Speaker 1>I'd write for them again. They're okay. So you referenced

1:15:38.600 --> 1:15:41.839
<v Speaker 1>the family. What is your family look like? Your personal

1:15:41.960 --> 1:15:45.920
<v Speaker 1>family Um, I'm I'm married. My wife is Kirsten Danis.

1:15:46.000 --> 1:15:49.200
<v Speaker 1>She's a superstar editor at the New York Times. She

1:15:49.760 --> 1:15:54.760
<v Speaker 1>she um, she and it's investigative reporting stories for the

1:15:54.840 --> 1:15:57.160
<v Speaker 1>Metro section for the New York City section, and her

1:15:57.200 --> 1:15:59.799
<v Speaker 1>reporter just want to Pulitzer. So it's been an exciting

1:16:00.120 --> 1:16:04.160
<v Speaker 1>for her, very proud of her. And our kids are

1:16:04.240 --> 1:16:07.680
<v Speaker 1>seventeen and fourteen. Um, the fourteen year old is going

1:16:07.720 --> 1:16:09.479
<v Speaker 1>to go into high school next year, so they're really

1:16:10.000 --> 1:16:12.760
<v Speaker 1>turning the corner. And we're lucky that way into in

1:16:12.840 --> 1:16:18.240
<v Speaker 1>a sense because um, during this quarantine period, it means, um,

1:16:19.320 --> 1:16:21.679
<v Speaker 1>they aren't three and four years old and running around

1:16:21.720 --> 1:16:24.599
<v Speaker 1>like they have their things to do, and they're they're

1:16:24.680 --> 1:16:26.920
<v Speaker 1>they're cool to hang out with. I actually was listening

1:16:26.960 --> 1:16:29.880
<v Speaker 1>to you talk to Titus Boliver and he said his

1:16:30.000 --> 1:16:31.880
<v Speaker 1>kids were similar ages, and I thought, oh, I know

1:16:31.960 --> 1:16:35.519
<v Speaker 1>what he's I can picture of what he's experiencing. So

1:16:35.880 --> 1:16:38.920
<v Speaker 1>how did you meet your wife? We were in college together,

1:16:39.160 --> 1:16:41.000
<v Speaker 1>but she was always more of a news e than me,

1:16:41.200 --> 1:16:43.960
<v Speaker 1>Like I was like an arts writer writing movie reviews

1:16:44.000 --> 1:16:47.479
<v Speaker 1>and editing the arts publication of the school paper, and

1:16:47.600 --> 1:16:51.000
<v Speaker 1>she was a year younger, and uh, news reporter and

1:16:51.040 --> 1:16:54.000
<v Speaker 1>then eventually became the editor in chief of the Columbia newspaper.

1:16:54.439 --> 1:16:56.840
<v Speaker 1>And then she stayed in We stayed in New York

1:16:56.920 --> 1:17:00.080
<v Speaker 1>and stayed together, and we married many years later. But

1:17:00.200 --> 1:17:03.240
<v Speaker 1>we circled with each other like sharks for many many years,

1:17:03.280 --> 1:17:06.519
<v Speaker 1>and then we married in our late twenties, but it

1:17:06.600 --> 1:17:09.439
<v Speaker 1>was always a relationship then or oh yeah, yeah, we're

1:17:09.439 --> 1:17:13.800
<v Speaker 1>always together since my senior year, since and her junior year. Okay,

1:17:13.880 --> 1:17:16.800
<v Speaker 1>So needless to say, Hidden Valley Road is a is

1:17:16.880 --> 1:17:21.479
<v Speaker 1>both a financial and a critical success. And as we've

1:17:21.560 --> 1:17:24.719
<v Speaker 1>established earlier, as much as you loved it even beyond

1:17:24.880 --> 1:17:29.439
<v Speaker 1>your dreams. So what's the dream? Now? That's a really

1:17:29.479 --> 1:17:37.000
<v Speaker 1>good question. Um I am. I'm delighted to be in

1:17:37.160 --> 1:17:41.360
<v Speaker 1>a position where, um, when I have an idea for

1:17:41.479 --> 1:17:44.360
<v Speaker 1>another book, that the doors might open more quickly than

1:17:44.439 --> 1:17:47.519
<v Speaker 1>they might otherwise, that I it won't just be somebody

1:17:47.560 --> 1:17:49.760
<v Speaker 1>calling up somebody saying, hey, I'd like to talk to you.

1:17:49.960 --> 1:17:52.280
<v Speaker 1>It's the guy who wrote that book calling to saying

1:17:52.320 --> 1:17:54.720
<v Speaker 1>I want to talk to you. So I'd like to

1:17:54.800 --> 1:17:58.760
<v Speaker 1>take that that new situation for a spin and see

1:17:58.760 --> 1:18:02.000
<v Speaker 1>where it takes me. I'm starting, it's starting to dawn

1:18:02.040 --> 1:18:05.280
<v Speaker 1>on me now that um, I could just cold call

1:18:05.400 --> 1:18:07.840
<v Speaker 1>a lot of very smart people out there to find

1:18:07.880 --> 1:18:11.320
<v Speaker 1>out information about new subjects and I and I might

1:18:11.400 --> 1:18:14.080
<v Speaker 1>get the calls returned more often now because I'm the

1:18:14.120 --> 1:18:16.599
<v Speaker 1>guy who wrote that book. So I'd like to see

1:18:16.800 --> 1:18:21.120
<v Speaker 1>where that takes me. And um, I do love drama, dramatic,

1:18:21.280 --> 1:18:24.759
<v Speaker 1>vivid stories about people, and it always starts with the people.

1:18:25.400 --> 1:18:27.840
<v Speaker 1>If it's about a family, so much the better. If

1:18:27.920 --> 1:18:31.000
<v Speaker 1>it takes me into a subject area like schizophrenia or

1:18:31.720 --> 1:18:34.519
<v Speaker 1>or any other subject area where I'm learning something new,

1:18:34.680 --> 1:18:37.439
<v Speaker 1>so much the better. I love books that do that

1:18:38.160 --> 1:18:43.559
<v Speaker 1>every everything from Moneyball to Behind the Beautiful Forevers by

1:18:43.640 --> 1:18:47.200
<v Speaker 1>Catherine Boo. Anything that takes me somewhere else and helps

1:18:47.280 --> 1:18:49.880
<v Speaker 1>me relate to the people who are experiencing those things

1:18:50.600 --> 1:18:55.680
<v Speaker 1>is good in my book. Well, you're very articulate, and

1:18:56.320 --> 1:18:59.400
<v Speaker 1>some writers they can put their fingers on the keyboard,

1:18:59.520 --> 1:19:02.720
<v Speaker 1>but they can't really talk. That certainly isn't you. And

1:19:02.880 --> 1:19:06.360
<v Speaker 1>by my standards, you earned your acceptance at Columbia and

1:19:06.439 --> 1:19:10.720
<v Speaker 1>any event. In any event, Bob, thanks so much for

1:19:10.840 --> 1:19:14.120
<v Speaker 1>doing this. Thanks Bob, I really appreciate it, and I

1:19:14.479 --> 1:19:17.880
<v Speaker 1>highly recommend this book. I wrote about it, and then

1:19:18.120 --> 1:19:20.760
<v Speaker 1>Bob reached out on Twitter. This is not something put

1:19:20.800 --> 1:19:24.360
<v Speaker 1>together by a publicist. This book is truly great. And

1:19:24.439 --> 1:19:26.280
<v Speaker 1>I'm not saying that because I'm talking to you. I'm

1:19:26.640 --> 1:19:29.240
<v Speaker 1>blowing smoke up your rear end. What you had to

1:19:29.280 --> 1:19:32.200
<v Speaker 1>write about it on your newsletter was so kind and

1:19:32.520 --> 1:19:34.640
<v Speaker 1>so flattering. I was just had to reach out to

1:19:34.720 --> 1:19:36.599
<v Speaker 1>you and thank you well as I say the good

1:19:36.640 --> 1:19:38.240
<v Speaker 1>That's one thing I have you. One thing I know

1:19:38.479 --> 1:19:41.759
<v Speaker 1>is if I write something, the person reads it sequentely,

1:19:41.840 --> 1:19:43.400
<v Speaker 1>they get back to me. If I say something not

1:19:43.560 --> 1:19:45.599
<v Speaker 1>so positive, you never know if you're bumped into him

1:19:45.600 --> 1:19:47.800
<v Speaker 1>and said, oh, they read it and any event, thanks

1:19:47.840 --> 1:19:51.040
<v Speaker 1>so much for doing this. Thank you, Bob. Until next time,

1:19:51.200 --> 1:20:00.200
<v Speaker 1>It's Bob left Sense s