1 00:00:01,160 --> 00:00:04,040 Speaker 1: Hey guess, welcome to episode to sixty three. We are 2 00:00:04,080 --> 00:00:08,639 Speaker 1: the music podcast you love. We'll do the big new 3 00:00:08,680 --> 00:00:10,760 Speaker 1: releases this week in a second. Also, my eleven year 4 00:00:10,760 --> 00:00:13,200 Speaker 1: old niece was in town. They spent a few days 5 00:00:13,200 --> 00:00:15,360 Speaker 1: with me, niece and nephews. So I talked to her 6 00:00:15,360 --> 00:00:18,439 Speaker 1: about music. It's an exclusive. Her name is Kylie. We 7 00:00:18,480 --> 00:00:20,760 Speaker 1: talked about her Mount Rushmore her favorite artist, so that's 8 00:00:20,760 --> 00:00:24,880 Speaker 1: coming up. Also, we've moved Bobby and Eddie's music school 9 00:00:24,880 --> 00:00:27,000 Speaker 1: over to this A crazy moment from the c m 10 00:00:27,080 --> 00:00:30,240 Speaker 1: A Awards involving Allen Jackson will talk about that. Eddie 11 00:00:30,280 --> 00:00:32,400 Speaker 1: and I talked about legendary artists who have never had 12 00:00:32,400 --> 00:00:35,280 Speaker 1: a number one song. We'll talk to NICKI six and 13 00:00:35,320 --> 00:00:39,040 Speaker 1: Motley Crew. So all that's happening. Here's the biggest five 14 00:00:39,080 --> 00:00:41,600 Speaker 1: monthly cruise songs. By the way, because I was a 15 00:00:41,600 --> 00:00:44,600 Speaker 1: little later than Motley Crew, that was very eighties. I 16 00:00:44,680 --> 00:00:49,760 Speaker 1: really didn't get into music until the nineties, like early 17 00:00:49,800 --> 00:00:52,080 Speaker 1: to mid nineties, where I was out trying to save 18 00:00:52,120 --> 00:00:54,680 Speaker 1: up to buy tapes or CDs, and then that was 19 00:00:54,880 --> 00:00:58,320 Speaker 1: Garth Brooks and Nirvana, and both of those was never 20 00:00:58,480 --> 00:01:01,160 Speaker 1: the Motley Crue stuff. Let's see if I know. There's 21 00:01:01,280 --> 00:01:04,760 Speaker 1: number five, Shout at the Devil. These are the most 22 00:01:04,760 --> 00:01:07,440 Speaker 1: stream Motley Crue songs. I do know this song, shout 23 00:01:07,560 --> 00:01:10,880 Speaker 1: at that Devil, all right? Number four dr feel Good 24 00:01:11,040 --> 00:01:15,200 Speaker 1: then feel Good? Yeah, no, you know that one too, right. 25 00:01:16,080 --> 00:01:18,560 Speaker 1: Number three is a really good song, Home Sweet Home. 26 00:01:18,800 --> 00:01:25,720 Speaker 1: This is a good one way a mama way, Home 27 00:01:25,959 --> 00:01:29,200 Speaker 1: Sweet Home. You know that one. I didn't know it 28 00:01:29,280 --> 00:01:32,520 Speaker 1: was them, but I know the song from movies. In 29 00:01:32,560 --> 00:01:34,720 Speaker 1: the interview with him in a minute, because Nikki six 30 00:01:34,760 --> 00:01:36,840 Speaker 1: was one of the guys that founded the band, I 31 00:01:36,880 --> 00:01:39,959 Speaker 1: almost asked him how he felt about their music being 32 00:01:40,000 --> 00:01:41,560 Speaker 1: used in role models, if he thought that was real. 33 00:01:41,840 --> 00:01:45,560 Speaker 1: But that was all kiss music. Okay, I'm glad I 34 00:01:45,600 --> 00:01:51,000 Speaker 1: did it. Number two Girls, Girls, Girls, and the number 35 00:01:51,040 --> 00:01:52,960 Speaker 1: one Montley Crue song streaming of all time is kick 36 00:01:53,040 --> 00:01:57,600 Speaker 1: Start My Heart. So we'll talk to Molly crew with him. 37 00:01:57,600 --> 00:01:59,600 Speaker 1: But also he has a band called six Am and 38 00:01:59,640 --> 00:02:01,200 Speaker 1: they put out a song to help people that are 39 00:02:01,240 --> 00:02:04,440 Speaker 1: going through addiction issues. Um. The song is called maybe 40 00:02:04,440 --> 00:02:10,200 Speaker 1: It's Time. Here's a clip of that. It's sounds so 41 00:02:11,760 --> 00:02:13,399 Speaker 1: you're here all about that song coming up? Just wanted 42 00:02:13,440 --> 00:02:16,680 Speaker 1: to start with that. Let's do the New Music Top five. 43 00:02:17,120 --> 00:02:20,120 Speaker 1: These are all stuff that I went, wow, sure would 44 00:02:20,120 --> 00:02:21,800 Speaker 1: like to hear that, or maybe I've heard it already, 45 00:02:21,800 --> 00:02:24,440 Speaker 1: But for one reason or another, it's made my top five. 46 00:02:24,960 --> 00:02:28,440 Speaker 1: At number five, Justin Moore put out a live album, 47 00:02:28,480 --> 00:02:31,600 Speaker 1: It's Live at the Rheyman. Here's a new live version 48 00:02:31,800 --> 00:02:40,120 Speaker 1: of somebody Else. Will you know who wrote that? Right? 49 00:02:40,560 --> 00:02:44,359 Speaker 1: Adam Hamburg. Adam Hamburg, who's often on this show. Yeah, 50 00:02:44,400 --> 00:02:46,799 Speaker 1: that's why I picked that one there. Maybe I don't 51 00:02:46,800 --> 00:02:49,840 Speaker 1: can make a few more bucks from that. At number four, 52 00:02:49,960 --> 00:02:53,079 Speaker 1: Travis Tritt has a new song called ghost Town Nation. 53 00:02:53,520 --> 00:02:55,959 Speaker 1: It's his first single and almost ten years. Here's the 54 00:02:55,960 --> 00:03:02,320 Speaker 1: clip of that. I said till the bound smote down, 55 00:03:02,880 --> 00:03:05,800 Speaker 1: make them the best stup of bass. It's best shun 56 00:03:06,000 --> 00:03:10,440 Speaker 1: getting my man in the bost Town Nation. Granger Smith 57 00:03:10,480 --> 00:03:13,800 Speaker 1: put out a whole new album called Country Things, Volume One. 58 00:03:14,360 --> 00:03:17,160 Speaker 1: Here's a new song called Country and you Know It. 59 00:03:17,240 --> 00:03:18,839 Speaker 1: So you're gonna hear the hook, you know, hear a 60 00:03:18,880 --> 00:03:21,480 Speaker 1: long guitar solo, and then Earl Doubles Jr. Comes in 61 00:03:21,480 --> 00:03:23,640 Speaker 1: to sing two, so it's basically a duet with himself. 62 00:03:23,680 --> 00:03:29,320 Speaker 1: Here's that boy, I got something beside to listen up. 63 00:03:29,720 --> 00:03:32,000 Speaker 1: If you leave bout in the boon, if you grew 64 00:03:32,080 --> 00:03:34,600 Speaker 1: ripping the stacks here, I mean you're holding a cold 65 00:03:34,639 --> 00:03:37,360 Speaker 1: on and gotta dipping into the up. Scotty McCurry has 66 00:03:37,360 --> 00:03:39,760 Speaker 1: a new song out today called You Time and I 67 00:03:39,920 --> 00:03:47,760 Speaker 1: need a little You Die real one like and Finally 68 00:03:48,520 --> 00:03:52,360 Speaker 1: my friend one of the the singers in Nashville that 69 00:03:52,400 --> 00:03:55,080 Speaker 1: I just can't get enough of. Caitlin Smith has a 70 00:03:55,120 --> 00:04:08,080 Speaker 1: new song with Old Dominion called I Can't Love both 71 00:04:08,120 --> 00:04:11,800 Speaker 1: of Them Kaylin and l Dominion Machine Gun Kelly was 72 00:04:11,880 --> 00:04:13,920 Speaker 1: honorable mention. He has a pop punk new album out 73 00:04:13,960 --> 00:04:17,400 Speaker 1: today called Tickets to My Downfall. Here's a new song 74 00:04:17,440 --> 00:04:33,080 Speaker 1: called Concert for Aliens Now Now Downruster other new stuff. 75 00:04:33,160 --> 00:04:35,760 Speaker 1: Daniel Bradberry has a new song called Girls in My Hometown. 76 00:04:36,120 --> 00:04:38,320 Speaker 1: Michael Ray has a song out called Whiskey and Rain. 77 00:04:38,680 --> 00:04:40,960 Speaker 1: Emily Wise Band has a new song out called Dumber 78 00:04:41,240 --> 00:04:44,200 Speaker 1: and JP Sachs has a new song called Maybe Don't 79 00:04:44,680 --> 00:04:47,200 Speaker 1: Country albums out. Carrie under What has a Christmas album 80 00:04:47,240 --> 00:04:49,719 Speaker 1: out today. Terry Clark has a Christmas album out today. 81 00:04:50,040 --> 00:04:53,280 Speaker 1: Band if Heathen's have a new album called Stranger. Fillmore 82 00:04:53,279 --> 00:04:56,080 Speaker 1: has a new album called State I'm in and Lydia 83 00:04:56,120 --> 00:04:58,360 Speaker 1: Lovelace has a new album called Daughter. There you go, 84 00:04:58,760 --> 00:05:01,000 Speaker 1: let me look on the the hip hop part here. 85 00:05:01,800 --> 00:05:06,920 Speaker 1: Two Chains got a record Asot ferg Let's see over 86 00:05:06,960 --> 00:05:09,359 Speaker 1: in the rock world. Will Butler of Arcade Fire has 87 00:05:09,400 --> 00:05:12,560 Speaker 1: a new album out called Generations, Public Enemy has a 88 00:05:12,560 --> 00:05:14,880 Speaker 1: new album, The Rolling Stones have a new album, and finally, 89 00:05:14,880 --> 00:05:17,680 Speaker 1: suit Jan Stevens has a new album called The Ascension. 90 00:05:17,800 --> 00:05:20,440 Speaker 1: So there you go. How you feel about that? Real 91 00:05:20,480 --> 00:05:25,200 Speaker 1: pretty good? The Bobby Cast music poll of the week, 92 00:05:25,960 --> 00:05:29,360 Speaker 1: and you can answer this by following at the Bobby Cast. 93 00:05:29,960 --> 00:05:32,680 Speaker 1: Do you like it when country artists release Christmas albums? 94 00:05:33,240 --> 00:05:38,800 Speaker 1: It's pretty split and say yes? Say no? I asked 95 00:05:38,839 --> 00:05:41,960 Speaker 1: because three artists put out Christmas albums this weekend. More 96 00:05:42,080 --> 00:05:44,479 Speaker 1: have recently announced Christmas projects as well, so I thought, 97 00:05:45,080 --> 00:05:48,520 Speaker 1: you know, it's tough to have one that's not cheesy 98 00:05:49,040 --> 00:05:52,119 Speaker 1: but still borders on cheese because we love the cheese 99 00:05:52,160 --> 00:05:56,880 Speaker 1: of Christmas. You know, it's tough. Brett Eldridge's Glow still 100 00:05:57,320 --> 00:06:00,400 Speaker 1: maybe Pound from Pound, my favorite, Casey Musgraves has just 101 00:06:00,440 --> 00:06:05,240 Speaker 1: a wonderful Christmas album too. Alvin and the Chipmunk still 102 00:06:05,320 --> 00:06:10,200 Speaker 1: rocks any for you I don't really like Christmas albums now, 103 00:06:11,120 --> 00:06:13,760 Speaker 1: but Brett's is like really good. That's the one you 104 00:06:13,880 --> 00:06:15,480 Speaker 1: torn on around the house if you want to film 105 00:06:15,480 --> 00:06:18,000 Speaker 1: mature and still love it. He's good. He's good. U 106 00:06:18,200 --> 00:06:21,400 Speaker 1: Luke and Maren Luke Combs Marion Morris leads back of 107 00:06:21,720 --> 00:06:23,720 Speaker 1: nominees for the Billboard Music Awards as we start the 108 00:06:23,800 --> 00:06:26,520 Speaker 1: Music News this week. They each got four nods each. 109 00:06:26,560 --> 00:06:30,040 Speaker 1: They're followed by Thomas Rheton Marion Morris who have three, 110 00:06:30,480 --> 00:06:33,400 Speaker 1: although that doesn't make sense because Marion Morris can't have four, 111 00:06:33,440 --> 00:06:35,760 Speaker 1: A can't have three. Obviously there's a typo in this, 112 00:06:36,200 --> 00:06:38,160 Speaker 1: but it looks like Luke Combs and Mary Morris are 113 00:06:38,240 --> 00:06:40,800 Speaker 1: leading the Billboard Music Awards. Talked about Kelly Clarks in 114 00:06:40,760 --> 00:06:43,640 Speaker 1: Their Life from Los Angeles on October four on NBC, 115 00:06:44,279 --> 00:06:46,360 Speaker 1: and the guy that's producing that has done a podcast 116 00:06:46,400 --> 00:06:49,680 Speaker 1: on this show, Robert Eaton. He also does the c 117 00:06:49,880 --> 00:06:52,800 Speaker 1: m as Close with him, so check that out. You 118 00:06:52,800 --> 00:06:54,320 Speaker 1: can go back and here an old episode of him, 119 00:06:54,360 --> 00:06:55,960 Speaker 1: because he's on talking about his life and how he 120 00:06:56,000 --> 00:07:00,320 Speaker 1: became a TV producer. Is pretty cool. Let's see er 121 00:07:01,640 --> 00:07:05,200 Speaker 1: post Malone does lead with sixteen. By the way, those 122 00:07:05,240 --> 00:07:06,920 Speaker 1: that I read. The leaders in the country were four, 123 00:07:06,960 --> 00:07:10,720 Speaker 1: but post Malone has sixteen. The killer of John Lennon 124 00:07:10,720 --> 00:07:13,760 Speaker 1: apologizes to Yoko Ono. The man who killed the Beatles 125 00:07:13,880 --> 00:07:17,040 Speaker 1: icon says he did it for the glory. Mark David 126 00:07:17,120 --> 00:07:20,000 Speaker 1: Chapman was denied parole for the eleventh time last month 127 00:07:20,040 --> 00:07:22,560 Speaker 1: for the murder when he shot John Lennon in front 128 00:07:22,600 --> 00:07:25,760 Speaker 1: of his New York City apartment. Newly released transcripts from 129 00:07:25,760 --> 00:07:27,880 Speaker 1: the parole hearing revealed Chapman said he was angry at 130 00:07:27,920 --> 00:07:30,200 Speaker 1: Lennon and jealous of the way he was living. He 131 00:07:30,240 --> 00:07:31,920 Speaker 1: also said he had a list of three other celebrity 132 00:07:31,920 --> 00:07:35,080 Speaker 1: targets if he wasn't able to kill Lennon. He apologized 133 00:07:35,080 --> 00:07:37,720 Speaker 1: to Yoko Ono, saying he just judged him without knowing 134 00:07:37,760 --> 00:07:39,600 Speaker 1: what kind of man he was. They didn't let him 135 00:07:39,600 --> 00:07:43,480 Speaker 1: out by the way, I said that, right, Yeah, not 136 00:07:43,600 --> 00:07:46,640 Speaker 1: at all, no chance, right You when you murder somebody 137 00:07:46,720 --> 00:07:49,080 Speaker 1: and you say it's for glory, you have to go 138 00:07:49,160 --> 00:07:52,200 Speaker 1: in and go I was so wrong because he could 139 00:07:52,240 --> 00:07:54,320 Speaker 1: go out and kill again for a little more glory. 140 00:07:54,360 --> 00:07:58,160 Speaker 1: What's he got to lose now? BTS fans rejoice. The 141 00:07:58,240 --> 00:08:00,680 Speaker 1: K pop band performed a tiny Death concert and it 142 00:08:00,720 --> 00:08:02,960 Speaker 1: took about twenty five minutes to break the NPR series 143 00:08:03,000 --> 00:08:05,560 Speaker 1: record for most views. On the first day, it got 144 00:08:05,600 --> 00:08:07,600 Speaker 1: over six million views in less than twenty four hours. 145 00:08:07,880 --> 00:08:10,000 Speaker 1: Fun fact, Eddie and I got invited to do a 146 00:08:10,040 --> 00:08:14,640 Speaker 1: tiny desk concert right before Corona hit Dang, and we didn't. 147 00:08:14,680 --> 00:08:18,280 Speaker 1: We didn't do it because we weren't flying anywhere. Maybe 148 00:08:18,360 --> 00:08:20,280 Speaker 1: VTS they're doing it at their own tiny desk and 149 00:08:20,320 --> 00:08:22,280 Speaker 1: recording it at their house. Looks like they built one. 150 00:08:22,640 --> 00:08:24,800 Speaker 1: That's interesting. We could do that the raging idiots. But 151 00:08:24,880 --> 00:08:27,520 Speaker 1: we did get invited because sometimes they'll pick peculiar kinds 152 00:08:27,520 --> 00:08:32,160 Speaker 1: of artists and more comedy or like acoustic comedy. Maybe 153 00:08:32,200 --> 00:08:34,640 Speaker 1: I should get back on that. Bruce Springsteen wrote a 154 00:08:34,640 --> 00:08:37,320 Speaker 1: whole new album on a guitar fan gave him. How 155 00:08:37,320 --> 00:08:38,439 Speaker 1: cool would that be if you're the one that gave 156 00:08:38,480 --> 00:08:40,560 Speaker 1: him that guitar and you see he wrote a whole 157 00:08:40,600 --> 00:08:43,880 Speaker 1: new album on it. Why Spotify has so many bizarre 158 00:08:43,920 --> 00:08:47,160 Speaker 1: generic fake is artists. The platform is filled with search 159 00:08:47,240 --> 00:08:51,560 Speaker 1: optimized spammers, and there's no end These accounts just constantly 160 00:08:51,559 --> 00:08:54,680 Speaker 1: re upload the same tracks on Spotify. If your music 161 00:08:54,720 --> 00:08:57,720 Speaker 1: ranks highly for a generic search term like relaxing or 162 00:08:57,760 --> 00:09:01,440 Speaker 1: white noise. You can accumulate enough listener to steadily make hundreds, 163 00:09:01,440 --> 00:09:03,679 Speaker 1: if not thousands of dollars with almost no effort at all. 164 00:09:03,760 --> 00:09:06,040 Speaker 1: Isn't this wild? It's nuts. They have just figured out 165 00:09:06,080 --> 00:09:08,800 Speaker 1: how to gain the system. It's like a numbers game. 166 00:09:09,080 --> 00:09:11,200 Speaker 1: While the platform pays only in the neighborhood of a 167 00:09:11,200 --> 00:09:13,680 Speaker 1: third of a penny per stream. And if you're not Drake, 168 00:09:13,720 --> 00:09:15,480 Speaker 1: it's tough to make a whole, whole, whole lot of money. 169 00:09:15,800 --> 00:09:18,360 Speaker 1: But if you're in there for one of these search 170 00:09:18,480 --> 00:09:22,079 Speaker 1: terms like music to relax, it just comes up. It 171 00:09:22,160 --> 00:09:27,440 Speaker 1: just comes up. Crazy, Mike, did youeral punk band have 172 00:09:27,520 --> 00:09:30,400 Speaker 1: a I guess it's not on Spotify. Huh, it was 173 00:09:30,440 --> 00:09:33,760 Speaker 1: on my Space. You can set your u r L. 174 00:09:33,880 --> 00:09:36,679 Speaker 1: So we said it to our band name slash error. 175 00:09:36,760 --> 00:09:39,679 Speaker 1: So anytime anybody would hit like an error page, it 176 00:09:39,720 --> 00:09:41,080 Speaker 1: would go to our page and it would get a 177 00:09:41,080 --> 00:09:44,520 Speaker 1: lot of streams. Really yeah, pretty good. All right, there's 178 00:09:44,600 --> 00:09:46,920 Speaker 1: music news, there's the big new releases. Let's get going 179 00:09:46,920 --> 00:09:49,960 Speaker 1: with today's show. Thank you guys. That easier with me. 180 00:09:50,000 --> 00:09:52,520 Speaker 1: We're gonna talk about surprising artists who have never had 181 00:09:52,520 --> 00:09:56,480 Speaker 1: a hot one number one hit so massive, but never 182 00:09:56,559 --> 00:10:02,040 Speaker 1: got that all wonderful, straight number one song. So this 183 00:10:02,240 --> 00:10:06,240 Speaker 1: was inspired by an article I saw about legendary artists 184 00:10:06,240 --> 00:10:08,400 Speaker 1: who have had this um and so I pulled some 185 00:10:08,440 --> 00:10:11,040 Speaker 1: of these here. It says if you're looking for it's 186 00:10:11,040 --> 00:10:13,120 Speaker 1: off of Insider, right, Mike, That's where the article is 187 00:10:13,200 --> 00:10:16,400 Speaker 1: an insider of Insider. So first of all, James Brown, 188 00:10:16,920 --> 00:10:20,560 Speaker 1: oh huge artists, never had a number one. He charted 189 00:10:20,559 --> 00:10:24,200 Speaker 1: over nineties songs on the Billboard Hot one hundred, including 190 00:10:24,360 --> 00:10:28,120 Speaker 1: Problem's Got a Brand New Bag, It's a Man's World? 191 00:10:29,280 --> 00:10:34,320 Speaker 1: Or is or I Got You? Which I Feel Good? 192 00:10:34,679 --> 00:10:36,360 Speaker 1: Do you know that's called no? I thought it was 193 00:10:36,400 --> 00:10:39,520 Speaker 1: called I I Feel Good, I Got You? I Feel Good. 194 00:10:40,080 --> 00:10:42,680 Speaker 1: That was the closest he had, peaking at number three 195 00:10:43,720 --> 00:10:47,800 Speaker 1: living in America. I hit number four from Rocky um before, 196 00:10:47,880 --> 00:10:50,160 Speaker 1: but it was was that made just for rock? I 197 00:10:50,200 --> 00:10:52,160 Speaker 1: feel like it was because that's the only place I 198 00:10:52,240 --> 00:10:57,680 Speaker 1: remember hearing it living in And then he gets killed. 199 00:10:58,040 --> 00:11:00,360 Speaker 1: That was the nine He got killed by the Russia. 200 00:11:00,360 --> 00:11:05,760 Speaker 1: Spoiler h Nirvana. Millions of albums sold, plenty of posters, 201 00:11:05,800 --> 00:11:09,319 Speaker 1: plenty of teachers with a smiley face, but never had 202 00:11:09,320 --> 00:11:13,160 Speaker 1: a number one. You think they could have eventually. I 203 00:11:13,160 --> 00:11:18,840 Speaker 1: mean smells like teen Spirit number six. It's it was 204 00:11:19,040 --> 00:11:23,120 Speaker 1: tough in that genre to just dominate because the Billboard 205 00:11:22,720 --> 00:11:25,480 Speaker 1: one all Genres, Yes, correct, and this is early nineties, 206 00:11:25,480 --> 00:11:29,040 Speaker 1: so you're going against some big pop artists. They were 207 00:11:29,120 --> 00:11:31,520 Speaker 1: pop for a that was pop for a bit. But yeah, 208 00:11:32,000 --> 00:11:34,079 Speaker 1: this is the biggest song. Number six. Smells like teen Spirit. 209 00:11:34,120 --> 00:11:40,880 Speaker 1: Here you go. God, I love this. You remember this 210 00:11:40,920 --> 00:11:43,440 Speaker 1: coming out or hearing it for the first time? What 211 00:11:43,520 --> 00:11:45,839 Speaker 1: do you think? I was obsessed with it. I was 212 00:11:45,880 --> 00:11:48,040 Speaker 1: obsessed with what they what they stood for. I wish 213 00:11:48,080 --> 00:11:50,240 Speaker 1: I didn't really know. I just saw a bunch of 214 00:11:50,320 --> 00:11:53,080 Speaker 1: dudes and raggedy clothes and that's what I wore, and 215 00:11:53,240 --> 00:11:55,400 Speaker 1: people that were kind of upset at everything, and I 216 00:11:55,440 --> 00:11:57,920 Speaker 1: didn't really know why, but so was I. And it 217 00:11:58,040 --> 00:12:00,160 Speaker 1: was cool because we were in an age where like 218 00:12:01,080 --> 00:12:03,440 Speaker 1: we we didn't have our music. Before us was you know, 219 00:12:03,480 --> 00:12:06,000 Speaker 1: like the early nineties stuff of early pop stuff or whatever, 220 00:12:06,080 --> 00:12:08,160 Speaker 1: and then in rock it was hair metal and that 221 00:12:08,200 --> 00:12:09,959 Speaker 1: really just didn't feel like us. When this came out, 222 00:12:10,000 --> 00:12:12,559 Speaker 1: it's like, we have our music, but this and like 223 00:12:12,640 --> 00:12:16,520 Speaker 1: the Garth and mcgrawl nineties that that was my nineties, 224 00:12:16,520 --> 00:12:20,000 Speaker 1: like nineties country into alternative, and I kind of there 225 00:12:20,040 --> 00:12:22,240 Speaker 1: was a time where it was just country, then it 226 00:12:22,360 --> 00:12:26,240 Speaker 1: was country, and then it just got to be really Nirvana, Pearl, 227 00:12:26,320 --> 00:12:28,640 Speaker 1: Jim Allison, chains and that was really it for a while. Yeah, 228 00:12:28,679 --> 00:12:30,600 Speaker 1: same here. Yeah they never had a number one, number 229 00:12:30,679 --> 00:12:34,000 Speaker 1: six there, Shania Twains never had a number one. That's crazy. 230 00:12:34,920 --> 00:12:38,640 Speaker 1: M she has country ones, but hot one hundreds all genres. 231 00:12:39,000 --> 00:12:41,440 Speaker 1: So she's the first and only female artists have three 232 00:12:41,440 --> 00:12:46,080 Speaker 1: consecutive albums to be certified Diamond over ten million units sold. 233 00:12:46,640 --> 00:12:50,680 Speaker 1: But you're still the one peaked at number two probably 234 00:12:50,720 --> 00:12:53,959 Speaker 1: her biggest, Yeah, their biggest pop song from this moment 235 00:12:53,960 --> 00:12:55,760 Speaker 1: on that don't impress me much, man, I feel like 236 00:12:55,760 --> 00:13:00,880 Speaker 1: a woman for seven and twenty three. Wow, number two, 237 00:13:00,920 --> 00:13:04,600 Speaker 1: she got so close. Johnny Cash is forty nine. Your 238 00:13:04,679 --> 00:13:08,959 Speaker 1: career only had one top ten hit, and what do 239 00:13:09,000 --> 00:13:10,560 Speaker 1: you think is? What do you think? It was? A 240 00:13:10,640 --> 00:13:17,080 Speaker 1: ring of fire? Give me another one? Walk the line? Uh, 241 00:13:17,400 --> 00:13:19,200 Speaker 1: let me give you a little more. No, he only 242 00:13:19,240 --> 00:13:22,160 Speaker 1: had one song in his entire career cracked the top ten, 243 00:13:22,520 --> 00:13:28,760 Speaker 1: which was a song Okay, it was live, okay, fulsome 244 00:13:28,760 --> 00:13:35,360 Speaker 1: prison blues. Come on, there you go. He peaked a 245 00:13:35,400 --> 00:13:39,280 Speaker 1: number two. He didn't write it. My name is soon. 246 00:13:39,720 --> 00:13:42,400 Speaker 1: How do you do? It's a great list man. These are, 247 00:13:42,480 --> 00:13:46,240 Speaker 1: like you're right, legendary artists without number one. Green Day 248 00:13:46,280 --> 00:13:49,800 Speaker 1: never had a hot one number one. I have time right. 249 00:13:51,559 --> 00:13:54,040 Speaker 1: Oh it's tough because right now the pop sound isn't 250 00:13:54,080 --> 00:13:57,280 Speaker 1: that but they are still making good music. The highest 251 00:13:57,360 --> 00:14:00,720 Speaker 1: charting song, Boulevard a Broken Dreams peaked at number two too. Yeah, 252 00:14:01,000 --> 00:14:03,240 Speaker 1: because it's gotta be if you're not in the pop roll, 253 00:14:03,280 --> 00:14:05,800 Speaker 1: it's got to be so big and it's respective format 254 00:14:05,880 --> 00:14:08,040 Speaker 1: that it ends up on the pop station and then 255 00:14:08,120 --> 00:14:10,679 Speaker 1: has to go number one there and stuff. But this 256 00:14:10,720 --> 00:14:12,319 Speaker 1: was a big pop song. They turn that up a 257 00:14:12,320 --> 00:14:16,760 Speaker 1: little bit sad. It's not my favorite green Day song, 258 00:14:16,840 --> 00:14:18,720 Speaker 1: but it was later a green Day but it was big, 259 00:14:19,240 --> 00:14:21,360 Speaker 1: like my favorite green Day because again, the first time 260 00:14:21,360 --> 00:14:23,120 Speaker 1: I heard the Dukie album was like, oh, I don't 261 00:14:23,640 --> 00:14:27,280 Speaker 1: know like punk? Yeah, well, do you have the time 262 00:14:27,760 --> 00:14:30,680 Speaker 1: to listen to me? While I was like wow and 263 00:14:30,800 --> 00:14:36,320 Speaker 1: like long View and I was like damn yes, Mike, 264 00:14:36,360 --> 00:14:38,880 Speaker 1: I know you're a punk guy now, but do you 265 00:14:38,960 --> 00:14:40,640 Speaker 1: like Green Day? I love Green Day? One of my 266 00:14:40,640 --> 00:14:43,800 Speaker 1: favorite bands are they founding Fathers. They're like, Dukie is 267 00:14:43,840 --> 00:14:46,800 Speaker 1: like the ultimate pop punk album, pop punk, yeah, because 268 00:14:46,840 --> 00:14:48,920 Speaker 1: straight punk will probably like Ramans and stuffhen they're like 269 00:14:48,960 --> 00:14:52,640 Speaker 1: Dukie on each other and Ramans misfits. But green Day 270 00:14:52,720 --> 00:14:57,840 Speaker 1: is like pop punk pop punk one direction. They got 271 00:14:57,920 --> 00:15:02,160 Speaker 1: number two, but best song ever. That's shocking. How long 272 00:15:02,240 --> 00:15:06,520 Speaker 1: was their career? Less than five years? Probably about that 273 00:15:07,000 --> 00:15:09,520 Speaker 1: just guessing enough to be around for a long time, 274 00:15:09,520 --> 00:15:12,640 Speaker 1: but not long enough to really who's your favorite? Harry 275 00:15:13,040 --> 00:15:14,480 Speaker 1: me too, And I'm telling you if he wasn't in 276 00:15:14,480 --> 00:15:16,560 Speaker 1: one Direction, he'd be the biggest rock star we have. YEP. 277 00:15:16,680 --> 00:15:19,480 Speaker 1: I agree. His record is so good man. It doesn't 278 00:15:19,480 --> 00:15:23,040 Speaker 1: sound like one direction. Sounds like a guy that loves 279 00:15:23,280 --> 00:15:26,480 Speaker 1: seventies and eighties rock with with some new kind of 280 00:15:26,520 --> 00:15:29,440 Speaker 1: texture now. But it's so good. I think mayle Horn 281 00:15:29,560 --> 00:15:31,160 Speaker 1: is pretty good too, But I just I just like 282 00:15:31,400 --> 00:15:34,160 Speaker 1: Harry's music a little better. I like Harry's music, but 283 00:15:34,240 --> 00:15:36,920 Speaker 1: I like Nile style. I like to singer songwriter by 284 00:15:37,000 --> 00:15:39,320 Speaker 1: but I feel like Harry just crushed that last record 285 00:15:39,600 --> 00:15:41,080 Speaker 1: and I never would listen to it, but Caitlin just 286 00:15:41,080 --> 00:15:48,280 Speaker 1: plays it all the time. Song on it, h This, 287 00:15:48,680 --> 00:15:52,680 Speaker 1: I like Adore you though, like walk through fire for you. 288 00:15:52,760 --> 00:16:01,640 Speaker 1: Let no Harry style? Yeah, what dude, fire for you? 289 00:16:02,320 --> 00:16:05,840 Speaker 1: Just let me do man. They got low confusing like 290 00:16:05,960 --> 00:16:08,600 Speaker 1: Nile to Harry, But yeah, I like Nile Horn slow hands. 291 00:16:09,480 --> 00:16:12,240 Speaker 1: Bruce Springsteen doesn't have a number one. What do you 292 00:16:12,280 --> 00:16:15,360 Speaker 1: think is only number two? Was born in the USA? 293 00:16:15,520 --> 00:16:22,360 Speaker 1: Dancing in the Dark Dancing spent four weeks stuck in 294 00:16:22,400 --> 00:16:25,960 Speaker 1: the runner up slot behind Prince when Doves Cry? So 295 00:16:26,040 --> 00:16:28,280 Speaker 1: what was born in the US at number one? I'm 296 00:16:28,320 --> 00:16:30,840 Speaker 1: not a number two? So what on earth? I'm not 297 00:16:30,920 --> 00:16:34,040 Speaker 1: doing their top two or three songs? I don't know 298 00:16:34,360 --> 00:16:39,000 Speaker 1: fair enough imagine Dragons. They have flirted with it a 299 00:16:39,040 --> 00:16:42,680 Speaker 1: few times, getting as high as number three with Radioactive 300 00:16:42,680 --> 00:16:45,920 Speaker 1: And I like the song. When it came out, I 301 00:16:45,960 --> 00:16:47,600 Speaker 1: felt like they got a bad rap. I like the 302 00:16:47,600 --> 00:16:49,840 Speaker 1: band because people were like, what a douchebag? I think 303 00:16:49,840 --> 00:16:52,760 Speaker 1: they thought they were douchebags because he was muscular and 304 00:16:52,800 --> 00:16:55,480 Speaker 1: wore T shirts and kind of showed it off. Yeah. 305 00:16:56,000 --> 00:16:58,120 Speaker 1: I like I never with him. I felt like people 306 00:16:58,120 --> 00:16:59,880 Speaker 1: were jumping on him unfairly. And I feel like this 307 00:16:59,920 --> 00:17:01,520 Speaker 1: is another one where they still have They still have 308 00:17:01,560 --> 00:17:04,720 Speaker 1: time Believer? Was it number four in Thunder? Was it 309 00:17:04,840 --> 00:17:09,640 Speaker 1: number four? The thunder the jam Backstreet Boys have sold 310 00:17:09,680 --> 00:17:13,040 Speaker 1: millions of records, not hit number one? Quit playing games 311 00:17:13,040 --> 00:17:21,159 Speaker 1: in my heart? Number two Bevi and I like it 312 00:17:21,280 --> 00:17:27,560 Speaker 1: that way that whatever? Um yeah, And they hit number 313 00:17:27,600 --> 00:17:29,560 Speaker 1: one and other charts, but the big one they have it, 314 00:17:29,600 --> 00:17:32,560 Speaker 1: This is the big one. Miss Elliott has gone It's 315 00:17:32,640 --> 00:17:40,640 Speaker 1: highest number two twice with work It Jams. I loved it. 316 00:17:41,200 --> 00:17:44,600 Speaker 1: What's the backwards part again? The same thing flipping in reverse? 317 00:17:45,040 --> 00:17:48,200 Speaker 1: That's right, we talked about this. Is there another Miss Elliots? 318 00:17:48,200 --> 00:17:50,360 Speaker 1: That's the only one, Mike, that's the only one. Okay, 319 00:17:50,920 --> 00:17:53,119 Speaker 1: one two steps as well. Wasn't see her on that 320 00:17:53,200 --> 00:17:56,439 Speaker 1: with her back in the day. Uh, CCR createds Clearwater 321 00:17:56,480 --> 00:18:00,680 Speaker 1: Revival who I probably know every song. Just my stepdad 322 00:18:00,720 --> 00:18:02,960 Speaker 1: was a big listen to classic rock all the time. 323 00:18:03,040 --> 00:18:05,960 Speaker 1: That's what he listened to, and so I had I 324 00:18:06,000 --> 00:18:08,400 Speaker 1: loved CCR, So I went on my own little path 325 00:18:08,480 --> 00:18:10,119 Speaker 1: to be a fan of them. I wonder what the 326 00:18:10,200 --> 00:18:15,040 Speaker 1: highest song is though they've had the most number two 327 00:18:15,160 --> 00:18:21,000 Speaker 1: peeking hits, they that have hit number two, go ahead? 328 00:18:21,480 --> 00:18:24,520 Speaker 1: Uh Who'll Stop the Rain? Who Will Stop the Rain? 329 00:18:25,080 --> 00:18:27,600 Speaker 1: Is one of them? Traveling band Slash who will stop 330 00:18:27,600 --> 00:18:30,119 Speaker 1: the rain go ahead. Uh. And then there's the other 331 00:18:30,240 --> 00:18:34,120 Speaker 1: rain song. Have you ever seen the rain? Not in there? 332 00:18:34,440 --> 00:18:39,520 Speaker 1: Fortunate Son. You have Proud Mary, which is fortunate Son. Yeah, no, 333 00:18:39,680 --> 00:18:42,040 Speaker 1: this is not that's not um. Fortunate Son is literally 334 00:18:42,119 --> 00:18:45,480 Speaker 1: fortunate Son, Proud Mary. Um. You also have Bad Moon Rising. 335 00:18:45,600 --> 00:18:47,800 Speaker 1: This is bad Moon on the Rise, which a lot 336 00:18:47,800 --> 00:18:49,639 Speaker 1: of people like to they think it says there's the 337 00:18:49,680 --> 00:18:58,720 Speaker 1: bathroom on the right. I never thought that Green River 338 00:18:59,160 --> 00:19:01,159 Speaker 1: is another one that was at number two. Yeah, but 339 00:19:01,200 --> 00:19:04,639 Speaker 1: I Eddie, I guess fortunate Son, it ain't me Abe 340 00:19:05,280 --> 00:19:11,400 Speaker 1: ain't un fortunate fortunate one, Senator Son es um oh here, 341 00:19:11,800 --> 00:19:14,680 Speaker 1: this reminds me a Forrest Gump or any Vietnam era 342 00:19:14,960 --> 00:19:18,639 Speaker 1: dial menory anything about Vietnam protests. And this was a 343 00:19:18,640 --> 00:19:21,320 Speaker 1: protest song, you know, like, hey, I don't get the 344 00:19:21,359 --> 00:19:23,960 Speaker 1: option to not have to go fight for our country. 345 00:19:24,119 --> 00:19:26,120 Speaker 1: I'm not a rich kid, I'm no fortunate one. I'm 346 00:19:26,160 --> 00:19:28,600 Speaker 1: no Senator Son. So good, dude, I just got chills 347 00:19:28,600 --> 00:19:32,960 Speaker 1: when you grot that down. Yeah, that Red, White and Blue. Dam. 348 00:19:33,480 --> 00:19:35,439 Speaker 1: Bob Dylan has never had a number one song, I 349 00:19:35,480 --> 00:19:39,239 Speaker 1: believe it, although probably other people have had number one 350 00:19:39,280 --> 00:19:41,280 Speaker 1: songs with his well, he got a number two with 351 00:19:41,600 --> 00:19:50,280 Speaker 1: like a ruling stone. Yeah, jam who has love Bob 352 00:19:50,359 --> 00:19:53,320 Speaker 1: Dylan and my kids hate him. They just can't stand 353 00:19:53,359 --> 00:19:55,400 Speaker 1: when I played Bob Dylan. They're like, please turn this off. 354 00:19:55,440 --> 00:20:00,640 Speaker 1: As a terrible rainy day woman also was was close. Um, 355 00:20:01,080 --> 00:20:05,760 Speaker 1: let me see only a couple more of these. Cheryl Crowe, 356 00:20:06,000 --> 00:20:10,800 Speaker 1: who I first CD, no at a tape at the tape, 357 00:20:11,280 --> 00:20:13,840 Speaker 1: Cheryl Crow twos and Night Music Club listen to All 358 00:20:13,880 --> 00:20:17,119 Speaker 1: the Time and All I Want to Do stalled at 359 00:20:17,200 --> 00:20:21,240 Speaker 1: number two on the chart for six weeks. So here's 360 00:20:21,240 --> 00:20:22,600 Speaker 1: a clip of All I want to do is have 361 00:20:22,640 --> 00:20:24,119 Speaker 1: a little fun before I die. I set him in 362 00:20:24,160 --> 00:20:27,240 Speaker 1: next to me, out of nowhere. All I want to do, 363 00:20:27,560 --> 00:20:29,600 Speaker 1: have some fun? Might you have that click with the 364 00:20:29,640 --> 00:20:31,440 Speaker 1: wrong All I want to do in my bed? What's 365 00:20:31,440 --> 00:20:34,680 Speaker 1: the one you have? Played that one? Okay? Oh that's 366 00:20:34,720 --> 00:20:39,000 Speaker 1: jennifernetto yeah one, Yeah, char Crow was All I want 367 00:20:39,000 --> 00:20:40,760 Speaker 1: to do is have a little fun before I die. 368 00:20:41,119 --> 00:20:43,720 Speaker 1: Set him in next to me out of nowhere. I'm 369 00:20:43,720 --> 00:20:45,800 Speaker 1: sure his name is Billy or Bill or Bob or Buddy. 370 00:20:46,400 --> 00:20:49,840 Speaker 1: The names I probably messed up. Um. My favorite charro 371 00:20:49,880 --> 00:20:54,119 Speaker 1: Crow song is strong enough here before oh here we 372 00:20:54,160 --> 00:20:59,160 Speaker 1: go just at that strong enough with the five if 373 00:20:59,160 --> 00:21:03,000 Speaker 1: it makes you happy? When ten happy? If it makes 374 00:21:03,040 --> 00:21:08,320 Speaker 1: you happy? Yea kid rock collaboration picture went to number four. 375 00:21:09,920 --> 00:21:11,600 Speaker 1: Everybody's a Winding Road. You know she was a teacher 376 00:21:11,640 --> 00:21:15,520 Speaker 1: before she No, I didn't know that music. Yeah crazy, 377 00:21:16,800 --> 00:21:19,560 Speaker 1: she's she's a rock star that she is. Only have 378 00:21:19,560 --> 00:21:24,040 Speaker 1: a couple more the Who They had one song crack 379 00:21:24,119 --> 00:21:31,040 Speaker 1: the top ten. I can see from miles Yeah my 380 00:21:32,040 --> 00:21:36,400 Speaker 1: Jimi Hendrix All Along the watch Tower. His biggest only 381 00:21:36,440 --> 00:21:43,640 Speaker 1: went number twenty, written by yeah yeah Bob Marley. Oh 382 00:21:43,760 --> 00:21:47,840 Speaker 1: wow he was How how high did he get? Well? 383 00:21:48,119 --> 00:21:51,680 Speaker 1: Nufte That was the highest Bob Marley ever gotten. People 384 00:21:51,760 --> 00:21:54,000 Speaker 1: love Bob Marley and his band the Way. There's released 385 00:21:54,000 --> 00:21:56,919 Speaker 1: dozens of songs before one reached fifty one on the 386 00:21:57,000 --> 00:22:02,760 Speaker 1: chart Roots Rock and Reggae Rock. I was reading a 387 00:22:02,760 --> 00:22:05,680 Speaker 1: story about Bob Marley yesterday because I am a nerd 388 00:22:06,160 --> 00:22:08,960 Speaker 1: and I'm not a huge Bob Marley fan. But one 389 00:22:09,000 --> 00:22:11,800 Speaker 1: of the writers to No Woman, No Cry is the 390 00:22:11,800 --> 00:22:13,479 Speaker 1: guy that didn't write the song. But it's a guy 391 00:22:13,480 --> 00:22:19,399 Speaker 1: who was running a suit kitchen for people Jamaica, and 392 00:22:19,480 --> 00:22:21,040 Speaker 1: so he wanted him to keep getting the royalties to 393 00:22:21,080 --> 00:22:23,200 Speaker 1: keep the soup kitchen going. Really started as a writer. 394 00:22:24,040 --> 00:22:28,400 Speaker 1: Get out crazy. That is so interesting. I didn't know that, dude, 395 00:22:28,400 --> 00:22:31,040 Speaker 1: that's crazy. You never know what you're gonna learn on 396 00:22:31,040 --> 00:22:34,159 Speaker 1: this show. That's bomb. That was I don't know. I 397 00:22:34,160 --> 00:22:37,080 Speaker 1: don't you know. He died such a long time ago listening. 398 00:22:37,280 --> 00:22:41,199 Speaker 1: All humans are extremely multifaceted, right, and I'm sure there 399 00:22:41,200 --> 00:22:42,880 Speaker 1: were wonderful parts of them. But if you read those 400 00:22:42,880 --> 00:22:44,320 Speaker 1: stories about how he got his songs played on the 401 00:22:44,359 --> 00:22:46,240 Speaker 1: radio in the early days, oh yeah, he was renegade 402 00:22:46,280 --> 00:22:47,960 Speaker 1: style with the go up with a gun. Yeah, he 403 00:22:47,960 --> 00:22:49,960 Speaker 1: would go to Island Records with a gun and his 404 00:22:50,000 --> 00:22:52,040 Speaker 1: whole crew. You know, they all look scary and just 405 00:22:52,119 --> 00:22:54,679 Speaker 1: be like, you're playing our music. You're gonna sign us today, 406 00:22:55,080 --> 00:22:57,520 Speaker 1: You're gonna make us famous. That's that Sugar Night Vanilla 407 00:22:57,560 --> 00:22:59,080 Speaker 1: I stuff where they're hanging to Vanilla I by the 408 00:22:59,119 --> 00:23:01,760 Speaker 1: ankles over the the hotel balcony. Well it's it's and 409 00:23:01,760 --> 00:23:03,800 Speaker 1: it's not even just that too, Like if you look 410 00:23:03,840 --> 00:23:05,760 Speaker 1: at how all the kids he has and all the 411 00:23:05,760 --> 00:23:08,040 Speaker 1: different wife or the one wife he had, but kids 412 00:23:08,040 --> 00:23:10,240 Speaker 1: with a lot of other women and It's just a 413 00:23:10,320 --> 00:23:14,520 Speaker 1: different lifestyle that nowadays we'd be like, oh my gosh, well, 414 00:23:14,520 --> 00:23:16,920 Speaker 1: I hope you guys liked that little part of this show, um, Eddie, 415 00:23:17,000 --> 00:23:19,080 Speaker 1: promote your podcast. If people looking for something else, listen 416 00:23:19,119 --> 00:23:22,200 Speaker 1: to the Sore Losers podcast. Me, lunch Box and Ray. 417 00:23:22,359 --> 00:23:24,720 Speaker 1: We talk sports, just a lot of guy talk. I 418 00:23:24,760 --> 00:23:27,760 Speaker 1: mean I get just the biggest laughs with these guys 419 00:23:27,760 --> 00:23:29,959 Speaker 1: and have a really good time doing this podcast with them. 420 00:23:29,960 --> 00:23:32,640 Speaker 1: All Right, there you go, check out the Sore Losers podcast. 421 00:23:32,720 --> 00:23:42,480 Speaker 1: There you go, Kylie, what should we call this segment? Um? 422 00:23:42,520 --> 00:23:46,119 Speaker 1: I don't know music Kylie likes? Or music kids like? 423 00:23:47,280 --> 00:23:50,040 Speaker 1: Or music Kylie and the kids like? Which one third 424 00:23:50,119 --> 00:23:53,240 Speaker 1: one music? Kylie and the kids like, Yes? I love it? 425 00:23:53,480 --> 00:23:56,359 Speaker 1: All right? You're how old? Um? Eleven? About to be twelve? 426 00:23:56,400 --> 00:24:00,719 Speaker 1: When do you turn? Twelve? October two? Coming up pretty quick? Okay? Nice? 427 00:24:01,080 --> 00:24:04,439 Speaker 1: And will you do something on this show where we 428 00:24:04,480 --> 00:24:07,680 Speaker 1: talk about we call Mount Rushmore a favorites? Now do 429 00:24:07,680 --> 00:24:10,280 Speaker 1: you know what Mount Rushmore is? What is it? It's 430 00:24:10,320 --> 00:24:13,760 Speaker 1: like this mountain that has all the famous people on. Yeah, 431 00:24:13,800 --> 00:24:16,199 Speaker 1: the presidents. Yeah, good for you. Who knew you were 432 00:24:16,200 --> 00:24:19,480 Speaker 1: so smart? What the crap? Do you know? Any of 433 00:24:19,560 --> 00:24:20,919 Speaker 1: the presidents that are on it. Can you give me 434 00:24:20,960 --> 00:24:27,240 Speaker 1: one of them? George Washington boom perfect? Can you name 435 00:24:27,280 --> 00:24:34,520 Speaker 1: another one though? Um? Abraham Lincoln boo too. We're gonna 436 00:24:34,560 --> 00:24:37,440 Speaker 1: leave it there. Great job. Okay, So there are four 437 00:24:37,600 --> 00:24:40,480 Speaker 1: heads on Mount Rushmore, right, that the four big presidents. 438 00:24:40,480 --> 00:24:42,600 Speaker 1: So what we do, though, is what we'll sign different 439 00:24:42,600 --> 00:24:44,680 Speaker 1: categories where if you had to make a mounta Rushmore 440 00:24:44,680 --> 00:24:48,080 Speaker 1: of your favorite artists singing artists, what would they be? 441 00:24:48,200 --> 00:24:50,679 Speaker 1: And there would be four of them? Okay, so you 442 00:24:50,720 --> 00:24:55,360 Speaker 1: get four favorite singing artists. What's number one? A Grande? 443 00:24:55,840 --> 00:25:00,440 Speaker 1: Why do you love Ariana grande Um because she sings music? 444 00:25:01,480 --> 00:25:02,960 Speaker 1: Did you ever put out any songs where you're like, 445 00:25:03,119 --> 00:25:06,240 Speaker 1: I don't really like that one sometimes? Oh? Really? What's 446 00:25:06,280 --> 00:25:09,359 Speaker 1: your favorite Ariana grande song? Um? Stuck with you? Is 447 00:25:09,359 --> 00:25:11,040 Speaker 1: that justin Bieber when you were making me listen to 448 00:25:11,119 --> 00:25:15,119 Speaker 1: last night? That's a pretty good song. Huh. How long 449 00:25:15,160 --> 00:25:20,800 Speaker 1: have you been a fan of Ariana grande Um? Four years? Wow? 450 00:25:21,160 --> 00:25:24,800 Speaker 1: Do you ever wear the cattiers? No? That's who would't 451 00:25:24,800 --> 00:25:33,159 Speaker 1: wear that? That's this is your jam right here? Do 452 00:25:33,160 --> 00:25:35,439 Speaker 1: you know how to do you know the words? Go ahead? 453 00:25:36,640 --> 00:25:38,919 Speaker 1: Don't want to sing with it. It's a little bit 454 00:25:38,960 --> 00:25:51,800 Speaker 1: you got it? Come on there, it is pretty good. God, 455 00:25:51,920 --> 00:26:03,199 Speaker 1: all this summer my nice? Come on friends? You like 456 00:26:03,240 --> 00:26:06,800 Speaker 1: Justin Bieber? Kind of? I like his music? Okay, we 457 00:26:06,840 --> 00:26:09,159 Speaker 1: had this talk though, Yeah, you said, well it's kind 458 00:26:09,160 --> 00:26:14,119 Speaker 1: of weird though, But then I said, then I said, 459 00:26:14,119 --> 00:26:15,840 Speaker 1: what what did I tell you that? It made him 460 00:26:15,840 --> 00:26:18,520 Speaker 1: seem a little cooler? Caitlyn went to church with that. 461 00:26:18,520 --> 00:26:20,600 Speaker 1: That's right. Him and Caitlin went to church together, and 462 00:26:20,640 --> 00:26:23,080 Speaker 1: she said he was super nice. And that's pretty cool. Right. 463 00:26:23,119 --> 00:26:25,640 Speaker 1: Anytime you hear somebody's n eyes. Have you ever met 464 00:26:25,640 --> 00:26:29,720 Speaker 1: a celebrity? Um? Not, well I met you. It's been 465 00:26:29,760 --> 00:26:34,879 Speaker 1: a real celebrity alright. Ariana Grande is number one, number 466 00:26:34,880 --> 00:26:41,639 Speaker 1: two Lewis Capaldi? Wow, and you like him because I 467 00:26:41,720 --> 00:26:46,040 Speaker 1: like his music. He's a big boy singer. What's your 468 00:26:46,040 --> 00:26:50,080 Speaker 1: favorite Louis Capaldi song? Um? Someone you love? Oh, that's 469 00:26:50,080 --> 00:26:53,960 Speaker 1: a good one. Do you ever check him out on Instagram? 470 00:26:54,000 --> 00:27:01,080 Speaker 1: Not really? He's pretty funny. It's your jam here suiting. 471 00:27:01,920 --> 00:27:10,320 Speaker 1: I guess that's kind of ugo. You know that's pretty 472 00:27:10,320 --> 00:27:13,560 Speaker 1: good enough? Not really? Okay, So you have Ariana Grande, 473 00:27:13,640 --> 00:27:22,200 Speaker 1: Louis Capaldi at number three. Um. Probably, Well, I wouldn't 474 00:27:22,240 --> 00:27:24,679 Speaker 1: say he's like a big music artist, but he's a 475 00:27:24,680 --> 00:27:29,879 Speaker 1: TikToker and he makes music. Also, Okay, it's your list. 476 00:27:29,960 --> 00:27:33,240 Speaker 1: They can be your favorite people to do music. His 477 00:27:33,359 --> 00:27:36,040 Speaker 1: name is Jaden Holster. Never heard of one, but that 478 00:27:36,080 --> 00:27:38,800 Speaker 1: doesn't mean he's not cool Jaden Holster. And why do 479 00:27:38,840 --> 00:27:43,199 Speaker 1: you like him? Um? When he sings music? He hasn't 480 00:27:43,200 --> 00:27:46,399 Speaker 1: really just like singing random stuff. He usually sings what 481 00:27:46,520 --> 00:27:51,840 Speaker 1: he's thinking about. Interesting, it's a songwriting technique. Yeah. And 482 00:27:51,880 --> 00:27:54,320 Speaker 1: how old is he do you think? I think he's 483 00:27:54,359 --> 00:27:57,200 Speaker 1: like eighteen. Okay, it's a little too old for you, 484 00:27:57,760 --> 00:28:00,800 Speaker 1: but you still like him? I like his music? Yeah, yeah, 485 00:28:00,960 --> 00:28:03,919 Speaker 1: whatever you say? Yeah yeah, yeah, So you're still on 486 00:28:03,960 --> 00:28:08,000 Speaker 1: TikTok a lot. Um. Yeah, how's that going for you? Well? 487 00:28:08,040 --> 00:28:09,919 Speaker 1: I had to get a new accounts so not that 488 00:28:09,960 --> 00:28:13,040 Speaker 1: good because I forgot my password and how to get 489 00:28:13,040 --> 00:28:16,719 Speaker 1: a new phone, so both things happened. Had to get 490 00:28:16,720 --> 00:28:18,159 Speaker 1: a new a whole new account. Bar about all the 491 00:28:18,160 --> 00:28:20,640 Speaker 1: followers because I had reposted you once and you got 492 00:28:20,640 --> 00:28:24,000 Speaker 1: it like a thousand followers on my very first account. 493 00:28:24,040 --> 00:28:26,960 Speaker 1: I had, like now, on that very first account, I 494 00:28:27,000 --> 00:28:29,639 Speaker 1: have four hundred and five followers, but on account I 495 00:28:29,680 --> 00:28:31,960 Speaker 1: have right now I only have like fifteen. Well that's 496 00:28:32,000 --> 00:28:35,520 Speaker 1: because you had to change accounts. What's your TikTok name? 497 00:28:36,080 --> 00:28:41,480 Speaker 1: Um bet underscore on Underscore Kylie too? Like bet On Kylie? 498 00:28:41,720 --> 00:28:47,040 Speaker 1: B et underscore on on Underscore Kylie k? I l 499 00:28:47,080 --> 00:28:51,880 Speaker 1: e y number two or just too yeah number number two? Yeah? Yeah? 500 00:28:52,040 --> 00:28:54,680 Speaker 1: Why why is it bet On Kylie? I don't know 501 00:28:54,720 --> 00:28:56,360 Speaker 1: a lot of our friends were doing it, so I 502 00:28:56,400 --> 00:28:58,760 Speaker 1: just did it, and like everyone keeps on changing thirst, 503 00:28:58,800 --> 00:29:00,920 Speaker 1: but I still want to change it. Okay, you have 504 00:29:00,960 --> 00:29:02,920 Speaker 1: one more artist you can put in your mount rushmore. 505 00:29:03,720 --> 00:29:10,560 Speaker 1: Who would it be? Um, I'll say Justin Biever. You 506 00:29:10,720 --> 00:29:13,560 Speaker 1: just said he was weird. Well, just because he's weird 507 00:29:13,600 --> 00:29:16,520 Speaker 1: doesn't me I don't like his music. Okay, I expect 508 00:29:16,520 --> 00:29:21,720 Speaker 1: you to say Bruno Mars. Oh yeah, yeah you can. 509 00:29:21,800 --> 00:29:24,800 Speaker 1: You can whichever one. I just because that's mostly what 510 00:29:24,840 --> 00:29:26,960 Speaker 1: we play. When when it's like I'm gonna hit music 511 00:29:26,960 --> 00:29:29,600 Speaker 1: for you, it's Bruno Mars. Do you like Bruno more? 512 00:29:29,680 --> 00:29:31,400 Speaker 1: If now I'm not gonna four, I'm not gonna push 513 00:29:31,400 --> 00:29:34,040 Speaker 1: you in a direction. But if someone said you can 514 00:29:34,080 --> 00:29:36,240 Speaker 1: only listen to one person's music for a week. Is 515 00:29:36,240 --> 00:29:39,760 Speaker 1: it Bruno Mars or is it Justin Bieber? Are you 516 00:29:39,760 --> 00:29:44,600 Speaker 1: sure your fourth person? Is you committed to this? Yes? Okay, 517 00:29:44,680 --> 00:29:47,680 Speaker 1: Bruno Mars it is, that's your fourth person. What's your 518 00:29:47,680 --> 00:29:53,200 Speaker 1: favorite Bruno Mar song? Um? I don't really know what 519 00:29:53,240 --> 00:29:55,400 Speaker 1: the names are. What's sinking to me? Saying? That? Was 520 00:29:55,440 --> 00:30:01,120 Speaker 1: that slow one? I don't really remember? Come you got? Oh? 521 00:30:01,120 --> 00:30:05,520 Speaker 1: You just is good? You know this one? Yeah? You 522 00:30:05,520 --> 00:30:07,080 Speaker 1: don't listen to the bad words and these songs? Right? 523 00:30:08,200 --> 00:30:12,120 Speaker 1: I don't know sometimes, but you don't say them. No, No, 524 00:30:12,320 --> 00:30:13,640 Speaker 1: you can't say that, you know. I don't. I don't 525 00:30:13,680 --> 00:30:16,160 Speaker 1: cuss at all. I haven't said a bad word in 526 00:30:16,640 --> 00:30:20,200 Speaker 1: years and years, So you don't say bad words either, right? 527 00:30:20,680 --> 00:30:22,920 Speaker 1: All right? What great are you in? Um? Sixth gird? 528 00:30:23,040 --> 00:30:25,280 Speaker 1: How's that working out for you? Good? You like it? 529 00:30:26,560 --> 00:30:29,640 Speaker 1: Your friends nice to you? What's cool about school? Whis 530 00:30:29,680 --> 00:30:35,160 Speaker 1: favorite subject? Right now? Um? Band? Yeah? What are you doing? Band? 531 00:30:35,600 --> 00:30:39,480 Speaker 1: Might play the flute? You do? Are you any good? 532 00:30:39,920 --> 00:30:43,760 Speaker 1: I don't know yet? So how in the world did 533 00:30:43,760 --> 00:30:47,800 Speaker 1: you pick band? Um? Well, my friend Emily was signing 534 00:30:47,840 --> 00:30:49,720 Speaker 1: up for a band and she wanted me to sign 535 00:30:49,760 --> 00:30:52,360 Speaker 1: up with her so I did, and then she ended 536 00:30:52,440 --> 00:30:54,360 Speaker 1: up signing up for something that I wanted her to 537 00:30:54,440 --> 00:30:57,080 Speaker 1: sign up for. Okay, so you guys, but what did 538 00:30:57,160 --> 00:31:00,760 Speaker 1: What did she signed up for? You? Choir? So you're 539 00:31:00,800 --> 00:31:03,240 Speaker 1: both doing a banned choir that's pretty cool in the 540 00:31:03,280 --> 00:31:06,640 Speaker 1: same classes to really pretty cool? How school? You weren't 541 00:31:06,680 --> 00:31:11,360 Speaker 1: a mask in class all day? How's that? Um? Terrible? Why? 542 00:31:12,160 --> 00:31:16,440 Speaker 1: Because it's really hot? But I mean it's good to 543 00:31:16,600 --> 00:31:19,320 Speaker 1: wear it because it keeps me from getting sick. Yeah, 544 00:31:19,400 --> 00:31:22,240 Speaker 1: I agree with that and getting other people sick. What's 545 00:31:22,240 --> 00:31:27,440 Speaker 1: your favorite TV show? Um? Either Friends or Bald's Burgers. 546 00:31:29,560 --> 00:31:32,640 Speaker 1: What the really? What I expected to say? I also 547 00:31:32,680 --> 00:31:34,960 Speaker 1: like Friends, you like Bob's Burgers. Like Bob Burgers. But 548 00:31:35,000 --> 00:31:38,280 Speaker 1: how come last night when I said here's Netflix, here's 549 00:31:38,320 --> 00:31:40,920 Speaker 1: my account on Netflix, that you didn't pick either one 550 00:31:40,960 --> 00:31:44,240 Speaker 1: of them? Well, because I wanted to rewatch Riverdale again? 551 00:31:45,040 --> 00:31:48,480 Speaker 1: And why because I like that show. Who is the 552 00:31:48,560 --> 00:31:53,040 Speaker 1: guy that you says your boyfriend? I don't not anymore? 553 00:31:53,120 --> 00:31:56,240 Speaker 1: At least who was it Josh Richards? And who is he? 554 00:31:56,720 --> 00:32:00,920 Speaker 1: A TikToker? Okay, he's not your boyfriend anymore? Okay, Well 555 00:32:01,440 --> 00:32:05,040 Speaker 1: we'll conclude this this what kids like and what Kylie 556 00:32:05,120 --> 00:32:08,640 Speaker 1: likes segment? What are you drinking over there? Um? Starbucks? 557 00:32:08,720 --> 00:32:12,760 Speaker 1: But that's not just the Starbucks. It's the most caramel ribbon. 558 00:32:13,960 --> 00:32:15,800 Speaker 1: She was like, can I get the small carbon ribbon 559 00:32:15,880 --> 00:32:20,719 Speaker 1: chocolate double cookie? It was the most sugar infested thing 560 00:32:20,720 --> 00:32:23,160 Speaker 1: I've ever seen in my life? So what is that again? 561 00:32:24,000 --> 00:32:29,200 Speaker 1: Caramel crunch? Ribbon rap rap Puccina has a lot of words. 562 00:32:29,560 --> 00:32:32,040 Speaker 1: All right, did you have fun? Yes? Are you having 563 00:32:32,080 --> 00:32:35,040 Speaker 1: fun here hanging out with me in Nashville? Yes? How 564 00:32:35,040 --> 00:32:37,640 Speaker 1: long was the drive? Do you remember? Six hours and 565 00:32:37,720 --> 00:32:41,720 Speaker 1: thirty minutes? And how did that feel? Um? Boring? Right? 566 00:32:41,880 --> 00:32:44,760 Speaker 1: What did you do the whole time? Um? Sleep and 567 00:32:44,880 --> 00:32:48,320 Speaker 1: watch TikTok's and make TikTok's. You made tiktoks in the car. 568 00:32:48,680 --> 00:32:51,120 Speaker 1: So if I go to bet underscore on Underscore Kylie 569 00:32:51,320 --> 00:32:54,360 Speaker 1: number two, I'm gonna see car tiktoks. Well, you're not 570 00:32:54,400 --> 00:32:57,480 Speaker 1: going to see car TikTok because I haven't in my drafts. Oh, 571 00:32:57,480 --> 00:32:59,920 Speaker 1: you can't load them up yet. I haven't load him. 572 00:33:00,320 --> 00:33:01,720 Speaker 1: All right? If you had fun here at the house, 573 00:33:02,360 --> 00:33:06,800 Speaker 1: definitely all right, and you'll have this woman polls fun. Yes, Okay, 574 00:33:06,840 --> 00:33:09,320 Speaker 1: that's it. We're done with the segment. Okay, what would 575 00:33:09,320 --> 00:33:13,400 Speaker 1: you like to say in conclusion? Goodbye? That's it. Couldn't 576 00:33:13,400 --> 00:33:17,320 Speaker 1: have said it better myself, Nicky. Good talk to you again, 577 00:33:17,400 --> 00:33:19,800 Speaker 1: you know UHH. I'll start with this, like, how did 578 00:33:19,840 --> 00:33:21,920 Speaker 1: you get all these artists together for this song Maybe 579 00:33:21,920 --> 00:33:27,080 Speaker 1: It's Time? Well, the song was written by me, James 580 00:33:27,120 --> 00:33:31,280 Speaker 1: and DJ and six Am destination to be for the 581 00:33:31,320 --> 00:33:35,640 Speaker 1: Heroin Diaries musical, and then the idea was I wanted 582 00:33:35,680 --> 00:33:42,560 Speaker 1: to get some super super high level pop and country 583 00:33:42,800 --> 00:33:47,360 Speaker 1: artists to be on this song because when we were 584 00:33:47,360 --> 00:33:50,200 Speaker 1: working with the musical, I wanted to elevate the conversation. 585 00:33:50,280 --> 00:33:53,760 Speaker 1: That's what the whole musical UH is destined to be, 586 00:33:54,120 --> 00:33:57,240 Speaker 1: is what RENT was for HIV. The Heroin Diaries will 587 00:33:57,280 --> 00:34:02,080 Speaker 1: be for the opiate epidemic and UH a coronavirus hit 588 00:34:02,240 --> 00:34:06,480 Speaker 1: as we all know, and everything stopped. So we had 589 00:34:06,520 --> 00:34:09,600 Speaker 1: this song and we still wanted to do something, but 590 00:34:09,640 --> 00:34:13,520 Speaker 1: we didn't know what for. I mean, obviously we want 591 00:34:13,520 --> 00:34:18,080 Speaker 1: to do it for a reason. So UM tied into 592 00:34:18,239 --> 00:34:23,319 Speaker 1: the Global Recovery Initiative Foundation UH and to donate all 593 00:34:23,400 --> 00:34:27,719 Speaker 1: the money from Maybe It's Time to that, and it 594 00:34:27,800 --> 00:34:30,279 Speaker 1: was really easy I called up Slash and I said, Hey, 595 00:34:30,280 --> 00:34:32,600 Speaker 1: this is kind of this idea I want to do. 596 00:34:32,640 --> 00:34:34,640 Speaker 1: I want to do kind of a bit of a 597 00:34:34,640 --> 00:34:40,000 Speaker 1: blue collar version of the song with some pretty pump 598 00:34:41,000 --> 00:34:44,040 Speaker 1: powerful singers and I'd love your guitar work on it. 599 00:34:44,080 --> 00:34:46,239 Speaker 1: And Slash like, yeah, fine, I go, do you want 600 00:34:46,280 --> 00:34:49,919 Speaker 1: to hear it? And he goes, no, man, no, if 601 00:34:49,960 --> 00:34:52,279 Speaker 1: you this is important to you, it's important to me. 602 00:34:52,680 --> 00:34:55,759 Speaker 1: And that's the kind of guys Slashes and the conversation 603 00:34:55,840 --> 00:34:58,759 Speaker 1: is just just kept going like that. I just called 604 00:34:58,840 --> 00:35:02,040 Speaker 1: up people and they were like, in anything you need, um, 605 00:35:02,120 --> 00:35:04,680 Speaker 1: and so that we put this together. A guy named 606 00:35:04,719 --> 00:35:08,920 Speaker 1: Rob Cavallo produced the track and um. I was in 607 00:35:08,920 --> 00:35:12,640 Speaker 1: the middle of a move, sold my house in Los Angeles, 608 00:35:12,719 --> 00:35:15,239 Speaker 1: moved to Wyoming, so it was kind of hard for 609 00:35:15,280 --> 00:35:18,440 Speaker 1: me to be there. So having robbed there and James 610 00:35:18,480 --> 00:35:22,040 Speaker 1: Michael from six AM there to really oversee these vocals 611 00:35:22,040 --> 00:35:25,160 Speaker 1: and stuff is just fantastic and everybody just a just 612 00:35:25,200 --> 00:35:27,680 Speaker 1: a great job, Like guys like Corey Taylor. Corey just 613 00:35:27,800 --> 00:35:29,600 Speaker 1: like you know, called me up and goes, you know, 614 00:35:29,640 --> 00:35:32,600 Speaker 1: I heard to the Grapevine because like his tech Nos 615 00:35:32,719 --> 00:35:35,799 Speaker 1: Slashes Tech that you're doing this thing I want to 616 00:35:35,840 --> 00:35:39,160 Speaker 1: do it like it got to be that that positive 617 00:35:39,560 --> 00:35:43,919 Speaker 1: of a project. You mentioned Corey from slip Knot. What's 618 00:35:43,960 --> 00:35:45,319 Speaker 1: he like to hang out with? I mean, does he 619 00:35:45,320 --> 00:35:47,759 Speaker 1: act the same with and without the mask on? He's 620 00:35:47,800 --> 00:35:51,640 Speaker 1: such a positive dude, He's a great duties real I 621 00:35:52,600 --> 00:35:54,879 Speaker 1: I really like artists that are real and that are 622 00:35:56,000 --> 00:35:58,400 Speaker 1: have like a lot of different layers to them, a 623 00:35:58,400 --> 00:36:01,480 Speaker 1: lot of depth. One of my I guess, one of 624 00:36:01,520 --> 00:36:04,600 Speaker 1: my kind of complaints about where we're app musically and 625 00:36:04,680 --> 00:36:07,040 Speaker 1: a lot of cases is it sounds a lot like 626 00:36:07,640 --> 00:36:11,200 Speaker 1: bands are writing for radio. They're writing to be honest, 627 00:36:11,239 --> 00:36:13,080 Speaker 1: certain like, hey, let's write a song that'll fit on 628 00:36:13,320 --> 00:36:17,279 Speaker 1: the workout playlist. And they're starting to all use the 629 00:36:17,360 --> 00:36:20,200 Speaker 1: same producers and the same sounds. And it's like this 630 00:36:20,600 --> 00:36:24,560 Speaker 1: chord progression. There's there's a study out there that producers 631 00:36:25,040 --> 00:36:27,759 Speaker 1: read that will tell you what a hit song is. 632 00:36:28,400 --> 00:36:32,279 Speaker 1: And there's these different combinations of chords and where the 633 00:36:32,320 --> 00:36:34,799 Speaker 1: minor and the major fit and this whole thing. And 634 00:36:34,960 --> 00:36:39,319 Speaker 1: it's just not led Zeppelin, it's not Aerosmith, it's not Metallic, 635 00:36:39,400 --> 00:36:45,920 Speaker 1: it's not real. And I'm really proud of these artists 636 00:36:45,920 --> 00:36:49,840 Speaker 1: that came up and wanted to work on this because 637 00:36:49,880 --> 00:36:52,239 Speaker 1: that's what they're doing with their careers. They're trying to 638 00:36:52,280 --> 00:36:55,759 Speaker 1: add depth and dimension. They're talking about things that are 639 00:36:55,800 --> 00:36:58,799 Speaker 1: not well there times, things that are like spetistically not 640 00:36:58,960 --> 00:37:03,160 Speaker 1: popular sometimes too like this like maybe it's time, is 641 00:37:03,200 --> 00:37:07,959 Speaker 1: not a conversation that people are openly willing to have 642 00:37:08,680 --> 00:37:13,879 Speaker 1: about the opiate epidemic and solutions because it's a it's 643 00:37:13,920 --> 00:37:17,480 Speaker 1: not a pretty, you know, dinner conversation. But I think 644 00:37:17,520 --> 00:37:20,759 Speaker 1: that if more parents and more people and more families 645 00:37:21,040 --> 00:37:25,360 Speaker 1: and more businesses were having these conversations, and by donating 646 00:37:25,400 --> 00:37:29,239 Speaker 1: all the money to the Global Recovery Initiative UH Foundation, 647 00:37:29,440 --> 00:37:32,319 Speaker 1: they can get the information they're on where to get help. 648 00:37:32,360 --> 00:37:36,160 Speaker 1: And the other thing people are just not really aware 649 00:37:36,200 --> 00:37:40,000 Speaker 1: of is the reused pattern on sobriety. So when people 650 00:37:40,040 --> 00:37:45,120 Speaker 1: do come in and they get clean and whatever the situations, 651 00:37:45,120 --> 00:37:48,720 Speaker 1: there's a million different scenarios. UM a lot of cases 652 00:37:48,760 --> 00:37:51,160 Speaker 1: like they may make a week and then fall off 653 00:37:51,200 --> 00:37:53,040 Speaker 1: the wagon and have a drink, or they may make 654 00:37:53,080 --> 00:37:57,120 Speaker 1: a month and UM, I had a situation on almost 655 00:37:57,200 --> 00:38:00,000 Speaker 1: twenty years over now, so it had to be UH 656 00:38:00,040 --> 00:38:02,279 Speaker 1: got had to be a what was a long time 657 00:38:02,320 --> 00:38:04,600 Speaker 1: it was like a quarter century ago. But I was 658 00:38:04,640 --> 00:38:08,319 Speaker 1: about four years sober pure or four years sober, and um, 659 00:38:08,400 --> 00:38:11,759 Speaker 1: I slept, I fall off the wagon, and I was 660 00:38:11,840 --> 00:38:15,160 Speaker 1: really bummed and ashamed. But what I wanted was to 661 00:38:15,200 --> 00:38:17,680 Speaker 1: figure out what I did wrong, how I could do 662 00:38:17,719 --> 00:38:20,160 Speaker 1: it better, so I could live a life of sobriety 663 00:38:20,680 --> 00:38:22,960 Speaker 1: and be able to be in the position I'm in 664 00:38:23,080 --> 00:38:25,239 Speaker 1: right now in my life with you know, kids and 665 00:38:25,719 --> 00:38:29,960 Speaker 1: a wife and you know, a career, and um, I 666 00:38:30,120 --> 00:38:31,920 Speaker 1: got a lot of dirt thrown on me, a lot 667 00:38:32,000 --> 00:38:35,000 Speaker 1: of people. What's wrong with you? I'm ashamed of you. 668 00:38:35,000 --> 00:38:37,279 Speaker 1: You could do better. Don't you know what you're doing 669 00:38:37,360 --> 00:38:40,240 Speaker 1: to your fans? Don't you What about the record company? 670 00:38:40,280 --> 00:38:43,359 Speaker 1: What about this? And I was like, nothing was about me. 671 00:38:43,840 --> 00:38:46,200 Speaker 1: It wasn't about like, you know, Nikki, here's a helping hand. 672 00:38:46,280 --> 00:38:49,799 Speaker 1: So six Am really tackled some of these subjects in 673 00:38:49,840 --> 00:38:52,520 Speaker 1: the past, and we wrote that song accidents can Happen 674 00:38:52,560 --> 00:38:55,440 Speaker 1: about that about you know it's not it says, you know, 675 00:38:55,520 --> 00:38:57,839 Speaker 1: accidents can happen. It's only one day. It's not your 676 00:38:57,840 --> 00:39:02,120 Speaker 1: whole life. Now. I'm not saying people should be uh, 677 00:39:02,160 --> 00:39:06,960 Speaker 1: you know, getting clean and sober. And then being thinking 678 00:39:07,000 --> 00:39:09,880 Speaker 1: that that flipping and falling off the wagon is a 679 00:39:09,880 --> 00:39:13,600 Speaker 1: good thing because unfortunately a lot of people die that way. 680 00:39:13,640 --> 00:39:16,239 Speaker 1: But anyway, you know, back back to the subject to hand, 681 00:39:16,280 --> 00:39:20,160 Speaker 1: you know, this is very important to me as real artists. 682 00:39:20,239 --> 00:39:24,360 Speaker 1: It's a real song, real producer, a real initiative. I 683 00:39:24,400 --> 00:39:26,600 Speaker 1: think is important and I appreciate you taking your time 684 00:39:26,680 --> 00:39:29,359 Speaker 1: talking about it every time you stream maybe it's time 685 00:39:29,440 --> 00:39:31,239 Speaker 1: or you watch the video. Contribution is made to help 686 00:39:31,280 --> 00:39:34,000 Speaker 1: someone in recovery, which I think is fantastic. And you know, 687 00:39:34,040 --> 00:39:37,000 Speaker 1: a second ago you brought up that you like real 688 00:39:37,120 --> 00:39:40,120 Speaker 1: bands who have a reason to get into it, like 689 00:39:40,239 --> 00:39:43,200 Speaker 1: you know, a central core reason to to get into 690 00:39:43,200 --> 00:39:46,000 Speaker 1: being a band. When you guys because you co found 691 00:39:46,000 --> 00:39:48,440 Speaker 1: in Motley Crue, when you guys started, if you had 692 00:39:48,440 --> 00:39:50,960 Speaker 1: to go back and assign a mission statement to that band, 693 00:39:51,280 --> 00:39:53,279 Speaker 1: what would what would it be? That band or any 694 00:39:53,320 --> 00:39:55,839 Speaker 1: band to that band? Like you like, what were you 695 00:39:55,880 --> 00:39:57,799 Speaker 1: guys about? Because you guys were as real as it 696 00:39:57,800 --> 00:40:01,239 Speaker 1: could be? What was that about? We don't care what 697 00:40:01,400 --> 00:40:03,920 Speaker 1: you have to say because it doesn't matter to us. 698 00:40:04,520 --> 00:40:07,319 Speaker 1: That was our whole point. People would try to talk 699 00:40:07,360 --> 00:40:10,000 Speaker 1: to us about our music and we're like hands up. 700 00:40:10,440 --> 00:40:12,200 Speaker 1: We don't want to hear it. I still don't want 701 00:40:12,200 --> 00:40:15,040 Speaker 1: to hear it. I write music because I want to 702 00:40:15,040 --> 00:40:19,960 Speaker 1: write about something that is pissing me off, making me happy, 703 00:40:20,040 --> 00:40:23,160 Speaker 1: inspiring me, whatever it is. I don't want to write 704 00:40:23,239 --> 00:40:26,680 Speaker 1: based on analytics and playlists. I don't want to write 705 00:40:26,719 --> 00:40:30,640 Speaker 1: songs based on record companies telling me that there the 706 00:40:31,120 --> 00:40:33,640 Speaker 1: number one selling album on their label is this. So 707 00:40:33,760 --> 00:40:35,839 Speaker 1: now you guys should be this, or you should cut 708 00:40:35,880 --> 00:40:38,080 Speaker 1: your hair like this, or maybe you should dress like 709 00:40:38,760 --> 00:40:42,080 Speaker 1: I hate it, dude. I just think artists need to 710 00:40:42,120 --> 00:40:45,960 Speaker 1: be artists. And you go back historically and the bands 711 00:40:46,040 --> 00:40:49,439 Speaker 1: that are still here or the bands that really made 712 00:40:49,440 --> 00:40:56,200 Speaker 1: an impact, whether it was folks, pop, disco, rock, heavy metal, 713 00:40:56,320 --> 00:41:02,040 Speaker 1: glam Bowie, Elton John, Aerosmith, Queen, they were all expressing 714 00:41:02,080 --> 00:41:07,080 Speaker 1: themselves as the self, not as what somebody else wanted. 715 00:41:07,719 --> 00:41:10,279 Speaker 1: And I think that that's I'm really proud about that. 716 00:41:10,320 --> 00:41:13,400 Speaker 1: Whether you like Motley Crue don't like Motley Crue, you 717 00:41:13,440 --> 00:41:16,160 Speaker 1: can drop a needle anywhere on a record if you 718 00:41:16,200 --> 00:41:19,719 Speaker 1: have a record and you know every ounce of what 719 00:41:19,840 --> 00:41:23,319 Speaker 1: you're hearing was real, every ounce of what you're hearing 720 00:41:23,400 --> 00:41:26,640 Speaker 1: is real, as the band really cared really played their 721 00:41:26,680 --> 00:41:30,239 Speaker 1: own instrument. Nobody played the guitar parts on a keyboard. 722 00:41:30,719 --> 00:41:33,480 Speaker 1: Remember this friend of mine went to a songwriting session 723 00:41:33,840 --> 00:41:36,239 Speaker 1: and he brought his guitar and the producer says, what's 724 00:41:36,280 --> 00:41:37,880 Speaker 1: that and he goes, I brought my guitar because I 725 00:41:37,960 --> 00:41:41,040 Speaker 1: might have some conversions to do with it, and he goes, 726 00:41:41,080 --> 00:41:47,040 Speaker 1: we don't play. We don't use guitars here anymore. I'm like, wow, man, 727 00:41:47,760 --> 00:41:53,320 Speaker 1: take me away, Take me away. I watched The Dirt, 728 00:41:53,400 --> 00:41:56,239 Speaker 1: really enjoyed it on Netflix. How did you feel about 729 00:41:56,239 --> 00:42:00,400 Speaker 1: the way that you were portrayed in The Dirt? You know, 730 00:42:00,640 --> 00:42:02,440 Speaker 1: I don't know. I asked my wife. I goes, that 731 00:42:02,560 --> 00:42:06,719 Speaker 1: does that mean? She goes pretty much? So I don't know. 732 00:42:07,280 --> 00:42:11,920 Speaker 1: It's it's a weird thing watching yourself. And also, you know, 733 00:42:12,000 --> 00:42:16,040 Speaker 1: I'm sick on my sixties, right, so, um, A lot 734 00:42:16,080 --> 00:42:20,879 Speaker 1: of that stuff isn't really applicable to me anymore. And UM, 735 00:42:20,920 --> 00:42:24,719 Speaker 1: I can watch it from the outside, but I don't really. 736 00:42:24,760 --> 00:42:26,919 Speaker 1: I don't have an ego. I don't believe an ego. 737 00:42:26,960 --> 00:42:31,080 Speaker 1: I think egos your downfall. So to me, the movie 738 00:42:31,719 --> 00:42:36,839 Speaker 1: was entertainment for our fans and an opportunity to write 739 00:42:36,840 --> 00:42:40,000 Speaker 1: some new music, but I wasn't like I got a 740 00:42:40,080 --> 00:42:45,040 Speaker 1: movie about myself or anything like that. Does that make sense? Yeah? Yeah, 741 00:42:45,480 --> 00:42:48,359 Speaker 1: you know, just watching it and again really enjoyed it 742 00:42:48,360 --> 00:42:50,600 Speaker 1: and and know you guys a story and know your story. 743 00:42:51,120 --> 00:42:53,560 Speaker 1: Do you feel like though, and you mentioned Metallica earlier, 744 00:42:53,600 --> 00:42:55,840 Speaker 1: do you feel like that you guys inspired bands like 745 00:42:55,880 --> 00:43:00,960 Speaker 1: Metallica later on? Oh? God, I'm not sure. I mean, 746 00:43:01,760 --> 00:43:04,279 Speaker 1: I think one of the one thing about us is 747 00:43:04,360 --> 00:43:07,839 Speaker 1: we sort of just like doing our own thing. Oh 748 00:43:07,840 --> 00:43:11,719 Speaker 1: and I enjoy other bands, but I don't really. I 749 00:43:11,719 --> 00:43:14,920 Speaker 1: don't really look at like a camaraderie among bands. I 750 00:43:15,280 --> 00:43:19,200 Speaker 1: kind of like metallicas their band, Aerosmith their band, Motley Cruiser. 751 00:43:19,520 --> 00:43:22,440 Speaker 1: We're all our own individual things. So I'm not sure 752 00:43:22,800 --> 00:43:25,080 Speaker 1: I can tell you I was influenced by Aerosmith, though 753 00:43:25,520 --> 00:43:27,359 Speaker 1: I can tell you that they were like they were 754 00:43:27,400 --> 00:43:32,879 Speaker 1: my Rolling Stones. Six AM presents artists for recovery song 755 00:43:32,920 --> 00:43:34,880 Speaker 1: called Maybe It's Time. It's helping raise money for the 756 00:43:34,880 --> 00:43:39,720 Speaker 1: Global Recovery Initiative during National Recovery Month. It features Corey Taylor, 757 00:43:39,760 --> 00:43:43,239 Speaker 1: a slipknoton Stone Hour, Joe Elliott, Brantley Gilbert. I have 758 00:43:43,239 --> 00:43:46,080 Speaker 1: a Moody, Slash a Wall Nation, and Tommy Vex. So 759 00:43:46,120 --> 00:43:47,680 Speaker 1: I encourage you guys to check it out every time 760 00:43:47,680 --> 00:43:50,000 Speaker 1: you stream it or watch the video. It's actually helping 761 00:43:50,000 --> 00:43:53,360 Speaker 1: someone with recovery. UM, appreciate you coming on, Nikki, and 762 00:43:53,360 --> 00:43:56,280 Speaker 1: thanks for talking with me. Do you know that Motley 763 00:43:56,280 --> 00:43:58,520 Speaker 1: Cruise number one streaming song you talking about streaming? Do 764 00:43:58,560 --> 00:44:01,480 Speaker 1: you know what it is? I don't What would you 765 00:44:01,520 --> 00:44:05,319 Speaker 1: assume it would be? Uh? I don't know. You know. 766 00:44:05,360 --> 00:44:09,120 Speaker 1: The weirdest song on our catalog is this song kicks 767 00:44:09,120 --> 00:44:13,799 Speaker 1: Start My Heart. Because I was I had gotten clean 768 00:44:13,880 --> 00:44:18,520 Speaker 1: and sober after Girls, Girls Girls, and was writing that album, 769 00:44:18,520 --> 00:44:23,080 Speaker 1: writing the songs for the album. UM, we were pretty 770 00:44:23,160 --> 00:44:26,160 Speaker 1: much done with the record and my manager came by 771 00:44:26,280 --> 00:44:29,480 Speaker 1: my house and I write most of my music on 772 00:44:29,520 --> 00:44:32,960 Speaker 1: an acoustic guitar just because it's loud and I just 773 00:44:33,040 --> 00:44:35,279 Speaker 1: play really hard and I don't even play guitar, so 774 00:44:35,600 --> 00:44:38,759 Speaker 1: you can imagine what it sounds like. But I he's like, 775 00:44:38,880 --> 00:44:40,799 Speaker 1: what what is that you're playing? And I go, oh, 776 00:44:40,880 --> 00:44:43,880 Speaker 1: it's this song kind of this punk rock song, and 777 00:44:43,960 --> 00:44:45,680 Speaker 1: he goes, you're going to show it to the band? 778 00:44:45,840 --> 00:44:49,200 Speaker 1: I go, man, just's not really meant for Molly Crue 779 00:44:49,640 --> 00:44:51,880 Speaker 1: and he goes, well, you're gonna show it to the 780 00:44:51,880 --> 00:44:54,319 Speaker 1: band because I think that that really would be a 781 00:44:54,360 --> 00:44:57,440 Speaker 1: great song for your record, And I said okay. So 782 00:44:57,480 --> 00:45:00,600 Speaker 1: then he came by rehearsals like the Last Stay, a 783 00:45:00,680 --> 00:45:04,640 Speaker 1: rehearsal before we went to record the record, and he goes, 784 00:45:04,960 --> 00:45:07,680 Speaker 1: you show the guys the song, and then Tommy goes, 785 00:45:07,719 --> 00:45:10,399 Speaker 1: what song? And I go nothing, and he goes he goes, 786 00:45:10,440 --> 00:45:13,120 Speaker 1: he has this song, he won't show you guys. So 787 00:45:13,160 --> 00:45:15,000 Speaker 1: Tommy goes, well, I want to hear it, and I 788 00:45:15,040 --> 00:45:17,080 Speaker 1: was like, okay. So I kind of showed the part 789 00:45:17,160 --> 00:45:20,879 Speaker 1: to Mick and Tommy and then Vince Jump. I handed 790 00:45:20,960 --> 00:45:25,200 Speaker 1: him the lyrics and they started. We started doing it 791 00:45:25,640 --> 00:45:27,640 Speaker 1: and they were like, this song is great, but just 792 00:45:27,719 --> 00:45:31,640 Speaker 1: goes to show you that song is maybe one of 793 00:45:31,680 --> 00:45:35,000 Speaker 1: our biggest songs, but was never actually destined to be 794 00:45:35,040 --> 00:45:37,160 Speaker 1: a Motley Cruise song. Isn't that weird? So I don't know. 795 00:45:37,440 --> 00:45:40,279 Speaker 1: Maybe that's one of the highest streaming ones. You're number 796 00:45:40,320 --> 00:45:46,080 Speaker 1: one streaming song of Motley Cruis Kickstart my Heart. That's it? Yeah? 797 00:45:46,120 --> 00:45:49,240 Speaker 1: I like here, well, I appreciate that story, and everybody 798 00:45:49,239 --> 00:45:51,520 Speaker 1: listening check out maybe it's time, Nikki. It's great to 799 00:45:51,520 --> 00:45:54,360 Speaker 1: talk to you. Thank you for the time, and hopefully 800 00:45:54,600 --> 00:45:56,719 Speaker 1: I'll catch you soon. All right, man, Thanks, have a 801 00:45:56,719 --> 00:46:01,279 Speaker 1: good day, guys. Bobby and Eddie's Music School is now 802 00:46:01,360 --> 00:46:07,440 Speaker 1: in session, up in the morning and out. This was 803 00:46:07,480 --> 00:46:09,879 Speaker 1: a segment that we used to do on the radio show, 804 00:46:10,280 --> 00:46:12,759 Speaker 1: and so Eddie's on for two segments this this podcast. 805 00:46:13,320 --> 00:46:16,480 Speaker 1: But we got a little too nerdy with it because 806 00:46:16,560 --> 00:46:20,120 Speaker 1: we really enjoyed the nerdy, nerdy music stuff. Um So, 807 00:46:20,800 --> 00:46:22,680 Speaker 1: if we're gonna put some of these really fun ones 808 00:46:22,719 --> 00:46:25,319 Speaker 1: inside of this podcast, since it's the music podcast, I'll 809 00:46:25,360 --> 00:46:27,040 Speaker 1: go first. I have a story. Eddie has a story, 810 00:46:27,280 --> 00:46:31,360 Speaker 1: So music School this week. The year was both George 811 00:46:31,440 --> 00:46:35,720 Speaker 1: Jones and Alan Jackson were having big success. George Jones 812 00:46:35,719 --> 00:46:39,000 Speaker 1: had an album, Cold Heart Truth. It was one of 813 00:46:39,040 --> 00:46:41,480 Speaker 1: the best performing records of his career. It peaked at 814 00:46:41,560 --> 00:46:45,160 Speaker 1: number five on the Country Albums Chart. So I'm gonna 815 00:46:45,200 --> 00:46:48,359 Speaker 1: play George George Jones Choices here first. Here you go, 816 00:46:49,239 --> 00:46:56,280 Speaker 1: Joe Since the day that I was born. So Choices 817 00:46:56,360 --> 00:46:57,960 Speaker 1: was nominated for a Single of the Year at the 818 00:46:59,080 --> 00:47:01,439 Speaker 1: c m A Awards. It lost to the Dixie Chicks 819 00:47:01,440 --> 00:47:04,480 Speaker 1: Wide Open spaces. But since the song was such a 820 00:47:04,480 --> 00:47:07,640 Speaker 1: big hit and Jones was a nominee, the CMA said, hey, 821 00:47:07,719 --> 00:47:10,000 Speaker 1: why don't you come perform during the ceremony. But there 822 00:47:10,040 --> 00:47:12,360 Speaker 1: was a catch. The CMA said, hey, we only have 823 00:47:12,360 --> 00:47:14,719 Speaker 1: a little bit of time to perform, so would you 824 00:47:14,760 --> 00:47:18,279 Speaker 1: sing a shortened version of Choices rather than the full song? 825 00:47:18,360 --> 00:47:20,799 Speaker 1: And he said no, not for me and did not 826 00:47:20,960 --> 00:47:23,880 Speaker 1: go to the awards. So this is where Alan Jackson 827 00:47:23,920 --> 00:47:27,520 Speaker 1: came in. Alan Jackson was invited to perform on the show. 828 00:47:27,880 --> 00:47:31,279 Speaker 1: He was asked to sing his song popa Top. I 829 00:47:31,280 --> 00:47:33,279 Speaker 1: don't know if you're familiar with Poppa Top. From there 830 00:47:33,320 --> 00:47:36,239 Speaker 1: you go, and by the way, on the chart he 831 00:47:36,280 --> 00:47:39,359 Speaker 1: had done better than George Jones Choices that year. So 832 00:47:39,719 --> 00:47:42,560 Speaker 1: he kicks off the song like normal, and this is 833 00:47:42,560 --> 00:47:45,800 Speaker 1: a very bubbly, cheerful song, so he's upbeat, he's playing 834 00:47:45,840 --> 00:47:49,240 Speaker 1: the song and no one knew what he was about 835 00:47:49,280 --> 00:47:52,360 Speaker 1: to do on stage. Suddenly, in the middle of an 836 00:47:52,400 --> 00:47:55,880 Speaker 1: instrumental break like once people playing solos, Jackson refused to 837 00:47:55,880 --> 00:47:59,279 Speaker 1: sing his own song any longer. Instead, he broke into 838 00:47:59,280 --> 00:48:03,480 Speaker 1: an emotional formants of Choices that George Jones wasn't allowed 839 00:48:03,520 --> 00:48:06,080 Speaker 1: to play in the entire crowd jeered and rose to 840 00:48:06,120 --> 00:48:09,560 Speaker 1: its feet. So again Clip one. Here is a clip 841 00:48:09,560 --> 00:48:15,000 Speaker 1: of Allen Jackson playing pop a Top as normal. Then 842 00:48:15,040 --> 00:48:18,280 Speaker 1: you'll hear the instrumental suddenly stop, and then Allen Jackson 843 00:48:18,320 --> 00:48:34,240 Speaker 1: comes back in. I had shown from the jay told 844 00:48:36,520 --> 00:48:38,840 Speaker 1: by the time he finished, he just walked off stage. 845 00:48:38,880 --> 00:48:41,040 Speaker 1: He's finished it, hand his guitar and walked off, didn't 846 00:48:41,080 --> 00:48:44,000 Speaker 1: even stay for the applause. Wow, I got chills. That crazy, 847 00:48:44,280 --> 00:48:46,279 Speaker 1: so cool, and you know everyone in the control room 848 00:48:46,320 --> 00:48:47,600 Speaker 1: is freaking out, like what does he do? What do 849 00:48:47,600 --> 00:48:50,080 Speaker 1: you do? What is he doing? I love it? Awesome? 850 00:48:50,239 --> 00:48:51,880 Speaker 1: All right, Eddie, your turn? What you got? All right? 851 00:48:51,960 --> 00:48:55,800 Speaker 1: So you know islands in the stream? Right, Kenny and Dolly? Okay, 852 00:48:55,800 --> 00:48:58,400 Speaker 1: this for sure is nerdy, but I love it. So 853 00:48:58,440 --> 00:49:00,840 Speaker 1: this song was written by the Bgs, the Gift Brothers. 854 00:49:00,880 --> 00:49:02,880 Speaker 1: I had no idea that it was written for. It 855 00:49:02,920 --> 00:49:06,880 Speaker 1: was written by them one and two written for Marvin Gay. 856 00:49:06,960 --> 00:49:10,360 Speaker 1: So they wrote this intended for Martin Gay. It's funny, man, 857 00:49:10,920 --> 00:49:13,480 Speaker 1: is what I say. Martin Marvin Gay. It's funny too, 858 00:49:13,480 --> 00:49:16,279 Speaker 1: Because at this point of their career, disco had come 859 00:49:16,320 --> 00:49:20,239 Speaker 1: and gone, so they were writing the mainly just songwriters 860 00:49:20,239 --> 00:49:22,560 Speaker 1: instead of just coming up with disco songs or whatever. 861 00:49:22,640 --> 00:49:24,879 Speaker 1: So they wrote this and this is the demo here 862 00:49:24,920 --> 00:49:37,480 Speaker 1: from three intended for Martin and for Marvin Gay, but 863 00:49:37,800 --> 00:49:40,320 Speaker 1: also to and now we know who ended up recording 864 00:49:40,360 --> 00:49:44,240 Speaker 1: the song, Big Smash Kenny and Dolly but uh, also 865 00:49:44,360 --> 00:49:49,120 Speaker 1: they recorded the background vocals, so in Kenny and Dollies version, 866 00:49:49,160 --> 00:49:52,520 Speaker 1: really didn't know the bgs are singing the background vocals. 867 00:49:52,840 --> 00:49:55,839 Speaker 1: Do you have a clip of their version? Ray here? 868 00:49:56,400 --> 00:50:03,239 Speaker 1: That staying a Love staying alive? Hear that? And then 869 00:50:03,239 --> 00:50:06,160 Speaker 1: they put out a version later on like the Greatest 870 00:50:06,239 --> 00:50:08,759 Speaker 1: Hits record where they ended up rerecording the song for themselves. Yes, 871 00:50:08,800 --> 00:50:10,239 Speaker 1: did you know that? Yes? I didn't know that. Do 872 00:50:10,239 --> 00:50:17,120 Speaker 1: we have a clip of that one? Oh? No, so good? 873 00:50:18,760 --> 00:50:21,560 Speaker 1: This has gotta be the demo, right, yeah, this is 874 00:50:21,600 --> 00:50:26,080 Speaker 1: the demo Barry GiB Yeah, Berry Go the most famous 875 00:50:26,080 --> 00:50:29,240 Speaker 1: big and since we're nerding out to uh, Barry GiB 876 00:50:29,320 --> 00:50:31,960 Speaker 1: later bought Johnny Cash his old house after Johnny died, 877 00:50:32,520 --> 00:50:35,759 Speaker 1: still here in Nashville, Tennessee. A little side note, Yeah, 878 00:50:35,840 --> 00:50:38,120 Speaker 1: he I think he still owns it. He's still alive. 879 00:50:38,760 --> 00:50:42,279 Speaker 1: Very GiB Yeah, really yeah, I learn something. I mean, 880 00:50:42,320 --> 00:50:45,160 Speaker 1: I hope he is. You know what, in my heart 881 00:50:45,200 --> 00:50:48,960 Speaker 1: bones he'll always be alive. Boom in case he's not 882 00:50:50,360 --> 00:50:53,399 Speaker 1: covering yourself with that one. Okay, he's alive. Is he alive? 883 00:50:53,480 --> 00:50:55,880 Speaker 1: Mike seventy four years old? Where does he live now? 884 00:50:55,920 --> 00:50:57,920 Speaker 1: Does this say he's my neighbor? I have no idea. 885 00:50:58,080 --> 00:51:00,440 Speaker 1: Did that be amazing? Hey boy? About I brought you? 886 00:51:00,520 --> 00:51:05,560 Speaker 1: Was on the cookies, teeth, the teeth, some cookies, but 887 00:51:05,760 --> 00:51:09,160 Speaker 1: just some cookies, all right? Doesn't say all right, there 888 00:51:09,200 --> 00:51:12,360 Speaker 1: you go. That's Bobby and his music school class business. 889 00:51:13,080 --> 00:51:15,240 Speaker 1: That was Bobby and Eddie's music school