1 00:00:03,520 --> 00:00:07,400 Speaker 1: Welcome to J dot Ill, a production of I Heart Radio. 2 00:00:10,560 --> 00:00:14,200 Speaker 1: What Up everybody? It is. This is your friend Jill 3 00:00:14,200 --> 00:00:18,840 Speaker 1: scott Um and I'm here with my sister friends A J. 4 00:00:19,000 --> 00:00:23,639 Speaker 1: Graydon Danzler, that is me, m M m m and 5 00:00:23,760 --> 00:00:29,440 Speaker 1: l Jah st Clair Say why yeah, y'all, y'all, y'all, daddy, 6 00:00:29,720 --> 00:00:32,880 Speaker 1: We're going to JA dot I podcast. What's crazy about 7 00:00:32,920 --> 00:00:35,520 Speaker 1: the J dot Ill part is like I'm I'm under 8 00:00:35,520 --> 00:00:46,000 Speaker 1: the weather, like I'm Jill dot Ill still I um, 9 00:00:46,000 --> 00:00:48,240 Speaker 1: but I'm really happy to be here. I'm really happy 10 00:00:48,280 --> 00:00:52,920 Speaker 1: to talk to my sisters and you know, share some 11 00:00:52,960 --> 00:00:56,360 Speaker 1: good stuff, just some good thoughts today. Today we're gonna 12 00:00:56,360 --> 00:01:01,000 Speaker 1: talk about our favorite things. Yeah, favorite day, the things 13 00:01:01,000 --> 00:01:05,640 Speaker 1: that make us feel out fuzzy and happy and yeah, 14 00:01:05,840 --> 00:01:10,800 Speaker 1: i'd of stuff. Yeah, save that voice because I need 15 00:01:10,840 --> 00:01:13,559 Speaker 1: to hear that come out of an animated someone. Listen. 16 00:01:13,560 --> 00:01:16,639 Speaker 1: If somebody give me a job, I'm like looking looking 17 00:01:16,640 --> 00:01:22,319 Speaker 1: to create something like good voices, Hello people that right things, 18 00:01:22,400 --> 00:01:25,200 Speaker 1: I mean that draw things. She has great voices, draw 19 00:01:25,240 --> 00:01:28,120 Speaker 1: her something. Yeah, I got lots of come with the 20 00:01:28,240 --> 00:01:32,000 Speaker 1: come on because I like these things. A lovely young 21 00:01:32,040 --> 00:01:34,759 Speaker 1: man who um who was part of soul that did 22 00:01:34,800 --> 00:01:38,640 Speaker 1: a lot of the animation for Soul Brother. He's amazing. 23 00:01:39,720 --> 00:01:45,160 Speaker 1: Remember I don't I follow him on the I g oh, well, 24 00:01:45,200 --> 00:01:49,480 Speaker 1: look at that communicate on the social media's. It's crazy 25 00:01:49,520 --> 00:01:52,080 Speaker 1: because you know, a couple of years ago, it was 26 00:01:52,160 --> 00:01:57,080 Speaker 1: like six degrees of separation, yes it yep. Now it's 27 00:01:57,160 --> 00:02:00,920 Speaker 1: like one. Oh yeah, you can pretty much get to 28 00:02:01,000 --> 00:02:05,000 Speaker 1: anybody really if you wanted to, super hard to do. 29 00:02:05,640 --> 00:02:08,320 Speaker 1: I think that's a favorite thing. I think I like. 30 00:02:08,440 --> 00:02:12,680 Speaker 1: I like that. I do. I like the social media's. 31 00:02:12,919 --> 00:02:16,800 Speaker 1: I do the social media is, but I do like it. 32 00:02:16,880 --> 00:02:20,440 Speaker 1: I like the fact that I can say, hey, doci, 33 00:02:20,639 --> 00:02:24,000 Speaker 1: I think you're dope, yeah, and leave that little message, 34 00:02:24,000 --> 00:02:25,959 Speaker 1: and if she sees it, she sees it. If she doesn't, 35 00:02:26,000 --> 00:02:29,600 Speaker 1: she doesn't, you know, but I said it. He got 36 00:02:29,639 --> 00:02:32,639 Speaker 1: it out there. That's what I'm saying. Yes, I mean, 37 00:02:32,720 --> 00:02:35,600 Speaker 1: you know, of the we rarely talk of the positive. 38 00:02:36,000 --> 00:02:38,359 Speaker 1: But I do think that's one of my favorite things too, 39 00:02:38,400 --> 00:02:41,720 Speaker 1: that I have met some fabulous people on the socials. 40 00:02:43,120 --> 00:02:45,200 Speaker 1: I have a few have become my real friends and 41 00:02:45,800 --> 00:02:49,760 Speaker 1: in the real life. Okay, it's beautiful, And I do 42 00:02:49,880 --> 00:02:51,760 Speaker 1: have to add a shady element because we are who 43 00:02:51,760 --> 00:02:53,640 Speaker 1: we are and I just gotta say that, you know, 44 00:02:53,680 --> 00:02:56,040 Speaker 1: it makes sense. The selections are much easier these days 45 00:02:56,120 --> 00:02:58,720 Speaker 1: now that everything is kind of wearing down and certain 46 00:02:58,760 --> 00:03:02,079 Speaker 1: people are buying into our social media platforms and things. 47 00:03:02,080 --> 00:03:04,799 Speaker 1: So now we can say like, yeah, I G is 48 00:03:04,880 --> 00:03:08,200 Speaker 1: great and TikTok and and I G is great and 49 00:03:08,200 --> 00:03:11,320 Speaker 1: tickto right. Yeah, we can't say the other thing that 50 00:03:11,600 --> 00:03:16,680 Speaker 1: the other platform that shall remain name nameless. Are we 51 00:03:16,800 --> 00:03:21,640 Speaker 1: talking about Facebook? No? Were we talking about while you 52 00:03:21,680 --> 00:03:27,679 Speaker 1: were ill? Something it will happened? Tweetly dality tweet a 53 00:03:27,760 --> 00:03:30,840 Speaker 1: d d D the tweet, the tweel d. Yeah, I 54 00:03:30,840 --> 00:03:33,400 Speaker 1: don't know what you're talking about. Oh man, you know 55 00:03:33,440 --> 00:03:35,960 Speaker 1: the man then didn't bought the Twitter. The Twitter didn't 56 00:03:35,960 --> 00:03:38,440 Speaker 1: been bought by the one of divorce men. So like 57 00:03:38,560 --> 00:03:41,880 Speaker 1: the tweeter about to change forever, That's what I'm saying. Yeah, 58 00:03:42,920 --> 00:03:51,240 Speaker 1: it is not going to be one of our favorite things. Yeah. Wow, Okay, Well, um, 59 00:03:51,400 --> 00:03:55,000 Speaker 1: I since I've been out because I was coughing and 60 00:03:55,520 --> 00:03:59,040 Speaker 1: not feeling well, Um, I don't know that I'm gonna 61 00:03:59,080 --> 00:04:03,360 Speaker 1: believe y'all. But yeah, that thing that got bought, yeah, 62 00:04:03,600 --> 00:04:07,880 Speaker 1: thank god bought but the cillionaire, no is it the 63 00:04:07,920 --> 00:04:12,840 Speaker 1: e lien guy. Yeah, things are changing. People ain't got 64 00:04:12,880 --> 00:04:14,880 Speaker 1: you listen, It's about to be a good ship shot. 65 00:04:15,360 --> 00:04:17,120 Speaker 1: Look at leave it to me, Leave it to me, 66 00:04:17,360 --> 00:04:20,480 Speaker 1: Leave it to me. I'm sorry, I'm sorry. I just 67 00:04:20,279 --> 00:04:24,320 Speaker 1: I just no ugly things from the favorite things like yeah, 68 00:04:25,760 --> 00:04:28,400 Speaker 1: I like to be able to say, hey, stephany meals, 69 00:04:28,440 --> 00:04:31,640 Speaker 1: I love you. I like to be able to say 70 00:04:31,680 --> 00:04:34,080 Speaker 1: that randomly. And if she sees it, she sees it. 71 00:04:34,080 --> 00:04:36,320 Speaker 1: If she doesn't, she doesn't, you know, and that's all 72 00:04:36,440 --> 00:04:40,800 Speaker 1: right by me. On I G is one of my 73 00:04:40,920 --> 00:04:45,440 Speaker 1: favorite things. She's definitely a good idea of the elders. 74 00:04:45,640 --> 00:04:49,000 Speaker 1: I love the elders that embrace the social media's Oh 75 00:04:49,040 --> 00:04:53,119 Speaker 1: my god. John Amos and his son on Instagram, y'all 76 00:04:54,440 --> 00:05:01,520 Speaker 1: favorite honey Dion Warwick on the tweedled Little Dear Girl. 77 00:05:03,320 --> 00:05:07,640 Speaker 1: It's all the things, all of the things, all the truth, 78 00:05:07,920 --> 00:05:14,200 Speaker 1: all the truth. Okay, that is enjoyable. Yes, you can't 79 00:05:14,200 --> 00:05:15,840 Speaker 1: get a chance to tell the people that you like 80 00:05:16,000 --> 00:05:18,960 Speaker 1: really Rockwood and the people who have you know, been 81 00:05:19,480 --> 00:05:23,719 Speaker 1: instrumental and you're becoming and you get to say I 82 00:05:23,800 --> 00:05:26,840 Speaker 1: really appreciate you. Other than that, you would have had 83 00:05:26,880 --> 00:05:30,640 Speaker 1: to have written a letter and wait till you saw 84 00:05:30,680 --> 00:05:33,200 Speaker 1: them at an event that. Yes, that was back in 85 00:05:33,240 --> 00:05:35,560 Speaker 1: the day you had to write a fan letter, a 86 00:05:35,600 --> 00:05:39,839 Speaker 1: fan letter yes to a specific po box. I wrote 87 00:05:39,880 --> 00:05:43,440 Speaker 1: one of those. I wrote, who would you write a 88 00:05:43,440 --> 00:05:47,719 Speaker 1: fan letter to? Lie? Dear new edition, in fact, dear 89 00:05:47,839 --> 00:05:51,760 Speaker 1: Ralph Chess fan that Sunday. I know that we will 90 00:05:51,800 --> 00:05:55,480 Speaker 1: be together. I can feel it. I love your voice. 91 00:05:55,720 --> 00:05:58,679 Speaker 1: I have always loved your voice. And when our eyes 92 00:05:58,760 --> 00:06:03,440 Speaker 1: connected at the my best friend was so mad, but 93 00:06:03,880 --> 00:06:06,120 Speaker 1: she knew it just like I knew it too, that 94 00:06:06,200 --> 00:06:12,000 Speaker 1: we were meant to be always loved Jill m I've 95 00:06:12,040 --> 00:06:14,159 Speaker 1: got a picture of Jill and Rolph trash Van that 96 00:06:14,279 --> 00:06:17,839 Speaker 1: is so funny because you know that which you were 97 00:06:17,920 --> 00:06:20,039 Speaker 1: rob trans van, you are cheesing. So I was like, 98 00:06:20,040 --> 00:06:23,760 Speaker 1: why is your listen because that was a booth thing 99 00:06:24,200 --> 00:06:27,719 Speaker 1: that was my boo. Hey, that was my boo And 100 00:06:27,760 --> 00:06:30,680 Speaker 1: I was like, oh he hugging tight and brilliant even made. 101 00:06:31,240 --> 00:06:34,320 Speaker 1: And who So that was your favorite? Who was your favorite? 102 00:06:34,360 --> 00:06:39,360 Speaker 1: Do edition? Like? Oh my okay, don't don't try to 103 00:06:39,400 --> 00:06:43,800 Speaker 1: play me because listen, we're gonna laugh. Go ahead, go ahead. 104 00:06:45,560 --> 00:06:49,080 Speaker 1: It was Ronnie. I don't see why that was the girls, 105 00:06:49,080 --> 00:06:53,520 Speaker 1: the girls. It was he was Ronnie. Yeah, it was 106 00:06:53,560 --> 00:06:55,920 Speaker 1: just something about It was something about Ronnie. I don't 107 00:06:55,960 --> 00:06:58,560 Speaker 1: know what Ronnie sounds like as as a singer to 108 00:06:58,680 --> 00:07:01,640 Speaker 1: this day, but we don't know. It's okay, and it's 109 00:07:01,640 --> 00:07:04,640 Speaker 1: not for us to know. I will say this, Ronnie 110 00:07:04,720 --> 00:07:11,880 Speaker 1: has aged magnifico. He is one of my favorite stars 111 00:07:11,920 --> 00:07:17,120 Speaker 1: of any marriage boot camp show. Now favorite, I can't 112 00:07:17,120 --> 00:07:19,560 Speaker 1: tell all of them. No, I'm just saying the favorite 113 00:07:19,560 --> 00:07:23,760 Speaker 1: things he was. Yeah, they one of my favorite reality 114 00:07:23,800 --> 00:07:26,280 Speaker 1: show girls. I'm glad I went last, y'all, one of 115 00:07:26,440 --> 00:07:29,600 Speaker 1: my favorite come on, come on, they can't get no worse. 116 00:07:30,520 --> 00:07:35,960 Speaker 1: Oh no, girl, it was the Bobby Brown child. Everybody. No, 117 00:07:36,480 --> 00:07:44,760 Speaker 1: that's a Bobby brow from boy. Everybody like the beginning 118 00:07:44,840 --> 00:07:48,280 Speaker 1: of Bad Boys. He was humping and pumping. We were like, girl. 119 00:07:48,360 --> 00:07:51,120 Speaker 1: It was the waves for me. Okay, I know I 120 00:07:51,400 --> 00:07:55,440 Speaker 1: had the waves, but y'all underestimated Bobby's waves from the 121 00:07:55,560 --> 00:07:59,680 Speaker 1: very beginning, and his ways word deep and well cared for. Okay, 122 00:08:00,160 --> 00:08:02,840 Speaker 1: it was nothing but Pelvi extremes. It was nothing but 123 00:08:02,920 --> 00:08:08,280 Speaker 1: Pelvi extres. That's when I started becoming. But I just 124 00:08:08,280 --> 00:08:10,600 Speaker 1: wanted to answer your earlier question. And shocked the world 125 00:08:10,600 --> 00:08:12,480 Speaker 1: and tell y'all that the fan letter that I wrote 126 00:08:12,520 --> 00:08:14,840 Speaker 1: was to a certain young lady who I had told 127 00:08:14,840 --> 00:08:17,160 Speaker 1: I had got her recipe from her mask out of 128 00:08:17,200 --> 00:08:20,040 Speaker 1: a Tiger Beat magazine. I had went through a phase 129 00:08:20,520 --> 00:08:22,640 Speaker 1: as a young girl. Um, and I would just like 130 00:08:22,720 --> 00:08:28,280 Speaker 1: to shout out some Lissa Milano. Everybody was, what are 131 00:08:28,280 --> 00:08:33,040 Speaker 1: you talking about? I mean she was, but she was 132 00:08:33,080 --> 00:08:38,840 Speaker 1: definitely gorgeous as a young girl. Yeah, that poster was 133 00:08:38,840 --> 00:08:42,280 Speaker 1: on my wall the Tiger Beat for me. Yeah, well, 134 00:08:42,320 --> 00:08:44,200 Speaker 1: I had to get my Corey ham My Corey felt 135 00:08:44,200 --> 00:08:46,480 Speaker 1: mean my River Phoenix, like you know, my parents had 136 00:08:46,520 --> 00:08:47,800 Speaker 1: to have to sit down and talk with me for 137 00:08:47,840 --> 00:08:51,360 Speaker 1: at one point in the headboard side and New Kids 138 00:08:51,400 --> 00:08:55,520 Speaker 1: on the Block poster. So it was her, it was, 139 00:08:55,679 --> 00:09:02,040 Speaker 1: it was. It was a hard period. Fly. I'm sorry. Um, 140 00:09:02,240 --> 00:09:11,400 Speaker 1: it made me who I am today. Oh honey, oh baby, 141 00:09:11,679 --> 00:09:15,760 Speaker 1: oh baby, I want I said hanging tough earlier. I 142 00:09:15,800 --> 00:09:19,839 Speaker 1: was joking. I was joking about hanging the tough. So 143 00:09:19,880 --> 00:09:21,440 Speaker 1: you didn't know what New Kids on the Block side. 144 00:09:21,679 --> 00:09:25,560 Speaker 1: Excuse me, excuse me, Let me rephrase a question here, Hey, 145 00:09:25,600 --> 00:09:29,880 Speaker 1: agent Jill, who is your favorite New Kids member? Nobody 146 00:09:30,400 --> 00:09:32,960 Speaker 1: okay because they listen to that way, don't know you 147 00:09:32,960 --> 00:09:36,040 Speaker 1: want to say space, it's okay, Um, it's gonna be 148 00:09:36,080 --> 00:09:39,200 Speaker 1: a nobody because I didn't listen to that. I was 149 00:09:39,400 --> 00:09:43,520 Speaker 1: very anti Oh yeah, I was audition and I was 150 00:09:43,679 --> 00:09:46,160 Speaker 1: very upset when the rest of them came out and 151 00:09:46,200 --> 00:09:50,880 Speaker 1: had this massive success. It was up from this is 152 00:09:50,920 --> 00:09:56,600 Speaker 1: not a safe space. Okay, Jill, I feel the knife 153 00:09:56,960 --> 00:09:59,000 Speaker 1: and now you're turning again. You're gonna call Lena Horn 154 00:09:59,040 --> 00:10:00,800 Speaker 1: on me? Is that what you're gonna I'm just saying 155 00:10:00,840 --> 00:10:05,640 Speaker 1: that at the waters saying hell out of weather. I 156 00:10:05,760 --> 00:10:09,120 Speaker 1: just toed stormy Weather. I just I once I saw 157 00:10:09,200 --> 00:10:12,240 Speaker 1: that and I saw how deep and passionate she was 158 00:10:12,280 --> 00:10:16,319 Speaker 1: about Stormy Weather. And then Lena Horn saying, everybody's like no, 159 00:10:16,400 --> 00:10:18,600 Speaker 1: one's like, yes, she did a good job to job 160 00:10:18,640 --> 00:10:28,200 Speaker 1: here Waters, what listen to me? I want you to undershoda. 161 00:10:28,360 --> 00:10:36,400 Speaker 1: That's not even because he was like, okay, it's all right. 162 00:10:36,480 --> 00:10:38,600 Speaker 1: I just have to be honest. I have to be honest. 163 00:10:39,000 --> 00:10:41,400 Speaker 1: It wasn't a faith for me. I'm sorry. I was 164 00:10:41,480 --> 00:10:45,480 Speaker 1: a I was a new addition. Boys to mend jo 165 00:10:45,640 --> 00:10:51,480 Speaker 1: to see me too, I like, I like it took 166 00:10:51,520 --> 00:10:55,000 Speaker 1: me a while to do, Judy, See it's a good 167 00:10:55,000 --> 00:10:57,200 Speaker 1: while because I was like, I don't know what's happening, 168 00:10:57,520 --> 00:11:00,520 Speaker 1: Like I don't understand these feelings inside of myself. I 169 00:11:00,559 --> 00:11:04,880 Speaker 1: don't know like something it's something like it's something like 170 00:11:04,960 --> 00:11:06,360 Speaker 1: I don't know how to I don't know what to 171 00:11:06,400 --> 00:11:08,800 Speaker 1: do with that yet. And it was only one cute 172 00:11:08,840 --> 00:11:12,280 Speaker 1: one and it was only one cute So, you know what, 173 00:11:12,320 --> 00:11:14,280 Speaker 1: I'm not going to get to this conversation with you 174 00:11:14,480 --> 00:11:19,720 Speaker 1: know what what you can't tell me, you can't tell listen. 175 00:11:20,000 --> 00:11:21,959 Speaker 1: But there was a lot of artists that were just 176 00:11:22,080 --> 00:11:28,240 Speaker 1: not like, you know, handsome, but they had something when 177 00:11:28,280 --> 00:11:30,319 Speaker 1: they sang a side that's true. I mean, if you 178 00:11:30,360 --> 00:11:31,800 Speaker 1: weren't think about it, a lot of the artists in 179 00:11:31,800 --> 00:11:33,520 Speaker 1: the night, let's talk about surface. I mean we could 180 00:11:33,760 --> 00:11:38,800 Speaker 1: the seven going to the seven. You will definitely go 181 00:11:38,840 --> 00:11:42,679 Speaker 1: into the sixties. You definitely could with them waves or 182 00:11:42,720 --> 00:11:48,720 Speaker 1: whatever that girl was going on. But the girls did 183 00:11:48,960 --> 00:11:51,280 Speaker 1: like that though. Back then they did like a good 184 00:11:51,360 --> 00:11:57,200 Speaker 1: little three to the side, but they called it you 185 00:11:57,840 --> 00:12:00,439 Speaker 1: little Tony Curtis little three to the side. The court 186 00:12:00,760 --> 00:12:05,839 Speaker 1: is coming back, markma words, it tried tried to do it. 187 00:12:07,040 --> 00:12:08,640 Speaker 1: That was a bad That was a bad bad but 188 00:12:08,679 --> 00:12:12,400 Speaker 1: you date just I'm a classic man. He tried it, 189 00:12:12,400 --> 00:12:14,400 Speaker 1: He tried that. He tried that. He tried that, and 190 00:12:14,480 --> 00:12:18,640 Speaker 1: he tried Usher tried it. Did he know? Yeah, he 191 00:12:18,679 --> 00:12:21,600 Speaker 1: had a conk for a high second. The nineties conk 192 00:12:21,760 --> 00:12:24,840 Speaker 1: was the current was like the s curl when they 193 00:12:24,840 --> 00:12:42,520 Speaker 1: would just combing through. Yeah, more real talk after the break. 194 00:12:43,480 --> 00:12:47,079 Speaker 1: I don't even care at the end of the day. Listen, okay, 195 00:12:48,080 --> 00:12:50,320 Speaker 1: Joe to See is my favorite boy band of all times, 196 00:12:50,600 --> 00:12:57,000 Speaker 1: all times? Whoa, whoa, that's hard. They're your favorite? What 197 00:12:57,120 --> 00:12:59,679 Speaker 1: band of all time? Boy band of all time? M 198 00:13:01,040 --> 00:13:04,959 Speaker 1: So the Jacksons there like you out of the Jackson business. 199 00:13:06,080 --> 00:13:08,400 Speaker 1: That was a little before her time. That's a good check. 200 00:13:08,600 --> 00:13:10,840 Speaker 1: That's a good check. But I mean, I guess I 201 00:13:10,880 --> 00:13:13,160 Speaker 1: was really more thinking about my childhood. You feel me? 202 00:13:14,080 --> 00:13:18,400 Speaker 1: I feel like of all time does does include the Jackson's. 203 00:13:18,480 --> 00:13:21,560 Speaker 1: They would be the greatest boy band of all time. 204 00:13:22,280 --> 00:13:26,520 Speaker 1: But my favorite, my favorite is still Joe to See. 205 00:13:27,760 --> 00:13:29,839 Speaker 1: She said what she said, I said what I said. 206 00:13:29,920 --> 00:13:33,360 Speaker 1: I was fourteen years old. My mother got me eighth 207 00:13:33,440 --> 00:13:39,040 Speaker 1: Row Center, Constitution Hall to see Joe to see father 208 00:13:39,120 --> 00:13:44,360 Speaker 1: and see opened he was okay. We went to dinner. 209 00:13:44,360 --> 00:13:46,559 Speaker 1: The tickets dropped out of the car. Do you hear me? 210 00:13:48,200 --> 00:13:50,240 Speaker 1: Dinkets dropped out of the car. I didn't know I 211 00:13:50,320 --> 00:13:52,680 Speaker 1: was going. I thought I was listened. Thought I was 212 00:13:52,679 --> 00:13:54,240 Speaker 1: going to the Saschwa house. You know what I'm saying. 213 00:13:54,240 --> 00:13:56,760 Speaker 1: I was excited. I thought it was gonna get me 214 00:13:56,760 --> 00:13:58,520 Speaker 1: some Sashua chicken, and it was gonna be a thing. 215 00:13:59,080 --> 00:14:02,440 Speaker 1: Opened up the birthday card, open up the birthday called. 216 00:14:02,440 --> 00:14:05,000 Speaker 1: The tickets dropped out a row center for me and 217 00:14:05,200 --> 00:14:10,280 Speaker 1: my best friend. Earlier in the day, she got us 218 00:14:10,480 --> 00:14:14,479 Speaker 1: tickets to sit in the audience at video LP. Oh 219 00:14:14,720 --> 00:14:17,439 Speaker 1: she was doing it and the guests for Joe to see. 220 00:14:17,440 --> 00:14:23,240 Speaker 1: I have a picture of me and Dalvin why fourteen 221 00:14:23,320 --> 00:14:30,280 Speaker 1: years old, losing my mind. But that was the gift. Yeah, house, 222 00:14:30,360 --> 00:14:32,800 Speaker 1: I'm excited. I'm like I had met Joda. See I 223 00:14:32,880 --> 00:14:39,280 Speaker 1: have pictures that have proof of school and everything. That's awesome. Yes, 224 00:14:39,880 --> 00:14:42,680 Speaker 1: you still have the picture. I still have the picture. Oh, 225 00:14:42,800 --> 00:14:47,960 Speaker 1: I love it for you. I love for you. I mean, 226 00:14:48,000 --> 00:14:50,680 Speaker 1: I'm One of my favorite things is watching audiences losing 227 00:14:50,680 --> 00:14:54,840 Speaker 1: their minds. I want to see Steve Lacy recently, and 228 00:14:55,000 --> 00:15:00,120 Speaker 1: I loved watching those girls and guys loose it. I 229 00:15:00,240 --> 00:15:04,440 Speaker 1: loved it. I thought it was fantastic, singing every word 230 00:15:04,680 --> 00:15:07,800 Speaker 1: and handed arms up in the air and you know 231 00:15:07,880 --> 00:15:13,080 Speaker 1: all the things. Let me address the elephant in the room. What, ma'am, 232 00:15:13,440 --> 00:15:15,960 Speaker 1: is this not the exact same experience that you have 233 00:15:16,480 --> 00:15:25,520 Speaker 1: from the stage. I mean, let me say that. Is 234 00:15:25,600 --> 00:15:30,920 Speaker 1: that do you have to Well? You know what, I 235 00:15:31,040 --> 00:15:35,560 Speaker 1: get a chance to see from a different, different, different 236 00:15:37,840 --> 00:15:41,040 Speaker 1: It's a different thing. So you know, I took Jet 237 00:15:41,160 --> 00:15:42,760 Speaker 1: and one of his homeboys to go see it. So 238 00:15:43,320 --> 00:15:46,760 Speaker 1: watching them freak out because this is this is one 239 00:15:46,800 --> 00:15:51,800 Speaker 1: of their guys. They freaking love Steve Lacy. They're both 240 00:15:52,000 --> 00:15:55,560 Speaker 1: you know, his homeboy is definitely a young musician, and 241 00:15:56,200 --> 00:15:58,560 Speaker 1: you know Jet is singing. You know, I won't I 242 00:15:58,640 --> 00:16:00,720 Speaker 1: call it, won't call him a singer until he decides it. 243 00:16:01,280 --> 00:16:04,480 Speaker 1: What I'm saying not so he said so, But you know, 244 00:16:04,640 --> 00:16:08,920 Speaker 1: just watching the two of them like air guitar at 245 00:16:08,960 --> 00:16:14,200 Speaker 1: each other, I was like, yeah, what up? Enjoined that? 246 00:16:14,440 --> 00:16:18,520 Speaker 1: That was nice. My son put me onto Kendrick Lamar 247 00:16:18,680 --> 00:16:22,560 Speaker 1: early on, like the mixtage situations, and then when he 248 00:16:22,680 --> 00:16:25,440 Speaker 1: did the tour for t Pimpa Butterfly. We took him 249 00:16:25,480 --> 00:16:29,040 Speaker 1: to and I was like, son, me and your dad, 250 00:16:29,160 --> 00:16:31,440 Speaker 1: we do this for a living, and we don't know everybody, 251 00:16:32,240 --> 00:16:37,760 Speaker 1: but we were buying no tickets to no consciences, and 252 00:16:37,880 --> 00:16:41,760 Speaker 1: we bought these ridiculously priced tickets to go see him 253 00:16:41,920 --> 00:16:46,200 Speaker 1: at at the Track of Darrow. Oh that's good, that's 254 00:16:46,240 --> 00:16:49,960 Speaker 1: good at the track. And we went there and um, 255 00:16:50,120 --> 00:16:52,920 Speaker 1: that was the same experience, right, because at that point 256 00:16:53,040 --> 00:16:57,400 Speaker 1: me and my son hadn't bonded like equals about a record, 257 00:16:58,200 --> 00:17:03,000 Speaker 1: and we bonded over good kids, mad city, hard and 258 00:17:03,200 --> 00:17:05,720 Speaker 1: so when we went to this thing, it felt like 259 00:17:06,080 --> 00:17:07,840 Speaker 1: he was a fan and I was a fan in 260 00:17:07,920 --> 00:17:13,080 Speaker 1: the same space and child me and we got down 261 00:17:13,160 --> 00:17:15,280 Speaker 1: on the floor. We were in the in the middle 262 00:17:16,280 --> 00:17:21,600 Speaker 1: on the floor with the children. Sounds crazy now COVID, 263 00:17:22,080 --> 00:17:24,720 Speaker 1: but it was definitely, you know, wild. We get in 264 00:17:24,800 --> 00:17:26,199 Speaker 1: there and let me tell you U, the best thing 265 00:17:26,240 --> 00:17:27,840 Speaker 1: of the whole night. And I have video of this 266 00:17:28,359 --> 00:17:31,399 Speaker 1: favorite that's probably my favorite concert moment that I've ever 267 00:17:31,520 --> 00:17:34,840 Speaker 1: had personally sitting in the audience. Yeah, I'm sitting in 268 00:17:34,880 --> 00:17:37,680 Speaker 1: the audience with my son next to my son and 269 00:17:37,800 --> 00:17:41,879 Speaker 1: Kindred goes. Um, it seemed like the whole city go 270 00:17:42,119 --> 00:17:46,000 Speaker 1: against me every time I'm in the streets and go y'alla. 271 00:17:48,680 --> 00:17:54,080 Speaker 1: Was the entire audience jumped up and down, ya ya 272 00:17:54,359 --> 00:17:59,920 Speaker 1: ya ya. I was like, it was all that I'm 273 00:18:00,080 --> 00:18:01,760 Speaker 1: think about when we all see my artists like that. 274 00:18:01,800 --> 00:18:03,520 Speaker 1: I was like, I think I feel like that. And 275 00:18:03,640 --> 00:18:05,800 Speaker 1: it's my first time I heard Anson Paco. I don't know. 276 00:18:05,880 --> 00:18:08,680 Speaker 1: He's like my favorite artist in the past five years 277 00:18:08,720 --> 00:18:11,360 Speaker 1: or so, at least consistently at least project by project 278 00:18:11,520 --> 00:18:16,760 Speaker 1: and live consistently like energy, consistently like and not just 279 00:18:17,000 --> 00:18:19,840 Speaker 1: that the extra neist because y'all know, I might require 280 00:18:19,880 --> 00:18:21,800 Speaker 1: a little bit more out of my artists and so 281 00:18:23,640 --> 00:18:25,840 Speaker 1: on top of you being spectacular and being able to 282 00:18:25,880 --> 00:18:29,080 Speaker 1: play the drums, sing, do your thing, dance, entertained all 283 00:18:29,119 --> 00:18:32,679 Speaker 1: these things. Yes, there was a time when I went 284 00:18:32,760 --> 00:18:34,760 Speaker 1: to it. I've been a Minny Anderson shows, and I 285 00:18:34,800 --> 00:18:38,200 Speaker 1: went to one out in California. We were a minority, 286 00:18:38,320 --> 00:18:40,440 Speaker 1: a black post was a minority, and he was about 287 00:18:40,480 --> 00:18:42,520 Speaker 1: to do a song and I never will forget this. 288 00:18:42,640 --> 00:18:45,160 Speaker 1: Me and me and my boyfriend went together and uh, 289 00:18:45,840 --> 00:18:48,240 Speaker 1: he says nigga like every other word right, And he 290 00:18:48,400 --> 00:18:51,280 Speaker 1: was about to go into it and he was like, no, 291 00:18:51,760 --> 00:18:54,600 Speaker 1: we're gonna go to the next song, and something in 292 00:18:54,720 --> 00:18:57,199 Speaker 1: myself I was I was like oh oh, and then 293 00:18:57,240 --> 00:18:59,600 Speaker 1: it was it was another time when it was another 294 00:18:59,680 --> 00:19:01,919 Speaker 1: It was a festival and he was doing a concert 295 00:19:01,920 --> 00:19:03,800 Speaker 1: and he invited the crowd some of the girls to 296 00:19:03,840 --> 00:19:08,160 Speaker 1: come upstage and he said, where the black girls at back, 297 00:19:08,200 --> 00:19:13,080 Speaker 1: girls come to the front. I was done. It was 298 00:19:13,160 --> 00:19:15,920 Speaker 1: my I was, you have me now for life. I'm 299 00:19:16,400 --> 00:19:18,840 Speaker 1: I want you for life, even when you wear that wig, 300 00:19:19,800 --> 00:19:22,920 Speaker 1: even through um where I'm still here. I'm here, I'm here. 301 00:19:23,240 --> 00:19:28,119 Speaker 1: I mean, I have to say my favorite yellow artist 302 00:19:29,280 --> 00:19:40,400 Speaker 1: have knowledge of past artists, that's who it's that. Yeah, 303 00:19:42,880 --> 00:19:47,440 Speaker 1: because they're a bridge. They're a bridge from past to future. 304 00:19:48,080 --> 00:19:51,240 Speaker 1: And I think that is so so so cool. I 305 00:19:51,440 --> 00:19:54,879 Speaker 1: love that. I love that. I even love when Todd listened. 306 00:19:54,920 --> 00:19:56,800 Speaker 1: I was for a long time. I was telling everybody, 307 00:19:56,800 --> 00:19:59,040 Speaker 1: you ain't heard this Tydle dollar Sign song a record, 308 00:19:59,359 --> 00:20:01,680 Speaker 1: this record where he got baby Face Jagged Edge and 309 00:20:01,920 --> 00:20:05,040 Speaker 1: uh it's somebody else with three different records of just 310 00:20:05,160 --> 00:20:07,480 Speaker 1: like you would never imagine. And the way they came 311 00:20:07,520 --> 00:20:15,880 Speaker 1: together it was thundercap. When he had my I was like, yes, 312 00:20:16,800 --> 00:20:25,120 Speaker 1: you like exactly. There is fucking yeah, it's that bridge 313 00:20:25,280 --> 00:20:29,600 Speaker 1: because that means that they have knowledge of another time 314 00:20:29,720 --> 00:20:33,440 Speaker 1: of music. You know, that's your best musicians anyway. You 315 00:20:33,520 --> 00:20:36,639 Speaker 1: know you have to like that. Yeah, I thought it 316 00:20:36,760 --> 00:20:39,040 Speaker 1: like that. Yeah, you know, you know we we've been 317 00:20:39,040 --> 00:20:41,480 Speaker 1: talking about this in the past, Like you know, young 318 00:20:41,600 --> 00:20:43,720 Speaker 1: artists will be like, I don't, I don't. I came 319 00:20:43,800 --> 00:20:45,879 Speaker 1: up by myself, you know, I don't know about I 320 00:20:45,960 --> 00:20:48,520 Speaker 1: didn't know anything about anybody else, all my ways of 321 00:20:48,640 --> 00:20:54,680 Speaker 1: my own. And I'm like, yeah, okay, they still some people. 322 00:20:55,160 --> 00:20:57,600 Speaker 1: You're always on the back. You're always on somebody's back, sir, 323 00:20:57,720 --> 00:20:59,720 Speaker 1: even when you can't see them there there, You're still 324 00:20:59,760 --> 00:21:05,440 Speaker 1: there on them. They're they're flying around you currently. Okay, 325 00:21:05,560 --> 00:21:11,359 Speaker 1: favorite female group who okay, Oh, and I'm gonna just 326 00:21:11,400 --> 00:21:13,520 Speaker 1: say it because they don't get said enough. I'm gonna 327 00:21:13,520 --> 00:21:17,440 Speaker 1: say it. Go in motherfucking Vogue. I'll just go say 328 00:21:17,480 --> 00:21:22,920 Speaker 1: it because the flowers flower be minimal and I think 329 00:21:22,960 --> 00:21:24,719 Speaker 1: it needs to be more. That's what That's what I'm 330 00:21:24,920 --> 00:21:31,480 Speaker 1: saying that. I think that's fair original version. Okay, Okay, yes, 331 00:21:31,800 --> 00:21:36,200 Speaker 1: for me, it's s WV that I was leaning. I 332 00:21:36,359 --> 00:21:42,240 Speaker 1: was definitely leaning there also, that's where I live. I 333 00:21:42,480 --> 00:21:51,480 Speaker 1: feel like that there's a kind of a vocal sophistication 334 00:21:52,600 --> 00:21:58,520 Speaker 1: that needs to be acknowledged. Come on, somebody with label. 335 00:22:00,960 --> 00:22:05,359 Speaker 1: But now that's not fair, even though they're greats. Of 336 00:22:05,480 --> 00:22:10,440 Speaker 1: course they are all legends, their legends, right, but very 337 00:22:10,640 --> 00:22:14,760 Speaker 1: rarely do we put groups together where each vocalist is 338 00:22:15,040 --> 00:22:21,520 Speaker 1: so distinct and can stand literally in a space where 339 00:22:21,720 --> 00:22:25,480 Speaker 1: they can be heard. And someone says that Sarah Dash 340 00:22:27,000 --> 00:22:29,280 Speaker 1: is known to Hendrix, and of course that is paying 341 00:22:29,320 --> 00:22:34,080 Speaker 1: the bell. Come on like that for me, even even 342 00:22:34,119 --> 00:22:36,920 Speaker 1: though I don't want to go petty, because legendary makes 343 00:22:36,960 --> 00:22:41,240 Speaker 1: it petty, right. I realized that, you know, because it 344 00:22:41,320 --> 00:22:47,359 Speaker 1: was like the Jackson five moment. It was like that, 345 00:22:47,800 --> 00:22:50,600 Speaker 1: you know, it's I may understand what you're saying that, right. 346 00:22:50,760 --> 00:22:53,639 Speaker 1: It didn't feel good. It could feel a little petty, right, 347 00:22:54,000 --> 00:22:59,399 Speaker 1: but you know, contemporary I'm gonna go with me. But 348 00:23:00,119 --> 00:23:02,440 Speaker 1: and and I'm going with as as W because I 349 00:23:02,520 --> 00:23:05,359 Speaker 1: feel like, and this is actually bad. I feel like 350 00:23:05,440 --> 00:23:07,879 Speaker 1: I can't say Destiny's Child because for some reason that 351 00:23:07,960 --> 00:23:14,520 Speaker 1: feels too contemporary. Even though these chicks years they which 352 00:23:14,600 --> 00:23:19,120 Speaker 1: iteration of Destiny's Child. I'll see well, I'm gonna say 353 00:23:19,200 --> 00:23:22,240 Speaker 1: I love Michelle, but honestly, like I do love the 354 00:23:22,280 --> 00:23:26,560 Speaker 1: original iteration of Destiny's Child, and I'm gonna go towards 355 00:23:26,840 --> 00:23:30,480 Speaker 1: the second or third album when I say this, I 356 00:23:31,400 --> 00:23:41,959 Speaker 1: name part two the same that yeah, she said, yeah, yeah. Honestly, 357 00:23:42,000 --> 00:23:43,840 Speaker 1: when you said it, that's the first thing that popped 358 00:23:43,840 --> 00:23:45,960 Speaker 1: in my mind, and I think that's probably what we 359 00:23:46,000 --> 00:23:49,199 Speaker 1: should go with. We could we love music on this podcast, 360 00:23:49,240 --> 00:23:52,000 Speaker 1: so we can down forever, but we could pick it 361 00:23:52,080 --> 00:23:55,840 Speaker 1: apart forever. But the Heart said as w V and Oh, 362 00:23:55,920 --> 00:23:57,800 Speaker 1: I got a favorite question, I got a favorite. I'm 363 00:23:57,800 --> 00:24:00,320 Speaker 1: gonna go with the heart favorite music question. I got favorite? 364 00:24:00,480 --> 00:24:03,440 Speaker 1: What is your favorite genre of music that's not hip 365 00:24:03,480 --> 00:24:06,080 Speaker 1: hop or soul music? I'm taking them out, taking them out. 366 00:24:06,240 --> 00:24:09,320 Speaker 1: What's your favorite? This is backlash for the new kids 367 00:24:09,400 --> 00:24:12,399 Speaker 1: on the block. Oh it's not. I didn't you know. 368 00:24:12,480 --> 00:24:14,359 Speaker 1: I don't think that hard. I didn't know. I just 369 00:24:14,480 --> 00:24:17,320 Speaker 1: this was just I had something in my I had 370 00:24:17,400 --> 00:24:22,959 Speaker 1: something in my mind that we got hard. Don't make 371 00:24:23,040 --> 00:24:25,040 Speaker 1: the baby calls. Do not make the baby call for 372 00:24:25,119 --> 00:24:29,159 Speaker 1: the podcast, please, you know how you gotta hold a 373 00:24:29,240 --> 00:24:34,080 Speaker 1: longer note just so you don't laugh. Good I really 374 00:24:34,160 --> 00:24:36,560 Speaker 1: had said it because all my favorite thing list of 375 00:24:36,600 --> 00:24:38,119 Speaker 1: notes I have made, I had like that one of 376 00:24:38,160 --> 00:24:41,040 Speaker 1: my favorite things, it's bossing Nova, and I was curious. 377 00:24:41,600 --> 00:24:44,320 Speaker 1: I was like, I just it makes you feel so 378 00:24:44,680 --> 00:24:49,720 Speaker 1: good and sexy. Oh really, I am going to deep 379 00:24:49,800 --> 00:24:54,560 Speaker 1: dive baby, so nice getting after that. Hold your Bartoe 380 00:24:54,640 --> 00:24:58,639 Speaker 1: family like, get into all of them, Mama, daddy, daughter 381 00:24:59,000 --> 00:25:05,080 Speaker 1: like get like, yeah, get it. I'm excited. It's gonna 382 00:25:05,119 --> 00:25:07,240 Speaker 1: be some some darker people that I need to mention, 383 00:25:07,320 --> 00:25:13,280 Speaker 1: but damn it, I can't right now. But yeah, okay, okay, 384 00:25:14,000 --> 00:25:16,840 Speaker 1: let me see of genres that I love outside of 385 00:25:17,040 --> 00:25:20,159 Speaker 1: hip hop and R and B at R and B. 386 00:25:21,600 --> 00:25:28,359 Speaker 1: You know, definitely like the blues. I definitely like the 387 00:25:28,400 --> 00:25:31,800 Speaker 1: booze you give me on a Sunday and I bust 388 00:25:31,840 --> 00:25:35,960 Speaker 1: out that muddy waters baby, I believe that makes me 389 00:25:36,040 --> 00:25:40,240 Speaker 1: cook better. And I also see I like music, so 390 00:25:40,359 --> 00:25:44,160 Speaker 1: we we all like music so much. It's hard to say. 391 00:25:44,840 --> 00:25:52,359 Speaker 1: I like the French cafe music, like like some old 392 00:25:52,480 --> 00:26:03,879 Speaker 1: like like Josephine Baker. Yes, that's okay, I'm into it. 393 00:26:05,640 --> 00:26:09,560 Speaker 1: Let me think I don't even know child. Everything I 394 00:26:09,680 --> 00:26:11,840 Speaker 1: know is so it's all tied into black people. I'm 395 00:26:11,880 --> 00:26:14,480 Speaker 1: trying to slide it be what it's always like everything 396 00:26:14,560 --> 00:26:21,440 Speaker 1: we say. I listened to tons of afrobeat. I listened 397 00:26:21,440 --> 00:26:24,920 Speaker 1: to that constantly. UM, and then they also too, I 398 00:26:24,960 --> 00:26:27,680 Speaker 1: had to add on to my piano to that, so 399 00:26:27,760 --> 00:26:30,520 Speaker 1: I listened to that a lot too. What's that? What's that? 400 00:26:31,000 --> 00:26:37,199 Speaker 1: So on? My piano is South African house music. Let 401 00:26:37,280 --> 00:26:41,159 Speaker 1: me you're saying, I am a piano And I was like, 402 00:26:41,280 --> 00:26:47,800 Speaker 1: all right. She was like, okay, baby, that's real nice. 403 00:26:48,800 --> 00:26:58,639 Speaker 1: So who like you just let it out? Okay. She's like, 404 00:26:58,760 --> 00:27:03,359 Speaker 1: oh God, Lord, why God today? I told you you 405 00:27:05,560 --> 00:27:11,600 Speaker 1: know you hear this? UM? But yeah, definitely, I'm it's 406 00:27:11,600 --> 00:27:15,320 Speaker 1: spelled A, M A, I'm A. Yeah, it's just I'm 407 00:27:15,400 --> 00:27:18,800 Speaker 1: A and piano. So it's just like that. But and 408 00:27:18,840 --> 00:27:23,119 Speaker 1: then I listened to afrobeat, which is failor It's like 409 00:27:23,200 --> 00:27:30,760 Speaker 1: the seventies funk soul African um energy, right, so it's 410 00:27:30,800 --> 00:27:32,800 Speaker 1: more like a like that kind of energy. But then 411 00:27:32,880 --> 00:27:38,159 Speaker 1: afrobeats is more contemporary hip hop, R and B soul 412 00:27:38,480 --> 00:27:44,040 Speaker 1: version of the burner Boy is what afrobeats with an 413 00:27:44,320 --> 00:27:48,680 Speaker 1: s okay but then burner Boy. But afrobeats also has 414 00:27:48,760 --> 00:27:52,160 Speaker 1: a lot of little subcategories. So you have some soul afrobeats, 415 00:27:52,760 --> 00:27:56,720 Speaker 1: house afrobeats, you have hip hop afrobeats, so you might 416 00:27:57,080 --> 00:28:00,640 Speaker 1: like whiz Kid and Da Vito might be one thing. 417 00:28:01,160 --> 00:28:05,320 Speaker 1: But then like you have like DJ tunes, which might 418 00:28:05,359 --> 00:28:07,920 Speaker 1: be something a little bit different, or you got like 419 00:28:09,440 --> 00:28:12,200 Speaker 1: Thames or you know, like then there's a traditional like 420 00:28:12,280 --> 00:28:15,560 Speaker 1: fail out like angel Ki Joe might do or something 421 00:28:15,720 --> 00:28:20,800 Speaker 1: flies more like I said, afrobeat. That's a good time. 422 00:28:22,720 --> 00:28:24,920 Speaker 1: And I want to say that this doll. I went 423 00:28:25,000 --> 00:28:28,080 Speaker 1: down this rabbit hole. A week ago. I was on 424 00:28:28,240 --> 00:28:31,000 Speaker 1: the internets and I've seen this clip on I G 425 00:28:31,400 --> 00:28:35,399 Speaker 1: of these girls called the Norns Sisters come On And 426 00:28:35,480 --> 00:28:37,960 Speaker 1: it was a clip that went viral of them singing 427 00:28:38,000 --> 00:28:41,040 Speaker 1: at an awards ceremony and literally it was like less 428 00:28:41,040 --> 00:28:43,920 Speaker 1: than thirty seconds. But I was so impressed that when 429 00:28:44,000 --> 00:28:47,160 Speaker 1: looking for them on Spotify and I'm obsessed. E spell 430 00:28:47,240 --> 00:28:53,280 Speaker 1: it in O O R A N and it's Indian music. 431 00:28:53,640 --> 00:28:55,360 Speaker 1: Oh where I see that? I was like, you ain't 432 00:28:55,360 --> 00:28:57,360 Speaker 1: propped me, okay. I was, Oh, now we're going to 433 00:28:57,400 --> 00:29:01,800 Speaker 1: the other continent. I love it. Let's keep big, We're back, 434 00:29:01,960 --> 00:29:04,440 Speaker 1: We're back to this continent. Um, I gotta tell you. 435 00:29:04,560 --> 00:29:08,200 Speaker 1: I really, I don't know what genre this is somebody 436 00:29:08,240 --> 00:29:11,560 Speaker 1: I'll call it pop. I don't know, but you can 437 00:29:11,640 --> 00:29:14,560 Speaker 1: give me all the Senato O'Connor you want, and you 438 00:29:14,680 --> 00:29:16,800 Speaker 1: can give me a lot. It's more set all that 439 00:29:16,960 --> 00:29:23,440 Speaker 1: pop rock, right and um like Cranberry. It was my 440 00:29:23,960 --> 00:29:27,120 Speaker 1: nineties era. Oh why can't I think of her name? 441 00:29:28,160 --> 00:29:31,760 Speaker 1: Oh the little little John blonde. You're not talking about 442 00:29:33,360 --> 00:29:35,720 Speaker 1: a little and she she looks so young all the time, 443 00:29:35,800 --> 00:29:39,479 Speaker 1: even though now she's like girl girl. Yeah, she married everything. 444 00:29:39,520 --> 00:29:46,920 Speaker 1: I know, she's one. I'm thinking about Apple. Who you're 445 00:29:46,920 --> 00:29:52,480 Speaker 1: talking about? Apple is not as a selling girl. And 446 00:29:53,720 --> 00:29:58,760 Speaker 1: that first album right there, and she only had one 447 00:29:58,800 --> 00:30:00,800 Speaker 1: of the first I think I only know about her 448 00:30:00,880 --> 00:30:03,040 Speaker 1: only one record, and I'm not gonna assume she hasn't 449 00:30:03,040 --> 00:30:05,800 Speaker 1: made more. But I wasn't to her the songs that 450 00:30:05,880 --> 00:30:08,560 Speaker 1: we were here in movies like Breakfast Club, like I 451 00:30:08,640 --> 00:30:11,080 Speaker 1: got a thing for like the Breakfast Club, pretty impid, 452 00:30:12,000 --> 00:30:15,360 Speaker 1: like all of those records, write them, them, them, the records. 453 00:30:19,320 --> 00:30:22,719 Speaker 1: Ah don't play with you. Ah, that's the only song 454 00:30:22,880 --> 00:30:26,920 Speaker 1: right now I know from because they were one Wonders. Yeah, yeah, 455 00:30:26,960 --> 00:30:31,280 Speaker 1: but that that was quite a hit, huge, huge, so 456 00:30:31,440 --> 00:30:35,040 Speaker 1: we we could all take a good eighties pop playlist. 457 00:30:35,360 --> 00:30:39,600 Speaker 1: Oh yeah, yeah, yeah, yeah, Clark got a good one. 458 00:30:39,840 --> 00:30:41,479 Speaker 1: A matter of fact, I meant to stay he got 459 00:30:41,520 --> 00:30:44,360 Speaker 1: a good eighties playlist. Um, I felt like there's a 460 00:30:44,360 --> 00:30:46,960 Speaker 1: whole commercial, but that's okay. Canuse he deserved on Apple Music? Yeah, 461 00:30:47,080 --> 00:30:49,200 Speaker 1: he do. He do some whole yacht rock kite stuff 462 00:30:49,240 --> 00:30:51,040 Speaker 1: that I know. We all a fan of that too, 463 00:30:51,440 --> 00:30:55,040 Speaker 1: like but it's considered now yacht rock. Yes, that's so funny, 464 00:30:55,200 --> 00:31:00,320 Speaker 1: like the genres that have the e John Billy yol 465 00:31:01,240 --> 00:31:10,320 Speaker 1: uh wham of it all like a yeah, I guess 466 00:31:10,360 --> 00:31:18,480 Speaker 1: you were kissing step. Did you have an all time 467 00:31:18,760 --> 00:31:28,040 Speaker 1: favorite white man singer? Oh that's hard, Oh that's hard. 468 00:31:31,160 --> 00:31:34,000 Speaker 1: I mean we did. Michael McDonald. It's the Michael McDonald 469 00:31:34,120 --> 00:31:41,160 Speaker 1: for me. Yeah, I don't know Michael McDonald from Ferguson, Missouri. Yes, 470 00:31:41,840 --> 00:31:44,720 Speaker 1: Wilder's Wilder's of course it was a different person. But 471 00:31:44,760 --> 00:31:49,760 Speaker 1: I thought that was fascinating. Probably it was Hallow notes 472 00:31:49,840 --> 00:31:53,720 Speaker 1: the BG's That's why I said, y'all think, wait a minute, 473 00:31:53,960 --> 00:31:56,760 Speaker 1: I mean, really, just forget Queen. That's not forget Queen. 474 00:31:56,880 --> 00:32:00,920 Speaker 1: And then George Michael because George Michael and just shout 475 00:32:00,960 --> 00:32:07,560 Speaker 1: out to Mercury that is safe for rum that man's voice. Yeah, 476 00:32:07,840 --> 00:32:10,880 Speaker 1: even though he's not white, he is he is not white. Yes, 477 00:32:12,840 --> 00:32:15,360 Speaker 1: that's what we're talking about. Freddy Mercury is not talking 478 00:32:15,360 --> 00:32:18,160 Speaker 1: about his his his birth name, his birth the name, 479 00:32:19,600 --> 00:32:26,280 Speaker 1: and like no, Freddy was yeah, yeah, it's a lot 480 00:32:26,320 --> 00:32:28,480 Speaker 1: of white man. But George Michael, you know, it's dear 481 00:32:28,560 --> 00:32:30,560 Speaker 1: and near to our hearts and so we should never 482 00:32:30,800 --> 00:32:33,040 Speaker 1: I mean, he's just near dear. But I'm just say 483 00:32:33,240 --> 00:32:38,479 Speaker 1: vocally for me, it's like what what we said. I'm 484 00:32:38,520 --> 00:32:41,840 Speaker 1: gonna speak with the heart, right. I know how to 485 00:32:41,880 --> 00:32:49,440 Speaker 1: give respect, respect, okay to you, But my heart is 486 00:32:49,480 --> 00:32:53,920 Speaker 1: on a Michael McDonald. It really is. You know, I 487 00:32:54,040 --> 00:32:56,200 Speaker 1: tried to get it Michael McDonald's ticket, and this is 488 00:32:56,240 --> 00:32:57,640 Speaker 1: one of them times I was like, you know what, 489 00:32:58,080 --> 00:32:59,719 Speaker 1: I'm gonna just go on. This man's in the net 490 00:32:59,760 --> 00:33:02,320 Speaker 1: and I'm I'm gonna get a ticket. That ticket was 491 00:33:02,400 --> 00:33:08,720 Speaker 1: seven d and see how do I do that? Wow? 492 00:33:09,320 --> 00:33:12,520 Speaker 1: How do I do that? It's somebody else? I wonder 493 00:33:12,600 --> 00:33:18,720 Speaker 1: if it would like Doney saying tickets when um oh yeah, 494 00:33:19,040 --> 00:33:23,840 Speaker 1: but she did that that last that last Hurrah Baby, 495 00:33:24,800 --> 00:33:30,760 Speaker 1: the Nosebleeds was two thousand dollars see last scrap. Yeah 496 00:33:30,800 --> 00:33:33,240 Speaker 1: that one. That white boy thing is all right, man, 497 00:33:33,960 --> 00:33:37,560 Speaker 1: I guess you want likes me a Selene Gian Okay, 498 00:33:37,720 --> 00:33:41,560 Speaker 1: I enjoy I enjoyed it, but you know what I 499 00:33:41,680 --> 00:33:45,040 Speaker 1: enjoyed seelean Dion. But to the uth, I got let 500 00:33:45,080 --> 00:33:48,600 Speaker 1: me some Joe Joe man. I like a Joe Joe 501 00:33:53,800 --> 00:33:58,600 Speaker 1: w B WV week Yes, consistent since a child. We 502 00:33:58,760 --> 00:34:00,680 Speaker 1: like it. But there have been some women, you know 503 00:34:00,800 --> 00:34:02,760 Speaker 1: that come before her. Let's let's not forget the Tina 504 00:34:02,840 --> 00:34:05,440 Speaker 1: Marie's and the tailor Danes. Just Taylor Dane. Do we 505 00:34:05,520 --> 00:34:08,600 Speaker 1: give her something? This something? Do we give Taylor Dan respect? 506 00:34:09,080 --> 00:34:16,200 Speaker 1: But ever, never ever forget Tina Marie's. That's it to 507 00:34:16,280 --> 00:34:22,800 Speaker 1: be honest. That listen. That is party done. Mm hmmm. 508 00:34:25,640 --> 00:34:27,560 Speaker 1: We're gonna take a quick break and then we'll be 509 00:34:27,719 --> 00:34:40,360 Speaker 1: right back. Definitely. Another one of my favorite things is 510 00:34:40,440 --> 00:34:45,640 Speaker 1: the young dopeness. I'm enjoy watching the young dopeness like 511 00:34:46,040 --> 00:34:49,359 Speaker 1: this is a like a rock chick. I think it's 512 00:34:49,400 --> 00:34:52,840 Speaker 1: more like punk music. That she's done. Her name is 513 00:34:52,920 --> 00:34:57,840 Speaker 1: Fushi or Fuschet. I just found her. I love I 514 00:34:58,160 --> 00:35:01,359 Speaker 1: like I love I saw her lie first. And when 515 00:35:01,400 --> 00:35:04,560 Speaker 1: I tell you that young woman, um not, she can 516 00:35:04,719 --> 00:35:07,920 Speaker 1: sing honey, and those whistle notes that she was just 517 00:35:08,200 --> 00:35:13,520 Speaker 1: enjoying and playing with and letting me for our listening pleasure. Huh. 518 00:35:14,280 --> 00:35:17,279 Speaker 1: I was like, Okay, Mommy's got it. Whatever it is, 519 00:35:17,480 --> 00:35:21,560 Speaker 1: her own it, and I love her own it and 520 00:35:21,640 --> 00:35:26,080 Speaker 1: I love to see it. Just somebody and I can't 521 00:35:26,080 --> 00:35:29,160 Speaker 1: remember her name, and in my mind, I'm so angry 522 00:35:29,239 --> 00:35:32,840 Speaker 1: with myself. It's it's the doe che for me is 523 00:35:33,000 --> 00:35:40,759 Speaker 1: um well, I am really enjoying her her abilities. Yeah, 524 00:35:40,840 --> 00:35:45,000 Speaker 1: she could, she could spit seeing she's she's very very 525 00:35:45,080 --> 00:35:50,359 Speaker 1: much alive. She's gorgeous, you know. Um, I like all 526 00:35:50,480 --> 00:35:53,160 Speaker 1: that stuff you might get a young woman. I like 527 00:35:53,320 --> 00:35:56,600 Speaker 1: to see. I like to see. It's cool to see 528 00:35:57,280 --> 00:36:00,319 Speaker 1: who you're rocking with. So it's funny because I love 529 00:36:00,400 --> 00:36:02,200 Speaker 1: the way I found these things in these places. And 530 00:36:02,440 --> 00:36:04,400 Speaker 1: I spent a little time getting my hair done in 531 00:36:04,440 --> 00:36:06,640 Speaker 1: this alignment one day and they had a tiny desk 532 00:36:06,719 --> 00:36:09,120 Speaker 1: on just on loop on YouTube. So I found me 533 00:36:09,160 --> 00:36:11,160 Speaker 1: a couple of artists that way, which is like one 534 00:36:11,200 --> 00:36:14,440 Speaker 1: of the best ways. I think that's how I discover Chica. 535 00:36:15,160 --> 00:36:21,760 Speaker 1: Oh yes, Chica of her, like love her, like blowing 536 00:36:21,760 --> 00:36:24,240 Speaker 1: away with her and then like just on some visuals. 537 00:36:24,320 --> 00:36:26,000 Speaker 1: And I haven't been keeping up with her lately, but 538 00:36:26,400 --> 00:36:28,000 Speaker 1: just when she first came out and blew and did 539 00:36:28,080 --> 00:36:30,200 Speaker 1: like twenty thousand visuals and your music was like to 540 00:36:30,320 --> 00:36:33,400 Speaker 1: the left, like just everything that Tierra Wack new, I 541 00:36:33,480 --> 00:36:38,000 Speaker 1: just need to just just I just all your left nessis. 542 00:36:38,160 --> 00:36:40,279 Speaker 1: I'll take all that left give me that. I do 543 00:36:40,480 --> 00:36:43,440 Speaker 1: think she's pretty incredible. Yeah, I mean I could talk 544 00:36:43,440 --> 00:36:44,960 Speaker 1: about some of the a few of the young ins 545 00:36:45,000 --> 00:36:47,160 Speaker 1: that I like that my kids listen to. Now I 546 00:36:47,320 --> 00:36:52,680 Speaker 1: kinda I cannot first of all, old people I love y'all. Okay, 547 00:36:53,719 --> 00:36:56,120 Speaker 1: I cannot promise that who I'm about to say has 548 00:36:56,160 --> 00:36:59,839 Speaker 1: not said anything particularly off the chain, but I enjoy her. 549 00:37:00,719 --> 00:37:06,640 Speaker 1: Her name is cash Doll. Okay, just wasn't respecting that. 550 00:37:08,600 --> 00:37:11,960 Speaker 1: I like, I haven't heard a lot from being but 551 00:37:12,120 --> 00:37:16,640 Speaker 1: I like the Bodeka. But I like that. That's that's 552 00:37:16,680 --> 00:37:19,160 Speaker 1: got me. Jed was laughing at me yesterday because I 553 00:37:19,239 --> 00:37:21,759 Speaker 1: was in the car just like on my way to 554 00:37:21,840 --> 00:37:28,840 Speaker 1: go to Walgreens, some old room. He he was like, 555 00:37:29,200 --> 00:37:31,279 Speaker 1: you know, I wear my jewelry just to go to 556 00:37:31,360 --> 00:37:36,640 Speaker 1: the Bodega. I was like, yeah, I like that. I 557 00:37:36,719 --> 00:37:38,640 Speaker 1: want I want to wear my jewelry to go to 558 00:37:38,680 --> 00:37:44,319 Speaker 1: the Baldeka. That made me feel nice. I like that. Anyway, Listen, 559 00:37:44,400 --> 00:37:47,600 Speaker 1: we're just talking about our favorite things today. UM, this 560 00:37:47,760 --> 00:37:51,000 Speaker 1: is this wasn't intended to be a music um a 561 00:37:51,239 --> 00:37:54,120 Speaker 1: segment or portion of the show, but guess what it was. 562 00:37:55,680 --> 00:37:59,160 Speaker 1: We're always going to have music conversations. UM, don't dismiss 563 00:37:59,280 --> 00:38:01,919 Speaker 1: this one because us we have we've we've had, we'll 564 00:38:01,920 --> 00:38:05,200 Speaker 1: have mini. This is what we do. UM. We don't 565 00:38:05,239 --> 00:38:07,120 Speaker 1: be feeling no type of way because when say you 566 00:38:07,280 --> 00:38:11,320 Speaker 1: because we love you too. We just got bad memories sometimes, 567 00:38:11,520 --> 00:38:15,000 Speaker 1: you know, would blame it on the smoke. Nig I'm 568 00:38:15,080 --> 00:38:17,480 Speaker 1: just old. And on that note, thank you so much 569 00:38:17,560 --> 00:38:22,399 Speaker 1: for listening to j dot podcast. Be good, yo'all. Hope 570 00:38:22,440 --> 00:38:30,919 Speaker 1: to hear from me soon. But how do you eat 571 00:38:31,000 --> 00:38:37,800 Speaker 1: an elephant? One by it? Kind? Hey listeners, it's Amber 572 00:38:37,920 --> 00:38:40,919 Speaker 1: the producer here as I want to be music head. 573 00:38:41,200 --> 00:38:44,520 Speaker 1: This episode was so much fun, so much fun. I 574 00:38:44,680 --> 00:38:48,359 Speaker 1: love hearing everyone's favorite music and music memories. We want 575 00:38:48,360 --> 00:38:51,160 Speaker 1: to do something fun and make a jd IL playlists, 576 00:38:51,520 --> 00:38:55,000 Speaker 1: So make sure you're following us on the socials at 577 00:38:55,120 --> 00:38:59,280 Speaker 1: Jill Scott podcast on Instagram and at Jill Scott pod 578 00:38:59,600 --> 00:39:03,080 Speaker 1: on t There. We will drop our freshly built playlists 579 00:39:03,120 --> 00:39:07,080 Speaker 1: there soon and please tweet us and comment your favorite 580 00:39:07,120 --> 00:39:08,840 Speaker 1: songs and we'll add a few more to the list. 581 00:39:09,640 --> 00:39:25,279 Speaker 1: So excited to see and hear your picks. Hi, if 582 00:39:25,320 --> 00:39:28,120 Speaker 1: you have comments on something you said in this episode 583 00:39:28,560 --> 00:39:32,080 Speaker 1: called eight six six, Hey Jill, if you want to 584 00:39:32,080 --> 00:39:35,439 Speaker 1: add to this conversation that's eight six six four three 585 00:39:35,520 --> 00:39:38,680 Speaker 1: nine five four five five. Don't forget to tell us 586 00:39:38,760 --> 00:39:41,759 Speaker 1: your name and the episode you're referring to. You might 587 00:39:42,200 --> 00:39:45,800 Speaker 1: just hear your message on a future episode. Thank you 588 00:39:45,880 --> 00:39:49,560 Speaker 1: for listening to Jill Scott Presents Jay dot Ill. The 589 00:39:49,680 --> 00:39:56,600 Speaker 1: podcast JA dot Ill is a production of I Heart Radio. 590 00:39:56,840 --> 00:40:00,080 Speaker 1: For more podcast from I Heart Radio, visit the i 591 00:40:00,280 --> 00:40:04,560 Speaker 1: heart Radio app, Apple podcast, or wherever you listen to 592 00:40:04,680 --> 00:40:08,920 Speaker 1: your favorite shows. H