1 00:00:00,160 --> 00:00:04,520 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:04,680 --> 00:00:07,360 Speaker 2: It's Coast to Coast AM. Connie Willis here. Thanks so 3 00:00:07,480 --> 00:00:10,159 Speaker 2: much for joining us. Thanks for all your emails and 4 00:00:11,039 --> 00:00:14,520 Speaker 2: responses and about the songs and about the stories and 5 00:00:14,600 --> 00:00:18,119 Speaker 2: about the different guests. I really do appreciate that. Thanks 6 00:00:18,160 --> 00:00:22,000 Speaker 2: for enjoying the conversation along with me. Tonight we have 7 00:00:22,360 --> 00:00:27,200 Speaker 2: with us Paranormal Peats. He's brought us some EVPs and 8 00:00:27,240 --> 00:00:29,320 Speaker 2: by the way, you can find him that it is 9 00:00:29,440 --> 00:00:33,280 Speaker 2: just under paranormal No, it's port Gamble Paranormal dot com. 10 00:00:33,280 --> 00:00:36,559 Speaker 2: You don't have anything under paranormal pet right, You just 11 00:00:36,600 --> 00:00:40,400 Speaker 2: got the port Gamble Paranormal dot com website. Is that correct? 12 00:00:41,560 --> 00:00:45,239 Speaker 3: Yes, I've got that's kind of a central location. I 13 00:00:45,280 --> 00:00:48,680 Speaker 3: have a Facebook page where you can type in Paranormal 14 00:00:48,760 --> 00:00:50,760 Speaker 3: Peach Show and you'll find me there as well. 15 00:00:51,760 --> 00:00:56,160 Speaker 2: Okay, well, you know, I got to play those two 16 00:00:56,400 --> 00:00:58,400 Speaker 2: EVPs again because they're just amazing. 17 00:01:00,400 --> 00:01:05,880 Speaker 3: They really are. Again. Well, they just touch you. 18 00:01:05,959 --> 00:01:09,320 Speaker 2: Yes, when you find something that touches you like that 19 00:01:09,360 --> 00:01:13,320 Speaker 2: and gives you, you know, chills, you know you've nailed that, 20 00:01:13,560 --> 00:01:16,600 Speaker 2: you know, because you can pretty much tell oh that 21 00:01:16,720 --> 00:01:19,679 Speaker 2: sounds like somebody happened to be in the in the 22 00:01:19,720 --> 00:01:22,080 Speaker 2: place and we just didn't know it. They walked in 23 00:01:22,120 --> 00:01:26,280 Speaker 2: from the backside. But no, these no, not at all. 24 00:01:26,480 --> 00:01:28,920 Speaker 2: You know what, when I was recently at the Stanley Hotel. 25 00:01:30,200 --> 00:01:32,000 Speaker 2: Have you been to the Stanley Hotel before? 26 00:01:32,400 --> 00:01:34,800 Speaker 3: That's one of my bucket lists places. 27 00:01:35,240 --> 00:01:38,319 Speaker 2: Ah, okay, let me know, it's not far so. So 28 00:01:38,880 --> 00:01:41,840 Speaker 2: the lady I was taking a tour and the lady 29 00:01:41,840 --> 00:01:45,759 Speaker 2: took me to the like an amphitheater or concert hall, 30 00:01:45,760 --> 00:01:48,160 Speaker 2: I can't remember what they called it, maybe the concert hall. 31 00:01:49,040 --> 00:01:52,720 Speaker 2: And there's a stage there and they don't let you 32 00:01:52,800 --> 00:01:55,440 Speaker 2: up on the stage. You can't walk on the stage. 33 00:01:55,600 --> 00:01:58,720 Speaker 2: And and so it's like, okay, so you're from Afar 34 00:01:58,760 --> 00:02:00,720 Speaker 2: and you're looking at it, and she's talking about all 35 00:02:00,760 --> 00:02:04,000 Speaker 2: the history of it and this and that, and somebody 36 00:02:04,120 --> 00:02:07,640 Speaker 2: had was on the stage and they walked out this 37 00:02:07,840 --> 00:02:10,040 Speaker 2: stage door that was open. There was a stage door 38 00:02:10,080 --> 00:02:12,399 Speaker 2: off to the side. It was open and you could 39 00:02:12,400 --> 00:02:14,239 Speaker 2: see outside. I was kind of wondering why I was 40 00:02:14,280 --> 00:02:18,440 Speaker 2: open because it's cold outside, you know. So it's now 41 00:02:18,480 --> 00:02:20,959 Speaker 2: the day before and the next day and it's cold 42 00:02:21,040 --> 00:02:23,639 Speaker 2: up there. It was just a few months back, and 43 00:02:25,440 --> 00:02:27,720 Speaker 2: I was just surprised that it was open because I 44 00:02:27,800 --> 00:02:30,880 Speaker 2: know it takes a lot to heat that place. And 45 00:02:31,200 --> 00:02:34,320 Speaker 2: so she was talking and I saw that person go 46 00:02:34,400 --> 00:02:37,880 Speaker 2: out again, and I asked her something about that. I said, well, 47 00:02:37,880 --> 00:02:40,120 Speaker 2: who's the guy over there? Because I'm I ask all 48 00:02:40,200 --> 00:02:41,840 Speaker 2: kinds of questions, right, And I was like, well, who's 49 00:02:41,880 --> 00:02:44,880 Speaker 2: the guy back there? Because we can't we're not supposed 50 00:02:44,880 --> 00:02:46,840 Speaker 2: to be on stage. And I just figured it was 51 00:02:46,840 --> 00:02:50,000 Speaker 2: somebody with them, and she said, there's no guy back there. 52 00:02:50,040 --> 00:02:52,040 Speaker 2: I said, oh, yeah, yeah, he just walked out the door. 53 00:02:52,120 --> 00:02:54,680 Speaker 2: No nobody walked out. We would have seen him over here. 54 00:02:54,919 --> 00:02:57,640 Speaker 2: And I said, I just saw a guy walk out 55 00:02:57,680 --> 00:03:00,679 Speaker 2: two different times. And she just stopped and I looked 56 00:03:00,680 --> 00:03:02,160 Speaker 2: at me and she said, you know what, we never 57 00:03:02,280 --> 00:03:05,680 Speaker 2: tell anybody the story of that guy. There is a 58 00:03:05,760 --> 00:03:08,240 Speaker 2: guy that walked that we see walk out, and it's 59 00:03:08,280 --> 00:03:10,680 Speaker 2: only the staff that sees it. So you know, that 60 00:03:10,800 --> 00:03:12,440 Speaker 2: was pretty cool that I got to see something that 61 00:03:12,440 --> 00:03:15,480 Speaker 2: they don't even talk about. It was plain as day. 62 00:03:15,520 --> 00:03:19,639 Speaker 2: The guy walked right on outside twice. I didn't see 63 00:03:19,680 --> 00:03:21,520 Speaker 2: him walk back in, you know, I just but I 64 00:03:21,560 --> 00:03:24,360 Speaker 2: saw him walk out twice. Yeah, that was kind of cool. 65 00:03:24,960 --> 00:03:27,240 Speaker 2: So when you see those things, you know, it really 66 00:03:27,240 --> 00:03:28,040 Speaker 2: makes a difference. 67 00:03:28,800 --> 00:03:32,080 Speaker 3: Yeah, yeah, and yeah, I imagine did you get the 68 00:03:32,160 --> 00:03:38,080 Speaker 3: chills after realizing that it wasn't a breathing person, well. 69 00:03:37,920 --> 00:03:40,720 Speaker 2: A little bit, just enough to be like, oh my goodness, 70 00:03:40,840 --> 00:03:43,880 Speaker 2: that's pretty cool because it was It looked like a 71 00:03:44,120 --> 00:03:48,840 Speaker 2: normal guy. I think it was white shirt and dark 72 00:03:48,920 --> 00:03:52,520 Speaker 2: pants and just look like any normal person just walking 73 00:03:52,520 --> 00:03:54,360 Speaker 2: in and out. I just thought, who's the staff that's 74 00:03:54,440 --> 00:03:56,600 Speaker 2: leaving the door open, tell them to shut it, you know, 75 00:03:56,640 --> 00:04:00,760 Speaker 2: because it's letting the heat out. But he didn't look 76 00:04:00,800 --> 00:04:05,400 Speaker 2: see through or anything like that. Just totally totally real person. 77 00:04:05,600 --> 00:04:08,120 Speaker 2: That was just amazing. So I was happy to see that. 78 00:04:08,800 --> 00:04:12,880 Speaker 3: I had a very similar experience next to the Walker 79 00:04:12,920 --> 00:04:15,720 Speaker 3: Raham's house. If I can share that quickly. 80 00:04:16,440 --> 00:04:17,320 Speaker 2: Yeah. 81 00:04:17,520 --> 00:04:20,240 Speaker 3: Yeah. So I was at the Walker Raham's house and 82 00:04:20,520 --> 00:04:22,600 Speaker 3: the ware. The house is situated in the town. It's 83 00:04:22,680 --> 00:04:26,159 Speaker 3: kind of right next door to the general store that's here, 84 00:04:26,839 --> 00:04:29,679 Speaker 3: the Port Gamble General Store. And so I was standing 85 00:04:29,680 --> 00:04:32,799 Speaker 3: at the back door of the Walker Eham's house waiting 86 00:04:32,839 --> 00:04:34,599 Speaker 3: for some people to show up. It was about ten 87 00:04:34,640 --> 00:04:38,800 Speaker 3: in the evening, and I realized I forgot something in 88 00:04:38,800 --> 00:04:41,359 Speaker 3: my car, so I started to go down this back 89 00:04:41,839 --> 00:04:46,039 Speaker 3: porch walkway down towards the sidewalk, and when I started walking, 90 00:04:46,120 --> 00:04:48,559 Speaker 3: I heard the door slam shut at the Port Gamble 91 00:04:48,640 --> 00:04:52,840 Speaker 3: General Store building. Looked over and this gentleman was walking out. 92 00:04:53,440 --> 00:04:57,640 Speaker 3: White shirt, kind of I would say, like khaki colored 93 00:04:57,680 --> 00:05:02,120 Speaker 3: type pants, dark hair, and my first thought was, Oh, 94 00:05:02,160 --> 00:05:05,160 Speaker 3: it's one of their employees, like the last one there, 95 00:05:05,480 --> 00:05:08,919 Speaker 3: walking up and leaving. And when we both got to 96 00:05:08,960 --> 00:05:12,400 Speaker 3: the sidewalk at the same time, and I turned to say, hey, 97 00:05:12,440 --> 00:05:14,840 Speaker 3: it's me down here, because I would let their staff 98 00:05:14,880 --> 00:05:17,440 Speaker 3: know if I was wandering around in the dark over there, 99 00:05:17,480 --> 00:05:20,400 Speaker 3: so they wouldn't get freaked out. And as soon as 100 00:05:20,440 --> 00:05:24,160 Speaker 3: I said, you know, hey, it's me, he stepped over 101 00:05:24,200 --> 00:05:29,680 Speaker 3: the curb into the street. But he vanished before It's 102 00:05:29,720 --> 00:05:32,760 Speaker 3: like he stepped into something that I couldn't see. He 103 00:05:32,880 --> 00:05:35,880 Speaker 3: was just gone, and there were no other cars on 104 00:05:35,960 --> 00:05:39,520 Speaker 3: the street. I walked around the building. I couldn't find anybody, 105 00:05:40,320 --> 00:05:43,159 Speaker 3: but it was similar to that where I thought it 106 00:05:43,240 --> 00:05:46,720 Speaker 3: was just a regular person, but then it just vanished. 107 00:05:50,880 --> 00:05:51,920 Speaker 2: What'd you think after that? 108 00:05:52,960 --> 00:05:56,520 Speaker 3: Well, my first thought was am I going crazy? Did 109 00:05:56,600 --> 00:06:00,520 Speaker 3: I just see that? Or am I imagining this, But 110 00:06:00,640 --> 00:06:02,920 Speaker 3: I heard the door slam shut and saw this guy 111 00:06:03,000 --> 00:06:06,040 Speaker 3: walk in and he looked real, looked solid and everything. 112 00:06:07,160 --> 00:06:12,440 Speaker 2: Wow. Have you ever been touched by something that you 113 00:06:12,560 --> 00:06:13,159 Speaker 2: haven't seen? 114 00:06:14,640 --> 00:06:20,960 Speaker 3: Yes, I'm pretty I got Yeah. Other than getting I've 115 00:06:21,000 --> 00:06:24,159 Speaker 3: gotten many slaps on the rear end in the Walkerham's house. 116 00:06:24,680 --> 00:06:25,040 Speaker 2: Really. 117 00:06:26,520 --> 00:06:32,000 Speaker 3: Yes, And recently somebody on one of my public investigations 118 00:06:32,760 --> 00:06:34,720 Speaker 3: standing there. We were in the attic and all of 119 00:06:34,760 --> 00:06:36,960 Speaker 3: a sudden, this guy said, looks to the guy next 120 00:06:36,960 --> 00:06:39,800 Speaker 3: to him, Hey man, what's up. The guy says, what 121 00:06:39,839 --> 00:06:41,920 Speaker 3: are you talking about? He says, you just poked me 122 00:06:41,920 --> 00:06:45,080 Speaker 3: in the butt. And the guy said, no, I didn't, 123 00:06:45,960 --> 00:06:48,400 Speaker 3: And he says, I bet you a million dollars. Says 124 00:06:48,480 --> 00:06:51,159 Speaker 3: my buddy, Tie says, I bet you a million dollars. 125 00:06:51,200 --> 00:06:53,280 Speaker 3: You just poked me in the butt. And the guy 126 00:06:53,480 --> 00:06:57,440 Speaker 3: has his hands in his pocket, vmily denying that he 127 00:06:57,480 --> 00:07:02,160 Speaker 3: did that, And we realized, oh, somebody's filming. So they 128 00:07:02,320 --> 00:07:04,760 Speaker 3: watched it back and the guy standing next to the 129 00:07:04,760 --> 00:07:06,960 Speaker 3: guy who had his rear end poked never took his 130 00:07:07,040 --> 00:07:08,120 Speaker 3: hands out of his pocket. 131 00:07:08,960 --> 00:07:12,040 Speaker 2: Oh wow, it too. 132 00:07:13,240 --> 00:07:15,640 Speaker 3: Yeah, I get it every once in a while. Yes, 133 00:07:15,760 --> 00:07:18,800 Speaker 3: it's usually when I buy myself in there and then 134 00:07:19,080 --> 00:07:21,200 Speaker 3: I feel it and then I'm like, whoa, Okay, that's 135 00:07:21,320 --> 00:07:22,880 Speaker 3: that was nobody else is here? 136 00:07:23,120 --> 00:07:26,280 Speaker 2: So was it a male hand or a female hand? 137 00:07:26,480 --> 00:07:28,880 Speaker 3: Just as Oh, no, I don't know how I would 138 00:07:28,960 --> 00:07:29,800 Speaker 3: tell that, but. 139 00:07:32,120 --> 00:07:33,640 Speaker 2: Is that what it felt like? Did it feel like 140 00:07:33,680 --> 00:07:35,760 Speaker 2: a hand or like, yeah, something else. 141 00:07:36,360 --> 00:07:39,120 Speaker 3: No, No, it felt like a you know, like a 142 00:07:39,160 --> 00:07:40,240 Speaker 3: smack on the rear end. 143 00:07:41,240 --> 00:07:47,320 Speaker 2: So that would be really interesting, that would. 144 00:07:47,800 --> 00:07:50,720 Speaker 3: Oh yeah, yeah, it comes out of nowhere. And it's 145 00:07:50,720 --> 00:07:53,720 Speaker 3: always surprised as you. And there was another time I 146 00:07:54,640 --> 00:08:00,920 Speaker 3: got a hug from a spirit that that was interesting, 147 00:08:01,120 --> 00:08:06,640 Speaker 3: and the ice cold sensation that happened during it was 148 00:08:06,920 --> 00:08:09,760 Speaker 3: I can still remember it like it was yesterday. And 149 00:08:11,000 --> 00:08:14,720 Speaker 3: it was a spirit of a of a younger girl 150 00:08:14,880 --> 00:08:18,360 Speaker 3: who was kind of nervous. You know, I was down 151 00:08:18,400 --> 00:08:22,120 Speaker 3: in this space and and she's young. And I ended 152 00:08:22,200 --> 00:08:24,960 Speaker 3: up saying, you know, hey, I'm a dad and I 153 00:08:25,040 --> 00:08:28,160 Speaker 3: have two girls, and if you need a hug, I'd 154 00:08:28,200 --> 00:08:29,960 Speaker 3: be happy to give you a hug. And then I 155 00:08:30,000 --> 00:08:33,360 Speaker 3: got this rush of cold air and these ice cold 156 00:08:33,400 --> 00:08:36,680 Speaker 3: sensations went around my way to my back and I 157 00:08:36,679 --> 00:08:39,240 Speaker 3: actually felt like I got pushed back a couple of inches, 158 00:08:40,360 --> 00:08:44,440 Speaker 3: and that was just a surreal experience. It was it 159 00:08:44,559 --> 00:08:46,440 Speaker 3: was very there was a lot of energy going on. 160 00:08:46,520 --> 00:08:47,079 Speaker 3: I'll say that. 161 00:08:48,400 --> 00:08:53,400 Speaker 2: M that's something. Yeah. Usually, you know when I felt 162 00:08:53,400 --> 00:08:58,439 Speaker 2: things before, it's it's uh, you feel it. It doesn't 163 00:08:58,679 --> 00:09:02,319 Speaker 2: feel evil or area or anything like that. Thank goodness. 164 00:09:02,040 --> 00:09:07,720 Speaker 2: That's another conversation and other types of things. But it 165 00:09:07,760 --> 00:09:10,000 Speaker 2: does freak you out. The more you think about it, 166 00:09:10,080 --> 00:09:12,760 Speaker 2: You're like, oh, my goodness, I felt it. It felt 167 00:09:12,800 --> 00:09:15,720 Speaker 2: like something, you know, like if it was anybody else 168 00:09:15,760 --> 00:09:19,440 Speaker 2: that would have done that. I remember being at a 169 00:09:19,480 --> 00:09:23,319 Speaker 2: place and they had a little small child as a ghost, 170 00:09:23,520 --> 00:09:26,080 Speaker 2: and I remember, you know, it was in Florida. I 171 00:09:26,080 --> 00:09:28,160 Speaker 2: had shorts on and I felt something on my leg 172 00:09:28,200 --> 00:09:29,439 Speaker 2: and I said, do you know what? I just felt 173 00:09:29,480 --> 00:09:33,360 Speaker 2: something on my leg And they said, oh, that's the 174 00:09:33,480 --> 00:09:38,720 Speaker 2: little boy. He touches. They described it exactly the way 175 00:09:38,760 --> 00:09:42,480 Speaker 2: I felt it, and vice versa. And he was right 176 00:09:42,559 --> 00:09:44,760 Speaker 2: down at the size of what a little boy would be. 177 00:09:44,840 --> 00:09:47,120 Speaker 2: And they're like, oh, yeah, he likes you. Then he's 178 00:09:47,200 --> 00:09:52,080 Speaker 2: right around your leg. That is amazing. It's so amazing 179 00:09:52,120 --> 00:09:56,920 Speaker 2: when that happens. Well, let's let's go back to let's 180 00:09:57,600 --> 00:10:01,040 Speaker 2: what was the clip fifteen and sixteen fourteen and fifty 181 00:10:01,040 --> 00:10:04,400 Speaker 2: fourteen fifteen. Okay, let's listen back again. Just give us 182 00:10:04,440 --> 00:10:06,480 Speaker 2: a brief setup one more time and then we'll get 183 00:10:06,480 --> 00:10:08,199 Speaker 2: into the other ones too. I just have to hear 184 00:10:08,240 --> 00:10:09,640 Speaker 2: these again because they're amazing. 185 00:10:10,320 --> 00:10:13,920 Speaker 3: Yeah, So what was going on as I was doing 186 00:10:13,960 --> 00:10:17,400 Speaker 3: a ghost walk tour that evening and one of my 187 00:10:17,440 --> 00:10:20,360 Speaker 3: best friends, Mikey, came out with some really nice recording 188 00:10:20,400 --> 00:10:24,640 Speaker 3: audio recording gear. We set it up before the tour 189 00:10:25,440 --> 00:10:30,439 Speaker 3: and then we locked up and left and on the tour, 190 00:10:30,559 --> 00:10:33,480 Speaker 3: the walker aims is the last stop. It would be 191 00:10:33,520 --> 00:10:36,200 Speaker 3: about another two and a half hours before any of 192 00:10:36,280 --> 00:10:40,960 Speaker 3: us would be coming back there, and based on the timestamping, 193 00:10:42,120 --> 00:10:45,880 Speaker 3: you know, about ten minutes or so goes by and 194 00:10:45,960 --> 00:10:49,400 Speaker 3: we're gone. We are at the museum for the start 195 00:10:49,440 --> 00:10:55,440 Speaker 3: of the tour, and then it's dead silence until clip fourteen. 196 00:10:55,640 --> 00:10:55,840 Speaker 1: Hit. 197 00:10:56,920 --> 00:11:22,120 Speaker 2: Okay, let's hear it. What do you think that could 198 00:11:22,200 --> 00:11:25,320 Speaker 2: even be? I mean, it doesn't even sound like normal 199 00:11:25,400 --> 00:11:27,760 Speaker 2: natural sounds. 200 00:11:26,960 --> 00:11:30,720 Speaker 3: It's to me, it's almost like somebody trying to open 201 00:11:30,800 --> 00:11:35,720 Speaker 3: the interior front door and then they get through, and 202 00:11:35,760 --> 00:11:39,760 Speaker 3: then they walk through the house and go up the stairs. 203 00:11:39,760 --> 00:11:41,880 Speaker 3: That's kind of what I think happened. 204 00:11:44,040 --> 00:11:46,920 Speaker 2: And then nine minutes later, so. 205 00:11:46,960 --> 00:11:50,000 Speaker 3: Yeah, then there's another nine minutes of like dead silence, 206 00:11:50,200 --> 00:12:06,160 Speaker 3: and then clip fifteen comes through. 207 00:12:10,840 --> 00:12:15,920 Speaker 2: It just hits me. You can feel the intent of it, 208 00:12:16,360 --> 00:12:17,640 Speaker 2: whatever that intent is. 209 00:12:18,640 --> 00:12:22,240 Speaker 3: And it did sound a bit aggressive, yes, you know 210 00:12:22,840 --> 00:12:27,439 Speaker 3: it's not. It's more rare in that house where you've 211 00:12:27,480 --> 00:12:31,319 Speaker 3: got something that seems more aggressive, and so I thought 212 00:12:31,320 --> 00:12:34,080 Speaker 3: that was an interesting aspect of it. But yeah, that's 213 00:12:34,120 --> 00:12:37,520 Speaker 3: definitely we were not there. The house was locked up. 214 00:12:39,040 --> 00:12:42,360 Speaker 2: Wow. All right, so you lead us onto which one 215 00:12:42,360 --> 00:12:44,880 Speaker 2: do you think you know we should listen to next? 216 00:12:44,960 --> 00:12:50,400 Speaker 3: So clip twenty nine is kind of a funny one. 217 00:12:51,040 --> 00:12:55,320 Speaker 3: It was with Olympic Peninsular Panormal Society, and he's in 218 00:12:55,360 --> 00:12:59,960 Speaker 3: the ghost box. And then I usually when I conclude 219 00:13:00,080 --> 00:13:02,480 Speaker 3: this session with a ghost box, I like to countdown 220 00:13:02,520 --> 00:13:06,000 Speaker 3: from ten and ask that if anything would like to 221 00:13:06,040 --> 00:13:09,880 Speaker 3: count down with me to join in. And so I'll 222 00:13:09,880 --> 00:13:12,720 Speaker 3: count back from ten and sometimes stop on a random 223 00:13:12,800 --> 00:13:15,760 Speaker 3: number and see if that number comes through the ghost box. 224 00:13:16,480 --> 00:13:18,600 Speaker 3: And so that's kind of what it was going on here. 225 00:13:19,640 --> 00:13:22,960 Speaker 3: And somebody comes through the ghost box and says, stop talking, 226 00:13:24,040 --> 00:13:25,920 Speaker 3: because I was obviously talking too. 227 00:13:25,840 --> 00:13:29,480 Speaker 2: Much, and that's twenty nine. 228 00:13:29,520 --> 00:13:31,040 Speaker 3: Let's here twenty nine. 229 00:13:31,120 --> 00:13:31,320 Speaker 1: Yep. 230 00:13:32,520 --> 00:13:42,800 Speaker 2: Seven I heard it. Let's play that again. Let's play 231 00:13:42,840 --> 00:13:54,440 Speaker 2: that again. Seven fin what he said something else before? 232 00:13:54,480 --> 00:13:56,959 Speaker 2: Stop talking? Was it like, oh man, stop talking, or 233 00:13:57,640 --> 00:13:58,040 Speaker 2: it's like. 234 00:13:58,040 --> 00:14:02,800 Speaker 3: Hey, stop talking something, but stop talking comes through pretty clear. 235 00:14:02,920 --> 00:14:07,160 Speaker 3: And I kind of laugh about that because I had 236 00:14:07,200 --> 00:14:10,120 Speaker 3: another incident on a tour where I started talking in 237 00:14:10,120 --> 00:14:14,000 Speaker 3: the attic of that house and I know you've got 238 00:14:14,040 --> 00:14:15,840 Speaker 3: pictures up and if people want to go check out 239 00:14:15,840 --> 00:14:18,800 Speaker 3: and see what the attic looks like. I started talking 240 00:14:18,800 --> 00:14:21,479 Speaker 3: about the history of the attic and a woman interrupted 241 00:14:21,520 --> 00:14:26,400 Speaker 3: me from behind me and said, oh god again when 242 00:14:26,400 --> 00:14:30,040 Speaker 3: I started talking, and the whole tour group heard it 243 00:14:30,080 --> 00:14:32,800 Speaker 3: because I looked to the lady that was about eight 244 00:14:32,840 --> 00:14:35,000 Speaker 3: feet away from me, like, oh, excuse me, and there 245 00:14:35,360 --> 00:14:38,520 Speaker 3: she said, that wasn't me, and so I think I 246 00:14:38,600 --> 00:14:40,480 Speaker 3: may you know, they probably get tired of hearing me 247 00:14:40,600 --> 00:14:42,240 Speaker 3: talking there, And that's what was going on. 248 00:14:45,160 --> 00:14:47,000 Speaker 2: Okay, which one do you like? 249 00:14:48,080 --> 00:14:50,440 Speaker 3: Let's play clip thirty and just to kind of set 250 00:14:50,480 --> 00:14:54,400 Speaker 3: this one up, that's the same investigation, and you'll hear 251 00:14:54,440 --> 00:14:58,960 Speaker 3: one of the investigators ask if, Hey, do you like cookies. 252 00:14:59,080 --> 00:15:02,160 Speaker 3: They brought some snacks, you know, for the investigation. And 253 00:15:02,200 --> 00:15:06,160 Speaker 3: there's a funny little response to it that I believe 254 00:15:06,280 --> 00:15:10,960 Speaker 3: is the boy spirit in the house. So clip thirty. 255 00:15:12,120 --> 00:15:12,480 Speaker 1: Do you like? 256 00:15:19,840 --> 00:15:23,320 Speaker 2: Yeah? I think I heard yep, and yes I do both. 257 00:15:24,640 --> 00:15:28,000 Speaker 3: It's a funny sounding Yeah, let's see if we can 258 00:15:28,040 --> 00:15:28,640 Speaker 3: hear it again. 259 00:15:29,160 --> 00:15:38,600 Speaker 2: Yeah, do you like? It's kind of oh, yep. 260 00:15:40,400 --> 00:15:43,440 Speaker 3: It sounds like pretty much like a kid would answer exactly, 261 00:15:44,240 --> 00:15:46,479 Speaker 3: kind of in a smart alec way, almost. 262 00:15:47,200 --> 00:15:49,680 Speaker 2: Yeah, my kid, I'll take a cookie. 263 00:15:50,320 --> 00:15:54,720 Speaker 3: Yeah. Yeah. And another one I wanted to play clip 264 00:15:54,800 --> 00:15:58,560 Speaker 3: thirty one, And this is something that came straight through 265 00:15:58,600 --> 00:16:03,360 Speaker 3: the ghost box and and I believe it says you 266 00:16:03,480 --> 00:16:04,200 Speaker 3: don't hurt me. 267 00:16:11,840 --> 00:16:19,840 Speaker 2: Ah, let's do that one more time. What was going 268 00:16:19,880 --> 00:16:22,400 Speaker 2: on at that time? For it sounds like a lady 269 00:16:22,440 --> 00:16:22,960 Speaker 2: saying that. 270 00:16:23,680 --> 00:16:27,480 Speaker 3: It's yeah, it sounds like a younger woman saying it. 271 00:16:28,280 --> 00:16:32,920 Speaker 3: And I believe I think we were just trying to 272 00:16:32,960 --> 00:16:36,160 Speaker 3: see if anything would come through at that point, just 273 00:16:36,200 --> 00:16:38,600 Speaker 3: doing you know, an audio session with the ghost box, 274 00:16:38,920 --> 00:16:42,120 Speaker 3: and that seemed to come through. And I want to 275 00:16:42,160 --> 00:16:45,360 Speaker 3: say that was pretty much in the wee hours of 276 00:16:45,400 --> 00:16:49,160 Speaker 3: the morning when that one happened. I can't remember exactly 277 00:16:49,200 --> 00:16:51,240 Speaker 3: what we were talking about, but I think we were 278 00:16:51,280 --> 00:16:54,400 Speaker 3: just doing a generic audio session and that came through. 279 00:16:54,400 --> 00:16:58,200 Speaker 3: But it sounds like a younger female voice. 280 00:16:58,680 --> 00:17:01,960 Speaker 1: Listen to more Coast to cost Am every weeknight at 281 00:17:01,960 --> 00:17:05,240 Speaker 1: one am Eastern, and go to Coast to coastam dot 282 00:17:05,240 --> 00:17:06,040 Speaker 1: com for more