WEBVTT - Exclusive BMF Interview 

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<v Speaker 1>I'm a homegirl that knows a little bit about everything

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<v Speaker 1>and everybody.

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<v Speaker 2>You know, if you don't lie about that, right Lauren.

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<v Speaker 1>Hey, you guys, it's Lauren Rosa and this is the

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<v Speaker 1>latest with Lauren de Rosa. Now today's episode is going

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<v Speaker 1>to be a bit different, but I do think I

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<v Speaker 1>know my low riders.

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<v Speaker 3>You guys are going to enjoy it.

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<v Speaker 1>Because y'all have been asking me, when are we bringing

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<v Speaker 1>celebrity interviews to the podcast, Lauren, Well, here we are.

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<v Speaker 1>So I sat down in an exclusive conversation with Da

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<v Speaker 1>Vinci from BMF in Big Tank, who is a music

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<v Speaker 1>supervisor for BMF on Stars and a ton of other

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<v Speaker 1>fifty cent shows. A music supervisor is a person who

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<v Speaker 1>make sure that the music is placed right. So when

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<v Speaker 1>y'all watching the series, it feels like the time that

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<v Speaker 1>we in, it feels good, the music is good and

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<v Speaker 1>all those things. And y'all know, Da Vinci plays Southwest

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<v Speaker 1>Terry Southwest t who is Metch's brother in the series. Now,

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<v Speaker 1>the new series, or the new season of BMF comes

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<v Speaker 1>on Stars on June sixth, So I sat down and

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<v Speaker 1>we talked a bit about what it was like making

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<v Speaker 1>this season and all of the twists and the turns

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<v Speaker 1>and the music.

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<v Speaker 3>Enjoy. Here's my conversation from the Breakfast Club Give it

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<v Speaker 3>Up for Lauren, but roll up lem Hello everybody, how

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<v Speaker 3>are y'all? Y'all? Enjoined the conversation so far, well, we

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<v Speaker 3>have a treat for you guys. But before we get.

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<v Speaker 1>Into the conversation, as he mentioned, I'm longa Rosa here

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<v Speaker 1>all the way from New York on the Breakfast Club.

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<v Speaker 3>We have some special people in the building to talk about, you.

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<v Speaker 1>Know, BMS and how the music industry and what BMF

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<v Speaker 1>means to the music industry continues to impact the culture.

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<v Speaker 3>So joining me today, we have Derek gig.

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<v Speaker 1>Tank Thornton, who is a music supervisor for the show

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<v Speaker 1>Give it Up for Him and the eventually played Carrie Flinnery.

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<v Speaker 3>Y'all gonna say, either side, whatever is this sty out?

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<v Speaker 3>Ah did get mess? You gotta go back?

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<v Speaker 1>They did not yell at back rounds to the chalk

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<v Speaker 1>and I walked in and I was like, oh that goes

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<v Speaker 1>to t And I was like, oh no, he's not

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<v Speaker 1>Tea right now technically. But people connect to your character

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<v Speaker 1>and they connect to the music. So we're gonna get

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<v Speaker 1>in to the conversation tank. For those who don't know,

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<v Speaker 1>can you explain, please, what is the role of a

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<v Speaker 1>music supervisor, Like what does that mean? What does it

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<v Speaker 1>inteil in the television series? What's your day to day job?

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<v Speaker 1>And how did you decide?

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<v Speaker 3>Well, answer that person and I'll ask you the second mark.

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<v Speaker 4>So basically, from hiring the composer, find the composers, all

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<v Speaker 4>the songs, every song in the background, a lot of

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<v Speaker 4>times theme songs. You know, if I'm not creating that,

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<v Speaker 4>I'm having they create it. So just every piece of

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<v Speaker 4>music in a show, I'm a little pick okay.

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<v Speaker 1>So once you get that together, you find a composer,

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<v Speaker 1>you're picking the theme songs.

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<v Speaker 3>How do you decide which tracks go and which like place?

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<v Speaker 3>Because especially with be in mephids such like a time

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<v Speaker 3>period p meaning like when you watch it, it's not

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<v Speaker 3>present days.

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<v Speaker 1>Music has to feel like that, the queue of the

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<v Speaker 1>music the time and it comes in.

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<v Speaker 3>How do you figure that out?

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<v Speaker 4>So first you need to study that year. You know,

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<v Speaker 4>the slangs gotta be right, you know, if we're talking

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<v Speaker 4>about you know, Suzuki samuraiz and we're talking about you know,

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<v Speaker 4>somebody's fresh to death or whatever it is, it's got

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<v Speaker 4>to be time period appropriate. And then you know, I

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<v Speaker 4>really believe like when I'm watching the scene, the scene

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<v Speaker 4>kind of tells me which way to go. Like if

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<v Speaker 4>you pay attention to what the scene is doing, it

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<v Speaker 4>will kind of lend you towards you know, these songs

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<v Speaker 4>should be a major, these songs should be a minor.

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<v Speaker 4>What's this person listening to this? This is their attitude

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<v Speaker 4>every single day, so they're probably listening to this kind

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<v Speaker 4>of easy. So it's just really studying who that person

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<v Speaker 4>is and making sure that the music fits their character.

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<v Speaker 4>So you know, I love doing it. I love this

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<v Speaker 4>basically A and R and a TV.

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<v Speaker 1>Show when y'all are on set, as long as the

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<v Speaker 1>music playing, Like how people when we watch it or

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<v Speaker 1>is it just like silent.

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<v Speaker 3>And you're just trying to figure out a lot?

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<v Speaker 4>No, it's not, oh, because you gotta understand there's a

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<v Speaker 4>big mic going, right, Okay, if this dialogue is going

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<v Speaker 4>and there's music playing, then the MIC's gonna pick everything.

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<v Speaker 4>Use sure, So when they hear I send in, I

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<v Speaker 4>send there what's called a thump track, So you're here

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<v Speaker 4>like and people will be dancing to that and then

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<v Speaker 4>they can talk over it, and then I get it

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<v Speaker 4>and we put the music and that's why he's looking

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<v Speaker 4>at it now for the first time.

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<v Speaker 5>You used to be like, yeah, yeah, Sometimes they'll just

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<v Speaker 5>do playback, like he said, they will play the real

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<v Speaker 5>song before the scene start, just so everyone could be

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<v Speaker 5>in that zone, and then they'll be like, quiet the music,

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<v Speaker 5>but keep dancing. So it's just silent as hell, and

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<v Speaker 5>everyone's like and they were all there and they were

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<v Speaker 5>acting like we're talking over the music. We're talking a lout, like, yo,

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<v Speaker 5>I can't hear you with it.

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<v Speaker 3>It's dead signent all right.

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<v Speaker 1>So this question is both of you guys, what was

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<v Speaker 1>it life working with Jordan Alexander. She plays a party

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<v Speaker 1>in the series. So for those of you guys who

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<v Speaker 1>were just watching that music video, she's the artist in

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<v Speaker 1>that video.

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<v Speaker 3>What was it like working with her? I'm hearing that

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<v Speaker 3>that was Those were original songs that were created for

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<v Speaker 3>her to just feel like the time that she was in.

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<v Speaker 5>Yeah, Jordan is actually dope.

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<v Speaker 3>She's so dope.

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<v Speaker 5>She's from Canada. Oh, she had an interesting way to

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<v Speaker 5>see in life.

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<v Speaker 4>But it's still like the States.

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<v Speaker 5>Canada is like basically like us, but they just say

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<v Speaker 5>things different. And I was inviting her over to the

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<v Speaker 5>house and everyone and that we just started talking and

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<v Speaker 5>I started picking her brand.

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<v Speaker 4>I was like, Yo, this is fire like it was.

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<v Speaker 4>She was a real artist, you know, and an actress.

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<v Speaker 1>Was she casted that you guys were specifically looking for

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<v Speaker 1>an actress who was also an artist or did it

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<v Speaker 1>just so happen? And she's great for the part and

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<v Speaker 1>she could actually she has she's a real artist who

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<v Speaker 1>sounds good.

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<v Speaker 6>You know what?

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<v Speaker 4>It helps because I feel like, you know, just as

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<v Speaker 4>a a viewer of shows, you could tell when somebody

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<v Speaker 4>actually has real music ability and while we're faking it.

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<v Speaker 4>So I always think, in my opinion, I always liked

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<v Speaker 4>the cast someone will have music ability if they're playing

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<v Speaker 4>the part of a music artist, you know what I'm saying.

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<v Speaker 4>So it was definitely helpful in the studio being able

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<v Speaker 4>to just tell her to like, Yo, let's let's let's

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<v Speaker 4>cut down over, let's do this, let's do that, and

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<v Speaker 4>to speak to her, ask somebody who makes music. She

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<v Speaker 4>understood all the laboring. She understood what she was doing.

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<v Speaker 4>She understood what she sounded two up to date and

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<v Speaker 4>how to sound more. Tlc Ish you know what I mean.

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<v Speaker 4>So that's what we've all for.

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<v Speaker 3>I had a question for y'all, but I can't ask it.

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<v Speaker 1>I'm gonna ask you backstage when you just said it's okay,

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<v Speaker 1>and I can't because I don't.

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<v Speaker 3>Want to do away anything.

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<v Speaker 1>But so you guys askally producing the music for her

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<v Speaker 1>the song that we just heard, so that's her song

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<v Speaker 1>originally just was for the show, right, and so who

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<v Speaker 1>does she write it? And you produce?

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<v Speaker 4>So we have people come in write the song, like

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<v Speaker 4>the people who wrote like TLC's records, you know what

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<v Speaker 4>I mean, and and made those beats, and we'll have

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<v Speaker 4>them cut in and create something specifically for her, and

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<v Speaker 4>then we'll go in and we'll record the record, make

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<v Speaker 4>sure again gets mixed and make sure feels of that time.

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<v Speaker 4>So same drum machine, same keyboards saying everything so it

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<v Speaker 4>sounds like that. So that's what we're doing.

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<v Speaker 3>Well.

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<v Speaker 1>So music is one part of you know, this season

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<v Speaker 1>of BMS, but ask every season and all of you

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<v Speaker 1>know the fifty cent world of stars.

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<v Speaker 3>With BMN, for sure, you.

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<v Speaker 1>Have a set design, you have your costumes, your hair,

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<v Speaker 1>your makeup, and in this season in particular, you guys

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<v Speaker 1>are in two different worlds a lot, so the costuming

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<v Speaker 1>and the look and you know, everything looks really really different.

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<v Speaker 3>The bitch.

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<v Speaker 1>He talked to me a bit about first of all,

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<v Speaker 1>going into those two different worlds and shooting that and

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<v Speaker 1>just how everything changes, like your hair, your everything.

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<v Speaker 4>By security too.

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<v Speaker 5>It will be watching me.

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<v Speaker 4>But the waygo a week dying laughing.

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<v Speaker 5>I'm literally talking to him fixing it and like trying

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<v Speaker 5>to cover the lace.

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<v Speaker 4>And I'm like, now I know what girls go through.

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<v Speaker 3>Did you have the little thing around your edges the

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<v Speaker 3>dawn the lace edges? It's yeah, you did, bohol.

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<v Speaker 5>I know what it's like to swear and shit living

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<v Speaker 5>in I know why I gotten a little fans.

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<v Speaker 4>It's like, boy, it was it was work. I know

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<v Speaker 4>what I was like, I know why I got.

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<v Speaker 3>You know what I'm saying, I go, yeah, I know

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<v Speaker 3>the whole filming.

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<v Speaker 4>Bro, I gonna lie.

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<v Speaker 5>I gain a lot of respect for women in what

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<v Speaker 5>I go through because I was annoyed as hell body way. Boy,

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<v Speaker 5>I was like, oh my god then and my brain

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<v Speaker 5>is like a week old under it. I'm like, bro,

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<v Speaker 5>I'm gonna take each out between takes me and me

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<v Speaker 5>got rattail.

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<v Speaker 3>Col and we like like it's.

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<v Speaker 4>Now we was going through it.

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<v Speaker 1>And on the music side of it this season, what

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<v Speaker 1>else new or different or just anything you want to

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<v Speaker 1>talk about that you incorporated this season soundtrack wise to

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<v Speaker 1>reflect how action packed it was, you know, the friction

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<v Speaker 1>between the brothers, uh, the you know characters out for revenge.

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<v Speaker 1>There were certain times when I realized certain songs and

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<v Speaker 1>I was like, oh, I see.

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<v Speaker 4>They did that trying to talk to you without talking

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<v Speaker 4>to you, you know what I mean? But this season, man,

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<v Speaker 4>I think the biggest differences, Uh, this year, we're starting

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<v Speaker 4>to hit some coast, the West coast here, Mop's going

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<v Speaker 4>to hear some early you know, and some early Bounty

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<v Speaker 4>musa from the South. So there's just things now that

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<v Speaker 4>their trade that now that they're moving around, the music's

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<v Speaker 4>gotta move around too.

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<v Speaker 6>So we're hitting all those things. Ain't nobody you know

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<v Speaker 6>on the music. We ain't doing no backflips or that.

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<v Speaker 6>I said, yeah for sure, I was on my own stunts,

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<v Speaker 6>you know what I'm saying.

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<v Speaker 1>That's the licensing like though, like do you have like

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<v Speaker 1>a certain amount of time you can use songs for or.

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<v Speaker 4>You know what, and you know this is that's a

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<v Speaker 4>really good question. So that's a licensing question. So usually

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<v Speaker 4>what happens is, if I'm watching the scene, I'll figure

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<v Speaker 4>out how long the song should be in there for,

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<v Speaker 4>and then we go out to get the song.

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<v Speaker 3>So, if you're on an independent.

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<v Speaker 4>Artist or whatever, they're gonna send their music, I understand

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<v Speaker 4>that's how it works.

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<v Speaker 3>You know.

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<v Speaker 4>Basically, I'm gonna give you a fee, and that's going

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<v Speaker 4>to clear the song because I may want to change

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<v Speaker 4>the length of the use as I watch it, or

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<v Speaker 4>you know, if the editor's cut it a little bit differently.

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<v Speaker 4>So I'm gonna give you a feed. You still own it.

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<v Speaker 4>I'm just licensed to use it on the show. But

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<v Speaker 4>it could be anywhere from third or seconds to two minutes.

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<v Speaker 4>You know, we use it get in and get out

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<v Speaker 4>pretty quick because nobody really sitting on the scene unless

0:10:17.720 --> 0:10:19.960
<v Speaker 4>it's a montage. But that's the whole other story.

0:10:20.559 --> 0:10:23.320
<v Speaker 3>Well, I appreciate the conversation, y'all. I'm out of question.

0:10:23.840 --> 0:10:25.600
<v Speaker 1>They ain't give you no more. If I just keep going,

0:10:25.640 --> 0:10:27.199
<v Speaker 1>somebody need to let me know because I got them,

0:10:27.200 --> 0:10:27.920
<v Speaker 1>but I just don't know if I.

0:10:27.920 --> 0:10:28.800
<v Speaker 3>Can keep going or not.

0:10:31.840 --> 0:10:33.920
<v Speaker 1>Oh, you gotta Hi god thing.

0:10:34.000 --> 0:10:37.160
<v Speaker 2>It's actually my name on Instagram is exactly. I'm a

0:10:37.200 --> 0:10:40.560
<v Speaker 2>content creator Terry. If you see a small clicks, I

0:10:40.640 --> 0:10:42.599
<v Speaker 2>just wanted to say, shape.

0:10:42.400 --> 0:10:43.760
<v Speaker 3>Up on a lace front. It's crazy.

0:10:44.000 --> 0:10:47.520
<v Speaker 2>That's number one, Uh real road spicing. But I wanted

0:10:47.559 --> 0:10:49.679
<v Speaker 2>to know two questions, one for you and one for

0:10:49.760 --> 0:10:53.400
<v Speaker 2>big Tanks. So the question is for the fashion, did

0:10:53.440 --> 0:10:56.560
<v Speaker 2>you hit any input because it's getting up there this season?

0:10:57.000 --> 0:10:59.000
<v Speaker 2>That's number one? And number two is the second question

0:10:59.040 --> 0:11:01.760
<v Speaker 2>for you? Was big your real music during the scene?

0:11:01.800 --> 0:11:03.280
<v Speaker 3>What's the budget like behind it?

0:11:04.440 --> 0:11:06.520
<v Speaker 1>That was a great question, Like are you working like

0:11:06.559 --> 0:11:08.520
<v Speaker 1>a label when you're going out to these artists that

0:11:08.559 --> 0:11:11.000
<v Speaker 1>you like? You know you're bringing these arts and stuff

0:11:11.040 --> 0:11:11.920
<v Speaker 1>like that, Like.

0:11:11.840 --> 0:11:14.679
<v Speaker 4>I like, I mean I will license big label records,

0:11:14.760 --> 0:11:16.240
<v Speaker 4>like you know what I'm saying. We definitely do that

0:11:16.640 --> 0:11:19.600
<v Speaker 4>a couple of times on an episode. But be like, mom,

0:11:19.640 --> 0:11:21.480
<v Speaker 4>I got the song on b amth you know what

0:11:21.520 --> 0:11:23.880
<v Speaker 4>I'm saying. Because if you get back to them, I

0:11:23.880 --> 0:11:26.000
<v Speaker 4>feel like they're gonna it's gonna continue to get back

0:11:26.000 --> 0:11:28.480
<v Speaker 4>to us. So, like, I have a whole podcast coming

0:11:28.480 --> 0:11:31.240
<v Speaker 4>out soon called The Man behind the Music and launching

0:11:31.240 --> 0:11:33.560
<v Speaker 4>about a month and we literally are going to be

0:11:33.559 --> 0:11:37.640
<v Speaker 4>taking submissions from all y'all and breaking down the songs

0:11:37.640 --> 0:11:40.280
<v Speaker 4>and showing up next to scenes and yeah that's what

0:11:40.400 --> 0:11:42.439
<v Speaker 4>we know it. So I see we're about to wrap up.

0:11:43.320 --> 0:11:45.800
<v Speaker 3>I was like, yo, moving joy making, I don't for

0:11:45.840 --> 0:11:46.439
<v Speaker 3>a minute.

0:11:47.640 --> 0:11:50.160
<v Speaker 4>Question Yeah, yeah, I got a question, be teen. Wait,

0:11:50.320 --> 0:11:53.680
<v Speaker 4>so Jordan who played the character?

0:11:53.880 --> 0:11:56.720
<v Speaker 5>She get bred for that song?

0:11:57.000 --> 0:11:57.240
<v Speaker 3>Yep?

0:11:57.520 --> 0:11:59.600
<v Speaker 4>So like people can people download that song?

0:12:00.000 --> 0:12:00.400
<v Speaker 3>Because if he.

0:12:00.440 --> 0:12:03.080
<v Speaker 4>Released like so, stars usually will put out like I

0:12:03.120 --> 0:12:05.160
<v Speaker 4>do all the all of the fifty cent shows, so

0:12:05.240 --> 0:12:09.079
<v Speaker 4>raising Kine and ghosts, bemt force. If there's a song

0:12:09.160 --> 0:12:12.080
<v Speaker 4>on the show that we have an artist performed, Stars

0:12:12.080 --> 0:12:13.760
<v Speaker 4>will put that song out there.

0:12:13.600 --> 0:12:21.400
<v Speaker 3>Into the marketplace make music too, bro. Yeah, I got

0:12:21.400 --> 0:12:26.320
<v Speaker 3>a question, so tag me. How did y'all shooted last season?

0:12:26.320 --> 0:12:29.840
<v Speaker 3>For you? Six seven minute? And y'all never talked about this?

0:12:30.480 --> 0:12:33.079
<v Speaker 5>No, I didn't know like the independent arts any Wait,

0:12:33.200 --> 0:12:34.640
<v Speaker 5>so you could sign Jordan too?

0:12:34.960 --> 0:12:39.400
<v Speaker 3>I'm really good. That's not a conflict adventure, it's killed. Nah.

0:12:40.240 --> 0:12:42.600
<v Speaker 5>What I came from the music, Well, I just didn't

0:12:42.720 --> 0:12:44.000
<v Speaker 5>like the labels and stuff like that.

0:12:44.160 --> 0:12:46.480
<v Speaker 4>No, No, this is opportunities out there.

0:12:46.520 --> 0:12:50.680
<v Speaker 3>Bro. We got to talk. Did you know you made Okay,

0:12:50.720 --> 0:12:54.640
<v Speaker 3>we're about because y'all ain't up here researching and I'm

0:12:55.320 --> 0:12:58.160
<v Speaker 3>I'm gonna sign that kid, you know what I'm saying.

0:12:59.200 --> 0:13:01.440
<v Speaker 3>We just figured or something. So when y'all signed that deal,

0:13:01.480 --> 0:13:05.320
<v Speaker 3>can I please announce exclusively on the purpose up all right?

0:13:05.440 --> 0:13:07.360
<v Speaker 3>Thank you, y'all, Thank you so much for being here.

0:13:08.920 --> 0:13:11.240
<v Speaker 1>All righty y'all, Well, that was the conversation that I

0:13:11.320 --> 0:13:15.480
<v Speaker 1>sat down with BMFS, Da Vinci and Big Tank to

0:13:15.720 --> 0:13:19.120
<v Speaker 1>have during the Roots Picnic. And y'all, I know there's

0:13:19.160 --> 0:13:20.880
<v Speaker 1>been a lot out there about the Roots Picnic and

0:13:20.960 --> 0:13:23.800
<v Speaker 1>you know what I mean, but nature happened. They handled

0:13:23.840 --> 0:13:26.240
<v Speaker 1>it the best that they could. But this conversation came

0:13:26.280 --> 0:13:28.199
<v Speaker 1>out of that picnic. So I am forever grateful for

0:13:28.760 --> 0:13:31.160
<v Speaker 1>Stars inviting me out to have this conversation and for

0:13:31.240 --> 0:13:33.599
<v Speaker 1>the Roots Picnic for even happening, because we wouldn't have

0:13:33.600 --> 0:13:35.280
<v Speaker 1>had it. Let me know if you guys have enjoyed

0:13:35.280 --> 0:13:37.719
<v Speaker 1>the conversation, if you'll be tuned in and what was

0:13:37.760 --> 0:13:39.800
<v Speaker 1>your favorite part of the conversation, make sure you tweet me,

0:13:40.440 --> 0:13:42.760
<v Speaker 1>Instagram repost this all the things.

0:13:42.960 --> 0:13:43.839
<v Speaker 3>I'm Laura La Rosa.

0:13:44.160 --> 0:13:46.480
<v Speaker 1>I tell you guys, every episode you guys could be

0:13:46.520 --> 0:13:48.680
<v Speaker 1>anywhere because at the end of the day, there's always

0:13:48.720 --> 0:13:50.400
<v Speaker 1>a lot to talk about, and you could talk about

0:13:50.440 --> 0:13:52.800
<v Speaker 1>it with anybody. I thank you guys for choosing me

0:13:52.880 --> 0:13:55.480
<v Speaker 1>each and every time. I'll see you in my next episode.