1 00:00:02,279 --> 00:00:04,720 Speaker 1: I'm a homegirl that knows a little bit about everything 2 00:00:04,800 --> 00:00:05,640 Speaker 1: and everybody. 3 00:00:06,519 --> 00:00:08,560 Speaker 2: You know, if you don't lie about that, right Lauren. 4 00:00:08,880 --> 00:00:11,480 Speaker 1: Hey, you guys, it's Lauren Rosa and this is the 5 00:00:11,560 --> 00:00:14,400 Speaker 1: latest with Lauren de Rosa. Now today's episode is going 6 00:00:14,440 --> 00:00:16,880 Speaker 1: to be a bit different, but I do think I 7 00:00:17,120 --> 00:00:18,360 Speaker 1: know my low riders. 8 00:00:18,400 --> 00:00:19,880 Speaker 3: You guys are going to enjoy it. 9 00:00:20,160 --> 00:00:22,680 Speaker 1: Because y'all have been asking me, when are we bringing 10 00:00:22,760 --> 00:00:27,320 Speaker 1: celebrity interviews to the podcast, Lauren, Well, here we are. 11 00:00:27,680 --> 00:00:30,440 Speaker 1: So I sat down in an exclusive conversation with Da 12 00:00:30,480 --> 00:00:34,880 Speaker 1: Vinci from BMF in Big Tank, who is a music 13 00:00:35,000 --> 00:00:38,239 Speaker 1: supervisor for BMF on Stars and a ton of other 14 00:00:38,320 --> 00:00:41,240 Speaker 1: fifty cent shows. A music supervisor is a person who 15 00:00:41,240 --> 00:00:43,080 Speaker 1: make sure that the music is placed right. So when 16 00:00:43,120 --> 00:00:46,640 Speaker 1: y'all watching the series, it feels like the time that 17 00:00:46,680 --> 00:00:48,559 Speaker 1: we in, it feels good, the music is good and 18 00:00:48,560 --> 00:00:51,840 Speaker 1: all those things. And y'all know, Da Vinci plays Southwest 19 00:00:51,920 --> 00:00:56,880 Speaker 1: Terry Southwest t who is Metch's brother in the series. Now, 20 00:00:56,960 --> 00:01:00,360 Speaker 1: the new series, or the new season of BMF comes 21 00:01:00,400 --> 00:01:03,080 Speaker 1: on Stars on June sixth, So I sat down and 22 00:01:03,120 --> 00:01:05,319 Speaker 1: we talked a bit about what it was like making 23 00:01:05,440 --> 00:01:08,520 Speaker 1: this season and all of the twists and the turns 24 00:01:08,600 --> 00:01:09,520 Speaker 1: and the music. 25 00:01:10,520 --> 00:01:13,800 Speaker 3: Enjoy. Here's my conversation from the Breakfast Club Give it 26 00:01:13,880 --> 00:01:18,880 Speaker 3: Up for Lauren, but roll up lem Hello everybody, how 27 00:01:18,959 --> 00:01:23,480 Speaker 3: are y'all? Y'all? Enjoined the conversation so far, well, we 28 00:01:23,600 --> 00:01:26,040 Speaker 3: have a treat for you guys. But before we get. 29 00:01:25,840 --> 00:01:29,160 Speaker 1: Into the conversation, as he mentioned, I'm longa Rosa here 30 00:01:29,480 --> 00:01:31,319 Speaker 1: all the way from New York on the Breakfast Club. 31 00:01:31,400 --> 00:01:34,840 Speaker 3: We have some special people in the building to talk about, you. 32 00:01:34,800 --> 00:01:38,880 Speaker 1: Know, BMS and how the music industry and what BMF 33 00:01:39,240 --> 00:01:42,040 Speaker 1: means to the music industry continues to impact the culture. 34 00:01:42,080 --> 00:01:45,200 Speaker 3: So joining me today, we have Derek gig. 35 00:01:45,000 --> 00:01:48,160 Speaker 1: Tank Thornton, who is a music supervisor for the show 36 00:01:48,240 --> 00:01:53,160 Speaker 1: Give it Up for Him and the eventually played Carrie Flinnery. 37 00:01:53,240 --> 00:01:57,040 Speaker 3: Y'all gonna say, either side, whatever is this sty out? 38 00:01:58,080 --> 00:02:01,160 Speaker 3: Ah did get mess? You gotta go back? 39 00:02:01,240 --> 00:02:03,800 Speaker 1: They did not yell at back rounds to the chalk 40 00:02:04,040 --> 00:02:05,480 Speaker 1: and I walked in and I was like, oh that goes 41 00:02:05,480 --> 00:02:06,840 Speaker 1: to t And I was like, oh no, he's not 42 00:02:07,080 --> 00:02:09,840 Speaker 1: Tea right now technically. But people connect to your character 43 00:02:09,880 --> 00:02:11,679 Speaker 1: and they connect to the music. So we're gonna get 44 00:02:11,680 --> 00:02:16,320 Speaker 1: in to the conversation tank. For those who don't know, 45 00:02:16,919 --> 00:02:19,000 Speaker 1: can you explain, please, what is the role of a 46 00:02:19,480 --> 00:02:21,640 Speaker 1: music supervisor, Like what does that mean? What does it 47 00:02:21,680 --> 00:02:24,200 Speaker 1: inteil in the television series? What's your day to day job? 48 00:02:24,680 --> 00:02:25,959 Speaker 1: And how did you decide? 49 00:02:26,320 --> 00:02:28,359 Speaker 3: Well, answer that person and I'll ask you the second mark. 50 00:02:29,240 --> 00:02:34,079 Speaker 4: So basically, from hiring the composer, find the composers, all 51 00:02:34,120 --> 00:02:38,320 Speaker 4: the songs, every song in the background, a lot of 52 00:02:38,320 --> 00:02:41,040 Speaker 4: times theme songs. You know, if I'm not creating that, 53 00:02:41,120 --> 00:02:44,440 Speaker 4: I'm having they create it. So just every piece of 54 00:02:44,520 --> 00:02:48,600 Speaker 4: music in a show, I'm a little pick okay. 55 00:02:48,680 --> 00:02:50,919 Speaker 1: So once you get that together, you find a composer, 56 00:02:50,960 --> 00:02:52,160 Speaker 1: you're picking the theme songs. 57 00:02:53,200 --> 00:02:57,200 Speaker 3: How do you decide which tracks go and which like place? 58 00:02:57,280 --> 00:03:00,000 Speaker 3: Because especially with be in mephids such like a time 59 00:03:00,080 --> 00:03:02,960 Speaker 3: period p meaning like when you watch it, it's not 60 00:03:03,080 --> 00:03:03,760 Speaker 3: present days. 61 00:03:04,160 --> 00:03:06,200 Speaker 1: Music has to feel like that, the queue of the 62 00:03:06,280 --> 00:03:07,639 Speaker 1: music the time and it comes in. 63 00:03:08,120 --> 00:03:09,160 Speaker 3: How do you figure that out? 64 00:03:09,280 --> 00:03:11,880 Speaker 4: So first you need to study that year. You know, 65 00:03:12,040 --> 00:03:14,120 Speaker 4: the slangs gotta be right, you know, if we're talking 66 00:03:14,120 --> 00:03:17,880 Speaker 4: about you know, Suzuki samuraiz and we're talking about you know, 67 00:03:18,000 --> 00:03:20,799 Speaker 4: somebody's fresh to death or whatever it is, it's got 68 00:03:20,840 --> 00:03:23,280 Speaker 4: to be time period appropriate. And then you know, I 69 00:03:23,360 --> 00:03:25,320 Speaker 4: really believe like when I'm watching the scene, the scene 70 00:03:25,400 --> 00:03:27,560 Speaker 4: kind of tells me which way to go. Like if 71 00:03:27,560 --> 00:03:30,080 Speaker 4: you pay attention to what the scene is doing, it 72 00:03:30,080 --> 00:03:32,839 Speaker 4: will kind of lend you towards you know, these songs 73 00:03:32,840 --> 00:03:34,680 Speaker 4: should be a major, these songs should be a minor. 74 00:03:35,880 --> 00:03:38,720 Speaker 4: What's this person listening to this? This is their attitude 75 00:03:39,160 --> 00:03:41,880 Speaker 4: every single day, so they're probably listening to this kind 76 00:03:41,920 --> 00:03:44,560 Speaker 4: of easy. So it's just really studying who that person 77 00:03:44,720 --> 00:03:48,120 Speaker 4: is and making sure that the music fits their character. 78 00:03:48,600 --> 00:03:50,840 Speaker 4: So you know, I love doing it. I love this 79 00:03:51,000 --> 00:03:52,560 Speaker 4: basically A and R and a TV. 80 00:03:52,400 --> 00:03:54,760 Speaker 1: Show when y'all are on set, as long as the 81 00:03:54,880 --> 00:03:56,880 Speaker 1: music playing, Like how people when we watch it or 82 00:03:56,880 --> 00:03:58,000 Speaker 1: is it just like silent. 83 00:03:57,720 --> 00:03:58,920 Speaker 3: And you're just trying to figure out a lot? 84 00:03:59,160 --> 00:04:02,400 Speaker 4: No, it's not, oh, because you gotta understand there's a 85 00:04:02,400 --> 00:04:06,680 Speaker 4: big mic going, right, Okay, if this dialogue is going 86 00:04:06,720 --> 00:04:09,720 Speaker 4: and there's music playing, then the MIC's gonna pick everything. 87 00:04:09,800 --> 00:04:12,480 Speaker 4: Use sure, So when they hear I send in, I 88 00:04:12,480 --> 00:04:14,720 Speaker 4: send there what's called a thump track, So you're here 89 00:04:14,720 --> 00:04:18,880 Speaker 4: like and people will be dancing to that and then 90 00:04:18,880 --> 00:04:20,919 Speaker 4: they can talk over it, and then I get it 91 00:04:20,960 --> 00:04:22,560 Speaker 4: and we put the music and that's why he's looking 92 00:04:22,600 --> 00:04:23,600 Speaker 4: at it now for the first time. 93 00:04:23,800 --> 00:04:27,599 Speaker 5: You used to be like, yeah, yeah, Sometimes they'll just 94 00:04:27,640 --> 00:04:29,800 Speaker 5: do playback, like he said, they will play the real 95 00:04:29,839 --> 00:04:32,560 Speaker 5: song before the scene start, just so everyone could be 96 00:04:32,600 --> 00:04:35,279 Speaker 5: in that zone, and then they'll be like, quiet the music, 97 00:04:35,520 --> 00:04:37,719 Speaker 5: but keep dancing. So it's just silent as hell, and 98 00:04:37,720 --> 00:04:41,280 Speaker 5: everyone's like and they were all there and they were 99 00:04:41,400 --> 00:04:44,120 Speaker 5: acting like we're talking over the music. We're talking a lout, like, yo, 100 00:04:44,480 --> 00:04:46,520 Speaker 5: I can't hear you with it. 101 00:04:46,520 --> 00:04:48,600 Speaker 3: It's dead signent all right. 102 00:04:48,640 --> 00:04:50,760 Speaker 1: So this question is both of you guys, what was 103 00:04:50,800 --> 00:04:54,400 Speaker 1: it life working with Jordan Alexander. She plays a party 104 00:04:54,560 --> 00:04:57,520 Speaker 1: in the series. So for those of you guys who 105 00:04:57,560 --> 00:04:59,760 Speaker 1: were just watching that music video, she's the artist in 106 00:04:59,800 --> 00:05:00,320 Speaker 1: that video. 107 00:05:00,360 --> 00:05:02,560 Speaker 3: What was it like working with her? I'm hearing that 108 00:05:02,600 --> 00:05:05,120 Speaker 3: that was Those were original songs that were created for 109 00:05:05,200 --> 00:05:07,920 Speaker 3: her to just feel like the time that she was in. 110 00:05:08,400 --> 00:05:10,440 Speaker 5: Yeah, Jordan is actually dope. 111 00:05:10,680 --> 00:05:11,640 Speaker 3: She's so dope. 112 00:05:11,920 --> 00:05:15,240 Speaker 5: She's from Canada. Oh, she had an interesting way to 113 00:05:15,240 --> 00:05:16,640 Speaker 5: see in life. 114 00:05:17,279 --> 00:05:19,160 Speaker 4: But it's still like the States. 115 00:05:19,200 --> 00:05:21,480 Speaker 5: Canada is like basically like us, but they just say 116 00:05:21,520 --> 00:05:23,359 Speaker 5: things different. And I was inviting her over to the 117 00:05:23,400 --> 00:05:25,960 Speaker 5: house and everyone and that we just started talking and 118 00:05:26,000 --> 00:05:27,119 Speaker 5: I started picking her brand. 119 00:05:27,200 --> 00:05:29,320 Speaker 4: I was like, Yo, this is fire like it was. 120 00:05:29,800 --> 00:05:32,640 Speaker 4: She was a real artist, you know, and an actress. 121 00:05:32,800 --> 00:05:35,320 Speaker 1: Was she casted that you guys were specifically looking for 122 00:05:35,360 --> 00:05:37,200 Speaker 1: an actress who was also an artist or did it 123 00:05:37,279 --> 00:05:39,599 Speaker 1: just so happen? And she's great for the part and 124 00:05:39,760 --> 00:05:41,600 Speaker 1: she could actually she has she's a real artist who 125 00:05:41,600 --> 00:05:42,080 Speaker 1: sounds good. 126 00:05:42,360 --> 00:05:42,840 Speaker 6: You know what? 127 00:05:42,960 --> 00:05:46,800 Speaker 4: It helps because I feel like, you know, just as 128 00:05:46,839 --> 00:05:51,120 Speaker 4: a a viewer of shows, you could tell when somebody 129 00:05:51,160 --> 00:05:54,720 Speaker 4: actually has real music ability and while we're faking it. 130 00:05:55,080 --> 00:05:58,160 Speaker 4: So I always think, in my opinion, I always liked 131 00:05:58,160 --> 00:06:01,679 Speaker 4: the cast someone will have music ability if they're playing 132 00:06:02,040 --> 00:06:04,160 Speaker 4: the part of a music artist, you know what I'm saying. 133 00:06:04,200 --> 00:06:07,599 Speaker 4: So it was definitely helpful in the studio being able 134 00:06:07,600 --> 00:06:09,200 Speaker 4: to just tell her to like, Yo, let's let's let's 135 00:06:09,200 --> 00:06:11,040 Speaker 4: cut down over, let's do this, let's do that, and 136 00:06:11,040 --> 00:06:14,880 Speaker 4: to speak to her, ask somebody who makes music. She 137 00:06:15,000 --> 00:06:17,400 Speaker 4: understood all the laboring. She understood what she was doing. 138 00:06:17,839 --> 00:06:20,599 Speaker 4: She understood what she sounded two up to date and 139 00:06:20,839 --> 00:06:23,719 Speaker 4: how to sound more. Tlc Ish you know what I mean. 140 00:06:24,200 --> 00:06:25,760 Speaker 4: So that's what we've all for. 141 00:06:26,120 --> 00:06:27,600 Speaker 3: I had a question for y'all, but I can't ask it. 142 00:06:27,640 --> 00:06:30,560 Speaker 1: I'm gonna ask you backstage when you just said it's okay, 143 00:06:30,640 --> 00:06:31,560 Speaker 1: and I can't because I don't. 144 00:06:31,400 --> 00:06:32,200 Speaker 3: Want to do away anything. 145 00:06:32,960 --> 00:06:35,480 Speaker 1: But so you guys askally producing the music for her 146 00:06:35,960 --> 00:06:38,159 Speaker 1: the song that we just heard, so that's her song 147 00:06:38,160 --> 00:06:41,200 Speaker 1: originally just was for the show, right, and so who 148 00:06:41,320 --> 00:06:42,839 Speaker 1: does she write it? And you produce? 149 00:06:43,279 --> 00:06:46,479 Speaker 4: So we have people come in write the song, like 150 00:06:46,520 --> 00:06:49,080 Speaker 4: the people who wrote like TLC's records, you know what 151 00:06:49,120 --> 00:06:51,640 Speaker 4: I mean, and and made those beats, and we'll have 152 00:06:51,760 --> 00:06:55,159 Speaker 4: them cut in and create something specifically for her, and 153 00:06:55,200 --> 00:06:57,520 Speaker 4: then we'll go in and we'll record the record, make 154 00:06:57,560 --> 00:07:01,280 Speaker 4: sure again gets mixed and make sure feels of that time. 155 00:07:01,360 --> 00:07:05,200 Speaker 4: So same drum machine, same keyboards saying everything so it 156 00:07:05,279 --> 00:07:07,440 Speaker 4: sounds like that. So that's what we're doing. 157 00:07:08,160 --> 00:07:08,400 Speaker 3: Well. 158 00:07:08,640 --> 00:07:11,360 Speaker 1: So music is one part of you know, this season 159 00:07:11,360 --> 00:07:14,120 Speaker 1: of BMS, but ask every season and all of you 160 00:07:14,160 --> 00:07:15,960 Speaker 1: know the fifty cent world of stars. 161 00:07:15,960 --> 00:07:17,560 Speaker 3: With BMN, for sure, you. 162 00:07:17,600 --> 00:07:21,000 Speaker 1: Have a set design, you have your costumes, your hair, 163 00:07:21,200 --> 00:07:24,440 Speaker 1: your makeup, and in this season in particular, you guys 164 00:07:24,440 --> 00:07:27,880 Speaker 1: are in two different worlds a lot, so the costuming 165 00:07:27,960 --> 00:07:30,560 Speaker 1: and the look and you know, everything looks really really different. 166 00:07:31,000 --> 00:07:31,320 Speaker 3: The bitch. 167 00:07:31,400 --> 00:07:33,360 Speaker 1: He talked to me a bit about first of all, 168 00:07:33,440 --> 00:07:35,440 Speaker 1: going into those two different worlds and shooting that and 169 00:07:35,560 --> 00:07:38,920 Speaker 1: just how everything changes, like your hair, your everything. 170 00:07:39,600 --> 00:07:40,560 Speaker 4: By security too. 171 00:07:40,720 --> 00:07:41,480 Speaker 5: It will be watching me. 172 00:07:41,520 --> 00:07:43,320 Speaker 4: But the waygo a week dying laughing. 173 00:07:44,600 --> 00:07:47,520 Speaker 5: I'm literally talking to him fixing it and like trying 174 00:07:47,520 --> 00:07:48,440 Speaker 5: to cover the lace. 175 00:07:48,280 --> 00:07:49,880 Speaker 4: And I'm like, now I know what girls go through. 176 00:07:49,960 --> 00:07:52,400 Speaker 3: Did you have the little thing around your edges the 177 00:07:52,720 --> 00:08:01,360 Speaker 3: dawn the lace edges? It's yeah, you did, bohol. 178 00:07:57,520 --> 00:08:04,040 Speaker 5: I know what it's like to swear and shit living 179 00:08:04,080 --> 00:08:07,120 Speaker 5: in I know why I gotten a little fans. 180 00:08:07,240 --> 00:08:09,640 Speaker 4: It's like, boy, it was it was work. I know 181 00:08:09,640 --> 00:08:11,160 Speaker 4: what I was like, I know why I got. 182 00:08:11,200 --> 00:08:13,680 Speaker 3: You know what I'm saying, I go, yeah, I know 183 00:08:13,800 --> 00:08:14,680 Speaker 3: the whole filming. 184 00:08:14,680 --> 00:08:15,400 Speaker 4: Bro, I gonna lie. 185 00:08:15,440 --> 00:08:17,800 Speaker 5: I gain a lot of respect for women in what 186 00:08:18,000 --> 00:08:21,400 Speaker 5: I go through because I was annoyed as hell body way. Boy, 187 00:08:21,400 --> 00:08:24,160 Speaker 5: I was like, oh my god then and my brain 188 00:08:24,360 --> 00:08:26,040 Speaker 5: is like a week old under it. I'm like, bro, 189 00:08:26,080 --> 00:08:28,840 Speaker 5: I'm gonna take each out between takes me and me 190 00:08:29,040 --> 00:08:30,000 Speaker 5: got rattail. 191 00:08:29,680 --> 00:08:31,800 Speaker 3: Col and we like like it's. 192 00:08:32,400 --> 00:08:33,800 Speaker 4: Now we was going through it. 193 00:08:34,120 --> 00:08:36,840 Speaker 1: And on the music side of it this season, what 194 00:08:37,040 --> 00:08:40,040 Speaker 1: else new or different or just anything you want to 195 00:08:40,040 --> 00:08:43,040 Speaker 1: talk about that you incorporated this season soundtrack wise to 196 00:08:43,120 --> 00:08:46,160 Speaker 1: reflect how action packed it was, you know, the friction 197 00:08:46,280 --> 00:08:50,840 Speaker 1: between the brothers, uh, the you know characters out for revenge. 198 00:08:51,040 --> 00:08:52,920 Speaker 1: There were certain times when I realized certain songs and 199 00:08:52,960 --> 00:08:54,199 Speaker 1: I was like, oh, I see. 200 00:08:54,160 --> 00:08:56,880 Speaker 4: They did that trying to talk to you without talking 201 00:08:56,920 --> 00:09:00,280 Speaker 4: to you, you know what I mean? But this season, man, 202 00:09:00,320 --> 00:09:03,760 Speaker 4: I think the biggest differences, Uh, this year, we're starting 203 00:09:03,760 --> 00:09:06,560 Speaker 4: to hit some coast, the West coast here, Mop's going 204 00:09:06,640 --> 00:09:08,880 Speaker 4: to hear some early you know, and some early Bounty 205 00:09:08,920 --> 00:09:11,720 Speaker 4: musa from the South. So there's just things now that 206 00:09:11,720 --> 00:09:14,240 Speaker 4: their trade that now that they're moving around, the music's 207 00:09:14,240 --> 00:09:15,200 Speaker 4: gotta move around too. 208 00:09:15,720 --> 00:09:18,600 Speaker 6: So we're hitting all those things. Ain't nobody you know 209 00:09:18,640 --> 00:09:20,360 Speaker 6: on the music. We ain't doing no backflips or that. 210 00:09:23,840 --> 00:09:26,000 Speaker 6: I said, yeah for sure, I was on my own stunts, 211 00:09:26,000 --> 00:09:26,600 Speaker 6: you know what I'm saying. 212 00:09:27,760 --> 00:09:30,120 Speaker 1: That's the licensing like though, like do you have like 213 00:09:30,160 --> 00:09:34,520 Speaker 1: a certain amount of time you can use songs for or. 214 00:09:33,960 --> 00:09:36,520 Speaker 4: You know what, and you know this is that's a 215 00:09:36,520 --> 00:09:40,440 Speaker 4: really good question. So that's a licensing question. So usually 216 00:09:40,480 --> 00:09:45,559 Speaker 4: what happens is, if I'm watching the scene, I'll figure 217 00:09:45,559 --> 00:09:47,440 Speaker 4: out how long the song should be in there for, 218 00:09:48,040 --> 00:09:49,440 Speaker 4: and then we go out to get the song. 219 00:09:49,480 --> 00:09:50,840 Speaker 3: So, if you're on an independent. 220 00:09:50,480 --> 00:09:53,920 Speaker 4: Artist or whatever, they're gonna send their music, I understand 221 00:09:53,960 --> 00:09:54,600 Speaker 4: that's how it works. 222 00:09:54,840 --> 00:09:55,040 Speaker 3: You know. 223 00:09:55,440 --> 00:09:58,040 Speaker 4: Basically, I'm gonna give you a fee, and that's going 224 00:09:58,080 --> 00:10:00,000 Speaker 4: to clear the song because I may want to change 225 00:10:00,240 --> 00:10:03,040 Speaker 4: the length of the use as I watch it, or 226 00:10:03,440 --> 00:10:05,280 Speaker 4: you know, if the editor's cut it a little bit differently. 227 00:10:05,760 --> 00:10:07,840 Speaker 4: So I'm gonna give you a feed. You still own it. 228 00:10:07,920 --> 00:10:10,600 Speaker 4: I'm just licensed to use it on the show. But 229 00:10:10,679 --> 00:10:13,560 Speaker 4: it could be anywhere from third or seconds to two minutes. 230 00:10:13,920 --> 00:10:15,160 Speaker 4: You know, we use it get in and get out 231 00:10:15,200 --> 00:10:17,720 Speaker 4: pretty quick because nobody really sitting on the scene unless 232 00:10:17,720 --> 00:10:19,960 Speaker 4: it's a montage. But that's the whole other story. 233 00:10:20,559 --> 00:10:23,320 Speaker 3: Well, I appreciate the conversation, y'all. I'm out of question. 234 00:10:23,840 --> 00:10:25,600 Speaker 1: They ain't give you no more. If I just keep going, 235 00:10:25,640 --> 00:10:27,199 Speaker 1: somebody need to let me know because I got them, 236 00:10:27,200 --> 00:10:27,920 Speaker 1: but I just don't know if I. 237 00:10:27,920 --> 00:10:28,800 Speaker 3: Can keep going or not. 238 00:10:31,840 --> 00:10:33,920 Speaker 1: Oh, you gotta Hi god thing. 239 00:10:34,000 --> 00:10:37,160 Speaker 2: It's actually my name on Instagram is exactly. I'm a 240 00:10:37,200 --> 00:10:40,560 Speaker 2: content creator Terry. If you see a small clicks, I 241 00:10:40,640 --> 00:10:42,599 Speaker 2: just wanted to say, shape. 242 00:10:42,400 --> 00:10:43,760 Speaker 3: Up on a lace front. It's crazy. 243 00:10:44,000 --> 00:10:47,520 Speaker 2: That's number one, Uh real road spicing. But I wanted 244 00:10:47,559 --> 00:10:49,679 Speaker 2: to know two questions, one for you and one for 245 00:10:49,760 --> 00:10:53,400 Speaker 2: big Tanks. So the question is for the fashion, did 246 00:10:53,440 --> 00:10:56,560 Speaker 2: you hit any input because it's getting up there this season? 247 00:10:57,000 --> 00:10:59,000 Speaker 2: That's number one? And number two is the second question 248 00:10:59,040 --> 00:11:01,760 Speaker 2: for you? Was big your real music during the scene? 249 00:11:01,800 --> 00:11:03,280 Speaker 3: What's the budget like behind it? 250 00:11:04,440 --> 00:11:06,520 Speaker 1: That was a great question, Like are you working like 251 00:11:06,559 --> 00:11:08,520 Speaker 1: a label when you're going out to these artists that 252 00:11:08,559 --> 00:11:11,000 Speaker 1: you like? You know you're bringing these arts and stuff 253 00:11:11,040 --> 00:11:11,920 Speaker 1: like that, Like. 254 00:11:11,840 --> 00:11:14,679 Speaker 4: I like, I mean I will license big label records, 255 00:11:14,760 --> 00:11:16,240 Speaker 4: like you know what I'm saying. We definitely do that 256 00:11:16,640 --> 00:11:19,600 Speaker 4: a couple of times on an episode. But be like, mom, 257 00:11:19,640 --> 00:11:21,480 Speaker 4: I got the song on b amth you know what 258 00:11:21,520 --> 00:11:23,880 Speaker 4: I'm saying. Because if you get back to them, I 259 00:11:23,880 --> 00:11:26,000 Speaker 4: feel like they're gonna it's gonna continue to get back 260 00:11:26,000 --> 00:11:28,480 Speaker 4: to us. So, like, I have a whole podcast coming 261 00:11:28,480 --> 00:11:31,240 Speaker 4: out soon called The Man behind the Music and launching 262 00:11:31,240 --> 00:11:33,560 Speaker 4: about a month and we literally are going to be 263 00:11:33,559 --> 00:11:37,640 Speaker 4: taking submissions from all y'all and breaking down the songs 264 00:11:37,640 --> 00:11:40,280 Speaker 4: and showing up next to scenes and yeah that's what 265 00:11:40,400 --> 00:11:42,439 Speaker 4: we know it. So I see we're about to wrap up. 266 00:11:43,320 --> 00:11:45,800 Speaker 3: I was like, yo, moving joy making, I don't for 267 00:11:45,840 --> 00:11:46,439 Speaker 3: a minute. 268 00:11:47,640 --> 00:11:50,160 Speaker 4: Question Yeah, yeah, I got a question, be teen. Wait, 269 00:11:50,320 --> 00:11:53,680 Speaker 4: so Jordan who played the character? 270 00:11:53,880 --> 00:11:56,720 Speaker 5: She get bred for that song? 271 00:11:57,000 --> 00:11:57,240 Speaker 3: Yep? 272 00:11:57,520 --> 00:11:59,600 Speaker 4: So like people can people download that song? 273 00:12:00,000 --> 00:12:00,400 Speaker 3: Because if he. 274 00:12:00,440 --> 00:12:03,080 Speaker 4: Released like so, stars usually will put out like I 275 00:12:03,120 --> 00:12:05,160 Speaker 4: do all the all of the fifty cent shows, so 276 00:12:05,240 --> 00:12:09,079 Speaker 4: raising Kine and ghosts, bemt force. If there's a song 277 00:12:09,160 --> 00:12:12,080 Speaker 4: on the show that we have an artist performed, Stars 278 00:12:12,080 --> 00:12:13,760 Speaker 4: will put that song out there. 279 00:12:13,600 --> 00:12:21,400 Speaker 3: Into the marketplace make music too, bro. Yeah, I got 280 00:12:21,400 --> 00:12:26,320 Speaker 3: a question, so tag me. How did y'all shooted last season? 281 00:12:26,320 --> 00:12:29,840 Speaker 3: For you? Six seven minute? And y'all never talked about this? 282 00:12:30,480 --> 00:12:33,079 Speaker 5: No, I didn't know like the independent arts any Wait, 283 00:12:33,200 --> 00:12:34,640 Speaker 5: so you could sign Jordan too? 284 00:12:34,960 --> 00:12:39,400 Speaker 3: I'm really good. That's not a conflict adventure, it's killed. Nah. 285 00:12:40,240 --> 00:12:42,600 Speaker 5: What I came from the music, Well, I just didn't 286 00:12:42,720 --> 00:12:44,000 Speaker 5: like the labels and stuff like that. 287 00:12:44,160 --> 00:12:46,480 Speaker 4: No, No, this is opportunities out there. 288 00:12:46,520 --> 00:12:50,680 Speaker 3: Bro. We got to talk. Did you know you made Okay, 289 00:12:50,720 --> 00:12:54,640 Speaker 3: we're about because y'all ain't up here researching and I'm 290 00:12:55,320 --> 00:12:58,160 Speaker 3: I'm gonna sign that kid, you know what I'm saying. 291 00:12:59,200 --> 00:13:01,440 Speaker 3: We just figured or something. So when y'all signed that deal, 292 00:13:01,480 --> 00:13:05,320 Speaker 3: can I please announce exclusively on the purpose up all right? 293 00:13:05,440 --> 00:13:07,360 Speaker 3: Thank you, y'all, Thank you so much for being here. 294 00:13:08,920 --> 00:13:11,240 Speaker 1: All righty y'all, Well, that was the conversation that I 295 00:13:11,320 --> 00:13:15,480 Speaker 1: sat down with BMFS, Da Vinci and Big Tank to 296 00:13:15,720 --> 00:13:19,120 Speaker 1: have during the Roots Picnic. And y'all, I know there's 297 00:13:19,160 --> 00:13:20,880 Speaker 1: been a lot out there about the Roots Picnic and 298 00:13:20,960 --> 00:13:23,800 Speaker 1: you know what I mean, but nature happened. They handled 299 00:13:23,840 --> 00:13:26,240 Speaker 1: it the best that they could. But this conversation came 300 00:13:26,280 --> 00:13:28,199 Speaker 1: out of that picnic. So I am forever grateful for 301 00:13:28,760 --> 00:13:31,160 Speaker 1: Stars inviting me out to have this conversation and for 302 00:13:31,240 --> 00:13:33,599 Speaker 1: the Roots Picnic for even happening, because we wouldn't have 303 00:13:33,600 --> 00:13:35,280 Speaker 1: had it. Let me know if you guys have enjoyed 304 00:13:35,280 --> 00:13:37,719 Speaker 1: the conversation, if you'll be tuned in and what was 305 00:13:37,760 --> 00:13:39,800 Speaker 1: your favorite part of the conversation, make sure you tweet me, 306 00:13:40,440 --> 00:13:42,760 Speaker 1: Instagram repost this all the things. 307 00:13:42,960 --> 00:13:43,839 Speaker 3: I'm Laura La Rosa. 308 00:13:44,160 --> 00:13:46,480 Speaker 1: I tell you guys, every episode you guys could be 309 00:13:46,520 --> 00:13:48,680 Speaker 1: anywhere because at the end of the day, there's always 310 00:13:48,720 --> 00:13:50,400 Speaker 1: a lot to talk about, and you could talk about 311 00:13:50,440 --> 00:13:52,800 Speaker 1: it with anybody. I thank you guys for choosing me 312 00:13:52,880 --> 00:13:55,480 Speaker 1: each and every time. I'll see you in my next episode.