1 00:00:01,800 --> 00:00:06,920 Speaker 1: Hey listeners, Niminy here, host of historical records. Get ready 2 00:00:06,960 --> 00:00:10,000 Speaker 1: to hear about a historical hero through hip hop. Also, 3 00:00:10,320 --> 00:00:13,840 Speaker 1: parents and teachers, you can download a free activity related 4 00:00:13,880 --> 00:00:17,720 Speaker 1: to today's episode by visiting story pirates dot com. Slash 5 00:00:17,920 --> 00:00:22,200 Speaker 1: historical records, and now onto the show. After a few 6 00:00:22,239 --> 00:00:23,600 Speaker 1: words for the grown ups. 7 00:00:30,960 --> 00:00:34,519 Speaker 2: Hello, this is an automated voice messaging system. Please enter 8 00:00:34,560 --> 00:00:36,879 Speaker 2: your response on the dial pad or say your response 9 00:00:36,920 --> 00:00:40,280 Speaker 2: out loud. For English, press one for an English muffin, 10 00:00:40,479 --> 00:00:44,559 Speaker 2: Press two for an English accent, Press three. You have 11 00:00:44,760 --> 00:00:47,400 Speaker 2: entered two. If you would like your English muffin toasted, 12 00:00:47,520 --> 00:00:48,040 Speaker 2: Press one? 13 00:00:48,240 --> 00:00:48,320 Speaker 3: What? 14 00:00:48,640 --> 00:00:48,680 Speaker 4: No? 15 00:00:49,040 --> 00:00:49,880 Speaker 1: I pressed one? 16 00:00:50,400 --> 00:00:53,479 Speaker 2: You have entered one, toasting your English muffin. Now your 17 00:00:53,520 --> 00:00:55,240 Speaker 2: wait time is three minutes. 18 00:00:55,520 --> 00:00:58,120 Speaker 1: I don't want an English muffin. I want to speak 19 00:00:58,160 --> 00:00:59,120 Speaker 1: to a representative. 20 00:00:59,280 --> 00:01:01,520 Speaker 2: Would you like to speak to a representative? If this 21 00:01:01,680 --> 00:01:05,480 Speaker 2: is correct? Press one for another English muffin, Press two, 22 00:01:05,920 --> 00:01:09,920 Speaker 2: toasting two English muffins. No, your new weight time is 23 00:01:10,080 --> 00:01:11,840 Speaker 2: three minutes and nineteen hours. 24 00:01:12,000 --> 00:01:14,560 Speaker 1: What how is it that much longer? For two? 25 00:01:14,920 --> 00:01:18,000 Speaker 2: You have entered two. Toasting three English muffins. 26 00:01:18,040 --> 00:01:20,680 Speaker 1: Represent It is represent It is represent. 27 00:01:20,200 --> 00:01:23,680 Speaker 2: It is beetlejuice. Protocol activated, A representative will be with 28 00:01:23,720 --> 00:01:26,640 Speaker 2: you and your three English muffins shortly. Your new weight 29 00:01:26,720 --> 00:01:30,880 Speaker 2: time is my new wait time is what your new 30 00:01:30,920 --> 00:01:31,720 Speaker 2: weight time is? 31 00:01:33,440 --> 00:01:38,119 Speaker 1: Hello? Hello? Oh you know what? Maybe I should hang out. 32 00:01:38,280 --> 00:01:41,200 Speaker 2: If you put this phone down, the number will be unreachable. 33 00:01:41,360 --> 00:01:43,880 Speaker 2: You will never speak with a representative. You will never 34 00:01:43,959 --> 00:01:45,720 Speaker 2: solve the problem you have called to solve. 35 00:01:45,880 --> 00:01:47,639 Speaker 1: Okay, I guess I have. 36 00:01:47,520 --> 00:01:51,280 Speaker 2: To stay on your English muffins already now transferring you 37 00:01:51,320 --> 00:01:53,080 Speaker 2: to the breakfast helpline. 38 00:01:59,320 --> 00:02:05,080 Speaker 1: Store, Hope reccords. You are now listening to Historical We're 39 00:02:05,120 --> 00:02:08,640 Speaker 1: called to make history. You got to have struggles to 40 00:02:08,720 --> 00:02:11,760 Speaker 1: make history. You got to show poise. Cannot be quiet 41 00:02:11,880 --> 00:02:14,359 Speaker 1: loud as the riot to make history, you gotta make 42 00:02:14,400 --> 00:02:15,400 Speaker 1: some noise. 43 00:02:19,880 --> 00:02:23,200 Speaker 5: Welcome back to Historical Records, the show where we dig 44 00:02:23,240 --> 00:02:28,560 Speaker 5: into the historical records in order to produce historically themed records. 45 00:02:28,919 --> 00:02:32,680 Speaker 5: I'm your resident historian, Lee, and normally Nimini would do 46 00:02:32,720 --> 00:02:37,040 Speaker 5: this intro. But well, I came upstairs and found her 47 00:02:37,120 --> 00:02:39,840 Speaker 5: huddled in the corner on the phone, muttering to herself 48 00:02:40,120 --> 00:02:42,000 Speaker 5: and hate Niminy. 49 00:02:41,919 --> 00:02:44,920 Speaker 1: Must stay on the line. 50 00:02:45,400 --> 00:02:48,800 Speaker 5: Hmm, she can't hear me. Today's episode is about the 51 00:02:48,840 --> 00:02:52,239 Speaker 5: heroic actions of Mitsie Endo. But first I need to 52 00:02:52,240 --> 00:02:56,119 Speaker 5: get Nimini's attention. I haven't tried yelling at her yet, 53 00:02:56,240 --> 00:02:57,600 Speaker 5: so I'll do that now. 54 00:02:57,960 --> 00:03:01,520 Speaker 1: Hey, nemone, I'm on phone. We have a show to do. 55 00:03:01,919 --> 00:03:04,760 Speaker 1: I know, I know, it's just I've been trying to 56 00:03:04,840 --> 00:03:07,680 Speaker 1: reach customer support. We got a notice from the Secret 57 00:03:07,720 --> 00:03:10,840 Speaker 1: Laboratory Owners Association that said we need to prove we 58 00:03:10,919 --> 00:03:12,440 Speaker 1: live here by the end of the day or they'll 59 00:03:12,480 --> 00:03:14,600 Speaker 1: shut off our bug spray woo. 60 00:03:15,040 --> 00:03:20,760 Speaker 5: But the sandflies are getting bold enough as it is. 61 00:03:19,440 --> 00:03:20,680 Speaker 1: That got sand flies. 62 00:03:22,000 --> 00:03:26,200 Speaker 5: They're getting bigger too. Wait, what does proving we live 63 00:03:26,320 --> 00:03:27,360 Speaker 5: here even mean? 64 00:03:27,800 --> 00:03:29,760 Speaker 1: I don't know. I'm trying to find out. But they 65 00:03:29,800 --> 00:03:31,240 Speaker 1: put me on hold all morning. 66 00:03:31,600 --> 00:03:34,960 Speaker 5: And you're using a landline phone, so it's attached to 67 00:03:35,000 --> 00:03:35,480 Speaker 5: the wall. 68 00:03:35,680 --> 00:03:37,880 Speaker 1: Huh. Yeah, I can't move very far. 69 00:03:38,280 --> 00:03:40,800 Speaker 5: It looks like the phone cord is stretchy though. You 70 00:03:40,880 --> 00:03:42,680 Speaker 5: might not be able to get all the way to 71 00:03:42,720 --> 00:03:46,040 Speaker 5: the library. But there's still another way to connect to 72 00:03:46,120 --> 00:03:47,400 Speaker 5: the history simulator. 73 00:03:47,680 --> 00:03:51,120 Speaker 1: Follow me, all right, I'll stretch the cord as much 74 00:03:51,120 --> 00:03:57,920 Speaker 1: as I can. Okay, who's today's episode about Midsaya Endo? 75 00:03:58,240 --> 00:04:01,880 Speaker 5: She was one of around one hundred twenty thousand Japanese 76 00:04:01,920 --> 00:04:05,720 Speaker 5: Americans who were detained in the US internment camps. 77 00:04:06,000 --> 00:04:08,080 Speaker 1: Internment camp? What's that? 78 00:04:08,560 --> 00:04:11,440 Speaker 5: In this case? It's a prison camp that holds prisoners 79 00:04:11,480 --> 00:04:11,920 Speaker 5: of war. 80 00:04:12,280 --> 00:04:14,160 Speaker 1: Well, that doesn't sound like a nice place to be. 81 00:04:14,600 --> 00:04:18,359 Speaker 5: It's not, but Mitsi as Supreme Court case paved the 82 00:04:18,400 --> 00:04:20,320 Speaker 5: way for those camps getting shut down. 83 00:04:20,800 --> 00:04:23,280 Speaker 1: Wow, I'm kind of embarrassed to say, but I didn't 84 00:04:23,320 --> 00:04:24,640 Speaker 1: know anything about all that. 85 00:04:25,000 --> 00:04:28,120 Speaker 5: Honestly, Nimini, not a lot of people do. She didn't 86 00:04:28,160 --> 00:04:30,920 Speaker 5: get a ton of attention, and she didn't ask for it. 87 00:04:31,200 --> 00:04:34,040 Speaker 5: Not even her kids knew what she'd done until they 88 00:04:34,080 --> 00:04:35,960 Speaker 5: were adults. Hold on this. 89 00:04:36,000 --> 00:04:43,599 Speaker 1: Way, what is this an office? How did I not 90 00:04:43,680 --> 00:04:44,640 Speaker 1: know about this place? 91 00:04:45,279 --> 00:04:48,040 Speaker 5: It's the historical records backstage area. 92 00:04:48,360 --> 00:04:49,840 Speaker 1: We're not really. 93 00:04:49,480 --> 00:04:52,080 Speaker 5: Supposed to use it on the show, but it's the 94 00:04:52,120 --> 00:04:54,080 Speaker 5: only way the phone court will reach. 95 00:04:55,160 --> 00:04:59,479 Speaker 1: Wait, are these exhausted looking people in ill fitting loungewear 96 00:04:59,520 --> 00:05:02,760 Speaker 1: are the right of this show? They're writing everything we're 97 00:05:02,760 --> 00:05:06,120 Speaker 1: saying right now. I can see it happening as I'm saying, Nimini. 98 00:05:05,800 --> 00:05:08,159 Speaker 5: No, don't get too close to them. They'll just try 99 00:05:08,160 --> 00:05:11,320 Speaker 5: to give you their lunch orders. I am starving. 100 00:05:11,440 --> 00:05:14,560 Speaker 1: Run niminie run run. The phone core doesn't have much 101 00:05:14,600 --> 00:05:21,800 Speaker 1: more kids through here. Whoa ree? This room's covered in 102 00:05:21,920 --> 00:05:25,599 Speaker 1: telephone wires and plugs and knots and stuff. What is 103 00:05:25,720 --> 00:05:28,880 Speaker 1: this some sort of old timy nineteen forty switchboard. 104 00:05:29,200 --> 00:05:34,080 Speaker 5: That's exactly what it is. Welcome to the History simulator switchboard. 105 00:05:34,360 --> 00:05:37,680 Speaker 5: This will let us use the history simulator while staying 106 00:05:37,720 --> 00:05:38,240 Speaker 5: on hold. 107 00:05:38,520 --> 00:05:40,920 Speaker 1: So we just plug this wire into the phone and 108 00:05:40,960 --> 00:05:45,159 Speaker 1: then plug the other end into one of these. 109 00:05:45,040 --> 00:05:46,520 Speaker 5: They're called phone holes. 110 00:05:46,920 --> 00:05:49,159 Speaker 1: I think I don't spend a lot of time in 111 00:05:49,200 --> 00:05:50,400 Speaker 1: here either way. 112 00:05:50,520 --> 00:05:53,159 Speaker 5: Just plug the phone into one of the phone holes 113 00:05:53,200 --> 00:05:56,320 Speaker 5: and then switch to the other line. Then dial nine, 114 00:05:56,360 --> 00:06:00,120 Speaker 5: and then the year, and then the pound sign, and 115 00:06:00,160 --> 00:06:01,600 Speaker 5: we should be connected to the right time. 116 00:06:02,320 --> 00:06:05,159 Speaker 1: Probably. I'm starting to see why you preferred the goo 117 00:06:05,640 --> 00:06:10,840 Speaker 1: okay plug switch to nine two dial nine. 118 00:06:11,279 --> 00:06:14,159 Speaker 5: Dial nineteen forty two one. 119 00:06:14,480 --> 00:06:19,279 Speaker 1: Nine four two pound the rules changing. 120 00:06:19,520 --> 00:06:21,480 Speaker 5: It just takes a little fine tuning to build the 121 00:06:21,520 --> 00:06:23,320 Speaker 5: simulation this way, but we'll get there. 122 00:06:25,120 --> 00:06:28,440 Speaker 6: This is an emergency broadcast. Japan has launched an attack 123 00:06:28,480 --> 00:06:31,479 Speaker 6: on Pearl Harbor. This marks the official entry of the 124 00:06:31,600 --> 00:06:33,320 Speaker 6: United States interer World War. 125 00:06:33,160 --> 00:06:37,640 Speaker 3: Two, President Roosevelt has an acted Executive Order nine zero 126 00:06:37,720 --> 00:06:40,880 Speaker 3: sixty six establishing the West Coast as a military zone 127 00:06:40,920 --> 00:06:45,400 Speaker 3: and allowing the government to relocate anyone deemed necessary. 128 00:06:45,520 --> 00:06:48,960 Speaker 7: Recently established more relocation authority has begun the process of 129 00:06:48,960 --> 00:06:53,160 Speaker 7: relocating the Japanese into internment camps, even those with American citizenship. 130 00:06:53,400 --> 00:06:56,640 Speaker 7: As anti Japanese sentiment has risen sharply, some. 131 00:06:56,600 --> 00:06:59,920 Speaker 8: Have questioned the legitimacy of these actions as a necessary war. 132 00:07:02,760 --> 00:07:04,600 Speaker 1: What were all those broadcasts? 133 00:07:04,839 --> 00:07:07,800 Speaker 5: Just some radio crosstalk. We'll probably pick up a lot 134 00:07:07,800 --> 00:07:10,120 Speaker 5: of that using the history simulator this way. 135 00:07:10,160 --> 00:07:13,520 Speaker 1: I guess the extra context doesn't hurt. But are we 136 00:07:13,600 --> 00:07:16,400 Speaker 1: in the right place? This looks like a law office, 137 00:07:16,440 --> 00:07:17,160 Speaker 1: It sure is. 138 00:07:17,480 --> 00:07:23,400 Speaker 5: Can't beat all that natural musty smell. That's the smell 139 00:07:23,440 --> 00:07:24,280 Speaker 5: of justice. 140 00:07:24,480 --> 00:07:27,760 Speaker 1: What are we doing snooping around an empty lawyer's office? 141 00:07:28,080 --> 00:07:30,360 Speaker 1: Isn't this breaking and entering? Of course not. 142 00:07:30,680 --> 00:07:34,240 Speaker 5: We didn't break anything. That face was broken when we 143 00:07:34,320 --> 00:07:34,760 Speaker 5: got here. 144 00:07:35,080 --> 00:07:36,000 Speaker 1: What are we doing here? 145 00:07:36,200 --> 00:07:39,960 Speaker 5: This is James Purcell's office in San Francisco. He wanted 146 00:07:39,960 --> 00:07:43,000 Speaker 5: to challenge the legitimacy of what the US government did 147 00:07:43,040 --> 00:07:46,360 Speaker 5: when they removed Japanese Americans from their homes and place 148 00:07:46,440 --> 00:07:49,080 Speaker 5: them in internment camps. So he wanted to find the 149 00:07:49,120 --> 00:07:51,920 Speaker 5: perfect subject to put together a test case. 150 00:07:52,240 --> 00:07:55,920 Speaker 1: And I'm guessing that perfect subject was Mitsuie. 151 00:07:55,480 --> 00:07:58,600 Speaker 5: Indo Bingo, which means he's done a ton of research 152 00:07:58,680 --> 00:08:01,119 Speaker 5: on her already. Look at the notes on his desk. 153 00:08:01,160 --> 00:08:02,480 Speaker 5: They're all about her life. 154 00:08:02,840 --> 00:08:06,200 Speaker 1: It says, Nise. What does that mean? 155 00:08:06,520 --> 00:08:10,440 Speaker 5: Well, Ni means too and say is like life or 156 00:08:10,480 --> 00:08:14,960 Speaker 5: in this case generation, So nise our second generation immigrants, 157 00:08:15,040 --> 00:08:17,000 Speaker 5: meaning they were born here in the US. 158 00:08:17,520 --> 00:08:21,040 Speaker 1: Oh, okay, that makes sense. It says Mitsuye was born 159 00:08:21,080 --> 00:08:24,800 Speaker 1: and raised in Sacramento, California, twenty two years old. She's 160 00:08:24,920 --> 00:08:27,880 Speaker 1: never been to Japan, doesn't know Japanese, has a brother 161 00:08:27,960 --> 00:08:32,160 Speaker 1: currently serving in the military. Not Buddhist. What's that have 162 00:08:32,240 --> 00:08:33,440 Speaker 1: to do with anything? You know? 163 00:08:33,480 --> 00:08:35,640 Speaker 5: How, those broadcasts we heard said that there was a 164 00:08:35,679 --> 00:08:39,199 Speaker 5: lot of suspicion towards Japanese people in general that actually 165 00:08:39,240 --> 00:08:42,160 Speaker 5: started before the attack on Pearl Harbor. They were being 166 00:08:42,200 --> 00:08:47,200 Speaker 5: closely monitored just for participating in local Japanese cultural associations 167 00:08:47,360 --> 00:08:49,160 Speaker 5: or for simply being Buddhist. 168 00:08:49,480 --> 00:08:52,520 Speaker 1: So the attack on Pearl Harbor probably just accelerated that. 169 00:08:52,720 --> 00:08:55,440 Speaker 5: After the attack, Japanese people who had nothing to do 170 00:08:55,520 --> 00:08:59,160 Speaker 5: with it were affected right away. Around three hundred to 171 00:08:59,240 --> 00:09:02,679 Speaker 5: five hundred State employees were harassed at work until they 172 00:09:02,679 --> 00:09:06,160 Speaker 5: were eventually laid off just for having Japanese heritage. That 173 00:09:06,280 --> 00:09:08,800 Speaker 5: included Endo, who worked at the Department of Employment. 174 00:09:09,120 --> 00:09:12,200 Speaker 1: So Mitsuier was an American born Christian who worked for 175 00:09:12,240 --> 00:09:14,880 Speaker 1: the American government with the brother on active duty in 176 00:09:14,920 --> 00:09:18,480 Speaker 1: the American military. On paper, she sounds like the least 177 00:09:18,520 --> 00:09:20,000 Speaker 1: suspicious person in the world. 178 00:09:20,240 --> 00:09:23,520 Speaker 5: That's exactly what James Purcell was banking on. He wanted 179 00:09:23,520 --> 00:09:26,920 Speaker 5: to present someone who even the most suspicious judge couldn't 180 00:09:26,960 --> 00:09:30,360 Speaker 5: possibly describe as disloyal to the United States. By using 181 00:09:30,400 --> 00:09:33,520 Speaker 5: the perfect model of an American citizen, he could show 182 00:09:33,559 --> 00:09:37,040 Speaker 5: that the government had illegally detained people without a shured 183 00:09:37,080 --> 00:09:39,400 Speaker 5: of proof that they were enemies of the US. 184 00:09:39,679 --> 00:09:42,000 Speaker 1: So what happened next? He went to talk to her. 185 00:09:42,400 --> 00:09:45,720 Speaker 5: Funnily enough, they never met in real life. They mostly 186 00:09:45,760 --> 00:09:48,840 Speaker 5: communicated through official correspondence, which is why it's up to 187 00:09:48,880 --> 00:09:51,319 Speaker 5: the two of us to deliver this letter to her. 188 00:09:51,720 --> 00:09:53,679 Speaker 1: Us. What happened to the mailman? 189 00:09:54,000 --> 00:09:56,440 Speaker 5: The mailman smashed a vase right before we got here 190 00:09:56,520 --> 00:09:58,319 Speaker 5: and went on the run. So it's up to us 191 00:09:58,360 --> 00:09:59,559 Speaker 5: to finish the job. 192 00:09:59,720 --> 00:10:01,319 Speaker 1: Lee, I saw you smash the base. 193 00:10:01,520 --> 00:10:04,480 Speaker 5: Whose side are you on here? Just dial the code 194 00:10:04,480 --> 00:10:07,480 Speaker 5: for tu Lee Lake and let's deliver this letter. Sure, 195 00:10:08,160 --> 00:10:11,920 Speaker 5: Uh so it's yeah, Dial nine nine and then put 196 00:10:11,960 --> 00:10:14,560 Speaker 5: in the area code. So five zero three. 197 00:10:14,440 --> 00:10:18,360 Speaker 1: Five zero three star one nine four to two star 198 00:10:18,720 --> 00:10:19,720 Speaker 1: one nine two. 199 00:10:21,520 --> 00:10:25,719 Speaker 6: The Tuley Lake Relocation better posting over eighteen thousand residents, 200 00:10:25,760 --> 00:10:28,480 Speaker 6: all living in close quarters, complete with eight foot high 201 00:10:28,559 --> 00:10:32,640 Speaker 6: double fences, miles of barbed wire, and thousands of bombed guards. 202 00:10:32,720 --> 00:10:35,000 Speaker 6: You'll feel secure knowing you can't leave. 203 00:10:36,120 --> 00:10:39,880 Speaker 3: Have you built out your loyalty questionnaire? Simply answer yes, 204 00:10:40,040 --> 00:10:42,439 Speaker 3: Just thirty quick questions and you'll learn back our trust. 205 00:10:42,720 --> 00:10:46,240 Speaker 3: Prove that you're worthy of leaving the camps by pledging. 206 00:10:45,880 --> 00:10:49,160 Speaker 8: Your willingness to renounce the Japanese effror and to serve 207 00:10:49,200 --> 00:10:52,120 Speaker 8: in our military abeus Corpus. 208 00:10:52,160 --> 00:10:55,200 Speaker 3: It's a legal document protesting an unlawful entertainment. 209 00:10:54,800 --> 00:10:56,480 Speaker 7: By requesting an appearance in front of. 210 00:10:56,480 --> 00:10:57,520 Speaker 3: A court or judge. 211 00:10:57,559 --> 00:10:59,280 Speaker 1: If you've been relocated. 212 00:10:58,720 --> 00:11:02,120 Speaker 9: Against your will, just might be the right legal movement 213 00:11:02,160 --> 00:11:02,400 Speaker 9: for you. 214 00:11:03,679 --> 00:11:05,760 Speaker 1: What was that propaganda ads. 215 00:11:06,040 --> 00:11:08,680 Speaker 5: Yeah, from the sound of it, this internment camp, the 216 00:11:08,800 --> 00:11:13,200 Speaker 5: loyalty questionnaires, they were blatant actions to limit the freedoms 217 00:11:13,240 --> 00:11:16,600 Speaker 5: of Japanese Americans that the government still tried to paint 218 00:11:16,600 --> 00:11:18,600 Speaker 5: the picture that they were doing it for the good 219 00:11:18,679 --> 00:11:19,400 Speaker 5: of the country. 220 00:11:19,720 --> 00:11:23,760 Speaker 1: And that last one about habeas corpus, that's what we're 221 00:11:23,760 --> 00:11:25,480 Speaker 1: here to deliver to Endo, right. 222 00:11:25,840 --> 00:11:28,559 Speaker 5: Yeah, The case hinges on the fact that bringing her 223 00:11:28,679 --> 00:11:31,800 Speaker 5: and everyone else to the camps without a trial violated 224 00:11:31,840 --> 00:11:33,480 Speaker 5: their constitutional rights. 225 00:11:33,840 --> 00:11:39,840 Speaker 1: This place really is intimidating. It's entirely Finston. There's barbed 226 00:11:39,880 --> 00:11:42,240 Speaker 1: wire as far as the eye can see. And they 227 00:11:42,320 --> 00:11:45,320 Speaker 1: weren't kidding about the armed guards. Are you sure we 228 00:11:45,360 --> 00:11:47,640 Speaker 1: can be in here? Look at our outfits. 229 00:11:47,720 --> 00:11:50,240 Speaker 5: We're just as mailmen now, And as far as this 230 00:11:50,400 --> 00:11:53,920 Speaker 5: historical simulation goes, mail men are allowed to be anywhere. 231 00:11:54,440 --> 00:11:56,880 Speaker 1: You take a lot of liberties with your simulations. 232 00:11:57,160 --> 00:11:59,559 Speaker 5: Hey, hey, I don't tell you how to do your job, 233 00:12:00,040 --> 00:12:01,800 Speaker 5: even though I think your songs could stand to use 234 00:12:01,800 --> 00:12:03,000 Speaker 5: a little more tambourine. 235 00:12:03,160 --> 00:12:05,120 Speaker 10: Excuse me, are you two mailmen lost? 236 00:12:05,679 --> 00:12:07,760 Speaker 1: Are you mitsuier? Endo? I am? 237 00:12:08,160 --> 00:12:09,000 Speaker 10: What can I do for you? 238 00:12:09,280 --> 00:12:12,120 Speaker 5: Actually, we were sent here to deliver this letter to you. 239 00:12:12,520 --> 00:12:13,280 Speaker 10: Oh, thank you. 240 00:12:14,440 --> 00:12:14,800 Speaker 1: Hmmm. 241 00:12:15,559 --> 00:12:19,200 Speaker 10: If I'm understanding this correctly, mister Purcell is asking for 242 00:12:19,280 --> 00:12:20,840 Speaker 10: my help to sue the US government. 243 00:12:21,200 --> 00:12:24,320 Speaker 5: We know it's a lot of responsibility, but I'll do 244 00:12:24,360 --> 00:12:26,440 Speaker 5: it really, simple as that. 245 00:12:26,600 --> 00:12:29,360 Speaker 10: Simple as that we were all brought here without any 246 00:12:29,400 --> 00:12:32,240 Speaker 10: sort of trial. But by using me we can show 247 00:12:32,280 --> 00:12:34,600 Speaker 10: them that what they've done to us is wrong. If 248 00:12:34,640 --> 00:12:37,000 Speaker 10: this can help everyone else out, then there's no question 249 00:12:37,040 --> 00:12:37,440 Speaker 10: about it. 250 00:12:37,679 --> 00:12:38,520 Speaker 1: I have to do it. 251 00:12:38,800 --> 00:12:41,720 Speaker 5: We thought you'd say that. We'll let mister Purcell know 252 00:12:41,920 --> 00:12:42,439 Speaker 5: right away. 253 00:12:42,640 --> 00:12:42,960 Speaker 1: Thank you. 254 00:12:43,720 --> 00:12:47,360 Speaker 10: I hope it's a quick process. Uh, please excuse me. 255 00:12:47,640 --> 00:12:48,720 Speaker 10: I have to get to the mess hall. 256 00:12:49,200 --> 00:12:51,240 Speaker 1: It was nice to meet you. It was nice meeting 257 00:12:51,240 --> 00:12:54,640 Speaker 1: you too. She knows it won't be a quick process, 258 00:12:54,679 --> 00:12:55,199 Speaker 1: doesn't she. 259 00:12:55,559 --> 00:12:57,360 Speaker 5: Yeah, and not just because she used to be a 260 00:12:57,400 --> 00:13:01,600 Speaker 5: government employee. Her case will be delayed, dismissed, and worked around. 261 00:13:01,960 --> 00:13:04,320 Speaker 1: You mean they're gonna try to get her to drop 262 00:13:04,360 --> 00:13:05,720 Speaker 1: the case yep. 263 00:13:05,920 --> 00:13:08,880 Speaker 5: In this place to Lee Lake, it's gonna get worse. 264 00:13:09,200 --> 00:13:11,640 Speaker 5: The conditions are gonna reach the point where Endo wishes 265 00:13:11,640 --> 00:13:14,920 Speaker 5: that she could leave, and the War Relocation Authority starts 266 00:13:15,000 --> 00:13:20,359 Speaker 5: cutting deals that let people in midseas situation, relocate outside 267 00:13:20,520 --> 00:13:23,760 Speaker 5: of California. But if she leaves the state, the court 268 00:13:23,920 --> 00:13:28,439 Speaker 5: no longer has jurisdiction over her case and it'll be dropped. 269 00:13:28,840 --> 00:13:32,040 Speaker 1: So she'll refuse the chance to get out of here. 270 00:13:32,080 --> 00:13:34,720 Speaker 5: Because just like she said, she's gonna do the thing 271 00:13:34,760 --> 00:13:37,520 Speaker 5: that helps people, no matter how difficult it gets. 272 00:13:37,920 --> 00:13:40,560 Speaker 1: Let me guess they'll find a way to move her anyway. 273 00:13:40,640 --> 00:13:43,440 Speaker 5: Her case will be dismissed and they'll move her to Utah. 274 00:13:43,800 --> 00:13:48,720 Speaker 1: Oh my head hurts from all the legal systems, ugh logistics. 275 00:13:49,320 --> 00:13:51,600 Speaker 1: How'd our case ever make it to the Supreme Court? 276 00:13:51,720 --> 00:13:53,560 Speaker 5: You mean because we never went back to relay her 277 00:13:53,559 --> 00:13:54,520 Speaker 5: message to Percell. 278 00:13:54,880 --> 00:13:55,960 Speaker 1: It's a simulation. 279 00:13:56,440 --> 00:13:59,839 Speaker 5: A different mailman went back to tell him, probably after 280 00:13:59,880 --> 00:14:03,400 Speaker 5: he apologized for smashing that priceless face with your fingerprints 281 00:14:03,400 --> 00:14:03,959 Speaker 5: all over it. 282 00:14:04,320 --> 00:14:06,679 Speaker 1: My fingerprints, Yeah. 283 00:14:06,320 --> 00:14:09,080 Speaker 5: I planted your fingerprints on it so I wouldn't get blamed. 284 00:14:09,640 --> 00:14:10,400 Speaker 5: Is that a crime? 285 00:14:11,000 --> 00:14:13,400 Speaker 1: Yes, But in my simulation, it's not. 286 00:14:13,760 --> 00:14:16,560 Speaker 5: Forget the vase, you're the one fixating on it. 287 00:14:16,679 --> 00:14:18,520 Speaker 1: I meant, how did her case make it to the 288 00:14:18,559 --> 00:14:20,320 Speaker 1: Supreme Court? After all that? 289 00:14:20,880 --> 00:14:23,320 Speaker 5: James Purcell filed an appeal and made sure it got 290 00:14:23,320 --> 00:14:26,200 Speaker 5: elevated all the way there here, let me dial us 291 00:14:26,280 --> 00:14:36,760 Speaker 5: in nine nineteen forty four pound pound star number pad smash. 292 00:14:34,640 --> 00:14:38,080 Speaker 6: In the case of Hirobayashi versus the United States, in 293 00:14:38,120 --> 00:14:38,640 Speaker 6: the case. 294 00:14:38,480 --> 00:14:41,640 Speaker 8: Of Yusui versus the United States, in the case of 295 00:14:41,720 --> 00:14:43,800 Speaker 8: kormontsu versus the United States. 296 00:14:44,040 --> 00:14:50,800 Speaker 1: The what were those other cases? 297 00:14:51,160 --> 00:14:54,560 Speaker 5: They were the three other challenges to the internment camps 298 00:14:54,600 --> 00:14:57,440 Speaker 5: that made it to the Supreme Court, but they all failed. 299 00:14:57,760 --> 00:15:01,800 Speaker 1: That doesn't sound good. I'm guessing we're at the Supreme Court, then, 300 00:15:02,000 --> 00:15:02,760 Speaker 1: what gave it away? 301 00:15:02,960 --> 00:15:06,560 Speaker 5: The nine Supreme Court justices glaring at us, Yeah, that 302 00:15:06,680 --> 00:15:06,960 Speaker 5: was it. 303 00:15:07,320 --> 00:15:08,680 Speaker 1: Can we even be in here? 304 00:15:09,000 --> 00:15:12,480 Speaker 11: You too, the mailman, You shouldn't be in here, your honor. 305 00:15:12,680 --> 00:15:14,560 Speaker 5: We were in here to deliver a letter, but we 306 00:15:14,760 --> 00:15:18,320 Speaker 5: accidentally superglued our butts to the seats. Is it okay 307 00:15:18,400 --> 00:15:20,720 Speaker 5: if we just observe the rest of the proceedings while 308 00:15:20,720 --> 00:15:22,720 Speaker 5: we wait for someone to unbolt our seats from the 309 00:15:22,720 --> 00:15:23,800 Speaker 5: ground and carry us home. 310 00:15:24,600 --> 00:15:27,080 Speaker 11: I don't know what to say to that, but we're 311 00:15:27,120 --> 00:15:30,400 Speaker 11: running short on time, so I'll allow it. Let's move 312 00:15:30,440 --> 00:15:33,720 Speaker 11: on to our final decision on mitsuye Endo versus the 313 00:15:33,840 --> 00:15:37,280 Speaker 11: United States. We are of the view that Mitsuye Endo 314 00:15:37,360 --> 00:15:40,840 Speaker 11: should be given her liberty. For we conclude that whatever 315 00:15:40,960 --> 00:15:45,000 Speaker 11: power the War Relocation Authority may have to detail other 316 00:15:45,120 --> 00:15:49,200 Speaker 11: classes of citizens, it has no authority to subject citizens 317 00:15:49,240 --> 00:15:52,400 Speaker 11: who are concededly loyal to its leave procedure. 318 00:15:53,680 --> 00:15:56,440 Speaker 1: Wait. That means she won right she did. 319 00:15:56,800 --> 00:15:59,480 Speaker 5: Out of the four cases elevated to the Supreme Court 320 00:15:59,520 --> 00:16:03,080 Speaker 5: surrounding the issues of Japanese internment, hers was the only 321 00:16:03,200 --> 00:16:06,480 Speaker 5: case that was ruled in favor of the plaintiff. After this, 322 00:16:06,680 --> 00:16:10,520 Speaker 5: President Roosevelt reversed the executive order and citizens were allowed 323 00:16:10,560 --> 00:16:11,200 Speaker 5: to go home. 324 00:16:11,480 --> 00:16:14,640 Speaker 1: But a court ruling's not like waving a magic wand 325 00:16:14,800 --> 00:16:17,760 Speaker 1: is it. It doesn't just change back everything that went wrong. 326 00:16:18,240 --> 00:16:21,440 Speaker 5: No, And unlike the super glue I put on our pants, 327 00:16:21,520 --> 00:16:24,760 Speaker 5: its effect isn't immediate. Endo stayed in the camp for 328 00:16:24,800 --> 00:16:29,400 Speaker 5: another five months to look after her parents, and after that, well, 329 00:16:29,720 --> 00:16:31,880 Speaker 5: it's not like the communities that most of these people 330 00:16:31,920 --> 00:16:35,240 Speaker 5: were kicked out of didn't suddenly stop being suspicious of 331 00:16:35,320 --> 00:16:38,520 Speaker 5: Japanese Americans. A lot of people didn't even have homes 332 00:16:38,560 --> 00:16:39,200 Speaker 5: to return to. 333 00:16:39,720 --> 00:16:42,720 Speaker 1: I can imagine I wouldn't go back to that. It 334 00:16:42,720 --> 00:16:45,840 Speaker 1: couldn't have been easy finding new housing or jobs. After 335 00:16:45,880 --> 00:16:48,320 Speaker 1: being ripped away and then kept away for all that. 336 00:16:48,360 --> 00:16:52,760 Speaker 5: Time, she actually never even went back to California. Eventually 337 00:16:52,760 --> 00:16:55,040 Speaker 5: she made her way to Chicago. She wanted to put 338 00:16:55,040 --> 00:16:57,360 Speaker 5: this whole thing behind her, like I'm sure a lot 339 00:16:57,400 --> 00:17:00,760 Speaker 5: of others did, including the US government in itself. 340 00:17:01,160 --> 00:17:05,480 Speaker 1: What do you mean dial nine and then nineteen eighty eight? Wait, 341 00:17:05,800 --> 00:17:16,760 Speaker 1: nineteen eighty eight, as in forty years later? Mm hmm, okay, 342 00:17:18,240 --> 00:17:21,960 Speaker 1: huh a conference room, Hannah. Is that president of. 343 00:17:21,920 --> 00:17:26,040 Speaker 5: The Screen Actors Guild Ronald Reagan? Yes, but in nineteen 344 00:17:26,080 --> 00:17:29,080 Speaker 5: eighty eight, Ronald Reagan was also the President of the 345 00:17:29,200 --> 00:17:31,920 Speaker 5: United States. Did you notice that the language in the 346 00:17:31,960 --> 00:17:35,280 Speaker 5: Supreme Court's ruling didn't mention racial discrimination. 347 00:17:35,840 --> 00:17:38,919 Speaker 1: Oh yeah, now that I think about it, It just 348 00:17:38,960 --> 00:17:42,520 Speaker 1: said that the government couldn't detain people who were decidedly loyal. 349 00:17:43,040 --> 00:17:45,160 Speaker 1: So was that how Indo could win her case while 350 00:17:45,160 --> 00:17:46,720 Speaker 1: the other cases were all struck down? 351 00:17:47,280 --> 00:17:51,720 Speaker 5: Exactly? This press conference with former SAG president Reagan is 352 00:17:51,760 --> 00:17:55,040 Speaker 5: the first time that the US is officially apologizing to 353 00:17:55,080 --> 00:17:57,760 Speaker 5: the one hundred and twenty thousand Japanese Americans who were 354 00:17:57,760 --> 00:17:58,840 Speaker 5: wrongfully detained. 355 00:17:59,359 --> 00:18:03,159 Speaker 4: Yet we must recognize that the internment of Japanese Americans 356 00:18:03,240 --> 00:18:07,680 Speaker 4: was just that a mistake. For throughout the war, Japanese 357 00:18:07,720 --> 00:18:11,800 Speaker 4: Americans in the tens of thousands remained utterly loyal to 358 00:18:11,920 --> 00:18:12,800 Speaker 4: the United. 359 00:18:12,480 --> 00:18:15,000 Speaker 1: States better late than ever, I guess. 360 00:18:15,320 --> 00:18:20,199 Speaker 5: Remember the other three cases, Hirabayashi, Yasui, and Korematsu. Losing 361 00:18:20,240 --> 00:18:23,520 Speaker 5: those cases wasn't just a loss for Japanese Americans, but 362 00:18:23,600 --> 00:18:27,920 Speaker 5: also for those three individuals. They were technically considered convicts, 363 00:18:27,960 --> 00:18:30,560 Speaker 5: which is something that makes it pretty hard to find 364 00:18:30,600 --> 00:18:33,919 Speaker 5: a job. Even after this apology, it wouldn't be until 365 00:18:33,960 --> 00:18:38,200 Speaker 5: twenty eighteen that those three cases officially got overturned, clearing 366 00:18:38,240 --> 00:18:44,400 Speaker 5: their names. Twenty eighteen, Yeah, forty more years. But for now, 367 00:18:44,600 --> 00:18:49,359 Speaker 5: let's get back to the lab. Switch back to line one. 368 00:18:49,840 --> 00:18:50,240 Speaker 12: Lee. 369 00:18:50,280 --> 00:18:53,520 Speaker 1: I know that technically we saw Indo win her case, 370 00:18:53,720 --> 00:18:54,399 Speaker 1: but I. 371 00:18:54,359 --> 00:18:58,680 Speaker 5: Know nineteen forty two all the way to twenty eighteen. 372 00:18:59,119 --> 00:19:03,280 Speaker 5: History is of regrettable decisions and mistakes of things that 373 00:19:03,400 --> 00:19:05,440 Speaker 5: still need to be acknowledged and corrected. 374 00:19:05,800 --> 00:19:09,480 Speaker 1: But if things move that slowly, how are any of 375 00:19:09,520 --> 00:19:10,960 Speaker 1: us supposed to change anything? 376 00:19:11,359 --> 00:19:15,919 Speaker 5: It does seem daunting and complicated and overwhelming. But the 377 00:19:16,000 --> 00:19:20,600 Speaker 5: things we actually do, our actions, those can be simple. 378 00:19:20,920 --> 00:19:22,800 Speaker 1: How do you mean, Midsey. 379 00:19:22,640 --> 00:19:25,199 Speaker 5: Endo didn't set out to change the world. She was 380 00:19:25,280 --> 00:19:28,040 Speaker 5: just offered a chance to do what was right. Someone 381 00:19:28,080 --> 00:19:30,240 Speaker 5: said to her, we need you to play a part. 382 00:19:30,359 --> 00:19:32,920 Speaker 1: Can you do that? And she said yes? 383 00:19:33,560 --> 00:19:37,080 Speaker 5: And she said yes, She took a small, quiet action, 384 00:19:37,240 --> 00:19:40,879 Speaker 5: stayed determined, and that set everything else in motion. Winning 385 00:19:40,920 --> 00:19:44,200 Speaker 5: her case effectively led to the end of the internment 386 00:19:44,240 --> 00:19:46,600 Speaker 5: camps and made way for the reversals of the other 387 00:19:46,640 --> 00:19:48,400 Speaker 5: three cases decades later. 388 00:19:48,960 --> 00:19:51,400 Speaker 1: It's like she said, if it helps other people, I'll 389 00:19:51,440 --> 00:19:54,720 Speaker 1: do it. Even if the system itself is imperfect, it's 390 00:19:54,920 --> 00:19:58,080 Speaker 1: people who ultimately make sure it works. And people will 391 00:19:58,080 --> 00:20:01,600 Speaker 1: make mistakes and correction and try their best to do 392 00:20:01,640 --> 00:20:03,800 Speaker 1: what's right, even if it takes a long time. 393 00:20:04,320 --> 00:20:07,320 Speaker 5: Speaking of taking a long time, you got a song 394 00:20:07,400 --> 00:20:07,800 Speaker 5: for us? 395 00:20:07,880 --> 00:20:11,200 Speaker 1: Or what you bet I do? All right, everyone, it's 396 00:20:11,200 --> 00:20:15,200 Speaker 1: time to celebrate smid City eight in those heroic actions 397 00:20:15,280 --> 00:20:17,359 Speaker 1: with this brand new trek. 398 00:20:33,240 --> 00:20:36,080 Speaker 13: Well forty one, the Empire of the Thumb, we just 399 00:20:36,160 --> 00:20:39,280 Speaker 13: drag on the red, Light and blue. The back was 400 00:20:39,440 --> 00:20:42,760 Speaker 13: run by Japan. The outcome was the unenjoying World War two. 401 00:20:43,520 --> 00:20:46,000 Speaker 9: How the rhys from the Score and the Theater War 402 00:20:46,119 --> 00:20:49,480 Speaker 9: are the subjects of media chung, but the song will 403 00:20:49,480 --> 00:20:54,000 Speaker 9: lookplore howard you as sure something deastardly happened that at 404 00:20:54,040 --> 00:20:57,040 Speaker 9: the time Japanese on the West end of America have 405 00:20:57,160 --> 00:21:01,000 Speaker 9: their loyalties question Franklin Elizabel did with this best fan 406 00:21:01,160 --> 00:21:03,040 Speaker 9: and declared to Congress and the Will that if you 407 00:21:03,160 --> 00:21:05,840 Speaker 9: descended from the land of the Yen, you were now 408 00:21:05,880 --> 00:21:09,040 Speaker 9: an alien. Doesn't matter citizen order for our second gent 409 00:21:09,240 --> 00:21:11,720 Speaker 9: with the man, you're subject to the acts of sedition 410 00:21:12,080 --> 00:21:13,680 Speaker 9: laws with the terrible tradition. 411 00:21:14,280 --> 00:21:16,480 Speaker 14: So the US Senate trips were on a mission to 412 00:21:16,600 --> 00:21:19,560 Speaker 14: round up the nisay and he say in prisons against 413 00:21:19,640 --> 00:21:23,280 Speaker 14: the will, and without any discernment, thus began the policy. 414 00:21:22,840 --> 00:21:25,679 Speaker 13: That would not call internment, they said the. 415 00:21:27,760 --> 00:21:28,520 Speaker 7: Free. 416 00:21:29,080 --> 00:21:33,200 Speaker 1: But then they humans their humanity. 417 00:21:34,880 --> 00:21:39,520 Speaker 13: So I asked, how can you in a fight when 418 00:21:39,560 --> 00:21:42,960 Speaker 13: you've lost that wage made you? 419 00:21:45,320 --> 00:21:47,680 Speaker 1: Internment convinces. The camps are intense. 420 00:21:47,720 --> 00:21:48,520 Speaker 2: It's a test to. 421 00:21:48,440 --> 00:21:49,600 Speaker 1: Be ripped from your home. 422 00:21:50,359 --> 00:21:53,439 Speaker 14: Go mark while your fences and armguard defenses, who shoot 423 00:21:53,480 --> 00:21:56,800 Speaker 14: you if you try to go? When pressures oppressed them, 424 00:21:56,800 --> 00:21:59,840 Speaker 14: some folks get invented. They look for that opposite force. 425 00:22:00,560 --> 00:22:03,159 Speaker 14: You know they won't be pensive. They're on the offensive, 426 00:22:03,280 --> 00:22:04,800 Speaker 14: and they saw recourse. 427 00:22:04,440 --> 00:22:05,080 Speaker 1: In the courts. 428 00:22:05,200 --> 00:22:09,200 Speaker 9: The Japanese American Citizens League, not the American in their 429 00:22:09,240 --> 00:22:13,320 Speaker 9: citizen may wanted to challenge Roosevelt politically, and we're sitting 430 00:22:13,400 --> 00:22:16,120 Speaker 9: that a journey again judge will agree. So three men 431 00:22:16,240 --> 00:22:20,920 Speaker 9: Gordon Hurraba Yashi, Fred Koremata Minova, Yes Sube had a 432 00:22:20,960 --> 00:22:23,680 Speaker 9: law degree. They bought possibly that they could stop this 433 00:22:23,800 --> 00:22:26,760 Speaker 9: atrocity with honesty. But they got popped in the job 434 00:22:26,840 --> 00:22:30,080 Speaker 9: by hypocrisy, lost their steam drop to one, not for 435 00:22:30,200 --> 00:22:32,919 Speaker 9: three and the back up where they didn't wanna be. 436 00:22:33,359 --> 00:22:40,919 Speaker 12: In turn, in turn interminably in halls of Atlanta free 437 00:22:41,320 --> 00:22:44,920 Speaker 12: there are simplies striving for their humanity. 438 00:22:46,800 --> 00:22:51,360 Speaker 13: But I ask, how can you preserve a fight when 439 00:22:51,400 --> 00:22:51,960 Speaker 13: you're down? 440 00:22:52,280 --> 00:22:59,639 Speaker 1: Even so World War two rages, conflict of the ages. 441 00:22:59,680 --> 00:23:03,080 Speaker 9: The people in turn still strive to bring from their 442 00:23:03,119 --> 00:23:05,679 Speaker 9: cages and start on you pages. But that dream is 443 00:23:05,720 --> 00:23:10,080 Speaker 9: barely alive for sell their esquires, getting real tired of 444 00:23:10,160 --> 00:23:13,800 Speaker 9: looking for our cases that can go until he's inspired 445 00:23:13,840 --> 00:23:16,840 Speaker 9: by someone who's fired and her name to an Endo. 446 00:23:17,400 --> 00:23:20,720 Speaker 9: Endo born in Secramento, was employed by the State Board, 447 00:23:20,760 --> 00:23:23,719 Speaker 9: but then was swiftly let go after the bob uptexts, 448 00:23:23,760 --> 00:23:25,960 Speaker 9: which director may count her acts the spirit of the 449 00:23:26,040 --> 00:23:28,720 Speaker 9: most US Manifesto. They her case the court on a 450 00:23:28,760 --> 00:23:31,280 Speaker 9: Habeus write, but the judge in a thing that her 451 00:23:31,320 --> 00:23:34,120 Speaker 9: case was legit, but the US government knew something else 452 00:23:34,160 --> 00:23:36,600 Speaker 9: about it. So they offer reread them just for only her, 453 00:23:36,640 --> 00:23:38,080 Speaker 9: and she said no way. 454 00:23:38,080 --> 00:23:41,000 Speaker 14: More years locked in the fort, waiting until she reached 455 00:23:41,000 --> 00:23:42,480 Speaker 14: the Supreme Court debate. 456 00:23:42,880 --> 00:23:45,200 Speaker 12: This is the price they make you pay for freedom. 457 00:23:45,440 --> 00:23:47,560 Speaker 9: Makes it taste even's reader when you really. 458 00:23:47,400 --> 00:24:01,119 Speaker 1: Beat one point Humana sto. 459 00:24:01,520 --> 00:24:06,640 Speaker 13: He's fine protecting all human rights Disney only thing. 460 00:24:06,800 --> 00:24:07,199 Speaker 1: That's what. 461 00:24:12,720 --> 00:24:13,879 Speaker 12: She wandered. 462 00:24:18,200 --> 00:24:18,760 Speaker 9: Me too. 463 00:24:23,000 --> 00:24:26,560 Speaker 1: She made him, made. 464 00:24:26,280 --> 00:24:36,440 Speaker 13: Him one good day free when they try to take 465 00:24:36,840 --> 00:24:46,880 Speaker 13: our human even this, he'shi protecting all human rights, Disney 466 00:24:47,160 --> 00:24:47,680 Speaker 13: only thing. 467 00:24:47,880 --> 00:24:48,480 Speaker 12: Last night. 468 00:24:55,160 --> 00:24:57,679 Speaker 1: We'll be right back after a few words for the 469 00:24:57,720 --> 00:25:03,800 Speaker 1: grown ups. All right, what a great song. It's a 470 00:25:03,800 --> 00:25:05,359 Speaker 1: lot better than the hold music. 471 00:25:05,680 --> 00:25:07,240 Speaker 5: You're still on hold? 472 00:25:07,560 --> 00:25:09,919 Speaker 1: Yes, that's why I've been holding the phone against my 473 00:25:09,960 --> 00:25:10,800 Speaker 1: ear the whole time. 474 00:25:11,240 --> 00:25:14,119 Speaker 5: Oh, I thought you just forgot how to put things down. 475 00:25:14,480 --> 00:25:17,399 Speaker 1: That makes more sense, though. I'm okay with this though. 476 00:25:17,760 --> 00:25:21,280 Speaker 1: If I've learned anything from today. It's that even small, 477 00:25:21,720 --> 00:25:25,879 Speaker 1: simple actions can bring about great change. I'm responsible for 478 00:25:26,000 --> 00:25:28,440 Speaker 1: this secret lab, and if the only thing I need 479 00:25:28,480 --> 00:25:31,240 Speaker 1: to do to prevent it from being swarmed by ever growing, 480 00:25:31,280 --> 00:25:35,240 Speaker 1: probably bloodthirsty sandflies is to stay on the line, then 481 00:25:35,280 --> 00:25:37,160 Speaker 1: I'll just have to stay on the line for as 482 00:25:37,160 --> 00:25:41,160 Speaker 1: long as it it's ringing, it's ringing. Oh, thank goodness, 483 00:25:41,240 --> 00:25:42,639 Speaker 1: I think I'm being connected. 484 00:25:43,880 --> 00:25:47,200 Speaker 11: The following message may be recorded for quality assurance and purposes. 485 00:25:48,480 --> 00:25:50,240 Speaker 8: Hello, you've reached customer service. 486 00:25:50,280 --> 00:25:52,120 Speaker 11: To whom am I speaking, Niminy? 487 00:25:52,720 --> 00:25:53,880 Speaker 8: Let me just pull up your account? 488 00:25:55,000 --> 00:25:56,760 Speaker 11: Okay, I see you right here. 489 00:25:57,080 --> 00:25:58,200 Speaker 9: How can I help you today? 490 00:25:58,280 --> 00:25:58,639 Speaker 13: Niminy? 491 00:25:58,960 --> 00:26:00,680 Speaker 1: I got a letter that said I need to prove 492 00:26:00,720 --> 00:26:02,000 Speaker 1: that I live in the secret Lab? 493 00:26:02,520 --> 00:26:04,000 Speaker 11: Do you yes? 494 00:26:04,640 --> 00:26:07,119 Speaker 8: Okay, let me just update that in the system. 495 00:26:07,400 --> 00:26:08,840 Speaker 2: Okay, Oh, look at that. 496 00:26:08,920 --> 00:26:09,960 Speaker 8: It was already in there. 497 00:26:10,200 --> 00:26:13,879 Speaker 7: Someone must have forgotten to relink the spreadsheet to the database. 498 00:26:14,200 --> 00:26:16,720 Speaker 11: Guilty. I guess you didn't need to call in today 499 00:26:16,720 --> 00:26:17,240 Speaker 11: after all. 500 00:26:17,880 --> 00:26:21,159 Speaker 1: Great, so you won't shut off our bug spray. 501 00:26:21,440 --> 00:26:23,119 Speaker 2: Oh you're the lab with the sand flies. 502 00:26:23,280 --> 00:26:25,920 Speaker 8: We've actually got a pool going on. How long you can. 503 00:26:25,840 --> 00:26:26,520 Speaker 1: Hold him off? 504 00:26:26,800 --> 00:26:28,800 Speaker 3: But I can transfer you over to the bugs department 505 00:26:28,840 --> 00:26:29,600 Speaker 3: if you want to speak to that. 506 00:26:29,920 --> 00:26:32,080 Speaker 1: No, no, no, no, no no, We're fine. Just keep 507 00:26:32,119 --> 00:26:33,960 Speaker 1: the bug spray on, no problem. 508 00:26:34,240 --> 00:26:36,399 Speaker 8: I'm glad I was able to help you out today. 509 00:26:36,640 --> 00:26:38,560 Speaker 8: By the way, if you wouldn't mind taking a short 510 00:26:38,600 --> 00:26:40,000 Speaker 8: survey to rate your experience. 511 00:26:40,640 --> 00:26:50,359 Speaker 1: Whew, I'm glad that's finally over with. Listeners, what you 512 00:26:50,400 --> 00:26:53,680 Speaker 1: just heard was a mailman from the nineteen forties, rush 513 00:26:53,680 --> 00:26:57,200 Speaker 1: in here and smash my phone. He's out there somewhere. 514 00:26:57,800 --> 00:27:00,880 Speaker 1: But the important thing to note is that I neminy 515 00:27:01,280 --> 00:27:08,800 Speaker 1: am not at fault. Okay, that's it for today's season finale, listeners, Rakat, 516 00:27:08,840 --> 00:27:10,919 Speaker 1: thank you enough for tuning in to this season of 517 00:27:11,080 --> 00:27:15,000 Speaker 1: Historical Records. Combining history and hip hop has always been 518 00:27:15,080 --> 00:27:18,119 Speaker 1: my dream, so thank you for being brave enough to 519 00:27:18,119 --> 00:27:22,400 Speaker 1: witness my experiment. I learned about so many extraordinary luminaries, 520 00:27:22,440 --> 00:27:25,480 Speaker 1: and yet it's just the tip of the iceberg. There 521 00:27:25,520 --> 00:27:28,480 Speaker 1: are so many more. Maybe you can even find some 522 00:27:28,560 --> 00:27:31,840 Speaker 1: of your own and write a song about them, because remember, 523 00:27:32,280 --> 00:27:37,439 Speaker 1: to make history, you gotta make some noise. Nemony Out. 524 00:27:47,640 --> 00:27:51,879 Speaker 7: Historical Records is produced in partnership with Story Pirates Studios, 525 00:27:52,119 --> 00:27:57,200 Speaker 7: Questloves two on five Entertainment John Blickman and iHeart Podcasts 526 00:27:57,800 --> 00:28:01,840 Speaker 7: Executive produced by a Mere Quest of Thompson, John Glickman, 527 00:28:02,200 --> 00:28:07,040 Speaker 7: Lee Overtree and Benjamin Salga. Executive produced for iHeart Podcasts 528 00:28:07,080 --> 00:28:11,479 Speaker 7: by Noel Brown. Producers for Story Pirate Studios are Isabella Riccio, 529 00:28:11,800 --> 00:28:16,359 Speaker 7: Sam Bear, Eric Gerson, Andrew Miller, Lee Overtree, Peter McNerney 530 00:28:16,400 --> 00:28:20,719 Speaker 7: and niminy Ware. Producers for two one five are Sean G. Britney, 531 00:28:20,800 --> 00:28:24,800 Speaker 7: Benjamin and Sarah Zolman. Hosted by niminy Ware. Our head 532 00:28:24,800 --> 00:28:28,639 Speaker 7: writer is Duke Doyle. Our historians are Gabe Pacheco and 533 00:28:28,760 --> 00:28:33,120 Speaker 7: Lee Polos. Music supervision for two one five by Stroe Elliott. 534 00:28:33,440 --> 00:28:37,320 Speaker 7: Scoring and music supervision for Story Pirate Studios by Eric Gerson. 535 00:28:37,800 --> 00:28:40,280 Speaker 7: Sound design and mixing by Sam Bear at the Relic 536 00:28:40,360 --> 00:28:43,520 Speaker 7: Room in New York City. Additional recording by Brett Tuban, 537 00:28:44,080 --> 00:28:47,800 Speaker 7: song mastering by Josh Han, Theme song by Dan Foster 538 00:28:47,880 --> 00:28:51,720 Speaker 7: and Eric Gerson and produced by Eric Erson. Production coordination 539 00:28:51,840 --> 00:28:56,040 Speaker 7: by Isabel Riccio, Production management by Maggie Lee. The line 540 00:28:56,040 --> 00:28:59,600 Speaker 7: producer for Story Pired Studios is Glynnis Brault. Pr for 541 00:28:59,640 --> 00:29:03,680 Speaker 7: Story Tired Studios is provided by Naomi Shaw. Episode artwork 542 00:29:03,720 --> 00:29:07,640 Speaker 7: by Camilla Franklin. This episode was written by Minzwee Karami. 543 00:29:07,880 --> 00:29:11,320 Speaker 7: The song mitsuya Endo was written by Dan Foster, produced 544 00:29:11,360 --> 00:29:14,440 Speaker 7: by Micah James and associate produced and vocal directed by 545 00:29:14,600 --> 00:29:19,200 Speaker 7: Eric Gerson. Special guest Anna Suzuki. This episode features performances 546 00:29:19,200 --> 00:29:23,160 Speaker 7: by Chris Ferry, Caroline Lux, Peter McNerney, Lee Overtree, and 547 00:29:23,280 --> 00:29:24,160 Speaker 7: Lee Polos