WEBVTT - Episode 483 w/ Erick Sermon

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<v Speaker 1>He is Drinks Chests, motherfucking podcast. He's a legendary queens rapper.

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<v Speaker 1>He ain't agreed as your boy in O r E.

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<v Speaker 2>He's a Miami hip hop pyoneer put up as.

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<v Speaker 1>DJ E f N.

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<v Speaker 3>Together they drink it up with some of the biggest

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<v Speaker 3>players you me and the most professional unprofessional podcast and

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<v Speaker 3>your number one source for drunk.

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<v Speaker 1>Drinks chants mother fu posy ds new yu C.

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<v Speaker 2>That's it's time for drink Champs.

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<v Speaker 1>Drink up, motherfuck mother fuck.

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<v Speaker 3>Eric Sherman, you said, hell bro, come on, start to

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<v Speaker 3>fucking in y'all.

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<v Speaker 1>No, you can do yo. Check this out, y'all.

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<v Speaker 2>We at the Museum of Graffiti, the Art of Hip Hop, Yes,

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<v Speaker 2>Art Basil twenty twenty five. Yeah.

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<v Speaker 1>And this is motherfucking Drink Champs in the building. Yeahs.

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<v Speaker 2>And today we have a very very special gun a legend.

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<v Speaker 1>I can't I come. The motherfucking tycoon makes some noise

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<v Speaker 1>for Eric summon. I'm gonna be honest with you. Don't lie.

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<v Speaker 1>I watched the documentary this morning.

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<v Speaker 2>This documentary you're speaking of these people. Some people might

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<v Speaker 2>not call it is right where he goes right into this.

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<v Speaker 3>No, I mean be honest. I've literally watched it twenty

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<v Speaker 3>minutes ago.

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<v Speaker 1>Yeah, that's why he was late.

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<v Speaker 3>Yeah, I had to do research, but I couldn't believe

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<v Speaker 3>because I know you. You got green eyes, but you're

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<v Speaker 3>a tough motherfucker. You're a tough dude. You are not

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<v Speaker 3>no sucker. A lot of people don't know that. And

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<v Speaker 3>for you to say that, puff daddy punchs you in

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<v Speaker 3>the face and y'all walked around.

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<v Speaker 1>He swung on me, he swung on all right, let's

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<v Speaker 1>make that clear of this. That's clear it all right?

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<v Speaker 1>So what could I was clear? Oh no, no, okay.

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<v Speaker 1>It sounds like it's oh no, no, no, no, okay.

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<v Speaker 3>So he didn't punch you. No, all right, So let's

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<v Speaker 3>let's break that down. Because this is the hottest thing

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<v Speaker 3>on the market. Everyone is watching it, number one on Netflix.

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<v Speaker 1>So what happened? Now? Papa is actually my friend, So

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<v Speaker 1>he was my friend. It didn't look like that in

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<v Speaker 1>the documentary.

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<v Speaker 4>I'm just yeah, but I ain't say nothing bad. All

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<v Speaker 4>I talked about was the story that you spoke your truth.

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<v Speaker 2>Let that happen. It wasn't that I was bashing him.

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<v Speaker 4>This the fact that it happened because of the situation,

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<v Speaker 4>just saying what was told already by Jean.

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<v Speaker 1>It was outen deal period.

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<v Speaker 4>But he already put that out a couple of years ago.

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<v Speaker 4>So when they asked me the question, I just confirmed

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<v Speaker 4>it by saying what happened that day.

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<v Speaker 1>But the gene already said this story.

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<v Speaker 4>Yeah, he said that, you know two years ago that

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<v Speaker 4>you know, Homie got mad when he found out that

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<v Speaker 4>I was talking to home talking to.

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<v Speaker 1>Her visa right, and and then you know something went on.

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<v Speaker 2>But again that what happened with me and him was

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<v Speaker 2>just a person who was mad.

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<v Speaker 1>He was my friend. He was mad.

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<v Speaker 4>That's why I said get in the car and let's

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<v Speaker 4>go around the corner, because I knew that in front

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<v Speaker 4>of somebody you probably would act a certain way.

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<v Speaker 2>So around the corner things changed. And I want to

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<v Speaker 2>I want to.

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<v Speaker 4>I want to make clear too about the Biggie Smalls tape.

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<v Speaker 4>Of course, Biggie wasn't out yet, so it was new.

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<v Speaker 4>So the ignorant people who're saying it don't add up.

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<v Speaker 4>Of course it adds up if it's brand new. It

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<v Speaker 4>was played to me in the beginning by him before

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<v Speaker 4>we heard the album come out.

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<v Speaker 2>It was ready to die that he showed you like

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<v Speaker 2>before it came out.

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<v Speaker 1>Do you remember what.

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<v Speaker 2>Songs No, give me the loot and I think machine.

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<v Speaker 1>Gun funk, machine gun funk Baby. I died for the funk.

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<v Speaker 1>I died for the bunk.

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<v Speaker 3>You have the best story in the in the fucking

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<v Speaker 3>hip hop man.

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<v Speaker 1>Can I just give you that.

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<v Speaker 4>I don't have this stories. My shit is all truthful.

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<v Speaker 4>I try to make as much truth as possible. Again,

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<v Speaker 4>you see when I did the last drink Champ, I

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<v Speaker 4>was about to bring it.

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<v Speaker 1>I was waiting for somebody to say yo.

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<v Speaker 4>He capped on that there's no need for me to

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<v Speaker 4>cat and plus, nobody's gonna say ship to my face.

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<v Speaker 1>You got people that talk behind the computer and you.

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<v Speaker 3>Got green eyes. No one, No one beats some beautiful.

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<v Speaker 1>But why did they say you can?

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<v Speaker 2>Because of the stuff talking about the publishing.

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<v Speaker 1>Just everything. Every time, everybody lies.

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<v Speaker 2>So I wait for that to happen for me, for

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<v Speaker 2>them to come back and say, yo, oh No, what

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<v Speaker 2>he said was not that you know what I'm saying,

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<v Speaker 2>but I'm it's just truthful with me.

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<v Speaker 3>No, But I'm gonna be honest with you as a producer.

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<v Speaker 1>Are you done with the other ship. Yeah, okay, around,

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<v Speaker 1>I just wanted to get that out.

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<v Speaker 3>Okay, great, But because of course you you the hottest

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<v Speaker 3>nigga right now.

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<v Speaker 1>Don't say I'm not I'm in two episodes. For two minutes,

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<v Speaker 1>he said, you got a reoccurring role in you look

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<v Speaker 1>like you were in the whole documentary. Yeah, but I'm not.

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<v Speaker 1>I'm not in three or four. I know that's why

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<v Speaker 1>I got a player.

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<v Speaker 3>But when you did that episode, I have never got

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<v Speaker 3>so much love from producers. Producers will hit me and

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<v Speaker 3>be like, yo, what is Eric Sherman talking about? Like

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<v Speaker 3>why did Eric Sherman say that? And the thing about

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<v Speaker 3>it is a lot of people didn't understand or they

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<v Speaker 3>didn't relate what you were saying. So I was like,

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<v Speaker 3>on what part? On on the part that you're saying,

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<v Speaker 3>like yo, I produced for Yeah, it was.

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<v Speaker 2>The publishing the residuals like that, Like, so, I.

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<v Speaker 1>Gotta are you going back to the first one? Yes, okay,

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<v Speaker 1>go ahead, I gotta.

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<v Speaker 3>I got a rhyme right now where I say I say,

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<v Speaker 3>I say, I say, uh, still I get residuals off catalog?

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<v Speaker 3>And then I say, open back skeleton, still getting money

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<v Speaker 3>off my catalog? And people don't understand what I'm saying.

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<v Speaker 2>Right, And you know how fast a million dollar goes

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<v Speaker 2>toys economy.

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<v Speaker 1>It goes quick. I used to do that. I used

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<v Speaker 1>to have four credit cards. This is not the flex.

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<v Speaker 4>I used to have four credit cards and on four

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<v Speaker 4>credit cards for thirty thousand dollars apiece. So I used

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<v Speaker 4>to just do that just on a regular basis, for

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<v Speaker 4>like four or five years straight. You know what I'm saying,

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<v Speaker 4>Like not, I didn't say one. I said four credit

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<v Speaker 4>cards of just swiping. I swiped my Lexus coops on

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<v Speaker 4>a credit card. Two short was with me one day

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<v Speaker 4>when I swiped the whole studio on a credit card,

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<v Speaker 4>and he tells the story.

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<v Speaker 1>You ask him. He said, I watched Eric swipe a

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<v Speaker 1>whole studio, the board, the speakers, the fucking amps, the

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<v Speaker 1>fucking outboard gear, the whole nine.

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<v Speaker 4>I just swipe it on cards. That's how it was.

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<v Speaker 4>It's easy to see two hundred and fifty thousand dollars

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<v Speaker 4>go really in about a month or either forty days.

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<v Speaker 1>You can do it with no problem.

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<v Speaker 3>So let me ask you, because you you gave the

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<v Speaker 3>secret to producers. You gave the secret. You was like Yo,

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<v Speaker 3>all you gotta do is like produce for the right

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<v Speaker 3>people and the right residuals will come.

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<v Speaker 4>Well, the right people can be of course, the big stars.

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<v Speaker 4>But it's also for you to own your publishing. So

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<v Speaker 4>just in case, knowing you wants to sample it, you're

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<v Speaker 4>already just that.

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<v Speaker 1>Own your motherfucking published it.

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<v Speaker 4>Because at the end of the day, for those who

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<v Speaker 4>didn't watch the first Drink Champs, it kind of fucked

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<v Speaker 4>me up to you know when I said it, Ye,

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<v Speaker 4>my phone started ringing.

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<v Speaker 1>Yeah, your phone was always ringing.

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<v Speaker 4>So because I was just trying to tell people, if

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<v Speaker 4>you own your own publishing, here's something that can happen

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<v Speaker 4>later on in life.

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<v Speaker 1>Forever, you get paid forever.

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<v Speaker 4>You know, when you own, when you have publishing, no

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<v Speaker 4>matter what if you might get, you know, a check

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<v Speaker 4>for twenty dollars or a check for two hundred thousand dollars,

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<v Speaker 4>or say it a series takes your record and it

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<v Speaker 4>license it.

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<v Speaker 1>You know, you can make all types of money.

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<v Speaker 4>I just happen to be sampled by the Weekend, which

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<v Speaker 4>is the most you.

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<v Speaker 1>Know sampled arts in the world. You know what I'm saying.

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<v Speaker 4>So that's why I was able to get that bulk

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<v Speaker 4>of money because he was streaming one point nine billion streams.

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<v Speaker 4>So along with that came that type of money, type

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<v Speaker 4>of money. But only your publisher.

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<v Speaker 2>Though, So you would recommend not to get publishing deals then,

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<v Speaker 2>or would you?

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<v Speaker 1>Yeah, that's that's the Great Cort Act.

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<v Speaker 4>Then we did publishing deals effort because the money wasn't coming.

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<v Speaker 4>So once your career starts drying up and stuff ain't

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<v Speaker 4>moving the same, you have your real estate, which is publishing.

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<v Speaker 4>That's your real estate. So it's worth so much money.

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<v Speaker 4>As you can see right now, the masters listen, man,

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<v Speaker 4>the owner of Spotify.

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<v Speaker 1>Right, I don't own Spoty. I don't know who that.

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<v Speaker 2>Is it is, right right, but I know the president

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<v Speaker 2>of Spotify and twenty twenty four he made three hundred million.

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<v Speaker 1>Dollars and he don't artists make. He don't own it.

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<v Speaker 1>He's just the worker. He made three hundred million.

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<v Speaker 4>So imagine what everybody the owners making, or everybody else

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<v Speaker 4>is making. And then the artist is not making nowhere

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<v Speaker 4>near that. The labels are making these deals and everybody

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<v Speaker 4>else is eating but us, you know, But I'm just

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<v Speaker 4>giving you. The president made three hundred million and twenty

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<v Speaker 4>twenty four.

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<v Speaker 2>That's the streaming math, though not on the publishing side.

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<v Speaker 4>I'm just saying what Spotify doing is streaming as far

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<v Speaker 4>as how what happens with you having the master too?

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<v Speaker 4>If you can own the master too along with along

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<v Speaker 4>with the publisher, what you really can be making because

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<v Speaker 4>look what they're making.

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<v Speaker 3>Artist has been taking a a job forever forever. Right

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<v Speaker 3>when I look at a young brother, like like, I

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<v Speaker 3>admire This is gonna sound crazy.

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<v Speaker 1>But I admire NB a young boy young and what's

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<v Speaker 1>his name? NB, a young young boy.

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<v Speaker 3>I admire him because I felt like he brung the

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<v Speaker 3>labels to him right bite their versa, Like when we

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<v Speaker 3>was trying to get signed, we went to the label.

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<v Speaker 3>Of course, I feel like NBA young boys. Uh, I

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<v Speaker 3>praise him. I admire him, and I can't actually honored

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<v Speaker 3>this guy because I feel like he was the first

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<v Speaker 3>one that made the labels come to us. Do you

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<v Speaker 3>think our young brothers should continue that that that that

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<v Speaker 3>that success.

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<v Speaker 4>Everybody that's listening right now, listen. The people that's talking

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<v Speaker 4>in the back get the fun Jesus man, come on,

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<v Speaker 4>they get get the fuck out the building because they

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<v Speaker 4>But for those that want to listen, and want to

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<v Speaker 4>learn something real quick. Back then, when me and Norway

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<v Speaker 4>came out the record, labels is all we had because

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<v Speaker 4>they was the bank to be able to promote and

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<v Speaker 4>push the record. We needed them, right, We don't need

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<v Speaker 4>them anymore. We just know that at the end of

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<v Speaker 4>the day, if Spotify is only paying us zero zero

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<v Speaker 4>zero four less than one cent, and they just passed

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<v Speaker 4>some fucking they passed some type of law just now

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<v Speaker 4>that gave us a penny, right, So at a penny

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<v Speaker 4>if we sell, if we stream one hundred thousand pieces, right,

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<v Speaker 4>it's fourteen thousand dollars, right, No, No, a million is

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<v Speaker 4>fourteen thousand.

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<v Speaker 1>A million is right.

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<v Speaker 4>If you stream two hundred thousand streams, right, you get

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<v Speaker 4>two hundred dollars.

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<v Speaker 2>Right.

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<v Speaker 4>Okay, Now listen to what I'm saying y'all again. If

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<v Speaker 4>you stream a million, you get fourteen grand. If it's

0:12:02.960 --> 0:12:07.360
<v Speaker 4>a penny. If you stream two hundred thousand, you get

0:12:07.400 --> 0:12:09.600
<v Speaker 4>paid two hundred dollars.

0:12:09.720 --> 0:12:12.040
<v Speaker 1>Right, So what would you rather do?

0:12:13.000 --> 0:12:16.280
<v Speaker 4>So if I ask you for one dollar to buy

0:12:16.320 --> 0:12:21.679
<v Speaker 4>my record, and eight thousand people by give me one dollar,

0:12:22.200 --> 0:12:23.080
<v Speaker 4>it's eight grand.

0:12:23.679 --> 0:12:26.480
<v Speaker 1>So what would you rather do? Because because you're only

0:12:26.480 --> 0:12:27.120
<v Speaker 1>making two.

0:12:27.240 --> 0:12:31.520
<v Speaker 4>One hundred dollars, and but you gotta stream one hundred

0:12:31.920 --> 0:12:36.560
<v Speaker 4>thousand doesn't matter, right, And to get a million streams,

0:12:37.040 --> 0:12:41.640
<v Speaker 4>you get fourteen thousand dollars. So if I go direct

0:12:41.720 --> 0:12:44.840
<v Speaker 4>to consumer and tell them to pay me five dollars

0:12:45.520 --> 0:12:51.680
<v Speaker 4>five times four, it's twenty right. So now I'm making

0:12:52.400 --> 0:12:59.200
<v Speaker 4>twenty thousand dollars right, going by myself, I'm nowhere near that.

0:13:00.559 --> 0:13:03.960
<v Speaker 4>When I'm when I'm streaming, I'm streaming for what to

0:13:04.040 --> 0:13:08.320
<v Speaker 4>get what? So I'm I'm just saying for me. If

0:13:08.360 --> 0:13:10.760
<v Speaker 4>it was me, I would do this, I would go

0:13:11.200 --> 0:13:15.920
<v Speaker 4>direct to consumer and whatever fans you have on your

0:13:15.920 --> 0:13:19.960
<v Speaker 4>social media, fuck with them so because cause they would,

0:13:19.960 --> 0:13:20.319
<v Speaker 4>because they.

0:13:20.240 --> 0:13:23.280
<v Speaker 1>Would pay you. Because listen, no numbers don't lie.

0:13:23.600 --> 0:13:27.680
<v Speaker 4>Yes, if I get if I only got eight thousand fans,

0:13:27.720 --> 0:13:31.040
<v Speaker 4>fuck five hundred thousand, two hundred thousand, one hundred thousand fans.

0:13:31.200 --> 0:13:34.920
<v Speaker 4>If I got eight thousand people paying me one hundred dollars,

0:13:35.360 --> 0:13:38.320
<v Speaker 4>it's eight hundred thousand dollars.

0:13:39.559 --> 0:13:42.520
<v Speaker 1>Are y'all understanding where I'm coming from. If I got eight.

0:13:42.360 --> 0:13:49.439
<v Speaker 2>Thousand, all I need is eight thousand people to give

0:13:49.520 --> 0:13:50.920
<v Speaker 2>me two hundred dollars.

0:13:51.040 --> 0:13:53.480
<v Speaker 1>It's one point six million dollars.

0:13:53.840 --> 0:13:57.400
<v Speaker 4>I don't understand how you how you not trying to

0:13:57.440 --> 0:14:01.199
<v Speaker 4>do this right? And you and you trying to get popular?

0:14:01.559 --> 0:14:03.880
<v Speaker 4>Fuck popular, trying to like I want the world to

0:14:04.000 --> 0:14:04.640
<v Speaker 4>hit my music.

0:14:04.840 --> 0:14:07.800
<v Speaker 1>Fuck all that. You're not hear making music for fun.

0:14:08.240 --> 0:14:11.200
<v Speaker 1>You're here trying to eat. So let me ask you,

0:14:11.360 --> 0:14:12.280
<v Speaker 1>but hold up, but really quick.

0:14:12.360 --> 0:14:16.480
<v Speaker 2>It seems like there's an information war that's convincing artists

0:14:16.559 --> 0:14:17.960
<v Speaker 2>to do otherwise.

0:14:17.960 --> 0:14:19.720
<v Speaker 1>Like this is the way to go. You gotta go

0:14:19.800 --> 0:14:20.160
<v Speaker 1>with these.

0:14:20.080 --> 0:14:23.080
<v Speaker 2>Platforms the same way that we all bought into social media.

0:14:23.960 --> 0:14:28.200
<v Speaker 2>Each person is a product, and we're all being juiced

0:14:28.240 --> 0:14:31.520
<v Speaker 2>by these social media corporations and not to our benefit

0:14:31.560 --> 0:14:32.240
<v Speaker 2>at the end of the day.

0:14:32.560 --> 0:14:33.800
<v Speaker 1>Is what Noah said earlier.

0:14:34.240 --> 0:14:36.840
<v Speaker 4>I can give you the advance, but advance only comes

0:14:36.840 --> 0:14:37.320
<v Speaker 4>one time.

0:14:37.960 --> 0:14:38.920
<v Speaker 1>That's my problem.

0:14:39.040 --> 0:14:41.800
<v Speaker 4>Once you're done with that advance, money is over. They

0:14:41.880 --> 0:14:44.560
<v Speaker 4>own your likeness. You can't make a T shirt, you

0:14:44.600 --> 0:14:47.080
<v Speaker 4>can't do shit. All of it belongs to them.

0:14:48.520 --> 0:14:50.920
<v Speaker 2>I mean, I've been telling him Indie versus Major all

0:14:51.000 --> 0:14:51.440
<v Speaker 2>day long.

0:14:51.600 --> 0:14:55.400
<v Speaker 4>Oh no, before, before, before, it probably would have been

0:14:55.880 --> 0:14:58.520
<v Speaker 4>fifty to fifty. Right now, it's only the way that

0:14:58.600 --> 0:15:00.640
<v Speaker 4>you should go, especially the ones who.

0:15:00.520 --> 0:15:01.080
<v Speaker 1>Have a name.

0:15:01.320 --> 0:15:03.520
<v Speaker 4>If you have a name, there should be no question

0:15:03.800 --> 0:15:06.120
<v Speaker 4>that they should be coming to you, buying your merch

0:15:06.360 --> 0:15:07.120
<v Speaker 4>and buying.

0:15:06.800 --> 0:15:08.840
<v Speaker 2>Whatever you're selling them. Then people will take.

0:15:08.680 --> 0:15:09.120
<v Speaker 1>Care of you.

0:15:09.720 --> 0:15:15.200
<v Speaker 3>Me and EFN, I'm talking about you like you're not here, sorry, okay,

0:15:15.640 --> 0:15:19.400
<v Speaker 3>But me and EFN we offer people deals right now

0:15:19.600 --> 0:15:24.240
<v Speaker 3>right for Drink Champs Network. We don't want one, not

0:15:24.360 --> 0:15:28.560
<v Speaker 3>one artist to sign to us and to have a complaint,

0:15:28.920 --> 0:15:32.680
<v Speaker 3>right Me and him both came together and we was like,

0:15:32.880 --> 0:15:36.760
<v Speaker 3>we're going to give every artist their own platform, okay,

0:15:37.000 --> 0:15:40.080
<v Speaker 3>and we're gonna make sure every artist owns their shit.

0:15:40.480 --> 0:15:41.880
<v Speaker 3>So if you don't want to.

0:15:42.280 --> 0:15:45.600
<v Speaker 1>Do that, it's okay, it's okay, it's okay. You're not

0:15:45.680 --> 0:15:46.360
<v Speaker 1>for us.

0:15:46.840 --> 0:15:49.520
<v Speaker 2>And with term limits, term limits, we don't. We want

0:15:49.520 --> 0:15:51.840
<v Speaker 2>to be the catalyst for you to sign giving.

0:15:51.560 --> 0:15:55.200
<v Speaker 3>People one year deals and we're saying to you so

0:15:55.400 --> 0:16:00.240
<v Speaker 3>when that deal is up, you can say I don't

0:16:00.240 --> 0:16:02.160
<v Speaker 3>want to be here no more, or I want to

0:16:02.200 --> 0:16:05.080
<v Speaker 3>be here, and then we can continue to make you.

0:16:05.480 --> 0:16:11.240
<v Speaker 3>We it's the first podcast platform that is going to

0:16:11.320 --> 0:16:15.160
<v Speaker 3>be the biggest part class platform because.

0:16:16.520 --> 0:16:21.440
<v Speaker 1>We're making everybody bosses. Right. Is that cool? That's very cool.

0:16:22.120 --> 0:16:25.600
<v Speaker 1>That's very cool. Yeah.

0:16:25.640 --> 0:16:31.800
<v Speaker 3>Yeah, so even Bleak from Bleak, we got Bleak Angela Simmons.

0:16:31.840 --> 0:16:34.040
<v Speaker 1>I got the homie right there. I don't I don't

0:16:34.080 --> 0:16:34.520
<v Speaker 1>know if he.

0:16:35.680 --> 0:16:39.800
<v Speaker 3>Motherfucking got his own thing going, but d One.

0:16:39.720 --> 0:16:43.040
<v Speaker 1>Like, yeah, yeah, d one, Yes, I definitely come fuck

0:16:43.080 --> 0:16:43.400
<v Speaker 1>with us.

0:16:43.640 --> 0:16:46.400
<v Speaker 3>Yes, And I want to show every We want to

0:16:46.440 --> 0:16:47.880
<v Speaker 3>show everybody how.

0:16:47.760 --> 0:16:51.360
<v Speaker 1>To be a boss, right like. And I don't think

0:16:51.440 --> 0:16:55.680
<v Speaker 1>hip hop has ever had that, No, don't.

0:16:55.200 --> 0:16:59.400
<v Speaker 4>Not not people who try to let everybody else eat. Yeah,

0:16:59.440 --> 0:17:02.960
<v Speaker 4>what's over is one Listen, man, we want to be

0:17:03.040 --> 0:17:04.360
<v Speaker 4>the boss, and we want to be the.

0:17:04.280 --> 0:17:06.879
<v Speaker 1>Only ones business. We want to be the only ones.

0:17:07.560 --> 0:17:08.600
<v Speaker 1>I can't have you.

0:17:08.880 --> 0:17:11.960
<v Speaker 4>I forgot the loads of power so that I must

0:17:12.000 --> 0:17:15.600
<v Speaker 4>not feed them because I must have them always looking

0:17:15.600 --> 0:17:17.679
<v Speaker 4>for me to get money from or always have to

0:17:17.680 --> 0:17:18.320
<v Speaker 4>depend on me.

0:17:18.600 --> 0:17:21.520
<v Speaker 1>That's the way the ship works. And people they think

0:17:21.640 --> 0:17:23.160
<v Speaker 1>like that, not knowing that.

0:17:23.280 --> 0:17:28.400
<v Speaker 4>Listen man, When epm D came out, right, everybody that

0:17:28.480 --> 0:17:30.480
<v Speaker 4>came after us was so.

0:17:30.600 --> 0:17:33.520
<v Speaker 1>More records than me. But see how you look at

0:17:33.560 --> 0:17:36.760
<v Speaker 1>it like that, But it made me.

0:17:38.200 --> 0:17:41.760
<v Speaker 4>It was longevity and it turned out to be something

0:17:41.800 --> 0:17:48.000
<v Speaker 4>great because that just made me a more profitable person.

0:17:48.480 --> 0:17:50.960
<v Speaker 4>When I got all these groups, I don't care they.

0:17:50.840 --> 0:17:53.600
<v Speaker 1>Sell them more records to me. They under me who

0:17:53.600 --> 0:17:59.040
<v Speaker 1>were talking about Redman. They was all and then Keith

0:17:59.080 --> 0:18:01.560
<v Speaker 1>Murray came. They all so more records than me, as

0:18:01.560 --> 0:18:03.560
<v Speaker 1>far as when they came out as soloist, as far

0:18:03.560 --> 0:18:06.600
<v Speaker 1>as for EPMD. But it made EPMD bigger because.

0:18:06.400 --> 0:18:08.960
<v Speaker 4>Then when Coursover came out, it was our biggest record

0:18:09.080 --> 0:18:10.320
<v Speaker 4>because God's Effects.

0:18:10.040 --> 0:18:12.960
<v Speaker 1>Was platinum, so they had another whole audience. So but

0:18:13.040 --> 0:18:16.640
<v Speaker 1>I don't get mad. I'm bringing niggas in because you

0:18:16.680 --> 0:18:19.400
<v Speaker 1>can't keep showing up to the party by yourself.

0:18:20.040 --> 0:18:22.440
<v Speaker 2>And I'm assuming they had better deals than the deal

0:18:22.480 --> 0:18:23.240
<v Speaker 2>you originally got.

0:18:23.400 --> 0:18:26.560
<v Speaker 1>I got TIGN for fifteen hundred dollars me and pass

0:18:26.640 --> 0:18:27.439
<v Speaker 1>got five thousand.

0:18:28.000 --> 0:18:30.879
<v Speaker 2>No, you made me feel gooven fifty nigga Wait seven

0:18:31.000 --> 0:18:32.600
<v Speaker 2>hundred and fifty dollars a piece?

0:18:32.680 --> 0:18:36.920
<v Speaker 1>Wait yeah, wait, so y'all split the fifteen fifteen hundred. Yes.

0:18:36.960 --> 0:18:39.240
<v Speaker 1>I went to the grocery store. I went to. Yes,

0:18:39.320 --> 0:18:41.600
<v Speaker 1>I did. We went. I went to that. I got

0:18:41.640 --> 0:18:42.960
<v Speaker 1>some grocery pops. Come a long way.

0:18:42.960 --> 0:18:44.520
<v Speaker 4>I want to got some groceries for my moms. And

0:18:44.560 --> 0:18:46.440
<v Speaker 4>I went to marshals and got me an outfit.

0:18:48.240 --> 0:18:50.679
<v Speaker 1>And the legend was born. Apra rex I got an

0:18:50.680 --> 0:18:52.879
<v Speaker 1>ao rex cool. That's five grand, though I thought I

0:18:52.960 --> 0:18:55.359
<v Speaker 1>was we half five grand. Don't forget you coming in.

0:18:55.640 --> 0:18:58.840
<v Speaker 1>You coming in in late nine ninety eight, ninety seven,

0:18:58.920 --> 0:18:59.919
<v Speaker 1>ninety seven s.

0:19:00.320 --> 0:19:04.240
<v Speaker 4>And five thousand is disrespectful. In nineties ninety six that disrespectful.

0:19:05.240 --> 0:19:06.600
<v Speaker 1>Fifteen hundred was no.

0:19:06.680 --> 0:19:08.680
<v Speaker 2>Seven fifty now, but NOI came in Indy.

0:19:08.760 --> 0:19:11.440
<v Speaker 1>You came in super in. Fifteen hundred is nineteen eighty eight.

0:19:11.520 --> 0:19:15.600
<v Speaker 1>Nigga nineteen eighty eight, ninety five, five thousand is disrespectful.

0:19:16.040 --> 0:19:17.680
<v Speaker 1>God damn it. He's right.

0:19:17.760 --> 0:19:19.480
<v Speaker 2>Well, you guys kind of came in Indy too, because

0:19:19.520 --> 0:19:19.760
<v Speaker 2>what was it?

0:19:19.800 --> 0:19:23.240
<v Speaker 1>Payday? No seeming back records, fresh records, okay, fresh one.

0:19:23.320 --> 0:19:26.680
<v Speaker 4>Because we had the three The three wordst contracts was EPMD,

0:19:26.840 --> 0:19:28.120
<v Speaker 4>bismal Key and Kane.

0:19:28.920 --> 0:19:30.760
<v Speaker 1>I did not never hear that. Yeah, but we had

0:19:30.760 --> 0:19:31.439
<v Speaker 1>the three lowest.

0:19:33.359 --> 0:19:36.200
<v Speaker 3>So I have to ask what was Kane and Bismark?

0:19:36.280 --> 0:19:36.560
<v Speaker 1>I don't know.

0:19:36.920 --> 0:19:40.359
<v Speaker 4>I think it was around that same Platney sign for

0:19:40.359 --> 0:19:42.840
<v Speaker 4>fifteen hundred. Listen, nigga, we want to be on the radio.

0:19:42.880 --> 0:19:44.840
<v Speaker 4>It don't matter how much money we was getting. We

0:19:44.880 --> 0:19:47.080
<v Speaker 4>wanted to be famous. I did same shit, We don't

0:19:47.080 --> 0:19:47.639
<v Speaker 4>matter about that.

0:19:47.680 --> 0:19:48.400
<v Speaker 1>And how old were you.

0:19:50.400 --> 0:19:53.879
<v Speaker 2>Fifteen, eighteen, eighteen eighty yeah, y'all was kids, man, I

0:19:54.000 --> 0:19:55.359
<v Speaker 2>was seventeen past was eighteen.

0:19:56.080 --> 0:19:57.560
<v Speaker 4>So that's why I was able to get out of

0:19:57.600 --> 0:20:00.320
<v Speaker 4>that deal when Russell came and brought us for one

0:20:00.320 --> 0:20:03.159
<v Speaker 4>point six million dollars because I was under age when.

0:20:03.000 --> 0:20:05.280
<v Speaker 1>I throw that out there at one point six? Yeah,

0:20:05.280 --> 0:20:08.199
<v Speaker 1>did y'all not hear that? That one point six? Yeah? Ye,

0:20:08.520 --> 0:20:11.159
<v Speaker 1>throw that out there. God, they ain't coming. I mean,

0:20:11.440 --> 0:20:15.680
<v Speaker 1>I ain't get all of it, but that's something right right, But.

0:20:18.000 --> 0:20:23.280
<v Speaker 3>You got to see depth jam, yes, transition right yeah,

0:20:23.480 --> 0:20:24.600
<v Speaker 3>before depth jam.

0:20:24.880 --> 0:20:26.719
<v Speaker 1>Uh it was before depth like from the management.

0:20:26.760 --> 0:20:28.800
<v Speaker 2>Rush was before the actual well we was all signed

0:20:28.800 --> 0:20:29.840
<v Speaker 2>to rush right rush.

0:20:29.920 --> 0:20:35.080
<v Speaker 1>Every major artists manage Rush management before the label right yeah?

0:20:35.119 --> 0:20:37.919
<v Speaker 1>Well what what death sham was there?

0:20:37.920 --> 0:20:40.639
<v Speaker 4>Because Russell had depth Sham So the BC Boys was

0:20:40.680 --> 0:20:43.000
<v Speaker 4>on and LLLL was on there day, but they had

0:20:43.080 --> 0:20:47.320
<v Speaker 4>rush management too where they signed everybody that was out, so.

0:20:47.240 --> 0:20:48.960
<v Speaker 2>They had l L and they had the BC Boy

0:20:49.080 --> 0:20:54.800
<v Speaker 2>Yes that's it, that's it, and oh and Orangew Jones who.

0:20:56.359 --> 0:20:59.600
<v Speaker 1>Was signed Profile Records. Yeah, well, did you say Orange

0:20:59.720 --> 0:21:02.000
<v Speaker 1>was Jones? Yes? I thought oras J. Jones was on

0:21:02.040 --> 0:21:04.720
<v Speaker 1>Tommy Boy. I saw You Walk in the Rain two.

0:21:04.880 --> 0:21:06.600
<v Speaker 1>I think it was on I know it's on Depth Cham.

0:21:06.720 --> 0:21:07.800
<v Speaker 1>Oh it was on Jam.

0:21:07.880 --> 0:21:10.600
<v Speaker 4>Yes, we don't have to google that. It was Russell's boy.

0:21:10.800 --> 0:21:13.240
<v Speaker 4>I might be but I was Russell's best friend. Maybe

0:21:13.240 --> 0:21:14.000
<v Speaker 4>I'm not quite sure.

0:21:14.880 --> 0:21:16.679
<v Speaker 1>You might. You might be right. He might be right. Okay,

0:21:17.359 --> 0:21:21.440
<v Speaker 1>I thought he was on Tommy Boy. I don't know.

0:21:21.480 --> 0:21:23.120
<v Speaker 1>You've been getting a lot of money for a long time.

0:21:23.160 --> 0:21:23.760
<v Speaker 1>You might be right.

0:21:24.480 --> 0:21:29.800
<v Speaker 4>Yes, I know the Pact Boys and Heloja started Depth Cham.

0:21:30.160 --> 0:21:32.439
<v Speaker 2>Those were the first two acts on Deaths And how

0:21:32.440 --> 0:21:35.760
<v Speaker 2>did it feel like the Rush artist versus Death Jam artist?

0:21:35.880 --> 0:21:37.520
<v Speaker 1>Was there any russis just management?

0:21:37.680 --> 0:21:39.280
<v Speaker 2>I know, but did it feel any Was there any

0:21:39.280 --> 0:21:42.000
<v Speaker 2>awkwardness and that that people that are doing the management

0:21:42.080 --> 0:21:43.119
<v Speaker 2>now got this record label?

0:21:43.760 --> 0:21:45.240
<v Speaker 1>Nah? They had Death Jam first.

0:21:46.400 --> 0:21:49.560
<v Speaker 2>I'm saying, was there anything anybody with any of the artists?

0:21:49.720 --> 0:21:54.280
<v Speaker 4>Now everybody was again, there was the biggest, there was

0:21:54.320 --> 0:21:57.879
<v Speaker 4>the hottest out so again everybody. I remember there's a

0:21:57.920 --> 0:22:00.800
<v Speaker 4>picture out with all of us on the Elizabeth Street

0:22:01.119 --> 0:22:04.200
<v Speaker 4>in Manhattan, how where the first office was. So Rock

0:22:04.240 --> 0:22:08.960
<v Speaker 4>Kim was out there was out we out there to

0:22:09.560 --> 0:22:12.680
<v Speaker 4>under rush management. I mean every act that was.

0:22:12.600 --> 0:22:15.400
<v Speaker 1>Somebody was signed to rush except KOs one.

0:22:16.320 --> 0:22:22.240
<v Speaker 3>So let's let's let's get into this legendary Long Island beef.

0:22:23.600 --> 0:22:27.919
<v Speaker 3>Legendary you know you guys, let's.

0:22:27.840 --> 0:22:32.520
<v Speaker 1>Let's coming down with the We're used to this were

0:22:32.600 --> 0:22:35.320
<v Speaker 1>used to, but I'm not used to it.

0:22:35.440 --> 0:22:37.520
<v Speaker 3>Yeah, yes, okay, it's okay, this is this is hip hop.

0:22:38.320 --> 0:22:39.800
<v Speaker 1>Yeah, but they got to shut up and get the.

0:22:39.760 --> 0:22:44.560
<v Speaker 3>Fire every right, everybody pay attention please, But you guys

0:22:44.560 --> 0:22:47.400
<v Speaker 3>got into beef with the legendary Rock Him.

0:22:48.080 --> 0:22:53.400
<v Speaker 1>How the funk does this happen? It's just the neighborhoods

0:22:53.880 --> 0:22:58.840
<v Speaker 1>is well, Long Island again, you know, is a is

0:22:58.880 --> 0:23:03.639
<v Speaker 1>a bunch of rappists, you know right? Well coming through was.

0:23:03.640 --> 0:23:07.640
<v Speaker 4>The beginning was rock Him in the beginning. So here's

0:23:07.680 --> 0:23:10.359
<v Speaker 4>the reason why I really kept rapping because he rhymed slow,

0:23:11.080 --> 0:23:12.960
<v Speaker 4>so I had a list, so I had to rhym

0:23:13.080 --> 0:23:17.360
<v Speaker 4>slow anyway. But he was roming slow, you know, because

0:23:17.520 --> 0:23:21.879
<v Speaker 4>that's how the style was. But Rock Him made this

0:23:22.040 --> 0:23:24.440
<v Speaker 4>song called I Ain't No.

0:23:24.440 --> 0:23:28.280
<v Speaker 3>Joke, and I always wanted to ask you this right.

0:23:28.720 --> 0:23:29.879
<v Speaker 3>I do not think he did.

0:23:29.840 --> 0:23:34.560
<v Speaker 1>Y'all on that. Yeah, but he didn't. This is on that, okay.

0:23:35.040 --> 0:23:37.280
<v Speaker 4>Is the fact that when he said you can get

0:23:37.280 --> 0:23:39.840
<v Speaker 4>a smack for this, I ain't no joke. It just

0:23:39.880 --> 0:23:44.159
<v Speaker 4>happened that your customer came out afterwards. It's like a

0:23:44.240 --> 0:23:46.360
<v Speaker 4>Digama smack, you smacked me, and I smack you back.

0:23:46.400 --> 0:23:48.840
<v Speaker 2>It's not you guys were talking about him right right,

0:23:49.240 --> 0:23:49.880
<v Speaker 2>because you.

0:23:49.800 --> 0:23:51.879
<v Speaker 4>Can get a smack for this. I ain't no joke.

0:23:52.040 --> 0:23:54.240
<v Speaker 4>It's like a Dgama smack. You smacked me and I

0:23:54.320 --> 0:23:58.600
<v Speaker 4>smack you back. So the neighborhoods took it like, oh shit,

0:23:58.880 --> 0:24:00.840
<v Speaker 4>rock him, EPM these this shoe.

0:24:01.080 --> 0:24:03.879
<v Speaker 2>But to be clear, you weren't no and what neighborhood

0:24:04.080 --> 0:24:05.159
<v Speaker 2>off from Brentwood?

0:24:05.320 --> 0:24:08.240
<v Speaker 3>Brittwood that's right next to wander Him who town's over

0:24:08.400 --> 0:24:09.480
<v Speaker 3>two towns.

0:24:09.720 --> 0:24:12.520
<v Speaker 4>So then Rock Kim came back with a butter said

0:24:12.560 --> 0:24:14.440
<v Speaker 4>Dick and I never dug it. He couldn't have followed

0:24:14.480 --> 0:24:17.000
<v Speaker 4>leader long enough, so I drug him in the danes

0:24:17.000 --> 0:24:19.080
<v Speaker 4>of zone. You could have rand. He just kept going,

0:24:19.440 --> 0:24:21.320
<v Speaker 4>you know what I'm saying. So I'm like a I

0:24:21.359 --> 0:24:24.000
<v Speaker 4>told po, we can't we can't beat him. You know,

0:24:24.040 --> 0:24:28.439
<v Speaker 4>we no way, we can't. We can't beat him. So

0:24:28.440 --> 0:24:32.160
<v Speaker 4>so eventually the beef got squashed. But it started from

0:24:32.200 --> 0:24:34.720
<v Speaker 4>the neighbor The neighborhood started to beef. But we was

0:24:34.800 --> 0:24:37.119
<v Speaker 4>never trying to go out of him. It just happened

0:24:37.119 --> 0:24:42.560
<v Speaker 4>that Paris Rhyme had that in it and they took it.

0:24:43.240 --> 0:24:45.080
<v Speaker 4>How serious of that? Did it get serious or not?

0:24:45.119 --> 0:24:45.359
<v Speaker 1>Really?

0:24:45.440 --> 0:24:48.440
<v Speaker 4>Yeah, it got serious, there was it got it got

0:24:48.480 --> 0:24:52.280
<v Speaker 4>it was bad, you know, but again it got squashed eventually.

0:24:52.680 --> 0:24:55.600
<v Speaker 3>You know, do you do you realize Eric Sherman is

0:24:55.760 --> 0:24:58.879
<v Speaker 3>top five one of the best producers in hip hop?

0:24:59.400 --> 0:25:02.560
<v Speaker 1>Ever, I don't know. I mean, hey man, I mean

0:25:02.680 --> 0:25:04.800
<v Speaker 1>there you go make some noise feric sermon.

0:25:07.040 --> 0:25:09.760
<v Speaker 3>Now because I know you you my friend, like like

0:25:09.840 --> 0:25:12.720
<v Speaker 3>so this is it's weird because.

0:25:12.560 --> 0:25:14.480
<v Speaker 1>I always want you to know that.

0:25:15.560 --> 0:25:19.439
<v Speaker 4>Yeah, I mean, listen, there's a guy named Larry Smith

0:25:19.480 --> 0:25:23.320
<v Speaker 4>that came before me, right, Larry Smith did sucking Ce's

0:25:24.200 --> 0:25:26.399
<v Speaker 4>Adventures a Slickering, which is children's story.

0:25:27.080 --> 0:25:28.000
<v Speaker 1>He did Houdini.

0:25:28.680 --> 0:25:32.399
<v Speaker 4>So again, then you got Mally Maul, who if he

0:25:32.440 --> 0:25:35.720
<v Speaker 4>didn't sample, we wouldn't be here. So I automatically have

0:25:35.800 --> 0:25:38.680
<v Speaker 4>to look at those two before I even look at

0:25:38.760 --> 0:25:41.359
<v Speaker 4>down the line or where we all all of us

0:25:41.400 --> 0:25:45.040
<v Speaker 4>come afterwards. I can tell you this, I don't think it.

0:25:45.080 --> 0:25:47.520
<v Speaker 4>I don't think niggas is as much work as I did.

0:25:48.040 --> 0:25:50.639
<v Speaker 4>You know, as far as as far as producing, as

0:25:50.680 --> 0:25:54.360
<v Speaker 4>far as groups, wrap and R and B music, that

0:25:54.440 --> 0:25:57.280
<v Speaker 4>I know that nobody does as much work as I did.

0:25:57.720 --> 0:26:01.159
<v Speaker 4>Now being a producer, I'm not. I never claim the

0:26:01.200 --> 0:26:02.919
<v Speaker 4>best be the best beat maker.

0:26:03.280 --> 0:26:04.480
<v Speaker 1>I'm a record producer.

0:26:04.760 --> 0:26:07.400
<v Speaker 4>That means I tell you that that beat is dope,

0:26:07.440 --> 0:26:10.040
<v Speaker 4>but that beat ain't for you, that versus dope, but

0:26:10.080 --> 0:26:13.359
<v Speaker 4>that verse don't belong here, that versus dope, but it

0:26:13.400 --> 0:26:16.440
<v Speaker 4>should go third, and that should go second, that chorus

0:26:16.480 --> 0:26:19.520
<v Speaker 4>don't match. That means that a producer, I'm making the

0:26:19.840 --> 0:26:23.720
<v Speaker 4>I'm making the best record possible for the artists. So

0:26:23.880 --> 0:26:27.879
<v Speaker 4>beat makers make beats. I'm not that Quincy Jones. I'm

0:26:27.920 --> 0:26:30.960
<v Speaker 4>a producer, you know. So it's a big difference.

0:26:32.200 --> 0:26:36.320
<v Speaker 2>But you do make beat I'm not a beast.

0:26:36.480 --> 0:26:40.119
<v Speaker 4>No, No, I am a producer. But you got to

0:26:40.200 --> 0:26:43.199
<v Speaker 4>say the two things you want the distinction to be

0:26:43.280 --> 0:26:47.080
<v Speaker 4>a beat maker just makes beats. I'm not that I

0:26:47.720 --> 0:26:51.240
<v Speaker 4>make A producer is everything everything okay.

0:26:51.600 --> 0:26:54.480
<v Speaker 1>And you. You don't look at yourself as a producer

0:26:54.920 --> 0:26:55.600
<v Speaker 1>as a producer.

0:26:55.680 --> 0:26:59.119
<v Speaker 3>Yes, okay, I'm gonna be honest with you.

0:26:57.760 --> 0:26:59.880
<v Speaker 1>You get you.

0:26:59.880 --> 0:27:03.280
<v Speaker 3>You gave me a record one time and Red Man

0:27:03.440 --> 0:27:06.399
<v Speaker 3>used this ship And this is the biggest miss This

0:27:06.520 --> 0:27:08.840
<v Speaker 3>is probably one of the biggest mistakes of my career.

0:27:08.880 --> 0:27:17.639
<v Speaker 1>What record is this? I'm what is the a rap?

0:27:15.960 --> 0:27:19.760
<v Speaker 2>I did you send me that record?

0:27:20.240 --> 0:27:22.040
<v Speaker 1>That ship was? I don't know if you made it

0:27:22.040 --> 0:27:22.280
<v Speaker 1>for me?

0:27:23.000 --> 0:27:25.920
<v Speaker 4>No, No, I didn't make to be it's just blaze.

0:27:26.000 --> 0:27:28.159
<v Speaker 4>I just wanted you to be on the record. And

0:27:28.200 --> 0:27:29.280
<v Speaker 4>I thought it was dope for you.

0:27:29.400 --> 0:27:31.359
<v Speaker 1>I didn't know that. I thought it was dope for you.

0:27:32.119 --> 0:27:35.800
<v Speaker 3>And I I was on tour or something. I was

0:27:35.880 --> 0:27:39.199
<v Speaker 3>just like, just just busy. And when I look and

0:27:39.240 --> 0:27:41.520
<v Speaker 3>then Red Man used this ship, I was so mad.

0:27:41.800 --> 0:27:42.680
<v Speaker 1>I'm not listen.

0:27:42.880 --> 0:27:46.160
<v Speaker 4>I'm not mad because when I was doing fifty cent

0:27:46.320 --> 0:27:49.679
<v Speaker 4>and I did the heat Waves, I was happy you

0:27:49.720 --> 0:27:53.800
<v Speaker 4>got on the record because because the chorus needed that

0:27:54.359 --> 0:27:57.480
<v Speaker 4>what what we don't tell niggas out like I need

0:27:57.520 --> 0:27:59.040
<v Speaker 4>that that keep.

0:27:58.920 --> 0:28:00.480
<v Speaker 1>Going here going.

0:28:00.680 --> 0:28:05.560
<v Speaker 3>I was the first person on fifty cents project when

0:28:05.640 --> 0:28:08.080
<v Speaker 3>everybody did not believe in fifty cent.

0:28:08.640 --> 0:28:13.000
<v Speaker 1>I was the first Hoy Day local man.

0:28:14.320 --> 0:28:18.760
<v Speaker 3>I was the first person fifty cents first feature.

0:28:20.080 --> 0:28:22.920
<v Speaker 1>And guess what two of them? I did two of them.

0:28:23.040 --> 0:28:25.520
<v Speaker 1>So thank you for that. They said that here, Yeah,

0:28:25.560 --> 0:28:28.120
<v Speaker 1>because once once, how the rob came.

0:28:28.119 --> 0:28:33.959
<v Speaker 4>He got signed, so no one wanted to guy so

0:28:34.359 --> 0:28:37.280
<v Speaker 4>he Wade was the first single and then he got shot.

0:28:37.960 --> 0:28:39.800
<v Speaker 4>So so so that was.

0:28:39.760 --> 0:28:42.680
<v Speaker 2>So hold up real quick because actually we asked people

0:28:42.720 --> 0:28:46.120
<v Speaker 2>on Twitter, on xCE, on Facebook for some questions for you,

0:28:46.240 --> 0:28:47.880
<v Speaker 2>and that was actually one of the questions that they

0:28:47.880 --> 0:28:50.600
<v Speaker 2>said that did you do you feel like you.

0:28:50.560 --> 0:28:52.880
<v Speaker 1>Passed on fifty or what? What didn't work out? Like

0:28:53.000 --> 0:28:56.840
<v Speaker 1>why didn't you sign fifty? Cory Rooney lived next door

0:28:56.840 --> 0:28:57.040
<v Speaker 1>to me.

0:28:57.480 --> 0:29:00.560
<v Speaker 4>That's what trap masters Krey Rooney, So Coy knocked on

0:29:00.640 --> 0:29:04.040
<v Speaker 4>my Corey really knocked on my door and kind of like,

0:29:04.080 --> 0:29:05.600
<v Speaker 4>you know, handed me fifty.

0:29:05.960 --> 0:29:08.800
<v Speaker 1>So we did make records, Like I said, four what

0:29:08.960 --> 0:29:09.360
<v Speaker 1>a CD?

0:29:09.560 --> 0:29:12.360
<v Speaker 2>No him, No, like I brought it personally to you know,

0:29:12.400 --> 0:29:16.080
<v Speaker 2>he came with him. Yes, I don't think a lot

0:29:16.120 --> 0:29:17.160
<v Speaker 2>of people know this correlation.

0:29:17.200 --> 0:29:17.680
<v Speaker 1>I didn't know.

0:29:18.160 --> 0:29:20.840
<v Speaker 4>I don't know the same with him. So fifty would

0:29:20.840 --> 0:29:23.200
<v Speaker 4>come over every day. We would make records.

0:29:23.200 --> 0:29:26.760
<v Speaker 1>The whole nine, and I think we made like five records,

0:29:26.880 --> 0:29:29.400
<v Speaker 1>That's what I said. Listen, it was in my basement,

0:29:29.440 --> 0:29:31.760
<v Speaker 1>so of course you had to be on heat wave.

0:29:32.080 --> 0:29:34.080
<v Speaker 1>This is done at my house, you know what I'm saying.

0:29:34.360 --> 0:29:35.880
<v Speaker 4>So, but at the end of the end of the day,

0:29:37.840 --> 0:29:40.840
<v Speaker 4>he was already signed the Trap Masses and I was Sony,

0:29:41.200 --> 0:29:44.960
<v Speaker 4>so I didn't have an opportunity to get that my boy.

0:29:45.000 --> 0:29:49.560
<v Speaker 4>But Nod was managing him, you know. So that's where

0:29:49.600 --> 0:29:52.480
<v Speaker 4>the connection came out from. But I didn't have an

0:29:52.520 --> 0:29:56.000
<v Speaker 4>opportunity to sign him, so I didn't pass. I just

0:29:56.080 --> 0:29:57.480
<v Speaker 4>did the work as a producer.

0:29:57.800 --> 0:30:00.880
<v Speaker 3>You know, when when he did, you step up and

0:30:02.000 --> 0:30:04.240
<v Speaker 3>try to say, yo.

0:30:03.760 --> 0:30:04.600
<v Speaker 1>He's already signed.

0:30:04.600 --> 0:30:07.080
<v Speaker 2>But after Track Masters, because that there was that time

0:30:07.120 --> 0:30:08.720
<v Speaker 2>frame before Eminem that you oh.

0:30:08.680 --> 0:30:09.440
<v Speaker 1>No, yeah, yeah.

0:30:09.480 --> 0:30:13.040
<v Speaker 4>But but he was again, he was be cooping, doing things,

0:30:13.040 --> 0:30:16.120
<v Speaker 4>you know whatever. He was up up in the Poconos

0:30:16.120 --> 0:30:18.320
<v Speaker 4>at the time, the whole one, so he was getting

0:30:18.320 --> 0:30:20.760
<v Speaker 4>this ship together to come out and destroy the world,

0:30:21.040 --> 0:30:21.560
<v Speaker 4>you know what I'm saying.

0:30:21.600 --> 0:30:25.760
<v Speaker 1>So I didn't have contact after that. After somebody gets shot.

0:30:25.640 --> 0:30:29.040
<v Speaker 2>They ain't fucking with nobody, So that changes things for sure.

0:30:29.080 --> 0:30:30.960
<v Speaker 2>So well, I think I mean, honestly, I just think

0:30:31.000 --> 0:30:34.120
<v Speaker 2>that not many people have heard that connection of fifty

0:30:34.200 --> 0:30:35.000
<v Speaker 2>and Eric Sermon.

0:30:35.400 --> 0:30:36.400
<v Speaker 1>So well. You got to.

0:30:36.440 --> 0:30:38.960
<v Speaker 4>Understand though, too. This is another thing where people don't

0:30:39.040 --> 0:30:45.640
<v Speaker 4>understand about me. I could have signed Ludacris. I could

0:30:45.680 --> 0:30:49.120
<v Speaker 4>have signed Game. I could have signed Wu Tang going down.

0:30:50.600 --> 0:30:54.360
<v Speaker 3>Let's break break that down. Ludacris, tell me how you

0:30:54.360 --> 0:30:55.280
<v Speaker 3>could have signed Ludacris.

0:30:55.360 --> 0:30:57.959
<v Speaker 1>I moved to Atlanta. You were the first artists from

0:30:57.960 --> 0:31:00.760
<v Speaker 1>New York to be all up in Atlanta. Was the

0:31:00.880 --> 0:31:04.480
<v Speaker 1>the first so to Atlanta.

0:31:04.200 --> 0:31:07.480
<v Speaker 3>Right, So, my man, Greg, you knew that was black

0:31:07.480 --> 0:31:09.920
<v Speaker 3>Hollywood in the LANDA So too Short came after you

0:31:09.920 --> 0:31:11.600
<v Speaker 3>because I know too Short ended up there.

0:31:11.760 --> 0:31:14.280
<v Speaker 4>Came after everybody came after when they saw me in

0:31:14.280 --> 0:31:16.760
<v Speaker 4>a source magazine and saw I was in Georgia. They

0:31:16.760 --> 0:31:19.400
<v Speaker 4>all came after him, scar faced the whole nine. And

0:31:19.480 --> 0:31:21.480
<v Speaker 4>Tupac was at the rim shop too, so he was

0:31:21.520 --> 0:31:23.680
<v Speaker 4>already kind of coming in and out, you know what

0:31:23.680 --> 0:31:26.320
<v Speaker 4>I'm saying. So but but Lucris would comes with the

0:31:26.360 --> 0:31:30.640
<v Speaker 4>crib and play his was he Chris Lover at the time,

0:31:30.760 --> 0:31:33.960
<v Speaker 4>right christ Radio and poooning Daddy Daddy on and pulling

0:31:34.000 --> 0:31:34.960
<v Speaker 4>level of love on radio.

0:31:36.240 --> 0:31:39.480
<v Speaker 1>So again I just thought.

0:31:39.320 --> 0:31:43.120
<v Speaker 4>It was more of a red Man thing, even though

0:31:43.120 --> 0:31:45.520
<v Speaker 4>he was nice, right, but he had to fro he

0:31:45.600 --> 0:31:47.720
<v Speaker 4>had the whole nines, this, that, that, this, But he

0:31:47.800 --> 0:31:50.560
<v Speaker 4>was nice and matter of fact. When Lula Chris got signed,

0:31:50.960 --> 0:31:53.400
<v Speaker 4>he called my phone and said, Eric, should I signed

0:31:53.400 --> 0:31:55.520
<v Speaker 4>with Sylvia Rome or soiund with death Sham?

0:31:55.680 --> 0:31:57.840
<v Speaker 1>I said, sound with death sham? You know, no, cap

0:31:57.880 --> 0:32:00.720
<v Speaker 1>go and ask him.

0:32:01.520 --> 0:32:03.720
<v Speaker 2>Wait, but when you say he's more of a red

0:32:03.760 --> 0:32:06.000
<v Speaker 2>Man thing, like you like for Redman to take him

0:32:06.040 --> 0:32:09.360
<v Speaker 2>on as an artist, No, I already had somebody like

0:32:09.400 --> 0:32:15.040
<v Speaker 2>oh you you already had a Ludicris Jason type artists

0:32:15.080 --> 0:32:15.640
<v Speaker 2>right right, I got it.

0:32:15.720 --> 0:32:16.440
<v Speaker 1>I would say I'm in.

0:32:16.760 --> 0:32:18.800
<v Speaker 4>But he was nice as I cam in front of me,

0:32:19.200 --> 0:32:22.480
<v Speaker 4>nice as hell. But I just you know, again, I'm

0:32:22.520 --> 0:32:23.400
<v Speaker 4>just getting to Georgia.

0:32:23.440 --> 0:32:25.640
<v Speaker 1>I'm new, you know what I mean. But I but

0:32:25.880 --> 0:32:30.280
<v Speaker 1>I saw that you got Players Club every night. I'm

0:32:30.320 --> 0:32:30.960
<v Speaker 1>making it rain.

0:32:31.480 --> 0:32:34.440
<v Speaker 4>No, I ain't ever gonna a stripped a dime, but

0:32:34.720 --> 0:32:37.480
<v Speaker 4>as far as I saw that part of him, so

0:32:37.520 --> 0:32:41.080
<v Speaker 4>that's why. But again, the respect level was there when

0:32:41.120 --> 0:32:43.480
<v Speaker 4>he got signed to ask me like, yo, should I

0:32:43.520 --> 0:32:46.120
<v Speaker 4>go here? Go here even though Sylvia Rohne was offering

0:32:46.160 --> 0:32:49.360
<v Speaker 4>him a million dollars and death Sham offered them seven fifty.

0:32:49.520 --> 0:32:51.000
<v Speaker 2>I just say go with death Sham. It's a better

0:32:51.040 --> 0:32:54.200
<v Speaker 2>look with death Jam. And this is Russ Leon. Julie

0:32:54.240 --> 0:32:56.440
<v Speaker 2>Green was a better look for him. He's an MC

0:32:56.760 --> 0:32:58.440
<v Speaker 2>and it was a great look. Look, great look.

0:32:58.720 --> 0:32:58.920
<v Speaker 1>Yeah.

0:32:59.120 --> 0:33:01.360
<v Speaker 2>So wait, we gotta talk about Wu Tang. How does

0:33:01.400 --> 0:33:04.520
<v Speaker 2>this wait? Wait did you say yeah, we said Wu Tang.

0:33:04.920 --> 0:33:07.600
<v Speaker 2>You said you had a chance to sign Wu Tang.

0:33:07.640 --> 0:33:11.000
<v Speaker 4>So but no, Alexander again my best friend, but no,

0:33:11.640 --> 0:33:14.760
<v Speaker 4>father he deserved had their church. Drinker had a church

0:33:14.800 --> 0:33:17.160
<v Speaker 4>in Staten Island. Yeah, the church right, so he was

0:33:17.160 --> 0:33:19.280
<v Speaker 4>the pastor. But now I've been going to church. His

0:33:19.360 --> 0:33:21.240
<v Speaker 4>father had this church for twenty years. I been drinking

0:33:21.280 --> 0:33:22.880
<v Speaker 4>with Banar. How are you out of the church.

0:33:23.000 --> 0:33:24.800
<v Speaker 1>Right, So he's a he's a son of a pastor.

0:33:25.240 --> 0:33:26.080
<v Speaker 1>So yeah, church.

0:33:26.160 --> 0:33:29.880
<v Speaker 2>So but now it took me to go see Ray Kwan.

0:33:29.960 --> 0:33:34.400
<v Speaker 2>His name was Sean Lai. Yes, you went to stant Island.

0:33:34.520 --> 0:33:39.400
<v Speaker 2>Nobody told you Staten Island. Nobody went to stant Island

0:33:39.440 --> 0:33:41.400
<v Speaker 2>back of the day, but I did. I got robbing

0:33:41.480 --> 0:33:46.320
<v Speaker 2>stant Island too. But but but don't tell me for

0:33:46.400 --> 0:33:49.280
<v Speaker 2>a girl. Yeah, for a girl. I watched you episode

0:33:49.280 --> 0:33:49.800
<v Speaker 2>with mit Blee.

0:33:49.880 --> 0:33:50.760
<v Speaker 1>I did. I got dropped.

0:33:50.880 --> 0:33:54.440
<v Speaker 3>It's always a girl. But I came back your green

0:33:54.480 --> 0:33:56.000
<v Speaker 3>eyes fuck you up with visins.

0:33:56.200 --> 0:33:58.760
<v Speaker 1>So listen. When he heard the woo, you don't yeah,

0:33:58.800 --> 0:33:59.960
<v Speaker 1>come on give us the who taste.

0:34:00.200 --> 0:34:04.680
<v Speaker 4>So I talked to ray Kwon and and Raykwon tell

0:34:04.760 --> 0:34:07.440
<v Speaker 4>the story. I was gonna sound ray Kon by himself

0:34:07.960 --> 0:34:11.560
<v Speaker 4>right right. But there's a picture on my eye rock

0:34:11.880 --> 0:34:15.160
<v Speaker 4>with all the Wu Tang members right on the I rock.

0:34:15.239 --> 0:34:17.480
<v Speaker 4>It's a dope picture. I don't know where his pick at,

0:34:17.520 --> 0:34:21.440
<v Speaker 4>but it was out at one time. But but I

0:34:21.560 --> 0:34:24.600
<v Speaker 4>was too young to know. You know what I'm saying, begause,

0:34:24.640 --> 0:34:28.800
<v Speaker 4>I'm brand new myself. This is nineteen eighty nine.

0:34:29.080 --> 0:34:31.480
<v Speaker 2>Wait, this is eighty nine when you meet Raykon?

0:34:31.960 --> 0:34:32.959
<v Speaker 1>Right A nine?

0:34:33.520 --> 0:34:34.160
<v Speaker 5>Wow?

0:34:34.280 --> 0:34:39.319
<v Speaker 4>That super early for all who A nine yeah, A

0:34:39.480 --> 0:34:43.839
<v Speaker 4>nine ninety. So I see Raykon again. I go back

0:34:43.880 --> 0:34:45.880
<v Speaker 4>to start now and I see him walking.

0:34:46.239 --> 0:34:48.760
<v Speaker 1>I stop him. I give him my number.

0:34:49.960 --> 0:34:52.600
<v Speaker 4>Ray Kon told me that he put the number in

0:34:52.680 --> 0:34:54.480
<v Speaker 4>the dresser and didn't look.

0:34:54.360 --> 0:34:55.640
<v Speaker 1>At it for two weeks.

0:34:55.960 --> 0:34:58.839
<v Speaker 2>Wow, because he was because he't know if he wanted

0:34:58.840 --> 0:34:59.440
<v Speaker 2>to call or not.

0:35:00.200 --> 0:35:01.680
<v Speaker 1>So time go by.

0:35:02.120 --> 0:35:03.840
<v Speaker 2>Next thing, you know, I go to Jack to rapper,

0:35:04.400 --> 0:35:06.640
<v Speaker 2>I hit protect your neck out of here.

0:35:06.640 --> 0:35:08.240
<v Speaker 1>You know what I'm saying. But again you know whatever.

0:35:09.160 --> 0:35:11.520
<v Speaker 4>But but but but if I if I would have

0:35:11.600 --> 0:35:16.480
<v Speaker 4>known what I knew, I would have had Wu Tang clan.

0:35:16.800 --> 0:35:21.440
<v Speaker 2>Yes, man makes some noise for that. Listen any it

0:35:21.520 --> 0:35:25.360
<v Speaker 2>real quick. I know he's a dream Chance of alumni.

0:35:25.400 --> 0:35:28.319
<v Speaker 2>He's been, he's gotten his flowers. But still we got

0:35:28.320 --> 0:35:30.080
<v Speaker 2>to give him something we can he can't leave upty

0:35:30.120 --> 0:35:31.279
<v Speaker 2>handed flowers.

0:35:31.520 --> 0:35:31.680
<v Speaker 1>Yo.

0:35:31.719 --> 0:35:34.960
<v Speaker 2>Well we got something for you, Eric. Okay, that's the

0:35:35.000 --> 0:35:36.000
<v Speaker 2>new for our simon.

0:35:36.080 --> 0:35:39.959
<v Speaker 1>Please. No one's never had those flowers. Give it to you.

0:35:40.000 --> 0:35:42.080
<v Speaker 1>Never had that case though. Yeah, this is that. That's

0:35:42.120 --> 0:35:49.719
<v Speaker 1>the truth. Okay, that's the road. Yo. With the Rolex watch,

0:35:49.800 --> 0:35:53.879
<v Speaker 1>nigga like, I'm like that's I was looking at the watch.

0:35:53.920 --> 0:35:55.879
<v Speaker 1>What watches that? That's black?

0:35:58.360 --> 0:36:02.520
<v Speaker 3>This is gradual Okay, yeah, this is five right, it's fire.

0:36:02.560 --> 0:36:04.719
<v Speaker 1>Listen. We got a quick quick time with line.

0:36:04.760 --> 0:36:06.719
<v Speaker 2>I got a couple of a quick quick time and

0:36:06.719 --> 0:36:09.319
<v Speaker 2>then he wants a designated drinker, which he already picked.

0:36:09.320 --> 0:36:11.400
<v Speaker 1>Sonny. Sonny step up to the play. Oh god, wait

0:36:11.440 --> 0:36:13.480
<v Speaker 1>wait wait, I ain't tell you about the other rappers.

0:36:13.800 --> 0:36:16.200
<v Speaker 3>Yeah, get the community, but Sonny get ready gets get

0:36:16.239 --> 0:36:19.200
<v Speaker 3>into Wu Tang and then you said said ludicrous Wu

0:36:19.280 --> 0:36:20.319
<v Speaker 3>Tang and then who else?

0:36:20.400 --> 0:36:23.120
<v Speaker 1>Then there's the game, the game Game right.

0:36:23.239 --> 0:36:25.560
<v Speaker 3>You could have signed Game before doctor dre.

0:36:25.600 --> 0:36:27.920
<v Speaker 2>Yes, give us the year, so it's more context of

0:36:27.960 --> 0:36:28.960
<v Speaker 2>when you meet these people.

0:36:29.040 --> 0:36:31.560
<v Speaker 1>Well, I meet Game early too. Again.

0:36:31.640 --> 0:36:35.359
<v Speaker 4>My boy d Mac with had Game and Game met

0:36:35.360 --> 0:36:38.720
<v Speaker 4>me at the Fox Hills mall right, and I told.

0:36:38.600 --> 0:36:41.360
<v Speaker 2>Him, mall that's the Black Mare right in California, the

0:36:41.440 --> 0:36:42.640
<v Speaker 2>Black Mare, right, black One.

0:36:42.840 --> 0:36:47.120
<v Speaker 4>And I told him to spit sixteen for me, but

0:36:47.239 --> 0:36:50.040
<v Speaker 4>he didn't know what I what I meant to spit

0:36:50.120 --> 0:36:51.040
<v Speaker 4>sixteen bars?

0:36:51.239 --> 0:36:53.239
<v Speaker 2>Wait, behold the hold up? So you randomly meet in

0:36:53.280 --> 0:36:55.960
<v Speaker 2>the mall, just random? No, my boy brought him there, Oh,

0:36:55.960 --> 0:36:57.240
<v Speaker 2>brought him, not to meet you, Okay.

0:36:57.000 --> 0:36:59.080
<v Speaker 1>I just told you. My boy d Mack brought him

0:36:59.080 --> 0:37:00.279
<v Speaker 1>to the mall to me me.

0:37:01.080 --> 0:37:04.279
<v Speaker 4>So James tells this story too, and one of the

0:37:04.320 --> 0:37:06.880
<v Speaker 4>magazine says, I was want to sign with Eric but

0:37:07.000 --> 0:37:09.800
<v Speaker 4>he wasn't ready, so I signed with fifty.

0:37:10.600 --> 0:37:13.160
<v Speaker 2>And that's crazy that the triangle that it was agree

0:37:13.200 --> 0:37:13.840
<v Speaker 2>with that story.

0:37:13.960 --> 0:37:17.960
<v Speaker 4>You wasn't ready, Yeah, I was. I told you I didn't. No, Yeah,

0:37:18.080 --> 0:37:20.919
<v Speaker 4>I was doing me. You gotta understand, I was really,

0:37:21.320 --> 0:37:24.000
<v Speaker 4>I mean, I had a lot of deals, with a

0:37:24.040 --> 0:37:24.239
<v Speaker 4>lot of.

0:37:24.280 --> 0:37:26.440
<v Speaker 1>Shit's going on. I was, you know, it was outside.

0:37:26.480 --> 0:37:28.080
<v Speaker 1>I was in the I was in these labels.

0:37:28.560 --> 0:37:33.440
<v Speaker 4>Now, Tony Draper bought me Rick Ross right in the beginning.

0:37:33.040 --> 0:37:35.399
<v Speaker 2>Remember when Tony was messing with real right, so now

0:37:35.440 --> 0:37:40.000
<v Speaker 2>our house. Now his name was Teflon, right, yep, Teflon.

0:37:40.320 --> 0:37:45.319
<v Speaker 4>So Teflon was on my nineteen ninety nine album as Teflon. Right,

0:37:45.560 --> 0:37:47.560
<v Speaker 4>it was writing a lot for Trina and then back then.

0:37:47.440 --> 0:37:47.799
<v Speaker 1>Too, right.

0:37:47.920 --> 0:37:51.000
<v Speaker 2>So so Rick Ross was on your nineteen ninety nine

0:37:51.120 --> 0:37:53.239
<v Speaker 2>out right as Teflon as Teflon.

0:37:53.440 --> 0:37:56.719
<v Speaker 3>Yeah, yeah, he was active back yeah, holy moly, guacamole.

0:37:57.080 --> 0:38:01.880
<v Speaker 4>Then and then he came ato my crib and slept

0:38:01.920 --> 0:38:06.000
<v Speaker 4>on my floor and the baby right on the not

0:38:06.040 --> 0:38:08.080
<v Speaker 4>on the floor, but he was in my basement. He

0:38:08.200 --> 0:38:10.759
<v Speaker 4>tells the story. I was at Eric Summon's house for

0:38:10.920 --> 0:38:17.080
<v Speaker 4>months making records. Right, So again I could have probably

0:38:17.160 --> 0:38:20.319
<v Speaker 4>signed Ross even though he was signed the Draper. I

0:38:20.400 --> 0:38:23.040
<v Speaker 4>just didn't know how to make that move. At the time,

0:38:23.200 --> 0:38:24.920
<v Speaker 4>and I had my own artists.

0:38:26.480 --> 0:38:26.800
<v Speaker 1>Again.

0:38:28.000 --> 0:38:30.319
<v Speaker 4>I love your story, man, Yeah yeah, but do you

0:38:30.440 --> 0:38:34.760
<v Speaker 4>understand the people who was in front of me. Somebody

0:38:34.800 --> 0:38:38.840
<v Speaker 4>bought Biggie Smalls to me, asked Benaud. Bernard said, somebody

0:38:38.840 --> 0:38:40.880
<v Speaker 4>bought Biggie Smalls to me to the barbershop.

0:38:41.000 --> 0:38:42.799
<v Speaker 2>Next thing you're gonna say, Michael Jackson came to you.

0:38:42.880 --> 0:38:45.960
<v Speaker 1>Fine, listen, I don't got no cap with you.

0:38:46.239 --> 0:38:49.440
<v Speaker 4>Somebody brought Biggie Smalls to the barbershop and I didn't

0:38:49.480 --> 0:38:50.760
<v Speaker 4>listen to him.

0:38:50.960 --> 0:38:53.040
<v Speaker 1>This is before this before this is.

0:38:53.040 --> 0:38:57.000
<v Speaker 2>Before a party and bull when he was definitely Biggie

0:38:57.000 --> 0:38:57.600
<v Speaker 2>small body.

0:38:58.239 --> 0:39:01.360
<v Speaker 3>It was nobody and they all right, so let's describe

0:39:01.400 --> 0:39:02.040
<v Speaker 3>that situation.

0:39:02.400 --> 0:39:05.800
<v Speaker 1>What did they say? This is the next dude from Brooklyn.

0:39:06.320 --> 0:39:08.120
<v Speaker 1>I don't know. I don't know who. No, I bring

0:39:08.160 --> 0:39:10.560
<v Speaker 1>your ass over. I don't know who was it? But

0:39:10.719 --> 0:39:13.680
<v Speaker 1>who barbershop I was at? But but I don't know who.

0:39:13.719 --> 0:39:20.480
<v Speaker 1>Mike he gonna no, yes, yes, he said, oh.

0:39:20.320 --> 0:39:22.480
<v Speaker 4>Guess the ball, but that's where he was at. He

0:39:22.560 --> 0:39:24.520
<v Speaker 4>was bought and somebody said, yo, check him out. I

0:39:24.560 --> 0:39:27.520
<v Speaker 4>just didn't get I wasn't there. I was getting their

0:39:27.560 --> 0:39:29.600
<v Speaker 4>hair cut. Go see something problem.

0:39:29.640 --> 0:39:31.879
<v Speaker 3>You was getting so much money that you ain't see

0:39:31.960 --> 0:39:33.359
<v Speaker 3>so much more money.

0:39:33.160 --> 0:39:35.120
<v Speaker 4>Not the money I was going to see whatever girl

0:39:35.160 --> 0:39:36.080
<v Speaker 4>I was going to go see.

0:39:36.320 --> 0:39:37.840
<v Speaker 1>Yo, I ain't gonna lie. You got a lot of

0:39:37.880 --> 0:39:38.560
<v Speaker 1>girl problems.

0:39:39.680 --> 0:39:42.640
<v Speaker 3>I will watch you a Memphis Big podcast because it

0:39:42.680 --> 0:39:44.640
<v Speaker 3>ain't even out yet, and.

0:39:44.640 --> 0:39:47.240
<v Speaker 1>I washed it wasn't a girl, Pam was any rapper?

0:39:47.640 --> 0:39:50.319
<v Speaker 1>You was new. It's what you did. That's your green eyes. Yes,

0:39:50.440 --> 0:39:51.000
<v Speaker 1>what you did?

0:39:53.640 --> 0:39:56.560
<v Speaker 3>You you Every girl wanted green eyes babies.

0:39:56.680 --> 0:39:59.720
<v Speaker 1>Is there any other rapper? Any other people eyes?

0:40:00.120 --> 0:40:00.239
<v Speaker 6>No?

0:40:00.360 --> 0:40:02.080
<v Speaker 1>My father got green I went the first one to

0:40:02.560 --> 0:40:07.319
<v Speaker 1>work with Acon too. Damn man, he just he just

0:40:07.400 --> 0:40:10.959
<v Speaker 1>he just slipped the script. What's that we asked about

0:40:11.000 --> 0:40:11.759
<v Speaker 1>Africa at all?

0:40:11.880 --> 0:40:15.560
<v Speaker 4>It's Atlanta. My boy, Divine had him. Nobody knew what

0:40:15.600 --> 0:40:16.840
<v Speaker 4>to do. So I was just doing the fath for

0:40:16.920 --> 0:40:19.520
<v Speaker 4>my boy. So I was making records with him.

0:40:19.560 --> 0:40:22.279
<v Speaker 1>So what was the first record with you and A kon? No?

0:40:22.520 --> 0:40:25.840
<v Speaker 1>Nothing came out until but no again.

0:40:27.160 --> 0:40:30.719
<v Speaker 2>But that tell ya something.

0:40:32.320 --> 0:40:35.200
<v Speaker 1>I'm trying to not say the word nigga no more.

0:40:35.520 --> 0:40:40.040
<v Speaker 3>Right, So I'm kind of like fucked up because I

0:40:40.040 --> 0:40:42.000
<v Speaker 3>don't want to say I really want to be a

0:40:42.000 --> 0:40:45.239
<v Speaker 3>better person as an individual. And I don't want to

0:40:45.280 --> 0:40:47.040
<v Speaker 3>say nigga no more, but.

0:40:46.640 --> 0:40:49.640
<v Speaker 4>But no that nigga listen man, but Nah brought me

0:40:49.680 --> 0:40:52.879
<v Speaker 4>the Foujies. I turned him down, Jesus, but Nah brought

0:40:52.880 --> 0:40:55.880
<v Speaker 4>me Nas. Nas came to the studio and I didn't.

0:40:55.960 --> 0:40:57.160
<v Speaker 4>I didn't understand it.

0:40:57.200 --> 0:40:59.040
<v Speaker 1>So you're found. I m's not getting mad at you

0:40:59.120 --> 0:41:03.480
<v Speaker 1>right now. So so I gave him. I gave him.

0:41:04.000 --> 0:41:06.920
<v Speaker 1>I hated in the stand them stop. Wait, no, I

0:41:06.960 --> 0:41:08.239
<v Speaker 1>need to I need to know. I need to know

0:41:08.360 --> 0:41:11.240
<v Speaker 1>Ana story. How did that happen?

0:41:11.680 --> 0:41:15.759
<v Speaker 4>So Banar was managing at the management company too that

0:41:15.800 --> 0:41:19.200
<v Speaker 4>he was at what's that big man company, what's the

0:41:19.200 --> 0:41:19.919
<v Speaker 4>big man be coming?

0:41:20.000 --> 0:41:24.640
<v Speaker 1>He was working for. He had DOSC Communications, had.

0:41:24.560 --> 0:41:27.400
<v Speaker 4>All these groups, all these big group Fuuji's Nas and

0:41:27.400 --> 0:41:30.160
<v Speaker 4>all these other rock groups. They was all signed to

0:41:30.360 --> 0:41:35.160
<v Speaker 4>where Bernard was managing that. So Nah was making illmatic

0:41:35.480 --> 0:41:39.040
<v Speaker 4>at the time. So he comes to Long Island. So

0:41:39.080 --> 0:41:42.000
<v Speaker 4>I sit with him, but I'm not playing him nothing

0:41:42.040 --> 0:41:46.400
<v Speaker 4>that is explosive. I'm playing them seedless beats. Don't forget.

0:41:46.520 --> 0:41:49.920
<v Speaker 4>I got Redman, I got dos effects, I got case solo.

0:41:50.200 --> 0:41:52.840
<v Speaker 4>So the type of enrhymement I'm hearing is people that

0:41:52.960 --> 0:41:55.720
<v Speaker 4>got technique and styling doing something different.

0:41:56.000 --> 0:41:58.560
<v Speaker 2>I'm mad at you, I'm mad at myself. He was

0:41:58.600 --> 0:42:01.680
<v Speaker 2>in a hit squad mentality, right, So when Nas was.

0:42:01.719 --> 0:42:03.880
<v Speaker 1>I wasn't there. But I'm still mad ahead.

0:42:03.920 --> 0:42:07.160
<v Speaker 4>So when Nads was coming with the whatever Queensbridge was

0:42:07.320 --> 0:42:11.200
<v Speaker 4>and how how he was coming up, it wasn't registering

0:42:11.239 --> 0:42:13.880
<v Speaker 4>with me, so I didn't take it seriously.

0:42:14.640 --> 0:42:17.480
<v Speaker 1>So so after he left me, but not take him

0:42:17.520 --> 0:42:21.160
<v Speaker 1>to Pete Rock's house and the rest is history.

0:42:21.160 --> 0:42:25.400
<v Speaker 4>For that's the only fuck up that I'm mad that

0:42:25.520 --> 0:42:26.840
<v Speaker 4>I didn't understand.

0:42:26.960 --> 0:42:30.879
<v Speaker 2>Gret fucking move Bernard, Thank god for Bernard Man.

0:42:31.480 --> 0:42:36.840
<v Speaker 1>He makes a noise, That's the only one I know

0:42:36.880 --> 0:42:37.680
<v Speaker 1>that's boo boo.

0:42:38.000 --> 0:42:40.600
<v Speaker 3>Let me ask you as a as as a person, right,

0:42:41.120 --> 0:42:43.359
<v Speaker 3>as a person, Yeah, as a person.

0:42:43.080 --> 0:42:47.719
<v Speaker 1>Because so many times.

0:42:47.719 --> 0:42:49.960
<v Speaker 3>It's been the opportunity that has been presented in me

0:42:50.960 --> 0:42:54.600
<v Speaker 3>and like it's like, you know, I'm I'm a runner

0:42:54.719 --> 0:42:57.520
<v Speaker 3>right now, right, And I know, I know you don't know.

0:42:57.600 --> 0:43:01.160
<v Speaker 1>Run champs yeah, yeah, yeah, yeah, run champs healthy high, yes, yes,

0:43:01.280 --> 0:43:01.839
<v Speaker 1>healthy high.

0:43:02.080 --> 0:43:05.839
<v Speaker 3>So I'm a I'm a runner, right, but uh, sometimes

0:43:06.000 --> 0:43:09.279
<v Speaker 3>the opportunity to that be presented to me, and I

0:43:09.360 --> 0:43:12.359
<v Speaker 3>just turned this shit down because I don't really need that.

0:43:13.719 --> 0:43:16.319
<v Speaker 3>What made you turn knaves down or what made you

0:43:16.360 --> 0:43:18.040
<v Speaker 3>not see nas?

0:43:18.280 --> 0:43:21.040
<v Speaker 4>I just told you I did stand see where y'all

0:43:21.080 --> 0:43:24.359
<v Speaker 4>come from. Almost got frobbed and the left rack mall.

0:43:25.400 --> 0:43:26.799
<v Speaker 1>Some we sent to maw. Yeah.

0:43:26.800 --> 0:43:30.960
<v Speaker 3>Some girl told me girl girls, you have girl problems.

0:43:31.000 --> 0:43:34.120
<v Speaker 4>Some girls said I'm gonna say, listen, you gotta turn

0:43:34.160 --> 0:43:36.520
<v Speaker 4>around because niggas is looking at you and they come

0:43:36.600 --> 0:43:38.000
<v Speaker 4>to get you.

0:43:38.040 --> 0:43:40.160
<v Speaker 1>No, lie, I'm so sorry. I wished that should have

0:43:40.239 --> 0:43:43.360
<v Speaker 1>my phone number. Back then. You wasn't around. I wasn't around.

0:43:45.200 --> 0:43:47.920
<v Speaker 1>I would have had to back anywhere, but anyway I wouldn't.

0:43:48.239 --> 0:43:48.920
<v Speaker 1>I didn't know.

0:43:49.680 --> 0:43:52.000
<v Speaker 4>Again, you had red men with the ship that he

0:43:52.120 --> 0:43:54.319
<v Speaker 4>was doing you know, you know he was doing.

0:43:54.320 --> 0:43:56.560
<v Speaker 1>You know I got it going on.

0:43:56.760 --> 0:43:59.239
<v Speaker 4>I'm not like to flex because I mean Duran, that's

0:43:59.239 --> 0:44:00.440
<v Speaker 4>effects was bigger do you want?

0:44:00.520 --> 0:44:02.360
<v Speaker 1>And then you had solo work. When I speak it

0:44:02.440 --> 0:44:04.919
<v Speaker 1>so all my rhymes, I get it other shit.

0:44:05.120 --> 0:44:10.520
<v Speaker 4>So my mind wasn't at that type of mentality. So Queensbridge,

0:44:10.640 --> 0:44:12.759
<v Speaker 4>I don't know. I'm not from the city. I'm from

0:44:12.760 --> 0:44:16.480
<v Speaker 4>Long Island, so I couldn't understand where he was coming from.

0:44:16.800 --> 0:44:18.000
<v Speaker 4>That's the only thing I could think of.

0:44:19.800 --> 0:44:25.560
<v Speaker 3>I'll tell you this, Eric Sherman, Queensbridge is the most

0:44:29.120 --> 0:44:31.799
<v Speaker 3>important projects in New York City. I got to know

0:44:31.800 --> 0:44:34.480
<v Speaker 3>where Queensbridge is. And I'm from left Rack, I'm not

0:44:34.480 --> 0:44:41.279
<v Speaker 3>from Okay. But queens Bridge is the only hood in

0:44:41.400 --> 0:44:43.719
<v Speaker 3>Queens that is next to Manhattan.

0:44:43.880 --> 0:44:46.560
<v Speaker 1>Right, it is adjacent to Manhattan. Right, you got to

0:44:46.560 --> 0:44:47.759
<v Speaker 1>cross over in Queensbridge.

0:44:48.200 --> 0:44:53.360
<v Speaker 3>Actually, I forget what hood it is in Compton that

0:44:53.400 --> 0:44:54.359
<v Speaker 3>has the same as that.

0:44:54.520 --> 0:44:58.200
<v Speaker 1>View, but Queensbridge.

0:44:59.120 --> 0:45:02.960
<v Speaker 3>So if you're from queen Bridge and you see Manhattan

0:45:03.280 --> 0:45:07.200
<v Speaker 3>every single day, do you understand how much that is

0:45:07.320 --> 0:45:12.120
<v Speaker 3>for you to be a black child child growing up

0:45:12.160 --> 0:45:16.360
<v Speaker 3>and seeing you see the money, right, it's right there,

0:45:17.719 --> 0:45:21.320
<v Speaker 3>and you gotta grow up still poor and still drink.

0:45:21.560 --> 0:45:24.759
<v Speaker 3>I et a hero today, just so you know what

0:45:24.880 --> 0:45:25.239
<v Speaker 3>a hero?

0:45:25.640 --> 0:45:29.120
<v Speaker 1>What kind turkey and cheese? All right?

0:45:29.840 --> 0:45:31.960
<v Speaker 3>Just to make sure that I could level myself the

0:45:32.000 --> 0:45:32.399
<v Speaker 3>fuck out.

0:45:32.400 --> 0:45:35.080
<v Speaker 1>I got you. Yeah, cause you got money too, I

0:45:35.080 --> 0:45:35.520
<v Speaker 1>said too.

0:45:37.560 --> 0:45:43.600
<v Speaker 3>But I would have loved to see that moment that

0:45:43.680 --> 0:45:47.479
<v Speaker 3>you know you see nas So you didn't you didn't,

0:45:47.520 --> 0:45:49.960
<v Speaker 3>you didn't you didn't tell him no.

0:45:49.280 --> 0:45:51.400
<v Speaker 2>No, it's just you didn't see this an understanding.

0:45:51.840 --> 0:45:55.240
<v Speaker 4>Yes, listen, Dave Rock and real studios got burnt down.

0:45:55.800 --> 0:45:58.800
<v Speaker 4>But I wish I had those tapes because I can't

0:45:58.800 --> 0:46:01.799
<v Speaker 4>even play the dass play the old music that we

0:46:01.840 --> 0:46:02.400
<v Speaker 4>did so I can.

0:46:02.760 --> 0:46:06.120
<v Speaker 2>We did three records for y'all, recording, recorded, recorded.

0:46:06.200 --> 0:46:09.440
<v Speaker 1>Oh my god, I just told you. It wasn't. It

0:46:09.480 --> 0:46:13.000
<v Speaker 1>wasn't the dope beats though he's still rhymeing out of it.

0:46:13.080 --> 0:46:14.040
<v Speaker 1>You gave him the throwaways.

0:46:14.120 --> 0:46:17.240
<v Speaker 3>Talking about so you saying you didn't deliver on your part.

0:46:17.560 --> 0:46:20.440
<v Speaker 2>Yeah, I didn't because I didn't, and you gave him

0:46:20.440 --> 0:46:22.560
<v Speaker 2>the okie dough I did.

0:46:22.840 --> 0:46:25.680
<v Speaker 3>He's so not of a real one. I think you

0:46:25.719 --> 0:46:28.120
<v Speaker 3>did deliver. I think it was I didn't.

0:46:28.719 --> 0:46:30.919
<v Speaker 2>I think he's honest, which is telling you real.

0:46:30.960 --> 0:46:34.040
<v Speaker 4>Because I had a crew, I had to save it

0:46:34.080 --> 0:46:34.840
<v Speaker 4>for my niggas.

0:46:34.840 --> 0:46:36.720
<v Speaker 3>I'm gonna be honest, and I will say this behind

0:46:36.719 --> 0:46:38.120
<v Speaker 3>your back when I'm gonna say it to your face.

0:46:38.320 --> 0:46:40.520
<v Speaker 1>I've never heard a whack Eric Shermon beat.

0:46:40.560 --> 0:46:44.160
<v Speaker 3>I'm sorry, I'm sorry, bro, I'm sorry.

0:46:44.960 --> 0:46:47.919
<v Speaker 1>There is no whack erics Hermon beat that exists. I don't.

0:46:47.960 --> 0:46:50.719
<v Speaker 1>I just wanted to, but it wasn't. It wasn't for

0:46:50.760 --> 0:46:53.000
<v Speaker 1>that time, he said, No, I knew it wasn't that

0:46:53.200 --> 0:46:55.319
<v Speaker 1>I knew what I was playing. No, I knew what

0:46:55.360 --> 0:46:56.000
<v Speaker 1>I was playing.

0:46:56.280 --> 0:46:59.560
<v Speaker 3>Okay, I knew I wasn't playing your C grade beats right.

0:47:00.120 --> 0:47:01.600
<v Speaker 1>Okay.

0:47:01.960 --> 0:47:06.239
<v Speaker 2>On another note, Eric, rest in peace to Hurricane Ge.

0:47:06.360 --> 0:47:08.560
<v Speaker 2>I just wanted to know how'd you guys connect? Originally

0:47:08.800 --> 0:47:09.399
<v Speaker 2>I met her.

0:47:09.800 --> 0:47:12.520
<v Speaker 4>I met her at a spot and Llo Cuj was

0:47:12.600 --> 0:47:13.160
<v Speaker 4>dancing with a.

0:47:14.880 --> 0:47:19.600
<v Speaker 1>What yeah, and then LL went tout your story. I

0:47:19.640 --> 0:47:24.800
<v Speaker 1>just once once they once it was over, I said something.

0:47:24.560 --> 0:47:31.719
<v Speaker 3>To him that was like the hardest Puerto Rican female before.

0:47:32.560 --> 0:47:35.040
<v Speaker 1>Yeah, she was. She was ill man and for theaxt

0:47:35.120 --> 0:47:37.960
<v Speaker 1>that huh, what makes you my toy? Is gonna be

0:47:38.000 --> 0:47:39.560
<v Speaker 1>so happy? I've always been No.

0:47:39.560 --> 0:47:42.360
<v Speaker 2>No, I connected with Hurricane G while she was around

0:47:42.560 --> 0:47:45.359
<v Speaker 2>as a big tape DJ and being Latino of course

0:47:45.400 --> 0:47:46.600
<v Speaker 2>man Hurricane like she was.

0:47:46.640 --> 0:47:46.880
<v Speaker 1>I know.

0:47:46.960 --> 0:47:51.240
<v Speaker 4>I talked to stretching Barbito and a song called Milky

0:47:51.760 --> 0:47:53.759
<v Speaker 4>is still one of their favorite songs that they still

0:47:53.800 --> 0:47:54.319
<v Speaker 4>play from.

0:47:54.280 --> 0:47:55.640
<v Speaker 1>Hurricane as the Underground from America.

0:47:55.719 --> 0:47:57.480
<v Speaker 2>I got her stuff that she did with Ola Records,

0:47:57.520 --> 0:47:59.240
<v Speaker 2>like I got those white labels.

0:47:58.840 --> 0:48:00.719
<v Speaker 1>All of the I love hurricane. My daughter's gonna be

0:48:00.760 --> 0:48:03.600
<v Speaker 1>so happy. Yeah, brought this up. Let it brought up man.

0:48:04.160 --> 0:48:07.680
<v Speaker 2>We love hurricane g Man, those hurricane that's my daughter,

0:48:07.960 --> 0:48:08.960
<v Speaker 2>the daughter.

0:48:09.440 --> 0:48:13.200
<v Speaker 1>They got a kid together, kids. Oh ship, I got

0:48:13.239 --> 0:48:16.000
<v Speaker 1>that part. Yeah man, Now rest in piece of hurricane.

0:48:16.040 --> 0:48:20.760
<v Speaker 3>G I forgot you was outside. Yeah, you've been outside

0:48:20.800 --> 0:48:23.400
<v Speaker 3>for a long time. Everything about you is about girl.

0:48:25.120 --> 0:48:25.920
<v Speaker 1>Yeah. I spiritted you.

0:48:26.239 --> 0:48:31.719
<v Speaker 2>I spiritted God fIF bleak because I'm from Long Island, right,

0:48:31.960 --> 0:48:35.040
<v Speaker 2>I know you from when I first went to the

0:48:35.040 --> 0:48:37.160
<v Speaker 2>Apollo on Everything I Love.

0:48:37.320 --> 0:48:40.439
<v Speaker 1>No, I lost my mind. I called my mom a mom.

0:48:40.960 --> 0:48:43.960
<v Speaker 4>There's so many black people out here because because don't

0:48:43.960 --> 0:48:46.320
<v Speaker 4>forget me from Long Island, so it's mixed Puerto.

0:48:46.160 --> 0:48:48.080
<v Speaker 1>Rican, white and black. Forgot that part.

0:48:48.320 --> 0:48:51.279
<v Speaker 2>So when I went to the city, I lost my

0:48:51.400 --> 0:48:53.440
<v Speaker 2>mind and apollow up Harlem.

0:48:53.520 --> 0:48:55.080
<v Speaker 1>That's Harlem.

0:48:54.520 --> 0:48:58.319
<v Speaker 2>Then I found out about the Bronx, and my first

0:48:58.440 --> 0:48:59.480
<v Speaker 2>love was in the Bronx.

0:49:00.280 --> 0:49:01.560
<v Speaker 1>So I was on Western Avenue.

0:49:01.680 --> 0:49:06.600
<v Speaker 4>Yes, Cindy worked at the label at at Fresh Records.

0:49:07.000 --> 0:49:09.640
<v Speaker 4>She was one of the one of the receptionists.

0:49:09.680 --> 0:49:12.000
<v Speaker 1>Now know how you got the deal right? No? No,

0:49:12.440 --> 0:49:15.319
<v Speaker 1>he didn't have no do Then he was romance in

0:49:15.320 --> 0:49:15.720
<v Speaker 1>the Stone.

0:49:15.760 --> 0:49:19.520
<v Speaker 4>Well then now all my families and pink houses, so

0:49:19.560 --> 0:49:23.239
<v Speaker 4>I'm near every day, so pink house, so now I'm

0:49:23.239 --> 0:49:25.280
<v Speaker 4>near every day. So now I get a hold of Brooklyn.

0:49:25.840 --> 0:49:29.120
<v Speaker 4>And then I went to best Guy and it was Curtains.

0:49:29.560 --> 0:49:32.840
<v Speaker 4>I'm like every they had to know he was sick.

0:49:33.080 --> 0:49:35.719
<v Speaker 4>The only part didn't master. I didn't master the Queens.

0:49:36.040 --> 0:49:39.319
<v Speaker 4>Like after that thing happened to me, I didn't go

0:49:39.400 --> 0:49:42.400
<v Speaker 4>back to the Queens. But every every other borough and

0:49:42.480 --> 0:49:45.399
<v Speaker 4>Staten Island where I got robbed at was me going

0:49:45.440 --> 0:49:46.280
<v Speaker 4>back for seconds.

0:49:47.960 --> 0:49:50.720
<v Speaker 1>I love Eric Shervan so much. Quick Time with Sliming

0:49:50.800 --> 0:49:51.319
<v Speaker 1>ready for it?

0:49:52.560 --> 0:49:55.640
<v Speaker 2>Come on up, you gotta desiinate a drinker, Okay, yes,

0:49:55.640 --> 0:49:56.680
<v Speaker 2>come on, Sonny money come in.

0:49:56.840 --> 0:49:58.560
<v Speaker 3>And you picked the hay Ship. That's very that was

0:49:58.680 --> 0:50:01.040
<v Speaker 3>very strategic. You picked the Haitian.

0:50:01.160 --> 0:50:03.400
<v Speaker 1>Anybody drinking with us out there, anybody got ready to

0:50:03.400 --> 0:50:07.719
<v Speaker 1>do quick time with sign with us? So you know

0:50:07.760 --> 0:50:09.319
<v Speaker 1>the rules, right, Yeah.

0:50:09.320 --> 0:50:12.319
<v Speaker 4>But I want to make sure you said something that

0:50:12.680 --> 0:50:15.000
<v Speaker 4>people would learn from so we can get so when

0:50:15.040 --> 0:50:19.279
<v Speaker 4>we do the clips that it's exciting, Yeah, No, that

0:50:19.600 --> 0:50:21.239
<v Speaker 4>we say something that is worth.

0:50:21.360 --> 0:50:24.640
<v Speaker 1>Yeah, we at viral moments. Yeah, we're not good, and Eric,

0:50:24.680 --> 0:50:27.759
<v Speaker 1>we're not done. Man, We're good. You're my brother, Man,

0:50:27.800 --> 0:50:28.279
<v Speaker 1>I got you.

0:50:28.719 --> 0:50:31.400
<v Speaker 2>We gonna take We're good. Listen to the rules for

0:50:31.440 --> 0:50:33.680
<v Speaker 2>the audience and for Eric sermon. We will give you

0:50:33.680 --> 0:50:36.799
<v Speaker 2>two choices, okay, if you pick one, we don't drink.

0:50:36.840 --> 0:50:40.239
<v Speaker 2>Nobody drinks. Okay, I mean y'all could drink, though, if

0:50:40.239 --> 0:50:41.840
<v Speaker 2>you say both or neither, like you don't want to

0:50:41.880 --> 0:50:44.480
<v Speaker 2>answer the question, we all take a shot. Sonny d

0:50:44.960 --> 0:50:47.040
<v Speaker 2>and r E myself and y'all if y'all want to

0:50:47.080 --> 0:50:47.640
<v Speaker 2>drink with us.

0:50:47.680 --> 0:50:48.200
<v Speaker 1>Yeah, drink.

0:50:48.640 --> 0:50:50.560
<v Speaker 2>We want stories more than anything else. This is about

0:50:50.560 --> 0:50:52.400
<v Speaker 2>stories with anybody who mentioned drink.

0:50:53.000 --> 0:50:54.560
<v Speaker 1>All right, not about negativity.

0:50:55.840 --> 0:50:58.760
<v Speaker 2>You ready, Sonny? You got your drink? Let's go, Sonny?

0:50:59.000 --> 0:51:00.880
<v Speaker 2>Are you a professional drinker?

0:51:00.960 --> 0:51:02.560
<v Speaker 1>Was going on? Bro? Is that can say the drink?

0:51:03.280 --> 0:51:03.480
<v Speaker 3>Man?

0:51:04.560 --> 0:51:08.600
<v Speaker 1>He? Okay, no, realize, but you should? You should? You ready?

0:51:08.640 --> 0:51:12.040
<v Speaker 1>Right now? Man? All right? Go ahead?

0:51:12.120 --> 0:51:16.080
<v Speaker 3>Red Man or k Solo? Oh my god, why y'all

0:51:16.160 --> 0:51:18.879
<v Speaker 3>do that? That's not me, that's not me.

0:51:20.160 --> 0:51:23.120
<v Speaker 2>Yeah, it's Reggie.

0:51:23.200 --> 0:51:26.200
<v Speaker 1>You picked red Man. I gotta pick it. You gotta

0:51:26.200 --> 0:51:30.239
<v Speaker 1>pick Reggie. I'm gonna take it. Sht even though Solo, Oh,

0:51:30.320 --> 0:51:32.399
<v Speaker 1>my god, but but it's red man.

0:51:32.600 --> 0:51:37.239
<v Speaker 3>He was all right, let me ask you, because this

0:51:37.280 --> 0:51:43.680
<v Speaker 3>is something DMX is not here to actually say that.

0:51:44.000 --> 0:51:48.160
<v Speaker 3>I asked DMX what the fuck was DMX and k

0:51:48.320 --> 0:51:50.759
<v Speaker 3>Solo's beef about? Do you remember now?

0:51:50.840 --> 0:51:55.120
<v Speaker 4>It was happened in jail because they said that in

0:51:55.320 --> 0:51:59.840
<v Speaker 4>jail that they was both spelling spell Bound spelling.

0:52:00.160 --> 0:52:05.840
<v Speaker 1>So DMX claimed that that he started, Yes, he started

0:52:05.880 --> 0:52:10.279
<v Speaker 1>Spellbound in jail, and Solo stole it from him show

0:52:11.000 --> 0:52:12.759
<v Speaker 1>and DMX was adamant too.

0:52:13.600 --> 0:52:17.920
<v Speaker 4>Solo was also adamant too. So if somebody comes and

0:52:18.000 --> 0:52:20.920
<v Speaker 4>does it and somebody doesn't do it, it's.

0:52:20.840 --> 0:52:23.520
<v Speaker 1>Kind of hard to believe because DMX didn't do it.

0:52:23.840 --> 0:52:26.239
<v Speaker 1>Solo did it. So if you did do.

0:52:26.239 --> 0:52:28.880
<v Speaker 4>It, you know, why didn't you do it at least

0:52:28.920 --> 0:52:29.520
<v Speaker 4>one time?

0:52:30.120 --> 0:52:30.279
<v Speaker 6>You know?

0:52:30.680 --> 0:52:34.239
<v Speaker 1>But DMX was like adamant, like nah, that's me. Yeah,

0:52:35.120 --> 0:52:36.920
<v Speaker 1>you know what I'm saying. So, and I believe both

0:52:36.960 --> 0:52:40.120
<v Speaker 1>of them. I kind of do. I kind of do

0:52:40.200 --> 0:52:43.239
<v Speaker 1>like if you ain't if you locked up, And Nigga.

0:52:43.000 --> 0:52:46.680
<v Speaker 4>Is like, you know what them no, because that's effects

0:52:46.800 --> 0:52:50.280
<v Speaker 4>was the same way. One guy was doing this style

0:52:50.480 --> 0:52:53.279
<v Speaker 4>not knowing that this other guy that what they told

0:52:53.360 --> 0:52:56.080
<v Speaker 4>me they didn't know that both of them, guys.

0:52:55.719 --> 0:52:57.680
<v Speaker 2>The group members, didn't know that each other would put

0:52:57.680 --> 0:52:58.600
<v Speaker 2>a similar style.

0:52:58.360 --> 0:52:59.879
<v Speaker 1>Oh each other.

0:53:01.080 --> 0:53:07.120
<v Speaker 2>That's yes, to make it the diggity styles for lack

0:53:07.160 --> 0:53:08.399
<v Speaker 2>of a better lunch room.

0:53:08.480 --> 0:53:11.839
<v Speaker 4>They found out that each other, each of them rap,

0:53:12.200 --> 0:53:15.239
<v Speaker 4>and then they got introduced to each other. Now I

0:53:15.280 --> 0:53:18.399
<v Speaker 4>think the ignity style came with the both of them.

0:53:18.800 --> 0:53:21.920
<v Speaker 4>But they met to somebody saying, my.

0:53:21.880 --> 0:53:25.600
<v Speaker 1>Boy rap, that's wow, that's crazy. I heard that story

0:53:25.600 --> 0:53:26.920
<v Speaker 1>that was meant to be that I didn't.

0:53:26.960 --> 0:53:29.839
<v Speaker 2>I didn't understand that story. Okay, go ahead, go ahead,

0:53:29.880 --> 0:53:36.080
<v Speaker 2>let's get all right, major or independent independent? Now all right,

0:53:36.840 --> 0:53:41.960
<v Speaker 2>mob deeper MP, Oh my god, you gotta drink. Take

0:53:42.000 --> 0:53:45.560
<v Speaker 2>a shot, Take a drink if you got one, guys, cheers.

0:53:45.680 --> 0:53:47.640
<v Speaker 4>There is no way I'm going to be able to

0:53:47.680 --> 0:53:54.160
<v Speaker 4>differentiate that. Not those to b Yeah, and both of

0:53:54.200 --> 0:53:58.040
<v Speaker 4>them was on my new project coming out Friday.

0:53:57.000 --> 0:53:57.480
<v Speaker 1>The Duels.

0:53:57.480 --> 0:53:59.319
<v Speaker 2>Probably we're gonna get into that before when we're done

0:53:59.320 --> 0:54:04.360
<v Speaker 2>here Dayla sol or Tripe call quest. Oh my god,

0:54:08.040 --> 0:54:08.560
<v Speaker 2>hey yo.

0:54:08.440 --> 0:54:10.879
<v Speaker 4>It's so crazy because I gotta go. You know what

0:54:11.640 --> 0:54:15.160
<v Speaker 4>day I saw from Long Island and then fight Dogs.

0:54:15.200 --> 0:54:21.160
<v Speaker 1>Favorite group is EPMD. You gotta drink cheer Share Salu

0:54:21.320 --> 0:54:23.400
<v Speaker 1>drink up with us coming out on Friday on the

0:54:23.440 --> 0:54:26.160
<v Speaker 1>Project Foul Nigga. You you know I gave you be

0:54:26.280 --> 0:54:27.799
<v Speaker 1>so you on Volume two. You ain't want to look

0:54:27.800 --> 0:54:30.360
<v Speaker 1>at You're killing me over here, you know.

0:54:30.360 --> 0:54:33.640
<v Speaker 2>And the New Day Last Soul album is incredible and fantastic,

0:54:33.640 --> 0:54:35.399
<v Speaker 2>one of the best albums I've heard in a long time.

0:54:35.440 --> 0:54:41.040
<v Speaker 1>It's incredible, fantastic, the bat that movie.

0:54:41.120 --> 0:54:44.280
<v Speaker 4>Even though they might look at us as as old heads,

0:54:44.560 --> 0:54:47.279
<v Speaker 4>we know, listen, listen. I tell people all the time,

0:54:47.640 --> 0:54:50.160
<v Speaker 4>if you can still do it, then do it. If

0:54:50.200 --> 0:54:52.080
<v Speaker 4>you can't, then don't do it. But I don't give

0:54:52.120 --> 0:54:54.200
<v Speaker 4>a fuck how old you are. If you can rap,

0:54:54.320 --> 0:54:56.840
<v Speaker 4>still rap, and if you mad, then you gotta step

0:54:56.880 --> 0:54:58.239
<v Speaker 4>your game up. That's all about that.

0:54:58.280 --> 0:55:00.000
<v Speaker 2>There's no age on the art man, no doubt period

0:55:00.080 --> 0:55:05.240
<v Speaker 2>it Since you had that big l or Biggie Biggie Smalls.

0:55:05.080 --> 0:55:07.439
<v Speaker 1>Rest in peace, you said, Biggie Smalls, Biggy, I gotta

0:55:07.440 --> 0:55:08.360
<v Speaker 1>give it to Biggie.

0:55:08.080 --> 0:55:16.640
<v Speaker 2>Smalls, all right, Cain or jay Z no leading the witness.

0:55:20.320 --> 0:55:22.480
<v Speaker 1>You gotta say because because you don't forget jay Z.

0:55:24.040 --> 0:55:27.040
<v Speaker 2>Came through that way, right jay Z would say, Kane,

0:55:27.080 --> 0:55:28.200
<v Speaker 2>that's the way I look at it.

0:55:28.239 --> 0:55:32.160
<v Speaker 1>Is the who we jay Z is a problem. But

0:55:32.200 --> 0:55:34.480
<v Speaker 1>I got to give it to a Kine because he

0:55:34.560 --> 0:55:36.440
<v Speaker 1>came from there first first.

0:55:36.520 --> 0:55:40.480
<v Speaker 2>So all right, so big Daddy came doz effects or

0:55:40.520 --> 0:55:43.960
<v Speaker 2>the artifacts I mean, I thinks you're gonna say, even

0:55:44.000 --> 0:55:47.080
<v Speaker 2>though Tanane won them as piece of ta no doubt

0:55:47.239 --> 0:55:51.880
<v Speaker 2>the artifacts off the chain Rockefeller or rough riders.

0:55:54.080 --> 0:55:56.319
<v Speaker 1>While you got a man.

0:55:56.600 --> 0:55:59.480
<v Speaker 4>Okay, listen, now you're talking about the rough riders.

0:55:59.360 --> 0:56:02.719
<v Speaker 2>With the locks, then listen is whatever in your mind

0:56:03.480 --> 0:56:06.560
<v Speaker 2>makes you pick, but you're talking about I'm not talking

0:56:06.560 --> 0:56:08.719
<v Speaker 2>about things your Christ here Christ and.

0:56:08.800 --> 0:56:14.200
<v Speaker 1>Nee freeway Jay God damn. And then you got d

0:56:14.440 --> 0:56:16.120
<v Speaker 1>and yeah you gotta drink.

0:56:18.280 --> 0:56:18.799
<v Speaker 2>Cheers, y'all.

0:56:18.920 --> 0:56:24.520
<v Speaker 1>Cheers, cheers salou yo. Those are yo, those are good,

0:56:24.719 --> 0:56:29.160
<v Speaker 1>those good ones. All right, No you're drinking. No, no, no,

0:56:29.360 --> 0:56:32.440
<v Speaker 1>I'm not nas or rock him. Rock him.

0:56:33.520 --> 0:56:37.080
<v Speaker 4>He's the reason why rhyme. He's the reason why everybody rhymes.

0:56:37.320 --> 0:56:39.520
<v Speaker 4>He changed the game, even though you against them. After

0:56:40.040 --> 0:56:44.680
<v Speaker 4>see I ain't never dim After run DMC style came him.

0:56:45.239 --> 0:56:49.080
<v Speaker 1>He changed everything. Everything that we hear and see now

0:56:49.400 --> 0:56:52.080
<v Speaker 1>is from that man. And rock him is still doing

0:56:52.080 --> 0:56:53.000
<v Speaker 1>it at a high level too.

0:56:53.600 --> 0:56:56.319
<v Speaker 3>You know what, you know what, I want to say

0:56:56.440 --> 0:57:01.719
<v Speaker 3>something real quick that you just said he said at

0:57:01.760 --> 0:57:08.440
<v Speaker 3>the Run DMC and I went to Puerto Rico. And

0:57:08.560 --> 0:57:10.680
<v Speaker 3>when I went to Puerto Rico, I seen Bad Bunny

0:57:10.760 --> 0:57:16.000
<v Speaker 3>perform and it was the best concert I've ever seen

0:57:16.080 --> 0:57:19.880
<v Speaker 3>in my life, right besides Run DMC.

0:57:20.840 --> 0:57:21.120
<v Speaker 1>Wow.

0:57:21.600 --> 0:57:28.120
<v Speaker 3>So I went to dinner and ironically, I'm here for

0:57:28.240 --> 0:57:31.880
<v Speaker 3>DJ College today. I'm gonna go to Contessa to go

0:57:32.000 --> 0:57:36.240
<v Speaker 3>see DJ College today. And DJ College said this is

0:57:36.320 --> 0:57:40.480
<v Speaker 3>the best concert he ever saw in his life. And

0:57:40.880 --> 0:57:43.400
<v Speaker 3>I corrected him immediately. I said, did you ever see

0:57:43.480 --> 0:57:44.560
<v Speaker 3>Run DMC perform?

0:57:46.640 --> 0:57:46.880
<v Speaker 1>Wow?

0:57:47.080 --> 0:57:49.880
<v Speaker 3>He said no, And I was like, that's why you

0:57:49.960 --> 0:57:52.880
<v Speaker 3>said it. But I ain't gonna lie to you. Bad Bunny,

0:57:53.600 --> 0:57:57.480
<v Speaker 3>wherever the fuck you are, whatever the fuck you doing, Yes.

0:57:57.920 --> 0:57:58.600
<v Speaker 2>You all.

0:58:00.600 --> 0:58:04.160
<v Speaker 3>One of the motherfucking best concerts I've ever seen. Like

0:58:04.320 --> 0:58:09.800
<v Speaker 3>I've never seen like this guy walked around. He he

0:58:10.000 --> 0:58:15.160
<v Speaker 3>did everything as a hip hop artist, as a reggae

0:58:15.240 --> 0:58:18.360
<v Speaker 3>throne artist, like he did everything that I wanted to see.

0:58:18.560 --> 0:58:25.320
<v Speaker 1>Wow. And then I sat in his seat, by mistake,

0:58:26.000 --> 0:58:27.400
<v Speaker 1>you said in his seat. Yeah.

0:58:27.440 --> 0:58:31.480
<v Speaker 3>I was like, like so he comes in the in

0:58:31.560 --> 0:58:33.640
<v Speaker 3>the casito casita.

0:58:34.080 --> 0:58:37.920
<v Speaker 1>Sorry, sorry, you know you're the fakest Puerto Rican in

0:58:37.960 --> 0:58:40.120
<v Speaker 1>the history. Really you are.

0:58:40.480 --> 0:58:44.000
<v Speaker 3>I was so I sat there and then he looked

0:58:44.040 --> 0:58:46.200
<v Speaker 3>at me and he gave me the biggest five. He

0:58:46.320 --> 0:58:50.920
<v Speaker 3>was like, Nori, thank you for sitting there, like basically

0:58:50.960 --> 0:58:53.360
<v Speaker 3>sitting in my seat. And I got up and I

0:58:53.520 --> 0:58:58.960
<v Speaker 3>gave it to him and he kept continuing performing it

0:58:59.640 --> 0:59:02.480
<v Speaker 3>and then is one of the best concerts I've ever

0:59:02.560 --> 0:59:09.960
<v Speaker 3>seen in my life, like next to run DMC. Okay,

0:59:10.160 --> 0:59:11.840
<v Speaker 3>because if you're from Queens.

0:59:13.000 --> 0:59:13.640
<v Speaker 1>It's everything.

0:59:14.160 --> 0:59:18.440
<v Speaker 3>And you see run DMC performed right like I was

0:59:18.520 --> 0:59:23.040
<v Speaker 3>at the garden when they pulled up that motherfucking when

0:59:23.080 --> 0:59:26.520
<v Speaker 3>they pulled up that you was there. I was a

0:59:26.840 --> 0:59:29.720
<v Speaker 3>child when I was there. God bless my mama.

0:59:30.520 --> 0:59:34.640
<v Speaker 1>You see back then, No, not not at that time.

0:59:35.640 --> 0:59:37.280
<v Speaker 1>It was run DMC first, I got you.

0:59:38.640 --> 0:59:41.520
<v Speaker 3>So, but that's the second best concert I've ever seen

0:59:41.600 --> 0:59:44.480
<v Speaker 3>in my life. Bad Bunny, wherever you at, I respect you.

0:59:45.000 --> 0:59:46.200
<v Speaker 1>I want you to know that that I.

0:59:47.840 --> 0:59:51.200
<v Speaker 3>I love how you represent Puerto Rican people. I love

0:59:51.280 --> 0:59:55.560
<v Speaker 3>how you represent our culture. And I'm gonna always I'm

0:59:55.560 --> 0:59:58.560
<v Speaker 3>gonna always support you. Bad Bundy, whatever the fuck you at.

0:59:59.000 --> 1:00:01.480
<v Speaker 3>And I don't even know if you fuck like. He's

1:00:01.560 --> 1:00:04.240
<v Speaker 3>always showed me love every time I seen him. He

1:00:05.280 --> 1:00:07.520
<v Speaker 3>he grabbed me and took a picture with me.

1:00:08.000 --> 1:00:09.440
<v Speaker 1>I don't know why. I know it was kind of

1:00:09.480 --> 1:00:11.439
<v Speaker 1>a little bit. You know, he's not really a Puerto

1:00:11.480 --> 1:00:16.000
<v Speaker 1>Rican like that. But yeah, I mean, all right, let's

1:00:16.040 --> 1:00:16.680
<v Speaker 1>see if they love that.

1:00:16.840 --> 1:00:18.520
<v Speaker 2>Lets if there's any Puerto Ricans in the building.

1:00:18.600 --> 1:00:21.320
<v Speaker 1>Puerto Rico, Puerto Rico.

1:00:21.920 --> 1:00:24.640
<v Speaker 3>I love that, so many Puerto Ricans here. Let me

1:00:24.640 --> 1:00:26.520
<v Speaker 3>tell you something. I love that, and I'm gonna address

1:00:26.680 --> 1:00:28.000
<v Speaker 3>that real if you can speak a.

1:00:28.040 --> 1:00:31.160
<v Speaker 2>Whole paragraph, right hold on, hold on, hold on, I

1:00:31.240 --> 1:00:33.360
<v Speaker 2>speak hard, I speak hard.

1:00:34.440 --> 1:00:35.920
<v Speaker 1>You ready? You ready? You know?

1:00:36.160 --> 1:00:39.600
<v Speaker 3>You know I've risked my whole career to prove that

1:00:39.680 --> 1:00:41.720
<v Speaker 3>I'm Puerto Rican. I know, come on, I've risked my

1:00:41.840 --> 1:00:46.520
<v Speaker 3>whole career. Do you understand? The man setting to the

1:00:46.600 --> 1:00:49.200
<v Speaker 3>right of me is my closest I love e FN

1:00:49.400 --> 1:00:53.840
<v Speaker 3>so much, I love Fat Joe so much. And they

1:00:54.000 --> 1:00:56.479
<v Speaker 3>both pulled me to the side, and they both said,

1:00:56.600 --> 1:00:58.960
<v Speaker 3>do not do reggae throne. I was not fucking with

1:00:59.000 --> 1:01:01.760
<v Speaker 3>regae first one. You were the first one to.

1:01:01.880 --> 1:01:05.120
<v Speaker 1>Ever they both told me, don't do it, and you

1:01:05.240 --> 1:01:07.720
<v Speaker 1>know what I did? Did it? He's a I did it.

1:01:08.000 --> 1:01:11.000
<v Speaker 3>And guess what, I look like the smartest person at

1:01:11.040 --> 1:01:17.840
<v Speaker 3>the table right now because because I love it. I

1:01:17.880 --> 1:01:19.040
<v Speaker 3>didn't tell him chance.

1:01:19.240 --> 1:01:19.880
<v Speaker 1>No, I love you.

1:01:19.960 --> 1:01:23.120
<v Speaker 3>I love you, bro, I know sometimes I don't. We

1:01:23.240 --> 1:01:27.320
<v Speaker 3>don't even speak, so you No, I love I love him,

1:01:27.560 --> 1:01:29.439
<v Speaker 3>and I knew what he was trying. He was trying

1:01:29.480 --> 1:01:33.200
<v Speaker 3>to protect me, okay, fat Joe was trying to protect me, okay,

1:01:33.840 --> 1:01:37.280
<v Speaker 3>But I was trying to go to the next I

1:01:37.520 --> 1:01:40.320
<v Speaker 3>saw it he did. I saw where reggae throne is

1:01:40.360 --> 1:01:43.320
<v Speaker 3>gonna be. I saw who bad buddy is.

1:01:43.680 --> 1:01:48.240
<v Speaker 1>This motherfucker's perform for the Super Bowl? Do you think

1:01:48.320 --> 1:01:58.200
<v Speaker 1>that happens without body? That happens without me? No?

1:01:58.800 --> 1:02:01.959
<v Speaker 3>Now guess what, No, And guess what, motherfucker.

1:02:02.640 --> 1:02:07.320
<v Speaker 1>Yeah, I'm claiming it. That's my ship.

1:02:08.320 --> 1:02:12.120
<v Speaker 3>I was the one that said, Yo, Reggae doone is

1:02:12.200 --> 1:02:15.880
<v Speaker 3>gonna move the whole world. So then, now you got

1:02:15.920 --> 1:02:19.720
<v Speaker 3>Whizzed and Yandell. Now you got Zion and Linux. Now

1:02:19.760 --> 1:02:23.040
<v Speaker 3>you got Daddy Yankee. Now you got Dango God Dolom.

1:02:23.320 --> 1:02:26.920
<v Speaker 3>Now you got Donald Maar. Now you got all of them.

1:02:27.240 --> 1:02:33.000
<v Speaker 1>That doesn't exist without the yalla. Okay, see without the yalla.

1:02:34.160 --> 1:02:37.200
<v Speaker 1>When the y'allop put it, I put my whole career.

1:02:38.440 --> 1:02:40.640
<v Speaker 1>You know what black people told me? Or now you're

1:02:40.720 --> 1:02:46.600
<v Speaker 1>Puerto Rican? You know when mother damn somebody say fuck me, nigga.

1:02:46.760 --> 1:02:50.120
<v Speaker 1>I woke him up. See, I woke him up to

1:02:50.240 --> 1:02:52.400
<v Speaker 1>get that that flex I did. That's he thank you,

1:02:52.560 --> 1:02:52.800
<v Speaker 1>thank you.

1:02:53.320 --> 1:02:56.280
<v Speaker 3>They was telling me, yo, are you sure this is

1:02:56.360 --> 1:03:02.120
<v Speaker 3>what you want to do? Efn In fact, Joe came

1:03:02.200 --> 1:03:08.600
<v Speaker 3>from uh love, right, they came from love. Everybody else

1:03:08.680 --> 1:03:11.080
<v Speaker 3>didn't come from love. Everybody else was like, you're gonna

1:03:11.120 --> 1:03:13.400
<v Speaker 3>fuck up. You did the war report?

1:03:13.720 --> 1:03:14.240
<v Speaker 1>How can you do?

1:03:14.360 --> 1:03:14.440
<v Speaker 2>Oh?

1:03:14.480 --> 1:03:17.760
<v Speaker 1>You meddo? It doesn't make sense? And you know what,

1:03:18.000 --> 1:03:18.680
<v Speaker 1>I still did it.

1:03:18.960 --> 1:03:23.240
<v Speaker 3>And guess what bad Bunny is performing at the fucking

1:03:23.480 --> 1:03:24.080
<v Speaker 3>super Bowl.

1:03:24.880 --> 1:03:28.160
<v Speaker 1>I was right. I was right.

1:03:29.640 --> 1:03:31.560
<v Speaker 2>But let me tell you, like a lesson to be

1:03:31.640 --> 1:03:34.440
<v Speaker 2>learned with Nori's journey with Reggaeton is that to be

1:03:34.560 --> 1:03:36.120
<v Speaker 2>the first in the door. And it's not to say

1:03:36.600 --> 1:03:40.080
<v Speaker 2>first in Reggadon, the first in the door to break

1:03:40.160 --> 1:03:45.760
<v Speaker 2>down the English markets openness to Reggeddon, to see that

1:03:45.880 --> 1:03:49.160
<v Speaker 2>first person through the door, that first person usually has

1:03:49.200 --> 1:03:51.840
<v Speaker 2>to be Crucif bruggles, it doesn't get the you know,

1:03:51.960 --> 1:03:55.800
<v Speaker 2>the accolades that deserve. It's now that all these artists

1:03:55.840 --> 1:03:58.120
<v Speaker 2>that are that are successful and reggadon can look back

1:03:58.160 --> 1:04:01.040
<v Speaker 2>and say, yes, thank you, Nori, Yes, thank you for

1:04:01.160 --> 1:04:01.600
<v Speaker 2>helping us.

1:04:02.840 --> 1:04:02.880
<v Speaker 1>Know.

1:04:03.040 --> 1:04:08.240
<v Speaker 2>Yeah, all right, that nigga sweat. No, you're like, what Yola?

1:04:09.720 --> 1:04:11.320
<v Speaker 2>The other day, I swear to God.

1:04:11.440 --> 1:04:14.280
<v Speaker 3>The other day I mean Dovado Puerto Rico and I

1:04:14.400 --> 1:04:18.160
<v Speaker 3>see Zion Andalynux, I see Zion. Excuse me why I

1:04:18.240 --> 1:04:21.400
<v Speaker 3>put them both into like they two people and Zion

1:04:21.560 --> 1:04:23.120
<v Speaker 3>sees me and we just hug each other.

1:04:23.560 --> 1:04:23.840
<v Speaker 1>That's it.

1:04:24.000 --> 1:04:26.680
<v Speaker 3>We didn't have to say nothing, right, I'm just I

1:04:26.760 --> 1:04:28.520
<v Speaker 3>gave him a hug, he gave me a hug, and

1:04:28.640 --> 1:04:32.000
<v Speaker 3>that was it. But I sacrificed my whole career Eric Sherman,

1:04:33.240 --> 1:04:36.320
<v Speaker 3>to put my Puerto Rican people front line.

1:04:37.040 --> 1:04:40.520
<v Speaker 1>I did that. I did that as a friend. I

1:04:40.600 --> 1:04:43.520
<v Speaker 1>can say whatever to you please. I'm glad I spopped

1:04:43.560 --> 1:04:45.520
<v Speaker 1>you up and got you. You got me, hype, you

1:04:45.560 --> 1:04:49.160
<v Speaker 1>got me. So now the world can see how you

1:04:49.360 --> 1:04:49.920
<v Speaker 1>started this.

1:04:50.640 --> 1:04:51.120
<v Speaker 2>I did that.

1:04:51.960 --> 1:04:53.160
<v Speaker 1>Love that next question and.

1:04:53.200 --> 1:04:56.000
<v Speaker 2>Real quick and without getting into too much detail. Had

1:04:56.040 --> 1:04:59.280
<v Speaker 2>he not broken down those barriers and struggled with it,

1:05:00.080 --> 1:05:03.960
<v Speaker 2>struggled with struggle. He struggled with it, there might not

1:05:04.080 --> 1:05:06.400
<v Speaker 2>be a drink chance today had he not struggled with it.

1:05:07.760 --> 1:05:12.040
<v Speaker 2>Because he came to Miami, he knew I wasn't like

1:05:12.160 --> 1:05:14.560
<v Speaker 2>a dun't guy. He's like, let's do hip hop shit again.

1:05:15.080 --> 1:05:17.120
<v Speaker 2>And then drink chance was born amongst that world that

1:05:17.200 --> 1:05:18.720
<v Speaker 2>we we we created, okay, all right?

1:05:19.000 --> 1:05:23.240
<v Speaker 3>And yeah and after after reggad Dome, my man sitting

1:05:23.560 --> 1:05:28.520
<v Speaker 3>here to me to the right, said we did milertainment,

1:05:28.760 --> 1:05:32.040
<v Speaker 3>crazy role radio, satellite radio.

1:05:32.400 --> 1:05:34.960
<v Speaker 1>Let's bring that ship back. And he did that. And

1:05:35.240 --> 1:05:40.880
<v Speaker 1>this is why we hear right now, I got so

1:05:41.040 --> 1:05:43.200
<v Speaker 1>all right, we almost we almost done with quick time.

1:05:43.240 --> 1:05:48.040
<v Speaker 1>Let's go ahead, all right, hit squad or death squad?

1:05:52.520 --> 1:05:52.680
<v Speaker 2>Wait?

1:05:52.720 --> 1:05:56.400
<v Speaker 1>What do the people say? What do you say?

1:05:58.360 --> 1:05:58.480
<v Speaker 3>Man?

1:05:58.560 --> 1:06:02.760
<v Speaker 1>You better not picked His squad was a huge inspiration

1:06:02.880 --> 1:06:06.160
<v Speaker 1>to me because I come from the first one. So

1:06:06.240 --> 1:06:06.960
<v Speaker 1>you gotta drink it.

1:06:07.200 --> 1:06:10.440
<v Speaker 2>Yeah, nah, this squad was a huge inspiration squad.

1:06:10.200 --> 1:06:14.160
<v Speaker 4>Because it's started it, you know, the breakup and and

1:06:14.280 --> 1:06:15.920
<v Speaker 4>then the death squad came.

1:06:16.000 --> 1:06:19.920
<v Speaker 1>But all right, are we making a noise for his squad? No, no, no,

1:06:20.000 --> 1:06:21.080
<v Speaker 1>no it make the noise, no.

1:06:21.400 --> 1:06:26.080
<v Speaker 2>Nose all right, Keith Murray or Prodigy, come on recipees

1:06:26.120 --> 1:06:26.880
<v Speaker 2>of Prodigy, guys.

1:06:26.960 --> 1:06:29.680
<v Speaker 1>I don't wake these questions. I got you know what

1:06:30.320 --> 1:06:33.439
<v Speaker 1>you got more, got a lot of more and more work.

1:06:33.960 --> 1:06:36.000
<v Speaker 1>But there's no way I can pick between those two.

1:06:36.200 --> 1:06:38.920
<v Speaker 1>So we drink. Drink, y'all drinking with us, tell y'alla

1:06:39.000 --> 1:06:41.040
<v Speaker 1>with us. That's both Long Island. If you think about it,

1:06:41.080 --> 1:06:42.000
<v Speaker 1>we drinking there they are.

1:06:42.800 --> 1:06:46.840
<v Speaker 2>Yeah, nobody, no, Murry, nobody, No. Probably want to say

1:06:46.880 --> 1:06:47.840
<v Speaker 2>this one more time.

1:06:48.720 --> 1:06:51.840
<v Speaker 1>I know. I think he got his own podcast. No,

1:06:51.960 --> 1:06:53.800
<v Speaker 1>I don't know. I would like to get on go

1:06:53.920 --> 1:06:59.600
<v Speaker 1>on his part to keepry each Yeah. Yeah, he announced

1:06:59.640 --> 1:07:02.120
<v Speaker 1>that he had apart when I don't. I don't know,

1:07:02.680 --> 1:07:04.480
<v Speaker 1>but you know I saw him come on your show,

1:07:04.760 --> 1:07:07.760
<v Speaker 1>you know, I saw I know your squash and I

1:07:08.000 --> 1:07:08.800
<v Speaker 1>ran up on him.

1:07:08.840 --> 1:07:10.800
<v Speaker 3>I tried to like take because he had he had

1:07:10.800 --> 1:07:14.120
<v Speaker 3>the po sisty mask on and I was like get off,

1:07:14.360 --> 1:07:15.080
<v Speaker 3>and he was like no.

1:07:15.480 --> 1:07:18.480
<v Speaker 1>I was like, yo, how can we tell people that

1:07:18.560 --> 1:07:19.240
<v Speaker 1>we squashed it?

1:07:19.760 --> 1:07:24.280
<v Speaker 3>If you got the sty and so Keith Mary, I

1:07:24.400 --> 1:07:28.920
<v Speaker 3>just want you to know wherever you at. I want

1:07:29.000 --> 1:07:31.120
<v Speaker 3>being able saying, want to support your career. I want

1:07:31.160 --> 1:07:32.120
<v Speaker 3>to support what you're doing.

1:07:32.240 --> 1:07:34.040
<v Speaker 2>He's a legends, a legend.

1:07:34.920 --> 1:07:37.720
<v Speaker 3>I know, I know, like like it was a little

1:07:37.760 --> 1:07:43.720
<v Speaker 3>bit miss understanding, but I want to be the person

1:07:43.800 --> 1:07:44.600
<v Speaker 3>that takes care.

1:07:45.320 --> 1:07:48.920
<v Speaker 1>Just squashed it already, and I got you. I got

1:07:48.960 --> 1:07:51.360
<v Speaker 1>your back. I'll do your show and I want you

1:07:51.440 --> 1:07:54.960
<v Speaker 1>to do my show. That's right. It's real ship. Thank you,

1:07:55.080 --> 1:07:57.120
<v Speaker 1>thank you. That's real real, Okay. I gotta take some

1:07:57.240 --> 1:07:57.680
<v Speaker 1>noise for that.

1:07:59.200 --> 1:08:01.640
<v Speaker 2>I gotta be you heard nor say Keith Murray on drinks,

1:08:01.680 --> 1:08:02.360
<v Speaker 2>chances're gonna.

1:08:02.160 --> 1:08:05.520
<v Speaker 1>Make it happen. Drink chance, all right, New York or Atlanta,

1:08:07.240 --> 1:08:21.280
<v Speaker 1>New York. All right, DJ Scratcher kick Capri rink. Yeah,

1:08:21.320 --> 1:08:21.880
<v Speaker 1>you gotta drink.

1:08:21.960 --> 1:08:25.519
<v Speaker 4>You gotta drink because again kicking pre startup as scratches

1:08:25.560 --> 1:08:26.439
<v Speaker 4>my DJ too.

1:08:26.400 --> 1:08:29.679
<v Speaker 1>But kick started. I don't make these questions.

1:08:30.960 --> 1:08:36.200
<v Speaker 2>Good uh, second to last, capone or Noriega.

1:08:38.360 --> 1:08:42.080
<v Speaker 1>You got your drink. Drink, Thank you for it, Thank

1:08:42.120 --> 1:08:46.519
<v Speaker 1>you because I might pick your pone good nigga. Oh yeah, damn,

1:08:46.560 --> 1:08:48.880
<v Speaker 1>here's my majuana hitting right now. All right, last one,

1:08:49.000 --> 1:08:55.320
<v Speaker 1>go for it, buddy. Loyalty or respect? Respect, He said

1:08:55.360 --> 1:08:57.840
<v Speaker 1>that quick yeah, I've.

1:08:57.479 --> 1:08:59.880
<v Speaker 2>Never heard something. Then he rushed into the bathroom. Can

1:09:00.000 --> 1:09:01.920
<v Speaker 2>he gets to carry to help study to the bathroom?

1:09:02.640 --> 1:09:10.080
<v Speaker 4>Because loyalty can be compromised, meaning again, you can't really

1:09:10.200 --> 1:09:12.479
<v Speaker 4>trust the loyalty. Somebody can say, Yo, they be loyal.

1:09:12.600 --> 1:09:14.560
<v Speaker 4>They can easily be compromised.

1:09:14.600 --> 1:09:17.760
<v Speaker 2>But wouldn't that not be loyalty at that point? Yeah,

1:09:17.840 --> 1:09:20.360
<v Speaker 2>but again they can say they're loyal. Respect, you can't.

1:09:20.360 --> 1:09:21.080
<v Speaker 2>You got to earn that.

1:09:21.280 --> 1:09:24.479
<v Speaker 1>You can't just just can't get respect like that. You know,

1:09:24.560 --> 1:09:27.320
<v Speaker 1>you have to earn that loyal You can at like

1:09:27.439 --> 1:09:29.439
<v Speaker 1>he's loyal, and then somebody can come to you with

1:09:29.560 --> 1:09:32.200
<v Speaker 1>a proposition and say some shit to you, and you

1:09:32.240 --> 1:09:34.880
<v Speaker 1>can easily just switch it quickly.

1:09:37.160 --> 1:09:44.360
<v Speaker 2>Okay, I want both respect automatically. A loyal nigga is

1:09:44.520 --> 1:09:48.960
<v Speaker 2>not really loyal all the time. He can easily be compromised.

1:09:49.000 --> 1:09:51.080
<v Speaker 2>Anderstand what I'm saying. I got what you're saying.

1:09:52.640 --> 1:09:54.559
<v Speaker 1>I'm using bathrock. Jesus Christmas.

1:09:55.800 --> 1:09:59.679
<v Speaker 2>Now we are win win, all right, Eric sermon, let's

1:09:59.680 --> 1:10:01.200
<v Speaker 2>talk a about this duo's project.

1:10:01.240 --> 1:10:06.240
<v Speaker 1>Okay, how is the project? I thought Copona Oriego was

1:10:06.600 --> 1:10:10.880
<v Speaker 1>you talked about it here with us? What he said

1:10:11.160 --> 1:10:14.800
<v Speaker 1>CNN is not on the project, not this one. I

1:10:14.920 --> 1:10:17.519
<v Speaker 1>gave him Nori to beat, but no, he's busy, right,

1:10:17.680 --> 1:10:19.479
<v Speaker 1>So I had the record made. You know that I

1:10:19.640 --> 1:10:22.519
<v Speaker 1>want them to rock on, but it'll be volume two though.

1:10:22.880 --> 1:10:25.479
<v Speaker 1>Sot For the people that don't know, can you explain

1:10:25.520 --> 1:10:26.280
<v Speaker 1>what the project is?

1:10:27.280 --> 1:10:31.400
<v Speaker 4>Yeah, before before Nas was doing what he's doing, about

1:10:31.479 --> 1:10:35.040
<v Speaker 4>three and a half years ago, I thought that my colleagues,

1:10:35.479 --> 1:10:37.479
<v Speaker 4>I was wondering why they stopped making records.

1:10:38.000 --> 1:10:39.000
<v Speaker 1>So I didn't like that.

1:10:39.240 --> 1:10:41.640
<v Speaker 4>So I said, you know what, maybe they don't have

1:10:41.840 --> 1:10:46.240
<v Speaker 4>nobody to influence them or somebody to make records for them,

1:10:46.439 --> 1:10:48.439
<v Speaker 4>or probably you know, they feel.

1:10:48.240 --> 1:10:50.719
<v Speaker 1>Like they don't have to do it or they can't

1:10:50.800 --> 1:10:54.320
<v Speaker 1>do it. So I said, I'm going to look at

1:10:55.240 --> 1:10:59.519
<v Speaker 1>all the rap groups that was out and I'm going

1:10:59.600 --> 1:11:02.400
<v Speaker 1>to make new records on them, strictly duels, right, just

1:11:02.479 --> 1:11:05.640
<v Speaker 1>due just duels two rappers. There's like twenty four of

1:11:05.720 --> 1:11:06.400
<v Speaker 1>them in the game.

1:11:06.920 --> 1:11:10.800
<v Speaker 4>If you if you look up twenty the dual partnership

1:11:10.960 --> 1:11:15.320
<v Speaker 4>is about twenty four rap groups. So I started with

1:11:16.640 --> 1:11:18.880
<v Speaker 4>making a couple of d ms, some phone calls on

1:11:19.000 --> 1:11:22.160
<v Speaker 4>certain people and then start putting them in my head

1:11:22.880 --> 1:11:26.439
<v Speaker 4>who I wanted to produce and the ones who I didn't,

1:11:26.880 --> 1:11:31.880
<v Speaker 4>who I never produced before, you know. So I think

1:11:31.960 --> 1:11:35.599
<v Speaker 4>the first record I won, of the first records I did,

1:11:35.880 --> 1:11:41.040
<v Speaker 4>was know You by Nature, right, but Know You by

1:11:41.120 --> 1:11:44.680
<v Speaker 4>Nation is not on this project. And then I did

1:11:44.880 --> 1:11:46.519
<v Speaker 4>like you said, you did, you did a record with them,

1:11:46.560 --> 1:11:48.040
<v Speaker 4>it's just not on this break right, And I did

1:11:48.200 --> 1:11:52.040
<v Speaker 4>Lost the Lost the Underground. I did the record with

1:11:52.080 --> 1:11:55.960
<v Speaker 4>them too. They didn't make this one neither, right, So

1:11:57.920 --> 1:12:02.920
<v Speaker 4>time starts going by. COVID comes in after that. Then

1:12:03.000 --> 1:12:03.720
<v Speaker 4>COVID came down.

1:12:03.800 --> 1:12:04.479
<v Speaker 1>Was two years.

1:12:04.960 --> 1:12:08.519
<v Speaker 4>So then when when I was signed at three hundred,

1:12:09.240 --> 1:12:14.040
<v Speaker 4>like how to deal with Kevin Lyles, then they sold

1:12:14.120 --> 1:12:17.760
<v Speaker 4>three hundred, so that took time off. So now it's

1:12:17.800 --> 1:12:23.160
<v Speaker 4>three years now, you know. So once Warner picked it

1:12:23.280 --> 1:12:27.759
<v Speaker 4>back up again and DNA, which is another my partners

1:12:27.800 --> 1:12:31.040
<v Speaker 4>who I'm with, I started going back again and saying,

1:12:31.080 --> 1:12:34.280
<v Speaker 4>you know what, let me finish the project up. So

1:12:34.520 --> 1:12:39.960
<v Speaker 4>Dynamic Duo comes out December fifth, Dynamic Duel right, volume one,

1:12:40.880 --> 1:12:42.280
<v Speaker 4>and you're spinning on all the records too.

1:12:42.439 --> 1:12:47.240
<v Speaker 1>I'm not ryman, just production this production. So I put

1:12:47.320 --> 1:12:48.919
<v Speaker 1>out mop joints.

1:12:48.720 --> 1:12:51.920
<v Speaker 4>Up I put out a TUPAC and Bigie record first, right,

1:12:52.160 --> 1:12:57.680
<v Speaker 4>that's out now, right, that's out now. And then I

1:12:57.840 --> 1:13:01.960
<v Speaker 4>put out the Red Man that Metamn record out second right.

1:13:03.680 --> 1:13:07.400
<v Speaker 4>Then I put out the Snoop Dogg Nate Dog record

1:13:07.479 --> 1:13:10.880
<v Speaker 4>out too, just snippers of them, oh okay, okay, and

1:13:11.040 --> 1:13:15.120
<v Speaker 4>now I got the the MP coming on the release

1:13:15.280 --> 1:13:18.400
<v Speaker 4>of Friday with a video looks.

1:13:18.240 --> 1:13:19.920
<v Speaker 1>Crazy, crazy, looks crazy.

1:13:20.560 --> 1:13:26.280
<v Speaker 4>This album, I was definitely trying to fill the void

1:13:26.760 --> 1:13:32.400
<v Speaker 4>of hip hop. So it's way before Na's mass appeal

1:13:32.800 --> 1:13:35.800
<v Speaker 4>what he's doing now, you know what I'm saying. So,

1:13:36.240 --> 1:13:41.720
<v Speaker 4>but on this project that's coming December fifth, Dynamic Duos.

1:13:41.720 --> 1:13:43.479
<v Speaker 2>Three days, so it's out now by the time this

1:13:43.600 --> 1:13:44.040
<v Speaker 2>comes out.

1:13:44.400 --> 1:13:53.800
<v Speaker 4>Snoop Dogg, Nate Dog, Helter Skelter, Mob Deep, rhdther Meth

1:13:54.800 --> 1:14:01.839
<v Speaker 4>Dog Pound, Cyprus Hills, ep M D, n uh Ship, Conway,

1:14:01.920 --> 1:14:09.559
<v Speaker 4>the Machine, Lil Wayne, Game, am missing somebody. It's Conwayne,

1:14:09.560 --> 1:14:12.080
<v Speaker 4>who the Conway, Little Wayne and Game is on the

1:14:12.120 --> 1:14:16.040
<v Speaker 4>same record. That's my that's my bonus of volume two.

1:14:16.160 --> 1:14:19.800
<v Speaker 4>I'll be putting other rappers together that making my own

1:14:19.920 --> 1:14:21.280
<v Speaker 4>dynamic duos too.

1:14:21.520 --> 1:14:24.000
<v Speaker 2>You got you got you so but again componing Noriega

1:14:24.040 --> 1:14:26.360
<v Speaker 2>with Smith and Western or something like that No, no,

1:14:26.400 --> 1:14:27.839
<v Speaker 2>it's supposed to be componing Noriega.

1:14:28.200 --> 1:14:32.160
<v Speaker 1>No no, no, like Yellow Group, meaning that taking some

1:14:32.320 --> 1:14:34.960
<v Speaker 1>other rappers that are in the group. It would be.

1:14:35.160 --> 1:14:38.280
<v Speaker 2>But he's thinking that you're putting duels with duals, duels

1:14:38.320 --> 1:14:38.799
<v Speaker 2>with duals.

1:14:38.840 --> 1:14:41.720
<v Speaker 1>That's what I thought. But on the volume two, I

1:14:41.800 --> 1:14:54.320
<v Speaker 1>got Black Star raing ghosts Um componing Jaysa styles me. Hey, Jonna, lie,

1:14:54.360 --> 1:14:56.000
<v Speaker 1>I really wanted to be on this project.

1:14:56.040 --> 1:14:59.360
<v Speaker 2>I really did. I tell you that something what happened.

1:15:01.800 --> 1:15:04.040
<v Speaker 2>I was so busy with this busy. I was so

1:15:04.200 --> 1:15:07.360
<v Speaker 2>busy with this ship that and I told him, I said, yo,

1:15:07.920 --> 1:15:10.679
<v Speaker 2>I said, Volume one is heavy. You see the names.

1:15:10.800 --> 1:15:13.400
<v Speaker 1>I said, listen, I'm like, nigga, you see what I'm

1:15:13.439 --> 1:15:13.840
<v Speaker 1>working with.

1:15:14.280 --> 1:15:16.080
<v Speaker 3>I'm gonna know what you told me. I'm gonna tell

1:15:16.080 --> 1:15:17.839
<v Speaker 3>you what you told me. You said you're gonna regret

1:15:17.920 --> 1:15:22.920
<v Speaker 3>this ship. And I'm here look at you now, right hey,

1:15:23.000 --> 1:15:25.679
<v Speaker 3>But but you know what I'm here right now regret.

1:15:25.800 --> 1:15:29.280
<v Speaker 4>The Volume two is strong because again I got ael

1:15:29.479 --> 1:15:31.200
<v Speaker 4>M J g U g K. So I kind of

1:15:31.479 --> 1:15:34.400
<v Speaker 4>I kind of mixed the fuck, you know on listen, man,

1:15:34.560 --> 1:15:36.560
<v Speaker 4>I was already doing this. I gotta keep saying this

1:15:36.680 --> 1:15:40.599
<v Speaker 4>but you said yes, So I was always listen man.

1:15:40.800 --> 1:15:43.040
<v Speaker 4>I was able to get Sean Price, I was able

1:15:43.080 --> 1:15:45.120
<v Speaker 4>to get new priory vocals. I was able to get

1:15:45.200 --> 1:15:47.720
<v Speaker 4>new knag vocals like I didn't like, this is not

1:15:47.880 --> 1:15:49.840
<v Speaker 4>no ship that you hearing is gonna be like yo,

1:15:49.960 --> 1:15:53.040
<v Speaker 4>we heard that, nah, nigga, this ship. I really put

1:15:53.240 --> 1:15:55.760
<v Speaker 4>this ship together to make sure that I did the

1:15:55.840 --> 1:15:56.240
<v Speaker 4>right thing.

1:15:56.320 --> 1:15:59.240
<v Speaker 1>I was telling Nori, you're gonna regret this ship, nigga

1:15:59.320 --> 1:16:03.200
<v Speaker 1>like yo. But volume two at that strong, he said

1:16:03.200 --> 1:16:05.679
<v Speaker 1>you're gonna and I was just like December fifth Friday.

1:16:05.840 --> 1:16:08.080
<v Speaker 1>And then God bless me for the moment.

1:16:08.320 --> 1:16:11.760
<v Speaker 3>Me and Capone wasn't on the same level, so I

1:16:11.920 --> 1:16:14.479
<v Speaker 3>just didn't want to like I know, and then then

1:16:14.640 --> 1:16:15.800
<v Speaker 3>me a Capone.

1:16:15.479 --> 1:16:18.080
<v Speaker 1>Is so much great right now, we're so you all

1:16:18.240 --> 1:16:21.280
<v Speaker 1>get we all have that. The ep m D almost

1:16:21.280 --> 1:16:24.680
<v Speaker 1>didn't make it so again, I understand, Yeah, you.

1:16:26.280 --> 1:16:30.920
<v Speaker 3>Gotta say this. This this is our last question. Everyone

1:16:31.040 --> 1:16:33.960
<v Speaker 3>thinks it's so like crazy to be like like a

1:16:34.080 --> 1:16:37.439
<v Speaker 3>Wu tang group nine people. People don't understand.

1:16:37.640 --> 1:16:42.719
<v Speaker 1>Two people is just just Lee, just a leeth listen tretching.

1:16:42.800 --> 1:16:48.080
<v Speaker 1>Vinnie don't work no more. Pete rockins CEO, don't work

1:16:48.120 --> 1:16:53.840
<v Speaker 1>no more. You got I'm naming I missing a lot

1:16:53.880 --> 1:16:54.280
<v Speaker 1>of groups.

1:16:54.479 --> 1:16:57.680
<v Speaker 2>Yeah, I know, not Lord Jamar, even though that there

1:16:57.720 --> 1:16:58.439
<v Speaker 2>were a trio with.

1:17:00.560 --> 1:17:01.120
<v Speaker 1>What's his name.

1:17:02.520 --> 1:17:04.880
<v Speaker 4>It's just people that grand people of the trip, people

1:17:04.920 --> 1:17:08.280
<v Speaker 4>that are doing business. Will we bring we out here

1:17:08.400 --> 1:17:10.679
<v Speaker 4>doing business. There's a lot of people who you would

1:17:10.720 --> 1:17:14.240
<v Speaker 4>never see again because it got so bad, like being

1:17:14.320 --> 1:17:16.920
<v Speaker 4>rock him and you know, you know sometimes it might,

1:17:17.120 --> 1:17:20.639
<v Speaker 4>but again it happens like Norway said, you got to two,

1:17:20.880 --> 1:17:22.559
<v Speaker 4>like you think nine is two?

1:17:22.680 --> 1:17:25.360
<v Speaker 2>People like that that it can I mean, it gets

1:17:25.479 --> 1:17:27.080
<v Speaker 2>like and it's people starting to work at a young

1:17:27.160 --> 1:17:28.479
<v Speaker 2>age and then maturing and grown.

1:17:28.520 --> 1:17:30.280
<v Speaker 1>Now it gets like that, but like you know, we

1:17:30.400 --> 1:17:32.719
<v Speaker 1>all move on and we're doing what we're doing.

1:17:33.520 --> 1:17:35.560
<v Speaker 3>I'm not gonna lie to you. When when I was

1:17:35.640 --> 1:17:38.479
<v Speaker 3>a uh and I was a child kind of like

1:17:38.560 --> 1:17:40.720
<v Speaker 3>when y'all kind of like was breaking up or like

1:17:40.840 --> 1:17:44.800
<v Speaker 3>doing that, I was like, man, what's wrong with these

1:17:44.960 --> 1:17:48.120
<v Speaker 3>two people? And then I went through it myself, and

1:17:48.280 --> 1:17:49.799
<v Speaker 3>I always owed you a policy.

1:17:50.040 --> 1:17:52.400
<v Speaker 1>Always groups, man, no matter what it's a rock group

1:17:52.520 --> 1:17:55.599
<v Speaker 1>is a sustant group. It's always groups. Either somebody break

1:17:55.680 --> 1:17:58.120
<v Speaker 1>off or do their own thing. Just the fact. And

1:17:58.240 --> 1:18:00.640
<v Speaker 1>again I'm gonna say this one thing though too.

1:18:00.760 --> 1:18:03.639
<v Speaker 4>You know, I don't know about y'all, but it's always

1:18:03.800 --> 1:18:07.799
<v Speaker 4>got something to do with financials, you know, like somebody

1:18:08.200 --> 1:18:11.240
<v Speaker 4>is not doing the money right. You know, somebody is

1:18:11.320 --> 1:18:13.600
<v Speaker 4>doing and then it could be your fault on my

1:18:13.760 --> 1:18:16.559
<v Speaker 4>fault that I'm not handling my business, so I can't

1:18:16.680 --> 1:18:19.519
<v Speaker 4>fault the other person. It's probably me didn't do the

1:18:19.600 --> 1:18:23.000
<v Speaker 4>right thing. But then you can't have two presidents. Somebody

1:18:23.080 --> 1:18:25.400
<v Speaker 4>have to be the president and somebody has to be

1:18:25.560 --> 1:18:28.160
<v Speaker 4>the other one that you teach, and so when you

1:18:28.360 --> 1:18:29.559
<v Speaker 4>fall back, you.

1:18:29.600 --> 1:18:30.320
<v Speaker 1>Don't get taught.

1:18:31.400 --> 1:18:35.800
<v Speaker 4>You know everything, and somebody else is exceeding, you know.

1:18:36.240 --> 1:18:39.519
<v Speaker 4>So you know, I tell everybody too, this game is

1:18:39.600 --> 1:18:42.680
<v Speaker 4>a fucking business. Do not look at people do not

1:18:43.000 --> 1:18:46.240
<v Speaker 4>like you. The labels don't like you, Your lawyers don't

1:18:46.400 --> 1:18:49.320
<v Speaker 4>like you, your managers don't like you. This shit is

1:18:49.400 --> 1:18:50.000
<v Speaker 4>a business.

1:18:50.280 --> 1:18:53.160
<v Speaker 2>I'm not saying for everybody, but the majority that be key,

1:18:53.240 --> 1:18:54.400
<v Speaker 2>Key and haha.

1:18:56.240 --> 1:18:59.280
<v Speaker 4>Not your friends. They are here for a purpose, they

1:18:59.400 --> 1:19:02.720
<v Speaker 4>have an a Just know that you do shit. Try

1:19:02.800 --> 1:19:05.720
<v Speaker 4>to do shit yourself. Try to get somebody who you know,

1:19:05.920 --> 1:19:08.439
<v Speaker 4>like how you got fn somebody who you trust, but

1:19:08.640 --> 1:19:11.320
<v Speaker 4>do not put your trust in these people because they

1:19:11.400 --> 1:19:12.880
<v Speaker 4>don't give a fuck about you.

1:19:13.320 --> 1:19:16.200
<v Speaker 1>These people are trying to get paid. Period. If I

1:19:16.240 --> 1:19:19.800
<v Speaker 1>would have known that earlier, I probably wouldn't have been way, way,

1:19:19.880 --> 1:19:20.760
<v Speaker 1>way off in that.

1:19:21.240 --> 1:19:24.720
<v Speaker 4>But we all got jerky pause in the beginning. No

1:19:24.800 --> 1:19:27.920
<v Speaker 4>matter what, we all caught it because we don't know.

1:19:28.360 --> 1:19:31.320
<v Speaker 4>The game wasn't built for us. It wasn't made for us.

1:19:31.760 --> 1:19:33.519
<v Speaker 4>It was made for them to do what they had

1:19:33.560 --> 1:19:33.760
<v Speaker 4>to do.

1:19:34.240 --> 1:19:38.760
<v Speaker 1>So just know that, yo, man, I want to thank

1:19:38.800 --> 1:19:39.680
<v Speaker 1>you so much. Man.

1:19:40.439 --> 1:19:43.040
<v Speaker 4>Okay, before I go, did we get anything that's going

1:19:43.080 --> 1:19:43.720
<v Speaker 4>to be able to.

1:19:45.880 --> 1:19:48.400
<v Speaker 1>The fact of everything? No, because I look at that,

1:19:48.479 --> 1:19:51.840
<v Speaker 1>I look at everything. The thing is this is this

1:19:52.000 --> 1:19:52.880
<v Speaker 1>is a live crowd.

1:19:53.080 --> 1:19:55.240
<v Speaker 2>Okay, so this is a different This is a different

1:19:55.240 --> 1:19:57.000
<v Speaker 2>We don't do this often, but we're glad we're here.

1:19:57.240 --> 1:19:57.439
<v Speaker 1>Yeah.

1:19:57.439 --> 1:20:01.919
<v Speaker 3>I mean, so guess what bigger big up to everybody

1:20:02.040 --> 1:20:07.519
<v Speaker 3>that's in the crowd. Up to Monster shout Bobby say

1:20:07.600 --> 1:20:07.920
<v Speaker 3>one thing.

1:20:09.560 --> 1:20:12.200
<v Speaker 4>Everybody that's listening, I'm telling you right now, because everybody

1:20:12.920 --> 1:20:16.280
<v Speaker 4>that make beats and that rhyme and that's in the studio,

1:20:17.240 --> 1:20:20.559
<v Speaker 4>it doesn't have to be a habit, y'all.

1:20:20.600 --> 1:20:23.200
<v Speaker 1>Can make money with just the people that follow you.

1:20:23.960 --> 1:20:26.719
<v Speaker 2>Five hundred people who will your community, who are your fans?

1:20:27.200 --> 1:20:30.799
<v Speaker 2>Five hundred people they all pay for you, they're your fans.

1:20:31.160 --> 1:20:35.320
<v Speaker 2>To just know that again, just with one thousand people

1:20:35.720 --> 1:20:39.920
<v Speaker 2>giving you five dollars, it's five grand. Imagine making that

1:20:40.120 --> 1:20:40.719
<v Speaker 2>every month.

1:20:41.160 --> 1:20:42.560
<v Speaker 1>Who makes that? You know what you got to go

1:20:42.640 --> 1:20:43.840
<v Speaker 1>to work for to do that?

1:20:44.920 --> 1:20:48.280
<v Speaker 4>Like to go so imagine these people who are making

1:20:48.360 --> 1:20:52.400
<v Speaker 4>thirty grand a month. It's not a fucking dream. If

1:20:52.439 --> 1:20:55.960
<v Speaker 4>you just take the chance and say, Okay, here's my community,

1:20:56.200 --> 1:20:58.600
<v Speaker 4>I'm about to build them up, and whatever I do,

1:20:58.720 --> 1:21:01.320
<v Speaker 4>they following me. And I'm gonna make sure that I'm

1:21:01.360 --> 1:21:04.000
<v Speaker 4>not doing this just for my just for my health.

1:21:04.400 --> 1:21:07.639
<v Speaker 4>The computer is out there for y'all. The fucking system

1:21:07.920 --> 1:21:10.240
<v Speaker 4>that we do with the web is out there for y'all.

1:21:10.560 --> 1:21:13.400
<v Speaker 4>The platform that you able to get is out there

1:21:13.479 --> 1:21:15.479
<v Speaker 4>for y'all. But you got to look at it and

1:21:15.640 --> 1:21:18.719
<v Speaker 4>just look at it as fuck this other system, fuck

1:21:18.800 --> 1:21:21.320
<v Speaker 4>everything else, fuck trying to be worldwide.

1:21:21.760 --> 1:21:23.360
<v Speaker 1>Take your community and.

1:21:23.479 --> 1:21:26.519
<v Speaker 4>Then and then focus on them, and they would pay

1:21:26.640 --> 1:21:28.839
<v Speaker 4>you as long as you out there period.

1:21:29.560 --> 1:21:30.000
<v Speaker 1>That's right.

1:21:31.680 --> 1:21:35.160
<v Speaker 2>Be a leader, not a follower. Do you want to

1:21:35.200 --> 1:21:37.040
<v Speaker 2>bring my homie up and saying that be a leader,

1:21:37.080 --> 1:21:38.840
<v Speaker 2>not a follower. D One is a is a perfect

1:21:38.880 --> 1:21:44.760
<v Speaker 2>example of that. Oh d One, Yo, I'm so damn

1:21:44.840 --> 1:21:52.720
<v Speaker 2>my bad, you know. Uh, I'm gonna say this. I'm

1:21:52.760 --> 1:21:53.960
<v Speaker 2>so much of a fan of you.

1:21:54.400 --> 1:21:57.439
<v Speaker 3>I'm so much a fan of your positivity, right because

1:21:57.479 --> 1:21:59.840
<v Speaker 3>I wake up like you and.

1:22:01.600 --> 1:22:04.200
<v Speaker 1>I've become somebody else, a monster.

1:22:05.600 --> 1:22:07.920
<v Speaker 2>Afterwards, it wakes up Victor turns into Noriega.

1:22:08.640 --> 1:22:11.640
<v Speaker 1>Damn wow. But but what I want to tell you

1:22:11.920 --> 1:22:14.360
<v Speaker 1>is how much you mean.

1:22:15.960 --> 1:22:19.560
<v Speaker 3>You're really a positive brother, and you really like like,

1:22:19.720 --> 1:22:23.680
<v Speaker 3>you really like talk to the people. So I just

1:22:23.800 --> 1:22:25.920
<v Speaker 3>want to, like, I just want to, I just want

1:22:25.920 --> 1:22:28.760
<v Speaker 3>you to do Holy shit, Look, that's the devil.

1:22:28.840 --> 1:22:30.880
<v Speaker 1>That's the devil. Yeah, it's definitely the devil.

1:22:31.520 --> 1:22:34.080
<v Speaker 5>Because a man of guard is in a building right now.

1:22:34.120 --> 1:22:35.840
<v Speaker 1>You heard me make some noise. If you got loved

1:22:35.880 --> 1:22:39.639
<v Speaker 1>for God, you heard me. Yeah. And you're from New Orleans.

1:22:39.880 --> 1:22:41.720
<v Speaker 1>I'm from that five oh four all day you heard

1:22:41.800 --> 1:22:42.760
<v Speaker 1>me listen all day.

1:22:43.160 --> 1:22:46.840
<v Speaker 3>You probably from I'm sorry, you're probably from the worst

1:22:46.880 --> 1:22:47.280
<v Speaker 3>hood ever.

1:22:47.680 --> 1:22:50.599
<v Speaker 5>But lead ad, I mean, we're from the We were

1:22:50.680 --> 1:22:53.360
<v Speaker 5>truly from a place where you're an underdog from the

1:22:53.439 --> 1:22:56.040
<v Speaker 5>time you're born in New Orleans, you feel me you're

1:22:56.040 --> 1:22:59.040
<v Speaker 5>an underdog from the time you're born. With that being said, man,

1:23:00.240 --> 1:23:03.160
<v Speaker 5>I made it out because I kept God first in

1:23:03.240 --> 1:23:06.960
<v Speaker 5>my life. But I did something very simple, y'all. We

1:23:07.160 --> 1:23:11.679
<v Speaker 5>all have a slingshot, right. Y'all know David defeated Goliath.

1:23:11.720 --> 1:23:14.000
<v Speaker 5>You know the story that David and Goliath that you go,

1:23:14.160 --> 1:23:17.320
<v Speaker 5>David defeated Goliath using the what a slingshot?

1:23:17.800 --> 1:23:18.320
<v Speaker 1>In life?

1:23:18.720 --> 1:23:22.000
<v Speaker 5>Everybody has a slingshot, and we all got to figure

1:23:22.000 --> 1:23:23.200
<v Speaker 5>out what's our slingshot.

1:23:23.280 --> 1:23:25.680
<v Speaker 1>What's your gift, what's your passion.

1:23:25.680 --> 1:23:28.120
<v Speaker 5>What's that gift that you could use to defeat the

1:23:28.200 --> 1:23:29.400
<v Speaker 5>goliaths in your life?

1:23:29.560 --> 1:23:29.680
<v Speaker 1>Right?

1:23:30.560 --> 1:23:34.080
<v Speaker 5>So I recognize that the goliaths in my life like racism,

1:23:34.520 --> 1:23:38.360
<v Speaker 5>like poverty, like discrimination, hatred.

1:23:38.080 --> 1:23:41.240
<v Speaker 1>All these things. Man, hip hop is my slingshot.

1:23:41.920 --> 1:23:43.960
<v Speaker 5>So I gotta figure out how could I use hip

1:23:44.000 --> 1:23:47.400
<v Speaker 5>hop and use this powerful platform to defeat all the

1:23:47.479 --> 1:23:50.360
<v Speaker 5>demons in this world. And that's why we can't be

1:23:50.439 --> 1:23:52.639
<v Speaker 5>making a hip hop that's making it sound.

1:23:52.520 --> 1:23:55.960
<v Speaker 1>Cool to murder your fellow black man. We can't be

1:23:56.040 --> 1:23:56.799
<v Speaker 1>making hip.

1:23:56.600 --> 1:23:59.600
<v Speaker 5>Hop that's making it sound cool to sell dope to

1:23:59.720 --> 1:24:03.080
<v Speaker 5>your community. You feel me, we can't be making hip

1:24:03.080 --> 1:24:05.760
<v Speaker 5>hop that's making it sound cool to disrespect women, But

1:24:05.880 --> 1:24:08.439
<v Speaker 5>then we turn around and call them queens. That don't

1:24:08.479 --> 1:24:12.400
<v Speaker 5>make sense. We cry when rappers die, but we love

1:24:12.479 --> 1:24:15.760
<v Speaker 5>when they glorify murder when they're alive, and it don't

1:24:15.800 --> 1:24:18.719
<v Speaker 5>make sense. So I don't mind going against the grain

1:24:18.800 --> 1:24:21.920
<v Speaker 5>because David was the underdog. You heard me, So me

1:24:22.080 --> 1:24:24.120
<v Speaker 5>being the underdog in this rap game. I'm gonna do

1:24:24.160 --> 1:24:26.240
<v Speaker 5>it my way. I'm not gonna curse in my music.

1:24:26.479 --> 1:24:29.320
<v Speaker 5>I'm gonna keep God first and everything I do, I'm

1:24:29.320 --> 1:24:31.840
<v Speaker 5>gonna stand on business if I gotta disagree with people

1:24:31.920 --> 1:24:32.479
<v Speaker 5>at sometime.

1:24:32.600 --> 1:24:35.320
<v Speaker 1>Rick Ross's people like that. I love you, but I

1:24:35.520 --> 1:24:36.760
<v Speaker 1>squashed it. There you go.

1:24:37.000 --> 1:24:39.160
<v Speaker 5>I love you, but I gotta be honest with you.

1:24:39.360 --> 1:24:41.840
<v Speaker 5>Jim Jones, we squashed it, you heard me. Meek mill

1:24:42.080 --> 1:24:43.360
<v Speaker 5>Is love you a Meek.

1:24:43.400 --> 1:24:45.120
<v Speaker 1>I remember you're squashing it as well.

1:24:45.439 --> 1:24:48.840
<v Speaker 5>But it's okay if you disagree sometimes as long as

1:24:48.880 --> 1:24:51.639
<v Speaker 5>the reason why you're disagreeing is because you're trying to grow.

1:24:51.800 --> 1:24:54.320
<v Speaker 1>At the end, you feel me, Yeah.

1:24:54.200 --> 1:24:57.800
<v Speaker 3>What, yes, But I didn't know you will be here

1:24:58.280 --> 1:25:00.800
<v Speaker 3>because had I knew you to have been here how

1:25:00.840 --> 1:25:02.240
<v Speaker 3>to get you your flowers as well?

1:25:02.479 --> 1:25:08.000
<v Speaker 1>Oh man, I could come back. I could this.

1:25:08.160 --> 1:25:13.240
<v Speaker 3>You deserve this, man. I wake up online and I

1:25:13.920 --> 1:25:17.040
<v Speaker 3>look forward to your messages. I look forward to what

1:25:17.120 --> 1:25:22.600
<v Speaker 3>you're saying. I look forward, Dang, I look forward like

1:25:22.720 --> 1:25:24.640
<v Speaker 3>I look, I look, I look, I look. I'll be like,

1:25:24.800 --> 1:25:28.360
<v Speaker 3>all right, cool, that's what I want to hear. And

1:25:28.840 --> 1:25:32.559
<v Speaker 3>you know I grew up being against the rapper, right,

1:25:32.640 --> 1:25:33.519
<v Speaker 3>that's what they called me.

1:25:34.080 --> 1:25:38.200
<v Speaker 1>Right, That's not who I want to be. Come on,

1:25:38.800 --> 1:25:39.840
<v Speaker 1>talk your talk, man.

1:25:40.240 --> 1:25:42.439
<v Speaker 3>That's not who I want to industry. Don't want to

1:25:42.439 --> 1:25:44.320
<v Speaker 3>be there. That's not who I want to be. And

1:25:44.439 --> 1:25:46.479
<v Speaker 3>when I look at your messages and I look at

1:25:46.520 --> 1:25:49.760
<v Speaker 3>your positivity, and I look at how you are addressing

1:25:49.960 --> 1:25:55.080
<v Speaker 3>our community, I always love that you think you you

1:25:55.240 --> 1:25:59.600
<v Speaker 3>think you maybe you thought you thought you wanted to

1:25:59.640 --> 1:26:02.599
<v Speaker 3>meet me today. I wanted to meet you today.

1:26:04.280 --> 1:26:06.679
<v Speaker 5>Lord have mercy man, all glory to God.

1:26:06.760 --> 1:26:06.880
<v Speaker 1>Man.

1:26:06.960 --> 1:26:08.720
<v Speaker 2>I'll tell you one thing too, I could have. I

1:26:08.760 --> 1:26:14.599
<v Speaker 2>could have signed D one. You've been fucking up. Hey,

1:26:16.000 --> 1:26:18.639
<v Speaker 2>you ain't signed nobody? You better you better hurry out?

1:26:18.760 --> 1:26:20.320
<v Speaker 1>No, no better, hurry up? Signed D one?

1:26:21.439 --> 1:26:24.880
<v Speaker 4>I met D one on the podcast right how many

1:26:24.960 --> 1:26:29.000
<v Speaker 4>years ago, two years ago, two years ago he got here,

1:26:29.280 --> 1:26:33.600
<v Speaker 4>he had two thousand followers, wow wow, and now he

1:26:33.680 --> 1:26:38.240
<v Speaker 4>got almost a million. So so everybody can say that

1:26:38.400 --> 1:26:40.880
<v Speaker 4>they don't want to hear what he's saying, but how the.

1:26:40.920 --> 1:26:42.240
<v Speaker 1>Fuck did he get them? Followers?

1:26:43.160 --> 1:26:47.840
<v Speaker 2>Happening because but hind closed doors, everybody wants to be

1:26:48.479 --> 1:26:50.920
<v Speaker 2>on this side, but they don't want to show it

1:26:51.040 --> 1:26:53.800
<v Speaker 2>because it's not I don't want to switch. Is not

1:26:53.960 --> 1:26:57.000
<v Speaker 2>cool to talk about that, but he Norwich. I was

1:26:57.120 --> 1:26:59.280
<v Speaker 2>just about to say that any words, but I'm not

1:26:59.360 --> 1:27:01.400
<v Speaker 2>gonna say that word.

1:27:01.439 --> 1:27:05.720
<v Speaker 1>But you know what I'm gonna tell you. We all

1:27:05.880 --> 1:27:11.280
<v Speaker 1>need you, yet the game does nah. Hear me the

1:27:11.360 --> 1:27:15.360
<v Speaker 1>fuck out. We all need you. That's why me squashed

1:27:15.400 --> 1:27:17.320
<v Speaker 1>it with you. That's why I raw squashed it with you.

1:27:17.400 --> 1:27:20.519
<v Speaker 3>That's why everybody because after you, you hear your plight

1:27:20.640 --> 1:27:24.479
<v Speaker 3>and you hear your story, it makes sense, makes sense,

1:27:25.320 --> 1:27:27.479
<v Speaker 3>So continue to do what the fuck you doing?

1:27:29.040 --> 1:27:31.040
<v Speaker 1>The new Juvenile singles out right. Oh yeah, I'm.

1:27:30.880 --> 1:27:33.120
<v Speaker 5>Featured on Juvenile new single yeah me and man in

1:27:33.240 --> 1:27:37.719
<v Speaker 5>Fresh Yeah, and I got a new single out feature

1:27:37.720 --> 1:27:39.759
<v Speaker 5>of Boosy and I got a new single out.

1:27:39.640 --> 1:27:41.560
<v Speaker 1>Feature of Fredo Bang we're shooting.

1:27:41.240 --> 1:27:45.560
<v Speaker 5>The video tomorrow, and man, it is no and I

1:27:45.600 --> 1:27:47.320
<v Speaker 5>don't even know if I'm allowed to say this yet

1:27:47.479 --> 1:27:52.160
<v Speaker 5>say it, oh man, say it? No, I legally, I

1:27:52.160 --> 1:27:55.160
<v Speaker 5>don't know if I'm allowed to say it. Nor you're

1:27:55.160 --> 1:27:57.599
<v Speaker 5>about to give me in trouble man, Sorry, hey man,

1:27:58.200 --> 1:27:59.360
<v Speaker 5>Just know that I'm also a.

1:27:59.400 --> 1:28:03.200
<v Speaker 1>Professor college professor as well. Hear man for that.

1:28:03.400 --> 1:28:06.800
<v Speaker 5>And I need yeah, yeah, I need y'all to know

1:28:07.240 --> 1:28:10.360
<v Speaker 5>that Norriid just did something that changed my life forever.

1:28:10.920 --> 1:28:12.840
<v Speaker 5>He is an og in the game who has the

1:28:12.960 --> 1:28:16.479
<v Speaker 5>power to change people's lives by co signing it. Most

1:28:16.560 --> 1:28:19.080
<v Speaker 5>people will be a fan of you behind closed doors,

1:28:19.640 --> 1:28:22.920
<v Speaker 5>but secretly they're secretly selfish, so they don't want to

1:28:23.000 --> 1:28:26.760
<v Speaker 5>change somebody's life. Norwidy chose to pull me from the

1:28:26.840 --> 1:28:29.479
<v Speaker 5>side of the stage and come up here and change

1:28:29.520 --> 1:28:32.400
<v Speaker 5>my life by giving me his co sign right here.

1:28:32.479 --> 1:28:36.040
<v Speaker 5>Pop is changing, right now, hip hop is changing. You

1:28:36.200 --> 1:28:38.560
<v Speaker 5>will get left behind if you want to hold on

1:28:38.720 --> 1:28:41.200
<v Speaker 5>to the old way of doing things, robbing the artists,

1:28:41.640 --> 1:28:46.280
<v Speaker 5>glorifying murder, glorifying drug dealing, disrespecting women. We are all

1:28:46.360 --> 1:28:48.800
<v Speaker 5>a work in progress. We're all trying to grow. But

1:28:48.880 --> 1:28:51.160
<v Speaker 5>if you're not trying to grow like Norry is, like

1:28:51.280 --> 1:28:53.960
<v Speaker 5>EFN is, like e sermon is like d one is.

1:28:54.200 --> 1:28:56.960
<v Speaker 5>You're gonna get left behind. Make some noise, man, let's go.

1:28:57.800 --> 1:28:59.920
<v Speaker 1>I know I know my wife. I know my wife

1:29:00.080 --> 1:29:00.879
<v Speaker 1>his head somewhere.

1:29:01.520 --> 1:29:04.839
<v Speaker 3>And Angie Martinez told me, she said, you should promote

1:29:04.880 --> 1:29:10.080
<v Speaker 3>this more, right, But I have never spent the night

1:29:10.160 --> 1:29:14.439
<v Speaker 3>out ever, not once. My wife is I don't know

1:29:14.479 --> 1:29:17.400
<v Speaker 3>where she at. She better she better step up something, right, right,

1:29:18.400 --> 1:29:22.120
<v Speaker 3>But I've never spent And I don't know how to

1:29:22.200 --> 1:29:24.519
<v Speaker 3>promote being a loyal man. I don't know how to

1:29:24.600 --> 1:29:28.320
<v Speaker 3>promote because that there's no platform for that. There's no

1:29:28.520 --> 1:29:31.880
<v Speaker 3>platform for that. You have never you have never heard

1:29:31.960 --> 1:29:34.439
<v Speaker 3>that like So I said that to Anngie Martinez, and

1:29:34.479 --> 1:29:38.040
<v Speaker 3>Antie Martinez is like, yo, you have to start promoting that.

1:29:40.280 --> 1:29:42.600
<v Speaker 3>My wife is there somewhere, and I know she, I

1:29:42.760 --> 1:29:45.880
<v Speaker 3>know she, I know she she happy. I know she

1:29:46.080 --> 1:29:49.639
<v Speaker 3>gotta be because you know why you read the truth. Yes,

1:29:50.400 --> 1:29:51.160
<v Speaker 3>it's the truth.

1:29:51.320 --> 1:29:54.400
<v Speaker 1>No, I have never spent the night out, not once,

1:29:55.120 --> 1:29:58.640
<v Speaker 1>not once in my whole time of being with her.

1:30:00.080 --> 1:30:04.160
<v Speaker 1>That girl love her like that, the women I love

1:30:04.240 --> 1:30:04.800
<v Speaker 1>that like that.

1:30:06.720 --> 1:30:09.920
<v Speaker 3>So but again, let me just end this with this,

1:30:10.360 --> 1:30:15.960
<v Speaker 3>like I really respect you. I respect you. I know

1:30:16.040 --> 1:30:18.120
<v Speaker 3>what you're doing and I want you to continue to

1:30:18.200 --> 1:30:23.599
<v Speaker 3>do it. Eric Sherman, you my you, my brother, brother, brother, brother, brother, brother, brother,

1:30:23.680 --> 1:30:24.280
<v Speaker 3>brother brother.

1:30:24.439 --> 1:30:26.200
<v Speaker 1>I moved to Miami because of you. I don't like

1:30:26.280 --> 1:30:28.640
<v Speaker 1>it like you did. I feel like you did. I

1:30:28.720 --> 1:30:34.000
<v Speaker 1>feel anyway. Let's go, So everybody here. I love y'all.

1:30:34.880 --> 1:30:37.960
<v Speaker 1>Thank y'all for coming here, y'all for coming out mansa

1:30:39.439 --> 1:30:42.479
<v Speaker 1>monster monster, Thank y'all. Every gonna come out there. Drink

1:30:42.520 --> 1:30:42.920
<v Speaker 1>with y'all.

1:30:43.280 --> 1:30:45.880
<v Speaker 2>Take no, let's take a picture right here with everybody

1:30:45.920 --> 1:30:47.640
<v Speaker 2>behind us, Let's go, Let's do it.

1:30:48.479 --> 1:30:51.880
<v Speaker 6>Drink Champs is a Drink Champs LLC production hosts and

1:30:52.000 --> 1:30:54.920
<v Speaker 6>executive producers n O r E and d J e

1:30:55.160 --> 1:30:55.439
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1:30:56.600 --> 1:30:57.400
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