WEBVTT - E.T. the Extra-Terrestrial

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<v Speaker 1>On the Bechdel Cast. The questions asked if movies have.

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<v Speaker 2>Women and them, are all their discussions just boyfriends and

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<v Speaker 2>husbands or do they have individualism? It's the patriarchy, z

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<v Speaker 2>efphin best start changing it with the Bechdel Cast.

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<v Speaker 3>Ja me phone ho, okay, yeah, call me please, Jesus

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<v Speaker 3>call me now. I like how the whole pot of

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<v Speaker 3>the movie is like Et just like trying to text

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<v Speaker 3>his friends to come pick him up.

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<v Speaker 1>He's just trying to text his mom. He literally is

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<v Speaker 1>just like, I need to text my mommy. And it

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<v Speaker 1>was the eighties. You couldn't just text your mommy. Back then.

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<v Speaker 1>It was the whole thing.

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<v Speaker 3>You had to build a whole machine and set it

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<v Speaker 3>up in the woods.

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<v Speaker 1>Today, E t would have just texted his mommy and

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<v Speaker 1>it would have been fine. Welcome to the Bechdel Cast.

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<v Speaker 1>My name is Jamie Loftus.

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<v Speaker 3>Okay, my name is Caitlin Dorante. Is that okay?

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<v Speaker 1>M that's okay, that's okay. And this is our podcast

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<v Speaker 1>where we talk about your favorite movies using an intersectional

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<v Speaker 1>feminist lens. And today we're talking about Et the Extraterrestrial

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<v Speaker 1>nineteen eighty two. Ever heard of it?

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<v Speaker 3>Yeah, I have.

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<v Speaker 1>But what is the Bechdel Test, Caitlin, Have you ever

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<v Speaker 1>heard of that?

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<v Speaker 3>Uh?

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<v Speaker 1>No, oh, but.

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<v Speaker 3>I'll do my best to explain it. It is a

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<v Speaker 3>media metric created by queer cartoonist Alison Bechdel, sometimes called

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<v Speaker 3>the Bechdel Wallace Test. It has many versions. Ours is

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<v Speaker 3>this two characters of a marginalized gender must have names,

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<v Speaker 3>they must speak to each other, and their conversation has

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<v Speaker 3>to be about something other than a man, and ideally

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<v Speaker 3>it's a narratively meaningful conversation.

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<v Speaker 1>If this is your first episode, the Bechdel test is

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<v Speaker 1>not the point of the show. It's a jumping off

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<v Speaker 1>point for discussion, as we've said for many years. But

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<v Speaker 1>this one, I feel like you could make an argument

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<v Speaker 1>based on I think that Elliott projects gender onto et yes,

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<v Speaker 1>which I think is intentional because I watched A Hole

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<v Speaker 1>behind the Scenes documentary. I went deep Bonnie Tea and

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<v Speaker 1>every time, and obviously, you know, it's like, I think

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<v Speaker 1>that documentary was made in the nineties, so it was

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<v Speaker 1>still like Spielberg was using binary gendered language, but he

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<v Speaker 1>was always saying like with E T when they find

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<v Speaker 1>him or her like He's always basically acknowledging that Elliott

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<v Speaker 1>is just pretty I mean, which makes I mean not

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<v Speaker 1>canceling Elliott. I'm not canceling Elliott. It's just like he's

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<v Speaker 1>projecting himself onto his friend. And so I feel like

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<v Speaker 1>conversations about ET do pass the bechdeltas basically in which

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<v Speaker 1>case the movie does pass.

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<v Speaker 3>I was gonna make a similar argument.

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<v Speaker 1>Yeah, and I get it Elliott, but like he's wrong, Like,

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<v Speaker 1>you know, T has no conception of gender. ET is

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<v Speaker 1>literally just trying to text mother.

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<v Speaker 3>Or father.

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<v Speaker 1>No, I'm kiddings the genderless parent from the Graape Beyond.

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<v Speaker 3>For all we know, ET comes from a planet that

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<v Speaker 3>has no concept of gender. He might come from a plant,

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<v Speaker 3>or they might come from a planet.

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<v Speaker 1>We're going to use he him pronouns, but we know

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<v Speaker 1>that ET has not spoken out on this issue.

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<v Speaker 3>This is true. ET might come from a planet that

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<v Speaker 3>has one hundred genders, none of which are you know,

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<v Speaker 3>man or woman.

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<v Speaker 1>I just found that very like because as we were

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<v Speaker 1>turning this movie on last night, I was like, is

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<v Speaker 1>Spielberg gonna do the weird minion thing where he's like

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<v Speaker 1>ET is a boy? Like like when Pierre Coffin famously

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<v Speaker 1>insisted that the genderless minions had to be boys. They're

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<v Speaker 1>all boys, and thankfully to criticize about Spielberg, but at

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<v Speaker 1>least he is not a freak about projecting gender onto Et,

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<v Speaker 1>an alien, Et and just characters in general. But yeah,

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<v Speaker 1>I am glad we both thought of that. But I'd

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<v Speaker 1>never really noticed that until this viewing that, like Gertie

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<v Speaker 1>asks is he a girl or a boy? And Elio

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<v Speaker 1>just is he's a boy, and You're like, well, he

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<v Speaker 1>doesn't know that, but he wants his friend to be

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<v Speaker 1>like him, and they just sort of roll with it.

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<v Speaker 3>Well, then there's that scene later on. We can talk

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<v Speaker 3>about this further, but where Gertie dresses Et in a

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<v Speaker 3>dress and like a woman's long wig presumably.

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<v Speaker 1>And ET's vibing.

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<v Speaker 3>Yeah, Et loves it. Et is a drag performer.

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<v Speaker 1>It is awesome that Et is a drag performer. Did

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<v Speaker 1>you see? I just love I mean, again, we'll talk

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<v Speaker 1>about it, but I do really admire and appreciate a

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<v Speaker 1>director who because I have all these complicated feelings around

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<v Speaker 1>child actors, all three kids in this movie are incredible. Yes,

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<v Speaker 1>And I really like, you know, in a world where

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<v Speaker 1>it's like, well, child actor. It's not just gonna stop

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<v Speaker 1>because Jamie has complicated feelings about it. But I really

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<v Speaker 1>admire watching like directors who are really thoughtful about like

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<v Speaker 1>directing children, and like, I just I don't know, I

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<v Speaker 1>really enjoy watching This sounds creepy, I don't mean it creepy.

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<v Speaker 1>I enjoy watching footage of Spielberg and Shymelan directing kids

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<v Speaker 1>because I feel like they're so uniquely good at it

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<v Speaker 1>and they're just talking to kids like their people. It's

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<v Speaker 1>very gentle and thoughtful, and you can always like the

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<v Speaker 1>kids parents is always like within sight, and they get

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<v Speaker 1>great performances out of kids, I think because they kind

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<v Speaker 1>of like feel safe and like it's a natural environment.

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<v Speaker 1>And yeah, I just really admire that skill. And like

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<v Speaker 1>the Henry Thomas performance and this is like, holy shit, that.

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<v Speaker 3>Damn I'm kidd Have you ever seen the video of

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<v Speaker 3>his like audition tape where he's crying on cute it's

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<v Speaker 3>so fucked up and then they tell him he got

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<v Speaker 3>the part at the end of the video.

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<v Speaker 1>Yeah, Yeah, I feel like that's like the kind of

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<v Speaker 1>clip that goes viral every so often again, but it

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<v Speaker 1>always hits. It's so beautiful. Also, Hayley's Forest Gump audition

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<v Speaker 1>goes viral every so often.

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<v Speaker 3>I've never seen that one.

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<v Speaker 1>He's quite small in it, but the Henry Thomas audition

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<v Speaker 1>is terrific. It's so like you're just like, who, how

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<v Speaker 1>does how he do that? And he didn't really act

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<v Speaker 1>very much after that? Right, I don't really know what.

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<v Speaker 3>His No, he he like went on to have a

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<v Speaker 3>pretty illustrious career, like.

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<v Speaker 1>He whoa, oh my god, no, wait, he's chilling. Never mind.

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<v Speaker 3>He isn't in any like huge thing really like not

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<v Speaker 3>much in the way of like starring rolls after this.

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<v Speaker 1>But he's like a Mike Flanagan guy now right, Like

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<v Speaker 1>he's a all of Mike Flannagan's.

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<v Speaker 3>Yes, I need to look up who that is exactly,

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<v Speaker 3>but I'm sure you're correct.

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<v Speaker 1>It's a younger Mike Flanagan directs like or it usually

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<v Speaker 1>directs like another horror series for Netflix every year. So

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<v Speaker 1>he did like a Hillhouse Haunting a blind manner and

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<v Speaker 1>got it. Yeah, Henry Thomas is in all of them.

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<v Speaker 1>You're like, hey, I know that guy my friend.

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<v Speaker 3>Anyway, Well, Jamie, what is your relationship with E T.

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<v Speaker 1>That's a little weird. I did not have any attachment

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<v Speaker 1>to this when I was a kid. I know I

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<v Speaker 1>saw it, but I just like I associated this movie

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<v Speaker 1>with like my older cousins and I was like, that's

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<v Speaker 1>kind of a them thing and let them have it.

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<v Speaker 1>And I wasn't scared of ET, but I did think

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<v Speaker 1>that he was a bit ugly and not cute.

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<v Speaker 3>Okay, thank you so much.

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<v Speaker 1>ET unfortunately is busted. Looks he looks bad.

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<v Speaker 3>Not to like shame, but like he looks bad. Let's

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<v Speaker 3>be honest, He's not pretty to look at. And I'll

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<v Speaker 3>get into this, but that's a large part of why

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<v Speaker 3>I think I was like not the biggest consumer of

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<v Speaker 3>this movie as a child. But anyway, go.

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<v Speaker 1>On, Yeah, I mean I think I was like kind

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<v Speaker 1>of too young for this movie to be any sort

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<v Speaker 1>of touchstone for me. I don't remember us having it.

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<v Speaker 1>I do remember watching it, but it just like didn't

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<v Speaker 1>really resonate with me when I was a kid, and

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<v Speaker 1>so I never really revisited it. There's a great Lindsay

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<v Speaker 1>Ellis video on Nebula about like how this is like

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<v Speaker 1>ET is like uniquely kind of one of the biggest

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<v Speaker 1>movies ever to never get a sequel and not have

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<v Speaker 1>like kind of all the stuff that we associate with

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<v Speaker 1>all of these eighties movies that we can't stop getting

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<v Speaker 1>like bashed over the fucking head with where it's like

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<v Speaker 1>Ghostbusters forty five, Jurassic Park, Hell or whatever, like Eten

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<v Speaker 1>they never really did and it's like a beautiful kind

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<v Speaker 1>of standalone thing.

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<v Speaker 3>Anyways, Well, I have a whole story about the ET

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<v Speaker 3>sequel that never got made.

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<v Speaker 1>About that, Okay, she talks about it a little bit.

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<v Speaker 1>I want to know more about it. And also I

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<v Speaker 1>just did oh cross promo alert. I didn't write the series,

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<v Speaker 1>but I hosted a series on iHeartRadio, the network you're

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<v Speaker 1>listening to right now, called The Legend of sword Quest

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<v Speaker 1>that's about Atari, who famously made that bad ET game

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<v Speaker 1>that they like buried literally right. Yeah, yeah, I love

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<v Speaker 1>that story. I mean I know it like people love

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<v Speaker 1>that story because it's like a folk legend that ended

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<v Speaker 1>up being true. It's like so awesome. Anyways, focus Et.

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<v Speaker 1>I thought he was ugly. I wasn't interested. I had

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<v Speaker 1>no I said, that's none of my business. And then

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<v Speaker 1>a couple of years ago, a group of friends and

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<v Speaker 1>I went to see Et in Imax. It was re

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<v Speaker 1>released very quietly for whatever reason for its fortieth anniversary,

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<v Speaker 1>and I hadn't seen it in like decades. I didn't

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<v Speaker 1>really remember even the story. I just remembered like Reese's

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<v Speaker 1>Pieces Pez Phone Home, you know, just kind of the

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<v Speaker 1>cultural osmosis stuff. And Yeah, when I saw it two

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<v Speaker 1>years ago, it like wrecked me. It was like sobbing.

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<v Speaker 1>I didn't see it coming that it was going to

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<v Speaker 1>like hit so hard, and I was like, holy shit,

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<v Speaker 1>this is like one of the greatest movies I've ever seen.

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<v Speaker 1>It was. Yeah, I came all the way around on et.

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<v Speaker 1>I loved watching it as an adult. I think it's

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<v Speaker 1>also partially a response to like the level of complexity

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<v Speaker 1>that happens in children's films now, which I think is

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<v Speaker 1>like less in many cases. Yeah, but this movie is

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<v Speaker 1>so sincere and so like just the biggest feelings possib Yeah.

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<v Speaker 1>I just it absolutely wrecked me. And then watching it again,

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<v Speaker 1>I was like thinking about my dad a lot, and

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<v Speaker 1>I just I don't know, I really I've come completely

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<v Speaker 1>around on this movie. It made no sense to me

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<v Speaker 1>as a kid, I didn't get the appeal, And as

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<v Speaker 1>an adult, I'm like, this is like a masterpiece. I

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<v Speaker 1>think It's my favorite Steven Spielberg movie because there is like,

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<v Speaker 1>I mean, you have the action sequences, you have the

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<v Speaker 1>sci fi, but it like it is just like such

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<v Speaker 1>a feelings story and I just love everything about it

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<v Speaker 1>is so great. The relationship between the siblings where they're

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<v Speaker 1>like assholes, but they don't hate each other. There's no

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<v Speaker 1>like I get why people are like, well, this is

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<v Speaker 1>like overly sincere, but it's like, I just I don't

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<v Speaker 1>know right now. I love it and it was making

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<v Speaker 1>me feel gigantic feelings and I was crying, crying, crying,

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<v Speaker 1>and I love it. What's your history with Et?

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<v Speaker 3>Well? I was thinking about parallels between this movie and

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<v Speaker 3>the first Paddington movie, where Paddington is basically e t

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<v Speaker 3>if Et stays with the family and they adopt him

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<v Speaker 3>and really she did, but.

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<v Speaker 1>He has to go in to go it's the saddest

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<v Speaker 1>thing to ever happen. And the score, I mean, the score,

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<v Speaker 1>come on, come on. Anyways, I feel very lucky I

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<v Speaker 1>get to see it in IMAX because it was like unbelievable.

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<v Speaker 1>Is so good?

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<v Speaker 3>Yeah, so my history, we had it on VHS and

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<v Speaker 3>my home growing up, and according to my mom, I

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<v Speaker 3>watched it all the time. Interesting, I do not remember this.

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<v Speaker 3>I remember it being on sometimes, but I think it

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<v Speaker 3>was probably my older brother who's five years older than me,

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<v Speaker 3>watching it, okay, and I was in the room and

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<v Speaker 3>you were there as well, and it was kind of

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<v Speaker 3>like before I was really storing memories the plight of

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<v Speaker 3>the young sibling. So I was consuming it, but I

0:13:03.120 --> 0:13:07.120
<v Speaker 3>think I wasn't as interested in it, partly because I

0:13:07.160 --> 0:13:10.040
<v Speaker 3>thought et was creepy and ugly, and I thought that

0:13:10.120 --> 0:13:12.560
<v Speaker 3>was gonna be such a controversial take and for you

0:13:12.640 --> 0:13:15.240
<v Speaker 3>to share that opinion, but also like Spielberg was like,

0:13:15.880 --> 0:13:18.040
<v Speaker 3>he's got a face that only a mother could love.

0:13:18.160 --> 0:13:19.920
<v Speaker 3>They like acknowledge how ugly he is.

0:13:20.520 --> 0:13:22.559
<v Speaker 1>So I mean I also think, like, again, that's another

0:13:22.640 --> 0:13:26.439
<v Speaker 1>choice as an adult. I was like, what a weird,

0:13:26.679 --> 0:13:29.720
<v Speaker 1>wild choice. I feel like that is such a like

0:13:29.760 --> 0:13:32.360
<v Speaker 1>Spielberg flex that he was even able to get away

0:13:32.400 --> 0:13:35.880
<v Speaker 1>with it, because unless you were super successful, no studio

0:13:35.920 --> 0:13:40.079
<v Speaker 1>would let you make something that ugly, like they would

0:13:40.080 --> 0:13:42.559
<v Speaker 1>be like, no, it has to be cute, Like it

0:13:42.600 --> 0:13:43.719
<v Speaker 1>can't look like that.

0:13:44.240 --> 0:13:46.560
<v Speaker 3>If this was a Disney movie, they'd be like, make

0:13:46.600 --> 0:13:51.120
<v Speaker 3>this thing have big, beautiful eyes and little eyelashes and

0:13:51.160 --> 0:13:53.360
<v Speaker 3>this cute little button nose and all this stuff.

0:13:53.400 --> 0:13:55.679
<v Speaker 1>Because Spielberg was like involved in Gremlins to hear like

0:13:55.720 --> 0:13:58.040
<v Speaker 1>he made Gizmo, like he knows how to make something cute.

0:13:58.240 --> 0:14:01.400
<v Speaker 1>But he's like, but I just don't want. I wanted

0:14:01.440 --> 0:14:04.400
<v Speaker 1>to look like shit. I love it. Et looks bad,

0:14:04.440 --> 0:14:07.320
<v Speaker 1>he looks like shit, but he's like, he's beautiful.

0:14:07.480 --> 0:14:09.800
<v Speaker 3>I saw a clip of I want to say it

0:14:09.840 --> 0:14:14.280
<v Speaker 3>was Matt Rogers, not Bowen on Lust Culture, just where

0:14:14.800 --> 0:14:17.920
<v Speaker 3>he's saying like, if I ever encountered Et, like in

0:14:17.960 --> 0:14:20.040
<v Speaker 3>the forest, I would have like, No.

0:14:20.120 --> 0:14:24.800
<v Speaker 1>It's Colin Crawford, my coworker on Star Trek. Colin Crawford,

0:14:24.800 --> 0:14:27.520
<v Speaker 1>one of the best comedy writers ever, had a tweet

0:14:28.240 --> 0:14:30.760
<v Speaker 1>that said, me and my friends would have killed Et

0:14:30.920 --> 0:14:33.440
<v Speaker 1>with hammers. I can tell you that much. That's the

0:14:33.520 --> 0:14:39.160
<v Speaker 1>sweet It's it's just so true. Most kids would have

0:14:39.280 --> 0:14:41.040
<v Speaker 1>killed Et with hammer.

0:14:42.280 --> 0:14:44.800
<v Speaker 3>One of the hosts of Lust Cultures has said something

0:14:44.920 --> 0:14:48.200
<v Speaker 3>very similar recently. So it's a common thing that I

0:14:48.200 --> 0:14:50.640
<v Speaker 3>didn't realize how common because this movie is so beloved

0:14:51.000 --> 0:14:53.440
<v Speaker 3>and Et is so beloved the character, so I just

0:14:53.480 --> 0:14:56.680
<v Speaker 3>assumed everyone thought he was cute. But m hmm, it's

0:14:56.720 --> 0:14:59.760
<v Speaker 3>coming out that people think he's ugly.

0:15:00.000 --> 0:15:02.440
<v Speaker 1>I'm trying to think. I'm like, what are other I mean,

0:15:02.520 --> 0:15:07.120
<v Speaker 1>I know that kids always were scared of him, but

0:15:07.240 --> 0:15:09.200
<v Speaker 1>it also kind of reminds me like the Chuck E

0:15:09.320 --> 0:15:12.320
<v Speaker 1>Cheese animatronics, where like kids were always scared of them,

0:15:12.400 --> 0:15:16.040
<v Speaker 1>but they were just very ugly and popular. And you're like, well,

0:15:16.080 --> 0:15:17.960
<v Speaker 1>why was it I don't know, I don't.

0:15:17.800 --> 0:15:19.800
<v Speaker 3>Know, I don't know, because they could make.

0:15:19.680 --> 0:15:22.760
<v Speaker 1>A cute animatronic. We had Gizmo. Well, I guess it

0:15:22.800 --> 0:15:25.040
<v Speaker 1>was Gizmo after when did Gremlins come out?

0:15:25.200 --> 0:15:28.280
<v Speaker 3>That was a couple of years after. Yeah, they're just.

0:15:28.240 --> 0:15:31.280
<v Speaker 1>Like et looked too horrible, But it didn't matter because

0:15:31.280 --> 0:15:35.320
<v Speaker 1>this movie made eight hundred million dollars off of a

0:15:35.440 --> 0:15:36.520
<v Speaker 1>ten million dollar budget.

0:15:36.560 --> 0:15:41.120
<v Speaker 3>It was some highest grossing movie basically from like nineteen

0:15:41.160 --> 0:15:42.880
<v Speaker 3>eighty three to ninety three.

0:15:43.240 --> 0:15:46.800
<v Speaker 1>Yeah, and then yeah, he like outdid himself with Jurassic Park.

0:15:48.040 --> 0:15:51.160
<v Speaker 1>And then Jimmy Cameron came around and said he's.

0:15:51.000 --> 0:15:52.840
<v Speaker 3>Just like ever heard of Titanic?

0:15:53.920 --> 0:16:00.560
<v Speaker 1>And furthermore, Avatar and Spielberg hasn't been seen in public since. Unfortunately, Sorry,

0:16:00.720 --> 0:16:02.480
<v Speaker 1>we keep cutting off the experience with Et.

0:16:03.320 --> 0:16:06.160
<v Speaker 3>Now this is just gonna be a chaos episode. It's fine. Yeah,

0:16:06.240 --> 0:16:09.480
<v Speaker 3>I watched it as a kid, although it was before

0:16:09.520 --> 0:16:12.280
<v Speaker 3>I was like fully storing memories, and so I only

0:16:12.320 --> 0:16:17.240
<v Speaker 3>had very vague recollections of watching this movie as a kid.

0:16:17.360 --> 0:16:22.360
<v Speaker 3>And then I watched it once as probably like a teenager,

0:16:22.520 --> 0:16:26.920
<v Speaker 3>maybe in my early twenties or something, and then not

0:16:27.040 --> 0:16:31.640
<v Speaker 3>again until I started prepping for this episode. So it

0:16:31.680 --> 0:16:35.960
<v Speaker 3>was something from like my very early childhood, but not really.

0:16:36.280 --> 0:16:39.720
<v Speaker 1>That's like it's just stored in your brain before you

0:16:39.760 --> 0:16:41.440
<v Speaker 1>could store things in your brain.

0:16:41.520 --> 0:16:44.920
<v Speaker 3>Right, So I only remembered I very distinctly remembered the

0:16:44.960 --> 0:16:48.000
<v Speaker 3>scene where Michael finds Et when he's like lying in

0:16:48.040 --> 0:16:51.240
<v Speaker 3>the river and he's like discolored and like looks very ill,

0:16:51.680 --> 0:16:55.200
<v Speaker 3>and I remember being like haunted by that. But most

0:16:55.280 --> 0:16:56.640
<v Speaker 3>of the other stuff I didn't remember.

0:16:57.120 --> 0:16:59.960
<v Speaker 1>I forgot when I saw it in IMAX. I forgot

0:17:00.080 --> 0:17:03.560
<v Speaker 1>that they literally are like Et died. You're like, what

0:17:03.600 --> 0:17:07.480
<v Speaker 1>the fuck are you talking about? Like, yeah, I really could.

0:17:07.640 --> 0:17:10.840
<v Speaker 1>I mean I really couldn't handle Et being dead last

0:17:10.960 --> 0:17:14.600
<v Speaker 1>in the body bag like they and then he said,

0:17:14.640 --> 0:17:17.560
<v Speaker 1>I love you Et. It was if I had been

0:17:17.600 --> 0:17:19.479
<v Speaker 1>thinking I would have been like, maybe let's cover this

0:17:19.520 --> 0:17:24.840
<v Speaker 1>movie next year instead, but it's so like again, it's

0:17:24.880 --> 0:17:27.639
<v Speaker 1>just like that's something that would not be allowed really

0:17:27.720 --> 0:17:29.960
<v Speaker 1>in a children's movie. Now, for the most part, I

0:17:29.960 --> 0:17:32.280
<v Speaker 1>think you can like handle the themes of death, but

0:17:32.359 --> 0:17:35.679
<v Speaker 1>it's more of like a Moana like my Grandma's a

0:17:35.720 --> 0:17:39.680
<v Speaker 1>beautiful ghost now instead of like you're not seeing Grandma

0:17:39.760 --> 0:17:44.800
<v Speaker 1>in a body bag like looking bad. That's like would

0:17:44.840 --> 0:17:47.480
<v Speaker 1>not have and it's wild. I don't even know if

0:17:47.520 --> 0:17:49.720
<v Speaker 1>I like it, but I think it's really bold that

0:17:49.760 --> 0:17:51.960
<v Speaker 1>they did it. Did you see also that ET's voice

0:17:52.000 --> 0:17:52.600
<v Speaker 1>by a woman?

0:17:53.240 --> 0:17:56.560
<v Speaker 3>Yes, I did. I have a couple thoughts on that

0:17:56.560 --> 0:17:57.639
<v Speaker 3>that we can get to.

0:17:58.440 --> 0:18:00.000
<v Speaker 1>Okay, so you didn't like when you're a kid, but

0:18:00.080 --> 0:18:00.879
<v Speaker 1>what about later?

0:18:01.080 --> 0:18:03.000
<v Speaker 3>It's not even that. I mean, I did find him

0:18:03.280 --> 0:18:06.280
<v Speaker 3>scary looking, but I was like in the room while

0:18:06.320 --> 0:18:09.199
<v Speaker 3>it was on, according to my mom, didn't leave. I

0:18:09.280 --> 0:18:09.959
<v Speaker 3>wasn't leaving.

0:18:10.800 --> 0:18:11.000
<v Speaker 4>Yeah.

0:18:11.000 --> 0:18:14.199
<v Speaker 3>And then I watched it as an adult ish like

0:18:14.400 --> 0:18:18.040
<v Speaker 3>you know whatever, probably nineteen years old or something, and

0:18:18.119 --> 0:18:20.280
<v Speaker 3>I was like, oh, wow, yeah, I remember this, And

0:18:20.280 --> 0:18:22.879
<v Speaker 3>then I didn't give it much thought until again prepping

0:18:22.880 --> 0:18:26.199
<v Speaker 3>for this episode, and then I was like, oh, I

0:18:26.200 --> 0:18:29.440
<v Speaker 3>see why this is such a beloved It's so earnest

0:18:29.520 --> 0:18:33.399
<v Speaker 3>and it's so like, yeah, the kids developed this bond

0:18:33.480 --> 0:18:36.160
<v Speaker 3>with this little guy, and I love a little movie

0:18:36.240 --> 0:18:38.120
<v Speaker 3>where they find a little guy and they be friend.

0:18:38.240 --> 0:18:41.560
<v Speaker 3>I mean again Paddington. So I was like, oh, this

0:18:41.640 --> 0:18:44.560
<v Speaker 3>is really sweet and it's sad and I felt some

0:18:44.680 --> 0:18:49.240
<v Speaker 3>feelings and so I get why it's such a beloved classic.

0:18:49.840 --> 0:18:53.480
<v Speaker 3>So true. Let's take a quick break and then we'll

0:18:53.480 --> 0:18:55.159
<v Speaker 3>come back for the recap, shall we.

0:18:55.560 --> 0:18:56.240
<v Speaker 5>Let's do it?

0:18:56.560 --> 0:18:57.720
<v Speaker 3>Okay, we'll be right back.

0:19:06.480 --> 0:19:08.719
<v Speaker 1>And we're freaking back.

0:19:08.840 --> 0:19:10.840
<v Speaker 3>We've phoned back home.

0:19:10.960 --> 0:19:16.240
<v Speaker 1>We're locked in. We've got our speak and spell, We've

0:19:16.280 --> 0:19:18.639
<v Speaker 1>got our what else. There's so much product placement in

0:19:18.640 --> 0:19:18.920
<v Speaker 1>this movie.

0:19:18.960 --> 0:19:21.880
<v Speaker 3>There's like a buzz saw blade. Oh yeah, there's cores light,

0:19:22.000 --> 0:19:24.520
<v Speaker 3>and there's Reese's pieces and.

0:19:25.119 --> 0:19:31.520
<v Speaker 1>Pez Paus, various Star Wars consumer products. Yes, shall we

0:19:31.640 --> 0:19:32.720
<v Speaker 1>just dive right in?

0:19:32.920 --> 0:19:38.400
<v Speaker 3>Let's dive in so et. The movie opens on a

0:19:38.520 --> 0:19:43.160
<v Speaker 3>spaceship that has landed in the wilderness not far outside

0:19:43.480 --> 0:19:48.760
<v Speaker 3>Los Angeles. Ever heard of it? No. Several little aliens

0:19:48.960 --> 0:19:55.080
<v Speaker 3>are gathering up plant specimens and bringing them onto their ship,

0:19:55.280 --> 0:19:58.160
<v Speaker 3>and one such alien has kind of wandered off from

0:19:58.200 --> 0:19:58.600
<v Speaker 3>the group.

0:19:58.960 --> 0:20:00.240
<v Speaker 1>He's just a little guy.

0:20:00.440 --> 0:20:03.040
<v Speaker 3>He's just a little guy. This is, of course, the

0:20:03.119 --> 0:20:07.080
<v Speaker 3>alien we will come to know as Et, and he

0:20:07.160 --> 0:20:10.280
<v Speaker 3>has to run off and hide when a bunch of

0:20:10.359 --> 0:20:16.320
<v Speaker 3>guys in trucks show up. Men and trucks scary. They'll

0:20:16.640 --> 0:20:20.440
<v Speaker 3>be revealed to be like government agents. We're not really

0:20:20.480 --> 0:20:26.200
<v Speaker 3>sure from what entity, but they're these ominous like bureaucratic eight.

0:20:26.240 --> 0:20:31.040
<v Speaker 1>These movies have such a wild attitude towards characters from

0:20:31.040 --> 0:20:34.359
<v Speaker 1>the government, like they cannot decide. They can't decide if

0:20:34.359 --> 0:20:37.160
<v Speaker 1>they're good guys or bad guys. They're always like, well,

0:20:37.200 --> 0:20:39.160
<v Speaker 1>there's a few, I feel like kind of the logic

0:20:39.200 --> 0:20:41.720
<v Speaker 1>of this movie is like, well, there's a few bad apples,

0:20:41.720 --> 0:20:47.200
<v Speaker 1>but ultimately everyone is doing their best, and you're like, okay, okay,

0:20:47.320 --> 0:20:48.960
<v Speaker 1>see whenever you say.

0:20:50.080 --> 0:20:53.360
<v Speaker 3>And any case, there are men and trucks and Et

0:20:53.560 --> 0:20:56.400
<v Speaker 3>has to run off and hide, and the other aliens

0:20:56.680 --> 0:20:59.440
<v Speaker 3>have no choice but to fly off in their spaceship

0:20:59.480 --> 0:21:04.000
<v Speaker 3>and leave Et behind. We then cut to a house

0:21:04.040 --> 0:21:07.640
<v Speaker 3>where a bunch of kids are hanging out. We meet

0:21:07.720 --> 0:21:11.040
<v Speaker 3>Elliott played by Henry Thomas. I think he's nine or ten.

0:21:12.040 --> 0:21:16.520
<v Speaker 3>His older brother Michael is maybe thirteen or fourteen, played

0:21:16.520 --> 0:21:20.520
<v Speaker 3>by Robert McNaughton, and a few of Michael's friends are

0:21:20.560 --> 0:21:23.840
<v Speaker 3>all playing D and D I think, and they make

0:21:23.880 --> 0:21:27.880
<v Speaker 3>Elliott go outside to grab the pizza delivery. And while

0:21:27.920 --> 0:21:30.720
<v Speaker 3>he's out there, Elliott hears something in the tool shed.

0:21:31.280 --> 0:21:34.560
<v Speaker 3>He thinks it might be his dog, Harvey, so he

0:21:34.840 --> 0:21:38.280
<v Speaker 3>tosses his baseball into the shed, and then the baseball

0:21:38.320 --> 0:21:41.399
<v Speaker 3>gets tossed back at him and Elliott freaks out. He's like,

0:21:41.600 --> 0:21:44.480
<v Speaker 3>dogs can't toss baseballs? What's that?

0:21:45.480 --> 0:21:46.560
<v Speaker 1>Oh, that's so good.

0:21:46.880 --> 0:21:50.159
<v Speaker 3>But when the boys, as well as Elliott and Michael's

0:21:50.200 --> 0:21:54.600
<v Speaker 3>mom Mary played by Dee Wallace, go to investigate, all

0:21:54.640 --> 0:21:57.960
<v Speaker 3>they find are some strange tracks on the ground. They

0:21:57.960 --> 0:22:00.960
<v Speaker 3>think it might be a coyote. I go back inside,

0:22:01.520 --> 0:22:06.280
<v Speaker 3>but we see that it is in fact, Et, the extraterrestrial,

0:22:06.520 --> 0:22:10.680
<v Speaker 3>hiding in the shed. So later that night, Elliott goes

0:22:10.720 --> 0:22:15.120
<v Speaker 3>back outside to look for this creature again, and sure

0:22:15.200 --> 0:22:20.080
<v Speaker 3>enough he finds him and screams because again Et looks

0:22:20.119 --> 0:22:20.440
<v Speaker 3>like shit.

0:22:20.720 --> 0:22:22.879
<v Speaker 1>He looks, I mean like yeah. The beginning of the

0:22:22.960 --> 0:22:26.920
<v Speaker 1>movie plays out like a horror movie, and then it

0:22:27.040 --> 0:22:29.919
<v Speaker 1>just eventually like a half hour and They're like, oh,

0:22:29.960 --> 0:22:31.359
<v Speaker 1>he's nice. Never, he's nice.

0:22:31.520 --> 0:22:33.840
<v Speaker 3>Never. N it's kind of fin Yeah, don't judge a

0:22:33.840 --> 0:22:35.159
<v Speaker 3>book by its cover.

0:22:36.000 --> 0:22:37.040
<v Speaker 1>Whoops.

0:22:37.600 --> 0:22:39.919
<v Speaker 3>But anyway, he doesn't know this yet, so Elliott is

0:22:39.960 --> 0:22:43.199
<v Speaker 3>scared and he runs away, but he's also determined to

0:22:44.000 --> 0:22:48.440
<v Speaker 3>find and possibly befriend this creature, so the next day

0:22:48.440 --> 0:22:51.680
<v Speaker 3>he takes his bike and some Reciss pieces up into

0:22:51.720 --> 0:22:56.000
<v Speaker 3>the woods near his house to look for the creature.

0:22:56.119 --> 0:23:00.520
<v Speaker 3>But Elliott doesn't find it, and he, presumably off screen,

0:23:00.600 --> 0:23:05.280
<v Speaker 3>tells his family that he encountered a goblin he calls it,

0:23:05.840 --> 0:23:10.439
<v Speaker 3>and they don't believe him, especially his older brother Michael.

0:23:10.600 --> 0:23:13.760
<v Speaker 3>He's like teasing Elliott about it. We also meet Elliott's

0:23:13.800 --> 0:23:17.800
<v Speaker 3>younger sister, Gertie, played by a young Drew barrymore famously,

0:23:18.920 --> 0:23:22.040
<v Speaker 3>and we also find out that their father is no

0:23:22.119 --> 0:23:23.280
<v Speaker 3>longer in the picture.

0:23:23.720 --> 0:23:25.080
<v Speaker 1>He went with Sally to Mexico.

0:23:25.520 --> 0:23:28.119
<v Speaker 3>Yes, and this is something that their mom Mary is

0:23:28.160 --> 0:23:32.280
<v Speaker 3>having a hard time with. And then I think it's

0:23:32.359 --> 0:23:37.480
<v Speaker 3>later that night, Elliott is outside hoping to encounter this

0:23:37.600 --> 0:23:42.320
<v Speaker 3>creature again, and e t appears and approaches Elliott with

0:23:42.359 --> 0:23:44.840
<v Speaker 3>a handful of the Reese's pieces that Elliott had dropped

0:23:44.880 --> 0:23:49.880
<v Speaker 3>in the woods and so, realizing that Et is friendly

0:23:50.119 --> 0:23:54.440
<v Speaker 3>and won't hurt him, Elliott lures Et into his room

0:23:54.760 --> 0:23:58.879
<v Speaker 3>using the Reese's pieces, and we see e t like

0:23:59.240 --> 0:24:04.080
<v Speaker 3>mimicking Elliott's movements and gestures, and we're like, wow, they're

0:24:04.160 --> 0:24:05.719
<v Speaker 3>becoming friends.

0:24:07.160 --> 0:24:09.919
<v Speaker 1>I just love that he just is doing what like

0:24:10.000 --> 0:24:12.600
<v Speaker 1>a nine year old wide He's like, here are my guys,

0:24:12.720 --> 0:24:15.480
<v Speaker 1>here's this one, here's this one, here's this one. ET's

0:24:15.520 --> 0:24:18.880
<v Speaker 1>like yep, yep, got it? So sweet? Yeah.

0:24:18.960 --> 0:24:21.640
<v Speaker 3>Yeah. That happens the next day where Elliott fakes being

0:24:21.680 --> 0:24:24.040
<v Speaker 3>six so he can stay home from school to hang

0:24:24.080 --> 0:24:27.000
<v Speaker 3>out with Et, and he's like, here's my Lando cal

0:24:27.119 --> 0:24:31.960
<v Speaker 3>Rizzy in figuring, here's my Grido figurine. It's so embarrassing

0:24:32.160 --> 0:24:35.680
<v Speaker 3>how much Steven Spielberg wants George Lucas to like think

0:24:35.760 --> 0:24:41.160
<v Speaker 3>he's cool. It's really it's embarrassing the Yoda cost him.

0:24:41.160 --> 0:24:44.400
<v Speaker 3>It's like, we get it, we get it. Well. They

0:24:45.080 --> 0:24:49.520
<v Speaker 3>had collaborated with each other at this point because Raiders

0:24:49.520 --> 0:24:52.200
<v Speaker 3>of the Last Art comes out the year before, so.

0:24:52.680 --> 0:24:56.760
<v Speaker 1>In the making up documentary, George Lucas is so like taciturn,

0:24:57.560 --> 0:25:00.400
<v Speaker 1>like he appears in it for a second and it's

0:25:00.440 --> 0:25:02.960
<v Speaker 1>like Spielberg being like, and I put these little things

0:25:03.000 --> 0:25:05.200
<v Speaker 1>in and I was like, I think George is gonna

0:25:05.320 --> 0:25:07.959
<v Speaker 1>like this. I think he's it's really gonna make him smile.

0:25:08.560 --> 0:25:10.240
<v Speaker 1>And then it cuts to George Lucas and he was

0:25:10.280 --> 0:25:12.679
<v Speaker 1>like I saw it and that I thought, you know,

0:25:13.200 --> 0:25:16.440
<v Speaker 1>that's nice, Like he was like, not very impressed by it.

0:25:16.280 --> 0:25:19.399
<v Speaker 3>It was so I was like, oh, wow, rude bitch.

0:25:20.280 --> 0:25:22.840
<v Speaker 1>I mean, yeah, I'm comfortable saying he's a billionaire. We

0:25:22.880 --> 0:25:23.879
<v Speaker 1>can he's a bitch.

0:25:24.160 --> 0:25:28.719
<v Speaker 3>Yeah, he's a bitch. Anyway, Elliot's siblings, Michael and Gertie

0:25:29.080 --> 0:25:32.640
<v Speaker 3>come home that day and they find out about Et.

0:25:33.359 --> 0:25:36.320
<v Speaker 3>Elliot makes them promise not to tell their mom, and

0:25:36.359 --> 0:25:40.320
<v Speaker 3>then they're pointing to maps and globes, telling e t

0:25:40.560 --> 0:25:44.679
<v Speaker 3>where they are and asking him where he's from. And

0:25:44.720 --> 0:25:48.760
<v Speaker 3>then Et levitates some like balls of clay or something

0:25:49.240 --> 0:25:54.639
<v Speaker 3>to symbolize a solar system to show them where he's from.

0:25:55.600 --> 0:26:00.440
<v Speaker 3>So we learned that Et has telekinesis powers. He also

0:26:00.480 --> 0:26:03.480
<v Speaker 3>can make dead plants come back to life because we

0:26:03.520 --> 0:26:08.400
<v Speaker 3>see him revive a potted flower plant. We'll also learn

0:26:08.440 --> 0:26:11.040
<v Speaker 3>that he has like healing powers for humans because he

0:26:11.040 --> 0:26:16.159
<v Speaker 3>heals a little cut on Elliott's finger. Later meanwhile, the

0:26:16.240 --> 0:26:19.800
<v Speaker 3>men in the trucks from the beginning, who have been

0:26:19.920 --> 0:26:24.439
<v Speaker 3>searching for the aliens in their spaceship, they're still looking

0:26:24.680 --> 0:26:27.840
<v Speaker 3>for this creature that they know has been left behind.

0:26:28.760 --> 0:26:32.320
<v Speaker 3>One of them is this guy with like a bunch

0:26:32.359 --> 0:26:35.960
<v Speaker 3>of keys on his belt loop and his character's name

0:26:36.119 --> 0:26:43.040
<v Speaker 3>is Keys, so that's really creative, played by Peter Coyote,

0:26:43.280 --> 0:26:46.920
<v Speaker 3>So he's, you know, looking for Et. The next day,

0:26:47.359 --> 0:26:50.960
<v Speaker 3>the three siblings go to school. They leave Et at home,

0:26:51.760 --> 0:26:55.000
<v Speaker 3>who gets into the fridge, drinks a bunch of cores

0:26:55.119 --> 0:26:59.960
<v Speaker 3>lights or maybe just regular cores, and he gets strung.

0:27:00.200 --> 0:27:04.200
<v Speaker 3>And it also seems to make Elliott drunk in class

0:27:04.400 --> 0:27:09.120
<v Speaker 3>because there's some kind of like telepathic or empathic connection

0:27:09.280 --> 0:27:15.080
<v Speaker 3>between them. So what Et feels, Elliott feels, and vice versa.

0:27:15.960 --> 0:27:19.720
<v Speaker 3>So Elliott is supposed to be dissecting a frog in class.

0:27:19.760 --> 0:27:22.160
<v Speaker 3>And first of all, I'm like, did they let ten

0:27:22.240 --> 0:27:26.639
<v Speaker 3>year old dissect frogs in school in the eighties? Like

0:27:26.960 --> 0:27:28.879
<v Speaker 3>I didn't do that until I was like a junior

0:27:28.920 --> 0:27:29.639
<v Speaker 3>in high school.

0:27:29.720 --> 0:27:31.639
<v Speaker 1>I never even did it. I think they were like,

0:27:32.040 --> 0:27:35.919
<v Speaker 1>you can watch a video, like you're not a scientist.

0:27:35.960 --> 0:27:39.600
<v Speaker 1>You're fourteen. But I was like, ANGI they gave them

0:27:39.600 --> 0:27:40.960
<v Speaker 1>to them a lie a lot.

0:27:41.080 --> 0:27:41.280
<v Speaker 3>Yeah.

0:27:41.320 --> 0:27:44.480
<v Speaker 1>Also, why was that necessary? Every time I've seen a

0:27:44.480 --> 0:27:47.840
<v Speaker 1>frog dissection, like even in a movie, like they come dead.

0:27:48.200 --> 0:27:51.520
<v Speaker 3>Yeah, yeah, they're like informaldehyde or whatever, and then they're

0:27:51.560 --> 0:27:52.200
<v Speaker 3>already dead.

0:27:52.560 --> 0:27:55.320
<v Speaker 1>Spielberg said that this is something that he did, that

0:27:55.400 --> 0:27:57.119
<v Speaker 1>he released a frog.

0:27:57.680 --> 0:27:58.360
<v Speaker 3>Oh.

0:27:58.440 --> 0:28:00.000
<v Speaker 1>I was like, I don't believe you.

0:28:01.680 --> 0:28:03.480
<v Speaker 3>Well, that's what ends up happening in the movie where

0:28:03.520 --> 0:28:07.879
<v Speaker 3>Et influences Elliott to save his frog and all the

0:28:07.880 --> 0:28:13.879
<v Speaker 3>frogs in the class. So Elliott, drunk as fuck, let's

0:28:13.920 --> 0:28:15.040
<v Speaker 3>loose all the frogs.

0:28:15.600 --> 0:28:17.800
<v Speaker 1>He surprised kisses a young girl.

0:28:17.840 --> 0:28:18.840
<v Speaker 3>We'll get back to that.

0:28:19.600 --> 0:28:20.480
<v Speaker 1>Kids like Ellie.

0:28:21.440 --> 0:28:25.280
<v Speaker 3>Yeah, Elliott hates drag performances, and he surprised kisses a

0:28:25.280 --> 0:28:27.680
<v Speaker 3>girl in his class. So he's actually bad news.

0:28:28.040 --> 0:28:29.040
<v Speaker 1>Yes, he's a pestilent.

0:28:30.920 --> 0:28:34.600
<v Speaker 3>Anyway, when the kids come back home from school, they

0:28:34.680 --> 0:28:39.560
<v Speaker 3>discover that Et is learning to speak. He shows Elliot

0:28:39.600 --> 0:28:43.400
<v Speaker 3>a comic strip where a spaceman is receiving a distress

0:28:43.440 --> 0:28:45.880
<v Speaker 3>call for help, and this is when we get the

0:28:45.880 --> 0:28:51.520
<v Speaker 3>famous like E T Phone no scene, and they realize

0:28:51.560 --> 0:28:55.040
<v Speaker 3>that Et is trying to build some sort of homing

0:28:55.240 --> 0:28:58.880
<v Speaker 3>or communication device so that he can contact his alien

0:28:58.920 --> 0:29:04.600
<v Speaker 3>friends so they can come pick him up. And Michael

0:29:04.640 --> 0:29:08.240
<v Speaker 3>points out though that Et is looking kind of sick

0:29:08.400 --> 0:29:13.080
<v Speaker 3>lately and we see him like wheezing and stuff, and

0:29:13.200 --> 0:29:18.800
<v Speaker 3>so we're like, hmm, what's happening here? Is Earth killing him?

0:29:19.040 --> 0:29:20.240
<v Speaker 1>And it makes you think?

0:29:20.440 --> 0:29:24.920
<v Speaker 3>It makes you think. Then the kids take Et out

0:29:24.960 --> 0:29:28.800
<v Speaker 3>on Halloween. They like throw a sheet over him and

0:29:28.880 --> 0:29:31.920
<v Speaker 3>dress him up as a ghost, pretending that Gertie is

0:29:31.920 --> 0:29:35.479
<v Speaker 3>the one under the sheet. And Elliott brings Et into

0:29:35.560 --> 0:29:39.960
<v Speaker 3>the woods to try this like communication machine that he's built,

0:29:40.560 --> 0:29:42.800
<v Speaker 3>and this is also when we get the very famous

0:29:42.840 --> 0:29:46.800
<v Speaker 3>scene of Et making Elliott's bike fly through this guy

0:29:46.840 --> 0:29:50.360
<v Speaker 3>past the moon. And then they land in the woods

0:29:50.680 --> 0:29:53.960
<v Speaker 3>and set up the communication device and it works and

0:29:54.040 --> 0:29:57.040
<v Speaker 3>Et is able to send out a signal into space.

0:29:58.120 --> 0:30:03.040
<v Speaker 3>Although Elliott is set at the thought of Et leaving

0:30:03.400 --> 0:30:08.120
<v Speaker 3>and suggests that he stay, but ET's like, no, I

0:30:08.800 --> 0:30:09.080
<v Speaker 3>kind of.

0:30:09.240 --> 0:30:10.320
<v Speaker 5>Gotta get out of here.

0:30:11.280 --> 0:30:14.240
<v Speaker 1>It's fucked up here, Like who could blame He's like

0:30:14.320 --> 0:30:19.960
<v Speaker 1>Earth fucking sucks. Yeah, Like so true, so true, so true. King.

0:30:20.680 --> 0:30:23.760
<v Speaker 3>So because the kids have stayed out past their curfew,

0:30:24.320 --> 0:30:27.160
<v Speaker 3>Mary goes out looking for them, which is when the

0:30:27.200 --> 0:30:32.920
<v Speaker 3>scary men in their suits show up at their house

0:30:33.280 --> 0:30:36.600
<v Speaker 3>and like bug it. I think, I'm not really super

0:30:36.640 --> 0:30:39.080
<v Speaker 3>clear what they do here, but they've been surveilling them,

0:30:39.320 --> 0:30:40.800
<v Speaker 3>and then they like bug the house.

0:30:40.920 --> 0:30:44.800
<v Speaker 1>Yeah, they like descend. It's pretty scary, especially when you

0:30:44.920 --> 0:30:47.400
<v Speaker 1>hear like yeah, Mary be like this is my house

0:30:47.480 --> 0:30:51.400
<v Speaker 1>and I was like yeah, yeah, wait wall.

0:30:51.800 --> 0:30:54.800
<v Speaker 3>So then Elliott passes out in the woods and when

0:30:54.840 --> 0:30:57.840
<v Speaker 3>he wakes up the next morning, e T is gone.

0:30:58.280 --> 0:31:02.680
<v Speaker 3>So Elliot returns home distraught that Et is nowhere to

0:31:02.720 --> 0:31:06.479
<v Speaker 3>be found, so Michael goes out looking for him, and

0:31:06.520 --> 0:31:09.480
<v Speaker 3>this is when he finds him all sick and lying

0:31:09.600 --> 0:31:11.400
<v Speaker 3>in the river looking.

0:31:11.480 --> 0:31:14.520
<v Speaker 1>Somehow worse worse, so hard.

0:31:14.840 --> 0:31:18.200
<v Speaker 3>So Michael brings it back, but Et and Elliott are

0:31:18.960 --> 0:31:24.480
<v Speaker 3>both dying because they have this empathic connection. And the

0:31:24.560 --> 0:31:28.320
<v Speaker 3>kids finally show Et to their mom, but before she

0:31:28.400 --> 0:31:30.960
<v Speaker 3>can really do anything about it, a bunch of like

0:31:31.280 --> 0:31:35.400
<v Speaker 3>NASA astronauts and scientists and hazmat suits.

0:31:35.560 --> 0:31:38.680
<v Speaker 1>It's all so like vague but scary.

0:31:38.480 --> 0:31:42.600
<v Speaker 3>Yeah, very scary, And they show up and they set

0:31:42.680 --> 0:31:46.400
<v Speaker 3>up this like quarantine tent in and around their house

0:31:46.600 --> 0:31:51.680
<v Speaker 3>and they run a bunch of tests on Et, and

0:31:51.720 --> 0:31:55.320
<v Speaker 3>then Keys approaches Elliott to be like, tell us how

0:31:55.400 --> 0:31:58.880
<v Speaker 3>we could save e T. And Elie's like, he has

0:31:58.920 --> 0:32:03.160
<v Speaker 3>to go home. Meanwhile, the connection between Et and Elliott

0:32:03.280 --> 0:32:07.800
<v Speaker 3>starts to sever. It seems like maybe Et sacrifices himself

0:32:07.920 --> 0:32:13.320
<v Speaker 3>to save Elliot, and then Et dies and the kids

0:32:13.480 --> 0:32:19.280
<v Speaker 3>are devastated, especially Elliott. And then the scientists put ET's

0:32:19.280 --> 0:32:23.040
<v Speaker 3>body in some like science coffin and they're about to

0:32:23.080 --> 0:32:26.560
<v Speaker 3>take him away, but Keys lets Elliott spend some time

0:32:26.600 --> 0:32:31.440
<v Speaker 3>alone with Et, and he's crying and he says.

0:32:30.120 --> 0:32:35.880
<v Speaker 4>He I love you, which makes Et come back to

0:32:36.040 --> 0:32:40.840
<v Speaker 4>life awesome, and his heart light is glowing and the

0:32:40.960 --> 0:32:45.080
<v Speaker 4>potted flower revives, and then Et says.

0:32:44.800 --> 0:32:49.160
<v Speaker 3>ET phone home because apparently his spaceship is on the way.

0:32:49.880 --> 0:32:53.280
<v Speaker 3>So Elliott and Michael form a plan to hijack the

0:32:53.360 --> 0:32:56.719
<v Speaker 3>vehicle that they put ET's body in so that they

0:32:56.760 --> 0:33:00.320
<v Speaker 3>can save him and bring him to a spaceship. And

0:33:01.000 --> 0:33:04.360
<v Speaker 3>the cops were chasing them, and the kids are on

0:33:04.400 --> 0:33:07.440
<v Speaker 3>bikes and at one point they're surrounded.

0:33:08.160 --> 0:33:10.680
<v Speaker 1>It's that part I feel like I'd heard this before,

0:33:10.800 --> 0:33:14.760
<v Speaker 1>but how during that period in the early two thousands

0:33:14.840 --> 0:33:18.080
<v Speaker 1>when George Lucas and Steven Spielberg were like putting bad

0:33:18.160 --> 0:33:23.400
<v Speaker 1>CG and they're older movies that he edited out the

0:33:23.560 --> 0:33:26.560
<v Speaker 1>guns and made them walkie talking slashlight.

0:33:26.640 --> 0:33:28.280
<v Speaker 3>Oh I thought it was flashlight, but it might be

0:33:28.320 --> 0:33:30.200
<v Speaker 3>walkie talkies. It's something either way.

0:33:30.200 --> 0:33:32.680
<v Speaker 1>It's something that. So then like that whole sequence is

0:33:32.720 --> 0:33:36.400
<v Speaker 1>weird because they're like, what's Elliott? So like, right, what

0:33:36.440 --> 0:33:38.680
<v Speaker 1>are they gonna do? Like it's like cuts to a

0:33:38.720 --> 0:33:40.560
<v Speaker 1>walkie talkie and then Elliott's.

0:33:40.160 --> 0:33:45.240
<v Speaker 3>Like, ah yeah, and the theatrical cut and the version

0:33:45.280 --> 0:33:48.320
<v Speaker 3>I watched it was like shotguns that the cops had.

0:33:48.400 --> 0:33:49.520
<v Speaker 1>They put the guns back.

0:33:49.720 --> 0:33:50.120
<v Speaker 3>Yeah.

0:33:50.200 --> 0:33:52.680
<v Speaker 1>I think he was like, Okay, that was an overcorrection.

0:33:53.320 --> 0:33:54.800
<v Speaker 1>It does have to be guns.

0:33:55.560 --> 0:33:58.120
<v Speaker 3>Yeah, So you know, the cops with the guns have

0:33:58.240 --> 0:34:01.520
<v Speaker 3>the kids surrounded at one point, but then Et makes

0:34:01.560 --> 0:34:05.840
<v Speaker 3>them all fly on their bikes with his telekinesis powers,

0:34:06.840 --> 0:34:11.640
<v Speaker 3>and they arrive at the clearing in the woods and Elliot,

0:34:11.640 --> 0:34:15.799
<v Speaker 3>Michael Gerdy, and Mary say a tearful goodbye to e

0:34:15.920 --> 0:34:21.120
<v Speaker 3>T as his spaceship arrives, and he says I'll be

0:34:21.719 --> 0:34:27.200
<v Speaker 3>right here, meaning that he will be there. In Elliott's thoughts,

0:34:27.239 --> 0:34:32.239
<v Speaker 3>and feelings and then he flies away at the end.

0:34:36.400 --> 0:34:41.239
<v Speaker 1>It's so awesome, it's so beautiful.

0:34:42.760 --> 0:34:45.200
<v Speaker 3>That's the movie. Let's take a quick break and we'll

0:34:45.200 --> 0:34:46.640
<v Speaker 3>come back to discuss.

0:34:47.120 --> 0:34:59.279
<v Speaker 5>Okay, and we're back.

0:35:00.160 --> 0:35:05.080
<v Speaker 1>God where like where, where where do you start? When

0:35:05.239 --> 0:35:09.160
<v Speaker 1>it comes to Eat the Extraterrestrial? I wanted to touch

0:35:09.200 --> 0:35:12.440
<v Speaker 1>really quickly one because I forget if we talked about

0:35:12.480 --> 0:35:16.120
<v Speaker 1>this in our The Color Purple episode. I think that

0:35:16.160 --> 0:35:18.360
<v Speaker 1>was the last Spielberg movie we covered.

0:35:18.840 --> 0:35:19.600
<v Speaker 3>Yeah, I think so.

0:35:20.040 --> 0:35:21.880
<v Speaker 1>In any case, I just wanted to acknowledge at the

0:35:21.920 --> 0:35:26.120
<v Speaker 1>top of the discussion because it's like something that's made

0:35:26.200 --> 0:35:29.680
<v Speaker 1>it challenging to interact with a lot of Spielberg's work

0:35:30.440 --> 0:35:34.399
<v Speaker 1>is that. Honestly, I was having trouble like getting good

0:35:34.440 --> 0:35:37.799
<v Speaker 1>information about this in detail. But suffice it to say,

0:35:37.960 --> 0:35:41.120
<v Speaker 1>Steven Spielberg is pro Israel and has made a lot

0:35:41.160 --> 0:35:45.200
<v Speaker 1>of very both sides comments around an active genocide being

0:35:45.239 --> 0:35:51.239
<v Speaker 1>perpetrated by Israel, and that feels horrible to know and

0:35:51.560 --> 0:35:57.480
<v Speaker 1>to just have sort of looming over his catalog. And again,

0:35:57.680 --> 0:36:02.200
<v Speaker 1>like I haven't done a deep dive into Steven Spielberg's politics.

0:36:02.800 --> 0:36:06.360
<v Speaker 1>I know that he made Munich, I haven't watched it,

0:36:06.400 --> 0:36:08.959
<v Speaker 1>I really have no desire to, So I just wanted

0:36:09.040 --> 0:36:11.480
<v Speaker 1>to acknowledge that at the top, because I love this

0:36:11.600 --> 0:36:16.040
<v Speaker 1>movie and I really don't like when Spielberg tries to

0:36:16.160 --> 0:36:20.959
<v Speaker 1>say something important. It doesn't work for me at all,

0:36:21.600 --> 0:36:25.080
<v Speaker 1>and now knowing this element of his personal politics, it

0:36:25.200 --> 0:36:26.200
<v Speaker 1>just it's it's horrible.

0:36:27.120 --> 0:36:32.320
<v Speaker 3>Yes, yeah, definitely worth acknowledging. And as someone who loves

0:36:32.360 --> 0:36:35.200
<v Speaker 3>a lot of movies made by him, it's very disappointing.

0:36:35.239 --> 0:36:37.960
<v Speaker 1>I wanted to acknowledge that it doesn't necessarily have a

0:36:38.000 --> 0:36:40.600
<v Speaker 1>place within the discussion of this movie. Obviously, if we

0:36:40.600 --> 0:36:44.000
<v Speaker 1>were covering Munich, which we wouldn't, it would be coming

0:36:44.080 --> 0:36:46.719
<v Speaker 1>up more, but just that we're aware of it. And

0:36:46.800 --> 0:36:49.880
<v Speaker 1>also I would be interested in more just information in

0:36:49.920 --> 0:36:52.359
<v Speaker 1>general because I was kind of having a hard time,

0:36:52.440 --> 0:36:57.120
<v Speaker 1>but I would be curious what folks think. Yeah, this movie, however,

0:36:57.440 --> 0:37:05.120
<v Speaker 1>comes out before Spielberg like really says anything political in

0:37:05.200 --> 0:37:07.080
<v Speaker 1>his work. Ever, I feel like so much of his

0:37:07.160 --> 0:37:11.399
<v Speaker 1>early work is just like I say this with love,

0:37:11.520 --> 0:37:15.560
<v Speaker 1>but it is like my parents got divorce. That's all

0:37:15.640 --> 0:37:19.480
<v Speaker 1>of them, that's all of what they are. Elliott is

0:37:19.520 --> 0:37:23.000
<v Speaker 1>clearly supposed to be him like d is supposed to say.

0:37:23.040 --> 0:37:25.200
<v Speaker 1>I think I've said this on the show before. I'm

0:37:25.239 --> 0:37:27.920
<v Speaker 1>gonna wait to get pneumonia before I'm gonna watch the

0:37:28.040 --> 0:37:30.280
<v Speaker 1>damn Fableman's I have no interest.

0:37:30.680 --> 0:37:32.359
<v Speaker 3>I didn't care for it at all.

0:37:32.960 --> 0:37:36.400
<v Speaker 1>I also kind of can't believe if you're like a

0:37:36.680 --> 0:37:39.719
<v Speaker 1>director who has infinite blank checks, you're gonna make a

0:37:39.760 --> 0:37:42.760
<v Speaker 1>boring biopic about yourself loser.

0:37:43.160 --> 0:37:46.200
<v Speaker 3>It felt so self indulgent, and I found it really

0:37:47.920 --> 0:37:49.440
<v Speaker 3>unpleasant to watch.

0:37:50.040 --> 0:37:52.360
<v Speaker 1>Well, and isn't it also like so many of his

0:37:52.440 --> 0:37:57.919
<v Speaker 1>early movies have these mirror dynamics anyways, right where it's like, yeah,

0:37:57.960 --> 0:38:02.600
<v Speaker 1>I think you said that, Close Encounters and et like

0:38:02.719 --> 0:38:06.120
<v Speaker 1>two back to back movies. We get it. Men hate

0:38:06.120 --> 0:38:08.600
<v Speaker 1>when they're like I. It reminds me of I mean,

0:38:08.760 --> 0:38:10.759
<v Speaker 1>very few people like whe their parents get divorced. It's

0:38:10.760 --> 0:38:12.399
<v Speaker 1>a complicated experience to learn.

0:38:13.080 --> 0:38:13.560
<v Speaker 3>But like.

0:38:15.200 --> 0:38:17.480
<v Speaker 1>I feel the same way about The damn Saftie Brothers,

0:38:17.480 --> 0:38:19.600
<v Speaker 1>where they're like the worst thing that's ever happened to me,

0:38:20.400 --> 0:38:23.160
<v Speaker 1>My mommy and daddy didn'tkiss anymore, and you're like, I

0:38:23.640 --> 0:38:27.520
<v Speaker 1>just find a new struggle, find a new struggle. Anyways,

0:38:28.160 --> 0:38:30.919
<v Speaker 1>that said, this is my I think I mean I'm

0:38:30.920 --> 0:38:33.600
<v Speaker 1>guessing Jurassic Park or Indiana Jones.

0:38:33.640 --> 0:38:39.680
<v Speaker 3>What's your favorite Spielberg Ooh, it's probably Jurassic Park. Indiana Jones.

0:38:39.760 --> 0:38:42.680
<v Speaker 3>Last Crusade comes in at a close second. I also

0:38:42.800 --> 0:38:46.799
<v Speaker 3>really love Minority Report, I've never seen that, and a

0:38:46.840 --> 0:38:49.440
<v Speaker 3>handful of others that he directed.

0:38:50.360 --> 0:38:53.800
<v Speaker 1>I think for me it's a tie between this and Jaws.

0:38:54.320 --> 0:38:55.760
<v Speaker 3>Oh, Jaws is so good too.

0:38:56.480 --> 0:39:01.399
<v Speaker 1>I'm an early really Spielberg head fair but sorry, where

0:39:01.400 --> 0:39:02.240
<v Speaker 1>do we want to start?

0:39:02.520 --> 0:39:04.400
<v Speaker 3>Well, to speak a little bit more about the development

0:39:04.600 --> 0:39:09.120
<v Speaker 3>of this movie. So, as you mentioned, it was kind

0:39:09.120 --> 0:39:15.800
<v Speaker 3>of inspired by Spielberg's parents' divorce, where in nineteen sixty

0:39:15.920 --> 0:39:19.040
<v Speaker 3>when his parents were splitting up, he basically created an

0:39:19.080 --> 0:39:24.839
<v Speaker 3>imaginary alien friend who he would later recall as a

0:39:24.880 --> 0:39:27.759
<v Speaker 3>friend who could be the brother I never had and

0:39:27.800 --> 0:39:30.360
<v Speaker 3>the father I feel like I didn't have any more.

0:39:31.040 --> 0:39:38.600
<v Speaker 3>So he created a little friend and based et.

0:39:37.719 --> 0:39:38.239
<v Speaker 1>Off of that.

0:39:38.320 --> 0:39:42.480
<v Speaker 3>Although there were some other bits of inspiration for this movie,

0:39:42.800 --> 0:39:47.600
<v Speaker 3>where he started developing a project called Night Skies after

0:39:47.760 --> 0:39:51.640
<v Speaker 3>he made Close Encounters of the Third Kind, in which

0:39:51.960 --> 0:39:57.160
<v Speaker 3>malevolent aliens terrorize a family. But in that project there

0:39:57.200 --> 0:40:01.080
<v Speaker 3>was a subplot where a friendly and the only friendly

0:40:01.200 --> 0:40:06.400
<v Speaker 3>alien of this group of evil aliens, named Buddy, befriends

0:40:06.600 --> 0:40:08.160
<v Speaker 3>a child with autism.

0:40:08.719 --> 0:40:12.000
<v Speaker 1>Oh yeah, isn't this script like publicly available and is

0:40:12.040 --> 0:40:12.600
<v Speaker 1>not good?

0:40:13.000 --> 0:40:13.719
<v Speaker 3>If so, I.

0:40:13.680 --> 0:40:16.920
<v Speaker 1>Haven't read it, nor have I, and furthermore I won't.

0:40:17.880 --> 0:40:22.839
<v Speaker 3>It also kind of inspired the Et sequel, which, oh,

0:40:22.880 --> 0:40:25.680
<v Speaker 3>I meant to actually bring that up in my relationship

0:40:25.680 --> 0:40:30.080
<v Speaker 3>with this movie. So there is a sequel to this

0:40:30.120 --> 0:40:33.160
<v Speaker 3>movie that obviously never got made. A treatment was written

0:40:33.840 --> 0:40:39.360
<v Speaker 3>for it by Steven Spielberg and Melissa Matheson, who wrote

0:40:40.000 --> 0:40:42.719
<v Speaker 3>the screenplay for the first Et movie. And of course

0:40:42.760 --> 0:40:43.759
<v Speaker 3>we want to talk about her.

0:40:44.160 --> 0:40:47.120
<v Speaker 1>Yes, I cannot wait to talk about her because her life,

0:40:47.880 --> 0:40:49.759
<v Speaker 1>first of all too short. I didn't realize that she

0:40:49.800 --> 0:40:52.520
<v Speaker 1>had passed so young, but also fascinating.

0:40:52.719 --> 0:40:57.080
<v Speaker 3>But sorry continue, Yes, so they co wrote this treatment

0:40:57.200 --> 0:41:01.759
<v Speaker 3>basically just a synopsis for a CQ that would never

0:41:01.960 --> 0:41:05.759
<v Speaker 3>be made, and it was also partially inspired by Night

0:41:05.840 --> 0:41:11.800
<v Speaker 3>Skies because the treatment involves evil aliens coming to search

0:41:12.200 --> 0:41:17.400
<v Speaker 3>for Et, knowing that he got left behind on Earth.

0:41:17.880 --> 0:41:20.920
<v Speaker 3>And in this treatment, Jamie, I have something very important

0:41:20.960 --> 0:41:24.279
<v Speaker 3>to tell you. In the treatment, you find out that

0:41:24.360 --> 0:41:32.080
<v Speaker 3>ET's real name is Zrek. Almost Shrek, but Zrek with

0:41:32.160 --> 0:41:32.440
<v Speaker 3>a Z.

0:41:33.960 --> 0:41:42.000
<v Speaker 1>E entertainment ts like extra entertainment terrestrial e E T.

0:41:42.880 --> 0:41:47.280
<v Speaker 3>Nope, Nope, it is Shrek Shrek.

0:41:47.760 --> 0:41:53.040
<v Speaker 1>I saw West Side Story in the Museum with an

0:41:53.080 --> 0:41:57.800
<v Speaker 1>introduction by Rita Moreno last week. And anyways, the police

0:41:57.800 --> 0:42:02.320
<v Speaker 1>officer is called like officer Shrag, like it's really close

0:42:02.360 --> 0:42:04.960
<v Speaker 1>to Shrek. It's just such a tease, and you're just like,

0:42:05.080 --> 0:42:06.440
<v Speaker 1>just say Shrak, just say it.

0:42:06.480 --> 0:42:10.400
<v Speaker 3>Well, it's like in Batman Returns when Christopher Watkin's character

0:42:10.560 --> 0:42:14.440
<v Speaker 3>is named Shrek and you're just like, Shrek is everywhere.

0:42:14.520 --> 0:42:16.640
<v Speaker 1>Yeah, and at least they go for it. They go

0:42:16.880 --> 0:42:20.440
<v Speaker 1>they go for it, like just say say his name,

0:42:21.080 --> 0:42:23.800
<v Speaker 1>like speak Strek's name.

0:42:24.680 --> 0:42:27.640
<v Speaker 3>It's like the end of Oh my god, what's that

0:42:27.719 --> 0:42:28.880
<v Speaker 3>movie never ending story?

0:42:29.280 --> 0:42:34.399
<v Speaker 1>Say my name, Say my name? I was thinking Bele Shrek, Shrek, Shrek.

0:42:37.600 --> 0:42:39.479
<v Speaker 3>Anyway, Okay, so back on track.

0:42:39.560 --> 0:42:40.720
<v Speaker 1>Wait, that's wild.

0:42:40.840 --> 0:42:44.279
<v Speaker 3>His name was Shred. We learned his name is Shrek.

0:42:45.200 --> 0:42:49.040
<v Speaker 3>The point of this whole story is that I teach

0:42:49.200 --> 0:42:52.480
<v Speaker 3>this treatment in my screenwriting classes because I have my

0:42:52.520 --> 0:42:55.600
<v Speaker 3>students do a mock workshop just to like get them

0:42:55.640 --> 0:43:01.240
<v Speaker 3>acquainted with the workshopping process, and we read the treatment

0:43:01.440 --> 0:43:05.040
<v Speaker 3>and then you know, analyze it, and the treatment's not good.

0:43:05.560 --> 0:43:08.839
<v Speaker 3>It is kind of a mess, and then they pulled

0:43:08.840 --> 0:43:10.760
<v Speaker 3>the plug on it. I think it was a combination

0:43:10.880 --> 0:43:13.560
<v Speaker 3>of the studio being like, I'm not sure about this

0:43:13.640 --> 0:43:17.640
<v Speaker 3>and then Spielberg being like, never mind, sequels, bad idea

0:43:17.840 --> 0:43:19.320
<v Speaker 3>for this, actually.

0:43:19.400 --> 0:43:22.600
<v Speaker 1>Something he would reverse. But it is interesting because it's

0:43:22.680 --> 0:43:27.560
<v Speaker 1>not like he is obviously not opposed to sequels, like hmm, Indiana,

0:43:27.640 --> 0:43:32.000
<v Speaker 1>John like there's no shortage of sequels, right, but that

0:43:32.239 --> 0:43:35.839
<v Speaker 1>there was no sequel for this movie. I really hope

0:43:35.840 --> 0:43:38.040
<v Speaker 1>there's never a sequel to this movie.

0:43:38.280 --> 0:43:39.960
<v Speaker 3>It would be very unnecessary.

0:43:40.360 --> 0:43:42.759
<v Speaker 1>Yeah, especially when it's like, yeah, something that is like

0:43:42.800 --> 0:43:45.080
<v Speaker 1>focused on, like, well, what's the lore of Et? And

0:43:45.120 --> 0:43:48.600
<v Speaker 1>you're like, respectfully, it doesn't matter. That's not why we

0:43:48.800 --> 0:43:51.719
<v Speaker 1>go to Et to be like, well but what is

0:43:51.760 --> 0:43:55.200
<v Speaker 1>the culture? You're like, it doesn't matter. He made a

0:43:55.239 --> 0:43:58.480
<v Speaker 1>friend and Elliott will never know, so we can never know.

0:43:58.880 --> 0:44:05.400
<v Speaker 3>Yeah, So in any case, Spielberg had this imaginary alien

0:44:05.440 --> 0:44:09.920
<v Speaker 3>friend as a kid to help him cope with his parents' divorce,

0:44:10.480 --> 0:44:15.000
<v Speaker 3>and then in nineteen eighty he told screenwriter Melissa Matheson

0:44:15.680 --> 0:44:18.799
<v Speaker 3>he was like, yeah, I was developing this project called

0:44:18.920 --> 0:44:22.400
<v Speaker 3>night Skies. Here was this subplot. I feel like there

0:44:22.440 --> 0:44:27.040
<v Speaker 3>might be a movie there. And then she wrote the

0:44:27.080 --> 0:44:31.799
<v Speaker 3>script for ET, formerly called ET and Me then simplified

0:44:31.800 --> 0:44:36.680
<v Speaker 3>to E. T. The Extraterrestrial, and she wrote the first

0:44:36.760 --> 0:44:40.680
<v Speaker 3>draft in I think like eight weeks or something. Spielberg

0:44:40.800 --> 0:44:43.719
<v Speaker 3>loved it. It went through a couple rewrites, a few

0:44:43.800 --> 0:44:48.879
<v Speaker 3>changes were made, But what I want to point out

0:44:49.040 --> 0:44:52.480
<v Speaker 3>is that this movie was written by a woman, And

0:44:53.480 --> 0:44:56.480
<v Speaker 3>I feel like that's something that a lot of people

0:44:56.600 --> 0:45:00.799
<v Speaker 3>forget or overlook because people so closely associate movie with

0:45:01.400 --> 0:45:04.720
<v Speaker 3>like Spielberg and assume that he had the sole creative

0:45:04.800 --> 0:45:06.000
<v Speaker 3>vision behind this movie.

0:45:06.520 --> 0:45:10.719
<v Speaker 1>I really love because I honestly forgot as well. And

0:45:10.800 --> 0:45:15.120
<v Speaker 1>I feel like it's probably partially because we don't talk

0:45:15.160 --> 0:45:18.759
<v Speaker 1>about Melissa Mathison very much, even though it's like her

0:45:18.840 --> 0:45:23.120
<v Speaker 1>credits are wild. And I also saw that she was

0:45:23.160 --> 0:45:25.600
<v Speaker 1>like so involved in the day to day production of ET,

0:45:25.800 --> 0:45:28.319
<v Speaker 1>Like she was writing dialogue on set, She worked with

0:45:28.360 --> 0:45:32.479
<v Speaker 1>the kids, she sort of oversaw like when the kids

0:45:32.520 --> 0:45:35.440
<v Speaker 1>could improvise when they couldn't, Like she was so hands on,

0:45:36.640 --> 0:45:40.960
<v Speaker 1>and her career, it appears, was kind of derailed by

0:45:41.440 --> 0:45:46.279
<v Speaker 1>being an ally to Tibet, which is unfortunately a very

0:45:46.280 --> 0:45:49.040
<v Speaker 1>prescient conversation to have right now. This is something that

0:45:49.160 --> 0:45:52.439
<v Speaker 1>I want to do more research into, but I feel

0:45:52.440 --> 0:45:55.239
<v Speaker 1>like it's not something that's very frequently discussed. I read

0:45:55.239 --> 0:45:57.319
<v Speaker 1>a book a couple of years ago called It's called

0:45:57.360 --> 0:46:01.279
<v Speaker 1>Red Carpet. There's a chapter in it that basically unpacks

0:46:01.360 --> 0:46:06.000
<v Speaker 1>like a series of entertainment careers that were indefinitely put

0:46:06.080 --> 0:46:10.760
<v Speaker 1>on hold because someone was too vocal about being allied

0:46:10.840 --> 0:46:14.800
<v Speaker 1>with the Free Tibet movement. Yeah, and the biggest example

0:46:14.840 --> 0:46:19.040
<v Speaker 1>of that, I honestly don't understand how Scorsese recovered, but

0:46:19.239 --> 0:46:22.959
<v Speaker 1>he directed a movie in ninety seven that I feel

0:46:22.960 --> 0:46:25.800
<v Speaker 1>like so few people have seen called Coundon, which is

0:46:25.840 --> 0:46:29.359
<v Speaker 1>basically a biopic about the Dalai Lama, and I think

0:46:29.360 --> 0:46:32.560
<v Speaker 1>that Dalai Lama was like meaningfully included in it. Melissa

0:46:32.600 --> 0:46:35.719
<v Speaker 1>Matheson wrote the movie and became a close friend of

0:46:35.760 --> 0:46:39.560
<v Speaker 1>the Dalai Lama while they worked on it for years,

0:46:40.040 --> 0:46:44.680
<v Speaker 1>and this turned her into a lifelong activist for Tibetan freedom.

0:46:44.920 --> 0:46:47.040
<v Speaker 1>And at the time she died, she was like on

0:46:47.080 --> 0:46:50.319
<v Speaker 1>the board for the International Campaign for Tibet and just

0:46:50.400 --> 0:46:53.560
<v Speaker 1>really did like a lot of really effective advocacy work.

0:46:54.000 --> 0:46:57.960
<v Speaker 1>But you can see after she writes Condon, her career

0:46:58.160 --> 0:47:02.759
<v Speaker 1>like it falls off. And I don't know necessarily, I

0:47:02.800 --> 0:47:07.279
<v Speaker 1>wasn't able to find confirmation necessarily, or if she just

0:47:07.320 --> 0:47:09.920
<v Speaker 1>wanted to step away to focus on advocacy work. But

0:47:10.080 --> 0:47:13.799
<v Speaker 1>it just feels like she wrote et she wrote The

0:47:13.840 --> 0:47:16.239
<v Speaker 1>Black Stallie, I mean, and the only things that we

0:47:16.320 --> 0:47:21.879
<v Speaker 1>really see her right after that is she wrote one

0:47:21.920 --> 0:47:24.960
<v Speaker 1>more movie for Spielberg, she wrote the BFG, But even

0:47:25.000 --> 0:47:27.960
<v Speaker 1>that seems like well because they had a good working relationship,

0:47:28.000 --> 0:47:30.640
<v Speaker 1>But there's not other big directors that she really works

0:47:30.719 --> 0:47:33.040
<v Speaker 1>with after that, Like you see a very similar story

0:47:33.080 --> 0:47:37.520
<v Speaker 1>with Richard Gear who also was a very loud advocate

0:47:37.719 --> 0:47:38.400
<v Speaker 1>for Tibet.

0:47:38.520 --> 0:47:39.480
<v Speaker 3>Oh, I don't realize that.

0:47:39.840 --> 0:47:42.840
<v Speaker 1>Yeah, it's weird. I don't know why it's not, especially

0:47:43.760 --> 0:47:46.160
<v Speaker 1>like in recent years. I think it would make a

0:47:46.160 --> 0:47:48.560
<v Speaker 1>lot of sense to just kind of revisit those stories.

0:47:48.560 --> 0:47:51.000
<v Speaker 1>But yeah, Richard Gear, he was kind of the focal

0:47:51.040 --> 0:47:53.400
<v Speaker 1>point of that chapter. I've got to remember exactly what

0:47:53.440 --> 0:47:56.680
<v Speaker 1>the book was called, but that he was such a

0:47:56.760 --> 0:47:59.560
<v Speaker 1>huge deal in the eighties and nineties and then towards

0:47:59.600 --> 0:48:01.520
<v Speaker 1>the end of the nineties he became a very vocal

0:48:01.600 --> 0:48:04.759
<v Speaker 1>advocate for Tibet, and he stopped getting cast and you

0:48:04.880 --> 0:48:07.799
<v Speaker 1>really don't see him very much after that outside of

0:48:07.840 --> 0:48:11.080
<v Speaker 1>like Chicago. But like I mean, name of Richard gear

0:48:11.160 --> 0:48:13.360
<v Speaker 1>Roll from the last twenty years.

0:48:12.920 --> 0:48:16.400
<v Speaker 3>Like Knights in rodanthy was he in that?

0:48:17.800 --> 0:48:20.839
<v Speaker 1>There we go? I bet asked, let's call my mom,

0:48:20.920 --> 0:48:22.400
<v Speaker 1>let's see, let's get my mom on the horn, and

0:48:22.520 --> 0:48:25.960
<v Speaker 1>she would know. But yeah, like Tibet obviously a very

0:48:25.960 --> 0:48:28.520
<v Speaker 1>complicated history that I'm not an expert on. But basically

0:48:28.520 --> 0:48:32.040
<v Speaker 1>it's like, if your blockbuster movies were vocally pro Tibet,

0:48:32.239 --> 0:48:35.239
<v Speaker 1>they would not play in China, which is a gigantic

0:48:35.280 --> 0:48:39.960
<v Speaker 1>movie market, and so anyone who was too vocally supportive

0:48:40.040 --> 0:48:44.720
<v Speaker 1>of Tibet would be kind of soft blacklisted. I'm curious

0:48:44.760 --> 0:48:47.319
<v Speaker 1>if there was anything written let us know, listeners, if

0:48:47.360 --> 0:48:50.359
<v Speaker 1>there was ever sort of this line drawn directly with

0:48:50.440 --> 0:48:54.840
<v Speaker 1>Melissa Matheson. But anyways, what a cool lay. Also, Francis

0:48:54.880 --> 0:48:57.240
<v Speaker 1>Ford Coppola cheated on his wife with her.

0:48:57.600 --> 0:49:02.359
<v Speaker 3>Oh whoa oh you mean the director of megalopolypse go

0:49:02.440 --> 0:49:09.400
<v Speaker 3>Off Kateles go Off cinematic masterpiece Megalopa lips megal what's

0:49:09.440 --> 0:49:14.080
<v Speaker 3>it called Megatropolis. I don't have that movie gave me

0:49:14.280 --> 0:49:17.960
<v Speaker 3>a lobotomy, so I don't know how to use my

0:49:18.000 --> 0:49:18.680
<v Speaker 3>brain anymore.

0:49:19.560 --> 0:49:23.480
<v Speaker 1>Anyway, Megal, what's the name of the Aubrey Plaza character.

0:49:23.560 --> 0:49:28.839
<v Speaker 3>It's like, oh, Platinum Wow, plank Wow, something like that.

0:49:30.280 --> 0:49:34.959
<v Speaker 1>We can't let him get away with this. Not Platinum Wow.

0:49:35.160 --> 0:49:35.200
<v Speaker 2>No.

0:49:35.440 --> 0:49:39.759
<v Speaker 1>Melissa Mathieson. Outside of being Gone Too Soon, just a

0:49:39.800 --> 0:49:45.320
<v Speaker 1>great Wikipedia experience. It's early Years, screenwriting and production credits.

0:49:45.440 --> 0:49:48.640
<v Speaker 1>Dalai Lama Personal life. She has a whole section called

0:49:48.719 --> 0:49:50.440
<v Speaker 1>Dalai Lama and you've gotta love that.

0:49:50.880 --> 0:49:53.239
<v Speaker 3>I love it. She also wrote the screenplay for The

0:49:53.280 --> 0:49:57.120
<v Speaker 3>Indian in the Cupboard, which I vaguely remember from my childhood.

0:49:57.360 --> 0:50:03.440
<v Speaker 3>And she was a story consultant on Ponia that studio.

0:50:03.520 --> 0:50:06.359
<v Speaker 3>And I never know if it's Ghibli or gible so

0:50:06.360 --> 0:50:09.239
<v Speaker 3>someone please tell me gibley Okay, I.

0:50:09.200 --> 0:50:12.440
<v Speaker 1>Think so, But her personal life section is awesome. It's

0:50:12.600 --> 0:50:15.760
<v Speaker 1>Matheson had an extra marital relationship with Francis Ford Coplo

0:50:15.800 --> 0:50:18.520
<v Speaker 1>while working as his assistant on Godfather Part two, an

0:50:18.560 --> 0:50:21.640
<v Speaker 1>affair that lasted through the production of Apocalypse Now. So

0:50:21.680 --> 0:50:26.040
<v Speaker 1>that's an affair of the five years damn Wow and

0:50:26.040 --> 0:50:28.640
<v Speaker 1>then she was married to Harrison Ford for twenty years.

0:50:28.960 --> 0:50:31.440
<v Speaker 3>Oh my gosh, I did not realize that either. Apparently

0:50:31.480 --> 0:50:34.960
<v Speaker 3>I did not research enough about Melissa Matheson.

0:50:35.320 --> 0:50:36.800
<v Speaker 1>They had two kids together.

0:50:37.280 --> 0:50:42.360
<v Speaker 3>Wow. Harrison Ford was in et as a principal that

0:50:42.440 --> 0:50:43.840
<v Speaker 3>they never show on screen.

0:50:43.920 --> 0:50:45.680
<v Speaker 1>Wait, I didn't know that, but you like.

0:50:45.640 --> 0:50:49.239
<v Speaker 3>Hear his voice reprimanding Elliott in the scene where he's

0:50:49.280 --> 0:50:52.640
<v Speaker 3>like drunkenly letting all the frogs. Go oh yeah, but

0:50:52.680 --> 0:50:53.359
<v Speaker 3>then they cut it.

0:50:54.640 --> 0:50:59.040
<v Speaker 1>That's really funny. Gosh, what an incestuous kind of like groom.

0:50:59.120 --> 0:51:01.200
<v Speaker 1>Because I'm like, is that how they met? Like because

0:51:01.239 --> 0:51:03.520
<v Speaker 1>they got married in eighty three, the year after this

0:51:03.640 --> 0:51:05.960
<v Speaker 1>came out. But they were married for twenty years and

0:51:06.000 --> 0:51:08.280
<v Speaker 1>had two Like yeah, they married in eighty three, divorce

0:51:08.360 --> 0:51:11.560
<v Speaker 1>and O four So wow, look at that.

0:51:12.080 --> 0:51:15.720
<v Speaker 3>In addition to this movie being written by a woman,

0:51:15.760 --> 0:51:18.680
<v Speaker 3>it was also edited by a woman, an editor named

0:51:18.800 --> 0:51:22.239
<v Speaker 3>Carol Lyttleton. And two of the major producers of this

0:51:22.320 --> 0:51:25.840
<v Speaker 3>movie are women, one of course being Melissa Matheson, the

0:51:25.920 --> 0:51:27.560
<v Speaker 3>other one being Kathleen Kennedy.

0:51:27.920 --> 0:51:31.479
<v Speaker 1>Young Kathleen. Kathleen Kennedy produced this damn movie when she's

0:51:31.520 --> 0:51:37.920
<v Speaker 1>twenty nine. I'm like, shut up, shot enough, stop up.

0:51:38.960 --> 0:51:42.719
<v Speaker 1>I was pleasantly surprised to see how many women were

0:51:42.760 --> 0:51:46.680
<v Speaker 1>meaningfully involved in this movie, and I just I don't

0:51:46.680 --> 0:51:49.200
<v Speaker 1>know everything again, like not to just like geek out

0:51:49.239 --> 0:51:51.759
<v Speaker 1>about it, but everything about the set and environment of

0:51:51.800 --> 0:51:56.520
<v Speaker 1>this movie just seemed so sweet and like thoughtful. And

0:51:57.440 --> 0:52:01.440
<v Speaker 1>there's footage of like they were shooting on Howen and

0:52:01.800 --> 0:52:04.560
<v Speaker 1>Spielberg dressed up in drag all day because I think

0:52:04.680 --> 0:52:09.600
<v Speaker 1>like Henry Thomas like dared him too, okay, and he

0:52:09.800 --> 0:52:13.560
<v Speaker 1>was like this is so Spielberg. There's I mean, and honey,

0:52:13.560 --> 0:52:16.399
<v Speaker 1>he looks great. He really does. And it's like it's

0:52:16.600 --> 0:52:19.840
<v Speaker 1>very I don't know, just like really sweet, because I

0:52:19.840 --> 0:52:22.040
<v Speaker 1>think it was like Henry Thomas was like, if you're

0:52:22.040 --> 0:52:24.479
<v Speaker 1>gonna make Et dress up in drag, you have to too,

0:52:24.880 --> 0:52:27.280
<v Speaker 1>and he's like, I'll do it and it's very cute.

0:52:27.400 --> 0:52:31.160
<v Speaker 3>Wow. Well, speaking of shall we talk about the gender

0:52:31.320 --> 0:52:34.880
<v Speaker 3>projections of et Et and gender?

0:52:35.239 --> 0:52:36.120
<v Speaker 1>Yes, let's do it.

0:52:36.239 --> 0:52:38.880
<v Speaker 3>We talked about it a little bit already, but like

0:52:38.920 --> 0:52:43.319
<v Speaker 3>we mentioned, when Gerty first encounters Et, she says is

0:52:43.360 --> 0:52:47.520
<v Speaker 3>he a boy or girl? And then Elliott very definitively

0:52:47.760 --> 0:52:51.480
<v Speaker 3>says he's a boy, and then Gerty asks if Et

0:52:51.760 --> 0:52:55.120
<v Speaker 3>was wearing any clothes when Elliott found him, and he

0:52:55.200 --> 0:52:59.319
<v Speaker 3>says no. So it's just like, yeah, he's just a

0:52:59.360 --> 0:53:05.040
<v Speaker 3>boy because I said so. And later Gerty puts Et

0:53:05.600 --> 0:53:10.680
<v Speaker 3>in women's clothing, you know, a dress, like a pearl necklace,

0:53:10.880 --> 0:53:15.160
<v Speaker 3>this long blonde wig, a little missus nesbit hat kind

0:53:15.200 --> 0:53:20.239
<v Speaker 3>of thing. And Elliott comes home and finds Et in

0:53:20.560 --> 0:53:24.759
<v Speaker 3>drag and gets upset and says, you should give him

0:53:24.800 --> 0:53:28.160
<v Speaker 3>his dignity. This is the most ridiculous thing I've ever seen.

0:53:28.360 --> 0:53:33.160
<v Speaker 3>And we're like, Okay, Elliott hates drag.

0:53:33.440 --> 0:53:38.400
<v Speaker 1>Yeah, I think Elliot's denying something within himself. He's a

0:53:38.480 --> 0:53:42.240
<v Speaker 1>confused child during the Reagan administration. I want to believe

0:53:42.239 --> 0:53:45.080
<v Speaker 1>in him. I want to believe yeah, he grows up

0:53:45.120 --> 0:53:46.920
<v Speaker 1>to do better. But I do think it is like

0:53:47.080 --> 0:53:49.680
<v Speaker 1>not like I mean to the point where I never

0:53:49.760 --> 0:53:54.200
<v Speaker 1>really even thought about it until this viewing, but how

0:53:54.960 --> 0:53:58.160
<v Speaker 1>all of the kids are trying to understand Et based

0:53:58.200 --> 0:54:01.000
<v Speaker 1>on what their limited conception of the world and themselves

0:54:01.040 --> 0:54:04.480
<v Speaker 1>are right. And obviously a big part of that is

0:54:04.560 --> 0:54:09.600
<v Speaker 1>like the limited gender expression in like Suburbia in the eighties.

0:54:09.800 --> 0:54:14.200
<v Speaker 1>And there's not really a big comment made, but I

0:54:14.200 --> 0:54:16.400
<v Speaker 1>thought it was like pretty thoughtfully done.

0:54:17.200 --> 0:54:22.839
<v Speaker 3>Right, because like, Elliott finds this creature who he befriends,

0:54:23.040 --> 0:54:27.440
<v Speaker 3>and presumably he wants a friend who he can closely

0:54:27.520 --> 0:54:30.560
<v Speaker 3>identify with, and that for him would mean a friend

0:54:30.600 --> 0:54:35.120
<v Speaker 3>who's a boy. Meanwhile, Gertie is hoping that Et is

0:54:35.600 --> 0:54:41.200
<v Speaker 3>a girl, and presumably that's why she dresses Et in

0:54:41.239 --> 0:54:43.400
<v Speaker 3>a wig and a dress and all that kind of stuff,

0:54:43.440 --> 0:54:46.880
<v Speaker 3>because she wants a little girl friend. And Et is

0:54:47.000 --> 0:54:48.879
<v Speaker 3>like whatever, He's like, I don't care.

0:54:49.520 --> 0:54:53.320
<v Speaker 1>It a crap. Yeah, I thought that that was like, again,

0:54:53.520 --> 0:54:56.400
<v Speaker 1>especially for the eight there's I think like this movie

0:54:56.480 --> 0:55:00.720
<v Speaker 1>sincerity is like so much of like why it holds

0:55:00.840 --> 0:55:03.839
<v Speaker 1>up so well because you think of like even other

0:55:03.880 --> 0:55:06.799
<v Speaker 1>eighties kids movies that would have gone so far in

0:55:06.840 --> 0:55:09.279
<v Speaker 1>the other direction, and you do get a little bit

0:55:09.280 --> 0:55:11.520
<v Speaker 1>of like, yeah, he needs his dignity, but that's like

0:55:11.600 --> 0:55:17.640
<v Speaker 1>as severe as it gets, right, and I appreciate that.

0:55:18.000 --> 0:55:21.560
<v Speaker 1>And Ets so he's such a chiller, he just wants

0:55:21.640 --> 0:55:23.120
<v Speaker 1>to text his mom.

0:55:24.920 --> 0:55:28.359
<v Speaker 3>Yes. Another reason I think this movie holds up as

0:55:28.360 --> 0:55:34.239
<v Speaker 3>well as it does is its exploration of the emotional

0:55:34.239 --> 0:55:40.200
<v Speaker 3>intelligence of the male characters. Because you have Elliott being

0:55:40.320 --> 0:55:48.760
<v Speaker 3>this generally sensitive, gentle, compassionate kid. He wants to again

0:55:49.000 --> 0:55:54.040
<v Speaker 3>befriend Et and protect him. They develop this empathic connection

0:55:54.239 --> 0:55:57.640
<v Speaker 3>where they feel each other's feelings, and that is a

0:55:57.760 --> 0:56:02.520
<v Speaker 3>power that we'll see in movies, but that is almost

0:56:02.520 --> 0:56:06.640
<v Speaker 3>always ascribed to women in movies, where if there's like

0:56:06.680 --> 0:56:10.800
<v Speaker 3>a super hero character I'm thinking of, is it mantis

0:56:10.840 --> 0:56:14.799
<v Speaker 3>in like the Marvel Universe, characters like that, where like

0:56:15.000 --> 0:56:20.600
<v Speaker 3>their power is empathic, And again it's almost always ascribed

0:56:20.600 --> 0:56:25.200
<v Speaker 3>to women, So it's not typical for a like empathic

0:56:25.960 --> 0:56:29.960
<v Speaker 3>power or ability to be ascribed to a male character.

0:56:30.040 --> 0:56:34.920
<v Speaker 3>But we see that with Elliot, and it is generally

0:56:35.280 --> 0:56:40.040
<v Speaker 3>a nice connection except that one time where Et does

0:56:40.080 --> 0:56:45.120
<v Speaker 3>make Elliott surprise kiss a girl at school, But other

0:56:45.239 --> 0:56:50.160
<v Speaker 3>than that, it manifests in a really like sweet, nice way.

0:56:50.840 --> 0:56:53.480
<v Speaker 1>Yeah, And I mean that's like another thing that I

0:56:53.480 --> 0:56:57.640
<v Speaker 1>think is also contrasted between the brothers, because this is

0:56:57.680 --> 0:57:01.040
<v Speaker 1>definitely not like, yeah, a movie about women, but it

0:57:01.120 --> 0:57:04.200
<v Speaker 1>is a movie, like you're saying about, especially in the eighties,

0:57:04.239 --> 0:57:07.280
<v Speaker 1>Like I feel like that would have made a real difference.

0:57:07.280 --> 0:57:12.520
<v Speaker 1>It's like celebrating like this young boy's ability to express

0:57:12.640 --> 0:57:16.520
<v Speaker 1>and want to understand how others are feeling, and I

0:57:16.600 --> 0:57:18.919
<v Speaker 1>really like again, it's I feel like the movie sort

0:57:18.960 --> 0:57:24.120
<v Speaker 1>of like evades this trope of like the older brothers

0:57:24.240 --> 0:57:27.080
<v Speaker 1>just like a piece of shit who doesn't get it

0:57:27.120 --> 0:57:30.080
<v Speaker 1>and blah blah blah, where it's like they are different,

0:57:30.120 --> 0:57:32.680
<v Speaker 1>they're also just at different stages of development. But it's

0:57:33.480 --> 0:57:36.320
<v Speaker 1>d Wallace is raising these kids, right. They care about

0:57:36.360 --> 0:57:41.840
<v Speaker 1>each other. Yeah, and even though they like whatever, antagonize

0:57:41.840 --> 0:57:44.440
<v Speaker 1>each other the way the brothers do, Like Michael's a

0:57:44.480 --> 0:57:48.320
<v Speaker 1>sweet kid. He cares about Elliott and yeah, I just

0:57:48.320 --> 0:57:52.120
<v Speaker 1>think it's really nice. I'm gonna start crying. And even

0:57:52.160 --> 0:57:55.000
<v Speaker 1>with their sister where they antagonize her, but it doesn't

0:57:55.000 --> 0:57:57.160
<v Speaker 1>feel like I don't know, again, it just it feels

0:57:57.280 --> 0:58:01.840
<v Speaker 1>very natural and they all genuinely do care about each other.

0:58:02.880 --> 0:58:07.320
<v Speaker 3>Yeah. I felt that too about Michael, who I think

0:58:07.320 --> 0:58:11.480
<v Speaker 3>he's probably like fourteen, so he has a few years

0:58:11.520 --> 0:58:16.000
<v Speaker 3>on Elliott and has been exposed to more socialization of

0:58:16.120 --> 0:58:19.680
<v Speaker 3>like what boys are supposed to be. Like, he's displaying

0:58:19.760 --> 0:58:25.200
<v Speaker 3>more like quote unquote typical masculinity compared to Elliott, because

0:58:25.200 --> 0:58:30.520
<v Speaker 3>you know, you see him with his like teen boy pals,

0:58:30.560 --> 0:58:31.440
<v Speaker 3>and they tend.

0:58:31.240 --> 0:58:32.960
<v Speaker 1>To like smoking SIGs.

0:58:33.360 --> 0:58:36.080
<v Speaker 3>I'm like, oh, they'll gang up on Elliott and kind

0:58:36.080 --> 0:58:37.920
<v Speaker 3>of give him a hard time and tease him and

0:58:37.960 --> 0:58:40.120
<v Speaker 3>call him names and stuff like that. And Michael just

0:58:40.280 --> 0:58:44.320
<v Speaker 3>seems to be a little bit more like easily aggravated

0:58:44.520 --> 0:58:47.080
<v Speaker 3>and hostile compared to Elliott, but not in a way

0:58:47.120 --> 0:58:51.440
<v Speaker 3>that is cruel necessary. It's just again, he's been exposed

0:58:51.480 --> 0:58:54.920
<v Speaker 3>to more like masculine social conditioning.

0:58:55.200 --> 0:58:57.680
<v Speaker 1>Yeah, Elliot's embarrassing him in front of his friends.

0:58:57.800 --> 0:59:01.320
<v Speaker 3>Uh yeah, right, his friends who all want to dress

0:59:01.360 --> 0:59:05.040
<v Speaker 3>as terrorists for Halloween. I'm like, what the fuck?

0:59:05.960 --> 0:59:08.240
<v Speaker 1>But then you see them and you're like what I

0:59:08.520 --> 0:59:10.960
<v Speaker 1>was whatever that joke was. I was like, baby, you

0:59:11.040 --> 0:59:13.040
<v Speaker 1>had to be in nineteen eighty two, but I was

0:59:13.080 --> 0:59:14.560
<v Speaker 1>not because I was like, it's a guy with an

0:59:14.600 --> 0:59:15.919
<v Speaker 1>ax through and said what.

0:59:16.120 --> 0:59:18.160
<v Speaker 3>Well, I think that's what he changed into because his

0:59:18.240 --> 0:59:21.400
<v Speaker 3>mom was like, Mary said, you're not going dressed like that,

0:59:21.520 --> 0:59:24.120
<v Speaker 3>So he switches to a different costume.

0:59:24.320 --> 0:59:25.840
<v Speaker 1>Oh I don't love that choke.

0:59:26.280 --> 0:59:29.760
<v Speaker 3>Yeah, I don't know about it. But either way, yes,

0:59:29.840 --> 0:59:36.440
<v Speaker 3>Michael has had more like typical social masculine conditioning, but

0:59:36.640 --> 0:59:40.040
<v Speaker 3>he also has compassion. You know, he looks out for

0:59:40.240 --> 0:59:43.760
<v Speaker 3>their mom. When Elliott makes a comment about their dad

0:59:43.800 --> 0:59:46.280
<v Speaker 3>being in Mexico with his new girlfriend and he knows

0:59:46.280 --> 0:59:49.680
<v Speaker 3>that this upsets his mom and he wants to protect her,

0:59:49.720 --> 0:59:53.120
<v Speaker 3>and Michael tells Elliott, like, think about how other people feel.

0:59:53.160 --> 0:59:56.160
<v Speaker 3>For a change, that's not an exchange that you would

0:59:56.360 --> 1:00:00.920
<v Speaker 3>usually see in a movie between two male care Yeah,

1:00:01.000 --> 1:00:04.760
<v Speaker 3>one encouraging the other to consider other people's feelings. So yeah,

1:00:04.800 --> 1:00:09.080
<v Speaker 3>I found that to be like refreshing and interesting. And

1:00:09.120 --> 1:00:13.920
<v Speaker 3>then even for Keys, who is presented as an antagonistic force,

1:00:14.920 --> 1:00:16.880
<v Speaker 3>a lot of movies, I feel like would frame him

1:00:16.920 --> 1:00:22.760
<v Speaker 3>as just like this blatant, big, bad, cruel, greedy, heartless,

1:00:23.480 --> 1:00:26.760
<v Speaker 3>but he also displays compassion too, because you know, he

1:00:26.880 --> 1:00:32.000
<v Speaker 3>understands that Elliot has this empathic connection with et and

1:00:32.080 --> 1:00:34.400
<v Speaker 3>that he would want to say goodbye to e T

1:00:34.600 --> 1:00:37.920
<v Speaker 3>when he dies, and he gives Elliott some time alone

1:00:38.000 --> 1:00:44.080
<v Speaker 3>to say that goodbye. And in the sequel treatment that again,

1:00:44.360 --> 1:00:47.840
<v Speaker 3>sequel never existed, but the treatment for it does have

1:00:48.080 --> 1:00:56.280
<v Speaker 3>Keys and Mary getting together romantically, which feels unnecessary and annoying.

1:00:56.520 --> 1:00:58.640
<v Speaker 1>Cares I was like, again, that's like the movie is

1:00:58.680 --> 1:01:01.840
<v Speaker 1>too good for that. That's another thing that I like,

1:01:01.880 --> 1:01:05.880
<v Speaker 1>where they don't say like, oh, well, what we need

1:01:06.120 --> 1:01:09.680
<v Speaker 1>is a new father for these kids. It's like, I

1:01:09.760 --> 1:01:12.680
<v Speaker 1>really like Dee Wallace's performance in this movie because it's like,

1:01:12.720 --> 1:01:14.640
<v Speaker 1>we don't know a lot about Mary, but I feel

1:01:14.640 --> 1:01:18.000
<v Speaker 1>like a lot comes through in the performance. She's a

1:01:18.040 --> 1:01:21.240
<v Speaker 1>good mom, but also she's the sole breadwinner, so sometimes

1:01:21.320 --> 1:01:23.320
<v Speaker 1>she's you know, it's like a latch key kid thing.

1:01:23.440 --> 1:01:26.560
<v Speaker 3>Yeah, breadwinter and caregiver. Yeah yeah.

1:01:26.720 --> 1:01:28.960
<v Speaker 1>Their house is so nice. I was like, oh my god,

1:01:29.400 --> 1:01:32.400
<v Speaker 1>their house probably would cost two million dollars today, if

1:01:32.440 --> 1:01:34.240
<v Speaker 1>not more. But you know, I think that there is

1:01:34.360 --> 1:01:36.680
<v Speaker 1>room to know more about her. But because we're seeing

1:01:36.720 --> 1:01:40.080
<v Speaker 1>this from the kid's perspectives, they wouldn't be like, what

1:01:40.240 --> 1:01:43.120
<v Speaker 1>is mom's job? Like, we just know that she has

1:01:43.200 --> 1:01:44.880
<v Speaker 1>to go to work. She's around them as much as

1:01:44.920 --> 1:01:47.600
<v Speaker 1>she can be. And again, it's just like really sort

1:01:47.640 --> 1:01:52.920
<v Speaker 1>of like a genuine feeling family dynamic where her kids

1:01:52.960 --> 1:01:56.720
<v Speaker 1>love her, but they're also little assholes because they're kids, right,

1:01:56.760 --> 1:01:59.080
<v Speaker 1>But she's not made out to be like the I

1:01:59.080 --> 1:02:01.680
<v Speaker 1>feel like a lot again and another like kid's movie

1:02:01.720 --> 1:02:04.760
<v Speaker 1>trope where it's like the parents are totally goofy and

1:02:04.880 --> 1:02:08.120
<v Speaker 1>like I have no idea what's going on, And she

1:02:08.240 --> 1:02:11.720
<v Speaker 1>doesn't know what's going on for a while, but when

1:02:11.920 --> 1:02:14.640
<v Speaker 1>she finds out what's going on, she takes her kids

1:02:14.760 --> 1:02:19.040
<v Speaker 1>feelings about it seriously mm hmmm. And I just like

1:02:19.160 --> 1:02:22.960
<v Speaker 1>she Yeah, I like that she is, I mean, a

1:02:23.000 --> 1:02:26.160
<v Speaker 1>good parent, but also like a complicated person, And you

1:02:26.240 --> 1:02:28.880
<v Speaker 1>get those moments to know like she's also going through

1:02:29.160 --> 1:02:32.280
<v Speaker 1>a lot for sure, but they don't try to resolve

1:02:32.360 --> 1:02:36.120
<v Speaker 1>that by being like, here's a new husband, which is

1:02:36.200 --> 1:02:38.400
<v Speaker 1>like the laziest thing you could possibly do.

1:02:38.960 --> 1:02:43.000
<v Speaker 3>Right. There's one scene where she has a few like

1:02:43.840 --> 1:02:47.120
<v Speaker 3>close encounters damn of the third kind.

1:02:47.520 --> 1:02:48.520
<v Speaker 1>That's et.

1:02:49.800 --> 1:02:52.640
<v Speaker 3>The scene where Et is like hiding among the stuffed

1:02:52.680 --> 1:02:56.280
<v Speaker 3>animals and she doesn't notice, or the scene where Et

1:02:56.480 --> 1:02:59.360
<v Speaker 3>is literally like right there walking around the kitchen and

1:02:59.440 --> 1:03:02.160
<v Speaker 3>Gertie is trying to like introduce her mom to Et,

1:03:02.920 --> 1:03:06.200
<v Speaker 3>and Mary is too preoccupied with like putting away the

1:03:06.240 --> 1:03:09.360
<v Speaker 3>groceries to notice. And I feel like you could argue, oh,

1:03:09.440 --> 1:03:12.720
<v Speaker 3>that's like a mother character being written to be so

1:03:12.800 --> 1:03:15.960
<v Speaker 3>cartoonish that she doesn't even notice the alien that's right there.

1:03:16.440 --> 1:03:19.880
<v Speaker 3>I honestly chalked it up to like she is the

1:03:19.920 --> 1:03:24.800
<v Speaker 3>sole provider and caregiver for this family, and so she

1:03:25.200 --> 1:03:28.960
<v Speaker 3>is going to be preoccupied, especially because like two of

1:03:29.000 --> 1:03:33.080
<v Speaker 3>these kids are pretty young and right, So I'm like, yeah,

1:03:33.120 --> 1:03:37.280
<v Speaker 3>she's just like handling the responsibility that she needs to

1:03:37.320 --> 1:03:40.440
<v Speaker 3>handle as a parent. So it didn't feel written to

1:03:40.480 --> 1:03:44.320
<v Speaker 3>me that she was like, oh, women or mothers are

1:03:44.520 --> 1:03:48.480
<v Speaker 3>so oblivious. It's just that she's like got a lot

1:03:48.520 --> 1:03:49.360
<v Speaker 3>on her plate.

1:03:49.440 --> 1:03:52.720
<v Speaker 1>Right, the things that she doesn't know about. It makes

1:03:52.920 --> 1:03:56.760
<v Speaker 1>sense and it doesn't make her negligent. And also just

1:03:56.800 --> 1:03:59.560
<v Speaker 1>like her having to deal with like I guess Harrison

1:03:59.680 --> 1:04:02.720
<v Speaker 1>Ford calling her and being like, Elliot's drunk at school.

1:04:02.960 --> 1:04:07.920
<v Speaker 1>She's like, what, No, Yeah. I feel like she had

1:04:07.960 --> 1:04:10.640
<v Speaker 1>like just the right amount of presence in the movie

1:04:10.760 --> 1:04:14.520
<v Speaker 1>and is still like a very complicated, well thought out character.

1:04:15.160 --> 1:04:18.760
<v Speaker 3>I also appreciate that you can tell that the kids

1:04:19.240 --> 1:04:22.040
<v Speaker 3>miss their dad, that you know, there's a scene where

1:04:22.760 --> 1:04:25.400
<v Speaker 3>Elliott and Michael find a shirt of their dad's in

1:04:25.440 --> 1:04:27.840
<v Speaker 3>the garage and they're like smelling it and they're like, oh,

1:04:27.880 --> 1:04:32.960
<v Speaker 3>it's old spice, dad's old cologne. And then there's another

1:04:33.000 --> 1:04:36.800
<v Speaker 3>part where Elliott has told his family about finding whatever

1:04:36.840 --> 1:04:40.160
<v Speaker 3>this creature is before they know what it is, and

1:04:40.680 --> 1:04:44.000
<v Speaker 3>no one believes him, and he says, like Dad would

1:04:44.000 --> 1:04:46.760
<v Speaker 3>have believed me. So you get little hints of that

1:04:46.800 --> 1:04:49.800
<v Speaker 3>throughout the movie, but there's no sense of like the

1:04:49.920 --> 1:04:54.920
<v Speaker 3>kids deeply resenting their mother, that no, it's not parents

1:04:54.920 --> 1:04:57.640
<v Speaker 3>have split up, or that the like brothers have like

1:04:58.000 --> 1:05:02.120
<v Speaker 3>a desperate longing for a man parental figure. You don't

1:05:02.280 --> 1:05:06.920
<v Speaker 3>get those like very I think tropy senses that you

1:05:06.960 --> 1:05:07.600
<v Speaker 3>would see.

1:05:07.480 --> 1:05:09.480
<v Speaker 1>Right, And it's just like the reason that it's painful

1:05:09.560 --> 1:05:12.480
<v Speaker 1>is just because it's different and they feel like abandoned.

1:05:12.480 --> 1:05:14.680
<v Speaker 1>But I, yeah, you're told, I didn't even connect that

1:05:14.720 --> 1:05:18.840
<v Speaker 1>where it's like some divorce narratives involved the kids being like, well,

1:05:18.880 --> 1:05:21.920
<v Speaker 1>what did mom do wrong? She must have done something wrong.

1:05:22.080 --> 1:05:24.200
<v Speaker 1>And I feel like there's another really good moment that

1:05:24.280 --> 1:05:28.720
<v Speaker 1>I liked between Michael and his mom when Elliott has

1:05:28.760 --> 1:05:31.680
<v Speaker 1>that moment of being like, well, dad's in Mexico with

1:05:31.880 --> 1:05:35.560
<v Speaker 1>Sally and she has a moment and Michael gets really

1:05:35.560 --> 1:05:38.760
<v Speaker 1>defensive of his mom, which feels just really like would

1:05:38.840 --> 1:05:41.800
<v Speaker 1>totally make sense for the eldest kid because he was

1:05:42.440 --> 1:05:45.560
<v Speaker 1>the most cognizant of what would have been going on

1:05:45.760 --> 1:05:48.080
<v Speaker 1>and how it would have affected his mom, And that

1:05:48.200 --> 1:05:51.080
<v Speaker 1>was just like I thought a really nice moment between

1:05:51.800 --> 1:05:54.640
<v Speaker 1>you know, you don't really get any moments between Michael

1:05:54.640 --> 1:05:58.600
<v Speaker 1>and his mom besides hearing off screen that he has

1:05:58.640 --> 1:06:02.240
<v Speaker 1>a fucked up Halloween cause but like that moment you're like, oh,

1:06:02.400 --> 1:06:05.760
<v Speaker 1>that totally makes sense and I feel like really endears

1:06:05.800 --> 1:06:08.880
<v Speaker 1>you to Michael early in the movie where he wants

1:06:08.920 --> 1:06:11.680
<v Speaker 1>to you know, be there for his mom. But also

1:06:11.760 --> 1:06:16.880
<v Speaker 1>he's fourteen, right, it's just really thoughtful and yeah, like

1:06:16.960 --> 1:06:20.080
<v Speaker 1>effortless where it's like his absence is there, but it's

1:06:20.120 --> 1:06:27.080
<v Speaker 1>not like ET is my dad now, it's like like

1:06:27.240 --> 1:06:29.920
<v Speaker 1>nothing weird like that. I did read that there was

1:06:30.000 --> 1:06:34.680
<v Speaker 1>a like one of those like novelizations of ET where

1:06:34.760 --> 1:06:39.920
<v Speaker 1>it's heavily implied that Mary wants to fuck Et whoa

1:06:40.760 --> 1:06:42.800
<v Speaker 1>that she has a little bit of a crush on

1:06:42.960 --> 1:06:47.360
<v Speaker 1>Okay Kinky kind of like I would read that book.

1:06:47.720 --> 1:06:49.000
<v Speaker 1>I was like, yeah, forget.

1:06:48.800 --> 1:06:51.120
<v Speaker 3>Keys, Yeah, ET's right.

1:06:51.080 --> 1:06:54.880
<v Speaker 1>But mom, fuck e T meet your new father. It's ET.

1:06:57.640 --> 1:07:01.600
<v Speaker 3>Well. The other thing about Mary is that she doesn't

1:07:01.640 --> 1:07:06.960
<v Speaker 3>believe Michael about finding this like Goblin in the Woods

1:07:07.000 --> 1:07:10.160
<v Speaker 3>or whatever. But she doesn't not not believe like it's right.

1:07:10.360 --> 1:07:12.440
<v Speaker 3>She even says it's not that we don't believe you,

1:07:13.400 --> 1:07:16.640
<v Speaker 3>but maybe you did imagine it, So she kind of

1:07:16.640 --> 1:07:20.800
<v Speaker 3>dismisses him, but not entirely. We've talked about like children

1:07:21.080 --> 1:07:25.880
<v Speaker 3>being believed or not being believed in different episodes as

1:07:25.920 --> 1:07:29.600
<v Speaker 3>sort of a representation of how children are often not

1:07:29.680 --> 1:07:34.200
<v Speaker 3>believed in real life and not taken seriously about certain matters.

1:07:34.360 --> 1:07:37.880
<v Speaker 3>So I appreciate that that was addressed, and it felt

1:07:37.960 --> 1:07:41.160
<v Speaker 3>like a realistic response, where like, yeah, if a kid

1:07:41.200 --> 1:07:43.360
<v Speaker 3>comes up to you and it's like, yeah, I met

1:07:43.440 --> 1:07:48.240
<v Speaker 3>a goblin in the field, you'd be like, are you

1:07:48.360 --> 1:07:49.840
<v Speaker 3>sure it was a goblin?

1:07:51.200 --> 1:07:54.480
<v Speaker 1>So well, but like she takes the concern seriously.

1:07:54.640 --> 1:07:57.280
<v Speaker 3>Yeah, she doesn't entirely dismiss him, but she's also just

1:07:57.360 --> 1:07:59.800
<v Speaker 3>like are you sure though, And it turns out he

1:07:59.880 --> 1:08:03.720
<v Speaker 3>was sure because it is an alien, so egg on

1:08:03.760 --> 1:08:08.640
<v Speaker 3>her face. But I felt like that was handled realistically.

1:08:08.440 --> 1:08:09.440
<v Speaker 1>At least I agree.

1:08:10.080 --> 1:08:12.479
<v Speaker 3>I agree, And then I wanted to talk a little

1:08:12.520 --> 1:08:19.160
<v Speaker 3>bit about who is inside of ET because there were

1:08:19.200 --> 1:08:23.400
<v Speaker 3>three people who took turns wearing the ET costume. So

1:08:23.439 --> 1:08:28.400
<v Speaker 3>ET was a combination of like animatronic face stuff that

1:08:28.560 --> 1:08:32.639
<v Speaker 3>was like done by puppeteers offscreen obviously, and then there

1:08:32.640 --> 1:08:36.839
<v Speaker 3>were also people inside an Et costume, and so depending

1:08:36.920 --> 1:08:40.879
<v Speaker 3>on what scene was being filmed, there were three possible

1:08:40.920 --> 1:08:43.400
<v Speaker 3>people who it might have been. Two of them were

1:08:43.520 --> 1:08:49.080
<v Speaker 3>little people. Their names are Tamara de Troux and Pat Bylon,

1:08:49.920 --> 1:08:54.320
<v Speaker 3>and there was also a twelve year old kid named

1:08:54.560 --> 1:08:55.400
<v Speaker 3>Matthew Demerit.

1:08:55.720 --> 1:08:56.840
<v Speaker 1>I didn't know any of this.

1:08:57.040 --> 1:09:02.160
<v Speaker 3>Wow, yes, I found it on scholarly journal Wikipedia. So

1:09:02.200 --> 1:09:06.479
<v Speaker 3>Matthew DeMarre was born without legs, and he walked on

1:09:06.640 --> 1:09:10.080
<v Speaker 3>his hands, and he played all the scenes where Et

1:09:10.520 --> 1:09:15.400
<v Speaker 3>walked awkwardly or fell over, which is the phrasing that

1:09:15.760 --> 1:09:18.280
<v Speaker 3>scholarly journal Wikipedia uses, like.

1:09:18.280 --> 1:09:20.320
<v Speaker 1>When these like drunk kind of thing.

1:09:20.720 --> 1:09:21.920
<v Speaker 3>Okay, yeah, I think so.

1:09:22.280 --> 1:09:23.439
<v Speaker 1>Wow, I did not know that.

1:09:23.800 --> 1:09:27.840
<v Speaker 3>Yes, So what I want to say is that little

1:09:27.840 --> 1:09:31.400
<v Speaker 3>people and people with other physical disabilities get so little

1:09:32.000 --> 1:09:35.360
<v Speaker 3>visibility in media, and if they are involved in a movie,

1:09:35.439 --> 1:09:39.040
<v Speaker 3>it's often in a capacity like this like The Lord

1:09:39.040 --> 1:09:42.559
<v Speaker 3>of the Rings, like Force perspective stuff comes to mind,

1:09:42.600 --> 1:09:45.800
<v Speaker 3>where they would have little people playing the Hobbits and

1:09:46.400 --> 1:09:50.280
<v Speaker 3>things like that, where it's very rarely characters who are

1:09:50.320 --> 1:09:55.840
<v Speaker 3>actually seen visibly on screen as little people living in society.

1:09:56.200 --> 1:10:02.280
<v Speaker 3>It's actors who are little people playing some creature or

1:10:02.320 --> 1:10:05.000
<v Speaker 3>something like that, or it's you know, other actors with

1:10:05.040 --> 1:10:09.080
<v Speaker 3>other physical disabilities doing something where they're not actually seen

1:10:09.160 --> 1:10:13.960
<v Speaker 3>visibly on screen as they are there being some creature.

1:10:14.680 --> 1:10:19.200
<v Speaker 3>So I wanted to acknowledge those actors and performers for

1:10:19.240 --> 1:10:21.240
<v Speaker 3>the work that they did on the movie, and also

1:10:21.320 --> 1:10:26.160
<v Speaker 3>acknowledge that there's that major lack of visibility for absolutely.

1:10:26.160 --> 1:10:29.200
<v Speaker 1>I mean I just like I didn't know at all. Yeah,

1:10:29.200 --> 1:10:34.560
<v Speaker 1>there were and that ET's voice, yeah, Pat Welsh like hmm, uncredited.

1:10:35.040 --> 1:10:39.559
<v Speaker 3>Yes, she smoked two packs a day of cigarettes to

1:10:39.680 --> 1:10:42.840
<v Speaker 3>give her the like quality of voice that Et has.

1:10:43.040 --> 1:10:45.240
<v Speaker 3>It reminded me of the thing we talked about on

1:10:46.000 --> 1:10:48.880
<v Speaker 3>The Exorcist where Mercedes McCambridge.

1:10:49.160 --> 1:10:51.919
<v Speaker 1>Oh yeah, just like got fucked up all day long.

1:10:51.880 --> 1:10:55.560
<v Speaker 3>And yeah, like would drink whiskey and ate rags and

1:10:55.600 --> 1:10:59.519
<v Speaker 3>stuff to make the demon voice sound as intimidating.

1:10:58.920 --> 1:11:03.120
<v Speaker 1>As it was. Like check in with me later, freed kid. Yeah,

1:11:03.320 --> 1:11:07.800
<v Speaker 1>it's certainly an approach, but also I appreciate that the

1:11:07.880 --> 1:11:13.360
<v Speaker 1>people who brought Et to life also not prescriptive to gender,

1:11:13.520 --> 1:11:17.400
<v Speaker 1>Like it's that knife like that's further kind of lays

1:11:17.439 --> 1:11:22.320
<v Speaker 1>out that you know, Et genderless icon gender doesn't give

1:11:22.320 --> 1:11:27.240
<v Speaker 1>a shit, Like he's literally just trying to phone home.

1:11:28.000 --> 1:11:30.120
<v Speaker 1>That's all. That's it.

1:11:30.800 --> 1:11:32.439
<v Speaker 3>Yeah, yeah, is.

1:11:32.360 --> 1:11:35.240
<v Speaker 1>There anything else you wanted to talk about with it? Oh? Well,

1:11:35.280 --> 1:11:38.120
<v Speaker 1>I guess the surprise I thought the surprise kiss was

1:11:38.160 --> 1:11:42.599
<v Speaker 1>so unnecessary in the middle of that, Like I thought

1:11:42.640 --> 1:11:46.479
<v Speaker 1>that just felt very dated, and also knowing that like

1:11:46.600 --> 1:11:50.200
<v Speaker 1>Henry Thomas, I guess was really really really uncomfortable being

1:11:50.240 --> 1:11:53.000
<v Speaker 1>asked to do that and like didn't want to do

1:11:53.080 --> 1:11:56.559
<v Speaker 1>it because he was just a little kid who was

1:11:56.640 --> 1:12:00.360
<v Speaker 1>not interested in kissing. So I don't know. I mean,

1:12:00.400 --> 1:12:05.320
<v Speaker 1>it's a smallish thing in the scope of eighties kids movies.

1:12:05.400 --> 1:12:09.040
<v Speaker 1>ET is doing almost everything right, but I just did

1:12:09.080 --> 1:12:11.759
<v Speaker 1>want to single that out. It's like not necessary, especially

1:12:11.760 --> 1:12:15.200
<v Speaker 1>if they're not going to bother to like characterize.

1:12:15.840 --> 1:12:19.960
<v Speaker 3>Little girl that Yeah. Yeah, it just feels very very

1:12:20.000 --> 1:12:25.879
<v Speaker 3>reflective of the time where a surprise kiss was considered

1:12:25.880 --> 1:12:30.439
<v Speaker 3>to be a romantic gesture, and the way it's framed

1:12:30.479 --> 1:12:35.160
<v Speaker 3>in the movie is like ET is like helping Elliott

1:12:35.320 --> 1:12:39.519
<v Speaker 3>do all these good things, such as release frogs from

1:12:39.560 --> 1:12:44.240
<v Speaker 3>being killed ugly, that's a good thing, but also kissing

1:12:44.280 --> 1:12:47.880
<v Speaker 3>a girl in his class without her consent, not good,

1:12:48.040 --> 1:12:50.439
<v Speaker 3>not the same thing, Like, why would you pair those

1:12:50.439 --> 1:12:51.160
<v Speaker 3>two things together?

1:12:51.280 --> 1:12:54.360
<v Speaker 1>This is all like both seen as like heroic.

1:12:54.000 --> 1:12:58.000
<v Speaker 3>Acts, right, and it was yucky.

1:12:59.320 --> 1:13:02.839
<v Speaker 1>Sorry, I just saw my rug moving on the floor.

1:13:03.439 --> 1:13:05.880
<v Speaker 1>What the fuck Casper got under the rug?

1:13:06.000 --> 1:13:06.200
<v Speaker 3>Oh?

1:13:06.760 --> 1:13:12.559
<v Speaker 1>Okay, around he was scaring my ass. Sorry, everything I'm saying, I'm.

1:13:12.520 --> 1:13:15.680
<v Speaker 3>Safe now, Okay, good, glad to hear it. But no,

1:13:15.800 --> 1:13:18.200
<v Speaker 3>that was really all I had. I'm sure there's some

1:13:18.360 --> 1:13:20.960
<v Speaker 3>lure that we're missing, you know, there's so much with

1:13:21.040 --> 1:13:24.920
<v Speaker 3>this movie. But yeah, those were the main points that

1:13:25.080 --> 1:13:27.120
<v Speaker 3>I had. Did you have anything else?

1:13:27.800 --> 1:13:30.960
<v Speaker 1>No, I think just the last This isn't a discourse thing,

1:13:31.040 --> 1:13:32.960
<v Speaker 1>but the last thing I just wanted to single out

1:13:33.200 --> 1:13:37.479
<v Speaker 1>was the creator of ET, or like the designer of ET.

1:13:37.640 --> 1:13:38.479
<v Speaker 3>I guess yes.

1:13:38.760 --> 1:13:41.800
<v Speaker 1>It was a guy named Carlo Rambaldi, and he just

1:13:42.040 --> 1:13:45.599
<v Speaker 1>has an incredible resume. I just wanted to share other

1:13:45.640 --> 1:13:49.559
<v Speaker 1>movies he did special effects on, including he had previously

1:13:49.680 --> 1:13:55.240
<v Speaker 1>done Close Encounters with Spielberg. He did Alien one the

1:13:55.320 --> 1:13:57.960
<v Speaker 1>seventy nine to one and won an Oscar for it.

1:13:58.000 --> 1:14:01.439
<v Speaker 1>I believe he did Possession in the year before ET,

1:14:01.640 --> 1:14:04.719
<v Speaker 1>which is like just wild. He did David Lynch Dune.

1:14:05.479 --> 1:14:08.920
<v Speaker 1>He did just like all of these kind of incredible

1:14:09.320 --> 1:14:13.639
<v Speaker 1>iconic special effects designs, and yeah when they Oscar twice

1:14:13.720 --> 1:14:18.479
<v Speaker 1>once for Alien and once for et nice. And also

1:14:18.560 --> 1:14:20.840
<v Speaker 1>I think that this is like a time that just

1:14:20.840 --> 1:14:23.280
<v Speaker 1>something you don't see a lot or as much of

1:14:23.520 --> 1:14:26.600
<v Speaker 1>anymore where It's like this huge blockbuster also got a

1:14:26.640 --> 1:14:32.400
<v Speaker 1>lot of awards recognition because it's good, like and I

1:14:32.439 --> 1:14:35.160
<v Speaker 1>think hopefully it seems like we're kind of turning a

1:14:35.240 --> 1:14:37.599
<v Speaker 1>corner there where you can't just make a movie that's

1:14:37.720 --> 1:14:41.840
<v Speaker 1>so bad and like I'm just like talking about Marvel stuff,

1:14:42.120 --> 1:14:43.840
<v Speaker 1>but like, you can't just make a movie that's like

1:14:43.920 --> 1:14:46.000
<v Speaker 1>a big piece of shit and expect to make a

1:14:46.040 --> 1:14:48.759
<v Speaker 1>billion dollars. Like I think there is a turning audience

1:14:48.840 --> 1:14:51.120
<v Speaker 1>expectation too. You do have to write to make it

1:14:51.200 --> 1:14:54.599
<v Speaker 1>be good. It can't just look like shit.

1:14:54.760 --> 1:14:57.479
<v Speaker 3>Yeah, Francis Ford Coppole, you can't just spend one hundred

1:14:57.479 --> 1:15:00.560
<v Speaker 3>and twenty million dollars of your own money embarrassing.

1:15:01.040 --> 1:15:03.280
<v Speaker 1>I mean, at least it was his money.

1:15:04.280 --> 1:15:08.639
<v Speaker 3>True, Yeah, he should honestly just redistribute his wealth by

1:15:08.720 --> 1:15:10.759
<v Speaker 3>making bad movies.

1:15:10.840 --> 1:15:13.600
<v Speaker 1>Bad movies. At very least when I see someone like

1:15:13.680 --> 1:15:17.240
<v Speaker 1>Blow that amount of their own personal accrude wealth. I'm like, well,

1:15:17.240 --> 1:15:20.360
<v Speaker 1>at least they're not using it to hurt anybody. They're

1:15:20.479 --> 1:15:22.080
<v Speaker 1>just except Caitlin's head.

1:15:23.640 --> 1:15:24.000
<v Speaker 3>Yeah.

1:15:24.040 --> 1:15:29.040
<v Speaker 1>True, But yeah. ET was nominated for nine Oscars how Wild,

1:15:29.280 --> 1:15:32.080
<v Speaker 1>including Best Picture, It's Amazing.

1:15:31.880 --> 1:15:37.120
<v Speaker 3>And Best Director, and it won Score, Original Score, Best

1:15:37.200 --> 1:15:41.320
<v Speaker 3>Visual Effects, Best Sound, and Sound Editing. So more of

1:15:41.320 --> 1:15:42.519
<v Speaker 3>the technical stuff.

1:15:43.080 --> 1:15:45.720
<v Speaker 1>I still feel like Henry Thomas should have gotten like

1:15:46.000 --> 1:15:49.920
<v Speaker 1>Best like it's such a special performance.

1:15:50.320 --> 1:15:50.759
<v Speaker 5>Yeah.

1:15:50.880 --> 1:15:52.800
<v Speaker 1>Anyways, Yeah, that's all I have to say. I'd say

1:15:52.800 --> 1:15:57.320
<v Speaker 1>it does pass the Bechdel test because ET's genderless icon

1:15:57.520 --> 1:16:02.400
<v Speaker 1>and there is a conversation between Mary and Gerty about

1:16:02.720 --> 1:16:03.000
<v Speaker 1>E T.

1:16:03.600 --> 1:16:08.320
<v Speaker 3>Yeah, I would agree with that. So even though they project,

1:16:08.560 --> 1:16:14.840
<v Speaker 3>you know, man gender onto ET, I think ET rejects

1:16:15.280 --> 1:16:16.080
<v Speaker 3>that projection.

1:16:16.760 --> 1:16:18.880
<v Speaker 1>I think ET is like, there's bigger We've got bigger

1:16:18.880 --> 1:16:20.479
<v Speaker 1>fish to fry. Can we stop?

1:16:21.280 --> 1:16:25.959
<v Speaker 3>Yeah. As far as our nipple scale though, the scale

1:16:26.160 --> 1:16:29.120
<v Speaker 3>where we rate the movie zero to five nipples based

1:16:29.160 --> 1:16:33.800
<v Speaker 3>on examining it through an intersectional feminist lens, yeah, I

1:16:33.840 --> 1:16:39.360
<v Speaker 3>mean characters of marginalized genders are not necessarily the focal

1:16:39.439 --> 1:16:45.080
<v Speaker 3>point of ET, unless you count Et himself or themselves,

1:16:46.960 --> 1:16:50.400
<v Speaker 3>but as far as like the human Women and Girls,

1:16:50.680 --> 1:16:55.839
<v Speaker 3>which is pretty much only Merry and Girty, and Girty

1:16:55.920 --> 1:17:01.080
<v Speaker 3>gets less screen time compared to her two brothers, and

1:17:01.160 --> 1:17:04.200
<v Speaker 3>Mary doesn't get a lot of screen time because it's

1:17:04.240 --> 1:17:08.000
<v Speaker 3>you know, coming from the kid's perspective of hiding this

1:17:08.120 --> 1:17:13.160
<v Speaker 3>creature from their mom, so she's less of a presence

1:17:13.360 --> 1:17:17.000
<v Speaker 3>than maybe some other kids movies. But I still appreciate

1:17:17.040 --> 1:17:24.040
<v Speaker 3>how the movie handles emotional expression from the male characters

1:17:24.320 --> 1:17:28.840
<v Speaker 3>and how it's presented as a strength, and the fact that,

1:17:28.920 --> 1:17:33.519
<v Speaker 3>like the big connection between Et and Elliott is a

1:17:33.760 --> 1:17:37.519
<v Speaker 3>like emotional one and an empathic one where they feel

1:17:37.520 --> 1:17:41.040
<v Speaker 3>each other's feelings, and you don't really see that in

1:17:41.160 --> 1:17:45.320
<v Speaker 3>most movies where there's some strong, like empathic connection between

1:17:45.320 --> 1:17:50.960
<v Speaker 3>male characters or between a boy or man and anyone else.

1:17:51.160 --> 1:17:54.080
<v Speaker 3>So I liked that. I liked that the other male

1:17:54.160 --> 1:18:00.120
<v Speaker 3>characters are similarly compassionate, but also like multi dimensional. All

1:18:00.160 --> 1:18:04.880
<v Speaker 3>the characters feel multi dimensional, and I feel like I

1:18:04.920 --> 1:18:08.240
<v Speaker 3>want to feel like three nipples. I don't know why,

1:18:08.360 --> 1:18:13.160
<v Speaker 3>but it just feels right in my heart, light and

1:18:13.320 --> 1:18:15.759
<v Speaker 3>my in the tip of my finger.

1:18:17.479 --> 1:18:19.679
<v Speaker 1>I love that, who are you giving your nipples?

1:18:19.680 --> 1:18:22.960
<v Speaker 3>To I'll give one to the scene where Et gets

1:18:23.000 --> 1:18:26.960
<v Speaker 3>plastered off of like one and a half cans of

1:18:27.200 --> 1:18:32.560
<v Speaker 3>cores Iconic. I'll give one.

1:18:32.560 --> 1:18:37.160
<v Speaker 1>To little Drew Barrymore, who.

1:18:37.400 --> 1:18:43.000
<v Speaker 3>Was you know, her dad was an abusive parent and

1:18:43.120 --> 1:18:47.519
<v Speaker 3>not really present in her life, and Steven Spielberg kind

1:18:47.520 --> 1:18:51.200
<v Speaker 3>of adopted her slash became her godfather and like felt

1:18:51.360 --> 1:18:54.880
<v Speaker 3>very responsible also wanted to maintain the illusion that Et

1:18:55.160 --> 1:18:59.920
<v Speaker 3>was real. For Drew Barrymore, I love that story because

1:19:00.040 --> 1:19:01.880
<v Speaker 3>she thought he was real and she would like have

1:19:02.000 --> 1:19:05.559
<v Speaker 3>lunch with him on set and stuff. And one day

1:19:05.600 --> 1:19:09.679
<v Speaker 3>she found like the various puppeteers and stuff who were

1:19:09.720 --> 1:19:14.559
<v Speaker 3>controlling the like animatronic stuff with Et, and She's like,

1:19:14.640 --> 1:19:17.679
<v Speaker 3>what's all this? And Spielberg was like, don't worry. Et

1:19:17.840 --> 1:19:20.720
<v Speaker 3>is so important that he has eight assistants, Like those

1:19:20.720 --> 1:19:22.920
<v Speaker 3>are just his little his assistants.

1:19:23.479 --> 1:19:27.559
<v Speaker 1>Yeah, they're like Et is a diva. He has a

1:19:27.600 --> 1:19:32.679
<v Speaker 1>lot of people, don't worry about I really like I again,

1:19:32.800 --> 1:19:37.080
<v Speaker 1>it's like Spielberg is, he's a fucking Zionist. I will

1:19:37.120 --> 1:19:39.479
<v Speaker 1>say that in the past, and still I mean it's hard,

1:19:39.760 --> 1:19:44.040
<v Speaker 1>Like I really again appreciate especially like if you're we

1:19:44.080 --> 1:19:46.280
<v Speaker 1>talk about this a lot, but not necessarily with like

1:19:46.400 --> 1:19:50.479
<v Speaker 1>directors directing children, but like having you know, like if

1:19:50.520 --> 1:19:53.840
<v Speaker 1>you are bringing an actor you know who is somehow

1:19:53.920 --> 1:19:56.360
<v Speaker 1>vulnerable into your space. I also think about like when

1:19:56.360 --> 1:19:59.800
<v Speaker 1>people cast non actors in their work, it's like you

1:19:59.840 --> 1:20:03.639
<v Speaker 1>are to some extent I think responsible to like look

1:20:03.680 --> 1:20:08.080
<v Speaker 1>out for them and like realize what incredible trust it takes,

1:20:08.200 --> 1:20:11.200
<v Speaker 1>especially for a kid to trust you. It's like it's

1:20:11.680 --> 1:20:14.840
<v Speaker 1>I'm glad that he like provided support even when she

1:20:15.000 --> 1:20:15.679
<v Speaker 1>wasn't doing.

1:20:15.520 --> 1:20:20.320
<v Speaker 3>Okay, yeah, yeah, yeah, And I'll split my final nipple

1:20:20.479 --> 1:20:26.280
<v Speaker 3>between the three performers who were in the et suit

1:20:26.760 --> 1:20:32.200
<v Speaker 3>and made et come to life in that way.

1:20:31.439 --> 1:20:33.960
<v Speaker 1>I'm gonna go three and a half. I think I'm

1:20:34.040 --> 1:20:36.240
<v Speaker 1>grading it probably on a curve because I just think

1:20:36.240 --> 1:20:38.559
<v Speaker 1>it's such a beautiful movie. Again, I think, like there's

1:20:38.600 --> 1:20:41.400
<v Speaker 1>absolutely not even a shred or a suggestion of any

1:20:41.400 --> 1:20:46.720
<v Speaker 1>diversity within the casting of this movie, which is embarrassing.

1:20:48.320 --> 1:20:51.040
<v Speaker 1>This takes place in southern California in eighty two. There's

1:20:51.040 --> 1:20:55.599
<v Speaker 1>absolutely no reason that there shouldn't be a more diverse cast. Yeah,

1:20:55.680 --> 1:20:57.479
<v Speaker 1>I mean I do think, yeah, like you're saying that

1:20:57.720 --> 1:21:01.280
<v Speaker 1>a movie that, yes, it is a boys on Bikes movie,

1:21:01.280 --> 1:21:03.640
<v Speaker 1>but it's my favorite boys on Bikes movie because it

1:21:03.720 --> 1:21:08.000
<v Speaker 1>is all about like sensitivity and emotional intelligence. But they're

1:21:08.040 --> 1:21:13.080
<v Speaker 1>not like Mary Sue kids. Like they still are obviously kids,

1:21:13.120 --> 1:21:15.400
<v Speaker 1>and they still kind of give each other shit, and

1:21:15.439 --> 1:21:20.200
<v Speaker 1>like it feels like really authentic relationships between the kids

1:21:20.320 --> 1:21:24.080
<v Speaker 1>that encourages, you know, young boys at a time where

1:21:24.200 --> 1:21:28.080
<v Speaker 1>nothing about culture was encouraging young boys to feel their

1:21:28.160 --> 1:21:31.680
<v Speaker 1>feelings and not be like ashamed of it, and that

1:21:31.680 --> 1:21:34.800
<v Speaker 1>that's like a strength. And yeah, the way that the

1:21:34.800 --> 1:21:37.559
<v Speaker 1>family dynamics I kind of wonder. I mean, I don't

1:21:37.600 --> 1:21:40.280
<v Speaker 1>think obviously this is far from the first movie that

1:21:40.400 --> 1:21:43.960
<v Speaker 1>presents a divorced family, but even so, I think, like

1:21:44.080 --> 1:21:46.920
<v Speaker 1>doing that on such a large scale and doing it

1:21:46.960 --> 1:21:50.120
<v Speaker 1>in a way that is not blamey or shamey towards

1:21:50.760 --> 1:21:55.519
<v Speaker 1>their mom, it's just difficult things really beautiful and yeah,

1:21:55.600 --> 1:21:59.280
<v Speaker 1>I just love this damn movie. Et looks ugly though.

1:22:01.960 --> 1:22:03.200
<v Speaker 3>There's no getting around it.

1:22:03.360 --> 1:22:07.120
<v Speaker 1>But yeah, even though the characters we generally focus on, well,

1:22:07.160 --> 1:22:10.840
<v Speaker 1>I mean, Elliott is a boy et genderless icon, but

1:22:10.960 --> 1:22:14.519
<v Speaker 1>I just feel like there is equity not in screen time,

1:22:14.640 --> 1:22:18.599
<v Speaker 1>but in how the care that every character is treated

1:22:18.880 --> 1:22:23.000
<v Speaker 1>with and considered, and that feels so rare. I feel

1:22:23.000 --> 1:22:26.559
<v Speaker 1>like so many mom characters or little sister characters just

1:22:26.560 --> 1:22:29.840
<v Speaker 1>fade into the background or they're the joke, and that's

1:22:29.880 --> 1:22:32.280
<v Speaker 1>not the case for this movie. So I'm gonna give

1:22:32.320 --> 1:22:34.519
<v Speaker 1>it three and a half nipples. I'm gonna give one

1:22:34.520 --> 1:22:38.719
<v Speaker 1>to Melissa Matheson. I'm going to also split one between

1:22:39.280 --> 1:22:42.719
<v Speaker 1>the three performers. I'm gonna give one to d Wallace

1:22:42.800 --> 1:22:45.760
<v Speaker 1>because I feel like she is so good in this

1:22:45.920 --> 1:22:48.880
<v Speaker 1>and also like I'm sort of giving the nipple mostly

1:22:48.960 --> 1:22:52.400
<v Speaker 1>too when she can't stop herself from laughing when Elliott

1:22:52.920 --> 1:22:57.040
<v Speaker 1>calls Michael Penis breath. That felt like, that's just like

1:22:57.200 --> 1:23:00.000
<v Speaker 1>such a great moment. And I'll give my last half

1:23:00.120 --> 1:23:02.280
<v Speaker 1>to Pat Welsh and her cigarettes.

1:23:03.160 --> 1:23:07.720
<v Speaker 3>Yes, indeed, Well, listeners, there you have it.

1:23:08.320 --> 1:23:11.600
<v Speaker 1>Do do do do do? Dude? We phoned home, but

1:23:11.680 --> 1:23:12.760
<v Speaker 1>we didn't phone it in.

1:23:12.920 --> 1:23:14.840
<v Speaker 3>We didn't phone it in, but we did phone at

1:23:14.840 --> 1:23:18.120
<v Speaker 3>home to your home and to your ears. What if

1:23:18.160 --> 1:23:22.000
<v Speaker 3>we recorded the podcast using the same device like communication

1:23:22.080 --> 1:23:24.160
<v Speaker 3>device that ET uses.

1:23:24.560 --> 1:23:27.840
<v Speaker 1>This whole thing has been recorded with a buzzsaw and

1:23:27.880 --> 1:23:31.320
<v Speaker 1>a spell it sounds, so if it sounds bad, that's

1:23:31.320 --> 1:23:31.599
<v Speaker 1>a lie.

1:23:31.920 --> 1:23:38.559
<v Speaker 3>That's why. Well, but yeah, thank you for listening, and

1:23:39.680 --> 1:23:44.560
<v Speaker 3>you can follow us on social media on Instagram at Bechdelcast.

1:23:44.680 --> 1:23:47.520
<v Speaker 3>You can subscribe to our Matreon.

1:23:48.240 --> 1:23:48.919
<v Speaker 1>Uh huh.

1:23:49.080 --> 1:23:51.640
<v Speaker 3>This month we did the poll and the winners of

1:23:51.680 --> 1:23:57.400
<v Speaker 3>the pole. It's Women Thieves Ary aka.

1:23:57.400 --> 1:24:05.720
<v Speaker 6>Women's Wrongs Right and Women's Wrongs Women be Stealing is

1:24:05.800 --> 1:24:10.000
<v Speaker 6>the theme because it's the Bling Ring and Ocean's eight.

1:24:10.479 --> 1:24:13.000
<v Speaker 1>I'm very excited. I have seen neither, so I'm very

1:24:13.040 --> 1:24:17.840
<v Speaker 1>excited to get into that month. We referenced our recent

1:24:17.840 --> 1:24:21.120
<v Speaker 1>episode on The Exorcist. That's over there. We just finished

1:24:21.120 --> 1:24:24.040
<v Speaker 1>our Horror Month. A lot of good stuff going on

1:24:24.040 --> 1:24:26.639
<v Speaker 1>on the Matreon, so please go over. It's the best

1:24:26.680 --> 1:24:29.639
<v Speaker 1>way to directly support the show. People sometimes will ask

1:24:29.720 --> 1:24:32.200
<v Speaker 1>like what is that is the way to directly support

1:24:32.320 --> 1:24:32.639
<v Speaker 1>the show?

1:24:32.800 --> 1:24:35.679
<v Speaker 3>Way to do it? So go to patreon dot com

1:24:35.680 --> 1:24:39.519
<v Speaker 3>slash Bechtel Cast and pledge only five dollars a month.

1:24:40.000 --> 1:24:42.680
<v Speaker 1>What a bargain for a back catalog of over one

1:24:42.720 --> 1:24:45.400
<v Speaker 1>hundred and fifty episodes. You can also grab some merch

1:24:45.439 --> 1:24:48.000
<v Speaker 1>of your so inclined at teapublic dot com slash the

1:24:48.280 --> 1:24:53.800
<v Speaker 1>Bechdel Cast and with that let's freaking go home. My

1:24:53.880 --> 1:24:55.640
<v Speaker 1>mom just got here. My mom's here to pick me up.

1:24:55.720 --> 1:24:57.240
<v Speaker 1>My mom's here to pick me up. I gotta go.

1:24:57.400 --> 1:24:59.200
<v Speaker 3>We gotta go by.

1:24:59.400 --> 1:25:03.080
<v Speaker 1>My mom's here. Gotta go bye. That's what he says.

1:25:08.240 --> 1:25:11.559
<v Speaker 3>The Bechdel Cast is a production of iHeartMedia, hosted by

1:25:11.600 --> 1:25:15.479
<v Speaker 3>Caitlin Derante and Jamie Loftis, produced by Sophie Lichterman, edited

1:25:15.560 --> 1:25:18.760
<v Speaker 3>by Mola bord Our. Theme song was composed by Mike

1:25:18.840 --> 1:25:23.200
<v Speaker 3>Kaplan with vocals by Katherine Voskressensky. Our logo and merch

1:25:23.360 --> 1:25:26.360
<v Speaker 3>is designed by Jamie Loftis and a special thanks to

1:25:26.360 --> 1:25:30.800
<v Speaker 3>Aristotle Assevedo. For more information about the podcast, please visit

1:25:30.840 --> 1:25:32.840
<v Speaker 3>linktree slash Bechdel Cast