WEBVTT - Addams Family Values with Ali Nahdee

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<v Speaker 1>On the Bechdelcast. The questions asked if movies have.

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<v Speaker 2>Women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 2>or do they have individualism? It's the patriarchy, zeph and

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<v Speaker 2>best start changing it with the Bechdel Cast.

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<v Speaker 3>No no, no, no, no no no no no no

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<v Speaker 3>no no, no no, it's the Bechdel Cast. Oh you're

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<v Speaker 3>gonna keep Oh I will? It failed immediately?

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<v Speaker 4>Okay, Well, what is what is the beel Cast introduction?

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<v Speaker 4>If not a shocking lack of commitment on both of

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<v Speaker 4>our parts. I think that that.

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<v Speaker 3>Is what a true all about.

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<v Speaker 4>It's being like, okay, you get the concept, but we're

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<v Speaker 4>not gonna sing. Okay, the podcast is free to listen to. Yeah,

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<v Speaker 4>welcome to the Bechdel Cast. My name is Shamie Loftus,

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<v Speaker 4>and I'm not gonna sing.

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<v Speaker 3>Oh yeah. My name's Caitlin Dernte. I really wish I

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<v Speaker 3>had the foresight to like write out a Like's family

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<v Speaker 3>style Bechdel Cast theme song, but and it turns out

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<v Speaker 3>I'm not an improviser, so it didn't work out.

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<v Speaker 4>Well, here we are, and we are doing this our

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<v Speaker 4>second Adams Family episode with I feel the superior Adams

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<v Speaker 4>Family movie. But before we get into it, what the

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<v Speaker 4>hell is this show? This show is a podcast where

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<v Speaker 4>we take a look at your favorite movies using an

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<v Speaker 4>intersectional feminist lens, using the Bechdel Test as a jumping

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<v Speaker 4>off point for discussion. But Caitlin, what.

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<v Speaker 3>The hell is that? Well, it is just a little

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<v Speaker 3>media metric that first appeared in our best friend Alison

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<v Speaker 3>Bechdel's comic dis to Watch out For. It has many versions.

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<v Speaker 3>The one that we use is do two characters of

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<v Speaker 3>a marginalized gender have names? And do they speak to

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<v Speaker 3>each other about something other than a man? And ideally

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<v Speaker 3>we like it when it's a narratively substantial, meaty conversation.

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<v Speaker 3>Not a problem for this.

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<v Speaker 4>Yeah, let's get let's get into it.

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<v Speaker 3>We have an amazing returning guest, Yea, and I want

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<v Speaker 3>to get her in here. Indeed, she is the creator

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<v Speaker 3>of the Ali Naughty Test. She is a content creator

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<v Speaker 3>with a terrific YouTube channel. You remember her from episodes

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<v Speaker 3>on movies like Frozen, Two Avatar, Aquaman. It's Ali Nanny.

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<v Speaker 1>I'm here. I rolled up because I heard you guys

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<v Speaker 1>need a nanny.

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<v Speaker 3>Yes, yes, yes, yes, yes I might kill you.

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<v Speaker 1>Guys and take your money.

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<v Speaker 3>I don't know.

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<v Speaker 4>Yeah, I've got this like weird brother who's single, which

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<v Speaker 4>is a statement that's half true.

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<v Speaker 3>I have a weird brother.

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<v Speaker 4>He's daying someone.

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<v Speaker 1>It's so good to be back. I was so excited

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<v Speaker 1>when you guys asked me back, especially for this video.

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<v Speaker 4>Welcome back, yes, because we I mean, you have made

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<v Speaker 4>a video on this very movie.

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<v Speaker 1>Yep, what was it? It was Sada the fat culture

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<v Speaker 1>critic on YouTube. She these prompts for YouTube videos, and

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<v Speaker 1>it's usually like for a positive emotion, like one scene

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<v Speaker 1>for joy, one scene for forgiveness, one scene for hope,

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<v Speaker 1>and this one was one scene for resistance because a

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<v Speaker 1>lot of people ask me about my opinion about this movie,

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<v Speaker 1>and I was like, what better way to just dive

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<v Speaker 1>in because it was my one scene for resistance.

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<v Speaker 4>Because it's perfect, it's a great video. We're gonna link

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<v Speaker 4>it in the description as well. I mean, just congrassle

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<v Speaker 4>your channel.

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<v Speaker 3>It fucking rocks, Thank you so much.

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<v Speaker 1>I work so hard on it, and I'm not monetized

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<v Speaker 1>because as soon as I turn it into a job,

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<v Speaker 1>I'll hate.

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<v Speaker 3>It, sure of course.

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<v Speaker 1>So it's just I need an outlet for this sort

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<v Speaker 1>of thing, and it's something I've always wanted to do

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<v Speaker 1>and it's it's really great and I'm just very bad

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<v Speaker 1>at deadlines.

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<v Speaker 4>So the but it doesn't matter if it's not your job.

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<v Speaker 1>It's true, it's a hobby.

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<v Speaker 3>That rocks.

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<v Speaker 4>Well, thank you, thank you for coming back. Yeah, we

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<v Speaker 4>have so much to talk about today, but let's get

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<v Speaker 4>started in the way we always get started. What is

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<v Speaker 4>your personal history with this movie, which I guess we

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<v Speaker 4>haven't said the title Adam's Family Values in nineteen ninety three.

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<v Speaker 1>Yes, and you're corrected as the superior movie. And I

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<v Speaker 1>don't know, maybe it's because I'm biased, because I explain

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<v Speaker 1>in my video for it that, you know, I grew

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<v Speaker 1>up in a biracial family. You know, my dad is

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<v Speaker 1>a Nishnabe and my mother's white, and me and my

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<v Speaker 1>sisters we grew up, you know, not on a reservation,

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<v Speaker 1>not on an unseated territory without like a big native

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<v Speaker 1>community like at all. So because my dad was assimilated,

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<v Speaker 1>because his mother and his anti were residential school survivors,

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<v Speaker 1>they didn't have a cultural connection either, you know, so

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<v Speaker 1>when they raised us, it was you know, we were

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<v Speaker 1>native and we understood that dad wasn't white, you know,

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<v Speaker 1>at least visibly, and they would show us like we

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<v Speaker 1>still wanted that connection, you know, to the culture and

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<v Speaker 1>didn't really know how to go about doing that since

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<v Speaker 1>we lived so far away, and a lot of stuff

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<v Speaker 1>that my parents would do was, oh, there's a movie

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<v Speaker 1>that has Indians in it. Let's show it to them,

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<v Speaker 1>and they'll think that's cool because it's you know, like

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<v Speaker 1>their dad, like us. You know. So sometimes it was

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<v Speaker 1>good and sometimes a lot of times it was not.

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<v Speaker 1>But you know, with problematic representation isn't a new thing

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<v Speaker 1>for natives, but this was one of them, and I

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<v Speaker 1>didn't realize until we get to that specific part why

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<v Speaker 1>my parents chose to show us this movie. And it's

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<v Speaker 1>been a favorite sense and I love the hell out

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<v Speaker 1>of it.

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<v Speaker 3>Hell yeah.

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<v Speaker 1>It also helps that when I put my hair in braids,

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<v Speaker 1>especially if I try to go to like, you know,

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<v Speaker 1>rallies or pow wows and stuff, because I'm very pigment challenged.

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<v Speaker 1>I look more like Wednesday than I do like any

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<v Speaker 1>of my native relatives.

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<v Speaker 3>Like Okay, Jamie, what about you, what's your relationship with

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<v Speaker 3>this movie?

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<v Speaker 4>I was a late comer to it. I think I

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<v Speaker 4>saw it when I was a kid, but I it wasn't.

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<v Speaker 3>I don't know.

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<v Speaker 4>I think my mom was just she's like the Adams Family,

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<v Speaker 4>no goths in this house, which is why I got

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<v Speaker 4>so into goth stuff because my mom said no goths. Anyways, Yeah,

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<v Speaker 4>so I got really into the Adam's family as like

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<v Speaker 4>a teen. I love this movie. It's my favorite of

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<v Speaker 4>I mean, there's only the two, but this is the

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<v Speaker 4>better one. I feel like this movie really is like

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<v Speaker 4>the best use of the Adams Family that I've ever seen,

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<v Speaker 4>in putting them in fish out of water situations to

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<v Speaker 4>criticize American culture, which is the point of them. And

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<v Speaker 4>I don't know. My niece watches that this is unrelated.

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<v Speaker 4>My niece really enjoys the like animated reboot, and they

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<v Speaker 4>just don't use any of the cool parts of the

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<v Speaker 4>Adams Family. It's a waste. I haven't seen Wednesday, can't

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<v Speaker 4>speak to it. But yes, I love the Adams Family.

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<v Speaker 4>I think that this movie is doing so much in

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<v Speaker 4>something that I feel like it's hard to find family

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<v Speaker 4>films doing now, which is really exkewering and criticizing American

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<v Speaker 4>culture and not sacrificing any funny to like, you know,

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<v Speaker 4>be super didactic, which is just you just don't see

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<v Speaker 4>it a lot. So it's I think one of my

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<v Speaker 4>favorite comedies. I think, I mean, I think. I also

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<v Speaker 4>think it's wild that any like has it happened and

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<v Speaker 4>other things where like Joan Cusack and Christine Baranski two

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<v Speaker 4>women I love so much, very confusing when they're in

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<v Speaker 4>the same movie. Their vibes are similar. Sure, yes, and

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<v Speaker 4>then I did, Caitlin. I didn't run this by you before,

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<v Speaker 4>but I feel like it's just time to say something

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<v Speaker 4>that it's been five years. It's been five whole years,

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<v Speaker 4>eighty four years. So another reason that this is an

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<v Speaker 4>especially interesting movie for us to cover on the show

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<v Speaker 4>is because we have previously interviewed the director of this

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<v Speaker 4>movie in one of the very few lost episodes of

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<v Speaker 4>the Buxtell Cast. You'll never hear it. We are Barry

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<v Speaker 4>Son and felt heads on the show. But he was

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<v Speaker 4>definitely not brief done what our show is about.

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<v Speaker 3>Or he was and he did not pay attention.

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<v Speaker 4>We're not sure. I mean, it's like he's busy. I

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<v Speaker 4>get it, pod has prep. It could be a lot

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<v Speaker 4>of work and uh, but anyways, it's just a fun

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<v Speaker 4>fact that something that happened five years ago, and we

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<v Speaker 4>were like, someday we'll say it.

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<v Speaker 3>It happened. It did happen.

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<v Speaker 4>We we covered Wild Wow West, and you'll never.

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<v Speaker 3>Know what happened in that conversation.

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<v Speaker 4>You can imagine it, you can wonder, but we'll never tell.

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<v Speaker 4>But I I feel like it's okay, I don't know.

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<v Speaker 4>We talked to our point of contact and she was like, yeah,

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<v Speaker 4>tell everyone it happened.

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<v Speaker 3>Well, it happened, history, history happened.

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<v Speaker 1>Well.

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<v Speaker 3>Also, at the time, before the interview went the way

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<v Speaker 3>that it did, we had posted like a screen grab

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<v Speaker 3>of our zoom call on Twitter, I think, and then

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<v Speaker 3>people were like, wow, that's cool. And then we just

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<v Speaker 3>never released that episode and people are like, what wasn't

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<v Speaker 3>that supposed to be something that came out, and we're like, really, don't,

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<v Speaker 3>don't talk about it.

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<v Speaker 4>I really know we were talking about.

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<v Speaker 1>Have you guys deleted your Twitter?

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<v Speaker 3>No?

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<v Speaker 4>No, it's sitting dormant. It's just like a fucking.

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<v Speaker 3>Graveyard and is gone. I was like, good for you,

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<v Speaker 3>but yeah, I know this happened. And he's in the

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<v Speaker 3>movie as a cameo. He plays He plays a character's father.

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<v Speaker 4>Yes, and we are we are we are fans, we

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<v Speaker 4>are Barry Heads.

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<v Speaker 1>Yeah, but it was wild which character's.

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<v Speaker 3>Father Joel Joel's father a ka David Crumholtz his father.

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<v Speaker 3>Oh yeah, it was.

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<v Speaker 1>Like if it was the Sarah Miller's father. I was

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<v Speaker 1>going to be like, oh no.

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<v Speaker 4>So Also, this was the first I don't I haven't

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<v Speaker 4>seen this movie in well, it's not even true. I

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<v Speaker 4>saw it a couple of years ago. They did a

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<v Speaker 4>double feature with Casper and Adam's Family. Value is great

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<v Speaker 4>double double. So I saw that a couple of years ago,

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<v Speaker 4>and that was the last time I saw this. But

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<v Speaker 4>this is the first time I registered that that's baby

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<v Speaker 4>David Crumbholts. Oh nokay, I just I didn't know that

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<v Speaker 4>Bernard was in this film.

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<v Speaker 3>Bernard the Elf. Yeah, what can you do?

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<v Speaker 4>Anyways, Yes, I love this movie and that episode exists. Yes,

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<v Speaker 4>that's all I have to say at this time.

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<v Speaker 3>Thank you for sharing. I have a pretty limited history

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<v Speaker 3>with this movie. I probably saw both of the early

0:11:19.760 --> 0:11:23.240
<v Speaker 3>nineties Adam's families when I was a kid, but I

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<v Speaker 3>don't know something about my household. We were more of

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<v Speaker 3>a no goths. We know, it was more that we were.

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<v Speaker 3>We were a Tim Burton household.

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<v Speaker 1>Have ten anime betrayals right there.

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<v Speaker 4>It's funny.

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<v Speaker 1>There was a time.

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<v Speaker 3>I won't vouch for the man now, but we Yeah,

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<v Speaker 3>for some reason, when it came to like nineties Gothy

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<v Speaker 3>type movies that were mainstream. I mean, my mom fucked up.

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<v Speaker 3>She should have we should have had these on BHS,

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<v Speaker 3>but we didn't, and I resent her to this day.

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<v Speaker 4>We weren't allowed to have Tim Burton I there.

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<v Speaker 3>Anyway. So all this to say, I didn't really grow

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<v Speaker 3>up with these movies. I think I probably saw them

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<v Speaker 3>at some point, but I didn't really immerse myself in

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<v Speaker 3>them until we covered the first movie, which was what

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<v Speaker 3>like five six years ago at this point.

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<v Speaker 4>Yeah, with the Iffy and Danny, I.

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<v Speaker 3>Think, yeah. And while prepping for that episode, I also

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<v Speaker 3>watched Adam's Family Values. And these movies are very funny.

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<v Speaker 3>I love the jokes in them. I wish I had

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<v Speaker 3>kind of gotten to them sooner. Also side note, there

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<v Speaker 3>is there is a third movie that I guess is

0:12:37.000 --> 0:12:41.679
<v Speaker 3>canonically part of the trilogy, although almost the entire cast

0:12:41.800 --> 0:12:45.000
<v Speaker 3>is different except for Oh the actor who plays Lurch.

0:12:45.200 --> 0:12:48.920
<v Speaker 3>But there's a movie called Adam's Family Reunion. Yes, from

0:12:49.040 --> 0:12:53.040
<v Speaker 3>nineteen ninety eight Tim Curry, Tim Curry and Darryl Hannah

0:12:53.120 --> 0:12:54.520
<v Speaker 3>as Gomez and Mortitia.

0:12:54.679 --> 0:12:57.640
<v Speaker 4>Wow, I have seen that. I guess that's like, I

0:12:57.679 --> 0:13:01.480
<v Speaker 4>feel like it's its own thing. Wednesday, it changes, it's

0:13:01.520 --> 0:13:02.600
<v Speaker 4>a different iteration.

0:13:02.760 --> 0:13:05.440
<v Speaker 3>I mean once all day. Once you know Angelica Houston

0:13:05.520 --> 0:13:07.680
<v Speaker 3>isn't there, Christopher.

0:13:07.280 --> 0:13:12.360
<v Speaker 4>Lloyd or Flintstone's Viva Rock Vegas in that way? Right,

0:13:12.840 --> 0:13:15.760
<v Speaker 4>You're like, where what's Jane Krakowski doing here?

0:13:16.440 --> 0:13:20.240
<v Speaker 3>Yes, So anyway, I don't have much of a history

0:13:20.240 --> 0:13:23.040
<v Speaker 3>with these movies, but I do enjoy them very much,

0:13:23.080 --> 0:13:27.079
<v Speaker 3>and there's a lot to discuss today. Let's take a

0:13:27.160 --> 0:13:40.280
<v Speaker 3>quick break and we'll come back for the recap, and

0:13:40.280 --> 0:13:41.520
<v Speaker 3>we're bad. We're back.

0:13:42.040 --> 0:13:45.839
<v Speaker 4>Hailey duff is in Adam's Family Reunion. Sorry, I'm looking

0:13:45.880 --> 0:13:50.320
<v Speaker 4>at this list like as Wednesday or no, as Gina Adams.

0:13:50.320 --> 0:13:53.640
<v Speaker 4>I'm assuming these are who I don't know. I'm assuming

0:13:53.720 --> 0:13:57.280
<v Speaker 4>she went to the reunion. Gina Adams Harve.

0:13:57.400 --> 0:13:59.319
<v Speaker 3>The reunion right right right right? Yeah?

0:13:59.440 --> 0:14:01.679
<v Speaker 4>This guy straight to video. That would be a good

0:14:01.679 --> 0:14:04.319
<v Speaker 4>Matreon theme, just like Curse Straight to Video.

0:14:06.000 --> 0:14:09.560
<v Speaker 3>Sequels. There's so many bad ones with an entirely different

0:14:09.600 --> 0:14:12.400
<v Speaker 3>cast I always think of like George of the Jungle.

0:14:12.200 --> 0:14:14.680
<v Speaker 1>And Mortal Kombat Annihilation.

0:14:16.920 --> 0:14:21.360
<v Speaker 4>Just some really gnarly stuff. A lot of actors in debt,

0:14:21.960 --> 0:14:25.840
<v Speaker 4>right Yeah. Anyways, Adams family values, which does not suffer

0:14:25.880 --> 0:14:27.560
<v Speaker 4>from this problem.

0:14:27.200 --> 0:14:30.840
<v Speaker 3>Not at all. So we see the Adams family that

0:14:30.880 --> 0:14:34.560
<v Speaker 3>we know and love. We've got Fester screaming at the moon.

0:14:35.320 --> 0:14:40.120
<v Speaker 3>Wednesday and her brother, Pugsley and their granny are burying

0:14:40.200 --> 0:14:41.320
<v Speaker 3>a cat alive.

0:14:42.560 --> 0:14:44.480
<v Speaker 1>What cats.

0:14:45.520 --> 0:14:50.120
<v Speaker 3>Hid Your cats? Lurch is playing the organ Gomez and

0:14:50.480 --> 0:14:55.440
<v Speaker 3>thing our arm wrestling. Mortitia announces that she's going to

0:14:55.480 --> 0:14:59.960
<v Speaker 3>have a baby right now, so the family rushes to

0:15:00.080 --> 0:15:05.040
<v Speaker 3>the hospital and Mortitia gives birth. They bring the baby

0:15:05.120 --> 0:15:08.720
<v Speaker 3>home and it looks like a miniature Gomez with a

0:15:08.720 --> 0:15:13.280
<v Speaker 3>little mustache in the suit and everything. Wednesday and Pugsley

0:15:13.600 --> 0:15:17.160
<v Speaker 3>resent the new baby and keep trying to kill it,

0:15:18.320 --> 0:15:20.640
<v Speaker 3>but their plans are thwarted each time.

0:15:20.800 --> 0:15:22.480
<v Speaker 4>Their love language.

0:15:22.960 --> 0:15:28.520
<v Speaker 1>Movie perfectly like encapsulates my dark humor that I've developed

0:15:28.560 --> 0:15:32.880
<v Speaker 1>over the years, because every single thing that happens in

0:15:32.920 --> 0:15:37.200
<v Speaker 1>it is so bad and hilarious, Like they're dropping the

0:15:37.280 --> 0:15:40.280
<v Speaker 1>baby and gor didn't hit with bowling.

0:15:40.000 --> 0:15:46.000
<v Speaker 3>Balls and it's comedy, it's hilarious, it's amazing. Yeah. So

0:15:46.520 --> 0:15:51.600
<v Speaker 3>Mortitia and Gomez are trying to be romantic because they're

0:15:51.920 --> 0:15:55.680
<v Speaker 3>still so horny for each other, but their hands are

0:15:55.720 --> 0:15:59.360
<v Speaker 3>full with three children. They try to hire a nanny.

0:16:00.040 --> 0:16:01.960
<v Speaker 3>Cynthia Nixon plays.

0:16:02.640 --> 0:16:05.120
<v Speaker 4>Like Maranda, what are you doing here?

0:16:05.240 --> 0:16:09.000
<v Speaker 3>Marianda? Yeah, she's one of the people who is interviewed.

0:16:09.480 --> 0:16:14.200
<v Speaker 3>Another is Debbie Jelinski played by Joan Cusack, who they

0:16:14.240 --> 0:16:19.640
<v Speaker 3>eventually hire, and they introduce her to their baby, who

0:16:19.640 --> 0:16:25.320
<v Speaker 3>they've named Pubert. Hilarious, awesome, saying how did.

0:16:25.160 --> 0:16:25.920
<v Speaker 4>They get away with it?

0:16:26.080 --> 0:16:28.200
<v Speaker 3>We don't know, we don't know, it doesn't matter.

0:16:29.320 --> 0:16:32.200
<v Speaker 4>And then did you know that David Hyde Pierce is

0:16:32.240 --> 0:16:33.240
<v Speaker 4>in the delivery rooms?

0:16:33.240 --> 0:16:35.000
<v Speaker 3>He plays a doctor Blitz second.

0:16:35.120 --> 0:16:37.160
<v Speaker 4>Yeah, a lot of good cameos in this too.

0:16:38.720 --> 0:16:42.000
<v Speaker 3>So Debbie also meets the rest of the family, and

0:16:42.040 --> 0:16:46.720
<v Speaker 3>when she meets Fester, he's like hubba, hubba, who's that

0:16:46.920 --> 0:16:51.280
<v Speaker 3>at And then Debbie moves in that night, and then

0:16:51.360 --> 0:16:55.520
<v Speaker 3>she watches a news report about an unknown serial killer

0:16:55.600 --> 0:16:58.920
<v Speaker 3>who the media has dubbed the black Widow because she

0:16:59.040 --> 0:17:02.480
<v Speaker 3>seeks out rich and marries them and kills them on

0:17:02.560 --> 0:17:05.040
<v Speaker 3>their wedding night so she can collect their money.

0:17:05.160 --> 0:17:10.320
<v Speaker 1>I don't remember that happening in the Avengers movies, right,

0:17:10.480 --> 0:17:11.960
<v Speaker 1>would have made things better.

0:17:11.920 --> 0:17:13.560
<v Speaker 4>It would have been much more interesting.

0:17:14.080 --> 0:17:16.120
<v Speaker 1>So that's why she showed up an Iron Man two.

0:17:18.480 --> 0:17:21.000
<v Speaker 4>I do like that they take the trouble to show

0:17:21.119 --> 0:17:24.360
<v Speaker 4>like four different pictures of Joan Cusack and various wigs.

0:17:24.600 --> 0:17:28.080
<v Speaker 4>I think the disguises were pretty good. Like so, I mean,

0:17:28.240 --> 0:17:31.639
<v Speaker 4>while Wednesday's right to say that she was sloppy, I

0:17:31.680 --> 0:17:33.639
<v Speaker 4>still think she was doing She was running a pretty

0:17:33.640 --> 0:17:34.240
<v Speaker 4>good grift.

0:17:34.920 --> 0:17:37.639
<v Speaker 3>It's not until she met the Adams family and she

0:17:37.760 --> 0:17:38.960
<v Speaker 3>was no match for them.

0:17:39.400 --> 0:17:41.280
<v Speaker 1>No, if she just would have been so upfront, it

0:17:41.359 --> 0:17:43.720
<v Speaker 1>would have been like, oh, honey, you want to.

0:17:45.480 --> 0:17:46.120
<v Speaker 3>That's awesome.

0:17:46.920 --> 0:17:48.480
<v Speaker 4>She and Martitia really could.

0:17:48.320 --> 0:17:52.240
<v Speaker 1>Have bonded, I think joined a polycule man and then

0:17:53.280 --> 0:17:55.600
<v Speaker 1>even Odder exactly.

0:17:56.240 --> 0:17:58.000
<v Speaker 3>Yeah, because that's the whole thing that this you know,

0:17:58.080 --> 0:18:02.000
<v Speaker 3>Black Widow serial Killer is bi Jelenski, and she starts

0:18:02.000 --> 0:18:05.719
<v Speaker 3>to go through Fester's things and finds all of his assets.

0:18:05.840 --> 0:18:11.520
<v Speaker 3>There's stocks, there's bonds, there's deeds to houses, all that stuff,

0:18:11.840 --> 0:18:14.680
<v Speaker 3>and it looks like he will be her next target.

0:18:15.480 --> 0:18:19.159
<v Speaker 3>But Wednesday is on too Debbie. So Debbie gets rid

0:18:19.200 --> 0:18:22.760
<v Speaker 3>of Wednesday by lying and telling Mortitia and Gomez that

0:18:22.840 --> 0:18:25.520
<v Speaker 3>the kids really really want to go to summer camp.

0:18:26.440 --> 0:18:29.879
<v Speaker 3>So the family arrives at Camp Chippewa.

0:18:30.280 --> 0:18:33.760
<v Speaker 4>Ah, yeah, it begins.

0:18:34.280 --> 0:18:40.040
<v Speaker 3>We'll talk about it does not mean orphan, No, it

0:18:40.080 --> 0:18:45.199
<v Speaker 3>does not. They drop off Wednesday and Pugsley. At the camp,

0:18:45.640 --> 0:18:51.120
<v Speaker 3>the kids meet a spoiled rich girl named Amanda, as

0:18:51.160 --> 0:18:55.600
<v Speaker 3>well as the camp directors, Becky and Gary played by

0:18:55.840 --> 0:19:02.080
<v Speaker 3>Christine Branski and Peter McNichol, who I recognized from Ghostbusters two.

0:19:02.880 --> 0:19:07.439
<v Speaker 3>Oh okay, yes. They also meet another camper, Joel. This

0:19:07.600 --> 0:19:12.400
<v Speaker 3>is the David Crumholtz character, and he and Wednesday make

0:19:12.560 --> 0:19:18.000
<v Speaker 3>eyes at each other. Meanwhile, back at the Adams family home,

0:19:18.400 --> 0:19:21.879
<v Speaker 3>Debbie is there with Fester and she's working on getting

0:19:22.040 --> 0:19:25.360
<v Speaker 3>him to fall in love with her, and she is succeeding.

0:19:26.240 --> 0:19:30.240
<v Speaker 3>A double date is arranged Mortitia and Gomez and Fester

0:19:30.359 --> 0:19:33.040
<v Speaker 3>and Debbie. They go out to dinner. There's this whole

0:19:33.119 --> 0:19:38.120
<v Speaker 3>scene where Morticia and Gomez do like a tango dance number.

0:19:38.359 --> 0:19:39.760
<v Speaker 4>That's a great number.

0:19:39.880 --> 0:19:45.400
<v Speaker 1>It's great that inspired an entire generation of bisexuals. They

0:19:45.720 --> 0:19:47.399
<v Speaker 1>know it because it was the nineties, and.

0:19:49.960 --> 0:19:54.360
<v Speaker 4>It was yeah, everyone in that scene is cooking. I

0:19:54.440 --> 0:19:57.920
<v Speaker 4>love that they're like getting off on making the other jealous,

0:19:58.040 --> 0:20:01.679
<v Speaker 4>Like it's just oh, it's so good, it's so good. Yeah,

0:20:01.720 --> 0:20:03.840
<v Speaker 4>and then cutting back to Uncle.

0:20:03.560 --> 0:20:05.760
<v Speaker 3>Fester doing that. What does he do?

0:20:05.880 --> 0:20:08.480
<v Speaker 1>He's like showing he's like sticking dreadsticks up.

0:20:09.000 --> 0:20:17.000
<v Speaker 4>Oh, yes, it's just just no, no, it's perfect hilarious.

0:20:17.240 --> 0:20:20.440
<v Speaker 3>And then later that night, Fester and Debbie are alone

0:20:20.880 --> 0:20:25.720
<v Speaker 3>and she tells him that she's a virgin. Obviously she's lying,

0:20:26.359 --> 0:20:32.320
<v Speaker 3>but he very sincerely is like me too, and she

0:20:33.000 --> 0:20:37.280
<v Speaker 3>professes her like you know, love for him, aka she's

0:20:37.960 --> 0:20:43.959
<v Speaker 3>manipulating him, and they get engaged. Meanwhile, at camp, Wednesday

0:20:44.320 --> 0:20:47.280
<v Speaker 3>is having a terrible time among all of the rich

0:20:47.400 --> 0:20:53.320
<v Speaker 3>blonde children, especially that girl Amanda. The camp directors put

0:20:53.520 --> 0:20:57.720
<v Speaker 3>Wednesday and Pugsley in this like time out cabin or

0:20:57.760 --> 0:21:03.919
<v Speaker 3>it's called like army house hardy House. Little David Crumholtz

0:21:03.960 --> 0:21:08.080
<v Speaker 3>is sent there as well. He and Wednesday continued to

0:21:08.280 --> 0:21:12.080
<v Speaker 3>vibe with each other and the three of them try

0:21:12.119 --> 0:21:15.959
<v Speaker 3>to escape the camp because Wednesday has learned that her

0:21:16.040 --> 0:21:18.639
<v Speaker 3>uncle Fester is engaged and she wants to try to

0:21:18.640 --> 0:21:21.600
<v Speaker 3>put an end to it, but the campers and camp

0:21:21.600 --> 0:21:25.159
<v Speaker 3>directors catch them and stop them from leaving. They like

0:21:25.280 --> 0:21:27.320
<v Speaker 3>sing Kumbaya at them.

0:21:27.880 --> 0:21:31.320
<v Speaker 4>They just can't stop appropriating. I can't, I can't, they can't.

0:21:31.400 --> 0:21:33.480
<v Speaker 1>Act of positivity is a weapon.

0:21:33.520 --> 0:21:39.200
<v Speaker 3>And yeah, oh yeah, oh my god, absolutely so at

0:21:39.200 --> 0:21:43.880
<v Speaker 3>the house, Fester and Debbie have an engagement party slash

0:21:44.000 --> 0:21:49.960
<v Speaker 3>like joint bachelor slash bachelorette parties. Fester is still oblivious

0:21:50.119 --> 0:21:54.000
<v Speaker 3>that Debbie is conning him. Then they have their wedding.

0:21:54.640 --> 0:21:59.720
<v Speaker 3>The whole Adam's family is there, including the kids plus Joel.

0:22:00.880 --> 0:22:03.760
<v Speaker 3>He got invited to the wedding and they managed to

0:22:03.840 --> 0:22:06.600
<v Speaker 3>leave the camp. Then we cut to Fester and Debbie's

0:22:06.600 --> 0:22:11.320
<v Speaker 3>honeymoon in Hawaii, where she tries to kill him by

0:22:11.440 --> 0:22:15.600
<v Speaker 3>throwing a stereo in the bathtub while he's in it,

0:22:15.680 --> 0:22:18.359
<v Speaker 3>but just turns him on.

0:22:19.200 --> 0:22:20.760
<v Speaker 1>He's like, this is so awesome.

0:22:22.480 --> 0:22:25.600
<v Speaker 3>So now Debbie is pissed that he's still alive and

0:22:25.800 --> 0:22:29.640
<v Speaker 3>grossed out because now he wants to consummate their marriage

0:22:30.440 --> 0:22:35.400
<v Speaker 3>and have sex ever heard of it? And she's like, okay,

0:22:35.480 --> 0:22:38.680
<v Speaker 3>but after we make love, you can never see your

0:22:38.760 --> 0:22:48.400
<v Speaker 3>family again, and he's reluctant, but anyone else. Yeah, honestly

0:22:48.440 --> 0:22:49.800
<v Speaker 3>a pretty pretty cool move.

0:22:50.720 --> 0:22:57.040
<v Speaker 1>He got tries so upset that he's alive. It's so mad,

0:22:57.200 --> 0:23:03.680
<v Speaker 1>and then it's like, oh my god, Christopher Lloyd's fucking face. See.

0:23:04.160 --> 0:23:09.080
<v Speaker 4>I was surprised at like how in detail that seed

0:23:09.200 --> 0:23:11.240
<v Speaker 4>goes into, because I feel like with the kids movies,

0:23:11.320 --> 0:23:14.880
<v Speaker 4>you usually get like an implication, but they're just they're

0:23:14.960 --> 0:23:18.000
<v Speaker 4>just having a frank discussion about fucking.

0:23:17.960 --> 0:23:20.879
<v Speaker 3>Well while he's inside her question mark.

0:23:21.280 --> 0:23:25.560
<v Speaker 4>It's unclear. I watched it. I'm glad it's not clearer,

0:23:25.600 --> 0:23:28.040
<v Speaker 4>but the fact that it's a possibility is wild.

0:23:28.680 --> 0:23:30.959
<v Speaker 1>I think the only reason that it could do that

0:23:31.160 --> 0:23:35.920
<v Speaker 1>was because Gomes and Morticia or clearly fucking like the

0:23:36.080 --> 0:23:39.480
<v Speaker 1>entire time through both movies, it's true. And the movie

0:23:39.600 --> 0:23:43.080
<v Speaker 1>even begins with Wednesday. You know that girl's like the

0:23:43.119 --> 0:23:45.800
<v Speaker 1>diamond under the cabbage patch turned into a baby and

0:23:45.840 --> 0:23:47.520
<v Speaker 1>Wednesday's like our sand sucks.

0:23:48.640 --> 0:23:53.520
<v Speaker 3>That's hilarious joke anyway, So he Fester doesn't want to

0:23:53.560 --> 0:23:56.679
<v Speaker 3>cut ties with his family. He's very reluctant, but he

0:23:56.800 --> 0:24:03.200
<v Speaker 3>agrees because he's so freaking horny. Many such cases, the

0:24:03.600 --> 0:24:06.880
<v Speaker 3>leaps in logic that we all do because of horniness,

0:24:06.920 --> 0:24:10.600
<v Speaker 3>you know, yeah, Okay, So then they return from their honeymoon.

0:24:11.119 --> 0:24:14.680
<v Speaker 3>Debbie is still furious that Fester is alive, but she's

0:24:14.760 --> 0:24:17.040
<v Speaker 3>kind of accepted that he's going to be sticking around,

0:24:17.200 --> 0:24:20.800
<v Speaker 3>so she gives him a makeover with like a bowl cut.

0:24:22.760 --> 0:24:24.320
<v Speaker 4>He seems to be into it.

0:24:25.960 --> 0:24:29.080
<v Speaker 3>She is a dom, he is a sub. And then

0:24:29.200 --> 0:24:32.480
<v Speaker 3>they move into a mansion while the rest of the

0:24:32.520 --> 0:24:35.919
<v Speaker 3>family receives word that Fester can never see them again,

0:24:36.320 --> 0:24:40.120
<v Speaker 3>and they're like, what the fuck. So Morticia and Gomez

0:24:40.200 --> 0:24:43.480
<v Speaker 3>go to Debbie and Fester's new house to be like, Debbie,

0:24:43.560 --> 0:24:46.480
<v Speaker 3>U succubis, let us see Fester.

0:24:46.720 --> 0:24:51.960
<v Speaker 4>And then the iconic but Debbie Pastels moment is so good.

0:24:52.560 --> 0:24:57.040
<v Speaker 1>Yeah, and I love that Mortitia respects the hell out

0:24:57.080 --> 0:25:01.760
<v Speaker 1>of it. Yeah, it's like you, you've put him under

0:25:01.800 --> 0:25:05.600
<v Speaker 1>some sexual seductive spell. I respect that.

0:25:06.480 --> 0:25:12.960
<v Speaker 4>But Debbie, it's so and I love the like the

0:25:13.000 --> 0:25:17.800
<v Speaker 4>Angelica Houston lighting. She's just so movie star, her little

0:25:17.880 --> 0:25:22.080
<v Speaker 4>eye line light that just irrationally follows her throughout everything,

0:25:22.160 --> 0:25:23.399
<v Speaker 4>and I just love it.

0:25:23.400 --> 0:25:27.480
<v Speaker 3>It's so good. So, yeah, they they confront Debbie, but

0:25:27.920 --> 0:25:31.840
<v Speaker 3>she refuses to let them see Fester, who is cowering

0:25:32.000 --> 0:25:36.320
<v Speaker 3>in the corner, too afraid of Debbie to defy her,

0:25:37.920 --> 0:25:41.000
<v Speaker 3>so the family goes to the police and tries to

0:25:41.160 --> 0:25:47.040
<v Speaker 3>report Debbie parentheses ACAB include Nathan Lane playing a cop.

0:25:47.400 --> 0:25:48.359
<v Speaker 4>That was that was.

0:25:48.640 --> 0:25:52.840
<v Speaker 3>That was a hard one. That's a hard one. But nonetheless,

0:25:53.840 --> 0:25:57.320
<v Speaker 3>because the police are useless, they do nothing to help

0:25:57.480 --> 0:25:58.000
<v Speaker 3>the family.

0:25:58.320 --> 0:26:02.920
<v Speaker 1>Wow, that's a that's a shock, right, They never do that.

0:26:02.920 --> 0:26:04.280
<v Speaker 1>They're usually so competent.

0:26:04.440 --> 0:26:10.480
<v Speaker 3>And oh yeah, meanwhile, the kids are back at the

0:26:10.680 --> 0:26:16.040
<v Speaker 3>summer camp and the camp directors are organizing a play

0:26:16.240 --> 0:26:19.040
<v Speaker 3>about the First Thanksgiving.

0:26:18.920 --> 0:26:21.720
<v Speaker 4>And you know that they're obsessed with this racist story

0:26:21.760 --> 0:26:25.159
<v Speaker 4>because they're doing it in the summer for some reason. Ye,

0:26:25.400 --> 0:26:27.800
<v Speaker 4>Like yeah, fuck, And.

0:26:28.080 --> 0:26:31.560
<v Speaker 1>Like it makes even less sense because that's not even

0:26:31.560 --> 0:26:33.800
<v Speaker 1>the tribe. I mean, like, it's not gonna make sense

0:26:33.840 --> 0:26:34.200
<v Speaker 1>for car.

0:26:34.280 --> 0:26:38.240
<v Speaker 3>It's not the tribe. Pocahontas was not at the First Thanksgiving.

0:26:38.240 --> 0:26:43.359
<v Speaker 3>Because Wednesday gets cast as Pocahontas. They start rehearsing the play.

0:26:43.960 --> 0:26:47.840
<v Speaker 3>It is horrendous for many reasons. Obviously we'll talk a

0:26:47.840 --> 0:26:53.520
<v Speaker 3>lot about this more, but Wednesday, Pugsley and Joel are like, Okay,

0:26:53.560 --> 0:26:57.399
<v Speaker 3>this sucks. We don't want to participate in your awful play.

0:26:58.080 --> 0:27:00.760
<v Speaker 3>So they are sent back to the Harmon House and

0:27:00.800 --> 0:27:06.160
<v Speaker 3>made to watch a bunch of like uplifting family friendly media,

0:27:06.320 --> 0:27:10.199
<v Speaker 3>Disney movies, Sound of Music, Brady Bunch Annie, all that

0:27:10.240 --> 0:27:15.000
<v Speaker 3>kind of stuff to fix their bad attitude. Meanwhile, Pubert

0:27:15.160 --> 0:27:20.240
<v Speaker 3>the baby seems to be sick or possessed because he

0:27:20.320 --> 0:27:24.840
<v Speaker 3>suddenly looks like a more traditional cute baby with like

0:27:25.119 --> 0:27:28.800
<v Speaker 3>rosy cheeks and blonde curls.

0:27:29.280 --> 0:27:32.040
<v Speaker 4>He likes Doctor Seuss books, he wants the cat in

0:27:32.080 --> 0:27:33.280
<v Speaker 4>the Hat so good.

0:27:33.560 --> 0:27:36.800
<v Speaker 1>Yeah, Hubert looks like me when I was a baby,

0:27:36.840 --> 0:27:39.919
<v Speaker 1>because exactly what my hair used to look like?

0:27:40.160 --> 0:27:41.600
<v Speaker 3>Oh wow, Okay, I don't know.

0:27:41.640 --> 0:27:44.680
<v Speaker 1>And then I guess I decolonize because now it's uh

0:27:44.720 --> 0:27:46.200
<v Speaker 1>this color and gray.

0:27:47.680 --> 0:27:52.480
<v Speaker 3>Yeah. Anyway, so they think Pubert is possessed maybe because

0:27:52.760 --> 0:27:56.480
<v Speaker 3>of this like troubled family life ordeal that they're going through.

0:27:56.520 --> 0:28:00.560
<v Speaker 3>Fester abandoning them, and so they work on trying to

0:28:00.560 --> 0:28:04.200
<v Speaker 3>fix this. Cut back to the camp, it is time

0:28:04.359 --> 0:28:10.760
<v Speaker 3>for the Thanksgiving play. Obviously, it's very whitewashed revisionist history

0:28:10.880 --> 0:28:16.040
<v Speaker 3>version of the Thanksgiving narrative. So Wednesday goes off script

0:28:16.520 --> 0:28:22.760
<v Speaker 3>gives a monologue about colonialism, stolen land modern day injustices

0:28:22.920 --> 0:28:26.200
<v Speaker 3>that native people face, and then she and the other

0:28:27.000 --> 0:28:32.000
<v Speaker 3>native characters in the play literally burn the set of

0:28:32.040 --> 0:28:36.119
<v Speaker 3>the play and tie up that snobby rich girl Amanda,

0:28:36.440 --> 0:28:39.760
<v Speaker 3>who had been cast as like the lead pilgrim woman.

0:28:40.480 --> 0:28:45.160
<v Speaker 3>The whole thing is chaos. It's very cathartic, so good,

0:28:46.120 --> 0:28:51.280
<v Speaker 3>and then Wednesday and Pugsley escape. After Wednesday and Joel

0:28:51.640 --> 0:28:57.280
<v Speaker 3>share a heartfelt goodbye. Back at Fester and Debbie's house,

0:28:58.160 --> 0:29:01.840
<v Speaker 3>she wraps up a b as a birthday present for Fester,

0:29:02.480 --> 0:29:05.680
<v Speaker 3>once again trying to kill him, but he's like, oh

0:29:05.760 --> 0:29:08.240
<v Speaker 3>my god, is this a bomb? Thank you so much.

0:29:09.720 --> 0:29:12.400
<v Speaker 3>But she leaves the house and goes to a bar

0:29:12.560 --> 0:29:15.440
<v Speaker 3>where Tony Shaloub is singing Macho Man.

0:29:16.800 --> 0:29:17.680
<v Speaker 1>As you do.

0:29:17.720 --> 0:29:20.360
<v Speaker 4>Just then you think it couldn't get any better. There's

0:29:20.520 --> 0:29:22.760
<v Speaker 4>Tony Shaloub at a bar singing Macho Man.

0:29:24.120 --> 0:29:28.200
<v Speaker 3>And then I guess the idea is like Debbie leaves

0:29:28.480 --> 0:29:31.520
<v Speaker 3>so that the house can explode and then she'll come

0:29:31.560 --> 0:29:35.280
<v Speaker 3>back to be like, oh no, my poor husband. But

0:29:35.920 --> 0:29:40.080
<v Speaker 3>Fester survives the explosion, so Debbie pulls a gun on

0:29:40.200 --> 0:29:42.600
<v Speaker 3>him and admits that she doesn't love him, that she

0:29:42.640 --> 0:29:45.479
<v Speaker 3>wants to kill him, and take his money. But before

0:29:45.520 --> 0:29:49.880
<v Speaker 3>she can do any of that, Thing the Adams family

0:29:49.960 --> 0:29:54.760
<v Speaker 3>disembodied hand runs Debbie over with a car and rescues

0:29:54.960 --> 0:29:56.520
<v Speaker 3>Fester and they drive off.

0:29:56.840 --> 0:30:01.280
<v Speaker 1>Upon this most recent viewing, there's a piece of dialogue

0:30:01.320 --> 0:30:05.240
<v Speaker 1>earlier on in the movie where Fester was talking about

0:30:05.240 --> 0:30:10.720
<v Speaker 1>how he's been jealous of Gomez and Mortitia's relationship, and

0:30:11.440 --> 0:30:14.880
<v Speaker 1>Gomez says something like, well, you have Thing, And I

0:30:15.000 --> 0:30:16.120
<v Speaker 1>was like, has Thing.

0:30:16.080 --> 0:30:20.160
<v Speaker 3>Been jerking off Fester this whole time?

0:30:20.400 --> 0:30:23.640
<v Speaker 1>And then Thing comes and saves him from the woman

0:30:23.680 --> 0:30:25.640
<v Speaker 1>who stole him away from him.

0:30:25.720 --> 0:30:31.880
<v Speaker 4>So, look, everything in this family is fluid, and don't

0:30:31.960 --> 0:30:36.920
<v Speaker 4>worry about it. What happens in Adam's manner stays in

0:30:37.000 --> 0:30:42.160
<v Speaker 4>Adam's manner. I also love cousin it and his wife.

0:30:42.520 --> 0:30:45.960
<v Speaker 4>That was a really fun, touchy but he's got a

0:30:46.240 --> 0:30:48.560
<v Speaker 4>he's got a normy wife and they seem very happy.

0:30:48.840 --> 0:30:51.520
<v Speaker 3>And then then they have a baby, and what a

0:30:51.640 --> 0:30:52.280
<v Speaker 3>cute kid.

0:30:53.200 --> 0:30:55.720
<v Speaker 1>I gotta tell you guys something. Yeah, it was me.

0:30:56.120 --> 0:30:56.920
<v Speaker 1>I was cousin it.

0:31:00.960 --> 0:31:07.520
<v Speaker 3>A celeb unkenny. I'm Kenny resemblance of Okay. So back

0:31:07.600 --> 0:31:12.600
<v Speaker 3>at the Adams family home, Mortitia is trying to care

0:31:12.720 --> 0:31:17.560
<v Speaker 3>for this new version of her baby, and Gomez is

0:31:17.640 --> 0:31:21.880
<v Speaker 3>like bedridden and dying. I'm not really sure what's going

0:31:21.920 --> 0:31:25.960
<v Speaker 3>on there no extra But then Fester returns home, as

0:31:26.040 --> 0:31:29.600
<v Speaker 3>do the children, so the family reunites. But oh no,

0:31:29.720 --> 0:31:33.360
<v Speaker 3>Debbie shows up with a rifle and puts the whole

0:31:33.400 --> 0:31:36.760
<v Speaker 3>family in a bunch of electric chairs, shows them a

0:31:36.920 --> 0:31:40.360
<v Speaker 3>slide show of all the people she has murdered, her

0:31:40.400 --> 0:31:44.520
<v Speaker 3>past husbands and her parents when she was ten years

0:31:44.520 --> 0:31:47.720
<v Speaker 3>old because they gave her Malibu Barbie instead of Ballerina Barbie.

0:31:47.960 --> 0:31:51.520
<v Speaker 1>Incredible, incredible because then her parents might have taken it

0:31:51.560 --> 0:31:54.080
<v Speaker 1>too far. But who else does Debbie kill? She kills

0:31:54.080 --> 0:31:57.000
<v Speaker 1>a doctor because he's snipped dinner because the pope had

0:31:57.120 --> 0:32:01.160
<v Speaker 1>a cold, not a girl. And she kills a senator

0:32:01.360 --> 0:32:02.680
<v Speaker 1>and there's nothing wrong with that.

0:32:03.480 --> 0:32:07.479
<v Speaker 4>Yeah, yeah, some of some of Debbie's crimes.

0:32:07.520 --> 0:32:08.840
<v Speaker 3>You're like, I support it.

0:32:08.960 --> 0:32:10.760
<v Speaker 4>Yeah, wait, you know whatever, it's valid.

0:32:11.840 --> 0:32:12.120
<v Speaker 5>Yeah.

0:32:12.160 --> 0:32:15.800
<v Speaker 3>So, meanwhile, the only family member who Debbie didn't tie

0:32:15.880 --> 0:32:19.760
<v Speaker 3>up is baby Pubert. He's on the loose, looking like

0:32:19.800 --> 0:32:23.920
<v Speaker 3>a mini Gomez again, you know, zipping around the house

0:32:24.080 --> 0:32:29.240
<v Speaker 3>and setting in motion a final destination style Rube Goldberg

0:32:30.120 --> 0:32:36.240
<v Speaker 3>thing that electrocutes Debbie and turns her to dust. We

0:32:36.360 --> 0:32:40.160
<v Speaker 3>cut to sometime later, the Adams family is safe and

0:32:40.520 --> 0:32:48.200
<v Speaker 3>together and back to their normal cousin It and It's wife,

0:32:48.680 --> 0:32:54.240
<v Speaker 3>Margaret and their baby come over for baby Pubert's first

0:32:54.320 --> 0:33:00.720
<v Speaker 3>birthday party and bring along their nanny, Dementia, who seems

0:33:00.760 --> 0:33:05.200
<v Speaker 3>like a very good match for Fester because they look identical.

0:33:06.720 --> 0:33:10.840
<v Speaker 3>And Joel also comes to see Wednesday, and the movie

0:33:10.920 --> 0:33:15.160
<v Speaker 3>ends with Joel being like, oh, Wednesday, I hope we

0:33:15.200 --> 0:33:18.680
<v Speaker 3>can get married one day, and she's like, ooh, gross,

0:33:18.880 --> 0:33:23.360
<v Speaker 3>cool it. And then she's like, I'd rather be like

0:33:23.440 --> 0:33:26.560
<v Speaker 3>Debbie and kill my husband, except she was sloppy and

0:33:26.640 --> 0:33:28.800
<v Speaker 3>I would get away with it. And then she plays

0:33:28.840 --> 0:33:35.200
<v Speaker 3>a little graveyard prank on Joel the end. Oh, and

0:33:35.240 --> 0:33:38.719
<v Speaker 3>then the credit song is I forget when episode We

0:33:38.720 --> 0:33:41.280
<v Speaker 3>were just talking about this on Jamie, but when you

0:33:41.320 --> 0:33:44.400
<v Speaker 3>were like, Oh, I miss the days when the credit

0:33:44.480 --> 0:33:47.840
<v Speaker 3>song was a rap recap.

0:33:48.040 --> 0:33:51.480
<v Speaker 4>Oh my god, this is such a good one. This

0:33:51.520 --> 0:33:56.520
<v Speaker 4>one it like it makes no sense and therefore it's perfect. Yeah,

0:33:56.600 --> 0:34:00.000
<v Speaker 4>I love it. What did they call it a fish?

0:34:00.600 --> 0:34:02.160
<v Speaker 4>It has such a funny title.

0:34:02.400 --> 0:34:03.840
<v Speaker 3>Oh, I don't even know.

0:34:04.040 --> 0:34:06.440
<v Speaker 1>Yeah, the last movie I saw they did that recently

0:34:06.880 --> 0:34:11.680
<v Speaker 1>was PG Psycho gore Man, where they had like some

0:34:12.160 --> 0:34:17.680
<v Speaker 1>nineties not nineties, like eighties white rapper. I guess summarize

0:34:17.719 --> 0:34:18.160
<v Speaker 1>the video.

0:34:18.880 --> 0:34:20.760
<v Speaker 4>Okay, it's called Adam's Family.

0:34:20.840 --> 0:34:24.440
<v Speaker 3>Woomp. That's okay. Oh yeah, they're sort of like that.

0:34:24.520 --> 0:34:25.600
<v Speaker 1>Woomp. There.

0:34:25.960 --> 0:34:29.080
<v Speaker 4>Yeah, it's it couldn't be more nineteen ninety three if

0:34:29.120 --> 0:34:31.000
<v Speaker 4>it wanted to be. It's Adams Family.

0:34:31.040 --> 0:34:31.360
<v Speaker 3>Woomp.

0:34:32.320 --> 0:34:34.200
<v Speaker 4>You are seeing you are valued?

0:34:35.239 --> 0:34:37.399
<v Speaker 3>Yes, okay, so let's take a quick break and we'll

0:34:37.400 --> 0:34:42.400
<v Speaker 3>come back to discuss.

0:34:48.560 --> 0:34:51.880
<v Speaker 4>And we're back, Ali, We're going to kick it to you.

0:34:51.920 --> 0:34:53.000
<v Speaker 4>Where would you like to start?

0:34:53.600 --> 0:34:58.600
<v Speaker 1>Oh? Okay, Well, first of all, perfect casting all around.

0:34:58.880 --> 0:35:03.080
<v Speaker 1>Everybody in this movie is perfectly cast. I would love, like,

0:35:03.120 --> 0:35:05.200
<v Speaker 1>I know you haven't seen Wednesday, and I've only seen

0:35:05.239 --> 0:35:09.760
<v Speaker 1>like a couple episodes on the Netflix. The Netflix Wednesday. Yeah,

0:35:09.800 --> 0:35:13.920
<v Speaker 1>but Sabrina Carpenter had Jenna Ortega and her music video

0:35:14.000 --> 0:35:17.640
<v Speaker 1>for Taste, and it was a very death becomes Her,

0:35:18.600 --> 0:35:23.000
<v Speaker 1>very morbid, but very funny and very toxic lesbian. You know,

0:35:23.920 --> 0:35:28.960
<v Speaker 1>it's great, And Sabrina Carpenter could totally be Debbie on Wednesday,

0:35:29.280 --> 0:35:31.520
<v Speaker 1>and I just think that would make things perfect.

0:35:32.160 --> 0:35:34.920
<v Speaker 4>That would rock young Debbie.

0:35:34.840 --> 0:35:38.640
<v Speaker 1>They do it right this time, or it was like

0:35:38.680 --> 0:35:43.319
<v Speaker 1>Debbie's niece or something like right sure, Sabrina Jelenski.

0:35:44.680 --> 0:35:46.200
<v Speaker 3>Oh, I'm waiting.

0:35:46.440 --> 0:35:47.440
<v Speaker 1>That would be perfect.

0:35:47.520 --> 0:35:48.000
<v Speaker 3>And then.

0:35:49.400 --> 0:35:52.560
<v Speaker 1>Wow, where else do I begin? Like I'm going through

0:35:52.560 --> 0:35:54.000
<v Speaker 1>my moods right now? What else?

0:35:54.080 --> 0:35:56.200
<v Speaker 4>Here's seventy seventy places to stay?

0:35:56.280 --> 0:35:56.440
<v Speaker 2>Oh.

0:35:56.520 --> 0:36:00.920
<v Speaker 1>Someone said on Tumblr or something about how beheading all

0:36:00.920 --> 0:36:04.319
<v Speaker 1>the billionaires would include Gomes Adams because he's got all

0:36:04.320 --> 0:36:05.919
<v Speaker 1>that money, and I was like, you know, he would

0:36:05.960 --> 0:36:06.840
<v Speaker 1>just be so honored.

0:36:08.160 --> 0:36:11.080
<v Speaker 4>Yeah, I say, I think he'd be like, you know what,

0:36:11.560 --> 0:36:12.719
<v Speaker 4>you got me, I deserve it.

0:36:12.800 --> 0:36:14.400
<v Speaker 3>You got me guys guillotine me.

0:36:14.840 --> 0:36:18.279
<v Speaker 1>So Pupert has a little baby guilloty on top of

0:36:18.320 --> 0:36:20.320
<v Speaker 1>his birthday cake and I want one.

0:36:20.560 --> 0:36:21.080
<v Speaker 3>Amazing.

0:36:21.280 --> 0:36:25.839
<v Speaker 4>I love usually a movie where the premise is and

0:36:25.880 --> 0:36:29.680
<v Speaker 4>now there's a baby, it's so hit or miss premise wise,

0:36:29.719 --> 0:36:34.160
<v Speaker 4>but like Pupert Ooh, I love that baby. He's he's

0:36:34.200 --> 0:36:37.560
<v Speaker 4>a great addition. He just makes sense. He's just as evil.

0:36:37.680 --> 0:36:39.200
<v Speaker 3>I love his little mustache.

0:36:39.320 --> 0:36:42.799
<v Speaker 4>And the story doesn't get lost in like I don't know,

0:36:42.920 --> 0:36:46.080
<v Speaker 4>like what now there's a baby, which I just like.

0:36:46.080 --> 0:36:48.799
<v Speaker 4>It is a very tired plot point like, yeah, there's

0:36:48.800 --> 0:36:50.440
<v Speaker 4>a baby, the kids are trying to kill.

0:36:50.360 --> 0:36:52.000
<v Speaker 3>Him, classic narrative.

0:36:52.120 --> 0:36:53.600
<v Speaker 4>Yeah, and he's kind of loving it.

0:36:55.160 --> 0:36:59.919
<v Speaker 1>Yeah, right, and all that. Wednesday plays with a gea

0:37:00.400 --> 0:37:03.239
<v Speaker 1>with the baby dressed up as Marie Antoinette, and I

0:37:03.360 --> 0:37:08.000
<v Speaker 1>was children paying attention to comrade Wednesday.

0:37:08.920 --> 0:37:14.719
<v Speaker 3>Fun fact, Hubert the baby is played by twin babies,

0:37:15.320 --> 0:37:18.600
<v Speaker 3>as like children and babies often are in movies because

0:37:18.640 --> 0:37:21.160
<v Speaker 3>it's like they need a break, We'll swap out this

0:37:21.239 --> 0:37:24.120
<v Speaker 3>one for the other one. Yeah, but the babies are

0:37:24.320 --> 0:37:30.880
<v Speaker 3>twin girls named Kristen and Caitlyn Hooper. But Caitlyn spelled

0:37:30.920 --> 0:37:34.000
<v Speaker 3>the wrong way, so I can't forgive that.

0:37:34.520 --> 0:37:38.600
<v Speaker 1>So the baby with the little mustaches, that's adorable.

0:37:40.719 --> 0:37:42.879
<v Speaker 4>Something that stood out to me. I mean, this movie

0:37:42.920 --> 0:37:45.840
<v Speaker 4>is doing so much cultural commentary. Obviously we're going to

0:37:45.920 --> 0:37:48.000
<v Speaker 4>spend a lot of time on the Thanksgiving play, but

0:37:48.040 --> 0:37:49.720
<v Speaker 4>I just wanted to shout out a few other things

0:37:49.719 --> 0:37:52.640
<v Speaker 4>that popped out that I had to like put on

0:37:52.880 --> 0:37:57.960
<v Speaker 4>nineteen ninety three goggles to understand. There's a few contemporary references.

0:37:58.239 --> 0:38:02.920
<v Speaker 4>There's obviously the Michael Jackson reference, which I had to do.

0:38:03.800 --> 0:38:06.840
<v Speaker 4>I mean, like I had a feeling why it was included,

0:38:07.719 --> 0:38:11.120
<v Speaker 4>but I was like, well, like, where was that cultural

0:38:11.160 --> 0:38:15.000
<v Speaker 4>discourse at at the time, And it ended up being

0:38:15.120 --> 0:38:20.280
<v Speaker 4>actually quite personal to the movie, specifically because Michael Jackson

0:38:20.320 --> 0:38:22.440
<v Speaker 4>was originally going to appear in this movie. Yeah I

0:38:22.520 --> 0:38:25.959
<v Speaker 4>read that, and so yes, I'm pulling from scholarly journal

0:38:26.000 --> 0:38:29.080
<v Speaker 4>Wikipedia here. He was supposed to have a song in

0:38:29.120 --> 0:38:32.680
<v Speaker 4>the movie called family Thing. The song is rumored to

0:38:32.719 --> 0:38:36.200
<v Speaker 4>have been removed due to the child's sexual abuse allegations

0:38:36.200 --> 0:38:40.440
<v Speaker 4>against Jackson, but the truth is it was a contractual difference,

0:38:40.680 --> 0:38:42.400
<v Speaker 4>so we don't know if they would have included it.

0:38:42.440 --> 0:38:44.760
<v Speaker 4>If they could have, it seems like they probably wouldn't

0:38:44.800 --> 0:38:48.279
<v Speaker 4>have because of the way he's referenced that Yeah, he's

0:38:48.320 --> 0:38:52.879
<v Speaker 4>referenced like visually and Joel is terrified of him, which

0:38:52.920 --> 0:38:56.120
<v Speaker 4>I'm sure got a big laugh in nineteen ninety three.

0:38:56.280 --> 0:39:00.920
<v Speaker 4>I personally don't like when they use his accurance to

0:39:01.640 --> 0:39:04.239
<v Speaker 4>like seem like that's the source of horror when it's

0:39:05.200 --> 0:39:08.120
<v Speaker 4>the act. Maybe just don't reference him at all. It

0:39:08.200 --> 0:39:10.200
<v Speaker 4>is my fat And then I felt the same way

0:39:10.239 --> 0:39:15.359
<v Speaker 4>about the Amy Fisher reference, which is also so nineties

0:39:15.800 --> 0:39:18.239
<v Speaker 4>in a way that like in a movie that generally

0:39:18.719 --> 0:39:23.560
<v Speaker 4>is pushing back on popular narratives. I don't know. Listen

0:39:23.560 --> 0:39:26.120
<v Speaker 4>to the year wrang About episode about Amy Fisher. It's

0:39:26.160 --> 0:39:31.680
<v Speaker 4>like a classic mischaracterization of a teenager who is being groomed.

0:39:33.040 --> 0:39:35.839
<v Speaker 4>So there was that. I also didn't know that the

0:39:36.080 --> 0:39:40.800
<v Speaker 4>title is a reference to a dan Quail speech question

0:39:40.920 --> 0:39:46.279
<v Speaker 4>mark yeah, okay, also pulling from scholarly journal Wikipedia here.

0:39:46.520 --> 0:39:49.160
<v Speaker 4>Of course, the family values in the film's title is

0:39:49.200 --> 0:39:51.520
<v Speaker 4>a tongue in cheek reference by the writer to a

0:39:51.600 --> 0:39:56.640
<v Speaker 4>nineteen ninety two speech called Reflections on Urban America made

0:39:56.680 --> 0:39:59.800
<v Speaker 4>by then Vice presidential candidate Dan Quayle. In the speech,

0:40:00.120 --> 0:40:04.440
<v Speaker 4>Quail controversially blamed the nineteen ninety two Los Angeles riots

0:40:04.480 --> 0:40:07.600
<v Speaker 4>on a breakdown of quote unquote family values, which is,

0:40:08.520 --> 0:40:11.960
<v Speaker 4>you know, we don't need to tell you that's unbelievably racist.

0:40:12.800 --> 0:40:15.520
<v Speaker 4>But I just didn't realize that the title was pulling

0:40:15.600 --> 0:40:19.920
<v Speaker 4>from something. Yeah, both like very recent and very specific,

0:40:20.200 --> 0:40:22.919
<v Speaker 4>and that is a culture reference that I'm like, yeah,

0:40:22.960 --> 0:40:25.640
<v Speaker 4>that's a fun fuck you uh to Dan Quayle.

0:40:26.480 --> 0:40:29.520
<v Speaker 3>Similarly, I would say that there are a couple jokes

0:40:29.760 --> 0:40:35.400
<v Speaker 3>in the movie that just feel quite reductive. Most of

0:40:35.440 --> 0:40:37.680
<v Speaker 3>the jokes in the movie are hilarious, and great, and

0:40:37.719 --> 0:40:39.960
<v Speaker 3>I have a list of my favorites, but there's for.

0:40:39.960 --> 0:40:43.880
<v Speaker 4>Nineteen ninety three is an accomplishment truly that more of

0:40:43.880 --> 0:40:45.120
<v Speaker 4>it agees well than doesn't.

0:40:45.200 --> 0:40:49.719
<v Speaker 3>Yeah, definitely. There's a joke where like that implies that

0:40:50.000 --> 0:40:54.880
<v Speaker 3>Gomez infest jerk off to a pin up style nude

0:40:54.920 --> 0:40:59.200
<v Speaker 3>image of their mom and we're like, okay, insects and

0:40:59.520 --> 0:41:05.719
<v Speaker 3>miss art. Dang, yeah that's there. There's an there's a

0:41:05.840 --> 0:41:10.840
<v Speaker 3>joke that's judgy toward anyone who has had cosmetic surgery

0:41:11.040 --> 0:41:13.920
<v Speaker 3>that Wednesday makes the where it's like, oh, all the

0:41:13.960 --> 0:41:20.239
<v Speaker 3>girls woke up with their original noses and they're like, so,

0:41:20.320 --> 0:41:24.239
<v Speaker 3>she's like shamy of that. Christopher Lloyd is in a

0:41:24.280 --> 0:41:28.160
<v Speaker 3>fat suit to play Fester. So you know, there are

0:41:28.360 --> 0:41:31.840
<v Speaker 3>some things that don't age very well.

0:41:32.239 --> 0:41:36.120
<v Speaker 1>But as a person with an overbite, let me tell

0:41:36.160 --> 0:41:40.440
<v Speaker 1>you when oh, yeah that one your bathing suit, is

0:41:40.440 --> 0:41:43.680
<v Speaker 1>that your overboy brutal?

0:41:44.040 --> 0:41:47.360
<v Speaker 4>Yeah, I guess with the with the joke about nose jobs,

0:41:47.360 --> 0:41:50.240
<v Speaker 4>I felt like that was, Yeah, that's cruel of Wednesday,

0:41:50.239 --> 0:41:52.360
<v Speaker 4>But I felt that they were trying to get at

0:41:52.640 --> 0:41:57.520
<v Speaker 4>the waspiness of the girl she was talking to. It

0:41:57.520 --> 0:41:58.759
<v Speaker 4>could have been a different joke.

0:41:59.760 --> 0:42:02.800
<v Speaker 3>That's thing, like she could have commented on her whatever

0:42:02.880 --> 0:42:05.799
<v Speaker 3>class privilege or something, didn't need to make a dig

0:42:05.840 --> 0:42:09.000
<v Speaker 3>at anyone's appearance. But she does that a couple of times.

0:42:09.440 --> 0:42:17.040
<v Speaker 4>She also tries to kill a baby. I mean problematic, problematically, yeah,

0:42:17.080 --> 0:42:19.640
<v Speaker 4>and then I mean, yeah, the big, the big discussion

0:42:19.760 --> 0:42:23.720
<v Speaker 4>to have here is the I mean the summer camp

0:42:23.719 --> 0:42:28.040
<v Speaker 4>it itself and then the specific play that they put on.

0:42:28.360 --> 0:42:35.759
<v Speaker 3>But yeah, so overall, it's I think a pretty effective

0:42:36.000 --> 0:42:40.640
<v Speaker 3>satire of like American summer camp culture, where it's this

0:42:41.200 --> 0:42:46.360
<v Speaker 3>camp for like privileged children who you know are just

0:42:46.840 --> 0:42:50.800
<v Speaker 3>children with rich parents. Almost every child there is white.

0:42:51.000 --> 0:42:54.359
<v Speaker 3>Almost all of them are blonde. Like you see shot

0:42:54.480 --> 0:42:57.200
<v Speaker 3>like wide shots of like forty kids, and they're all

0:42:57.360 --> 0:43:03.920
<v Speaker 3>just these blonde children. There's commentary on class and white

0:43:03.920 --> 0:43:08.960
<v Speaker 3>supremacy and how non native people and especially white people,

0:43:09.680 --> 0:43:15.479
<v Speaker 3>appropriate indigenous cultures, treat Native people as a monolith, act

0:43:15.520 --> 0:43:18.640
<v Speaker 3>as though Native people don't exist anymore, that they're a

0:43:18.680 --> 0:43:19.279
<v Speaker 3>thing of the.

0:43:19.200 --> 0:43:23.719
<v Speaker 1>Past, completely make up the name, like say that the

0:43:23.800 --> 0:43:27.280
<v Speaker 1>name of it, yes, scribe is because it's not orphan.

0:43:27.680 --> 0:43:32.040
<v Speaker 1>What happened was is that Chippewa is what the colonizers

0:43:32.040 --> 0:43:35.040
<v Speaker 1>heard when they said, oh, jibwa, and they thought, because

0:43:35.480 --> 0:43:38.239
<v Speaker 1>how you spell it? And I'm sure how you say it?

0:43:38.920 --> 0:43:41.760
<v Speaker 1>Before there was like a written language for these words.

0:43:41.800 --> 0:43:45.719
<v Speaker 1>They were like, oh, chippewa instead of ojibwa or ojibwa.

0:43:47.480 --> 0:43:49.440
<v Speaker 1>That's what it is. It doesn't mean orphan. I forget

0:43:49.480 --> 0:43:53.400
<v Speaker 1>what it means. It means something. It means something very weird,

0:43:54.280 --> 0:43:56.960
<v Speaker 1>like if I recall correctly, but I forgot what it was.

0:43:57.200 --> 0:43:58.440
<v Speaker 1>I can look it up somewhere.

0:43:59.280 --> 0:44:03.680
<v Speaker 4>But racist brain cell to be shared among these colonizers.

0:44:03.719 --> 0:44:08.480
<v Speaker 4>It's just like sough. I was curious. I guess I

0:44:08.520 --> 0:44:12.320
<v Speaker 4>was curious if either of you. I hadn't thought about

0:44:12.360 --> 0:44:14.360
<v Speaker 4>this in a long time, but I was talking about

0:44:14.360 --> 0:44:18.120
<v Speaker 4>this movie with my brother, and we grew up in Massachusetts,

0:44:18.280 --> 0:44:23.960
<v Speaker 4>where misrepresentation of Native history, I feel like, is particularly egregious,

0:44:24.680 --> 0:44:27.800
<v Speaker 4>and we were talking about it wasn't a camp quite

0:44:27.920 --> 0:44:30.399
<v Speaker 4>like this, but it's one of the or at least

0:44:30.400 --> 0:44:32.400
<v Speaker 4>at the time in the late nineties early two thousands,

0:44:32.480 --> 0:44:36.399
<v Speaker 4>was a default field trip that you would take in

0:44:36.440 --> 0:44:42.040
<v Speaker 4>public schools to a place called Camp Squanto in Massachusetts.

0:44:42.080 --> 0:44:43.759
<v Speaker 4>And so I did a little bit of research into it,

0:44:43.800 --> 0:44:47.799
<v Speaker 4>because again, this seems like, it's a very like the

0:44:47.920 --> 0:44:50.040
<v Speaker 4>camp that the Atoms are going to is a rich

0:44:50.120 --> 0:44:52.920
<v Speaker 4>kid camp. This is a publicly owned camp that I

0:44:52.960 --> 0:44:57.479
<v Speaker 4>think mostly boy Scouts use, but it has this very

0:44:58.280 --> 0:45:03.040
<v Speaker 4>racist history that it doesn't seem like unlike you know,

0:45:03.239 --> 0:45:05.560
<v Speaker 4>at very least there has been push back on the

0:45:05.560 --> 0:45:08.279
<v Speaker 4>way Plymouth Plantation, another field trip I had to go on,

0:45:09.000 --> 0:45:09.880
<v Speaker 4>is portrayed.

0:45:09.920 --> 0:45:11.719
<v Speaker 3>There hasn't really been any.

0:45:11.760 --> 0:45:13.960
<v Speaker 4>Motion on camps like this, but I just wanted to

0:45:14.640 --> 0:45:17.160
<v Speaker 4>talk about it a little bit because I do like

0:45:17.280 --> 0:45:19.279
<v Speaker 4>once my brother brought it up, I was like, oh,

0:45:19.320 --> 0:45:24.360
<v Speaker 4>I clearly remember going to Camp Squanto as a kid,

0:45:24.400 --> 0:45:29.759
<v Speaker 4>which is you know, Squanto is yet another like misrepresented name.

0:45:30.520 --> 0:45:34.000
<v Speaker 4>I looked into how the website portrays and I want

0:45:34.040 --> 0:45:38.799
<v Speaker 4>to make sure I'm saying his actual name correctly. It's

0:45:38.880 --> 0:45:44.320
<v Speaker 4>to Squantum, and he's He's a popular, falsely portrayed cultural

0:45:44.320 --> 0:45:45.440
<v Speaker 4>figure in Massachusetts.

0:45:45.520 --> 0:45:46.960
<v Speaker 3>I've learned about him all the time.

0:45:46.800 --> 0:45:50.560
<v Speaker 4>Growing up, and the narrative that is attributed to him

0:45:50.640 --> 0:45:55.239
<v Speaker 4>is that he was an indigenous person who helped the

0:45:55.280 --> 0:45:59.920
<v Speaker 4>pilgrims and who like you know, helped them understand how

0:46:00.080 --> 0:46:03.719
<v Speaker 4>the land worked. And he was presented as like helpful

0:46:04.080 --> 0:46:07.359
<v Speaker 4>to colonizers and that that was a good thing. And

0:46:07.400 --> 0:46:11.320
<v Speaker 4>that's why they named this weird camp after him, the Camp,

0:46:11.840 --> 0:46:14.160
<v Speaker 4>And it seems like a lot of similar camps like

0:46:14.200 --> 0:46:16.960
<v Speaker 4>it in New England. There's also a Camp Squanto in

0:46:17.000 --> 0:46:21.160
<v Speaker 4>New Hampshire that's even worse because it's an explicitly Christian camp,

0:46:21.640 --> 0:46:29.759
<v Speaker 4>which makes is what do you even say this that

0:46:31.160 --> 0:46:34.359
<v Speaker 4>I was like, I was like, I don't want to

0:46:34.400 --> 0:46:38.319
<v Speaker 4>bring these, but yeah, it's Camp Squanto invites campers to

0:46:38.360 --> 0:46:41.279
<v Speaker 4>experience the love of Christ outside of four walls in

0:46:41.320 --> 0:46:44.080
<v Speaker 4>a unique transforming environment. This is what wasn't the place

0:46:44.120 --> 0:46:47.560
<v Speaker 4>I went. It was a federally owned piece of land,

0:46:47.680 --> 0:46:50.000
<v Speaker 4>but nonetheless it is a piece of land that is

0:46:50.000 --> 0:46:53.400
<v Speaker 4>dedicated to teaching kids, most of whom are not native,

0:46:53.920 --> 0:46:58.680
<v Speaker 4>this false version of to Squantum. It opened in July

0:46:58.800 --> 0:47:03.280
<v Speaker 4>nineteen twenty five, so it wasn't even originally integrated. Obviously

0:47:03.320 --> 0:47:06.160
<v Speaker 4>by the time I went, it was. But it was

0:47:06.200 --> 0:47:09.600
<v Speaker 4>a camp for white kids all over Massachusetts to learn

0:47:09.600 --> 0:47:12.680
<v Speaker 4>a false version of history. And to this day it

0:47:12.760 --> 0:47:17.000
<v Speaker 4>is very popular. It is still where boy Scouts will

0:47:17.040 --> 0:47:22.319
<v Speaker 4>go and camp year round. And I guess I just

0:47:22.360 --> 0:47:25.759
<v Speaker 4>I don't know I hadn't really connected that. Even though

0:47:26.000 --> 0:47:28.600
<v Speaker 4>it's not the exact same kind of camp, it has

0:47:28.640 --> 0:47:33.280
<v Speaker 4>a similar mission, which is just mis education and misrepresentation

0:47:33.520 --> 0:47:41.520
<v Speaker 4>of history to serve the American project. So that's unfortunately,

0:47:41.600 --> 0:47:43.120
<v Speaker 4>Camp Squanto in this.

0:47:43.120 --> 0:47:46.920
<v Speaker 3>Movie seems very aware of all these types of camps

0:47:46.960 --> 0:47:52.520
<v Speaker 3>that are all over Turtle Island and is satirizing them

0:47:52.719 --> 0:47:59.120
<v Speaker 3>by way of this play that goes a little differently

0:47:59.160 --> 0:48:03.320
<v Speaker 3>than the camp directors are expecting. So yeah, Ali, we're

0:48:03.400 --> 0:48:06.959
<v Speaker 3>curious on your take on this.

0:48:07.600 --> 0:48:12.240
<v Speaker 1>Well, Okay, first of all, I remember that ojiboy, the

0:48:12.320 --> 0:48:16.239
<v Speaker 1>word is like kind of in reference to this is

0:48:16.239 --> 0:48:20.040
<v Speaker 1>so silly, Like puckered up is more or less because

0:48:20.239 --> 0:48:24.960
<v Speaker 1>the way we wear they would wear our moccasins is like,

0:48:25.040 --> 0:48:27.640
<v Speaker 1>I don't know, the moccasins have like puckered scenes or

0:48:27.640 --> 0:48:30.400
<v Speaker 1>something like that. So it's like, oh, puckered up or something.

0:48:30.440 --> 0:48:33.600
<v Speaker 1>So that's kind of what ojibwe means. But obviously Ani

0:48:33.680 --> 0:48:39.080
<v Speaker 1>schnabe would be more correct, you know. Anyways, it doesn't

0:48:39.080 --> 0:48:43.360
<v Speaker 1>mean orphan, it means puckered up. God, I wish it

0:48:43.400 --> 0:48:49.799
<v Speaker 1>didn't sound so dirty the Thanksgiving scene. So I, like

0:48:49.840 --> 0:48:52.880
<v Speaker 1>I said, I did a video about this on YouTube.

0:48:53.480 --> 0:48:56.560
<v Speaker 1>And the thing that I really loved the most about

0:48:56.719 --> 0:49:00.560
<v Speaker 1>this scene was, you know, first of all, came out

0:49:00.600 --> 0:49:03.560
<v Speaker 1>like I don't know, a year or so before Disney's

0:49:03.600 --> 0:49:09.160
<v Speaker 1>Pocahontas came out, so before you know, like obviously, the

0:49:09.200 --> 0:49:13.239
<v Speaker 1>story of Pocahontas has been told for you know, since

0:49:13.280 --> 0:49:18.239
<v Speaker 1>the sixteen hundreds. People have like a vague, very whitewashed

0:49:18.320 --> 0:49:23.520
<v Speaker 1>understanding of that story anyways, so it's familiar, and then

0:49:23.640 --> 0:49:27.600
<v Speaker 1>Disney just made it worse. But it's just so interesting

0:49:28.400 --> 0:49:32.959
<v Speaker 1>that this movie is so honest about the lie of

0:49:33.080 --> 0:49:36.959
<v Speaker 1>not just not just Pocahontas. You know, they don't really

0:49:37.000 --> 0:49:41.359
<v Speaker 1>dive into that story. It's just, oh, this is a

0:49:41.400 --> 0:49:44.520
<v Speaker 1>play about Indians, and Pocahontas is an Indian, so let's

0:49:44.600 --> 0:49:46.960
<v Speaker 1>just you know, throw her in there to make what

0:49:47.120 --> 0:49:50.680
<v Speaker 1>stay uncomfortable. But just how honest it is about the

0:49:50.760 --> 0:49:56.319
<v Speaker 1>lie of thanksgiving, and not only the lie of Thanksgiving

0:49:56.520 --> 0:50:00.840
<v Speaker 1>that we tell our you know, the nation to children,

0:50:01.120 --> 0:50:06.040
<v Speaker 1>but how the other parents in the audience very clearly

0:50:06.040 --> 0:50:09.560
<v Speaker 1>are racist against Native people. And that's something that really

0:50:09.560 --> 0:50:12.080
<v Speaker 1>stood out to me when I was little, you know,

0:50:12.120 --> 0:50:14.160
<v Speaker 1>I saw this movie probably when I was like four.

0:50:14.600 --> 0:50:18.640
<v Speaker 1>I want to say, three or four. And I understood,

0:50:18.719 --> 0:50:21.040
<v Speaker 1>you know, at a very young age, just from like

0:50:21.480 --> 0:50:23.719
<v Speaker 1>what my parents taught me, and then later when I

0:50:23.760 --> 0:50:26.960
<v Speaker 1>would like go to school and stuff and interact with

0:50:27.160 --> 0:50:31.280
<v Speaker 1>people who had never seen a Native person, like until

0:50:31.320 --> 0:50:34.880
<v Speaker 1>my dad. My dad was probably the first, if not

0:50:35.040 --> 0:50:37.960
<v Speaker 1>the only Native person that a lot of the white

0:50:38.040 --> 0:50:42.360
<v Speaker 1>kids in my schools ever saw, you know, so probably

0:50:42.400 --> 0:50:45.919
<v Speaker 1>one of the very very few that the teachers had

0:50:45.920 --> 0:50:50.719
<v Speaker 1>to like interact with. Also. So it's like I understood

0:50:50.800 --> 0:50:54.000
<v Speaker 1>at a very young age that there are adults and

0:50:54.239 --> 0:50:59.000
<v Speaker 1>parents and teachers that are lying about what happened to

0:50:59.400 --> 0:51:04.040
<v Speaker 1>the Native Americans, not just at Thanksgiving or even with pokehonnas,

0:51:04.080 --> 0:51:09.640
<v Speaker 1>but throughout history. I realized that teachers will lie about this,

0:51:09.800 --> 0:51:12.800
<v Speaker 1>like they'll even probably even know the story and still

0:51:12.800 --> 0:51:16.000
<v Speaker 1>lie about it just because you know, it's a prettier version,

0:51:16.239 --> 0:51:18.439
<v Speaker 1>it's a more flattering version.

0:51:18.600 --> 0:51:23.480
<v Speaker 3>It's more quote unquote appropriate for children, and it's who's children.

0:51:24.320 --> 0:51:26.640
<v Speaker 4>I've I got into an argument about this with one

0:51:26.680 --> 0:51:30.839
<v Speaker 4>of my mom's co workers years ago, who teaches at

0:51:30.840 --> 0:51:36.839
<v Speaker 4>an elementary school, and it was like this looping thing

0:51:36.920 --> 0:51:39.840
<v Speaker 4>of I was like, well, but you know that's not true.

0:51:40.440 --> 0:51:42.640
<v Speaker 4>And you know, she was like, well, but that's how

0:51:42.960 --> 0:51:45.520
<v Speaker 4>are you supposed to explain that to children? I was like,

0:51:45.640 --> 0:51:46.399
<v Speaker 4>figure it out.

0:51:46.600 --> 0:51:49.040
<v Speaker 3>I don't know, it's not true your job as an educator.

0:51:49.400 --> 0:51:51.440
<v Speaker 4>But it was this idea of like, well, it's a

0:51:51.520 --> 0:51:54.880
<v Speaker 4>tradition to tell this lie, and like she really felt that,

0:51:55.040 --> 0:51:58.239
<v Speaker 4>and it's it's I think that there are a lot

0:51:58.239 --> 0:52:01.080
<v Speaker 4>of people out there who still really don't want to

0:52:01.080 --> 0:52:03.279
<v Speaker 4>face their own discomfort of having to explain this.

0:52:03.719 --> 0:52:06.680
<v Speaker 1>No, not at all. But yeah, it's just like how

0:52:06.719 --> 0:52:10.400
<v Speaker 1>the movie really just called that out, especially like in

0:52:10.440 --> 0:52:14.080
<v Speaker 1>the early nineties, Like people have difficulty calling it out now,

0:52:15.000 --> 0:52:17.680
<v Speaker 1>let alone, you know, back when I was three years old,

0:52:18.360 --> 0:52:23.120
<v Speaker 1>so Wednesday not giving them an inch. It's like I

0:52:23.200 --> 0:52:26.440
<v Speaker 1>like to think that she just sat in that cabin

0:52:27.000 --> 0:52:30.400
<v Speaker 1>and watched all those movies and just was like, oh,

0:52:30.520 --> 0:52:34.800
<v Speaker 1>I'm plotting how to get back at all of you

0:52:34.840 --> 0:52:38.719
<v Speaker 1>just orchestrated all of this. I will say though, that

0:52:39.040 --> 0:52:43.000
<v Speaker 1>the scene, as amazing as it is, it's still pretty problematic.

0:52:43.920 --> 0:52:49.359
<v Speaker 1>Y like context matters, but racial stereotypes are still racial stereotypes.

0:52:49.800 --> 0:52:52.600
<v Speaker 1>If you look at the Native the kids that are

0:52:52.680 --> 0:52:56.240
<v Speaker 1>dressed up like natives, A lot of them have really

0:52:56.440 --> 0:53:00.279
<v Speaker 1>darkened skin. I point that out in the video. I

0:53:00.320 --> 0:53:03.239
<v Speaker 1>was like, Wow, they really just like dark in this

0:53:03.560 --> 0:53:07.520
<v Speaker 1>kid's skin for the play. And it's racist. I mean,

0:53:07.560 --> 0:53:08.840
<v Speaker 1>the whole play is racist.

0:53:09.040 --> 0:53:13.640
<v Speaker 3>But right, it's tricky because yeah, the like, of course,

0:53:13.760 --> 0:53:19.600
<v Speaker 3>these racist camp directors would put these children in brown face.

0:53:19.640 --> 0:53:23.040
<v Speaker 3>They would like cast and it's not even predominantly white people.

0:53:23.080 --> 0:53:26.279
<v Speaker 3>Because another thing with that is that the campers who

0:53:26.320 --> 0:53:30.560
<v Speaker 3>are cast to play native characters are like the quote

0:53:30.640 --> 0:53:36.239
<v Speaker 3>unquote outcasts in the camp. Like there's a disabled child

0:53:36.320 --> 0:53:39.400
<v Speaker 3>who's Jewish, there's a kid who is fat, there's an

0:53:39.480 --> 0:53:42.640
<v Speaker 3>Asian kid, there's a Latina kid, there's a black kid,

0:53:42.680 --> 0:53:46.160
<v Speaker 3>a nerdy kid, like all the quote unquote outcasts who

0:53:46.200 --> 0:53:49.600
<v Speaker 3>are not these like blonde children.

0:53:49.360 --> 0:53:51.120
<v Speaker 4>Like descendants are pilgrims.

0:53:51.239 --> 0:53:54.680
<v Speaker 3>Yeah, right, and that's that is like a commentary of like,

0:53:55.160 --> 0:54:00.200
<v Speaker 3>of course, these horrible camp directors would put children who

0:54:00.000 --> 0:54:03.719
<v Speaker 3>who have been othered by society, you know, cast them

0:54:03.719 --> 0:54:06.400
<v Speaker 3>in the role as the native characters in the play.

0:54:06.880 --> 0:54:11.319
<v Speaker 3>But the movie also others those children and again it's like, yes,

0:54:11.360 --> 0:54:15.160
<v Speaker 3>of course, these horrible camp directors would put those children

0:54:15.920 --> 0:54:17.440
<v Speaker 3>in brown face.

0:54:17.800 --> 0:54:20.319
<v Speaker 4>But like the viv isn't doing a ton to push

0:54:20.400 --> 0:54:23.280
<v Speaker 4>push back to be like, let's get to know these kids.

0:54:23.440 --> 0:54:25.960
<v Speaker 1>Yeah, yeah, we get more time with how terrible the

0:54:26.000 --> 0:54:28.400
<v Speaker 1>white kids are than we are with you know, how

0:54:28.760 --> 0:54:31.640
<v Speaker 1>cool these kids are. Actually, like Wednesday should have been

0:54:32.080 --> 0:54:32.720
<v Speaker 1>with them more.

0:54:33.040 --> 0:54:37.040
<v Speaker 3>Yeah, yeah, why doesn't she befriend like Jamal and Consuela

0:54:37.160 --> 0:54:41.239
<v Speaker 3>and the other children who she has been outcast with,

0:54:42.040 --> 0:54:45.759
<v Speaker 3>right like and find community with them anyway.

0:54:45.480 --> 0:54:47.520
<v Speaker 4>So it's not really her thing, Wednesday.

0:54:47.719 --> 0:54:48.879
<v Speaker 3>That is true. That's true.

0:54:48.960 --> 0:54:51.839
<v Speaker 4>But even Pugsly, I mean Pugsly, who I do kind

0:54:51.880 --> 0:54:54.280
<v Speaker 4>of like that. It's cannon to the Adams family universe,

0:54:54.400 --> 0:54:56.480
<v Speaker 4>that Pugsy. You know, we can kind of take or

0:54:56.560 --> 0:54:59.800
<v Speaker 4>leave him. Yeah, you know, he's in a couple of scenes,

0:54:59.840 --> 0:55:02.600
<v Speaker 4>but but he's not putting butts in seats. You know,

0:55:02.880 --> 0:55:06.799
<v Speaker 4>he seems like a sweet kid. I like his his

0:55:07.680 --> 0:55:12.719
<v Speaker 4>performance as the turkey was very funny me. I mean,

0:55:12.840 --> 0:55:17.000
<v Speaker 4>even down to the like lyrics that they're writing. I

0:55:17.000 --> 0:55:20.359
<v Speaker 4>mean it is like it is really really sharp commentary

0:55:20.960 --> 0:55:25.520
<v Speaker 4>writing display from this like horrendous couple's perspective.

0:55:26.200 --> 0:55:29.400
<v Speaker 1>Yeah, there are a lot of Native people who like

0:55:29.520 --> 0:55:31.480
<v Speaker 1>the scene, and there's a lot of Native people who don't,

0:55:31.920 --> 0:55:35.040
<v Speaker 1>and that's I think that's valid. Like I would never

0:55:35.560 --> 0:55:40.040
<v Speaker 1>argue with a Native person about not liking this scene because,

0:55:40.080 --> 0:55:42.680
<v Speaker 1>you know, like I said, it's you still have kids

0:55:42.719 --> 0:55:50.239
<v Speaker 1>in brown face and culturally appropriating costumes. The dialogue is

0:55:50.480 --> 0:55:53.759
<v Speaker 1>very racist too, you know, like it's you know, like

0:55:54.080 --> 0:55:58.480
<v Speaker 1>racial stereotypes are stereotypes and they're harmful, so you know,

0:55:58.560 --> 0:56:04.680
<v Speaker 1>like ironic racism can still racism. That being said, if

0:56:04.680 --> 0:56:06.799
<v Speaker 1>I have to choose between two false accounts of the

0:56:06.800 --> 0:56:10.040
<v Speaker 1>Pocahonta story, I'm going with this one because it was

0:56:10.280 --> 0:56:15.439
<v Speaker 1>very very cathartic for me, you know, at that time

0:56:15.440 --> 0:56:18.400
<v Speaker 1>in my life, and still kind of I mean, Donald

0:56:18.440 --> 0:56:21.759
<v Speaker 1>Trump is using Pocahontas as a slur to this day,

0:56:22.280 --> 0:56:28.840
<v Speaker 1>and with recent hate crimes committed against Indigenous actors like

0:56:28.960 --> 0:56:34.320
<v Speaker 1>Jonathan Joss, I would see that. Yeah, it still holds

0:56:34.440 --> 0:56:38.040
<v Speaker 1>up in some places, even if it doesn't in others, right,

0:56:38.040 --> 0:56:38.560
<v Speaker 1>I mean.

0:56:38.480 --> 0:56:41.400
<v Speaker 3>This is one of the few pieces of mainstream Hollywood

0:56:41.600 --> 0:56:47.960
<v Speaker 3>media from this era that even acknowledged European settler colonialism

0:56:48.160 --> 0:56:53.920
<v Speaker 3>and stolen land and modern Native people living in poverty

0:56:54.000 --> 0:56:59.279
<v Speaker 3>on reservations as a result of colonialism and displacement and

0:56:59.360 --> 0:57:03.680
<v Speaker 3>so like, I'll give the movie that, but like you said,

0:57:03.680 --> 0:57:06.560
<v Speaker 3>there are things that ways in which the movie doesn't

0:57:06.600 --> 0:57:09.319
<v Speaker 3>handle this perfectly. For example, I mean, the whole thing

0:57:09.360 --> 0:57:13.960
<v Speaker 3>still centers whiteness. There are no Native characters present on

0:57:14.080 --> 0:57:19.280
<v Speaker 3>screen to offer their perspectives or experiences. I feel like

0:57:19.320 --> 0:57:23.080
<v Speaker 3>there are things that the play gets wrong that the

0:57:23.200 --> 0:57:26.760
<v Speaker 3>movie could have easily acknowledged if it's something that like

0:57:26.880 --> 0:57:31.840
<v Speaker 3>Wednesday includes in her monologue, or again, if the movie

0:57:31.880 --> 0:57:36.160
<v Speaker 3>included one or more Native characters who could set the

0:57:36.240 --> 0:57:36.960
<v Speaker 3>record straight.

0:57:37.080 --> 0:57:39.720
<v Speaker 4>But again, one of the many things that I like,

0:57:40.160 --> 0:57:43.640
<v Speaker 4>something that would have fit pretty seamlessly into Wednesday's monologue

0:57:43.680 --> 0:57:47.959
<v Speaker 4>is acknowledging how racist their costuming is. Like that would

0:57:48.000 --> 0:57:54.240
<v Speaker 4>have been at least a step toward not seeming as

0:57:54.320 --> 0:57:59.880
<v Speaker 4>if the movie is just endorsing like any facet of that.

0:58:00.320 --> 0:58:01.000
<v Speaker 3>But that doesn't.

0:58:01.040 --> 0:58:02.760
<v Speaker 4>I mean, it's I feel like it's almost kind of

0:58:02.800 --> 0:58:08.000
<v Speaker 4>like leaned into versus resisted, which isn't true of a

0:58:08.000 --> 0:58:09.840
<v Speaker 4>lot of elements in that speech.

0:58:10.080 --> 0:58:14.160
<v Speaker 3>Right, Yeah, she could have acknowledged the costuming, the brown face,

0:58:14.960 --> 0:58:20.440
<v Speaker 3>the fact that Pocahontas was not a quote unquote Chippewa maiden,

0:58:20.680 --> 0:58:23.320
<v Speaker 3>as she says in her dialogue.

0:58:23.960 --> 0:58:28.120
<v Speaker 4>Yeah, as you say in your video, very funny and repeatedly, Ali,

0:58:28.240 --> 0:58:29.280
<v Speaker 4>she's nine.

0:58:29.600 --> 0:58:34.240
<v Speaker 3>She is nine, Yes, yeah, she's a small child. Pocahontas

0:58:34.320 --> 0:58:38.640
<v Speaker 3>was not involved in the first Thanksgiving, neither was the

0:58:39.120 --> 0:58:43.560
<v Speaker 3>Ojibwe nation. It's just all these like again, the movie

0:58:43.600 --> 0:58:47.480
<v Speaker 3>is commenting on how these racist white camp directors have

0:58:47.560 --> 0:58:51.760
<v Speaker 3>created this and are perpetuating this very false version of

0:58:51.800 --> 0:58:56.840
<v Speaker 3>the narrative. But for the people in the nineties watching this,

0:58:56.960 --> 0:58:59.840
<v Speaker 3>and even people today watching this, many of them don't

0:58:59.880 --> 0:59:03.200
<v Speaker 3>know any better. They don't know that the quote unquote

0:59:03.240 --> 0:59:08.000
<v Speaker 3>facts presented by this play are completely incorrect, and the

0:59:08.040 --> 0:59:12.000
<v Speaker 3>movie doesn't say, hey, all these details that you see

0:59:12.000 --> 0:59:13.960
<v Speaker 3>here in the play are wrong. Again, it would have

0:59:13.960 --> 0:59:16.960
<v Speaker 3>been easy for Wednesday to be like and by the way,

0:59:17.080 --> 0:59:18.880
<v Speaker 3>this this and this, or it would have been easy

0:59:18.960 --> 0:59:21.840
<v Speaker 3>for a native character to be written into the movie

0:59:21.880 --> 0:59:26.400
<v Speaker 3>to say here's the actual thing. But the movie again

0:59:26.480 --> 0:59:30.400
<v Speaker 3>just glosses all over that. But but it is very

0:59:30.400 --> 0:59:35.720
<v Speaker 3>cathartic to watch this set burned down and for Sarah Miller,

0:59:35.760 --> 0:59:38.360
<v Speaker 3>the pilgrim girl, to be tied up and burned at

0:59:38.360 --> 0:59:39.960
<v Speaker 3>the stake question mark.

0:59:40.000 --> 0:59:40.439
<v Speaker 4>That's great.

0:59:40.520 --> 0:59:44.760
<v Speaker 1>So I think something that like in the hands of

0:59:44.800 --> 0:59:50.520
<v Speaker 1>a responsible writer. Something that could have helped the scene

0:59:51.040 --> 0:59:54.520
<v Speaker 1>would be if there was an actual Native person at

0:59:54.560 --> 0:59:58.919
<v Speaker 1>the camp. Obviously you walk on thin ice with that one,

0:59:59.280 --> 1:00:03.080
<v Speaker 1>like isn't a person attending the camp, And if it's

1:00:03.240 --> 1:00:06.840
<v Speaker 1>a rich like city Indian, you know, or you run

1:00:06.880 --> 1:00:10.880
<v Speaker 1>the risk of like you know, stereotypes anyways, but how

1:00:10.920 --> 1:00:16.040
<v Speaker 1>they treat a rich Indian is still very racist, you know,

1:00:16.480 --> 1:00:21.640
<v Speaker 1>when you're surrounded by rich white children or like maybe

1:00:21.680 --> 1:00:24.960
<v Speaker 1>there's a camp director or something like that that's like, oh,

1:00:25.040 --> 1:00:27.200
<v Speaker 1>we're gonna teach you, you know, take you on a

1:00:27.240 --> 1:00:31.440
<v Speaker 1>trail or take you horseback riding, and the kids are like,

1:00:31.800 --> 1:00:33.320
<v Speaker 1>you know, because the other thing is, you know, you

1:00:33.360 --> 1:00:36.480
<v Speaker 1>don't really want an excuse, like you don't want a

1:00:36.520 --> 1:00:41.360
<v Speaker 1>Native person there specifically so people can be racist to them, right,

1:00:41.680 --> 1:00:45.080
<v Speaker 1>But like if someone was there, like I don't know,

1:00:45.120 --> 1:00:48.840
<v Speaker 1>the image in my head when I imagine how the scene

1:00:48.880 --> 1:00:51.040
<v Speaker 1>probably could have been a little bit better, would be

1:00:51.160 --> 1:00:56.040
<v Speaker 1>like a Native person watching this all unfold and just

1:00:56.160 --> 1:01:01.200
<v Speaker 1>like nodding and smiling and just watching it like, oh, okay,

1:01:01.920 --> 1:01:04.480
<v Speaker 1>you know about it all. I don't remember this version

1:01:04.520 --> 1:01:06.920
<v Speaker 1>of the Thanksgiving story, but it's a lot better than

1:01:06.960 --> 1:01:10.480
<v Speaker 1>the ones they've been telling for the past like three

1:01:10.560 --> 1:01:12.520
<v Speaker 1>hundred years.

1:01:13.400 --> 1:01:16.320
<v Speaker 4>The other thing that I know we've like touched on it,

1:01:16.360 --> 1:01:19.400
<v Speaker 4>but again, one of the things that I don't think

1:01:19.480 --> 1:01:23.800
<v Speaker 4>I would have seen in other movies is the acknowledgment

1:01:23.880 --> 1:01:27.360
<v Speaker 4>that Native people still exist. Like, I think that was

1:01:27.400 --> 1:01:30.960
<v Speaker 4>something that I was I feel like, I mean, I

1:01:30.960 --> 1:01:33.400
<v Speaker 4>didn't grow up around any Native kids. I grew up

1:01:33.400 --> 1:01:36.400
<v Speaker 4>in a very diversity, but we didn't have a large

1:01:36.480 --> 1:01:39.960
<v Speaker 4>Native population at all. And I feel like, even if

1:01:39.960 --> 1:01:43.440
<v Speaker 4>it wasn't explicitly said to me that you're sort of

1:01:43.520 --> 1:01:48.280
<v Speaker 4>taught that Native people don't exist anymore. And so that Wednesday,

1:01:48.320 --> 1:01:50.680
<v Speaker 4>even in like it could have been a more detailed

1:01:50.680 --> 1:01:54.000
<v Speaker 4>line of dialogue, but acknowledged that of course Native people

1:01:54.080 --> 1:01:58.760
<v Speaker 4>still exist and they're extremely oppressed to this day, Like

1:01:59.000 --> 1:02:02.920
<v Speaker 4>is really impactful for it, you know, kids in the

1:02:03.040 --> 1:02:07.560
<v Speaker 4>audience who just have not been taught that whatsoever. Yeah.

1:02:07.120 --> 1:02:09.480
<v Speaker 4>I had a long talk with my brother about this

1:02:09.480 --> 1:02:11.680
<v Speaker 4>because I was like, we didn't like, I just to

1:02:11.880 --> 1:02:15.360
<v Speaker 4>verify how miseducated we really were. And yeah, I mean

1:02:15.360 --> 1:02:18.440
<v Speaker 4>it's just again it's like a couple lines of dialogue,

1:02:18.440 --> 1:02:21.440
<v Speaker 4>but it's I'm very glad it's there.

1:02:21.440 --> 1:02:24.120
<v Speaker 1>One of my nieces. And this was back I want

1:02:24.160 --> 1:02:28.000
<v Speaker 1>to say, like two thousand. Let's see, I graduated high

1:02:28.000 --> 1:02:30.640
<v Speaker 1>school in two thousand and eight, so it must have

1:02:30.720 --> 1:02:35.200
<v Speaker 1>been two thousand and five era, I want to say.

1:02:35.680 --> 1:02:39.920
<v Speaker 1>But the kids in her classroom, so she was probably

1:02:39.960 --> 1:02:44.080
<v Speaker 1>like in sixth or seventh grade. The kids in her

1:02:44.120 --> 1:02:48.400
<v Speaker 1>classroom didn't think Native people were real. My god, They're like,

1:02:48.440 --> 1:02:51.040
<v Speaker 1>why are we learning about this? This didn't even happen.

1:02:51.400 --> 1:02:53.400
<v Speaker 1>I was like, what are you talking about? They're like,

1:02:53.600 --> 1:02:57.000
<v Speaker 1>Indians aren't real. And I'm like, excuse.

1:02:56.480 --> 1:02:58.680
<v Speaker 3>Me, Hi, nice to meet you.

1:02:58.800 --> 1:03:02.160
<v Speaker 1>Like what the fuck is going on at our public schools?

1:03:02.240 --> 1:03:05.840
<v Speaker 1>It's like, yeah, oh my gosh. And it's only gotten

1:03:06.640 --> 1:03:10.000
<v Speaker 1>gotten somewhat better and gotten somewhat worse because just recently,

1:03:10.200 --> 1:03:14.400
<v Speaker 1>actually I was helping my nephew with his homework and uh,

1:03:14.760 --> 1:03:18.560
<v Speaker 1>Sitting Bull was addressed Chief Sitting Bull, and they talked

1:03:18.600 --> 1:03:21.840
<v Speaker 1>a little bit about the battle a little big horn,

1:03:22.080 --> 1:03:24.919
<v Speaker 1>just what it was, and you know that Sitting Bull

1:03:25.040 --> 1:03:28.240
<v Speaker 1>was there. Then they followed it up like the next

1:03:28.280 --> 1:03:31.360
<v Speaker 1>page was about Golden Mirror. I think it's how you

1:03:31.400 --> 1:03:34.440
<v Speaker 1>say it. Who was the fourth prime Minister of Israel

1:03:34.720 --> 1:03:40.680
<v Speaker 1>oh and asked how was Goldenmeir and Sitting Bull alike?

1:03:41.480 --> 1:03:45.360
<v Speaker 1>And I was like, excuse me, oh my god. Yeah,

1:03:45.440 --> 1:03:47.800
<v Speaker 1>I was like, first of all, we never even learned

1:03:47.800 --> 1:03:51.760
<v Speaker 1>about Israel like at all through my K through twelve education,

1:03:52.360 --> 1:03:55.120
<v Speaker 1>like saying, none of it, not at all. I don't

1:03:55.120 --> 1:03:58.040
<v Speaker 1>even think we learned about Sitting Bull in my K

1:03:58.160 --> 1:04:00.720
<v Speaker 1>through twelve. You know, I think I learned about that

1:04:01.520 --> 1:04:03.880
<v Speaker 1>like on my own, just because of who my family is.

1:04:04.240 --> 1:04:06.320
<v Speaker 1>And it's like, so the one time you're bringing up

1:04:07.120 --> 1:04:12.800
<v Speaker 1>Israel and Sitting Bull is to compare those two. And

1:04:13.040 --> 1:04:17.280
<v Speaker 1>I wrote a very very angry email to my nephew's principle,

1:04:17.520 --> 1:04:19.960
<v Speaker 1>So yeah, it.

1:04:19.960 --> 1:04:24.080
<v Speaker 4>Shouldn't fault you. But I'm oh glad that people are

1:04:24.240 --> 1:04:27.240
<v Speaker 4>keeping their eyes piled for it, because that's that's absurd.

1:04:27.560 --> 1:04:32.280
<v Speaker 3>Like it goes without saying that Israel is the pilgrims,

1:04:32.560 --> 1:04:37.720
<v Speaker 3>is the colonizers decimating an entire indigenous population.

1:04:38.440 --> 1:04:41.960
<v Speaker 1>And I was very much like, listen, if this woman

1:04:42.200 --> 1:04:45.000
<v Speaker 1>was anything like Sitting Bull, the United States would not

1:04:45.280 --> 1:04:47.920
<v Speaker 1>be backing Israel, just so you.

1:04:47.920 --> 1:04:52.280
<v Speaker 4>Know, like, yeah, they are the colonizers, it's their whole

1:04:52.400 --> 1:04:56.000
<v Speaker 4>fucking thing. I mean it is it yeah again, And

1:04:56.040 --> 1:04:58.480
<v Speaker 4>it's like it's tricky because I think we've had this

1:04:58.520 --> 1:05:02.360
<v Speaker 4>conversation on the show before. It's it is like one

1:05:02.480 --> 1:05:05.440
<v Speaker 4>movie is not going to be able to make up

1:05:05.560 --> 1:05:10.960
<v Speaker 4>for years of miseducation, but it can help. And this

1:05:11.200 --> 1:05:16.640
<v Speaker 4>is a scene that I think is an example of that. Yeah,

1:05:16.720 --> 1:05:20.600
<v Speaker 4>I have for I have a whole section. I need to,

1:05:20.680 --> 1:05:23.440
<v Speaker 4>I think, process this whole Camp Squanta thing because I'm

1:05:23.440 --> 1:05:27.400
<v Speaker 4>still thinking so much about that, Like I double checked

1:05:27.800 --> 1:05:30.240
<v Speaker 4>current stuff hanging at the camp just to see him,

1:05:30.240 --> 1:05:33.800
<v Speaker 4>Like has the messaging changed at all? It hasn't, and

1:05:34.200 --> 1:05:36.760
<v Speaker 4>you know it instead of being presented as oh, the

1:05:36.880 --> 1:05:43.080
<v Speaker 4>translator for the pilgrims in Plymouth, where the truth, of

1:05:43.120 --> 1:05:46.600
<v Speaker 4>course is far more complicated and horrific, is that he

1:05:47.520 --> 1:05:51.800
<v Speaker 4>was overseas and returned to North America and his entire

1:05:51.880 --> 1:05:55.600
<v Speaker 4>village was gone and it'd been replaced with Plymouth Plantation.

1:05:56.640 --> 1:06:00.520
<v Speaker 4>And that is certainly not acknowledged within the walls of

1:06:00.520 --> 1:06:04.160
<v Speaker 4>Campsquanto because that doesn't feel good to hear. And I

1:06:04.200 --> 1:06:07.080
<v Speaker 4>feel like that is a lot of what is satirized

1:06:07.080 --> 1:06:12.560
<v Speaker 4>in this Christine Baranski and other guy Gary Couple here

1:06:12.640 --> 1:06:15.240
<v Speaker 4>is like they are in a way that like I

1:06:15.240 --> 1:06:17.600
<v Speaker 4>think is like written pretty well of like they are

1:06:17.760 --> 1:06:22.840
<v Speaker 4>so determined to appropriate the hell and misrepresent the hell

1:06:22.880 --> 1:06:25.280
<v Speaker 4>out of any aspect of Native culture that they can

1:06:25.680 --> 1:06:28.720
<v Speaker 4>accept the parts that don't feel good to hear. And

1:06:28.760 --> 1:06:32.480
<v Speaker 4>that is there's that great line that I think they

1:06:32.600 --> 1:06:38.080
<v Speaker 4>kind of split about privilege. What is it privileged young

1:06:38.120 --> 1:06:40.800
<v Speaker 4>adults and we're all here to learn, to grow and

1:06:40.840 --> 1:06:43.840
<v Speaker 4>to just have plain fun because that's what being privileged

1:06:43.920 --> 1:06:47.680
<v Speaker 4>is all about. And like doing that in the context

1:06:47.880 --> 1:06:52.160
<v Speaker 4>of misrepresenting and stealing Native culture for their own purposes

1:06:52.520 --> 1:06:56.400
<v Speaker 4>unfortunately completely tracks. And I do appreciate that the movie,

1:06:56.600 --> 1:07:00.520
<v Speaker 4>for its faults, does seem to know that. I also like,

1:07:00.840 --> 1:07:04.080
<v Speaker 4>did they know that Pocahontas was in production when this

1:07:04.240 --> 1:07:06.960
<v Speaker 4>was made? Because they have they have it out for

1:07:07.040 --> 1:07:07.919
<v Speaker 4>Disney in this one.

1:07:08.000 --> 1:07:14.720
<v Speaker 5>It's very satisfying, maybe because I remember, I guess around

1:07:14.800 --> 1:07:18.800
<v Speaker 5>that time, like because Pocahontas and The Lion King were

1:07:19.120 --> 1:07:20.360
<v Speaker 5>both being animated at the.

1:07:20.320 --> 1:07:25.200
<v Speaker 1>Same time, and Disney wanted that Oscar Gold and thought that, oh,

1:07:25.240 --> 1:07:27.600
<v Speaker 1>we'll get it with Pocahontas this time and make it

1:07:27.800 --> 1:07:30.040
<v Speaker 1>edgy an adult, you know.

1:07:30.120 --> 1:07:31.080
<v Speaker 3>Make her sexy.

1:07:31.520 --> 1:07:38.280
<v Speaker 1>The gross, so gross nine nine, she was nine.

1:07:39.520 --> 1:07:39.880
<v Speaker 3>I did.

1:07:40.040 --> 1:07:43.040
<v Speaker 4>I did. Like the the other aspect of the like

1:07:43.640 --> 1:07:46.760
<v Speaker 4>the camp being that if you disagree with them, they

1:07:46.760 --> 1:07:50.720
<v Speaker 4>will try to basically clockwork orange you by making you

1:07:50.800 --> 1:07:54.880
<v Speaker 4>watch The Little Mermaid a trillion times, and that Wednesday,

1:07:55.800 --> 1:07:56.840
<v Speaker 4>Wednesday is stronger.

1:07:57.920 --> 1:08:01.280
<v Speaker 3>Yeah, like you said, Ellie, she's you can imagine, she's

1:08:01.360 --> 1:08:06.080
<v Speaker 3>just like sitting there as like Ariels singing part of

1:08:06.120 --> 1:08:09.080
<v Speaker 3>this world or whatever, just like plotting. Like yes, I

1:08:09.120 --> 1:08:11.480
<v Speaker 3>will pretend to agree to be in the play so

1:08:11.520 --> 1:08:16.439
<v Speaker 3>that I can, you know, derail the play and give

1:08:16.720 --> 1:08:22.320
<v Speaker 3>this monologue. I read a couple pieces by Native writers,

1:08:22.600 --> 1:08:27.679
<v Speaker 3>one by Sasha la Point in huff Post in twenty

1:08:27.720 --> 1:08:32.720
<v Speaker 3>twenty entitled as an Indigenous woman, I always hate Thanksgiving

1:08:32.880 --> 1:08:36.320
<v Speaker 3>This year, I'm terrified of it in reference to people

1:08:36.520 --> 1:08:40.880
<v Speaker 3>gathering a few months after COVID broke out, and then

1:08:40.920 --> 1:08:44.440
<v Speaker 3>the other piece I read is by author Alyssa Washuota

1:08:44.760 --> 1:08:50.320
<v Speaker 3>in twenty seventeen in a publication called Electric Lit, entitled Wednesday,

1:08:50.320 --> 1:08:54.360
<v Speaker 3>Adams is just another Settler. In both pieces, the writers

1:08:54.360 --> 1:08:59.040
<v Speaker 3>discuss their relationship to Thanksgiving and their relationship to this

1:08:59.240 --> 1:09:05.400
<v Speaker 3>scene in Adam's family values, how they celebrated and or

1:09:05.560 --> 1:09:09.439
<v Speaker 3>connected to the scene in their youth, but both say

1:09:09.479 --> 1:09:13.599
<v Speaker 3>that like it's not enough. Though of course, white people

1:09:13.800 --> 1:09:17.960
<v Speaker 3>like Wednesday Adams are still sellers on stolen Land. Liberation

1:09:18.120 --> 1:09:20.960
<v Speaker 3>isn't going to happen via sharing this clip from the

1:09:21.000 --> 1:09:25.160
<v Speaker 3>movie on social media on Thanksgiving, solidarity and allyship from

1:09:25.200 --> 1:09:28.160
<v Speaker 3>white people has to be a lot more meaningful and impactful,

1:09:29.120 --> 1:09:32.960
<v Speaker 3>and both pieces are definitely worth reading. We'll provide the

1:09:33.640 --> 1:09:34.559
<v Speaker 3>links to those.

1:09:34.680 --> 1:09:37.519
<v Speaker 1>But that makes me happy to hear though I know

1:09:37.600 --> 1:09:39.920
<v Speaker 1>that you know, both of those were released, you know,

1:09:39.920 --> 1:09:44.280
<v Speaker 1>a couple of years ago, but especially how relevant it is,

1:09:44.360 --> 1:09:47.640
<v Speaker 1>Like again, going back to Jonathan Joss, it's you know,

1:09:48.360 --> 1:09:52.000
<v Speaker 1>his husband has been very vocal saying, you know, like

1:09:52.400 --> 1:09:56.320
<v Speaker 1>please keep putting pressure on the fact that this was

1:09:56.360 --> 1:10:01.920
<v Speaker 1>a hate crime against gay indigenous man, you know, put

1:10:01.960 --> 1:10:07.360
<v Speaker 1>pressure on the police. And surprisingly every new piece of

1:10:07.400 --> 1:10:10.920
<v Speaker 1>information about Jonathan Joss is worse than the last, and

1:10:10.960 --> 1:10:14.519
<v Speaker 1>it's been very traumatizing, like just this past week, you

1:10:14.600 --> 1:10:22.280
<v Speaker 1>know alone. But I really appreciate how much this man

1:10:22.479 --> 1:10:26.760
<v Speaker 1>was loved by so many people, because it sounds like

1:10:26.880 --> 1:10:31.440
<v Speaker 1>the police, the San Antonio Police Department was severely underestimated

1:10:31.479 --> 1:10:34.960
<v Speaker 1>how much people would have cared about this, like oh

1:10:35.000 --> 1:10:37.840
<v Speaker 1>it's another gay guy. Oh it's another dead Indian and

1:10:38.600 --> 1:10:43.760
<v Speaker 1>everyone's like, oh no, actually absolutely not. We're not just

1:10:43.800 --> 1:10:49.320
<v Speaker 1>gonna gloss over this murder that happened, you know, And

1:10:50.439 --> 1:10:53.800
<v Speaker 1>again like that's another example of using your solidarity, not

1:10:53.920 --> 1:10:57.080
<v Speaker 1>just sharing, you know, a very cathartic, awesome clip from

1:10:57.120 --> 1:11:01.000
<v Speaker 1>your favorite movie, but being like this is their phone number,

1:11:01.400 --> 1:11:03.479
<v Speaker 1>this is who you can call, this is you know,

1:11:03.640 --> 1:11:06.760
<v Speaker 1>post on social media, send money to the GoFundMe. I

1:11:07.080 --> 1:11:10.080
<v Speaker 1>heard that the husband doesn't want any more GoFundMe donations,

1:11:10.080 --> 1:11:13.559
<v Speaker 1>but you know, using your platform, which I hope that

1:11:13.720 --> 1:11:17.439
<v Speaker 1>the Parks and Rec and King of the Hill people

1:11:17.560 --> 1:11:20.639
<v Speaker 1>will step up and put a little bit more pressure

1:11:20.680 --> 1:11:24.120
<v Speaker 1>on it with their platforms. But we'll see, because I

1:11:24.160 --> 1:11:27.839
<v Speaker 1>saw how they treated them at that panel, so hopefully

1:11:27.840 --> 1:11:29.080
<v Speaker 1>Park Rec does better.

1:11:29.400 --> 1:11:32.800
<v Speaker 4>I've been so disappointed to see how I mean, not

1:11:32.880 --> 1:11:35.880
<v Speaker 4>that we expect anything from Chris Pratt, but Chris Pratt,

1:11:35.920 --> 1:11:38.440
<v Speaker 4>I think, is the only person who is like acknowledged

1:11:38.439 --> 1:11:41.000
<v Speaker 4>it in a public way, in a half assed, useless way,

1:11:41.160 --> 1:11:45.800
<v Speaker 4>and all of the acknowledgments that he isn't here don't

1:11:45.840 --> 1:11:49.000
<v Speaker 4>acknowledge the fact that he was murdered. It's just very

1:11:49.160 --> 1:11:52.839
<v Speaker 4>like I read I was reading through just public statements

1:11:52.880 --> 1:11:55.400
<v Speaker 4>made for the most part, it's like you would think

1:11:55.439 --> 1:11:57.280
<v Speaker 4>he died in his sleep, you.

1:11:57.200 --> 1:11:59.760
<v Speaker 3>Know, like you just it's disgusting.

1:12:00.040 --> 1:12:05.360
<v Speaker 4>Especially I'm like Amy Poehlard couldn't have a huger platform, why,

1:12:05.479 --> 1:12:05.680
<v Speaker 4>you know.

1:12:06.160 --> 1:12:08.080
<v Speaker 3>I hope she steps up. I hope they all do.

1:12:08.720 --> 1:12:11.680
<v Speaker 1>So if you love this scene and Adam's family values,

1:12:12.280 --> 1:12:15.000
<v Speaker 1>do something awesome this year for Pride and step up

1:12:15.000 --> 1:12:19.320
<v Speaker 1>for Jonathan Jass. So yeah, anyways.

1:12:18.840 --> 1:12:20.840
<v Speaker 3>I mean, honestly, I don't have that much else to

1:12:20.880 --> 1:12:24.920
<v Speaker 3>talk about with this movie, especially stuff that we didn't

1:12:25.040 --> 1:12:29.080
<v Speaker 3>also cover on our first episode. Yes, about the first movie,

1:12:29.240 --> 1:12:30.320
<v Speaker 3>Corny Parents Rock.

1:12:30.680 --> 1:12:32.400
<v Speaker 4>You know, we talked you could go back to our

1:12:32.439 --> 1:12:34.280
<v Speaker 4>first episode to talk about the ways that the Added

1:12:34.439 --> 1:12:38.400
<v Speaker 4>Family subverts all of these you know, Hollywood tropes in

1:12:38.439 --> 1:12:40.120
<v Speaker 4>this really delightful way. I did want to talk a

1:12:40.120 --> 1:12:44.400
<v Speaker 4>little bit about Debbie, because this is our first rodio

1:12:44.479 --> 1:12:47.680
<v Speaker 4>with Debbie and unfortunately our last. I would love to

1:12:47.800 --> 1:12:50.880
<v Speaker 4>see word Debbie. I think she's a pretty cool, like

1:12:51.200 --> 1:12:56.840
<v Speaker 4>satirical character as well, where she is this like extremely entitled,

1:12:57.640 --> 1:13:01.479
<v Speaker 4>you know, wasp by murderer. It's an interesting idea for

1:13:01.520 --> 1:13:05.360
<v Speaker 4>a character. Yeah, and she's just she's killing guys. She's

1:13:05.439 --> 1:13:09.000
<v Speaker 4>just she's just walking around killing killing rich guys, and.

1:13:09.080 --> 1:13:13.240
<v Speaker 3>She's manipulating them, she's doming them, she's making them get makeovers,

1:13:14.280 --> 1:13:19.000
<v Speaker 3>stealing from them, murdering them. It's honestly iconic.

1:13:19.600 --> 1:13:23.680
<v Speaker 1>I like that she's very feminine and very pretty and

1:13:23.800 --> 1:13:30.000
<v Speaker 1>where's you know, like white Sellstels, but is also very

1:13:30.120 --> 1:13:35.439
<v Speaker 1>dark and very like unhinged and very angry. It's a

1:13:35.439 --> 1:13:39.320
<v Speaker 1>great character. It's like girl you and more should have

1:13:39.439 --> 1:13:44.200
<v Speaker 1>just hooked up and Orkard Gomez lovingly because he would

1:13:44.200 --> 1:13:44.840
<v Speaker 1>have loved it.

1:13:45.040 --> 1:13:48.360
<v Speaker 3>And yes, the thing could be there, you know whatever.

1:13:48.600 --> 1:13:51.800
<v Speaker 4>I like that they don't try to like I don't know, well,

1:13:51.800 --> 1:13:54.240
<v Speaker 4>they do justify her actions quote unquote where they give

1:13:54.240 --> 1:13:57.160
<v Speaker 4>her like villain origin story, but it's so silly. It's

1:13:57.160 --> 1:14:00.439
<v Speaker 4>the ballet bou barbie thing where Yeah, I think a

1:14:00.479 --> 1:14:02.160
<v Speaker 4>lot of times we get I mean I think I

1:14:02.160 --> 1:14:04.639
<v Speaker 4>complain about this all the time, and especially more recent

1:14:04.680 --> 1:14:10.000
<v Speaker 4>Disney movies, where the villainous behavior is contextualized through like

1:14:10.560 --> 1:14:14.400
<v Speaker 4>you know, something that almost feels like it's excusing the behavior.

1:14:14.439 --> 1:14:14.879
<v Speaker 3>Itself.

1:14:14.920 --> 1:14:18.800
<v Speaker 4>They're like, well, yeah, as tough childhood. So that's why

1:14:18.840 --> 1:14:20.720
<v Speaker 4>he killed all those people, you know, like.

1:14:20.760 --> 1:14:23.519
<v Speaker 3>And that's why they deserve a redemption.

1:14:23.800 --> 1:14:27.640
<v Speaker 4>Right, right, And Debbie Jelinsky couldn't get less of a

1:14:28.120 --> 1:14:33.320
<v Speaker 4>redemption arc if she tried. She dies like several times,

1:14:34.040 --> 1:14:37.840
<v Speaker 4>and that, you know, her villain origin story is ridiculous.

1:14:37.880 --> 1:14:41.600
<v Speaker 4>It's like she's just like, I think whatever, this representation

1:14:41.720 --> 1:14:45.160
<v Speaker 4>of someone who is just like absolutely a selfish consumer

1:14:45.200 --> 1:14:50.520
<v Speaker 4>to her bones, literally her bones, because she's crevated.

1:14:51.680 --> 1:14:57.400
<v Speaker 1>I also love that Debbie's evilness isn't tied to oh

1:14:57.439 --> 1:15:01.719
<v Speaker 1>I hate this other woman for being pretty or something,

1:15:01.880 --> 1:15:05.520
<v Speaker 1>you know, like she doesn't really like. She and Mortitia

1:15:05.600 --> 1:15:08.519
<v Speaker 1>are on opposite ends of the spectrum, but I wouldn't

1:15:08.520 --> 1:15:12.439
<v Speaker 1>say that, you know, they're at odds as far as

1:15:12.640 --> 1:15:15.439
<v Speaker 1>you know, oh she's prettier and oh she's got more money,

1:15:15.800 --> 1:15:18.280
<v Speaker 1>you know, which would have been super boring.

1:15:18.880 --> 1:15:19.240
<v Speaker 4>Yeah.

1:15:19.280 --> 1:15:22.280
<v Speaker 1>I love Martitia also is in you know, like I'm

1:15:22.320 --> 1:15:24.880
<v Speaker 1>not like other girls like and response to it. It's

1:15:24.880 --> 1:15:28.800
<v Speaker 1>just fucking beneath her and for her killing all of

1:15:28.840 --> 1:15:32.320
<v Speaker 1>these dudes. I never got like this faux feminist vibe

1:15:32.320 --> 1:15:34.320
<v Speaker 1>from it, you know, like, especially in the nineties where

1:15:34.360 --> 1:15:37.679
<v Speaker 1>it's like feminism is man hating and blah blah blah.

1:15:37.680 --> 1:15:38.760
<v Speaker 3>You know, Yeah, she.

1:15:39.080 --> 1:15:45.519
<v Speaker 1>Just wants money, which valid don't get married, just get cash.

1:15:46.000 --> 1:15:48.800
<v Speaker 4>Yeah, she's doing a series of neutral acts. I think

1:15:49.840 --> 1:15:53.360
<v Speaker 4>she I Yeah, I like jumping off that point. I

1:15:53.400 --> 1:15:57.960
<v Speaker 4>think if Debbie was the only woman we met in

1:15:58.000 --> 1:16:00.719
<v Speaker 4>this movie, I would have some issue with it because

1:16:00.720 --> 1:16:02.639
<v Speaker 4>it's like, if you only get to know one woman

1:16:02.720 --> 1:16:07.880
<v Speaker 4>and she's extremely selfish and horrible and evil, you know,

1:16:07.920 --> 1:16:10.080
<v Speaker 4>that's something to talk about. But we get such a

1:16:10.840 --> 1:16:14.280
<v Speaker 4>range of types of women, especially in the Adams family,

1:16:14.320 --> 1:16:18.160
<v Speaker 4>like Martitia. Yeah, I love that. Martitia's like, I respect

1:16:18.160 --> 1:16:22.720
<v Speaker 4>what you're doing, but you look tacky doing it. Wednesday. Uh,

1:16:23.080 --> 1:16:26.800
<v Speaker 4>I mean you have you even have a range of

1:16:27.160 --> 1:16:30.920
<v Speaker 4>types of horrible waspy white lady. Debbie Jolinsky and Christine

1:16:30.920 --> 1:16:35.360
<v Speaker 4>Baranski's character are different flavors of terrible person and I

1:16:35.400 --> 1:16:37.599
<v Speaker 4>think Christine Baranski's far worse.

1:16:38.680 --> 1:16:41.800
<v Speaker 3>Yes, and then you've got the Amanda the little rich

1:16:41.880 --> 1:16:45.479
<v Speaker 3>girl character. Yes, another brand of that.

1:16:46.160 --> 1:16:48.519
<v Speaker 4>Yeah, there's I guess maybe it's because we were recovering

1:16:48.560 --> 1:16:51.920
<v Speaker 4>camp Rock too, but I was like, the it's such

1:16:51.960 --> 1:16:55.719
<v Speaker 4>a it's such a stock character, like the bitchy blonde

1:16:55.760 --> 1:16:56.880
<v Speaker 4>girl at camp.

1:16:57.160 --> 1:17:01.400
<v Speaker 1>And she probably wouldn't have been the bad if it

1:17:01.439 --> 1:17:06.200
<v Speaker 1>wasn't an Adam's Family movie. But what was interesting to

1:17:06.280 --> 1:17:09.960
<v Speaker 1>me about Amanda's character was like, this is very clearly

1:17:10.800 --> 1:17:15.479
<v Speaker 1>a child repeating the things that her parents and her

1:17:15.520 --> 1:17:19.960
<v Speaker 1>teachers were telling her. You know. She like, if you

1:17:20.040 --> 1:17:22.680
<v Speaker 1>don't know, you don't know, and you only know what

1:17:22.960 --> 1:17:26.360
<v Speaker 1>the adults around you are telling you or not telling you.

1:17:27.160 --> 1:17:31.439
<v Speaker 1>And adults weaponize this all the time, you know, because

1:17:31.479 --> 1:17:34.680
<v Speaker 1>it's like, oh, well, you can't get mad and you

1:17:34.720 --> 1:17:37.720
<v Speaker 1>can't say anything because it's a child, you know, Like,

1:17:37.760 --> 1:17:39.600
<v Speaker 1>what are you going to do? Bully a kid for

1:17:39.680 --> 1:17:43.519
<v Speaker 1>being racist? They don't know any better, and uh have.

1:17:43.479 --> 1:17:45.040
<v Speaker 4>To fucking talk to them.

1:17:45.400 --> 1:17:48.719
<v Speaker 1>You have to do better. And they'll run into someone

1:17:48.760 --> 1:17:51.760
<v Speaker 1>like Wednesday, who will you know, scalp them and burn

1:17:51.800 --> 1:17:54.599
<v Speaker 1>their village to the ground. We'll walk around and find.

1:17:54.400 --> 1:17:58.560
<v Speaker 4>Out, Yeah, she will not forget that anytime soon. I

1:17:59.240 --> 1:18:02.040
<v Speaker 4>do think it's tricky with a character like Wednesday specifically,

1:18:02.120 --> 1:18:06.440
<v Speaker 4>I it seems like this is this dynamic is adjusted

1:18:06.520 --> 1:18:09.639
<v Speaker 4>somewhat in the Netflix series so that Wednesday can have

1:18:09.720 --> 1:18:14.400
<v Speaker 4>a friend I'm pretty sure, not sure, but this iteration

1:18:14.760 --> 1:18:18.640
<v Speaker 4>of Wednesday, like she's not going to be building a coalition.

1:18:19.000 --> 1:18:23.120
<v Speaker 4>That's just not what she's gonna do. So, you know,

1:18:23.160 --> 1:18:25.400
<v Speaker 4>I think the result of that is like you can't there.

1:18:25.520 --> 1:18:27.920
<v Speaker 4>You probably could have squeezed a little more. And it's

1:18:27.960 --> 1:18:30.479
<v Speaker 4>not that I wanted to admit a character on screen more,

1:18:30.560 --> 1:18:32.960
<v Speaker 4>but I feel like you could have gotten a little

1:18:33.000 --> 1:18:35.559
<v Speaker 4>more nuanced, like you were just describing Ali of like

1:18:35.800 --> 1:18:38.720
<v Speaker 4>we see that her parents are racist, but there's not

1:18:38.760 --> 1:18:42.280
<v Speaker 4>an explicit connection of she is parroting what her parents

1:18:42.280 --> 1:18:45.240
<v Speaker 4>are saying, because she does say like, you know, she's

1:18:45.240 --> 1:18:48.920
<v Speaker 4>not just racist, she's also very classist. She you know,

1:18:49.000 --> 1:18:52.559
<v Speaker 4>when they talk about, you know, uncle Fester is marrying

1:18:52.680 --> 1:18:57.280
<v Speaker 4>the help and I don't know, this movie will choose

1:18:57.280 --> 1:19:00.600
<v Speaker 4>a one liner over almost anything, so it's not like

1:19:00.600 --> 1:19:02.920
<v Speaker 4>we're going to get a deep insight into this very

1:19:02.960 --> 1:19:06.719
<v Speaker 4>toxic dynamic in Adam's family values. And not being said,

1:19:07.120 --> 1:19:11.200
<v Speaker 4>I do love that exchange between her and Wednesday where

1:19:11.360 --> 1:19:13.920
<v Speaker 4>Amanda's like, I'll be the victim and Wednesday is like

1:19:14.040 --> 1:19:18.360
<v Speaker 4>all your life. It's so good.

1:19:18.520 --> 1:19:23.759
<v Speaker 1>I also love Okay, as soon as Fester comes back,

1:19:24.320 --> 1:19:26.600
<v Speaker 1>you know, and Gomez is on his deathbed, you know,

1:19:27.040 --> 1:19:30.080
<v Speaker 1>his heart is broken because he lost his brother, and

1:19:30.280 --> 1:19:33.800
<v Speaker 1>as soon as Fester comes back, it's just immediate love

1:19:33.880 --> 1:19:37.840
<v Speaker 1>and support, like we know, you know, it's not. Wednesday

1:19:37.840 --> 1:19:40.720
<v Speaker 1>has a moment where she's like, you know, you sent

1:19:40.880 --> 1:19:43.479
<v Speaker 1>us a camp and they made us sing, you know,

1:19:43.840 --> 1:19:47.719
<v Speaker 1>but she gets over it because that's their their unit,

1:19:48.040 --> 1:19:52.240
<v Speaker 1>that's their family, and it's just such a nice example

1:19:52.439 --> 1:19:57.280
<v Speaker 1>of how to care for your family when they come

1:19:57.400 --> 1:20:01.320
<v Speaker 1>back from a very abusive, toxic relationship up which you

1:20:01.360 --> 1:20:04.200
<v Speaker 1>know of all families do. To see Adam's family.

1:20:05.479 --> 1:20:09.799
<v Speaker 3>I love the part right after Fester returns and Gomez

1:20:09.880 --> 1:20:12.160
<v Speaker 3>is kind of in disbelief about it, and he's just

1:20:12.200 --> 1:20:18.640
<v Speaker 3>like you are, mister Debbie, and I'm like, mister Debbie. Hilarious.

1:20:20.120 --> 1:20:22.920
<v Speaker 4>They kind of they match each other's freaking a kind

1:20:22.920 --> 1:20:25.439
<v Speaker 4>of interesting way. I wasn't not rooting for.

1:20:25.479 --> 1:20:29.760
<v Speaker 3>Them back to Wednesday really quick, though I would have.

1:20:30.080 --> 1:20:31.920
<v Speaker 3>I mean to me, it feels like they kind of

1:20:32.000 --> 1:20:36.680
<v Speaker 3>wedge in an unnecessary hetero love story.

1:20:36.840 --> 1:20:39.520
<v Speaker 4>There very studio notes.

1:20:40.200 --> 1:20:43.719
<v Speaker 3>And look I Joel as a character I enjoy very much.

1:20:44.120 --> 1:20:48.799
<v Speaker 3>And you know, a camp crush that's familiar people can.

1:20:48.720 --> 1:20:51.040
<v Speaker 4>But it's beneath Wednesday Adams.

1:20:51.160 --> 1:20:56.120
<v Speaker 3>Yeah, yeah, I do like that he comes over at

1:20:56.120 --> 1:20:58.479
<v Speaker 3>the very end of the movie and is now like

1:20:58.720 --> 1:21:02.920
<v Speaker 3>dressing like and Adams, and he basically gives up his

1:21:03.080 --> 1:21:06.360
<v Speaker 3>identity for a girl, and I think more men should

1:21:06.360 --> 1:21:06.559
<v Speaker 3>do that.

1:21:07.000 --> 1:21:11.200
<v Speaker 1>So and I love how how it ends where she's like,

1:21:11.200 --> 1:21:15.080
<v Speaker 1>I would scare him to death, you know, I assume

1:21:15.400 --> 1:21:19.360
<v Speaker 1>he does so does kill him. And I feel like

1:21:19.479 --> 1:21:23.120
<v Speaker 1>Wednesday is just like Debbie, that's how it's done. You

1:21:23.200 --> 1:21:26.320
<v Speaker 1>were slappy because they're over her grave as they do.

1:21:26.320 --> 1:21:27.519
<v Speaker 1>It's good.

1:21:28.920 --> 1:21:31.760
<v Speaker 4>I also liked with with Joel. It's again it's it's

1:21:31.800 --> 1:21:35.799
<v Speaker 4>a very like not a harped upon point. But Joel

1:21:36.160 --> 1:21:39.479
<v Speaker 4>is from a Jewish family, and his family is very

1:21:40.000 --> 1:21:45.160
<v Speaker 4>racist toward natives, and he clearly, like I think the Joel,

1:21:45.200 --> 1:21:47.880
<v Speaker 4>we get a little closer to like what you would

1:21:47.960 --> 1:21:50.920
<v Speaker 4>hope for in a character like Amanda, where his parents

1:21:50.920 --> 1:21:53.840
<v Speaker 4>are just as racist as hers are, but he is

1:21:54.640 --> 1:21:58.479
<v Speaker 4>resisting it and you know, actually trying to learn because

1:21:58.479 --> 1:21:59.760
<v Speaker 4>he reads, because he reads.

1:21:59.800 --> 1:22:01.560
<v Speaker 3>He's he reads books.

1:22:01.240 --> 1:22:04.639
<v Speaker 4>Right right, which I mean even you know, hopefully he's

1:22:04.680 --> 1:22:07.920
<v Speaker 4>just choosing authors and sources carefully.

1:22:07.680 --> 1:22:08.240
<v Speaker 3>Jul.

1:22:09.520 --> 1:22:12.439
<v Speaker 4>But but yeah, like I do like that you have

1:22:12.520 --> 1:22:17.080
<v Speaker 4>an example of this kid who is unquestionably from privilege,

1:22:17.240 --> 1:22:21.559
<v Speaker 4>but is not just wholesale buying into the bullshit that

1:22:21.640 --> 1:22:24.839
<v Speaker 4>his parents believe. I think it's a good good character

1:22:24.920 --> 1:22:26.040
<v Speaker 4>for kids to see.

1:22:26.240 --> 1:22:31.599
<v Speaker 1>And I like that his explicit jewishness is at the wedding.

1:22:32.000 --> 1:22:35.280
<v Speaker 1>So it's not, you know, a joke. It's not you know, like,

1:22:35.960 --> 1:22:37.680
<v Speaker 1>oh the Jewish kid, you know what I mean, Like,

1:22:37.760 --> 1:22:40.240
<v Speaker 1>it's not offensive, it's like, oh, he just happens to

1:22:40.240 --> 1:22:42.679
<v Speaker 1>be Jewish. And when he goes to the wedding, he's

1:22:42.720 --> 1:22:45.360
<v Speaker 1>wearing I think it's called Yamaica. I'm not sure.

1:22:45.400 --> 1:22:47.800
<v Speaker 3>I'm not kidding he's wearing a Yamica, right, Because a

1:22:47.800 --> 1:22:52.040
<v Speaker 3>lot of characters will be coded Jewish in movies but

1:22:52.120 --> 1:22:55.800
<v Speaker 3>not explicitly defined that way. But I think it's safe

1:22:55.840 --> 1:23:00.599
<v Speaker 3>to say that his Yamaica explicitly identifies him as being

1:23:00.640 --> 1:23:01.559
<v Speaker 3>a Jewish kid.

1:23:02.000 --> 1:23:05.120
<v Speaker 4>Which which makes sense with Barry sound and fault. I

1:23:05.120 --> 1:23:08.040
<v Speaker 4>think that's been a very consistent part of like, you know,

1:23:08.120 --> 1:23:11.960
<v Speaker 4>he wants to have good representation of young Jewish characters.

1:23:12.320 --> 1:23:16.280
<v Speaker 3>Right. Shout out to a couple of my favorite lines

1:23:16.400 --> 1:23:21.240
<v Speaker 3>slash jokes mortitious, saying, I'm just like any modern woman

1:23:21.320 --> 1:23:23.759
<v Speaker 3>trying to have it all, a loving husband, a family.

1:23:24.160 --> 1:23:26.160
<v Speaker 3>It's just I wish I had more time to seek

1:23:26.200 --> 1:23:28.880
<v Speaker 3>out the dark forces and join their hellish crusade.

1:23:29.280 --> 1:23:34.400
<v Speaker 4>That's my one thing with this movie that there's so

1:23:34.520 --> 1:23:37.519
<v Speaker 4>much amazing, there's so many great storylines. I just I'm like,

1:23:37.960 --> 1:23:39.519
<v Speaker 4>not enough more Titia for me.

1:23:40.000 --> 1:23:40.320
<v Speaker 3>I need.

1:23:40.360 --> 1:23:42.960
<v Speaker 4>That's like the one thing that we're One of the

1:23:43.000 --> 1:23:45.280
<v Speaker 4>only things that the first movie has the edge over

1:23:45.320 --> 1:23:49.240
<v Speaker 4>the second movie, and is Gomez and Martitia are art

1:23:49.360 --> 1:23:53.400
<v Speaker 4>around for the majority of the action, and which I

1:23:53.439 --> 1:23:56.080
<v Speaker 4>don't know if that was like an availability thing or

1:23:56.120 --> 1:23:59.400
<v Speaker 4>whatever it may be, But I mean, I just always

1:23:59.400 --> 1:24:00.920
<v Speaker 4>want to see Raul.

1:24:00.960 --> 1:24:06.080
<v Speaker 3>Julia's health was failing during the shooting of this movie.

1:24:06.160 --> 1:24:08.080
<v Speaker 4>Oh wait, this is his last film, right, the.

1:24:08.040 --> 1:24:10.599
<v Speaker 3>Last one that he shot. And then something else came

1:24:10.640 --> 1:24:13.080
<v Speaker 3>out after he had passed Street Fighter.

1:24:13.640 --> 1:24:19.479
<v Speaker 4>Yes, wow, Karen, but very nineties, Yes, Okay, that that

1:24:19.520 --> 1:24:20.240
<v Speaker 4>does make sense.

1:24:20.479 --> 1:24:22.160
<v Speaker 3>It could have been that, and maybe they needed to

1:24:22.160 --> 1:24:25.200
<v Speaker 3>make changes to the script to accommodate his health. We're

1:24:25.240 --> 1:24:28.080
<v Speaker 3>not totally sure, but he was missed.

1:24:28.080 --> 1:24:31.519
<v Speaker 4>I also didn't realize that because the grandmother character is

1:24:31.600 --> 1:24:35.719
<v Speaker 4>under so much makeup that it's Carol Kane in this one.

1:24:36.000 --> 1:24:39.880
<v Speaker 4>I didn't didn't know that was her in there. Always

1:24:39.960 --> 1:24:41.479
<v Speaker 4>happy to see Carol Kane.

1:24:42.040 --> 1:24:47.920
<v Speaker 3>Indeed, one of my other favorite jokes is Gomez saying

1:24:47.960 --> 1:24:50.880
<v Speaker 3>to Fester. After Fester is saying how oh he would

1:24:50.920 --> 1:24:54.280
<v Speaker 3>like to one day get married and have children, Gomez says,

1:24:54.520 --> 1:24:57.280
<v Speaker 3>I hope you someday know the indescribable joy of having

1:24:57.400 --> 1:25:02.240
<v Speaker 3>children and paying someone else to raise them. Hilarious, incredible.

1:25:03.760 --> 1:25:05.760
<v Speaker 1>Do you know? Like this movie was so ahead of

1:25:05.760 --> 1:25:09.559
<v Speaker 1>its time anyways, But the fact that Pubert, you know,

1:25:09.640 --> 1:25:12.599
<v Speaker 1>when he is possessed in his blonde and looks like

1:25:15.360 --> 1:25:19.040
<v Speaker 1>the grandma, is like, he could become a lawyer and

1:25:19.080 --> 1:25:23.320
<v Speaker 1>he's not in this house. He could be the president.

1:25:23.600 --> 1:25:26.720
<v Speaker 1>I was like, you know what, that is legitimately terrifying

1:25:26.800 --> 1:25:30.880
<v Speaker 1>now because there are lawyers who voted for Trump and

1:25:30.960 --> 1:25:34.800
<v Speaker 1>Trump became president, and I would definitely be concerned as

1:25:34.840 --> 1:25:36.479
<v Speaker 1>well for my child.

1:25:36.720 --> 1:25:37.600
<v Speaker 3>Oh yes, I do.

1:25:37.800 --> 1:25:38.400
<v Speaker 4>I love that.

1:25:38.520 --> 1:25:38.720
<v Speaker 3>Yeah.

1:25:38.760 --> 1:25:41.200
<v Speaker 4>Their whole thing, like I feel like it hasn't really

1:25:41.240 --> 1:25:45.439
<v Speaker 4>been done effectively since, but does the ideas of like

1:25:45.920 --> 1:25:50.559
<v Speaker 4>them being the least American family in terms of like

1:25:50.640 --> 1:25:54.880
<v Speaker 4>ascribing to these like white supremacist American values and yet

1:25:55.120 --> 1:25:58.679
<v Speaker 4>really thriving all at all times. It's very cool.

1:25:59.439 --> 1:26:01.559
<v Speaker 1>Yeah, I mean, like, when you think about it, it's

1:26:01.640 --> 1:26:05.280
<v Speaker 1>like gom as a Morticia. Not only do they just

1:26:05.520 --> 1:26:09.920
<v Speaker 1>love each other like fiercely, like they are very romantic,

1:26:10.080 --> 1:26:13.719
<v Speaker 1>very sexual, very you know, like on each other's level,

1:26:14.080 --> 1:26:17.200
<v Speaker 1>but they also respect each other. They co parent together.

1:26:17.360 --> 1:26:20.360
<v Speaker 1>It's not like, you know, oh, I'm cleaning up after

1:26:20.439 --> 1:26:25.560
<v Speaker 1>my useless husband while he you know, weaponizes his incompetence.

1:26:26.000 --> 1:26:30.400
<v Speaker 1>You know. It's, uh, it's very interesting, it's very wholesome.

1:26:30.800 --> 1:26:34.320
<v Speaker 1>I also love how they're just so secure in their

1:26:34.360 --> 1:26:38.040
<v Speaker 1>sexuality so much, like they know they're the hottest people

1:26:38.080 --> 1:26:40.760
<v Speaker 1>in the room and the hottest people to each other.

1:26:41.439 --> 1:26:42.080
<v Speaker 3>It's awesome.

1:26:42.520 --> 1:26:44.040
<v Speaker 1>It's it's great goals.

1:26:44.160 --> 1:26:48.240
<v Speaker 3>Yeah, I was just gonna say, hashtag relationship goals. And yeah,

1:26:48.240 --> 1:26:51.080
<v Speaker 3>I think we talk about that in quite a bit

1:26:51.080 --> 1:26:54.240
<v Speaker 3>of depth in our first episode, so if listeners want

1:26:54.280 --> 1:26:59.599
<v Speaker 3>to go back and check that out, we wax poetic

1:26:59.640 --> 1:27:04.720
<v Speaker 3>about it. The last thing I wanted to say was

1:27:05.360 --> 1:27:09.920
<v Speaker 3>Wednesday talking about Gary's play, right after she's initially been

1:27:10.000 --> 1:27:12.560
<v Speaker 3>cast in it, and she's like, I don't want to

1:27:12.600 --> 1:27:15.360
<v Speaker 3>be in this and she says, your work is puerile

1:27:15.520 --> 1:27:19.360
<v Speaker 3>and under dramatized. You lack any sense of structure, character

1:27:19.800 --> 1:27:24.760
<v Speaker 3>or the Aristotelian unities. And it's like us describing most

1:27:24.800 --> 1:27:26.639
<v Speaker 3>movies they cover on the.

1:27:26.600 --> 1:27:35.000
<v Speaker 4>Podcast Wednesday Adams come on the show, Christina, please, Yeah,

1:27:35.000 --> 1:27:36.960
<v Speaker 4>I think that that's all I had. But that was

1:27:37.000 --> 1:27:40.000
<v Speaker 4>a lot. I mean this, this movie gives a lot

1:27:40.040 --> 1:27:43.439
<v Speaker 4>to chew on or however you say that correctly, a

1:27:43.479 --> 1:27:44.840
<v Speaker 4>lot of gristle to.

1:27:45.080 --> 1:27:47.759
<v Speaker 3>That was the word I was chew on. It's another

1:27:47.840 --> 1:27:48.360
<v Speaker 3>weird word.

1:27:49.280 --> 1:27:51.800
<v Speaker 1>Some one did say that Fester and Debbie is like

1:27:51.840 --> 1:27:55.880
<v Speaker 1>Trump and Millennia, but I disagree completely, because Fester adores

1:27:55.960 --> 1:28:00.719
<v Speaker 1>Debbie and Trump doesn't adore anybody except himself and his money.

1:28:00.800 --> 1:28:01.400
<v Speaker 3>That's true.

1:28:02.160 --> 1:28:05.599
<v Speaker 1>Yeah, it's like, guys, why you got a drag Fester? Yeah, no,

1:28:05.920 --> 1:28:08.000
<v Speaker 1>it doesn't deserve that Festers.

1:28:08.160 --> 1:28:10.760
<v Speaker 3>He's had it hard enough. It feels almost subversive to

1:28:10.800 --> 1:28:16.760
<v Speaker 3>me that he's this like love sick, like longing for companionship,

1:28:16.880 --> 1:28:20.240
<v Speaker 3>and he wants to be married so much, and he's

1:28:20.280 --> 1:28:23.880
<v Speaker 3>like he submits to the first woman that shows any

1:28:23.920 --> 1:28:27.360
<v Speaker 3>interest in him. He's you know, he's like a very

1:28:28.080 --> 1:28:29.559
<v Speaker 3>just love sick man.

1:28:29.720 --> 1:28:30.120
<v Speaker 4>I mean, it.

1:28:30.080 --> 1:28:31.320
<v Speaker 3>Feels like to see more of that.

1:28:31.680 --> 1:28:34.960
<v Speaker 4>It feels like they're they like he or Debbie keeps

1:28:34.960 --> 1:28:38.799
<v Speaker 4>waiting for him to feel emasculated, right, and he just doesn't.

1:28:38.920 --> 1:28:39.639
<v Speaker 1>He just doesn't.

1:28:40.360 --> 1:28:41.040
<v Speaker 3>It's not a.

1:28:41.000 --> 1:28:44.519
<v Speaker 4>Part of his makeup. And I'm like, great, I don't know.

1:28:44.640 --> 1:28:48.080
<v Speaker 4>It's he was looking for a woman to throw a

1:28:48.120 --> 1:28:52.160
<v Speaker 4>toaster in his bats up and she found him. Yeah,

1:28:52.439 --> 1:28:56.439
<v Speaker 4>rip Debbie.

1:28:55.320 --> 1:29:00.360
<v Speaker 1>Oh daddy. My mom took personal offense that her name

1:29:00.439 --> 1:29:03.439
<v Speaker 1>was Debbie, just because of how Fester would be like,

1:29:03.800 --> 1:29:06.960
<v Speaker 1>oh Debbie. She's like, stop.

1:29:06.560 --> 1:29:08.720
<v Speaker 3>It wait, is that your mom's name?

1:29:09.080 --> 1:29:13.639
<v Speaker 1>My mom's name was Debbie. I take personal but her

1:29:13.720 --> 1:29:19.439
<v Speaker 1>name is Debbie, just because how dare oh poor mama.

1:29:20.120 --> 1:29:23.479
<v Speaker 3>Does anyone have anything else they'd like to talk about?

1:29:23.960 --> 1:29:24.320
<v Speaker 3>I don't know.

1:29:24.360 --> 1:29:27.160
<v Speaker 1>I like how this movie was as good as it

1:29:27.400 --> 1:29:30.200
<v Speaker 1>was for the run time that it had. It doesn't

1:29:30.240 --> 1:29:33.040
<v Speaker 1>feel like it dragged on for too long, except for

1:29:33.120 --> 1:29:36.240
<v Speaker 1>you know, Fester's O face that dragged on a bit

1:29:36.280 --> 1:29:40.360
<v Speaker 1>too long. But I just watched it this morning with

1:29:40.400 --> 1:29:42.760
<v Speaker 1>my family and we laughed our asses off.

1:29:42.800 --> 1:29:46.240
<v Speaker 3>So it's like a cool ninety four minutes or something

1:29:46.320 --> 1:29:48.800
<v Speaker 3>like that. I love it. We should go back to

1:29:48.800 --> 1:29:53.639
<v Speaker 3>those I know, so I'm always saying the movie does

1:29:53.680 --> 1:30:03.160
<v Speaker 3>pass the Bechdel test where Wednesday and Amanda insult each other,

1:30:04.080 --> 1:30:06.200
<v Speaker 3>Wednesday and Debbie.

1:30:06.680 --> 1:30:10.679
<v Speaker 4>All of the Debbie confrontation that Mortitia and Debbie. There's

1:30:10.720 --> 1:30:12.759
<v Speaker 4>at least one exchange in there that.

1:30:12.840 --> 1:30:15.920
<v Speaker 3>Yeah, Martitia and her mom. I think either mostly talk

1:30:16.000 --> 1:30:21.360
<v Speaker 3>about the baby who's a boy or Gomez, but maybe

1:30:21.400 --> 1:30:24.519
<v Speaker 3>there's a couple quick exchanges. Either way, the movie passes.

1:30:24.920 --> 1:30:26.520
<v Speaker 1>She curses Debbie.

1:30:26.800 --> 1:30:31.320
<v Speaker 3>Oh yeah, that passes. A woman curses, another one cursing Debbie.

1:30:33.600 --> 1:30:38.519
<v Speaker 3>So yeah, lots of passes. Lots of combinations are nipple scale, though,

1:30:38.800 --> 1:30:42.639
<v Speaker 3>where we rate the movie zero to five nipples based

1:30:42.680 --> 1:30:48.360
<v Speaker 3>on examining it through an intersectional feminist lens, I'll give it.

1:30:49.320 --> 1:30:53.960
<v Speaker 3>I think like a three, maybe even as much as

1:30:53.960 --> 1:30:57.240
<v Speaker 3>a three and a half. And maybe that's too generous,

1:30:57.360 --> 1:31:02.960
<v Speaker 3>but considering this is a mainst stream studio movie in

1:31:03.000 --> 1:31:09.040
<v Speaker 3>the early nineties that has a full monologue where a

1:31:09.200 --> 1:31:17.280
<v Speaker 3>character acknowledges land theft and displacement and poverty and class

1:31:17.320 --> 1:31:23.760
<v Speaker 3>disparity between white colonizers and Native people, and that is

1:31:23.840 --> 1:31:31.160
<v Speaker 3>followed by a scene of said colonizers burning like their

1:31:32.520 --> 1:31:36.760
<v Speaker 3>village burning to the ground, and you know, the main

1:31:36.840 --> 1:31:41.080
<v Speaker 3>pilgrim lady being tied up at the stake about to

1:31:41.120 --> 1:31:45.320
<v Speaker 3>be burned. All that like, it's very cathartic. As we've discussed,

1:31:45.479 --> 1:31:50.640
<v Speaker 3>It's not handled perfectly. There are you know, things that

1:31:50.680 --> 1:31:53.400
<v Speaker 3>could have been done a little bit differently, but again

1:31:53.439 --> 1:31:58.160
<v Speaker 3>for the early nineties, it feels pretty groundbreaking for a

1:31:58.200 --> 1:32:01.960
<v Speaker 3>movie to have done that. So and I just you know,

1:32:02.040 --> 1:32:04.800
<v Speaker 3>I love this family. I love the characters who are

1:32:04.840 --> 1:32:08.080
<v Speaker 3>girls and women in this family. They get most of

1:32:08.120 --> 1:32:11.559
<v Speaker 3>the best jokes and laugh lines. I love it when

1:32:12.280 --> 1:32:14.880
<v Speaker 3>women are allowed to be funny and allowed to have

1:32:15.000 --> 1:32:18.919
<v Speaker 3>jokes because so few movies and so a few comedy

1:32:18.960 --> 1:32:23.439
<v Speaker 3>movies let women say the funny things. But most of

1:32:23.479 --> 1:32:28.560
<v Speaker 3>the best jokes are either Mortitia or Wednesday. Mabby is

1:32:28.560 --> 1:32:35.120
<v Speaker 3>pretty funny too, and Debbie's funny too. Yeah, it's great

1:32:35.600 --> 1:32:38.160
<v Speaker 3>every performance. No one does a bad job.

1:32:38.240 --> 1:32:39.839
<v Speaker 4>No one does a bad job in this movie.

1:32:39.960 --> 1:32:42.559
<v Speaker 3>So yeah, three, I'm gonna three and a half and

1:32:43.400 --> 1:32:46.639
<v Speaker 3>I'll give one to Wednesday, one to more Titia, one

1:32:46.680 --> 1:32:51.760
<v Speaker 3>to Debbie. She did nothing wrong, right, maybe Ibbie, And

1:32:51.800 --> 1:32:54.839
<v Speaker 3>I'll give my half nipple to all to the kitten

1:32:56.080 --> 1:32:59.160
<v Speaker 3>maybe got buried alive at the beginning rip. I know,

1:32:59.760 --> 1:33:01.960
<v Speaker 3>I think it escaped. That's my head canon.

1:33:02.680 --> 1:33:04.800
<v Speaker 4>I think I'll make sure at three point five. With

1:33:04.880 --> 1:33:07.760
<v Speaker 4>the understanding that we've talked about a bit, and as

1:33:07.880 --> 1:33:10.880
<v Speaker 4>you talk about in your video, ALLI like that my

1:33:11.160 --> 1:33:12.160
<v Speaker 4>enjoyment of the movie.

1:33:12.240 --> 1:33:12.920
<v Speaker 3>Does you know.

1:33:13.000 --> 1:33:17.320
<v Speaker 4>I would never argue against a Native viewer who was like, no,

1:33:17.400 --> 1:33:19.360
<v Speaker 4>fuck it, it's still doing a lot of the same

1:33:19.880 --> 1:33:22.400
<v Speaker 4>reductive tropes that we see in movies over and over.

1:33:22.520 --> 1:33:25.080
<v Speaker 4>But I agree with the Caitlin that this movie is

1:33:25.200 --> 1:33:29.120
<v Speaker 4>doing this, particularly for its time, something that not only

1:33:29.200 --> 1:33:34.639
<v Speaker 4>were other family directed media not attempting, but in short

1:33:34.760 --> 1:33:39.519
<v Speaker 4>order would be doing the exact opposite with Pocahontas. And

1:33:39.640 --> 1:33:41.760
<v Speaker 4>so the fact that this came out a year and

1:33:41.760 --> 1:33:45.479
<v Speaker 4>a half before Pocahontas, I think is actually it is

1:33:45.680 --> 1:33:49.240
<v Speaker 4>really really worth remembering how these movies are in conversation

1:33:49.360 --> 1:33:53.400
<v Speaker 4>with one another, even though there are shortcomings that this

1:33:53.520 --> 1:33:59.040
<v Speaker 4>movie has and that it is still ultimately centered on whiteness. Yeah,

1:33:59.200 --> 1:34:01.000
<v Speaker 4>I mean, we've talked about most of it. But I

1:34:01.040 --> 1:34:03.839
<v Speaker 4>think that this this movie and this like series in general,

1:34:03.880 --> 1:34:06.960
<v Speaker 4>it just is like an endless amount of opportunities to

1:34:07.080 --> 1:34:11.280
<v Speaker 4>push back on popular white supremacist American narratives, and I

1:34:11.320 --> 1:34:14.320
<v Speaker 4>think this movie is the best example of them really

1:34:14.560 --> 1:34:17.400
<v Speaker 4>swinging for the fences with it. So I'm gonna go

1:34:17.479 --> 1:34:19.719
<v Speaker 4>three and a half nipples, and I'm giving them all

1:34:19.880 --> 1:34:22.959
<v Speaker 4>to the very son Enfeld episode.

1:34:24.280 --> 1:34:26.880
<v Speaker 3>Well, speaking of rip RIP.

1:34:29.280 --> 1:34:34.400
<v Speaker 1>I am giving it four because I loved it. I

1:34:34.439 --> 1:34:37.200
<v Speaker 1>really loved it, just because of how cathartic it was,

1:34:37.360 --> 1:34:41.040
<v Speaker 1>you know, and how it still like holds up now,

1:34:41.320 --> 1:34:45.080
<v Speaker 1>and especially because like it could be made today, but

1:34:45.120 --> 1:34:47.719
<v Speaker 1>then it would be canceled for being woke or something

1:34:47.800 --> 1:34:50.959
<v Speaker 1>equally ridiculous and be like God that was so forced,

1:34:51.080 --> 1:34:55.560
<v Speaker 1>or Wednesday gave that speech you know today, right, but

1:34:56.240 --> 1:35:01.479
<v Speaker 1>still they would be wrong today anyway. So I would

1:35:01.479 --> 1:35:07.280
<v Speaker 1>give my nipples to Mortitia and to Debbie that who

1:35:07.280 --> 1:35:12.599
<v Speaker 1>else can have them? Who else? A thing?

1:35:12.880 --> 1:35:13.240
<v Speaker 3>Why not?

1:35:13.560 --> 1:35:19.559
<v Speaker 1>But he has to watch his name first after got No.

1:35:21.360 --> 1:35:26.960
<v Speaker 4>Really, the of this movie is just doing so much,

1:35:27.280 --> 1:35:32.679
<v Speaker 4>like so much? Why why all the incest implications with

1:35:32.680 --> 1:35:33.720
<v Speaker 4>with the mom right?

1:35:33.800 --> 1:35:35.519
<v Speaker 3>Is thing related to them?

1:35:35.880 --> 1:35:36.400
<v Speaker 1>I hope not?

1:35:36.680 --> 1:35:37.120
<v Speaker 3>I hope not.

1:35:37.439 --> 1:35:39.799
<v Speaker 4>I guess I was talking about the mom thing? Why

1:35:39.720 --> 1:35:43.559
<v Speaker 4>the mom thing? But why is that there? Why is

1:35:43.600 --> 1:35:46.479
<v Speaker 4>that there? I don't know. Also shout out okay, I

1:35:46.680 --> 1:35:49.719
<v Speaker 4>I couldn't tell if the movie. I think the movie

1:35:49.800 --> 1:35:52.960
<v Speaker 4>was poking fun at him a little bit, But I

1:35:53.160 --> 1:35:58.360
<v Speaker 4>liked that Fester was not ashamed or embarrassed or felt

1:35:58.360 --> 1:36:01.160
<v Speaker 4>any which way about saying that he hadn't had sex before.

1:36:02.320 --> 1:36:02.719
<v Speaker 3>Yeah.

1:36:02.800 --> 1:36:05.759
<v Speaker 4>I liked that. I thought that was a cool moment,

1:36:06.200 --> 1:36:10.200
<v Speaker 4>and especially because the contrasted, like the joke of the

1:36:10.240 --> 1:36:14.439
<v Speaker 4>scene is that she is lying about being a virgin,

1:36:14.680 --> 1:36:19.240
<v Speaker 4>because that is something that is valued, especially in white womanhood,

1:36:19.320 --> 1:36:21.800
<v Speaker 4>is you know, purity, blah blah blah and that. But

1:36:21.960 --> 1:36:25.800
<v Speaker 4>it's gross. It's like emasculating if men, you know what

1:36:25.840 --> 1:36:27.360
<v Speaker 4>I'm talking about. But he was like, oh, I'm a

1:36:27.400 --> 1:36:30.639
<v Speaker 4>virgin too, awesome. I was like, I love you love.

1:36:30.680 --> 1:36:33.200
<v Speaker 3>I feel like the movie doesn't really cast judgment on

1:36:33.520 --> 1:36:36.640
<v Speaker 3>him for that. Yeah, but I don't know. I was like,

1:36:36.680 --> 1:36:37.200
<v Speaker 3>probably the.

1:36:37.200 --> 1:36:39.960
<v Speaker 4>Nineteen ninety three I'm sure that that is supposed to

1:36:39.960 --> 1:36:42.640
<v Speaker 4>be a laugh live but it just really endeared me

1:36:42.760 --> 1:36:44.800
<v Speaker 4>to him. And it just is another way that the

1:36:44.800 --> 1:36:50.920
<v Speaker 4>Adams family kind of consistently eschewes these gender norms.

1:36:51.760 --> 1:36:56.360
<v Speaker 3>Well, there you have it. That's our Adams Family Valuees episode. Allie,

1:36:56.360 --> 1:36:59.960
<v Speaker 3>thank you so much for joining us. Where can people

1:37:00.080 --> 1:37:04.439
<v Speaker 3>bull check out your work? Tell us what you'd like

1:37:04.479 --> 1:37:05.000
<v Speaker 3>to plug?

1:37:05.320 --> 1:37:08.720
<v Speaker 1>Okay, so you can visit me on YouTube. That's where

1:37:08.760 --> 1:37:11.000
<v Speaker 1>you'll get like my quality stuff. If you want to

1:37:11.040 --> 1:37:14.519
<v Speaker 1>see my less quality stuff but still entertaining. I guess

1:37:14.880 --> 1:37:19.840
<v Speaker 1>I'm on TikTok. I still run the Ali Nati Test

1:37:20.160 --> 1:37:24.320
<v Speaker 1>on Tumblr, but it's the Aila Dash the Dash Aila

1:37:24.520 --> 1:37:30.599
<v Speaker 1>Dash Test on Tumblr. I also run another blog that's

1:37:31.000 --> 1:37:34.400
<v Speaker 1>not as fun, but I still try to make it pretty,

1:37:34.520 --> 1:37:37.639
<v Speaker 1>you know, like relevant or important. It's called the your

1:37:37.680 --> 1:37:42.639
<v Speaker 1>fave is Anti Native and that one is about It's

1:37:42.720 --> 1:37:45.439
<v Speaker 1>kind of in the vein of your favorite problematic, except

1:37:45.479 --> 1:37:51.960
<v Speaker 1>it focuses specifically on public figures, so actors or politicians

1:37:52.320 --> 1:37:56.439
<v Speaker 1>or world leaders or whoever with like a big public

1:37:56.720 --> 1:38:02.480
<v Speaker 1>influential presence how they have been anti Indigenous with their racism,

1:38:03.000 --> 1:38:06.439
<v Speaker 1>either in the past or currently. So it doesn't like

1:38:06.680 --> 1:38:11.240
<v Speaker 1>just tackle any like rando on the Internet. It's specifically like,

1:38:11.360 --> 1:38:13.720
<v Speaker 1>this is who this person is, this is how you

1:38:13.800 --> 1:38:17.640
<v Speaker 1>know who they are, and this is what they've said,

1:38:17.880 --> 1:38:20.559
<v Speaker 1>you know, And it's less about you know call out

1:38:20.600 --> 1:38:27.559
<v Speaker 1>culture and more about how normalized anti indigenous racism is

1:38:28.200 --> 1:38:32.160
<v Speaker 1>like across a scale, you know, like if our politicians

1:38:32.160 --> 1:38:35.240
<v Speaker 1>and our movie stars and stuff can get away with

1:38:35.320 --> 1:38:38.519
<v Speaker 1>saying it, I mean, of course the people, the rando's

1:38:38.560 --> 1:38:40.479
<v Speaker 1>and the comments are going to feel comfortable saying it,

1:38:41.160 --> 1:38:43.800
<v Speaker 1>you know. So there's a lot of people on there,

1:38:44.280 --> 1:38:48.800
<v Speaker 1>but more creatively, I mean, like my YouTube is the

1:38:48.840 --> 1:38:53.639
<v Speaker 1>place to go for some more fun. And I have

1:38:53.840 --> 1:38:57.599
<v Speaker 1>a project that's coming up soon that should be done

1:38:57.640 --> 1:38:59.320
<v Speaker 1>sometime this week. It was supposed to be do on

1:38:59.400 --> 1:39:03.040
<v Speaker 1>Memorial Day, but me and deadlines since it's not my job.

1:39:03.240 --> 1:39:06.840
<v Speaker 1>So take your time and thank you so much for

1:39:06.880 --> 1:39:09.559
<v Speaker 1>inviting me. I always love coming on. And this is

1:39:09.640 --> 1:39:10.719
<v Speaker 1>number four now.

1:39:10.640 --> 1:39:14.839
<v Speaker 4>Right, yeah, five timer jacket on the way, the jacket

1:39:14.840 --> 1:39:15.360
<v Speaker 4>we makeup.

1:39:15.479 --> 1:39:17.040
<v Speaker 1>I'm so happy you guys aren't sake of me.

1:39:17.760 --> 1:39:20.000
<v Speaker 4>I love you, We love you. Oh my gosh, thank you,

1:39:20.080 --> 1:39:21.360
<v Speaker 4>thank you for coming back.

1:39:21.560 --> 1:39:26.320
<v Speaker 1>Thank you, thank you Megwitch. I did want to say though,

1:39:26.360 --> 1:39:30.080
<v Speaker 1>I wanted to really thank both of you because of

1:39:30.200 --> 1:39:36.439
<v Speaker 1>the search the landfill hashtag that we talked about in

1:39:36.520 --> 1:39:41.639
<v Speaker 1>the Avatar episode, because they found them. Like I try

1:39:41.680 --> 1:39:44.479
<v Speaker 1>to keep you guys in the updated every time new

1:39:44.520 --> 1:39:49.760
<v Speaker 1>information came up, but they found them, and so I

1:39:50.040 --> 1:39:51.880
<v Speaker 1>you know, obviously a lot of people did a lot

1:39:51.920 --> 1:39:56.000
<v Speaker 1>of work, but I think that though talking about it

1:39:56.000 --> 1:39:59.719
<v Speaker 1>on the Beckel Cast probably put it on people's radar,

1:40:00.120 --> 1:40:04.280
<v Speaker 1>otherwise wouldn't have. So I think every little bit helps,

1:40:04.320 --> 1:40:07.240
<v Speaker 1>And I just wanted to thank you guys for doing that, so.

1:40:07.680 --> 1:40:10.200
<v Speaker 4>Literally the least we could do. Thank you, Thank you

1:40:10.280 --> 1:40:13.120
<v Speaker 4>so much for consistently bringing important stories here.

1:40:13.520 --> 1:40:15.920
<v Speaker 1>Let's do the same for Jonathan Johns and give him

1:40:15.920 --> 1:40:16.519
<v Speaker 1>some justice.

1:40:16.760 --> 1:40:20.519
<v Speaker 4>Justice for Jonathan. I still yeah, I literally just checked

1:40:20.520 --> 1:40:23.040
<v Speaker 4>to be like, has anyone else from Parks and Rex

1:40:23.080 --> 1:40:26.280
<v Speaker 4>said anything not at the time of this recording.

1:40:26.800 --> 1:40:28.519
<v Speaker 1>Yeah, so fix that.

1:40:29.200 --> 1:40:33.479
<v Speaker 4>Fucking fix it. Yeah, And with that, let's go, yell,

1:40:34.120 --> 1:40:36.600
<v Speaker 4>let's go shake our fist at Debbie's grave.

1:40:39.560 --> 1:40:47.000
<v Speaker 3>By bye bye. The Bechdel Cast is a production of iHeartMedia,

1:40:47.120 --> 1:40:50.960
<v Speaker 3>hosted by Caitlin Derante and Jamie Loftus, produced by Sophie Lichterman,

1:40:51.240 --> 1:40:54.639
<v Speaker 3>edited by Mola Board. Our theme song was composed by

1:40:54.640 --> 1:40:58.719
<v Speaker 3>Mike Kaplan with vocals by Catherine Voss Krasinski. Our logo

1:40:58.880 --> 1:41:02.080
<v Speaker 3>and merch is designed by Jamie Loftus and a special

1:41:02.120 --> 1:41:06.160
<v Speaker 3>thanks to Aristotle Acevedo. For more information about the podcast,

1:41:06.280 --> 1:41:08.480
<v Speaker 3>please visit link Tree Slash Bechtelcast