WEBVTT - 8. A Sleuth Exclusive, Scott Ehredt tells more about his two year relationship with Rachel Buffett.

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<v Speaker 1>Please be advised this story contains adult content and graphic language.

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<v Speaker 1>Welcome back to Sleuth. I'm Linda Sawyer. In this episode,

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<v Speaker 1>we feature part two of our interview with Rachel Buffett's

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<v Speaker 1>ex boyfriend, Scott Arrett. With so many stories filling his

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<v Speaker 1>years with Rachel, Scott called in after leaving our studio

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<v Speaker 1>to share a few additional memories he candidly revealed for

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<v Speaker 1>our listeners. Hello, Hello, how are you. It's Linda Sawyer

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<v Speaker 1>here from Sleuth. Hey. I just wanted to mention a

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<v Speaker 1>few things that I've It's just a couple of things

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<v Speaker 1>I forgot to talk about because I think they're important.

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<v Speaker 1>Go right ahead. Well, we didn't talk about how I

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<v Speaker 1>met Rachel's parents, which is a bizarre story all in itself. Um,

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<v Speaker 1>I don't if you want to know better than of course. Um,

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<v Speaker 1>it was pretty early on when we were seeing each other,

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<v Speaker 1>and I mean, I don't remember why, but for some reason,

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<v Speaker 1>meeting all times, it got me a hotel room right

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<v Speaker 1>across from the cancel down there to spend the night,

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<v Speaker 1>which they would do occasionally if I was doing something

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<v Speaker 1>like marketing it or something for them. And she got

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<v Speaker 1>all excited because we're staying in a nice hotel room

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<v Speaker 1>or blah blah blah. So she wasn't working that night,

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<v Speaker 1>and I was doing the show and I was looking

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<v Speaker 1>forward to getting out the show, and she was in

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<v Speaker 1>the room over there, or at the pool or whatever,

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<v Speaker 1>having a good time. I got out of the show

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<v Speaker 1>over and she's not there. And there are all these

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<v Speaker 1>text messages on my phone about how she went up

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<v Speaker 1>to seeing karaoke and it was with I think we

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<v Speaker 1>talked about that girl at the Castle that she just

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<v Speaker 1>glommed onto her and brought her into her circle. And

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<v Speaker 1>this is this poor girl had no clue about life

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<v Speaker 1>or what was going on next Sally, you know, she's

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<v Speaker 1>going to parties and showing off her boots for a

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<v Speaker 1>twenty bill because Rachel enjoyed doing that to her. So

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<v Speaker 1>she's with her. And she liked to exert power over

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<v Speaker 1>men and women, is what you're saying. Oh yeah, any

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<v Speaker 1>control she can have over anybody, and especially it was

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<v Speaker 1>to get them to do things that are bizarre that

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<v Speaker 1>they wouldn't normally do because then she wins. She got

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<v Speaker 1>them to do that. So that's all part of the

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<v Speaker 1>manipulation thing that she loved to do. So much. So anyway,

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<v Speaker 1>she um, there were texts on my phone, and there

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<v Speaker 1>were a lot of them, and they were slowly Obviously

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<v Speaker 1>she was getting pretty drunk from the text so I

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<v Speaker 1>tried calling her, I can get a hold of her.

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<v Speaker 1>Finally get I think I got a hold of her,

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<v Speaker 1>and she couldn't tell me where she was. And she

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<v Speaker 1>was with this girl from the Castle and Dave Barnhardt,

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<v Speaker 1>one of the circle of the Taco Tuesday people, you know, um,

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<v Speaker 1>and they're singing karaoke somewhere and she's trying to tell

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<v Speaker 1>where she is. She wants me to come singing. You know,

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<v Speaker 1>I don't know where you are. I don't want to

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<v Speaker 1>go to a bar, but I'm gonna come get you

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<v Speaker 1>because you sound like you wasted. So she finally she

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<v Speaker 1>hands the phone to this other girl and she's kind

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<v Speaker 1>of telling me she doesn't know the name of the

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<v Speaker 1>you know, she's the neighbor of the place, but she

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<v Speaker 1>can tell me exactly where it was. So I'm trying

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<v Speaker 1>to GPS by the name of the place, and to

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<v Speaker 1>make a long story short, I finally got there and

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<v Speaker 1>found the place and it's this seedy little dive bar

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<v Speaker 1>and I walk in and they're all sitting at a

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<v Speaker 1>table and there's some girl I don't know, there's the

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<v Speaker 1>girl from the castle, there's Rachel, and there's Dave and

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<v Speaker 1>Rachel is he's sitting in like a tall at one

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<v Speaker 1>of those tall tables and he sit on like stools,

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<v Speaker 1>and so he's sitting on the tall stool and she's

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<v Speaker 1>kind of like between his legs with her head on

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<v Speaker 1>his chest, and he's playing with her ass and she's

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<v Speaker 1>basically passed out. So I went up and said, okay,

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<v Speaker 1>I'm going to take her home now, and he got

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<v Speaker 1>pretty belligerent. He's still sitting there, and I said, no,

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<v Speaker 1>she's she's going home now. And I looked at her

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<v Speaker 1>and I said you have to go home now, and

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<v Speaker 1>she's kind of incoherently saying yeah, yeah, whatever. And I

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<v Speaker 1>said you want to go home and she said yes,

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<v Speaker 1>So okay, so I'm taking her home now, and he

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<v Speaker 1>got really kind of I forget, but he reached out

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<v Speaker 1>and I don't know if he pushed me or put

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<v Speaker 1>his arm on me or something, and I basically said,

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<v Speaker 1>if you touched me again, I'll rip your arm off

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<v Speaker 1>and beat you over the head with it. Um So

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<v Speaker 1>he was like territorial like a boyfriend. Oh yeah, yeah,

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<v Speaker 1>And so he yells for for security to come over,

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<v Speaker 1>and the bar security comes over. This is what's going on.

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<v Speaker 1>I said, this girl is extraordinarily drunk. Is this bar

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<v Speaker 1>going to keep serving your alcohol? He said, you no, no,

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<v Speaker 1>it's great that I'm taking her home. So they've kind

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<v Speaker 1>of backed off because security was there and said to

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<v Speaker 1>take her home. So I got I took her out

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<v Speaker 1>of the place, and we get out to the parking

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<v Speaker 1>lot and I don't know, cool air or something. She

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<v Speaker 1>came around a little bit and she's kind of sitting

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<v Speaker 1>there in the parking lot and she starts crying, and

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<v Speaker 1>she says, I just can't get away from these people.

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<v Speaker 1>And I realized I didn't realize then. I realized now

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<v Speaker 1>working back at it, that it's whoever she's with at

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<v Speaker 1>the moment that's the manipulation game she's playing. So with him,

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<v Speaker 1>she's playing one game when I showed him take her out.

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<v Speaker 1>Then all of a sudden, she's trying to me, I

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<v Speaker 1>can't get away from the It's not like a kidnapped her,

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<v Speaker 1>you know, she can't get away from these people. What

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<v Speaker 1>the hell does that mean? But at the time. It

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<v Speaker 1>was still early on and I'm still thinking this Port

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<v Speaker 1>girl was so confused and messed up from all this.

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<v Speaker 1>But she's so drunk. So I said, I'm taking you home,

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<v Speaker 1>and she's like, okay, But it didn't mean home to

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<v Speaker 1>my place, because as much as the story may sound

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<v Speaker 1>like I'm I'm a real creepy um, that's not what

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<v Speaker 1>I was. Gonna take her home to her home, which

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<v Speaker 1>is the flop house. Work able to have conjugal visits

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<v Speaker 1>with someone that's conscious, yeah, yeah, it would be better

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<v Speaker 1>if she was conscious. Yeah, So I get her in

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<v Speaker 1>the car and she passes up, but in the vaccine

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<v Speaker 1>she passed out. I don't know where she lives. I

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<v Speaker 1>now it's in Long Beach, So I'm driving toward a

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<v Speaker 1>Long Beach and I keep reaching over the season like

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<v Speaker 1>she's as rachels, you have to tell me where you live,

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<v Speaker 1>and eventually she kind of mumbled out the address, and

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<v Speaker 1>somehow I've found it. I don't remember exactly, but I

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<v Speaker 1>get there and it's this weird little warehouse that they've

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<v Speaker 1>converted to live in, which is her and her mother

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<v Speaker 1>and her father and her two older brothers and her

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<v Speaker 1>younger sister and her younger brother are all living in

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<v Speaker 1>this little weird converted warehouse and it's like a one

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<v Speaker 1>bedroom warehouse. I lost, like I was told. Yeah, yeah,

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<v Speaker 1>so it's like Mother Hubbard and the Shoe. It really is.

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<v Speaker 1>I mean, they're living it's I hadn't been in it yet,

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<v Speaker 1>so I didn't know at that point, but it's it's

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<v Speaker 1>a bizarre living arrangement. It's bizarre. So I get her

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<v Speaker 1>as she's saying no, no, no, and no, you're you're

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<v Speaker 1>going home. So I take her out. I'm pounding on

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<v Speaker 1>the door. Nobody's answering at the back door, so I

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<v Speaker 1>go around to the front door, which is this weird

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<v Speaker 1>you know, opaque glass. It used to be like a

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<v Speaker 1>storefront or a warehouse or something. Right, they look like

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<v Speaker 1>businesses from the front, right, Yeah. Yeah. Some pounding on

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<v Speaker 1>the front door, and I can hear a TV or

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<v Speaker 1>something on inside, but the kid no one answering the door.

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<v Speaker 1>What time would you say? This is? Oh god, that's

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<v Speaker 1>a good question. Okay, the show would get out at

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<v Speaker 1>tennish eleven twelve. It's probably one o'clock in the morning.

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<v Speaker 1>One o'clock in the morning. Some I keep on. I'm

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<v Speaker 1>finally she like pulls away from me and goes running

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<v Speaker 1>up the street, and I thought, well, okay, how far

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<v Speaker 1>can she go? She can barely work, So I keep

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<v Speaker 1>pounding on the door, and finally I don't remember who

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<v Speaker 1>answered first, but her father's and his boxers, and her

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<v Speaker 1>sister's and a little sleeper and her mother's and like

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<v Speaker 1>a nightgown, and they're all like, what's going on? And

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<v Speaker 1>I said, I brought Rachel homes. She's drunk out of

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<v Speaker 1>her mind and she should be home, and oh, where

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<v Speaker 1>is she? I said, she went running up the street.

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<v Speaker 1>So they come out and we're all trying, and we're

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<v Speaker 1>calling her and we're looking around and she he can't

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<v Speaker 1>find her, So you'll go back to the front of

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<v Speaker 1>the place again. And I'm gonna leave because I'm like,

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<v Speaker 1>I don't know what to do. I've brought her home. Yeah,

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<v Speaker 1>And at that point her sister says, she's here. She's here,

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<v Speaker 1>So we all go running out of the bag and

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<v Speaker 1>Noah had come home and parked in the back, and

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<v Speaker 1>I guess she saw him from wherever she wasn't running

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<v Speaker 1>over to him, and they're sitting at the base of

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<v Speaker 1>a tree across the street and She's in his lap,

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<v Speaker 1>must like she was in Dave's lab in the bar,

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<v Speaker 1>like the Trina's legs with her head on his chest

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<v Speaker 1>and he's petting her, and she's crying and crying and crying.

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<v Speaker 1>I'm out. I'm going home. Your home now, with your family.

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<v Speaker 1>They have your best interest to her, they'll take care

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<v Speaker 1>of him. It was bizarre. So I left him, went home,

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<v Speaker 1>and the next day she called me and she's very

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<v Speaker 1>apologetic and she needs help getting her car and everything.

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<v Speaker 1>Now why her family couldn't help her, I don't know.

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<v Speaker 1>I don't know, but she needed to help. She need

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<v Speaker 1>to go get her car, and you know, So I

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<v Speaker 1>drove back down to Orange Can and we found her

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<v Speaker 1>car was parked not far from the bar. But she

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<v Speaker 1>never keys, and she says, I think Dave took my

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<v Speaker 1>keys because I was drunk. I said, okay, So she

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<v Speaker 1>wants me to drive her to Dave's place. So it's

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<v Speaker 1>this apartment building. I drive over there and I was

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<v Speaker 1>amazed because she said, I don't want to get the keys.

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<v Speaker 1>I said, okay. She just walked in. There was no knocking,

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<v Speaker 1>there was no she just went over and walked in.

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<v Speaker 1>She was in there for a while and she came

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<v Speaker 1>out and she's shaking her head. And when she said, well,

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<v Speaker 1>he wanted me to get in bed with him, what

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<v Speaker 1>what are you talking about? She's about I had to

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<v Speaker 1>tell him just here for the keys because he wanted

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<v Speaker 1>me to get in bed with them. So I had

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<v Speaker 1>to like just placed him to get the keys. I said,

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<v Speaker 1>what do you mean play him? She's well, just talked

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<v Speaker 1>to him. It was okay, So she got her keys.

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<v Speaker 1>And uh so that's a sense of that, like she's

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<v Speaker 1>egging him on a bit. That's maybe she's leading him

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<v Speaker 1>on if he thinks that he has the right to

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<v Speaker 1>ask that. And you saw them in this comp amising

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<v Speaker 1>position when you showed up at the bar. Yeah, it

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<v Speaker 1>sounds like she was teasing him a bit. She was.

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<v Speaker 1>Absolutely She would flirt with him on the phone. He

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<v Speaker 1>would I mean I would be there and he would

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<v Speaker 1>be sending her texts and she would start laughing and

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<v Speaker 1>I'd say, well, what are you sending back? And she said, well, yeah,

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<v Speaker 1>we can go for drinks that I'm not going to

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<v Speaker 1>f you. Why would you even write that because that's

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<v Speaker 1>all he wants, that's really what he wants. I said,

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<v Speaker 1>then why go at all, right, but you know, it

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<v Speaker 1>was weird. It's it's that, it's she gets attention. It's

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<v Speaker 1>part of the manipulation and the and the power. Yeah,

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<v Speaker 1>you know, she's the star of the Little Uh Show,

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<v Speaker 1>you know. So that's that's how I met her parents.

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<v Speaker 1>Do you think that she had a similar dynamic with

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<v Speaker 1>John Randolph? Oh? Absolutely, Yeah. She admitted to making out

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<v Speaker 1>with him on the couch while if Ilet was in

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<v Speaker 1>the kitchen making snacks. Wow. So I thought that was

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<v Speaker 1>a bizarre, she said, but nothing's ever going to happen

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<v Speaker 1>because I don't really like him that way. Okay, it

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<v Speaker 1>was bizarre. Another bizarre. I mean that the whole thing.

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<v Speaker 1>You know, the more more stories I heard, the more bizarre.

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<v Speaker 1>A god, you know. She stayed with the Randolphs for

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<v Speaker 1>about a month after Dan was arrested, and Violet told

0:11:24.840 --> 0:11:28.720
<v Speaker 1>me that the day she finally threw her out was

0:11:28.760 --> 0:11:30.960
<v Speaker 1>the day Violet came home from work. Because Violet would

0:11:31.000 --> 0:11:33.400
<v Speaker 1>leave for work every day and and the two of

0:11:33.440 --> 0:11:36.360
<v Speaker 1>them would be left behind in the apartment. And I said,

0:11:36.360 --> 0:11:38.480
<v Speaker 1>where did where did Rachel sleep at night? And she

0:11:38.559 --> 0:11:43.240
<v Speaker 1>said in between us and the bed, And I said,

0:11:43.800 --> 0:11:46.000
<v Speaker 1>and that's what she said, I said, I mean you

0:11:46.040 --> 0:11:49.120
<v Speaker 1>were married to John. How did you handle that? I mean,

0:11:49.720 --> 0:11:52.360
<v Speaker 1>that's a that's a long time to have, you know,

0:11:53.160 --> 0:11:58.400
<v Speaker 1>the Disney princess slash potential accomplice, the two murders, I mean,

0:11:58.679 --> 0:12:02.000
<v Speaker 1>sleeping in between you and your husband. How did you

0:12:02.080 --> 0:12:05.720
<v Speaker 1>handle that? And she said, well, you know, John is

0:12:06.400 --> 0:12:10.800
<v Speaker 1>a bit of a narcissist and he pretty much ruled

0:12:10.800 --> 0:12:15.079
<v Speaker 1>the rous there and he wanted to basically stand by her.

0:12:15.200 --> 0:12:19.559
<v Speaker 1>He felt that there was this mob type mentality for

0:12:19.600 --> 0:12:22.640
<v Speaker 1>so many of the friends at cam to Martinique that

0:12:22.720 --> 0:12:26.439
<v Speaker 1>just completely were convinced she was involved and he was

0:12:26.480 --> 0:12:28.240
<v Speaker 1>going to stand a part. He was the one with

0:12:28.280 --> 0:12:32.280
<v Speaker 1>the highest i Q. And he knew better. So so

0:12:32.320 --> 0:12:34.920
<v Speaker 1>she said, I kind of went along with it until

0:12:35.040 --> 0:12:37.960
<v Speaker 1>the day I came home from work and the bitch

0:12:38.120 --> 0:12:42.760
<v Speaker 1>said to me, you know, your ovens really filthy, And

0:12:42.880 --> 0:12:48.240
<v Speaker 1>she said, you're out of here. I thought that was

0:12:48.320 --> 0:12:52.080
<v Speaker 1>just classic. Yeah, are they still together John and Violent?

0:12:52.679 --> 0:13:00.440
<v Speaker 1>No they're not. They're now officially divorced. Yeah, But I mean,

0:13:00.480 --> 0:13:03.000
<v Speaker 1>you have to do this circle of people. It's just

0:13:03.120 --> 0:13:07.000
<v Speaker 1>a bizarre circle of people, you know. I mean, you

0:13:07.040 --> 0:13:09.600
<v Speaker 1>have someone who insists on sleeping in bed between you

0:13:09.640 --> 0:13:12.080
<v Speaker 1>and your husband every night. But the final straw, she

0:13:12.120 --> 0:13:18.240
<v Speaker 1>complains that your own's journey, there's something weird there, There's

0:13:18.280 --> 0:13:21.320
<v Speaker 1>something it's just a weird circle of people. It's like

0:13:21.360 --> 0:13:23.800
<v Speaker 1>the perfect storm all got together at those apartments. And

0:13:25.559 --> 0:13:28.040
<v Speaker 1>I think David Lynch would have a field day at

0:13:28.080 --> 0:13:36.160
<v Speaker 1>Camden Martinique. Yeah, I think. So. It felt like in

0:13:36.200 --> 0:13:38.439
<v Speaker 1>many ways you were like a father figure to her.

0:13:38.880 --> 0:13:45.959
<v Speaker 1>To Rachel, I think probably in a lot of way.

0:13:46.000 --> 0:13:48.719
<v Speaker 1>I mean, make fun of me and go, oh, what's

0:13:48.720 --> 0:13:51.400
<v Speaker 1>the only day when with father with the daddy complexes,

0:13:52.000 --> 0:13:56.800
<v Speaker 1>um because of the eight events, but um, maybe. But

0:13:59.320 --> 0:14:01.920
<v Speaker 1>she has such a weird dynamic with her own father.

0:14:02.880 --> 0:14:05.880
<v Speaker 1>I mean it's like I love hate relationship. She I

0:14:05.920 --> 0:14:14.120
<v Speaker 1>think she appreciates his bad boy stuff, but at the

0:14:14.240 --> 0:14:17.680
<v Speaker 1>same time, she's very religious, so she's got to hate

0:14:17.760 --> 0:14:23.520
<v Speaker 1>that stuff. But she has absolutely no respect for her mother,

0:14:24.360 --> 0:14:28.600
<v Speaker 1>who's just a just a Jesus freak to the point

0:14:28.600 --> 0:14:33.400
<v Speaker 1>of being like mentally disturbed. So it's it's a yeah, maybe,

0:14:33.480 --> 0:14:36.840
<v Speaker 1>I don't know, I don't know, Yeah you did, you

0:14:36.880 --> 0:14:39.360
<v Speaker 1>did sort of expressed to me there was this duality

0:14:39.960 --> 0:14:43.400
<v Speaker 1>that she had emotionally with her dad, because you know,

0:14:43.480 --> 0:14:46.200
<v Speaker 1>one point, she detested him because he spent all of

0:14:46.240 --> 0:14:50.240
<v Speaker 1>their money on prostitutes and gambling. And at the same time,

0:14:50.280 --> 0:14:54.040
<v Speaker 1>like you said, she could relate to that bad boy.

0:14:54.320 --> 0:14:56.400
<v Speaker 1>And you know when you said it just now, it

0:14:56.480 --> 0:15:01.400
<v Speaker 1>made me realize something. She may have hated him for

0:15:01.480 --> 0:15:06.360
<v Speaker 1>spending all the family's money because that affected her. The

0:15:06.440 --> 0:15:08.920
<v Speaker 1>fact that he was doing prostitutes and gambling and having

0:15:08.920 --> 0:15:11.880
<v Speaker 1>an affair and screwing up her whole dad, I think

0:15:11.880 --> 0:15:14.760
<v Speaker 1>she admired. Had he been able to do without bankrupting

0:15:14.760 --> 0:15:16.800
<v Speaker 1>and causing her to move out of that nice house

0:15:16.800 --> 0:15:19.080
<v Speaker 1>into her brother's flophouse, I think she would have been

0:15:19.120 --> 0:15:22.680
<v Speaker 1>okay with it because it bankrupted them and cost her

0:15:22.760 --> 0:15:26.040
<v Speaker 1>that lifestyle. That was the bad part. Not that he's

0:15:26.080 --> 0:15:32.440
<v Speaker 1>doing prostitutes and screwing over her mother, that's okay, But money,

0:15:32.600 --> 0:15:35.280
<v Speaker 1>I mean the money was you know, they had to

0:15:35.280 --> 0:15:37.040
<v Speaker 1>move out of that nice little house by the beach

0:15:37.080 --> 0:15:38.880
<v Speaker 1>and moving to her brother's flop house and had to

0:15:38.880 --> 0:15:40.680
<v Speaker 1>sleep on the couch, And how dare he do that

0:15:40.840 --> 0:15:45.200
<v Speaker 1>to her? That's what he did to the mom. That's

0:15:45.240 --> 0:15:47.360
<v Speaker 1>okay what he did to the mother, But how dare

0:15:47.480 --> 0:15:49.920
<v Speaker 1>be forced her to sleep on the couch in her

0:15:49.920 --> 0:15:54.680
<v Speaker 1>brother's flophouse. That sort of falls in line with what

0:15:55.240 --> 0:15:59.760
<v Speaker 1>Fernando Perez's letter reflected. He was a jail house informant

0:15:59.800 --> 0:16:03.560
<v Speaker 1>that spoke to Dan at length and asked him how

0:16:04.080 --> 0:16:06.840
<v Speaker 1>how much Rachel knew and how involved was she in

0:16:06.880 --> 0:16:11.240
<v Speaker 1>the planning of these murders. And Daniel said to him

0:16:11.240 --> 0:16:14.160
<v Speaker 1>she knew, and not only did she know, but she

0:16:14.640 --> 0:16:17.520
<v Speaker 1>told me to do whatever I had to do to

0:16:17.600 --> 0:16:21.320
<v Speaker 1>make them happy. So it doesn't matter about the behavior

0:16:21.480 --> 0:16:24.520
<v Speaker 1>or the act, or how heinous it might be, as

0:16:24.600 --> 0:16:30.880
<v Speaker 1>long as it impacted her in a positive way. Absolutely, yeah, definitely.

0:16:32.080 --> 0:16:36.400
<v Speaker 1>And the manipulation of Daniel. I never knew him, I've

0:16:36.480 --> 0:16:38.920
<v Speaker 1>never met him at the learning about him really obviously

0:16:40.280 --> 0:16:44.840
<v Speaker 1>a lunatic, but the manipulation. She showed me pictures of

0:16:44.880 --> 0:16:47.400
<v Speaker 1>her in like a bikini or brown panties and stuff,

0:16:47.400 --> 0:16:50.560
<v Speaker 1>and she was she was getting these pictures taken because

0:16:50.600 --> 0:16:53.800
<v Speaker 1>she was telling Daniel he couldn't get the money, then

0:16:54.000 --> 0:16:56.360
<v Speaker 1>she'd get it, and she'd get it by doing porn

0:16:56.400 --> 0:16:59.920
<v Speaker 1>and and and that kind of stuff. And maybe on Craigslist,

0:17:00.040 --> 0:17:07.119
<v Speaker 1>you know, to do a prostitution. That's incredible. If you

0:17:07.119 --> 0:17:09.000
<v Speaker 1>don't get the money for our honeymoon, I'm going to

0:17:09.080 --> 0:17:15.880
<v Speaker 1>do porn. Who wants to marry? That exactly, But they weren't,

0:17:17.840 --> 0:17:20.479
<v Speaker 1>you know, he even that That's that reminds me of

0:17:20.520 --> 0:17:25.639
<v Speaker 1>a of a very telling story that John Spath shared

0:17:25.680 --> 0:17:29.640
<v Speaker 1>with me. And he's Brittany Boudre's stepdad, and Brittany was

0:17:30.080 --> 0:17:33.520
<v Speaker 1>the girlfriend of Daniel before Rachel and she. They also

0:17:34.240 --> 0:17:37.679
<v Speaker 1>Daniel cheated on Rachel while they were engaged with Brittany

0:17:37.760 --> 0:17:40.159
<v Speaker 1>went back to Brittany and they did a sex tape

0:17:40.160 --> 0:17:45.120
<v Speaker 1>and Rachel found it and threatened to leave Daniel, and

0:17:45.520 --> 0:17:48.760
<v Speaker 1>she found it just a few weeks before the murders.

0:17:48.800 --> 0:17:52.880
<v Speaker 1>So I think that's what jump started this whole hideous

0:17:53.600 --> 0:17:57.240
<v Speaker 1>chapter of of their lives. But well, there's no there's

0:17:57.240 --> 0:18:00.120
<v Speaker 1>no better way to bind somebody to you than to

0:18:00.240 --> 0:18:04.159
<v Speaker 1>be involved in a murder plot with the money, you know,

0:18:04.240 --> 0:18:06.560
<v Speaker 1>that comes a pretty strong bond at the end of

0:18:06.560 --> 0:18:09.840
<v Speaker 1>that stuff. So about John Spath, he told me the

0:18:09.920 --> 0:18:14.439
<v Speaker 1>story about Dan coming down to see him on the

0:18:14.480 --> 0:18:18.439
<v Speaker 1>weekend of the murders. It was Sunday, late afternoon, early evening,

0:18:18.960 --> 0:18:20.800
<v Speaker 1>and he said he really wanted to see him and

0:18:21.480 --> 0:18:24.080
<v Speaker 1>Brittany and her mom were up in San Francisco. They

0:18:24.080 --> 0:18:26.800
<v Speaker 1>were auditioning for American Idols. So John was on his

0:18:26.880 --> 0:18:30.280
<v Speaker 1>own down in their townhouse in Ladera Ranch, and so

0:18:30.320 --> 0:18:32.439
<v Speaker 1>he said, sure, come on down, We'll grill some steaks

0:18:32.440 --> 0:18:36.160
<v Speaker 1>and have some stogies. And Dan came down and and

0:18:36.359 --> 0:18:41.320
<v Speaker 1>really opened up and said to him that he admired

0:18:41.400 --> 0:18:44.000
<v Speaker 1>John so much because he stood up for his family,

0:18:44.040 --> 0:18:49.720
<v Speaker 1>He protected his family. He you know, didn't let anybody

0:18:49.960 --> 0:18:53.040
<v Speaker 1>give him any ship, and he just thought of him

0:18:53.080 --> 0:18:55.919
<v Speaker 1>like a role model that he would have loved to

0:18:55.960 --> 0:18:58.919
<v Speaker 1>have been, but he wasn't because he said his whole life,

0:18:59.359 --> 0:19:03.639
<v Speaker 1>women min populated him, controlled him, and he didn't have

0:19:03.680 --> 0:19:05.800
<v Speaker 1>the power to confront them or stand up to them.

0:19:05.840 --> 0:19:10.200
<v Speaker 1>And he was questioning, Yeah, he was questioning with John,

0:19:10.200 --> 0:19:13.560
<v Speaker 1>I don't know if I'm I'm making the right choice

0:19:13.640 --> 0:19:17.600
<v Speaker 1>by marrying Rachel. I'm wondering. I'm worried I'm making a mistake.

0:19:18.480 --> 0:19:21.080
<v Speaker 1>So I was like, you know, that was in essence

0:19:21.080 --> 0:19:23.439
<v Speaker 1>sort of like a confession to you John, because he

0:19:23.480 --> 0:19:27.520
<v Speaker 1>had killed these these people, these you know, Sam Harry

0:19:27.520 --> 0:19:30.480
<v Speaker 1>and Julie Kabushi, with the idea that he was going

0:19:30.520 --> 0:19:33.959
<v Speaker 1>to get Sam's money and and take care of Rachel

0:19:34.160 --> 0:19:37.560
<v Speaker 1>and you know, bring her on this wonderful cruise and

0:19:37.640 --> 0:19:39.639
<v Speaker 1>she wouldn't have to you know, steal anymore or do

0:19:39.760 --> 0:19:44.240
<v Speaker 1>porn or whatever else. And he's going, I don't know

0:19:44.280 --> 0:19:48.320
<v Speaker 1>if this is the right girl for me. But I

0:19:48.480 --> 0:19:57.720
<v Speaker 1>really felt that that was a very telling statement. That's fascinating, fascinating.

0:19:58.119 --> 0:20:02.720
<v Speaker 1>I don't, like I said about Dan, I don't think

0:20:04.920 --> 0:20:07.679
<v Speaker 1>from I knew people who knew him and worked with

0:20:07.760 --> 0:20:11.520
<v Speaker 1>him in the little theater shows and stuff. I don't

0:20:11.520 --> 0:20:15.400
<v Speaker 1>think this ever would have happened without her. I don't

0:20:15.440 --> 0:20:18.280
<v Speaker 1>think he ever would have done anything. I think she

0:20:18.440 --> 0:20:23.000
<v Speaker 1>is capable of manipulating a weak person into doing just

0:20:23.200 --> 0:20:27.320
<v Speaker 1>about anything. So do you have any doubt that she

0:20:27.520 --> 0:20:32.359
<v Speaker 1>was involved in the planning and execution of these murders? Well,

0:20:32.680 --> 0:20:37.800
<v Speaker 1>like I said, I would say, I'm positive that she did.

0:20:38.200 --> 0:20:41.680
<v Speaker 1>The one percent hesitation I have is that he has

0:20:41.760 --> 0:20:43.600
<v Speaker 1>never said, although you just said he said it to

0:20:43.600 --> 0:20:46.159
<v Speaker 1>a jail house informant, that she wasn't on the planning

0:20:46.880 --> 0:20:50.639
<v Speaker 1>right Jesus, So no. So now I guess I'm a

0:20:50.840 --> 0:20:54.720
<v Speaker 1>d pretent sure, because my one percent hesitation is always

0:20:54.720 --> 0:20:57.480
<v Speaker 1>why doesn't he roll over? On her. He's in jail

0:20:57.520 --> 0:20:59.359
<v Speaker 1>with the death sentence. Why doesn't he jail? By the

0:20:59.359 --> 0:21:03.400
<v Speaker 1>way she helped me do it. I mean, as far

0:21:03.440 --> 0:21:06.240
<v Speaker 1>as anyone knows, she's abandoned him now. She said she

0:21:06.440 --> 0:21:08.400
<v Speaker 1>flipped them off at the last meeting and walked down.

0:21:10.480 --> 0:21:14.760
<v Speaker 1>I keep thinking, why wouldn't he But if he, if

0:21:14.760 --> 0:21:16.760
<v Speaker 1>he did, if he's already admitted it from John House

0:21:16.800 --> 0:21:19.320
<v Speaker 1>and said no, I have have zero doubt because that

0:21:19.400 --> 0:21:22.000
<v Speaker 1>was my only doubt. And I think a lot of

0:21:22.359 --> 0:21:25.080
<v Speaker 1>not coming forward and rolling over on Rachel has to

0:21:25.119 --> 0:21:29.480
<v Speaker 1>do with protecting his brother. Tim wasn't act well. Yeah,

0:21:29.560 --> 0:21:35.199
<v Speaker 1>but speaking of a yes, could you? I think that

0:21:35.600 --> 0:21:40.399
<v Speaker 1>one of the sole friends that Rachel had up until

0:21:40.960 --> 0:21:47.920
<v Speaker 1>recently was a woman by the name of Shana Adler. Yeah, yeah,

0:21:48.680 --> 0:21:55.000
<v Speaker 1>Shana briefly a little bit. She um it was supposedly

0:21:55.000 --> 0:21:58.280
<v Speaker 1>a horse person and that's like my my passionate life.

0:21:58.280 --> 0:22:02.840
<v Speaker 1>So um, forget how it came about, but she ended

0:22:02.880 --> 0:22:06.200
<v Speaker 1>up she wanted to give riding lessons or horse trading

0:22:06.320 --> 0:22:08.879
<v Speaker 1>lessons or something, so somehow she ended up with a

0:22:08.920 --> 0:22:12.240
<v Speaker 1>horse and she came out here out to act. And

0:22:13.119 --> 0:22:14.959
<v Speaker 1>I don't know if we rode horses or she's got

0:22:15.080 --> 0:22:17.400
<v Speaker 1>and visited the horses. But the next day, now she's

0:22:17.400 --> 0:22:19.080
<v Speaker 1>got a horse and she's moving it out here to

0:22:19.119 --> 0:22:21.120
<v Speaker 1>the place where our bird board my horses, and she's

0:22:21.160 --> 0:22:23.080
<v Speaker 1>going to start up this business and she's starting her

0:22:23.080 --> 0:22:25.040
<v Speaker 1>website and she's gonna do all the stuff with the horses.

0:22:26.480 --> 0:22:28.719
<v Speaker 1>And so I got to know where a little bit

0:22:28.720 --> 0:22:33.399
<v Speaker 1>through all that, and then I don't remember what turned

0:22:33.400 --> 0:22:36.360
<v Speaker 1>it all around, but she's speaking of narcissists. I mean,

0:22:36.400 --> 0:22:38.280
<v Speaker 1>she's one of those people where you have a conversation

0:22:40.040 --> 0:22:43.040
<v Speaker 1>and you can say she can say, um, you know,

0:22:43.040 --> 0:22:44.720
<v Speaker 1>I had to really get breakfast this morning and say,

0:22:44.720 --> 0:22:46.720
<v Speaker 1>oh yeah, I had just get breakfast. My father died.

0:22:46.840 --> 0:22:51.440
<v Speaker 1>She said, oh, well I had eggs, and she's it's bizarre.

0:22:52.080 --> 0:22:57.199
<v Speaker 1>It's just a bizarre narcissism. But at one point I

0:22:57.200 --> 0:23:01.760
<v Speaker 1>thought maybe she can get her to stop drinking. And

0:23:01.800 --> 0:23:03.560
<v Speaker 1>I talked to her about it and it was like,

0:23:04.000 --> 0:23:07.360
<v Speaker 1>she's an adult, she does what she wants. And I said,

0:23:07.359 --> 0:23:10.400
<v Speaker 1>well this is you know, still I'm still thinking she's

0:23:10.400 --> 0:23:13.080
<v Speaker 1>this innocent thing. I said, just a poor girl. She's

0:23:13.240 --> 0:23:15.640
<v Speaker 1>after all she's been through and all that, and she

0:23:15.840 --> 0:23:19.119
<v Speaker 1>kind of chuckled and said don't let her fool you.

0:23:19.280 --> 0:23:22.399
<v Speaker 1>She says, what is She's just responsible for what happened

0:23:22.400 --> 0:23:27.239
<v Speaker 1>as anybody, And that blew me away. This is like

0:23:27.320 --> 0:23:32.280
<v Speaker 1>her her best friend, and she said it to you

0:23:32.400 --> 0:23:37.040
<v Speaker 1>so nonchalantly like that, like like she she was convinced

0:23:37.040 --> 0:23:41.760
<v Speaker 1>of it. She knew, she knew Rachel was just as responsible. Yeah,

0:23:42.000 --> 0:23:44.560
<v Speaker 1>that's what she said. And she told me stories about

0:23:45.280 --> 0:23:48.080
<v Speaker 1>how what you said, we're called Taco Tuesdays. You know

0:23:48.160 --> 0:23:53.480
<v Speaker 1>that the drug induced parties there, and I guess her

0:23:53.480 --> 0:23:56.640
<v Speaker 1>boyfriend at the time or whatever was going over there

0:23:56.640 --> 0:23:59.399
<v Speaker 1>and she forbid him to go over. That place is

0:23:59.440 --> 0:24:02.280
<v Speaker 1>crazy now with its sex and drugs, and you can't

0:24:02.280 --> 0:24:06.080
<v Speaker 1>go over it anymore. So, Yeah, she knew what was

0:24:06.119 --> 0:24:10.040
<v Speaker 1>going on, and that stuck in my head. That may

0:24:10.040 --> 0:24:11.760
<v Speaker 1>have been the turning point when I started to look

0:24:11.760 --> 0:24:14.159
<v Speaker 1>at this differently, wonder what more there was to it,

0:24:14.720 --> 0:24:17.119
<v Speaker 1>because her best friends said, don't let her food you.

0:24:17.280 --> 0:24:20.200
<v Speaker 1>She's just as responsible as anybody for what happened. Did

0:24:20.200 --> 0:24:24.359
<v Speaker 1>Shana elaborate on why she felt that way about Rachel. No,

0:24:24.640 --> 0:24:26.800
<v Speaker 1>And I tried to get her too elaborator, because there

0:24:26.800 --> 0:24:31.480
<v Speaker 1>are many different interpretations of that She's just as responsible

0:24:31.520 --> 0:24:35.400
<v Speaker 1>because she was stupid and didn't know what was going on.

0:24:35.560 --> 0:24:38.760
<v Speaker 1>That could be one. She's just as responsible because she

0:24:38.840 --> 0:24:41.280
<v Speaker 1>knew what was going on but didn't stop it. She's

0:24:41.320 --> 0:24:44.359
<v Speaker 1>just as responsible because she helped do it. Who knows

0:24:44.440 --> 0:24:49.359
<v Speaker 1>what she meant by that, right, she didn't say. She

0:24:49.400 --> 0:24:52.720
<v Speaker 1>didn't say Rachel was part of it, or Rachel did

0:24:52.720 --> 0:24:55.040
<v Speaker 1>it or anything like that. She said she's just as

0:24:55.040 --> 0:24:58.040
<v Speaker 1>responsible as anybody for what happened. But the fact that

0:24:58.080 --> 0:25:01.600
<v Speaker 1>she said that, don't fool yourself, I mean that was

0:25:01.640 --> 0:25:04.960
<v Speaker 1>the start of that. Right, don't kid yourself basically, right

0:25:05.720 --> 0:25:08.760
<v Speaker 1>that that sort of that sort of suggests that I

0:25:08.800 --> 0:25:12.200
<v Speaker 1>know you probably are going along thinking she's this innocent victim,

0:25:12.320 --> 0:25:17.919
<v Speaker 1>but be careful, m M exactly. And Rachel was excited

0:25:17.920 --> 0:25:19.879
<v Speaker 1>because she introduced her to the guys she was going

0:25:19.920 --> 0:25:21.720
<v Speaker 1>to marry or something like that. So I don't know

0:25:21.760 --> 0:25:23.920
<v Speaker 1>whatever became of all that, But I don't really care.

0:25:24.840 --> 0:25:28.639
<v Speaker 1>What's gonna happen is gonna happen. I mean that everybody

0:25:28.680 --> 0:25:30.800
<v Speaker 1>knows what happened as a matter of proving it, and

0:25:30.840 --> 0:25:33.480
<v Speaker 1>I don't think they can until he rolls over, you

0:25:33.520 --> 0:25:37.280
<v Speaker 1>know that would do it. Well, hopefully you know what

0:25:37.320 --> 0:25:41.400
<v Speaker 1>we share on this podcast, and what others learned from

0:25:41.600 --> 0:25:44.800
<v Speaker 1>guests like you that are willing to participate and share

0:25:44.840 --> 0:25:49.400
<v Speaker 1>their stories. Hopefully people can start connecting the dots and

0:25:49.480 --> 0:25:53.760
<v Speaker 1>maybe have a better sense of what really happened to

0:25:54.480 --> 0:25:59.040
<v Speaker 1>Sam and Julie and where Rachel's role is in the

0:25:59.119 --> 0:26:03.680
<v Speaker 1>planning and exit usion of these tragic murders. If nothing else,

0:26:03.720 --> 0:26:06.760
<v Speaker 1>it will certainly make it easier or harder for her

0:26:06.880 --> 0:26:11.639
<v Speaker 1>to do it to someone else, To manipulate someone like that.

0:26:11.720 --> 0:26:14.160
<v Speaker 1>I mean, when when it's pretty must public knowledge who

0:26:14.160 --> 0:26:16.600
<v Speaker 1>and what she is, I think it would be harder

0:26:16.640 --> 0:26:21.080
<v Speaker 1>for her to pull it off, because again, she's really

0:26:21.080 --> 0:26:26.679
<v Speaker 1>good at it up to a point. That's just a

0:26:26.720 --> 0:26:28.480
<v Speaker 1>fact that when a man looks at a pretty woman,

0:26:28.560 --> 0:26:32.560
<v Speaker 1>he wants to think the best. Well, there's what I'm saying.

0:26:33.440 --> 0:26:37.520
<v Speaker 1>There's ulterior motives to to that thought process. That's what

0:26:37.560 --> 0:26:39.400
<v Speaker 1>I mean. He wants to think, Oh, this is gonna

0:26:39.400 --> 0:26:44.840
<v Speaker 1>be great, this is wonderful. Men forget to use the

0:26:44.880 --> 0:26:47.520
<v Speaker 1>head on top of their shoulders sometimes, well, all the

0:26:47.520 --> 0:26:51.920
<v Speaker 1>blood rushes from your brain to other parts of your body. Well,

0:26:51.960 --> 0:26:55.000
<v Speaker 1>and you know she's also told people that you know,

0:26:55.080 --> 0:26:57.840
<v Speaker 1>she'll be damned if she takes a deal or cops

0:26:57.880 --> 0:27:01.399
<v Speaker 1>to a misdemeanor because he wants her book and movie.

0:27:01.480 --> 0:27:04.920
<v Speaker 1>You know that they're all calling her an actress and

0:27:04.920 --> 0:27:09.440
<v Speaker 1>and oh my god, she knows that she's got a

0:27:09.840 --> 0:27:13.440
<v Speaker 1>famous future, but quite frankly, I think that it's more

0:27:13.560 --> 0:27:18.919
<v Speaker 1>like an infamous future at best. Well, Tommy Harding finally

0:27:18.920 --> 0:27:24.000
<v Speaker 1>got her movie. There you go a lot of good.

0:27:24.560 --> 0:27:29.119
<v Speaker 1>What would that say about our six society? Yes? Yes,

0:27:30.240 --> 0:27:32.399
<v Speaker 1>And I covered that story by the way that the

0:27:32.520 --> 0:27:35.400
<v Speaker 1>Toy Hardy story met her and talked to the FBI

0:27:35.560 --> 0:27:38.679
<v Speaker 1>and how much they had on her. Boy, when I

0:27:38.720 --> 0:27:42.719
<v Speaker 1>was watching that movie, I just kept barking at the screen.

0:27:42.840 --> 0:27:47.239
<v Speaker 1>That's a lot that's not true. Well, Scott, I'm so

0:27:47.359 --> 0:27:51.399
<v Speaker 1>grateful you called in because these stories are all important.

0:27:51.480 --> 0:27:53.879
<v Speaker 1>You know, it's just like little nuggets, little pieces of

0:27:53.880 --> 0:27:57.640
<v Speaker 1>the puzzle that really helped shape the full picture. And

0:27:57.720 --> 0:27:59.800
<v Speaker 1>I thank you so much for making the effort to call.

0:28:00.960 --> 0:28:03.159
<v Speaker 1>Thank you because you're the one taking all the puzzle

0:28:03.200 --> 0:28:06.240
<v Speaker 1>pieces and putting them all together and the spectacular what

0:28:06.280 --> 0:28:08.040
<v Speaker 1>you're doing to give people a clear picture of it.

0:28:09.359 --> 0:28:13.040
<v Speaker 1>Thank you so much, Scott. Okay, ma'am, have a good day.

0:28:13.760 --> 0:28:28.600
<v Speaker 1>You too right. Next week on Sleuth, you'll hear from

0:28:28.640 --> 0:28:32.879
<v Speaker 1>another close inner circle friend of Rachel and Dan's, and

0:28:32.880 --> 0:28:35.640
<v Speaker 1>who we felt could have been an excellent potential state

0:28:35.680 --> 0:28:40.160
<v Speaker 1>witness for Rachel's trial. Audrey McVeigh was their third wheel

0:28:40.520 --> 0:28:42.640
<v Speaker 1>for most of the time Rachel and Dan were an

0:28:42.640 --> 0:28:46.600
<v Speaker 1>item up until the week before the murders. What was

0:28:46.640 --> 0:28:49.120
<v Speaker 1>it that she sensed that made her realize it was

0:28:49.200 --> 0:28:54.040
<v Speaker 1>time to check out? Audrey McVeigh sits down exclusively with

0:28:54.080 --> 0:28:57.800
<v Speaker 1>Sleuth as she recounts chilling stories of the infamous couple

0:28:58.320 --> 0:29:05.320
<v Speaker 1>who Audrey at one time considered her dearest friends. If

0:29:05.360 --> 0:29:08.280
<v Speaker 1>you enjoyed this episode of Sleuth, share it with a

0:29:08.360 --> 0:29:11.320
<v Speaker 1>friend and be sure to leave a rating or review.

0:29:11.880 --> 0:29:15.480
<v Speaker 1>Follow Sleuth on I Heart Radio, or subscribe wherever you

0:29:15.520 --> 0:29:18.640
<v Speaker 1>listen to podcasts so that you never miss an episode.