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Speaker 1: So I was saying, down down down downtown, that was

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Speaker 1: where where was I? Uh, it's me Andros star fucks.

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Speaker 1: Star Fox is mad.

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Speaker 2: At him, you know this guy.

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Speaker 1: I don't get into that any of that stuff. I

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Speaker 1: don't bring up star fucks anymore.

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Speaker 3: Safer to go. This is my relationship with Andros, yes,

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Speaker 3: thank you.

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Speaker 4: And star Fox has his, and I have my relationship

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Speaker 4: with starts to do.

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Speaker 1: With star Fox, and I keep those this far apart.

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Speaker 1: So we're at the dinner convention where you go to

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Speaker 1: the convention center and it's like the boothsset up for

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Speaker 1: like different things you can have for foods, and so

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Speaker 1: there's like the pasta booth and like.

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Speaker 3: Oh they had that, yes, pasta was there?

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Speaker 2: Yes, last second.

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Speaker 1: Musaka there's a musakha area and I get to the

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Speaker 1: Chick fil a. It's like this whole thing is this

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Speaker 1: whole setup, and the cows are there, and the cows.

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Speaker 2: Are like tricking you.

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Speaker 1: Well, they're like really fine me I know, but like

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Speaker 1: they've been doing this for a long time and they're

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Speaker 1: like really like into it now, and.

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Speaker 3: Because it has been they have an ulterior mond I know.

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Speaker 1: Yes, So Andrews explain this to me that they are

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Speaker 1: trying to get people to eat the chicken instead of them.

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Speaker 4: Yes, no, yes, yeah, that's what I was saying. Yeah, uh,

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Speaker 4: because it's good chicken.

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Speaker 2: Yeah.

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Speaker 4: And they want you to think, oh, we're just here

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Speaker 4: to help out telling you get the good chicken.

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Speaker 3: Yeah.

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Speaker 2: But Hayes.

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Speaker 3: Yeah, and they painted those signs.

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Speaker 2: They have a reason.

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Speaker 3: Yeah.

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Speaker 2: Well their spelling is not great. Yeah.

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Speaker 1: So now anyway, what they're trying to do this has

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Speaker 1: worked so well. They're now they're trying to get us

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Speaker 1: to all eat chicken milk.

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Speaker 3: Oh, because they don't want to get cow far how

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Speaker 3: much bucket anymore?

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Speaker 1: Yes, so they're like how much farther can we go

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Speaker 1: with this? And so they've got all this chicken milk

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Speaker 1: out and they're like really zeroing in on me for

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Speaker 1: some reason I don't know, but they're like, and.

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Speaker 3: So, well, you're the milkman.

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Speaker 1: Yeah, but like I have not been the milkman for

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Speaker 1: an extreme.

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Speaker 3: Long career in pro wrestling.

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Speaker 2: As the milkman, you would show up and deliver the.

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Speaker 4: Pain, yes, out of a nice fresh glass bottle.

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Speaker 2: Yeah.

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Speaker 3: And that was another kind the miss of the house

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Speaker 3: as well, because they would think that they were just

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Speaker 3: getting a tall glass of milk, but it ends up

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Speaker 3: being glass of nose. Uh, the chicken milk.

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Speaker 1: They want me to eat this stuff, and you do

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Speaker 1: eat it because it's like it's mostly feathers. There are

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Speaker 1: there are feathers in it. It's like it's not white,

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Speaker 1: it's like dark gray. You eat it with a fork, yeah,

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Speaker 1: not even with a spoon. And so I like, now,

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Speaker 1: it's only part of the show and you're not even

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Speaker 1: getting paid. I know, yes, And so I take a

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Speaker 1: big snip. But they're like sniff at first, and so

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Speaker 1: I sniff it. It smells cold. It's like all cold

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Speaker 1: smells cold.

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Speaker 2: Yeah, yeah, you know you know what I mean. Oh

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Speaker 2: believe me.

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Speaker 4: Yeah, yeah, that's cold.

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Speaker 3: And so I eat it. I take a big bite

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Speaker 3: and I have a sort of a funny joke prepared.

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Speaker 2: Oh no, right, I would expect nothing less good, sir.

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Speaker 3: And so do you guess what.

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Speaker 2: My joke was?

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Speaker 3: Oh yeah, about the chicken milk. I'm eating chicken milk.

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Speaker 5: Uh huh.

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Speaker 3: And I want three words. It's a three words, three

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Speaker 3: word joke.

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Speaker 1: And I'm turning the audience and I smile, no, no, okay,

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Speaker 1: I turned the audience and I this is what I

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Speaker 1: want to that's four. I turn the audis, I smile

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Speaker 1: and I say taste like chicken, but.

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Speaker 3: Instead I do a big bar.

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Speaker 6: I go.

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Speaker 1: I get like as part of the joke, they ultimately

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Speaker 1: I tried. I was like smiling as I was doing.

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Speaker 2: Playing it off.

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Speaker 1: Yeah, Hey, welcome to Hollywood, Hambook and I just got

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Speaker 1: to get your bodies duping names.

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Speaker 2: We got cappoline back. Always in this industry we call

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Speaker 2: show bez. What up?

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Speaker 3: What? Thank you for coming to the big show?

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Speaker 4: The big show everyone we everyone's favorite platform stitch a Premium.

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Speaker 4: I fucking love this job so much, the best job

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Speaker 4: in the world.

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Speaker 3: They are.

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Speaker 1: I like, I don't just plug Ditcher Premium as like

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Speaker 1: an employee.

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Speaker 3: I do it as like a fan first.

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Speaker 1: I sometimes forget that I even have a financial relationship.

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Speaker 2: I literally forgot I worked there. Yeah, I literally forgot

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Speaker 2: I worked there.

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Speaker 4: I just was telling someone about it because I love

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Speaker 4: listening to all the shows. Yeah, and then accidentally, every

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Speaker 4: once in a while, big huge check shows up at

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Speaker 4: the myth. Yes, this is the best damn job in

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Speaker 4: the world. Yes, God, I love my.

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Speaker 1: Job, and it's almost like we're doing it for free.

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Speaker 3: For three years. I can tell you have something big

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Speaker 3: to say, go.

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Speaker 2: Ahead, don't tell them. It's a big secret. Please don't

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Speaker 2: ever tell anyone. I'd do it for free.

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Speaker 1: Yeah right, that's why I said, we did do that

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Speaker 1: for a very long time.

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Speaker 2: I'd pay them.

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Speaker 1: So there's this Sucher premium show. We is a Hollywood show.

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Speaker 1: We talked about Hollywood on the show. We talk about movies.

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Speaker 1: To talk about TV, we would be making a mistake

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Speaker 1: to not talk about what's going on in Hollywood right now.

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Speaker 1: Uh So the sort of big Hollywood news, which is

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Speaker 1: this is good for me because people at home will

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Speaker 1: think that what I'm saying is funny.

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Speaker 2: Uh.

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Speaker 1: The Hollywood status, current Hollywood status is potential, striight and scary.

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Speaker 7: Uh.

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Speaker 1: The Writer's Guild is having a fight.

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Speaker 2: Yes, where there's a dad basically thing. Yes, Hey, look

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Speaker 2: to put it in terms you all can understand.

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Speaker 3: Not everybody works in showbiz. They're having a fight with

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Speaker 3: their dad, and there are and there are dad.

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Speaker 4: Your dad ever come down on you too hard and

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Speaker 4: you go like, hey, man, screw you.

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Speaker 3: Pal, right, Well that's what's going on, and it's they

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Speaker 3: are our dad, so that's grandpa. Yeah, And we're like

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Speaker 3: kind of upstairs in the tub and Mom put us

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Speaker 3: in there just to be like, just take a just

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Speaker 3: take a little tubby.

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Speaker 2: But we ducky, you know, to hear what's going on.

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Speaker 2: Oh yeah, yeah yeah, And we got our bathing suits.

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Speaker 3: On and you're scared, and you're scared, I'm comforting you.

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Speaker 2: Oh yeah.

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Speaker 5: Uh.

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Speaker 1: We are members of the Guild of the Writers Guild,

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Speaker 1: and we did take the Writer's oath.

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Speaker 4: Yeah uh, and we had to get the bad inserted under.

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Speaker 3: Our do you want to do the right the Writers

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Speaker 3: Guild Oath?

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Speaker 2: We say, I.

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Speaker 3: Pledge, I promised you always tell the truth always, never

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Speaker 3: going to be fake or lie and unless it's time

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Speaker 3: to be fun and then when it's yes, yes, and

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Speaker 3: then it's okay. And so.

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Speaker 2: We really take that seriously. We did.

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Speaker 3: Yeah, in fact we do. And so we support our

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Speaker 3: guys uh in the war, solid solid, But we also

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Speaker 3: we do want to address people of conversations. We have

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Speaker 3: set up employment if there is a strike, we have

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Speaker 3: set up some work opportunities. Got to eat. And it's

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Speaker 3: not scab people. We just want to get out gabbing around.

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Speaker 3: And he was like, they're scabbing and scabbed, they're crossing

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Speaker 3: the lunch.

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Speaker 4: We're just going to explain really quickly and we're just

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Speaker 4: gonna burn through it.

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Speaker 2: You'll understand. You can tell your friends and they go,

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Speaker 2: we heard those guys are scabbing. No, they're not. You're

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Speaker 2: scabbing on your knee and the guys and that guy's

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Speaker 2: got to see and it's harsh, but it is. It

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Speaker 2: has to be said.

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Speaker 4: So that's what you tell them, because in fact, we're not.

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Speaker 4: And what we're doing is we're just gonna be working

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Speaker 4: on a boat.

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Speaker 1: Yeah, we are going to be writing TV shows, but

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Speaker 1: this time it is on a cruise ship, so it is.

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Speaker 3: Not in America International water.

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Speaker 1: It's called the Writers Guild of America and we are

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Speaker 1: writing on the Writer's Guild of the boat.

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Speaker 2: So technically.

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Speaker 1: And the shows are not the the same. The shows

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Speaker 1: are not I'm going to be working on the boat office.

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Speaker 2: Yes, the boat office. It's parks and boat Recreation.

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Speaker 3: Yeah, it's boat.

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Speaker 1: Bash I'm doing.

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Speaker 3: Did you get an offer on boat?

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Speaker 1: Black ish ish which is black The scripts are the

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Speaker 1: same as Blackish, but some of the characters are not black.

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Speaker 2: M Yeah, I'm doing punch up on their life. This

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Speaker 2: what do I mean? But that, and I'm also that's

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Speaker 2: not the old.

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Speaker 1: I'm like, we're also going to be joining a Chinese

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Speaker 1: basketball team, uh, which is not Chinese basketball season really,

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Speaker 1: it's like it's their off season, but what they do

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Speaker 1: in the off season. People don't realize what they do

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Speaker 1: over there. The rules are you write jokes for James

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Speaker 1: Corden in the off season on a Chinese basketball.

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Speaker 4: Yeah, and here's one of the jokes.

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Speaker 2: La la la la.

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Speaker 4: So so he's good, he will crush that.

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Speaker 2: So we start talking to our guests.

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Speaker 1: Hey, yeah, okay, Well, first I want to talk about

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Speaker 1: sort of a new thing we're doing for the show

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Speaker 1: and guy, because this is a special you guys came

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Speaker 1: all the way here in one car, uh, and we

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Speaker 1: we we do want to reward you for that and

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Speaker 1: also go a little different direction than we've gone in

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Speaker 1: the past on the show.

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Speaker 3: We believe in sex positivity.

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Speaker 2: Uh.

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Speaker 1: We don't talk about it a lot because that's the culture.

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Speaker 1: The culture is like, oh, this is like.

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Speaker 2: It's scared, you know, no, he's allowed.

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Speaker 3: To and people want to like cover it up with

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Speaker 3: their hands.

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Speaker 4: They literally call them unmentionables your underpants. And I think

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Speaker 4: it's time to start mentioning them on this podcast tonight.

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Speaker 1: People people are in their underpants, right, I bring it

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Speaker 1: up with both hands tiptoeing off stage, That's what most

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Speaker 1: people are doing. And they're going tiptoeing off stage in

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Speaker 1: their underpants. But I'm pulling them off, pulling the hands off.

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Speaker 1: That's what I would like to say in a way, but.

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Speaker 4: They like it not in the mean way. And we

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Speaker 4: now go, Okay, is there anyone we know who embodies

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Speaker 4: sex positivity?

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Speaker 3: Is there anyone kind of like open sexual openness who

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Speaker 3: has been way ahead of the curve on this thing

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Speaker 3: and just saying like, hey, I got this stuff down

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Speaker 3: here and sometimes I do stuff with it.

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Speaker 2: Yeah. Uh.

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Speaker 1: And they're taking you on that journey with him. Yeah,

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Speaker 1: like you're in there in the room he's doing.

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Speaker 2: He's inside it with you.

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Speaker 1: And so we have him here tonight. It's Camille n

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Speaker 1: Gianni and he's com out. Thank you for doing this.

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Speaker 1: Is really great to have you here for the special.

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Speaker 2: K What up?

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Speaker 4: Dude?

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Speaker 3: Is that a power move? You tell me Muchacho? We

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Speaker 3: should get comfortable because okay, we'll let nobody.

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Speaker 2: Do their feet on them. I didn't know that this

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Speaker 2: was the sex episode you guys didn't tell me about that?

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Speaker 4: Well, couldn't you guess? When we wanted you to be

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Speaker 4: our guest.

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Speaker 2: The last time I did it, it was video games,

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Speaker 2: which is much better? Fight Have Fast Drive.

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Speaker 3: We did the game.

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Speaker 2: Fast Drive Edition. Yeah, I remember, I remember.

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Speaker 3: That's just a big game. How did that go?

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Speaker 2: You know, it seems like something that you might what's

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Speaker 2: the what are.

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Speaker 4: You still striking over that, dude?

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Speaker 2: Audio game stuff? How did that go?

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Speaker 3: We shot the whole thing, shot the game? Yes, what

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Speaker 3: do you mean?

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Speaker 1: You shot the game just as like a presentation for Sean.

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Speaker 2: Guys.

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Speaker 3: It's good for them to see what we made. A sizzle.

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Speaker 2: Yeah, you guys made a says you. Guys says it?

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Speaker 4: Yeah, well we sizzled it and it's going. It's so

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Speaker 4: hot right now. It's one of the hottest properties going

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Speaker 4: around the rooms.

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Speaker 1: And so Sean is driving around and he's running like fight.

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Speaker 3: I remember.

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Speaker 2: The fucking game. You haven't seen the technology behind it.

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Speaker 2: It's just you guys on your phone's filming.

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Speaker 1: No, I'm on his shoulders because you need that view,

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Speaker 1: that special view, because you see some of these games

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Speaker 1: and you have to get the very specific spot.

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Speaker 3: So I have to be kind of on his shoulder.

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Speaker 2: So wait, so you've played games and your takeaway from playing.

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Speaker 3: We watched it game.

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Speaker 1: So you go to best Buy and these some of

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Speaker 1: these kids like you watch it play these games. These

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Speaker 1: kids are they're insick or something out they're insane and

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Speaker 1: I and I'm.

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Speaker 4: Literally going like this is crazy or something. But at

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Speaker 4: the same time, it's kind of cool.

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Speaker 1: So there's like this like special view where it's like

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Speaker 1: the hands poking out.

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Speaker 3: Do you know what I mean?

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Speaker 2: Do you understand what I'm talking about?

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Speaker 3: The hands?

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Speaker 2: And so yeah, I'm.

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Speaker 1: On Sean's shoulders, hands side down, legs behind his head,

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Speaker 1: hanging back, phone right side up.

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Speaker 3: I'm out with the hands.

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Speaker 2: I'm not picturing it.

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Speaker 3: How am I doing wrong? Sean? How can I do it?

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Speaker 2: Okay? Why did you talk about your legs?

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Speaker 3: I said?

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Speaker 1: I said, my feet. My feet are sort of locked

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Speaker 1: behind his neck.

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Speaker 2: Okay, so your crotch is in his face and your

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Speaker 2: feet a lock behind his neck.

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Speaker 3: Well, you're a little ahead of yourself.

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Speaker 2: Yeah.

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Speaker 1: Wait, okay, always pushing it there, always like.

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Speaker 2: Yes, that's why we wanted you.

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Speaker 3: We really love it.

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Speaker 4: You are like, hey, boundaries, could you beat it for

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Speaker 4: a second?

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Speaker 3: I mean that's always been your Nobody is.

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Speaker 2: Less comfortable with X than I am. I hate my body.

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Speaker 2: I hate that it can do things. I hate almost

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Speaker 2: everything it wants to do. It's not good at doing

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Speaker 2: any humble, so yeah, and the huge and humble too.

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Speaker 4: What's the freakiest place you ever made?

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Speaker 2: Whoopee?

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Speaker 3: What's the freakiest place?

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Speaker 2: I don't.

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Speaker 3: I don't, I don't.

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Speaker 2: I didn't know it was. I thought it was more

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Speaker 2: video game stuff. Can we talk about I don't. I

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Speaker 2: don't know my bedroom? Huh? Sick? You have a movie

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Speaker 2: coming out?

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Speaker 3: I do?

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Speaker 2: I have a project I worked on. I have a

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Speaker 2: Hollywood project I worked on.

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Speaker 3: Did you want to?

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Speaker 1: Did you knowing you did? You want to make it

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Speaker 1: the nasty version? And actually type it wrong because the

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Speaker 1: s of the D are right next to each other.

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Speaker 2: I will say it for Raymon if I google big sick.

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Speaker 2: The third thing down is people typos. It's just like

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Speaker 2: I want a big sick inside me. Yeah, there's a

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Speaker 2: lot of that. Yeah, that's great for you.

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Speaker 1: It's a reallyable I think they want to put your

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Speaker 1: movie in there.

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Speaker 3: I'm okay with that.

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Speaker 5: Mm hmmm.

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Speaker 2: Where's the craziest place you ever made whooping? Oh probably,

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Speaker 2: uh uh, you know, we should move on to another question,

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Speaker 2: just time wise.

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Speaker 3: I think we're good about you, sam as Sean just said,

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Speaker 3: if there's no time for him, there's certainly no time

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Speaker 3: for me. So we and like, I understand you, and

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Speaker 3: I'd love to answer that question.

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Speaker 2: That's what's so crazy. You guys are taking so long

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00:16:43,720 --> 00:16:46,600
Speaker 2: not answering the question. You can just answer the question.

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Speaker 2: Where's the way it is you've made whooping?

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Speaker 4: But what's even more interesting, maybe is I have a

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Speaker 4: really good crazy answer that's sort of intriguing. But as

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Speaker 4: one of the hosts of the show co hosts, sorry Hayes.

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Speaker 1: And we so you can't keep up with the kind

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00:17:01,680 --> 00:17:05,600
Speaker 1: of like language we're feeding to each other silently of

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00:17:05,800 --> 00:17:06,960
Speaker 1: like time to move on to that.

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Speaker 4: He's been giving me this symbol of like, you better

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Speaker 4: not answer if coman brings it back to you, because

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00:17:11,359 --> 00:17:13,359
Speaker 4: I've got a good question I'm asking, I'm.

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Speaker 2: Getting ready to answer. He's giving it right back to

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Speaker 2: oh yeah, now hang on now, fair's fair?

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00:17:18,400 --> 00:17:21,879
Speaker 4: Yeah right, what's good for the goose? And so forth?

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Speaker 4: And so you know that's sort of what's happening with us.

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Speaker 4: But Hayes did have another question for you, and it

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Speaker 4: is what he sort of yeah, stuff, Why.

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Speaker 3: Why do you like to get so nasty? What is

357
00:17:43,280 --> 00:17:44,120
Speaker 3: it about that?

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Speaker 2: And follow up? Are you addicted to it? Yes? I

359
00:17:49,600 --> 00:17:51,880
Speaker 2: don't feel like any I don't want to answer any

360
00:17:51,920 --> 00:17:54,880
Speaker 2: of these questions. I feel like this is my business,

361
00:17:55,000 --> 00:17:57,600
Speaker 2: me getting And I'm not saying I like to get nasty.

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00:17:57,680 --> 00:18:00,320
Speaker 2: That's don't infer that from what I'm saying. I'm just

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00:18:00,359 --> 00:18:02,040
Speaker 2: saying I don't want to comment on whether or not

364
00:18:02,160 --> 00:18:07,080
Speaker 2: I get nasty and the nastiness. Okay, don't put don't

365
00:18:07,119 --> 00:18:10,879
Speaker 2: put words or anything else in my mouth. Okay, okay.

366
00:18:10,920 --> 00:18:12,680
Speaker 2: And I see what he's doing here, and.

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00:18:12,680 --> 00:18:20,560
Speaker 4: He's Pugging's movie again, which Camille, I'm gonna see it.

368
00:18:21,800 --> 00:18:22,199
Speaker 3: Thank you.

369
00:18:22,280 --> 00:18:24,680
Speaker 2: It's called The Big Sick. It comes out in June

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00:18:24,720 --> 00:18:25,160
Speaker 2: and July.

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Speaker 1: Comes out in June and July, double dipping More Movies,

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00:18:31,160 --> 00:18:32,119
Speaker 1: More Movies Should do.

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00:18:32,160 --> 00:18:37,040
Speaker 2: That comes out, goes back and it's hold. It's like

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00:18:37,080 --> 00:18:39,160
Speaker 2: the Disney Vault. We put it out for a little while,

375
00:18:39,160 --> 00:18:41,199
Speaker 2: did we take it back? Yeah, then we put it

376
00:18:41,240 --> 00:18:45,639
Speaker 2: out again. Yeah. It's it plays random days and times

377
00:18:45,720 --> 00:18:48,840
Speaker 2: through the weeks. So it opens in June, and then

378
00:18:48,880 --> 00:18:51,600
Speaker 2: it's gone for the rest of June. Oh, and then

379
00:18:51,680 --> 00:18:55,080
Speaker 2: it comes back one random July secret show. Yeah, it's

380
00:18:55,119 --> 00:18:55,920
Speaker 2: all secret show.

381
00:18:56,040 --> 00:18:57,840
Speaker 3: So the movie theater would just be like, we're playing

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00:18:57,840 --> 00:18:59,639
Speaker 3: a movie tonight, and.

383
00:19:00,240 --> 00:19:03,359
Speaker 2: It'll be the only untitled movie playing in the theater. Systemer,

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00:19:03,840 --> 00:19:05,080
Speaker 2: that'll be your hand. Cool.

385
00:19:05,640 --> 00:19:08,439
Speaker 4: Comeille, you were telling us backstage, then your romance language

386
00:19:08,520 --> 00:19:09,320
Speaker 4: is touch.

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00:19:15,600 --> 00:19:19,000
Speaker 1: Because we asked, of course, what is your romance language,

388
00:19:19,520 --> 00:19:25,440
Speaker 1: expecting an answer like Spanish or Italian, but you responded

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Speaker 1: with touch.

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00:19:27,760 --> 00:19:31,960
Speaker 2: I really confided, I really told you that with the

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00:19:32,000 --> 00:19:34,720
Speaker 2: reasonable expectation that it wouldn't be brought up in a

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Speaker 2: room full of strangers, right, and that's why we only

393
00:19:37,640 --> 00:19:39,240
Speaker 2: brought it up in this room full of our friends.

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00:19:39,560 --> 00:19:45,879
Speaker 1: Yeah, and that's your relationship with your fans, I guess

395
00:19:45,960 --> 00:19:46,480
Speaker 1: is different.

396
00:19:46,640 --> 00:19:52,600
Speaker 2: But for us, I have so many I can't keep

397
00:19:52,720 --> 00:19:57,320
Speaker 2: track of every single one like you guys have this many. Yeah,

398
00:19:57,359 --> 00:20:01,560
Speaker 2: which is great. For you, that's so great. It's a marathon,

399
00:20:01,640 --> 00:20:03,760
Speaker 2: not a sprint. You know, you got to keep at it.

400
00:20:03,880 --> 00:20:07,239
Speaker 2: There'll be more of these guys. But for me, like

401
00:20:07,359 --> 00:20:09,879
Speaker 2: I guess you know who can it's it's so many.

402
00:20:10,680 --> 00:20:12,960
Speaker 2: I would love to go back to when I could

403
00:20:12,960 --> 00:20:15,919
Speaker 2: be friends with all of them. But it's not I

404
00:20:15,960 --> 00:20:18,520
Speaker 2: really missed the personal connection. Family.

405
00:20:18,600 --> 00:20:21,360
Speaker 3: We're kind of keeping it right there intentionally.

406
00:20:21,480 --> 00:20:25,080
Speaker 4: Yeah, you found a rather ingenious strategy to sort of.

407
00:20:27,880 --> 00:20:32,080
Speaker 2: Ya. No, I'm more brand than person now, really, I

408
00:20:32,119 --> 00:20:34,040
Speaker 2: really think of myself as an entity.

409
00:20:34,320 --> 00:20:36,840
Speaker 1: Yeah, not as a person. Did somebody come here from

410
00:20:36,880 --> 00:20:43,040
Speaker 1: New York for the show? New Jersey? That's not New York?

411
00:20:43,080 --> 00:20:47,720
Speaker 1: And see, but see, you don't even know how your

412
00:20:47,920 --> 00:20:51,040
Speaker 1: fans watched you on TV. You don't know where, what

413
00:20:51,160 --> 00:20:53,120
Speaker 1: the story was for, like how they got to the TV.

414
00:20:53,560 --> 00:20:56,720
Speaker 1: I know that this guy came from somewhere close to

415
00:20:56,800 --> 00:20:57,240
Speaker 1: New York.

416
00:20:58,600 --> 00:21:00,399
Speaker 3: That's why we don't want to put it on TV.

417
00:21:01,240 --> 00:21:04,280
Speaker 4: You know, this podcast, it doesn't work as a show

418
00:21:04,320 --> 00:21:06,639
Speaker 4: for me because I need to know who's watching it, how, where?

419
00:21:06,960 --> 00:21:07,200
Speaker 3: Why?

420
00:21:07,720 --> 00:21:13,240
Speaker 4: Yeah, and that there's not that many of them. I

421
00:21:13,240 --> 00:21:18,320
Speaker 4: don't give a ship came we top five horogynous zones go.

422
00:21:27,680 --> 00:21:34,639
Speaker 2: Shaft yeah, yeah, same, yeah, gotta go.

423
00:21:34,760 --> 00:21:36,000
Speaker 3: That's gotta be number one.

424
00:21:36,119 --> 00:21:40,119
Speaker 2: Yeah. Yes, that can be something of an erotic area,

425
00:21:40,320 --> 00:21:49,960
Speaker 2: can't I would say, tip wow, close second, Okay, I

426
00:21:50,000 --> 00:21:55,120
Speaker 2: can picture it. Lefty lefty hmm okay, all right, wow, okay,

427
00:21:57,280 --> 00:22:01,560
Speaker 2: butthole okay, and then that's got to be on the list.

428
00:22:01,680 --> 00:22:06,639
Speaker 3: Sure, yeah, so that's before righty and then righty.

429
00:22:06,760 --> 00:22:10,560
Speaker 2: Yeah, that difference, have you mean lefty?

430
00:22:10,840 --> 00:22:14,439
Speaker 3: Yeah, and that they're separated, Yeah, by that much.

431
00:22:15,359 --> 00:22:18,440
Speaker 2: It's not that much. It's very close. All three. Okay,

432
00:22:18,560 --> 00:22:21,720
Speaker 2: But that seems medical to me? What do you mean

433
00:22:21,760 --> 00:22:25,600
Speaker 2: it seems medical that lefty? What do you mean seems medical?

434
00:22:25,760 --> 00:22:29,320
Speaker 1: I am trying to I am trying to help you, okay.

435
00:22:29,400 --> 00:22:32,000
Speaker 1: And the fact that there would be such that there

436
00:22:32,040 --> 00:22:35,040
Speaker 1: would be such a difference between left it goes lefty,

437
00:22:35,160 --> 00:22:36,640
Speaker 1: you're such a different exper.

438
00:22:36,520 --> 00:22:39,919
Speaker 2: You want to ask me a question and listen to

439
00:22:40,000 --> 00:22:42,760
Speaker 2: my answer and accept it. Why do you have to

440
00:22:42,880 --> 00:22:44,040
Speaker 2: challenge my answer.

441
00:22:44,119 --> 00:22:47,680
Speaker 4: We're not going to get to the bottom of this today.

442
00:22:49,600 --> 00:22:51,919
Speaker 2: And you never answered why you like to be so nasty?

443
00:22:52,119 --> 00:22:57,359
Speaker 2: Oh fair? This seems almost like a dodge of that.

444
00:22:57,840 --> 00:23:01,879
Speaker 2: It's not a dodge. I I racked my top five.

445
00:23:02,200 --> 00:23:03,399
Speaker 3: Is it possible that that is?

446
00:23:03,680 --> 00:23:05,840
Speaker 1: I wonder if that's in the movie and you don't

447
00:23:05,880 --> 00:23:07,560
Speaker 1: want to give it away for free?

448
00:23:08,080 --> 00:23:10,520
Speaker 2: You're saying, why I get buy a ticket? Why you

449
00:23:10,640 --> 00:23:11,480
Speaker 2: like to be so mesked?

450
00:23:11,480 --> 00:23:15,720
Speaker 4: Why do yeah, yeah, and how much you crave it?

451
00:23:17,600 --> 00:23:20,960
Speaker 4: And if I could just post sort of a fun

452
00:23:21,040 --> 00:23:23,480
Speaker 4: game that I thought of. So it's sort of a

453
00:23:23,720 --> 00:23:28,200
Speaker 4: you know, either or thing, And would you prefer kumail

454
00:23:29,680 --> 00:23:31,879
Speaker 4: a million dollars in a big house and mansion in

455
00:23:31,920 --> 00:23:40,679
Speaker 4: a boat or fifteen minutes with a leggy brunette And

456
00:23:40,760 --> 00:23:44,440
Speaker 4: you can only pick one, and it's gotta.

457
00:23:44,160 --> 00:23:44,960
Speaker 3: Be the brulette.

458
00:23:45,240 --> 00:23:49,320
Speaker 2: It, so then it's not really a choice, right, not

459
00:23:49,440 --> 00:23:49,679
Speaker 2: for me?

460
00:23:57,200 --> 00:24:02,440
Speaker 4: Dude, chit chat, let's get down to biz.

461
00:24:02,840 --> 00:24:07,600
Speaker 1: Yeah, So a lot of these shows, these sexually upfront

462
00:24:07,840 --> 00:24:11,879
Speaker 1: podcasts that are out there to talk about it. We

463
00:24:11,920 --> 00:24:14,200
Speaker 1: are going to we Sean and I have been working

464
00:24:14,280 --> 00:24:18,800
Speaker 1: on some scenes, some sort of some erotic scene.

465
00:24:18,800 --> 00:24:22,600
Speaker 2: As always, we can't turn it off. We got the creative.

466
00:24:22,200 --> 00:24:25,879
Speaker 3: Faucet running on overdrive and we get our you know,

467
00:24:26,000 --> 00:24:27,680
Speaker 3: creative water bill, and we go like.

468
00:24:27,640 --> 00:24:28,200
Speaker 2: What the heck?

469
00:24:28,280 --> 00:24:30,680
Speaker 4: And then then we go like, I guess sounds right

470
00:24:30,760 --> 00:24:34,760
Speaker 4: because it's you know, but we've been working on these

471
00:24:34,800 --> 00:24:37,840
Speaker 4: scenes that embrace this side of our.

472
00:24:37,760 --> 00:24:42,840
Speaker 2: Why creative water bill? Why isn't it just the creative bill?

473
00:24:43,200 --> 00:24:45,160
Speaker 2: Why is the creative water bill?

474
00:24:45,440 --> 00:24:47,720
Speaker 4: Well, because in real life, I had a leak in

475
00:24:47,760 --> 00:24:48,800
Speaker 4: my sprinkler.

476
00:24:48,320 --> 00:24:50,119
Speaker 2: Line and my water bill was really high.

477
00:24:50,160 --> 00:24:52,679
Speaker 1: Okay, I Thinkumail is a business manager, so he's just

478
00:24:52,680 --> 00:24:54,240
Speaker 1: getting the one big bill.

479
00:24:54,640 --> 00:24:57,879
Speaker 3: It's not like paying each individual utility anymore.

480
00:24:58,680 --> 00:25:00,400
Speaker 2: Right, that makes sense to be.

481
00:25:00,359 --> 00:25:03,080
Speaker 1: Friends with all each one of my utility pills. I

482
00:25:03,119 --> 00:25:05,760
Speaker 1: don't like them to be this stranger, this like foreign

483
00:25:05,800 --> 00:25:06,720
Speaker 1: stranger to me.

484
00:25:07,000 --> 00:25:10,880
Speaker 2: He's not four it. They could do anything. You don't

485
00:25:10,880 --> 00:25:13,440
Speaker 2: need it. He's in resita.

486
00:25:13,520 --> 00:25:17,560
Speaker 1: So we've been writing these scenes, these little scene less.

487
00:25:17,840 --> 00:25:20,879
Speaker 4: Yeah, just the flitter into our imagination and we sprinkle

488
00:25:20,920 --> 00:25:25,879
Speaker 4: them down on paper and then we go, that's pretty good. So, uh,

489
00:25:26,040 --> 00:25:27,800
Speaker 4: we wanted to bring them to life a little bit

490
00:25:27,880 --> 00:25:30,800
Speaker 4: here for you. Uh And as Ha said, there's some

491
00:25:30,920 --> 00:25:34,200
Speaker 4: other podcasts and radio shows that are emerging that embrace

492
00:25:34,280 --> 00:25:38,960
Speaker 4: the idea of sex but don't actually perform it and

493
00:25:38,960 --> 00:25:39,280
Speaker 4: and do.

494
00:25:39,760 --> 00:25:41,720
Speaker 1: That's why this is special for a live show. We're

495
00:25:41,720 --> 00:25:42,879
Speaker 1: gonna we're going to have sex.

496
00:25:42,920 --> 00:25:46,359
Speaker 4: Don't be live sex acts on stage.

497
00:25:46,800 --> 00:25:49,760
Speaker 2: You know, we're all adults here and wait wait, wait,

498
00:25:49,840 --> 00:25:54,520
Speaker 2: wait what yes, we have you got protect sex protection.

499
00:25:54,680 --> 00:25:56,639
Speaker 2: You guys are gonna have sex on stage?

500
00:25:56,760 --> 00:25:59,760
Speaker 3: We well I'm gonna read the stage directions.

501
00:26:00,119 --> 00:26:03,200
Speaker 2: Yeah. Wait, is in more of a sort of director.

502
00:26:03,640 --> 00:26:06,240
Speaker 3: Okay, hold on, he's just got that this was not

503
00:26:06,520 --> 00:26:07,040
Speaker 3: part of.

504
00:26:08,480 --> 00:26:12,200
Speaker 2: So okay, so you're just gonna like masturbate or something

505
00:26:12,200 --> 00:26:13,000
Speaker 2: on stage.

506
00:26:13,480 --> 00:26:15,040
Speaker 3: Well, let's see what the script.

507
00:26:14,680 --> 00:26:17,600
Speaker 2: Says and where it takes us, because I don't know.

508
00:26:17,640 --> 00:26:19,959
Speaker 1: Would be so weird to be like, here's exactly what

509
00:26:20,000 --> 00:26:20,560
Speaker 1: we're gonna do.

510
00:26:20,680 --> 00:26:22,280
Speaker 3: Ye, and then we're about.

511
00:26:22,119 --> 00:26:23,760
Speaker 2: To read a scene, and here's what will happen in

512
00:26:23,760 --> 00:26:24,119
Speaker 2: the scene.

513
00:26:24,200 --> 00:26:27,160
Speaker 3: It's like, come on, now, I'm not gonna fuck if

514
00:26:27,160 --> 00:26:28,119
Speaker 3: I go to your movie.

515
00:26:28,200 --> 00:26:30,600
Speaker 4: Are you standing outside the movie just being like U

516
00:26:30,760 --> 00:26:31,399
Speaker 4: when you go in?

517
00:26:31,720 --> 00:26:34,040
Speaker 3: Uh, you're gonna see this scene, the scene that scene.

518
00:26:34,560 --> 00:26:37,119
Speaker 2: No, but I'm not come back in July when we

519
00:26:37,160 --> 00:26:42,640
Speaker 2: open again. No, but I'm also not like forcing people

520
00:26:42,680 --> 00:26:43,639
Speaker 2: to have sex with me.

521
00:26:43,880 --> 00:26:44,840
Speaker 3: No.

522
00:26:44,840 --> 00:26:49,399
Speaker 2: No, and yeah and okay, yeah, okay, I'm not gonna

523
00:26:50,080 --> 00:26:53,240
Speaker 2: I'll read it, but I'm not gonna perform and we'll see.

524
00:26:53,280 --> 00:26:57,119
Speaker 2: We'll just because wait, I'm not gonna because he gets

525
00:26:57,200 --> 00:26:57,919
Speaker 2: into it. Y.

526
00:26:58,640 --> 00:27:01,760
Speaker 3: I promise you, I'm not reads a couple lies at.

527
00:27:03,960 --> 00:27:06,080
Speaker 2: His change a little bit.

528
00:27:06,240 --> 00:27:09,480
Speaker 4: It's gonna be more for the audience because it's we

529
00:27:09,600 --> 00:27:11,000
Speaker 4: promise an X rated show.

530
00:27:11,240 --> 00:27:14,960
Speaker 1: Yes, and right now they're thinking like, oh, they're not

531
00:27:15,000 --> 00:27:16,879
Speaker 1: actually gonna do it, and he starts reading the script

532
00:27:16,920 --> 00:27:18,760
Speaker 1: and then we actually do it even more than they

533
00:27:18,760 --> 00:27:19,320
Speaker 1: thought they were.

534
00:27:20,080 --> 00:27:24,840
Speaker 3: And he's loving it the most of all. He's craving

535
00:27:24,920 --> 00:27:29,200
Speaker 3: the ess and I'm pointing that coupmale stuff.

536
00:27:29,920 --> 00:27:32,160
Speaker 2: I'm not gonna. I'm not gonna. I'll read the thing.

537
00:27:32,240 --> 00:27:32,920
Speaker 2: But perfect.

538
00:27:33,400 --> 00:27:38,040
Speaker 1: Okay, great, let's get our scripts out, let's do it.

539
00:27:38,000 --> 00:27:41,480
Speaker 2: And we're reading them. I'll move over here.

540
00:27:42,560 --> 00:27:44,200
Speaker 1: I'll move over here so you guys can have the

541
00:27:44,280 --> 00:27:50,159
Speaker 1: space to kind of like work around. Yeah, hm, okay,

542
00:27:51,800 --> 00:27:55,879
Speaker 1: do you see your highlights? Yeah it's highlighted. Yeah, thank you. Okay,

543
00:27:56,080 --> 00:28:17,560
Speaker 1: very professional interior. The space needle Sean's looking out does

544
00:28:17,600 --> 00:28:18,920
Speaker 1: a big sniff.

545
00:28:21,640 --> 00:28:22,359
Speaker 2: Cold today.

546
00:28:32,640 --> 00:28:35,720
Speaker 4: Would that I had someone to share this delicious coffee

547
00:28:35,760 --> 00:28:42,000
Speaker 4: with here in Seattle, the Pacific Northwest.

548
00:28:43,960 --> 00:28:45,640
Speaker 3: The lights go out.

549
00:28:47,040 --> 00:28:50,600
Speaker 1: The space needle is closed for the evening.

550
00:28:51,840 --> 00:28:56,080
Speaker 2: Oh rats, I'm locked inside. I guess I'll wait till morning.

551
00:28:56,280 --> 00:28:58,480
Speaker 2: Here alone, lonesome.

552
00:29:00,200 --> 00:29:02,800
Speaker 3: The night waiter arives.

553
00:29:08,400 --> 00:29:12,440
Speaker 1: He's here to serve people who sometimes get locked into

554
00:29:12,440 --> 00:29:13,240
Speaker 1: the space beetle.

555
00:29:18,160 --> 00:29:26,200
Speaker 2: Hello, sir, coffee or tea? Nice arms, Sean.

556
00:29:27,400 --> 00:29:31,040
Speaker 3: Surreptitiously throws out the coffee that he is already drinking.

557
00:29:32,000 --> 00:29:34,440
Speaker 2: I love a coffee. I haven't had any all day.

558
00:29:37,600 --> 00:29:40,120
Speaker 2: All right, I'll bring you a coffee. Do you like

559
00:29:40,200 --> 00:29:41,760
Speaker 2: it black?

560
00:29:43,200 --> 00:29:48,200
Speaker 4: Or with chicken milk in it?

561
00:29:52,920 --> 00:30:01,760
Speaker 2: No, it's an either or. The answer is no, you

562
00:30:01,800 --> 00:30:02,680
Speaker 2: don't want coffee?

563
00:30:02,960 --> 00:30:03,160
Speaker 5: Oh?

564
00:30:03,960 --> 00:30:10,080
Speaker 2: Oh okay? Uh? What was the first one? Again? Black?

565
00:30:10,680 --> 00:30:12,080
Speaker 2: And give me the second.

566
00:30:13,760 --> 00:30:18,680
Speaker 4: Chicken milk and the first one more time.

567
00:30:20,440 --> 00:30:21,840
Speaker 2: Black? Surprise me.

568
00:30:23,840 --> 00:30:25,240
Speaker 3: Sean gets a phone call.

569
00:30:25,360 --> 00:30:27,640
Speaker 2: All right, I'm so sorry. I have to take this.

570
00:30:29,960 --> 00:30:30,479
Speaker 3: Go ahead.

571
00:30:30,680 --> 00:30:39,760
Speaker 4: I'll be my doctor's best friend. You got the Sean man?

572
00:30:42,840 --> 00:30:44,400
Speaker 4: What's crack a lacin muchacho?

573
00:30:46,840 --> 00:30:58,360
Speaker 2: That's highlighted Camille highlighted. Yeah. Sorry, Hey, Sean, you're supposed

574
00:30:58,400 --> 00:30:59,840
Speaker 2: to be over you're breaking up.

575
00:30:59,840 --> 00:31:00,760
Speaker 3: I can't hear any of.

576
00:31:03,200 --> 00:31:05,440
Speaker 2: You're supposed to be over at my place? Right? Are you?

577
00:31:05,560 --> 00:31:07,719
Speaker 2: Where are you? Are you in an elevator or something?

578
00:31:09,080 --> 00:31:09,320
Speaker 4: Right?

579
00:31:09,920 --> 00:31:20,480
Speaker 2: But important? Bah? It just said B and then four a's.

580
00:31:20,560 --> 00:31:22,960
Speaker 2: I don't know how you say that? Is that?

581
00:31:22,960 --> 00:31:25,960
Speaker 1: That's your You can interpret that however you I liked.

582
00:31:26,000 --> 00:31:29,280
Speaker 1: I don't do line readings, so yeah, we never know.

583
00:31:29,320 --> 00:31:30,280
Speaker 1: Some of you guys don't like.

584
00:31:30,240 --> 00:31:32,720
Speaker 2: That we don't give a read Yeah yeah.

585
00:31:32,440 --> 00:31:45,520
Speaker 5: Bah, okay, that was my doctor's best friend.

586
00:31:46,600 --> 00:31:49,360
Speaker 4: It sounded like he's in trouble or something and maybe

587
00:31:49,720 --> 00:31:54,400
Speaker 4: has a sheep with him.

588
00:31:54,960 --> 00:31:56,880
Speaker 2: All right, sir, I'll go get your coffee. I'll be

589
00:31:56,920 --> 00:31:58,440
Speaker 2: about forty five minutes. Okay.

590
00:31:58,840 --> 00:32:02,960
Speaker 1: The space needle stops turning, which I believe it does,

591
00:32:07,760 --> 00:32:11,440
Speaker 1: and the force of it throws both of them off

592
00:32:11,640 --> 00:32:15,000
Speaker 1: their feet and they fall separately.

593
00:32:16,320 --> 00:32:21,080
Speaker 2: To the ground. It stopped turning. Yeah, I'm pretty knock

594
00:32:21,120 --> 00:32:24,360
Speaker 2: me over, pretty good. Yeah, you think i'd be used

595
00:32:24,400 --> 00:32:26,520
Speaker 2: to it by now. I'm here every night.

596
00:32:26,680 --> 00:32:32,640
Speaker 8: Oh usually even well even the weekend, like every night

597
00:32:34,040 --> 00:32:37,080
Speaker 8: or sorry, I'm what's what's your work schedule?

598
00:32:37,800 --> 00:32:44,600
Speaker 2: No, well it is a weekend. It's Saturday night, so okay, yeah, okay, great,

599
00:32:44,720 --> 00:32:50,640
Speaker 2: I get Tuesdays and Thursdays off. Okay, yesday, all right,

600
00:32:50,720 --> 00:32:57,040
Speaker 2: I'm here right now, so and so am I nice

601
00:32:57,120 --> 00:33:05,440
Speaker 2: legs you too. Oh you didn't have to say that,

602
00:33:06,560 --> 00:33:10,320
Speaker 2: you mean it. These are the best legs I've ever seen,

603
00:33:11,440 --> 00:33:13,640
Speaker 2: and I've seen a lot of night legs.

604
00:33:16,360 --> 00:33:19,000
Speaker 4: Oh, these old spinley, old never minds you must be

605
00:33:19,680 --> 00:33:20,960
Speaker 4: talking about somebody else.

606
00:33:21,720 --> 00:33:23,120
Speaker 2: I feel like I'm just a.

607
00:33:24,520 --> 00:33:27,080
Speaker 4: Sack of flower with two chopsticks coming out of it.

608
00:33:27,120 --> 00:33:29,680
Speaker 4: Half the time, I didn't really think my legs were

609
00:33:29,720 --> 00:33:32,000
Speaker 4: nothing special, But hearing you say that, man, that's got

610
00:33:32,040 --> 00:33:37,960
Speaker 4: me juiced up something ferocious and I'm basically about to

611
00:33:38,000 --> 00:33:39,680
Speaker 4: really get involved in some stuff.

612
00:33:42,440 --> 00:33:44,640
Speaker 3: What kind of stuff?

613
00:33:45,240 --> 00:33:48,640
Speaker 1: The lights go on again and the space needle resumes turning,

614
00:33:48,840 --> 00:33:49,640
Speaker 1: and all right, well.

615
00:33:49,640 --> 00:33:50,880
Speaker 3: It's the morning. I'm off shift.

616
00:33:51,440 --> 00:33:53,240
Speaker 2: Never mind, okay, by see you later.

617
00:33:55,720 --> 00:33:56,040
Speaker 3: Okay.

618
00:33:56,080 --> 00:34:07,520
Speaker 2: So that scene, that scene sort of wet everyone's appetite. Huh. Yeah,

619
00:34:07,560 --> 00:34:09,960
Speaker 2: there was no sex in that scene, you guys, it

620
00:34:10,000 --> 00:34:10,520
Speaker 2: was supposed to.

621
00:34:10,719 --> 00:34:12,960
Speaker 1: I was gonna give you the sex page, which was

622
00:34:13,000 --> 00:34:15,120
Speaker 1: sort of right after that, if it was sort of

623
00:34:15,200 --> 00:34:16,680
Speaker 1: moving in that direction.

624
00:34:16,719 --> 00:34:17,680
Speaker 2: If it felt it.

625
00:34:17,800 --> 00:34:21,400
Speaker 1: Yeah, I think part of your performance I think was

626
00:34:21,440 --> 00:34:24,840
Speaker 1: not really it was like great, not something.

627
00:34:24,640 --> 00:34:25,920
Speaker 3: That would turn on Sean.

628
00:34:26,239 --> 00:34:30,280
Speaker 2: That's okay, and we know each other pretty well. Yeah, okay,

629
00:34:30,440 --> 00:34:33,320
Speaker 2: that's that's totally fine. I'm totally okay not getting to

630
00:34:33,440 --> 00:34:33,880
Speaker 2: the sex.

631
00:34:35,000 --> 00:34:37,920
Speaker 1: Something about the desperation of it.

632
00:34:38,200 --> 00:34:41,240
Speaker 2: Yeah, from my side, yes, yeah, it was a little sweaty.

633
00:34:41,480 --> 00:34:44,560
Speaker 2: You wanted it so bad. I know.

634
00:34:45,320 --> 00:34:48,040
Speaker 4: Yeah, that's that it was uncomfortable for me where I'm

635
00:34:48,040 --> 00:34:50,360
Speaker 4: going like, well, this is kind of pathetic, like you guys,

636
00:34:50,520 --> 00:34:52,600
Speaker 4: because I know, because I've read the rest of the movie.

637
00:34:52,680 --> 00:34:55,040
Speaker 4: It's just a fling, and it seemed like you needed

638
00:34:55,080 --> 00:34:57,799
Speaker 4: it to be like really a long term thing for Yeah.

639
00:34:59,600 --> 00:35:01,520
Speaker 2: Well, I I kind of phil a character, you know.

640
00:35:01,640 --> 00:35:04,480
Speaker 2: I uh, when I read well you were open, I'd

641
00:35:04,480 --> 00:35:05,759
Speaker 2: Phil a character, you know what I mean?

642
00:35:08,239 --> 00:35:10,080
Speaker 1: All right, Well, should we try another one that is

643
00:35:10,120 --> 00:35:12,560
Speaker 1: maybe gonna cool you down just enough?

644
00:35:13,120 --> 00:35:15,200
Speaker 3: Yeah? Maybe a sign too hot?

645
00:35:15,640 --> 00:35:18,680
Speaker 2: Yes, maybe a scene and with bearing in mind that

646
00:35:19,840 --> 00:35:20,239
Speaker 2: it's just.

647
00:35:20,239 --> 00:35:29,479
Speaker 1: A movie, man, Yeah, yeah, you know what I mean.

648
00:35:29,960 --> 00:35:32,520
Speaker 2: Yeah, Okay, just give me the fucking scene and I'll

649
00:35:32,520 --> 00:35:34,600
Speaker 2: do it. He's used to, you know what, doing you

650
00:35:34,640 --> 00:35:37,400
Speaker 2: guys a favor by reading these scenes. I don't need

651
00:35:37,440 --> 00:35:38,720
Speaker 2: to be critiqued so harshly.

652
00:35:38,840 --> 00:35:40,759
Speaker 1: He's used to working with his wife a lot, So

653
00:35:40,800 --> 00:35:43,720
Speaker 1: I think he like gets in a place where like

654
00:35:43,719 --> 00:35:46,239
Speaker 1: like natural horniness.

655
00:35:46,320 --> 00:35:48,120
Speaker 3: I just like acting this.

656
00:35:48,200 --> 00:35:51,399
Speaker 2: Like that's part of work for him. Thinking he associates work.

657
00:35:51,840 --> 00:35:54,120
Speaker 2: That's interesting, that's interesting to think about.

658
00:35:54,280 --> 00:35:56,200
Speaker 3: So I think you have sort of I don't just

659
00:35:56,560 --> 00:35:57,960
Speaker 3: think you have become his wife.

660
00:35:58,800 --> 00:36:04,840
Speaker 4: Oh wow, that's interesting to be true about someone.

661
00:36:06,120 --> 00:36:07,520
Speaker 3: I don't just work with my one.

662
00:36:07,600 --> 00:36:09,520
Speaker 1: Maybe we read one that's a little more casual, less

663
00:36:09,560 --> 00:36:12,719
Speaker 1: like into you know, just where no feelings. Let's take

664
00:36:12,760 --> 00:36:17,279
Speaker 1: it easy, Okay, go to the third one, the second one.

665
00:36:17,280 --> 00:36:19,160
Speaker 2: Go to the third second one, two intents. Let's do

666
00:36:19,239 --> 00:36:20,040
Speaker 2: the third one.

667
00:36:20,840 --> 00:36:32,239
Speaker 1: Interior adult math school that all the adults are there

668
00:36:32,280 --> 00:36:41,120
Speaker 1: to learn bath. The teacher is at the top of

669
00:36:41,160 --> 00:36:45,160
Speaker 1: the room. The can I tell you? Can I give

670
00:36:45,160 --> 00:36:47,000
Speaker 1: you a note on this crift.

671
00:36:50,280 --> 00:36:52,760
Speaker 2: Already? Is that? Okay? I have two notes?

672
00:36:52,880 --> 00:37:01,839
Speaker 3: Okay one it's locked, but sure, all right, never keep going, No, no, no,

673
00:37:01,920 --> 00:37:02,319
Speaker 3: what's here?

674
00:37:02,600 --> 00:37:06,080
Speaker 2: Okay? You should set it in a place that First

675
00:37:06,120 --> 00:37:09,480
Speaker 2: of all, your first location shouldn't be like a big

676
00:37:09,600 --> 00:37:12,319
Speaker 2: buy for the audience, Like they shouldn't have to like

677
00:37:12,920 --> 00:37:15,680
Speaker 2: buy that a place exists. Like there's no such place

678
00:37:15,719 --> 00:37:17,560
Speaker 2: as adult mad school. So that's tough.

679
00:37:17,640 --> 00:37:18,560
Speaker 3: But shouldn't there be?

680
00:37:18,800 --> 00:37:21,080
Speaker 2: No, don't you feel that way?

681
00:37:21,120 --> 00:37:22,840
Speaker 4: And if there was, don't you think it would naturally

682
00:37:22,880 --> 00:37:24,760
Speaker 4: lend itself to some romance.

683
00:37:24,400 --> 00:37:28,600
Speaker 2: The other No, I don't think there should be adult

684
00:37:28,600 --> 00:37:30,759
Speaker 2: mad school, And no, I don't think it would lead

685
00:37:30,800 --> 00:37:33,080
Speaker 2: to any romance. And the other thing is you said

686
00:37:33,480 --> 00:37:36,680
Speaker 2: your first line was all the adults are there to

687
00:37:36,800 --> 00:37:37,440
Speaker 2: learn math.

688
00:37:37,920 --> 00:37:40,759
Speaker 4: Yeah, and you got a little steamed up. I saw

689
00:37:40,800 --> 00:37:41,840
Speaker 4: at that stage direction.

690
00:37:43,600 --> 00:37:48,239
Speaker 2: You can't you can't really say what people are there for.

691
00:37:48,360 --> 00:37:50,160
Speaker 2: You could just say a bunch of adults are there.

692
00:37:50,239 --> 00:37:52,640
Speaker 2: That's just sort of a inside screenwriting.

693
00:37:52,719 --> 00:37:57,000
Speaker 3: But you do what. Sitting here reading this, I'm like,

694
00:37:57,120 --> 00:37:58,920
Speaker 3: what is it sitting school?

695
00:37:59,200 --> 00:38:02,239
Speaker 2: We have we at it that way? No, we did.

696
00:38:02,280 --> 00:38:04,480
Speaker 3: I forgot that. Yes, we did have it that way.

697
00:38:04,560 --> 00:38:07,000
Speaker 2: We did it, and we were very confused by our

698
00:38:07,040 --> 00:38:11,400
Speaker 2: own script. It said interior Adult Matt School. We adults

699
00:38:11,440 --> 00:38:14,040
Speaker 2: are there. What do you think they could be there for?

700
00:38:14,239 --> 00:38:19,080
Speaker 4: Well, fortunately we decided and wrote it down. They're there

701
00:38:19,080 --> 00:38:21,400
Speaker 4: to learn math. But they could have been, you know,

702
00:38:21,719 --> 00:38:22,920
Speaker 4: playing floor hockey or so.

703
00:38:23,000 --> 00:38:25,239
Speaker 2: Why would they be playing floor hockey? Is this gym

704
00:38:25,280 --> 00:38:25,880
Speaker 2: class period?

705
00:38:26,040 --> 00:38:26,279
Speaker 3: Don't?

706
00:38:26,920 --> 00:38:30,040
Speaker 2: Why is there gym class period at adult math school?

707
00:38:31,200 --> 00:38:35,120
Speaker 2: This is school, coop man, that's part of school.

708
00:38:36,440 --> 00:38:37,359
Speaker 3: But they don't get to.

709
00:38:37,320 --> 00:38:39,440
Speaker 1: Blow off steam doesn't take it up and to take

710
00:38:39,480 --> 00:38:40,759
Speaker 1: it up with a state ku mal.

711
00:38:41,160 --> 00:38:43,480
Speaker 3: They have all these they have all these rules.

712
00:38:43,160 --> 00:38:46,279
Speaker 1: Now it's Michelle Obama. Honestly, I mean I didn't want to.

713
00:38:46,320 --> 00:38:48,320
Speaker 1: I didn't want to get into this. But she's having

714
00:38:48,480 --> 00:38:51,640
Speaker 1: these kids, you carrots or whatever, and do floor hockey

715
00:38:51,719 --> 00:38:53,360
Speaker 1: and now even adult math school.

716
00:38:53,560 --> 00:38:55,640
Speaker 2: Yeah, it's trickled up.

717
00:38:57,440 --> 00:39:01,319
Speaker 1: All right, keep going. Those are my notes, take them

718
00:39:01,400 --> 00:39:03,839
Speaker 1: or not? The teachers at the top. I need the

719
00:39:03,840 --> 00:39:09,120
Speaker 1: front of the room. It's written as top. You have

720
00:39:09,280 --> 00:39:11,719
Speaker 1: me in the front of the room. Just say at

721
00:39:11,719 --> 00:39:12,480
Speaker 1: the front of the room.

722
00:39:12,560 --> 00:39:12,960
Speaker 3: Fix that.

723
00:39:13,560 --> 00:39:19,080
Speaker 1: We don't we use dictate. We like to pace and dictate. Yeah,

724
00:39:19,080 --> 00:39:21,920
Speaker 1: it seems like and it doesn't go it doesn't go back. Then,

725
00:39:21,920 --> 00:39:25,200
Speaker 1: all right, you know how writing works, No I do.

726
00:39:25,239 --> 00:39:29,560
Speaker 1: It doesn't work like this. The teacher is ready to talk.

727
00:39:37,040 --> 00:39:38,439
Speaker 2: M here I go.

728
00:39:40,920 --> 00:39:46,520
Speaker 1: The teacher writes on the board forty plus nineteen.

729
00:39:47,600 --> 00:39:54,200
Speaker 4: First sentence coming. Now I'm going to say it. Damn

730
00:39:54,280 --> 00:40:00,239
Speaker 4: these draft old damn number shapes really are so have

731
00:40:00,320 --> 00:40:05,719
Speaker 4: to draw. My wrist is frigging killing me.

732
00:40:07,760 --> 00:40:10,880
Speaker 1: Wait, but but the teacher rights on the board forty

733
00:40:10,920 --> 00:40:15,400
Speaker 1: plus nineteen, and the student appointed to the student, the

734
00:40:15,440 --> 00:40:17,000
Speaker 1: student has to say what it is?

735
00:40:17,400 --> 00:40:19,000
Speaker 2: Yeah, I have any idea what it is?

736
00:40:20,960 --> 00:40:34,000
Speaker 7: Student forty plus nineteen forty plus ninety, Ny, you have

737
00:40:34,120 --> 00:40:37,360
Speaker 7: to say about it, and you have to say it.

738
00:40:43,600 --> 00:40:46,800
Speaker 3: And you promised you have to.

739
00:40:46,880 --> 00:40:51,280
Speaker 2: It's highlighted. Okay, I'm going to break out for a second.

740
00:40:51,680 --> 00:40:53,120
Speaker 3: You have to say it.

741
00:40:53,320 --> 00:40:59,640
Speaker 2: That's here, Okay, all right, forty plus nineteen is sixty nine.

742
00:41:00,280 --> 00:41:05,040
Speaker 3: That's that's supposed to be supposed to be. It's supposed

743
00:41:05,080 --> 00:41:07,440
Speaker 3: to be, like the Sexy says.

744
00:41:07,160 --> 00:41:09,520
Speaker 2: Right, that's what I was gonna say. My problem with

745
00:41:09,600 --> 00:41:13,760
Speaker 2: it is as a this is me not in the script.

746
00:41:14,520 --> 00:41:16,000
Speaker 3: My problem with it is.

747
00:41:16,480 --> 00:41:18,719
Speaker 2: How does this guy know the math correctly if it's

748
00:41:18,719 --> 00:41:21,759
Speaker 2: supposed to be, If he knows fifty nine the.

749
00:41:21,800 --> 00:41:31,120
Speaker 3: Move me and my boys call it the happy meal? Ultimately,

750
00:41:31,440 --> 00:41:35,640
Speaker 3: so not to read ahead. But why all right, no, no,

751
00:41:36,200 --> 00:41:39,279
Speaker 3: don't don't tell me. Why why is it called the

752
00:41:39,320 --> 00:41:43,640
Speaker 3: happy meal? Why? Oh why is it.

753
00:41:43,680 --> 00:41:44,560
Speaker 2: Called the happy meal?

754
00:41:45,120 --> 00:41:47,799
Speaker 4: Come on, man, uh, why you gotta put me and

755
00:41:47,840 --> 00:41:48,560
Speaker 4: my boys.

756
00:41:48,239 --> 00:41:53,000
Speaker 2: On the spot like that? All right? Because everybody gets

757
00:41:53,040 --> 00:41:58,680
Speaker 2: shut out? Okay, So it's because everybody gets what because

758
00:41:58,640 --> 00:41:59,440
Speaker 2: the bird gets shut out?

759
00:42:00,920 --> 00:42:01,080
Speaker 3: What?

760
00:42:01,200 --> 00:42:06,759
Speaker 2: Every chiltdown? Everybody chow. I already got to chato. It's

761
00:42:06,800 --> 00:42:11,560
Speaker 2: called happy meal because everybody gets to chow down, all right,

762
00:42:11,600 --> 00:42:12,879
Speaker 2: So I should read fifty nine.

763
00:42:13,040 --> 00:42:13,920
Speaker 3: It should be fifty.

764
00:42:13,760 --> 00:42:17,200
Speaker 1: Nine, because ultimately the characters are going to do a

765
00:42:17,239 --> 00:42:19,319
Speaker 1: fifty nine.

766
00:42:20,560 --> 00:42:25,640
Speaker 3: Okay, they're fifty ninety each other.

767
00:42:26,640 --> 00:42:29,879
Speaker 2: I don't what is what is a fifty nine?

768
00:42:32,239 --> 00:42:35,080
Speaker 3: Some people like to call it a happy meal.

769
00:42:40,600 --> 00:42:47,319
Speaker 2: Forty plus nineteens fifty nine. Oh that's a good student. Yeah,

770
00:42:48,040 --> 00:42:50,680
Speaker 2: I don't know why I'm at this adult mad school.

771
00:42:52,640 --> 00:42:55,040
Speaker 2: Well you ever think maybe the mad school is just

772
00:42:55,080 --> 00:43:01,880
Speaker 2: doing a good job nice legs?

773
00:43:04,120 --> 00:43:07,760
Speaker 4: Oh gosh, are you just saying that? I'm really self

774
00:43:07,760 --> 00:43:11,160
Speaker 4: conscious about them. Sometimes I feel like a freaking lollipop

775
00:43:11,239 --> 00:43:18,600
Speaker 4: with two sticks. I just got these spine old, frigging

776
00:43:18,800 --> 00:43:20,400
Speaker 4: dangly ribbons coming off me.

777
00:43:21,480 --> 00:43:28,839
Speaker 2: I bet, I bet they're flexible. Well they probably look

778
00:43:28,920 --> 00:43:30,160
Speaker 2: that way, but they're really not.

779
00:43:32,000 --> 00:43:33,800
Speaker 4: Like but it's nice to you to say that about

780
00:43:33,800 --> 00:43:36,560
Speaker 4: how flags, how not flexible?

781
00:43:36,640 --> 00:43:37,040
Speaker 2: How not?

782
00:43:37,520 --> 00:43:39,640
Speaker 4: Well I busted one of them pretty good trying to

783
00:43:39,680 --> 00:43:41,279
Speaker 4: do a bend the other day.

784
00:43:42,920 --> 00:43:46,840
Speaker 2: The other students start to whisper fifty nine.

785
00:43:46,840 --> 00:43:51,040
Speaker 1: Fifty nine, So now we should probably like now, I mean,

786
00:43:51,560 --> 00:43:53,000
Speaker 1: I think we are in a place where I could

787
00:43:53,040 --> 00:43:54,200
Speaker 1: give you the sex page.

788
00:43:54,360 --> 00:43:57,279
Speaker 4: Yeah, And it seems like we're getting pretty close to it,

789
00:43:57,360 --> 00:43:58,960
Speaker 4: and it's a little more. I mean, I have a

790
00:43:59,000 --> 00:44:00,840
Speaker 4: couple more things to say about my legs.

791
00:44:01,200 --> 00:44:03,320
Speaker 1: No, I know that's at the top of the next page.

792
00:44:03,360 --> 00:44:05,640
Speaker 1: So why don't we I'll give you this page and

793
00:44:05,640 --> 00:44:08,560
Speaker 1: now you guys can, oh my god, get into it.

794
00:44:09,480 --> 00:44:11,160
Speaker 1: And there's the thing for me at the end. I'll

795
00:44:11,239 --> 00:44:13,280
Speaker 1: kind of jump in once you guys have really gotten

796
00:44:13,320 --> 00:44:14,560
Speaker 1: going the principle.

797
00:44:17,360 --> 00:44:20,160
Speaker 2: Okay, I can't believe you're gonna say all this stuff.

798
00:44:20,320 --> 00:44:25,279
Speaker 4: Yeah, well, this is a very long speech you had about.

799
00:44:32,800 --> 00:44:38,560
Speaker 2: I mean, it's three page and a lot of it's

800
00:44:38,600 --> 00:44:43,680
Speaker 2: in Italian, and there's a lot of very complicated math

801
00:44:43,719 --> 00:44:50,520
Speaker 2: equations in here, and you explain particle physics. No, I know,

802
00:44:50,600 --> 00:44:53,320
Speaker 2: it's good. It's a good script. Anyway, go ahead, sorry,

803
00:44:53,600 --> 00:44:56,719
Speaker 2: go ahead read read. Oh I have a line.

804
00:44:58,000 --> 00:45:07,680
Speaker 3: Go chow yeah, diesel, because everybody gets a chowed out.

805
00:45:07,760 --> 00:45:16,000
Speaker 3: I can't different different. That was shots.

806
00:45:16,040 --> 00:45:17,240
Speaker 2: That wasn't by it, that was shots.

807
00:45:18,040 --> 00:45:20,759
Speaker 4: I can't stop thinking about, you know, you giving that

808
00:45:20,840 --> 00:45:23,360
Speaker 4: nice compliment to my legs when I feel like it

809
00:45:23,520 --> 00:45:25,520
Speaker 4: just looks like two boy scouts tried to roast the

810
00:45:25,560 --> 00:45:26,879
Speaker 4: same giant marshmallow.

811
00:45:35,400 --> 00:45:38,480
Speaker 2: We'll take the friggin cotton candy.

812
00:45:38,480 --> 00:45:40,360
Speaker 4: Guys screwed up and had to do some triage with

813
00:45:40,440 --> 00:45:45,319
Speaker 4: a second cod candy thig. I mean, that's really what

814
00:45:45,400 --> 00:45:48,160
Speaker 4: I let a lot of my at desserts with two

815
00:45:48,239 --> 00:46:03,200
Speaker 4: things coming out. Anyways, all these algorithms, friggin hypo news,

816
00:46:03,239 --> 00:46:07,960
Speaker 4: the whole every all of the angles and uh and

817
00:46:08,000 --> 00:46:09,879
Speaker 4: the particle physics.

818
00:46:11,440 --> 00:46:14,360
Speaker 2: I mean, the ions are like, are you kidding me

819
00:46:14,480 --> 00:46:14,839
Speaker 2: with this?

820
00:46:15,840 --> 00:46:18,719
Speaker 3: And the shaft I'm a note ion, this is the

821
00:46:19,480 --> 00:46:20,359
Speaker 3: most important part.

822
00:46:20,480 --> 00:46:20,800
Speaker 2: Sorry.

823
00:46:20,840 --> 00:46:24,200
Speaker 3: Oh the shaft is sneaking its way out as he talks.

824
00:46:25,440 --> 00:46:28,520
Speaker 2: Now give your note no, no, no, keep going now it's

825
00:46:28,880 --> 00:46:29,520
Speaker 2: we're into the.

826
00:46:29,640 --> 00:46:31,759
Speaker 4: Oh, it looks like a third boy scout got in

827
00:46:31,840 --> 00:46:48,280
Speaker 4: on the action. What am I gonna do about this? Uh, sir?

828
00:46:48,480 --> 00:46:59,080
Speaker 4: I could see your mmmm say third boy scouts.

829
00:47:00,440 --> 00:47:09,280
Speaker 2: Okay, and then and we'll really do it. This felt

830
00:47:09,320 --> 00:47:12,200
Speaker 2: like you skipped a bunch of steps. If this is

831
00:47:12,200 --> 00:47:14,360
Speaker 2: really how the scene goes, well that all.

832
00:47:14,239 --> 00:47:16,640
Speaker 1: That mass stuff, the Italian and all that is in

833
00:47:16,719 --> 00:47:17,680
Speaker 1: the parenthetical.

834
00:47:19,160 --> 00:47:21,560
Speaker 2: So that's like how I reading the line.

835
00:47:21,920 --> 00:47:23,880
Speaker 1: I don't like like if you like, I don't know

836
00:47:23,880 --> 00:47:25,560
Speaker 1: how you like get your scripts and like how you

837
00:47:25,560 --> 00:47:28,880
Speaker 1: guys format on silicon. But if it's in the parenthetical,

838
00:47:29,160 --> 00:47:32,000
Speaker 1: that's just the mood that he is projecting and that

839
00:47:32,239 --> 00:47:34,839
Speaker 1: and that's all right, let's do what.

840
00:47:35,040 --> 00:47:39,200
Speaker 4: And then let's really we'll both really do it, do

841
00:47:39,360 --> 00:47:41,440
Speaker 4: what and sucking fucking do.

842
00:47:46,920 --> 00:47:51,400
Speaker 2: We'll really have real sex. So you're you're my teacher.

843
00:47:51,640 --> 00:47:53,480
Speaker 2: It's not gonna be the first time I've ever done it,

844
00:47:53,520 --> 00:47:57,960
Speaker 2: so it doesn't even No, I don't remember doing it

845
00:47:58,000 --> 00:48:00,279
Speaker 2: before with you. I don't want to know it with you. No,

846
00:48:00,360 --> 00:48:02,440
Speaker 2: not just with you, just like with anyone. Like I've

847
00:48:03,120 --> 00:48:04,719
Speaker 2: a minor, but.

848
00:48:05,320 --> 00:48:06,320
Speaker 3: Don't math school.

849
00:48:08,120 --> 00:48:09,120
Speaker 2: Yeah, I know, I lie.

850
00:48:09,320 --> 00:48:10,920
Speaker 1: That's about sorry, that's supposed to be with an e.

851
00:48:11,239 --> 00:48:12,120
Speaker 1: Yeah it's another type.

852
00:48:12,160 --> 00:48:17,320
Speaker 4: Oh yeah, oh yeah, And it says parenthetical covered and soot.

853
00:48:22,880 --> 00:48:25,359
Speaker 1: And so that's why the next line batt'll help is

854
00:48:25,680 --> 00:48:26,920
Speaker 1: that's why that makes sense.

855
00:48:27,000 --> 00:48:30,799
Speaker 2: Yeah, that it'll help. I'm very comfortable in dark places.

856
00:48:32,480 --> 00:48:35,160
Speaker 4: And that's making me think a part of my body.

857
00:48:36,680 --> 00:48:38,200
Speaker 2: So so let's.

858
00:48:38,400 --> 00:48:40,799
Speaker 4: You know, let's do both of us just we'll get

859
00:48:40,840 --> 00:48:43,640
Speaker 4: to it or are Actually there's more math to do,

860
00:48:43,760 --> 00:48:46,920
Speaker 4: I think, yeah.

861
00:48:46,600 --> 00:48:47,759
Speaker 2: Yeah, I just found more.

862
00:48:49,800 --> 00:48:54,200
Speaker 4: Oh no, oh, this is gonna take all class, and

863
00:48:54,239 --> 00:48:58,200
Speaker 4: you'll never really be able to get it on, like

864
00:48:58,280 --> 00:48:59,279
Speaker 4: I know how to do.

865
00:49:01,520 --> 00:49:05,640
Speaker 1: This is not wait, this is not part like it's

866
00:49:05,680 --> 00:49:06,319
Speaker 1: time to do it.

867
00:49:06,360 --> 00:49:10,520
Speaker 2: I'm feeling it. I mean, it says here that we yeah,

868
00:49:11,800 --> 00:49:14,600
Speaker 2: the next is there's no more dialogue, it's just descriptions.

869
00:49:14,920 --> 00:49:17,800
Speaker 2: I got different pages. Maybe I have the more latest draft.

870
00:49:18,920 --> 00:49:23,160
Speaker 2: And it says here that I separate the lollipop sticks.

871
00:49:23,200 --> 00:49:29,400
Speaker 4: Oh yeah, well that sounds very good, but it says

872
00:49:29,440 --> 00:49:30,160
Speaker 4: on mine that.

873
00:49:31,800 --> 00:49:34,040
Speaker 2: I get too shy to even have that much pleasure.

874
00:49:36,239 --> 00:49:38,399
Speaker 4: But it says it's part of the character, and it's

875
00:49:38,560 --> 00:49:40,280
Speaker 4: I don't know why we wrote it that way, because

876
00:49:40,360 --> 00:49:43,840
Speaker 4: I would like that, but.

877
00:49:42,560 --> 00:49:45,160
Speaker 2: But it says it's the first time you orgasm is

878
00:49:45,160 --> 00:49:46,439
Speaker 2: in this scene right now?

879
00:49:49,800 --> 00:49:52,279
Speaker 4: Well, but the math stuff I feel like we need

880
00:49:52,320 --> 00:49:53,560
Speaker 4: to do or.

881
00:49:55,120 --> 00:49:59,840
Speaker 2: Why what's going on going on? Okay?

882
00:50:00,080 --> 00:50:02,839
Speaker 3: Okay, so that was I can't remember what we were

883
00:50:02,880 --> 00:50:03,840
Speaker 3: even doing before.

884
00:50:05,280 --> 00:50:10,080
Speaker 2: Yo geez, look at the time for real.

885
00:50:10,880 --> 00:50:12,840
Speaker 6: If you guys need to do that again, you get

886
00:50:18,480 --> 00:50:27,600
Speaker 6: I go for it the secks. Okay. See, And this

887
00:50:27,680 --> 00:50:29,640
Speaker 6: is what I said. I told you that eventually he

888
00:50:29,719 --> 00:50:34,560
Speaker 6: was gonna he's gonna get begging for He's gonna get

889
00:50:34,560 --> 00:50:36,360
Speaker 6: so horned up that he's gonna.

890
00:50:36,160 --> 00:50:38,960
Speaker 2: Say what I feel like you're the one last time

891
00:50:39,000 --> 00:50:42,319
Speaker 2: who blinked. That's not how I remember it.

892
00:50:43,880 --> 00:50:47,080
Speaker 4: I remember I'm juiced up, I'm on fire, I'm ready

893
00:50:47,080 --> 00:50:48,359
Speaker 4: to go, and.

894
00:50:48,320 --> 00:50:50,640
Speaker 2: Then you find more mad. I'm about to blast.

895
00:50:50,920 --> 00:50:53,600
Speaker 4: Yeah, well blast as part of the story.

896
00:50:53,800 --> 00:50:57,839
Speaker 2: You're about to blast? What what is blast? Is that

897
00:50:57,960 --> 00:51:01,640
Speaker 2: like coming? Oh? Well, it can be.

898
00:51:03,840 --> 00:51:06,000
Speaker 1: We don't like to keep it as like, be so

899
00:51:06,040 --> 00:51:08,920
Speaker 1: strict about that. Yeah, there's not so many rules what

900
00:51:09,080 --> 00:51:15,640
Speaker 1: people blast differently. It's a spectrum. It's fluid, literally.

901
00:51:20,800 --> 00:51:23,479
Speaker 4: But I remember being not scared and very brave about

902
00:51:23,560 --> 00:51:29,919
Speaker 4: it all, and pretty my legs were looking very good.

903
00:51:31,320 --> 00:51:34,799
Speaker 4: If I do recall, and I wonder if everyone who

904
00:51:34,880 --> 00:51:37,319
Speaker 4: was here will tell everyone that maybe they saw some

905
00:51:37,400 --> 00:51:42,880
Speaker 4: pretty good sex on stage, and maybe Kevin can plug

906
00:51:42,920 --> 00:51:45,879
Speaker 4: in some of the noises later that we talked about.

907
00:51:49,920 --> 00:51:50,480
Speaker 2: Okay, what.

908
00:51:52,239 --> 00:51:56,520
Speaker 1: So if everyone hypothetically and just if we were still

909
00:51:56,560 --> 00:51:59,440
Speaker 1: in a shin iness situation, if everyone here.

910
00:51:59,400 --> 00:52:01,160
Speaker 2: And it's maybe a Kumail who's shy.

911
00:52:01,040 --> 00:52:03,640
Speaker 1: I'm not shy, you're the wild, which was so weird

912
00:52:03,680 --> 00:52:05,480
Speaker 1: because he was so horned up.

913
00:52:06,320 --> 00:52:08,160
Speaker 2: First of all, I wasn't horned up either, So I

914
00:52:08,200 --> 00:52:11,000
Speaker 2: don't know what stands to take because that war isn't

915
00:52:11,200 --> 00:52:14,880
Speaker 2: horned up. But I also didn't stop reading the script.

916
00:52:15,040 --> 00:52:21,799
Speaker 2: Yeah I know a different draft, and that's revision mode.

917
00:52:21,840 --> 00:52:22,440
Speaker 2: That'll catch you.

918
00:52:22,600 --> 00:52:25,040
Speaker 1: So maybe something if some people who were here, So

919
00:52:25,080 --> 00:52:27,200
Speaker 1: it won't make into into the real episode, but if

920
00:52:27,200 --> 00:52:29,520
Speaker 1: some people who were here could say, oh, I saw

921
00:52:30,400 --> 00:52:32,719
Speaker 1: some these guys had said.

922
00:52:32,560 --> 00:52:35,200
Speaker 4: Yeah, they did it on stage X rated very good sex,

923
00:52:35,239 --> 00:52:37,080
Speaker 4: and one guy really definitely knew how to do it,

924
00:52:37,120 --> 00:52:42,120
Speaker 4: and it seem seemed like he'd done it before. And

925
00:52:42,120 --> 00:52:44,759
Speaker 4: and if they say that, that would be great because

926
00:52:44,880 --> 00:52:51,360
Speaker 4: we can fucking hear this thing anyway, because on Ditcher Premium,

927
00:52:51,360 --> 00:52:53,240
Speaker 4: I have the best job in the world.

928
00:52:56,239 --> 00:52:58,560
Speaker 1: A few things so they get their story straight, desserts,

929
00:52:58,600 --> 00:53:08,480
Speaker 1: any like specific things it they should say, oh yeah, yeah.

930
00:53:06,000 --> 00:53:14,440
Speaker 2: Yeah, what's your style? Oh uh? What's your vibe?

931
00:53:14,480 --> 00:53:17,320
Speaker 3: For you two? This could be I'm sorry, say again.

932
00:53:18,280 --> 00:53:22,440
Speaker 2: Yeah what does that mean? What what do you mean? Uh?

933
00:53:23,080 --> 00:53:33,200
Speaker 2: Sort of a sensitive, thoughtful berserker. That's your style.

934
00:53:33,520 --> 00:53:34,520
Speaker 3: That's one of them.

935
00:53:35,560 --> 00:53:39,840
Speaker 2: What other styles do you have? Brain mantis? That's a

936
00:53:39,920 --> 00:53:43,800
Speaker 2: kun flute thing, isn't it. But in his version, it's

937
00:53:44,360 --> 00:53:49,200
Speaker 2: getting eaten afterwards. I call that one a happy meal.

938
00:53:53,000 --> 00:53:54,920
Speaker 1: And you could say this could be like really good

939
00:53:54,920 --> 00:53:56,840
Speaker 1: promotion for your movie. People like I want to go

940
00:53:56,880 --> 00:53:58,879
Speaker 1: see this guy's movie because I heard this guy got

941
00:53:58,920 --> 00:54:01,720
Speaker 1: on stage at a podcas As performance that he fucked

942
00:54:01,840 --> 00:54:02,200
Speaker 1: the other.

943
00:54:02,719 --> 00:54:03,400
Speaker 3: I don't know what.

944
00:54:03,520 --> 00:54:06,560
Speaker 2: I don't want to spread the falsehood that I fucked

945
00:54:06,640 --> 00:54:11,399
Speaker 2: or got fucked on stage. What's your style? I don't

946
00:54:11,400 --> 00:54:12,479
Speaker 2: want to talk about it.

947
00:54:12,480 --> 00:54:15,520
Speaker 3: It's not okay. He gave you you power, drill bail.

948
00:54:15,560 --> 00:54:19,400
Speaker 1: He just told you that he is a thoughtful berserker,

949
00:54:19,480 --> 00:54:22,960
Speaker 1: and he gets eaten afterwards like a pregmantis.

950
00:54:23,120 --> 00:54:25,080
Speaker 2: If you read a science book, that is what happens.

951
00:54:26,760 --> 00:54:31,880
Speaker 2: H I guess minus philosopher King. I come up with

952
00:54:31,920 --> 00:54:38,839
Speaker 2: a lot of ideas and my dad died. Bye.