1 00:00:05,920 --> 00:00:13,880 Speaker 1: Crime Stories with Nancy Grace in the Last Days, the 2 00:00:14,680 --> 00:00:22,919 Speaker 1: armorer for the movie Rust starring Alec Baldwin is found 3 00:00:23,280 --> 00:00:28,040 Speaker 1: guilty of homicide and the shooting death of a young 4 00:00:28,320 --> 00:00:36,360 Speaker 1: wife and mom cinematographer Helena Hutchins. Is Alec Baldwin. Next, 5 00:00:37,080 --> 00:00:40,080 Speaker 1: I'm Nancy Grace. This is Crime Stories. Thanks for being 6 00:00:40,080 --> 00:00:42,280 Speaker 1: with us here at Crime Stories and on Serious Sex 7 00:00:42,320 --> 00:00:48,120 Speaker 1: sem one eleven Hannah Goutera's read found guilty of homicide 8 00:00:48,479 --> 00:00:52,760 Speaker 1: and the shooting death of the Rust cinematographer Helena Hutchins. 9 00:00:54,000 --> 00:00:57,960 Speaker 1: Gutera's read shows very little emotion, if any, when the 10 00:00:58,040 --> 00:01:03,360 Speaker 1: verdict was read. Now is Alec Baldwin, the movie and 11 00:01:03,400 --> 00:01:07,440 Speaker 1: TV star. Next, He's set to go on trial in 12 00:01:07,480 --> 00:01:13,360 Speaker 1: the same courthouse for manslaughter. That's right, the armorer. That 13 00:01:13,680 --> 00:01:17,080 Speaker 1: is movie talk for the person in charge of all 14 00:01:17,160 --> 00:01:19,800 Speaker 1: the guns and explosives use on a movie set. The 15 00:01:19,920 --> 00:01:23,760 Speaker 1: armorer for the Alec Baldwin movie Rust guilty in the 16 00:01:23,760 --> 00:01:29,000 Speaker 1: shooting death of Helena Hutchins. The jury determined Gutera's red 17 00:01:29,520 --> 00:01:34,400 Speaker 1: negligently allowed a live bullet in the gun on the 18 00:01:34,440 --> 00:01:38,040 Speaker 1: set of the western Baldwin used to shoot dead Helena Hutchins. 19 00:01:39,080 --> 00:01:41,600 Speaker 1: It just took two hours of deliberations at the courthouse 20 00:01:41,640 --> 00:01:44,199 Speaker 1: in Santa Fe, New Mexico, for a jury to fine 21 00:01:44,319 --> 00:01:47,960 Speaker 1: read guilty on manslaughter. They quitted her on charge of 22 00:01:48,000 --> 00:01:52,560 Speaker 1: tampering with evidence. Now, Guta's red is the daughter of 23 00:01:52,600 --> 00:01:57,120 Speaker 1: a very well respected industry armorer, thell Reed, and she's 24 00:01:57,120 --> 00:02:00,480 Speaker 1: facing about two years in jail eighteen months to be exact. 25 00:02:00,720 --> 00:02:04,320 Speaker 1: She showed no emotion, but one family member did break 26 00:02:04,360 --> 00:02:08,800 Speaker 1: down in the courtroom. That family member sitting behind Reid. 27 00:02:09,880 --> 00:02:14,760 Speaker 1: The judge Mary Sumner remanded that means scent Gata's read 28 00:02:14,919 --> 00:02:19,440 Speaker 1: in custody, telling her the reason is because you're now convicted. 29 00:02:20,080 --> 00:02:24,240 Speaker 1: It's criminal negligence. It's true, but still a death. Does 30 00:02:24,400 --> 00:02:28,959 Speaker 1: the verdict against Hannah Gata's read spell trouble for Alec 31 00:02:29,000 --> 00:02:31,840 Speaker 1: Baldwin When he goes on trial in July in the 32 00:02:31,919 --> 00:02:36,600 Speaker 1: same courthouse for manslaughter. He faces jail time as well. 33 00:02:36,680 --> 00:02:38,440 Speaker 1: I found guilty. What do we know? 34 00:02:39,040 --> 00:02:42,760 Speaker 2: The Sheriff's office there has just confirmed it was Baldwin 35 00:02:43,120 --> 00:02:46,280 Speaker 2: who fired the prop gun that killed a forty two 36 00:02:46,360 --> 00:02:52,160 Speaker 2: year old female director of stratography, Helena Hutchins. The film's director, 37 00:02:52,320 --> 00:02:56,360 Speaker 2: Juel Susa, was also hurt. This incident happened on the 38 00:02:56,360 --> 00:02:57,800 Speaker 2: side of the Western Rust. 39 00:02:57,960 --> 00:03:01,080 Speaker 1: You were just hearing our friend Christine John's with CBS 40 00:03:01,520 --> 00:03:07,760 Speaker 1: what really happened. According to reports, the assistant yelled out 41 00:03:08,080 --> 00:03:13,040 Speaker 1: cold gun just before the shooting, which means the gun 42 00:03:13,120 --> 00:03:15,280 Speaker 1: was safe, that it was loaded with a blank. So 43 00:03:15,760 --> 00:03:19,720 Speaker 1: how do we have a woman, dad, another film person 44 00:03:19,840 --> 00:03:22,120 Speaker 1: injured with me and all Star panel to make sense 45 00:03:22,120 --> 00:03:25,280 Speaker 1: of it all? If we can? With me? Dominate Romano 46 00:03:26,040 --> 00:03:29,400 Speaker 1: lawyer joining us out of New York at Romano Law 47 00:03:29,440 --> 00:03:32,680 Speaker 1: dot Com is specialty entertainment law, and I can tell 48 00:03:32,680 --> 00:03:34,920 Speaker 1: you if somebody's going to need a lawyer. Doctor Sherry 49 00:03:34,920 --> 00:03:39,920 Speaker 1: Schortz forensic psychologists joining us. Karen L. Smith, forensic expert, 50 00:03:40,000 --> 00:03:44,360 Speaker 1: host of Shattered Soul's podcast at Beerbonesforensics dot com. Paul 51 00:03:44,760 --> 00:03:49,120 Speaker 1: Zike joining us special guest, former police commander and author 52 00:03:49,160 --> 00:03:54,520 Speaker 1: of Stop Him From Killing Them on Amazon, and he 53 00:03:54,640 --> 00:03:58,840 Speaker 1: has lots of experience using firearms with blanks during live 54 00:03:59,120 --> 00:04:04,400 Speaker 1: action movie scenes like Terminator Salvation. Doctor Michelle du Pre 55 00:04:04,560 --> 00:04:10,840 Speaker 1: forensic pathologists, former medical examiner, author of Homicide Investigation Field Guide, 56 00:04:10,880 --> 00:04:14,720 Speaker 1: and a former police detective. But first to Alexis Terreschuk 57 00:04:15,120 --> 00:04:18,640 Speaker 1: Crime Online dot Com investigative reporter joining us from Hollywood. 58 00:04:18,880 --> 00:04:23,559 Speaker 1: Alexis is what is getting folded into the story, right 59 00:04:23,800 --> 00:04:31,760 Speaker 1: or wrong? Is Alec Baldwin's history, his reputation for let 60 00:04:31,800 --> 00:04:37,840 Speaker 1: me just say hot headedness to put it euphemistically. If 61 00:04:38,120 --> 00:04:40,320 Speaker 1: he thought it was a blank and it should have 62 00:04:40,320 --> 00:04:45,159 Speaker 1: been a blank, then history aside it was an accident. 63 00:04:45,480 --> 00:04:49,720 Speaker 1: But how can it really be an accident when somebody 64 00:04:50,040 --> 00:04:54,680 Speaker 1: loaded this prop gun with real bullets? Just start at 65 00:04:54,760 --> 00:04:55,200 Speaker 1: the beginning. 66 00:04:55,360 --> 00:04:57,160 Speaker 3: They were on a set in Santa Fe, New Mexico. 67 00:04:57,279 --> 00:05:00,400 Speaker 3: It's a Western style movie. So they were sitting in 68 00:05:00,480 --> 00:05:03,640 Speaker 3: a church at an old church scene, and Alex Baldwin 69 00:05:03,760 --> 00:05:05,719 Speaker 3: was sitting in one of the pews and he was 70 00:05:05,880 --> 00:05:09,320 Speaker 3: practicing what's called a cross draw. And so that would 71 00:05:09,360 --> 00:05:12,120 Speaker 3: be where the person say, take your left hand and 72 00:05:12,160 --> 00:05:15,080 Speaker 3: grabs the gun out of the holster on the opposite hip, 73 00:05:15,440 --> 00:05:18,960 Speaker 3: pulls it across to fire. He was practicing this move 74 00:05:19,360 --> 00:05:22,719 Speaker 3: standing the cinematographer, which is the person that makes the 75 00:05:22,880 --> 00:05:26,440 Speaker 3: movie beautiful. This is the person that the director that 76 00:05:27,000 --> 00:05:29,680 Speaker 3: films the scene. She was standing in front of him 77 00:05:29,680 --> 00:05:32,920 Speaker 3: with the assistant director Stumbard, with the director standing right 78 00:05:32,960 --> 00:05:35,279 Speaker 3: behind her. He was looking over her shoulder to see 79 00:05:35,320 --> 00:05:38,200 Speaker 3: what it would look like when Alex pulled the gun out. 80 00:05:38,440 --> 00:05:40,840 Speaker 3: He pulls it out of the side, points it at 81 00:05:40,839 --> 00:05:44,480 Speaker 3: her to show them, pulls the trigger, and it fires 82 00:05:44,920 --> 00:05:47,680 Speaker 3: a live round into her. Hits her in the stomach 83 00:05:47,839 --> 00:05:50,200 Speaker 3: and actually I believe goes through her and grazes the 84 00:05:50,279 --> 00:05:52,720 Speaker 3: director sitting standing right behind her. 85 00:05:53,040 --> 00:05:56,400 Speaker 1: Hush is pronounced Dad at an Albuquerque hospital after being 86 00:05:56,600 --> 00:05:59,679 Speaker 1: rushed to the emergency room. You know what I always 87 00:05:59,839 --> 00:06:03,520 Speaker 1: love of playing nine one one calls for a jury 88 00:06:03,640 --> 00:06:06,159 Speaker 1: because it takes you back to what's really happening. Not 89 00:06:06,279 --> 00:06:11,080 Speaker 1: a description, not someone recounting what happened, but you're hearing 90 00:06:11,160 --> 00:06:14,200 Speaker 1: what really happened. Take a listen to the beginning of 91 00:06:14,200 --> 00:06:18,880 Speaker 1: that nine to one one call. 92 00:06:16,760 --> 00:06:20,359 Speaker 4: On the location of your emergency pointed and that we 93 00:06:20,440 --> 00:06:23,920 Speaker 4: need and at a Bonanza Creek grants right now. We 94 00:06:24,000 --> 00:06:25,320 Speaker 4: got to people shot on a mo. 95 00:06:27,400 --> 00:06:28,560 Speaker 5: Said someone was shot. 96 00:06:29,160 --> 00:06:34,920 Speaker 4: Two people accidental gun shot on movie steps and wondered 97 00:06:35,360 --> 00:06:40,479 Speaker 4: often with medical who are you calling? 98 00:06:41,560 --> 00:06:42,440 Speaker 6: Where are the road. 99 00:06:48,520 --> 00:06:49,039 Speaker 4: Emergency? 100 00:06:50,080 --> 00:06:53,919 Speaker 7: Bonanza people accidentally. 101 00:06:53,279 --> 00:06:55,039 Speaker 5: Shot on a movie. 102 00:06:54,760 --> 00:06:58,520 Speaker 4: Step by top gun. We need help the immediate, like Fananza 103 00:06:58,600 --> 00:07:01,279 Speaker 4: free grant, come on. 104 00:07:03,240 --> 00:07:05,800 Speaker 5: Your name, Let Mitchell. 105 00:07:07,240 --> 00:07:07,960 Speaker 3: That Mitchell wants. 106 00:07:07,960 --> 00:07:12,880 Speaker 4: The one where you're calling from five up, don't hang up? 107 00:07:12,920 --> 00:07:24,560 Speaker 4: Okay one seconds for somebody else is calling for better. 108 00:07:26,680 --> 00:07:30,840 Speaker 4: Everybody should be need some help us director in our 109 00:07:30,880 --> 00:07:32,240 Speaker 4: cameraman camera woman. 110 00:07:33,160 --> 00:07:38,880 Speaker 1: Now you hear repeatedly the word accident accidentally throughout that. 111 00:07:39,360 --> 00:07:43,200 Speaker 1: But is it an accident? Very often when you have, 112 00:07:43,360 --> 00:07:47,400 Speaker 1: for instance, a d UI crash, people go, well, it 113 00:07:47,520 --> 00:07:52,640 Speaker 1: was an accident. But was it because the driver chooses 114 00:07:52,640 --> 00:07:55,880 Speaker 1: to go to a bar to order drinks, to drink, 115 00:07:56,480 --> 00:07:59,880 Speaker 1: to become legally intoxicated, to then get the car, key, 116 00:08:00,480 --> 00:08:03,360 Speaker 1: walk to the car, get in the car, crank up, 117 00:08:03,400 --> 00:08:08,160 Speaker 1: reverse and drive out onto the roads. That sounds pretty deliberate. 118 00:08:09,120 --> 00:08:12,920 Speaker 1: So is it an accident? Is it gross negligence? Well, 119 00:08:13,120 --> 00:08:14,760 Speaker 1: take a listen to more of that nine to one 120 00:08:14,800 --> 00:08:15,240 Speaker 1: one call. 121 00:08:15,600 --> 00:08:17,360 Speaker 5: So was it loaded with a real bullet? 122 00:08:17,440 --> 00:08:21,080 Speaker 4: Or I cannot shot you that? Okay, we have two 123 00:08:21,120 --> 00:08:24,679 Speaker 4: injuries from the movie gun Shock. 124 00:08:25,160 --> 00:08:26,200 Speaker 5: Okay, we're getting. 125 00:08:26,040 --> 00:08:26,640 Speaker 8: Out there already. 126 00:08:26,680 --> 00:08:27,600 Speaker 5: Just down upone with me. 127 00:08:28,960 --> 00:08:34,080 Speaker 3: Okay, I did see that yelled at me at lunch. 128 00:08:34,120 --> 00:08:38,240 Speaker 4: Could ask him about re vision. You can and yell 129 00:08:38,320 --> 00:08:44,520 Speaker 4: at me he's a succested gun See responsible, I would 130 00:08:44,600 --> 00:08:44,880 Speaker 4: have to. 131 00:08:44,840 --> 00:08:45,600 Speaker 3: Answer how many? 132 00:08:46,080 --> 00:08:49,400 Speaker 4: No, No, no, I'm a super hard people were injured, 133 00:08:49,920 --> 00:08:52,720 Speaker 4: true that I know of. I was hearing we were 134 00:08:52,760 --> 00:08:54,880 Speaker 4: rehearsing and it went off and I ran out. We 135 00:08:54,920 --> 00:08:57,680 Speaker 4: all ran out. There were but doubles over the id 136 00:08:58,000 --> 00:09:02,400 Speaker 4: and the camera woman and the director and the directors 137 00:09:02,400 --> 00:09:04,240 Speaker 4: were clearing the road. Can you come back. We're back 138 00:09:04,280 --> 00:09:06,440 Speaker 4: on the web. We're back in the town to call 139 00:09:06,480 --> 00:09:07,720 Speaker 4: the way back in the western town. 140 00:09:11,600 --> 00:09:14,439 Speaker 5: Is there any serious bleeding? I don't know. 141 00:09:14,600 --> 00:09:17,320 Speaker 4: I ran out of the building, but I still have 142 00:09:17,360 --> 00:09:21,720 Speaker 4: to go through VESE. Okay, are they completely alert? 143 00:09:22,960 --> 00:09:26,120 Speaker 1: I'm here A lot of discussion in the background. You 144 00:09:26,120 --> 00:09:30,240 Speaker 1: hear this speaker talking to somebody else about someone yelling 145 00:09:30,280 --> 00:09:34,880 Speaker 1: at her and lunch about script revision, and she says 146 00:09:35,000 --> 00:09:38,600 Speaker 1: she's supposed to check the gun. He's responsible for what happened. No, No, 147 00:09:38,720 --> 00:09:41,880 Speaker 1: I'm a script supervisor, so I don't know a lot 148 00:09:41,920 --> 00:09:43,800 Speaker 1: about movie sets. I can tell you more about a 149 00:09:43,880 --> 00:09:47,920 Speaker 1: murder trial, but I know this, A script supervisor should 150 00:09:47,960 --> 00:10:06,000 Speaker 1: not be checking dangerous weapons crime stories. With Nancy Grace. 151 00:10:07,080 --> 00:10:12,040 Speaker 1: In the Last Days, the armorer for the Alec Baldwin 152 00:10:12,120 --> 00:10:17,640 Speaker 1: movie Rust is found guilty of homicide by a jury, 153 00:10:18,480 --> 00:10:22,560 Speaker 1: will the next shoe to drop be the conviction of 154 00:10:22,720 --> 00:10:27,520 Speaker 1: movie star Alec Baldwin. Hannah Gata's Read's defense at trial 155 00:10:28,040 --> 00:10:34,040 Speaker 1: was basically to blame everybody else but herself, especially Alec Baldwin. 156 00:10:34,960 --> 00:10:39,439 Speaker 1: Reid's lawyer Jason Bowles kept repeating over and over that Baldwin, 157 00:10:39,640 --> 00:10:42,600 Speaker 1: Alec Baldwin was the quote big boss on the set 158 00:10:42,920 --> 00:10:45,680 Speaker 1: that nobody would stand up to, even though he rushed 159 00:10:45,720 --> 00:10:49,400 Speaker 1: people and ignored safety checks because Rust, on which he 160 00:10:49,480 --> 00:10:53,920 Speaker 1: was a producer, had a tight budget. The jury heard 161 00:10:54,120 --> 00:10:58,600 Speaker 1: from the defense Baldwin commissioned the director SUSA to write 162 00:10:58,640 --> 00:11:02,520 Speaker 1: the script, that Baldwin owns the rights to the script, 163 00:11:03,080 --> 00:11:05,240 Speaker 1: that he was the lead actor on the movie and 164 00:11:05,360 --> 00:11:10,040 Speaker 1: was also a producer. Now, the defense lawyer Jason Bowles 165 00:11:10,280 --> 00:11:16,640 Speaker 1: called his client, Hannah Reid a quote scapegoat for wider 166 00:11:16,679 --> 00:11:21,000 Speaker 1: failings that led in a Mexico safety regulator to issue 167 00:11:21,080 --> 00:11:24,600 Speaker 1: one hundred and thirty six thousand dollars fine on the 168 00:11:24,679 --> 00:11:29,640 Speaker 1: producers for serious safety failings. She's a scapegoat. Well, a 169 00:11:29,720 --> 00:11:35,680 Speaker 1: jury disagreed. What do we know? Paul Zike joining us 170 00:11:35,679 --> 00:11:39,920 Speaker 1: special guest, former police commander and author of Stop Him 171 00:11:40,080 --> 00:11:44,840 Speaker 1: From Killing Them? He's with the Screen Actors Guild and 172 00:11:44,920 --> 00:11:48,439 Speaker 1: he has experienced using firearms with blanks during live action 173 00:11:48,720 --> 00:11:51,440 Speaker 1: movie scenes. I could go on, but I think that 174 00:11:51,480 --> 00:11:53,840 Speaker 1: sums it up for today. Paul Zake, thank you for 175 00:11:53,880 --> 00:11:57,839 Speaker 1: being with us. What went wrong? Obviously there was a 176 00:11:57,880 --> 00:12:00,280 Speaker 1: live bullet and what should have been a proper god, 177 00:12:00,320 --> 00:12:02,280 Speaker 1: but what happened, Nancy? 178 00:12:03,720 --> 00:12:07,800 Speaker 8: The only explanation for this is a systemic breakdown in 179 00:12:08,000 --> 00:12:11,199 Speaker 8: systems that are in place to ensure that live ammunition 180 00:12:11,440 --> 00:12:13,679 Speaker 8: is not present on the set. 181 00:12:14,080 --> 00:12:16,520 Speaker 1: Okay, now that was a lot of words, Paul's I 182 00:12:16,960 --> 00:12:19,040 Speaker 1: think you're saying somebody didn't do their job. 183 00:12:19,760 --> 00:12:25,080 Speaker 8: Well, absolutely, somebody did not do their job and catastrophically 184 00:12:25,120 --> 00:12:27,680 Speaker 8: did not do that. There's no reason whatsoever for live 185 00:12:27,720 --> 00:12:31,600 Speaker 8: ammunition to be on the set of any set. Because 186 00:12:31,640 --> 00:12:34,840 Speaker 8: these weapons are capable of firing live rounds. They're not 187 00:12:34,920 --> 00:12:38,240 Speaker 8: really prop guns. They're deadly weapons being used as props. 188 00:12:38,280 --> 00:12:40,880 Speaker 1: Okay, hold on, right there, I want to make that distinction. 189 00:12:41,240 --> 00:12:46,559 Speaker 1: You're absolutely right when look, I'm a trial lawyer, I'm 190 00:12:46,559 --> 00:12:49,920 Speaker 1: a legal expert. You're the expert in this world. When 191 00:12:49,920 --> 00:12:53,400 Speaker 1: I say prop gun, I mean they're using it as 192 00:12:53,760 --> 00:12:58,440 Speaker 1: a prop. But you're making a very fine, subtle but 193 00:12:58,600 --> 00:13:02,920 Speaker 1: important distinction. A prop gun is a fake gun. I 194 00:13:02,960 --> 00:13:04,920 Speaker 1: don't think it even can shoot? Is that right? 195 00:13:05,400 --> 00:13:08,360 Speaker 8: Exactly? If you're talking about say it prop knife, correct, 196 00:13:08,679 --> 00:13:10,880 Speaker 8: It has a flat edge on it. It's incapable of 197 00:13:10,920 --> 00:13:13,920 Speaker 8: cutting you. These are things that are not deemed to 198 00:13:13,960 --> 00:13:18,760 Speaker 8: be dangerous. A prop gun is simply as utilized on 199 00:13:18,880 --> 00:13:22,480 Speaker 8: set our weapons that are capable of firing live ammunition 200 00:13:22,920 --> 00:13:27,559 Speaker 8: and therefore accidentally live ammunition could be mixed with blank rounds. 201 00:13:28,360 --> 00:13:31,920 Speaker 8: You know, given time, this is just a disaster waiting 202 00:13:31,960 --> 00:13:35,520 Speaker 8: to happen. They need to move to true guns that 203 00:13:35,559 --> 00:13:40,320 Speaker 8: are incapable of chambering live ammunition. Until that happens, this 204 00:13:40,480 --> 00:13:42,720 Speaker 8: has a very strong chance of repeating itself. 205 00:13:43,240 --> 00:13:46,440 Speaker 1: Well, okay, tell me this. Paul's II guys with me. 206 00:13:46,520 --> 00:13:46,960 Speaker 8: Paul z II. 207 00:13:47,520 --> 00:13:52,000 Speaker 1: He is a former police commander. He's an author screen 208 00:13:52,040 --> 00:13:57,040 Speaker 1: actors gil and has experience using blanks during live action 209 00:13:57,160 --> 00:13:59,880 Speaker 1: movie scenes where we all think they're shooting real guns. 210 00:14:00,000 --> 00:14:03,960 Speaker 1: If you suspend your disbelief in movies like His Terminator Salvation, 211 00:14:05,120 --> 00:14:07,800 Speaker 1: those aren't real guns. So why are they using a 212 00:14:07,880 --> 00:14:11,040 Speaker 1: real gun? To start with? Paul Zeike and I mean 213 00:14:11,240 --> 00:14:15,680 Speaker 1: to me having been forced to handle so many guns 214 00:14:16,000 --> 00:14:21,160 Speaker 1: and so many homicides, what moron wouldn't make sure that 215 00:14:21,240 --> 00:14:22,920 Speaker 1: there were blanks in the gun. 216 00:14:23,520 --> 00:14:27,040 Speaker 8: It's hard to imagine that during the loading of the 217 00:14:27,080 --> 00:14:31,760 Speaker 8: weapon that that was not viewed very strictly as the 218 00:14:31,800 --> 00:14:34,720 Speaker 8: weapon is loaded. And also there's a chain of custody 219 00:14:35,080 --> 00:14:38,320 Speaker 8: issue here on the scene of Terminator Salvation. As we 220 00:14:38,360 --> 00:14:41,400 Speaker 8: would go out and we would you conduct the battle scene, 221 00:14:41,440 --> 00:14:43,160 Speaker 8: if you will, in the middle of the night. We 222 00:14:43,200 --> 00:14:47,320 Speaker 8: would be handed directly from the armor fully automatic weapons 223 00:14:47,760 --> 00:14:51,680 Speaker 8: and magazines, fully loaded with blanks, and we would head 224 00:14:51,760 --> 00:14:54,560 Speaker 8: straight out to where the scene was to be shot, 225 00:14:54,720 --> 00:14:56,600 Speaker 8: and then we would engage in the scene, you know, 226 00:14:56,680 --> 00:14:59,360 Speaker 8: five to ten minutes later, hand the weapons straight back 227 00:14:59,400 --> 00:15:02,480 Speaker 8: to the armor, all the ammunition back to the armor, 228 00:15:02,560 --> 00:15:05,840 Speaker 8: all the magazines back to the armor, and we would 229 00:15:05,880 --> 00:15:08,360 Speaker 8: not be able to touch those weapons again until the 230 00:15:08,440 --> 00:15:11,440 Speaker 8: next scene. So from a chain of custody standpoint, I 231 00:15:11,440 --> 00:15:14,680 Speaker 8: went directly from the armor directly to my hand, my 232 00:15:15,600 --> 00:15:19,200 Speaker 8: the co actor's hands that were with me, and that 233 00:15:19,320 --> 00:15:20,640 Speaker 8: was maintained very strictly. 234 00:15:20,720 --> 00:15:24,440 Speaker 1: Hold on, Paul, I've got to soak in everything you're saying, 235 00:15:24,640 --> 00:15:28,000 Speaker 1: because Dominic romano a high profile lawyer joining us out 236 00:15:28,000 --> 00:15:31,160 Speaker 1: of New York's specialty entertainment law. And that's why Dominic's 237 00:15:31,240 --> 00:15:35,240 Speaker 1: joining us today. Dominick, hold on. When you heard Paul's 238 00:15:35,360 --> 00:15:38,360 Speaker 1: like say, chain of custody, I immediately thought of a 239 00:15:38,400 --> 00:15:41,600 Speaker 1: serial murderer that I prosecuted on one murder. We could 240 00:15:41,600 --> 00:15:45,880 Speaker 1: get them on one and there ended up. I would say, 241 00:15:45,920 --> 00:15:48,320 Speaker 1: three weeks before trial. I was just looking at the 242 00:15:48,360 --> 00:15:52,920 Speaker 1: evidence and I noticed that the bag that contained the 243 00:15:52,960 --> 00:15:57,720 Speaker 1: evidence wasn't signed. It had never been signed by the 244 00:15:57,760 --> 00:16:01,640 Speaker 1: homicide cop that picked it up from It was DNA 245 00:16:01,720 --> 00:16:04,120 Speaker 1: in there's blood from where it had been taken and 246 00:16:04,160 --> 00:16:06,840 Speaker 1: carried to the crime lab. It wasn't written on the back. 247 00:16:07,200 --> 00:16:09,960 Speaker 1: Did anybody ten forer with it? No, he just didn't 248 00:16:10,000 --> 00:16:12,240 Speaker 1: put his initials. I'm like, oh, dear Lord in Heaven, 249 00:16:12,640 --> 00:16:15,840 Speaker 1: the chain is broken. This could be attacked at trial. 250 00:16:16,320 --> 00:16:18,840 Speaker 1: I had to go back out to the jail, stand 251 00:16:18,840 --> 00:16:20,920 Speaker 1: there and look at this killer while he pulled his 252 00:16:21,000 --> 00:16:26,080 Speaker 1: blood again. Then I carried it with my investigator myself 253 00:16:26,440 --> 00:16:29,240 Speaker 1: back to the crime lab to have it retested. Praise 254 00:16:29,280 --> 00:16:32,360 Speaker 1: the Lord in Heaven. It was his DNA. Long story short, 255 00:16:32,520 --> 00:16:35,880 Speaker 1: that's chain of custody. Your case can be lost. You 256 00:16:35,920 --> 00:16:39,800 Speaker 1: can lose a serial killer because somebody didn't keep the 257 00:16:39,920 --> 00:16:43,800 Speaker 1: chain to preserve the integrity of the trial. That's what 258 00:16:43,840 --> 00:16:47,280 Speaker 1: I thought when Paul Zike said chain of custody. But 259 00:16:47,400 --> 00:16:50,240 Speaker 1: did you also hear him say, Dominic Romano, he handed 260 00:16:50,240 --> 00:16:52,280 Speaker 1: it back to the It sounded like he was saying 261 00:16:52,440 --> 00:16:55,920 Speaker 1: armor or armory. But I've been reading about this case. 262 00:16:55,920 --> 00:17:01,000 Speaker 1: It's an arm er, armor er who is person in 263 00:17:01,160 --> 00:17:05,360 Speaker 1: charge of all the weapons. Hey, somebody is either going 264 00:17:05,359 --> 00:17:08,280 Speaker 1: to jail. Are they going to lose their house over 265 00:17:08,320 --> 00:17:09,760 Speaker 1: a lawsuit? Domino Romano. 266 00:17:09,960 --> 00:17:12,199 Speaker 9: I think you're right, Nancy, and I think Paul is 267 00:17:12,240 --> 00:17:16,320 Speaker 9: absolutely right. Look in twenty twenty one, no one should 268 00:17:16,320 --> 00:17:19,200 Speaker 9: ever be killed by a gun on a film set. Period. 269 00:17:19,800 --> 00:17:24,480 Speaker 9: Those are the words of Brandon Lee's sister. Brandon Lee 270 00:17:24,600 --> 00:17:27,160 Speaker 9: shot on a film set in the early nineteen nineties. 271 00:17:27,240 --> 00:17:31,280 Speaker 9: They should not happen. There are established protocols, chains of command. 272 00:17:31,720 --> 00:17:34,639 Speaker 9: Nancy said, someone would either going to jail or lose 273 00:17:34,680 --> 00:17:35,119 Speaker 9: their house. 274 00:17:35,480 --> 00:17:36,680 Speaker 8: It's highly likely here. 275 00:17:37,359 --> 00:17:41,959 Speaker 9: I mean, there appears to be some serious gross negligence 276 00:17:42,080 --> 00:17:44,320 Speaker 9: on that set to allow that to have that. That 277 00:17:44,440 --> 00:17:47,760 Speaker 9: is the appearance, and I don't know what evidence can 278 00:17:47,800 --> 00:17:49,359 Speaker 9: come out to rebut that. 279 00:17:49,240 --> 00:17:55,359 Speaker 1: Presumption alive round in well, as paul's Ikus corrected me, 280 00:17:55,960 --> 00:17:59,080 Speaker 1: it's not a prop gun. They were using real guns. Hey, 281 00:17:59,160 --> 00:18:02,760 Speaker 1: let me ask you a question. Explain the difference and 282 00:18:02,800 --> 00:18:06,280 Speaker 1: what a blank looks like as opposed to a live 283 00:18:06,600 --> 00:18:09,240 Speaker 1: round a bullet. We're saying live rounds, we're talking about 284 00:18:09,280 --> 00:18:12,639 Speaker 1: a bullet. What's the difference. Can't you just look at 285 00:18:12,680 --> 00:18:14,760 Speaker 1: them and you can see the difference in. 286 00:18:14,720 --> 00:18:18,400 Speaker 8: Most cases, absolutely, it's very clear. You can see the difference. 287 00:18:19,119 --> 00:18:22,680 Speaker 8: In some types of calibers, say two two three if 288 00:18:22,680 --> 00:18:26,920 Speaker 8: you will, that's an AR fifteen would shoot. The blanks 289 00:18:27,000 --> 00:18:31,400 Speaker 8: are kind of crimped at the end to almost look 290 00:18:31,480 --> 00:18:33,800 Speaker 8: like there's a bullet on the end of them. But 291 00:18:34,000 --> 00:18:37,720 Speaker 8: any sort of trained professional whatsoever, when you're handling a blank, 292 00:18:37,800 --> 00:18:38,560 Speaker 8: you know it's a blank. 293 00:18:38,600 --> 00:18:40,199 Speaker 9: When it's a bullet, you know it's a bullet. 294 00:18:40,480 --> 00:18:44,679 Speaker 8: The blank does not have a lead projectile or a 295 00:18:44,720 --> 00:18:48,000 Speaker 8: steel projectile at the end of the round, So at 296 00:18:48,040 --> 00:18:52,000 Speaker 8: the end it's either flat or it's slightly crimped to 297 00:18:52,359 --> 00:18:55,880 Speaker 8: hold in the gunpowder, which you know, the firearm usually 298 00:18:55,920 --> 00:19:00,679 Speaker 8: needs the gunpowder to correctly function the weapon cycle, the 299 00:19:00,720 --> 00:19:01,600 Speaker 8: weapon and. 300 00:19:01,560 --> 00:19:03,840 Speaker 9: It's one of the reasons why blanks are used. 301 00:19:04,080 --> 00:19:08,680 Speaker 1: Prosecutors call the armorer for the Alec Baldwin movie Hanicata's 302 00:19:08,720 --> 00:19:13,639 Speaker 1: read quote sloppy in handling guns and amo, even staying 303 00:19:13,720 --> 00:19:16,840 Speaker 1: in the opening statement in that prosecutors Jason Lewis, Good 304 00:19:16,920 --> 00:19:20,919 Speaker 1: Lawyer says she quote routinely left guns and ammo lying 305 00:19:20,960 --> 00:19:25,080 Speaker 1: around the set unattended, that the gun safe and ammo 306 00:19:25,240 --> 00:19:30,560 Speaker 1: cart were constantly disorganized. He also said the prospect of 307 00:19:30,680 --> 00:19:35,520 Speaker 1: live ammunition landing up on a film set is incomprehensible. 308 00:19:35,840 --> 00:19:39,080 Speaker 1: It should never happen, and he's right. Why do a 309 00:19:39,080 --> 00:19:42,040 Speaker 1: bunch of movie stars need to have guns with live 310 00:19:42,080 --> 00:19:45,600 Speaker 1: ammo in them? The jury was even shown photos taken 311 00:19:45,600 --> 00:19:49,040 Speaker 1: by a crime scene investigator that shows the chaotic way 312 00:19:49,600 --> 00:19:52,639 Speaker 1: in which the ammunition and guns were stored all the 313 00:19:52,680 --> 00:19:55,760 Speaker 1: set of Rust. They didn't even have the guns locked 314 00:19:55,760 --> 00:20:01,560 Speaker 1: away as is standard practices. Images photos trial shows a 315 00:20:01,600 --> 00:20:04,560 Speaker 1: gun which could have fired live rounds just sitting on 316 00:20:04,600 --> 00:20:07,600 Speaker 1: top of the cart. Loose rounds of all sorts of 317 00:20:07,640 --> 00:20:11,919 Speaker 1: calibers were scattered everywhere, and Gatira's Reid actually kept them 318 00:20:11,960 --> 00:20:15,960 Speaker 1: in a fanny pack with a can of red bull. Okay, 319 00:20:16,240 --> 00:20:20,480 Speaker 1: that's professional. We now know. Another live round was found 320 00:20:20,520 --> 00:20:24,200 Speaker 1: in a box of bullets, from which Gatara's reid said 321 00:20:24,240 --> 00:20:28,920 Speaker 1: she got the AMMO to put in Baldwin's gun. Okay, 322 00:20:29,320 --> 00:20:32,359 Speaker 1: right there, and there's your guilty verdict. Gatira's reed is 323 00:20:32,400 --> 00:20:36,399 Speaker 1: stating she got the AMMO, which contained live rounds, to 324 00:20:36,520 --> 00:20:41,480 Speaker 1: put in Baldwin's gun. Hello, now, even though that round 325 00:20:41,640 --> 00:20:47,720 Speaker 1: is visibly different to the fake bullets, and even had 326 00:20:47,800 --> 00:20:51,120 Speaker 1: a bright silver primer on the back, that was something 327 00:20:51,200 --> 00:20:55,919 Speaker 1: the others didn't have. In one damning moment, a trial 328 00:20:56,760 --> 00:21:01,439 Speaker 1: corporal Alexandra Handcock from Santa Fe County shri ask Goodtara's 329 00:21:01,480 --> 00:21:06,160 Speaker 1: reed if the silver primer on that live bullet didn't 330 00:21:06,160 --> 00:21:09,760 Speaker 1: stick out when she loaded the gun. Good Tarra's reid 331 00:21:09,840 --> 00:21:16,280 Speaker 1: responds no. The corporal then goes to say, you didn't 332 00:21:16,280 --> 00:21:18,320 Speaker 1: notice the rest of them were not the same color. 333 00:21:18,480 --> 00:21:21,440 Speaker 1: She says, no, I would not want her in charge 334 00:21:21,480 --> 00:21:23,840 Speaker 1: of ammunition, and I want to follow up with Alexis 335 00:21:23,920 --> 00:21:29,439 Speaker 1: Tereschuk on the Alec Baldwin set of rust. There apparently 336 00:21:29,640 --> 00:21:34,920 Speaker 1: were problems with working conditions. A group of the crew 337 00:21:35,000 --> 00:21:38,760 Speaker 1: had walked out, I think the night before the claiming 338 00:21:38,800 --> 00:21:41,920 Speaker 1: that they had bad hotels, they were an hour away 339 00:21:41,920 --> 00:21:44,960 Speaker 1: from a hotel or motel, and if they worked late 340 00:21:44,960 --> 00:21:47,040 Speaker 1: into the night, they have to drive through I guess 341 00:21:47,080 --> 00:21:49,840 Speaker 1: the desert, and a lot of them were actually sleeping 342 00:21:49,880 --> 00:21:53,280 Speaker 1: in their cars overnight. That's just some of the complaints 343 00:21:53,320 --> 00:21:57,840 Speaker 1: I've heard. But what are the other complaints, if any, 344 00:21:58,080 --> 00:21:59,920 Speaker 1: on the Alec Baldwin movie set. 345 00:22:00,119 --> 00:22:04,439 Speaker 3: Well, there have been complaints that things were not safe. Quote, 346 00:22:04,720 --> 00:22:08,159 Speaker 3: but one of the person is being directly blamed for 347 00:22:08,240 --> 00:22:10,280 Speaker 3: a lot of the unsafe is when you were listening 348 00:22:10,320 --> 00:22:11,800 Speaker 3: to the nine one one call and you said you 349 00:22:11,840 --> 00:22:13,960 Speaker 3: heard the woman saying that he was yelling at me 350 00:22:14,040 --> 00:22:16,760 Speaker 3: things like that. This is the assistant director that they're 351 00:22:16,800 --> 00:22:19,880 Speaker 3: talking about. And this is the assistant director, David Halls, 352 00:22:20,000 --> 00:22:23,800 Speaker 3: who handed the gun to Baldwin and said this is 353 00:22:23,840 --> 00:22:24,919 Speaker 3: a cold gun. 354 00:22:25,320 --> 00:22:26,120 Speaker 5: So what the. 355 00:22:26,040 --> 00:22:28,399 Speaker 3: People on the set were saying is that Halls was 356 00:22:28,520 --> 00:22:31,520 Speaker 3: not a responsible person. He was very angry, he was 357 00:22:32,359 --> 00:22:35,000 Speaker 3: making the job very difficult for everybody to do, and 358 00:22:35,040 --> 00:22:35,920 Speaker 3: they didn't trust him. 359 00:22:35,960 --> 00:22:40,119 Speaker 1: Wait a minute, you're saying David Halls was an assistant director. Yes, okay, 360 00:22:40,160 --> 00:22:43,600 Speaker 1: Well what about the honor. Isn't she the one responsible 361 00:22:43,640 --> 00:22:47,520 Speaker 1: for all the weapons and the blanks or the bullets. 362 00:22:47,720 --> 00:22:51,720 Speaker 1: Karen L. Smith, forensic expert, host of Shadowed Soul's podcast 363 00:22:51,800 --> 00:22:53,680 Speaker 1: at Beerbones for instance dot com way in. 364 00:22:53,800 --> 00:22:57,679 Speaker 10: Karensmith, well, we do a lot with forensics in physics. 365 00:22:57,800 --> 00:23:01,080 Speaker 10: When we do a reconstruction, we use of time and 366 00:23:01,119 --> 00:23:04,000 Speaker 10: sometimes that can be split seconds, and this includes trajectories 367 00:23:04,119 --> 00:23:08,320 Speaker 10: of projectiles, and this trajectory can generally be explained by 368 00:23:08,480 --> 00:23:11,159 Speaker 10: the reporting. Alec Baldwin was reported to be sitting at 369 00:23:11,200 --> 00:23:13,600 Speaker 10: a church pew to align a camera angle when the 370 00:23:13,600 --> 00:23:16,879 Speaker 10: gun was fired. Alena Hutchins then collapsed on the floor 371 00:23:17,160 --> 00:23:20,160 Speaker 10: and Joel Susa was struck in the clavicles. That's an 372 00:23:20,280 --> 00:23:23,800 Speaker 10: upward trajectory, which means both Hutchins and Susa were standing 373 00:23:23,840 --> 00:23:27,960 Speaker 10: up when the event occurred. The projectile that perforated Helena's 374 00:23:28,000 --> 00:23:30,240 Speaker 10: body and subsequently struck Joels. 375 00:23:30,320 --> 00:23:31,440 Speaker 1: Now, in order for that to. 376 00:23:31,520 --> 00:23:35,480 Speaker 10: Happen, the kinetic energy, which is energy as the result 377 00:23:35,520 --> 00:23:39,000 Speaker 10: of motion, would be very high. We're dealing with mass 378 00:23:39,320 --> 00:23:42,240 Speaker 10: or the amount of matter in an object and energy dispersion. 379 00:23:42,920 --> 00:23:46,000 Speaker 10: Guns carry a high volume of energy in a small space, 380 00:23:46,440 --> 00:23:48,800 Speaker 10: and that from my experience, it tells me that it 381 00:23:48,840 --> 00:23:52,320 Speaker 10: was something other than just the paper or plastic wadding 382 00:23:52,400 --> 00:23:55,320 Speaker 10: from a blank round. That needs to be confirmed by 383 00:23:55,320 --> 00:23:58,399 Speaker 10: the emmy and the investigators. But there are reports of 384 00:23:58,520 --> 00:24:03,000 Speaker 10: live ammunition bullets being on the bet and that particular 385 00:24:03,119 --> 00:24:07,360 Speaker 10: gun allegedly being used for target practice that morning. 386 00:24:07,480 --> 00:24:11,320 Speaker 1: A gun for the set being used as target practice. 387 00:24:11,359 --> 00:24:14,680 Speaker 1: Paul zeike that that shouldn't be that you've got crew 388 00:24:14,720 --> 00:24:18,400 Speaker 1: members out shooting bottles. I think that that's coming out 389 00:24:19,560 --> 00:24:23,159 Speaker 1: with live bullets and use that same gun for a 390 00:24:23,280 --> 00:24:26,840 Speaker 1: sane and a church full of people. 391 00:24:26,720 --> 00:24:28,960 Speaker 8: And Nancy, I just want to clarify the prior point, 392 00:24:29,040 --> 00:24:33,000 Speaker 8: so very simply, a blank is a is a shellcasing 393 00:24:33,040 --> 00:24:36,280 Speaker 8: with gunpowder in it with no bullet. A bullet is 394 00:24:36,320 --> 00:24:40,720 Speaker 8: the same exact thing with more gunpowder and a live 395 00:24:40,840 --> 00:24:43,200 Speaker 8: bullet at the end of it that is made to 396 00:24:43,600 --> 00:24:47,280 Speaker 8: travel through the barrel and exit the weapon. Back to 397 00:24:47,320 --> 00:24:50,040 Speaker 8: what you were saying, that's the cardinal rule that's been broken, 398 00:24:50,119 --> 00:24:53,200 Speaker 8: whether you're whether you're involved in police training or you're 399 00:24:53,240 --> 00:24:58,360 Speaker 8: involved in a movie set, keeping live ammunition away from 400 00:24:58,400 --> 00:25:02,119 Speaker 8: weapons that fire live ami indition and keeping weapons at 401 00:25:02,160 --> 00:25:05,960 Speaker 8: fire blanks away from those instances, and when you mix 402 00:25:06,000 --> 00:25:08,919 Speaker 8: those two together, the odds of somebody having a spare 403 00:25:09,080 --> 00:25:12,160 Speaker 8: live round in one of their pockets or you name 404 00:25:12,200 --> 00:25:16,240 Speaker 8: it is super high and saying it sounds very sloppy, 405 00:25:16,400 --> 00:25:21,760 Speaker 8: and it just just opens the door for terrible things 406 00:25:21,760 --> 00:25:25,040 Speaker 8: that happen. And that's where the systemic breakdown and that 407 00:25:25,400 --> 00:25:26,480 Speaker 8: controlled environment. 408 00:25:26,560 --> 00:25:29,439 Speaker 1: We'm jelling you, Paul Zike, You're right. Super sloppy is 409 00:25:29,480 --> 00:25:34,400 Speaker 1: one way to put it. Gross negligence or unintentional murder 410 00:25:34,640 --> 00:25:35,959 Speaker 1: is another way to put it. I think I hear 411 00:25:36,040 --> 00:25:37,639 Speaker 1: Dominic Ramano jumping in. Go ahead. 412 00:25:37,840 --> 00:25:42,119 Speaker 9: Yeah, basically it's a catastrophic miscalculation. I think two people 413 00:25:42,160 --> 00:25:46,560 Speaker 9: here should be folks. We should focus on one is 414 00:25:47,400 --> 00:25:50,600 Speaker 9: the armor? Right? This is only according to reports her 415 00:25:50,760 --> 00:25:54,120 Speaker 9: second movie with Cheers Read and the assistant director Dave 416 00:25:54,160 --> 00:25:57,560 Speaker 9: Haul's you mentioned before. According to reports, he was fired 417 00:25:57,560 --> 00:26:01,399 Speaker 9: from a twenty nineteen production of Freedom's Past members suffered 418 00:26:01,400 --> 00:26:02,600 Speaker 9: a my minor injury. 419 00:26:02,720 --> 00:26:05,400 Speaker 1: Whoa whit a minute? Why why white white You got 420 00:26:05,400 --> 00:26:07,399 Speaker 1: me drinking from the fire high hydrant, which is not 421 00:26:07,440 --> 00:26:09,359 Speaker 1: a bad thing. It's too much at once. Hold on, 422 00:26:09,520 --> 00:26:11,960 Speaker 1: why in the world would you have somebody that was 423 00:26:12,000 --> 00:26:16,960 Speaker 1: fired off another similar job handling your weapon? Okay, is 424 00:26:17,000 --> 00:26:18,760 Speaker 1: that what you just said, Dominic. 425 00:26:18,400 --> 00:26:24,000 Speaker 9: Okay, almost so almost. The armorer is twenty four years old, 426 00:26:24,119 --> 00:26:27,080 Speaker 9: the person handling the weapons. It's only her second film. 427 00:26:27,600 --> 00:26:30,359 Speaker 9: She was just in a podcast where she said, you know, 428 00:26:30,400 --> 00:26:32,640 Speaker 9: she's a bit nervous about her film, but it went well. 429 00:26:32,760 --> 00:26:35,080 Speaker 9: Her father is apparently a famous armor Okay, so we 430 00:26:35,119 --> 00:26:37,800 Speaker 9: have that an experienced armor. Number two, we have the 431 00:26:37,880 --> 00:26:42,480 Speaker 9: assistant director known as the AD Dave Holes. Apparently, according 432 00:26:42,480 --> 00:26:45,320 Speaker 9: to a report, he was fired from the twenty nineteen production. 433 00:26:45,760 --> 00:26:49,359 Speaker 9: The movie was freedom passed after crew members suffered guess 434 00:26:49,359 --> 00:26:53,919 Speaker 9: what a minor injury when a gun unexpectedly discharged. 435 00:26:54,080 --> 00:26:59,840 Speaker 1: M Dominic Ramano, there were similar transactions are jumping to mind. 436 00:27:00,359 --> 00:27:03,119 Speaker 1: I mean, if there is a trial, you know that 437 00:27:03,240 --> 00:27:07,399 Speaker 1: previous incident is going to come in. I mean, this 438 00:27:08,320 --> 00:27:12,040 Speaker 1: solidifies my thought that this is not an accident, because 439 00:27:13,119 --> 00:27:16,440 Speaker 1: an accident when you totally don't see it coming, it's 440 00:27:16,520 --> 00:27:18,600 Speaker 1: just like out of the blue. But if this guy, 441 00:27:18,720 --> 00:27:21,920 Speaker 1: if it's correct, the AD had a previous incident where 442 00:27:21,960 --> 00:27:24,919 Speaker 1: somebody was shot on a set. Even if it was 443 00:27:24,960 --> 00:27:28,600 Speaker 1: a minor injury, then you should have seen. You either 444 00:27:28,720 --> 00:27:30,720 Speaker 1: new or should have known. Would you agree with that? 445 00:27:30,800 --> 00:27:34,200 Speaker 1: Dominic Romano there going to be some serious. 446 00:27:35,600 --> 00:27:38,800 Speaker 9: Questions to be asked, and there have to be answers. 447 00:27:39,480 --> 00:27:44,160 Speaker 9: And if we don't have good answers, someone is either 448 00:27:44,280 --> 00:27:47,760 Speaker 9: going to be involved in a very expensive lawsuit or 449 00:27:47,960 --> 00:27:50,359 Speaker 9: depending on what they knew and when they knew it 450 00:27:50,400 --> 00:27:54,080 Speaker 9: and how careless they were, probably facing some time. The 451 00:27:54,160 --> 00:27:57,919 Speaker 9: other issue you alluded to earlier is, you know, cost cutting, 452 00:27:58,280 --> 00:28:02,520 Speaker 9: it's rampant in the industry right now, and the production 453 00:28:02,680 --> 00:28:07,160 Speaker 9: company's decision not to book the crew hotel rooms near 454 00:28:07,440 --> 00:28:10,480 Speaker 9: the actual set, but to have them travel an hour 455 00:28:10,640 --> 00:28:13,840 Speaker 9: in each direction to get to and from their accommodation, 456 00:28:14,320 --> 00:28:18,000 Speaker 9: to have long hours where people walked off the set 457 00:28:18,080 --> 00:28:22,920 Speaker 9: earlier that day in protest. So this is a combination 458 00:28:23,200 --> 00:28:25,840 Speaker 9: of what turned out to be a lethal combination at 459 00:28:25,920 --> 00:28:29,080 Speaker 9: catastrophic calculation on the part of the production company. 460 00:28:29,119 --> 00:28:32,119 Speaker 1: Well, you just said a mouthful, all in a good way. 461 00:28:32,480 --> 00:28:36,399 Speaker 1: Between the armorer being an experience, the ad having a 462 00:28:36,400 --> 00:28:41,000 Speaker 1: prior similar transaction, and budget cuts problems amongst the crew. 463 00:28:41,240 --> 00:28:44,520 Speaker 1: Take a listen to our cut six that are from 464 00:28:44,520 --> 00:28:45,720 Speaker 1: our friends at News Nation. 465 00:28:45,920 --> 00:28:49,160 Speaker 6: Now let's start with the people responsible for handling a gun. 466 00:28:49,280 --> 00:28:52,320 Speaker 6: There are no ubiquitous rules across all film sets, but 467 00:28:52,440 --> 00:28:55,080 Speaker 6: generally there are some guidelines that they follow, and here 468 00:28:55,080 --> 00:28:57,720 Speaker 6: into a budget don't usually plays a big role. In 469 00:28:57,840 --> 00:29:00,960 Speaker 6: many sets, there are no fewer than three people responsible 470 00:29:01,000 --> 00:29:02,080 Speaker 6: for monitoring a weapon. 471 00:29:02,120 --> 00:29:03,040 Speaker 9: A prop master. 472 00:29:02,880 --> 00:29:05,360 Speaker 6: Who's in charge of all cross is often supported by 473 00:29:05,360 --> 00:29:08,440 Speaker 6: a safety officer and a stunt coordinator. And depending on 474 00:29:08,480 --> 00:29:10,320 Speaker 6: the state, you may also need to bring in an 475 00:29:10,440 --> 00:29:14,400 Speaker 6: armorer whose only job is handling weapons. An armorer is 476 00:29:14,440 --> 00:29:16,320 Speaker 6: required by New Mexico state law. 477 00:29:16,600 --> 00:29:19,960 Speaker 1: So the point is, just like Dominic Ramona was saying, 478 00:29:20,160 --> 00:29:22,880 Speaker 1: budget plays a big role, Well, you know what, you 479 00:29:22,920 --> 00:29:26,840 Speaker 1: can tell that to the victim and the victim's child 480 00:29:27,200 --> 00:29:44,840 Speaker 1: and husband. Prime Stories with Nancy Grace. After one guilty 481 00:29:44,920 --> 00:29:48,000 Speaker 1: verdict by a jury in the shooting death of cinematographer 482 00:29:48,000 --> 00:29:53,200 Speaker 1: Helena Hutchins, will the next you to drop be the 483 00:29:53,280 --> 00:29:59,440 Speaker 1: conviction of movie star Alec Baldwin now Guta's read at trial. 484 00:29:59,480 --> 00:30:03,200 Speaker 1: The jury was also shown behind the scenes videos from filming, 485 00:30:03,480 --> 00:30:09,760 Speaker 1: and it showed what firearms experts claim are gross breaches 486 00:30:10,160 --> 00:30:15,520 Speaker 1: of safety. One shows Guitarra's Reed holding a shotgun with 487 00:30:15,560 --> 00:30:19,040 Speaker 1: the muzzle face up, pointing straight at her own face. 488 00:30:19,120 --> 00:30:23,840 Speaker 1: Is she crazy? In another scene called on video, a 489 00:30:23,920 --> 00:30:26,480 Speaker 1: male actor points a gun at a twelve year old 490 00:30:26,520 --> 00:30:30,560 Speaker 1: boy who was part of the cast. Especially chilling now 491 00:30:30,840 --> 00:30:33,479 Speaker 1: that we know there were live rounds on the set 492 00:30:33,720 --> 00:30:37,880 Speaker 1: out a twelve year old boy. What more do we know? 493 00:30:38,800 --> 00:30:43,680 Speaker 1: Doctor Michelle Duprex, forensic pathologists, former medical examiner, author of 494 00:30:43,960 --> 00:30:49,520 Speaker 1: Homicide Investigation Field Guide, and a former police detective. Doctor Duprix, 495 00:30:49,680 --> 00:30:54,520 Speaker 1: I'm sure you, like myself, have had to handle weapons 496 00:30:54,560 --> 00:30:58,560 Speaker 1: in front of jury's and I learned this from watching 497 00:30:58,560 --> 00:31:02,720 Speaker 1: a pro trycases. I would always pick the gun up, 498 00:31:03,320 --> 00:31:08,520 Speaker 1: holding it face down with a barrel pointing to the ground, 499 00:31:08,760 --> 00:31:11,920 Speaker 1: so the jury or anyone else would not be alarmed. 500 00:31:11,920 --> 00:31:14,560 Speaker 1: What you don't want to do is scare your jury. 501 00:31:15,040 --> 00:31:17,400 Speaker 1: I would walk in front of the jury holding the 502 00:31:17,440 --> 00:31:21,680 Speaker 1: weapon nose down, open the chamber, let them see me 503 00:31:22,000 --> 00:31:25,040 Speaker 1: check it, hold it up like I was examining it 504 00:31:25,360 --> 00:31:30,400 Speaker 1: through you know, my eye level, so they can see 505 00:31:30,680 --> 00:31:33,920 Speaker 1: that it was empty, and then shut it and then 506 00:31:34,160 --> 00:31:38,520 Speaker 1: give it to the witness without fail. Even if it 507 00:31:38,600 --> 00:31:42,320 Speaker 1: was a weapon that I knew was inoperable, that was 508 00:31:42,640 --> 00:31:49,320 Speaker 1: sp Why would that not occur on a movie set? 509 00:31:49,320 --> 00:31:52,800 Speaker 1: But describe how you're supposed to handle weapons. 510 00:31:52,600 --> 00:31:55,400 Speaker 5: Exactly answer, you described it perfectly. That is exactly what 511 00:31:55,400 --> 00:31:57,440 Speaker 5: you should do. And if you're giving a weapon to 512 00:31:57,560 --> 00:32:00,640 Speaker 5: someone else, normally you have the chamber open so that 513 00:32:00,680 --> 00:32:03,760 Speaker 5: they can also see, and then you both check it 514 00:32:04,000 --> 00:32:06,680 Speaker 5: and know that it's it's empty or that the blanks 515 00:32:06,680 --> 00:32:07,160 Speaker 5: are in it. 516 00:32:07,560 --> 00:32:11,800 Speaker 1: Tell me what you can discern about what Karen Smith, 517 00:32:11,840 --> 00:32:16,719 Speaker 1: forensics expert, just told us about the injuries. What happened Nancy. 518 00:32:16,960 --> 00:32:20,280 Speaker 5: Even though these are quote prop guns or blanks, they 519 00:32:20,280 --> 00:32:24,920 Speaker 5: can still obviously do devastating damage the wadding or whatever 520 00:32:24,920 --> 00:32:27,000 Speaker 5: they are filled with, even in a blank. But this 521 00:32:27,240 --> 00:32:30,040 Speaker 5: was not a blank. This was an actual projectile. And 522 00:32:30,080 --> 00:32:31,280 Speaker 5: as we know, you mean. 523 00:32:31,240 --> 00:32:34,520 Speaker 1: A bullet speak English, a bullet. 524 00:32:34,880 --> 00:32:38,880 Speaker 5: Yes, yes, this is a bullet. And the caliber of 525 00:32:38,920 --> 00:32:41,320 Speaker 5: that bullet of the gun is what is going to 526 00:32:41,400 --> 00:32:45,440 Speaker 5: determine how much damage is done. As she explained, the 527 00:32:45,600 --> 00:32:49,360 Speaker 5: higher the caliber, the more energy in that bullet, and 528 00:32:49,400 --> 00:32:51,840 Speaker 5: so the more damage done to the physical body. And 529 00:32:51,920 --> 00:32:55,440 Speaker 5: of course the location where that bullet enters the body 530 00:32:55,760 --> 00:32:57,960 Speaker 5: in this case was devastating. 531 00:32:58,440 --> 00:33:00,680 Speaker 1: You know, another issue to dot to Sherry. I've been 532 00:33:00,720 --> 00:33:03,760 Speaker 1: on a lot of TV sets, obviously in movie sets 533 00:33:03,800 --> 00:33:08,960 Speaker 1: for you know, cameos or some legal issue. And I 534 00:33:08,960 --> 00:33:12,280 Speaker 1: got to tell you, doctor Sherry Schwartz, a movie set 535 00:33:12,400 --> 00:33:15,840 Speaker 1: takes on a whole It's like you're in a different world. 536 00:33:16,280 --> 00:33:18,280 Speaker 1: Like when you go to the movies and you sit 537 00:33:18,360 --> 00:33:21,360 Speaker 1: down and it goes dark. Your mind takes you there 538 00:33:22,040 --> 00:33:25,120 Speaker 1: when you're on a movie set. I've never been on 539 00:33:25,200 --> 00:33:28,080 Speaker 1: a single movie set that went on time. You go 540 00:33:28,240 --> 00:33:31,560 Speaker 1: till one or two o'clock in the morning, it's pitch 541 00:33:31,680 --> 00:33:35,160 Speaker 1: dark outside. You keep going until you get the shot 542 00:33:35,320 --> 00:33:37,520 Speaker 1: or you finish the scene, or whatever it's called in 543 00:33:37,600 --> 00:33:43,600 Speaker 1: movie world. I think that there is a suspended fear 544 00:33:44,160 --> 00:33:46,120 Speaker 1: you think you're at a movie set, like when you 545 00:33:46,160 --> 00:33:49,360 Speaker 1: go to Disneyland or when you're on vacation on a 546 00:33:49,400 --> 00:33:54,800 Speaker 1: cruise ship. You suspend your normal thinking it doesn't seem 547 00:33:54,880 --> 00:33:58,200 Speaker 1: real and you're not thinking, wow, there's a gun I 548 00:33:58,240 --> 00:34:01,920 Speaker 1: could get shot because it's quote just a movie. It's 549 00:34:02,000 --> 00:34:07,000 Speaker 1: not real. How do we let me just say, suspend 550 00:34:07,160 --> 00:34:12,480 Speaker 1: our disbelief, suspend rational rules of functioning when you're on 551 00:34:12,560 --> 00:34:14,520 Speaker 1: a movie set or in a movie, you know, like 552 00:34:14,560 --> 00:34:18,320 Speaker 1: in movies where there's some nut with a gun and 553 00:34:18,400 --> 00:34:20,399 Speaker 1: you hear a sound, but you don't think it's real 554 00:34:20,480 --> 00:34:24,120 Speaker 1: because you're in a movie. What happens in the human mind? 555 00:34:24,200 --> 00:34:25,840 Speaker 1: Doctor Sherry, Well, when. 556 00:34:25,680 --> 00:34:30,839 Speaker 7: You don't think that something is actually real, then you 557 00:34:31,520 --> 00:34:36,759 Speaker 7: would not calculate accurately what the potential risks are, right, 558 00:34:36,840 --> 00:34:40,080 Speaker 7: And so there is this gun on the set, but 559 00:34:40,160 --> 00:34:42,600 Speaker 7: everybody thinks, oh, it's just make believe. We're setting this 560 00:34:42,760 --> 00:34:46,440 Speaker 7: up to film it. Nobody's actually going to get hurt. 561 00:34:46,800 --> 00:34:51,279 Speaker 7: And so what happens mentally is that you underestimate what 562 00:34:51,320 --> 00:34:54,680 Speaker 7: the potential risks are. And what happened here is an 563 00:34:54,920 --> 00:34:58,879 Speaker 7: egregious underestimation, right, So for the rest of us, it's 564 00:34:58,960 --> 00:35:02,200 Speaker 7: make believes. Maybe even for the actor. They know that 565 00:35:02,239 --> 00:35:04,560 Speaker 7: they're just playing a role, and everybody around them might 566 00:35:04,600 --> 00:35:07,120 Speaker 7: know they're playing a role. But there are people on 567 00:35:07,200 --> 00:35:10,440 Speaker 7: the set who are responsible for that gun and for 568 00:35:10,640 --> 00:35:14,759 Speaker 7: taking that proper care and knowing what the potential risks are. 569 00:35:14,960 --> 00:35:17,200 Speaker 1: Bet g You, Alexis Tereshia at Crime online dot Com 570 00:35:17,200 --> 00:35:21,520 Speaker 1: investigative reporter. You have heard dominant Romano. Paul's like, well, 571 00:35:21,560 --> 00:35:24,960 Speaker 1: everyone on the panel weighing in, but apparently there were 572 00:35:25,080 --> 00:35:29,200 Speaker 1: a lot of problems and a lot of disgruntled crew members. 573 00:35:29,719 --> 00:35:31,960 Speaker 1: I understand that one of the motels they had set 574 00:35:32,040 --> 00:35:35,680 Speaker 1: them up to stay overnight was at a place for 575 00:35:35,880 --> 00:35:41,400 Speaker 1: the homeless, and there were drug addicts there. They were 576 00:35:41,440 --> 00:35:44,920 Speaker 1: afraid to stay there. What was going on on the set. 577 00:35:45,160 --> 00:35:46,880 Speaker 3: It seems like what they were trying to do was 578 00:35:46,960 --> 00:35:51,520 Speaker 3: make this film as cheaply as possible. Understandable, but they 579 00:35:51,520 --> 00:35:54,120 Speaker 3: were putting people's lives at risk. It was fifty's hotels 580 00:35:54,120 --> 00:35:57,920 Speaker 3: were fifty miles away, so after working fourteen hour days, 581 00:35:57,920 --> 00:36:00,520 Speaker 3: the crew was having to drive over and hour to 582 00:36:00,520 --> 00:36:02,400 Speaker 3: get to their hotel. Then they would have to be 583 00:36:02,480 --> 00:36:04,880 Speaker 3: back within like six hours, so they would get almost 584 00:36:04,920 --> 00:36:07,560 Speaker 3: no sleep at off. But they were also saying that things. 585 00:36:07,280 --> 00:36:09,000 Speaker 5: Were just not safe. 586 00:36:09,040 --> 00:36:12,360 Speaker 3: There had been an incident a few days earlier that 587 00:36:12,480 --> 00:36:15,640 Speaker 3: one of the prop guns again prop done real gun 588 00:36:16,000 --> 00:36:19,560 Speaker 3: had been accidentally fired, and so the crew had been 589 00:36:19,600 --> 00:36:22,600 Speaker 3: complaining to the producer saying this is not a safe 590 00:36:22,920 --> 00:36:27,080 Speaker 3: working environment, and they walked off the set. And so 591 00:36:27,440 --> 00:36:32,920 Speaker 3: Hollywood is very much a union business, but the producers 592 00:36:33,040 --> 00:36:37,080 Speaker 3: hired non union people to replace them. These none union people, though, 593 00:36:37,120 --> 00:36:39,759 Speaker 3: are not the people. That's not the armor, and it's 594 00:36:39,800 --> 00:36:40,840 Speaker 3: not the assistant director. 595 00:36:41,080 --> 00:36:41,839 Speaker 10: And everybody's been. 596 00:36:41,760 --> 00:36:45,799 Speaker 3: Talking there at a line of protocol. You have so 597 00:36:45,960 --> 00:36:48,600 Speaker 3: many steps in the line of defense, so that when 598 00:36:48,640 --> 00:36:52,279 Speaker 3: this gun got to Alex Baldwin, at least two other 599 00:36:52,400 --> 00:36:56,240 Speaker 3: people were responsible for saying that it wasn't loaded. 600 00:36:56,400 --> 00:37:00,719 Speaker 1: I mean, didn't somebody even scream out cold yes. I 601 00:37:00,719 --> 00:37:03,359 Speaker 1: mean they have to yell it out, you know what 602 00:37:03,680 --> 00:37:06,120 Speaker 1: you were just saying. I know so many times for 603 00:37:06,280 --> 00:37:10,040 Speaker 1: different shoots. I don't know who he is that carries 604 00:37:10,040 --> 00:37:13,319 Speaker 1: it comes over and they have to do it a 605 00:37:13,320 --> 00:37:16,600 Speaker 1: certain way. They have to say a certain thing, and 606 00:37:16,640 --> 00:37:19,719 Speaker 1: they say it really loudly. I don't know why, but 607 00:37:19,719 --> 00:37:22,080 Speaker 1: I'm sure there's a reason for it, just like they 608 00:37:22,120 --> 00:37:26,399 Speaker 1: would yell out cold gun and everybody would hear it. 609 00:37:26,480 --> 00:37:29,759 Speaker 1: But I guess they yelled it out without checking alexis. 610 00:37:29,480 --> 00:37:31,799 Speaker 3: And there are reports that yes there. So there were 611 00:37:31,840 --> 00:37:34,359 Speaker 3: three guns that were set up and they were put 612 00:37:34,400 --> 00:37:37,200 Speaker 3: on a table outside the church set. And this is 613 00:37:37,239 --> 00:37:39,920 Speaker 3: because of COVID nineteen protocols, so not a lot of 614 00:37:39,920 --> 00:37:43,279 Speaker 3: people are in the if it's an inclosed set, they're 615 00:37:43,280 --> 00:37:46,719 Speaker 3: not there three guns. So the assistant director picked it up, 616 00:37:47,200 --> 00:37:49,560 Speaker 3: is Dave Halls. As the other guest said, you don't 617 00:37:49,560 --> 00:37:52,719 Speaker 3: have a history of a lot of accidents on sets, 618 00:37:53,000 --> 00:37:55,040 Speaker 3: and handed it to Badlin and he is the one 619 00:37:55,080 --> 00:37:58,799 Speaker 3: that yelled out cold gun. There's no nobody has said 620 00:37:58,880 --> 00:38:01,880 Speaker 3: there's so many people have spoken to the police on 621 00:38:02,000 --> 00:38:04,719 Speaker 3: the set, so many of the other crew members, and 622 00:38:04,760 --> 00:38:08,800 Speaker 3: they said they didn't know whether it actually was empty 623 00:38:08,960 --> 00:38:11,680 Speaker 3: or not. And these guns were used at lunch. This 624 00:38:11,760 --> 00:38:13,919 Speaker 3: is a post lunch break, so they broke for lunch 625 00:38:13,920 --> 00:38:17,680 Speaker 3: at twelve thirty. They come back after lunch. During that lunchtime, 626 00:38:17,719 --> 00:38:20,560 Speaker 3: there are reports that those crew members were using this 627 00:38:20,880 --> 00:38:24,440 Speaker 3: gun and other guns to shoot beer bottles out in 628 00:38:24,120 --> 00:38:27,600 Speaker 3: the desert area and using it as target practice. So 629 00:38:27,640 --> 00:38:29,960 Speaker 3: there could have been alive and there said there were 630 00:38:30,120 --> 00:38:33,520 Speaker 3: lots of live ammunition. Nobody was told they couldn't bring 631 00:38:33,560 --> 00:38:35,000 Speaker 3: live ammunition on set. 632 00:38:35,080 --> 00:38:37,640 Speaker 1: That's another thing that do you need you live round 633 00:38:37,640 --> 00:38:38,280 Speaker 1: on set. 634 00:38:38,600 --> 00:38:39,839 Speaker 3: That's a big problem here. 635 00:38:39,880 --> 00:38:41,840 Speaker 1: And I think I've seen is that Paul jump in. 636 00:38:42,239 --> 00:38:46,000 Speaker 8: I'd like to jump in there. It's it's simply a 637 00:38:46,080 --> 00:38:48,839 Speaker 8: breakdown of the security of the scene. The only people 638 00:38:48,880 --> 00:38:52,640 Speaker 8: there that our arms should be security personnel. And you know, 639 00:38:52,880 --> 00:38:56,520 Speaker 8: in my years, my decade of fighting to keep workplaces 640 00:38:56,560 --> 00:39:01,719 Speaker 8: safe and to stop stalking offenders from killing victims, I 641 00:39:01,760 --> 00:39:04,600 Speaker 8: can tell you one thing and that is, nobody thinks 642 00:39:04,800 --> 00:39:07,920 Speaker 8: the unthinkable is going to happen. It's a matter of 643 00:39:08,000 --> 00:39:10,759 Speaker 8: just human thinking. They think that, well, that happened to 644 00:39:10,760 --> 00:39:13,640 Speaker 8: somebody else, that didn't happen to me. And because this 645 00:39:13,760 --> 00:39:17,240 Speaker 8: is somewhat of a rare occurrence on a set, people 646 00:39:17,280 --> 00:39:22,120 Speaker 8: got laxed, They got lackadaisical about fundamental when it comes 647 00:39:22,160 --> 00:39:25,360 Speaker 8: to shooting a scene such as this. And just like 648 00:39:25,440 --> 00:39:28,040 Speaker 8: at any workplace, this is a workplace out in the 649 00:39:28,080 --> 00:39:29,880 Speaker 8: middle of the desert, just like it would be in 650 00:39:30,200 --> 00:39:35,080 Speaker 8: an office building, those protocols broke down, and people at work, 651 00:39:35,160 --> 00:39:38,120 Speaker 8: attempting to do the right thing for the right reasons, 652 00:39:38,480 --> 00:39:43,160 Speaker 8: had a catastrophic, devastating thing happen. Because we as human 653 00:39:43,200 --> 00:39:46,160 Speaker 8: beings think, well, if it hasn't happened, it won't happen. 654 00:39:46,360 --> 00:39:48,080 Speaker 8: And that's just not the reality of life when it 655 00:39:48,120 --> 00:39:49,280 Speaker 8: comes to dangerous events. 656 00:39:49,960 --> 00:39:56,520 Speaker 1: A chaotic, shambolic movie set lies a wife and a 657 00:39:56,560 --> 00:40:06,000 Speaker 1: mother dead. The movie armorer Hannigateer's read guilty on negligent 658 00:40:06,360 --> 00:40:11,840 Speaker 1: involuntary homicide. Is movie star Alec Baldwin the next to 659 00:40:11,880 --> 00:40:17,480 Speaker 1: go down? We wait as just as Unfalds Goodbye friend,