WEBVTT - Oh the Lucid Dreams we Weave ...

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Julie Douglas. Julie,

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<v Speaker 1>what is the last lucid dream that you had and

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<v Speaker 1>what happened to it? Because I know you're you're a

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<v Speaker 1>lucid dreamer of old. It was like this weird. I

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<v Speaker 1>don't know how to even explain it. But um, I

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<v Speaker 1>didn't expect that you were going to ask me this,

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<v Speaker 1>so I'm not completely prepared. You didn't think i'd ask

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<v Speaker 1>you about your lucid dreams, like my last my last one. Well,

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<v Speaker 1>if not the last one, what what's an example that

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<v Speaker 1>stands out in your mind? Okay, well, how about one

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<v Speaker 1>where I've talked about recurring dream of a dog mulling

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<v Speaker 1>my face while I can't move right, and so eventually

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<v Speaker 1>got to the point where I knew that I was

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<v Speaker 1>dreaming and I could tell myself like I'd have a

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<v Speaker 1>different solution every time it happens to make the dog

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<v Speaker 1>stop chewing the skin off my face. So sometimes I'd

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<v Speaker 1>have to hug the dog, like embrace it back, even

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<v Speaker 1>though it was malling me and then it would shatter

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<v Speaker 1>into a thousand pieces, which is an excellent example because

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<v Speaker 1>because that example of a horrible dream flowing into a

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<v Speaker 1>lucid dream works nicely with some of the stuff we're

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<v Speaker 1>going to talk about here. Yeah. Yeah, And actually we've

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<v Speaker 1>had a lot of request for this topic and we

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<v Speaker 1>touched on it before. Yeah, we've certainly talked about in passing,

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<v Speaker 1>but it seems like when we covered virtual sex and

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<v Speaker 1>we talked about the possibility of linked dreaming, it came

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<v Speaker 1>up again. So Dan and Oakland, who also is as

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<v Speaker 1>an experienced to a lucid dreamer, he wrote us about it,

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<v Speaker 1>and Joffrey talked about how awful lucid dreaming might be,

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<v Speaker 1>especially if we linked our dreams. Yes, I believe we

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<v Speaker 1>read the ladder and I have dands that I'm gonna

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<v Speaker 1>read at the end of Yeah. Yeah, it should be

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<v Speaker 1>a nice insight into this. So anyway, we wanted to

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<v Speaker 1>talk about it in full for you guys. All right, Well,

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<v Speaker 1>the term lucid obviously lucid dreaming as a thing has

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<v Speaker 1>existed for a very long time, but the term the

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<v Speaker 1>dreaming days back to nineteen and you had Dutch psychiatrist

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<v Speaker 1>Fedric Wilhelm von Eden. He coined the term. He identified

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<v Speaker 1>nine different types of dreams, which I granted I don't

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<v Speaker 1>have to list all nine, but I'm going to because

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<v Speaker 1>they're pretty awesome. Well, and he spent sixteen years of

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<v Speaker 1>his life studying this and coming up with these categories. Yeah,

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<v Speaker 1>I mean, he's an amazing dude. So number one and

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<v Speaker 1>I like to think of these as kind of like

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<v Speaker 1>items at a Chinese restaurant or items at a fast

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<v Speaker 1>food restaurant where you could order them up and be

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<v Speaker 1>like like a number one with the side of four,

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<v Speaker 1>but number one initial dreams. These are the very beginnings

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<v Speaker 1>of sleep, when the body is in a normal, healthy

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<v Speaker 1>condition but very tired, and the dreams sort of flew

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<v Speaker 1>in right off the back. Second type pathological dreams, in

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<v Speaker 1>which fever, indigestion, or some poison plays a role. You know,

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<v Speaker 1>a b bit of undigested potato, that kind of thing, Okay,

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<v Speaker 1>too much pepperoni, right, or if you know, fever dreams

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<v Speaker 1>intense situations but it's due to something not being right.

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<v Speaker 1>Body number three ordinary dreaming, good old vanilla dream number four,

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<v Speaker 1>vivid dreaming. All right, it's rich, it's it's the kind

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<v Speaker 1>of thing you're talking about all week and boring your

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<v Speaker 1>significant other with like it's a car that does not

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<v Speaker 1>exist in nature and I cannot explain it. Yeah. Number

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<v Speaker 1>five the symbolic or mocking dream. Van Eden tells us

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<v Speaker 1>that this is the kind of dream where we get

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<v Speaker 1>this intense feeling that circumstances are being arranged or invented

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<v Speaker 1>by intelligent beings quote of a very low moral order.

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<v Speaker 1>And this also ties in erotic dreams. But there's this

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<v Speaker 1>sense that it's not just you say, like you were

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<v Speaker 1>encountering something else, like an external force, and that's the feeling.

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<v Speaker 1>He's not saying that you're actually encountering some sort of entity,

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<v Speaker 1>but that's the feeling that you get in the dream. Right.

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<v Speaker 1>Number six is the realm of dream sensations. All right,

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<v Speaker 1>there's no vision, there's no image, there's no event, there's

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<v Speaker 1>not even a word or a name, But you have

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<v Speaker 1>this long period of deep sleep with the mind is

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<v Speaker 1>continually occupied by one person, one place, one remarkable event,

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<v Speaker 1>or even one abstract thought. Have you ever had one

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<v Speaker 1>of these? This one is outside of my dream experience,

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<v Speaker 1>I think no, I don't think so. I dream a

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<v Speaker 1>lot about the material that we research, so sometimes there's

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<v Speaker 1>a concept thore, but not just ones with such singularity

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<v Speaker 1>on topic. Number seven is the lucid dream, which we

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<v Speaker 1>will of course discussed in more detail. Number eight, and

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<v Speaker 1>this is where we get around to the Malling Dog

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<v Speaker 1>is what he called the demon dream, and it's always

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<v Speaker 1>very near before or after a lucid dream in vad

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<v Speaker 1>Eden's experience, and it involves something demonic, a horrific attacker,

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<v Speaker 1>and it's just really intense. So immediately I'm reminded of

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<v Speaker 1>your example of the Malling Dog, and Radio Lab recently

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<v Speaker 1>did an episode that dealt with lucid dreaming in which

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<v Speaker 1>an individual kept having a recurring dream in which someone

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<v Speaker 1>was at their door pounding on the door and that

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<v Speaker 1>they were going to come in and just attack them.

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<v Speaker 1>And it was like this fierce, confrontational, violent dream and

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<v Speaker 1>he was able to eventually break through that into a

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<v Speaker 1>lucid dreaming experien arians. So those would both the examples

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<v Speaker 1>of that and number nine the final in this series

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<v Speaker 1>of dream categories that I needn gay. This is the

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<v Speaker 1>wrong waking up, and this occurs always near waking. We

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<v Speaker 1>have the sensation of waking up in our ordinary sleeping room,

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<v Speaker 1>and then we begin to realize that something isn't right,

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<v Speaker 1>and there's like some sort of inexplainable movements strange noises,

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<v Speaker 1>and then we realized we're still asleep. Those are the

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<v Speaker 1>worst because you spend a lot of time thinking that

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<v Speaker 1>you're waking up and getting ready and preparing, and only

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<v Speaker 1>to realize that you're still sleeping. I remember having them

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<v Speaker 1>in high school junior high, where I was inevitably I

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<v Speaker 1>was staying up too late at night because you're in

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<v Speaker 1>high school junior high in your sleep patterns are weird. Yeah,

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<v Speaker 1>and and so I've been up way too late, and

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<v Speaker 1>then I'm having to get up way too early, and

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<v Speaker 1>I dream that I have risen, that I have showered,

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<v Speaker 1>that I'm dressed, and then yes, I have risen. And

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<v Speaker 1>then and then I realized, crap, I've I haven't even

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<v Speaker 1>waken up at all. I just did all that work

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<v Speaker 1>for nothing. Well see, yeah, it's exhausting work. The waking

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<v Speaker 1>dream is also something you see a lot in films,

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<v Speaker 1>especially since like John Carpenter used this several times, where

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<v Speaker 1>you know the character wakes up, do you think he's

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<v Speaker 1>woken up from a dream geotypically like a weird dream

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<v Speaker 1>or a nightmare is something crucible of the plot, and

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<v Speaker 1>then they look around, Oh, everything's normal, everything's normal. Oh

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<v Speaker 1>there's a zombie. And then they wake up for real,

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<v Speaker 1>and it's a great sort of wham wham, double pal

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<v Speaker 1>kind of cinematic fool hum here, distract him here and

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<v Speaker 1>really get him. It's kind of cheap too, but when

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<v Speaker 1>you used a great effect by a talented director like Carpenter,

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<v Speaker 1>it really packed the punch. It's a great narrative device.

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<v Speaker 1>So in literature as well, of those nine, have you

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<v Speaker 1>had all of those with the exception of maybe that

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<v Speaker 1>the dream sensations? Yes, I would say that, and I'm

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<v Speaker 1>sure everybody has experienced all those to some degree, right,

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<v Speaker 1>because this is pretty and I think most people usually

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<v Speaker 1>remember their dreams, and if you don't, later on in

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<v Speaker 1>the podcast, we'll talk a little bit more about how

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<v Speaker 1>you can have better recall of them. Yes, but let's

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<v Speaker 1>talk about this lucid dreaming. Yes, this is the item

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<v Speaker 1>we're ordering here today, the number seven. That's right. This

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<v Speaker 1>is generally thought of as a dream where the dreamer

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<v Speaker 1>is a where that they're dreaming and being aware of

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<v Speaker 1>the dream, they are able to manipulate or outright control

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<v Speaker 1>the circumstances around them, and generally this involves flying or

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<v Speaker 1>just complete power over their surroundings. I have a friend Elena,

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<v Speaker 1>who took some classes and Lucid dreaming. I don't know

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<v Speaker 1>if they were physical classes or if she attended them

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<v Speaker 1>through dreams, or how exact they were. I think that's

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<v Speaker 1>something in New York. But she Lucid dreamed of workshop. Yeah,

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<v Speaker 1>but but her her lucidreams would be that she should

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<v Speaker 1>grow to an enormous size like Godzilla and start crushing buildings.

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<v Speaker 1>So she has a lot of unresolved issues. And I think, well,

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<v Speaker 1>and that's the beauty of a Lucid dream, right, I mean,

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<v Speaker 1>the sky is the limit. You can do anything that

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<v Speaker 1>you want. Um you can shrink yourself to you know,

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<v Speaker 1>nano size, or you can become magnificently large. And it's

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<v Speaker 1>such a beautiful idea because it's through dreaming, through the

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<v Speaker 1>neural gear that we're born with, we're able to achieve

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<v Speaker 1>the ends of some of our most outlandish technological dreams,

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<v Speaker 1>like all these ideas of virtual worlds that we can

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<v Speaker 1>move around in sandbox worlds in the video game, that

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<v Speaker 1>we can control in an An immense amount of talent

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<v Speaker 1>and effort, in time and money goes into the creation

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<v Speaker 1>of these things, and he's going into the creation of

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<v Speaker 1>virtual reality technology in the future. But we already have

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<v Speaker 1>all of that deer in our head and the idea

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<v Speaker 1>that with a certain amount of training and a certain

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<v Speaker 1>amount of forethought and presentness, that we can achieve those

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<v Speaker 1>same ends. It's just really remarkable. Well, and here's the

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<v Speaker 1>deal to Bettan Buddhists have been hipped to this long

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<v Speaker 1>before Western civilization. Yes, they were looking inward far before

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<v Speaker 1>most of the rest of the world was really looking

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<v Speaker 1>that far into the human psyche and into the human mind. Yeah.

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<v Speaker 1>And while we may use lucid dreaming to fly or

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<v Speaker 1>for erotic adventures, Tibetan Buddhists actually practice a kind of

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<v Speaker 1>lucid dreaming called dream yoga, and this is a way

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<v Speaker 1>of recognizing the world for what it is, free from illusion.

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<v Speaker 1>So they're using it in a more high minded way.

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<v Speaker 1>It's about making discoveries about the way you think, in

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<v Speaker 1>the obstacles your mind puts in in your way, and

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<v Speaker 1>achieving better clarity. The ultimate goal is a state of

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<v Speaker 1>meta lucidity, in which you wake up from reality. I

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<v Speaker 1>love that, yeah, And I also like the idea that

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<v Speaker 1>in the same way that you are in a lucid dream,

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<v Speaker 1>you are realizing, you know, all these rules and all

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<v Speaker 1>these things that seem like they matter so much in

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<v Speaker 1>this dream. These all the confines, howling dog or an

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<v Speaker 1>attack or at the door, all these things that are

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<v Speaker 1>pushing in on me. They're not real. And if I

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<v Speaker 1>just let them go, then I have this immense freedom

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<v Speaker 1>in my life. You can take that into the waking

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<v Speaker 1>world and say that if you were actually awake in

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<v Speaker 1>the waking world and you're hip to these forces that

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<v Speaker 1>are all around you, aspects of the mind, the ego,

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<v Speaker 1>and all these forces. And we've talked about so many

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<v Speaker 1>of these things before, but all these forces that are

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<v Speaker 1>dictating the way that we feel the world around us

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<v Speaker 1>in a mental sense, if we are aware of those,

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<v Speaker 1>then we can have elucid experience of a different type

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<v Speaker 1>in the waking world, all right, Because the mind makes

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<v Speaker 1>these paper tiger ors whether or not you are awake

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<v Speaker 1>or asleep. Right, And to recognize that the mind is

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<v Speaker 1>creating so much of your reality, is that the endgame

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<v Speaker 1>here for for our friends, the Buddhists. But it's a

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<v Speaker 1>very interesting way to look at it. Okay, so let's

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<v Speaker 1>get down to some of the brass talks about how

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<v Speaker 1>we know it's real, because for a long time it

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<v Speaker 1>was kind of thought of as maybe sort of made

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<v Speaker 1>up or magic, you know, because it sounds like magic.

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<v Speaker 1>It is magical, and it's it's it's reality. And so

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<v Speaker 1>for a long time that the really serious scientific minded types,

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<v Speaker 1>if you brought up the idea of lucid dreaming and

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<v Speaker 1>controlling your dream they would be like, I don't know,

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<v Speaker 1>I think that maybe you're you're making that up. Yeah,

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<v Speaker 1>But although we have all long suspected that dreaming could

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<v Speaker 1>help us with these sort of breakthroughs, right, and that

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<v Speaker 1>there was a possibility that we could control our dreams,

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<v Speaker 1>were at the very least know that we were dreaming, right.

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<v Speaker 1>And then there of course individuals along the way who

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<v Speaker 1>were doing it. And so even if they experts were

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<v Speaker 1>telling them it wasn't happening, they had a pretty good

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<v Speaker 1>idea about what was going on in their head. Only

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<v Speaker 1>they are a way to test it, right, How could

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<v Speaker 1>I test this anecdotal evidence? Well, it happens that lucid

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<v Speaker 1>dreaming occurs during REM sleep, the fifth sleep stage, and

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<v Speaker 1>the body is basically paralyzed, which we know with the

0:11:12.120 --> 0:11:14.360
<v Speaker 1>exception of the eyelids. And this is kind of an

0:11:14.320 --> 0:11:20.280
<v Speaker 1>AHA moment for a psycho physiologist, Stephen Leberge who monitored

0:11:20.400 --> 0:11:24.720
<v Speaker 1>subjects with electro and Sophello Grahams e g s, which

0:11:24.760 --> 0:11:28.640
<v Speaker 1>map electrical brain activity as they slept, and in the experiment,

0:11:28.720 --> 0:11:32.600
<v Speaker 1>subjects used pre arranged eyelid movements to signal they were

0:11:32.679 --> 0:11:37.800
<v Speaker 1>lucid dreaming to Lebert's right. So he's looking at them,

0:11:37.840 --> 0:11:40.040
<v Speaker 1>he's monitoring them, and all of a sudden he sees

0:11:40.040 --> 0:11:42.679
<v Speaker 1>their eyelids flutter. He then looks at the e g

0:11:42.840 --> 0:11:44.880
<v Speaker 1>s and he's able to confirm that they're actually in

0:11:44.920 --> 0:11:47.920
<v Speaker 1>that REM sleep and that this is all corroborating. So

0:11:47.960 --> 0:11:50.520
<v Speaker 1>that's one instance we have where we can see that

0:11:50.559 --> 0:11:54.520
<v Speaker 1>people are outwardly signaling that they're in REM sleep and

0:11:54.559 --> 0:11:56.960
<v Speaker 1>we can we can say, yes, you are. According to

0:11:56.960 --> 0:12:00.079
<v Speaker 1>Scientific Americans John Horrigan, leber showed the activities such as

0:12:00.160 --> 0:12:04.240
<v Speaker 1>counting numbers or having sex evokes similar neural and physiological

0:12:04.280 --> 0:12:08.000
<v Speaker 1>responses in both the dreaming and waking states, and if

0:12:08.080 --> 0:12:11.160
<v Speaker 1>your dream self holds its breath, then your real self

0:12:11.200 --> 0:12:14.200
<v Speaker 1>does too. And moreover, events take about the same time

0:12:14.240 --> 0:12:16.720
<v Speaker 1>to unfold in lucid dreams as they wouldn't real life,

0:12:16.840 --> 0:12:19.240
<v Speaker 1>which is a little bit different than what we've thought before.

0:12:19.320 --> 0:12:22.000
<v Speaker 1>We've always thought about dreams being compressed. And then there's

0:12:22.040 --> 0:12:25.120
<v Speaker 1>also some interesting data from Dr Matthew Walker, who is

0:12:25.120 --> 0:12:27.599
<v Speaker 1>the director of the Sleep Lab at Berkeley, and that

0:12:27.720 --> 0:12:30.360
<v Speaker 1>he found that the lateral prefrontal cortex, part of the

0:12:30.440 --> 0:12:34.320
<v Speaker 1>brain that deals with logic, may be responsible for a

0:12:34.320 --> 0:12:36.840
<v Speaker 1>lot of what's going on in lucid dreaming. So during

0:12:36.880 --> 0:12:38.599
<v Speaker 1>rem sleep, this part of the brain is supposed to

0:12:38.640 --> 0:12:42.400
<v Speaker 1>be asleep or inactive, but it's possible that it wakes

0:12:42.480 --> 0:12:44.800
<v Speaker 1>up so that dreaming and logic are both working at

0:12:44.800 --> 0:12:47.520
<v Speaker 1>the same time, which would then enable the dreamer to

0:12:47.720 --> 0:12:50.520
<v Speaker 1>suddenly have the mental capacity to say, Hey, this is

0:12:50.559 --> 0:12:52.640
<v Speaker 1>a dream, and this is what I want to do

0:12:52.679 --> 0:12:54.760
<v Speaker 1>with that dream. Now. You and I are talking about

0:12:54.800 --> 0:12:57.360
<v Speaker 1>this briefly before, and I was sort of saying that

0:12:57.360 --> 0:12:58.880
<v Speaker 1>that is one of the things that can get in

0:12:58.880 --> 0:13:00.920
<v Speaker 1>the way when you lucid dream, the fact that you're

0:13:00.960 --> 0:13:03.320
<v Speaker 1>bringing logic into it. But you can always kind of

0:13:03.320 --> 0:13:06.520
<v Speaker 1>get over it, because you know you're dreaming. And this

0:13:06.600 --> 0:13:09.360
<v Speaker 1>is the way that I kind of square this idea

0:13:09.400 --> 0:13:12.520
<v Speaker 1>of your logic center coming online while you're dreaming. Is

0:13:12.559 --> 0:13:15.520
<v Speaker 1>that now your logic center is under a set of

0:13:15.640 --> 0:13:19.959
<v Speaker 1>different constructs, I guess for the dream logic. So even

0:13:20.000 --> 0:13:22.960
<v Speaker 1>though what you're doing in a dream might seem absolutely

0:13:22.960 --> 0:13:28.480
<v Speaker 1>crazy or inconceivable, your logic recognizes you're in a dream

0:13:28.600 --> 0:13:31.440
<v Speaker 1>and allows it. Does that make sense? Yeah, yeah, yeah,

0:13:31.480 --> 0:13:33.400
<v Speaker 1>This is kind of a tangent. But there's a fantastic

0:13:33.440 --> 0:13:36.520
<v Speaker 1>short story by South American author You're a Lewis Borges

0:13:36.720 --> 0:13:39.200
<v Speaker 1>called The Circular Ruins or or perhaps it is in

0:13:39.240 --> 0:13:43.600
<v Speaker 1>the Circular Ruins, but keywords Circular Ruins, in which a man,

0:13:43.880 --> 0:13:47.439
<v Speaker 1>a dreamer, begins to dream a living being. He dreams

0:13:47.559 --> 0:13:50.439
<v Speaker 1>the dream child piece by piece and cell by cell

0:13:50.480 --> 0:13:54.080
<v Speaker 1>and until it eventually achieves reality. And I won't spoil everything,

0:13:54.080 --> 0:13:55.920
<v Speaker 1>but do check that out. It's a very short story,

0:13:55.960 --> 0:13:58.800
<v Speaker 1>but just very poetic and shock full of wonder if

0:13:58.840 --> 0:14:02.560
<v Speaker 1>someone who's definitely concerned with the borders of reality right

0:14:02.840 --> 0:14:05.439
<v Speaker 1>and crossing those borders. This is really interesting to the

0:14:05.520 --> 0:14:08.480
<v Speaker 1>visual cortex and parts of the motor cortex and some

0:14:08.559 --> 0:14:11.679
<v Speaker 1>motion sensing areas deeper in the brain are really active

0:14:11.760 --> 0:14:15.199
<v Speaker 1>during dreams. So this is why we have lots of

0:14:15.280 --> 0:14:17.880
<v Speaker 1>motion and visuals and not so much stuff that you

0:14:17.920 --> 0:14:20.840
<v Speaker 1>can feel in your dream. Some people may have had

0:14:20.880 --> 0:14:23.400
<v Speaker 1>that experience, but for the most part, we're much more

0:14:23.480 --> 0:14:26.960
<v Speaker 1>visual and motion oriented in dreams. Yeah, I can't remember

0:14:27.200 --> 0:14:31.240
<v Speaker 1>ever having smelt or eaten anything in a dream before. Yeah,

0:14:31.240 --> 0:14:34.320
<v Speaker 1>I can ever remember something like stunning in terms of

0:14:34.360 --> 0:14:37.880
<v Speaker 1>like a pungency of smell, or something that's always usually visual,

0:14:38.080 --> 0:14:40.920
<v Speaker 1>or some sort of action like flying. These are some

0:14:41.080 --> 0:14:44.000
<v Speaker 1>interesting looks into the brain here. I also wanted to

0:14:44.080 --> 0:14:49.160
<v Speaker 1>note that German researchers gave lucid dreamers specific instructions to

0:14:49.280 --> 0:14:53.000
<v Speaker 1>make a series of left and right hand movements separated

0:14:53.040 --> 0:14:55.520
<v Speaker 1>by a series of eye movements. Again that that eye

0:14:55.520 --> 0:14:59.080
<v Speaker 1>fluttering while asleep, and the researchers were able to perform

0:14:59.240 --> 0:15:01.760
<v Speaker 1>brain scans knowing what was going on in their heads.

0:15:02.240 --> 0:15:05.240
<v Speaker 1>The eye movements undertaken in dreams are known to show

0:15:05.360 --> 0:15:09.480
<v Speaker 1>up on electro oculogram, giving the researchers markers to know

0:15:09.560 --> 0:15:12.360
<v Speaker 1>what the dreamers were meant to be doing at that point.

0:15:12.960 --> 0:15:15.200
<v Speaker 1>So this is really interesting in the sense that you

0:15:15.240 --> 0:15:19.200
<v Speaker 1>can start to map out actions and dreams and begin

0:15:19.240 --> 0:15:21.080
<v Speaker 1>to see what people are doing. Now, this is like

0:15:21.720 --> 0:15:24.840
<v Speaker 1>pretty rudimentary, right, but can you imagine within ten years

0:15:25.200 --> 0:15:27.120
<v Speaker 1>being able to look at the brain and start to

0:15:27.120 --> 0:15:30.600
<v Speaker 1>figure out what specifically people are dreaming about, what sort

0:15:30.640 --> 0:15:34.320
<v Speaker 1>of stories that they're weaving. This was from Current Biology

0:15:34.360 --> 0:15:37.520
<v Speaker 1>and the name of that paper is dreamed movement elicits

0:15:37.560 --> 0:15:42.320
<v Speaker 1>activation in the sense of remorn or cortex. So you know,

0:15:42.520 --> 0:15:44.880
<v Speaker 1>just a little f y I in case you know,

0:15:45.040 --> 0:15:48.040
<v Speaker 1>in ten years you want to get your dreams mapped out. Well,

0:15:48.120 --> 0:15:50.320
<v Speaker 1>let's take a quick break and when we return, we'll

0:15:50.320 --> 0:15:53.320
<v Speaker 1>talk more about lucid dreamings and we'll also discuss some

0:15:53.440 --> 0:15:56.400
<v Speaker 1>of the ways that you might bring lucid dreaming into

0:15:56.440 --> 0:16:04.960
<v Speaker 1>your life. Alright, we're back, so lucid dreaming. You obviously

0:16:05.360 --> 0:16:08.840
<v Speaker 1>have done this before. I do not believe I've ever

0:16:08.920 --> 0:16:11.360
<v Speaker 1>lucid dreamed. I've had the odd flying dream, I've had

0:16:11.400 --> 0:16:15.080
<v Speaker 1>the odd attackers coming after me dream lots of what

0:16:15.120 --> 0:16:18.200
<v Speaker 1>I loosely called movie dreams were something amazing, and I

0:16:18.200 --> 0:16:20.360
<v Speaker 1>guess they're vivid dreams under the nine point scale that

0:16:20.400 --> 0:16:22.920
<v Speaker 1>we were discussing earlier, but very vivid dreams for something

0:16:22.960 --> 0:16:25.960
<v Speaker 1>really imaginative is happening. But I've never had a lucid

0:16:26.040 --> 0:16:29.000
<v Speaker 1>dreaming experience. Okay, So I will say that in the

0:16:29.080 --> 0:16:31.400
<v Speaker 1>last couple of years, I haven't had as many lucid dreams.

0:16:31.400 --> 0:16:33.400
<v Speaker 1>And I'll tell you why I haven't been getting as

0:16:33.440 --> 0:16:37.000
<v Speaker 1>much sleep. Get a little rug rat right three years old.

0:16:37.120 --> 0:16:39.960
<v Speaker 1>So there you go. One of the first things you

0:16:40.000 --> 0:16:42.160
<v Speaker 1>have to do is get enough sleep, and the reason

0:16:42.400 --> 0:16:44.680
<v Speaker 1>is because the more rem the better your chances of

0:16:44.760 --> 0:16:47.320
<v Speaker 1>lucid dreaming and recalling the dream. And we go into

0:16:47.400 --> 0:16:50.400
<v Speaker 1>RAM every ninety minutes throughout the night, but each RAM

0:16:50.480 --> 0:16:53.800
<v Speaker 1>period gets much longer and occupies a larger chunk of

0:16:53.840 --> 0:16:57.120
<v Speaker 1>that ninety minutes cycle each time. So if you're only

0:16:57.160 --> 0:16:59.960
<v Speaker 1>sleeping the first part of a normal eight hours of sleep,

0:17:00.040 --> 0:17:02.680
<v Speaker 1>you're getting very little of that REM sleep. So if

0:17:02.680 --> 0:17:04.240
<v Speaker 1>you wake up at three o'clock in the morning and

0:17:04.280 --> 0:17:05.880
<v Speaker 1>four o'clock in the morning, it's harder to get back

0:17:05.880 --> 0:17:08.560
<v Speaker 1>to sleep than chances are you're not gonna have that

0:17:08.600 --> 0:17:11.199
<v Speaker 1>good time REM sleep that will induce our help to

0:17:11.240 --> 0:17:13.360
<v Speaker 1>induce a lucid dream I should also have in terms

0:17:13.359 --> 0:17:16.480
<v Speaker 1>of dreaming in general, some sleep ates will also affect

0:17:16.480 --> 0:17:21.360
<v Speaker 1>your propensity for dream remembering yeah or not remembering right.

0:17:21.480 --> 0:17:24.200
<v Speaker 1>That's usually the cache that you you have a fogg

0:17:24.240 --> 0:17:27.399
<v Speaker 1>you r recall if you're if you're taking stuff. But

0:17:27.720 --> 0:17:29.920
<v Speaker 1>you can still try some of these things. You could

0:17:29.960 --> 0:17:32.359
<v Speaker 1>keep a dream diary that seems to be very helpful

0:17:32.400 --> 0:17:35.240
<v Speaker 1>for people. Um, you can set an intention which sounds

0:17:35.320 --> 0:17:38.160
<v Speaker 1>kind of yoga s but if you want to fly

0:17:38.240 --> 0:17:40.320
<v Speaker 1>in your dream, you could look at a picture of

0:17:40.320 --> 0:17:42.560
<v Speaker 1>a person flying right before you get to bed and

0:17:42.560 --> 0:17:45.520
<v Speaker 1>tell yourself, I would like to know that I'm dreaming

0:17:45.680 --> 0:17:47.960
<v Speaker 1>and I would like to fly in my dream. And

0:17:48.000 --> 0:17:50.680
<v Speaker 1>that seems pretty simple, but it's you know, the brain,

0:17:50.720 --> 0:17:53.280
<v Speaker 1>as we know is, is really great about taking suggestions

0:17:53.320 --> 0:17:56.359
<v Speaker 1>and acting on them. There's something called the mild technique

0:17:56.600 --> 0:18:01.160
<v Speaker 1>that Leberge calls mnemonic induction of lucid dreams, and that

0:18:01.200 --> 0:18:04.879
<v Speaker 1>involves waking up an hour earlier than usual in the

0:18:04.880 --> 0:18:08.240
<v Speaker 1>morning and recalling your last dream and then going to

0:18:08.280 --> 0:18:12.080
<v Speaker 1>sleep again while thinking again setting an intention next time

0:18:12.359 --> 0:18:15.040
<v Speaker 1>I'm dreaming, I want to remember that I'm dreaming, and

0:18:15.080 --> 0:18:17.679
<v Speaker 1>I'm going to lucid dream. And also you should know

0:18:17.720 --> 0:18:19.720
<v Speaker 1>that lucia dreams occur most often in the morning. Just

0:18:19.800 --> 0:18:21.880
<v Speaker 1>before awakening, which makes sense when we talk about those

0:18:21.920 --> 0:18:25.680
<v Speaker 1>longer rim periods and then go back to sleep again

0:18:26.200 --> 0:18:28.439
<v Speaker 1>with purpose. Well, yeah, I mean a lot of it

0:18:28.520 --> 0:18:32.320
<v Speaker 1>has to do with that waking period, just the millisecond

0:18:32.400 --> 0:18:35.440
<v Speaker 1>when you're waking up and you begin to have this feeling,

0:18:35.680 --> 0:18:39.320
<v Speaker 1>this really strong flooding of a dream right coming at you.

0:18:39.440 --> 0:18:41.399
<v Speaker 1>Instead of saying, oh, I need to get up and

0:18:41.440 --> 0:18:43.359
<v Speaker 1>I need to get dressed and so on and so forth,

0:18:43.440 --> 0:18:47.960
<v Speaker 1>if you try to just really bask and whatever emotions

0:18:48.000 --> 0:18:50.439
<v Speaker 1>that are evoked at that moment, chances are you going

0:18:50.520 --> 0:18:52.560
<v Speaker 1>to be able to engage your recall a lot better.

0:18:52.840 --> 0:18:55.600
<v Speaker 1>So how do you know when you are actually Luca dreaming? Well,

0:18:55.600 --> 0:18:58.120
<v Speaker 1>one method that I've read is just simply to look

0:18:58.160 --> 0:19:00.439
<v Speaker 1>around you and start looking at a little more detail

0:19:00.480 --> 0:19:04.399
<v Speaker 1>about what's actually in this world, because that's one method

0:19:04.440 --> 0:19:06.159
<v Speaker 1>that is often used is the idea that let me

0:19:06.200 --> 0:19:08.200
<v Speaker 1>look around, let me see if I can realize this

0:19:08.240 --> 0:19:10.040
<v Speaker 1>is a dream, if I can look for something. And

0:19:10.119 --> 0:19:11.719
<v Speaker 1>I've heard you need to go about this in your

0:19:11.760 --> 0:19:14.119
<v Speaker 1>daily life as well, like in your waking life. Make

0:19:14.160 --> 0:19:16.760
<v Speaker 1>a point of, say, looking at light switches and making

0:19:16.760 --> 0:19:18.520
<v Speaker 1>sure they're there and that they work. Probably look at

0:19:18.560 --> 0:19:21.199
<v Speaker 1>text and see if it's readable. The text thing is

0:19:21.200 --> 0:19:23.879
<v Speaker 1>a big That's been a big clue for me, because

0:19:23.920 --> 0:19:25.479
<v Speaker 1>a lot of times I'll be reading or I'll be

0:19:25.520 --> 0:19:28.480
<v Speaker 1>writing something and the text keeps moving, or I can

0:19:28.640 --> 0:19:31.240
<v Speaker 1>see one sentence and then it all falls away. You

0:19:31.240 --> 0:19:32.920
<v Speaker 1>look at it, it's text, and you look away, and

0:19:32.960 --> 0:19:35.159
<v Speaker 1>you look back at it and it's something else to

0:19:35.240 --> 0:19:37.479
<v Speaker 1>pict a graham or a smiley face or something. It's

0:19:37.520 --> 0:19:39.000
<v Speaker 1>not gonna hold. It's not gonna be the same thing,

0:19:39.080 --> 0:19:41.199
<v Speaker 1>whereas in the waking world, I can look at this

0:19:41.240 --> 0:19:43.320
<v Speaker 1>and it's still say the same thing it said earlier.

0:19:43.720 --> 0:19:47.560
<v Speaker 1>Waking status confirmed right, or clocks they don't have scrambled

0:19:47.640 --> 0:19:50.880
<v Speaker 1>numbers right in reality. But if you're dreaming, you're trying

0:19:50.920 --> 0:19:53.000
<v Speaker 1>to get a beat on what time it is, a

0:19:53.040 --> 0:19:54.679
<v Speaker 1>lot of times you'll see the same thing as the

0:19:54.680 --> 0:19:57.800
<v Speaker 1>text that the numbers run around. So there are definitely

0:19:58.000 --> 0:20:01.639
<v Speaker 1>hall marks of this happening in Lucid dreaming. Here's something

0:20:01.680 --> 0:20:03.920
<v Speaker 1>that's just totally random, but I thought it was interesting.

0:20:04.040 --> 0:20:06.399
<v Speaker 1>There is a theory of why there are so many

0:20:06.560 --> 0:20:10.800
<v Speaker 1>flying dreams, especially in Lucid dreaming. And there's a guy

0:20:10.840 --> 0:20:14.320
<v Speaker 1>named Alan Hobson he's a psychidras and dream researcher at Harvard,

0:20:14.359 --> 0:20:17.199
<v Speaker 1>and he says that flying is the brain trying to

0:20:17.280 --> 0:20:19.840
<v Speaker 1>reconcile the fact that we're under the illusion that we're

0:20:19.880 --> 0:20:23.000
<v Speaker 1>moving and yet the body is giving the brain data

0:20:23.080 --> 0:20:27.240
<v Speaker 1>that it's immobile, and so in flying, we're moving, that

0:20:27.320 --> 0:20:29.800
<v Speaker 1>our limbs aren't bending or moving. And I would be

0:20:29.800 --> 0:20:32.280
<v Speaker 1>curious to know from from listeners to if they've ever

0:20:32.320 --> 0:20:34.800
<v Speaker 1>had the flying dream and if they have like the

0:20:34.840 --> 0:20:39.359
<v Speaker 1>typical reports of your hands being outstretched like Superman, because

0:20:39.359 --> 0:20:42.199
<v Speaker 1>that's that idea of like your stiff that you're not

0:20:42.240 --> 0:20:45.119
<v Speaker 1>really moving but you're flying. I definitely have that experience.

0:20:45.280 --> 0:20:48.200
<v Speaker 1>This was the summer that The Rocketeer came out. While

0:20:48.240 --> 0:20:49.760
<v Speaker 1>I don't think The Rocket Here is a movie that

0:20:49.800 --> 0:20:52.199
<v Speaker 1>I would necessarily seek out to watch again, at that

0:20:52.280 --> 0:20:54.239
<v Speaker 1>point in my life, I was pretty obsessed with it.

0:20:54.320 --> 0:20:57.439
<v Speaker 1>I like read the novel that was based on the screenplay,

0:20:57.720 --> 0:21:00.840
<v Speaker 1>and I had at least one dream air I was

0:21:01.160 --> 0:21:04.119
<v Speaker 1>the Rocketeer, or was in The Rocketeers get up flying

0:21:04.160 --> 0:21:07.440
<v Speaker 1>stiffly over like a coastal area and it was really

0:21:07.760 --> 0:21:11.040
<v Speaker 1>really beautiful. Okay, so you've had the stiffarmed dream. Yeah,

0:21:11.080 --> 0:21:13.560
<v Speaker 1>and it was definitely stiff. I wasn't just flopping around around.

0:21:14.280 --> 0:21:17.360
<v Speaker 1>The other side of that is every vision that we have,

0:21:17.480 --> 0:21:20.480
<v Speaker 1>every fiction involving a flying character, they tend to be

0:21:20.560 --> 0:21:23.680
<v Speaker 1>kind of stiff. They're Superman or there's a rocket their

0:21:24.080 --> 0:21:26.800
<v Speaker 1>Commando Cody or some other character, and they're they're very

0:21:26.800 --> 0:21:29.840
<v Speaker 1>stiff with their rocket suit because nobody wants to watch

0:21:30.119 --> 0:21:32.320
<v Speaker 1>Superman just flop around in the air and looked like

0:21:32.320 --> 0:21:37.520
<v Speaker 1>he was just valet in the air. Well, beautiful. Well,

0:21:37.560 --> 0:21:40.120
<v Speaker 1>I'll tell you one example that comes and I didn't

0:21:40.160 --> 0:21:42.880
<v Speaker 1>have this growing up. In that movie that I mentioned before,

0:21:43.040 --> 0:21:46.920
<v Speaker 1>Hanuman versus seven Ultraman, the tie Ultraman movie in which

0:21:46.920 --> 0:21:49.960
<v Speaker 1>Hant m Han, the Hindu monkey god, shows up. He

0:21:50.040 --> 0:21:51.639
<v Speaker 1>flies through the air. Well, he flies through the air

0:21:51.760 --> 0:21:53.840
<v Speaker 1>very stiffly, but he flies through the air with a

0:21:53.960 --> 0:21:56.679
<v Speaker 1>dance pose, a very artistic pose to him. Now, so

0:21:56.880 --> 0:21:58.960
<v Speaker 1>he doesn't he is stiff, and then he has no

0:21:59.080 --> 0:22:01.080
<v Speaker 1>motion other than he is flying through the air, but

0:22:01.240 --> 0:22:03.959
<v Speaker 1>his body language is very fluid looking. I'm gonna challenge

0:22:04.000 --> 0:22:07.880
<v Speaker 1>myself to fly and do like the robot like ants moves.

0:22:08.440 --> 0:22:10.480
<v Speaker 1>Next time I'm lucid dreaming, I am going to Work

0:22:11.520 --> 0:22:15.240
<v Speaker 1>versus Ultraman the Seven Ultraman every night for a week

0:22:15.440 --> 0:22:17.960
<v Speaker 1>and see if I start dreaming like that movie, because

0:22:18.000 --> 0:22:20.320
<v Speaker 1>even if I don't fly, the results are gonna be amazing.

0:22:20.400 --> 0:22:23.400
<v Speaker 1>Speaking of another movie, Real Quick Waking Life. If you've

0:22:23.480 --> 0:22:26.280
<v Speaker 1>never seen this movie before, it's very interesting and actually

0:22:26.560 --> 0:22:29.240
<v Speaker 1>talks about a lot of these concepts, a lucid dreaming

0:22:29.280 --> 0:22:33.119
<v Speaker 1>and also what is reality and what is illusion? I

0:22:33.119 --> 0:22:34.560
<v Speaker 1>need to see it again because I think I fell

0:22:34.600 --> 0:22:39.160
<v Speaker 1>asleep i saw It's a it's a talking movie, but

0:22:39.280 --> 0:22:42.800
<v Speaker 1>nonetheless very interesting. Alright, So let's talk about whether or

0:22:42.840 --> 0:22:46.240
<v Speaker 1>not we can harness lucid dreaming and dreaming in general

0:22:46.520 --> 0:22:50.960
<v Speaker 1>to help ourselves. And I'm thinking about nightmares PTSD, and it's,

0:22:51.080 --> 0:22:53.560
<v Speaker 1>you know, general problems that we have in life. Right

0:22:53.600 --> 0:22:55.520
<v Speaker 1>in the same way that you were able to defeat

0:22:55.680 --> 0:22:57.600
<v Speaker 1>that dog that was mulling your face, and in the

0:22:57.640 --> 0:22:59.359
<v Speaker 1>same way that in that episode of Radio Lab that

0:22:59.359 --> 0:23:02.000
<v Speaker 1>the individual was able to eventually deal with that troublesome

0:23:02.119 --> 0:23:04.280
<v Speaker 1>nightmare that he kept having, that reoccurring nightmare in which

0:23:04.280 --> 0:23:06.359
<v Speaker 1>someone was at his door. It has been proposed that

0:23:06.440 --> 0:23:09.920
<v Speaker 1>by commanding the power of lucid dreams, chronic nightmare sufferers

0:23:10.160 --> 0:23:13.199
<v Speaker 1>could actually deal with their problems. Yes, it's true. And

0:23:13.240 --> 0:23:15.159
<v Speaker 1>I was actually thinking to you about Elias how we've

0:23:15.200 --> 0:23:17.679
<v Speaker 1>talked about him before, when we talked about real science

0:23:17.720 --> 0:23:20.000
<v Speaker 1>that came from dreams. And this was a guy who

0:23:20.040 --> 0:23:22.520
<v Speaker 1>figured out how to use a needle in a sewing

0:23:22.560 --> 0:23:25.639
<v Speaker 1>machine that would puncture the cloth. Right. He dreamed about

0:23:25.680 --> 0:23:28.119
<v Speaker 1>a tribe that was dancing around him holding spears, and

0:23:28.200 --> 0:23:32.239
<v Speaker 1>the spears had holes near their tips, and boom, he

0:23:32.280 --> 0:23:34.680
<v Speaker 1>realized the solution to making that happen. So that's just

0:23:34.720 --> 0:23:36.760
<v Speaker 1>a good example, I think in general, of how your

0:23:36.760 --> 0:23:39.240
<v Speaker 1>mind can work on these problems. Did I tell you

0:23:39.320 --> 0:23:41.520
<v Speaker 1>about this? I um this. This came up of a

0:23:41.560 --> 0:23:43.560
<v Speaker 1>week of playing a lot of board and card games,

0:23:43.600 --> 0:23:45.840
<v Speaker 1>and I think I had recently seen an episode of

0:23:45.920 --> 0:23:48.359
<v Speaker 1>Mystery Science Theater that had some magic in it. But

0:23:48.480 --> 0:23:52.919
<v Speaker 1>I dreamt of a card slash board game that didn't

0:23:52.920 --> 0:23:55.919
<v Speaker 1>exist in real life, and I mean still doesn't. But

0:23:55.960 --> 0:23:58.720
<v Speaker 1>I woke up remembering the mechanics of the game and

0:23:58.760 --> 0:24:01.320
<v Speaker 1>how the game more or less work with some certain

0:24:01.359 --> 0:24:04.360
<v Speaker 1>blank spots regarding the shoots and ladder. No, it wasn't

0:24:04.400 --> 0:24:07.040
<v Speaker 1>shoots and ladder, and I can't reveal it exactly how

0:24:07.040 --> 0:24:08.879
<v Speaker 1>it works, because maybe I'll do something with it at

0:24:08.920 --> 0:24:10.280
<v Speaker 1>some point. But it was one of those dreams where

0:24:10.280 --> 0:24:12.480
<v Speaker 1>I woke up and I'm like, wow, I have this idea.

0:24:12.520 --> 0:24:14.080
<v Speaker 1>And it was interesting for me because I get a

0:24:14.119 --> 0:24:16.560
<v Speaker 1>lot of sort of visual ideas, like there's a particular

0:24:16.640 --> 0:24:18.199
<v Speaker 1>kind of monster that shows up in my dreams. I

0:24:18.200 --> 0:24:20.199
<v Speaker 1>could write a story about that or something. This is

0:24:20.240 --> 0:24:21.720
<v Speaker 1>one of the few times where I had a dream

0:24:21.800 --> 0:24:25.200
<v Speaker 1>in which there was like a system in play, where

0:24:25.240 --> 0:24:28.159
<v Speaker 1>I woke up not as much inspired by just the

0:24:28.200 --> 0:24:31.399
<v Speaker 1>imagery and magic of the dream world, but there was

0:24:31.440 --> 0:24:34.560
<v Speaker 1>a more or less a concrete idea there. Yeah, And again,

0:24:34.640 --> 0:24:37.280
<v Speaker 1>the prefrontal cortex usually is it gets a little bit

0:24:37.359 --> 0:24:40.200
<v Speaker 1>dim when you're dreaming, not LUSA dream, but just dreaming.

0:24:40.320 --> 0:24:43.120
<v Speaker 1>And we've talked about this before with jazz musicians. We've

0:24:43.119 --> 0:24:45.919
<v Speaker 1>seen this part of the brain kind of dial it

0:24:45.960 --> 0:24:49.919
<v Speaker 1>down a little bit because again, your logic center sometimes

0:24:49.960 --> 0:24:53.760
<v Speaker 1>can impede creative thought. So it's really interesting that that

0:24:53.840 --> 0:24:55.720
<v Speaker 1>this is the realm that we can get in there

0:24:55.920 --> 0:24:59.000
<v Speaker 1>and there are no rules and you can start to

0:24:59.000 --> 0:25:02.480
<v Speaker 1>to work out. So lucians are really cool creative ideas

0:25:02.560 --> 0:25:06.600
<v Speaker 1>and board games that are not shooting. There are no

0:25:06.720 --> 0:25:09.320
<v Speaker 1>rules yet. But if tenure is in the future when

0:25:09.320 --> 0:25:15.000
<v Speaker 1>we can monitor dreams, who's to say, right, dream police? Okay,

0:25:15.000 --> 0:25:18.440
<v Speaker 1>so I'm going to talk about this article in Scientific

0:25:18.480 --> 0:25:20.959
<v Speaker 1>American is called how Can You Control Your Dreams? And

0:25:21.040 --> 0:25:24.840
<v Speaker 1>according to Didre Barrett, she's the assistant clinical professor of

0:25:24.880 --> 0:25:27.800
<v Speaker 1>psychology at Harvard, something called image rehearsal is a way

0:25:27.800 --> 0:25:31.719
<v Speaker 1>to overcome the nightmares as you talk about or PTSD events.

0:25:31.800 --> 0:25:34.800
<v Speaker 1>Therapist or researchers have the person work out in an

0:25:34.960 --> 0:25:38.679
<v Speaker 1>alternate scenario they want the dream to take, and they

0:25:38.720 --> 0:25:41.000
<v Speaker 1>ask them to close their eyes and they imagine this

0:25:41.520 --> 0:25:44.080
<v Speaker 1>and they generally talk them through a kind of really

0:25:44.240 --> 0:25:47.359
<v Speaker 1>vivid enactment of it so that they're they're starting to

0:25:47.440 --> 0:25:51.360
<v Speaker 1>pin those details in the person's mind. And we've talked

0:25:51.400 --> 0:25:54.159
<v Speaker 1>about this before with memory too, about really penning that

0:25:54.240 --> 0:25:58.880
<v Speaker 1>information into memory palace, right the memory palace, and making

0:25:58.920 --> 0:26:03.120
<v Speaker 1>sure that that person is really attaching meaning to these objects.

0:26:03.160 --> 0:26:06.159
<v Speaker 1>So that's what these therapists are doing. And usually the

0:26:06.200 --> 0:26:09.360
<v Speaker 1>person incorporates some degree of the rehearse scenario at bedtime

0:26:09.440 --> 0:26:12.360
<v Speaker 1>or listens to a tape where the therapist or researcher

0:26:12.520 --> 0:26:15.440
<v Speaker 1>is recounting the alternate scenario and they've had some really

0:26:15.480 --> 0:26:18.200
<v Speaker 1>good results with us cool. And then there are various

0:26:18.280 --> 0:26:21.080
<v Speaker 1>devices that have come along that may aid us in

0:26:21.240 --> 0:26:25.440
<v Speaker 1>lucid dreaming. Oh, yes, are you referring to the Liverages goggles. Yes,

0:26:25.520 --> 0:26:27.679
<v Speaker 1>the Nova Dreamer And this is an invention of the

0:26:27.760 --> 0:26:30.879
<v Speaker 1>Lucidity Institute. And it looks like a cross between like

0:26:30.920 --> 0:26:34.719
<v Speaker 1>sleep mass and goggles. And the idea here is that

0:26:34.800 --> 0:26:38.480
<v Speaker 1>if you condition yourself that red light, flashing red light

0:26:38.920 --> 0:26:41.520
<v Speaker 1>means that you're having a dream, as opposed to oh,

0:26:41.560 --> 0:26:44.479
<v Speaker 1>my goodness, something pulled over for speeding. If you can,

0:26:44.520 --> 0:26:46.560
<v Speaker 1>if you can reprogram your mind to think flashing red

0:26:46.640 --> 0:26:49.760
<v Speaker 1>lights mean hey, it's a dream. Start doing whatever you

0:26:49.760 --> 0:26:51.520
<v Speaker 1>want to do in the dream. Then you can wear

0:26:51.520 --> 0:26:53.880
<v Speaker 1>these goggles and they would be able to measure when

0:26:53.880 --> 0:26:57.200
<v Speaker 1>you're experiencing rem sue and then flash in that light,

0:26:57.440 --> 0:26:59.520
<v Speaker 1>and then you would be able to perceive that through

0:26:59.560 --> 0:27:02.880
<v Speaker 1>your eyelids and you would know that that was your cue. Yeah,

0:27:02.920 --> 0:27:05.600
<v Speaker 1>that's your cue to start dreaming it up big time. Yeah.

0:27:06.560 --> 0:27:10.840
<v Speaker 1>Instead of having to look specifically for examples of say,

0:27:11.000 --> 0:27:14.359
<v Speaker 1>dream writing or or something else weird in the dream

0:27:14.400 --> 0:27:16.680
<v Speaker 1>that doesn't match up and would be your clue. This

0:27:16.760 --> 0:27:19.640
<v Speaker 1>is like an outside force saying, hey, signal Red, You've

0:27:19.640 --> 0:27:22.439
<v Speaker 1>got a lucid dream opportunity. Here, go for it. And

0:27:22.520 --> 0:27:25.440
<v Speaker 1>some of this starts to go into the territory of inception, right,

0:27:25.520 --> 0:27:29.639
<v Speaker 1>like planting dreams or planting these cues. Yeah. John Horgan

0:27:29.720 --> 0:27:31.560
<v Speaker 1>hated that movie, or at least he enjoyed it, but

0:27:31.600 --> 0:27:34.560
<v Speaker 1>he did not enjoy the science of it, which makes sense, right.

0:27:34.600 --> 0:27:37.080
<v Speaker 1>I mean, he's this tried and true science journalist and

0:27:37.200 --> 0:27:39.400
<v Speaker 1>he found that the water should be murky and they

0:27:39.400 --> 0:27:42.199
<v Speaker 1>are sometimes the pop points where but still I enjoyed it.

0:27:42.280 --> 0:27:44.399
<v Speaker 1>Here's something about that movie which I enjoyed as well.

0:27:44.480 --> 0:27:48.159
<v Speaker 1>When these characters are lucid dreaming, they create some of

0:27:48.160 --> 0:27:50.919
<v Speaker 1>the most boring things I've ever seen in a cinematic

0:27:51.000 --> 0:27:53.119
<v Speaker 1>dream portrayal. At one level, I used to think, I

0:27:53.160 --> 0:27:56.040
<v Speaker 1>don't really care for this movie, because if they're lucid dreaming,

0:27:56.080 --> 0:27:58.000
<v Speaker 1>they should really be wowing. There was just a lot

0:27:58.000 --> 0:28:01.560
<v Speaker 1>of crazy stuff. But if you bringing your logic into play,

0:28:01.720 --> 0:28:04.480
<v Speaker 1>then I can see where that could potentially null the

0:28:04.560 --> 0:28:08.600
<v Speaker 1>powers of just pure imagination. What part was boring to

0:28:09.160 --> 0:28:10.919
<v Speaker 1>know that, like the big city they had, like the

0:28:10.960 --> 0:28:12.760
<v Speaker 1>city and it's a building. I don't want to get

0:28:12.760 --> 0:28:15.280
<v Speaker 1>into spoilers too much, but there's there's a scene where

0:28:15.280 --> 0:28:17.399
<v Speaker 1>there's like a big city around them, and it's just

0:28:17.480 --> 0:28:19.600
<v Speaker 1>kind of it's creative in its own sense, but it's

0:28:19.600 --> 0:28:22.000
<v Speaker 1>not I feel like I could dream a better dream city.

0:28:22.000 --> 0:28:23.720
<v Speaker 1>It's what well I know. But the thing is, the

0:28:23.760 --> 0:28:25.840
<v Speaker 1>whole point of that movie is you're stuck in whomever

0:28:25.920 --> 0:28:28.960
<v Speaker 1>streams that is right. Yeah, they were in their own

0:28:29.000 --> 0:28:31.480
<v Speaker 1>dream at this point. Yeah, but she was dreaming, and

0:28:31.560 --> 0:28:33.720
<v Speaker 1>the whole point where she was creating the architecture for

0:28:33.880 --> 0:28:39.120
<v Speaker 1>like a realistic architecture. Okay, into realistic architecture, my dream,

0:28:39.200 --> 0:28:41.520
<v Speaker 1>I can have realistic architecture. Because he was putting her

0:28:41.560 --> 0:28:44.760
<v Speaker 1>through the paces, wanting to see if Grasshopper had learned well,

0:28:45.480 --> 0:28:48.320
<v Speaker 1>because that part of the movie, you know, show me

0:28:48.360 --> 0:28:51.200
<v Speaker 1>what you have learned, Grasshopper. But that's not what Leonardo

0:28:51.240 --> 0:28:54.800
<v Speaker 1>Dicapito said at all, Just so everybody knows. Okay, So

0:28:54.960 --> 0:28:57.600
<v Speaker 1>there are limitations to this, right, You can't exactly just

0:28:57.720 --> 0:29:00.480
<v Speaker 1>jump into this. It's not just clicker heels three times

0:29:00.480 --> 0:29:02.240
<v Speaker 1>and you're gonna be an a lucid dream You've gotta

0:29:02.240 --> 0:29:04.959
<v Speaker 1>really want it. Even with fancy gadgetry involved. There's not

0:29:05.000 --> 0:29:06.960
<v Speaker 1>just an on off switch or a magic pill you

0:29:07.000 --> 0:29:08.880
<v Speaker 1>can take. Though they have experience with the use of

0:29:08.920 --> 0:29:12.920
<v Speaker 1>Alzheimer's drugs that a cognitive processes and memory, so there

0:29:12.960 --> 0:29:14.800
<v Speaker 1>are some experiments involving the use of a pill. But

0:29:14.840 --> 0:29:18.160
<v Speaker 1>still all of these things still require the dreamer to

0:29:18.280 --> 0:29:21.040
<v Speaker 1>really want lucid dreaming to happen. Yeah, and I keep

0:29:21.080 --> 0:29:24.640
<v Speaker 1>thinking about this travel Lodge study that came out but

0:29:24.920 --> 0:29:28.400
<v Speaker 1>by the futurist Stean Pearson, who tried to imagine travel

0:29:28.440 --> 0:29:32.000
<v Speaker 1>lodge of the future and and all the technology that

0:29:32.040 --> 0:29:34.040
<v Speaker 1>we have at our disposal and what that might look

0:29:34.120 --> 0:29:37.720
<v Speaker 1>like his idea. And again, this is someone who is

0:29:37.960 --> 0:29:41.400
<v Speaker 1>um He's got a lot of information and experience under

0:29:41.440 --> 0:29:43.960
<v Speaker 1>his belt, so he's not just dreaming that's out of nothing, right,

0:29:43.960 --> 0:29:46.200
<v Speaker 1>And he's, as we discussed before, he's a great futurist.

0:29:46.280 --> 0:29:48.320
<v Speaker 1>And then he's taking all of this information and he's

0:29:48.360 --> 0:29:52.120
<v Speaker 1>extrapolating a future reality that is for the most part

0:29:52.280 --> 0:29:56.760
<v Speaker 1>unmoored from our attachment to the way things are today. Right,

0:29:56.840 --> 0:29:59.960
<v Speaker 1>And he says that developments and fabric technology and synthetic

0:30:00.080 --> 0:30:03.840
<v Speaker 1>materials means sleepware of the future will feature electronically controllable

0:30:03.840 --> 0:30:07.840
<v Speaker 1>properties such as touch sensitivity, shape changing, thermal properties, and

0:30:07.920 --> 0:30:11.560
<v Speaker 1>light emission. So his idea is that sleepers could get

0:30:11.600 --> 0:30:16.320
<v Speaker 1>gently massaged in their sleep or uncomfortably groped by strange,

0:30:16.320 --> 0:30:20.000
<v Speaker 1>faithless demons. Right, and then you know, red lights beamed

0:30:20.040 --> 0:30:21.600
<v Speaker 1>into their eyes and then they have to start loose

0:30:21.720 --> 0:30:24.040
<v Speaker 1>dreaming boop. Right then, But there is this idea that

0:30:24.080 --> 0:30:26.800
<v Speaker 1>you could enhance your dreaming, that there may be some

0:30:27.360 --> 0:30:29.880
<v Speaker 1>point in the future where we can enter into this

0:30:29.960 --> 0:30:33.720
<v Speaker 1>state much more effectively and get groped. As you say, well,

0:30:33.720 --> 0:30:35.440
<v Speaker 1>it's it's interesting that we're talking about the future and

0:30:35.440 --> 0:30:37.920
<v Speaker 1>we're talking about the nine different types of dreams. It

0:30:38.000 --> 0:30:41.080
<v Speaker 1>was one of the books in the futuristic Altered Carbon

0:30:41.160 --> 0:30:44.200
<v Speaker 1>series that Richard K. Morgan did, where he has he

0:30:44.280 --> 0:30:46.600
<v Speaker 1>has a future in which individuals are able to move

0:30:46.640 --> 0:30:49.600
<v Speaker 1>their consciousness from body to body. You're only allowed to

0:30:49.640 --> 0:30:51.800
<v Speaker 1>have one body at a time, but it means that

0:30:51.880 --> 0:30:55.200
<v Speaker 1>one can practically forever if one can afford new bodies.

0:30:55.760 --> 0:30:57.920
<v Speaker 1>So you have individuals that don't have to deal with

0:30:58.000 --> 0:31:01.440
<v Speaker 1>much in the way of physical illness. You'll have individuals

0:31:01.480 --> 0:31:05.920
<v Speaker 1>who end up voluntarily catching the flu just for the

0:31:06.160 --> 0:31:08.480
<v Speaker 1>fever dreams or just you know, just for some of

0:31:08.520 --> 0:31:11.840
<v Speaker 1>the intense bodily experiences of the illness. I gonna say,

0:31:11.880 --> 0:31:14.480
<v Speaker 1>that's not that's not a dream that I would want

0:31:14.480 --> 0:31:16.560
<v Speaker 1>to inhabit. No, But I guess the thing is they're

0:31:16.560 --> 0:31:19.240
<v Speaker 1>so jaded. They've tried everything else, They've had everything else

0:31:19.240 --> 0:31:21.960
<v Speaker 1>in their multiple lives, so they're at the point where, well,

0:31:21.960 --> 0:31:24.800
<v Speaker 1>what's left for me? I guess fever dreams. That's extreme, man.

0:31:24.880 --> 0:31:27.440
<v Speaker 1>I gotta say, all of this information sort of points

0:31:27.440 --> 0:31:29.600
<v Speaker 1>back to this idea that we talked about this before.

0:31:30.000 --> 0:31:32.880
<v Speaker 1>How much of our time we've spend dreaming even while

0:31:32.920 --> 0:31:36.240
<v Speaker 1>we're awake. We've talked about daydreaming rights. By one account,

0:31:36.280 --> 0:31:40.120
<v Speaker 1>at least half of our waking hours daydreaming, right, And

0:31:40.200 --> 0:31:43.000
<v Speaker 1>you can, you know, cultivate awareness on that level there too.

0:31:43.080 --> 0:31:45.240
<v Speaker 1>And I love the idea of thevet and Buddhists that

0:31:45.280 --> 0:31:48.200
<v Speaker 1>we were talking about to where let's not be afraid

0:31:48.280 --> 0:31:50.160
<v Speaker 1>then to take this concept into the waking world and

0:31:50.240 --> 0:31:53.640
<v Speaker 1>think long and hard about the various aspects of our

0:31:53.640 --> 0:31:58.040
<v Speaker 1>thought processes that are dictating the way we experience waking reality.

0:31:58.400 --> 0:31:59.840
<v Speaker 1>There's a great quote, and I may have read this

0:31:59.880 --> 0:32:02.800
<v Speaker 1>one before, but it's it bears repeating from Grant Morrison,

0:32:02.920 --> 0:32:05.680
<v Speaker 1>and this is from the Invisible Volume one. He says,

0:32:05.760 --> 0:32:08.400
<v Speaker 1>your head's like mine, like all our heads, big enough

0:32:08.440 --> 0:32:11.120
<v Speaker 1>to contain every god and devil there ever was big

0:32:11.240 --> 0:32:14.000
<v Speaker 1>enough to hold the weight of oceans, and the turning stars,

0:32:14.440 --> 0:32:17.160
<v Speaker 1>hold universes fit in there. But what do we choose

0:32:17.200 --> 0:32:21.120
<v Speaker 1>to keep in this miraculous cabinet? Little broken thing, sad

0:32:21.120 --> 0:32:24.040
<v Speaker 1>trinkets that we play with over and over. The world

0:32:24.080 --> 0:32:26.680
<v Speaker 1>turns our key, and we play the same little tune

0:32:26.680 --> 0:32:29.880
<v Speaker 1>again and again, and we think that tunes all we are,

0:32:31.120 --> 0:32:34.640
<v Speaker 1>that's keep coming back to. And then here's an older one.

0:32:35.480 --> 0:32:38.760
<v Speaker 1>Here's one from seventy four from author O'shanessy, from the

0:32:38.800 --> 0:32:41.800
<v Speaker 1>ode to his book Music and Moonlight. We are the

0:32:41.880 --> 0:32:45.240
<v Speaker 1>music makers, and we are the dreamers of dreams, wandering

0:32:45.440 --> 0:32:49.360
<v Speaker 1>by lone sea breakers and sitting by desolate streams, world

0:32:49.440 --> 0:32:52.760
<v Speaker 1>losers and world forsakers on whom the pale moon gleams.

0:32:53.120 --> 0:32:56.200
<v Speaker 1>Yet we are the movers and shakers of the world forever,

0:32:56.360 --> 0:32:59.080
<v Speaker 1>it seems. And you've probably heard everyone from Willy Wonka

0:32:59.080 --> 0:33:01.840
<v Speaker 1>to a f X twin site that poem, but it's

0:33:01.880 --> 0:33:04.080
<v Speaker 1>a it's another sort of beautiful line that that I

0:33:04.120 --> 0:33:06.760
<v Speaker 1>wanted to lead out with here. Very nice. Let's bring

0:33:06.800 --> 0:33:11.320
<v Speaker 1>that dreamy robot by. Yes, we have some listener mail

0:33:11.400 --> 0:33:13.320
<v Speaker 1>to get to and one of them is dream related.

0:33:13.360 --> 0:33:17.360
<v Speaker 1>As we mentioned, we heard from listener Dan, and I'm

0:33:17.360 --> 0:33:19.520
<v Speaker 1>not gonna read all of Dan's email, but he he

0:33:19.640 --> 0:33:21.800
<v Speaker 1>raised a number of really cool points and hopefully he'll

0:33:21.880 --> 0:33:24.240
<v Speaker 1>chime in with more after this podcast to get his

0:33:24.640 --> 0:33:28.280
<v Speaker 1>lucid dreaming feedback on this episode that he says Robert Julie,

0:33:28.640 --> 0:33:30.680
<v Speaker 1>on one of your recent podcasts, you talked about how

0:33:30.680 --> 0:33:35.120
<v Speaker 1>most people never utilize lucid dreamings for sexual experiences because

0:33:35.120 --> 0:33:37.320
<v Speaker 1>they'd rather fly or be a giant. I wanted to

0:33:37.400 --> 0:33:39.320
<v Speaker 1>let you know this isn't the case. He goes on

0:33:39.360 --> 0:33:41.960
<v Speaker 1>to say, once you realize you're dreaming, the hardest part

0:33:42.040 --> 0:33:44.520
<v Speaker 1>is to remember that you're dreaming. It's very easy to

0:33:44.560 --> 0:33:48.120
<v Speaker 1>slip back into standard dreaming out of lucy dreaming. Conversely,

0:33:48.160 --> 0:33:50.360
<v Speaker 1>it can also be very easy to wake yourself up

0:33:50.560 --> 0:33:52.720
<v Speaker 1>and waste a perfectly go to lucid dreams, So it's

0:33:52.720 --> 0:33:56.120
<v Speaker 1>important to keep reminding yourself that you're dreaming. Looking at

0:33:56.160 --> 0:33:58.440
<v Speaker 1>your hands helps for some reason. And whatever you do,

0:33:58.440 --> 0:34:00.440
<v Speaker 1>don't open your eyes because you'll snap up right out

0:34:00.440 --> 0:34:02.600
<v Speaker 1>of it. I got to the point where I was

0:34:02.640 --> 0:34:05.040
<v Speaker 1>having a vivid, lucid dream every couple of months, so

0:34:05.080 --> 0:34:08.200
<v Speaker 1>I started experimenting with the possibilities. First I learned how

0:34:08.200 --> 0:34:10.960
<v Speaker 1>to fly, which took a little practice. Eventually I could

0:34:11.000 --> 0:34:12.839
<v Speaker 1>do it quite easily. It's kind of like the story

0:34:12.840 --> 0:34:15.000
<v Speaker 1>of Peter Pan, because you actually have to believe you

0:34:15.000 --> 0:34:18.240
<v Speaker 1>can fly. Later, I started learning how to conjure objects.

0:34:18.239 --> 0:34:20.280
<v Speaker 1>The first thing I conjured was a sword that formed

0:34:20.280 --> 0:34:22.840
<v Speaker 1>in my hands. I tried to conjure people in places

0:34:23.000 --> 0:34:26.360
<v Speaker 1>with much difficulty until I figured out a wonderful little trick.

0:34:26.760 --> 0:34:29.680
<v Speaker 1>Just find a door, walk to any door, and convince

0:34:29.719 --> 0:34:32.480
<v Speaker 1>yourself before you open it, and whoever or whatever you

0:34:32.520 --> 0:34:34.799
<v Speaker 1>want is behind it. I want to use this trick

0:34:35.000 --> 0:34:38.960
<v Speaker 1>to conjure a lustful, scantily clad woman, and proceeded to

0:34:39.000 --> 0:34:41.319
<v Speaker 1>have some great lucid dreaming sex. Let me tell you,

0:34:41.400 --> 0:34:43.600
<v Speaker 1>it's right up there with flying. So there you go,

0:34:43.640 --> 0:34:45.920
<v Speaker 1>because we had to because a lot of people when

0:34:45.960 --> 0:34:48.200
<v Speaker 1>they did talk about their lucid dreamings, they discussed flying

0:34:48.200 --> 0:34:51.800
<v Speaker 1>and growing huge, and even Frederic Vilhem von Eden, who

0:34:51.840 --> 0:34:54.600
<v Speaker 1>coined the term. In his descriptions of lucid dreaming, he

0:34:54.760 --> 0:34:57.760
<v Speaker 1>tends to focus more and more on the fabulous aspects

0:34:57.760 --> 0:35:00.480
<v Speaker 1>of it and kind of discounts the erotic side of

0:35:00.560 --> 0:35:03.520
<v Speaker 1>lucid dreaming and his experience. So well, it's not really

0:35:03.560 --> 0:35:05.520
<v Speaker 1>t talk, you know. All right, Well, let's move onto

0:35:05.520 --> 0:35:08.400
<v Speaker 1>another listener mail. This one is from Maria Mary all Right,

0:35:08.440 --> 0:35:10.480
<v Speaker 1>Senses High, Robert, and Julie. I've been listening to your

0:35:10.480 --> 0:35:12.640
<v Speaker 1>show for a long time now and really enjoy it,

0:35:12.760 --> 0:35:15.799
<v Speaker 1>especially the more philosophical topics. I wanted to write in

0:35:15.840 --> 0:35:18.040
<v Speaker 1>about your episode on the lust because there is something

0:35:18.120 --> 0:35:21.000
<v Speaker 1>you didn't quite touch on, and that is the societal

0:35:21.040 --> 0:35:24.440
<v Speaker 1>pressure that exists now to be lustful in the sexual sense,

0:35:24.920 --> 0:35:27.560
<v Speaker 1>almost like the opposite of the prudence pressure that existed

0:35:27.600 --> 0:35:30.799
<v Speaker 1>before when we freed ourselves from those shackles. I feel

0:35:30.840 --> 0:35:33.040
<v Speaker 1>like we went running too far in the other direction,

0:35:33.080 --> 0:35:35.840
<v Speaker 1>and now the pressure is more on being lustful. I

0:35:35.880 --> 0:35:37.880
<v Speaker 1>don't think people notice too much, but it is very

0:35:37.920 --> 0:35:41.040
<v Speaker 1>apparent to me, being a sexual myself, that there is

0:35:41.080 --> 0:35:43.920
<v Speaker 1>a lot of pressure both from my peers and the multimedia.

0:35:44.440 --> 0:35:47.000
<v Speaker 1>Now people see it as an expression of freedom and

0:35:47.040 --> 0:35:50.239
<v Speaker 1>a pleasure that everyone should enjoy, regardless of whether they

0:35:50.280 --> 0:35:52.840
<v Speaker 1>want it or not, and often attempt to cure a

0:35:52.960 --> 0:35:55.600
<v Speaker 1>sexuality or advise me to go to the doctor. I

0:35:55.640 --> 0:35:58.520
<v Speaker 1>don't have anything against love and the free expression of sexuality,

0:35:58.840 --> 0:36:01.440
<v Speaker 1>but I think people need to tone it down a little.

0:36:01.840 --> 0:36:03.600
<v Speaker 1>So there there, you know, I think that's some valid

0:36:03.600 --> 0:36:06.319
<v Speaker 1>commentary there, because as we've discussed before, I mean, we

0:36:06.360 --> 0:36:08.400
<v Speaker 1>live in this lust economy. We live in this world.

0:36:08.400 --> 0:36:12.520
<v Speaker 1>It is just so into our and so open with

0:36:12.560 --> 0:36:16.120
<v Speaker 1>our physical desires, and not everyone is really gonna I mean,

0:36:16.160 --> 0:36:18.200
<v Speaker 1>some people are going to have a very over sexed

0:36:18.360 --> 0:36:20.719
<v Speaker 1>mind and they're gonna definitely flow in that direction a

0:36:20.800 --> 0:36:23.560
<v Speaker 1>lot easier. But then there are individuals who are, for

0:36:23.600 --> 0:36:25.680
<v Speaker 1>the most part a sexual that pressure is gonna come

0:36:25.680 --> 0:36:27.480
<v Speaker 1>on them on one right, And as you say, it's

0:36:27.239 --> 0:36:30.920
<v Speaker 1>the last full commercial aspect of it. So there's this

0:36:30.960 --> 0:36:33.160
<v Speaker 1>idea that you want to lust after something, that you

0:36:33.200 --> 0:36:36.360
<v Speaker 1>have to have that deodorant because there's a lusty woman

0:36:36.560 --> 0:36:40.400
<v Speaker 1>smelling your armpit or something not you specifically. That is

0:36:40.440 --> 0:36:44.480
<v Speaker 1>an interesting bit of commentary and it made me recall

0:36:44.600 --> 0:36:47.840
<v Speaker 1>and I feel like it's called the Science of Lust.

0:36:47.920 --> 0:36:50.520
<v Speaker 1>It's a discovery show, and they actually talked about usexuality,

0:36:50.520 --> 0:36:52.440
<v Speaker 1>which is not something that is studied a lot or

0:36:52.480 --> 0:36:55.640
<v Speaker 1>talked about a lot. So if anybody is interested in

0:36:55.840 --> 0:36:59.719
<v Speaker 1>learning more about a sexuality, how it's hardwired or not hardwired,

0:37:00.040 --> 0:37:02.200
<v Speaker 1>you should check that out. One of my favorite characters

0:37:02.239 --> 0:37:05.000
<v Speaker 1>basically a sexual that would be Carlock Holmes basically in

0:37:05.000 --> 0:37:07.680
<v Speaker 1>a sexual character, and I have problems with adaptations to

0:37:07.719 --> 0:37:10.000
<v Speaker 1>try and sex him out too much, but yeah, you

0:37:10.040 --> 0:37:12.040
<v Speaker 1>can't sex up the hounds too, that's not what that's

0:37:12.040 --> 0:37:14.800
<v Speaker 1>about now. So he was always a great hero to me,

0:37:14.880 --> 0:37:17.040
<v Speaker 1>especially in my junior high in high school years, because

0:37:17.040 --> 0:37:19.560
<v Speaker 1>I'm like, like, you know, all the multimedia pressures on

0:37:19.600 --> 0:37:21.680
<v Speaker 1>me to even then, even as you're a team, there's

0:37:21.680 --> 0:37:24.160
<v Speaker 1>all you you watch the like the Wonder Years and stuff,

0:37:24.160 --> 0:37:26.360
<v Speaker 1>and there's like sexual pressure in that. But then you

0:37:26.360 --> 0:37:28.439
<v Speaker 1>can turn to Charlotte Holmes and you're like, Sherlock comes

0:37:28.520 --> 0:37:30.400
<v Speaker 1>is amazing, and he doesn't he doesn't need any of this.

0:37:30.640 --> 0:37:32.959
<v Speaker 1>There you go. Well, if you would like to share

0:37:32.960 --> 0:37:35.799
<v Speaker 1>anything with us, be at Sherlock Holmes related or a

0:37:35.880 --> 0:37:39.120
<v Speaker 1>sexuality related or more importantly, write to us about your

0:37:39.160 --> 0:37:42.080
<v Speaker 1>lucid dreaming experiences. Are you a lucid dreamer? Have you

0:37:42.120 --> 0:37:44.960
<v Speaker 1>attempted it and failed? Are you still trying? Let us

0:37:44.960 --> 0:37:46.640
<v Speaker 1>know and let us know what your experience as a

0:37:46.680 --> 0:37:49.080
<v Speaker 1>lucid dreamer is like. Yeah, and you can also check

0:37:49.080 --> 0:37:51.640
<v Speaker 1>out an article about lucid dreaming on house to forks

0:37:51.680 --> 0:37:54.320
<v Speaker 1>dot com and it's written by Katie Lambert. Really interesting.

0:37:54.840 --> 0:37:57.480
<v Speaker 1>But do drop us a line first of all Facebook

0:37:57.520 --> 0:37:59.120
<v Speaker 1>that you can find us there Stuff to Blow your

0:37:59.160 --> 0:38:02.000
<v Speaker 1>Mind Twitter or Blow the Mind and it's a really

0:38:02.000 --> 0:38:04.279
<v Speaker 1>cool feature right now called the Stuff to Blow Your

0:38:04.280 --> 0:38:08.120
<v Speaker 1>Mind photo upload contest. If you're listening to this particular

0:38:08.160 --> 0:38:11.239
<v Speaker 1>episode around the time it publishes, you can find this

0:38:11.440 --> 0:38:14.040
<v Speaker 1>link on the how stuff Works dot com home page.

0:38:14.040 --> 0:38:17.080
<v Speaker 1>You can find it on the how stuff Works Facebook account,

0:38:17.080 --> 0:38:18.520
<v Speaker 1>and we'll also link to it on the Stuff to

0:38:18.560 --> 0:38:21.120
<v Speaker 1>Blow your Mind Facebook account. It's a really cool upload

0:38:21.120 --> 0:38:23.440
<v Speaker 1>to you take a cool photo if you think it's

0:38:23.480 --> 0:38:27.200
<v Speaker 1>mind blowing and like a scary, gross, amazing. There are

0:38:27.200 --> 0:38:29.160
<v Speaker 1>several categories. You have an image that you think is

0:38:29.200 --> 0:38:32.120
<v Speaker 1>really awesome and you took it, inner it there you

0:38:32.200 --> 0:38:34.239
<v Speaker 1>might be able to win an iPad. Yeah you heard

0:38:34.280 --> 0:38:37.320
<v Speaker 1>that iPad alright, so and do you drop in it?

0:38:37.400 --> 0:38:40.919
<v Speaker 1>You do, drop in Email us at Blow the Mind

0:38:41.000 --> 0:38:48.319
<v Speaker 1>at Discovery dot com. Be sure to check out our

0:38:48.360 --> 0:38:51.719
<v Speaker 1>new video podcast, Stuff from the Future. Join how Stuff

0:38:51.719 --> 0:38:55.520
<v Speaker 1>Work staff as we explore them as promising and perplexing possibilities.

0:38:55.560 --> 0:38:56.200
<v Speaker 1>Up tomorrow