1 00:00:01,600 --> 00:00:04,040 Speaker 1: Every day a week ago, click your ass up the 2 00:00:04,200 --> 00:00:07,600 Speaker 1: Breakfast Club finish for y'all done. It's the world no day, 3 00:00:07,640 --> 00:00:10,320 Speaker 1: this morning show to Breakfast Club, Charlamagne the God just hilarious. 4 00:00:10,400 --> 00:00:11,360 Speaker 2: Envy is off to day. 5 00:00:11,360 --> 00:00:15,280 Speaker 1: But we got two special guests in the building. 6 00:00:15,320 --> 00:00:16,599 Speaker 2: Were Bach were you here? 7 00:00:17,120 --> 00:00:17,720 Speaker 3: You kind of. 8 00:00:19,880 --> 00:00:22,360 Speaker 2: He the prime minister of bait. That's true, that's true, 9 00:00:22,480 --> 00:00:25,880 Speaker 2: that's true. Shaggy Shaggy is here. Shaggy is baby Robin 10 00:00:25,880 --> 00:00:29,160 Speaker 2: Thinket's here. He's all white. I'm talking, I'm read, I'm 11 00:00:29,240 --> 00:00:33,440 Speaker 2: mostly read. How are y'all today? Man? 12 00:00:33,840 --> 00:00:36,880 Speaker 4: Oh good Man could have done something about the weather, though, God, 13 00:00:38,120 --> 00:00:39,080 Speaker 4: oh boy, let me tell you. 14 00:00:39,120 --> 00:00:39,720 Speaker 2: I was dressed up. 15 00:00:39,760 --> 00:00:41,919 Speaker 4: I was like, it's raining all day. You know what's up? 16 00:00:42,320 --> 00:00:44,440 Speaker 5: Don't ever trust the bellman. I checked in last night. 17 00:00:44,479 --> 00:00:47,320 Speaker 5: He was like, it's gonna be a beautiful day tomorrow. 18 00:00:47,800 --> 00:00:53,640 Speaker 2: Was like, y'all, man said, what do we what do 19 00:00:53,720 --> 00:00:54,840 Speaker 2: we owe the pleasure of this? 20 00:00:55,040 --> 00:00:55,280 Speaker 3: Uh? 21 00:00:55,320 --> 00:00:56,279 Speaker 2: This union right here? 22 00:00:56,280 --> 00:01:00,880 Speaker 1: I know you'll got to were looking love, looking love. 23 00:01:00,960 --> 00:01:03,360 Speaker 5: We're doing grown and sexy reggae things these days. 24 00:01:03,440 --> 00:01:05,959 Speaker 4: Yeah, man, it's a good five. It's a good good energy. 25 00:01:06,600 --> 00:01:10,040 Speaker 4: Uh you know, a great great songs something for the ladies. 26 00:01:10,080 --> 00:01:11,679 Speaker 4: Of course. You know what I'm saying. I think a 27 00:01:11,680 --> 00:01:14,520 Speaker 4: lot of that is lost sometimes just the mayor compliment 28 00:01:14,959 --> 00:01:17,399 Speaker 4: and I was like, man, you just you're looking you're 29 00:01:17,400 --> 00:01:21,360 Speaker 4: looking lovely today. Yeah, it's just having that vibe. And uh, 30 00:01:21,520 --> 00:01:22,920 Speaker 4: it's a song I wrote. 31 00:01:22,920 --> 00:01:23,080 Speaker 3: You know. 32 00:01:23,160 --> 00:01:26,080 Speaker 4: I ran into uh Robin on. 33 00:01:26,200 --> 00:01:28,119 Speaker 3: It was uh we did a show together. 34 00:01:28,280 --> 00:01:30,880 Speaker 4: Yeah, it wasn't uh. I think it was one of 35 00:01:30,920 --> 00:01:35,120 Speaker 4: the f ones we did. So man Houston and me 36 00:01:35,160 --> 00:01:37,160 Speaker 4: and him Clif, all of us we ended up hanging 37 00:01:37,160 --> 00:01:39,200 Speaker 4: out one night. It was just just we just kind 38 00:01:39,240 --> 00:01:41,400 Speaker 4: of kicked it off, and once this record came up, 39 00:01:41,440 --> 00:01:44,200 Speaker 4: I was like, wow, this sounds like Robin. I sent 40 00:01:44,280 --> 00:01:45,760 Speaker 4: it to him and he was just like, Yo, this 41 00:01:45,840 --> 00:01:47,000 Speaker 4: is this is lovely. 42 00:01:49,200 --> 00:01:51,600 Speaker 5: Well, you know, I'm a huge Bill Withers fan, of course, 43 00:01:51,920 --> 00:01:54,760 Speaker 5: the soulhead. So all my inspirations are Oldest and Bill 44 00:01:54,880 --> 00:01:57,000 Speaker 5: and Al Green and guys like that. So when he 45 00:01:57,040 --> 00:01:58,680 Speaker 5: sent me the record and he had his voice on it, 46 00:01:58,720 --> 00:02:00,560 Speaker 5: I'm a huge Shaggy fan. I was like, you know what, 47 00:02:00,840 --> 00:02:04,360 Speaker 5: there's something here with the throwback soul record, but with 48 00:02:04,440 --> 00:02:07,600 Speaker 5: the Caribbean influence and if I put some little soul 49 00:02:07,640 --> 00:02:11,320 Speaker 5: man stuff on it, put that white soul on it. Yeah, yeah, yeah, 50 00:02:11,320 --> 00:02:12,200 Speaker 5: we're really happy with it. 51 00:02:12,240 --> 00:02:14,639 Speaker 1: I can't whatever I hear Bill with a lovely day, 52 00:02:14,720 --> 00:02:18,000 Speaker 1: I think could the late great Clarence. Clarence is yeah, 53 00:02:18,040 --> 00:02:19,720 Speaker 1: and I know he knows made a lot to you 54 00:02:20,480 --> 00:02:21,280 Speaker 1: a lot, big time. 55 00:02:21,639 --> 00:02:25,080 Speaker 4: I mean even you know when when I show actually 56 00:02:25,080 --> 00:02:28,560 Speaker 4: showed that documentary of Black Godfather to a lot of 57 00:02:28,760 --> 00:02:30,239 Speaker 4: people coming up. You know, I do this thing in 58 00:02:30,280 --> 00:02:33,160 Speaker 4: Jamaica called All of Music Conference, which is this my 59 00:02:33,240 --> 00:02:35,679 Speaker 4: third year doing it. I just did it, you know, 60 00:02:35,760 --> 00:02:38,320 Speaker 4: bring a lot of people down from the business, just 61 00:02:38,320 --> 00:02:40,320 Speaker 4: just to get you know, a lot of the inner 62 00:02:40,320 --> 00:02:42,920 Speaker 4: city utes out of Jamaica and reggae artists because so 63 00:02:42,919 --> 00:02:46,200 Speaker 4: many of our artists, their intellectual properties are owned by 64 00:02:46,240 --> 00:02:49,000 Speaker 4: other people throughout the whole thing. So we try to 65 00:02:49,040 --> 00:02:50,880 Speaker 4: get him on the right track and just like kind 66 00:02:50,880 --> 00:02:53,040 Speaker 4: of make it go. And and that's one of them 67 00:02:53,040 --> 00:02:54,880 Speaker 4: things I say, Yo, y'all gotta watch this, you know 68 00:02:54,919 --> 00:02:57,800 Speaker 4: what I mean, because Clarence was instrumental in a lot 69 00:02:57,840 --> 00:03:00,839 Speaker 4: of people that y'all didn't really know. I mean, so yeah, 70 00:03:00,880 --> 00:03:03,320 Speaker 4: and you know, build with it. You know. The thing 71 00:03:03,360 --> 00:03:06,119 Speaker 4: with Bill is he didn't really put out a huge catalog. 72 00:03:06,800 --> 00:03:10,440 Speaker 4: It wasn't really massive, but those songs are probably some 73 00:03:10,480 --> 00:03:13,200 Speaker 4: of the most recurrent songs through decades. 74 00:03:13,240 --> 00:03:16,000 Speaker 5: Well, he's one of the greatest poets we've ever had music. 75 00:03:16,040 --> 00:03:17,840 Speaker 5: I mean, I remember if you got to see his 76 00:03:18,160 --> 00:03:21,120 Speaker 5: documentary I'm I Am Bill or something like that. And 77 00:03:22,440 --> 00:03:24,760 Speaker 5: even when he speaks, he doesn't talk much, but every 78 00:03:24,800 --> 00:03:27,320 Speaker 5: time he speaks there's poetry in it. There's so much 79 00:03:27,440 --> 00:03:30,800 Speaker 5: meaning and value to his words that he doesn't waste. 80 00:03:31,080 --> 00:03:32,920 Speaker 5: He doesn't waste words, you know, and that that was 81 00:03:32,919 --> 00:03:34,840 Speaker 5: something that I really appreciated about him. 82 00:03:34,920 --> 00:03:36,640 Speaker 4: And there's a lot of people's favorite too. I mean, 83 00:03:36,640 --> 00:03:38,640 Speaker 4: he's actually a sting one of sing's favorite artists. Him 84 00:03:38,680 --> 00:03:41,280 Speaker 4: and I we'd be on stage together, we'd be doing 85 00:03:41,280 --> 00:03:46,200 Speaker 4: songs like yeah Wow because the lyrics. 86 00:03:46,320 --> 00:03:48,200 Speaker 5: Musically and lyrically, he's just one of the best. 87 00:03:49,160 --> 00:03:51,840 Speaker 6: What genre would look and lovely fall under the. 88 00:03:52,200 --> 00:03:54,200 Speaker 4: Well, you know what it is. I think I was 89 00:03:54,240 --> 00:03:54,800 Speaker 4: just discussing. 90 00:03:56,760 --> 00:03:59,840 Speaker 5: We think it's like grown, you know, it's grown and sexy. 91 00:03:59,840 --> 00:04:01,680 Speaker 5: But it's got the Caribbean influence and most of my 92 00:04:01,720 --> 00:04:04,280 Speaker 5: records playing on urban AC, so I think there's a 93 00:04:04,360 --> 00:04:06,520 Speaker 5: home for it there but there's also you know with 94 00:04:06,640 --> 00:04:09,280 Speaker 5: his big pop you know, massive records. 95 00:04:09,320 --> 00:04:11,960 Speaker 3: When he crosses over, it plays everywhere. 96 00:04:11,680 --> 00:04:13,080 Speaker 5: And when I hear it, I feel like I'm on 97 00:04:13,200 --> 00:04:16,240 Speaker 5: vacation with the Pinicoladas, you know what I mean. It 98 00:04:16,320 --> 00:04:18,440 Speaker 5: just gives me that and especially everything right now, like 99 00:04:18,480 --> 00:04:20,560 Speaker 5: anytime we can just have a it's just meant to 100 00:04:20,560 --> 00:04:22,280 Speaker 5: make you feel good. We're not trying to it is 101 00:04:22,360 --> 00:04:24,200 Speaker 5: to reinvent the wheel here. We're just trying to make 102 00:04:24,200 --> 00:04:25,480 Speaker 5: you feel It does a feel good record. 103 00:04:25,520 --> 00:04:29,000 Speaker 4: But in my history of doing records, you know, when 104 00:04:29,000 --> 00:04:31,080 Speaker 4: you're reggae, there's you know, my hearts got one eight 105 00:04:31,120 --> 00:04:35,000 Speaker 4: hundred station, how many of them a regae station? Zero? 106 00:04:35,520 --> 00:04:37,640 Speaker 4: So how did the guy like me get on on 107 00:04:38,040 --> 00:04:40,400 Speaker 4: radio with that many hits and sold that many records 108 00:04:40,400 --> 00:04:43,960 Speaker 4: over the years. Is really because I put these records 109 00:04:44,360 --> 00:04:48,159 Speaker 4: that once something happened and it becomes huge, it kind 110 00:04:48,160 --> 00:04:50,800 Speaker 4: of crosses all formats because nobody really know where to 111 00:04:50,800 --> 00:04:53,400 Speaker 4: put me. That's kind of a it's like, well, he's reggae, 112 00:04:53,480 --> 00:04:54,200 Speaker 4: he's poppy. 113 00:04:55,040 --> 00:04:56,839 Speaker 5: When I first came out and they didn't they wouldn't 114 00:04:56,839 --> 00:04:58,480 Speaker 5: play me at Pop rated, so they said, let's try 115 00:04:58,520 --> 00:05:00,960 Speaker 5: them at Urban AC let's your own black radio. 116 00:05:01,400 --> 00:05:02,480 Speaker 3: And that's where I broke. 117 00:05:02,400 --> 00:05:05,680 Speaker 5: Was Yeah, in d C on on urban AC radio, 118 00:05:05,880 --> 00:05:07,840 Speaker 5: where Lost Without You broke, And that's that's where I've 119 00:05:07,839 --> 00:05:10,799 Speaker 5: played most of my careers on adult black radio. 120 00:05:11,200 --> 00:05:12,960 Speaker 1: That's that sucks to though, because when you think of 121 00:05:13,000 --> 00:05:15,280 Speaker 1: a song called Lost Without You, we used to have 122 00:05:15,360 --> 00:05:21,160 Speaker 1: the quiet storm. Yeah, that used to matter, you know 123 00:05:21,200 --> 00:05:21,560 Speaker 1: what I mean. 124 00:05:21,680 --> 00:05:23,839 Speaker 2: And and throughout the day now you hear R and 125 00:05:23,880 --> 00:05:25,040 Speaker 2: B like Lost Without You. 126 00:05:25,160 --> 00:05:29,480 Speaker 5: Were killed and hell yeah, but you're trying to make 127 00:05:29,480 --> 00:05:30,120 Speaker 5: another one. 128 00:05:31,640 --> 00:05:33,160 Speaker 4: But to the point of it, you know, when a 129 00:05:33,279 --> 00:05:36,359 Speaker 4: record is big, it crosses all formats. I mean, a 130 00:05:36,400 --> 00:05:39,200 Speaker 4: big record that wasn't me when we drop of that record, 131 00:05:39,320 --> 00:05:42,000 Speaker 4: you know that ended up going on everything down the line. 132 00:05:42,040 --> 00:05:44,279 Speaker 4: But when it started starting on mixed shows and some 133 00:05:44,400 --> 00:05:47,240 Speaker 4: dance all and then ended up just becoming and then 134 00:05:47,240 --> 00:05:49,120 Speaker 4: a guy in Hawaii played in and it just became 135 00:05:49,160 --> 00:05:49,719 Speaker 4: this massive. 136 00:05:50,279 --> 00:05:52,320 Speaker 1: So when you got R and B and you know, 137 00:05:52,440 --> 00:05:56,120 Speaker 1: reggae dance hall, what did you discover about where those 138 00:05:56,120 --> 00:05:58,040 Speaker 1: two worlds like naturally meet. 139 00:05:58,080 --> 00:06:02,039 Speaker 4: Well, I'm i am. I am naturally a hybrid guy. 140 00:06:02,200 --> 00:06:04,880 Speaker 4: I think, I Meanstik was talking about this. I said, 141 00:06:05,000 --> 00:06:08,080 Speaker 4: you know, hybrid is what ship's culture like. If I'm 142 00:06:08,120 --> 00:06:12,120 Speaker 4: gonna do music, say, for instance, Dennis Brown or Bob Martin, 143 00:06:12,120 --> 00:06:15,640 Speaker 4: If I'm gonna do music just like those who are 144 00:06:15,680 --> 00:06:19,120 Speaker 4: my heroes and do it just exactly like them, Who 145 00:06:19,160 --> 00:06:20,479 Speaker 4: the hell am I to think that I could do 146 00:06:20,520 --> 00:06:24,080 Speaker 4: it better? Those guys are masters of their craft. I 147 00:06:24,120 --> 00:06:28,919 Speaker 4: gotta literally find a way that is me, you know 148 00:06:28,880 --> 00:06:30,880 Speaker 4: what I mean. When I came to Old Carolina back 149 00:06:30,880 --> 00:06:34,000 Speaker 4: in the nineties, you know, danceaw is in a different place, 150 00:06:34,040 --> 00:06:36,600 Speaker 4: and people I was criticized heavy for it. It was like, yoh, 151 00:06:36,640 --> 00:06:38,560 Speaker 4: you know he's doing this. What kind of music is 152 00:06:38,600 --> 00:06:41,400 Speaker 4: this is? You know, cross the crossovers, water down and 153 00:06:41,960 --> 00:06:44,599 Speaker 4: whatever whatever they call it. But I was hitting number 154 00:06:44,640 --> 00:06:47,719 Speaker 4: one around the world. I was in good company because 155 00:06:48,120 --> 00:06:49,960 Speaker 4: Bob Marley was the same thing. And I mean you 156 00:06:50,000 --> 00:06:53,560 Speaker 4: look at Bob Marley where they had session musician that 157 00:06:53,680 --> 00:06:58,320 Speaker 4: overdubbed rap, session musician overdubbed that overdubs on him, rap 158 00:06:58,440 --> 00:07:00,920 Speaker 4: sounds on him so he could get on rock radio. 159 00:07:00,920 --> 00:07:03,120 Speaker 4: And Chris Blackwell told me that there is old documentary 160 00:07:03,120 --> 00:07:07,480 Speaker 4: on it. Funny now that that that very those very 161 00:07:07,560 --> 00:07:10,080 Speaker 4: recordings are now the blueprint of what record music is 162 00:07:10,160 --> 00:07:11,920 Speaker 4: you know what I'm saying, and even hybrid. You look 163 00:07:11,960 --> 00:07:14,080 Speaker 4: at every dance all record is really a hybrid style, 164 00:07:14,360 --> 00:07:16,480 Speaker 4: you know what I mean. So to me, you just 165 00:07:16,520 --> 00:07:18,320 Speaker 4: got to really bet on yourself and that's why I 166 00:07:18,320 --> 00:07:20,800 Speaker 4: did my album that's coming out. This record is also 167 00:07:20,800 --> 00:07:24,880 Speaker 4: on it. Uh, it's called lottery, and lottery is is 168 00:07:24,960 --> 00:07:28,040 Speaker 4: really me betting on myself because I've always betted on myself. 169 00:07:28,040 --> 00:07:30,480 Speaker 4: You imagine me being in a record company on a 170 00:07:30,560 --> 00:07:33,920 Speaker 4: major and there's nobody like me. There's nobody before me 171 00:07:34,040 --> 00:07:37,920 Speaker 4: that did this on mainstream the way when Old Carolina 172 00:07:37,960 --> 00:07:40,240 Speaker 4: Coming it was the first dance dance all number one 173 00:07:40,240 --> 00:07:43,720 Speaker 4: of the British Dark Mister Boombasket is the first regular 174 00:07:43,840 --> 00:07:46,160 Speaker 4: dance all record to debut at number one. 175 00:07:46,800 --> 00:07:57,200 Speaker 5: My seven year old daughter just started saying randomly at breakfast, Yeah, 176 00:07:58,360 --> 00:07:59,280 Speaker 5: you got too much stuff. 177 00:07:59,680 --> 00:08:03,160 Speaker 1: When I y'all talk about music, man, y'all sound like scientists. 178 00:08:03,240 --> 00:08:04,080 Speaker 4: It is calculated. 179 00:08:04,360 --> 00:08:06,240 Speaker 2: Yeah for me, I don't feel like people have that 180 00:08:06,280 --> 00:08:07,280 Speaker 2: type of passion no more. 181 00:08:07,320 --> 00:08:07,480 Speaker 3: Man. 182 00:08:08,360 --> 00:08:10,640 Speaker 4: You know, you know what I think. We're living in 183 00:08:10,680 --> 00:08:13,440 Speaker 4: a time that's a fast time. Everything is still like 184 00:08:13,480 --> 00:08:15,120 Speaker 4: real quick. You know what I mean? When you when 185 00:08:15,160 --> 00:08:17,320 Speaker 4: you look at and there's all this equipment to help them, 186 00:08:17,560 --> 00:08:18,040 Speaker 4: you know what I mean. 187 00:08:18,240 --> 00:08:20,960 Speaker 5: Well, I think there's always every generation we have that 188 00:08:21,120 --> 00:08:22,800 Speaker 5: it ain't as good as the last. You know, the 189 00:08:22,840 --> 00:08:24,800 Speaker 5: grown heads are always saying that, and the young heads 190 00:08:24,840 --> 00:08:27,160 Speaker 5: is saying it's better than it was. But there's always 191 00:08:27,400 --> 00:08:29,679 Speaker 5: great artistry mixed in the fluff. 192 00:08:29,840 --> 00:08:30,040 Speaker 3: You know. 193 00:08:30,080 --> 00:08:32,400 Speaker 5: There's always like you look at Olivia Dean, I mean 194 00:08:32,440 --> 00:08:34,679 Speaker 5: that's you know, there's there's They're these artists that are 195 00:08:34,679 --> 00:08:38,760 Speaker 5: still making something brand new from their hearts and their experiences, 196 00:08:38,960 --> 00:08:41,600 Speaker 5: and that stuff lasts the test of time otherwise, you know, 197 00:08:41,880 --> 00:08:43,400 Speaker 5: some of it is just supposed to make you feel 198 00:08:43,440 --> 00:08:45,040 Speaker 5: good and make your dance and make you have a 199 00:08:45,080 --> 00:08:47,240 Speaker 5: good time, you know, and those things come and go. 200 00:08:47,520 --> 00:08:49,480 Speaker 5: But the real artists that are coming from their heart 201 00:08:49,520 --> 00:08:51,640 Speaker 5: and have something to say, there's there's always a. 202 00:08:52,080 --> 00:08:54,280 Speaker 4: The love ones with the love you got that love 203 00:08:54,320 --> 00:08:56,959 Speaker 4: for it, you'll find that real be obsessed. When I 204 00:08:56,960 --> 00:08:59,040 Speaker 4: think about AI, too of people are talking about AI. 205 00:08:59,200 --> 00:09:01,360 Speaker 4: I'm like, I think it's actually going to be good 206 00:09:01,400 --> 00:09:03,400 Speaker 4: in a way because it's going to really let the 207 00:09:03,480 --> 00:09:04,160 Speaker 4: cream rise to. 208 00:09:04,160 --> 00:09:07,080 Speaker 2: The top because you can't replicate that soul. Yeah, you 209 00:09:07,120 --> 00:09:07,520 Speaker 2: know what I mean. 210 00:09:07,920 --> 00:09:10,640 Speaker 4: Yeah, So so the mediocrity that people just go do 211 00:09:10,720 --> 00:09:13,000 Speaker 4: that quick thing, they're gonna have problems. 212 00:09:13,320 --> 00:09:16,160 Speaker 5: And it's there's something karmically to skip things steps. You know, 213 00:09:16,160 --> 00:09:17,920 Speaker 5: if you six steps and you try to you know, 214 00:09:17,960 --> 00:09:19,800 Speaker 5: you try to get rich quick schemes and those kind 215 00:09:19,840 --> 00:09:23,160 Speaker 5: of things. You can get that first push, but to last, 216 00:09:23,200 --> 00:09:25,400 Speaker 5: you really have to have a craft and an obsession 217 00:09:25,600 --> 00:09:27,640 Speaker 5: and the love for the game and the music to 218 00:09:27,960 --> 00:09:28,440 Speaker 5: make it last. 219 00:09:28,480 --> 00:09:30,160 Speaker 1: And then when I heard you about Bill Wizards Robin, 220 00:09:30,200 --> 00:09:32,480 Speaker 1: you said he was a poet and you talked about 221 00:09:32,520 --> 00:09:35,719 Speaker 1: his lyrics. I feel like nowadays people just want to 222 00:09:35,760 --> 00:09:38,040 Speaker 1: get the beat, make a melody, don't even care what 223 00:09:38,040 --> 00:09:39,400 Speaker 1: the hell he's saying on the record. 224 00:09:39,440 --> 00:09:41,920 Speaker 5: Yeah, as long as it feels good. But you know, 225 00:09:42,200 --> 00:09:43,960 Speaker 5: some people do have something to say. They still have 226 00:09:44,000 --> 00:09:44,439 Speaker 5: something to say. 227 00:09:44,520 --> 00:09:47,040 Speaker 4: But I think relatability is also when I write my records, 228 00:09:47,040 --> 00:09:49,360 Speaker 4: I try to be as relatable as possible. You know 229 00:09:49,400 --> 00:09:51,319 Speaker 4: what I'm saying. The thing when you think about listen 230 00:09:51,360 --> 00:09:55,719 Speaker 4: to grandma Hands, that's that's that's your life. If you yes, 231 00:09:55,920 --> 00:09:59,160 Speaker 4: everybody Grandma's hands, that's every word that he was saying 232 00:09:59,160 --> 00:10:02,959 Speaker 4: that I'm He's by my grandmother. So that record speaks 233 00:10:02,960 --> 00:10:04,240 Speaker 4: to me, you know what I mean. So it's really 234 00:10:04,240 --> 00:10:08,160 Speaker 4: writing songs. I'm gonna throw a ferries in a little 235 00:10:08,160 --> 00:10:10,719 Speaker 4: bit off, but you know it wasn't me. Is out 236 00:10:10,720 --> 00:10:12,520 Speaker 4: of your banging, you know, somebody banging and you wish 237 00:10:12,559 --> 00:10:18,599 Speaker 4: your banging very It's very relatable. 238 00:10:19,559 --> 00:10:22,320 Speaker 6: Did you guys, did either of you feel pressure to 239 00:10:23,080 --> 00:10:25,040 Speaker 6: like to make new music because of all the things 240 00:10:25,040 --> 00:10:27,120 Speaker 6: that are going on, you know, all the new music 241 00:10:27,120 --> 00:10:30,079 Speaker 6: that is out now, right, Did you guys feel pressure? 242 00:10:30,679 --> 00:10:30,880 Speaker 4: Well? 243 00:10:30,920 --> 00:10:33,160 Speaker 5: I always feel just the pressure you put on yourself 244 00:10:33,160 --> 00:10:35,240 Speaker 5: as an artist, just to challenge yourself and try to 245 00:10:35,240 --> 00:10:36,960 Speaker 5: make something great. I mean, I think we all want 246 00:10:37,000 --> 00:10:39,559 Speaker 5: to get in there and make something that touches hearts 247 00:10:39,600 --> 00:10:42,400 Speaker 5: and moves culture. And you don't always, you know, hit 248 00:10:42,440 --> 00:10:46,160 Speaker 5: that mark. But I think we're always trying to challenge ourselves. 249 00:10:46,200 --> 00:10:49,800 Speaker 5: And if you've made eight, nine, ten albums, then you 250 00:10:49,800 --> 00:10:52,320 Speaker 5: you don't want to you don't want to leave the 251 00:10:52,360 --> 00:10:54,520 Speaker 5: audience you've made, but you don't want to, you know, 252 00:10:54,600 --> 00:10:55,319 Speaker 5: repeat yourself. 253 00:10:55,920 --> 00:10:58,240 Speaker 4: I think the hardest thing right now for me at 254 00:10:58,240 --> 00:11:01,839 Speaker 4: this stage's game is to be inspired, you know, and 255 00:11:02,000 --> 00:11:06,920 Speaker 4: I look for inspiration and so I'm not putting anything 256 00:11:06,920 --> 00:11:10,040 Speaker 4: out unless I'm totally inspired, you know. And I and 257 00:11:10,080 --> 00:11:15,280 Speaker 4: I try to find the uncomfortable because I don't think 258 00:11:15,280 --> 00:11:17,360 Speaker 4: there's growth without being uncomfortable, you know what I mean. 259 00:11:17,440 --> 00:11:20,240 Speaker 4: And then I find comfort outside of my comfort zone 260 00:11:20,240 --> 00:11:22,640 Speaker 4: and then look for the uncomfortable again, you know, because 261 00:11:22,640 --> 00:11:25,360 Speaker 4: it keeps you alive and everything's you know, the hamster 262 00:11:25,480 --> 00:11:27,880 Speaker 4: in the wheel feels comfortable in the wheel, but it 263 00:11:27,920 --> 00:11:32,280 Speaker 4: goes nowhere on big time, big time, big time. And 264 00:11:32,280 --> 00:11:34,040 Speaker 4: that's why I don't put out music as often as 265 00:11:34,040 --> 00:11:36,440 Speaker 4: everybody else. I have to make sure it's crafted right 266 00:11:36,840 --> 00:11:38,719 Speaker 4: and I and I have to I have to like 267 00:11:38,800 --> 00:11:41,840 Speaker 4: it first. And I've always made music selfishly. I do 268 00:11:41,880 --> 00:11:43,880 Speaker 4: it for me, and then if you like it, then 269 00:11:44,000 --> 00:11:47,440 Speaker 4: you like it. I've been doing this for a while, 270 00:11:47,559 --> 00:11:49,560 Speaker 4: I mean, and there's been many inspirations, you know. Sting 271 00:11:49,640 --> 00:11:52,679 Speaker 4: has been a big inspiration. Right now this moment and 272 00:11:52,720 --> 00:11:56,400 Speaker 4: this moment, yeah, it's just it's this record that I'm 273 00:11:56,400 --> 00:11:58,720 Speaker 4: doing is a record that I've been doing for a while, 274 00:11:59,120 --> 00:12:00,800 Speaker 4: you know, over a couple of years. You know, I've 275 00:12:00,840 --> 00:12:03,200 Speaker 4: just got fit. I've made this record like four times, 276 00:12:04,040 --> 00:12:07,280 Speaker 4: I mean, because I keep challenging myself. I said, nah, 277 00:12:07,280 --> 00:12:08,679 Speaker 4: it ain't that. It ain't that, you know what I mean. 278 00:12:08,760 --> 00:12:12,800 Speaker 4: So the inspiration now comes from just where the game is, 279 00:12:12,840 --> 00:12:15,360 Speaker 4: because I'm in the game every day, watching it, watching 280 00:12:15,400 --> 00:12:17,520 Speaker 4: these younger artists. I surround myself with a lot of 281 00:12:17,559 --> 00:12:19,839 Speaker 4: young people, you know what I mean. My my whole 282 00:12:19,880 --> 00:12:21,960 Speaker 4: team that I make records are younger people with me, 283 00:12:22,280 --> 00:12:24,200 Speaker 4: you know what I mean. And I pulled from them, 284 00:12:24,360 --> 00:12:26,400 Speaker 4: and a lot of them will have raw, raw talent, 285 00:12:26,520 --> 00:12:30,160 Speaker 4: but that that sense of structure, you know what I'm saying, 286 00:12:30,360 --> 00:12:33,880 Speaker 4: and and just figuring out because I'm more traveled than them, 287 00:12:33,960 --> 00:12:35,800 Speaker 4: I know what will work and what market, what does 288 00:12:36,720 --> 00:12:39,080 Speaker 4: and even the rollout of how it's done. You know, 289 00:12:39,160 --> 00:12:41,040 Speaker 4: they're they're like, oh, okay, I see why you do that. 290 00:12:41,120 --> 00:12:43,520 Speaker 4: You know, I just dropped something with me dexter dapts embarrassed. 291 00:12:43,920 --> 00:12:46,040 Speaker 4: It's just ripping up the dance all right now. Then 292 00:12:46,080 --> 00:12:48,719 Speaker 4: I drop the akon uh and and I don't you 293 00:12:48,720 --> 00:12:50,760 Speaker 4: know which is on the And then now I come 294 00:12:50,800 --> 00:12:51,960 Speaker 4: with me a robin, you know what I mean. So 295 00:12:51,960 --> 00:12:54,320 Speaker 4: there's a strategy and how I do everything. So you 296 00:12:54,360 --> 00:12:56,160 Speaker 4: are right on the money where you're just like, okay, 297 00:12:56,400 --> 00:12:57,760 Speaker 4: everything is strategic in a way. 298 00:12:57,880 --> 00:13:05,439 Speaker 2: You know, what about you crazy? 299 00:13:03,520 --> 00:13:03,640 Speaker 3: Right? 300 00:13:08,000 --> 00:13:08,160 Speaker 1: Oh? 301 00:13:08,520 --> 00:13:10,800 Speaker 5: Yeah, yeah, you know, for me, I've been working on 302 00:13:10,840 --> 00:13:12,720 Speaker 5: my new album for five you last time I dropped 303 00:13:12,760 --> 00:13:16,520 Speaker 5: was twenty twenty one, and for me, it has to 304 00:13:16,600 --> 00:13:19,040 Speaker 5: mean something to me for me to release it, you know. 305 00:13:19,120 --> 00:13:21,240 Speaker 5: So I've gone through some and when you write, you know, 306 00:13:21,240 --> 00:13:23,160 Speaker 5: you write forty to fifty songs, and some of them 307 00:13:23,160 --> 00:13:25,000 Speaker 5: you're going through the dance floor something. But then by 308 00:13:25,040 --> 00:13:26,640 Speaker 5: the time you get to the end of the project, 309 00:13:26,679 --> 00:13:28,959 Speaker 5: you realize what matters and what means something to you. 310 00:13:29,040 --> 00:13:31,720 Speaker 5: So I have an almost finished album that I'm trying 311 00:13:31,720 --> 00:13:34,560 Speaker 5: to drop this year. And for me right now, you know, 312 00:13:34,679 --> 00:13:37,640 Speaker 5: my kids inspire me. And I came from a divorced 313 00:13:37,679 --> 00:13:39,960 Speaker 5: family when I was seven years old, and so right now, 314 00:13:40,040 --> 00:13:42,480 Speaker 5: what's most important to me is not repeating the cycle 315 00:13:42,520 --> 00:13:45,040 Speaker 5: of broken home, you know what I mean. So everything 316 00:13:45,080 --> 00:13:49,280 Speaker 5: on my album is about the effort to keep a 317 00:13:49,320 --> 00:13:54,280 Speaker 5: family together and not repeat those cycles we come from. 318 00:13:54,320 --> 00:13:57,000 Speaker 1: You know, I always hear comedians say that, you know, 319 00:13:57,000 --> 00:13:59,920 Speaker 1: they in between stand ups, they have to live life. 320 00:14:00,120 --> 00:14:00,760 Speaker 3: Yeah, Like they. 321 00:14:00,679 --> 00:14:02,840 Speaker 1: Can't just go out there and go on stage and 322 00:14:02,840 --> 00:14:04,240 Speaker 1: be funny and just give you material like they have 323 00:14:04,280 --> 00:14:04,679 Speaker 1: to live life. 324 00:14:04,679 --> 00:14:06,240 Speaker 2: If that's the same for you, yeah, you got to go. 325 00:14:06,360 --> 00:14:08,440 Speaker 5: And I think what I'm learning at this stage in 326 00:14:08,480 --> 00:14:10,640 Speaker 5: my life is that the hardest things I've had to 327 00:14:10,679 --> 00:14:13,160 Speaker 5: face have made me a better man and a stronger 328 00:14:13,200 --> 00:14:15,960 Speaker 5: man and a better friend. The hardest things, the most 329 00:14:16,200 --> 00:14:19,160 Speaker 5: difficult challenges, have made me stronger and better. So now 330 00:14:19,160 --> 00:14:21,640 Speaker 5: I embrace those challenges. I think that's what happens with age, 331 00:14:21,640 --> 00:14:25,880 Speaker 5: is that you don't take failure so seriously. Failure is 332 00:14:25,920 --> 00:14:28,400 Speaker 5: just part of the grind. It's just part of life, 333 00:14:28,440 --> 00:14:30,240 Speaker 5: you know, as opposed to when you're young and something 334 00:14:30,280 --> 00:14:31,760 Speaker 5: goes wrong, you're like, that's the end of my career, 335 00:14:31,760 --> 00:14:33,880 Speaker 5: that's the end of my life. Now I've been through 336 00:14:33,880 --> 00:14:36,600 Speaker 5: so many ups and downs, I can just enjoy this, 337 00:14:36,720 --> 00:14:38,360 Speaker 5: Like I just wake up and go, thank you God, 338 00:14:38,480 --> 00:14:39,280 Speaker 5: thank you God for this. 339 00:14:40,120 --> 00:14:41,080 Speaker 3: Day, and I might have a good time. 340 00:14:41,160 --> 00:14:44,120 Speaker 4: Do you find do you find it's more fun older. 341 00:14:45,040 --> 00:14:51,280 Speaker 5: Well, it's more fun being grateful. I think gratitude makes 342 00:14:51,400 --> 00:14:54,080 Speaker 5: everything more fun. But I'm coming in here and I'm like, 343 00:14:54,120 --> 00:14:55,880 Speaker 5: they're not gonna get me, they're not gonna like me, 344 00:14:55,920 --> 00:14:57,080 Speaker 5: they're not gonna treat me right. 345 00:14:57,120 --> 00:14:59,680 Speaker 3: But then you've already missing the whole point. You're already 346 00:14:59,680 --> 00:15:01,520 Speaker 3: coming up with your muscles. 347 00:15:02,200 --> 00:15:04,400 Speaker 1: I feel like when you're in your twenties and even 348 00:15:04,440 --> 00:15:07,160 Speaker 1: in your thirties, I don't know if I appreciated the. 349 00:15:07,240 --> 00:15:11,840 Speaker 2: Moment like so fast. Yeah, I feel like at forty seven, 350 00:15:11,880 --> 00:15:13,120 Speaker 2: I appreciate. 351 00:15:12,640 --> 00:15:13,800 Speaker 3: The moment of life. 352 00:15:14,040 --> 00:15:17,200 Speaker 4: I'm I'm soaking it up in this age and I'm 353 00:15:17,240 --> 00:15:19,280 Speaker 4: just like, wow, you know it's been a riot and 354 00:15:19,440 --> 00:15:21,160 Speaker 4: gratitude is a big part of it. 355 00:15:21,280 --> 00:15:21,480 Speaker 3: Yeah. 356 00:15:21,520 --> 00:15:24,920 Speaker 5: Well, I realized that if you feel, if you have 357 00:15:24,960 --> 00:15:27,440 Speaker 5: gratitude in your heart, then you can't really feel anything else. 358 00:15:27,480 --> 00:15:29,680 Speaker 5: At the same time, you can't be selfish, you can't 359 00:15:29,720 --> 00:15:32,640 Speaker 5: be you know, negative, if you're If you're in a 360 00:15:32,680 --> 00:15:35,880 Speaker 5: state of gratitude, then nothing's wrong really because you're grateful 361 00:15:35,960 --> 00:15:36,920 Speaker 5: for what God has given you. 362 00:15:37,040 --> 00:15:37,800 Speaker 2: Yeah, are we. 363 00:15:37,760 --> 00:15:40,280 Speaker 4: Getting indy visuals like we did? 364 00:15:40,360 --> 00:15:40,560 Speaker 3: Yeah? 365 00:15:40,840 --> 00:15:44,160 Speaker 5: Actually we went number my first number one on reggae. 366 00:15:44,280 --> 00:15:45,240 Speaker 3: Yeah, we went. 367 00:15:45,520 --> 00:15:47,560 Speaker 5: I found out said we were number one on iTunes 368 00:15:47,600 --> 00:15:49,960 Speaker 5: on the reggae charts. So I got my first, my 369 00:15:50,000 --> 00:15:51,200 Speaker 5: first reggae number. 370 00:15:50,960 --> 00:15:52,200 Speaker 3: One on the iTunes. 371 00:15:52,240 --> 00:15:53,360 Speaker 2: At least exciting. 372 00:15:53,840 --> 00:15:55,920 Speaker 5: It feels great. You know, I can't say because you 373 00:15:55,920 --> 00:16:04,240 Speaker 5: don't like reggae I know, appreciated more. 374 00:16:07,040 --> 00:16:11,440 Speaker 4: No, but mis go back and forth that I don't 375 00:16:11,520 --> 00:16:15,520 Speaker 4: understand nothing. Man, let me tell you. I don't. I'm 376 00:16:15,520 --> 00:16:19,000 Speaker 4: from I'm from South Carolina. Man, what you don't make 377 00:16:19,040 --> 00:16:25,560 Speaker 4: me understand it? The Beige One, Oh yeah, yeah, he'll 378 00:16:25,600 --> 00:16:26,680 Speaker 4: break it down to you, though. 379 00:16:26,520 --> 00:16:28,360 Speaker 2: I'm lying that's it's not him. 380 00:16:28,560 --> 00:16:32,120 Speaker 4: Okay, all right, but he'll break it down to you though, 381 00:16:32,240 --> 00:16:34,160 Speaker 4: because you know so far as like in the streets 382 00:16:34,160 --> 00:16:36,400 Speaker 4: down in Jamaica, in the culture of it too. You know, 383 00:16:36,520 --> 00:16:38,080 Speaker 4: I think of the Beige One will let you because 384 00:16:38,080 --> 00:16:38,720 Speaker 4: you know he's Jamaica. 385 00:16:38,720 --> 00:16:39,400 Speaker 2: I'm gonna tell you the truth. 386 00:16:39,520 --> 00:16:41,720 Speaker 1: When I started listening to afro beats, like I really 387 00:16:41,800 --> 00:16:44,440 Speaker 1: like Afro beats, afro rhythms, and people like how you 388 00:16:44,520 --> 00:16:47,560 Speaker 1: like that but didn't like it, started to make me 389 00:16:48,080 --> 00:16:48,560 Speaker 1: appreciate it. 390 00:16:49,360 --> 00:16:51,360 Speaker 5: Absolutely, No, it's deep. 391 00:16:51,880 --> 00:16:53,840 Speaker 4: The funniest thing is if you look at dance all, 392 00:16:54,040 --> 00:16:56,800 Speaker 4: even the earlier there's a guy called I don't know 393 00:16:56,800 --> 00:17:00,520 Speaker 4: if you know what Elena ral Elena did a song 394 00:17:00,560 --> 00:17:04,960 Speaker 4: called Pombella Morbela, which were really the first two reggaeton 395 00:17:05,080 --> 00:17:16,000 Speaker 4: songs said the boom Boom boom er Umbrella umbrella. 396 00:17:16,720 --> 00:17:20,880 Speaker 6: Literally just said okay, sorry, I said mobela mobla, which. 397 00:17:22,280 --> 00:17:25,359 Speaker 4: My Spanish probably, but he did it, you know that 398 00:17:25,480 --> 00:17:27,600 Speaker 4: you know about it, but yeah, okay, so. 399 00:17:29,160 --> 00:17:29,640 Speaker 3: What that means? 400 00:17:29,680 --> 00:17:32,800 Speaker 4: Yeah, but I don't but that was his song that 401 00:17:32,880 --> 00:17:37,080 Speaker 4: he did. And and uh, el general El Helenrod used 402 00:17:37,119 --> 00:17:39,000 Speaker 4: to be at Erasmus Hall. Him and I used to 403 00:17:39,040 --> 00:17:40,320 Speaker 4: be in the lunchro back of the day. That was 404 00:17:40,320 --> 00:17:44,040 Speaker 4: the early part brother called Gunga Rivera. We used to 405 00:17:44,040 --> 00:17:46,359 Speaker 4: be uptown and he used to be those parties. And 406 00:17:46,520 --> 00:17:49,080 Speaker 4: VP was the label that actually put those first two 407 00:17:49,119 --> 00:17:52,200 Speaker 4: records out. Those records were really the first two reggaeton records. 408 00:17:52,560 --> 00:17:54,440 Speaker 4: And what he what El Henro used to do was 409 00:17:54,480 --> 00:17:56,399 Speaker 4: do dancehall records in Spanish. They used to call it 410 00:17:56,440 --> 00:18:00,560 Speaker 4: Spanish record And that was the first time reggae became 411 00:18:00,600 --> 00:18:03,439 Speaker 4: and it's becomes now a billion dollar industry. So a 412 00:18:03,480 --> 00:18:05,560 Speaker 4: lot of things come out of reggae and dance all. 413 00:18:06,000 --> 00:18:07,359 Speaker 4: You know what I'm saying. Hip hop of course a 414 00:18:07,440 --> 00:18:09,720 Speaker 4: cool hirk. So a lot of it comes out from 415 00:18:09,800 --> 00:18:12,480 Speaker 4: this culture of of of Caribbean music. 416 00:18:13,560 --> 00:18:15,440 Speaker 1: When you when you, when you when you are responsible 417 00:18:15,440 --> 00:18:17,800 Speaker 1: for sparking a billion dollar industry do you ever feel like, 418 00:18:17,800 --> 00:18:18,960 Speaker 1: why I didn't get my cuick? 419 00:18:19,880 --> 00:18:23,840 Speaker 4: No? No, because I think that in my game of this, 420 00:18:23,920 --> 00:18:25,960 Speaker 4: I've done pretty well. I took myself out of the ghettos. 421 00:18:26,400 --> 00:18:28,280 Speaker 4: I've take my family out of the ghettos. I've done 422 00:18:28,280 --> 00:18:32,280 Speaker 4: pretty well for myself. I look at it. It's still 423 00:18:32,320 --> 00:18:35,320 Speaker 4: for me to be here thirty odd years, still doing it, 424 00:18:35,320 --> 00:18:38,520 Speaker 4: It's incredible because do you know this game is a 425 00:18:38,600 --> 00:18:40,560 Speaker 4: quick game, you know what I'm saying. So to have 426 00:18:40,640 --> 00:18:43,760 Speaker 4: lasted this long and still be even you know, I'm 427 00:18:43,800 --> 00:18:47,359 Speaker 4: like the third highest streaming reggae artists in the world still, 428 00:18:47,440 --> 00:18:49,480 Speaker 4: you know what I'm saying. So for me to still 429 00:18:49,520 --> 00:18:54,040 Speaker 4: be doing that, it's amazing. But we look at ourselves. 430 00:18:54,119 --> 00:18:56,640 Speaker 4: I don't know, I look at myself as servants. We're 431 00:18:56,640 --> 00:18:58,800 Speaker 4: all servants at the end of the day. So you know, 432 00:18:58,800 --> 00:19:00,240 Speaker 4: people look at me and say, well, shot, you know 433 00:19:00,280 --> 00:19:02,399 Speaker 4: you wrote it wasn't me an angel and your genius 434 00:19:02,440 --> 00:19:04,920 Speaker 4: and blah blah blah. I'm like, now, broad, I wrote 435 00:19:04,960 --> 00:19:08,040 Speaker 4: those records, but I really didn't because those are ordained 436 00:19:08,560 --> 00:19:10,520 Speaker 4: you know what I mean from a highest being, Because 437 00:19:10,520 --> 00:19:12,280 Speaker 4: if I wrote, I'd be right one every week. Trust me. 438 00:19:13,640 --> 00:19:16,360 Speaker 4: What I'm saying, but it's like a tool. Like you know, 439 00:19:16,560 --> 00:19:19,159 Speaker 4: somebody you might be building a house to four walls 440 00:19:19,160 --> 00:19:22,159 Speaker 4: and seemen on concrete and you reach the roof and 441 00:19:22,160 --> 00:19:24,040 Speaker 4: you you need a hammer, and I said, I ain't 442 00:19:24,040 --> 00:19:26,000 Speaker 4: got no money, and here's here's boom basting. Now you 443 00:19:26,000 --> 00:19:28,520 Speaker 4: can build three house and cover everybody you go on tour. 444 00:19:28,560 --> 00:19:31,359 Speaker 4: There's you know, three hundred to five hundred people which 445 00:19:31,359 --> 00:19:35,000 Speaker 4: are riggers and truck drivers and concession stand people. That's 446 00:19:35,520 --> 00:19:38,080 Speaker 4: that's you know, three to five hundred electric bills, cool fee, 447 00:19:38,400 --> 00:19:41,119 Speaker 4: you know, mortgages, and one of them might go to 448 00:19:41,119 --> 00:19:43,679 Speaker 4: an Ivy League school and find a cure for cancer. 449 00:19:43,680 --> 00:19:46,399 Speaker 4: You're part of an equation. So I look at myself 450 00:19:46,400 --> 00:19:50,199 Speaker 4: as everything that I do as a servant, and my 451 00:19:50,359 --> 00:19:53,040 Speaker 4: job is really to touch people's lives and change it. 452 00:19:53,400 --> 00:19:55,280 Speaker 4: You know, I wrote hot Shot. It was letting people 453 00:19:55,320 --> 00:19:57,399 Speaker 4: that bought homes and started their lives. You know what 454 00:19:57,440 --> 00:20:00,000 Speaker 4: I'm saying. I mean, I'll talk to half the motherfuckers anyway. 455 00:20:00,119 --> 00:20:05,440 Speaker 4: But yeah, but it doesn't matter you you really change. 456 00:20:05,440 --> 00:20:08,000 Speaker 4: It's about changing people's lives. So I found there's a 457 00:20:08,080 --> 00:20:10,720 Speaker 4: there's a moment in your life when you find purpose. 458 00:20:11,760 --> 00:20:13,600 Speaker 4: And when I got that purpose, I was like, okay, 459 00:20:13,680 --> 00:20:15,800 Speaker 4: this has not started feeling better by myself. I wasn't 460 00:20:15,840 --> 00:20:17,920 Speaker 4: worried because I got you know, I got jerked and 461 00:20:18,080 --> 00:20:21,199 Speaker 4: and you know, my career coming up with people and 462 00:20:21,280 --> 00:20:24,280 Speaker 4: money and management and all that I've done it. I 463 00:20:24,359 --> 00:20:26,679 Speaker 4: don't worry about that anymore because I found purpose. 464 00:20:27,080 --> 00:20:29,520 Speaker 2: Do you remember, Robin, when you found purpose? 465 00:20:30,440 --> 00:20:30,680 Speaker 3: Uh? 466 00:20:30,680 --> 00:20:33,560 Speaker 5: Well, you know I was pretty self obsessed, uh, you know, 467 00:20:33,720 --> 00:20:35,640 Speaker 5: trying to make it for a long time and make 468 00:20:35,680 --> 00:20:38,199 Speaker 5: my dad and impress my parents and those things that 469 00:20:38,240 --> 00:20:41,040 Speaker 5: we try to do. But yeah, when my when my 470 00:20:41,160 --> 00:20:44,920 Speaker 5: kids were born, and especially when my daughters were born, 471 00:20:45,560 --> 00:20:47,520 Speaker 5: I found a new purpose. I think I just kind 472 00:20:47,560 --> 00:20:52,000 Speaker 5: of morphed into my life being about me into being 473 00:20:52,560 --> 00:20:55,440 Speaker 5: about their you know, their futures and so. And it's 474 00:20:55,520 --> 00:20:58,280 Speaker 5: nice because they say that purpose is the most important 475 00:20:58,280 --> 00:21:00,160 Speaker 5: thing why we wake up every day, you know, why 476 00:21:00,200 --> 00:21:02,600 Speaker 5: we wake up and keep going. And I might have 477 00:21:02,640 --> 00:21:05,440 Speaker 5: given up on myself at some point, but I can't 478 00:21:05,440 --> 00:21:06,800 Speaker 5: give up. Well, I can't give up on Michael. 479 00:21:06,800 --> 00:21:07,080 Speaker 3: I don't know. 480 00:21:07,080 --> 00:21:08,960 Speaker 5: I say might, but you know, sometimes when you feel 481 00:21:08,960 --> 00:21:10,119 Speaker 5: like giving up, you just feel like I don't know 482 00:21:10,119 --> 00:21:12,320 Speaker 5: if I can do this anymore. I'm facing too much harshness. 483 00:21:12,880 --> 00:21:15,720 Speaker 5: And then but the kids, they just nothing. I've never 484 00:21:15,760 --> 00:21:19,119 Speaker 5: been loved more by anything in this world or needed 485 00:21:19,359 --> 00:21:20,359 Speaker 5: more than I. 486 00:21:20,280 --> 00:21:21,840 Speaker 3: Am from my kids. So they give me. 487 00:21:21,920 --> 00:21:24,040 Speaker 5: I wake up at six am every morning with purpose 488 00:21:24,160 --> 00:21:24,760 Speaker 5: thanks to them. 489 00:21:24,800 --> 00:21:25,000 Speaker 3: You know. 490 00:21:25,240 --> 00:21:28,320 Speaker 6: And the album that you're working on, is it therapeutic 491 00:21:28,359 --> 00:21:28,600 Speaker 6: for you? 492 00:21:28,760 --> 00:21:30,000 Speaker 3: Oh yeah, I mean that's the thing. 493 00:21:30,040 --> 00:21:34,120 Speaker 5: The songs that were fluff, that weren't about that, that 494 00:21:34,640 --> 00:21:37,480 Speaker 5: purpose just didn't seem to matter on the album anymore. 495 00:21:37,520 --> 00:21:41,560 Speaker 5: So all the songs that are geared towards the family 496 00:21:41,640 --> 00:21:44,640 Speaker 5: survival and sticking together and staying together, That's what all 497 00:21:44,640 --> 00:21:45,639 Speaker 5: the songs matter to me. 498 00:21:46,000 --> 00:21:49,360 Speaker 1: How does they reflect where you are musically now versus 499 00:21:49,359 --> 00:21:51,359 Speaker 1: like the Robin think we heard a decade, Well. 500 00:21:51,240 --> 00:21:53,240 Speaker 5: It's still it's you know, I'm always trying to make 501 00:21:53,240 --> 00:21:54,359 Speaker 5: black music, you know what I mean. 502 00:21:54,400 --> 00:21:55,600 Speaker 3: I'm trying to make soul music. 503 00:21:55,640 --> 00:21:57,280 Speaker 5: I'm trying to I mean, that's what I grew up on, 504 00:21:57,359 --> 00:21:59,679 Speaker 5: That's who I love, and those are my favorite singers. 505 00:21:59,840 --> 00:22:02,080 Speaker 5: I'm always trying to be a part of that culture. 506 00:22:02,600 --> 00:22:05,080 Speaker 5: Uh So, you know, and and I like making love songs. 507 00:22:05,080 --> 00:22:07,000 Speaker 5: I mean, in the end, it's it's they're almost all 508 00:22:07,080 --> 00:22:10,080 Speaker 5: geared towards making love, work and making love. 509 00:22:10,160 --> 00:22:12,159 Speaker 2: Last do you hear how Robin Think answered that. 510 00:22:12,240 --> 00:22:15,359 Speaker 1: Robin Think say, I'm always trying to make black music, 511 00:22:15,720 --> 00:22:17,480 Speaker 1: he said, He's I forgot how you said, but you 512 00:22:17,480 --> 00:22:20,040 Speaker 1: said you're part of a culture I want to be. 513 00:22:20,160 --> 00:22:22,360 Speaker 5: Yeah, you know, I mean, and I think that's why 514 00:22:22,440 --> 00:22:26,920 Speaker 5: I have some barbecue status. 515 00:22:25,640 --> 00:22:27,840 Speaker 3: Because I don't. I don't. I still have never. 516 00:22:27,960 --> 00:22:31,280 Speaker 5: I did one song where I chased pop music and uh, 517 00:22:31,400 --> 00:22:33,560 Speaker 5: and I don't perform it live, you know what I mean, 518 00:22:34,520 --> 00:22:36,400 Speaker 5: because it's just not who I who I am. 519 00:22:36,480 --> 00:22:38,200 Speaker 1: I brought it up because you know, Jack Hallow he 520 00:22:38,280 --> 00:22:40,920 Speaker 1: just put out like a he's calling it a neo soul. 521 00:22:40,800 --> 00:22:43,160 Speaker 5: Oh yeah yeah, R and B album, And he did an. 522 00:22:43,040 --> 00:22:45,680 Speaker 1: Interview and he said that the music made him blacker 523 00:22:46,359 --> 00:22:48,160 Speaker 1: or something like that, like like, like, what are your 524 00:22:48,200 --> 00:22:50,640 Speaker 1: thoughts on the situation as as a white person who's 525 00:22:50,640 --> 00:22:52,040 Speaker 1: been accepted in the space for so long? 526 00:22:52,119 --> 00:22:54,359 Speaker 5: Well, for me, I think that's just you know, it 527 00:22:54,720 --> 00:22:56,639 Speaker 5: all starts from inspiration. 528 00:22:56,760 --> 00:22:56,919 Speaker 3: You know. 529 00:22:57,000 --> 00:22:59,760 Speaker 5: I grew up in the Eddie Murphy, Michael Jackson Prince 530 00:22:59,800 --> 00:23:02,080 Speaker 5: which in Houston eighties. You know what I mean so 531 00:23:02,200 --> 00:23:05,160 Speaker 5: to me that that was the pinnacle of art and 532 00:23:05,320 --> 00:23:07,520 Speaker 5: of greatness, and Michael Jordan, I mean all that. 533 00:23:07,560 --> 00:23:09,280 Speaker 3: So those are the people I had on my wall, you. 534 00:23:09,240 --> 00:23:13,000 Speaker 5: Know, And so I've I've always, honestly and from the 535 00:23:13,000 --> 00:23:15,679 Speaker 5: bottom of my heart, wanted to be a part and 536 00:23:15,760 --> 00:23:19,000 Speaker 5: be accepted into that world and culture because I respect 537 00:23:19,040 --> 00:23:20,400 Speaker 5: and admire and love it so much. 538 00:23:20,520 --> 00:23:22,480 Speaker 1: And I also think that what helps you with the 539 00:23:22,520 --> 00:23:25,080 Speaker 1: music was good. Yes, so disrespect the jack. 540 00:23:25,800 --> 00:23:27,679 Speaker 2: The music ain't that good, Like the music has to 541 00:23:27,720 --> 00:23:28,480 Speaker 2: be good. 542 00:23:28,359 --> 00:23:31,520 Speaker 1: Especially if you are of another race doing that music. 543 00:23:31,560 --> 00:23:32,680 Speaker 1: They got to hear it and be like, oh that's 544 00:23:32,680 --> 00:23:33,000 Speaker 1: a bot. 545 00:23:33,240 --> 00:23:35,720 Speaker 5: Yeah, you know, no, you know, you can't. You can't 546 00:23:35,800 --> 00:23:37,200 Speaker 5: fool it, you know what I mean, you got to 547 00:23:37,240 --> 00:23:39,080 Speaker 5: you gotta come come real. But I think what he's 548 00:23:39,119 --> 00:23:41,760 Speaker 5: doing is I think it still shows love for the game. 549 00:23:41,840 --> 00:23:44,360 Speaker 5: It still shows love for the culture, and then everybody else. 550 00:23:44,400 --> 00:23:45,840 Speaker 5: It's all perspective after that. 551 00:23:45,920 --> 00:23:47,680 Speaker 2: You know, how did you feel shaty when you first 552 00:23:47,720 --> 00:23:48,200 Speaker 2: heart Snow? 553 00:23:49,400 --> 00:23:53,240 Speaker 4: Well, it's funny you broad of that because Jamaica, but 554 00:23:53,400 --> 00:23:57,560 Speaker 4: in itself has always been a culture. I find uh. 555 00:23:58,160 --> 00:24:01,760 Speaker 4: In certain other cultures it's it has to be them 556 00:24:01,880 --> 00:24:03,840 Speaker 4: alone and not someone else, you know what I mean. 557 00:24:04,200 --> 00:24:06,679 Speaker 4: Jamaica is one of the few, and reggae he's one 558 00:24:06,720 --> 00:24:09,000 Speaker 4: of the few cultures that embraces everybody. There's a guy 559 00:24:09,040 --> 00:24:10,840 Speaker 4: called Naki. I don't know if you've heard of this guy. 560 00:24:11,200 --> 00:24:15,680 Speaker 4: He's a Japanese dance all artist. It was massive, it 561 00:24:15,760 --> 00:24:19,080 Speaker 4: was massive, came to Jamaica, came to Jamaica and he 562 00:24:19,200 --> 00:24:23,480 Speaker 4: literally dominated Jamaica people. He would walk up on the 563 00:24:23,640 --> 00:24:26,400 Speaker 4: biggest stage shows and Ripert. It's another guy called Dominic 564 00:24:27,000 --> 00:24:29,760 Speaker 4: was a white English dance all DJ. Used to come 565 00:24:29,840 --> 00:24:32,280 Speaker 4: down there and come on sun Splash and he comes 566 00:24:32,359 --> 00:24:35,200 Speaker 4: unstaying on all the roughest stages and we just pick 567 00:24:35,280 --> 00:24:39,720 Speaker 4: him up, pure fan, you know. And you got Apatche Indian, 568 00:24:40,080 --> 00:24:41,840 Speaker 4: who is a guy that the dance all. He did 569 00:24:41,840 --> 00:24:44,280 Speaker 4: a song called Bom Shakaalac was a massive number one 570 00:24:44,320 --> 00:24:48,000 Speaker 4: globally and he got the whole Indian market to come 571 00:24:48,119 --> 00:24:49,680 Speaker 4: turn onto dance hall on reggae. 572 00:24:49,960 --> 00:24:50,159 Speaker 3: You know. 573 00:24:50,600 --> 00:24:52,720 Speaker 4: Matter of fact, if you look at all the big 574 00:24:53,160 --> 00:24:57,240 Speaker 4: reggae bands right now, they're all white. One of umber said, 575 00:24:57,280 --> 00:24:59,680 Speaker 4: you're the biggest reggae band right And I think his revolution, 576 00:25:00,200 --> 00:25:01,920 Speaker 4: you know, out of California. You know what I mean. 577 00:25:02,160 --> 00:25:05,000 Speaker 4: Matter of fact, Uh take for instance, the ones that 578 00:25:05,080 --> 00:25:09,119 Speaker 4: sold over ten millions red red wine with uh U 579 00:25:09,200 --> 00:25:12,080 Speaker 4: me me white. You know what I mean. If you 580 00:25:12,080 --> 00:25:13,920 Speaker 4: think about the Police, who was you know, kind of 581 00:25:13,960 --> 00:25:16,600 Speaker 4: a reggae band, Yeah, sure, white, you know what I mean, 582 00:25:16,640 --> 00:25:18,159 Speaker 4: and even things that and say yeah, you know we 583 00:25:18,160 --> 00:25:19,880 Speaker 4: got played because we were white. We got on radio. 584 00:25:19,960 --> 00:25:22,399 Speaker 4: You know what I'm saying. You look at uh you 585 00:25:22,400 --> 00:25:25,400 Speaker 4: know Ace of Base, another white white band. Matter of fact, 586 00:25:25,720 --> 00:25:28,960 Speaker 4: me and Sempa is only probably two Me and Bob 587 00:25:29,359 --> 00:25:32,680 Speaker 4: only two big diamond sellers that were Jamaican. Jamaican, you 588 00:25:32,680 --> 00:25:34,560 Speaker 4: know what I mean. But we as a culture have 589 00:25:34,680 --> 00:25:38,360 Speaker 4: always embraced it. They come to Jamaica and we love 590 00:25:38,440 --> 00:25:40,720 Speaker 4: them just the same because or motto it's on my 591 00:25:40,800 --> 00:25:44,000 Speaker 4: ring where you see these that is the crest of Jamaica. 592 00:25:45,119 --> 00:25:49,159 Speaker 4: What it says is out of many one people. So 593 00:25:49,600 --> 00:25:51,560 Speaker 4: my grandmother was white. You know what I mean. You 594 00:25:51,600 --> 00:25:54,639 Speaker 4: see a Chinese guy look straight Chinese and welcome and. 595 00:25:54,600 --> 00:25:55,800 Speaker 2: Say oh shock everything. 596 00:25:55,880 --> 00:25:58,359 Speaker 4: But yeah, yeah, and I mean, just like you know 597 00:25:58,359 --> 00:26:00,560 Speaker 4: what I mean, we are used to that. The guy 598 00:26:00,680 --> 00:26:04,359 Speaker 4: in my school, a primary school admit was this Chinese 599 00:26:04,400 --> 00:26:06,000 Speaker 4: guy and this Indian guy and this. You know, you 600 00:26:06,080 --> 00:26:09,040 Speaker 4: got Jewish people, you got everything. It's all there. That's 601 00:26:09,040 --> 00:26:12,359 Speaker 4: why it's out of anyone. When one uh one people 602 00:26:12,440 --> 00:26:14,240 Speaker 4: and it's kind of out of any one. Music and 603 00:26:14,320 --> 00:26:16,959 Speaker 4: the same if the earlier days you saw the stones 604 00:26:17,080 --> 00:26:19,440 Speaker 4: used to be down in Jamaica. All these people used 605 00:26:19,440 --> 00:26:21,920 Speaker 4: to come down there and they make record and embraces that. 606 00:26:22,080 --> 00:26:24,200 Speaker 4: Matter of fact, he would sing every breath you take, 607 00:26:24,280 --> 00:26:26,720 Speaker 4: and and some of those earlier songs were all written 608 00:26:26,760 --> 00:26:29,399 Speaker 4: in Jamaica. You know what I'm saying. Yeah, yeah, So 609 00:26:29,440 --> 00:26:31,960 Speaker 4: I'm just saying we as a culture have always been that, 610 00:26:32,240 --> 00:26:34,639 Speaker 4: you know what I mean. I see in some cultures 611 00:26:35,000 --> 00:26:37,720 Speaker 4: where you know, there'll be one one set of people, 612 00:26:37,760 --> 00:26:39,800 Speaker 4: don't like the set of people and just a bit 613 00:26:39,880 --> 00:26:42,720 Speaker 4: like free. Even in Africa, your life, you would remember 614 00:26:42,760 --> 00:26:46,119 Speaker 4: the whole controversy one of for instance, Tyler, you know 615 00:26:46,160 --> 00:26:48,200 Speaker 4: what I mean, she's from and then you have other 616 00:26:48,240 --> 00:26:50,240 Speaker 4: people in another side of like well she ain't the 617 00:26:50,320 --> 00:26:52,840 Speaker 4: real thing. Weird like we just embrace it all, you 618 00:26:52,840 --> 00:26:54,760 Speaker 4: know what I mean, and just kind of bring it 619 00:26:54,800 --> 00:26:56,680 Speaker 4: so for me, you know, I embrace all of that, 620 00:26:57,080 --> 00:26:59,520 Speaker 4: you know, and that because That's how I ended up 621 00:26:59,640 --> 00:27:03,240 Speaker 4: blowing up. Also, it is me going doing music. I 622 00:27:03,240 --> 00:27:05,600 Speaker 4: couldn't have gotten on radio unless I started to sample 623 00:27:05,680 --> 00:27:08,520 Speaker 4: like you know, Marvin Gay and put it on the 624 00:27:08,760 --> 00:27:12,320 Speaker 4: on the boombastic, you know what I mean, or Peter 625 00:27:12,440 --> 00:27:15,520 Speaker 4: Guns or Green Onions and and get on radio. I 626 00:27:15,560 --> 00:27:16,840 Speaker 4: had to do those kinds of things. 627 00:27:16,760 --> 00:27:22,640 Speaker 1: To clear okay, as long as you clear it, okay, 628 00:27:22,680 --> 00:27:24,159 Speaker 1: you see, that's the problem. 629 00:27:23,880 --> 00:27:26,400 Speaker 4: When you don't clear it. I mean, and we got 630 00:27:26,400 --> 00:27:30,800 Speaker 4: Bill with us right now, but we cleared it, you 631 00:27:30,840 --> 00:27:33,680 Speaker 4: know what I mean. Shout out to his estate man 632 00:27:33,720 --> 00:27:35,960 Speaker 4: and his wife is lovely, you know what I mean. Robin. 633 00:27:36,000 --> 00:27:39,119 Speaker 1: Did all the controversy around blurred lines impact you creatively 634 00:27:39,200 --> 00:27:39,800 Speaker 1: in any way? 635 00:27:41,520 --> 00:27:42,760 Speaker 2: Again, I'm sure it does. 636 00:27:42,880 --> 00:27:46,480 Speaker 5: It's whether it's subliminal or you know, or overt. 637 00:27:46,680 --> 00:27:49,600 Speaker 3: But I think in the end, I don't really. 638 00:27:49,920 --> 00:27:52,240 Speaker 5: I always have to have enough faith in myself that 639 00:27:52,400 --> 00:27:55,160 Speaker 5: another great song is coming, the next great song is coming. 640 00:27:55,280 --> 00:27:56,679 Speaker 3: Just keep feeling, keep sharing. 641 00:27:56,920 --> 00:28:00,359 Speaker 5: Luckily, you know, I can sing so sometimes, Like with 642 00:28:00,400 --> 00:28:02,439 Speaker 5: this record, I really didn't add that much writing. 643 00:28:02,480 --> 00:28:03,280 Speaker 3: He sent me the record. 644 00:28:03,320 --> 00:28:05,119 Speaker 5: I was like, man, this sounds this sounds great. I 645 00:28:05,119 --> 00:28:06,560 Speaker 5: would love, you know, let me just sing this and 646 00:28:06,600 --> 00:28:09,040 Speaker 5: see how I sound on it. And you know, like 647 00:28:09,080 --> 00:28:10,960 Speaker 5: I said, we're not reinventing the wheel with this one, 648 00:28:11,359 --> 00:28:13,000 Speaker 5: but with but I do. 649 00:28:13,160 --> 00:28:13,359 Speaker 3: I do. 650 00:28:13,600 --> 00:28:16,359 Speaker 5: Just keep telling myself, today could be the day you 651 00:28:16,359 --> 00:28:18,600 Speaker 5: write another loss without you. Today could be the day 652 00:28:18,640 --> 00:28:21,320 Speaker 5: you write another sweetest love or whatever, one of your best. 653 00:28:21,440 --> 00:28:23,159 Speaker 5: And so you just keep hitting the piano and keep 654 00:28:23,240 --> 00:28:25,320 Speaker 5: hitting it, you know, and then sooner or later something 655 00:28:25,600 --> 00:28:26,639 Speaker 5: will come up and. 656 00:28:26,720 --> 00:28:28,440 Speaker 2: You got that kind of catalog. I mean, you can 657 00:28:28,840 --> 00:28:29,439 Speaker 2: eat forever. 658 00:28:30,240 --> 00:28:30,440 Speaker 3: Yeah. 659 00:28:30,680 --> 00:28:34,760 Speaker 4: Yeah, it's all performance, but it's the loveg you just 660 00:28:34,800 --> 00:28:37,240 Speaker 4: told me about in the damn dressing room all in 661 00:28:37,320 --> 00:28:41,520 Speaker 4: rerecches he used to write before he blew up. Well, yeah, 662 00:28:41,720 --> 00:28:42,040 Speaker 4: a lot. 663 00:28:41,960 --> 00:28:42,720 Speaker 3: Of people want to know that. 664 00:28:42,800 --> 00:28:45,360 Speaker 5: I started at sixteen as a writer. So so I 665 00:28:45,400 --> 00:28:52,280 Speaker 5: wrote for Brandy, Christina Aguilera, Pink, Mark Anthony, Michael Jackson. 666 00:28:53,040 --> 00:28:53,680 Speaker 3: I knew that was. 667 00:28:53,640 --> 00:28:56,240 Speaker 5: All before I released my own music. 668 00:28:56,360 --> 00:28:57,640 Speaker 3: Yeah, so I started very early. 669 00:28:58,680 --> 00:29:00,840 Speaker 5: Yeah I heard that I got really I never wrote 670 00:29:00,840 --> 00:29:03,440 Speaker 5: the hit song, but I was on their biggest albums. 671 00:29:03,440 --> 00:29:05,240 Speaker 5: I was on Mark Anthony's biggest album. I was on 672 00:29:05,320 --> 00:29:08,520 Speaker 5: Christine Pink's biggest album. 673 00:29:08,160 --> 00:29:10,600 Speaker 3: Brandy's biggest album. So I got really lucky early on. 674 00:29:10,760 --> 00:29:13,920 Speaker 4: So you know who buying lunch today. 675 00:29:14,360 --> 00:29:15,640 Speaker 2: That's some of my favorite artists. 676 00:29:15,640 --> 00:29:16,520 Speaker 4: That's what's up Robins. 677 00:29:16,520 --> 00:29:19,000 Speaker 6: I'm telling you right now, the evolution of Robin think 678 00:29:19,040 --> 00:29:19,840 Speaker 6: and sex therapy. 679 00:29:20,120 --> 00:29:21,040 Speaker 2: No skip albums like. 680 00:29:21,360 --> 00:29:23,880 Speaker 5: Thank You, the new one, that's what I'm working on 681 00:29:23,920 --> 00:29:25,480 Speaker 5: the new one. I'm making sure there's no skips. 682 00:29:26,600 --> 00:29:27,040 Speaker 3: That's why. 683 00:29:27,160 --> 00:29:28,760 Speaker 4: That's why you take long to do them. That's why 684 00:29:28,840 --> 00:29:29,479 Speaker 4: you got to make sure. 685 00:29:29,800 --> 00:29:31,280 Speaker 2: I said you wrote on Color Me Bads. 686 00:29:31,480 --> 00:29:32,920 Speaker 3: I did. I wrote Color Me Bads. 687 00:29:32,960 --> 00:29:35,520 Speaker 5: They were there when they came out with their new 688 00:29:35,560 --> 00:29:39,640 Speaker 5: album and we had the first singles called sexual something 689 00:29:39,640 --> 00:29:43,920 Speaker 5: sexual kind he kind of and I was working with them. 690 00:29:43,920 --> 00:29:44,520 Speaker 3: I was sixteen. 691 00:29:44,840 --> 00:29:45,840 Speaker 2: Was the least thing of that group. 692 00:29:46,000 --> 00:29:47,280 Speaker 3: I forgot to forget their names. 693 00:29:47,320 --> 00:29:49,120 Speaker 1: Yeah, but he got He kind of walked so you 694 00:29:49,160 --> 00:29:51,000 Speaker 1: could run because he was like the first white guy 695 00:29:51,080 --> 00:29:53,200 Speaker 1: we saw that head because that was a real because 696 00:29:53,240 --> 00:29:55,160 Speaker 1: that was a New Jack City soundtrack. 697 00:29:55,840 --> 00:29:58,360 Speaker 5: That was not just a white group making a black 698 00:29:58,640 --> 00:30:00,840 Speaker 5: They want a black film that you know, and Andre 699 00:30:00,920 --> 00:30:06,640 Speaker 5: herrel My mentor produced produced that movie's New Jack City. 700 00:30:06,680 --> 00:30:08,560 Speaker 5: So so that was Yeah. 701 00:30:08,720 --> 00:30:11,320 Speaker 1: It's a hard putting out music when somebody like Andre 702 00:30:11,440 --> 00:30:12,959 Speaker 1: isn't here because I know you did run a lot 703 00:30:13,000 --> 00:30:13,680 Speaker 1: of stuff by him. 704 00:30:13,720 --> 00:30:17,000 Speaker 5: Yeah, that was He was my lifetime creative partner. And 705 00:30:17,040 --> 00:30:19,000 Speaker 5: not just that, but I realized that a lot of 706 00:30:19,000 --> 00:30:23,960 Speaker 5: the people I thought were my friends were just his friends. 707 00:30:27,720 --> 00:30:32,120 Speaker 2: Andre passed like that, you don't want to come to 708 00:30:32,160 --> 00:30:33,000 Speaker 2: my birthday party? 709 00:30:34,000 --> 00:30:37,440 Speaker 5: But no, I realized that everybody loved Andre. People like me, 710 00:30:37,680 --> 00:30:40,760 Speaker 5: but everybody loved Andre because he was so helpful and 711 00:30:40,800 --> 00:30:43,440 Speaker 5: informative and inspiring. And every time he saw somebody, he 712 00:30:43,440 --> 00:30:45,840 Speaker 5: would tell you something that would help your life and career. 713 00:30:45,880 --> 00:30:47,280 Speaker 3: He would just give away free knowledge. 714 00:30:47,360 --> 00:30:50,000 Speaker 5: Everybody's a hustler, especially out here in New York, and 715 00:30:50,040 --> 00:30:51,920 Speaker 5: then I gonna give you any advice for free would 716 00:30:52,080 --> 00:30:54,360 Speaker 5: and help your career without getting something from it. He 717 00:30:54,520 --> 00:30:57,720 Speaker 5: just gave away knowledge all day along everywhere he went. 718 00:30:57,760 --> 00:31:00,200 Speaker 5: He helps people. And so for me, if I to 719 00:31:00,200 --> 00:31:02,160 Speaker 5: get naws on my new record. 720 00:31:02,600 --> 00:31:04,080 Speaker 3: Dre, where are you at? I need you to call 721 00:31:04,160 --> 00:31:05,560 Speaker 3: naws for me. You know what I mean? 722 00:31:05,920 --> 00:31:10,080 Speaker 5: He had everybody, So I do miss not just the 723 00:31:10,600 --> 00:31:12,800 Speaker 5: knowledge he would give me while I'm making the records, 724 00:31:12,800 --> 00:31:14,160 Speaker 5: Like you need some horns on this and need some 725 00:31:14,200 --> 00:31:16,320 Speaker 5: horns you know, just those little things he would tell 726 00:31:16,320 --> 00:31:18,360 Speaker 5: me that would help me take my records from one 727 00:31:18,440 --> 00:31:21,080 Speaker 5: notch to the next. But really his friendship and his 728 00:31:21,080 --> 00:31:23,440 Speaker 5: guidance and his connections and everything I missed. 729 00:31:23,480 --> 00:31:25,160 Speaker 3: He was like my second father, you know. 730 00:31:25,960 --> 00:31:27,320 Speaker 5: He taught me how to walk and talk like I 731 00:31:27,360 --> 00:31:29,880 Speaker 5: remember when I first started performing, he went up on 732 00:31:29,920 --> 00:31:30,720 Speaker 5: the stage ground but. 733 00:31:30,680 --> 00:31:31,840 Speaker 4: You need to do this and come over here and 734 00:31:31,880 --> 00:31:32,680 Speaker 4: walk over here. 735 00:31:32,520 --> 00:31:34,240 Speaker 3: And do a shake and do like. He taught me 736 00:31:34,320 --> 00:31:35,040 Speaker 3: how to dress. 737 00:31:35,080 --> 00:31:36,880 Speaker 2: The guy taught me, I tell. 738 00:31:36,800 --> 00:31:37,080 Speaker 4: You to me. 739 00:31:38,200 --> 00:31:39,720 Speaker 2: We met a guy named Pete Farman. 740 00:31:39,800 --> 00:31:42,080 Speaker 5: He was coming to LA to start a new label 741 00:31:42,120 --> 00:31:47,480 Speaker 5: with Babyface called New America, and he had a young 742 00:31:47,560 --> 00:31:49,800 Speaker 5: singer who was more like a like a dancer who 743 00:31:49,880 --> 00:31:52,600 Speaker 5: could sing, you know, from down in Orlando. And he 744 00:31:52,640 --> 00:31:54,760 Speaker 5: came to listen to records for that guy, and I 745 00:31:54,800 --> 00:31:56,920 Speaker 5: played him a couple of songs and I sang live, 746 00:31:57,000 --> 00:31:58,560 Speaker 5: and he was like, wait a second, are you. 747 00:31:58,520 --> 00:31:59,240 Speaker 4: Making an album? 748 00:31:59,520 --> 00:32:01,080 Speaker 3: So from that moment. 749 00:32:00,880 --> 00:32:03,440 Speaker 5: We just started working on my album and he became 750 00:32:03,520 --> 00:32:04,280 Speaker 5: my best friend. 751 00:32:04,760 --> 00:32:05,640 Speaker 3: From that moment on. 752 00:32:05,720 --> 00:32:08,880 Speaker 1: Wow, hey y'all calling back man, all the people that 753 00:32:09,160 --> 00:32:13,200 Speaker 1: was ignoring Robin after Andre, you do have the kind 754 00:32:13,200 --> 00:32:14,560 Speaker 1: of name you got to delete out of a phone, 755 00:32:14,600 --> 00:32:15,880 Speaker 1: or Robin because if you forget that E. 756 00:32:16,480 --> 00:32:22,120 Speaker 2: And your girls see that Robin Robin. 757 00:32:30,280 --> 00:32:33,920 Speaker 1: I do wonder how do collaborations like this help y'all 758 00:32:33,920 --> 00:32:35,080 Speaker 1: stay creatively fresh? 759 00:32:36,280 --> 00:32:36,480 Speaker 3: Oh? 760 00:32:36,600 --> 00:32:41,479 Speaker 4: For me, man, I don't, Mike. If you look the 761 00:32:41,520 --> 00:32:45,560 Speaker 4: track record of my collaborations are normally I use like 762 00:32:47,000 --> 00:32:50,479 Speaker 4: just regular artists, new artists coming up, like you know, 763 00:32:50,800 --> 00:32:53,920 Speaker 4: you know, Angel was me and Ray Vaughn uh and 764 00:32:54,080 --> 00:32:56,120 Speaker 4: Ra wasn't a big artist or anything like that. But 765 00:32:56,160 --> 00:32:58,760 Speaker 4: we did Big Up and we did h Angel, and 766 00:32:58,760 --> 00:33:01,160 Speaker 4: we did Summertime and those were all you know, hit records. 767 00:33:01,160 --> 00:33:04,920 Speaker 4: And then we I did and it wasn't me. I 768 00:33:04,960 --> 00:33:07,880 Speaker 4: did Rick Rock, who is also an unknown artist. Recently, 769 00:33:07,920 --> 00:33:10,560 Speaker 4: I did Banana over two billion stream with an unknown 770 00:33:10,640 --> 00:33:13,960 Speaker 4: artist by the name of a Conqueror. So I always find, 771 00:33:14,040 --> 00:33:15,560 Speaker 4: you know, go down there with Spie with Spice, a 772 00:33:15,560 --> 00:33:17,920 Speaker 4: big artist. But you know what I mean, I always 773 00:33:17,920 --> 00:33:22,800 Speaker 4: just go with local artists because that's where my access was. 774 00:33:22,960 --> 00:33:26,200 Speaker 4: And sometimes I can't deal with the drama of dealing 775 00:33:26,200 --> 00:33:28,360 Speaker 4: with the big artists because it comes with you know, well, 776 00:33:28,360 --> 00:33:31,240 Speaker 4: I want four first class teas tickets for my assistant 777 00:33:31,240 --> 00:33:34,880 Speaker 4: and my dogs, and you know it's like, I'm yo, bro, 778 00:33:34,960 --> 00:33:36,960 Speaker 4: you know what I mean. Uh So most of my 779 00:33:37,080 --> 00:33:40,560 Speaker 4: collaborations come from just just sheer friendship. 780 00:33:40,920 --> 00:33:41,120 Speaker 3: You know. 781 00:33:41,520 --> 00:33:44,960 Speaker 4: I struck up a friendship with Robin and uh I 782 00:33:45,080 --> 00:33:46,760 Speaker 4: must say I even said it to you when you 783 00:33:46,800 --> 00:33:49,120 Speaker 4: walked into that shook an. I said, it's great. It's 784 00:33:49,120 --> 00:33:52,600 Speaker 4: refreshing to be promoting the record with a guy that's 785 00:33:52,640 --> 00:33:55,840 Speaker 4: pro like, like he shows up on time, he just 786 00:33:55,880 --> 00:33:57,959 Speaker 4: he does roll with a bunch of people. He just 787 00:33:57,960 --> 00:34:00,440 Speaker 4: comes in, he tells you all this off he's going 788 00:34:00,480 --> 00:34:02,560 Speaker 4: to do, and just just beyond it. I'm not used 789 00:34:02,560 --> 00:34:04,840 Speaker 4: that even on local artists that I've been I mean, 790 00:34:05,040 --> 00:34:07,240 Speaker 4: I'm seeing thirty people walk in with him. It was like, yo, 791 00:34:07,600 --> 00:34:09,520 Speaker 4: what we're doing? You know what I'm saying. So it's 792 00:34:09,560 --> 00:34:12,400 Speaker 4: based on friendship. Like with me and Sting, we're genuine friends. 793 00:34:12,440 --> 00:34:13,880 Speaker 4: I mean, it's a friendship. 794 00:34:14,200 --> 00:34:15,680 Speaker 5: Well, you know, I gotta be honest, And I think 795 00:34:16,000 --> 00:34:17,920 Speaker 5: the reason that a lot of people can last, or 796 00:34:18,239 --> 00:34:20,279 Speaker 5: that some people last in this business is who they are, 797 00:34:20,400 --> 00:34:22,160 Speaker 5: you know, and is a great guy you know, and 798 00:34:22,200 --> 00:34:25,160 Speaker 5: he's he's just a great human being. He's kind, he's 799 00:34:25,200 --> 00:34:28,839 Speaker 5: warm hearted, he makes great music, you know. I joked 800 00:34:28,840 --> 00:34:32,440 Speaker 5: that like Jaggi's music is like donuts. It's like it's yummy. 801 00:34:32,560 --> 00:34:35,760 Speaker 5: It tastes good, it makes you feel good. Everybody loves donuts. 802 00:34:37,040 --> 00:34:39,120 Speaker 5: Shaggy's music just tastes good and feels good. 803 00:34:39,239 --> 00:34:40,640 Speaker 4: Thank you sir. Yeah, I appreciate that. 804 00:34:40,719 --> 00:34:43,040 Speaker 5: And what I mean for me this kind of a record, 805 00:34:43,080 --> 00:34:45,200 Speaker 5: and the reason I did it is it's a nice 806 00:34:45,239 --> 00:34:47,799 Speaker 5: bridge for me, Like, you know, because there's so much 807 00:34:47,840 --> 00:34:50,000 Speaker 5: pressure when you're putting out a new project, especially you 808 00:34:50,000 --> 00:34:52,040 Speaker 5: haven't put out nothing out in years and blah blah blah. 809 00:34:52,080 --> 00:34:54,200 Speaker 5: So I'm holding on to this album. I'm a little nervous. 810 00:34:54,239 --> 00:34:56,160 Speaker 5: I'm trying to make the visual visuals. I'm trying to 811 00:34:56,160 --> 00:34:59,000 Speaker 5: get everything right, but I'm scared. This record gives me 812 00:34:59,040 --> 00:35:00,959 Speaker 5: a little bit of okay, we on the charge. People 813 00:35:01,080 --> 00:35:02,719 Speaker 5: feeling it, they like it okay. It gives me a 814 00:35:02,760 --> 00:35:05,279 Speaker 5: little momentum, you know, I can I can hop on 815 00:35:05,320 --> 00:35:08,240 Speaker 5: the train with my news stuff and feel a little 816 00:35:08,239 --> 00:35:10,200 Speaker 5: extra confidence instead of sitting home going I don't know 817 00:35:10,239 --> 00:35:11,759 Speaker 5: if anyone's going to get this or like it. 818 00:35:11,800 --> 00:35:13,080 Speaker 3: Maybe I shouldn't put it out. 819 00:35:13,280 --> 00:35:16,000 Speaker 5: So having a nice just feel good record now gives 820 00:35:16,040 --> 00:35:16,800 Speaker 5: me more confidence. 821 00:35:17,880 --> 00:35:20,560 Speaker 4: And it's good to share the load. You know what 822 00:35:20,560 --> 00:35:22,080 Speaker 4: I'm saying, It's good to share the load. 823 00:35:22,160 --> 00:35:23,400 Speaker 3: Yeah, with mister. 824 00:35:27,120 --> 00:35:36,319 Speaker 2: Sand that's crazy talk, boss. 825 00:35:37,719 --> 00:35:37,919 Speaker 3: Man. 826 00:35:37,960 --> 00:35:40,040 Speaker 5: I totally, we totally messed up because my mom was 827 00:35:40,080 --> 00:35:41,719 Speaker 5: telling me a story the other day where she tried 828 00:35:41,760 --> 00:35:43,160 Speaker 5: to make sure that I had a name that you 829 00:35:43,200 --> 00:35:44,520 Speaker 5: couldn't make fun of at school. 830 00:35:44,840 --> 00:35:47,800 Speaker 3: And then when they gave the lady the name Robin Allen. 831 00:35:47,600 --> 00:35:49,160 Speaker 5: Thick, she came back and she goes, so, how is 832 00:35:49,160 --> 00:35:51,480 Speaker 5: our little rat? 833 00:35:51,600 --> 00:35:54,040 Speaker 2: She goes, oh, no, we named him all right. 834 00:35:53,680 --> 00:35:57,840 Speaker 5: Sounds like but I I messed up even worse. 835 00:35:58,800 --> 00:35:59,919 Speaker 2: I messed up even worse. 836 00:36:00,600 --> 00:36:03,120 Speaker 5: My my wife's middle name is Love. Her name is 837 00:36:03,120 --> 00:36:05,440 Speaker 5: April Love. Right, so we decided to give my daughter 838 00:36:05,640 --> 00:36:08,279 Speaker 5: the middle name Love after her mom. But then we 839 00:36:08,320 --> 00:36:10,399 Speaker 5: didn't realize that her name is me A Love Thick. 840 00:36:11,800 --> 00:36:15,919 Speaker 2: She gonna go to school with me a Love dick. 841 00:36:18,440 --> 00:36:22,719 Speaker 4: My god, high school experience. 842 00:36:24,520 --> 00:36:26,400 Speaker 2: I do want to know, Robert before we get out 843 00:36:26,400 --> 00:36:27,280 Speaker 2: of here. Why are you scared? 844 00:36:27,320 --> 00:36:28,040 Speaker 3: What are you scared of? 845 00:36:28,280 --> 00:36:32,280 Speaker 5: Well, you know, I think it's just a natural feeling 846 00:36:32,360 --> 00:36:35,440 Speaker 5: of of when you've had ups and downs and you 847 00:36:35,520 --> 00:36:37,440 Speaker 5: and you wonder how people are going to respond, and 848 00:36:37,480 --> 00:36:38,399 Speaker 5: you just want to get it right. 849 00:36:38,440 --> 00:36:39,399 Speaker 3: You want to connect again. 850 00:36:39,480 --> 00:36:42,040 Speaker 5: You know that that that time when Evolution was out 851 00:36:42,040 --> 00:36:44,040 Speaker 5: and what I was saying was connecting and it was 852 00:36:44,040 --> 00:36:46,440 Speaker 5: helping people with the toughest times in their lives and 853 00:36:46,440 --> 00:36:48,799 Speaker 5: their relationships. That's why I wrote it because it helped 854 00:36:48,800 --> 00:36:51,680 Speaker 5: me with my toughest times. So you want that connection 855 00:36:51,760 --> 00:36:53,839 Speaker 5: to happen again. And if the first single doesn't hit, 856 00:36:54,160 --> 00:36:55,440 Speaker 5: they stop spending money, and. 857 00:36:55,440 --> 00:36:56,920 Speaker 3: Then the blah blah and then the record and the. 858 00:36:57,080 --> 00:37:00,000 Speaker 5: Other songs that have a lot of you know, true 859 00:37:00,320 --> 00:37:03,160 Speaker 5: and importance to you, they don't get heard, you know, 860 00:37:03,280 --> 00:37:04,400 Speaker 5: So so I just want. 861 00:37:04,280 --> 00:37:04,839 Speaker 3: To get it right. 862 00:37:05,120 --> 00:37:07,600 Speaker 5: And this at least is like it's just a nice quest, 863 00:37:07,760 --> 00:37:07,920 Speaker 5: you know. 864 00:37:07,960 --> 00:37:09,080 Speaker 3: It's just a swing out. 865 00:37:09,000 --> 00:37:11,279 Speaker 5: To the fences to go, hey, we're out here, we're 866 00:37:11,280 --> 00:37:13,799 Speaker 5: making music, we're feeling good, we're having a good time. 867 00:37:13,800 --> 00:37:15,760 Speaker 5: And then I can follow this with my own stuff. 868 00:37:15,840 --> 00:37:18,200 Speaker 2: I don't even know what success looks like nowadays though. 869 00:37:19,080 --> 00:37:21,680 Speaker 2: It Is it a billion of streams? Is it a 870 00:37:21,800 --> 00:37:22,520 Speaker 2: number one record? 871 00:37:22,560 --> 00:37:22,600 Speaker 4: Like? 872 00:37:22,600 --> 00:37:23,800 Speaker 2: I don't even know what that is. 873 00:37:24,719 --> 00:37:26,640 Speaker 4: How I feel it is, I've had I have a 874 00:37:26,640 --> 00:37:31,399 Speaker 4: fan base, Uh, and when I'm I tour a lot 875 00:37:31,440 --> 00:37:34,600 Speaker 4: because I do it because I love it. I mean, 876 00:37:35,120 --> 00:37:37,399 Speaker 4: I'm a guy that if you ask me what part 877 00:37:37,440 --> 00:37:39,839 Speaker 4: of the whole business I like. You know, I write 878 00:37:39,880 --> 00:37:42,880 Speaker 4: great songs. I'd be in the studio, but I love touring. 879 00:37:43,400 --> 00:37:45,680 Speaker 4: I like being in front of an audience. It's the 880 00:37:45,680 --> 00:37:49,520 Speaker 4: most honest and raw feeling that you could get. Their 881 00:37:49,560 --> 00:37:53,279 Speaker 4: opinions is real when it's coming at you, and I 882 00:37:53,320 --> 00:37:56,640 Speaker 4: have to feed that and they want music from me, right, 883 00:37:56,680 --> 00:37:58,680 Speaker 4: So it doesn't matter whether it's a stream or not. 884 00:37:58,719 --> 00:38:00,720 Speaker 4: When I go out there and I'm singing, my audience 885 00:38:00,800 --> 00:38:03,319 Speaker 4: is front in front of me and they're loving and 886 00:38:03,360 --> 00:38:06,439 Speaker 4: singing that song with me, that's winning for me. That's 887 00:38:06,920 --> 00:38:09,320 Speaker 4: my success. Now. If it hits a charge and that 888 00:38:09,400 --> 00:38:11,600 Speaker 4: goes up and all that, it's it's fun. I've had 889 00:38:11,640 --> 00:38:16,040 Speaker 4: records that albums that my favorite album is not the 890 00:38:16,040 --> 00:38:19,160 Speaker 4: big selling album that I do un hotshot, you know 891 00:38:19,160 --> 00:38:20,719 Speaker 4: what I mean. I have all the albums and was like, Yo, 892 00:38:20,800 --> 00:38:22,799 Speaker 4: this is just way better, you know what I mean? And 893 00:38:22,880 --> 00:38:24,680 Speaker 4: I do it. But my fans that are in front 894 00:38:24,680 --> 00:38:27,080 Speaker 4: of me, they know those records, and to me, that's 895 00:38:27,120 --> 00:38:29,640 Speaker 4: feeding the beast. That's what the success is for me. 896 00:38:30,000 --> 00:38:32,359 Speaker 6: And that's what I wanted to say to you, Robin. 897 00:38:32,440 --> 00:38:35,040 Speaker 6: I think it's the impact, right, what success for you 898 00:38:35,080 --> 00:38:38,000 Speaker 6: would be because even going back to the evolution of 899 00:38:38,080 --> 00:38:41,840 Speaker 6: Robin think my parents were going through a little crazy 900 00:38:41,840 --> 00:38:46,160 Speaker 6: time in their marriage and that album or constant repeat, 901 00:38:46,280 --> 00:38:48,480 Speaker 6: no skip with you know what I'm saying, that's how 902 00:38:48,560 --> 00:38:50,799 Speaker 6: I listened to Oh and then you had sex, came 903 00:38:50,880 --> 00:38:53,399 Speaker 6: back up, followed up with sex therapy, and I think 904 00:38:53,800 --> 00:38:56,279 Speaker 6: that's where you were and at that point in your 905 00:38:56,320 --> 00:38:58,200 Speaker 6: life to make that type of music. So where you're 906 00:38:58,239 --> 00:38:59,719 Speaker 6: at now, where you saying you're holding on to the 907 00:38:59,760 --> 00:39:03,080 Speaker 6: album because you know you're scared and everything. I think 908 00:39:03,120 --> 00:39:06,080 Speaker 6: who you are, just your authentic self, like a lot 909 00:39:06,120 --> 00:39:07,520 Speaker 6: of people are going. 910 00:39:07,200 --> 00:39:09,920 Speaker 4: Through what you're what you're speaking through this album. Yeah, 911 00:39:10,000 --> 00:39:11,080 Speaker 4: so just drop that shit. 912 00:39:11,239 --> 00:39:13,680 Speaker 5: No I am, it's it's ready. It's I think this was. 913 00:39:14,000 --> 00:39:17,040 Speaker 5: But you know how God works in mysterious ways. I 914 00:39:17,080 --> 00:39:19,360 Speaker 5: had a hiccup with a distribution company. So I was 915 00:39:19,400 --> 00:39:21,680 Speaker 5: working on a new distribution company and I was wondering, 916 00:39:21,719 --> 00:39:23,279 Speaker 5: I'm like, why is it taking so long? While I 917 00:39:23,280 --> 00:39:26,000 Speaker 5: feel like I'm sitting still, And then this happened. And 918 00:39:26,080 --> 00:39:28,400 Speaker 5: now this might be exactly what God was having me 919 00:39:28,480 --> 00:39:31,000 Speaker 5: wait for, because now I've got I've got shaggy, I 920 00:39:31,040 --> 00:39:32,920 Speaker 5: can ride his coat tails for a minute, you know 921 00:39:32,920 --> 00:39:35,399 Speaker 5: what I mean. Get out here, do some interviews, get 922 00:39:35,440 --> 00:39:37,400 Speaker 5: the new record out, and then I can feel that 923 00:39:37,560 --> 00:39:39,920 Speaker 5: confidence building to go, Okay, now I'm coming back with 924 00:39:39,960 --> 00:39:40,560 Speaker 5: my own stuff. 925 00:39:40,600 --> 00:39:42,000 Speaker 3: You know. So I think it all helps. 926 00:39:42,040 --> 00:39:45,839 Speaker 5: You know, everything one one's success begets another success and 927 00:39:45,920 --> 00:39:48,280 Speaker 5: confidence and momentum all all matters. 928 00:39:48,320 --> 00:39:50,200 Speaker 2: You know, how did you know when you wanted to 929 00:39:50,200 --> 00:39:50,879 Speaker 2: get married again? 930 00:39:51,800 --> 00:39:55,320 Speaker 5: Well, you know, we had a lot of love very early, 931 00:39:55,400 --> 00:39:57,440 Speaker 5: and we wanted to start a family early. So we 932 00:39:57,560 --> 00:40:01,719 Speaker 5: had three kids in three years, and so it was 933 00:40:01,800 --> 00:40:10,600 Speaker 5: more TV Netflix. Yeah, we were netflick and no chill, 934 00:40:10,719 --> 00:40:17,880 Speaker 5: you know, but yeah, I think that. I mean, we 935 00:40:17,920 --> 00:40:19,880 Speaker 5: were together, so it wasn't really about the marriage as 936 00:40:19,960 --> 00:40:21,960 Speaker 5: much as we wanted to start a family. And then 937 00:40:22,000 --> 00:40:23,919 Speaker 5: once we had the three kids, I wanted to wait 938 00:40:24,000 --> 00:40:26,439 Speaker 5: until the kids were old enough to see us get 939 00:40:26,480 --> 00:40:28,959 Speaker 5: married because if they got married, if we get married 940 00:40:28,960 --> 00:40:31,280 Speaker 5: when they're one years old, they don't have any recollection 941 00:40:31,360 --> 00:40:33,399 Speaker 5: of memory. But at least they were six and seven 942 00:40:33,480 --> 00:40:36,000 Speaker 5: years old, So the girls got to walk the aisle 943 00:40:36,080 --> 00:40:36,960 Speaker 5: and you know, and all that. 944 00:40:37,040 --> 00:40:38,399 Speaker 3: So now it's a real memory for. 945 00:40:38,360 --> 00:40:40,880 Speaker 4: The whole family that close behind each you get no sleep. 946 00:40:41,200 --> 00:40:45,360 Speaker 4: It was not close in age behind you. It's crazy, 947 00:40:45,400 --> 00:40:46,719 Speaker 4: but you gotta love it. 948 00:40:46,760 --> 00:40:48,360 Speaker 5: And for me, like I said, like, this is the 949 00:40:48,440 --> 00:40:50,959 Speaker 5: time of my life where this is what gives me. 950 00:40:52,800 --> 00:40:53,080 Speaker 3: Joy. 951 00:40:53,080 --> 00:40:54,680 Speaker 5: It makes me want to be a better man and 952 00:40:54,719 --> 00:40:56,919 Speaker 5: do the right thing every day. So it's the right 953 00:40:56,960 --> 00:40:57,920 Speaker 5: time for the right reason. 954 00:40:58,080 --> 00:41:00,520 Speaker 1: And I heard you mentioned earlier that you know, you 955 00:41:00,520 --> 00:41:02,560 Speaker 1: your parents had gotten divorce and you didn't want to 956 00:41:02,600 --> 00:41:03,120 Speaker 1: recreate that. 957 00:41:03,160 --> 00:41:06,320 Speaker 2: So do you feel like, I don't know a failure, Well. 958 00:41:06,160 --> 00:41:09,319 Speaker 5: I already did, yeah, because Paula didn't work. But our 959 00:41:09,360 --> 00:41:11,880 Speaker 5: son is thriving and doing great. She's an incredible mom. 960 00:41:11,920 --> 00:41:14,960 Speaker 5: I trying to be an incredible dad, and so now 961 00:41:15,000 --> 00:41:17,400 Speaker 5: I don't want to do that again, especially with three kids. 962 00:41:17,400 --> 00:41:19,839 Speaker 5: And I made and that didn't work, and so it's 963 00:41:19,880 --> 00:41:21,719 Speaker 5: just about and you learn, you know, you learn that 964 00:41:21,760 --> 00:41:23,400 Speaker 5: there's some things I could have done better and some 965 00:41:23,400 --> 00:41:25,759 Speaker 5: things were just meant to be. Like I do love 966 00:41:25,840 --> 00:41:28,160 Speaker 5: my life and I love that I have three extra kids, 967 00:41:28,160 --> 00:41:30,359 Speaker 5: you know, and that wasn't something that necessarily Paul and 968 00:41:30,360 --> 00:41:33,080 Speaker 5: I were going to do is have more children. So 969 00:41:33,440 --> 00:41:36,480 Speaker 5: it all worked out and the best way for us separately. 970 00:41:36,560 --> 00:41:39,839 Speaker 5: But yeah, I think you just you're learning along the way, 971 00:41:39,960 --> 00:41:43,799 Speaker 5: you know, And like I said, the harder things get, 972 00:41:44,040 --> 00:41:46,200 Speaker 5: once you get through that, you're only stronger and you're 973 00:41:46,239 --> 00:41:48,160 Speaker 5: only better, you know, and you love yourself more. I 974 00:41:48,160 --> 00:41:50,040 Speaker 5: think this is finally the period of my life where 975 00:41:50,040 --> 00:41:53,120 Speaker 5: I'm learning to just love myself as opposed to search 976 00:41:53,200 --> 00:41:56,400 Speaker 5: for love from everyone else and search for affirmation. You know, 977 00:41:56,800 --> 00:41:58,920 Speaker 5: the guys that I the patriarchs that I wanted to 978 00:41:58,920 --> 00:42:03,000 Speaker 5: impress and hang out with, are gone. So now you know, 979 00:42:03,040 --> 00:42:04,759 Speaker 5: it's like it's all up to me to try to 980 00:42:04,800 --> 00:42:08,360 Speaker 5: find that inspiration and and and do it for my 981 00:42:08,440 --> 00:42:10,799 Speaker 5: kids so they can have a great life and lead 982 00:42:10,840 --> 00:42:12,759 Speaker 5: by example. That's the thing that I realized I was 983 00:42:12,800 --> 00:42:15,560 Speaker 5: messing up, is I got a lead by example. You 984 00:42:15,560 --> 00:42:17,239 Speaker 5: can't just tell them what to do and then go 985 00:42:17,280 --> 00:42:19,760 Speaker 5: act like a fool. You have to lead by example 986 00:42:19,760 --> 00:42:20,840 Speaker 5: when you're a parent, and I. 987 00:42:20,800 --> 00:42:22,640 Speaker 1: Guess nobody ever talked about that when it comes to 988 00:42:22,680 --> 00:42:23,759 Speaker 1: you when you think about. 989 00:42:24,040 --> 00:42:26,000 Speaker 2: Probably the levels of grief you experienced, right. 990 00:42:25,880 --> 00:42:28,799 Speaker 5: Your father and I do a speech on stage. I 991 00:42:28,840 --> 00:42:31,880 Speaker 5: had these years where I got divorced, ensued. Then my 992 00:42:31,960 --> 00:42:36,000 Speaker 5: father passed, then my manager passed, then my house burned down. 993 00:42:36,280 --> 00:42:38,640 Speaker 5: What then Andrea Herrel passed. That was five years in 994 00:42:38,680 --> 00:42:41,840 Speaker 5: a row of tragedy, tragedy, tragedy, tragedy, tragedy. 995 00:42:42,239 --> 00:42:43,799 Speaker 3: And you know, I almost That's what I was saying. 996 00:42:43,800 --> 00:42:44,480 Speaker 3: I almost lost. 997 00:42:44,520 --> 00:42:47,520 Speaker 5: It was looking into my kids' faces every day and saying, 998 00:42:47,680 --> 00:42:50,120 Speaker 5: you know, this is worth being your very best for them. 999 00:42:50,480 --> 00:42:52,080 Speaker 2: What do you think God was trying to show you? 1000 00:42:53,760 --> 00:42:56,480 Speaker 5: I think God was saying, you've had it fairly easy 1001 00:42:56,719 --> 00:43:01,120 Speaker 5: up till now. Even though you thought you struggled, struggled internally, 1002 00:43:01,600 --> 00:43:04,399 Speaker 5: you've still had a good father, a good mother, uh 1003 00:43:04,640 --> 00:43:08,560 Speaker 5: you know, good schools, lots of friends, a nice voice, 1004 00:43:08,920 --> 00:43:11,000 Speaker 5: you know what I mean. And so I think that 1005 00:43:11,000 --> 00:43:13,920 Speaker 5: that was just who are you when when you're challenged? 1006 00:43:13,920 --> 00:43:15,799 Speaker 5: Who are you when the road gets rough? 1007 00:43:15,840 --> 00:43:16,040 Speaker 3: You know? 1008 00:43:16,920 --> 00:43:19,920 Speaker 5: And now I've found out that I like myself better 1009 00:43:20,040 --> 00:43:22,879 Speaker 5: now that I went through those times than I did 1010 00:43:22,920 --> 00:43:26,040 Speaker 5: when I hadn't gone through them and thought I deserved more. 1011 00:43:26,120 --> 00:43:28,399 Speaker 5: I was entitled to a certain life. Now I don't 1012 00:43:28,400 --> 00:43:30,480 Speaker 5: feel that I'm entitled to anything. I feel like I 1013 00:43:30,520 --> 00:43:34,359 Speaker 5: have to earn everything. I get therapy, Yeah, a little 1014 00:43:34,360 --> 00:43:39,040 Speaker 5: bit of therapy, uh, you know, and yeah yeah there, 1015 00:43:39,080 --> 00:43:40,279 Speaker 5: but yeah, but. 1016 00:43:42,160 --> 00:43:46,680 Speaker 4: Help ye yeah. 1017 00:43:46,719 --> 00:43:48,239 Speaker 5: I think it's just you know, you got to look 1018 00:43:48,280 --> 00:43:50,000 Speaker 5: in the mirror and you have to you have to 1019 00:43:50,080 --> 00:43:52,800 Speaker 5: really be honest with yourself, and you have to be 1020 00:43:52,880 --> 00:43:54,759 Speaker 5: able to say, you know what, you didn't handle that right, 1021 00:43:54,800 --> 00:43:56,600 Speaker 5: You could have done that better. You can change that 1022 00:43:56,680 --> 00:43:59,240 Speaker 5: about your personality. You got to own it. And lately 1023 00:43:59,280 --> 00:44:01,759 Speaker 5: I've really found it a place of calm and of 1024 00:44:01,840 --> 00:44:06,200 Speaker 5: peace and of patience that I think I'd never had before. 1025 00:44:06,320 --> 00:44:08,120 Speaker 5: You know, and the kids kind of bring that out 1026 00:44:08,160 --> 00:44:10,799 Speaker 5: of you because you see yourself and them once they 1027 00:44:10,800 --> 00:44:14,360 Speaker 5: start acting like you the bad side, I wait a second, 1028 00:44:14,600 --> 00:44:14,960 Speaker 5: that's me. 1029 00:44:15,120 --> 00:44:16,520 Speaker 3: You're doing it right now. 1030 00:44:17,040 --> 00:44:19,200 Speaker 5: So you just kind of fix yourself along the way. 1031 00:44:19,880 --> 00:44:22,960 Speaker 1: Now, I truly do all that agent is good. 1032 00:44:23,480 --> 00:44:25,480 Speaker 4: It gives your perspective if you're lucky. 1033 00:44:25,239 --> 00:44:27,600 Speaker 5: To make it, and you know, I live I lived 1034 00:44:27,600 --> 00:44:30,040 Speaker 5: the rockstar lifestyle. And then you see Ozzy Osbourne and 1035 00:44:30,040 --> 00:44:31,960 Speaker 5: the way he lived and he only made it to 1036 00:44:32,040 --> 00:44:35,720 Speaker 5: seventy even though he tried to fix his health fifteen 1037 00:44:35,760 --> 00:44:39,200 Speaker 5: twenty years early. So you know, I'm approaching fifty, and 1038 00:44:39,280 --> 00:44:41,439 Speaker 5: you know, and for right now, I'm like, the only 1039 00:44:41,480 --> 00:44:43,360 Speaker 5: thing that matters is being around another thirty. 1040 00:44:43,440 --> 00:44:46,520 Speaker 4: It does catch up on you, though, Yeah, that s 1041 00:44:46,600 --> 00:44:48,719 Speaker 4: it is real. I find myself doing some things now 1042 00:44:48,760 --> 00:44:50,640 Speaker 4: and I'm like, man, I can't believe it. I don't drink, 1043 00:44:50,680 --> 00:44:52,520 Speaker 4: I don't smoke. I don't you know. I mean, I 1044 00:44:52,520 --> 00:44:54,360 Speaker 4: get up in the morning. I hit the gym really 1045 00:44:54,400 --> 00:44:56,480 Speaker 4: hard every morning. I'm like, even when I and I 1046 00:44:56,560 --> 00:44:58,520 Speaker 4: hate every all the people will be like, oh I 1047 00:44:58,520 --> 00:44:59,920 Speaker 4: feel great when I'm in the gym and I'm grud 1048 00:45:00,040 --> 00:45:02,319 Speaker 4: them suck. 1049 00:45:03,160 --> 00:45:05,440 Speaker 5: I just tried to change my diet, change my head, 1050 00:45:06,400 --> 00:45:09,520 Speaker 5: my priority, so being with my priority as opposed to 1051 00:45:09,920 --> 00:45:10,799 Speaker 5: does everyone love me? 1052 00:45:10,960 --> 00:45:11,160 Speaker 3: You know? 1053 00:45:11,719 --> 00:45:13,960 Speaker 4: But but your body tells you you kind of have 1054 00:45:14,000 --> 00:45:17,279 Speaker 4: to because after you start going certain things ain't starting 1055 00:45:17,280 --> 00:45:21,080 Speaker 4: to feel right. Once you make those changes, you realize 1056 00:45:21,120 --> 00:45:23,040 Speaker 4: how you just feel different. I was like, oh, well, 1057 00:45:23,080 --> 00:45:25,200 Speaker 4: I guess it's a life slight check. You know, that's 1058 00:45:25,239 --> 00:45:25,680 Speaker 4: what it is. 1059 00:45:25,760 --> 00:45:27,239 Speaker 1: Did you ever feel like that shacking? Do you ever 1060 00:45:27,239 --> 00:45:29,359 Speaker 1: feel like I need everybody to love me all the time? 1061 00:45:29,480 --> 00:45:32,279 Speaker 4: Like, No, I wasn't. I wasn't that kind of guy 1062 00:45:32,560 --> 00:45:35,440 Speaker 4: that that, you know, because I was always around people 1063 00:45:36,120 --> 00:45:39,040 Speaker 4: who kind of bring me down to make themselves feel better, 1064 00:45:39,719 --> 00:45:42,279 Speaker 4: know what I'm saying. So it was always you know, 1065 00:45:42,320 --> 00:45:44,399 Speaker 4: oh you can't do it. Why can't you can't do it? 1066 00:45:44,520 --> 00:45:44,719 Speaker 3: You know? 1067 00:45:45,600 --> 00:45:48,160 Speaker 4: So that was my I had to get people to 1068 00:45:48,239 --> 00:45:50,640 Speaker 4: come into my life. Like I said, Sting came into 1069 00:45:50,640 --> 00:45:53,040 Speaker 4: my life. And and when you look at a guy 1070 00:45:53,120 --> 00:45:56,360 Speaker 4: that's Ture saying that you remember with me and men 1071 00:45:56,719 --> 00:45:58,840 Speaker 4: and he was like, yeah, you know, I'm at chegging 1072 00:45:58,840 --> 00:46:01,239 Speaker 4: and this guy's did you I'm like, what did you 1073 00:46:01,360 --> 00:46:04,120 Speaker 4: just say? It's just kind of like I'm a what 1074 00:46:04,600 --> 00:46:06,799 Speaker 4: you know what I mean? And I'm glad. I'm like, 1075 00:46:07,360 --> 00:46:08,920 Speaker 4: no one has ever said that to me. But to 1076 00:46:09,040 --> 00:46:11,279 Speaker 4: see this guy would say that, it was like, bro, 1077 00:46:11,360 --> 00:46:12,880 Speaker 4: you're one of the great. So now I'm doing a 1078 00:46:12,880 --> 00:46:15,960 Speaker 4: play right now, which is it's called The Last Ship 1079 00:46:16,400 --> 00:46:19,880 Speaker 4: with me and Sting Last Ship, the Last Ship, Like 1080 00:46:19,880 --> 00:46:25,359 Speaker 4: why would you hear ship? The Last Ship? And we 1081 00:46:25,400 --> 00:46:28,040 Speaker 4: did Amsterdam to get a sold out. We just came 1082 00:46:28,120 --> 00:46:32,239 Speaker 4: back from Paris, sold out him and me here in 1083 00:46:32,320 --> 00:46:35,600 Speaker 4: Junia in June. It's here at the met in June. 1084 00:46:35,760 --> 00:46:40,600 Speaker 4: You put a suit on the com it's about his childhood. Uh, 1085 00:46:40,880 --> 00:46:42,720 Speaker 4: you know, back in the days, they used to build 1086 00:46:42,760 --> 00:46:45,920 Speaker 4: ships and about eighty percent of the ships in the 1087 00:46:45,920 --> 00:46:47,799 Speaker 4: world used to be built out of there. And then 1088 00:46:47,840 --> 00:46:51,960 Speaker 4: after a while, just with you know, technology and uh economy, 1089 00:46:52,960 --> 00:46:55,160 Speaker 4: everything closed down and it's kind of like what's happening now, 1090 00:46:55,239 --> 00:46:58,720 Speaker 4: people losing their jobs based on on AI and stuff 1091 00:46:58,760 --> 00:47:00,960 Speaker 4: like that. So it's very related in that sense. And 1092 00:47:00,960 --> 00:47:04,520 Speaker 4: it's really a story about, you know, how those shipyard 1093 00:47:05,080 --> 00:47:07,560 Speaker 4: was closing. It's the last ship, and how everybody gathered 1094 00:47:07,560 --> 00:47:09,680 Speaker 4: around even though they was going to counselor ship, but 1095 00:47:09,719 --> 00:47:12,160 Speaker 4: everybody in the yard decided that we're going to finish 1096 00:47:12,200 --> 00:47:14,239 Speaker 4: this ship, you know what I mean. And even they 1097 00:47:14,280 --> 00:47:16,360 Speaker 4: worked without pay and did everything and went ahead and 1098 00:47:16,360 --> 00:47:18,400 Speaker 4: finished the ship. And there's also a love story in 1099 00:47:18,440 --> 00:47:20,400 Speaker 4: there to a guy and went back. So it was 1100 00:47:20,480 --> 00:47:24,400 Speaker 4: really really good. And I've never done theater before, and 1101 00:47:24,440 --> 00:47:26,040 Speaker 4: the Sting just called me and says, yo, you know, 1102 00:47:26,040 --> 00:47:27,239 Speaker 4: I wrote this role for you. I want you to 1103 00:47:27,239 --> 00:47:29,000 Speaker 4: be on it. And I'm like, yo, bro, I never 1104 00:47:29,560 --> 00:47:31,759 Speaker 4: what do you talk about? And it was like, nah, 1105 00:47:31,800 --> 00:47:32,880 Speaker 4: I could do it. And then you know, I mean, 1106 00:47:33,120 --> 00:47:36,080 Speaker 4: you can you imagine you know, these are trained actors. Yeah, 1107 00:47:36,120 --> 00:47:38,760 Speaker 4: you know, it was like, you know, but he believed 1108 00:47:38,760 --> 00:47:40,960 Speaker 4: in me so much, and I got like, you know, 1109 00:47:41,400 --> 00:47:44,480 Speaker 4: right when I was doing rehearsal, the hurricane happened in Jamaica, 1110 00:47:45,320 --> 00:47:47,560 Speaker 4: and so I had to go and you know, go 1111 00:47:47,640 --> 00:47:53,440 Speaker 4: do my thing there. So I couldn't do rehearsals. But 1112 00:47:53,520 --> 00:47:56,200 Speaker 4: I went on there and I had one dress rehearsal 1113 00:47:56,239 --> 00:47:57,920 Speaker 4: and the next day next one was a show and 1114 00:47:57,920 --> 00:47:59,640 Speaker 4: the next day was press day and I was went 1115 00:47:59,719 --> 00:48:02,359 Speaker 4: on there and I just kind of killed and then 1116 00:48:02,360 --> 00:48:03,000 Speaker 4: you gotta move. 1117 00:48:03,840 --> 00:48:04,640 Speaker 3: Yeah, I. 1118 00:48:06,120 --> 00:48:08,440 Speaker 4: Told you a couple of things that's working into So 1119 00:48:08,640 --> 00:48:11,000 Speaker 4: we're working on a couple of things here. Things are 1120 00:48:11,080 --> 00:48:13,440 Speaker 4: just coming to you. It's amazing coming to you, you know 1121 00:48:13,440 --> 00:48:15,520 Speaker 4: what I mean. And I'm just kind of like, you know, 1122 00:48:15,600 --> 00:48:17,840 Speaker 4: going in and out on it. But it's good. You 1123 00:48:17,920 --> 00:48:21,359 Speaker 4: got to come see that. It's at the MIT. Yeah, 1124 00:48:21,480 --> 00:48:23,879 Speaker 4: ninth to the fourteenth, you know what I mean. I'm 1125 00:48:23,880 --> 00:48:26,239 Speaker 4: going to Australia to we're doing Australia. I'm leaving in 1126 00:48:26,280 --> 00:48:30,719 Speaker 4: the end of this month of June, right and and 1127 00:48:30,960 --> 00:48:34,040 Speaker 4: uh next month I'm going into Australia for four weeks 1128 00:48:34,040 --> 00:48:36,680 Speaker 4: with the play. Also, so I'm doing the musical also, 1129 00:48:36,760 --> 00:48:38,279 Speaker 4: so there's a lot of things, you know, it's this thing. 1130 00:48:38,480 --> 00:48:41,799 Speaker 4: Was one of those people who who really helped my confidence. 1131 00:48:42,160 --> 00:48:43,400 Speaker 4: You know, I man let me do things. I mean, 1132 00:48:43,400 --> 00:48:45,320 Speaker 4: the guy made me do a Sinatra album in reggae. 1133 00:48:47,520 --> 00:48:55,319 Speaker 4: What you know what, Charlamagne God, just have some things 1134 00:48:55,320 --> 00:48:57,480 Speaker 4: and put people in your way. I can't tell you 1135 00:48:57,760 --> 00:49:00,840 Speaker 4: why him and I went to do one song together. 1136 00:49:01,120 --> 00:49:03,399 Speaker 4: He walked and singing a song and then he looks 1137 00:49:03,440 --> 00:49:06,840 Speaker 4: at me and says, produce me, Shaggy, Uh, produce me 1138 00:49:06,880 --> 00:49:09,320 Speaker 4: the way you're supposed to because it's reggae and the 1139 00:49:09,440 --> 00:49:12,600 Speaker 4: man to cut them vocals. But in that session I 1140 00:49:12,719 --> 00:49:14,880 Speaker 4: ended up how we ended up having just way so 1141 00:49:15,000 --> 00:49:18,080 Speaker 4: much fun. It was more fun than work in the 1142 00:49:18,120 --> 00:49:20,040 Speaker 4: session that we walked out in there and said we 1143 00:49:20,040 --> 00:49:22,719 Speaker 4: don't want it to stop. And we just ended up 1144 00:49:22,760 --> 00:49:24,919 Speaker 4: moving from that to making an album and a tour. 1145 00:49:25,040 --> 00:49:26,960 Speaker 4: And then he's just like my best friend and I'm 1146 00:49:26,960 --> 00:49:27,959 Speaker 4: talking to her every week. 1147 00:49:28,040 --> 00:49:30,200 Speaker 5: And my wife yesterday she was like, you guys, she 1148 00:49:30,600 --> 00:49:32,560 Speaker 5: loves the new song because I didn't play it for 1149 00:49:32,600 --> 00:49:34,759 Speaker 5: it until it was done and it was out, and 1150 00:49:34,800 --> 00:49:36,479 Speaker 5: she says, I love the new song. You Shaggy should 1151 00:49:36,480 --> 00:49:39,239 Speaker 5: do more records together. Absolutely, Maybe Shaggy just has that 1152 00:49:39,400 --> 00:49:41,520 Speaker 5: absolute effect on everybody. 1153 00:49:41,560 --> 00:49:44,080 Speaker 4: I mean, he comes in and everybody's called me about 1154 00:49:44,640 --> 00:49:47,040 Speaker 4: something else. Every new idea comes up is like, Shaggy, 1155 00:49:47,080 --> 00:49:48,239 Speaker 4: what do you think of this? Let's do this? 1156 00:49:48,640 --> 00:49:49,120 Speaker 3: You know what I mean? 1157 00:49:49,160 --> 00:49:51,360 Speaker 4: And I'm you know, I'm like ultimate wingman. Let's go 1158 00:49:51,600 --> 00:49:55,960 Speaker 4: yeah whatever, And it's uncomfortable these position day But like me, 1159 00:49:56,080 --> 00:49:57,600 Speaker 4: where am I? I'm not a singer like that. But 1160 00:49:57,640 --> 00:49:59,959 Speaker 4: he was like, oh yeah, and taught me how you can't. 1161 00:50:00,040 --> 00:50:04,000 Speaker 3: I heard your singing records is strong man. I wouldn't even. 1162 00:50:03,800 --> 00:50:06,040 Speaker 4: Know, yeah, but I was. I was always a dance 1163 00:50:06,080 --> 00:50:07,600 Speaker 4: all toasted, like you know what I mean. But I 1164 00:50:07,640 --> 00:50:10,480 Speaker 4: never really because I had people around me that if 1165 00:50:10,520 --> 00:50:12,040 Speaker 4: I come into a song where I'm singing, because I 1166 00:50:12,080 --> 00:50:14,040 Speaker 4: used to do background on some of my stuff, if 1167 00:50:14,080 --> 00:50:17,359 Speaker 4: I do today, people Mustard is like I think. 1168 00:50:17,400 --> 00:50:22,839 Speaker 2: I think Luthor Vandel, snow Angel. 1169 00:50:23,160 --> 00:50:25,560 Speaker 4: Just one big party when you're still young. I mean, 1170 00:50:25,560 --> 00:50:30,160 Speaker 4: it's it's singing. But for me, it's like people, it's like, 1171 00:50:31,040 --> 00:50:33,840 Speaker 4: you can't do that because I'm from the sound systems 1172 00:50:33,840 --> 00:50:36,440 Speaker 4: of dancing, you know. So, so he was a big 1173 00:50:36,480 --> 00:50:37,359 Speaker 4: big help in that man. 1174 00:50:38,360 --> 00:50:39,920 Speaker 1: My last question, what do each of you learn from 1175 00:50:39,960 --> 00:50:43,279 Speaker 1: working together that you'all will carry into future projects and 1176 00:50:43,280 --> 00:50:44,560 Speaker 1: and just in life period. 1177 00:50:46,120 --> 00:50:49,360 Speaker 4: I love I love Rob's professionalism. I said that to 1178 00:50:49,440 --> 00:50:53,000 Speaker 4: you multiple times, even though the phone you know it's 1179 00:50:53,040 --> 00:50:57,040 Speaker 4: it is so it makes me have hope in the 1180 00:50:57,080 --> 00:51:01,200 Speaker 4: game that there's this thing could still you know, satisfy me. 1181 00:51:01,680 --> 00:51:05,120 Speaker 4: And I'm inspired by how professional he is. I mean, 1182 00:51:05,239 --> 00:51:06,400 Speaker 4: you showed up in the video. It came to the 1183 00:51:06,480 --> 00:51:09,040 Speaker 4: video by himself. He just kind of rolled up and 1184 00:51:09,080 --> 00:51:11,120 Speaker 4: I was like, you just came out. 1185 00:51:11,120 --> 00:51:15,000 Speaker 5: I gave up my personal assistant money for school. 1186 00:51:16,760 --> 00:51:17,239 Speaker 3: My kids. 1187 00:51:17,560 --> 00:51:20,319 Speaker 4: He just showed up, boom, he did everything boom boom, 1188 00:51:20,320 --> 00:51:21,600 Speaker 4: and was out. I was like, yo, bro. 1189 00:51:22,040 --> 00:51:24,080 Speaker 5: You know I heard the ind of his documentary years 1190 00:51:24,120 --> 00:51:25,879 Speaker 5: ago that Chuck Berry was like that that he would 1191 00:51:25,960 --> 00:51:28,640 Speaker 5: just show up and all he had was his guitar 1192 00:51:28,880 --> 00:51:31,600 Speaker 5: case and he would just show up by himself, get 1193 00:51:31,600 --> 00:51:33,359 Speaker 5: with the house band, and go on to the next show. 1194 00:51:33,360 --> 00:51:34,520 Speaker 5: And I was like, that sounds like me, like I 1195 00:51:34,600 --> 00:51:38,640 Speaker 5: need is my voice and my suit. 1196 00:51:37,600 --> 00:51:39,920 Speaker 4: But it's inspirational, Like I'm like. 1197 00:51:40,280 --> 00:51:42,000 Speaker 5: And I got that from my dad. You know, my 1198 00:51:42,120 --> 00:51:43,480 Speaker 5: dad was a workaholic. 1199 00:51:43,800 --> 00:51:44,040 Speaker 3: Yeah. 1200 00:51:44,080 --> 00:51:45,799 Speaker 5: I mean even when he was in his sixties, he 1201 00:51:45,840 --> 00:51:47,600 Speaker 5: would if he had something coming out, he would do 1202 00:51:47,640 --> 00:51:51,360 Speaker 5: a forty two radio show promotion campaign. 1203 00:51:51,000 --> 00:51:52,800 Speaker 3: You know what I mean, and fly all over the place. 1204 00:51:53,400 --> 00:51:55,839 Speaker 5: And and so I just learned from him, show up 1205 00:51:55,880 --> 00:51:57,920 Speaker 5: on time, treat people right, you know what I mean. 1206 00:51:57,960 --> 00:52:00,640 Speaker 5: And that's why working with Shaggy I love that too, 1207 00:52:00,640 --> 00:52:02,680 Speaker 5: because I've worked with a handful of people that I'm like, 1208 00:52:02,920 --> 00:52:04,360 Speaker 5: I don't want to work with them again, that's me. 1209 00:52:04,440 --> 00:52:07,520 Speaker 5: But he's just a great guy, that's easy going. He's 1210 00:52:07,520 --> 00:52:09,799 Speaker 5: a real, you know, real human being, and that makes 1211 00:52:09,800 --> 00:52:10,200 Speaker 5: a difference. 1212 00:52:10,320 --> 00:52:11,120 Speaker 2: That's a jewel right there. 1213 00:52:11,160 --> 00:52:13,120 Speaker 1: I tell people all the time, if somebody says you're 1214 00:52:13,160 --> 00:52:14,200 Speaker 1: a pleasure to work with. 1215 00:52:14,360 --> 00:52:18,040 Speaker 4: Oh you're always going to starting. But so much about 1216 00:52:18,520 --> 00:52:22,640 Speaker 4: surviving in this game is relationships important. 1217 00:52:22,719 --> 00:52:26,520 Speaker 5: When I got the mass singer the TV show, you know, 1218 00:52:26,680 --> 00:52:28,279 Speaker 5: I was coming off a little bit of the Blurred 1219 00:52:28,320 --> 00:52:30,400 Speaker 5: Lines drama and divorced and some of that stuff. So 1220 00:52:30,440 --> 00:52:32,040 Speaker 5: they met with me. They liked me, but they went 1221 00:52:32,080 --> 00:52:34,719 Speaker 5: and asked Nick Nick Cannon. Now Nick and I had 1222 00:52:34,760 --> 00:52:37,000 Speaker 5: done The Real Husbands of Hollywood with Kevin Hart, so 1223 00:52:37,080 --> 00:52:39,640 Speaker 5: we had that rapport. So when they asked Nick, what's 1224 00:52:39,680 --> 00:52:41,680 Speaker 5: it like working with Robin, he was like, Rob is 1225 00:52:41,680 --> 00:52:41,960 Speaker 5: the best. 1226 00:52:41,960 --> 00:52:44,160 Speaker 3: You're gonna love working with him. And so if that 1227 00:52:44,320 --> 00:52:44,839 Speaker 3: wasn't the. 1228 00:52:44,760 --> 00:52:47,520 Speaker 5: Case, if I was a jerk on real husbands, then 1229 00:52:47,520 --> 00:52:49,400 Speaker 5: I wouldn't have gotten mass singer. And so it's all 1230 00:52:49,480 --> 00:52:52,040 Speaker 5: them young cats out there, like it doesn't matter if 1231 00:52:52,040 --> 00:52:53,360 Speaker 5: you're at the height of your game or what. 1232 00:52:53,480 --> 00:52:54,719 Speaker 3: You gotta treat people right. 1233 00:52:55,040 --> 00:52:56,680 Speaker 4: Be nice on the way up, because you're gonna see 1234 00:52:56,680 --> 00:52:59,120 Speaker 4: them on the way down. 1235 00:53:00,400 --> 00:53:02,560 Speaker 2: This is the final question. Do you regret putting blur lines? 1236 00:53:02,880 --> 00:53:03,799 Speaker 3: Oh no, of course not. 1237 00:53:03,960 --> 00:53:06,840 Speaker 5: I mean still when I performed, that's that's the magic. 1238 00:53:06,880 --> 00:53:09,040 Speaker 5: Like I wait till the end and as soon as 1239 00:53:09,040 --> 00:53:11,279 Speaker 5: I go, everybody get up the from an R and 1240 00:53:11,320 --> 00:53:13,960 Speaker 5: B show to a dance show, you know, And so 1241 00:53:14,040 --> 00:53:17,080 Speaker 5: I think that it's more about my goal is to 1242 00:53:17,120 --> 00:53:19,720 Speaker 5: make the audience feel good. And that song is still 1243 00:53:19,719 --> 00:53:21,600 Speaker 5: one of the tops, you know, when I perform, that 1244 00:53:21,719 --> 00:53:23,560 Speaker 5: makes people feel good. So I don't care what else 1245 00:53:23,600 --> 00:53:25,440 Speaker 5: came with it, as long as the people feel it. 1246 00:53:25,640 --> 00:53:27,799 Speaker 4: There are many songs that I've done that I've lost 1247 00:53:27,800 --> 00:53:30,160 Speaker 4: one hundred percent. Publishing though you're not an angel. 1248 00:53:30,680 --> 00:53:30,960 Speaker 3: Wow. 1249 00:53:31,040 --> 00:53:34,960 Speaker 4: Yeah, because you couldn't get dance all in regular on radio, 1250 00:53:35,080 --> 00:53:38,560 Speaker 4: so I had to use samples and interpolations to get 1251 00:53:38,560 --> 00:53:40,880 Speaker 4: on radio, you know what I mean, And so I knew. 1252 00:53:41,160 --> 00:53:43,880 Speaker 4: You know, they're like five avenues of income, you know 1253 00:53:43,920 --> 00:53:46,439 Speaker 4: what I mean. You got you got the writer's part, right, 1254 00:53:46,640 --> 00:53:48,960 Speaker 4: but then it's a new master, so you get in 1255 00:53:49,000 --> 00:53:51,040 Speaker 4: the master portion. You're getting the sings, you know what 1256 00:53:51,040 --> 00:53:52,920 Speaker 4: I mean, You're getting the sound exchange, you know, I mean, 1257 00:53:52,880 --> 00:53:56,239 Speaker 4: you're getting it. So you know it's nothing, it's it's okay. Yeah, 1258 00:53:56,239 --> 00:53:58,680 Speaker 4: you're losing the publishing part of it, but you still gain. 1259 00:53:58,760 --> 00:54:00,799 Speaker 4: And I gained a crime, and I mean, so for 1260 00:54:00,920 --> 00:54:02,960 Speaker 4: me it's a win, you know. I mean, so he 1261 00:54:03,000 --> 00:54:05,040 Speaker 4: could never look at that record in that way of 1262 00:54:05,160 --> 00:54:06,640 Speaker 4: like yo, because it change your life. 1263 00:54:06,680 --> 00:54:10,359 Speaker 5: And also the challenges that came after that have made 1264 00:54:10,400 --> 00:54:12,359 Speaker 5: me a stronger, better man, you know what I mean. 1265 00:54:12,360 --> 00:54:14,320 Speaker 5: And that's my point is that if I hadn't faced 1266 00:54:14,360 --> 00:54:16,960 Speaker 5: everything that came from Blurred Lines and after who knows where, 1267 00:54:17,320 --> 00:54:18,920 Speaker 5: I might have just lost my mind. 1268 00:54:18,960 --> 00:54:19,560 Speaker 2: You know what I mean. 1269 00:54:19,880 --> 00:54:23,359 Speaker 5: But luckily I had to be grounded because life threw 1270 00:54:23,440 --> 00:54:26,239 Speaker 5: me some some challenges and some wrenches and then I went, 1271 00:54:26,520 --> 00:54:28,600 Speaker 5: like I said, five years in a row of tragedies. 1272 00:54:28,640 --> 00:54:32,360 Speaker 5: So for whatever reason that's happened to me, I like myself. 1273 00:54:32,400 --> 00:54:34,360 Speaker 5: I mean, i'd love to be, you know, back on 1274 00:54:34,400 --> 00:54:37,120 Speaker 5: top with another number one, But I like myself more 1275 00:54:37,200 --> 00:54:38,000 Speaker 5: now than I did. 1276 00:54:37,880 --> 00:54:40,000 Speaker 1: Back then, And the grandest scheme of things, what happened 1277 00:54:40,000 --> 00:54:43,000 Speaker 1: with that song pales in comparison to everything else. 1278 00:54:43,560 --> 00:54:46,120 Speaker 5: Now for sure, because now my kids like that song 1279 00:54:46,520 --> 00:54:49,160 Speaker 5: won't nearly matter as much as my help that's helping 1280 00:54:49,200 --> 00:54:50,480 Speaker 5: pay for their school. 1281 00:54:52,640 --> 00:54:53,600 Speaker 2: Of zero is still zero. 1282 00:54:53,600 --> 00:54:55,200 Speaker 4: Bro, you know what I mean. 1283 00:54:55,280 --> 00:54:58,879 Speaker 3: So I'm not good at math. You know what I mean? 1284 00:54:59,239 --> 00:55:04,440 Speaker 1: If you when I'm saying, because some people might think that, 1285 00:55:04,480 --> 00:55:06,800 Speaker 1: oh yeah, because you lost the publishing, you lose, you 1286 00:55:06,880 --> 00:55:07,399 Speaker 1: know what I'm saying. 1287 00:55:07,880 --> 00:55:11,160 Speaker 4: You know what I'm saying. You got it. You still 1288 00:55:11,200 --> 00:55:13,040 Speaker 4: got the lion's chair. Last time you had a pizza, 1289 00:55:13,280 --> 00:55:15,400 Speaker 4: you have over fifty percent. You're still winning, you know 1290 00:55:15,440 --> 00:55:15,919 Speaker 4: what I'm saying. 1291 00:55:17,880 --> 00:55:18,160 Speaker 3: Zero. 1292 00:55:18,360 --> 00:55:21,120 Speaker 4: Yeah, So I'm saying even that even though you might 1293 00:55:21,120 --> 00:55:23,480 Speaker 4: think that you didn't get one hundred percent of the record, 1294 00:55:24,080 --> 00:55:25,719 Speaker 4: you still you know what I'm saying. That's how I'm 1295 00:55:25,719 --> 00:55:26,200 Speaker 4: looking to be honest. 1296 00:55:26,200 --> 00:55:26,279 Speaker 3: With you. 1297 00:55:26,280 --> 00:55:28,800 Speaker 1: I don't know what you're saying, but it don't matter, okay, 1298 00:55:28,840 --> 00:55:30,720 Speaker 1: because it's all about looking luckily. 1299 00:55:31,000 --> 00:55:36,200 Speaker 2: Yes, looking lovely in May. All right, we're gonna play 1300 00:55:36,239 --> 00:55:36,920 Speaker 2: looking lovely right now. 1301 00:55:36,960 --> 00:55:38,479 Speaker 5: You want to throw to a shaggy, let's do a shack. 1302 00:55:38,520 --> 00:55:40,440 Speaker 2: Were on the Breakfast Club, you know how we go. 1303 00:55:40,920 --> 00:55:44,359 Speaker 2: BIG's hilarious in the house. Yeah, we got Robin Thick 1304 00:55:44,400 --> 00:55:44,800 Speaker 2: in the house. 1305 00:55:45,880 --> 00:55:48,359 Speaker 4: God the Mage King isn't here, but YO, were gonna 1306 00:55:48,440 --> 00:55:52,239 Speaker 4: drop it anyway, Yo, looking lovely, Shaggy, Robin Thick. 1307 00:55:52,400 --> 00:55:54,600 Speaker 2: Turn up your radio. Make sure your. 1308 00:55:54,920 --> 00:56:01,200 Speaker 4: Window's gotta be down to Yeah, I love it. 1309 00:56:01,680 --> 00:56:05,279 Speaker 2: Hold every day a week. Pack your glass up the 1310 00:56:05,400 --> 00:56:07,680 Speaker 2: Breakfast Club. You finishing, y'all done,