WEBVTT - Episode 5 w/ KRS-ONE

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. Garnishing your hand with pineapple

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<v Speaker 1>parent with a delicious Chardonnay to make their taste bud swirl.

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<v Speaker 1>Deviled eggs are even better when paired with a light,

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<v Speaker 1>dry wine like a bubbly prosecco or a Pinot Grizzy.

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<v Speaker 1>For me, nothing beats recommending a great wine, and with

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<v Speaker 1>such an extensive selection, I can help you find the

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<v Speaker 1>perfect one in your budget, whether you're hosting or just bring.

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<v Speaker 1>The wine we love to share are always low prices

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<v Speaker 1>and ridiculous selection this spring at Total Wine and More. Cheers.

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<v Speaker 1>He's a legendary queen's rapper, Hank Segue dies your boy

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<v Speaker 1>and he's a Miami hip hop pioneer. What up is

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<v Speaker 1>d J e f N. Together they drink it up

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<v Speaker 1>with some of the biggest players in music and sport.

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<v Speaker 1>You know, I mean the most professional unprofessional podcast. This

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<v Speaker 1>is Drinks Chip Ready Whar Every day is New Year's

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<v Speaker 1>eud you know, Hay Hank Sechus, this is your Boy

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<v Speaker 1>and the DJ e f And right now we are

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<v Speaker 1>blessed with the legendary so we gotta gotta make some

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<v Speaker 1>hold on, hold on, because the intro was crazy. This

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<v Speaker 1>guy right here, like listen, listen, um, they have the

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<v Speaker 1>they have the Godfathers, and this man is directly like

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<v Speaker 1>my father in lyrics, like in in style, and I

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<v Speaker 1>directly try to be like this man right here, and

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<v Speaker 1>I send out the APB, try to make it happen.

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<v Speaker 1>Let's pick up a Hakim Green off top channel last

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<v Speaker 1>squark baddi is Um, we love you Hakim. But we

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<v Speaker 1>got the blast Master, we got the teacher, we got

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<v Speaker 1>the father directly templar hip hop all that, the Master,

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<v Speaker 1>the dude who made it cool to learn earned in

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<v Speaker 1>music and still be entertained. You could be smart and

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<v Speaker 1>you could still dug it the funk out, yo. The

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<v Speaker 1>other day, I'm gonna be honest, I'm watching right Along Too.

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<v Speaker 1>And at the end of Right Along Too, my kids

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<v Speaker 1>they are eight and they are six, and they sung,

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<v Speaker 1>they said, whoa, whoa, this is the sign of the police.

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<v Speaker 1>And at that moment, I knew I was a great father.

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<v Speaker 1>I knew at that very moment I was a great father.

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<v Speaker 1>When my kids knew the sign of the police. We

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<v Speaker 1>have the one and only legendary. You can't say hip

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<v Speaker 1>hop without caress One in the building. Drink man, Oh

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<v Speaker 1>my god, we are yo. You know what the crazy

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<v Speaker 1>ship is. I'm gonna start the interview offs like this.

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<v Speaker 1>When I was locked up in a juvenile detention center,

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<v Speaker 1>I had a CEO who was taking care of me, right,

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<v Speaker 1>he was, you know, holding me down, and he could

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<v Speaker 1>have snucked me weed. He could have snucked me liquor.

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<v Speaker 1>He could have snucked me books. But I wanted that

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<v Speaker 1>criminal mind. This is real ship. This is you know,

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<v Speaker 1>how much of a big caress fan. That's what the

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<v Speaker 1>track I wanted to do is. I'm the biggest caress

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<v Speaker 1>One fan. Man, Let's just make some noise for him

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<v Speaker 1>being in the building. Come on, come on, come on, cheers, cheers, yo, yo,

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<v Speaker 1>we got the fun up noise. Make it so blast

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<v Speaker 1>master caress One. How does it feel to be in Miami?

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<v Speaker 1>How long you've been coming out here? Man? Don't even yo, man,

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<v Speaker 1>I've been coming to Miami since like eighties seven. We

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<v Speaker 1>were coming up here, man, struggling, trying to be heard,

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<v Speaker 1>and there was only a few places that actually like

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<v Speaker 1>embraced us. Philly was always right there. Philly feel it Delfy,

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<v Speaker 1>just the whole Philly that like, we went from New

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<v Speaker 1>York to Philly. That so let me stop. So you

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<v Speaker 1>think that New York artist is that like the first marketing?

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<v Speaker 1>That's that is for me to like, Philly was the first,

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<v Speaker 1>then Connecticut and and see you look how you said

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<v Speaker 1>that Philly was the next, and then Connecticut. Connecticut is

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<v Speaker 1>right on top, right there next to the Bronx. Philly

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<v Speaker 1>would get it first. Philly would hit you first if

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<v Speaker 1>you did New York and Philly, Connecticut yonkers all up,

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<v Speaker 1>Boston was trying to see you. Maybe some of the

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<v Speaker 1>South like that. So going down to a nine five

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<v Speaker 1>man was like, I mean big up to v a

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<v Speaker 1>North catallax South Carolina. It's it was sort of like

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<v Speaker 1>the rights of passage. You had to get out of

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<v Speaker 1>New York, go down each city, each state or nine five,

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<v Speaker 1>and your final victory was Miami if you made it

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<v Speaker 1>down man, See this is one MCS was real. Uh

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<v Speaker 1>straight up, you have to do clubs. Let me take

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<v Speaker 1>you to the nine Let's come around ninety two, that's

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<v Speaker 1>what I'm Somewhere around nineties, right around the college was

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<v Speaker 1>just start and he had a thing called the Temple

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<v Speaker 1>and even before that, even before that, Oh yeah, mother Superior.

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<v Speaker 1>Wait wait wait, actually I got you know what nerd

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<v Speaker 1>war is. No, he's this guy who interviews people. He

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<v Speaker 1>brings out props that would remind you of stuff. We're okay,

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<v Speaker 1>this is what I got. Let's make some noise. Having

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<v Speaker 1>autographed too, it's authentic, so you put that on. It

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<v Speaker 1>was a show supposed to be at the Spot underground

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<v Speaker 1>compound and it got shut down by the cops and

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<v Speaker 1>we moved it to Zulu headquarters. There was no that

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<v Speaker 1>a c wasn't on. He took the people were faking

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<v Speaker 1>in the eyes and he started throwing these balls. That

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<v Speaker 1>was crazy. That was ninety three. I was in high

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<v Speaker 1>school at the least at the least. Right, well, let's

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<v Speaker 1>started right there. That's way he's been coming to Miami

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<v Speaker 1>since then, since then, breaking it down, crushing Miami. And

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<v Speaker 1>it wasn't the hip hop scene out here back then.

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<v Speaker 1>Back then Luke was the man out here. Two Live

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<v Speaker 1>Crew was straight destroy in the South, like there was

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<v Speaker 1>nothing else really happened, to be honest with you, But

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<v Speaker 1>there was always that boom bap element in in. I

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<v Speaker 1>mean just I just have to say Florida, because you

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<v Speaker 1>know from Miami all the way up to what Tallahassee,

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<v Speaker 1>even even Gainesville, Jacksonville, all that's boom bap that that's

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<v Speaker 1>a hardcore up there. But Luke, But there was that

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<v Speaker 1>divided for us in the city between the base scene

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<v Speaker 1>and scene. That's right, There wasn't divide. I mean it

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<v Speaker 1>had its own audience, you know what I'm saying. It

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<v Speaker 1>had its own We've seen a lot as a New

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<v Speaker 1>York thing, right, but we were trying to build that

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<v Speaker 1>identity for ourselves. But I think it was way smaller.

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<v Speaker 1>But I think the New York thing was way smaller.

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<v Speaker 1>Two Live Crew. Look look that whole sound. So you're

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<v Speaker 1>saying from the beginning when Two Live Crew came, the

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<v Speaker 1>South immediately accepted them as opposed to new in New York,

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<v Speaker 1>you had to be hot in New York. No, actually,

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<v Speaker 1>you go to Philly. Wait a minute, the second part

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<v Speaker 1>is true. Yes, you had to be hot in New

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<v Speaker 1>York first to go to Philly. With the exception of

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<v Speaker 1>like Tap Money three times, Dobe Uh, Steady b even

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<v Speaker 1>Jazzy Jeff Fresh, Prince Uh, they blew up in Philly

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<v Speaker 1>and convinced New York what it was. But you have

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<v Speaker 1>um back then, the base scenes. I'm trying to think

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<v Speaker 1>of dudes that were not so popular, but Miami had

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<v Speaker 1>a base scene that let me and then with these

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<v Speaker 1>dudes with so Luther Campbell and Two Live Crew was

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<v Speaker 1>on top of that, they came up out of that scene.

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<v Speaker 1>They didn't really invent it, but they was just sort

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<v Speaker 1>of the pot feel the ones that that was doing it,

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<v Speaker 1>and Luke was just I went to one of these

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<v Speaker 1>concerts one night. You know, you wouldn't believe what was

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<v Speaker 1>going on. And then on top of that, what makes

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<v Speaker 1>it really really hip hop on on on that level

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<v Speaker 1>is that Two Live Crew was was the ones that

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<v Speaker 1>were dragged into court on obscenity charges and had they

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<v Speaker 1>lost that case, Rock would be sounding a whole lot.

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<v Speaker 1>Let's make some noise for that happening. Even when you're

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<v Speaker 1>rolling the blunt man, stop and clap your hands. You

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<v Speaker 1>had the black mass in the building, right, So, UM,

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<v Speaker 1>you got that, you got that that thing, and I

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<v Speaker 1>want to set up I play that play that real quick.

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<v Speaker 1>I want to play something for you. One of the

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<v Speaker 1>one of the greatest calls I ever got in my life.

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<v Speaker 1>And um, it's set up past. It's Cool Hurt. What's up, brother,

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<v Speaker 1>That's right, My brother was going on. Man, I just

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<v Speaker 1>missed your call. Man, Man, I got you on speaking

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<v Speaker 1>for him right now. Man, let them Let them dudes know. Baby,

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<v Speaker 1>let the dudes. No, you're the Gulf for the hip hop.

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<v Speaker 1>Cool Hurt number one. That's right, baby, you're the original

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<v Speaker 1>o G. That's right. Baby. You know I love you absolutely.

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<v Speaker 1>You know I love you to death. Cool Hirk Man,

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<v Speaker 1>you know what I mean. Not in w all right, baby,

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<v Speaker 1>hold on, I'm gonna take this off of this SI

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<v Speaker 1>for me. You can speak private, but yo, man, just

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<v Speaker 1>let the people know one more time. This is my

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<v Speaker 1>Dyslexia album. Man, tell them niggas. You know what I mean.

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<v Speaker 1>Where I got an album called Dyslexia? Man, thank you man.

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<v Speaker 1>This this, this is the Godfather, Cool Hurt or the

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<v Speaker 1>game speaking to your fucking assholes. Cool Hurt right here.

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<v Speaker 1>And I'm the father and not the godfather. Secondary you

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<v Speaker 1>the father the father? All right? My brother hold on,

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<v Speaker 1>hit you right back? I Hurt, all right, hold on,

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<v Speaker 1>hold on, hold on. So one day I got a

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<v Speaker 1>call from cool Hurd, right, which is for me. I'm

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<v Speaker 1>a real hip hop guy. You know what I'm saying.

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<v Speaker 1>I respect everything that came before me. And when Cool

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<v Speaker 1>Hurd called me, I had called him something. I said,

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<v Speaker 1>you're the godfather of hip hop. And I said it

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<v Speaker 1>once and he let it slide. And then I said

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<v Speaker 1>it again and he let it slide. But then the

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<v Speaker 1>third time I said it, I said, Cool, let these

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<v Speaker 1>motherfucker's no, you know, uh godfather hip hop? He said, Normy,

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<v Speaker 1>hold on, let me stop you. I am the father.

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<v Speaker 1>Do you agree with that statement? Yes, I totally agree

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<v Speaker 1>with the statement. There's there's huge debate on it, okay,

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<v Speaker 1>because everyone wants to take credit for hip hop now

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<v Speaker 1>for its origins. Uh, we call technically to be scholarly correct.

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<v Speaker 1>Cool Hark is called the recognized father of hip hop,

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<v Speaker 1>the recognized father of hip hop. We call him the

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<v Speaker 1>father of hip hop. And the reason we call him

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<v Speaker 1>the father of hip hop is because Bam called him

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<v Speaker 1>the father of hip hop. Grandmaster has called him the

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<v Speaker 1>father of hip hop. Peewee Dance and Grandmaster Flash from

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<v Speaker 1>this group and Crazy Legs called him the father of

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<v Speaker 1>hip hop. Now, this is a family situation. All these guys,

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<v Speaker 1>we all know each other and they know it, but

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<v Speaker 1>you're there, younger home. Oh yes, no doubt, no doubt.

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<v Speaker 1>Her calls me the son of hip hop because okay,

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<v Speaker 1>let me break it down for me, right for me,

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<v Speaker 1>alright for me. When I heard her say that he

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<v Speaker 1>was the father, automatically saluted that never and then I

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<v Speaker 1>thought of Bambada as the godfather, and then I think

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<v Speaker 1>view Rock Kim, Big Daddy Kane as the father's right

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<v Speaker 1>and then then after that comes Wu Tang like where

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<v Speaker 1>are your little cousins, Wu Tang, marb Deep the fat,

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<v Speaker 1>Joe's the component, Noriega's the MLP. We're actually your son's

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<v Speaker 1>direct like I don't know what Paul's I know this

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<v Speaker 1>new generation, but you're actually our fathers like you Rock Kim,

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<v Speaker 1>Big Daddy Kane. And so I have to ask this

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<v Speaker 1>question with that being said, with the name being like,

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<v Speaker 1>how how is hip hop supposed to respond to the Bambada?

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<v Speaker 1>Like how are we supposed to do that? From? I

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<v Speaker 1>just don't know. That's why it's a generic question, which

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<v Speaker 1>what what should we do? Because you're you're being our father.

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<v Speaker 1>Whatever you say, I have to move accordance to it. Well,

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<v Speaker 1>you know, with the first of all, controversy is not truth.

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<v Speaker 1>What you want is truth right now? You want truth,

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<v Speaker 1>But truth is also not information. It's not gossip. It's

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<v Speaker 1>not even conversation. For me, if you keep it hip hop,

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<v Speaker 1>nothing could be taken away from Africa ban not just

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<v Speaker 1>keep it hip hop, but if you want to dig

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<v Speaker 1>in the dude's personal life and accusations it is being

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<v Speaker 1>made and so on. Personally me personally, I don't give

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<v Speaker 1>a fuck. Personally. Look if if somebody was harmed or

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<v Speaker 1>whatever was done, whatever, y'all deal with that ship what

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<v Speaker 1>what deal with it? That? Don't stop hip hop? That

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<v Speaker 1>don't stop with take away under history's history, but deal

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<v Speaker 1>with you deal with that. That's personal. I don't you know,

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<v Speaker 1>I don't even know what to sell past. You know,

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<v Speaker 1>but even if you knew the facts, you know what

0:13:57.679 --> 0:14:01.360
<v Speaker 1>I'm saying. A person like me, I deal with with

0:14:01.520 --> 0:14:06.000
<v Speaker 1>dudes that are questionable all the time, not just if

0:14:06.520 --> 0:14:10.520
<v Speaker 1>the accusation is right. I do I know dudes that

0:14:10.600 --> 0:14:13.120
<v Speaker 1>are doing You know what I'm saying. If you if

0:14:13.120 --> 0:14:15.960
<v Speaker 1>you know anybody from prison, if you don't nothing to shout,

0:14:16.240 --> 0:14:19.760
<v Speaker 1>you know anybody, if you live really in the hoods,

0:14:19.800 --> 0:14:22.760
<v Speaker 1>you know shooters, you know, dudes running from the you

0:14:22.800 --> 0:14:25.080
<v Speaker 1>know your man might have an open warrant on him

0:14:25.160 --> 0:14:28.440
<v Speaker 1>right now, like right now, like you know what I'm saying.

0:14:29.240 --> 0:14:33.280
<v Speaker 1>You know, I'm not judging these motherfucker's man, that's right here, Yo,

0:14:33.880 --> 0:14:37.600
<v Speaker 1>that's it now. What you do and your crime and

0:14:37.640 --> 0:14:41.840
<v Speaker 1>your ship and your bullshit, whatever you're doing, that's on you.

0:14:41.960 --> 0:14:45.360
<v Speaker 1>That's you, my g that's whatever you're doing. That's how

0:14:45.360 --> 0:14:48.160
<v Speaker 1>I always dealt with it. I can't pick and choose. Hey, yo,

0:14:48.480 --> 0:14:51.880
<v Speaker 1>this dude right here, I mean I was producing Justice album,

0:14:52.120 --> 0:14:56.520
<v Speaker 1>right Who's crazy already came to Queen's Bridge by himself?

0:14:58.560 --> 0:15:03.760
<v Speaker 1>Yes it is. Let's make some just like every change

0:15:03.760 --> 0:15:05.960
<v Speaker 1>the subject too. I was talking, let's say the subject,

0:15:06.240 --> 0:15:08.359
<v Speaker 1>let's go. Yeah, but I mean he was on America's

0:15:08.400 --> 0:15:14.960
<v Speaker 1>Most Wanted is. Let's make this is real hip This

0:15:15.080 --> 0:15:17.920
<v Speaker 1>is real hip hop, shot man. Hip hop is in

0:15:17.920 --> 0:15:21.040
<v Speaker 1>the world like everybody else, like every other culture. We

0:15:21.160 --> 0:15:26.160
<v Speaker 1>in the world, politicians with bottom line is we we

0:15:26.360 --> 0:15:31.360
<v Speaker 1>are humans. That humans, all humans. But now with that

0:15:31.400 --> 0:15:37.920
<v Speaker 1>being said, right, what is your favorite MC battle Because

0:15:39.560 --> 0:15:41.600
<v Speaker 1>I mean you don't have to, you can do with

0:15:41.720 --> 0:15:44.720
<v Speaker 1>yourself if you want to. But what is your favorite

0:15:44.800 --> 0:15:47.840
<v Speaker 1>MC battle. To be honest with you, I mean, there's

0:15:47.880 --> 0:15:51.880
<v Speaker 1>a lot this huge that I really what comes to

0:15:51.880 --> 0:15:53.600
<v Speaker 1>the top of your head. The first one that comes

0:15:53.600 --> 0:15:57.560
<v Speaker 1>to my head is freeway in cassidy for me. Let's

0:15:57.560 --> 0:16:00.360
<v Speaker 1>make some noise, but caress one. No one's going on.

0:16:01.640 --> 0:16:03.840
<v Speaker 1>Do you know what's going on in the streets? No, No,

0:16:03.880 --> 0:16:06.520
<v Speaker 1>that that's I mean, it's an old battle. But if

0:16:06.560 --> 0:16:10.880
<v Speaker 1>you talk about showmanship, you know, instant rhymes on deck

0:16:11.040 --> 0:16:17.280
<v Speaker 1>right there? That was hot? Okay, um, I gotta ask

0:16:17.280 --> 0:16:21.200
<v Speaker 1>you about what's up? What what? How did you like?

0:16:21.400 --> 0:16:25.440
<v Speaker 1>What did you like? It was it? It isn't your

0:16:24.440 --> 0:16:28.560
<v Speaker 1>even battles? I think I think it gave both of

0:16:28.600 --> 0:16:32.440
<v Speaker 1>them credibility and what wait? Well, because for me as

0:16:32.440 --> 0:16:35.760
<v Speaker 1>an m C, like like when people say top five, okay,

0:16:35.920 --> 0:16:38.440
<v Speaker 1>everybody got their top five. Everybody, you know what I'm saying.

0:16:38.840 --> 0:16:42.200
<v Speaker 1>But if you ain't battle, if you ain't did tours,

0:16:42.720 --> 0:16:45.480
<v Speaker 1>if you ain't putting no hits out, if you ain't

0:16:45.520 --> 0:16:48.560
<v Speaker 1>put somebody else on or came from a legacy that

0:16:48.760 --> 0:16:53.440
<v Speaker 1>was wild, you ain't even nowhere near the top five. So, dudes,

0:16:53.560 --> 0:16:56.840
<v Speaker 1>is like, I'm looking for young cats today to really

0:16:56.960 --> 0:17:00.560
<v Speaker 1>rise up to the criteria. First, first, with your battle

0:17:01.160 --> 0:17:03.720
<v Speaker 1>you say you dope, bring it right now, because his

0:17:03.840 --> 0:17:06.399
<v Speaker 1>nigg is like me out here, like straight up, I

0:17:06.520 --> 0:17:15.200
<v Speaker 1>stay hung okay, stay hungry. You claim you hungry, you

0:17:15.280 --> 0:17:17.520
<v Speaker 1>claim who you know, I'm the man, I'm I'm in

0:17:17.640 --> 0:17:21.240
<v Speaker 1>this and now today with social media, you could claim

0:17:21.280 --> 0:17:26.320
<v Speaker 1>anything and everybody. So with Draking Mills, to me, it

0:17:26.400 --> 0:17:29.879
<v Speaker 1>gave them the credibility that they needed for even me

0:17:29.960 --> 0:17:32.240
<v Speaker 1>to look at them as real mcs. I like both

0:17:32.280 --> 0:17:34.760
<v Speaker 1>of the lyrics. By the way, Drake. I think it's

0:17:34.880 --> 0:17:37.359
<v Speaker 1>underrated in terms of because maybe he's doing the pop

0:17:37.400 --> 0:17:41.440
<v Speaker 1>thing or whatever, but his lyrics is still dope from

0:17:41.440 --> 0:17:43.920
<v Speaker 1>a MC perspective. No let me, I don't. I don't

0:17:43.960 --> 0:17:47.840
<v Speaker 1>want to cut you off. But there's been allegations that

0:17:48.040 --> 0:17:51.000
<v Speaker 1>he had help on his lyrics. You writers, you, how

0:17:51.040 --> 0:17:53.359
<v Speaker 1>do you feel like this? I'm very curious that this

0:17:53.960 --> 0:17:56.480
<v Speaker 1>look because but because you do come from a day

0:17:56.480 --> 0:18:00.440
<v Speaker 1>where people are by um writing bismarck lyrics. This Mark

0:18:00.520 --> 0:18:03.119
<v Speaker 1>was upfront about it. Ice Cube said, um he's he

0:18:03.200 --> 0:18:07.520
<v Speaker 1>said ice Cube the rhymes that I say, and to me,

0:18:07.640 --> 0:18:11.480
<v Speaker 1>he was one of the most So how did you

0:18:11.560 --> 0:18:13.959
<v Speaker 1>feel when you found out that Drake might have had

0:18:14.040 --> 0:18:18.159
<v Speaker 1>some help. Was that doesn't disturb me at all. It

0:18:18.280 --> 0:18:24.360
<v Speaker 1>diminishes him in front of those that write their own lyrics. Okay, now,

0:18:24.440 --> 0:18:27.200
<v Speaker 1>those of us to split the raw from our own heart.

0:18:28.040 --> 0:18:29.919
<v Speaker 1>You you really got to step up and come up

0:18:29.960 --> 0:18:32.760
<v Speaker 1>to the plate on that level. But we're talking about

0:18:32.920 --> 0:18:35.120
<v Speaker 1>m C and as a whole art. Talk about rappers

0:18:35.160 --> 0:18:37.840
<v Speaker 1>a whole art. No, if you got a dope writer

0:18:38.040 --> 0:18:40.639
<v Speaker 1>that can make you sound like something, got ahead and

0:18:40.680 --> 0:18:44.520
<v Speaker 1>get with dude. The issue is writing. This is the

0:18:44.640 --> 0:18:49.000
<v Speaker 1>issue writing. Don't rhymes. I don't give a funk where

0:18:49.000 --> 0:18:53.120
<v Speaker 1>it comes from. Writer whoever. Some of the dopest dudes,

0:18:53.160 --> 0:18:56.119
<v Speaker 1>and I'm not gonna call no names rhymes. You said, Yo,

0:18:56.200 --> 0:19:00.680
<v Speaker 1>it's like this secrets in hip. Okay, his news that

0:19:00.920 --> 0:19:04.439
<v Speaker 1>dude right for them, that's not a problem. Not me.

0:19:04.640 --> 0:19:07.720
<v Speaker 1>I never had the privilege of anyone writing for me. Okay,

0:19:07.800 --> 0:19:12.080
<v Speaker 1>I I you know you're too smart. Let me tell you.

0:19:12.160 --> 0:19:14.359
<v Speaker 1>Let me tell you. If Rock Kim came to me

0:19:14.400 --> 0:19:17.320
<v Speaker 1>with a rahm, I say that ship this is crazy.

0:19:17.359 --> 0:19:23.040
<v Speaker 1>I say that this is crazy. I need to believed.

0:19:23.359 --> 0:19:25.439
<v Speaker 1>You have to listen. Drake sent me to check. I

0:19:25.520 --> 0:19:29.520
<v Speaker 1>have just saved just saved you. You are that cool

0:19:29.720 --> 0:19:33.320
<v Speaker 1>in every community drinking k r S has set it

0:19:33.320 --> 0:19:36.719
<v Speaker 1>on a drink Chess podcast that he's okay. No, I'm okay.

0:19:36.760 --> 0:19:41.560
<v Speaker 1>Look not it real spinn is it right? They rhymes?

0:19:41.800 --> 0:19:45.160
<v Speaker 1>It will never be okay with real spins it right there? Okay,

0:19:45.240 --> 0:19:48.440
<v Speaker 1>but that's our lane, that's our category. That's a level

0:19:48.520 --> 0:19:52.080
<v Speaker 1>of excellence that you have to get to. Okay, now,

0:19:52.480 --> 0:19:56.520
<v Speaker 1>but my issue is right, Look, here's the opposite. Some

0:19:56.680 --> 0:19:59.160
<v Speaker 1>dude write your rhymes and they whack and you say

0:19:59.200 --> 0:20:03.480
<v Speaker 1>them ships and way I heard dude say what ROMs

0:20:03.520 --> 0:20:09.160
<v Speaker 1>that they didn't even right. That's corny, Okay, but if

0:20:09.200 --> 0:20:12.119
<v Speaker 1>you got a real shooter with you, dude, it's right

0:20:12.240 --> 0:20:15.800
<v Speaker 1>and raw ship. We'll make sure he paid a brother,

0:20:16.320 --> 0:20:18.920
<v Speaker 1>make sure he gets some credit at some point in

0:20:18.960 --> 0:20:22.560
<v Speaker 1>your career. Let's say that ship, say that dope ship.

0:20:22.800 --> 0:20:27.480
<v Speaker 1>Hip hop needs dope lyrics. We don't need dope. Mcs understand,

0:20:29.320 --> 0:20:32.040
<v Speaker 1>we need dope lyrics. We need to write. I don't

0:20:32.040 --> 0:20:35.239
<v Speaker 1>care where it comes from. Your mom's could write you

0:20:35.320 --> 0:20:45.160
<v Speaker 1>some ship. That ship is dope right, most lyrics, you're saying,

0:20:45.160 --> 0:20:48.280
<v Speaker 1>it's the vessel. It's just about mcs all the vessel. Look,

0:20:48.440 --> 0:20:50.200
<v Speaker 1>if you really get down to it, I don't write

0:20:50.240 --> 0:20:53.600
<v Speaker 1>my own lyrics. God writes my lyrics, goddamnit. So if

0:20:53.680 --> 0:20:55.680
<v Speaker 1>you think about it, none of us are writing our

0:20:55.720 --> 0:20:58.879
<v Speaker 1>own lyrics. We all any m C that writes his lyrics.

0:20:59.240 --> 0:21:00.639
<v Speaker 1>You know, you're sitting there with the pen, the pad

0:21:00.760 --> 0:21:03.040
<v Speaker 1>or whatever, your phone, whatever it is, and you hum

0:21:03.080 --> 0:21:07.240
<v Speaker 1>your ship out. You hear that ship from someplace else.

0:21:07.680 --> 0:21:15.000
<v Speaker 1>You're like criminal man and dj is don't even start

0:21:15.080 --> 0:21:19.879
<v Speaker 1>with that. You as producers, you hear the beats before

0:21:20.000 --> 0:21:22.240
<v Speaker 1>you hit the thing. You know what you're gonna do,

0:21:22.359 --> 0:21:25.120
<v Speaker 1>before you do it. You hum it out, you bang

0:21:25.160 --> 0:21:28.679
<v Speaker 1>it out, but you hear something. So no one is original,

0:21:28.880 --> 0:21:32.960
<v Speaker 1>No art is original. We are all being influenced by

0:21:33.080 --> 0:21:38.040
<v Speaker 1>everything and everyone. The corny motherfucker is the one who

0:21:38.080 --> 0:21:41.880
<v Speaker 1>doesn't say, yo, my g wrote this. Give it three years,

0:21:41.920 --> 0:21:44.280
<v Speaker 1>four years. You know you made some success after you

0:21:44.359 --> 0:21:48.840
<v Speaker 1>got on spicking man. Acknowledge, acknowledge your dude, man, Yo,

0:21:49.040 --> 0:21:51.040
<v Speaker 1>this is what it is. Hit him with his cash.

0:21:51.080 --> 0:21:52.720
<v Speaker 1>You he know, you know he helped you get what

0:21:52.840 --> 0:21:55.480
<v Speaker 1>You gotta go. Hit him with his cash. Make sure

0:21:55.520 --> 0:21:59.160
<v Speaker 1>he's good and his family is good. That's respecting hip hop.

0:21:59.200 --> 0:22:01.720
<v Speaker 1>That's big respect now in this day, Like a lot

0:22:01.720 --> 0:22:03.680
<v Speaker 1>of the o G s, they'll sit back and they'll

0:22:03.680 --> 0:22:08.440
<v Speaker 1>be like, you know, I don't like this. Do you

0:22:08.560 --> 0:22:11.399
<v Speaker 1>listen to what's going on now? Or you know they

0:22:11.480 --> 0:22:17.439
<v Speaker 1>had their chance, they're over, They're finished that they had

0:22:17.480 --> 0:22:20.399
<v Speaker 1>their chances. That ship is over. That's just funk. All

0:22:20.440 --> 0:22:23.240
<v Speaker 1>that old school show, all that's just done. You do

0:22:23.359 --> 0:22:27.760
<v Speaker 1>listen to the new school. Yeah, I listened to everything. Okay,

0:22:27.800 --> 0:22:30.199
<v Speaker 1>I listen to everything. Okay. I was just with my

0:22:30.200 --> 0:22:32.840
<v Speaker 1>man l A. Sunshine. He put a book out. He

0:22:32.880 --> 0:22:35.199
<v Speaker 1>was just kicking it up in the Bronx. That's my

0:22:35.359 --> 0:22:38.159
<v Speaker 1>G right there, Komo D that's my G. Busy b

0:22:38.920 --> 0:22:42.200
<v Speaker 1>no doubt. These are my dogs, no doubt. But let

0:22:42.200 --> 0:22:44.560
<v Speaker 1>me let me let me see Joey Badass right now,

0:22:44.680 --> 0:22:47.520
<v Speaker 1>let me see you know. Um yeah, you know what

0:22:47.600 --> 0:22:50.560
<v Speaker 1>I'm saying, like like I don't want to call names,

0:22:50.560 --> 0:22:58.720
<v Speaker 1>but I'm just saying let me just you know, but no,

0:22:59.000 --> 0:23:05.879
<v Speaker 1>I listened to every thing. Man. Yeah, I really appreciate

0:23:06.080 --> 0:23:11.080
<v Speaker 1>um you having that attitude because now I am They

0:23:11.119 --> 0:23:14.359
<v Speaker 1>called me a o G. Now thirty years you know,

0:23:15.119 --> 0:23:19.760
<v Speaker 1>hip hop was born and what Yeah, seventy three. I

0:23:19.800 --> 0:23:22.480
<v Speaker 1>was born in seventy seven. So now they're calling me

0:23:22.520 --> 0:23:25.280
<v Speaker 1>a O G and I want to sit back and

0:23:25.320 --> 0:23:28.320
<v Speaker 1>I want to give back to this life. So we

0:23:28.400 --> 0:23:30.680
<v Speaker 1>we were doing this podcast. I want to get people

0:23:30.760 --> 0:23:33.560
<v Speaker 1>like you a platform to say whatever the funk you

0:23:33.600 --> 0:23:37.720
<v Speaker 1>want to see any time. You know, it's okay, we

0:23:37.720 --> 0:23:42.800
<v Speaker 1>don't get, we don't care, get another drink. So this

0:23:42.880 --> 0:23:47.560
<v Speaker 1>has been one of my um uh accomplishments in life.

0:23:47.600 --> 0:23:51.000
<v Speaker 1>You know, people got bucket list. You know, You've always

0:23:51.119 --> 0:23:54.800
<v Speaker 1>been a person that I've learned from, Like, whether you

0:23:54.840 --> 0:23:57.639
<v Speaker 1>know it direct or indirect. You ain't even asked me

0:23:57.680 --> 0:24:00.680
<v Speaker 1>to pass the blank some foul people, but it's okay,

0:24:00.720 --> 0:24:05.760
<v Speaker 1>I understand from kindle, so I'm not looking so you directly,

0:24:06.040 --> 0:24:09.359
<v Speaker 1>you directly. Somebody said to me the other day. It

0:24:09.440 --> 0:24:11.919
<v Speaker 1>said Jay Z and Jay the Kiss raised me with

0:24:12.040 --> 0:24:15.399
<v Speaker 1>their bars and they fucked me up because I was like,

0:24:15.480 --> 0:24:18.800
<v Speaker 1>damn well. Then I always told people if you take

0:24:18.840 --> 0:24:21.239
<v Speaker 1>care ress one and then you take a little bit

0:24:21.280 --> 0:24:24.000
<v Speaker 1>of bis markey and a little bit of Granddaddy are you,

0:24:24.240 --> 0:24:27.720
<v Speaker 1>that's when you get in all. But you noticed I

0:24:27.800 --> 0:24:33.120
<v Speaker 1>never took none of your styles. But I was as yeah,

0:24:33.160 --> 0:24:36.280
<v Speaker 1>that's that's three totally different people. But that's who made

0:24:36.320 --> 0:24:41.960
<v Speaker 1>me because you taught me that black is beautiful and

0:24:42.080 --> 0:24:47.560
<v Speaker 1>be yourself. BIS taught me. BIS taught me life Ain't

0:24:47.600 --> 0:24:52.879
<v Speaker 1>that serious, homie, have some fun. And then Granddaddy you

0:24:53.040 --> 0:24:56.159
<v Speaker 1>told me how to be exact opposite of him because

0:24:56.160 --> 0:24:59.200
<v Speaker 1>he was so smooth, Like I feel like Granddaddy you

0:24:59.320 --> 0:25:01.960
<v Speaker 1>was like the cane that never I'm gonna take it.

0:25:02.080 --> 0:25:04.879
<v Speaker 1>My first interview ever smoking, you know, big up hockey

0:25:04.920 --> 0:25:10.320
<v Speaker 1>in Green. My brother, my brother. Another legend is in

0:25:10.320 --> 0:25:12.960
<v Speaker 1>the building. Swark matters and let's just get into that. Man,

0:25:13.720 --> 0:25:18.920
<v Speaker 1>How did swark maddism come about? Damn Well, first of all,

0:25:19.000 --> 0:25:21.919
<v Speaker 1>Hawk was a was a school teacher. No, I did

0:25:21.960 --> 0:25:27.600
<v Speaker 1>never knew that let's make some noise to school with

0:25:27.760 --> 0:25:30.880
<v Speaker 1>the teacher. Okay with the teacher. So he was one

0:25:30.960 --> 0:25:34.600
<v Speaker 1>of the many teachers and professors I was rolling with

0:25:34.800 --> 0:25:39.119
<v Speaker 1>about ninety three. Hot rolled up and said, yo, So

0:25:39.280 --> 0:25:41.280
<v Speaker 1>I took he kept coming to my lectures. I was

0:25:41.320 --> 0:25:43.520
<v Speaker 1>doing lectures around, so he kept coming to the lectures.

0:25:43.560 --> 0:25:45.840
<v Speaker 1>So I said, you know, you look like you am sick.

0:25:47.040 --> 0:25:50.640
<v Speaker 1>It look like you know you get that back there. Yeah,

0:25:50.720 --> 0:25:53.480
<v Speaker 1>you just started that's rights and I said, you know,

0:25:53.520 --> 0:25:55.480
<v Speaker 1>you look like an m C. He was like, why

0:25:55.480 --> 0:25:57.480
<v Speaker 1>how did you so make a long story shot? I

0:25:57.600 --> 0:26:00.760
<v Speaker 1>heard him. I loved it, but I said, that's solo MC.

0:26:01.040 --> 0:26:04.199
<v Speaker 1>Thing not gonna work. We need two people. This is

0:26:04.280 --> 0:26:09.040
<v Speaker 1>like das Effects was hitting nice and smooth. They were

0:26:09.040 --> 0:26:14.880
<v Speaker 1>signed to Yes, well technically to to my wife Simone

0:26:14.960 --> 0:26:18.239
<v Speaker 1>was running Front Page Records. Technically k Arrest was with

0:26:18.320 --> 0:26:22.800
<v Speaker 1>the label Channel Live Mad lion Um for a minute,

0:26:22.840 --> 0:26:26.160
<v Speaker 1>even Fat Joe. But but we was closing the label

0:26:26.240 --> 0:26:29.320
<v Speaker 1>at at the closing the company, the management company at

0:26:29.320 --> 0:26:32.720
<v Speaker 1>the time when Joe just started to blow, We was

0:26:33.000 --> 0:26:35.719
<v Speaker 1>just coming down on on on that level, same thing

0:26:35.760 --> 0:26:41.600
<v Speaker 1>with excuse me, priz and and no not before they

0:26:41.600 --> 0:26:44.919
<v Speaker 1>would have oh yeah, actually the refugees, it was just

0:26:45.040 --> 0:26:49.800
<v Speaker 1>Prize and to sign yes we we We did some

0:26:49.840 --> 0:26:53.080
<v Speaker 1>of their first shows, you know for no note no

0:26:53.600 --> 0:26:57.000
<v Speaker 1>that was no no, no. We wasn't in no position

0:26:57.240 --> 0:27:01.400
<v Speaker 1>whatsoever to deal with them. They they you can white

0:27:01.400 --> 0:27:04.000
<v Speaker 1>Coulf used to pull out a guitar. He still does

0:27:04.000 --> 0:27:10.160
<v Speaker 1>it in the middle of it. He still doesn't. He's

0:27:10.200 --> 0:27:12.720
<v Speaker 1>just started out like you know, it was like you know,

0:27:13.080 --> 0:27:16.240
<v Speaker 1>you got ahead and uh, but but it was dope.

0:27:16.280 --> 0:27:20.119
<v Speaker 1>So anyway, we got in the studio, and you know,

0:27:20.640 --> 0:27:23.000
<v Speaker 1>I grew up in a herb culture. You know what

0:27:23.000 --> 0:27:26.520
<v Speaker 1>I'm saying. I grew up in Flatbush, Brooklyn Church Havnue

0:27:26.640 --> 0:27:30.560
<v Speaker 1>right there and he Rasmus High School, wing Gate High School,

0:27:30.600 --> 0:27:34.040
<v Speaker 1>shout out to Prospect, the whole nine. So I grew

0:27:34.119 --> 0:27:36.359
<v Speaker 1>up there in the seventies when you were born seventies,

0:27:37.359 --> 0:27:45.240
<v Speaker 1>I was in the parks. Memory. The reason we went

0:27:45.359 --> 0:27:49.200
<v Speaker 1>in Brooklyn, and you're trying to get is that's going

0:27:49.240 --> 0:27:53.879
<v Speaker 1>on our game. So there we was in Flatbush. So

0:27:54.080 --> 0:27:57.960
<v Speaker 1>I grew up in in in herb culture and not

0:27:58.040 --> 0:28:00.280
<v Speaker 1>from the point of view like are we just gonna

0:28:00.320 --> 0:28:04.160
<v Speaker 1>smoke mud. I was with with Rosters and the Ethiopian

0:28:04.280 --> 0:28:07.960
<v Speaker 1>Orthodox Church. We had the Bible open. Dudes was smoking

0:28:08.000 --> 0:28:12.040
<v Speaker 1>towards the east. Childie burned down roam. Every time the

0:28:12.160 --> 0:28:14.919
<v Speaker 1>child is burned, you had to say, yo. We was

0:28:15.080 --> 0:28:18.120
<v Speaker 1>like in that culture for real. So it was like

0:28:18.560 --> 0:28:20.879
<v Speaker 1>I grew up with like no problem, like yo burned apart.

0:28:20.920 --> 0:28:23.760
<v Speaker 1>Why does no big deal? One moved up to the

0:28:23.760 --> 0:28:27.359
<v Speaker 1>Bronx when I became homeless like an one or two.

0:28:27.920 --> 0:28:30.440
<v Speaker 1>So that story is true. Oh yeah, no doubt about

0:28:30.480 --> 0:28:33.199
<v Speaker 1>four years. That's how I met Scott Larrock. Uh he

0:28:33.280 --> 0:28:35.360
<v Speaker 1>was a social worker in the shelter. But we'll get

0:28:35.359 --> 0:28:39.560
<v Speaker 1>back to that. Uh. So I grew up in the culture.

0:28:39.640 --> 0:28:43.320
<v Speaker 1>So for me, Peter Toash since nineteen seventy one was

0:28:43.400 --> 0:28:47.680
<v Speaker 1>yelling for the legalization of marijuana. Since seventy one. Everybody

0:28:47.840 --> 0:28:52.719
<v Speaker 1>know that. You know, the judges are smoking, the cops smoke.

0:28:52.920 --> 0:28:57.520
<v Speaker 1>The doctor's been saying, this is the safest plant. In fact,

0:28:57.640 --> 0:29:03.720
<v Speaker 1>this is the healing of the nation right here, all times, kancers,

0:29:04.040 --> 0:29:07.160
<v Speaker 1>you name it, herb is the healing for that. But

0:29:07.280 --> 0:29:10.200
<v Speaker 1>now you got this tax issue, and you got this

0:29:10.640 --> 0:29:13.000
<v Speaker 1>dudes that don't want to give up their power. They

0:29:13.040 --> 0:29:16.440
<v Speaker 1>get more money and more power selling it illegally. You

0:29:16.480 --> 0:29:19.480
<v Speaker 1>don't you really don't want the government selling weed. You

0:29:19.560 --> 0:29:22.360
<v Speaker 1>really don't want that because the idea is that it's

0:29:22.360 --> 0:29:24.760
<v Speaker 1>gonna get whacked. It's like whatever the government put they

0:29:24.840 --> 0:29:27.280
<v Speaker 1>they can't even teach English correctly, like you know what

0:29:27.360 --> 0:29:30.280
<v Speaker 1>I'm saying, Like anything that the government puts his hand into,

0:29:30.320 --> 0:29:32.800
<v Speaker 1>it starts to get sterile, it starts to get waged.

0:29:32.840 --> 0:29:36.040
<v Speaker 1>You don't have no complication wordered down. So dude is like, no,

0:29:36.200 --> 0:29:38.160
<v Speaker 1>we want to grow that ship right there in Mexico,

0:29:38.640 --> 0:29:43.760
<v Speaker 1>right there in Afghanistan, right there up in and now Colorado, Seattle.

0:29:43.920 --> 0:29:46.560
<v Speaker 1>They just went rogue with it and just said, you

0:29:46.600 --> 0:29:48.760
<v Speaker 1>know what, We're just gonna do it. And I think

0:29:48.840 --> 0:29:51.760
<v Speaker 1>it was done for the kids in the area because

0:29:51.800 --> 0:29:54.720
<v Speaker 1>they're not locking their kids up, you know what I'm saying.

0:29:54.720 --> 0:29:57.680
<v Speaker 1>They're not gonna do that. They rather change the laws

0:29:58.000 --> 0:30:00.200
<v Speaker 1>than see their kids in the family go through that.

0:30:00.200 --> 0:30:03.480
<v Speaker 1>That's why I think it really got legalized. You could

0:30:03.520 --> 0:30:07.560
<v Speaker 1>cite medical lists or medical that, but really it's it's

0:30:07.600 --> 0:30:10.040
<v Speaker 1>a it's an issue of going to prison. Families have

0:30:10.400 --> 0:30:14.040
<v Speaker 1>been ruined by just smoking a joint or having herb

0:30:14.240 --> 0:30:16.680
<v Speaker 1>on you. This is a plant that grows and in

0:30:16.760 --> 0:30:21.520
<v Speaker 1>the world. Like how is the government like even allowed

0:30:21.680 --> 0:30:25.240
<v Speaker 1>to tell you how you should think? Like that's to begin,

0:30:25.320 --> 0:30:27.440
<v Speaker 1>Like like if I smoke button, I'm like, yeah, I

0:30:27.440 --> 0:30:30.200
<v Speaker 1>feel great on this. Why are you telling me? I

0:30:30.640 --> 0:30:34.680
<v Speaker 1>don't like like like the use of the word nigga

0:30:34.760 --> 0:30:40.080
<v Speaker 1>for instance, same ship, that's my nigga right there. I

0:30:40.160 --> 0:30:44.400
<v Speaker 1>know what I'm saying, nigga, I got three pH d s. Nigga,

0:30:45.520 --> 0:30:48.480
<v Speaker 1>I write books, nigga, what I know, what the funk

0:30:48.560 --> 0:30:51.880
<v Speaker 1>I'm saying. But now, black people ain't supposed the thing.

0:30:52.320 --> 0:30:55.040
<v Speaker 1>We're not supposed to have governance over our own mouth,

0:30:55.200 --> 0:30:58.080
<v Speaker 1>over our own thinking. So if I tell you, listen,

0:30:58.280 --> 0:31:00.960
<v Speaker 1>when I say my nigga, I'm talking really mean my brother.

0:31:01.320 --> 0:31:04.480
<v Speaker 1>Listen to how I say it, my nigger, that's my

0:31:04.640 --> 0:31:07.360
<v Speaker 1>brother right there. Now, I just told you what it is.

0:31:08.080 --> 0:31:12.160
<v Speaker 1>The problem is there's no law in the United States

0:31:12.920 --> 0:31:15.960
<v Speaker 1>made by black people that white people are bound to respect.

0:31:17.240 --> 0:31:20.240
<v Speaker 1>Imagine we follow all a laws, what lord they follow

0:31:20.280 --> 0:31:24.480
<v Speaker 1>of ours? There's no Latino brother to kings. I said, look,

0:31:24.560 --> 0:31:27.280
<v Speaker 1>this is what helps Latino people. Right here, y'all gonna fight.

0:31:27.320 --> 0:31:30.120
<v Speaker 1>We want black whits everybody. You're gonna follow our laws.

0:31:30.480 --> 0:31:33.640
<v Speaker 1>We we follow the Constitution, Should we follow state ordinances?

0:31:33.920 --> 0:31:37.640
<v Speaker 1>All that's white law. But here's now the Native American

0:31:37.720 --> 0:31:41.600
<v Speaker 1>law while we're not. Nah, this country is not built

0:31:41.600 --> 0:31:46.160
<v Speaker 1>on following anybody else's law except their own. And when

0:31:46.160 --> 0:31:50.320
<v Speaker 1>it comes to marijuana, it becomes an issue of freedom

0:31:50.320 --> 0:31:54.560
<v Speaker 1>of thought, like this is how I think. Do you

0:31:54.600 --> 0:31:56.800
<v Speaker 1>have the right to tell me what state of mind

0:31:56.840 --> 0:32:01.400
<v Speaker 1>I should be into? Like, no, this is the state

0:32:01.440 --> 0:32:03.800
<v Speaker 1>of mind that I feel I should be. And as

0:32:03.800 --> 0:32:08.520
<v Speaker 1>a matter of fact, the U. S Constitution, it's federal

0:32:08.640 --> 0:32:12.440
<v Speaker 1>law to be happy in the United States, the pursuit

0:32:12.520 --> 0:32:16.880
<v Speaker 1>of life, liberty, and the pursuit of happiness. So if

0:32:16.880 --> 0:32:20.160
<v Speaker 1>you get happiness, that's illegal. If you're sad and depressed

0:32:20.160 --> 0:32:24.440
<v Speaker 1>in the US, you broke federal law. Wow, you broke

0:32:24.480 --> 0:32:27.360
<v Speaker 1>federal law. The government should be doing. The Constitution and

0:32:27.400 --> 0:32:31.360
<v Speaker 1>the Declaration of Independence. The spirit of it is all

0:32:31.440 --> 0:32:39.440
<v Speaker 1>about liberty, justice, freedom, happiness for all. The pursuit of

0:32:39.520 --> 0:32:53.080
<v Speaker 1>happiness is law. Welcome to Play, a new podcast network

0:32:53.160 --> 0:32:57.720
<v Speaker 1>featuring radio and TV personalities talking business, sports, tech, entertainment,

0:32:57.760 --> 0:33:02.200
<v Speaker 1>and more. Play it at play dot In We're back

0:33:02.280 --> 0:33:06.760
<v Speaker 1>to Drink Champs Radio with Rapper and R and d J. Then,

0:33:08.440 --> 0:33:10.360
<v Speaker 1>so I'm gonna change it up real quick. Come on

0:33:11.200 --> 0:33:14.920
<v Speaker 1>a crazy hip hop story. As you went to the

0:33:14.920 --> 0:33:19.520
<v Speaker 1>Palladium and you threw P M. Dawn off the stage,

0:33:20.120 --> 0:33:21.960
<v Speaker 1>I gotta get this story. Let's make some noise, but

0:33:22.000 --> 0:33:25.880
<v Speaker 1>I gotta story. Yo. That's when, like you, you've been

0:33:25.960 --> 0:33:29.080
<v Speaker 1>my hero. But like it's like that's when I made

0:33:29.120 --> 0:33:32.080
<v Speaker 1>my choice from Malcolm and Martin. It was like Martin,

0:33:32.320 --> 0:33:34.720
<v Speaker 1>like I still think Mary was killing people at night

0:33:34.960 --> 0:33:36.840
<v Speaker 1>when he went like I think he still think Marrow

0:33:36.880 --> 0:33:38.840
<v Speaker 1>was a shoot up, Like I still in my heart,

0:33:39.000 --> 0:33:43.360
<v Speaker 1>in my heart. But but Malcolm, Malcolm was like, straight up,

0:33:43.400 --> 0:33:48.280
<v Speaker 1>I'm gonna shoot you back. So when Chris, I'm very

0:33:48.320 --> 0:33:52.400
<v Speaker 1>I feel like I'm honored. So I felt like the

0:33:52.480 --> 0:33:54.720
<v Speaker 1>minute you threw p M down on stage is like, yes,

0:33:54.760 --> 0:33:57.640
<v Speaker 1>he could teach me and he'll still that's exactly what

0:33:57.680 --> 0:34:03.320
<v Speaker 1>I wanted. That's makes it. So what did he do

0:34:03.480 --> 0:34:05.560
<v Speaker 1>for you to throw him off the stage? I never

0:34:05.680 --> 0:34:07.680
<v Speaker 1>really got that part of the story. Well, if you

0:34:07.720 --> 0:34:15.960
<v Speaker 1>want the scholarly approach, approach, Okay, so dude, stop mouthing

0:34:16.000 --> 0:34:20.000
<v Speaker 1>off in Details magazine. Okay, now this is now, this

0:34:20.040 --> 0:34:23.160
<v Speaker 1>is the mood that we're in around this time. I

0:34:23.160 --> 0:34:28.960
<v Speaker 1>think we'll I forgot what year. This was nineties nine? No, no, no, oh, no,

0:34:29.040 --> 0:34:32.560
<v Speaker 1>it was Kay, it's ninety two and it wasn't The

0:34:32.560 --> 0:34:37.400
<v Speaker 1>Palladium was like, no, it was a small club in Manhattan.

0:34:37.520 --> 0:34:39.960
<v Speaker 1>I don't remember that. It was one of the clubs

0:34:40.120 --> 0:34:43.040
<v Speaker 1>that have like like car wash was it wasn't. That

0:34:43.160 --> 0:34:45.640
<v Speaker 1>wasn't the name of the place. That's just the name

0:34:45.640 --> 0:34:52.840
<v Speaker 1>of the night. The night right, it was it sound fast,

0:34:53.800 --> 0:34:56.880
<v Speaker 1>so sound factory. Okay, wait a minute, now here's the

0:34:56.920 --> 0:35:01.080
<v Speaker 1>mood of it. Ninety two Okay, around the time, this

0:35:01.120 --> 0:35:05.680
<v Speaker 1>is when, like you said, knowledge was just hitting hip hop.

0:35:05.760 --> 0:35:09.719
<v Speaker 1>Hip hop was some ignorant as ship. Okay. Of course

0:35:09.760 --> 0:35:12.160
<v Speaker 1>you did have run DMC, you had Houdini, you had

0:35:12.200 --> 0:35:15.600
<v Speaker 1>those who were actually rocking on on a supposedly more

0:35:15.640 --> 0:35:20.160
<v Speaker 1>intelligent level, especially run DMC with it's like that, and

0:35:20.160 --> 0:35:22.960
<v Speaker 1>and all types of record societies got to salute you

0:35:22.960 --> 0:35:25.439
<v Speaker 1>in the interview. Just do that. You know what I'm saying.

0:35:25.680 --> 0:35:27.840
<v Speaker 1>First of all, you know, that's who the viewer is

0:35:27.920 --> 0:35:31.759
<v Speaker 1>to know someone is drinking of my time and drink.

0:35:32.400 --> 0:35:35.680
<v Speaker 1>If you have traveled, you probably don't know where the

0:35:35.760 --> 0:35:38.879
<v Speaker 1>funking my tie is. Okay, so this is you have.

0:35:39.080 --> 0:35:41.800
<v Speaker 1>This is a Hawaii drink. People like, do you continue

0:35:41.840 --> 0:35:44.600
<v Speaker 1>to drink? That's how you know making money for long?

0:35:44.680 --> 0:35:48.000
<v Speaker 1>He wasn't Tahiti or something. I mean, I'm with this ship, yes, yes, yes,

0:35:48.080 --> 0:35:50.440
<v Speaker 1>thank you for thank you for coming again, thanks for

0:35:50.520 --> 0:35:54.560
<v Speaker 1>opening your dog. Okay. So anyway, so anyway, so so

0:35:56.200 --> 0:36:00.520
<v Speaker 1>the mood and nothing by the but I'm I'm good,

0:36:01.040 --> 0:36:07.120
<v Speaker 1>I'm gonna get you later on. Look this this move

0:36:07.320 --> 0:36:10.160
<v Speaker 1>this time is when I had just put out you

0:36:10.239 --> 0:36:14.760
<v Speaker 1>must learn to stop the violence movement? Why is that?

0:36:15.080 --> 0:36:17.600
<v Speaker 1>And then what's what's the joint? What's the joint? He

0:36:17.640 --> 0:36:21.440
<v Speaker 1>got out? I don't know why. Why did he let

0:36:22.400 --> 0:36:24.520
<v Speaker 1>well it wasn't just me, but he did say he

0:36:24.520 --> 0:36:30.960
<v Speaker 1>tested more. Yes, ok. In his Details magazine he had

0:36:31.000 --> 0:36:33.279
<v Speaker 1>said something pertaining to the fact. He said, n w

0:36:33.280 --> 0:36:36.840
<v Speaker 1>A is nothing. Chuck d is making mountains out of

0:36:36.880 --> 0:36:41.319
<v Speaker 1>mole hills, and careis one is kiss. One wants to

0:36:41.320 --> 0:36:45.000
<v Speaker 1>be a teacher, but a teacher of what? And for

0:36:45.160 --> 0:36:49.520
<v Speaker 1>me it matter for me. But Chuck at the time

0:36:49.640 --> 0:36:54.720
<v Speaker 1>was receiving death threats because of the controversy with Griff Griffin,

0:36:56.000 --> 0:36:59.600
<v Speaker 1>the Jewish comments. Griffin made a statement, so public Enemy

0:36:59.680 --> 0:37:05.240
<v Speaker 1>was the real heat in America. Okay, and this dude

0:37:05.480 --> 0:37:08.319
<v Speaker 1>just sold like a million records, so he had a

0:37:08.360 --> 0:37:11.080
<v Speaker 1>really good year, you know, selling records. So he's just

0:37:11.200 --> 0:37:16.520
<v Speaker 1>mouthing off like it's our time now these with these dudes,

0:37:16.560 --> 0:37:19.799
<v Speaker 1>and you know these dudes is over. N w A

0:37:19.800 --> 0:37:24.160
<v Speaker 1>ain't nothing, Chuck, the public Enemy ain't saying nothing. Arrest this.

0:37:24.600 --> 0:37:27.360
<v Speaker 1>So I let it go for a minute. So this

0:37:27.640 --> 0:37:30.479
<v Speaker 1>this was like over months. This is like the first

0:37:31.080 --> 0:37:32.600
<v Speaker 1>no no, no no, no, this is over a period. And

0:37:32.680 --> 0:37:35.919
<v Speaker 1>it wasn't just him. So I had also a little

0:37:36.000 --> 0:37:40.400
<v Speaker 1>running with X Clan around the same time. Me and

0:37:40.640 --> 0:37:43.319
<v Speaker 1>X Clan, We're going back and forth with I mean,

0:37:43.320 --> 0:37:47.040
<v Speaker 1>brother Jay was you know, calling me Captain human and

0:37:47.480 --> 0:37:53.000
<v Speaker 1>that's the other well it wasn't that wasn't directed to,

0:37:54.200 --> 0:37:57.479
<v Speaker 1>but it was them. Yeah, and if and if you're

0:37:58.520 --> 0:38:03.160
<v Speaker 1>battling me even maybe it was so there was ex

0:38:03.200 --> 0:38:08.359
<v Speaker 1>claim Bam chilled it all out back then, right, so

0:38:08.560 --> 0:38:10.640
<v Speaker 1>he cooled it all out. We had a press conference

0:38:10.640 --> 0:38:12.960
<v Speaker 1>and just kissed it made up. That was into that.

0:38:14.200 --> 0:38:19.000
<v Speaker 1>But there were others dudes in the hood. They for

0:38:19.040 --> 0:38:22.600
<v Speaker 1>some reason, they felt people felt that if you come

0:38:22.640 --> 0:38:27.480
<v Speaker 1>out advocating peace, knowledge, wisdom, I was coming with you

0:38:28.320 --> 0:38:32.799
<v Speaker 1>that somehow we're supposed to be soft for somehow, well

0:38:32.840 --> 0:38:36.080
<v Speaker 1>you're gonna run up or I don't know what it was.

0:38:36.120 --> 0:38:41.200
<v Speaker 1>And I was naive because all my dudes was straight gangsters.

0:38:41.239 --> 0:38:43.839
<v Speaker 1>Like I'm talking about, I'm trying to take dudes off

0:38:43.880 --> 0:38:46.279
<v Speaker 1>the street, convince them, yo, we can go on tour. Man,

0:38:46.560 --> 0:38:49.000
<v Speaker 1>you ain't gonna do this. You ain't gonna do that.

0:38:49.040 --> 0:38:50.719
<v Speaker 1>And dudes is like, Yo, if you can show me

0:38:50.800 --> 0:38:53.160
<v Speaker 1>another way out of here, we could do this. So

0:38:53.200 --> 0:38:55.600
<v Speaker 1>I'm trying to take these dudes and we're trying to

0:38:55.719 --> 0:38:58.640
<v Speaker 1>leave the hood. Okay, we're trying to be positive. We

0:38:58.760 --> 0:39:01.600
<v Speaker 1>got to stop the violence this movement and PM and

0:39:01.760 --> 0:39:06.720
<v Speaker 1>he is too calm. Yeah, okay, arrestient shot but bahbah

0:39:06.719 --> 0:39:10.160
<v Speaker 1>bahba he just got finished with X clan with that

0:39:11.040 --> 0:39:14.960
<v Speaker 1>um lynch mob had made a statement ice que self destruction,

0:39:15.000 --> 0:39:17.879
<v Speaker 1>don't pay the fucking or this is after something something,

0:39:18.120 --> 0:39:22.160
<v Speaker 1>this is after all, this is what it is stuff

0:39:22.600 --> 0:39:29.719
<v Speaker 1>noise for him. You gonna we're gonna stop. And so

0:39:29.920 --> 0:39:34.120
<v Speaker 1>for some reason they thought it was so in my

0:39:34.360 --> 0:39:37.600
<v Speaker 1>corner and so PM doing is not from New York? Correct, No,

0:39:38.120 --> 0:39:42.160
<v Speaker 1>what is he? No? I don't know what that was.

0:39:41.719 --> 0:39:45.040
<v Speaker 1>So I want to know what did you say something

0:39:45.040 --> 0:39:48.080
<v Speaker 1>to him or just no, no, no, no happened? No, no, no,

0:39:48.280 --> 0:39:50.319
<v Speaker 1>this is what happened. He so he made his allegation,

0:39:51.200 --> 0:39:53.560
<v Speaker 1>and he made some other allegation on the radio or

0:39:53.560 --> 0:39:56.480
<v Speaker 1>something like that about he was ready to battle or

0:39:56.520 --> 0:39:59.880
<v Speaker 1>something or some kind of lyrical something. So I was like, great,

0:40:00.360 --> 0:40:02.920
<v Speaker 1>let's just take it right there and and leave it there.

0:40:02.920 --> 0:40:04.640
<v Speaker 1>You called my name out, What I got to do

0:40:04.680 --> 0:40:07.080
<v Speaker 1>with you? I'm doing my own thing over here. But

0:40:07.280 --> 0:40:11.200
<v Speaker 1>he was riding a wave that was saying that groups

0:40:11.239 --> 0:40:16.560
<v Speaker 1>like nWay, Public Enemy, Boogie Down Productions, they bullshit, and

0:40:16.680 --> 0:40:20.560
<v Speaker 1>we ship right hood dudes is bullshit. This is the

0:40:20.600 --> 0:40:24.000
<v Speaker 1>new ship. And so there was a big party for

0:40:24.120 --> 0:40:27.319
<v Speaker 1>Tea Money back in the day's Tea Money was at

0:40:27.360 --> 0:40:32.680
<v Speaker 1>your MTV raps host with Ed Love and Doctor big

0:40:32.760 --> 0:40:36.719
<v Speaker 1>party in in New York. Everybody in the industry was there,

0:40:36.760 --> 0:40:39.480
<v Speaker 1>which is why we had two chances he was gonna

0:40:39.520 --> 0:40:42.040
<v Speaker 1>play in somewhere he was he was gonna play with

0:40:42.080 --> 0:40:44.680
<v Speaker 1>his own show. He was gonna even go there, or

0:40:44.719 --> 0:40:48.040
<v Speaker 1>we could go right here to Manhattan where it was popping.

0:40:48.160 --> 0:40:51.000
<v Speaker 1>And we said, you know what, let's do Manhattan because

0:40:51.120 --> 0:40:55.040
<v Speaker 1>the industry is there. This is Tea Money's birthday party.

0:40:55.560 --> 0:40:58.120
<v Speaker 1>We said, you know what, let's set it straight real quick.

0:40:58.200 --> 0:41:00.640
<v Speaker 1>Right there. A couple other dudes was in the They

0:41:00.760 --> 0:41:04.560
<v Speaker 1>was called your kay arrest, ain't share what the fun that.

0:41:04.000 --> 0:41:07.479
<v Speaker 1>They went in the crowd too. So when I got there,

0:41:08.680 --> 0:41:11.480
<v Speaker 1>we were so amp like we was just so and

0:41:11.520 --> 0:41:13.520
<v Speaker 1>when I say we are again. I don't want to

0:41:13.560 --> 0:41:17.319
<v Speaker 1>call no names and put nobody on, but you know,

0:41:17.520 --> 0:41:19.480
<v Speaker 1>just the color of the story and give you some

0:41:19.600 --> 0:41:23.360
<v Speaker 1>background on it. So it was me, there was justice,

0:41:23.520 --> 0:41:29.200
<v Speaker 1>Queen Latifa. Blatifa had her crew, naughty by nature, naughty

0:41:29.239 --> 0:41:32.120
<v Speaker 1>had they crew because he did naughty? And and them too,

0:41:32.280 --> 0:41:35.239
<v Speaker 1>and them too well, no, no, no, it was just

0:41:35.320 --> 0:41:38.280
<v Speaker 1>they were just there with me. This is the early

0:41:38.360 --> 0:41:41.480
<v Speaker 1>days of flavoring, and this is this is the only

0:41:41.680 --> 0:41:52.719
<v Speaker 1>days early Okay, they all kitty like, yo, when do

0:41:52.880 --> 0:41:56.279
<v Speaker 1>we go? Oh? So you set it up? You know.

0:41:56.400 --> 0:41:57.719
<v Speaker 1>Let me just tell you something. I don't know if

0:41:57.719 --> 0:42:01.760
<v Speaker 1>you know that is a trend now when a person

0:42:01.880 --> 0:42:04.279
<v Speaker 1>has a beef with somebody, they booked them for a

0:42:04.320 --> 0:42:07.239
<v Speaker 1>show and then when the person they come out, they'll

0:42:07.239 --> 0:42:10.000
<v Speaker 1>do one or two songs and then the bum rushed

0:42:10.000 --> 0:42:12.640
<v Speaker 1>the ship. But you set that trend. I don't know

0:42:12.680 --> 0:42:16.120
<v Speaker 1>if you know that. Well, you know what, I don't

0:42:16.120 --> 0:42:19.160
<v Speaker 1>know if we didn't mean to, but you set the trend.

0:42:19.200 --> 0:42:26.000
<v Speaker 1>Let's make them knowing. Look, he so we went up.

0:42:26.040 --> 0:42:28.239
<v Speaker 1>It wasn't a set up in the sense that we

0:42:28.320 --> 0:42:31.200
<v Speaker 1>knew we were gonna go there, but we knew we

0:42:31.239 --> 0:42:35.320
<v Speaker 1>had two choices and it was like the day before,

0:42:35.320 --> 0:42:38.160
<v Speaker 1>so we chose this one. So did you actually talk

0:42:38.239 --> 0:42:40.840
<v Speaker 1>to him prior to no, No, no, you just waited

0:42:40.840 --> 0:42:43.160
<v Speaker 1>for him, just waiting for As a matter of fact,

0:42:43.239 --> 0:42:45.040
<v Speaker 1>the word had gotten out because I said, Yo, I'm

0:42:45.080 --> 0:42:47.520
<v Speaker 1>here the battle. It wasn't about throwing nobody off stage

0:42:47.719 --> 0:42:54.560
<v Speaker 1>because I'm still stop the violence. Yeah, that's why it

0:42:54.600 --> 0:42:57.600
<v Speaker 1>was a controversial. It was so when I jumped up,

0:42:57.880 --> 0:43:00.960
<v Speaker 1>what happened was I think one of his boys or something.

0:43:01.040 --> 0:43:03.440
<v Speaker 1>He had a little crew with hit me somebody with him.

0:43:03.480 --> 0:43:05.959
<v Speaker 1>So when we jumped on stage, I remember super Cat.

0:43:06.000 --> 0:43:08.920
<v Speaker 1>I can't even man, super Cat. He said, Chris, let

0:43:08.920 --> 0:43:10.919
<v Speaker 1>me go on first month. Let me go on first.

0:43:11.160 --> 0:43:13.960
<v Speaker 1>Before you do that, let me one first. I was

0:43:14.080 --> 0:43:16.279
<v Speaker 1>like yo, and Cat went on, he did his thing.

0:43:16.800 --> 0:43:18.799
<v Speaker 1>Then p M Down went on. We let him get

0:43:18.840 --> 0:43:21.600
<v Speaker 1>through one song, and then we all jumped on the stage.

0:43:21.960 --> 0:43:25.279
<v Speaker 1>It's like, Yo, let's battle. Let's get it popping right now.

0:43:25.680 --> 0:43:28.960
<v Speaker 1>So the whole crowd was like, oh, let's go. But

0:43:29.120 --> 0:43:33.040
<v Speaker 1>something happened is man, somebody jumped out. It was like

0:43:33.080 --> 0:43:35.400
<v Speaker 1>funk that I was trying to do some ship. It

0:43:35.440 --> 0:43:37.600
<v Speaker 1>was like funk that we would all shoot this my

0:43:37.719 --> 0:43:41.560
<v Speaker 1>naked that threw them nikes off the stage. That's what

0:43:41.640 --> 0:43:49.719
<v Speaker 1>he wants that. No, it's not Troy. I just did

0:43:49.719 --> 0:43:52.959
<v Speaker 1>that to I love Mechannon in New York. In New York.

0:43:53.000 --> 0:43:55.839
<v Speaker 1>This is a fact. I love, I love, I love

0:43:55.920 --> 0:43:59.040
<v Speaker 1>mccannon like I love for Troy A. But when it happened,

0:43:59.480 --> 0:44:06.719
<v Speaker 1>didn't met about this. Now you are so Immediately when

0:44:06.719 --> 0:44:09.960
<v Speaker 1>I seen it, I said, this is I don't even

0:44:09.960 --> 0:44:13.279
<v Speaker 1>think Troy. I have know that this originated from that

0:44:13.400 --> 0:44:15.920
<v Speaker 1>very moment. Like if you disrespect and you come to

0:44:15.960 --> 0:44:18.239
<v Speaker 1>the person town, you are liable to go off the

0:44:18.320 --> 0:44:21.200
<v Speaker 1>stage and drinks is liable to throw at you, and

0:44:21.320 --> 0:44:24.640
<v Speaker 1>you are allowed to feel uncomfortable. You started that trend,

0:44:24.680 --> 0:44:27.319
<v Speaker 1>and I applaud you for that, sir. Come on one

0:44:27.360 --> 0:44:32.080
<v Speaker 1>more time, everybody but Bill. Being that we're on the

0:44:32.080 --> 0:44:36.080
<v Speaker 1>topic of self destruction, stop the violence. One thing that

0:44:36.120 --> 0:44:38.919
<v Speaker 1>I've always wondered, why do you think that we haven't

0:44:38.960 --> 0:44:41.480
<v Speaker 1>been able to recreate those movements in hip hop? Because

0:44:41.520 --> 0:44:44.879
<v Speaker 1>when that came out and um, we're on the same

0:44:44.920 --> 0:44:48.080
<v Speaker 1>game came out those records, they were cool to the

0:44:48.080 --> 0:44:50.239
<v Speaker 1>youth at the time. When we love those records, we

0:44:50.320 --> 0:44:53.279
<v Speaker 1>knew the lyrics. I know you've been doing, you've done,

0:44:53.400 --> 0:44:55.840
<v Speaker 1>You've continued to do those records, but they haven't touched

0:44:56.280 --> 0:44:58.560
<v Speaker 1>the pulse of the youth. Amore. No, hip hop is

0:44:58.680 --> 0:45:03.959
<v Speaker 1>not conscious, Okay, Like people gotta understand that hip hop

0:45:04.000 --> 0:45:07.799
<v Speaker 1>it's raw essence. That ship has gotta ghetto. Hip hop

0:45:07.920 --> 0:45:12.560
<v Speaker 1>is ignorant. Okay, that ship is. I'm that and it's core.

0:45:12.640 --> 0:45:16.279
<v Speaker 1>That ship is raw ignorance, man, just straight up. But

0:45:16.400 --> 0:45:19.960
<v Speaker 1>all the best things come out of that ship. Okay,

0:45:20.040 --> 0:45:23.359
<v Speaker 1>the darkness, that's where the best ship comes from. Out

0:45:23.400 --> 0:45:26.680
<v Speaker 1>of this ship. Look, it takes feces to make things grow.

0:45:27.239 --> 0:45:32.759
<v Speaker 1>All were eating is ship. It's the most honest. So

0:45:33.280 --> 0:45:36.160
<v Speaker 1>that's why I say go back to the movement when

0:45:36.200 --> 0:45:39.799
<v Speaker 1>we did those records, stop the violence and self destruction.

0:45:40.640 --> 0:45:43.000
<v Speaker 1>Look at the dudes that we're doing them. Those were

0:45:43.080 --> 0:45:46.719
<v Speaker 1>street Okay, that's why, right, But now we all them

0:45:46.760 --> 0:45:51.000
<v Speaker 1>dudes got shot up and went to jail. Nobody there's

0:45:51.040 --> 0:45:55.840
<v Speaker 1>no one else, like maybe some younger kids today or

0:45:55.880 --> 0:45:59.120
<v Speaker 1>maybe some of the younger artists today, if they care

0:45:59.160 --> 0:46:01.279
<v Speaker 1>about they come. You see, when we were coming up

0:46:01.680 --> 0:46:05.560
<v Speaker 1>with gangs and excuse me, a cruise and stuff like that,

0:46:06.320 --> 0:46:09.439
<v Speaker 1>we we cared about the community still, like we would

0:46:09.480 --> 0:46:11.560
<v Speaker 1>still smack a young kid up and be like, Yo,

0:46:11.600 --> 0:46:14.200
<v Speaker 1>you better go to school, motherfucker. I know your mom's

0:46:14.280 --> 0:46:16.720
<v Speaker 1>you know what I'm saying. You would still get gangs

0:46:16.840 --> 0:46:21.799
<v Speaker 1>like that. Today it's too individualistic, even due to a

0:46:21.880 --> 0:46:25.560
<v Speaker 1>real gangsters. They're not really in the hood. They do

0:46:25.719 --> 0:46:28.759
<v Speaker 1>they gangster on the phone. They pushing their thing through

0:46:29.080 --> 0:46:32.200
<v Speaker 1>twitterfferent mediums. Now, we didn't have none of this ship

0:46:32.239 --> 0:46:34.399
<v Speaker 1>and we was coming up. I'm sorry to cut you off,

0:46:34.400 --> 0:46:36.360
<v Speaker 1>but you know what the crazy shi it is. I

0:46:36.440 --> 0:46:38.520
<v Speaker 1>just thought about it, like you know hip hop. We

0:46:38.600 --> 0:46:42.399
<v Speaker 1>got our own little version of chipland circuits, like when

0:46:42.440 --> 0:46:45.560
<v Speaker 1>you go so back then in the nineties, I'll say

0:46:45.560 --> 0:46:48.759
<v Speaker 1>in nineties, I had to go to Virginia, I had

0:46:48.800 --> 0:46:51.360
<v Speaker 1>to go to North Carolina. And when the dude told me,

0:46:51.440 --> 0:46:53.680
<v Speaker 1>y'all running the block, I had the choices. It was

0:46:53.719 --> 0:46:56.480
<v Speaker 1>fifteen seconds, not fifteen seconds on the internet, but it's

0:46:56.560 --> 0:46:59.319
<v Speaker 1>fifteen seconds that I had to say I believe him,

0:47:00.239 --> 0:47:03.879
<v Speaker 1>fucking don't. We didn't have Instagram, like right now, dude,

0:47:03.960 --> 0:47:05.439
<v Speaker 1>be like, you know, I run to the town, check

0:47:05.480 --> 0:47:10.360
<v Speaker 1>my check them. That's don't fucking register with me, but

0:47:10.480 --> 0:47:12.320
<v Speaker 1>you know what I'm saying, because they'll have a picture

0:47:12.360 --> 0:47:15.240
<v Speaker 1>with like you know whoever is the popular popular people

0:47:15.320 --> 0:47:17.880
<v Speaker 1>at the time. But back then, in the nineties, I

0:47:17.880 --> 0:47:19.480
<v Speaker 1>had to go to a town and I had to

0:47:19.520 --> 0:47:22.640
<v Speaker 1>make a decision in fifteen seconds when the dude caught

0:47:22.680 --> 0:47:25.560
<v Speaker 1>me and foot locker and said, your Nori, I run

0:47:25.600 --> 0:47:28.120
<v Speaker 1>the town. Funk with me? And I had to start

0:47:28.200 --> 0:47:36.120
<v Speaker 1>with sometimes this guy's lying. They're good, but a lot

0:47:36.160 --> 0:47:40.080
<v Speaker 1>of the times they're official. You don't have time to

0:47:40.120 --> 0:47:43.520
<v Speaker 1>go look at nowadays google them. When I go to

0:47:43.560 --> 0:47:46.040
<v Speaker 1>a town. Now they'll be like, yo, go get what's

0:47:46.040 --> 0:47:48.440
<v Speaker 1>such and such? And I gotta look at this guy's Instagram.

0:47:48.840 --> 0:47:53.400
<v Speaker 1>But it was real up and and your generations before mine.

0:47:53.840 --> 0:47:56.640
<v Speaker 1>So how was that like? Just traveling the US back then?

0:47:56.680 --> 0:47:59.799
<v Speaker 1>You had to know people, man, you had to really know.

0:48:00.080 --> 0:48:02.000
<v Speaker 1>Like what you just said right there brought me back

0:48:02.560 --> 0:48:07.960
<v Speaker 1>to like, Okay, tell your story Iced Tea. Okay, this

0:48:08.040 --> 0:48:11.799
<v Speaker 1>is way backed Tea coming on the show. Shout out

0:48:11.840 --> 0:48:17.760
<v Speaker 1>to Ic and Coco. This goes back to Darlene. Okay,

0:48:18.360 --> 0:48:21.640
<v Speaker 1>so first, this is first wife on the cover of

0:48:26.160 --> 0:48:29.440
<v Speaker 1>Iced Tea. This is the realest dude ever. Okay, I

0:48:29.480 --> 0:48:33.279
<v Speaker 1>don't know what y'all know about TV, and I don't

0:48:33.280 --> 0:48:36.920
<v Speaker 1>know what that ship is. Okay, But in the eighties,

0:48:37.760 --> 0:48:42.600
<v Speaker 1>ryme syndicate in l A. Okay, you had to know

0:48:42.960 --> 0:48:46.360
<v Speaker 1>these dudes or you wasn't playing. You say, you couldn't

0:48:46.360 --> 0:48:49.200
<v Speaker 1>even go. You couldn't even play, You couldn't even play. Date.

0:48:49.239 --> 0:48:52.120
<v Speaker 1>Today you can book shows, you know, live national book

0:48:55.640 --> 0:48:58.959
<v Speaker 1>is all good. No, back then, it was only dudes

0:48:59.200 --> 0:49:02.919
<v Speaker 1>were hustling. Did was booking rappers. So it was like

0:49:03.120 --> 0:49:05.879
<v Speaker 1>you know, and and and and it wasn't never no ship.

0:49:06.040 --> 0:49:08.359
<v Speaker 1>It was it was actually the time, we're always having

0:49:08.400 --> 0:49:11.400
<v Speaker 1>a good time. It's like we left all the guns,

0:49:11.400 --> 0:49:13.719
<v Speaker 1>all the all the the product, and she leave that

0:49:13.760 --> 0:49:16.360
<v Speaker 1>ship down. Let's just go to Latin Corns and have

0:49:16.400 --> 0:49:19.279
<v Speaker 1>a good time. Let's just go down to to you know,

0:49:19.600 --> 0:49:23.400
<v Speaker 1>the rooftop or or whatever fever or whatever. Everybody just

0:49:23.480 --> 0:49:25.239
<v Speaker 1>was like that. Everybody left their ship in the car

0:49:25.480 --> 0:49:28.600
<v Speaker 1>if there was any beef in the cup. You see

0:49:28.680 --> 0:49:33.000
<v Speaker 1>dudes running outside today ride and that's the ship would

0:49:33.000 --> 0:49:35.640
<v Speaker 1>pop off in this in the parking lot. But we

0:49:35.680 --> 0:49:37.799
<v Speaker 1>had to know people. You couldn't just be a rap.

0:49:37.880 --> 0:49:40.360
<v Speaker 1>There was so many rappers that were dope on the

0:49:40.440 --> 0:49:42.799
<v Speaker 1>mic and even had hit records. But they couldn't tour.

0:49:43.280 --> 0:49:46.839
<v Speaker 1>They couldn't travel, you know, because back then people were

0:49:46.840 --> 0:49:49.680
<v Speaker 1>still getting robbed for they change just the idea of

0:49:49.800 --> 0:49:53.600
<v Speaker 1>wearing a gold change. Well, you know what I'm saying.

0:49:53.719 --> 0:49:55.719
<v Speaker 1>I mean, you know, but look, I tell you this

0:49:55.960 --> 0:50:01.600
<v Speaker 1>YouTube and it's for YouTube. It's for YouTube, you know,

0:50:01.960 --> 0:50:08.239
<v Speaker 1>MC search um you know, far the third base. These

0:50:08.280 --> 0:50:13.960
<v Speaker 1>were the only white dudes ever ever to walk in

0:50:14.160 --> 0:50:19.200
<v Speaker 1>Latin quarters with big Gold, the original last quarters, because

0:50:19.200 --> 0:50:24.719
<v Speaker 1>I went to Broadway. The original ladder quarters was Fort

0:50:25.040 --> 0:50:28.759
<v Speaker 1>Street in Broadway, across the street from Popeye's Chicken. We

0:50:28.840 --> 0:50:31.680
<v Speaker 1>used to eat that bullshit and go across the street

0:50:32.280 --> 0:50:36.400
<v Speaker 1>and tear that ship down. Nothing but hustlers and then nothing.

0:50:36.520 --> 0:50:38.759
<v Speaker 1>And if your rhymes was whack, you did not make

0:50:38.800 --> 0:50:43.480
<v Speaker 1>it out like you without insults or sneaking scheming on you,

0:50:43.600 --> 0:50:46.080
<v Speaker 1>or like you had to have security walk you out

0:50:46.160 --> 0:50:48.200
<v Speaker 1>like you. You know what I'm saying. And I took

0:50:48.280 --> 0:50:51.439
<v Speaker 1>pride in that ship. I was like, fuck y'all, nakeds man,

0:50:52.120 --> 0:50:55.120
<v Speaker 1>get the ship in right now. And they just loved,

0:50:55.160 --> 0:50:57.520
<v Speaker 1>they loved my whole ship. And the point was was

0:50:57.560 --> 0:50:59.919
<v Speaker 1>that we were spending conscious ship we called the Real

0:51:00.040 --> 0:51:03.680
<v Speaker 1>Kality Rap. Yo. Man, funk these these cops, this court,

0:51:03.960 --> 0:51:07.240
<v Speaker 1>the ship we were going through fun the d A.

0:51:06.960 --> 0:51:10.560
<v Speaker 1>These motherfucker's are corrupt. Let's talk about the government. That

0:51:10.600 --> 0:51:14.320
<v Speaker 1>ship became Conscious rap all of a sudden in the nineties,

0:51:14.360 --> 0:51:17.319
<v Speaker 1>the titles switched and now, all of a sudden, we

0:51:17.320 --> 0:51:21.320
<v Speaker 1>were supposed to play this role of being conscious rappers

0:51:21.320 --> 0:51:25.239
<v Speaker 1>who didn't fight or argue, and this ship and it

0:51:25.360 --> 0:51:29.600
<v Speaker 1>was like, I never wrested, I'm wrestled. I never settled

0:51:29.640 --> 0:51:33.680
<v Speaker 1>this in my own career. You know me. I consider

0:51:33.760 --> 0:51:37.799
<v Speaker 1>myself a god man, straight up all about peace. But

0:51:38.080 --> 0:51:41.920
<v Speaker 1>this world the minute you say you're standing up for

0:51:42.000 --> 0:51:45.759
<v Speaker 1>justice and wisdom, these dudes want to try to see you.

0:51:45.840 --> 0:51:48.360
<v Speaker 1>And I love ship like that. I'm like, I'm God's

0:51:48.440 --> 0:51:52.399
<v Speaker 1>like worst. I'm sent here to make you think like, Yo,

0:51:52.520 --> 0:51:54.640
<v Speaker 1>that's that we know we can get that dude right there.

0:51:54.680 --> 0:52:02.120
<v Speaker 1>I'm like, and ship changes in the come on, follow

0:52:02.160 --> 0:52:04.799
<v Speaker 1>me down here and then see the skirt on in

0:52:04.840 --> 0:52:09.719
<v Speaker 1>the skirt, come on down here, that's where I want

0:52:09.719 --> 0:52:14.160
<v Speaker 1>to go. Camera. How do you back? How did it

0:52:14.239 --> 0:52:19.040
<v Speaker 1>be start with shan originally? Man? Was it the record

0:52:19.400 --> 0:52:21.640
<v Speaker 1>or was it something on the side. I have to

0:52:21.680 --> 0:52:24.080
<v Speaker 1>notice for my own because you're my favorite rapper. I

0:52:24.120 --> 0:52:26.400
<v Speaker 1>don't know if you know that we wanted to. I

0:52:26.440 --> 0:52:31.000
<v Speaker 1>hated you when you did the Bridges. That's gotta be

0:52:31.080 --> 0:52:34.080
<v Speaker 1>clear with you. Let me tell you something. You made

0:52:34.360 --> 0:52:38.040
<v Speaker 1>any any killers and Queens, you made them, because I'm

0:52:38.200 --> 0:52:43.480
<v Speaker 1>just tell you because you said we didn't. It's a horrible,

0:52:43.719 --> 0:52:46.880
<v Speaker 1>it's a great, it's a great all day because you

0:52:46.920 --> 0:52:50.560
<v Speaker 1>know why we had on Rights Island at that time

0:52:51.760 --> 0:52:54.560
<v Speaker 1>was the toughest place. I mean, it was the hard

0:52:54.600 --> 0:52:57.400
<v Speaker 1>chorus place to go. And if you was from Queens,

0:52:57.920 --> 0:52:59.839
<v Speaker 1>you would just walk by and people would be like

0:53:00.040 --> 0:53:02.359
<v Speaker 1>Queens right. And I don't know if you know if

0:53:02.360 --> 0:53:05.399
<v Speaker 1>you started this, but you said I didn't hear peek

0:53:05.480 --> 0:53:09.440
<v Speaker 1>from a place called Queens. And we had to fight

0:53:09.640 --> 0:53:14.520
<v Speaker 1>every each New y'all nicker, every ball snicker for nickers

0:53:14.560 --> 0:53:19.319
<v Speaker 1>to be like Queen's nickers is a fish like he

0:53:19.440 --> 0:53:23.640
<v Speaker 1>just took out Shan. Damn, I've rolder that wrong and

0:53:23.680 --> 0:53:26.640
<v Speaker 1>she sh don't. Don't don't blow me up, listen. I'm

0:53:26.680 --> 0:53:31.920
<v Speaker 1>just I'm just being honest. And at that time you

0:53:32.239 --> 0:53:36.759
<v Speaker 1>changed the face of hip hop because you single handedly.

0:53:37.600 --> 0:53:39.560
<v Speaker 1>I don't need to know. How did this start? Was

0:53:39.640 --> 0:53:45.799
<v Speaker 1>it beef with Marley? Was it beef for Shan? Was

0:53:45.840 --> 0:53:52.400
<v Speaker 1>this this wackpool? A sneaker? What was it, Chris? To

0:53:52.480 --> 0:53:55.880
<v Speaker 1>make you go off like that? First off, we and

0:53:56.080 --> 0:53:59.600
<v Speaker 1>queens didn't know that was a South Bron. We didn't

0:53:59.600 --> 0:54:03.520
<v Speaker 1>know it was a North It was the Bron. So

0:54:03.600 --> 0:54:05.520
<v Speaker 1>when all right, so I need to notice this is

0:54:05.560 --> 0:54:09.719
<v Speaker 1>from my own history. How did they start? That's the

0:54:09.800 --> 0:54:14.400
<v Speaker 1>wall rest in peace to Mr Magic. Let me start right.

0:54:15.680 --> 0:54:17.920
<v Speaker 1>You don't care whether we smoke right now, come on, man,

0:54:17.960 --> 0:54:23.400
<v Speaker 1>come on um recipees to Mr Magic. Okay, straight up,

0:54:23.560 --> 0:54:27.960
<v Speaker 1>Now that's who started it. He started it, Magic, Mr Magic?

0:54:28.480 --> 0:54:34.239
<v Speaker 1>Down he rest in peace, Mash we wanted to be

0:54:34.320 --> 0:54:37.960
<v Speaker 1>down with the Juice Crew. Let's start right there. So

0:54:38.000 --> 0:54:41.720
<v Speaker 1>and this is Molly mar This is Magic, okay, Magic

0:54:42.360 --> 0:54:44.520
<v Speaker 1>Magic was here. First of all, there was another Juice

0:54:44.560 --> 0:54:48.799
<v Speaker 1>Crew before Magic, the original Juice Crew. I was first.

0:54:48.880 --> 0:54:50.160
<v Speaker 1>I don't know all of it. I think it was

0:54:50.239 --> 0:54:56.319
<v Speaker 1>Melly Mel. Yeah, this is Juice Crew. This Juice Crew

0:54:56.360 --> 0:54:59.200
<v Speaker 1>had a disco fee and they're the original Juice Crew.

0:54:59.520 --> 0:55:04.080
<v Speaker 1>Magic was part of that crew. Okay, so he kind

0:55:04.120 --> 0:55:08.040
<v Speaker 1>of took the name and the second generation came up,

0:55:08.080 --> 0:55:12.480
<v Speaker 1>which was us and so he named his crew the

0:55:12.560 --> 0:55:15.759
<v Speaker 1>Juice Crew. But he is the only one with the ring.

0:55:16.160 --> 0:55:18.640
<v Speaker 1>There was rings was like thirteen rings that were given

0:55:18.680 --> 0:55:20.960
<v Speaker 1>out for this Juice Crew because he was one of this.

0:55:21.120 --> 0:55:23.200
<v Speaker 1>He was one of these views with the ring. So

0:55:23.280 --> 0:55:25.040
<v Speaker 1>he made the think Juice cre with his man fly

0:55:25.280 --> 0:55:27.640
<v Speaker 1>tie as well. Ty was was big, you know with

0:55:28.040 --> 0:55:32.319
<v Speaker 1>UH promotion and marketing. So the idea was battles were

0:55:32.360 --> 0:55:35.040
<v Speaker 1>huge on the street anyway. If he was an m C,

0:55:35.200 --> 0:55:37.440
<v Speaker 1>he was always battling your man. He was always in

0:55:37.480 --> 0:55:40.080
<v Speaker 1>the ciphers fitting ship. So that's what it was. But

0:55:40.120 --> 0:55:43.080
<v Speaker 1>none of that was ever reflected in mainstream media and

0:55:43.160 --> 0:55:46.920
<v Speaker 1>Wrapped whatever run d m C. They was crushing ship,

0:55:47.080 --> 0:55:51.040
<v Speaker 1>but they were still you know, wrapping um. They were

0:55:51.080 --> 0:55:54.479
<v Speaker 1>still like performers, you know. They It never was really

0:55:54.520 --> 0:55:58.399
<v Speaker 1>what it was on the street level. So we went

0:55:58.440 --> 0:56:00.280
<v Speaker 1>to Magic. We wanted to be part of the Jewice screen.

0:56:00.280 --> 0:56:03.480
<v Speaker 1>We wanted to be produced by Molly maul okay. But

0:56:03.719 --> 0:56:05.759
<v Speaker 1>Magic was the Juice Crew. He's the one that put

0:56:05.800 --> 0:56:09.200
<v Speaker 1>everybody down. So Rock Sands Shante just came off of

0:56:09.239 --> 0:56:13.439
<v Speaker 1>a battle with U. T. Fo nice battle. All these

0:56:13.520 --> 0:56:18.439
<v Speaker 1>rock sands came out of that battle. Little sister Fast Team.

0:56:18.520 --> 0:56:22.840
<v Speaker 1>I went to school, continue rock Sand. She came out

0:56:23.520 --> 0:56:26.440
<v Speaker 1>U t f O nice battle. So mc shan came

0:56:26.480 --> 0:56:30.080
<v Speaker 1>out and this LU called him a beat bitter because

0:56:30.120 --> 0:56:33.320
<v Speaker 1>the word on the street was the LL bit his

0:56:33.440 --> 0:56:37.680
<v Speaker 1>stop the can go, the didas the pumas and us

0:56:37.719 --> 0:56:39.799
<v Speaker 1>the track suit. And in a way you looked just

0:56:39.840 --> 0:56:42.080
<v Speaker 1>like L from her early days. If you look at

0:56:42.520 --> 0:56:45.680
<v Speaker 1>early LL, it was some kind of similarity. So l

0:56:45.760 --> 0:56:49.279
<v Speaker 1>I was mad about that, I guess and started going out.

0:56:49.400 --> 0:56:51.759
<v Speaker 1>I'm not L. I'm sorry. Shan was mad at that

0:56:52.040 --> 0:56:56.800
<v Speaker 1>and started going after L. L L never answer them, um,

0:56:56.840 --> 0:57:03.359
<v Speaker 1>but I did because Magic took our demo. So the

0:57:03.440 --> 0:57:08.520
<v Speaker 1>story goes, engineer told us this. We handed in our records,

0:57:08.560 --> 0:57:12.320
<v Speaker 1>two records criminal Minded and Elementary, oh and a record

0:57:12.320 --> 0:57:15.320
<v Speaker 1>called Advanced three records. We have got to advance three records.

0:57:15.320 --> 0:57:17.600
<v Speaker 1>We gave it to him. He said, Magic said this

0:57:17.640 --> 0:57:20.880
<v Speaker 1>is corny. No, we're not doing it, and supposedly flung

0:57:20.920 --> 0:57:25.960
<v Speaker 1>it into into garbage. We're not. This is an engineer

0:57:26.000 --> 0:57:28.800
<v Speaker 1>telling us. First of all, we couldn't even talk to Magic. Okay,

0:57:28.920 --> 0:57:33.360
<v Speaker 1>he was not huge. Okay, security, he was the man. Okay,

0:57:33.680 --> 0:57:42.240
<v Speaker 1>we couldn't even see. We handed up. We handed dude

0:57:42.280 --> 0:57:45.800
<v Speaker 1>the c D throw somebody through, somebody through somebody, and

0:57:45.840 --> 0:57:48.480
<v Speaker 1>the word got back your wick, get a body here.

0:57:49.560 --> 0:57:51.720
<v Speaker 1>So mind you, I'm homeless in the street. I'm riding

0:57:51.760 --> 0:57:54.320
<v Speaker 1>the train back and forth, the D train. Scott land

0:57:54.360 --> 0:57:57.480
<v Speaker 1>Rock is a social worker at the shelter. I get to,

0:57:58.000 --> 0:58:00.360
<v Speaker 1>you know, sometimes I'm at the shelter. Sometimes I'm not

0:58:00.640 --> 0:58:03.560
<v Speaker 1>me and just Stice was in the shelter together, so

0:58:03.880 --> 0:58:05.680
<v Speaker 1>some NICs we hang out all nights. Some nice we

0:58:05.720 --> 0:58:07.280
<v Speaker 1>get up. But Scott had to go to work every

0:58:07.360 --> 0:58:12.120
<v Speaker 1>day and worked there at that shelter. So we got

0:58:12.160 --> 0:58:13.960
<v Speaker 1>back and Scott was like, yo, they said it was

0:58:14.040 --> 0:58:19.680
<v Speaker 1>what my g I was like, Yo, why shan is

0:58:19.720 --> 0:58:25.000
<v Speaker 1>why how my ship? My ship ain't white. So I'm twenty,

0:58:25.320 --> 0:58:29.960
<v Speaker 1>you know what I'm saying. I'm cocky, I'm arrogant. I'm

0:58:30.000 --> 0:58:33.080
<v Speaker 1>already known in the Bronx. I'm a graffiti writer really

0:58:33.160 --> 0:58:36.640
<v Speaker 1>named k r Rest and I'm writing on the six

0:58:36.800 --> 0:58:39.280
<v Speaker 1>train and the five, the two and the five. We're

0:58:39.360 --> 0:58:43.160
<v Speaker 1>hitting the bus yards for the rod bus yards. So

0:58:43.200 --> 0:58:47.920
<v Speaker 1>I'm already on my ship in the graffiti world, and

0:58:48.000 --> 0:58:53.280
<v Speaker 1>I was, I'm just throwing it out there. I was

0:58:53.360 --> 0:58:57.440
<v Speaker 1>on my ship, bomb and busses and trains and we

0:58:57.440 --> 0:58:59.760
<v Speaker 1>were trying to get into the wrap deal, hopefully to

0:59:00.080 --> 0:59:02.880
<v Speaker 1>get some money and get out the hood. They said

0:59:02.920 --> 0:59:06.320
<v Speaker 1>you why so I wrote, I was, I wrote the

0:59:06.320 --> 0:59:10.360
<v Speaker 1>Bridges over first, before the South, before the South Bronx.

0:59:10.400 --> 0:59:12.760
<v Speaker 1>I wrote the Bridges over because that was more my ship.

0:59:13.080 --> 0:59:15.640
<v Speaker 1>And I was on some reggae ship. So I was like, yo,

0:59:15.680 --> 0:59:19.000
<v Speaker 1>I used to listen to shine Head, actually was my inspiration,

0:59:19.080 --> 0:59:22.400
<v Speaker 1>shine Hand. I used to listen to shine Hand, Michigan

0:59:22.440 --> 0:59:28.080
<v Speaker 1>and Smiley yellow Man, Lieutenant Stitchy, Major Macro, Nija man On.

0:59:28.520 --> 0:59:31.200
<v Speaker 1>I used to blast all that. So he was like, see,

0:59:31.200 --> 0:59:41.160
<v Speaker 1>what are you doing? Okay, So so it's like, so

0:59:41.360 --> 0:59:44.080
<v Speaker 1>I'm listening to all that. But Scott was like First

0:59:44.080 --> 0:59:47.160
<v Speaker 1>of all, Scott started to get down in his spirit

0:59:47.240 --> 0:59:51.120
<v Speaker 1>because he had already shopped our music to everybody, and

0:59:51.160 --> 0:59:53.360
<v Speaker 1>they all turned us down. They said it was too

0:59:53.520 --> 0:59:58.080
<v Speaker 1>educated to preachy. You don't sound like the rappers out here.

0:59:58.080 --> 1:00:01.040
<v Speaker 1>Because we were talking about nuclear a wall, the government.

1:00:01.240 --> 1:00:03.000
<v Speaker 1>This kind of day was like, na, I wrapped, don't

1:00:03.000 --> 1:00:05.920
<v Speaker 1>need I know about lutle nat because you I'm just

1:00:06.600 --> 1:00:11.120
<v Speaker 1>we want I'm just telling you that anyway. So we

1:00:11.160 --> 1:00:15.360
<v Speaker 1>was like, you know, nobody was gonna sign us. No,

1:00:15.360 --> 1:00:17.520
<v Speaker 1>no one wanted us. So I was like, you know what,

1:00:17.760 --> 1:00:20.560
<v Speaker 1>fuck it? I wrote the Bridges over. I said it

1:00:20.600 --> 1:00:23.800
<v Speaker 1>to Scott. Scott was like, nah, man, because nobody's gonna

1:00:24.120 --> 1:00:26.880
<v Speaker 1>gonna play that reggae ship. Nobody want to hear that ship.

1:00:26.920 --> 1:00:28.880
<v Speaker 1>They want to hear like run DMC and this. So

1:00:28.920 --> 1:00:32.000
<v Speaker 1>you're telling me the Bridges over was wrote before Shan

1:00:32.360 --> 1:00:35.800
<v Speaker 1>actually dropped the bridge. No bridge out, No, the bridge

1:00:35.880 --> 1:00:39.200
<v Speaker 1>was out, and I wrote the Bridges over. So now

1:00:39.280 --> 1:00:41.040
<v Speaker 1>let me just tell you this is where you also

1:00:41.080 --> 1:00:47.400
<v Speaker 1>crushed my dreams as a child. Fair hip hop started out.

1:00:48.800 --> 1:00:53.160
<v Speaker 1>I thought he was telling I'm a child, all right.

1:00:53.720 --> 1:00:57.480
<v Speaker 1>I bought the nineties seventy seven right, what what year

1:00:58.080 --> 1:01:01.800
<v Speaker 1>did shann drop that record? That was like eighty six

1:01:02.320 --> 1:01:06.840
<v Speaker 1>eighty six? So technically how old am I? Nine? Ten?

1:01:07.320 --> 1:01:12.760
<v Speaker 1>Nine years old? Nine? So I believe as a nine

1:01:12.800 --> 1:01:15.880
<v Speaker 1>year old, but I don't. I've never been at But wait,

1:01:16.240 --> 1:01:19.840
<v Speaker 1>here's the real of it. We both were wrong. Okay,

1:01:20.320 --> 1:01:24.000
<v Speaker 1>wait wait me and you ll meet you. And okay,

1:01:24.800 --> 1:01:28.360
<v Speaker 1>he said, you love to hear the story again and

1:01:28.400 --> 1:01:32.640
<v Speaker 1>again how it all got started way back when the

1:01:32.800 --> 1:01:36.080
<v Speaker 1>monument is right in your face, sitting and listening for

1:01:36.200 --> 1:01:40.240
<v Speaker 1>a while to the name of the place, the bridge. Okay,

1:01:40.520 --> 1:01:43.760
<v Speaker 1>that caused the battle, that's what because you knew hip

1:01:43.800 --> 1:01:50.600
<v Speaker 1>hop originating. I was going watching BAM right, so now

1:01:50.880 --> 1:01:54.600
<v Speaker 1>we as as as as as we go. So it

1:01:54.680 --> 1:01:57.440
<v Speaker 1>was that line that made you that's it. Well, no,

1:01:57.680 --> 1:02:00.800
<v Speaker 1>it's Magic, said we was garbage. It made his fury

1:02:00.920 --> 1:02:03.520
<v Speaker 1>combined with that line, Well, that line was the excuse.

1:02:03.840 --> 1:02:08.000
<v Speaker 1>But Magic wasn't from Queen's Bridge. No, magic is from Magic.

1:02:08.280 --> 1:02:14.240
<v Speaker 1>He's from Brooklyn. No. But but you hear this record

1:02:14.600 --> 1:02:18.720
<v Speaker 1>and why Well, first of all, Magic just dissed us

1:02:18.800 --> 1:02:20.880
<v Speaker 1>and and basically was hopping on the fact that his

1:02:20.960 --> 1:02:23.600
<v Speaker 1>number one MC was this dude right here, mc shan.

1:02:24.440 --> 1:02:27.680
<v Speaker 1>So being from the Bronx, hungry broke poor with nothing,

1:02:28.360 --> 1:02:31.200
<v Speaker 1>we said, you know what, that's food right there. Let's

1:02:31.240 --> 1:02:34.880
<v Speaker 1>go get him. This is crazy and so food right,

1:02:35.120 --> 1:02:37.360
<v Speaker 1>We said, yo, we wrote up. I wrote the bridges

1:02:37.400 --> 1:02:40.080
<v Speaker 1>over first. Scott didn't like it, said, no, nobody's listening

1:02:40.080 --> 1:02:42.720
<v Speaker 1>to reggae ship If you really want to go at dude,

1:02:42.760 --> 1:02:46.320
<v Speaker 1>come with some ship. So the original bridges Over was

1:02:46.360 --> 1:02:50.320
<v Speaker 1>a reggae Yeah, okay, it was super Cat books boom

1:02:50.360 --> 1:02:54.840
<v Speaker 1>boom boom boom boo boom boom the super Cat for

1:02:54.920 --> 1:02:57.439
<v Speaker 1>that right, super Cat literal left right for a little while.

1:02:58.840 --> 1:03:01.200
<v Speaker 1>That was I was all in the super Cat right there.

1:03:01.200 --> 1:03:04.080
<v Speaker 1>And he had a record called said Bop standing going up,

1:03:04.120 --> 1:03:06.880
<v Speaker 1>hug him up. He said, boo standing in the boom

1:03:06.920 --> 1:03:10.320
<v Speaker 1>boom boom boo boom boom boom boom boo boo boo boom.

1:03:10.360 --> 1:03:13.240
<v Speaker 1>I was like, yes, put that to some boom back

1:03:13.400 --> 1:03:15.720
<v Speaker 1>the same ship we used to do in the in

1:03:15.760 --> 1:03:17.800
<v Speaker 1>the in the shelter, we used to hit the bathroom.

1:03:18.920 --> 1:03:21.280
<v Speaker 1>He didn't like that. So then what happened? You went back?

1:03:21.560 --> 1:03:24.160
<v Speaker 1>He put on this record that goes, hey bro, I

1:03:24.240 --> 1:03:31.960
<v Speaker 1>got that good cheap achiever boom boom, Hey bro, I

1:03:32.040 --> 1:03:33.800
<v Speaker 1>got that good chiep a chief. You have to keep

1:03:33.800 --> 1:03:36.440
<v Speaker 1>cutting that far out. So Scott's cutting that ship. And

1:03:36.480 --> 1:03:38.160
<v Speaker 1>I was like, way back in the days when the

1:03:38.240 --> 1:03:42.800
<v Speaker 1>hip hop began with Coke Lrock, Cool HRC and Damn Bamn.

1:03:42.520 --> 1:03:46.040
<v Speaker 1>He was the Scott was like, oh yo, you need

1:03:46.080 --> 1:03:49.800
<v Speaker 1>to come with that next like three days later he

1:03:49.840 --> 1:03:52.840
<v Speaker 1>got his check. We went to the studio. It was

1:03:52.920 --> 1:03:57.640
<v Speaker 1>fifty dollars an hour and you get an ascetake at

1:03:57.640 --> 1:03:59.920
<v Speaker 1>the ends. It was a bargain like the ascetake was

1:04:00.000 --> 1:04:04.080
<v Speaker 1>only five hours, but they said and the acid take

1:04:05.080 --> 1:04:07.960
<v Speaker 1>two hour minimum. We spent fifty dollars. We made a

1:04:07.960 --> 1:04:11.360
<v Speaker 1>four track. We did South Bronx and the ps Free

1:04:11.720 --> 1:04:14.760
<v Speaker 1>the same day, two hours on the bridges of Us.

1:04:15.440 --> 1:04:18.640
<v Speaker 1>South Bronx and the p is Free, the original with

1:04:18.720 --> 1:04:27.720
<v Speaker 1>d knights from the beat and we got du plate out.

1:04:28.280 --> 1:04:33.640
<v Speaker 1>So we took that down to Latin Quarters and Raoul

1:04:33.880 --> 1:04:36.240
<v Speaker 1>was playing Red Alert wasn't even on yet. It's a

1:04:36.280 --> 1:04:41.760
<v Speaker 1>dude named Raoul. That is sidebar on, all right, was

1:04:41.800 --> 1:04:45.120
<v Speaker 1>my homie. Shout out to sidebar, shout out to sidebar.

1:04:45.800 --> 1:04:50.880
<v Speaker 1>What's the older people? As I said me, And because

1:04:50.880 --> 1:04:54.520
<v Speaker 1>I stopped, no, no, no no, because I just figured

1:04:54.640 --> 1:04:57.840
<v Speaker 1>Raoul so continue this story. We gave him. We gave

1:04:57.880 --> 1:05:00.440
<v Speaker 1>him asta take, We gave him the dump player. He

1:05:00.520 --> 1:05:05.320
<v Speaker 1>put the ship on. From the second that ship came

1:05:05.360 --> 1:05:07.920
<v Speaker 1>on bridges own No, the South Bronx on the south

1:05:08.560 --> 1:05:13.600
<v Speaker 1>it said Queen's after Queen's But queens Wich is a

1:05:13.680 --> 1:05:16.640
<v Speaker 1>huge hit record should play on the radio every day.

1:05:17.160 --> 1:05:21.960
<v Speaker 1>Throw the ship on the club, dudes. We were very

1:05:22.000 --> 1:05:25.480
<v Speaker 1>proud of how long do we have? How long do

1:05:25.560 --> 1:05:29.000
<v Speaker 1>we have? How long Queen's were we? It was about

1:05:29.040 --> 1:05:30.640
<v Speaker 1>a month, It was about a month. We only had

1:05:30.640 --> 1:05:40.000
<v Speaker 1>a month, maybe two months, maybe two months. We had

1:05:40.000 --> 1:05:44.840
<v Speaker 1>six months. No right to give us two months even

1:05:44.840 --> 1:05:46.840
<v Speaker 1>if it was like two months was on the radio,

1:05:47.360 --> 1:05:49.040
<v Speaker 1>it was like one month. The ship was he was

1:05:49.080 --> 1:05:52.880
<v Speaker 1>in the club already, and then and then he came back. No,

1:05:53.080 --> 1:05:56.520
<v Speaker 1>then Shan came back. No, no, no, no, no, let's

1:05:56.520 --> 1:06:00.600
<v Speaker 1>not skip okay, So we only had a month where

1:06:00.720 --> 1:06:05.280
<v Speaker 1>it was okay to be from Queensbridge, left Franck Projects

1:06:05.520 --> 1:06:07.920
<v Speaker 1>and then no, wait a minute, rephrase the question. No,

1:06:08.120 --> 1:06:10.880
<v Speaker 1>you guys had like three you had like three or

1:06:10.880 --> 1:06:15.360
<v Speaker 1>four years. Because when ce when when run DMC came

1:06:15.360 --> 1:06:18.840
<v Speaker 1>out and l L and that shant it was cool

1:06:18.840 --> 1:06:20.960
<v Speaker 1>with them. I'm cool with all of that. So why

1:06:21.000 --> 1:06:26.320
<v Speaker 1>did you ship? Wait a minute, No, lyrically, I wasn't lyrically,

1:06:26.440 --> 1:06:29.800
<v Speaker 1>I wasn't see this was the time. This was a

1:06:29.840 --> 1:06:33.640
<v Speaker 1>time where you had to prove run, d m C said,

1:06:33.640 --> 1:06:37.440
<v Speaker 1>amazing lyric I think it was d m C he said,

1:06:37.480 --> 1:06:42.280
<v Speaker 1>other rappers can't stand us, but give us respect. That

1:06:42.600 --> 1:06:46.640
<v Speaker 1>sums up the whole eighties with do you feel like

1:06:46.880 --> 1:06:49.320
<v Speaker 1>DMC was like a pop group to you back? No, no, no,

1:06:49.360 --> 1:06:51.440
<v Speaker 1>it was nothing pop about run DMC. No, I don't know.

1:06:51.800 --> 1:06:59.160
<v Speaker 1>This was straight hood okay, jam Master Jay okay, okay, okay.

1:06:59.440 --> 1:07:04.000
<v Speaker 1>Jane was hood hood okay Okay. Now Run and d

1:07:04.200 --> 1:07:06.680
<v Speaker 1>they were straighthood as well. They came from different other

1:07:06.720 --> 1:07:11.840
<v Speaker 1>parts of Queens, but Queens the whole of Queen's good okay.

1:07:11.960 --> 1:07:16.360
<v Speaker 1>So it was like Run to MC was just kings

1:07:16.440 --> 1:07:20.000
<v Speaker 1>like they would just say and and you always took

1:07:20.040 --> 1:07:23.440
<v Speaker 1>a shot at those who was on the top if

1:07:23.480 --> 1:07:26.000
<v Speaker 1>you was the little guy on the bottom. That that

1:07:26.000 --> 1:07:28.080
<v Speaker 1>that's what it was. It was like even um Rox

1:07:28.160 --> 1:07:31.520
<v Speaker 1>and Shante had a line where I met Running, I

1:07:31.600 --> 1:07:35.200
<v Speaker 1>met d m C and I said so and it

1:07:35.320 --> 1:07:37.440
<v Speaker 1>was like one of her dopest like one of her lines,

1:07:37.440 --> 1:07:39.720
<v Speaker 1>and she had put it. But that was the attitude

1:07:39.800 --> 1:07:42.760
<v Speaker 1>like you ain't large, you you ain't you know even

1:07:42.800 --> 1:07:46.080
<v Speaker 1>though you are, and you demand But let me ask

1:07:46.120 --> 1:07:49.200
<v Speaker 1>you this question. When he said hip hop started out

1:07:49.200 --> 1:07:53.840
<v Speaker 1>in the dog was was that something that directly bothered

1:07:53.880 --> 1:07:57.160
<v Speaker 1>you because you knew the truth scholarly, yes, but I

1:07:57.200 --> 1:07:59.320
<v Speaker 1>didn't know the truth. I thought I knew the truth.

1:08:00.080 --> 1:08:03.680
<v Speaker 1>So this is young arrogance. I'm hanging out in the Bronx,

1:08:04.280 --> 1:08:07.800
<v Speaker 1>North Bronx, South Bronx, East West Bronx. I'm the whole Bronx,

1:08:07.880 --> 1:08:12.600
<v Speaker 1>Gunhill Road to Milborough Projects. Okay, whole Bronx. First time,

1:08:12.680 --> 1:08:16.599
<v Speaker 1>I'm a graph writer, So I walked the entire Bronx.

1:08:16.760 --> 1:08:22.200
<v Speaker 1>My maid is okay, I'm the whole Bronx. Okay, So

1:08:22.360 --> 1:08:26.639
<v Speaker 1>I'm running in the party's dudes, you know we know ship.

1:08:27.040 --> 1:08:30.439
<v Speaker 1>You didn't hear, and I didn't hear. No, we did.

1:08:30.560 --> 1:08:33.120
<v Speaker 1>We used to go to Queen's. Queen's had the dopest party.

1:08:33.120 --> 1:08:35.800
<v Speaker 1>But so you did hear Pete? No do alright, come on,

1:08:38.960 --> 1:08:44.320
<v Speaker 1>come on up man Queens. No see what it was? No, no,

1:08:44.439 --> 1:08:47.320
<v Speaker 1>let me childhood store. Let me say this. Let me

1:08:47.360 --> 1:08:51.400
<v Speaker 1>say this. My wife is from Queens, okay, s Queens.

1:08:51.840 --> 1:08:55.599
<v Speaker 1>No no, no, no no, no, that's the queen right Jasmine

1:08:55.600 --> 1:09:00.320
<v Speaker 1>in the village in Queens, Queens. I'm gonna pick you up. Sorry,

1:09:00.320 --> 1:09:03.720
<v Speaker 1>pigau me a wife. He's looking for I'm looking for

1:09:03.760 --> 1:09:06.760
<v Speaker 1>my Queen's st orbans. See this is what I'm talking about. Man,

1:09:06.880 --> 1:09:11.240
<v Speaker 1>Niggas don't respect this part the nigga no matter a woman.

1:09:13.600 --> 1:09:17.000
<v Speaker 1>Let's leave this. Listen. On the island, people used to

1:09:17.080 --> 1:09:20.800
<v Speaker 1>be like queens, like you started something. So niggas from

1:09:20.880 --> 1:09:25.360
<v Speaker 1>queens at that time on the island spit out razors

1:09:25.840 --> 1:09:29.040
<v Speaker 1>and buck fifties. You might have originated buck fifties. I

1:09:29.080 --> 1:09:31.080
<v Speaker 1>don't know if you knew that. I don't know if

1:09:31.120 --> 1:09:37.519
<v Speaker 1>you knew that. But because queens, he's like everything murder,

1:09:37.880 --> 1:09:39.760
<v Speaker 1>I do, I do mask. You don't care? This is?

1:09:39.960 --> 1:09:42.760
<v Speaker 1>This is he's like my father, Like I mean, like,

1:09:43.000 --> 1:09:45.439
<v Speaker 1>ain't you blame your father for everything? Don't we all? Yeah?

1:09:45.479 --> 1:09:49.559
<v Speaker 1>Don't we all? Yeah? Don't we all? So? Um? All right,

1:09:50.640 --> 1:09:53.080
<v Speaker 1>So when you heard hip hop started out an adult

1:09:53.120 --> 1:09:55.720
<v Speaker 1>and you knew that, you knew that it didn't know.

1:09:55.880 --> 1:09:58.400
<v Speaker 1>I knew Cool herd existed, I knew Bama, knew flies

1:09:58.520 --> 1:10:01.200
<v Speaker 1>she exists that I didn't know them, but their names

1:10:01.240 --> 1:10:05.040
<v Speaker 1>were in the hood crazy, So you knew she was fronting? Yeah, basically,

1:10:05.040 --> 1:10:07.120
<v Speaker 1>well I knew he didn't know. I don't even know

1:10:07.160 --> 1:10:14.840
<v Speaker 1>if he was fronting. It's just that because and he

1:10:15.080 --> 1:10:19.400
<v Speaker 1>wrote about what he saw from his perspective, and so

1:10:19.520 --> 1:10:22.240
<v Speaker 1>I went out to record South Bronx and and today

1:10:22.320 --> 1:10:25.400
<v Speaker 1>it's to be scholarly correct hip hop starting the West Bronx.

1:10:26.000 --> 1:10:28.120
<v Speaker 1>It never started the South Bronx. That was my next

1:10:28.160 --> 1:10:33.880
<v Speaker 1>question ahead, this is the West Bronx, Coolheart Avenue, the Bronx. Okay,

1:10:33.960 --> 1:10:38.559
<v Speaker 1>that's West Bronx. But we were so ghetto ignorant and

1:10:38.680 --> 1:10:43.000
<v Speaker 1>gas to get on the record. We South Bronx, South

1:10:43.040 --> 1:10:46.040
<v Speaker 1>South Bronx. Because that was one of my other history

1:10:46.080 --> 1:10:48.680
<v Speaker 1>books was were people from the other part of the

1:10:48.720 --> 1:10:52.360
<v Speaker 1>Bronx when they still chair Oh yeah, everybody North Bronx,

1:10:52.360 --> 1:10:54.599
<v Speaker 1>East West was all from the South. Because even now,

1:10:54.800 --> 1:10:57.559
<v Speaker 1>like when Biggie you hear you yeah, Biggie, or you

1:10:57.640 --> 1:11:01.000
<v Speaker 1>hear um nah, somebody's out out the Bronx, they never

1:11:01.080 --> 1:11:03.120
<v Speaker 1>say the Bronx. They say the South Bronx. And I

1:11:03.160 --> 1:11:06.080
<v Speaker 1>always wondered when people from the other side, well they

1:11:06.160 --> 1:11:08.640
<v Speaker 1>offended by that, Like it's just like Biggie shout it

1:11:08.680 --> 1:11:12.519
<v Speaker 1>out on one record when God bless her dead. Obviously

1:11:12.560 --> 1:11:14.639
<v Speaker 1>when Big was alive, he was like, yo, I shouted

1:11:14.720 --> 1:11:16.880
<v Speaker 1>out Queen's Bridge, and I was like, I'm from Left Fract,

1:11:17.520 --> 1:11:20.360
<v Speaker 1>Like I don't really get that, like, you're not shouting

1:11:20.360 --> 1:11:23.719
<v Speaker 1>out the whole Queens when you shout out Queen's Bridge.

1:11:23.800 --> 1:11:26.599
<v Speaker 1>Queen's Bridge is a ninety six building that you come

1:11:26.600 --> 1:11:30.519
<v Speaker 1>over Manhattan, and that's just that section for people that's

1:11:30.640 --> 1:11:33.960
<v Speaker 1>right next door to it. Ravers would a story of

1:11:34.640 --> 1:11:38.080
<v Speaker 1>they don't recognize Queen's Bridge. We understand what you mean

1:11:38.760 --> 1:11:41.120
<v Speaker 1>by shout out Queen's Bridge and thinking it's the whole

1:11:41.160 --> 1:11:43.720
<v Speaker 1>Queen's but it's really not. So I always wanted it

1:11:43.840 --> 1:11:47.000
<v Speaker 1>was that the opposite when you said South Bronx, um

1:11:47.800 --> 1:11:49.760
<v Speaker 1>was people in the West Bronx. The Bronx took it

1:11:49.800 --> 1:11:54.120
<v Speaker 1>differently because the Bronx wasn't on the map. Brooklyn was

1:11:54.240 --> 1:11:56.040
<v Speaker 1>on the map. The Brooklyn is still on the map.

1:11:57.360 --> 1:12:00.439
<v Speaker 1>Rules you could be in dues off journey. You say

1:12:00.760 --> 1:12:07.920
<v Speaker 1>broken in the house, what the fly was? Okay, there

1:12:08.000 --> 1:12:10.919
<v Speaker 1>was nobody was. There was a record called Go Brooklyn.

1:12:10.920 --> 1:12:17.880
<v Speaker 1>I think that's the Sonic Mighty Mike Master somebody go Brooklyn, Brooklyn.

1:12:18.479 --> 1:12:20.960
<v Speaker 1>That was it. That that was the club anthem. That's

1:12:20.960 --> 1:12:22.559
<v Speaker 1>what we did. That's what it was. So when I

1:12:22.600 --> 1:12:24.600
<v Speaker 1>came to South Bronk, yeah, that's what I want to

1:12:24.600 --> 1:12:27.800
<v Speaker 1>go that's where the Bronx was on the map. And

1:12:27.840 --> 1:12:31.640
<v Speaker 1>then I mentioned dudes that were heavy in the Bronx,

1:12:31.760 --> 1:12:36.760
<v Speaker 1>you know, Nine Lives Crew, Cypress Boys, Real Rock. So

1:12:36.800 --> 1:12:39.719
<v Speaker 1>what you're telling me is after you dropped the South Bronx,

1:12:40.840 --> 1:12:44.160
<v Speaker 1>shan drop kill that noise, that's what made you drop

1:12:44.200 --> 1:12:49.960
<v Speaker 1>Bridges Over. Yes, this is terrible. No. Never, First of all,

1:12:49.960 --> 1:12:53.320
<v Speaker 1>I would have been over. It was horrible. This is terrible. Actually,

1:12:53.360 --> 1:12:56.280
<v Speaker 1>you know what no let me tell you. When kill

1:12:56.320 --> 1:12:59.000
<v Speaker 1>that noise came out, it was a hit. Was it

1:12:59.439 --> 1:13:01.920
<v Speaker 1>was a hit. First of all. That be think of

1:13:02.240 --> 1:13:07.000
<v Speaker 1>the Casey Sunshine band beat done. That was crazy. Think

1:13:07.080 --> 1:13:11.040
<v Speaker 1>he even used it again. He used it the doo

1:13:11.160 --> 1:13:16.560
<v Speaker 1>don't jun jun juno, don't don't don't don't, don't don't

1:13:16.640 --> 1:13:20.680
<v Speaker 1>come that that that that was the case. When he

1:13:20.840 --> 1:13:22.920
<v Speaker 1>knew that on it was hot. It was like, oh

1:13:23.160 --> 1:13:27.280
<v Speaker 1>he came back. It wasn't It wasn't whacked until the

1:13:27.360 --> 1:13:32.679
<v Speaker 1>Bridges Over came out. Marst Off, you're hurting my feelings.

1:13:32.760 --> 1:13:35.320
<v Speaker 1>But I need to know how this happened. I need

1:13:35.439 --> 1:13:39.479
<v Speaker 1>to know, like we all, because you're my favorite artist

1:13:39.560 --> 1:13:44.200
<v Speaker 1>at the time. I'm a child, and you you broke

1:13:44.320 --> 1:13:54.200
<v Speaker 1>my dreams like ruined ship with the murder people all around.

1:13:54.200 --> 1:13:58.719
<v Speaker 1>The boy my whole life as good as it's because

1:13:59.280 --> 1:14:05.840
<v Speaker 1>he's my god. You so how did this session? How

1:14:05.880 --> 1:14:08.880
<v Speaker 1>did how did how did this? Because you said you

1:14:09.000 --> 1:14:13.240
<v Speaker 1>originally recorded original version it was a reggae b no, no, no,

1:14:13.320 --> 1:14:16.160
<v Speaker 1>I never recorded it, just I just said it in

1:14:16.360 --> 1:14:21.080
<v Speaker 1>Scott's living room. He said, nah, wow, So you did

1:14:21.120 --> 1:14:23.120
<v Speaker 1>the South Bronx. So did the South Bronx and the

1:14:23.640 --> 1:14:26.560
<v Speaker 1>noise came out and did Now Scott got on the

1:14:26.640 --> 1:14:30.120
<v Speaker 1>reggae when he heard the ps free when I did

1:14:30.200 --> 1:14:32.920
<v Speaker 1>South Bronx and then the ps free on the other side.

1:14:33.760 --> 1:14:39.000
<v Speaker 1>You know, um, when we used to do that in

1:14:39.080 --> 1:14:43.320
<v Speaker 1>the club, that was the rock that that was the record.

1:14:43.360 --> 1:14:45.760
<v Speaker 1>So Scott was like, what's up this reggae? Like what?

1:14:46.080 --> 1:14:48.840
<v Speaker 1>He started getting on it. Now he was on it.

1:14:49.360 --> 1:14:52.360
<v Speaker 1>But then Shan answered, us would kill that noise if

1:14:52.400 --> 1:14:55.120
<v Speaker 1>you knew what I knew, you'd kill that noise. And

1:14:55.200 --> 1:14:59.360
<v Speaker 1>the record was hot for it's time, and so we

1:14:59.560 --> 1:15:01.639
<v Speaker 1>was like, you know what, we got this joint right here,

1:15:01.920 --> 1:15:05.080
<v Speaker 1>and Scott didn't even was already recorded. No, it was

1:15:05.160 --> 1:15:08.080
<v Speaker 1>all my record. Scott never recorded the bridges over he

1:15:08.240 --> 1:15:10.920
<v Speaker 1>never even well. He came for the mix of the

1:15:11.040 --> 1:15:15.160
<v Speaker 1>second one. But when when um, when Shan put out

1:15:15.280 --> 1:15:19.479
<v Speaker 1>his record, I went back to said Gee from Ultra Magnetic,

1:15:19.560 --> 1:15:23.719
<v Speaker 1>who who who was doing our beats? And he said,

1:15:24.160 --> 1:15:26.840
<v Speaker 1>actually was sampling? He he was, He had the SP twelve.

1:15:27.520 --> 1:15:30.439
<v Speaker 1>So I asked him, Yo, give me some drums. I'm

1:15:30.439 --> 1:15:33.880
<v Speaker 1>gonna go in the studio up the block from Latin Quarters.

1:15:33.920 --> 1:15:37.000
<v Speaker 1>I found some little rinky think studio like two blocks

1:15:37.120 --> 1:15:39.760
<v Speaker 1>up and I said, Yo, Shan came out with this joint.

1:15:39.800 --> 1:15:43.280
<v Speaker 1>I'm coming back. Went in there and I produced the

1:15:43.360 --> 1:15:47.679
<v Speaker 1>whole records. I took said Gee's drums. Boom boom back back,

1:15:47.960 --> 1:15:51.640
<v Speaker 1>boom back, boom boom back. That's the same beat we

1:15:51.760 --> 1:15:55.200
<v Speaker 1>did on the bathroom wall and the shelter boom boom

1:15:55.280 --> 1:15:58.360
<v Speaker 1>back back boom back. When and dudes just get it in.

1:15:58.479 --> 1:16:01.000
<v Speaker 1>That was just the standard beat. So we did that.

1:16:01.280 --> 1:16:03.760
<v Speaker 1>Put the super cat to it. Boom boom, boom blah

1:16:03.760 --> 1:16:06.840
<v Speaker 1>boom bom. I played the piano one take one time

1:16:07.200 --> 1:16:11.000
<v Speaker 1>you listen to the instrumental. That's the sloppiest playing ever.

1:16:11.200 --> 1:16:14.960
<v Speaker 1>As errors mistakes, all types of shipping. But no one

1:16:15.040 --> 1:16:18.240
<v Speaker 1>heard all that. Put my lyric down the Bridge is over.

1:16:18.320 --> 1:16:22.120
<v Speaker 1>I did that ship strictly for Brooklyn, straight up Bronx,

1:16:22.160 --> 1:16:25.880
<v Speaker 1>South Bronx. That was straight up Gunhill Road, straight up

1:16:26.000 --> 1:16:30.559
<v Speaker 1>west Chester, Jamrong, Grand Concuse, that was straight that this one.

1:16:30.920 --> 1:16:33.400
<v Speaker 1>We said, Yo, this is what Brooklyn is on right now,

1:16:33.439 --> 1:16:38.000
<v Speaker 1>and nobody knows it. Nobody. Nobody goes to the jams like, well,

1:16:38.040 --> 1:16:40.760
<v Speaker 1>actually what it's called the don side. The Dan's all.

1:16:41.200 --> 1:16:43.120
<v Speaker 1>They don't go to that. We'd be it. We was

1:16:43.479 --> 1:16:47.760
<v Speaker 1>in there with Stone Love and GT International and all

1:16:47.840 --> 1:16:50.519
<v Speaker 1>of that. So when he was talking about battle and

1:16:50.600 --> 1:16:52.479
<v Speaker 1>he was like, Yo, we're gonna battle the way they

1:16:52.600 --> 1:16:56.479
<v Speaker 1>do in Jamaica. We're gonna spin the record back this up,

1:16:57.000 --> 1:17:00.920
<v Speaker 1>gun shot we go and America's never hurt. They was like,

1:17:01.080 --> 1:17:04.559
<v Speaker 1>what the fuck? The bridge is over? What did I buy?

1:17:04.760 --> 1:17:06.600
<v Speaker 1>They didn't know what the fun that hurt? It was

1:17:06.720 --> 1:17:11.599
<v Speaker 1>like it was that's what it was called sound. I'm

1:17:11.640 --> 1:17:13.960
<v Speaker 1>not even from the Bridge, I'm just from Queens, but

1:17:14.040 --> 1:17:17.240
<v Speaker 1>it still hurts. Scary. I'm gonna take a moment of silide.

1:17:17.280 --> 1:17:22.679
<v Speaker 1>Take that moment, let's drink. So let's drink that chance

1:17:23.120 --> 1:17:29.639
<v Speaker 1>sent opcially fund it out. So why did why did

1:17:30.120 --> 1:17:34.640
<v Speaker 1>you even respond to sharing this Shan Shannon? Listen, let

1:17:34.680 --> 1:17:37.680
<v Speaker 1>me just say, Shannon still a godfather, no doubt of

1:17:37.920 --> 1:17:42.720
<v Speaker 1>Queen's Bridge of Queens, He's still a forefather. But this time,

1:17:42.800 --> 1:17:47.240
<v Speaker 1>why did you respond, like Shan is the reason k

1:17:47.439 --> 1:17:52.160
<v Speaker 1>arrest one has a career. Damn okay, this is to

1:17:52.280 --> 1:17:56.519
<v Speaker 1>make some noise for that man. For second, in my opinion,

1:17:57.000 --> 1:18:00.680
<v Speaker 1>the greatest battle on record, no doubt on record. To me,

1:18:01.240 --> 1:18:04.200
<v Speaker 1>it was the greatest battle because it affected like it

1:18:04.360 --> 1:18:06.320
<v Speaker 1>changed people with lives. Like right now, when I see

1:18:06.320 --> 1:18:09.040
<v Speaker 1>people battle, they don't change people's lives. We just laugh

1:18:09.120 --> 1:18:12.680
<v Speaker 1>at them. And you know, but this like Queens had

1:18:12.720 --> 1:18:15.880
<v Speaker 1>to prove ourselves, like we had to like you know

1:18:15.920 --> 1:18:19.120
<v Speaker 1>what I mean, like South Bronx was was was was

1:18:19.240 --> 1:18:21.679
<v Speaker 1>the position where you had to dig out the rubble.

1:18:24.200 --> 1:18:27.559
<v Speaker 1>I got the outside. It's gonna go away where he said,

1:18:27.680 --> 1:18:30.599
<v Speaker 1>It's like Brooklyn has always been recognized. I can remember

1:18:30.680 --> 1:18:33.600
<v Speaker 1>back and uh nineties seven. I used to go to

1:18:33.680 --> 1:18:37.000
<v Speaker 1>Atlanta and be like, yo is Atlanta in the house

1:18:37.080 --> 1:18:41.439
<v Speaker 1>and nobody from Atlanta what never you know say anything?

1:18:41.600 --> 1:18:44.000
<v Speaker 1>And when I said New York in the house, people

1:18:44.080 --> 1:18:46.280
<v Speaker 1>go crazy. And I would saying Brooklyn and were always

1:18:46.360 --> 1:18:50.479
<v Speaker 1>my first choice Brooklyn and and these people won't go crazy.

1:18:51.160 --> 1:18:53.439
<v Speaker 1>I'll see him. I would see him backstage. And but

1:18:53.520 --> 1:18:57.080
<v Speaker 1>like you from Brooklyn, we're at that. But like Queens Boulevard,

1:18:58.800 --> 1:19:02.800
<v Speaker 1>this motherfucker's a line and motherfucker. But you changed the

1:19:03.000 --> 1:19:13.320
<v Speaker 1>game from that. And so Shan responded to recently, Yeah,

1:19:14.200 --> 1:19:17.320
<v Speaker 1>why did he started? You started? He started it? Yeah?

1:19:17.360 --> 1:19:20.800
<v Speaker 1>He just he did an interview. No no, no, no

1:19:22.600 --> 1:19:25.200
<v Speaker 1>he didn't. Well wait he didn't do a record, No

1:19:25.439 --> 1:19:29.160
<v Speaker 1>he did, he did, um he did. Uh wait wait,

1:19:29.439 --> 1:19:32.760
<v Speaker 1>let me go back, just for the record. I was

1:19:32.800 --> 1:19:37.720
<v Speaker 1>battling some other two in Pittsburgh recently. Yeah, maybe a

1:19:38.400 --> 1:19:48.240
<v Speaker 1>three months up like Hill Chris, I would have got

1:19:48.880 --> 1:19:51.160
<v Speaker 1>I mean, having eggs and bread in my fucking hand

1:19:51.240 --> 1:19:57.160
<v Speaker 1>and ship on. But I give the young kids a

1:19:57.280 --> 1:20:00.280
<v Speaker 1>run for their money. Man still got it. They got

1:20:00.439 --> 1:20:04.679
<v Speaker 1>to test somebody. The young shooters got a little somebody.

1:20:06.080 --> 1:20:08.360
<v Speaker 1>The young kids don't know my history. So don't tell him.

1:20:09.080 --> 1:20:13.080
<v Speaker 1>Don't tell him because he spank that. But but they

1:20:13.280 --> 1:20:15.160
<v Speaker 1>but but but the point is is that I was

1:20:15.200 --> 1:20:17.280
<v Speaker 1>bounding some other someth dude jumped on stage. He was

1:20:17.360 --> 1:20:20.200
<v Speaker 1>this and he was dressed like L holding l L's

1:20:20.200 --> 1:20:25.040
<v Speaker 1>album album, and I was freestyling. I said some waxh

1:20:25.080 --> 1:20:28.200
<v Speaker 1>it about l L. I apologized for that because l

1:20:28.320 --> 1:20:31.680
<v Speaker 1>L is up here. You know, he's even before me.

1:20:32.080 --> 1:20:35.200
<v Speaker 1>You know what I'm saying. There's no disrespect there. But

1:20:35.360 --> 1:20:37.880
<v Speaker 1>I was battling, and the battle is for moment. He

1:20:38.000 --> 1:20:39.800
<v Speaker 1>was like spurt. He held up l L's album. I

1:20:39.880 --> 1:20:42.160
<v Speaker 1>was like, are you telling me some kids just jumped

1:20:42.200 --> 1:20:47.200
<v Speaker 1>on stage? Yeah? Yeah, well just just jumped. So I

1:20:47.240 --> 1:20:50.080
<v Speaker 1>gave him a shot. Why what you got? He spent

1:20:50.200 --> 1:20:53.240
<v Speaker 1>his ship. It was corny, and so I started going

1:20:53.280 --> 1:20:57.880
<v Speaker 1>away this Pittsburgh, Okay, you did say that. So in

1:20:58.040 --> 1:21:01.639
<v Speaker 1>that he put up Sham this album and I said,

1:21:01.720 --> 1:21:04.799
<v Speaker 1>we took Shan out already. What's your old this problem

1:21:04.880 --> 1:21:09.559
<v Speaker 1>up for? Shann heard that and said, fucking man, Yeah,

1:21:09.600 --> 1:21:13.000
<v Speaker 1>he never took me out this, that the other. Do

1:21:13.080 --> 1:21:17.200
<v Speaker 1>you agree with his theory? His theory is that, yeah,

1:21:17.280 --> 1:21:19.280
<v Speaker 1>should have been in front of each other like how

1:21:19.360 --> 1:21:23.360
<v Speaker 1>the Battle Rappers do. Now do you agree with that theory? Yeah?

1:21:23.920 --> 1:21:28.479
<v Speaker 1>He just never showed up. Dude. It's thirty years. It's

1:21:28.560 --> 1:21:31.880
<v Speaker 1>thirty years the festival. I've been all up and down

1:21:32.040 --> 1:21:43.000
<v Speaker 1>Queens okay in Queen's Friend, there's no excuse outdoor festivals,

1:21:43.040 --> 1:21:46.960
<v Speaker 1>come on Summon Champ thirty years and now he wants

1:21:47.000 --> 1:21:49.880
<v Speaker 1>to do it face to face. That would be the

1:21:50.120 --> 1:21:51.760
<v Speaker 1>end of his ship. If you ever want to see

1:21:51.800 --> 1:21:55.760
<v Speaker 1>him all that should will be destructive. I don't know

1:21:55.880 --> 1:21:59.320
<v Speaker 1>what he's asking for, but you know, I eat off

1:21:59.479 --> 1:22:02.200
<v Speaker 1>this ship, man, I this is my ship right here.

1:22:02.360 --> 1:22:06.080
<v Speaker 1>You know, still have it in you? Like you right,

1:22:08.720 --> 1:22:15.040
<v Speaker 1>I'm gonna shoot somebody. So you really were in the

1:22:15.120 --> 1:22:18.920
<v Speaker 1>studio and recorded a new Well he came out with

1:22:19.160 --> 1:22:22.240
<v Speaker 1>something he did. He did an interview and he said

1:22:22.280 --> 1:22:24.800
<v Speaker 1>some rhymes on the interview that he's coming at me

1:22:25.640 --> 1:22:27.960
<v Speaker 1>so well from you don't just say that's like pulling

1:22:28.000 --> 1:22:30.880
<v Speaker 1>your gun and not shoot, like what you're gonna pull

1:22:30.920 --> 1:22:33.680
<v Speaker 1>your ship out? I'm blasting you. That's sad, That's I'm

1:22:33.760 --> 1:22:36.600
<v Speaker 1>not what that's the end of. So he said his

1:22:36.720 --> 1:22:39.320
<v Speaker 1>little piece, So put a piece out. So what did

1:22:39.360 --> 1:22:42.479
<v Speaker 1>he exactly say? He like, I'm freestyle a cappella. Yeah,

1:22:42.600 --> 1:22:44.599
<v Speaker 1>but it sounds like it was written though it had

1:22:44.680 --> 1:22:46.840
<v Speaker 1>no heart to it, like a real freestyle. He was

1:22:46.920 --> 1:22:50.240
<v Speaker 1>reading some ship and he read some ship off and

1:22:51.880 --> 1:22:54.200
<v Speaker 1>and I just so fu Yeah, I'm going to Atlanta.

1:22:54.960 --> 1:22:58.360
<v Speaker 1>I'm going to Atlanta. That's what, dude? Is that? That's what? Yeah,

1:22:58.439 --> 1:23:03.000
<v Speaker 1>Shan working, sham working a place called Club Babes in Atlanta. Okay,

1:23:03.040 --> 1:23:06.240
<v Speaker 1>I'm going there. Okay, that's why I don't know what

1:23:06.360 --> 1:23:12.160
<v Speaker 1>I just started. Come on, you want to see it.

1:23:12.240 --> 1:23:16.439
<v Speaker 1>Let's get it popping so you will be willing drink champs.

1:23:16.479 --> 1:23:18.760
<v Speaker 1>I think this is an opportunity for us, right, No, no, no, no,

1:23:19.240 --> 1:23:21.360
<v Speaker 1>I don't want it to do with this battle. I

1:23:21.479 --> 1:23:27.080
<v Speaker 1>just want to see it online. Queens, man, I don't

1:23:27.120 --> 1:23:30.680
<v Speaker 1>really want to see this battle, can you? Is there

1:23:30.680 --> 1:23:35.600
<v Speaker 1>anyway we can chill you out or no? Not? What? What?

1:23:35.800 --> 1:23:38.280
<v Speaker 1>What did they say that ignited you to want to go?

1:23:38.520 --> 1:23:41.519
<v Speaker 1>It's not what it's being said. It's so it's the

1:23:41.640 --> 1:23:47.160
<v Speaker 1>audacity to even think that, after thirty years you you

1:23:47.439 --> 1:23:51.240
<v Speaker 1>got something for me. You are crazy. You obviously want

1:23:51.320 --> 1:23:54.280
<v Speaker 1>more hits on your ship or whatever it is. Let

1:23:54.360 --> 1:23:55.840
<v Speaker 1>me give them to you, Let me give it to you.

1:23:56.280 --> 1:23:58.040
<v Speaker 1>Let let me blick you up. Because again, let me

1:23:58.080 --> 1:24:01.639
<v Speaker 1>also say this, if Shan never answered me, I would

1:24:01.680 --> 1:24:05.720
<v Speaker 1>not have a career. Okay from the South, bron from

1:24:05.760 --> 1:24:08.920
<v Speaker 1>the South, Bronx. Okay, that record could have been one hit,

1:24:09.320 --> 1:24:11.280
<v Speaker 1>Like if South Broncy came out, we would have had

1:24:11.439 --> 1:24:17.240
<v Speaker 1>one hit. Okay, we had no other shot. Shannon answered,

1:24:17.280 --> 1:24:19.439
<v Speaker 1>would kill that noise, and then he never He didn't

1:24:19.479 --> 1:24:22.479
<v Speaker 1>have to. So we came back with the Bridges over

1:24:22.520 --> 1:24:24.000
<v Speaker 1>and that's when we was able to follow up with

1:24:24.120 --> 1:24:27.400
<v Speaker 1>Criminal Minded. We had four songs on the market. Now,

1:24:27.760 --> 1:24:29.960
<v Speaker 1>Shannon is the reason I exist, or the least I

1:24:30.120 --> 1:24:34.640
<v Speaker 1>could do. His bust his ask, that's the least I

1:24:34.840 --> 1:24:37.040
<v Speaker 1>can do. You know what I'm saying, Show him that

1:24:38.000 --> 1:24:41.360
<v Speaker 1>and hopefully I said, Yo, somebody should write for Chancey.

1:24:41.479 --> 1:24:46.280
<v Speaker 1>Back to your first question, back to the first ones.

1:24:46.600 --> 1:24:49.640
<v Speaker 1>I see if someone wrote for Shan, I would not

1:24:49.840 --> 1:24:53.960
<v Speaker 1>be mad at all. Fuck that man saved that nigga man. Please,

1:24:54.479 --> 1:24:56.479
<v Speaker 1>so you kept saying to him, you told you told

1:24:56.560 --> 1:25:02.360
<v Speaker 1>him his name is Nah spelled backwards your father. It's

1:25:02.400 --> 1:25:05.120
<v Speaker 1>the opposite, yo, Yo, Let me pick up my nigga

1:25:05.200 --> 1:25:14.200
<v Speaker 1>nos real quickly, because you said, look at the Queen's

1:25:14.280 --> 1:25:18.560
<v Speaker 1>Bridge was done until Ill Mattic came out. Okay, just

1:25:18.720 --> 1:25:22.439
<v Speaker 1>for the history, Okay, Queensbridge was criminal Minded? Was was

1:25:22.560 --> 1:25:26.200
<v Speaker 1>the ship on that ship? That was it? Okay, I

1:25:26.320 --> 1:25:31.599
<v Speaker 1>think Illmatic was better than Criminal Minded. That's my opinion.

1:25:32.600 --> 1:25:37.400
<v Speaker 1>Um um. Me being a queen's kid, I can't understand

1:25:37.400 --> 1:25:40.599
<v Speaker 1>where you're coming from. But me living in that era,

1:25:41.960 --> 1:25:45.080
<v Speaker 1>I gotta say criminal Minded. If it wasn't a criminal Minded,

1:25:45.160 --> 1:25:47.479
<v Speaker 1>it wouldn't be a matter. We could say that, no doubt,

1:25:47.560 --> 1:25:49.720
<v Speaker 1>no doubt. We could say that, so we can say

1:25:49.760 --> 1:25:51.400
<v Speaker 1>I'm a real hip hop ki. No no no no

1:25:51.479 --> 1:25:57.640
<v Speaker 1>no we tried no no no no no no. You

1:25:58.160 --> 1:26:01.160
<v Speaker 1>real with it. You influenced eyes too. But you know what,

1:26:01.360 --> 1:26:03.760
<v Speaker 1>you know what you are starting right now. Whoever is

1:26:03.800 --> 1:26:06.519
<v Speaker 1>listening to us right now, go and listen to both

1:26:06.600 --> 1:26:09.240
<v Speaker 1>albums right now, back to back, back to back. Listen

1:26:09.280 --> 1:26:12.320
<v Speaker 1>to the whole Criminal Minded, and listen to the whole Illmatic.

1:26:12.479 --> 1:26:17.240
<v Speaker 1>I did that this morning. That's the creaz Listen. Listen, listen.

1:26:17.320 --> 1:26:20.360
<v Speaker 1>You know that's Criminal Mind is one of my favorite albums.

1:26:20.400 --> 1:26:22.640
<v Speaker 1>I just it's two records. I can't really listen to it,

1:26:23.640 --> 1:26:27.960
<v Speaker 1>but I listened to them. But this morning I just

1:26:28.120 --> 1:26:29.760
<v Speaker 1>woke up and I was like, I wanted to listen

1:26:29.840 --> 1:26:33.120
<v Speaker 1>to Illmatic. I don't know why, and I just listened

1:26:33.120 --> 1:26:36.080
<v Speaker 1>to it. And then I listen to criminal another mind

1:26:36.920 --> 1:26:40.439
<v Speaker 1>if you want to switch the champagne you know so,

1:26:40.760 --> 1:26:43.360
<v Speaker 1>um so I understand what you're saying. But me living

1:26:43.400 --> 1:26:46.280
<v Speaker 1>in that era, that's um. I can one hundred since

1:26:46.360 --> 1:26:48.960
<v Speaker 1>tell you nas what answer the question the same way.

1:26:49.160 --> 1:26:51.080
<v Speaker 1>He'll be like, if it wasn't for a criminal minded,

1:26:51.439 --> 1:26:53.760
<v Speaker 1>he wouldn't know because you made us step our game up.

1:26:54.360 --> 1:26:56.519
<v Speaker 1>You know what, but that game, but that game got

1:26:56.600 --> 1:26:59.640
<v Speaker 1>stepped up to the point where hip hop changed. But

1:27:00.040 --> 1:27:01.880
<v Speaker 1>change hip hop too, just in case, because you don't

1:27:01.880 --> 1:27:05.320
<v Speaker 1>know you and you humble, but you changed hip hop.

1:27:05.800 --> 1:27:08.280
<v Speaker 1>You You was the first person you was. You was

1:27:08.360 --> 1:27:11.800
<v Speaker 1>our Malcolm X. Let me break that down to you.

1:27:12.479 --> 1:27:15.519
<v Speaker 1>It is because hip hop had took up like the

1:27:15.640 --> 1:27:22.200
<v Speaker 1>p M Dawns, and it took up Hey, we're cool approach,

1:27:22.640 --> 1:27:25.679
<v Speaker 1>but we wanted to keep that attitude. But we also

1:27:25.760 --> 1:27:28.840
<v Speaker 1>wanted to learn something and that's the position you fulfilled.

1:27:29.160 --> 1:27:31.719
<v Speaker 1>That's why, that's why your your name as a teacher

1:27:31.800 --> 1:27:35.840
<v Speaker 1>would never be testing at all. No one could ever

1:27:35.920 --> 1:27:39.280
<v Speaker 1>say he's not a teacher because you taught us the

1:27:39.400 --> 1:27:43.000
<v Speaker 1>woof Tangs, the mob deeps, the Bona Noriega's the Nazis.

1:27:43.600 --> 1:27:46.479
<v Speaker 1>So I can't agree with your statement. I know your

1:27:46.520 --> 1:27:49.560
<v Speaker 1>statement is humble, saying that all Maddock is better, but

1:27:49.960 --> 1:27:53.760
<v Speaker 1>I think it is beat for beat. No, but that's not.

1:27:56.320 --> 1:28:00.439
<v Speaker 1>But that's not how history happened. Because how history happens

1:28:00.560 --> 1:28:03.720
<v Speaker 1>is they say, you know this happened in order for this.

1:28:04.840 --> 1:28:07.080
<v Speaker 1>I hear that. So that wait, when I was coming

1:28:07.080 --> 1:28:10.360
<v Speaker 1>from a different perspective. We're talking about respect. We talk

1:28:10.400 --> 1:28:13.600
<v Speaker 1>about yeah, you're a great guy, a great guy. We

1:28:13.800 --> 1:28:17.439
<v Speaker 1>understand when you're wait, wait get it. How else was

1:28:17.560 --> 1:28:23.200
<v Speaker 1>Queen's been supposed to come back? But now nothing out? Now,

1:28:23.360 --> 1:28:26.439
<v Speaker 1>let's answer Shan's question. Because I listened to the interview.

1:28:27.360 --> 1:28:32.200
<v Speaker 1>Shan is also a guard to me. He said that

1:28:32.960 --> 1:28:36.040
<v Speaker 1>Molly told him not to respond. What do you think

1:28:36.080 --> 1:28:41.280
<v Speaker 1>of that? That's pussy, That's that's pussy. It was right

1:28:41.560 --> 1:28:46.519
<v Speaker 1>for him. I wanted him to think that that's pussy. Man,

1:28:47.000 --> 1:28:55.040
<v Speaker 1>my god, oh my god. Now that's grown ass. Man

1:28:55.160 --> 1:28:57.160
<v Speaker 1>gonna tell you not to response. We're eating your ass

1:28:57.360 --> 1:29:03.040
<v Speaker 1>right now, nig somebody don't respond and ship right. Oh man,

1:29:03.920 --> 1:29:18.479
<v Speaker 1>this is real for me, this is so surreal. Welcome

1:29:18.560 --> 1:29:21.560
<v Speaker 1>to Play It, a new podcast network featuring radio and

1:29:21.600 --> 1:29:26.200
<v Speaker 1>TV personalities talking business, sports, tech, entertainment, and more. Play

1:29:26.280 --> 1:29:30.719
<v Speaker 1>it at play dot It. We're back to Drink Champs

1:29:30.840 --> 1:29:36.640
<v Speaker 1>Radio with Rapper and R and d Jes. Then I

1:29:36.680 --> 1:29:39.719
<v Speaker 1>don't even know where to go here if we're gonna

1:29:39.720 --> 1:29:44.040
<v Speaker 1>wrap this up before here, before we wrap this up,

1:29:44.280 --> 1:29:46.800
<v Speaker 1>I'm the only Miami represented here, right, Yes, So it

1:29:46.800 --> 1:29:49.479
<v Speaker 1>wouldn't be right for you to walk away without me

1:29:49.560 --> 1:29:53.559
<v Speaker 1>to represent my generation of Miami hip hop. And when

1:29:53.600 --> 1:29:57.120
<v Speaker 1>you recorded with Mother Superior this album, didn't really see

1:29:57.160 --> 1:30:01.000
<v Speaker 1>the letter. This is your usually lie. Mother Superior. Mother

1:30:01.000 --> 1:30:04.840
<v Speaker 1>Superior is this dope m C that came out of

1:30:04.880 --> 1:30:08.240
<v Speaker 1>Miami in the mid nineties early mid nineties, and she

1:30:08.600 --> 1:30:11.639
<v Speaker 1>was spearheading our movement. I mean, there was those funky Bastards,

1:30:11.720 --> 1:30:14.840
<v Speaker 1>there was Society, Home Team, there was there was We

1:30:14.960 --> 1:30:17.360
<v Speaker 1>had a bubble of movement that was parallel to the

1:30:17.400 --> 1:30:20.439
<v Speaker 1>base movement based, no doubt is a part of our

1:30:20.640 --> 1:30:23.960
<v Speaker 1>Miami culture, but we had we had a hip hop

1:30:24.000 --> 1:30:25.840
<v Speaker 1>and the way you guys were talking about how everybody

1:30:25.920 --> 1:30:28.160
<v Speaker 1>was talking about the Brooklyn, the Bronx or whatever in

1:30:28.280 --> 1:30:31.599
<v Speaker 1>the clubs, we had that problem here. So what we're

1:30:31.640 --> 1:30:35.519
<v Speaker 1>trying to do is build our own identity. He did

1:30:35.560 --> 1:30:39.200
<v Speaker 1>a record, so she did this album she got signed

1:30:39.240 --> 1:30:43.519
<v Speaker 1>the Island Music she you know, strictly off of underground radio.

1:30:44.560 --> 1:30:47.759
<v Speaker 1>She did a song called rock Bottom, which was totally

1:30:47.800 --> 1:30:51.439
<v Speaker 1>representative of Miami. And then he did a record with her,

1:30:51.880 --> 1:30:54.479
<v Speaker 1>maybe a couple, but this one record I put on

1:30:54.520 --> 1:30:56.320
<v Speaker 1>one of my mixtapes, but her album never came out

1:30:56.360 --> 1:30:59.360
<v Speaker 1>and got shelved. And he said, where you at? Where

1:30:59.400 --> 1:31:03.400
<v Speaker 1>you at? Miami's on the map. I remember that, and

1:31:03.439 --> 1:31:06.599
<v Speaker 1>then you remembers everything that made that made the world

1:31:06.720 --> 1:31:11.600
<v Speaker 1>of difference for a Miami hip hop kid. And I

1:31:11.720 --> 1:31:13.800
<v Speaker 1>just you couldn't leave without me telling you that because

1:31:13.800 --> 1:31:15.360
<v Speaker 1>it made the world a difference for all of us

1:31:15.400 --> 1:31:21.000
<v Speaker 1>out here that I felt shot out some other superior,

1:31:21.600 --> 1:31:28.000
<v Speaker 1>superior she was. She was hot man stone words. Peter

1:31:28.320 --> 1:31:31.800
<v Speaker 1>got question, where was your mind that when you made

1:31:31.840 --> 1:31:34.800
<v Speaker 1>the sound of the Police? I was sick of these

1:31:34.920 --> 1:31:37.760
<v Speaker 1>pigs man shooting us down in the street. And it's

1:31:37.800 --> 1:31:40.559
<v Speaker 1>still going on still, what it was going on since

1:31:40.880 --> 1:31:42.880
<v Speaker 1>we got here? So what was the sound of? What

1:31:43.280 --> 1:31:50.680
<v Speaker 1>year was that? Technical? Damn this and were now one

1:31:50.760 --> 1:31:54.519
<v Speaker 1>years and you made that record then? Yeah, and it's

1:31:54.560 --> 1:31:57.360
<v Speaker 1>still going on now still to this tape, Little n

1:31:57.560 --> 1:32:00.360
<v Speaker 1>W A man the police? What was. Yeah, it was

1:32:00.680 --> 1:32:06.080
<v Speaker 1>the police that And see, this is the thing is

1:32:06.560 --> 1:32:13.320
<v Speaker 1>that people say, you know, black people are overdoing it.

1:32:14.120 --> 1:32:19.200
<v Speaker 1>We have documents, records that says that these people was

1:32:19.280 --> 1:32:21.800
<v Speaker 1>doing it. So I just like to say, what was

1:32:21.840 --> 1:32:24.040
<v Speaker 1>the mind state you woke this in the South Bronx.

1:32:24.920 --> 1:32:28.479
<v Speaker 1>Well keep in mind that. Wow. I don't even know

1:32:28.560 --> 1:32:34.680
<v Speaker 1>how to say this, but um, in the Bronx. Uh,

1:32:35.760 --> 1:32:40.439
<v Speaker 1>if you was really successful with you'll hustle in the hood,

1:32:41.320 --> 1:32:46.639
<v Speaker 1>the cops was your friends. It was Larry Davis. Yeah,

1:32:47.040 --> 1:32:49.720
<v Speaker 1>you were. Larry Davis was right on our block like

1:32:49.920 --> 1:32:52.280
<v Speaker 1>Webster Project. He was up the block from Webster Project.

1:32:52.360 --> 1:32:56.320
<v Speaker 1>The whole thing went down. Um, the cops was like

1:32:56.960 --> 1:33:01.200
<v Speaker 1>they were gangster like. It's like, oh boom, okay, to

1:33:01.280 --> 1:33:04.880
<v Speaker 1>speed this up. Training day, the movie training day. That

1:33:05.760 --> 1:33:09.000
<v Speaker 1>ship is every day all day. Okay, just go out

1:33:09.080 --> 1:33:11.680
<v Speaker 1>training day and you'll know what it is. It's just

1:33:11.960 --> 1:33:16.560
<v Speaker 1>this was another gang with another jurisdiction. And then and

1:33:16.680 --> 1:33:18.200
<v Speaker 1>this is what we was dealing with. So if you

1:33:18.280 --> 1:33:21.240
<v Speaker 1>remember in Bookie Down Productions, we had to we had

1:33:21.320 --> 1:33:24.559
<v Speaker 1>to do called RoboCop that was with us and there

1:33:24.560 --> 1:33:29.080
<v Speaker 1>were two of them. One was um A Bounced was

1:33:29.200 --> 1:33:33.479
<v Speaker 1>the lead bouncer at Latin Quarters who is known for

1:33:33.680 --> 1:33:37.720
<v Speaker 1>breaking dudes up in Latin Call. He had a reputation.

1:33:38.320 --> 1:33:41.960
<v Speaker 1>You didn't want to deal with this dude, okay. And

1:33:42.160 --> 1:33:46.479
<v Speaker 1>there was another dude, uh that was a state trooper,

1:33:46.600 --> 1:33:50.519
<v Speaker 1>New Jersey State trooper. Um when I'm posting on the

1:33:50.760 --> 1:33:54.960
<v Speaker 1>going to cover biomies necessary with the oozy the ouziest

1:33:55.000 --> 1:34:03.360
<v Speaker 1>from a New Jersey state trooper. Remember the studio jet shopper.

1:34:03.640 --> 1:34:05.840
<v Speaker 1>I didn't look at I didn't look as cool as you.

1:34:06.600 --> 1:34:08.559
<v Speaker 1>That was from New Jersey said she was so weird.

1:34:08.680 --> 1:34:11.200
<v Speaker 1>Austin it was like it got to a point where

1:34:11.200 --> 1:34:14.280
<v Speaker 1>he was like, you know what, we we can't associate

1:34:14.479 --> 1:34:17.960
<v Speaker 1>with you anymore because of what was going on. It

1:34:18.120 --> 1:34:20.960
<v Speaker 1>was a split like in our own community, because like

1:34:21.560 --> 1:34:23.880
<v Speaker 1>if you're really in the hood, like like you could

1:34:23.920 --> 1:34:27.760
<v Speaker 1>be selling mad drugs, but your brother's a cop, Like

1:34:27.960 --> 1:34:32.160
<v Speaker 1>your cousin's a cop, your uncle's a cop. Like you know,

1:34:32.280 --> 1:34:34.960
<v Speaker 1>it's not just oh, I'm a cop and everybody around

1:34:35.080 --> 1:34:39.280
<v Speaker 1>me is clean. It's the exact opposite. Dudes, did the

1:34:39.439 --> 1:34:44.000
<v Speaker 1>cops even today they gotta live with people like like,

1:34:44.120 --> 1:34:46.920
<v Speaker 1>imagine you a cop and every day you see crime

1:34:47.080 --> 1:34:49.599
<v Speaker 1>all around you every day, but you can just pick. Okay,

1:34:49.640 --> 1:34:51.920
<v Speaker 1>I'm gonna arrestue today. How did you come up with

1:34:51.960 --> 1:34:56.160
<v Speaker 1>an analogy from officer overseas? But that's that's some ot

1:34:56.160 --> 1:34:58.960
<v Speaker 1>ship because when we when we were first and we

1:34:59.040 --> 1:35:02.400
<v Speaker 1>were first brought here uh not as slaves but really

1:35:02.479 --> 1:35:07.040
<v Speaker 1>as soldiers on the Spanish side, um uh and and

1:35:07.160 --> 1:35:10.760
<v Speaker 1>then slaves on the English side. Although that's controversial too,

1:35:11.520 --> 1:35:17.680
<v Speaker 1>but yo, yo, hit yo, yo, we're gonna get your

1:35:17.720 --> 1:35:19.720
<v Speaker 1>new phone cameras. No, I need that when I need

1:35:19.800 --> 1:35:24.720
<v Speaker 1>that ship, I need that. My ship is eighty can't

1:35:24.760 --> 1:35:27.960
<v Speaker 1>do that. I'm bringing that ship back. I'm personally buying you.

1:35:28.080 --> 1:35:34.400
<v Speaker 1>I gotta beeper nickels. I got no word. I'll say, y'all,

1:35:35.000 --> 1:35:45.439
<v Speaker 1>I bring my ship IOUs serious, I gotta beat hold

1:35:45.520 --> 1:35:50.720
<v Speaker 1>my beeper man, bring beepers back that yo. That yo.

1:35:51.040 --> 1:35:53.200
<v Speaker 1>You want to get dream, you gotta beat us. Yeah,

1:35:53.240 --> 1:35:58.240
<v Speaker 1>you gotta beat us. I'm personally buying caress the world. Okay, okay, okay, okay,

1:35:58.600 --> 1:36:01.559
<v Speaker 1>So you remember you're talking about because you can forget

1:36:01.600 --> 1:36:06.840
<v Speaker 1>it and um yeah I did. Yeah, that's okay. Listen,

1:36:06.960 --> 1:36:09.800
<v Speaker 1>we wanted to take the community, oh, cops in the

1:36:09.880 --> 1:36:14.880
<v Speaker 1>community that's right, signing the police. So the cops is

1:36:14.920 --> 1:36:17.439
<v Speaker 1>always your friends in the hood, which is the weirdest

1:36:17.520 --> 1:36:21.240
<v Speaker 1>ship because when you really in the hood, cops ain't

1:36:21.320 --> 1:36:24.560
<v Speaker 1>arresting you, ain't shooting you. He's a bitch, instead of

1:36:24.640 --> 1:36:29.080
<v Speaker 1>shooting at us. Motherfucker's that ain't no real ship. That's

1:36:29.160 --> 1:36:32.839
<v Speaker 1>some bullshit. Okay, that's that's scared. They said, we're scared.

1:36:33.800 --> 1:36:37.760
<v Speaker 1>That's what we shoot because we're scared. Real cops. They

1:36:37.880 --> 1:36:44.400
<v Speaker 1>know exactly who's selling who they hit the d A. Yo,

1:36:44.560 --> 1:36:49.000
<v Speaker 1>go watch training day the d A. Go ahead, this

1:36:49.240 --> 1:36:54.240
<v Speaker 1>dude to this one. I say all the time when

1:36:54.360 --> 1:36:58.479
<v Speaker 1>we have police brutality, is when they stopped letting the

1:36:58.680 --> 1:37:02.519
<v Speaker 1>cops from the hood go to hud because you know,

1:37:02.840 --> 1:37:05.200
<v Speaker 1>you know what you call it from down the block.

1:37:05.520 --> 1:37:08.120
<v Speaker 1>He went to school with him. You know he's a thief.

1:37:08.600 --> 1:37:11.280
<v Speaker 1>You don't need to kill him. But when what happened

1:37:11.400 --> 1:37:13.720
<v Speaker 1>is they take the cops from our hood and they

1:37:13.840 --> 1:37:16.720
<v Speaker 1>bring them to another place, and then they bring the

1:37:16.800 --> 1:37:21.360
<v Speaker 1>cops from another place, and that's the borderline. That's that's

1:37:21.560 --> 1:37:25.519
<v Speaker 1>that's one of the essential reasons why police brutality exists,

1:37:25.560 --> 1:37:30.400
<v Speaker 1>because if you had Jamal that that's from sound View project,

1:37:30.520 --> 1:37:33.880
<v Speaker 1>and that went to school and sound View, and then

1:37:33.920 --> 1:37:37.559
<v Speaker 1>that was patrolling sound View. He's gonna be different as

1:37:37.640 --> 1:37:42.639
<v Speaker 1>opposed to as a Paul to Walter, who's from wherever wherever,

1:37:42.880 --> 1:37:45.560
<v Speaker 1>but now he's patrolling sound View. He's never seen a

1:37:45.720 --> 1:37:49.120
<v Speaker 1>kid with braids. He's never seen a kid either by

1:37:49.200 --> 1:37:55.519
<v Speaker 1>since I see so he's gonna just do whatever this woman.

1:37:56.120 --> 1:38:01.560
<v Speaker 1>This add on. The police are supposed to be the

1:38:01.800 --> 1:38:05.040
<v Speaker 1>model citizen in the community, no matter who you are,

1:38:05.680 --> 1:38:08.880
<v Speaker 1>white cop, black cop, Latino cop, Asian cop, Arab cop.

1:38:08.920 --> 1:38:11.880
<v Speaker 1>I'm gonna funk who you are. You take you take

1:38:12.160 --> 1:38:16.240
<v Speaker 1>police training. You're supposed to be the model citizens. You

1:38:16.280 --> 1:38:20.439
<v Speaker 1>should have the most restraint. Okay. Kids are looking at you.

1:38:20.560 --> 1:38:23.679
<v Speaker 1>They should be able to look at you and be like, yo, dad,

1:38:23.760 --> 1:38:26.280
<v Speaker 1>I want to be a cop, and your dad be like, yo,

1:38:26.360 --> 1:38:28.599
<v Speaker 1>you gotta really be a good man to be a cop.

1:38:29.120 --> 1:38:31.880
<v Speaker 1>And that that's what it's supposed to be. But our

1:38:32.280 --> 1:38:38.719
<v Speaker 1>children forget adults. Okay, children know the cops are corrupt. Okay,

1:38:38.920 --> 1:38:42.040
<v Speaker 1>that's the state we are, right, Kids, not forget the adults.

1:38:43.160 --> 1:38:46.280
<v Speaker 1>Kids know I'm not safe around this duo. I'd rather

1:38:46.400 --> 1:38:49.040
<v Speaker 1>be around my shooters over here with the rag on

1:38:49.160 --> 1:38:53.360
<v Speaker 1>the here, I'm safe around crips and blood. I rather hot.

1:38:53.520 --> 1:38:56.479
<v Speaker 1>You know, I'm even gonna say that ship. I'm just

1:38:56.600 --> 1:39:00.879
<v Speaker 1>saying I rather higher them, which we do as opposed

1:39:00.920 --> 1:39:04.559
<v Speaker 1>to some some off duty cops. Years ago, we used

1:39:04.600 --> 1:39:09.200
<v Speaker 1>to hire off duty cops x FBI. These dudes need jobs.

1:39:09.280 --> 1:39:10.840
<v Speaker 1>You just go ahead and you hire them for and

1:39:10.920 --> 1:39:13.240
<v Speaker 1>now you give them some money. You're doing your country

1:39:13.360 --> 1:39:16.280
<v Speaker 1>or service. These are veterans, and ship, do you do

1:39:16.479 --> 1:39:20.160
<v Speaker 1>your thing now? It's like, nah, man, let me organize

1:39:20.200 --> 1:39:23.599
<v Speaker 1>these blogs over here. Hit them with some money because

1:39:24.240 --> 1:39:27.040
<v Speaker 1>on the street for let me hit them with some cash.

1:39:27.080 --> 1:39:29.960
<v Speaker 1>And y'all God, y'all can stand in. Just do what

1:39:30.080 --> 1:39:32.120
<v Speaker 1>you're supposed to do and get organized. I'd rather hire

1:39:32.160 --> 1:39:35.120
<v Speaker 1>them as long as we know that we're not safe

1:39:35.160 --> 1:39:37.640
<v Speaker 1>around the police. This whole ship is corrupt and let

1:39:37.680 --> 1:39:40.640
<v Speaker 1>me show you this. I want some Illuminati ship if

1:39:40.680 --> 1:39:46.120
<v Speaker 1>you really want to know. Years ago, like eighty two,

1:39:47.439 --> 1:39:51.439
<v Speaker 1>there was a supposedly a conspiracy theory going around about

1:39:51.520 --> 1:39:57.240
<v Speaker 1>eighty three. It said that the new World Order is

1:39:57.320 --> 1:40:02.559
<v Speaker 1>going to include a global police force, and the way

1:40:02.680 --> 1:40:07.799
<v Speaker 1>to implement the global police force was for local police

1:40:08.200 --> 1:40:12.280
<v Speaker 1>to become so hated by the local community that the

1:40:12.479 --> 1:40:19.439
<v Speaker 1>local communities cry out for international interference. So now you

1:40:19.600 --> 1:40:24.519
<v Speaker 1>have these cops today randomly just shooting down black people,

1:40:24.640 --> 1:40:28.720
<v Speaker 1>just shooting and it's stupid. It's like, it's ridiculous. Now

1:40:28.840 --> 1:40:32.920
<v Speaker 1>the rest of the world's saying, Yo, what's something with America?

1:40:33.720 --> 1:40:35.800
<v Speaker 1>What's what's something? Do you go to other places? You know?

1:40:35.920 --> 1:40:37.840
<v Speaker 1>Nor are you go to places? Dudes looking at us

1:40:37.920 --> 1:40:40.479
<v Speaker 1>like wait, crazy, like you know what's going on? Got

1:40:40.520 --> 1:40:43.200
<v Speaker 1>Africans asked me, you old bro, what's something? Man of

1:40:43.280 --> 1:40:45.880
<v Speaker 1>black man? Sometimes you land in these different countries, they'd

1:40:45.880 --> 1:40:52.880
<v Speaker 1>be like welcome, like you're here, like you survived. And dudes,

1:40:53.040 --> 1:40:56.320
<v Speaker 1>you think that's because because became president it got worse

1:40:56.600 --> 1:41:01.320
<v Speaker 1>or no no, you're saying yeah, no, no, no, no,

1:41:01.560 --> 1:41:02.840
<v Speaker 1>you know what he got to do, and he got

1:41:02.880 --> 1:41:05.320
<v Speaker 1>a lot of factors in it. First of all, people

1:41:05.600 --> 1:41:09.640
<v Speaker 1>want black people in jail. Okay, people making money on it.

1:41:09.760 --> 1:41:13.200
<v Speaker 1>Black people are making money on black people in jail. Okay.

1:41:13.640 --> 1:41:17.880
<v Speaker 1>This black d a sending business Like, don't doubt this

1:41:18.080 --> 1:41:21.040
<v Speaker 1>black d a sending black people a prison. Black judges

1:41:21.080 --> 1:41:23.880
<v Speaker 1>are sending black people to prison. Black cops are sending

1:41:23.920 --> 1:41:28.200
<v Speaker 1>black people, black cops, black stop shooting black beebo. We

1:41:28.320 --> 1:41:32.920
<v Speaker 1>y'all gonna drop, I got you, you know. So it's

1:41:33.000 --> 1:41:37.679
<v Speaker 1>like it's like, are we really at war with any

1:41:37.720 --> 1:41:40.479
<v Speaker 1>outside for us? So we all with ourselves? Are we

1:41:40.920 --> 1:41:43.599
<v Speaker 1>just going along with the script that they have planned

1:41:43.680 --> 1:41:47.320
<v Speaker 1>for us? And it's like straight up and down. They

1:41:47.439 --> 1:41:50.000
<v Speaker 1>just had Tyler Quality was just with me the other day.

1:41:50.520 --> 1:41:57.920
<v Speaker 1>He came over. So he just told me he just

1:41:58.040 --> 1:42:00.719
<v Speaker 1>came from the White House with a blood. The rappers

1:42:00.760 --> 1:42:04.680
<v Speaker 1>were there and really nothing got discussed, you know. And

1:42:04.760 --> 1:42:07.320
<v Speaker 1>they never call people like me or Chalk or and

1:42:07.560 --> 1:42:13.880
<v Speaker 1>one or no doubt, and that's that's what they need.

1:42:13.960 --> 1:42:16.840
<v Speaker 1>But they never know. But you know what they had

1:42:16.960 --> 1:42:21.479
<v Speaker 1>ricked there. You know what I'm saying. You know what

1:42:21.560 --> 1:42:23.719
<v Speaker 1>I'm saying. So I'm saying, no, why don't they because

1:42:23.720 --> 1:42:25.639
<v Speaker 1>they know you're gonna come with the truth. Look, here's

1:42:25.640 --> 1:42:31.320
<v Speaker 1>the point is that is that we're moving into this script.

1:42:32.200 --> 1:42:36.479
<v Speaker 1>The United States has to become what its name is

1:42:36.600 --> 1:42:41.000
<v Speaker 1>in order to it to survive. United funk all this

1:42:41.240 --> 1:42:46.599
<v Speaker 1>black ship, give me this this this is this legendary

1:42:47.360 --> 1:42:52.120
<v Speaker 1>what right here America? We got to become a United America.

1:42:52.240 --> 1:42:56.519
<v Speaker 1>Gotta stand up for America, like straight up when you

1:42:56.640 --> 1:42:59.120
<v Speaker 1>go to other country's nick is this in US man

1:42:59.400 --> 1:43:02.720
<v Speaker 1>this and the Americans this and not everybody because my

1:43:03.960 --> 1:43:09.880
<v Speaker 1>first game president, everybody with you know whatever. Overseas, they

1:43:09.960 --> 1:43:16.360
<v Speaker 1>was like black like the like the first year after

1:43:16.439 --> 1:43:21.720
<v Speaker 1>that there was you know. But there's a rumor that

1:43:21.880 --> 1:43:28.880
<v Speaker 1>you didn't fly. He was taking boats and Franklin. So

1:43:29.200 --> 1:43:32.439
<v Speaker 1>so do you do you fly now? No? I fly privately.

1:43:33.320 --> 1:43:37.080
<v Speaker 1>I love flying. I fly helicopters. I'll fly private jets

1:43:37.240 --> 1:43:39.200
<v Speaker 1>and things like that. Take a few private jets here

1:43:39.240 --> 1:43:44.080
<v Speaker 1>in there. But commercial airlines for me, it's too much

1:43:44.200 --> 1:43:47.200
<v Speaker 1>to love in the hood is too much for k arrest.

1:43:47.280 --> 1:43:50.600
<v Speaker 1>I don't. I can't do nothing like you know, like

1:43:51.000 --> 1:43:53.200
<v Speaker 1>to get to the airport, it takes me an hour.

1:43:53.360 --> 1:43:56.599
<v Speaker 1>The baggage claim sucking the whole baggage claim. I take

1:43:56.640 --> 1:43:59.840
<v Speaker 1>pictures with everybody pounds. I'm not leaving my people. I'm

1:43:59.880 --> 1:44:02.599
<v Speaker 1>not is gonna walk past you. So everybody said, yo, Chris,

1:44:02.680 --> 1:44:04.880
<v Speaker 1>I gotta stop. I gotta take things. I got sign ship,

1:44:05.320 --> 1:44:07.720
<v Speaker 1>get on the plane. The stewardess buggat the people on

1:44:07.840 --> 1:44:11.560
<v Speaker 1>the on the plane, bugging Captain. I said, you know what,

1:44:12.040 --> 1:44:15.080
<v Speaker 1>and this was ninety seven. I said, forget it. I'm

1:44:15.120 --> 1:44:17.200
<v Speaker 1>not flying. I'm not flying on what I can't you

1:44:17.280 --> 1:44:22.880
<v Speaker 1>haven't from since ninety seven, actually ninety six. Let's being rich.

1:44:24.960 --> 1:44:29.679
<v Speaker 1>I don't know. You gotta be tweating a line a rich. Listen,

1:44:30.920 --> 1:44:32.880
<v Speaker 1>it's not rich. I'm not a rich man. I'm a

1:44:32.960 --> 1:44:35.400
<v Speaker 1>very poor man. No, no, me too, I say the same,

1:44:35.520 --> 1:44:43.240
<v Speaker 1>I take I'm not rich, me too, I'm pot. But

1:44:44.000 --> 1:44:45.760
<v Speaker 1>the private thing is let's talk about it. But but

1:44:45.960 --> 1:44:49.000
<v Speaker 1>but I won't fry privately. I take very good care

1:44:49.040 --> 1:44:51.320
<v Speaker 1>of my wife and my children. Okay, that's what it's.

1:44:51.439 --> 1:44:55.160
<v Speaker 1>I don't need anything, but they need a lot. So,

1:44:55.720 --> 1:44:57.439
<v Speaker 1>you know, I say, look, I don't want to have

1:44:57.520 --> 1:45:00.280
<v Speaker 1>a career where I'm away from my kids on my wife. Ethan,

1:45:00.320 --> 1:45:02.400
<v Speaker 1>it's that the other so and I can't be away

1:45:02.439 --> 1:45:04.479
<v Speaker 1>from my wife. She books all the tours. Did you

1:45:04.640 --> 1:45:08.240
<v Speaker 1>book a boat to London? I heard that. I heard this.

1:45:08.640 --> 1:45:12.360
<v Speaker 1>That's why I'm rushing out of here now. Yeah, I'm

1:45:12.360 --> 1:45:17.840
<v Speaker 1>going to Speen tomorrow. Talk about are you getting a

1:45:18.000 --> 1:45:23.439
<v Speaker 1>boat to Man's Woman? Mimi, I'm going in tomorrow. This

1:45:23.720 --> 1:45:27.720
<v Speaker 1>Coronesian Nowegian cruise posting right up to your board. I'm

1:45:27.760 --> 1:45:30.240
<v Speaker 1>getting on that ship and then it goes to go

1:45:30.400 --> 1:45:33.040
<v Speaker 1>to Spain. How many days? Fourteen days, I'll be in

1:45:33.120 --> 1:45:41.040
<v Speaker 1>Barcelona world, So this is this is current you and

1:45:41.200 --> 1:45:44.559
<v Speaker 1>college is like the only two left. You know, College

1:45:44.560 --> 1:45:51.040
<v Speaker 1>don't fly either. I think he got expected though fly?

1:45:51.200 --> 1:45:54.200
<v Speaker 1>Why should he fly? So? Why what? What? Why you

1:45:54.240 --> 1:45:57.160
<v Speaker 1>wouldn't fly? Well? Well, first of all, like I told you,

1:45:57.320 --> 1:46:01.200
<v Speaker 1>commercial travel to me is just hectic. Besides that, like

1:46:01.320 --> 1:46:03.479
<v Speaker 1>you know now, besides that, I have books to write.

1:46:03.760 --> 1:46:06.439
<v Speaker 1>I got rhymes to right, I read a lot. My

1:46:06.600 --> 1:46:09.479
<v Speaker 1>life is slower, you know what I'm saying. I take

1:46:09.600 --> 1:46:12.360
<v Speaker 1>time with my family, my wife, my daughter, my son's

1:46:12.439 --> 1:46:15.479
<v Speaker 1>I got you need time for that. So you know,

1:46:15.800 --> 1:46:19.160
<v Speaker 1>fourteen days at see, I'm finishing up three books that

1:46:19.240 --> 1:46:24.439
<v Speaker 1>I'm just finishing. You just zone now try that one.

1:46:24.560 --> 1:46:26.559
<v Speaker 1>You should. You should try writing rhymes in the middle

1:46:26.560 --> 1:46:28.680
<v Speaker 1>of the Atlantic. I got a d D hit that

1:46:29.400 --> 1:46:33.400
<v Speaker 1>you don't have a d D smoke too much. I

1:46:33.520 --> 1:46:38.280
<v Speaker 1>might just jump over escualde Cures. That's what I'm saying.

1:46:39.360 --> 1:46:41.559
<v Speaker 1>It doesn't have it. And the thing is the weed

1:46:41.640 --> 1:46:43.600
<v Speaker 1>I smoke is so loud, like it's gonna be a

1:46:43.720 --> 1:46:46.160
<v Speaker 1>judge that come out. I'm gonna tell you a story, right,

1:46:46.720 --> 1:46:49.320
<v Speaker 1>I'll tell you I was in Hawaii because I remember

1:46:49.360 --> 1:46:53.040
<v Speaker 1>this story because he's drinking my ties. So I'm in Hawaii, right,

1:46:53.560 --> 1:46:57.559
<v Speaker 1>I'm out, hold on, hold on, I'm smoking weed. Right.

1:46:58.680 --> 1:47:04.559
<v Speaker 1>This is my first marriage, it's my I'm married again,

1:47:04.640 --> 1:47:10.320
<v Speaker 1>it's my second one. Pray for me. So I'm sitting

1:47:10.320 --> 1:47:13.400
<v Speaker 1>there smoking. The people at the Four Seasons, the Four

1:47:13.479 --> 1:47:16.680
<v Speaker 1>Seasons Maui. So they called me and they say, yo,

1:47:18.760 --> 1:47:22.280
<v Speaker 1>are you smoking up there? And I'm like, yeah, I

1:47:22.360 --> 1:47:24.400
<v Speaker 1>don't know what I paid for this room, but I

1:47:24.560 --> 1:47:28.960
<v Speaker 1>just know my accountant lost her mind. So I'm like, yeah,

1:47:29.000 --> 1:47:31.760
<v Speaker 1>I'm smoking. They're like, kids, you would you mind not

1:47:31.920 --> 1:47:34.719
<v Speaker 1>smoking on the terrorists? So I said, now you're inviting

1:47:34.760 --> 1:47:38.160
<v Speaker 1>me to smoke in the room. They're like, you're right.

1:47:38.840 --> 1:47:42.960
<v Speaker 1>They're like, we have a very important guest that is upstairs.

1:47:43.080 --> 1:47:45.200
<v Speaker 1>And I'm like, did the guests pay more than me?

1:47:46.280 --> 1:47:50.040
<v Speaker 1>And they're like no. So I'm like, well, they're like

1:47:50.240 --> 1:47:52.559
<v Speaker 1>Mr Santiago, that's my last name. I don't know if

1:47:52.560 --> 1:47:54.840
<v Speaker 1>you don't pay. Puerto Rican makes a noise for La team,

1:47:56.280 --> 1:47:58.400
<v Speaker 1>but I'm black and like so so they say I'm

1:47:58.400 --> 1:48:02.760
<v Speaker 1>actually performing in Santiago. This is a gift. So they

1:48:02.840 --> 1:48:05.879
<v Speaker 1>say to me, they say, you're right, you're actually outside.

1:48:05.960 --> 1:48:09.080
<v Speaker 1>You can't do it. I look on the news. This

1:48:09.320 --> 1:48:14.799
<v Speaker 1>is when Oprah um step son had drowned in Hawaii

1:48:15.439 --> 1:48:18.240
<v Speaker 1>and Maui. So the person I was telling them to

1:48:18.400 --> 1:48:21.679
<v Speaker 1>tell them the funk that I paid the same amount

1:48:22.360 --> 1:48:29.879
<v Speaker 1>was fucking Oprah. This is hard a morbid story because

1:48:30.200 --> 1:48:32.720
<v Speaker 1>I like that I actually paid square for square. We

1:48:32.800 --> 1:48:35.400
<v Speaker 1>had the same exact room. God bless you know the

1:48:35.439 --> 1:48:39.439
<v Speaker 1>people who passed away and everything. But that ship was

1:48:39.520 --> 1:48:42.160
<v Speaker 1>just a moment for me. It was a moment for

1:48:42.320 --> 1:48:46.599
<v Speaker 1>just me standing in my ground but now and trying

1:48:46.640 --> 1:48:49.400
<v Speaker 1>to make this one work. The second was always the best.

1:48:49.479 --> 1:48:52.360
<v Speaker 1>You're the second one to ms. Melanie was first, okay

1:48:52.840 --> 1:48:54.200
<v Speaker 1>a year and a half and big up to her

1:48:54.200 --> 1:49:01.479
<v Speaker 1>wresting peace. God blessed not that I'm every related, by

1:49:01.520 --> 1:49:03.680
<v Speaker 1>the way, So if you seen me do that, I'm not.

1:49:04.439 --> 1:49:09.760
<v Speaker 1>I'm a Muslim, Christian, God body your caress. Thank you

1:49:09.880 --> 1:49:11.680
<v Speaker 1>for so much for hanging out with us. And we're

1:49:11.720 --> 1:49:17.400
<v Speaker 1>not going and I'll come back. I'm not fourteen days

1:49:17.439 --> 1:49:19.640
<v Speaker 1>when I come back. The people need you let's just

1:49:19.760 --> 1:49:23.000
<v Speaker 1>break it down for these people. You are going fourteen days,

1:49:23.439 --> 1:49:26.040
<v Speaker 1>So now how does this cruise happen? You leave in Miami,

1:49:26.520 --> 1:49:30.000
<v Speaker 1>do you stop anywhere? Yes? Will you stop that? We

1:49:30.120 --> 1:49:33.640
<v Speaker 1>stopped in fun called Africa. We stopped on you go

1:49:33.720 --> 1:49:40.120
<v Speaker 1>from Miami to Africa? Yeah, we got that. Real questioning Africa,

1:49:40.320 --> 1:49:45.360
<v Speaker 1>I've never heard of some Bahamas, a little Bahama, little Bahamas.

1:49:45.360 --> 1:49:47.599
<v Speaker 1>Then you get out to Africa, then you get done

1:49:47.640 --> 1:49:50.080
<v Speaker 1>this trip before. Oh yeah, no doubt. Not only this ship,

1:49:50.520 --> 1:49:52.400
<v Speaker 1>but I've done other ships I've done. And how many

1:49:52.479 --> 1:49:56.000
<v Speaker 1>times do you say you them this oh sailed? Yes?

1:49:56.560 --> 1:49:59.200
<v Speaker 1>Oh at least thirty times? And you believe in a

1:49:59.280 --> 1:50:02.439
<v Speaker 1>boat you've got an everything Titanic? No, no, no, there's

1:50:02.439 --> 1:50:05.519
<v Speaker 1>no Titanic anywhere in the Atlantic Ocean. The coast guard

1:50:05.520 --> 1:50:10.120
<v Speaker 1>will get you in ten minutes. Anyway, It ain't that

1:50:10.240 --> 1:50:13.480
<v Speaker 1>bo that's bullshit. That's this movie ship. This rich motherfucker's

1:50:13.520 --> 1:50:16.800
<v Speaker 1>on that boat. That boat ain't going nowhere. There's no

1:50:17.080 --> 1:50:20.800
<v Speaker 1>there's nothing, there's nothing now mind you. Now come on now,

1:50:20.920 --> 1:50:30.240
<v Speaker 1>Caribbean Cruises and all that you cruise, Do I get them?

1:50:31.040 --> 1:50:36.240
<v Speaker 1>Oh yeah, no doubt. You get platinum gold status, healthy passengers,

1:50:36.439 --> 1:50:40.680
<v Speaker 1>no doubt. But some of the triangle, the triangle you

1:50:40.760 --> 1:50:45.360
<v Speaker 1>haven't been there. Yeah, part of the triangle you've been

1:50:46.439 --> 1:50:49.120
<v Speaker 1>right through it. Get right there. The Bermuda try and

1:50:49.200 --> 1:50:52.479
<v Speaker 1>go only acts something when when like you know you

1:50:52.880 --> 1:50:56.120
<v Speaker 1>you have to go through that and like like, um,

1:50:56.439 --> 1:50:59.919
<v Speaker 1>it's like certain seasons where they say it's like hurricanes

1:51:00.000 --> 1:51:02.680
<v Speaker 1>season or this kind of thing. Look everything, because it

1:51:02.680 --> 1:51:05.120
<v Speaker 1>gets the bottom line. You trust the boat more than

1:51:05.160 --> 1:51:09.679
<v Speaker 1>the plane. No, no, no, okay, I trust me driving

1:51:09.880 --> 1:51:13.240
<v Speaker 1>ship more than anything. Okay, I would prefer to get

1:51:13.320 --> 1:51:17.080
<v Speaker 1>my own boat and sail across the sea myself, but

1:51:17.280 --> 1:51:19.840
<v Speaker 1>I'm not going to settle for a small yacht. Like

1:51:19.960 --> 1:51:22.200
<v Speaker 1>you know, I could do a small yacht right now,

1:51:22.360 --> 1:51:24.800
<v Speaker 1>but that's not what I want. What I want is

1:51:24.840 --> 1:51:27.240
<v Speaker 1>an actual ship that I could go across and of

1:51:27.320 --> 1:51:30.519
<v Speaker 1>course mad money. So I'm just holding out till I

1:51:30.560 --> 1:51:32.120
<v Speaker 1>can get my own ship, and then I could. I

1:51:32.200 --> 1:51:36.360
<v Speaker 1>could see some motherfucker's want to buy planes. They want ship,

1:51:36.479 --> 1:51:38.920
<v Speaker 1>pair of us one and one on the ship something

1:51:41.600 --> 1:51:44.519
<v Speaker 1>that's straight up no doubt. So you think I'm gonna

1:51:44.520 --> 1:51:48.080
<v Speaker 1>give you this last one? Um, it's the last question.

1:51:51.120 --> 1:51:55.840
<v Speaker 1>Boxing don't have no representative which means that if you're

1:51:55.840 --> 1:51:58.720
<v Speaker 1>a boxer, you make it, you make it. If your

1:51:58.760 --> 1:52:02.160
<v Speaker 1>boxer you don't make it, you're fucked up. There's no

1:52:02.680 --> 1:52:05.920
<v Speaker 1>there's no reparations, there's no like you know, type of

1:52:06.400 --> 1:52:08.560
<v Speaker 1>you know, to hold you down. Hip hop is the

1:52:08.680 --> 1:52:14.960
<v Speaker 1>only other, I want to say, entertainment company that we

1:52:15.120 --> 1:52:18.280
<v Speaker 1>might have thirty people that's down with us. But when

1:52:18.320 --> 1:52:20.679
<v Speaker 1>you go on that vocable before you go to perform

1:52:20.800 --> 1:52:24.760
<v Speaker 1>that record, it's just you. Similar to boxing, we don't

1:52:24.800 --> 1:52:27.400
<v Speaker 1>have nothing to representing us in the hip hop. We

1:52:27.560 --> 1:52:30.479
<v Speaker 1>hear that the president just recently met Matt with these

1:52:30.520 --> 1:52:34.000
<v Speaker 1>people Toddler Quality brothers that we know bust the rhymes.

1:52:34.400 --> 1:52:37.920
<v Speaker 1>What do you think it's our solution to make we

1:52:38.040 --> 1:52:39.519
<v Speaker 1>need a hip hop you know when you wanted the

1:52:39.600 --> 1:52:43.000
<v Speaker 1>life insurance or the health insurance even further than that.

1:52:43.160 --> 1:52:46.920
<v Speaker 1>Now Um yeah, well let me let me because like

1:52:47.080 --> 1:52:51.400
<v Speaker 1>right now, like like DC right, phenomenal guy lost his voice.

1:52:52.400 --> 1:52:54.559
<v Speaker 1>They should have been health insurance that kind of helped

1:52:54.600 --> 1:52:57.400
<v Speaker 1>him restore that. We didn't have that and right now,

1:52:57.520 --> 1:53:00.280
<v Speaker 1>But it's because Jenna Kiss said something on our part cast.

1:53:00.360 --> 1:53:02.760
<v Speaker 1>He said, we're the only people who have a hip

1:53:02.800 --> 1:53:07.479
<v Speaker 1>hop South hip hop regions. Yes, there's no hip hop,

1:53:07.920 --> 1:53:11.280
<v Speaker 1>there's no rock and roll South, there's no rock and roll.

1:53:11.600 --> 1:53:14.160
<v Speaker 1>Why are we segregating? Why are we saying and and

1:53:14.360 --> 1:53:17.800
<v Speaker 1>and do we need this? This this policies where we

1:53:18.280 --> 1:53:21.479
<v Speaker 1>if Coolherd gets sick, we can go and help him.

1:53:22.160 --> 1:53:25.680
<v Speaker 1>Do we need that? Yes we do, Yes we do,

1:53:26.000 --> 1:53:29.960
<v Speaker 1>and and and and and I advocated absolutely. Unity is

1:53:30.000 --> 1:53:32.960
<v Speaker 1>the only thing we talked about, American unity. Let's let's

1:53:33.000 --> 1:53:36.080
<v Speaker 1>tweak it down to hip hop unity. Hip hop is

1:53:36.200 --> 1:53:40.960
<v Speaker 1>the greatest urban movement to hit human history. Let's just

1:53:41.080 --> 1:53:47.879
<v Speaker 1>start human history. Okay, human history, Okay, hip hop breaking

1:53:47.960 --> 1:53:51.479
<v Speaker 1>him seeing graffiti or DJ and beatboxing. You can add

1:53:51.520 --> 1:53:56.240
<v Speaker 1>street fashion, language, knowledge, all of that. That movement in

1:53:56.400 --> 1:54:00.960
<v Speaker 1>the hood. That that right there, hip hop is is

1:54:01.439 --> 1:54:07.280
<v Speaker 1>what America really is. It's like the true declaration of independence.

1:54:07.320 --> 1:54:11.120
<v Speaker 1>It's what America is. But we got these old people.

1:54:11.760 --> 1:54:14.799
<v Speaker 1>You asked me also about hip hop's old school. Okay,

1:54:15.160 --> 1:54:17.160
<v Speaker 1>I have respect for the old school. We always should,

1:54:17.240 --> 1:54:19.799
<v Speaker 1>we did. Those are the ancestors, those are the elders,

1:54:19.880 --> 1:54:23.720
<v Speaker 1>those are the fathers, godfathers and so on. That's that's

1:54:23.720 --> 1:54:27.439
<v Speaker 1>what it is. But when you don't do your job,

1:54:28.720 --> 1:54:32.960
<v Speaker 1>you don't deserve the respect of the youth. Elder is

1:54:33.000 --> 1:54:38.480
<v Speaker 1>always asking for respect that they don't deserve me. I

1:54:38.640 --> 1:54:41.800
<v Speaker 1>try to earn the respect of the youth. I don't

1:54:41.840 --> 1:54:44.480
<v Speaker 1>look down on them. I think they're smarter than me.

1:54:44.800 --> 1:54:47.880
<v Speaker 1>I think they're faster than me. I think they think

1:54:47.960 --> 1:54:50.880
<v Speaker 1>of things beyond what I can think about. Now. Of

1:54:51.000 --> 1:54:54.240
<v Speaker 1>course I tell them, hey, look, I'm the old head

1:54:54.320 --> 1:54:56.480
<v Speaker 1>in the room, and I like that ship. I'm fifty

1:54:56.680 --> 1:54:59.480
<v Speaker 1>fun this ship. Okay, that's my ship. I got a

1:55:00.000 --> 1:55:21.080
<v Speaker 1>our peacon. I want my ship next time. Dude, Yo,

1:55:23.200 --> 1:55:32.440
<v Speaker 1>that's what I'm saying. What fifty percent off hotels ship

1:55:37.600 --> 1:55:44.600
<v Speaker 1>is bad? Let me tell you, Okay, we yo, were

1:55:44.640 --> 1:55:48.720
<v Speaker 1>the elders in this. Young people are supposed to look

1:55:48.880 --> 1:55:52.120
<v Speaker 1>up to us and be like, Yo, that's what it

1:55:52.280 --> 1:55:55.760
<v Speaker 1>means to be fifty and hip hop world. You got

1:55:55.840 --> 1:56:00.440
<v Speaker 1>your knowledge downpack, your family straight, you got your money right,

1:56:00.760 --> 1:56:03.320
<v Speaker 1>You're doing your thing. That's what young people need to

1:56:03.520 --> 1:56:10.840
<v Speaker 1>see and see more blue the blue print. Now we're

1:56:10.880 --> 1:56:13.840
<v Speaker 1>gonna do it. Shows like this, your ship bringing people

1:56:13.920 --> 1:56:17.880
<v Speaker 1>together right now as we speak. Right now, as we speak,

1:56:17.960 --> 1:56:20.240
<v Speaker 1>dus is here and what it is what we gotta

1:56:20.320 --> 1:56:23.520
<v Speaker 1>do is really unite, and here's what it's gonna take.

1:56:23.640 --> 1:56:26.120
<v Speaker 1>Here's you asked this about to stop the violence movement

1:56:26.120 --> 1:56:28.920
<v Speaker 1>about my brothers ain't doing that today? What we're so

1:56:29.120 --> 1:56:33.760
<v Speaker 1>hard to do that today? Too much, too much competition,

1:56:34.400 --> 1:56:40.440
<v Speaker 1>not enough cooperation. Okay, we live in a capitalist come

1:56:41.680 --> 1:56:46.080
<v Speaker 1>we we we we live in a capitalist society where

1:56:47.200 --> 1:56:54.360
<v Speaker 1>uh where competition is the number one order of the day.

1:56:54.800 --> 1:56:57.920
<v Speaker 1>So the young are trained to kill the old so

1:56:58.080 --> 1:57:00.080
<v Speaker 1>that you can get so so that you could you

1:57:00.160 --> 1:57:02.200
<v Speaker 1>what it is the younger train to kill the all.

1:57:02.480 --> 1:57:05.200
<v Speaker 1>The all a train to kill the young so you

1:57:05.280 --> 1:57:08.480
<v Speaker 1>can stay in power. Kill these youngest as they coming up.

1:57:08.760 --> 1:57:10.440
<v Speaker 1>I don't want you to take your hip hop the

1:57:10.520 --> 1:57:14.320
<v Speaker 1>only generation like you know, the Odds brothers could tour forever.

1:57:14.880 --> 1:57:18.200
<v Speaker 1>Why did they try to kill the older? Well, it's

1:57:18.280 --> 1:57:23.320
<v Speaker 1>that it's that competition. It's still competition. Look when we start,

1:57:23.480 --> 1:57:26.440
<v Speaker 1>when we stopped thinking of hip hop as a music

1:57:26.920 --> 1:57:30.160
<v Speaker 1>and start thinking of it as a culture, a nation,

1:57:30.720 --> 1:57:34.280
<v Speaker 1>a community. When you start realizing that you are a nation,

1:57:34.720 --> 1:57:38.800
<v Speaker 1>you're a sovereign nation, all we gotta do is unite,

1:57:40.000 --> 1:57:43.720
<v Speaker 1>just just unite. Just here's a unity. I here it is.

1:57:44.360 --> 1:57:48.080
<v Speaker 1>Let's print our own currency. Alright, start right, This is

1:57:48.160 --> 1:57:52.400
<v Speaker 1>the unity of any nation starts with trust. We print

1:57:52.440 --> 1:57:56.080
<v Speaker 1>a hundred thousand dollars for every hip hop citizen in

1:57:56.240 --> 1:57:59.880
<v Speaker 1>existing we have a million citizens. We print a hundred

1:58:00.240 --> 1:58:11.880
<v Speaker 1>million of our currency currency. Wif cent I'm coming right

1:58:11.920 --> 1:58:14.560
<v Speaker 1>now here, he'll he'll be a fifty cent piece, fifties

1:58:14.560 --> 1:58:17.400
<v Speaker 1>worth more than that. But but I'm saying, print our

1:58:17.520 --> 1:58:20.960
<v Speaker 1>own currency, and let's see if the people spend that. No,

1:58:21.080 --> 1:58:26.280
<v Speaker 1>they will, You'll be instantly rich. People buying albums, we

1:58:26.360 --> 1:58:31.840
<v Speaker 1>give them, give them currency by our currency, not our albums. Right.

1:58:31.840 --> 1:58:33.680
<v Speaker 1>If we gets selling the album, we did that, we

1:58:33.800 --> 1:58:37.520
<v Speaker 1>know that game. Now let's sell currencies in which you

1:58:37.640 --> 1:58:39.760
<v Speaker 1>got the k arrest currency, and d would be like, Yo,

1:58:39.880 --> 1:58:42.520
<v Speaker 1>this ship is worth this this week up against the

1:58:42.520 --> 1:58:45.720
<v Speaker 1>American dollar, up against this is the end, up against

1:58:45.760 --> 1:58:49.840
<v Speaker 1>the Euro, against this ship. Yo. Look, if you gave

1:58:49.960 --> 1:58:52.680
<v Speaker 1>me a hundred thousand dollars, say you know, let's say

1:58:52.680 --> 1:58:55.320
<v Speaker 1>I gave you a hundred thousands. Okay, I'll give you

1:58:55.360 --> 1:59:00.240
<v Speaker 1>a hundred thousand hip hop currency currency. Okay, now you're

1:59:00.240 --> 1:59:03.040
<v Speaker 1>gonna spend it with my man right here. What we

1:59:03.280 --> 1:59:09.040
<v Speaker 1>what we want is specialized people to have this money electricians.

1:59:09.160 --> 1:59:13.600
<v Speaker 1>Right now, hip hop is old enough. We got doctors, lawyers, ps, workers,

1:59:13.640 --> 1:59:18.720
<v Speaker 1>we got all kinds of and entrepreneurs, okay, huge entrepreneurs.

1:59:19.120 --> 1:59:23.000
<v Speaker 1>All we gotta do is trade our own currency with

1:59:23.160 --> 1:59:26.360
<v Speaker 1>each other, with each other. This hip hop has their

1:59:26.400 --> 1:59:36.520
<v Speaker 1>own stores, farms. Look, dude, funk that American dollar. I

1:59:42.040 --> 1:59:51.360
<v Speaker 1>wanted to see if you're gone this is I gotta

1:59:51.360 --> 1:59:57.240
<v Speaker 1>be until four in the morning on the plastic I'm

1:59:57.240 --> 2:00:06.880
<v Speaker 1>not it's plastics. Ship. We gotta join. We gotta drink somewhere.

2:00:06.920 --> 2:00:10.880
<v Speaker 1>Are your caress. I love you so much, man much,

2:00:11.400 --> 2:00:13.560
<v Speaker 1>thank you so much for joining us and being a

2:00:13.680 --> 2:00:17.120
<v Speaker 1>great sport. Took a drink. You even tried to smoke.

2:00:17.240 --> 2:00:25.160
<v Speaker 1>You didn't want to. You gotta need bring you back

2:00:25.240 --> 2:00:29.400
<v Speaker 1>to the old school. Dude, brother, I'm adas that over there. Okay,

2:00:29.440 --> 2:00:33.600
<v Speaker 1>bass it over there. That's the drink. We gotta take

2:00:33.640 --> 2:00:36.760
<v Speaker 1>one picture with you. Over there, came green. There's no

2:00:36.880 --> 2:00:38.720
<v Speaker 1>way I can thank you ever in my life. I'm

2:00:38.720 --> 2:00:42.120
<v Speaker 1>gonna be in your video. We have a moment. I'm

2:00:42.240 --> 2:00:44.200
<v Speaker 1>being her video. But it's no way I can thank

2:00:44.240 --> 2:00:47.280
<v Speaker 1>you ever in life. Because this is this is actually

2:00:48.360 --> 2:00:50.400
<v Speaker 1>like one of the first hip hop albums I've ever

2:00:50.480 --> 2:00:54.160
<v Speaker 1>listened to this man. Yeah, one of the first people

2:00:54.280 --> 2:00:57.480
<v Speaker 1>that I ever said. Then I thought about like my

2:00:57.600 --> 2:00:59.480
<v Speaker 1>Mom's like, what you're gonna be in life? And I

2:00:59.640 --> 2:01:02.040
<v Speaker 1>was just like, I don't know. I knew I couldn't

2:01:02.040 --> 2:01:06.160
<v Speaker 1>be a teacher, not like you. But I am a teacher,

2:01:06.960 --> 2:01:09.680
<v Speaker 1>but not like you. I'm a different teacher because I

2:01:09.720 --> 2:01:12.440
<v Speaker 1>show him a different path. But if I've never would

2:01:12.440 --> 2:01:14.640
<v Speaker 1>have heard you, I would have never wanted to speak.

2:01:14.680 --> 2:01:17.280
<v Speaker 1>I would never be here. You know what I'm saying.

2:01:17.320 --> 2:01:19.840
<v Speaker 1>Some hot Kim Green. You know that's my brother. He

2:01:20.040 --> 2:01:22.600
<v Speaker 1>called me And when he called me, I said I

2:01:22.720 --> 2:01:25.440
<v Speaker 1>knew the number, but I hit him back. I just said,

2:01:27.000 --> 2:01:30.960
<v Speaker 1>called madness And he got a website. Right, come on,

2:01:31.080 --> 2:01:35.840
<v Speaker 1>I can't come over here, come over here, here here, yeah, yeah,

2:01:35.960 --> 2:01:39.560
<v Speaker 1>So shout out your website. We got the maddesm dot

2:01:39.680 --> 2:01:42.080
<v Speaker 1>org popping off, the ultimate cannabis journal. You know you

2:01:42.160 --> 2:01:44.840
<v Speaker 1>got you got the maddest popping off internationally. It's big

2:01:44.920 --> 2:01:46.560
<v Speaker 1>money right now. I want to make sure my people

2:01:46.600 --> 2:01:47.680
<v Speaker 1>get a taste of that, you know what I mean.

2:01:47.720 --> 2:01:50.000
<v Speaker 1>So see us off that maddesm dot org so you

2:01:50.040 --> 2:01:52.480
<v Speaker 1>can keep up with all the latest grow techniques. You

2:01:52.520 --> 2:01:54.960
<v Speaker 1>know what I mean. Grow When you say grow, listen,

2:01:57.320 --> 2:02:00.600
<v Speaker 1>I'm about cannabis. I'm talking about that goodness chronic that

2:02:00.920 --> 2:02:03.120
<v Speaker 1>you know what we do, what we got going on.

2:02:03.800 --> 2:02:05.839
<v Speaker 1>Your casts need to know how to grow for themselves.

2:02:05.920 --> 2:02:09.120
<v Speaker 1>It's not not just about smoking it, but industrial hip

2:02:09.520 --> 2:02:15.320
<v Speaker 1>is a multi b pipe in the mail. Yeah, I

2:02:15.360 --> 2:02:17.320
<v Speaker 1>got the whole. We got the hot box, you know

2:02:17.320 --> 2:02:19.520
<v Speaker 1>what I mean. How we got different ways of you know,

2:02:19.720 --> 2:02:22.560
<v Speaker 1>the vaping, got the smoking, the leaves, the paper, the blood,

2:02:22.960 --> 2:02:25.160
<v Speaker 1>but we got the hot box. It's just a special

2:02:25.240 --> 2:02:27.120
<v Speaker 1>way of inhaling, you know what I mean. It's real,

2:02:27.200 --> 2:02:32.560
<v Speaker 1>real good. I want more. Are you a vegetarian? What

2:02:32.680 --> 2:02:35.160
<v Speaker 1>are you? Yeah? Yes, so you don't eat no fish? No,

2:02:35.800 --> 2:02:39.440
<v Speaker 1>I try to eat. I leaned toward a vegetarian die,

2:02:39.520 --> 2:02:43.040
<v Speaker 1>but I do eat fish. How about you. I'm not

2:02:43.160 --> 2:02:45.800
<v Speaker 1>a vegetarian, right, but I am about my health. I

2:02:45.880 --> 2:02:47.440
<v Speaker 1>do a lot of juicing. And I said, you keep

2:02:47.520 --> 2:02:51.440
<v Speaker 1>up with the bartender trying happy about trying to d

2:02:51.480 --> 2:02:58.720
<v Speaker 1>I drink. Yeah, thank you so much for saying my

2:02:58.880 --> 2:03:02.640
<v Speaker 1>brother yo, no jarres. Yeah, I called you Chris for

2:03:02.720 --> 2:03:06.360
<v Speaker 1>the first time in my life. I never called you Chris. No,

2:03:06.800 --> 2:03:09.000
<v Speaker 1>what you know what. It's through the records. It's like

2:03:09.480 --> 2:03:12.800
<v Speaker 1>I never knew if I had the ability to call you, Chris,

2:03:13.080 --> 2:03:16.400
<v Speaker 1>thank you so much. I appreciate what that man, greatest

2:03:16.400 --> 2:03:19.680
<v Speaker 1>sport you actually sat down and drink. I didn't think

2:03:19.720 --> 2:03:21.480
<v Speaker 1>I was gonna be able. I didn't think I was

2:03:21.480 --> 2:03:23.240
<v Speaker 1>gonna be able to get anyway with it. Shout out,

2:03:23.920 --> 2:03:27.560
<v Speaker 1>thank you so much. Side ball, everybody make some fing

2:03:34.720 --> 2:03:59.880
<v Speaker 1>Oh my god, I let's say you speak find all

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