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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Garnishing your hand with pineapple

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Speaker 1: parent with a delicious Chardonnay to make their taste bud swirl.

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Speaker 1: Deviled eggs are even better when paired with a light,

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Speaker 1: dry wine like a bubbly prosecco or a Pinot Grizzy.

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Speaker 1: For me, nothing beats recommending a great wine, and with

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Speaker 1: such an extensive selection, I can help you find the

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Speaker 1: perfect one in your budget, whether you're hosting or just bring.

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Speaker 1: The wine we love to share are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine and More. Cheers.

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Speaker 1: He's a legendary queen's rapper, Hank Segue dies your boy

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Speaker 1: and he's a Miami hip hop pioneer. What up is

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Speaker 1: d J e f N. Together they drink it up

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Speaker 1: with some of the biggest players in music and sport.

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Speaker 1: You know, I mean the most professional unprofessional podcast. This

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Speaker 1: is Drinks Chip Ready Whar Every day is New Year's

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Speaker 1: eud you know, Hay Hank Sechus, this is your Boy

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Speaker 1: and the DJ e f And right now we are

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Speaker 1: blessed with the legendary so we gotta gotta make some

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Speaker 1: hold on, hold on, because the intro was crazy. This

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Speaker 1: guy right here, like listen, listen, um, they have the

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Speaker 1: they have the Godfathers, and this man is directly like

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Speaker 1: my father in lyrics, like in in style, and I

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Speaker 1: directly try to be like this man right here, and

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Speaker 1: I send out the APB, try to make it happen.

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Speaker 1: Let's pick up a Hakim Green off top channel last

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Speaker 1: squark baddi is Um, we love you Hakim. But we

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Speaker 1: got the blast Master, we got the teacher, we got

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Speaker 1: the father directly templar hip hop all that, the Master,

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Speaker 1: the dude who made it cool to learn earned in

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Speaker 1: music and still be entertained. You could be smart and

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Speaker 1: you could still dug it the funk out, yo. The

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Speaker 1: other day, I'm gonna be honest, I'm watching right Along Too.

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Speaker 1: And at the end of Right Along Too, my kids

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Speaker 1: they are eight and they are six, and they sung,

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Speaker 1: they said, whoa, whoa, this is the sign of the police.

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Speaker 1: And at that moment, I knew I was a great father.

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Speaker 1: I knew at that very moment I was a great father.

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Speaker 1: When my kids knew the sign of the police. We

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Speaker 1: have the one and only legendary. You can't say hip

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Speaker 1: hop without caress One in the building. Drink man, Oh

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Speaker 1: my god, we are yo. You know what the crazy

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Speaker 1: ship is. I'm gonna start the interview offs like this.

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Speaker 1: When I was locked up in a juvenile detention center,

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Speaker 1: I had a CEO who was taking care of me, right,

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Speaker 1: he was, you know, holding me down, and he could

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Speaker 1: have snucked me weed. He could have snucked me liquor.

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Speaker 1: He could have snucked me books. But I wanted that

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Speaker 1: criminal mind. This is real ship. This is you know,

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Speaker 1: how much of a big caress fan. That's what the

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Speaker 1: track I wanted to do is. I'm the biggest caress

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Speaker 1: One fan. Man, Let's just make some noise for him

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Speaker 1: being in the building. Come on, come on, come on, cheers, cheers, yo, yo,

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Speaker 1: we got the fun up noise. Make it so blast

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Speaker 1: master caress One. How does it feel to be in Miami?

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Speaker 1: How long you've been coming out here? Man? Don't even yo, man,

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Speaker 1: I've been coming to Miami since like eighties seven. We

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Speaker 1: were coming up here, man, struggling, trying to be heard,

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Speaker 1: and there was only a few places that actually like

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Speaker 1: embraced us. Philly was always right there. Philly feel it Delfy,

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Speaker 1: just the whole Philly that like, we went from New

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Speaker 1: York to Philly. That so let me stop. So you

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Speaker 1: think that New York artist is that like the first marketing?

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Speaker 1: That's that is for me to like, Philly was the first,

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Speaker 1: then Connecticut and and see you look how you said

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Speaker 1: that Philly was the next, and then Connecticut. Connecticut is

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Speaker 1: right on top, right there next to the Bronx. Philly

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Speaker 1: would get it first. Philly would hit you first if

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Speaker 1: you did New York and Philly, Connecticut yonkers all up,

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Speaker 1: Boston was trying to see you. Maybe some of the

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Speaker 1: South like that. So going down to a nine five

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Speaker 1: man was like, I mean big up to v a

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Speaker 1: North catallax South Carolina. It's it was sort of like

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Speaker 1: the rights of passage. You had to get out of

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Speaker 1: New York, go down each city, each state or nine five,

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Speaker 1: and your final victory was Miami if you made it

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Speaker 1: down man, See this is one MCS was real. Uh

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Speaker 1: straight up, you have to do clubs. Let me take

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Speaker 1: you to the nine Let's come around ninety two, that's

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Speaker 1: what I'm Somewhere around nineties, right around the college was

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Speaker 1: just start and he had a thing called the Temple

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Speaker 1: and even before that, even before that, Oh yeah, mother Superior.

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Speaker 1: Wait wait wait, actually I got you know what nerd

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Speaker 1: war is. No, he's this guy who interviews people. He

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Speaker 1: brings out props that would remind you of stuff. We're okay,

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Speaker 1: this is what I got. Let's make some noise. Having

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Speaker 1: autographed too, it's authentic, so you put that on. It

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Speaker 1: was a show supposed to be at the Spot underground

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Speaker 1: compound and it got shut down by the cops and

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Speaker 1: we moved it to Zulu headquarters. There was no that

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Speaker 1: a c wasn't on. He took the people were faking

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Speaker 1: in the eyes and he started throwing these balls. That

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Speaker 1: was crazy. That was ninety three. I was in high

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Speaker 1: school at the least at the least. Right, well, let's

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Speaker 1: started right there. That's way he's been coming to Miami

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Speaker 1: since then, since then, breaking it down, crushing Miami. And

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Speaker 1: it wasn't the hip hop scene out here back then.

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Speaker 1: Back then Luke was the man out here. Two Live

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Speaker 1: Crew was straight destroy in the South, like there was

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Speaker 1: nothing else really happened, to be honest with you, But

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Speaker 1: there was always that boom bap element in in. I

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Speaker 1: mean just I just have to say Florida, because you

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Speaker 1: know from Miami all the way up to what Tallahassee,

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Speaker 1: even even Gainesville, Jacksonville, all that's boom bap that that's

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Speaker 1: a hardcore up there. But Luke, But there was that

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Speaker 1: divided for us in the city between the base scene

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Speaker 1: and scene. That's right, There wasn't divide. I mean it

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Speaker 1: had its own audience, you know what I'm saying. It

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Speaker 1: had its own We've seen a lot as a New

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Speaker 1: York thing, right, but we were trying to build that

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Speaker 1: identity for ourselves. But I think it was way smaller.

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Speaker 1: But I think the New York thing was way smaller.

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Speaker 1: Two Live Crew. Look look that whole sound. So you're

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Speaker 1: saying from the beginning when Two Live Crew came, the

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Speaker 1: South immediately accepted them as opposed to new in New York,

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Speaker 1: you had to be hot in New York. No, actually,

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Speaker 1: you go to Philly. Wait a minute, the second part

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Speaker 1: is true. Yes, you had to be hot in New

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Speaker 1: York first to go to Philly. With the exception of

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Speaker 1: like Tap Money three times, Dobe Uh, Steady b even

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Speaker 1: Jazzy Jeff Fresh, Prince Uh, they blew up in Philly

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Speaker 1: and convinced New York what it was. But you have

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Speaker 1: um back then, the base scenes. I'm trying to think

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Speaker 1: of dudes that were not so popular, but Miami had

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Speaker 1: a base scene that let me and then with these

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Speaker 1: dudes with so Luther Campbell and Two Live Crew was

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Speaker 1: on top of that, they came up out of that scene.

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Speaker 1: They didn't really invent it, but they was just sort

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Speaker 1: of the pot feel the ones that that was doing it,

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Speaker 1: and Luke was just I went to one of these

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Speaker 1: concerts one night. You know, you wouldn't believe what was

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Speaker 1: going on. And then on top of that, what makes

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Speaker 1: it really really hip hop on on on that level

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Speaker 1: is that Two Live Crew was was the ones that

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Speaker 1: were dragged into court on obscenity charges and had they

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Speaker 1: lost that case, Rock would be sounding a whole lot.

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Speaker 1: Let's make some noise for that happening. Even when you're

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Speaker 1: rolling the blunt man, stop and clap your hands. You

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Speaker 1: had the black mass in the building, right, So, UM,

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Speaker 1: you got that, you got that that thing, and I

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Speaker 1: want to set up I play that play that real quick.

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Speaker 1: I want to play something for you. One of the

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Speaker 1: one of the greatest calls I ever got in my life.

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Speaker 1: And um, it's set up past. It's Cool Hurt. What's up, brother,

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Speaker 1: That's right, My brother was going on. Man, I just

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Speaker 1: missed your call. Man, Man, I got you on speaking

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Speaker 1: for him right now. Man, let them Let them dudes know. Baby,

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Speaker 1: let the dudes. No, you're the Gulf for the hip hop.

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Speaker 1: Cool Hurt number one. That's right, baby, you're the original

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Speaker 1: o G. That's right. Baby. You know I love you absolutely.

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Speaker 1: You know I love you to death. Cool Hirk Man,

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Speaker 1: you know what I mean. Not in w all right, baby,

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Speaker 1: hold on, I'm gonna take this off of this SI

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Speaker 1: for me. You can speak private, but yo, man, just

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Speaker 1: let the people know one more time. This is my

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Speaker 1: Dyslexia album. Man, tell them niggas. You know what I mean.

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Speaker 1: Where I got an album called Dyslexia? Man, thank you man.

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Speaker 1: This this, this is the Godfather, Cool Hurt or the

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Speaker 1: game speaking to your fucking assholes. Cool Hurt right here.

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Speaker 1: And I'm the father and not the godfather. Secondary you

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Speaker 1: the father the father? All right? My brother hold on,

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Speaker 1: hit you right back? I Hurt, all right, hold on,

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Speaker 1: hold on, hold on. So one day I got a

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Speaker 1: call from cool Hurd, right, which is for me. I'm

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Speaker 1: a real hip hop guy. You know what I'm saying.

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Speaker 1: I respect everything that came before me. And when Cool

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Speaker 1: Hurd called me, I had called him something. I said,

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Speaker 1: you're the godfather of hip hop. And I said it

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Speaker 1: once and he let it slide. And then I said

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Speaker 1: it again and he let it slide. But then the

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Speaker 1: third time I said it, I said, Cool, let these

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Speaker 1: motherfucker's no, you know, uh godfather hip hop? He said, Normy,

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Speaker 1: hold on, let me stop you. I am the father.

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Speaker 1: Do you agree with that statement? Yes, I totally agree

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Speaker 1: with the statement. There's there's huge debate on it, okay,

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Speaker 1: because everyone wants to take credit for hip hop now

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Speaker 1: for its origins. Uh, we call technically to be scholarly correct.

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Speaker 1: Cool Hark is called the recognized father of hip hop,

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Speaker 1: the recognized father of hip hop. We call him the

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Speaker 1: father of hip hop. And the reason we call him

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Speaker 1: the father of hip hop is because Bam called him

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Speaker 1: the father of hip hop. Grandmaster has called him the

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Speaker 1: father of hip hop. Peewee Dance and Grandmaster Flash from

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Speaker 1: this group and Crazy Legs called him the father of

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Speaker 1: hip hop. Now, this is a family situation. All these guys,

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Speaker 1: we all know each other and they know it, but

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Speaker 1: you're there, younger home. Oh yes, no doubt, no doubt.

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Speaker 1: Her calls me the son of hip hop because okay,

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Speaker 1: let me break it down for me, right for me,

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Speaker 1: alright for me. When I heard her say that he

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Speaker 1: was the father, automatically saluted that never and then I

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Speaker 1: thought of Bambada as the godfather, and then I think

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Speaker 1: view Rock Kim, Big Daddy Kane as the father's right

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Speaker 1: and then then after that comes Wu Tang like where

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Speaker 1: are your little cousins, Wu Tang, marb Deep the fat,

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Speaker 1: Joe's the component, Noriega's the MLP. We're actually your son's

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Speaker 1: direct like I don't know what Paul's I know this

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Speaker 1: new generation, but you're actually our fathers like you Rock Kim,

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Speaker 1: Big Daddy Kane. And so I have to ask this

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Speaker 1: question with that being said, with the name being like,

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Speaker 1: how how is hip hop supposed to respond to the Bambada?

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Speaker 1: Like how are we supposed to do that? From? I

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Speaker 1: just don't know. That's why it's a generic question, which

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Speaker 1: what what should we do? Because you're you're being our father.

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Speaker 1: Whatever you say, I have to move accordance to it. Well,

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Speaker 1: you know, with the first of all, controversy is not truth.

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Speaker 1: What you want is truth right now? You want truth,

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Speaker 1: But truth is also not information. It's not gossip. It's

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Speaker 1: not even conversation. For me, if you keep it hip hop,

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Speaker 1: nothing could be taken away from Africa ban not just

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Speaker 1: keep it hip hop, but if you want to dig

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Speaker 1: in the dude's personal life and accusations it is being

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Speaker 1: made and so on. Personally me personally, I don't give

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Speaker 1: a fuck. Personally. Look if if somebody was harmed or

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Speaker 1: whatever was done, whatever, y'all deal with that ship what

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Speaker 1: what deal with it? That? Don't stop hip hop? That

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Speaker 1: don't stop with take away under history's history, but deal

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Speaker 1: with you deal with that. That's personal. I don't you know,

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Speaker 1: I don't even know what to sell past. You know,

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Speaker 1: but even if you knew the facts, you know what

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Speaker 1: I'm saying. A person like me, I deal with with

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Speaker 1: dudes that are questionable all the time, not just if

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Speaker 1: the accusation is right. I do I know dudes that

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Speaker 1: are doing You know what I'm saying. If you if

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Speaker 1: you know anybody from prison, if you don't nothing to shout,

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Speaker 1: you know anybody, if you live really in the hoods,

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Speaker 1: you know shooters, you know, dudes running from the you

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Speaker 1: know your man might have an open warrant on him

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Speaker 1: right now, like right now, like you know what I'm saying.

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Speaker 1: You know, I'm not judging these motherfucker's man, that's right here, Yo,

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Speaker 1: that's it now. What you do and your crime and

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Speaker 1: your ship and your bullshit, whatever you're doing, that's on you.

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Speaker 1: That's you, my g that's whatever you're doing. That's how

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Speaker 1: I always dealt with it. I can't pick and choose. Hey, yo,

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Speaker 1: this dude right here, I mean I was producing Justice album,

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Speaker 1: right Who's crazy already came to Queen's Bridge by himself?

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Speaker 1: Yes it is. Let's make some just like every change

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Speaker 1: the subject too. I was talking, let's say the subject,

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Speaker 1: let's go. Yeah, but I mean he was on America's

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Speaker 1: Most Wanted is. Let's make this is real hip This

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Speaker 1: is real hip hop, shot man. Hip hop is in

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Speaker 1: the world like everybody else, like every other culture. We

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Speaker 1: in the world, politicians with bottom line is we we

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Speaker 1: are humans. That humans, all humans. But now with that

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Speaker 1: being said, right, what is your favorite MC battle Because

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Speaker 1: I mean you don't have to, you can do with

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Speaker 1: yourself if you want to. But what is your favorite

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Speaker 1: MC battle. To be honest with you, I mean, there's

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Speaker 1: a lot this huge that I really what comes to

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Speaker 1: the top of your head. The first one that comes

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Speaker 1: to my head is freeway in cassidy for me. Let's

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Speaker 1: make some noise, but caress one. No one's going on.

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Speaker 1: Do you know what's going on in the streets? No, No,

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Speaker 1: that that's I mean, it's an old battle. But if

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Speaker 1: you talk about showmanship, you know, instant rhymes on deck

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Speaker 1: right there? That was hot? Okay, um, I gotta ask

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Speaker 1: you about what's up? What what? How did you like?

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Speaker 1: What did you like? It was it? It isn't your

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Speaker 1: even battles? I think I think it gave both of

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Speaker 1: them credibility and what wait? Well, because for me as

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Speaker 1: an m C, like like when people say top five, okay,

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Speaker 1: everybody got their top five. Everybody, you know what I'm saying.

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Speaker 1: But if you ain't battle, if you ain't did tours,

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Speaker 1: if you ain't putting no hits out, if you ain't

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Speaker 1: put somebody else on or came from a legacy that

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Speaker 1: was wild, you ain't even nowhere near the top five. So, dudes,

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Speaker 1: is like, I'm looking for young cats today to really

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Speaker 1: rise up to the criteria. First, first, with your battle

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Speaker 1: you say you dope, bring it right now, because his

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Speaker 1: nigg is like me out here, like straight up, I

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Speaker 1: stay hung okay, stay hungry. You claim you hungry, you

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Speaker 1: claim who you know, I'm the man, I'm I'm in

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Speaker 1: this and now today with social media, you could claim

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Speaker 1: anything and everybody. So with Draking Mills, to me, it

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Speaker 1: gave them the credibility that they needed for even me

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Speaker 1: to look at them as real mcs. I like both

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Speaker 1: of the lyrics. By the way, Drake. I think it's

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Speaker 1: underrated in terms of because maybe he's doing the pop

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Speaker 1: thing or whatever, but his lyrics is still dope from

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Speaker 1: a MC perspective. No let me, I don't. I don't

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Speaker 1: want to cut you off. But there's been allegations that

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Speaker 1: he had help on his lyrics. You writers, you, how

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Speaker 1: do you feel like this? I'm very curious that this

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Speaker 1: look because but because you do come from a day

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Speaker 1: where people are by um writing bismarck lyrics. This Mark

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Speaker 1: was upfront about it. Ice Cube said, um he's he

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Speaker 1: said ice Cube the rhymes that I say, and to me,

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Speaker 1: he was one of the most So how did you

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Speaker 1: feel when you found out that Drake might have had

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Speaker 1: some help. Was that doesn't disturb me at all. It

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Speaker 1: diminishes him in front of those that write their own lyrics. Okay, now,

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Speaker 1: those of us to split the raw from our own heart.

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Speaker 1: You you really got to step up and come up

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Speaker 1: to the plate on that level. But we're talking about

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Speaker 1: m C and as a whole art. Talk about rappers

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Speaker 1: a whole art. No, if you got a dope writer

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Speaker 1: that can make you sound like something, got ahead and

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Speaker 1: get with dude. The issue is writing. This is the

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Speaker 1: issue writing. Don't rhymes. I don't give a funk where

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Speaker 1: it comes from. Writer whoever. Some of the dopest dudes,

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Speaker 1: and I'm not gonna call no names rhymes. You said, Yo,

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Speaker 1: it's like this secrets in hip. Okay, his news that

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Speaker 1: dude right for them, that's not a problem. Not me.

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Speaker 1: I never had the privilege of anyone writing for me. Okay,

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Speaker 1: I I you know you're too smart. Let me tell you.

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Speaker 1: Let me tell you. If Rock Kim came to me

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Speaker 1: with a rahm, I say that ship this is crazy.

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Speaker 1: I say that this is crazy. I need to believed.

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Speaker 1: You have to listen. Drake sent me to check. I

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Speaker 1: have just saved just saved you. You are that cool

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Speaker 1: in every community drinking k r S has set it

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Speaker 1: on a drink Chess podcast that he's okay. No, I'm okay.

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Speaker 1: Look not it real spinn is it right? They rhymes?

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Speaker 1: It will never be okay with real spins it right there? Okay,

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Speaker 1: but that's our lane, that's our category. That's a level

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Speaker 1: of excellence that you have to get to. Okay, now,

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Speaker 1: but my issue is right, Look, here's the opposite. Some

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Speaker 1: dude write your rhymes and they whack and you say

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Speaker 1: them ships and way I heard dude say what ROMs

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Speaker 1: that they didn't even right. That's corny, Okay, but if

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Speaker 1: you got a real shooter with you, dude, it's right

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Speaker 1: and raw ship. We'll make sure he paid a brother,

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Speaker 1: make sure he gets some credit at some point in

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Speaker 1: your career. Let's say that ship, say that dope ship.

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Speaker 1: Hip hop needs dope lyrics. We don't need dope. Mcs understand,

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Speaker 1: we need dope lyrics. We need to write. I don't

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Speaker 1: care where it comes from. Your mom's could write you

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Speaker 1: some ship. That ship is dope right, most lyrics, you're saying,

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Speaker 1: it's the vessel. It's just about mcs all the vessel. Look,

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Speaker 1: if you really get down to it, I don't write

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Speaker 1: my own lyrics. God writes my lyrics, goddamnit. So if

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Speaker 1: you think about it, none of us are writing our

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Speaker 1: own lyrics. We all any m C that writes his lyrics.

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Speaker 1: You know, you're sitting there with the pen, the pad

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Speaker 1: or whatever, your phone, whatever it is, and you hum

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Speaker 1: your ship out. You hear that ship from someplace else.

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00:21:07,680 --> 00:21:15,000
Speaker 1: You're like criminal man and dj is don't even start

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Speaker 1: with that. You as producers, you hear the beats before

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Speaker 1: you hit the thing. You know what you're gonna do,

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Speaker 1: before you do it. You hum it out, you bang

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Speaker 1: it out, but you hear something. So no one is original,

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Speaker 1: No art is original. We are all being influenced by

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Speaker 1: everything and everyone. The corny motherfucker is the one who

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Speaker 1: doesn't say, yo, my g wrote this. Give it three years,

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Speaker 1: four years. You know you made some success after you

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Speaker 1: got on spicking man. Acknowledge, acknowledge your dude, man, Yo,

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Speaker 1: this is what it is. Hit him with his cash.

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Speaker 1: You he know, you know he helped you get what

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Speaker 1: You gotta go. Hit him with his cash. Make sure

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Speaker 1: he's good and his family is good. That's respecting hip hop.

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Speaker 1: That's big respect now in this day, Like a lot

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Speaker 1: of the o G s, they'll sit back and they'll

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Speaker 1: be like, you know, I don't like this. Do you

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Speaker 1: listen to what's going on now? Or you know they

355
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Speaker 1: had their chance, they're over, They're finished that they had

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Speaker 1: their chances. That ship is over. That's just funk. All

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Speaker 1: that old school show, all that's just done. You do

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Speaker 1: listen to the new school. Yeah, I listened to everything. Okay,

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Speaker 1: I listen to everything. Okay. I was just with my

360
00:22:30,200 --> 00:22:32,840
Speaker 1: man l A. Sunshine. He put a book out. He

361
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Speaker 1: was just kicking it up in the Bronx. That's my

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Speaker 1: G right there, Komo D that's my G. Busy b

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Speaker 1: no doubt. These are my dogs, no doubt. But let

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Speaker 1: me let me let me see Joey Badass right now,

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Speaker 1: let me see you know. Um yeah, you know what

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Speaker 1: I'm saying, like like I don't want to call names,

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Speaker 1: but I'm just saying let me just you know, but no,

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Speaker 1: I listened to every thing. Man. Yeah, I really appreciate

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Speaker 1: um you having that attitude because now I am They

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Speaker 1: called me a o G. Now thirty years you know,

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Speaker 1: hip hop was born and what Yeah, seventy three. I

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Speaker 1: was born in seventy seven. So now they're calling me

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Speaker 1: a O G and I want to sit back and

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Speaker 1: I want to give back to this life. So we

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Speaker 1: we were doing this podcast. I want to get people

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Speaker 1: like you a platform to say whatever the funk you

377
00:23:33,600 --> 00:23:37,720
Speaker 1: want to see any time. You know, it's okay, we

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00:23:37,720 --> 00:23:42,800
Speaker 1: don't get, we don't care, get another drink. So this

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Speaker 1: has been one of my um uh accomplishments in life.

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Speaker 1: You know, people got bucket list. You know, You've always

381
00:23:51,119 --> 00:23:54,800
Speaker 1: been a person that I've learned from, Like, whether you

382
00:23:54,840 --> 00:23:57,639
Speaker 1: know it direct or indirect. You ain't even asked me

383
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Speaker 1: to pass the blank some foul people, but it's okay,

384
00:24:00,720 --> 00:24:05,760
Speaker 1: I understand from kindle, so I'm not looking so you directly,

385
00:24:06,040 --> 00:24:09,359
Speaker 1: you directly. Somebody said to me the other day. It

386
00:24:09,440 --> 00:24:11,919
Speaker 1: said Jay Z and Jay the Kiss raised me with

387
00:24:12,040 --> 00:24:15,399
Speaker 1: their bars and they fucked me up because I was like,

388
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Speaker 1: damn well. Then I always told people if you take

389
00:24:18,840 --> 00:24:21,239
Speaker 1: care ress one and then you take a little bit

390
00:24:21,280 --> 00:24:24,000
Speaker 1: of bis markey and a little bit of Granddaddy are you,

391
00:24:24,240 --> 00:24:27,720
Speaker 1: that's when you get in all. But you noticed I

392
00:24:27,800 --> 00:24:33,120
Speaker 1: never took none of your styles. But I was as yeah,

393
00:24:33,160 --> 00:24:36,280
Speaker 1: that's that's three totally different people. But that's who made

394
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Speaker 1: me because you taught me that black is beautiful and

395
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Speaker 1: be yourself. BIS taught me. BIS taught me life Ain't

396
00:24:47,600 --> 00:24:52,879
Speaker 1: that serious, homie, have some fun. And then Granddaddy you

397
00:24:53,040 --> 00:24:56,159
Speaker 1: told me how to be exact opposite of him because

398
00:24:56,160 --> 00:24:59,200
Speaker 1: he was so smooth, Like I feel like Granddaddy you

399
00:24:59,320 --> 00:25:01,960
Speaker 1: was like the cane that never I'm gonna take it.

400
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Speaker 1: My first interview ever smoking, you know, big up hockey

401
00:25:04,920 --> 00:25:10,320
Speaker 1: in Green. My brother, my brother. Another legend is in

402
00:25:10,320 --> 00:25:12,960
Speaker 1: the building. Swark matters and let's just get into that. Man,

403
00:25:13,720 --> 00:25:18,920
Speaker 1: How did swark maddism come about? Damn Well, first of all,

404
00:25:19,000 --> 00:25:21,919
Speaker 1: Hawk was a was a school teacher. No, I did

405
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Speaker 1: never knew that let's make some noise to school with

406
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Speaker 1: the teacher. Okay with the teacher. So he was one

407
00:25:30,960 --> 00:25:34,600
Speaker 1: of the many teachers and professors I was rolling with

408
00:25:34,800 --> 00:25:39,119
Speaker 1: about ninety three. Hot rolled up and said, yo, So

409
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Speaker 1: I took he kept coming to my lectures. I was

410
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Speaker 1: doing lectures around, so he kept coming to the lectures.

411
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Speaker 1: So I said, you know, you look like you am sick.

412
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Speaker 1: It look like you know you get that back there. Yeah,

413
00:25:50,720 --> 00:25:53,480
Speaker 1: you just started that's rights and I said, you know,

414
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Speaker 1: you look like an m C. He was like, why

415
00:25:55,480 --> 00:25:57,480
Speaker 1: how did you so make a long story shot? I

416
00:25:57,600 --> 00:26:00,760
Speaker 1: heard him. I loved it, but I said, that's solo MC.

417
00:26:01,040 --> 00:26:04,199
Speaker 1: Thing not gonna work. We need two people. This is

418
00:26:04,280 --> 00:26:09,040
Speaker 1: like das Effects was hitting nice and smooth. They were

419
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Speaker 1: signed to Yes, well technically to to my wife Simone

420
00:26:14,960 --> 00:26:18,239
Speaker 1: was running Front Page Records. Technically k Arrest was with

421
00:26:18,320 --> 00:26:22,800
Speaker 1: the label Channel Live Mad lion Um for a minute,

422
00:26:22,840 --> 00:26:26,160
Speaker 1: even Fat Joe. But but we was closing the label

423
00:26:26,240 --> 00:26:29,320
Speaker 1: at at the closing the company, the management company at

424
00:26:29,320 --> 00:26:32,720
Speaker 1: the time when Joe just started to blow, We was

425
00:26:33,000 --> 00:26:35,719
Speaker 1: just coming down on on on that level, same thing

426
00:26:35,760 --> 00:26:41,600
Speaker 1: with excuse me, priz and and no not before they

427
00:26:41,600 --> 00:26:44,919
Speaker 1: would have oh yeah, actually the refugees, it was just

428
00:26:45,040 --> 00:26:49,800
Speaker 1: Prize and to sign yes we we We did some

429
00:26:49,840 --> 00:26:53,080
Speaker 1: of their first shows, you know for no note no

430
00:26:53,600 --> 00:26:57,000
Speaker 1: that was no no, no. We wasn't in no position

431
00:26:57,240 --> 00:27:01,400
Speaker 1: whatsoever to deal with them. They they you can white

432
00:27:01,400 --> 00:27:04,000
Speaker 1: Coulf used to pull out a guitar. He still does

433
00:27:04,000 --> 00:27:10,160
Speaker 1: it in the middle of it. He still doesn't. He's

434
00:27:10,200 --> 00:27:12,720
Speaker 1: just started out like you know, it was like you know,

435
00:27:13,080 --> 00:27:16,240
Speaker 1: you got ahead and uh, but but it was dope.

436
00:27:16,280 --> 00:27:20,119
Speaker 1: So anyway, we got in the studio, and you know,

437
00:27:20,640 --> 00:27:23,000
Speaker 1: I grew up in a herb culture. You know what

438
00:27:23,000 --> 00:27:26,520
Speaker 1: I'm saying. I grew up in Flatbush, Brooklyn Church Havnue

439
00:27:26,640 --> 00:27:30,560
Speaker 1: right there and he Rasmus High School, wing Gate High School,

440
00:27:30,600 --> 00:27:34,040
Speaker 1: shout out to Prospect, the whole nine. So I grew

441
00:27:34,119 --> 00:27:36,359
Speaker 1: up there in the seventies when you were born seventies,

442
00:27:37,359 --> 00:27:45,240
Speaker 1: I was in the parks. Memory. The reason we went

443
00:27:45,359 --> 00:27:49,200
Speaker 1: in Brooklyn, and you're trying to get is that's going

444
00:27:49,240 --> 00:27:53,879
Speaker 1: on our game. So there we was in Flatbush. So

445
00:27:54,080 --> 00:27:57,960
Speaker 1: I grew up in in in herb culture and not

446
00:27:58,040 --> 00:28:00,280
Speaker 1: from the point of view like are we just gonna

447
00:28:00,320 --> 00:28:04,160
Speaker 1: smoke mud. I was with with Rosters and the Ethiopian

448
00:28:04,280 --> 00:28:07,960
Speaker 1: Orthodox Church. We had the Bible open. Dudes was smoking

449
00:28:08,000 --> 00:28:12,040
Speaker 1: towards the east. Childie burned down roam. Every time the

450
00:28:12,160 --> 00:28:14,919
Speaker 1: child is burned, you had to say, yo. We was

451
00:28:15,080 --> 00:28:18,120
Speaker 1: like in that culture for real. So it was like

452
00:28:18,560 --> 00:28:20,879
Speaker 1: I grew up with like no problem, like yo burned apart.

453
00:28:20,920 --> 00:28:23,760
Speaker 1: Why does no big deal? One moved up to the

454
00:28:23,760 --> 00:28:27,359
Speaker 1: Bronx when I became homeless like an one or two.

455
00:28:27,920 --> 00:28:30,440
Speaker 1: So that story is true. Oh yeah, no doubt about

456
00:28:30,480 --> 00:28:33,199
Speaker 1: four years. That's how I met Scott Larrock. Uh he

457
00:28:33,280 --> 00:28:35,360
Speaker 1: was a social worker in the shelter. But we'll get

458
00:28:35,359 --> 00:28:39,560
Speaker 1: back to that. Uh. So I grew up in the culture.

459
00:28:39,640 --> 00:28:43,320
Speaker 1: So for me, Peter Toash since nineteen seventy one was

460
00:28:43,400 --> 00:28:47,680
Speaker 1: yelling for the legalization of marijuana. Since seventy one. Everybody

461
00:28:47,840 --> 00:28:52,719
Speaker 1: know that. You know, the judges are smoking, the cops smoke.

462
00:28:52,920 --> 00:28:57,520
Speaker 1: The doctor's been saying, this is the safest plant. In fact,

463
00:28:57,640 --> 00:29:03,720
Speaker 1: this is the healing of the nation right here, all times, kancers,

464
00:29:04,040 --> 00:29:07,160
Speaker 1: you name it, herb is the healing for that. But

465
00:29:07,280 --> 00:29:10,200
Speaker 1: now you got this tax issue, and you got this

466
00:29:10,640 --> 00:29:13,000
Speaker 1: dudes that don't want to give up their power. They

467
00:29:13,040 --> 00:29:16,440
Speaker 1: get more money and more power selling it illegally. You

468
00:29:16,480 --> 00:29:19,480
Speaker 1: don't you really don't want the government selling weed. You

469
00:29:19,560 --> 00:29:22,360
Speaker 1: really don't want that because the idea is that it's

470
00:29:22,360 --> 00:29:24,760
Speaker 1: gonna get whacked. It's like whatever the government put they

471
00:29:24,840 --> 00:29:27,280
Speaker 1: they can't even teach English correctly, like you know what

472
00:29:27,360 --> 00:29:30,280
Speaker 1: I'm saying, Like anything that the government puts his hand into,

473
00:29:30,320 --> 00:29:32,800
Speaker 1: it starts to get sterile, it starts to get waged.

474
00:29:32,840 --> 00:29:36,040
Speaker 1: You don't have no complication wordered down. So dude is like, no,

475
00:29:36,200 --> 00:29:38,160
Speaker 1: we want to grow that ship right there in Mexico,

476
00:29:38,640 --> 00:29:43,760
Speaker 1: right there in Afghanistan, right there up in and now Colorado, Seattle.

477
00:29:43,920 --> 00:29:46,560
Speaker 1: They just went rogue with it and just said, you

478
00:29:46,600 --> 00:29:48,760
Speaker 1: know what, We're just gonna do it. And I think

479
00:29:48,840 --> 00:29:51,760
Speaker 1: it was done for the kids in the area because

480
00:29:51,800 --> 00:29:54,720
Speaker 1: they're not locking their kids up, you know what I'm saying.

481
00:29:54,720 --> 00:29:57,680
Speaker 1: They're not gonna do that. They rather change the laws

482
00:29:58,000 --> 00:30:00,200
Speaker 1: than see their kids in the family go through that.

483
00:30:00,200 --> 00:30:03,480
Speaker 1: That's why I think it really got legalized. You could

484
00:30:03,520 --> 00:30:07,560
Speaker 1: cite medical lists or medical that, but really it's it's

485
00:30:07,600 --> 00:30:10,040
Speaker 1: a it's an issue of going to prison. Families have

486
00:30:10,400 --> 00:30:14,040
Speaker 1: been ruined by just smoking a joint or having herb

487
00:30:14,240 --> 00:30:16,680
Speaker 1: on you. This is a plant that grows and in

488
00:30:16,760 --> 00:30:21,520
Speaker 1: the world. Like how is the government like even allowed

489
00:30:21,680 --> 00:30:25,240
Speaker 1: to tell you how you should think? Like that's to begin,

490
00:30:25,320 --> 00:30:27,440
Speaker 1: Like like if I smoke button, I'm like, yeah, I

491
00:30:27,440 --> 00:30:30,200
Speaker 1: feel great on this. Why are you telling me? I

492
00:30:30,640 --> 00:30:34,680
Speaker 1: don't like like like the use of the word nigga

493
00:30:34,760 --> 00:30:40,080
Speaker 1: for instance, same ship, that's my nigga right there. I

494
00:30:40,160 --> 00:30:44,400
Speaker 1: know what I'm saying, nigga, I got three pH d s. Nigga,

495
00:30:45,520 --> 00:30:48,480
Speaker 1: I write books, nigga, what I know, what the funk

496
00:30:48,560 --> 00:30:51,880
Speaker 1: I'm saying. But now, black people ain't supposed the thing.

497
00:30:52,320 --> 00:30:55,040
Speaker 1: We're not supposed to have governance over our own mouth,

498
00:30:55,200 --> 00:30:58,080
Speaker 1: over our own thinking. So if I tell you, listen,

499
00:30:58,280 --> 00:31:00,960
Speaker 1: when I say my nigga, I'm talking really mean my brother.

500
00:31:01,320 --> 00:31:04,480
Speaker 1: Listen to how I say it, my nigger, that's my

501
00:31:04,640 --> 00:31:07,360
Speaker 1: brother right there. Now, I just told you what it is.

502
00:31:08,080 --> 00:31:12,160
Speaker 1: The problem is there's no law in the United States

503
00:31:12,920 --> 00:31:15,960
Speaker 1: made by black people that white people are bound to respect.

504
00:31:17,240 --> 00:31:20,240
Speaker 1: Imagine we follow all a laws, what lord they follow

505
00:31:20,280 --> 00:31:24,480
Speaker 1: of ours? There's no Latino brother to kings. I said, look,

506
00:31:24,560 --> 00:31:27,280
Speaker 1: this is what helps Latino people. Right here, y'all gonna fight.

507
00:31:27,320 --> 00:31:30,120
Speaker 1: We want black whits everybody. You're gonna follow our laws.

508
00:31:30,480 --> 00:31:33,640
Speaker 1: We we follow the Constitution, Should we follow state ordinances?

509
00:31:33,920 --> 00:31:37,640
Speaker 1: All that's white law. But here's now the Native American

510
00:31:37,720 --> 00:31:41,600
Speaker 1: law while we're not. Nah, this country is not built

511
00:31:41,600 --> 00:31:46,160
Speaker 1: on following anybody else's law except their own. And when

512
00:31:46,160 --> 00:31:50,320
Speaker 1: it comes to marijuana, it becomes an issue of freedom

513
00:31:50,320 --> 00:31:54,560
Speaker 1: of thought, like this is how I think. Do you

514
00:31:54,600 --> 00:31:56,800
Speaker 1: have the right to tell me what state of mind

515
00:31:56,840 --> 00:32:01,400
Speaker 1: I should be into? Like, no, this is the state

516
00:32:01,440 --> 00:32:03,800
Speaker 1: of mind that I feel I should be. And as

517
00:32:03,800 --> 00:32:08,520
Speaker 1: a matter of fact, the U. S Constitution, it's federal

518
00:32:08,640 --> 00:32:12,440
Speaker 1: law to be happy in the United States, the pursuit

519
00:32:12,520 --> 00:32:16,880
Speaker 1: of life, liberty, and the pursuit of happiness. So if

520
00:32:16,880 --> 00:32:20,160
Speaker 1: you get happiness, that's illegal. If you're sad and depressed

521
00:32:20,160 --> 00:32:24,440
Speaker 1: in the US, you broke federal law. Wow, you broke

522
00:32:24,480 --> 00:32:27,360
Speaker 1: federal law. The government should be doing. The Constitution and

523
00:32:27,400 --> 00:32:31,360
Speaker 1: the Declaration of Independence. The spirit of it is all

524
00:32:31,440 --> 00:32:39,440
Speaker 1: about liberty, justice, freedom, happiness for all. The pursuit of

525
00:32:39,520 --> 00:32:53,080
Speaker 1: happiness is law. Welcome to Play, a new podcast network

526
00:32:53,160 --> 00:32:57,720
Speaker 1: featuring radio and TV personalities talking business, sports, tech, entertainment,

527
00:32:57,760 --> 00:33:02,200
Speaker 1: and more. Play it at play dot In We're back

528
00:33:02,280 --> 00:33:06,760
Speaker 1: to Drink Champs Radio with Rapper and R and d J. Then,

529
00:33:08,440 --> 00:33:10,360
Speaker 1: so I'm gonna change it up real quick. Come on

530
00:33:11,200 --> 00:33:14,920
Speaker 1: a crazy hip hop story. As you went to the

531
00:33:14,920 --> 00:33:19,520
Speaker 1: Palladium and you threw P M. Dawn off the stage,

532
00:33:20,120 --> 00:33:21,960
Speaker 1: I gotta get this story. Let's make some noise, but

533
00:33:22,000 --> 00:33:25,880
Speaker 1: I gotta story. Yo. That's when, like you, you've been

534
00:33:25,960 --> 00:33:29,080
Speaker 1: my hero. But like it's like that's when I made

535
00:33:29,120 --> 00:33:32,080
Speaker 1: my choice from Malcolm and Martin. It was like Martin,

536
00:33:32,320 --> 00:33:34,720
Speaker 1: like I still think Mary was killing people at night

537
00:33:34,960 --> 00:33:36,840
Speaker 1: when he went like I think he still think Marrow

538
00:33:36,880 --> 00:33:38,840
Speaker 1: was a shoot up, Like I still in my heart,

539
00:33:39,000 --> 00:33:43,360
Speaker 1: in my heart. But but Malcolm, Malcolm was like, straight up,

540
00:33:43,400 --> 00:33:48,280
Speaker 1: I'm gonna shoot you back. So when Chris, I'm very

541
00:33:48,320 --> 00:33:52,400
Speaker 1: I feel like I'm honored. So I felt like the

542
00:33:52,480 --> 00:33:54,720
Speaker 1: minute you threw p M down on stage is like, yes,

543
00:33:54,760 --> 00:33:57,640
Speaker 1: he could teach me and he'll still that's exactly what

544
00:33:57,680 --> 00:34:03,320
Speaker 1: I wanted. That's makes it. So what did he do

545
00:34:03,480 --> 00:34:05,560
Speaker 1: for you to throw him off the stage? I never

546
00:34:05,680 --> 00:34:07,680
Speaker 1: really got that part of the story. Well, if you

547
00:34:07,720 --> 00:34:15,960
Speaker 1: want the scholarly approach, approach, Okay, so dude, stop mouthing

548
00:34:16,000 --> 00:34:20,000
Speaker 1: off in Details magazine. Okay, now this is now, this

549
00:34:20,040 --> 00:34:23,160
Speaker 1: is the mood that we're in around this time. I

550
00:34:23,160 --> 00:34:28,960
Speaker 1: think we'll I forgot what year. This was nineties nine? No, no, no, oh, no,

551
00:34:29,040 --> 00:34:32,560
Speaker 1: it was Kay, it's ninety two and it wasn't The

552
00:34:32,560 --> 00:34:37,400
Speaker 1: Palladium was like, no, it was a small club in Manhattan.

553
00:34:37,520 --> 00:34:39,960
Speaker 1: I don't remember that. It was one of the clubs

554
00:34:40,120 --> 00:34:43,040
Speaker 1: that have like like car wash was it wasn't. That

555
00:34:43,160 --> 00:34:45,640
Speaker 1: wasn't the name of the place. That's just the name

556
00:34:45,640 --> 00:34:52,840
Speaker 1: of the night. The night right, it was it sound fast,

557
00:34:53,800 --> 00:34:56,880
Speaker 1: so sound factory. Okay, wait a minute, now here's the

558
00:34:56,920 --> 00:35:01,080
Speaker 1: mood of it. Ninety two Okay, around the time, this

559
00:35:01,120 --> 00:35:05,680
Speaker 1: is when, like you said, knowledge was just hitting hip hop.

560
00:35:05,760 --> 00:35:09,719
Speaker 1: Hip hop was some ignorant as ship. Okay. Of course

561
00:35:09,760 --> 00:35:12,160
Speaker 1: you did have run DMC, you had Houdini, you had

562
00:35:12,200 --> 00:35:15,600
Speaker 1: those who were actually rocking on on a supposedly more

563
00:35:15,640 --> 00:35:20,160
Speaker 1: intelligent level, especially run DMC with it's like that, and

564
00:35:20,160 --> 00:35:22,960
Speaker 1: and all types of record societies got to salute you

565
00:35:22,960 --> 00:35:25,439
Speaker 1: in the interview. Just do that. You know what I'm saying.

566
00:35:25,680 --> 00:35:27,840
Speaker 1: First of all, you know, that's who the viewer is

567
00:35:27,920 --> 00:35:31,759
Speaker 1: to know someone is drinking of my time and drink.

568
00:35:32,400 --> 00:35:35,680
Speaker 1: If you have traveled, you probably don't know where the

569
00:35:35,760 --> 00:35:38,879
Speaker 1: funking my tie is. Okay, so this is you have.

570
00:35:39,080 --> 00:35:41,800
Speaker 1: This is a Hawaii drink. People like, do you continue

571
00:35:41,840 --> 00:35:44,600
Speaker 1: to drink? That's how you know making money for long?

572
00:35:44,680 --> 00:35:48,000
Speaker 1: He wasn't Tahiti or something. I mean, I'm with this ship, yes, yes, yes,

573
00:35:48,080 --> 00:35:50,440
Speaker 1: thank you for thank you for coming again, thanks for

574
00:35:50,520 --> 00:35:54,560
Speaker 1: opening your dog. Okay. So anyway, so anyway, so so

575
00:35:56,200 --> 00:36:00,520
Speaker 1: the mood and nothing by the but I'm I'm good,

576
00:36:01,040 --> 00:36:07,120
Speaker 1: I'm gonna get you later on. Look this this move

577
00:36:07,320 --> 00:36:10,160
Speaker 1: this time is when I had just put out you

578
00:36:10,239 --> 00:36:14,760
Speaker 1: must learn to stop the violence movement? Why is that?

579
00:36:15,080 --> 00:36:17,600
Speaker 1: And then what's what's the joint? What's the joint? He

580
00:36:17,640 --> 00:36:21,440
Speaker 1: got out? I don't know why. Why did he let

581
00:36:22,400 --> 00:36:24,520
Speaker 1: well it wasn't just me, but he did say he

582
00:36:24,520 --> 00:36:30,960
Speaker 1: tested more. Yes, ok. In his Details magazine he had

583
00:36:31,000 --> 00:36:33,279
Speaker 1: said something pertaining to the fact. He said, n w

584
00:36:33,280 --> 00:36:36,840
Speaker 1: A is nothing. Chuck d is making mountains out of

585
00:36:36,880 --> 00:36:41,319
Speaker 1: mole hills, and careis one is kiss. One wants to

586
00:36:41,320 --> 00:36:45,000
Speaker 1: be a teacher, but a teacher of what? And for

587
00:36:45,160 --> 00:36:49,520
Speaker 1: me it matter for me. But Chuck at the time

588
00:36:49,640 --> 00:36:54,720
Speaker 1: was receiving death threats because of the controversy with Griff Griffin,

589
00:36:56,000 --> 00:36:59,600
Speaker 1: the Jewish comments. Griffin made a statement, so public Enemy

590
00:36:59,680 --> 00:37:05,240
Speaker 1: was the real heat in America. Okay, and this dude

591
00:37:05,480 --> 00:37:08,319
Speaker 1: just sold like a million records, so he had a

592
00:37:08,360 --> 00:37:11,080
Speaker 1: really good year, you know, selling records. So he's just

593
00:37:11,200 --> 00:37:16,520
Speaker 1: mouthing off like it's our time now these with these dudes,

594
00:37:16,560 --> 00:37:19,799
Speaker 1: and you know these dudes is over. N w A

595
00:37:19,800 --> 00:37:24,160
Speaker 1: ain't nothing, Chuck, the public Enemy ain't saying nothing. Arrest this.

596
00:37:24,600 --> 00:37:27,360
Speaker 1: So I let it go for a minute. So this

597
00:37:27,640 --> 00:37:30,479
Speaker 1: this was like over months. This is like the first

598
00:37:31,080 --> 00:37:32,600
Speaker 1: no no, no no, no, this is over a period. And

599
00:37:32,680 --> 00:37:35,919
Speaker 1: it wasn't just him. So I had also a little

600
00:37:36,000 --> 00:37:40,400
Speaker 1: running with X Clan around the same time. Me and

601
00:37:40,640 --> 00:37:43,319
Speaker 1: X Clan, We're going back and forth with I mean,

602
00:37:43,320 --> 00:37:47,040
Speaker 1: brother Jay was you know, calling me Captain human and

603
00:37:47,480 --> 00:37:53,000
Speaker 1: that's the other well it wasn't that wasn't directed to,

604
00:37:54,200 --> 00:37:57,479
Speaker 1: but it was them. Yeah, and if and if you're

605
00:37:58,520 --> 00:38:03,160
Speaker 1: battling me even maybe it was so there was ex

606
00:38:03,200 --> 00:38:08,359
Speaker 1: claim Bam chilled it all out back then, right, so

607
00:38:08,560 --> 00:38:10,640
Speaker 1: he cooled it all out. We had a press conference

608
00:38:10,640 --> 00:38:12,960
Speaker 1: and just kissed it made up. That was into that.

609
00:38:14,200 --> 00:38:19,000
Speaker 1: But there were others dudes in the hood. They for

610
00:38:19,040 --> 00:38:22,600
Speaker 1: some reason, they felt people felt that if you come

611
00:38:22,640 --> 00:38:27,480
Speaker 1: out advocating peace, knowledge, wisdom, I was coming with you

612
00:38:28,320 --> 00:38:32,799
Speaker 1: that somehow we're supposed to be soft for somehow, well

613
00:38:32,840 --> 00:38:36,080
Speaker 1: you're gonna run up or I don't know what it was.

614
00:38:36,120 --> 00:38:41,200
Speaker 1: And I was naive because all my dudes was straight gangsters.

615
00:38:41,239 --> 00:38:43,839
Speaker 1: Like I'm talking about, I'm trying to take dudes off

616
00:38:43,880 --> 00:38:46,279
Speaker 1: the street, convince them, yo, we can go on tour. Man,

617
00:38:46,560 --> 00:38:49,000
Speaker 1: you ain't gonna do this. You ain't gonna do that.

618
00:38:49,040 --> 00:38:50,719
Speaker 1: And dudes is like, Yo, if you can show me

619
00:38:50,800 --> 00:38:53,160
Speaker 1: another way out of here, we could do this. So

620
00:38:53,200 --> 00:38:55,600
Speaker 1: I'm trying to take these dudes and we're trying to

621
00:38:55,719 --> 00:38:58,640
Speaker 1: leave the hood. Okay, we're trying to be positive. We

622
00:38:58,760 --> 00:39:01,600
Speaker 1: got to stop the violence this movement and PM and

623
00:39:01,760 --> 00:39:06,720
Speaker 1: he is too calm. Yeah, okay, arrestient shot but bahbah

624
00:39:06,719 --> 00:39:10,160
Speaker 1: bahba he just got finished with X clan with that

625
00:39:11,040 --> 00:39:14,960
Speaker 1: um lynch mob had made a statement ice que self destruction,

626
00:39:15,000 --> 00:39:17,879
Speaker 1: don't pay the fucking or this is after something something,

627
00:39:18,120 --> 00:39:22,160
Speaker 1: this is after all, this is what it is stuff

628
00:39:22,600 --> 00:39:29,719
Speaker 1: noise for him. You gonna we're gonna stop. And so

629
00:39:29,920 --> 00:39:34,120
Speaker 1: for some reason they thought it was so in my

630
00:39:34,360 --> 00:39:37,600
Speaker 1: corner and so PM doing is not from New York? Correct, No,

631
00:39:38,120 --> 00:39:42,160
Speaker 1: what is he? No? I don't know what that was.

632
00:39:41,719 --> 00:39:45,040
Speaker 1: So I want to know what did you say something

633
00:39:45,040 --> 00:39:48,080
Speaker 1: to him or just no, no, no, no happened? No, no, no,

634
00:39:48,280 --> 00:39:50,319
Speaker 1: this is what happened. He so he made his allegation,

635
00:39:51,200 --> 00:39:53,560
Speaker 1: and he made some other allegation on the radio or

636
00:39:53,560 --> 00:39:56,480
Speaker 1: something like that about he was ready to battle or

637
00:39:56,520 --> 00:39:59,880
Speaker 1: something or some kind of lyrical something. So I was like, great,

638
00:40:00,360 --> 00:40:02,920
Speaker 1: let's just take it right there and and leave it there.

639
00:40:02,920 --> 00:40:04,640
Speaker 1: You called my name out, What I got to do

640
00:40:04,680 --> 00:40:07,080
Speaker 1: with you? I'm doing my own thing over here. But

641
00:40:07,280 --> 00:40:11,200
Speaker 1: he was riding a wave that was saying that groups

642
00:40:11,239 --> 00:40:16,560
Speaker 1: like nWay, Public Enemy, Boogie Down Productions, they bullshit, and

643
00:40:16,680 --> 00:40:20,560
Speaker 1: we ship right hood dudes is bullshit. This is the

644
00:40:20,600 --> 00:40:24,000
Speaker 1: new ship. And so there was a big party for

645
00:40:24,120 --> 00:40:27,319
Speaker 1: Tea Money back in the day's Tea Money was at

646
00:40:27,360 --> 00:40:32,680
Speaker 1: your MTV raps host with Ed Love and Doctor big

647
00:40:32,760 --> 00:40:36,719
Speaker 1: party in in New York. Everybody in the industry was there,

648
00:40:36,760 --> 00:40:39,480
Speaker 1: which is why we had two chances he was gonna

649
00:40:39,520 --> 00:40:42,040
Speaker 1: play in somewhere he was he was gonna play with

650
00:40:42,080 --> 00:40:44,680
Speaker 1: his own show. He was gonna even go there, or

651
00:40:44,719 --> 00:40:48,040
Speaker 1: we could go right here to Manhattan where it was popping.

652
00:40:48,160 --> 00:40:51,000
Speaker 1: And we said, you know what, let's do Manhattan because

653
00:40:51,120 --> 00:40:55,040
Speaker 1: the industry is there. This is Tea Money's birthday party.

654
00:40:55,560 --> 00:40:58,120
Speaker 1: We said, you know what, let's set it straight real quick.

655
00:40:58,200 --> 00:41:00,640
Speaker 1: Right there. A couple other dudes was in the They

656
00:41:00,760 --> 00:41:04,560
Speaker 1: was called your kay arrest, ain't share what the fun that.

657
00:41:04,000 --> 00:41:07,479
Speaker 1: They went in the crowd too. So when I got there,

658
00:41:08,680 --> 00:41:11,480
Speaker 1: we were so amp like we was just so and

659
00:41:11,520 --> 00:41:13,520
Speaker 1: when I say we are again. I don't want to

660
00:41:13,560 --> 00:41:17,319
Speaker 1: call no names and put nobody on, but you know,

661
00:41:17,520 --> 00:41:19,480
Speaker 1: just the color of the story and give you some

662
00:41:19,600 --> 00:41:23,360
Speaker 1: background on it. So it was me, there was justice,

663
00:41:23,520 --> 00:41:29,200
Speaker 1: Queen Latifa. Blatifa had her crew, naughty by nature, naughty

664
00:41:29,239 --> 00:41:32,120
Speaker 1: had they crew because he did naughty? And and them too,

665
00:41:32,280 --> 00:41:35,239
Speaker 1: and them too well, no, no, no, it was just

666
00:41:35,320 --> 00:41:38,280
Speaker 1: they were just there with me. This is the early

667
00:41:38,360 --> 00:41:41,480
Speaker 1: days of flavoring, and this is this is the only

668
00:41:41,680 --> 00:41:52,719
Speaker 1: days early Okay, they all kitty like, yo, when do

669
00:41:52,880 --> 00:41:56,279
Speaker 1: we go? Oh? So you set it up? You know.

670
00:41:56,400 --> 00:41:57,719
Speaker 1: Let me just tell you something. I don't know if

671
00:41:57,719 --> 00:42:01,760
Speaker 1: you know that is a trend now when a person

672
00:42:01,880 --> 00:42:04,279
Speaker 1: has a beef with somebody, they booked them for a

673
00:42:04,320 --> 00:42:07,239
Speaker 1: show and then when the person they come out, they'll

674
00:42:07,239 --> 00:42:10,000
Speaker 1: do one or two songs and then the bum rushed

675
00:42:10,000 --> 00:42:12,640
Speaker 1: the ship. But you set that trend. I don't know

676
00:42:12,680 --> 00:42:16,120
Speaker 1: if you know that. Well, you know what, I don't

677
00:42:16,120 --> 00:42:19,160
Speaker 1: know if we didn't mean to, but you set the trend.

678
00:42:19,200 --> 00:42:26,000
Speaker 1: Let's make them knowing. Look, he so we went up.

679
00:42:26,040 --> 00:42:28,239
Speaker 1: It wasn't a set up in the sense that we

680
00:42:28,320 --> 00:42:31,200
Speaker 1: knew we were gonna go there, but we knew we

681
00:42:31,239 --> 00:42:35,320
Speaker 1: had two choices and it was like the day before,

682
00:42:35,320 --> 00:42:38,160
Speaker 1: so we chose this one. So did you actually talk

683
00:42:38,239 --> 00:42:40,840
Speaker 1: to him prior to no, No, no, you just waited

684
00:42:40,840 --> 00:42:43,160
Speaker 1: for him, just waiting for As a matter of fact,

685
00:42:43,239 --> 00:42:45,040
Speaker 1: the word had gotten out because I said, Yo, I'm

686
00:42:45,080 --> 00:42:47,520
Speaker 1: here the battle. It wasn't about throwing nobody off stage

687
00:42:47,719 --> 00:42:54,560
Speaker 1: because I'm still stop the violence. Yeah, that's why it

688
00:42:54,600 --> 00:42:57,600
Speaker 1: was a controversial. It was so when I jumped up,

689
00:42:57,880 --> 00:43:00,960
Speaker 1: what happened was I think one of his boys or something.

690
00:43:01,040 --> 00:43:03,440
Speaker 1: He had a little crew with hit me somebody with him.

691
00:43:03,480 --> 00:43:05,959
Speaker 1: So when we jumped on stage, I remember super Cat.

692
00:43:06,000 --> 00:43:08,920
Speaker 1: I can't even man, super Cat. He said, Chris, let

693
00:43:08,920 --> 00:43:10,919
Speaker 1: me go on first month. Let me go on first.

694
00:43:11,160 --> 00:43:13,960
Speaker 1: Before you do that, let me one first. I was

695
00:43:14,080 --> 00:43:16,279
Speaker 1: like yo, and Cat went on, he did his thing.

696
00:43:16,800 --> 00:43:18,799
Speaker 1: Then p M Down went on. We let him get

697
00:43:18,840 --> 00:43:21,600
Speaker 1: through one song, and then we all jumped on the stage.

698
00:43:21,960 --> 00:43:25,279
Speaker 1: It's like, Yo, let's battle. Let's get it popping right now.

699
00:43:25,680 --> 00:43:28,960
Speaker 1: So the whole crowd was like, oh, let's go. But

700
00:43:29,120 --> 00:43:33,040
Speaker 1: something happened is man, somebody jumped out. It was like

701
00:43:33,080 --> 00:43:35,400
Speaker 1: funk that I was trying to do some ship. It

702
00:43:35,440 --> 00:43:37,600
Speaker 1: was like funk that we would all shoot this my

703
00:43:37,719 --> 00:43:41,560
Speaker 1: naked that threw them nikes off the stage. That's what

704
00:43:41,640 --> 00:43:49,719
Speaker 1: he wants that. No, it's not Troy. I just did

705
00:43:49,719 --> 00:43:52,959
Speaker 1: that to I love Mechannon in New York. In New York.

706
00:43:53,000 --> 00:43:55,839
Speaker 1: This is a fact. I love, I love, I love

707
00:43:55,920 --> 00:43:59,040
Speaker 1: mccannon like I love for Troy A. But when it happened,

708
00:43:59,480 --> 00:44:06,719
Speaker 1: didn't met about this. Now you are so Immediately when

709
00:44:06,719 --> 00:44:09,960
Speaker 1: I seen it, I said, this is I don't even

710
00:44:09,960 --> 00:44:13,279
Speaker 1: think Troy. I have know that this originated from that

711
00:44:13,400 --> 00:44:15,920
Speaker 1: very moment. Like if you disrespect and you come to

712
00:44:15,960 --> 00:44:18,239
Speaker 1: the person town, you are liable to go off the

713
00:44:18,320 --> 00:44:21,200
Speaker 1: stage and drinks is liable to throw at you, and

714
00:44:21,320 --> 00:44:24,640
Speaker 1: you are allowed to feel uncomfortable. You started that trend,

715
00:44:24,680 --> 00:44:27,319
Speaker 1: and I applaud you for that, sir. Come on one

716
00:44:27,360 --> 00:44:32,080
Speaker 1: more time, everybody but Bill. Being that we're on the

717
00:44:32,080 --> 00:44:36,080
Speaker 1: topic of self destruction, stop the violence. One thing that

718
00:44:36,120 --> 00:44:38,919
Speaker 1: I've always wondered, why do you think that we haven't

719
00:44:38,960 --> 00:44:41,480
Speaker 1: been able to recreate those movements in hip hop? Because

720
00:44:41,520 --> 00:44:44,879
Speaker 1: when that came out and um, we're on the same

721
00:44:44,920 --> 00:44:48,080
Speaker 1: game came out those records, they were cool to the

722
00:44:48,080 --> 00:44:50,239
Speaker 1: youth at the time. When we love those records, we

723
00:44:50,320 --> 00:44:53,279
Speaker 1: knew the lyrics. I know you've been doing, you've done,

724
00:44:53,400 --> 00:44:55,840
Speaker 1: You've continued to do those records, but they haven't touched

725
00:44:56,280 --> 00:44:58,560
Speaker 1: the pulse of the youth. Amore. No, hip hop is

726
00:44:58,680 --> 00:45:03,959
Speaker 1: not conscious, Okay, Like people gotta understand that hip hop

727
00:45:04,000 --> 00:45:07,799
Speaker 1: it's raw essence. That ship has gotta ghetto. Hip hop

728
00:45:07,920 --> 00:45:12,560
Speaker 1: is ignorant. Okay, that ship is. I'm that and it's core.

729
00:45:12,640 --> 00:45:16,279
Speaker 1: That ship is raw ignorance, man, just straight up. But

730
00:45:16,400 --> 00:45:19,960
Speaker 1: all the best things come out of that ship. Okay,

731
00:45:20,040 --> 00:45:23,359
Speaker 1: the darkness, that's where the best ship comes from. Out

732
00:45:23,400 --> 00:45:26,680
Speaker 1: of this ship. Look, it takes feces to make things grow.

733
00:45:27,239 --> 00:45:32,759
Speaker 1: All were eating is ship. It's the most honest. So

734
00:45:33,280 --> 00:45:36,160
Speaker 1: that's why I say go back to the movement when

735
00:45:36,200 --> 00:45:39,799
Speaker 1: we did those records, stop the violence and self destruction.

736
00:45:40,640 --> 00:45:43,000
Speaker 1: Look at the dudes that we're doing them. Those were

737
00:45:43,080 --> 00:45:46,719
Speaker 1: street Okay, that's why, right, But now we all them

738
00:45:46,760 --> 00:45:51,000
Speaker 1: dudes got shot up and went to jail. Nobody there's

739
00:45:51,040 --> 00:45:55,840
Speaker 1: no one else, like maybe some younger kids today or

740
00:45:55,880 --> 00:45:59,120
Speaker 1: maybe some of the younger artists today, if they care

741
00:45:59,160 --> 00:46:01,279
Speaker 1: about they come. You see, when we were coming up

742
00:46:01,680 --> 00:46:05,560
Speaker 1: with gangs and excuse me, a cruise and stuff like that,

743
00:46:06,320 --> 00:46:09,439
Speaker 1: we we cared about the community still, like we would

744
00:46:09,480 --> 00:46:11,560
Speaker 1: still smack a young kid up and be like, Yo,

745
00:46:11,600 --> 00:46:14,200
Speaker 1: you better go to school, motherfucker. I know your mom's

746
00:46:14,280 --> 00:46:16,720
Speaker 1: you know what I'm saying. You would still get gangs

747
00:46:16,840 --> 00:46:21,799
Speaker 1: like that. Today it's too individualistic, even due to a

748
00:46:21,880 --> 00:46:25,560
Speaker 1: real gangsters. They're not really in the hood. They do

749
00:46:25,719 --> 00:46:28,759
Speaker 1: they gangster on the phone. They pushing their thing through

750
00:46:29,080 --> 00:46:32,200
Speaker 1: twitterfferent mediums. Now, we didn't have none of this ship

751
00:46:32,239 --> 00:46:34,399
Speaker 1: and we was coming up. I'm sorry to cut you off,

752
00:46:34,400 --> 00:46:36,360
Speaker 1: but you know what the crazy shi it is. I

753
00:46:36,440 --> 00:46:38,520
Speaker 1: just thought about it, like you know hip hop. We

754
00:46:38,600 --> 00:46:42,399
Speaker 1: got our own little version of chipland circuits, like when

755
00:46:42,440 --> 00:46:45,560
Speaker 1: you go so back then in the nineties, I'll say

756
00:46:45,560 --> 00:46:48,759
Speaker 1: in nineties, I had to go to Virginia, I had

757
00:46:48,800 --> 00:46:51,360
Speaker 1: to go to North Carolina. And when the dude told me,

758
00:46:51,440 --> 00:46:53,680
Speaker 1: y'all running the block, I had the choices. It was

759
00:46:53,719 --> 00:46:56,480
Speaker 1: fifteen seconds, not fifteen seconds on the internet, but it's

760
00:46:56,560 --> 00:46:59,319
Speaker 1: fifteen seconds that I had to say I believe him,

761
00:47:00,239 --> 00:47:03,879
Speaker 1: fucking don't. We didn't have Instagram, like right now, dude,

762
00:47:03,960 --> 00:47:05,439
Speaker 1: be like, you know, I run to the town, check

763
00:47:05,480 --> 00:47:10,360
Speaker 1: my check them. That's don't fucking register with me, but

764
00:47:10,480 --> 00:47:12,320
Speaker 1: you know what I'm saying, because they'll have a picture

765
00:47:12,360 --> 00:47:15,240
Speaker 1: with like you know whoever is the popular popular people

766
00:47:15,320 --> 00:47:17,880
Speaker 1: at the time. But back then, in the nineties, I

767
00:47:17,880 --> 00:47:19,480
Speaker 1: had to go to a town and I had to

768
00:47:19,520 --> 00:47:22,640
Speaker 1: make a decision in fifteen seconds when the dude caught

769
00:47:22,680 --> 00:47:25,560
Speaker 1: me and foot locker and said, your Nori, I run

770
00:47:25,600 --> 00:47:28,120
Speaker 1: the town. Funk with me? And I had to start

771
00:47:28,200 --> 00:47:36,120
Speaker 1: with sometimes this guy's lying. They're good, but a lot

772
00:47:36,160 --> 00:47:40,080
Speaker 1: of the times they're official. You don't have time to

773
00:47:40,120 --> 00:47:43,520
Speaker 1: go look at nowadays google them. When I go to

774
00:47:43,560 --> 00:47:46,040
Speaker 1: a town. Now they'll be like, yo, go get what's

775
00:47:46,040 --> 00:47:48,440
Speaker 1: such and such? And I gotta look at this guy's Instagram.

776
00:47:48,840 --> 00:47:53,400
Speaker 1: But it was real up and and your generations before mine.

777
00:47:53,840 --> 00:47:56,640
Speaker 1: So how was that like? Just traveling the US back then?

778
00:47:56,680 --> 00:47:59,799
Speaker 1: You had to know people, man, you had to really know.

779
00:48:00,080 --> 00:48:02,000
Speaker 1: Like what you just said right there brought me back

780
00:48:02,560 --> 00:48:07,960
Speaker 1: to like, Okay, tell your story Iced Tea. Okay, this

781
00:48:08,040 --> 00:48:11,799
Speaker 1: is way backed Tea coming on the show. Shout out

782
00:48:11,840 --> 00:48:17,760
Speaker 1: to Ic and Coco. This goes back to Darlene. Okay,

783
00:48:18,360 --> 00:48:21,640
Speaker 1: so first, this is first wife on the cover of

784
00:48:26,160 --> 00:48:29,440
Speaker 1: Iced Tea. This is the realest dude ever. Okay, I

785
00:48:29,480 --> 00:48:33,279
Speaker 1: don't know what y'all know about TV, and I don't

786
00:48:33,280 --> 00:48:36,920
Speaker 1: know what that ship is. Okay, But in the eighties,

787
00:48:37,760 --> 00:48:42,600
Speaker 1: ryme syndicate in l A. Okay, you had to know

788
00:48:42,960 --> 00:48:46,360
Speaker 1: these dudes or you wasn't playing. You say, you couldn't

789
00:48:46,360 --> 00:48:49,200
Speaker 1: even go. You couldn't even play, You couldn't even play. Date.

790
00:48:49,239 --> 00:48:52,120
Speaker 1: Today you can book shows, you know, live national book

791
00:48:55,640 --> 00:48:58,959
Speaker 1: is all good. No, back then, it was only dudes

792
00:48:59,200 --> 00:49:02,919
Speaker 1: were hustling. Did was booking rappers. So it was like

793
00:49:03,120 --> 00:49:05,879
Speaker 1: you know, and and and and it wasn't never no ship.

794
00:49:06,040 --> 00:49:08,359
Speaker 1: It was it was actually the time, we're always having

795
00:49:08,400 --> 00:49:11,400
Speaker 1: a good time. It's like we left all the guns,

796
00:49:11,400 --> 00:49:13,719
Speaker 1: all the all the the product, and she leave that

797
00:49:13,760 --> 00:49:16,360
Speaker 1: ship down. Let's just go to Latin Corns and have

798
00:49:16,400 --> 00:49:19,279
Speaker 1: a good time. Let's just go down to to you know,

799
00:49:19,600 --> 00:49:23,400
Speaker 1: the rooftop or or whatever fever or whatever. Everybody just

800
00:49:23,480 --> 00:49:25,239
Speaker 1: was like that. Everybody left their ship in the car

801
00:49:25,480 --> 00:49:28,600
Speaker 1: if there was any beef in the cup. You see

802
00:49:28,680 --> 00:49:33,000
Speaker 1: dudes running outside today ride and that's the ship would

803
00:49:33,000 --> 00:49:35,640
Speaker 1: pop off in this in the parking lot. But we

804
00:49:35,680 --> 00:49:37,799
Speaker 1: had to know people. You couldn't just be a rap.

805
00:49:37,880 --> 00:49:40,360
Speaker 1: There was so many rappers that were dope on the

806
00:49:40,440 --> 00:49:42,799
Speaker 1: mic and even had hit records. But they couldn't tour.

807
00:49:43,280 --> 00:49:46,839
Speaker 1: They couldn't travel, you know, because back then people were

808
00:49:46,840 --> 00:49:49,680
Speaker 1: still getting robbed for they change just the idea of

809
00:49:49,800 --> 00:49:53,600
Speaker 1: wearing a gold change. Well, you know what I'm saying.

810
00:49:53,719 --> 00:49:55,719
Speaker 1: I mean, you know, but look, I tell you this

811
00:49:55,960 --> 00:50:01,600
Speaker 1: YouTube and it's for YouTube. It's for YouTube, you know,

812
00:50:01,960 --> 00:50:08,239
Speaker 1: MC search um you know, far the third base. These

813
00:50:08,280 --> 00:50:13,960
Speaker 1: were the only white dudes ever ever to walk in

814
00:50:14,160 --> 00:50:19,200
Speaker 1: Latin quarters with big Gold, the original last quarters, because

815
00:50:19,200 --> 00:50:24,719
Speaker 1: I went to Broadway. The original ladder quarters was Fort

816
00:50:25,040 --> 00:50:28,759
Speaker 1: Street in Broadway, across the street from Popeye's Chicken. We

817
00:50:28,840 --> 00:50:31,680
Speaker 1: used to eat that bullshit and go across the street

818
00:50:32,280 --> 00:50:36,400
Speaker 1: and tear that ship down. Nothing but hustlers and then nothing.

819
00:50:36,520 --> 00:50:38,759
Speaker 1: And if your rhymes was whack, you did not make

820
00:50:38,800 --> 00:50:43,480
Speaker 1: it out like you without insults or sneaking scheming on you,

821
00:50:43,600 --> 00:50:46,080
Speaker 1: or like you had to have security walk you out

822
00:50:46,160 --> 00:50:48,200
Speaker 1: like you. You know what I'm saying. And I took

823
00:50:48,280 --> 00:50:51,439
Speaker 1: pride in that ship. I was like, fuck y'all, nakeds man,

824
00:50:52,120 --> 00:50:55,120
Speaker 1: get the ship in right now. And they just loved,

825
00:50:55,160 --> 00:50:57,520
Speaker 1: they loved my whole ship. And the point was was

826
00:50:57,560 --> 00:50:59,919
Speaker 1: that we were spending conscious ship we called the Real

827
00:51:00,040 --> 00:51:03,680
Speaker 1: Kality Rap. Yo. Man, funk these these cops, this court,

828
00:51:03,960 --> 00:51:07,240
Speaker 1: the ship we were going through fun the d A.

829
00:51:06,960 --> 00:51:10,560
Speaker 1: These motherfucker's are corrupt. Let's talk about the government. That

830
00:51:10,600 --> 00:51:14,320
Speaker 1: ship became Conscious rap all of a sudden in the nineties,

831
00:51:14,360 --> 00:51:17,319
Speaker 1: the titles switched and now, all of a sudden, we

832
00:51:17,320 --> 00:51:21,320
Speaker 1: were supposed to play this role of being conscious rappers

833
00:51:21,320 --> 00:51:25,239
Speaker 1: who didn't fight or argue, and this ship and it

834
00:51:25,360 --> 00:51:29,600
Speaker 1: was like, I never wrested, I'm wrestled. I never settled

835
00:51:29,640 --> 00:51:33,680
Speaker 1: this in my own career. You know me. I consider

836
00:51:33,760 --> 00:51:37,799
Speaker 1: myself a god man, straight up all about peace. But

837
00:51:38,080 --> 00:51:41,920
Speaker 1: this world the minute you say you're standing up for

838
00:51:42,000 --> 00:51:45,759
Speaker 1: justice and wisdom, these dudes want to try to see you.

839
00:51:45,840 --> 00:51:48,360
Speaker 1: And I love ship like that. I'm like, I'm God's

840
00:51:48,440 --> 00:51:52,399
Speaker 1: like worst. I'm sent here to make you think like, Yo,

841
00:51:52,520 --> 00:51:54,640
Speaker 1: that's that we know we can get that dude right there.

842
00:51:54,680 --> 00:52:02,120
Speaker 1: I'm like, and ship changes in the come on, follow

843
00:52:02,160 --> 00:52:04,799
Speaker 1: me down here and then see the skirt on in

844
00:52:04,840 --> 00:52:09,719
Speaker 1: the skirt, come on down here, that's where I want

845
00:52:09,719 --> 00:52:14,160
Speaker 1: to go. Camera. How do you back? How did it

846
00:52:14,239 --> 00:52:19,040
Speaker 1: be start with shan originally? Man? Was it the record

847
00:52:19,400 --> 00:52:21,640
Speaker 1: or was it something on the side. I have to

848
00:52:21,680 --> 00:52:24,080
Speaker 1: notice for my own because you're my favorite rapper. I

849
00:52:24,120 --> 00:52:26,400
Speaker 1: don't know if you know that we wanted to. I

850
00:52:26,440 --> 00:52:31,000
Speaker 1: hated you when you did the Bridges. That's gotta be

851
00:52:31,080 --> 00:52:34,080
Speaker 1: clear with you. Let me tell you something. You made

852
00:52:34,360 --> 00:52:38,040
Speaker 1: any any killers and Queens, you made them, because I'm

853
00:52:38,200 --> 00:52:43,480
Speaker 1: just tell you because you said we didn't. It's a horrible,

854
00:52:43,719 --> 00:52:46,880
Speaker 1: it's a great, it's a great all day because you

855
00:52:46,920 --> 00:52:50,560
Speaker 1: know why we had on Rights Island at that time

856
00:52:51,760 --> 00:52:54,560
Speaker 1: was the toughest place. I mean, it was the hard

857
00:52:54,600 --> 00:52:57,400
Speaker 1: chorus place to go. And if you was from Queens,

858
00:52:57,920 --> 00:52:59,839
Speaker 1: you would just walk by and people would be like

859
00:53:00,040 --> 00:53:02,359
Speaker 1: Queens right. And I don't know if you know if

860
00:53:02,360 --> 00:53:05,399
Speaker 1: you started this, but you said I didn't hear peek

861
00:53:05,480 --> 00:53:09,440
Speaker 1: from a place called Queens. And we had to fight

862
00:53:09,640 --> 00:53:14,520
Speaker 1: every each New y'all nicker, every ball snicker for nickers

863
00:53:14,560 --> 00:53:19,319
Speaker 1: to be like Queen's nickers is a fish like he

864
00:53:19,440 --> 00:53:23,640
Speaker 1: just took out Shan. Damn, I've rolder that wrong and

865
00:53:23,680 --> 00:53:26,640
Speaker 1: she sh don't. Don't don't blow me up, listen. I'm

866
00:53:26,680 --> 00:53:31,920
Speaker 1: just I'm just being honest. And at that time you

867
00:53:32,239 --> 00:53:36,759
Speaker 1: changed the face of hip hop because you single handedly.

868
00:53:37,600 --> 00:53:39,560
Speaker 1: I don't need to know. How did this start? Was

869
00:53:39,640 --> 00:53:45,799
Speaker 1: it beef with Marley? Was it beef for Shan? Was

870
00:53:45,840 --> 00:53:52,400
Speaker 1: this this wackpool? A sneaker? What was it, Chris? To

871
00:53:52,480 --> 00:53:55,880
Speaker 1: make you go off like that? First off, we and

872
00:53:56,080 --> 00:53:59,600
Speaker 1: queens didn't know that was a South Bron. We didn't

873
00:53:59,600 --> 00:54:03,520
Speaker 1: know it was a North It was the Bron. So

874
00:54:03,600 --> 00:54:05,520
Speaker 1: when all right, so I need to notice this is

875
00:54:05,560 --> 00:54:09,719
Speaker 1: from my own history. How did they start? That's the

876
00:54:09,800 --> 00:54:14,400
Speaker 1: wall rest in peace to Mr Magic. Let me start right.

877
00:54:15,680 --> 00:54:17,920
Speaker 1: You don't care whether we smoke right now, come on, man,

878
00:54:17,960 --> 00:54:23,400
Speaker 1: come on um recipees to Mr Magic. Okay, straight up,

879
00:54:23,560 --> 00:54:27,960
Speaker 1: Now that's who started it. He started it, Magic, Mr Magic?

880
00:54:28,480 --> 00:54:34,239
Speaker 1: Down he rest in peace, Mash we wanted to be

881
00:54:34,320 --> 00:54:37,960
Speaker 1: down with the Juice Crew. Let's start right there. So

882
00:54:38,000 --> 00:54:41,720
Speaker 1: and this is Molly mar This is Magic, okay, Magic

883
00:54:42,360 --> 00:54:44,520
Speaker 1: Magic was here. First of all, there was another Juice

884
00:54:44,560 --> 00:54:48,799
Speaker 1: Crew before Magic, the original Juice Crew. I was first.

885
00:54:48,880 --> 00:54:50,160
Speaker 1: I don't know all of it. I think it was

886
00:54:50,239 --> 00:54:56,319
Speaker 1: Melly Mel. Yeah, this is Juice Crew. This Juice Crew

887
00:54:56,360 --> 00:54:59,200
Speaker 1: had a disco fee and they're the original Juice Crew.

888
00:54:59,520 --> 00:55:04,080
Speaker 1: Magic was part of that crew. Okay, so he kind

889
00:55:04,120 --> 00:55:08,040
Speaker 1: of took the name and the second generation came up,

890
00:55:08,080 --> 00:55:12,480
Speaker 1: which was us and so he named his crew the

891
00:55:12,560 --> 00:55:15,759
Speaker 1: Juice Crew. But he is the only one with the ring.

892
00:55:16,160 --> 00:55:18,640
Speaker 1: There was rings was like thirteen rings that were given

893
00:55:18,680 --> 00:55:20,960
Speaker 1: out for this Juice Crew because he was one of this.

894
00:55:21,120 --> 00:55:23,200
Speaker 1: He was one of these views with the ring. So

895
00:55:23,280 --> 00:55:25,040
Speaker 1: he made the think Juice cre with his man fly

896
00:55:25,280 --> 00:55:27,640
Speaker 1: tie as well. Ty was was big, you know with

897
00:55:28,040 --> 00:55:32,319
Speaker 1: UH promotion and marketing. So the idea was battles were

898
00:55:32,360 --> 00:55:35,040
Speaker 1: huge on the street anyway. If he was an m C,

899
00:55:35,200 --> 00:55:37,440
Speaker 1: he was always battling your man. He was always in

900
00:55:37,480 --> 00:55:40,080
Speaker 1: the ciphers fitting ship. So that's what it was. But

901
00:55:40,120 --> 00:55:43,080
Speaker 1: none of that was ever reflected in mainstream media and

902
00:55:43,160 --> 00:55:46,920
Speaker 1: Wrapped whatever run d m C. They was crushing ship,

903
00:55:47,080 --> 00:55:51,040
Speaker 1: but they were still you know, wrapping um. They were

904
00:55:51,080 --> 00:55:54,479
Speaker 1: still like performers, you know. They It never was really

905
00:55:54,520 --> 00:55:58,399
Speaker 1: what it was on the street level. So we went

906
00:55:58,440 --> 00:56:00,280
Speaker 1: to Magic. We wanted to be part of the Jewice screen.

907
00:56:00,280 --> 00:56:03,480
Speaker 1: We wanted to be produced by Molly maul okay. But

908
00:56:03,719 --> 00:56:05,759
Speaker 1: Magic was the Juice Crew. He's the one that put

909
00:56:05,800 --> 00:56:09,200
Speaker 1: everybody down. So Rock Sands Shante just came off of

910
00:56:09,239 --> 00:56:13,439
Speaker 1: a battle with U. T. Fo nice battle. All these

911
00:56:13,520 --> 00:56:18,439
Speaker 1: rock sands came out of that battle. Little sister Fast Team.

912
00:56:18,520 --> 00:56:22,840
Speaker 1: I went to school, continue rock Sand. She came out

913
00:56:23,520 --> 00:56:26,440
Speaker 1: U t f O nice battle. So mc shan came

914
00:56:26,480 --> 00:56:30,080
Speaker 1: out and this LU called him a beat bitter because

915
00:56:30,120 --> 00:56:33,320
Speaker 1: the word on the street was the LL bit his

916
00:56:33,440 --> 00:56:37,680
Speaker 1: stop the can go, the didas the pumas and us

917
00:56:37,719 --> 00:56:39,799
Speaker 1: the track suit. And in a way you looked just

918
00:56:39,840 --> 00:56:42,080
Speaker 1: like L from her early days. If you look at

919
00:56:42,520 --> 00:56:45,680
Speaker 1: early LL, it was some kind of similarity. So l

920
00:56:45,760 --> 00:56:49,279
Speaker 1: I was mad about that, I guess and started going out.

921
00:56:49,400 --> 00:56:51,759
Speaker 1: I'm not L. I'm sorry. Shan was mad at that

922
00:56:52,040 --> 00:56:56,800
Speaker 1: and started going after L. L L never answer them, um,

923
00:56:56,840 --> 00:57:03,359
Speaker 1: but I did because Magic took our demo. So the

924
00:57:03,440 --> 00:57:08,520
Speaker 1: story goes, engineer told us this. We handed in our records,

925
00:57:08,560 --> 00:57:12,320
Speaker 1: two records criminal Minded and Elementary, oh and a record

926
00:57:12,320 --> 00:57:15,320
Speaker 1: called Advanced three records. We have got to advance three records.

927
00:57:15,320 --> 00:57:17,600
Speaker 1: We gave it to him. He said, Magic said this

928
00:57:17,640 --> 00:57:20,880
Speaker 1: is corny. No, we're not doing it, and supposedly flung

929
00:57:20,920 --> 00:57:25,960
Speaker 1: it into into garbage. We're not. This is an engineer

930
00:57:26,000 --> 00:57:28,800
Speaker 1: telling us. First of all, we couldn't even talk to Magic. Okay,

931
00:57:28,920 --> 00:57:33,360
Speaker 1: he was not huge. Okay, security, he was the man. Okay,

932
00:57:33,680 --> 00:57:42,240
Speaker 1: we couldn't even see. We handed up. We handed dude

933
00:57:42,280 --> 00:57:45,800
Speaker 1: the c D throw somebody through, somebody through somebody, and

934
00:57:45,840 --> 00:57:48,480
Speaker 1: the word got back your wick, get a body here.

935
00:57:49,560 --> 00:57:51,720
Speaker 1: So mind you, I'm homeless in the street. I'm riding

936
00:57:51,760 --> 00:57:54,320
Speaker 1: the train back and forth, the D train. Scott land

937
00:57:54,360 --> 00:57:57,480
Speaker 1: Rock is a social worker at the shelter. I get to,

938
00:57:58,000 --> 00:58:00,360
Speaker 1: you know, sometimes I'm at the shelter. Sometimes I'm not

939
00:58:00,640 --> 00:58:03,560
Speaker 1: me and just Stice was in the shelter together, so

940
00:58:03,880 --> 00:58:05,680
Speaker 1: some NICs we hang out all nights. Some nice we

941
00:58:05,720 --> 00:58:07,280
Speaker 1: get up. But Scott had to go to work every

942
00:58:07,360 --> 00:58:12,120
Speaker 1: day and worked there at that shelter. So we got

943
00:58:12,160 --> 00:58:13,960
Speaker 1: back and Scott was like, yo, they said it was

944
00:58:14,040 --> 00:58:19,680
Speaker 1: what my g I was like, Yo, why shan is

945
00:58:19,720 --> 00:58:25,000
Speaker 1: why how my ship? My ship ain't white. So I'm twenty,

946
00:58:25,320 --> 00:58:29,960
Speaker 1: you know what I'm saying. I'm cocky, I'm arrogant. I'm

947
00:58:30,000 --> 00:58:33,080
Speaker 1: already known in the Bronx. I'm a graffiti writer really

948
00:58:33,160 --> 00:58:36,640
Speaker 1: named k r Rest and I'm writing on the six

949
00:58:36,800 --> 00:58:39,280
Speaker 1: train and the five, the two and the five. We're

950
00:58:39,360 --> 00:58:43,160
Speaker 1: hitting the bus yards for the rod bus yards. So

951
00:58:43,200 --> 00:58:47,920
Speaker 1: I'm already on my ship in the graffiti world, and

952
00:58:48,000 --> 00:58:53,280
Speaker 1: I was, I'm just throwing it out there. I was

953
00:58:53,360 --> 00:58:57,440
Speaker 1: on my ship, bomb and busses and trains and we

954
00:58:57,440 --> 00:58:59,760
Speaker 1: were trying to get into the wrap deal, hopefully to

955
00:59:00,080 --> 00:59:02,880
Speaker 1: get some money and get out the hood. They said

956
00:59:02,920 --> 00:59:06,320
Speaker 1: you why so I wrote, I was, I wrote the

957
00:59:06,320 --> 00:59:10,360
Speaker 1: Bridges over first, before the South, before the South Bronx.

958
00:59:10,400 --> 00:59:12,760
Speaker 1: I wrote the Bridges over because that was more my ship.

959
00:59:13,080 --> 00:59:15,640
Speaker 1: And I was on some reggae ship. So I was like, yo,

960
00:59:15,680 --> 00:59:19,000
Speaker 1: I used to listen to shine Head, actually was my inspiration,

961
00:59:19,080 --> 00:59:22,400
Speaker 1: shine Hand. I used to listen to shine Hand, Michigan

962
00:59:22,440 --> 00:59:28,080
Speaker 1: and Smiley yellow Man, Lieutenant Stitchy, Major Macro, Nija man On.

963
00:59:28,520 --> 00:59:31,200
Speaker 1: I used to blast all that. So he was like, see,

964
00:59:31,200 --> 00:59:41,160
Speaker 1: what are you doing? Okay, So so it's like, so

965
00:59:41,360 --> 00:59:44,080
Speaker 1: I'm listening to all that. But Scott was like First

966
00:59:44,080 --> 00:59:47,160
Speaker 1: of all, Scott started to get down in his spirit

967
00:59:47,240 --> 00:59:51,120
Speaker 1: because he had already shopped our music to everybody, and

968
00:59:51,160 --> 00:59:53,360
Speaker 1: they all turned us down. They said it was too

969
00:59:53,520 --> 00:59:58,080
Speaker 1: educated to preachy. You don't sound like the rappers out here.

970
00:59:58,080 --> 01:00:01,040
Speaker 1: Because we were talking about nuclear a wall, the government.

971
01:00:01,240 --> 01:00:03,000
Speaker 1: This kind of day was like, na, I wrapped, don't

972
01:00:03,000 --> 01:00:05,920
Speaker 1: need I know about lutle nat because you I'm just

973
01:00:06,600 --> 01:00:11,120
Speaker 1: we want I'm just telling you that anyway. So we

974
01:00:11,160 --> 01:00:15,360
Speaker 1: was like, you know, nobody was gonna sign us. No,

975
01:00:15,360 --> 01:00:17,520
Speaker 1: no one wanted us. So I was like, you know what,

976
01:00:17,760 --> 01:00:20,560
Speaker 1: fuck it? I wrote the Bridges over. I said it

977
01:00:20,600 --> 01:00:23,800
Speaker 1: to Scott. Scott was like, nah, man, because nobody's gonna

978
01:00:24,120 --> 01:00:26,880
Speaker 1: gonna play that reggae ship. Nobody want to hear that ship.

979
01:00:26,920 --> 01:00:28,880
Speaker 1: They want to hear like run DMC and this. So

980
01:00:28,920 --> 01:00:32,000
Speaker 1: you're telling me the Bridges over was wrote before Shan

981
01:00:32,360 --> 01:00:35,800
Speaker 1: actually dropped the bridge. No bridge out, No, the bridge

982
01:00:35,880 --> 01:00:39,200
Speaker 1: was out, and I wrote the Bridges over. So now

983
01:00:39,280 --> 01:00:41,040
Speaker 1: let me just tell you this is where you also

984
01:00:41,080 --> 01:00:47,400
Speaker 1: crushed my dreams as a child. Fair hip hop started out.

985
01:00:48,800 --> 01:00:53,160
Speaker 1: I thought he was telling I'm a child, all right.

986
01:00:53,720 --> 01:00:57,480
Speaker 1: I bought the nineties seventy seven right, what what year

987
01:00:58,080 --> 01:01:01,800
Speaker 1: did shann drop that record? That was like eighty six

988
01:01:02,320 --> 01:01:06,840
Speaker 1: eighty six? So technically how old am I? Nine? Ten?

989
01:01:07,320 --> 01:01:12,760
Speaker 1: Nine years old? Nine? So I believe as a nine

990
01:01:12,800 --> 01:01:15,880
Speaker 1: year old, but I don't. I've never been at But wait,

991
01:01:16,240 --> 01:01:19,840
Speaker 1: here's the real of it. We both were wrong. Okay,

992
01:01:20,320 --> 01:01:24,000
Speaker 1: wait wait me and you ll meet you. And okay,

993
01:01:24,800 --> 01:01:28,360
Speaker 1: he said, you love to hear the story again and

994
01:01:28,400 --> 01:01:32,640
Speaker 1: again how it all got started way back when the

995
01:01:32,800 --> 01:01:36,080
Speaker 1: monument is right in your face, sitting and listening for

996
01:01:36,200 --> 01:01:40,240
Speaker 1: a while to the name of the place, the bridge. Okay,

997
01:01:40,520 --> 01:01:43,760
Speaker 1: that caused the battle, that's what because you knew hip

998
01:01:43,800 --> 01:01:50,600
Speaker 1: hop originating. I was going watching BAM right, so now

999
01:01:50,880 --> 01:01:54,600
Speaker 1: we as as as as as we go. So it

1000
01:01:54,680 --> 01:01:57,440
Speaker 1: was that line that made you that's it. Well, no,

1001
01:01:57,680 --> 01:02:00,800
Speaker 1: it's Magic, said we was garbage. It made his fury

1002
01:02:00,920 --> 01:02:03,520
Speaker 1: combined with that line, Well, that line was the excuse.

1003
01:02:03,840 --> 01:02:08,000
Speaker 1: But Magic wasn't from Queen's Bridge. No, magic is from Magic.

1004
01:02:08,280 --> 01:02:14,240
Speaker 1: He's from Brooklyn. No. But but you hear this record

1005
01:02:14,600 --> 01:02:18,720
Speaker 1: and why Well, first of all, Magic just dissed us

1006
01:02:18,800 --> 01:02:20,880
Speaker 1: and and basically was hopping on the fact that his

1007
01:02:20,960 --> 01:02:23,600
Speaker 1: number one MC was this dude right here, mc shan.

1008
01:02:24,440 --> 01:02:27,680
Speaker 1: So being from the Bronx, hungry broke poor with nothing,

1009
01:02:28,360 --> 01:02:31,200
Speaker 1: we said, you know what, that's food right there. Let's

1010
01:02:31,240 --> 01:02:34,880
Speaker 1: go get him. This is crazy and so food right,

1011
01:02:35,120 --> 01:02:37,360
Speaker 1: We said, yo, we wrote up. I wrote the bridges

1012
01:02:37,400 --> 01:02:40,080
Speaker 1: over first. Scott didn't like it, said, no, nobody's listening

1013
01:02:40,080 --> 01:02:42,720
Speaker 1: to reggae ship If you really want to go at dude,

1014
01:02:42,760 --> 01:02:46,320
Speaker 1: come with some ship. So the original bridges Over was

1015
01:02:46,360 --> 01:02:50,320
Speaker 1: a reggae Yeah, okay, it was super Cat books boom

1016
01:02:50,360 --> 01:02:54,840
Speaker 1: boom boom boom boo boom boom the super Cat for

1017
01:02:54,920 --> 01:02:57,439
Speaker 1: that right, super Cat literal left right for a little while.

1018
01:02:58,840 --> 01:03:01,200
Speaker 1: That was I was all in the super Cat right there.

1019
01:03:01,200 --> 01:03:04,080
Speaker 1: And he had a record called said Bop standing going up,

1020
01:03:04,120 --> 01:03:06,880
Speaker 1: hug him up. He said, boo standing in the boom

1021
01:03:06,920 --> 01:03:10,320
Speaker 1: boom boom boo boom boom boom boom boo boo boo boom.

1022
01:03:10,360 --> 01:03:13,240
Speaker 1: I was like, yes, put that to some boom back

1023
01:03:13,400 --> 01:03:15,720
Speaker 1: the same ship we used to do in the in

1024
01:03:15,760 --> 01:03:17,800
Speaker 1: the in the shelter, we used to hit the bathroom.

1025
01:03:18,920 --> 01:03:21,280
Speaker 1: He didn't like that. So then what happened? You went back?

1026
01:03:21,560 --> 01:03:24,160
Speaker 1: He put on this record that goes, hey bro, I

1027
01:03:24,240 --> 01:03:31,960
Speaker 1: got that good cheap achiever boom boom, Hey bro, I

1028
01:03:32,040 --> 01:03:33,800
Speaker 1: got that good chiep a chief. You have to keep

1029
01:03:33,800 --> 01:03:36,440
Speaker 1: cutting that far out. So Scott's cutting that ship. And

1030
01:03:36,480 --> 01:03:38,160
Speaker 1: I was like, way back in the days when the

1031
01:03:38,240 --> 01:03:42,800
Speaker 1: hip hop began with Coke Lrock, Cool HRC and Damn Bamn.

1032
01:03:42,520 --> 01:03:46,040
Speaker 1: He was the Scott was like, oh yo, you need

1033
01:03:46,080 --> 01:03:49,800
Speaker 1: to come with that next like three days later he

1034
01:03:49,840 --> 01:03:52,840
Speaker 1: got his check. We went to the studio. It was

1035
01:03:52,920 --> 01:03:57,640
Speaker 1: fifty dollars an hour and you get an ascetake at

1036
01:03:57,640 --> 01:03:59,920
Speaker 1: the ends. It was a bargain like the ascetake was

1037
01:04:00,000 --> 01:04:04,080
Speaker 1: only five hours, but they said and the acid take

1038
01:04:05,080 --> 01:04:07,960
Speaker 1: two hour minimum. We spent fifty dollars. We made a

1039
01:04:07,960 --> 01:04:11,360
Speaker 1: four track. We did South Bronx and the ps Free

1040
01:04:11,720 --> 01:04:14,760
Speaker 1: the same day, two hours on the bridges of Us.

1041
01:04:15,440 --> 01:04:18,640
Speaker 1: South Bronx and the p is Free, the original with

1042
01:04:18,720 --> 01:04:27,720
Speaker 1: d knights from the beat and we got du plate out.

1043
01:04:28,280 --> 01:04:33,640
Speaker 1: So we took that down to Latin Quarters and Raoul

1044
01:04:33,880 --> 01:04:36,240
Speaker 1: was playing Red Alert wasn't even on yet. It's a

1045
01:04:36,280 --> 01:04:41,760
Speaker 1: dude named Raoul. That is sidebar on, all right, was

1046
01:04:41,800 --> 01:04:45,120
Speaker 1: my homie. Shout out to sidebar, shout out to sidebar.

1047
01:04:45,800 --> 01:04:50,880
Speaker 1: What's the older people? As I said me, And because

1048
01:04:50,880 --> 01:04:54,520
Speaker 1: I stopped, no, no, no no, because I just figured

1049
01:04:54,640 --> 01:04:57,840
Speaker 1: Raoul so continue this story. We gave him. We gave

1050
01:04:57,880 --> 01:05:00,440
Speaker 1: him asta take, We gave him the dump player. He

1051
01:05:00,520 --> 01:05:05,320
Speaker 1: put the ship on. From the second that ship came

1052
01:05:05,360 --> 01:05:07,920
Speaker 1: on bridges own No, the South Bronx on the south

1053
01:05:08,560 --> 01:05:13,600
Speaker 1: it said Queen's after Queen's But queens Wich is a

1054
01:05:13,680 --> 01:05:16,640
Speaker 1: huge hit record should play on the radio every day.

1055
01:05:17,160 --> 01:05:21,960
Speaker 1: Throw the ship on the club, dudes. We were very

1056
01:05:22,000 --> 01:05:25,480
Speaker 1: proud of how long do we have? How long do

1057
01:05:25,560 --> 01:05:29,000
Speaker 1: we have? How long Queen's were we? It was about

1058
01:05:29,040 --> 01:05:30,640
Speaker 1: a month, It was about a month. We only had

1059
01:05:30,640 --> 01:05:40,000
Speaker 1: a month, maybe two months, maybe two months. We had

1060
01:05:40,000 --> 01:05:44,840
Speaker 1: six months. No right to give us two months even

1061
01:05:44,840 --> 01:05:46,840
Speaker 1: if it was like two months was on the radio,

1062
01:05:47,360 --> 01:05:49,040
Speaker 1: it was like one month. The ship was he was

1063
01:05:49,080 --> 01:05:52,880
Speaker 1: in the club already, and then and then he came back. No,

1064
01:05:53,080 --> 01:05:56,520
Speaker 1: then Shan came back. No, no, no, no, no, let's

1065
01:05:56,520 --> 01:06:00,600
Speaker 1: not skip okay, So we only had a month where

1066
01:06:00,720 --> 01:06:05,280
Speaker 1: it was okay to be from Queensbridge, left Franck Projects

1067
01:06:05,520 --> 01:06:07,920
Speaker 1: and then no, wait a minute, rephrase the question. No,

1068
01:06:08,120 --> 01:06:10,880
Speaker 1: you guys had like three you had like three or

1069
01:06:10,880 --> 01:06:15,360
Speaker 1: four years. Because when ce when when run DMC came

1070
01:06:15,360 --> 01:06:18,840
Speaker 1: out and l L and that shant it was cool

1071
01:06:18,840 --> 01:06:20,960
Speaker 1: with them. I'm cool with all of that. So why

1072
01:06:21,000 --> 01:06:26,320
Speaker 1: did you ship? Wait a minute, No, lyrically, I wasn't lyrically,

1073
01:06:26,440 --> 01:06:29,800
Speaker 1: I wasn't see this was the time. This was a

1074
01:06:29,840 --> 01:06:33,640
Speaker 1: time where you had to prove run, d m C said,

1075
01:06:33,640 --> 01:06:37,440
Speaker 1: amazing lyric I think it was d m C he said,

1076
01:06:37,480 --> 01:06:42,280
Speaker 1: other rappers can't stand us, but give us respect. That

1077
01:06:42,600 --> 01:06:46,640
Speaker 1: sums up the whole eighties with do you feel like

1078
01:06:46,880 --> 01:06:49,320
Speaker 1: DMC was like a pop group to you back? No, no, no,

1079
01:06:49,360 --> 01:06:51,440
Speaker 1: it was nothing pop about run DMC. No, I don't know.

1080
01:06:51,800 --> 01:06:59,160
Speaker 1: This was straight hood okay, jam Master Jay okay, okay, okay.

1081
01:06:59,440 --> 01:07:04,000
Speaker 1: Jane was hood hood okay Okay. Now Run and d

1082
01:07:04,200 --> 01:07:06,680
Speaker 1: they were straighthood as well. They came from different other

1083
01:07:06,720 --> 01:07:11,840
Speaker 1: parts of Queens, but Queens the whole of Queen's good okay.

1084
01:07:11,960 --> 01:07:16,360
Speaker 1: So it was like Run to MC was just kings

1085
01:07:16,440 --> 01:07:20,000
Speaker 1: like they would just say and and you always took

1086
01:07:20,040 --> 01:07:23,440
Speaker 1: a shot at those who was on the top if

1087
01:07:23,480 --> 01:07:26,000
Speaker 1: you was the little guy on the bottom. That that

1088
01:07:26,000 --> 01:07:28,080
Speaker 1: that's what it was. It was like even um Rox

1089
01:07:28,160 --> 01:07:31,520
Speaker 1: and Shante had a line where I met Running, I

1090
01:07:31,600 --> 01:07:35,200
Speaker 1: met d m C and I said so and it

1091
01:07:35,320 --> 01:07:37,440
Speaker 1: was like one of her dopest like one of her lines,

1092
01:07:37,440 --> 01:07:39,720
Speaker 1: and she had put it. But that was the attitude

1093
01:07:39,800 --> 01:07:42,760
Speaker 1: like you ain't large, you you ain't you know even

1094
01:07:42,800 --> 01:07:46,080
Speaker 1: though you are, and you demand But let me ask

1095
01:07:46,120 --> 01:07:49,200
Speaker 1: you this question. When he said hip hop started out

1096
01:07:49,200 --> 01:07:53,840
Speaker 1: in the dog was was that something that directly bothered

1097
01:07:53,880 --> 01:07:57,160
Speaker 1: you because you knew the truth scholarly, yes, but I

1098
01:07:57,200 --> 01:07:59,320
Speaker 1: didn't know the truth. I thought I knew the truth.

1099
01:08:00,080 --> 01:08:03,680
Speaker 1: So this is young arrogance. I'm hanging out in the Bronx,

1100
01:08:04,280 --> 01:08:07,800
Speaker 1: North Bronx, South Bronx, East West Bronx. I'm the whole Bronx,

1101
01:08:07,880 --> 01:08:12,600
Speaker 1: Gunhill Road to Milborough Projects. Okay, whole Bronx. First time,

1102
01:08:12,680 --> 01:08:16,599
Speaker 1: I'm a graph writer, So I walked the entire Bronx.

1103
01:08:16,760 --> 01:08:22,200
Speaker 1: My maid is okay, I'm the whole Bronx. Okay, So

1104
01:08:22,360 --> 01:08:26,639
Speaker 1: I'm running in the party's dudes, you know we know ship.

1105
01:08:27,040 --> 01:08:30,439
Speaker 1: You didn't hear, and I didn't hear. No, we did.

1106
01:08:30,560 --> 01:08:33,120
Speaker 1: We used to go to Queen's. Queen's had the dopest party.

1107
01:08:33,120 --> 01:08:35,800
Speaker 1: But so you did hear Pete? No do alright, come on,

1108
01:08:38,960 --> 01:08:44,320
Speaker 1: come on up man Queens. No see what it was? No, no,

1109
01:08:44,439 --> 01:08:47,320
Speaker 1: let me childhood store. Let me say this. Let me

1110
01:08:47,360 --> 01:08:51,400
Speaker 1: say this. My wife is from Queens, okay, s Queens.

1111
01:08:51,840 --> 01:08:55,599
Speaker 1: No no, no, no no, no, that's the queen right Jasmine

1112
01:08:55,600 --> 01:09:00,320
Speaker 1: in the village in Queens, Queens. I'm gonna pick you up. Sorry,

1113
01:09:00,320 --> 01:09:03,720
Speaker 1: pigau me a wife. He's looking for I'm looking for

1114
01:09:03,760 --> 01:09:06,760
Speaker 1: my Queen's st orbans. See this is what I'm talking about. Man,

1115
01:09:06,880 --> 01:09:11,240
Speaker 1: Niggas don't respect this part the nigga no matter a woman.

1116
01:09:13,600 --> 01:09:17,000
Speaker 1: Let's leave this. Listen. On the island, people used to

1117
01:09:17,080 --> 01:09:20,800
Speaker 1: be like queens, like you started something. So niggas from

1118
01:09:20,880 --> 01:09:25,360
Speaker 1: queens at that time on the island spit out razors

1119
01:09:25,840 --> 01:09:29,040
Speaker 1: and buck fifties. You might have originated buck fifties. I

1120
01:09:29,080 --> 01:09:31,080
Speaker 1: don't know if you knew that. I don't know if

1121
01:09:31,120 --> 01:09:37,519
Speaker 1: you knew that. But because queens, he's like everything murder,

1122
01:09:37,880 --> 01:09:39,760
Speaker 1: I do, I do mask. You don't care? This is?

1123
01:09:39,960 --> 01:09:42,760
Speaker 1: This is he's like my father, Like I mean, like,

1124
01:09:43,000 --> 01:09:45,439
Speaker 1: ain't you blame your father for everything? Don't we all? Yeah?

1125
01:09:45,479 --> 01:09:49,559
Speaker 1: Don't we all? Yeah? Don't we all? So? Um? All right,

1126
01:09:50,640 --> 01:09:53,080
Speaker 1: So when you heard hip hop started out an adult

1127
01:09:53,120 --> 01:09:55,720
Speaker 1: and you knew that, you knew that it didn't know.

1128
01:09:55,880 --> 01:09:58,400
Speaker 1: I knew Cool herd existed, I knew Bama, knew flies

1129
01:09:58,520 --> 01:10:01,200
Speaker 1: she exists that I didn't know them, but their names

1130
01:10:01,240 --> 01:10:05,040
Speaker 1: were in the hood crazy, So you knew she was fronting? Yeah, basically,

1131
01:10:05,040 --> 01:10:07,120
Speaker 1: well I knew he didn't know. I don't even know

1132
01:10:07,160 --> 01:10:14,840
Speaker 1: if he was fronting. It's just that because and he

1133
01:10:15,080 --> 01:10:19,400
Speaker 1: wrote about what he saw from his perspective, and so

1134
01:10:19,520 --> 01:10:22,240
Speaker 1: I went out to record South Bronx and and today

1135
01:10:22,320 --> 01:10:25,400
Speaker 1: it's to be scholarly correct hip hop starting the West Bronx.

1136
01:10:26,000 --> 01:10:28,120
Speaker 1: It never started the South Bronx. That was my next

1137
01:10:28,160 --> 01:10:33,880
Speaker 1: question ahead, this is the West Bronx, Coolheart Avenue, the Bronx. Okay,

1138
01:10:33,960 --> 01:10:38,559
Speaker 1: that's West Bronx. But we were so ghetto ignorant and

1139
01:10:38,680 --> 01:10:43,000
Speaker 1: gas to get on the record. We South Bronx, South

1140
01:10:43,040 --> 01:10:46,040
Speaker 1: South Bronx. Because that was one of my other history

1141
01:10:46,080 --> 01:10:48,680
Speaker 1: books was were people from the other part of the

1142
01:10:48,720 --> 01:10:52,360
Speaker 1: Bronx when they still chair Oh yeah, everybody North Bronx,

1143
01:10:52,360 --> 01:10:54,599
Speaker 1: East West was all from the South. Because even now,

1144
01:10:54,800 --> 01:10:57,559
Speaker 1: like when Biggie you hear you yeah, Biggie, or you

1145
01:10:57,640 --> 01:11:01,000
Speaker 1: hear um nah, somebody's out out the Bronx, they never

1146
01:11:01,080 --> 01:11:03,120
Speaker 1: say the Bronx. They say the South Bronx. And I

1147
01:11:03,160 --> 01:11:06,080
Speaker 1: always wondered when people from the other side, well they

1148
01:11:06,160 --> 01:11:08,640
Speaker 1: offended by that, Like it's just like Biggie shout it

1149
01:11:08,680 --> 01:11:12,519
Speaker 1: out on one record when God bless her dead. Obviously

1150
01:11:12,560 --> 01:11:14,639
Speaker 1: when Big was alive, he was like, yo, I shouted

1151
01:11:14,720 --> 01:11:16,880
Speaker 1: out Queen's Bridge, and I was like, I'm from Left Fract,

1152
01:11:17,520 --> 01:11:20,360
Speaker 1: Like I don't really get that, like, you're not shouting

1153
01:11:20,360 --> 01:11:23,719
Speaker 1: out the whole Queens when you shout out Queen's Bridge.

1154
01:11:23,800 --> 01:11:26,599
Speaker 1: Queen's Bridge is a ninety six building that you come

1155
01:11:26,600 --> 01:11:30,519
Speaker 1: over Manhattan, and that's just that section for people that's

1156
01:11:30,640 --> 01:11:33,960
Speaker 1: right next door to it. Ravers would a story of

1157
01:11:34,640 --> 01:11:38,080
Speaker 1: they don't recognize Queen's Bridge. We understand what you mean

1158
01:11:38,760 --> 01:11:41,120
Speaker 1: by shout out Queen's Bridge and thinking it's the whole

1159
01:11:41,160 --> 01:11:43,720
Speaker 1: Queen's but it's really not. So I always wanted it

1160
01:11:43,840 --> 01:11:47,000
Speaker 1: was that the opposite when you said South Bronx, um

1161
01:11:47,800 --> 01:11:49,760
Speaker 1: was people in the West Bronx. The Bronx took it

1162
01:11:49,800 --> 01:11:54,120
Speaker 1: differently because the Bronx wasn't on the map. Brooklyn was

1163
01:11:54,240 --> 01:11:56,040
Speaker 1: on the map. The Brooklyn is still on the map.

1164
01:11:57,360 --> 01:12:00,439
Speaker 1: Rules you could be in dues off journey. You say

1165
01:12:00,760 --> 01:12:07,920
Speaker 1: broken in the house, what the fly was? Okay, there

1166
01:12:08,000 --> 01:12:10,919
Speaker 1: was nobody was. There was a record called Go Brooklyn.

1167
01:12:10,920 --> 01:12:17,880
Speaker 1: I think that's the Sonic Mighty Mike Master somebody go Brooklyn, Brooklyn.

1168
01:12:18,479 --> 01:12:20,960
Speaker 1: That was it. That that was the club anthem. That's

1169
01:12:20,960 --> 01:12:22,559
Speaker 1: what we did. That's what it was. So when I

1170
01:12:22,600 --> 01:12:24,600
Speaker 1: came to South Bronk, yeah, that's what I want to

1171
01:12:24,600 --> 01:12:27,800
Speaker 1: go that's where the Bronx was on the map. And

1172
01:12:27,840 --> 01:12:31,640
Speaker 1: then I mentioned dudes that were heavy in the Bronx,

1173
01:12:31,760 --> 01:12:36,760
Speaker 1: you know, Nine Lives Crew, Cypress Boys, Real Rock. So

1174
01:12:36,800 --> 01:12:39,719
Speaker 1: what you're telling me is after you dropped the South Bronx,

1175
01:12:40,840 --> 01:12:44,160
Speaker 1: shan drop kill that noise, that's what made you drop

1176
01:12:44,200 --> 01:12:49,960
Speaker 1: Bridges Over. Yes, this is terrible. No. Never, First of all,

1177
01:12:49,960 --> 01:12:53,320
Speaker 1: I would have been over. It was horrible. This is terrible. Actually,

1178
01:12:53,360 --> 01:12:56,280
Speaker 1: you know what no let me tell you. When kill

1179
01:12:56,320 --> 01:12:59,000
Speaker 1: that noise came out, it was a hit. Was it

1180
01:12:59,439 --> 01:13:01,920
Speaker 1: was a hit. First of all. That be think of

1181
01:13:02,240 --> 01:13:07,000
Speaker 1: the Casey Sunshine band beat done. That was crazy. Think

1182
01:13:07,080 --> 01:13:11,040
Speaker 1: he even used it again. He used it the doo

1183
01:13:11,160 --> 01:13:16,560
Speaker 1: don't jun jun juno, don't don't don't don't, don't don't

1184
01:13:16,640 --> 01:13:20,680
Speaker 1: come that that that that was the case. When he

1185
01:13:20,840 --> 01:13:22,920
Speaker 1: knew that on it was hot. It was like, oh

1186
01:13:23,160 --> 01:13:27,280
Speaker 1: he came back. It wasn't It wasn't whacked until the

1187
01:13:27,360 --> 01:13:32,679
Speaker 1: Bridges Over came out. Marst Off, you're hurting my feelings.

1188
01:13:32,760 --> 01:13:35,320
Speaker 1: But I need to know how this happened. I need

1189
01:13:35,439 --> 01:13:39,479
Speaker 1: to know, like we all, because you're my favorite artist

1190
01:13:39,560 --> 01:13:44,200
Speaker 1: at the time. I'm a child, and you you broke

1191
01:13:44,320 --> 01:13:54,200
Speaker 1: my dreams like ruined ship with the murder people all around.

1192
01:13:54,200 --> 01:13:58,719
Speaker 1: The boy my whole life as good as it's because

1193
01:13:59,280 --> 01:14:05,840
Speaker 1: he's my god. You so how did this session? How

1194
01:14:05,880 --> 01:14:08,880
Speaker 1: did how did how did this? Because you said you

1195
01:14:09,000 --> 01:14:13,240
Speaker 1: originally recorded original version it was a reggae b no, no, no,

1196
01:14:13,320 --> 01:14:16,160
Speaker 1: I never recorded it, just I just said it in

1197
01:14:16,360 --> 01:14:21,080
Speaker 1: Scott's living room. He said, nah, wow, So you did

1198
01:14:21,120 --> 01:14:23,120
Speaker 1: the South Bronx. So did the South Bronx and the

1199
01:14:23,640 --> 01:14:26,560
Speaker 1: noise came out and did Now Scott got on the

1200
01:14:26,640 --> 01:14:30,120
Speaker 1: reggae when he heard the ps free when I did

1201
01:14:30,200 --> 01:14:32,920
Speaker 1: South Bronx and then the ps free on the other side.

1202
01:14:33,760 --> 01:14:39,000
Speaker 1: You know, um, when we used to do that in

1203
01:14:39,080 --> 01:14:43,320
Speaker 1: the club, that was the rock that that was the record.

1204
01:14:43,360 --> 01:14:45,760
Speaker 1: So Scott was like, what's up this reggae? Like what?

1205
01:14:46,080 --> 01:14:48,840
Speaker 1: He started getting on it. Now he was on it.

1206
01:14:49,360 --> 01:14:52,360
Speaker 1: But then Shan answered, us would kill that noise if

1207
01:14:52,400 --> 01:14:55,120
Speaker 1: you knew what I knew, you'd kill that noise. And

1208
01:14:55,200 --> 01:14:59,360
Speaker 1: the record was hot for it's time, and so we

1209
01:14:59,560 --> 01:15:01,639
Speaker 1: was like, you know what, we got this joint right here,

1210
01:15:01,920 --> 01:15:05,080
Speaker 1: and Scott didn't even was already recorded. No, it was

1211
01:15:05,160 --> 01:15:08,080
Speaker 1: all my record. Scott never recorded the bridges over he

1212
01:15:08,240 --> 01:15:10,920
Speaker 1: never even well. He came for the mix of the

1213
01:15:11,040 --> 01:15:15,160
Speaker 1: second one. But when when um, when Shan put out

1214
01:15:15,280 --> 01:15:19,479
Speaker 1: his record, I went back to said Gee from Ultra Magnetic,

1215
01:15:19,560 --> 01:15:23,719
Speaker 1: who who who was doing our beats? And he said,

1216
01:15:24,160 --> 01:15:26,840
Speaker 1: actually was sampling? He he was, He had the SP twelve.

1217
01:15:27,520 --> 01:15:30,439
Speaker 1: So I asked him, Yo, give me some drums. I'm

1218
01:15:30,439 --> 01:15:33,880
Speaker 1: gonna go in the studio up the block from Latin Quarters.

1219
01:15:33,920 --> 01:15:37,000
Speaker 1: I found some little rinky think studio like two blocks

1220
01:15:37,120 --> 01:15:39,760
Speaker 1: up and I said, Yo, Shan came out with this joint.

1221
01:15:39,800 --> 01:15:43,280
Speaker 1: I'm coming back. Went in there and I produced the

1222
01:15:43,360 --> 01:15:47,679
Speaker 1: whole records. I took said Gee's drums. Boom boom back back,

1223
01:15:47,960 --> 01:15:51,640
Speaker 1: boom back, boom boom back. That's the same beat we

1224
01:15:51,760 --> 01:15:55,200
Speaker 1: did on the bathroom wall and the shelter boom boom

1225
01:15:55,280 --> 01:15:58,360
Speaker 1: back back boom back. When and dudes just get it in.

1226
01:15:58,479 --> 01:16:01,000
Speaker 1: That was just the standard beat. So we did that.

1227
01:16:01,280 --> 01:16:03,760
Speaker 1: Put the super cat to it. Boom boom, boom blah

1228
01:16:03,760 --> 01:16:06,840
Speaker 1: boom bom. I played the piano one take one time

1229
01:16:07,200 --> 01:16:11,000
Speaker 1: you listen to the instrumental. That's the sloppiest playing ever.

1230
01:16:11,200 --> 01:16:14,960
Speaker 1: As errors mistakes, all types of shipping. But no one

1231
01:16:15,040 --> 01:16:18,240
Speaker 1: heard all that. Put my lyric down the Bridge is over.

1232
01:16:18,320 --> 01:16:22,120
Speaker 1: I did that ship strictly for Brooklyn, straight up Bronx,

1233
01:16:22,160 --> 01:16:25,880
Speaker 1: South Bronx. That was straight up Gunhill Road, straight up

1234
01:16:26,000 --> 01:16:30,559
Speaker 1: west Chester, Jamrong, Grand Concuse, that was straight that this one.

1235
01:16:30,920 --> 01:16:33,400
Speaker 1: We said, Yo, this is what Brooklyn is on right now,

1236
01:16:33,439 --> 01:16:38,000
Speaker 1: and nobody knows it. Nobody. Nobody goes to the jams like, well,

1237
01:16:38,040 --> 01:16:40,760
Speaker 1: actually what it's called the don side. The Dan's all.

1238
01:16:41,200 --> 01:16:43,120
Speaker 1: They don't go to that. We'd be it. We was

1239
01:16:43,479 --> 01:16:47,760
Speaker 1: in there with Stone Love and GT International and all

1240
01:16:47,840 --> 01:16:50,519
Speaker 1: of that. So when he was talking about battle and

1241
01:16:50,600 --> 01:16:52,479
Speaker 1: he was like, Yo, we're gonna battle the way they

1242
01:16:52,600 --> 01:16:56,479
Speaker 1: do in Jamaica. We're gonna spin the record back this up,

1243
01:16:57,000 --> 01:17:00,920
Speaker 1: gun shot we go and America's never hurt. They was like,

1244
01:17:01,080 --> 01:17:04,559
Speaker 1: what the fuck? The bridge is over? What did I buy?

1245
01:17:04,760 --> 01:17:06,600
Speaker 1: They didn't know what the fun that hurt? It was

1246
01:17:06,720 --> 01:17:11,599
Speaker 1: like it was that's what it was called sound. I'm

1247
01:17:11,640 --> 01:17:13,960
Speaker 1: not even from the Bridge, I'm just from Queens, but

1248
01:17:14,040 --> 01:17:17,240
Speaker 1: it still hurts. Scary. I'm gonna take a moment of silide.

1249
01:17:17,280 --> 01:17:22,679
Speaker 1: Take that moment, let's drink. So let's drink that chance

1250
01:17:23,120 --> 01:17:29,639
Speaker 1: sent opcially fund it out. So why did why did

1251
01:17:30,120 --> 01:17:34,640
Speaker 1: you even respond to sharing this Shan Shannon? Listen, let

1252
01:17:34,680 --> 01:17:37,680
Speaker 1: me just say, Shannon still a godfather, no doubt of

1253
01:17:37,920 --> 01:17:42,720
Speaker 1: Queen's Bridge of Queens, He's still a forefather. But this time,

1254
01:17:42,800 --> 01:17:47,240
Speaker 1: why did you respond, like Shan is the reason k

1255
01:17:47,439 --> 01:17:52,160
Speaker 1: arrest one has a career. Damn okay, this is to

1256
01:17:52,280 --> 01:17:56,519
Speaker 1: make some noise for that man. For second, in my opinion,

1257
01:17:57,000 --> 01:18:00,680
Speaker 1: the greatest battle on record, no doubt on record. To me,

1258
01:18:01,240 --> 01:18:04,200
Speaker 1: it was the greatest battle because it affected like it

1259
01:18:04,360 --> 01:18:06,320
Speaker 1: changed people with lives. Like right now, when I see

1260
01:18:06,320 --> 01:18:09,040
Speaker 1: people battle, they don't change people's lives. We just laugh

1261
01:18:09,120 --> 01:18:12,680
Speaker 1: at them. And you know, but this like Queens had

1262
01:18:12,720 --> 01:18:15,880
Speaker 1: to prove ourselves, like we had to like you know

1263
01:18:15,920 --> 01:18:19,120
Speaker 1: what I mean, like South Bronx was was was was

1264
01:18:19,240 --> 01:18:21,679
Speaker 1: the position where you had to dig out the rubble.

1265
01:18:24,200 --> 01:18:27,559
Speaker 1: I got the outside. It's gonna go away where he said,

1266
01:18:27,680 --> 01:18:30,599
Speaker 1: It's like Brooklyn has always been recognized. I can remember

1267
01:18:30,680 --> 01:18:33,600
Speaker 1: back and uh nineties seven. I used to go to

1268
01:18:33,680 --> 01:18:37,000
Speaker 1: Atlanta and be like, yo is Atlanta in the house

1269
01:18:37,080 --> 01:18:41,439
Speaker 1: and nobody from Atlanta what never you know say anything?

1270
01:18:41,600 --> 01:18:44,000
Speaker 1: And when I said New York in the house, people

1271
01:18:44,080 --> 01:18:46,280
Speaker 1: go crazy. And I would saying Brooklyn and were always

1272
01:18:46,360 --> 01:18:50,479
Speaker 1: my first choice Brooklyn and and these people won't go crazy.

1273
01:18:51,160 --> 01:18:53,439
Speaker 1: I'll see him. I would see him backstage. And but

1274
01:18:53,520 --> 01:18:57,080
Speaker 1: like you from Brooklyn, we're at that. But like Queens Boulevard,

1275
01:18:58,800 --> 01:19:02,800
Speaker 1: this motherfucker's a line and motherfucker. But you changed the

1276
01:19:03,000 --> 01:19:13,320
Speaker 1: game from that. And so Shan responded to recently, Yeah,

1277
01:19:14,200 --> 01:19:17,320
Speaker 1: why did he started? You started? He started it? Yeah?

1278
01:19:17,360 --> 01:19:20,800
Speaker 1: He just he did an interview. No no, no, no

1279
01:19:22,600 --> 01:19:25,200
Speaker 1: he didn't. Well wait he didn't do a record, No

1280
01:19:25,439 --> 01:19:29,160
Speaker 1: he did, he did, um he did. Uh wait wait,

1281
01:19:29,439 --> 01:19:32,760
Speaker 1: let me go back, just for the record. I was

1282
01:19:32,800 --> 01:19:37,720
Speaker 1: battling some other two in Pittsburgh recently. Yeah, maybe a

1283
01:19:38,400 --> 01:19:48,240
Speaker 1: three months up like Hill Chris, I would have got

1284
01:19:48,880 --> 01:19:51,160
Speaker 1: I mean, having eggs and bread in my fucking hand

1285
01:19:51,240 --> 01:19:57,160
Speaker 1: and ship on. But I give the young kids a

1286
01:19:57,280 --> 01:20:00,280
Speaker 1: run for their money. Man still got it. They got

1287
01:20:00,439 --> 01:20:04,679
Speaker 1: to test somebody. The young shooters got a little somebody.

1288
01:20:06,080 --> 01:20:08,360
Speaker 1: The young kids don't know my history. So don't tell him.

1289
01:20:09,080 --> 01:20:13,080
Speaker 1: Don't tell him because he spank that. But but they

1290
01:20:13,280 --> 01:20:15,160
Speaker 1: but but but the point is is that I was

1291
01:20:15,200 --> 01:20:17,280
Speaker 1: bounding some other someth dude jumped on stage. He was

1292
01:20:17,360 --> 01:20:20,200
Speaker 1: this and he was dressed like L holding l L's

1293
01:20:20,200 --> 01:20:25,040
Speaker 1: album album, and I was freestyling. I said some waxh

1294
01:20:25,080 --> 01:20:28,200
Speaker 1: it about l L. I apologized for that because l

1295
01:20:28,320 --> 01:20:31,680
Speaker 1: L is up here. You know, he's even before me.

1296
01:20:32,080 --> 01:20:35,200
Speaker 1: You know what I'm saying. There's no disrespect there. But

1297
01:20:35,360 --> 01:20:37,880
Speaker 1: I was battling, and the battle is for moment. He

1298
01:20:38,000 --> 01:20:39,800
Speaker 1: was like spurt. He held up l L's album. I

1299
01:20:39,880 --> 01:20:42,160
Speaker 1: was like, are you telling me some kids just jumped

1300
01:20:42,200 --> 01:20:47,200
Speaker 1: on stage? Yeah? Yeah, well just just jumped. So I

1301
01:20:47,240 --> 01:20:50,080
Speaker 1: gave him a shot. Why what you got? He spent

1302
01:20:50,200 --> 01:20:53,240
Speaker 1: his ship. It was corny, and so I started going

1303
01:20:53,280 --> 01:20:57,880
Speaker 1: away this Pittsburgh, Okay, you did say that. So in

1304
01:20:58,040 --> 01:21:01,639
Speaker 1: that he put up Sham this album and I said,

1305
01:21:01,720 --> 01:21:04,799
Speaker 1: we took Shan out already. What's your old this problem

1306
01:21:04,880 --> 01:21:09,559
Speaker 1: up for? Shann heard that and said, fucking man, Yeah,

1307
01:21:09,600 --> 01:21:13,000
Speaker 1: he never took me out this, that the other. Do

1308
01:21:13,080 --> 01:21:17,200
Speaker 1: you agree with his theory? His theory is that, yeah,

1309
01:21:17,280 --> 01:21:19,280
Speaker 1: should have been in front of each other like how

1310
01:21:19,360 --> 01:21:23,360
Speaker 1: the Battle Rappers do. Now do you agree with that theory? Yeah?

1311
01:21:23,920 --> 01:21:28,479
Speaker 1: He just never showed up. Dude. It's thirty years. It's

1312
01:21:28,560 --> 01:21:31,880
Speaker 1: thirty years the festival. I've been all up and down

1313
01:21:32,040 --> 01:21:43,000
Speaker 1: Queens okay in Queen's Friend, there's no excuse outdoor festivals,

1314
01:21:43,040 --> 01:21:46,960
Speaker 1: come on Summon Champ thirty years and now he wants

1315
01:21:47,000 --> 01:21:49,880
Speaker 1: to do it face to face. That would be the

1316
01:21:50,120 --> 01:21:51,760
Speaker 1: end of his ship. If you ever want to see

1317
01:21:51,800 --> 01:21:55,760
Speaker 1: him all that should will be destructive. I don't know

1318
01:21:55,880 --> 01:21:59,320
Speaker 1: what he's asking for, but you know, I eat off

1319
01:21:59,479 --> 01:22:02,200
Speaker 1: this ship, man, I this is my ship right here.

1320
01:22:02,360 --> 01:22:06,080
Speaker 1: You know, still have it in you? Like you right,

1321
01:22:08,720 --> 01:22:15,040
Speaker 1: I'm gonna shoot somebody. So you really were in the

1322
01:22:15,120 --> 01:22:18,920
Speaker 1: studio and recorded a new Well he came out with

1323
01:22:19,160 --> 01:22:22,240
Speaker 1: something he did. He did an interview and he said

1324
01:22:22,280 --> 01:22:24,800
Speaker 1: some rhymes on the interview that he's coming at me

1325
01:22:25,640 --> 01:22:27,960
Speaker 1: so well from you don't just say that's like pulling

1326
01:22:28,000 --> 01:22:30,880
Speaker 1: your gun and not shoot, like what you're gonna pull

1327
01:22:30,920 --> 01:22:33,680
Speaker 1: your ship out? I'm blasting you. That's sad, That's I'm

1328
01:22:33,760 --> 01:22:36,600
Speaker 1: not what that's the end of. So he said his

1329
01:22:36,720 --> 01:22:39,320
Speaker 1: little piece, So put a piece out. So what did

1330
01:22:39,360 --> 01:22:42,479
Speaker 1: he exactly say? He like, I'm freestyle a cappella. Yeah,

1331
01:22:42,600 --> 01:22:44,599
Speaker 1: but it sounds like it was written though it had

1332
01:22:44,680 --> 01:22:46,840
Speaker 1: no heart to it, like a real freestyle. He was

1333
01:22:46,920 --> 01:22:50,240
Speaker 1: reading some ship and he read some ship off and

1334
01:22:51,880 --> 01:22:54,200
Speaker 1: and I just so fu Yeah, I'm going to Atlanta.

1335
01:22:54,960 --> 01:22:58,360
Speaker 1: I'm going to Atlanta. That's what, dude? Is that? That's what? Yeah,

1336
01:22:58,439 --> 01:23:03,000
Speaker 1: Shan working, sham working a place called Club Babes in Atlanta. Okay,

1337
01:23:03,040 --> 01:23:06,240
Speaker 1: I'm going there. Okay, that's why I don't know what

1338
01:23:06,360 --> 01:23:12,160
Speaker 1: I just started. Come on, you want to see it.

1339
01:23:12,240 --> 01:23:16,439
Speaker 1: Let's get it popping so you will be willing drink champs.

1340
01:23:16,479 --> 01:23:18,760
Speaker 1: I think this is an opportunity for us, right, No, no, no, no,

1341
01:23:19,240 --> 01:23:21,360
Speaker 1: I don't want it to do with this battle. I

1342
01:23:21,479 --> 01:23:27,080
Speaker 1: just want to see it online. Queens, man, I don't

1343
01:23:27,120 --> 01:23:30,680
Speaker 1: really want to see this battle, can you? Is there

1344
01:23:30,680 --> 01:23:35,600
Speaker 1: anyway we can chill you out or no? Not? What? What?

1345
01:23:35,800 --> 01:23:38,280
Speaker 1: What did they say that ignited you to want to go?

1346
01:23:38,520 --> 01:23:41,519
Speaker 1: It's not what it's being said. It's so it's the

1347
01:23:41,640 --> 01:23:47,160
Speaker 1: audacity to even think that, after thirty years you you

1348
01:23:47,439 --> 01:23:51,240
Speaker 1: got something for me. You are crazy. You obviously want

1349
01:23:51,320 --> 01:23:54,280
Speaker 1: more hits on your ship or whatever it is. Let

1350
01:23:54,360 --> 01:23:55,840
Speaker 1: me give them to you, Let me give it to you.

1351
01:23:56,280 --> 01:23:58,040
Speaker 1: Let let me blick you up. Because again, let me

1352
01:23:58,080 --> 01:24:01,639
Speaker 1: also say this, if Shan never answered me, I would

1353
01:24:01,680 --> 01:24:05,720
Speaker 1: not have a career. Okay from the South, bron from

1354
01:24:05,760 --> 01:24:08,920
Speaker 1: the South, Bronx. Okay, that record could have been one hit,

1355
01:24:09,320 --> 01:24:11,280
Speaker 1: Like if South Broncy came out, we would have had

1356
01:24:11,439 --> 01:24:17,240
Speaker 1: one hit. Okay, we had no other shot. Shannon answered,

1357
01:24:17,280 --> 01:24:19,439
Speaker 1: would kill that noise, and then he never He didn't

1358
01:24:19,479 --> 01:24:22,479
Speaker 1: have to. So we came back with the Bridges over

1359
01:24:22,520 --> 01:24:24,000
Speaker 1: and that's when we was able to follow up with

1360
01:24:24,120 --> 01:24:27,400
Speaker 1: Criminal Minded. We had four songs on the market. Now,

1361
01:24:27,760 --> 01:24:29,960
Speaker 1: Shannon is the reason I exist, or the least I

1362
01:24:30,120 --> 01:24:34,640
Speaker 1: could do. His bust his ask, that's the least I

1363
01:24:34,840 --> 01:24:37,040
Speaker 1: can do. You know what I'm saying, Show him that

1364
01:24:38,000 --> 01:24:41,360
Speaker 1: and hopefully I said, Yo, somebody should write for Chancey.

1365
01:24:41,479 --> 01:24:46,280
Speaker 1: Back to your first question, back to the first ones.

1366
01:24:46,600 --> 01:24:49,640
Speaker 1: I see if someone wrote for Shan, I would not

1367
01:24:49,840 --> 01:24:53,960
Speaker 1: be mad at all. Fuck that man saved that nigga man. Please,

1368
01:24:54,479 --> 01:24:56,479
Speaker 1: so you kept saying to him, you told you told

1369
01:24:56,560 --> 01:25:02,360
Speaker 1: him his name is Nah spelled backwards your father. It's

1370
01:25:02,400 --> 01:25:05,120
Speaker 1: the opposite, yo, Yo, Let me pick up my nigga

1371
01:25:05,200 --> 01:25:14,200
Speaker 1: nos real quickly, because you said, look at the Queen's

1372
01:25:14,280 --> 01:25:18,560
Speaker 1: Bridge was done until Ill Mattic came out. Okay, just

1373
01:25:18,720 --> 01:25:22,439
Speaker 1: for the history, Okay, Queensbridge was criminal Minded? Was was

1374
01:25:22,560 --> 01:25:26,200
Speaker 1: the ship on that ship? That was it? Okay, I

1375
01:25:26,320 --> 01:25:31,599
Speaker 1: think Illmatic was better than Criminal Minded. That's my opinion.

1376
01:25:32,600 --> 01:25:37,400
Speaker 1: Um um. Me being a queen's kid, I can't understand

1377
01:25:37,400 --> 01:25:40,599
Speaker 1: where you're coming from. But me living in that era,

1378
01:25:41,960 --> 01:25:45,080
Speaker 1: I gotta say criminal Minded. If it wasn't a criminal Minded,

1379
01:25:45,160 --> 01:25:47,479
Speaker 1: it wouldn't be a matter. We could say that, no doubt,

1380
01:25:47,560 --> 01:25:49,720
Speaker 1: no doubt. We could say that, so we can say

1381
01:25:49,760 --> 01:25:51,400
Speaker 1: I'm a real hip hop ki. No no no no

1382
01:25:51,479 --> 01:25:57,640
Speaker 1: no we tried no no no no no no. You

1383
01:25:58,160 --> 01:26:01,160
Speaker 1: real with it. You influenced eyes too. But you know what,

1384
01:26:01,360 --> 01:26:03,760
Speaker 1: you know what you are starting right now. Whoever is

1385
01:26:03,800 --> 01:26:06,519
Speaker 1: listening to us right now, go and listen to both

1386
01:26:06,600 --> 01:26:09,240
Speaker 1: albums right now, back to back, back to back. Listen

1387
01:26:09,280 --> 01:26:12,320
Speaker 1: to the whole Criminal Minded, and listen to the whole Illmatic.

1388
01:26:12,479 --> 01:26:17,240
Speaker 1: I did that this morning. That's the creaz Listen. Listen, listen.

1389
01:26:17,320 --> 01:26:20,360
Speaker 1: You know that's Criminal Mind is one of my favorite albums.

1390
01:26:20,400 --> 01:26:22,640
Speaker 1: I just it's two records. I can't really listen to it,

1391
01:26:23,640 --> 01:26:27,960
Speaker 1: but I listened to them. But this morning I just

1392
01:26:28,120 --> 01:26:29,760
Speaker 1: woke up and I was like, I wanted to listen

1393
01:26:29,840 --> 01:26:33,120
Speaker 1: to Illmatic. I don't know why, and I just listened

1394
01:26:33,120 --> 01:26:36,080
Speaker 1: to it. And then I listen to criminal another mind

1395
01:26:36,920 --> 01:26:40,439
Speaker 1: if you want to switch the champagne you know so,

1396
01:26:40,760 --> 01:26:43,360
Speaker 1: um so I understand what you're saying. But me living

1397
01:26:43,400 --> 01:26:46,280
Speaker 1: in that era, that's um. I can one hundred since

1398
01:26:46,360 --> 01:26:48,960
Speaker 1: tell you nas what answer the question the same way.

1399
01:26:49,160 --> 01:26:51,080
Speaker 1: He'll be like, if it wasn't for a criminal minded,

1400
01:26:51,439 --> 01:26:53,760
Speaker 1: he wouldn't know because you made us step our game up.

1401
01:26:54,360 --> 01:26:56,519
Speaker 1: You know what, but that game, but that game got

1402
01:26:56,600 --> 01:26:59,640
Speaker 1: stepped up to the point where hip hop changed. But

1403
01:27:00,040 --> 01:27:01,880
Speaker 1: change hip hop too, just in case, because you don't

1404
01:27:01,880 --> 01:27:05,320
Speaker 1: know you and you humble, but you changed hip hop.

1405
01:27:05,800 --> 01:27:08,280
Speaker 1: You You was the first person you was. You was

1406
01:27:08,360 --> 01:27:11,800
Speaker 1: our Malcolm X. Let me break that down to you.

1407
01:27:12,479 --> 01:27:15,519
Speaker 1: It is because hip hop had took up like the

1408
01:27:15,640 --> 01:27:22,200
Speaker 1: p M Dawns, and it took up Hey, we're cool approach,

1409
01:27:22,640 --> 01:27:25,679
Speaker 1: but we wanted to keep that attitude. But we also

1410
01:27:25,760 --> 01:27:28,840
Speaker 1: wanted to learn something and that's the position you fulfilled.

1411
01:27:29,160 --> 01:27:31,719
Speaker 1: That's why, that's why your your name as a teacher

1412
01:27:31,800 --> 01:27:35,840
Speaker 1: would never be testing at all. No one could ever

1413
01:27:35,920 --> 01:27:39,280
Speaker 1: say he's not a teacher because you taught us the

1414
01:27:39,400 --> 01:27:43,000
Speaker 1: woof Tangs, the mob deeps, the Bona Noriega's the Nazis.

1415
01:27:43,600 --> 01:27:46,479
Speaker 1: So I can't agree with your statement. I know your

1416
01:27:46,520 --> 01:27:49,560
Speaker 1: statement is humble, saying that all Maddock is better, but

1417
01:27:49,960 --> 01:27:53,760
Speaker 1: I think it is beat for beat. No, but that's not.

1418
01:27:56,320 --> 01:28:00,439
Speaker 1: But that's not how history happened. Because how history happens

1419
01:28:00,560 --> 01:28:03,720
Speaker 1: is they say, you know this happened in order for this.

1420
01:28:04,840 --> 01:28:07,080
Speaker 1: I hear that. So that wait, when I was coming

1421
01:28:07,080 --> 01:28:10,360
Speaker 1: from a different perspective. We're talking about respect. We talk

1422
01:28:10,400 --> 01:28:13,600
Speaker 1: about yeah, you're a great guy, a great guy. We

1423
01:28:13,800 --> 01:28:17,439
Speaker 1: understand when you're wait, wait get it. How else was

1424
01:28:17,560 --> 01:28:23,200
Speaker 1: Queen's been supposed to come back? But now nothing out? Now,

1425
01:28:23,360 --> 01:28:26,439
Speaker 1: let's answer Shan's question. Because I listened to the interview.

1426
01:28:27,360 --> 01:28:32,200
Speaker 1: Shan is also a guard to me. He said that

1427
01:28:32,960 --> 01:28:36,040
Speaker 1: Molly told him not to respond. What do you think

1428
01:28:36,080 --> 01:28:41,280
Speaker 1: of that? That's pussy, That's that's pussy. It was right

1429
01:28:41,560 --> 01:28:46,519
Speaker 1: for him. I wanted him to think that that's pussy. Man,

1430
01:28:47,000 --> 01:28:55,040
Speaker 1: my god, oh my god. Now that's grown ass. Man

1431
01:28:55,160 --> 01:28:57,160
Speaker 1: gonna tell you not to response. We're eating your ass

1432
01:28:57,360 --> 01:29:03,040
Speaker 1: right now, nig somebody don't respond and ship right. Oh man,

1433
01:29:03,920 --> 01:29:18,479
Speaker 1: this is real for me, this is so surreal. Welcome

1434
01:29:18,560 --> 01:29:21,560
Speaker 1: to Play It, a new podcast network featuring radio and

1435
01:29:21,600 --> 01:29:26,200
Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play

1436
01:29:26,280 --> 01:29:30,719
Speaker 1: it at play dot It. We're back to Drink Champs

1437
01:29:30,840 --> 01:29:36,640
Speaker 1: Radio with Rapper and R and d Jes. Then I

1438
01:29:36,680 --> 01:29:39,719
Speaker 1: don't even know where to go here if we're gonna

1439
01:29:39,720 --> 01:29:44,040
Speaker 1: wrap this up before here, before we wrap this up,

1440
01:29:44,280 --> 01:29:46,800
Speaker 1: I'm the only Miami represented here, right, Yes, So it

1441
01:29:46,800 --> 01:29:49,479
Speaker 1: wouldn't be right for you to walk away without me

1442
01:29:49,560 --> 01:29:53,559
Speaker 1: to represent my generation of Miami hip hop. And when

1443
01:29:53,600 --> 01:29:57,120
Speaker 1: you recorded with Mother Superior this album, didn't really see

1444
01:29:57,160 --> 01:30:01,000
Speaker 1: the letter. This is your usually lie. Mother Superior. Mother

1445
01:30:01,000 --> 01:30:04,840
Speaker 1: Superior is this dope m C that came out of

1446
01:30:04,880 --> 01:30:08,240
Speaker 1: Miami in the mid nineties early mid nineties, and she

1447
01:30:08,600 --> 01:30:11,639
Speaker 1: was spearheading our movement. I mean, there was those funky Bastards,

1448
01:30:11,720 --> 01:30:14,840
Speaker 1: there was Society, Home Team, there was there was We

1449
01:30:14,960 --> 01:30:17,360
Speaker 1: had a bubble of movement that was parallel to the

1450
01:30:17,400 --> 01:30:20,439
Speaker 1: base movement based, no doubt is a part of our

1451
01:30:20,640 --> 01:30:23,960
Speaker 1: Miami culture, but we had we had a hip hop

1452
01:30:24,000 --> 01:30:25,840
Speaker 1: and the way you guys were talking about how everybody

1453
01:30:25,920 --> 01:30:28,160
Speaker 1: was talking about the Brooklyn, the Bronx or whatever in

1454
01:30:28,280 --> 01:30:31,599
Speaker 1: the clubs, we had that problem here. So what we're

1455
01:30:31,640 --> 01:30:35,519
Speaker 1: trying to do is build our own identity. He did

1456
01:30:35,560 --> 01:30:39,200
Speaker 1: a record, so she did this album she got signed

1457
01:30:39,240 --> 01:30:43,519
Speaker 1: the Island Music she you know, strictly off of underground radio.

1458
01:30:44,560 --> 01:30:47,759
Speaker 1: She did a song called rock Bottom, which was totally

1459
01:30:47,800 --> 01:30:51,439
Speaker 1: representative of Miami. And then he did a record with her,

1460
01:30:51,880 --> 01:30:54,479
Speaker 1: maybe a couple, but this one record I put on

1461
01:30:54,520 --> 01:30:56,320
Speaker 1: one of my mixtapes, but her album never came out

1462
01:30:56,360 --> 01:30:59,360
Speaker 1: and got shelved. And he said, where you at? Where

1463
01:30:59,400 --> 01:31:03,400
Speaker 1: you at? Miami's on the map. I remember that, and

1464
01:31:03,439 --> 01:31:06,599
Speaker 1: then you remembers everything that made that made the world

1465
01:31:06,720 --> 01:31:11,600
Speaker 1: of difference for a Miami hip hop kid. And I

1466
01:31:11,720 --> 01:31:13,800
Speaker 1: just you couldn't leave without me telling you that because

1467
01:31:13,800 --> 01:31:15,360
Speaker 1: it made the world a difference for all of us

1468
01:31:15,400 --> 01:31:21,000
Speaker 1: out here that I felt shot out some other superior,

1469
01:31:21,600 --> 01:31:28,000
Speaker 1: superior she was. She was hot man stone words. Peter

1470
01:31:28,320 --> 01:31:31,800
Speaker 1: got question, where was your mind that when you made

1471
01:31:31,840 --> 01:31:34,800
Speaker 1: the sound of the Police? I was sick of these

1472
01:31:34,920 --> 01:31:37,760
Speaker 1: pigs man shooting us down in the street. And it's

1473
01:31:37,800 --> 01:31:40,559
Speaker 1: still going on still, what it was going on since

1474
01:31:40,880 --> 01:31:42,880
Speaker 1: we got here? So what was the sound of? What

1475
01:31:43,280 --> 01:31:50,680
Speaker 1: year was that? Technical? Damn this and were now one

1476
01:31:50,760 --> 01:31:54,519
Speaker 1: years and you made that record then? Yeah, and it's

1477
01:31:54,560 --> 01:31:57,360
Speaker 1: still going on now still to this tape, Little n

1478
01:31:57,560 --> 01:32:00,360
Speaker 1: W A man the police? What was. Yeah, it was

1479
01:32:00,680 --> 01:32:06,080
Speaker 1: the police that And see, this is the thing is

1480
01:32:06,560 --> 01:32:13,320
Speaker 1: that people say, you know, black people are overdoing it.

1481
01:32:14,120 --> 01:32:19,200
Speaker 1: We have documents, records that says that these people was

1482
01:32:19,280 --> 01:32:21,800
Speaker 1: doing it. So I just like to say, what was

1483
01:32:21,840 --> 01:32:24,040
Speaker 1: the mind state you woke this in the South Bronx.

1484
01:32:24,920 --> 01:32:28,479
Speaker 1: Well keep in mind that. Wow. I don't even know

1485
01:32:28,560 --> 01:32:34,680
Speaker 1: how to say this, but um, in the Bronx. Uh,

1486
01:32:35,760 --> 01:32:40,439
Speaker 1: if you was really successful with you'll hustle in the hood,

1487
01:32:41,320 --> 01:32:46,639
Speaker 1: the cops was your friends. It was Larry Davis. Yeah,

1488
01:32:47,040 --> 01:32:49,720
Speaker 1: you were. Larry Davis was right on our block like

1489
01:32:49,920 --> 01:32:52,280
Speaker 1: Webster Project. He was up the block from Webster Project.

1490
01:32:52,360 --> 01:32:56,320
Speaker 1: The whole thing went down. Um, the cops was like

1491
01:32:56,960 --> 01:33:01,200
Speaker 1: they were gangster like. It's like, oh boom, okay, to

1492
01:33:01,280 --> 01:33:04,880
Speaker 1: speed this up. Training day, the movie training day. That

1493
01:33:05,760 --> 01:33:09,000
Speaker 1: ship is every day all day. Okay, just go out

1494
01:33:09,080 --> 01:33:11,680
Speaker 1: training day and you'll know what it is. It's just

1495
01:33:11,960 --> 01:33:16,560
Speaker 1: this was another gang with another jurisdiction. And then and

1496
01:33:16,680 --> 01:33:18,200
Speaker 1: this is what we was dealing with. So if you

1497
01:33:18,280 --> 01:33:21,240
Speaker 1: remember in Bookie Down Productions, we had to we had

1498
01:33:21,320 --> 01:33:24,559
Speaker 1: to do called RoboCop that was with us and there

1499
01:33:24,560 --> 01:33:29,080
Speaker 1: were two of them. One was um A Bounced was

1500
01:33:29,200 --> 01:33:33,479
Speaker 1: the lead bouncer at Latin Quarters who is known for

1501
01:33:33,680 --> 01:33:37,720
Speaker 1: breaking dudes up in Latin Call. He had a reputation.

1502
01:33:38,320 --> 01:33:41,960
Speaker 1: You didn't want to deal with this dude, okay. And

1503
01:33:42,160 --> 01:33:46,479
Speaker 1: there was another dude, uh that was a state trooper,

1504
01:33:46,600 --> 01:33:50,519
Speaker 1: New Jersey State trooper. Um when I'm posting on the

1505
01:33:50,760 --> 01:33:54,960
Speaker 1: going to cover biomies necessary with the oozy the ouziest

1506
01:33:55,000 --> 01:34:03,360
Speaker 1: from a New Jersey state trooper. Remember the studio jet shopper.

1507
01:34:03,640 --> 01:34:05,840
Speaker 1: I didn't look at I didn't look as cool as you.

1508
01:34:06,600 --> 01:34:08,559
Speaker 1: That was from New Jersey said she was so weird.

1509
01:34:08,680 --> 01:34:11,200
Speaker 1: Austin it was like it got to a point where

1510
01:34:11,200 --> 01:34:14,280
Speaker 1: he was like, you know what, we we can't associate

1511
01:34:14,479 --> 01:34:17,960
Speaker 1: with you anymore because of what was going on. It

1512
01:34:18,120 --> 01:34:20,960
Speaker 1: was a split like in our own community, because like

1513
01:34:21,560 --> 01:34:23,880
Speaker 1: if you're really in the hood, like like you could

1514
01:34:23,920 --> 01:34:27,760
Speaker 1: be selling mad drugs, but your brother's a cop, Like

1515
01:34:27,960 --> 01:34:32,160
Speaker 1: your cousin's a cop, your uncle's a cop. Like you know,

1516
01:34:32,280 --> 01:34:34,960
Speaker 1: it's not just oh, I'm a cop and everybody around

1517
01:34:35,080 --> 01:34:39,280
Speaker 1: me is clean. It's the exact opposite. Dudes, did the

1518
01:34:39,439 --> 01:34:44,000
Speaker 1: cops even today they gotta live with people like like,

1519
01:34:44,120 --> 01:34:46,920
Speaker 1: imagine you a cop and every day you see crime

1520
01:34:47,080 --> 01:34:49,599
Speaker 1: all around you every day, but you can just pick. Okay,

1521
01:34:49,640 --> 01:34:51,920
Speaker 1: I'm gonna arrestue today. How did you come up with

1522
01:34:51,960 --> 01:34:56,160
Speaker 1: an analogy from officer overseas? But that's that's some ot

1523
01:34:56,160 --> 01:34:58,960
Speaker 1: ship because when we when we were first and we

1524
01:34:59,040 --> 01:35:02,400
Speaker 1: were first brought here uh not as slaves but really

1525
01:35:02,479 --> 01:35:07,040
Speaker 1: as soldiers on the Spanish side, um uh and and

1526
01:35:07,160 --> 01:35:10,760
Speaker 1: then slaves on the English side. Although that's controversial too,

1527
01:35:11,520 --> 01:35:17,680
Speaker 1: but yo, yo, hit yo, yo, we're gonna get your

1528
01:35:17,720 --> 01:35:19,720
Speaker 1: new phone cameras. No, I need that when I need

1529
01:35:19,800 --> 01:35:24,720
Speaker 1: that ship, I need that. My ship is eighty can't

1530
01:35:24,760 --> 01:35:27,960
Speaker 1: do that. I'm bringing that ship back. I'm personally buying you.

1531
01:35:28,080 --> 01:35:34,400
Speaker 1: I gotta beeper nickels. I got no word. I'll say, y'all,

1532
01:35:35,000 --> 01:35:45,439
Speaker 1: I bring my ship IOUs serious, I gotta beat hold

1533
01:35:45,520 --> 01:35:50,720
Speaker 1: my beeper man, bring beepers back that yo. That yo.

1534
01:35:51,040 --> 01:35:53,200
Speaker 1: You want to get dream, you gotta beat us. Yeah,

1535
01:35:53,240 --> 01:35:58,240
Speaker 1: you gotta beat us. I'm personally buying caress the world. Okay, okay, okay, okay,

1536
01:35:58,600 --> 01:36:01,559
Speaker 1: So you remember you're talking about because you can forget

1537
01:36:01,600 --> 01:36:06,840
Speaker 1: it and um yeah I did. Yeah, that's okay. Listen,

1538
01:36:06,960 --> 01:36:09,800
Speaker 1: we wanted to take the community, oh, cops in the

1539
01:36:09,880 --> 01:36:14,880
Speaker 1: community that's right, signing the police. So the cops is

1540
01:36:14,920 --> 01:36:17,439
Speaker 1: always your friends in the hood, which is the weirdest

1541
01:36:17,520 --> 01:36:21,240
Speaker 1: ship because when you really in the hood, cops ain't

1542
01:36:21,320 --> 01:36:24,560
Speaker 1: arresting you, ain't shooting you. He's a bitch, instead of

1543
01:36:24,640 --> 01:36:29,080
Speaker 1: shooting at us. Motherfucker's that ain't no real ship. That's

1544
01:36:29,160 --> 01:36:32,839
Speaker 1: some bullshit. Okay, that's that's scared. They said, we're scared.

1545
01:36:33,800 --> 01:36:37,760
Speaker 1: That's what we shoot because we're scared. Real cops. They

1546
01:36:37,880 --> 01:36:44,400
Speaker 1: know exactly who's selling who they hit the d A. Yo,

1547
01:36:44,560 --> 01:36:49,000
Speaker 1: go watch training day the d A. Go ahead, this

1548
01:36:49,240 --> 01:36:54,240
Speaker 1: dude to this one. I say all the time when

1549
01:36:54,360 --> 01:36:58,479
Speaker 1: we have police brutality, is when they stopped letting the

1550
01:36:58,680 --> 01:37:02,519
Speaker 1: cops from the hood go to hud because you know,

1551
01:37:02,840 --> 01:37:05,200
Speaker 1: you know what you call it from down the block.

1552
01:37:05,520 --> 01:37:08,120
Speaker 1: He went to school with him. You know he's a thief.

1553
01:37:08,600 --> 01:37:11,280
Speaker 1: You don't need to kill him. But when what happened

1554
01:37:11,400 --> 01:37:13,720
Speaker 1: is they take the cops from our hood and they

1555
01:37:13,840 --> 01:37:16,720
Speaker 1: bring them to another place, and then they bring the

1556
01:37:16,800 --> 01:37:21,360
Speaker 1: cops from another place, and that's the borderline. That's that's

1557
01:37:21,560 --> 01:37:25,519
Speaker 1: that's one of the essential reasons why police brutality exists,

1558
01:37:25,560 --> 01:37:30,400
Speaker 1: because if you had Jamal that that's from sound View project,

1559
01:37:30,520 --> 01:37:33,880
Speaker 1: and that went to school and sound View, and then

1560
01:37:33,920 --> 01:37:37,559
Speaker 1: that was patrolling sound View. He's gonna be different as

1561
01:37:37,640 --> 01:37:42,639
Speaker 1: opposed to as a Paul to Walter, who's from wherever wherever,

1562
01:37:42,880 --> 01:37:45,560
Speaker 1: but now he's patrolling sound View. He's never seen a

1563
01:37:45,720 --> 01:37:49,120
Speaker 1: kid with braids. He's never seen a kid either by

1564
01:37:49,200 --> 01:37:55,519
Speaker 1: since I see so he's gonna just do whatever this woman.

1565
01:37:56,120 --> 01:38:01,560
Speaker 1: This add on. The police are supposed to be the

1566
01:38:01,800 --> 01:38:05,040
Speaker 1: model citizen in the community, no matter who you are,

1567
01:38:05,680 --> 01:38:08,880
Speaker 1: white cop, black cop, Latino cop, Asian cop, Arab cop.

1568
01:38:08,920 --> 01:38:11,880
Speaker 1: I'm gonna funk who you are. You take you take

1569
01:38:12,160 --> 01:38:16,240
Speaker 1: police training. You're supposed to be the model citizens. You

1570
01:38:16,280 --> 01:38:20,439
Speaker 1: should have the most restraint. Okay. Kids are looking at you.

1571
01:38:20,560 --> 01:38:23,679
Speaker 1: They should be able to look at you and be like, yo, dad,

1572
01:38:23,760 --> 01:38:26,280
Speaker 1: I want to be a cop, and your dad be like, yo,

1573
01:38:26,360 --> 01:38:28,599
Speaker 1: you gotta really be a good man to be a cop.

1574
01:38:29,120 --> 01:38:31,880
Speaker 1: And that that's what it's supposed to be. But our

1575
01:38:32,280 --> 01:38:38,719
Speaker 1: children forget adults. Okay, children know the cops are corrupt. Okay,

1576
01:38:38,920 --> 01:38:42,040
Speaker 1: that's the state we are, right, Kids, not forget the adults.

1577
01:38:43,160 --> 01:38:46,280
Speaker 1: Kids know I'm not safe around this duo. I'd rather

1578
01:38:46,400 --> 01:38:49,040
Speaker 1: be around my shooters over here with the rag on

1579
01:38:49,160 --> 01:38:53,360
Speaker 1: the here, I'm safe around crips and blood. I rather hot.

1580
01:38:53,520 --> 01:38:56,479
Speaker 1: You know, I'm even gonna say that ship. I'm just

1581
01:38:56,600 --> 01:39:00,879
Speaker 1: saying I rather higher them, which we do as opposed

1582
01:39:00,920 --> 01:39:04,559
Speaker 1: to some some off duty cops. Years ago, we used

1583
01:39:04,600 --> 01:39:09,200
Speaker 1: to hire off duty cops x FBI. These dudes need jobs.

1584
01:39:09,280 --> 01:39:10,840
Speaker 1: You just go ahead and you hire them for and

1585
01:39:10,920 --> 01:39:13,240
Speaker 1: now you give them some money. You're doing your country

1586
01:39:13,360 --> 01:39:16,280
Speaker 1: or service. These are veterans, and ship, do you do

1587
01:39:16,479 --> 01:39:20,160
Speaker 1: your thing now? It's like, nah, man, let me organize

1588
01:39:20,200 --> 01:39:23,599
Speaker 1: these blogs over here. Hit them with some money because

1589
01:39:24,240 --> 01:39:27,040
Speaker 1: on the street for let me hit them with some cash.

1590
01:39:27,080 --> 01:39:29,960
Speaker 1: And y'all God, y'all can stand in. Just do what

1591
01:39:30,080 --> 01:39:32,120
Speaker 1: you're supposed to do and get organized. I'd rather hire

1592
01:39:32,160 --> 01:39:35,120
Speaker 1: them as long as we know that we're not safe

1593
01:39:35,160 --> 01:39:37,640
Speaker 1: around the police. This whole ship is corrupt and let

1594
01:39:37,680 --> 01:39:40,640
Speaker 1: me show you this. I want some Illuminati ship if

1595
01:39:40,680 --> 01:39:46,120
Speaker 1: you really want to know. Years ago, like eighty two,

1596
01:39:47,439 --> 01:39:51,439
Speaker 1: there was a supposedly a conspiracy theory going around about

1597
01:39:51,520 --> 01:39:57,240
Speaker 1: eighty three. It said that the new World Order is

1598
01:39:57,320 --> 01:40:02,559
Speaker 1: going to include a global police force, and the way

1599
01:40:02,680 --> 01:40:07,799
Speaker 1: to implement the global police force was for local police

1600
01:40:08,200 --> 01:40:12,280
Speaker 1: to become so hated by the local community that the

1601
01:40:12,479 --> 01:40:19,439
Speaker 1: local communities cry out for international interference. So now you

1602
01:40:19,600 --> 01:40:24,519
Speaker 1: have these cops today randomly just shooting down black people,

1603
01:40:24,640 --> 01:40:28,720
Speaker 1: just shooting and it's stupid. It's like, it's ridiculous. Now

1604
01:40:28,840 --> 01:40:32,920
Speaker 1: the rest of the world's saying, Yo, what's something with America?

1605
01:40:33,720 --> 01:40:35,800
Speaker 1: What's what's something? Do you go to other places? You know?

1606
01:40:35,920 --> 01:40:37,840
Speaker 1: Nor are you go to places? Dudes looking at us

1607
01:40:37,920 --> 01:40:40,479
Speaker 1: like wait, crazy, like you know what's going on? Got

1608
01:40:40,520 --> 01:40:43,200
Speaker 1: Africans asked me, you old bro, what's something? Man of

1609
01:40:43,280 --> 01:40:45,880
Speaker 1: black man? Sometimes you land in these different countries, they'd

1610
01:40:45,880 --> 01:40:52,880
Speaker 1: be like welcome, like you're here, like you survived. And dudes,

1611
01:40:53,040 --> 01:40:56,320
Speaker 1: you think that's because because became president it got worse

1612
01:40:56,600 --> 01:41:01,320
Speaker 1: or no no, you're saying yeah, no, no, no, no,

1613
01:41:01,560 --> 01:41:02,840
Speaker 1: you know what he got to do, and he got

1614
01:41:02,880 --> 01:41:05,320
Speaker 1: a lot of factors in it. First of all, people

1615
01:41:05,600 --> 01:41:09,640
Speaker 1: want black people in jail. Okay, people making money on it.

1616
01:41:09,760 --> 01:41:13,200
Speaker 1: Black people are making money on black people in jail. Okay.

1617
01:41:13,640 --> 01:41:17,880
Speaker 1: This black d a sending business Like, don't doubt this

1618
01:41:18,080 --> 01:41:21,040
Speaker 1: black d a sending black people a prison. Black judges

1619
01:41:21,080 --> 01:41:23,880
Speaker 1: are sending black people to prison. Black cops are sending

1620
01:41:23,920 --> 01:41:28,200
Speaker 1: black people, black cops, black stop shooting black beebo. We

1621
01:41:28,320 --> 01:41:32,920
Speaker 1: y'all gonna drop, I got you, you know. So it's

1622
01:41:33,000 --> 01:41:37,679
Speaker 1: like it's like, are we really at war with any

1623
01:41:37,720 --> 01:41:40,479
Speaker 1: outside for us? So we all with ourselves? Are we

1624
01:41:40,920 --> 01:41:43,599
Speaker 1: just going along with the script that they have planned

1625
01:41:43,680 --> 01:41:47,320
Speaker 1: for us? And it's like straight up and down. They

1626
01:41:47,439 --> 01:41:50,000
Speaker 1: just had Tyler Quality was just with me the other day.

1627
01:41:50,520 --> 01:41:57,920
Speaker 1: He came over. So he just told me he just

1628
01:41:58,040 --> 01:42:00,719
Speaker 1: came from the White House with a blood. The rappers

1629
01:42:00,760 --> 01:42:04,680
Speaker 1: were there and really nothing got discussed, you know. And

1630
01:42:04,760 --> 01:42:07,320
Speaker 1: they never call people like me or Chalk or and

1631
01:42:07,560 --> 01:42:13,880
Speaker 1: one or no doubt, and that's that's what they need.

1632
01:42:13,960 --> 01:42:16,840
Speaker 1: But they never know. But you know what they had

1633
01:42:16,960 --> 01:42:21,479
Speaker 1: ricked there. You know what I'm saying. You know what

1634
01:42:21,560 --> 01:42:23,719
Speaker 1: I'm saying. So I'm saying, no, why don't they because

1635
01:42:23,720 --> 01:42:25,639
Speaker 1: they know you're gonna come with the truth. Look, here's

1636
01:42:25,640 --> 01:42:31,320
Speaker 1: the point is that is that we're moving into this script.

1637
01:42:32,200 --> 01:42:36,479
Speaker 1: The United States has to become what its name is

1638
01:42:36,600 --> 01:42:41,000
Speaker 1: in order to it to survive. United funk all this

1639
01:42:41,240 --> 01:42:46,599
Speaker 1: black ship, give me this this this is this legendary

1640
01:42:47,360 --> 01:42:52,120
Speaker 1: what right here America? We got to become a United America.

1641
01:42:52,240 --> 01:42:56,519
Speaker 1: Gotta stand up for America, like straight up when you

1642
01:42:56,640 --> 01:42:59,120
Speaker 1: go to other country's nick is this in US man

1643
01:42:59,400 --> 01:43:02,720
Speaker 1: this and the Americans this and not everybody because my

1644
01:43:03,960 --> 01:43:09,880
Speaker 1: first game president, everybody with you know whatever. Overseas, they

1645
01:43:09,960 --> 01:43:16,360
Speaker 1: was like black like the like the first year after

1646
01:43:16,439 --> 01:43:21,720
Speaker 1: that there was you know. But there's a rumor that

1647
01:43:21,880 --> 01:43:28,880
Speaker 1: you didn't fly. He was taking boats and Franklin. So

1648
01:43:29,200 --> 01:43:32,439
Speaker 1: so do you do you fly now? No? I fly privately.

1649
01:43:33,320 --> 01:43:37,080
Speaker 1: I love flying. I fly helicopters. I'll fly private jets

1650
01:43:37,240 --> 01:43:39,200
Speaker 1: and things like that. Take a few private jets here

1651
01:43:39,240 --> 01:43:44,080
Speaker 1: in there. But commercial airlines for me, it's too much

1652
01:43:44,200 --> 01:43:47,200
Speaker 1: to love in the hood is too much for k arrest.

1653
01:43:47,280 --> 01:43:50,600
Speaker 1: I don't. I can't do nothing like you know, like

1654
01:43:51,000 --> 01:43:53,200
Speaker 1: to get to the airport, it takes me an hour.

1655
01:43:53,360 --> 01:43:56,599
Speaker 1: The baggage claim sucking the whole baggage claim. I take

1656
01:43:56,640 --> 01:43:59,840
Speaker 1: pictures with everybody pounds. I'm not leaving my people. I'm

1657
01:43:59,880 --> 01:44:02,599
Speaker 1: not is gonna walk past you. So everybody said, yo, Chris,

1658
01:44:02,680 --> 01:44:04,880
Speaker 1: I gotta stop. I gotta take things. I got sign ship,

1659
01:44:05,320 --> 01:44:07,720
Speaker 1: get on the plane. The stewardess buggat the people on

1660
01:44:07,840 --> 01:44:11,560
Speaker 1: the on the plane, bugging Captain. I said, you know what,

1661
01:44:12,040 --> 01:44:15,080
Speaker 1: and this was ninety seven. I said, forget it. I'm

1662
01:44:15,120 --> 01:44:17,200
Speaker 1: not flying. I'm not flying on what I can't you

1663
01:44:17,280 --> 01:44:22,880
Speaker 1: haven't from since ninety seven, actually ninety six. Let's being rich.

1664
01:44:24,960 --> 01:44:29,679
Speaker 1: I don't know. You gotta be tweating a line a rich. Listen,

1665
01:44:30,920 --> 01:44:32,880
Speaker 1: it's not rich. I'm not a rich man. I'm a

1666
01:44:32,960 --> 01:44:35,400
Speaker 1: very poor man. No, no, me too, I say the same,

1667
01:44:35,520 --> 01:44:43,240
Speaker 1: I take I'm not rich, me too, I'm pot. But

1668
01:44:44,000 --> 01:44:45,760
Speaker 1: the private thing is let's talk about it. But but

1669
01:44:45,960 --> 01:44:49,000
Speaker 1: but I won't fry privately. I take very good care

1670
01:44:49,040 --> 01:44:51,320
Speaker 1: of my wife and my children. Okay, that's what it's.

1671
01:44:51,439 --> 01:44:55,160
Speaker 1: I don't need anything, but they need a lot. So,

1672
01:44:55,720 --> 01:44:57,439
Speaker 1: you know, I say, look, I don't want to have

1673
01:44:57,520 --> 01:45:00,280
Speaker 1: a career where I'm away from my kids on my wife. Ethan,

1674
01:45:00,320 --> 01:45:02,400
Speaker 1: it's that the other so and I can't be away

1675
01:45:02,439 --> 01:45:04,479
Speaker 1: from my wife. She books all the tours. Did you

1676
01:45:04,640 --> 01:45:08,240
Speaker 1: book a boat to London? I heard that. I heard this.

1677
01:45:08,640 --> 01:45:12,360
Speaker 1: That's why I'm rushing out of here now. Yeah, I'm

1678
01:45:12,360 --> 01:45:17,840
Speaker 1: going to Speen tomorrow. Talk about are you getting a

1679
01:45:18,000 --> 01:45:23,439
Speaker 1: boat to Man's Woman? Mimi, I'm going in tomorrow. This

1680
01:45:23,720 --> 01:45:27,720
Speaker 1: Coronesian Nowegian cruise posting right up to your board. I'm

1681
01:45:27,760 --> 01:45:30,240
Speaker 1: getting on that ship and then it goes to go

1682
01:45:30,400 --> 01:45:33,040
Speaker 1: to Spain. How many days? Fourteen days, I'll be in

1683
01:45:33,120 --> 01:45:41,040
Speaker 1: Barcelona world, So this is this is current you and

1684
01:45:41,200 --> 01:45:44,559
Speaker 1: college is like the only two left. You know, College

1685
01:45:44,560 --> 01:45:51,040
Speaker 1: don't fly either. I think he got expected though fly?

1686
01:45:51,200 --> 01:45:54,200
Speaker 1: Why should he fly? So? Why what? What? Why you

1687
01:45:54,240 --> 01:45:57,160
Speaker 1: wouldn't fly? Well? Well, first of all, like I told you,

1688
01:45:57,320 --> 01:46:01,200
Speaker 1: commercial travel to me is just hectic. Besides that, like

1689
01:46:01,320 --> 01:46:03,479
Speaker 1: you know now, besides that, I have books to write.

1690
01:46:03,760 --> 01:46:06,439
Speaker 1: I got rhymes to right, I read a lot. My

1691
01:46:06,600 --> 01:46:09,479
Speaker 1: life is slower, you know what I'm saying. I take

1692
01:46:09,600 --> 01:46:12,360
Speaker 1: time with my family, my wife, my daughter, my son's

1693
01:46:12,439 --> 01:46:15,479
Speaker 1: I got you need time for that. So you know,

1694
01:46:15,800 --> 01:46:19,160
Speaker 1: fourteen days at see, I'm finishing up three books that

1695
01:46:19,240 --> 01:46:24,439
Speaker 1: I'm just finishing. You just zone now try that one.

1696
01:46:24,560 --> 01:46:26,559
Speaker 1: You should. You should try writing rhymes in the middle

1697
01:46:26,560 --> 01:46:28,680
Speaker 1: of the Atlantic. I got a d D hit that

1698
01:46:29,400 --> 01:46:33,400
Speaker 1: you don't have a d D smoke too much. I

1699
01:46:33,520 --> 01:46:38,280
Speaker 1: might just jump over escualde Cures. That's what I'm saying.

1700
01:46:39,360 --> 01:46:41,559
Speaker 1: It doesn't have it. And the thing is the weed

1701
01:46:41,640 --> 01:46:43,600
Speaker 1: I smoke is so loud, like it's gonna be a

1702
01:46:43,720 --> 01:46:46,160
Speaker 1: judge that come out. I'm gonna tell you a story, right,

1703
01:46:46,720 --> 01:46:49,320
Speaker 1: I'll tell you I was in Hawaii because I remember

1704
01:46:49,360 --> 01:46:53,040
Speaker 1: this story because he's drinking my ties. So I'm in Hawaii, right,

1705
01:46:53,560 --> 01:46:57,559
Speaker 1: I'm out, hold on, hold on, I'm smoking weed. Right.

1706
01:46:58,680 --> 01:47:04,559
Speaker 1: This is my first marriage, it's my I'm married again,

1707
01:47:04,640 --> 01:47:10,320
Speaker 1: it's my second one. Pray for me. So I'm sitting

1708
01:47:10,320 --> 01:47:13,400
Speaker 1: there smoking. The people at the Four Seasons, the Four

1709
01:47:13,479 --> 01:47:16,680
Speaker 1: Seasons Maui. So they called me and they say, yo,

1710
01:47:18,760 --> 01:47:22,280
Speaker 1: are you smoking up there? And I'm like, yeah, I

1711
01:47:22,360 --> 01:47:24,400
Speaker 1: don't know what I paid for this room, but I

1712
01:47:24,560 --> 01:47:28,960
Speaker 1: just know my accountant lost her mind. So I'm like, yeah,

1713
01:47:29,000 --> 01:47:31,760
Speaker 1: I'm smoking. They're like, kids, you would you mind not

1714
01:47:31,920 --> 01:47:34,719
Speaker 1: smoking on the terrorists? So I said, now you're inviting

1715
01:47:34,760 --> 01:47:38,160
Speaker 1: me to smoke in the room. They're like, you're right.

1716
01:47:38,840 --> 01:47:42,960
Speaker 1: They're like, we have a very important guest that is upstairs.

1717
01:47:43,080 --> 01:47:45,200
Speaker 1: And I'm like, did the guests pay more than me?

1718
01:47:46,280 --> 01:47:50,040
Speaker 1: And they're like no. So I'm like, well, they're like

1719
01:47:50,240 --> 01:47:52,559
Speaker 1: Mr Santiago, that's my last name. I don't know if

1720
01:47:52,560 --> 01:47:54,840
Speaker 1: you don't pay. Puerto Rican makes a noise for La team,

1721
01:47:56,280 --> 01:47:58,400
Speaker 1: but I'm black and like so so they say I'm

1722
01:47:58,400 --> 01:48:02,760
Speaker 1: actually performing in Santiago. This is a gift. So they

1723
01:48:02,840 --> 01:48:05,879
Speaker 1: say to me, they say, you're right, you're actually outside.

1724
01:48:05,960 --> 01:48:09,080
Speaker 1: You can't do it. I look on the news. This

1725
01:48:09,320 --> 01:48:14,799
Speaker 1: is when Oprah um step son had drowned in Hawaii

1726
01:48:15,439 --> 01:48:18,240
Speaker 1: and Maui. So the person I was telling them to

1727
01:48:18,400 --> 01:48:21,679
Speaker 1: tell them the funk that I paid the same amount

1728
01:48:22,360 --> 01:48:29,879
Speaker 1: was fucking Oprah. This is hard a morbid story because

1729
01:48:30,200 --> 01:48:32,720
Speaker 1: I like that I actually paid square for square. We

1730
01:48:32,800 --> 01:48:35,400
Speaker 1: had the same exact room. God bless you know the

1731
01:48:35,439 --> 01:48:39,439
Speaker 1: people who passed away and everything. But that ship was

1732
01:48:39,520 --> 01:48:42,160
Speaker 1: just a moment for me. It was a moment for

1733
01:48:42,320 --> 01:48:46,599
Speaker 1: just me standing in my ground but now and trying

1734
01:48:46,640 --> 01:48:49,400
Speaker 1: to make this one work. The second was always the best.

1735
01:48:49,479 --> 01:48:52,360
Speaker 1: You're the second one to ms. Melanie was first, okay

1736
01:48:52,840 --> 01:48:54,200
Speaker 1: a year and a half and big up to her

1737
01:48:54,200 --> 01:49:01,479
Speaker 1: wresting peace. God blessed not that I'm every related, by

1738
01:49:01,520 --> 01:49:03,680
Speaker 1: the way, So if you seen me do that, I'm not.

1739
01:49:04,439 --> 01:49:09,760
Speaker 1: I'm a Muslim, Christian, God body your caress. Thank you

1740
01:49:09,880 --> 01:49:11,680
Speaker 1: for so much for hanging out with us. And we're

1741
01:49:11,720 --> 01:49:17,400
Speaker 1: not going and I'll come back. I'm not fourteen days

1742
01:49:17,439 --> 01:49:19,640
Speaker 1: when I come back. The people need you let's just

1743
01:49:19,760 --> 01:49:23,000
Speaker 1: break it down for these people. You are going fourteen days,

1744
01:49:23,439 --> 01:49:26,040
Speaker 1: So now how does this cruise happen? You leave in Miami,

1745
01:49:26,520 --> 01:49:30,000
Speaker 1: do you stop anywhere? Yes? Will you stop that? We

1746
01:49:30,120 --> 01:49:33,640
Speaker 1: stopped in fun called Africa. We stopped on you go

1747
01:49:33,720 --> 01:49:40,120
Speaker 1: from Miami to Africa? Yeah, we got that. Real questioning Africa,

1748
01:49:40,320 --> 01:49:45,360
Speaker 1: I've never heard of some Bahamas, a little Bahama, little Bahamas.

1749
01:49:45,360 --> 01:49:47,599
Speaker 1: Then you get out to Africa, then you get done

1750
01:49:47,640 --> 01:49:50,080
Speaker 1: this trip before. Oh yeah, no doubt. Not only this ship,

1751
01:49:50,520 --> 01:49:52,400
Speaker 1: but I've done other ships I've done. And how many

1752
01:49:52,479 --> 01:49:56,000
Speaker 1: times do you say you them this oh sailed? Yes?

1753
01:49:56,560 --> 01:49:59,200
Speaker 1: Oh at least thirty times? And you believe in a

1754
01:49:59,280 --> 01:50:02,439
Speaker 1: boat you've got an everything Titanic? No, no, no, there's

1755
01:50:02,439 --> 01:50:05,519
Speaker 1: no Titanic anywhere in the Atlantic Ocean. The coast guard

1756
01:50:05,520 --> 01:50:10,120
Speaker 1: will get you in ten minutes. Anyway, It ain't that

1757
01:50:10,240 --> 01:50:13,480
Speaker 1: bo that's bullshit. That's this movie ship. This rich motherfucker's

1758
01:50:13,520 --> 01:50:16,800
Speaker 1: on that boat. That boat ain't going nowhere. There's no

1759
01:50:17,080 --> 01:50:20,800
Speaker 1: there's nothing, there's nothing now mind you. Now come on now,

1760
01:50:20,920 --> 01:50:30,240
Speaker 1: Caribbean Cruises and all that you cruise, Do I get them?

1761
01:50:31,040 --> 01:50:36,240
Speaker 1: Oh yeah, no doubt. You get platinum gold status, healthy passengers,

1762
01:50:36,439 --> 01:50:40,680
Speaker 1: no doubt. But some of the triangle, the triangle you

1763
01:50:40,760 --> 01:50:45,360
Speaker 1: haven't been there. Yeah, part of the triangle you've been

1764
01:50:46,439 --> 01:50:49,120
Speaker 1: right through it. Get right there. The Bermuda try and

1765
01:50:49,200 --> 01:50:52,479
Speaker 1: go only acts something when when like you know you

1766
01:50:52,880 --> 01:50:56,120
Speaker 1: you have to go through that and like like, um,

1767
01:50:56,439 --> 01:50:59,919
Speaker 1: it's like certain seasons where they say it's like hurricanes

1768
01:51:00,000 --> 01:51:02,680
Speaker 1: season or this kind of thing. Look everything, because it

1769
01:51:02,680 --> 01:51:05,120
Speaker 1: gets the bottom line. You trust the boat more than

1770
01:51:05,160 --> 01:51:09,679
Speaker 1: the plane. No, no, no, okay, I trust me driving

1771
01:51:09,880 --> 01:51:13,240
Speaker 1: ship more than anything. Okay, I would prefer to get

1772
01:51:13,320 --> 01:51:17,080
Speaker 1: my own boat and sail across the sea myself, but

1773
01:51:17,280 --> 01:51:19,840
Speaker 1: I'm not going to settle for a small yacht. Like

1774
01:51:19,960 --> 01:51:22,200
Speaker 1: you know, I could do a small yacht right now,

1775
01:51:22,360 --> 01:51:24,800
Speaker 1: but that's not what I want. What I want is

1776
01:51:24,840 --> 01:51:27,240
Speaker 1: an actual ship that I could go across and of

1777
01:51:27,320 --> 01:51:30,519
Speaker 1: course mad money. So I'm just holding out till I

1778
01:51:30,560 --> 01:51:32,120
Speaker 1: can get my own ship, and then I could. I

1779
01:51:32,200 --> 01:51:36,360
Speaker 1: could see some motherfucker's want to buy planes. They want ship,

1780
01:51:36,479 --> 01:51:38,920
Speaker 1: pair of us one and one on the ship something

1781
01:51:41,600 --> 01:51:44,519
Speaker 1: that's straight up no doubt. So you think I'm gonna

1782
01:51:44,520 --> 01:51:48,080
Speaker 1: give you this last one? Um, it's the last question.

1783
01:51:51,120 --> 01:51:55,840
Speaker 1: Boxing don't have no representative which means that if you're

1784
01:51:55,840 --> 01:51:58,720
Speaker 1: a boxer, you make it, you make it. If your

1785
01:51:58,760 --> 01:52:02,160
Speaker 1: boxer you don't make it, you're fucked up. There's no

1786
01:52:02,680 --> 01:52:05,920
Speaker 1: there's no reparations, there's no like you know, type of

1787
01:52:06,400 --> 01:52:08,560
Speaker 1: you know, to hold you down. Hip hop is the

1788
01:52:08,680 --> 01:52:14,960
Speaker 1: only other, I want to say, entertainment company that we

1789
01:52:15,120 --> 01:52:18,280
Speaker 1: might have thirty people that's down with us. But when

1790
01:52:18,320 --> 01:52:20,679
Speaker 1: you go on that vocable before you go to perform

1791
01:52:20,800 --> 01:52:24,760
Speaker 1: that record, it's just you. Similar to boxing, we don't

1792
01:52:24,800 --> 01:52:27,400
Speaker 1: have nothing to representing us in the hip hop. We

1793
01:52:27,560 --> 01:52:30,479
Speaker 1: hear that the president just recently met Matt with these

1794
01:52:30,520 --> 01:52:34,000
Speaker 1: people Toddler Quality brothers that we know bust the rhymes.

1795
01:52:34,400 --> 01:52:37,920
Speaker 1: What do you think it's our solution to make we

1796
01:52:38,040 --> 01:52:39,519
Speaker 1: need a hip hop you know when you wanted the

1797
01:52:39,600 --> 01:52:43,000
Speaker 1: life insurance or the health insurance even further than that.

1798
01:52:43,160 --> 01:52:46,920
Speaker 1: Now Um yeah, well let me let me because like

1799
01:52:47,080 --> 01:52:51,400
Speaker 1: right now, like like DC right, phenomenal guy lost his voice.

1800
01:52:52,400 --> 01:52:54,559
Speaker 1: They should have been health insurance that kind of helped

1801
01:52:54,600 --> 01:52:57,400
Speaker 1: him restore that. We didn't have that and right now,

1802
01:52:57,520 --> 01:53:00,280
Speaker 1: But it's because Jenna Kiss said something on our part cast.

1803
01:53:00,360 --> 01:53:02,760
Speaker 1: He said, we're the only people who have a hip

1804
01:53:02,800 --> 01:53:07,479
Speaker 1: hop South hip hop regions. Yes, there's no hip hop,

1805
01:53:07,920 --> 01:53:11,280
Speaker 1: there's no rock and roll South, there's no rock and roll.

1806
01:53:11,600 --> 01:53:14,160
Speaker 1: Why are we segregating? Why are we saying and and

1807
01:53:14,360 --> 01:53:17,800
Speaker 1: and do we need this? This this policies where we

1808
01:53:18,280 --> 01:53:21,479
Speaker 1: if Coolherd gets sick, we can go and help him.

1809
01:53:22,160 --> 01:53:25,680
Speaker 1: Do we need that? Yes we do, Yes we do,

1810
01:53:26,000 --> 01:53:29,960
Speaker 1: and and and and and I advocated absolutely. Unity is

1811
01:53:30,000 --> 01:53:32,960
Speaker 1: the only thing we talked about, American unity. Let's let's

1812
01:53:33,000 --> 01:53:36,080
Speaker 1: tweak it down to hip hop unity. Hip hop is

1813
01:53:36,200 --> 01:53:40,960
Speaker 1: the greatest urban movement to hit human history. Let's just

1814
01:53:41,080 --> 01:53:47,879
Speaker 1: start human history. Okay, human history, Okay, hip hop breaking

1815
01:53:47,960 --> 01:53:51,479
Speaker 1: him seeing graffiti or DJ and beatboxing. You can add

1816
01:53:51,520 --> 01:53:56,240
Speaker 1: street fashion, language, knowledge, all of that. That movement in

1817
01:53:56,400 --> 01:54:00,960
Speaker 1: the hood. That that right there, hip hop is is

1818
01:54:01,439 --> 01:54:07,280
Speaker 1: what America really is. It's like the true declaration of independence.

1819
01:54:07,320 --> 01:54:11,120
Speaker 1: It's what America is. But we got these old people.

1820
01:54:11,760 --> 01:54:14,799
Speaker 1: You asked me also about hip hop's old school. Okay,

1821
01:54:15,160 --> 01:54:17,160
Speaker 1: I have respect for the old school. We always should,

1822
01:54:17,240 --> 01:54:19,799
Speaker 1: we did. Those are the ancestors, those are the elders,

1823
01:54:19,880 --> 01:54:23,720
Speaker 1: those are the fathers, godfathers and so on. That's that's

1824
01:54:23,720 --> 01:54:27,439
Speaker 1: what it is. But when you don't do your job,

1825
01:54:28,720 --> 01:54:32,960
Speaker 1: you don't deserve the respect of the youth. Elder is

1826
01:54:33,000 --> 01:54:38,480
Speaker 1: always asking for respect that they don't deserve me. I

1827
01:54:38,640 --> 01:54:41,800
Speaker 1: try to earn the respect of the youth. I don't

1828
01:54:41,840 --> 01:54:44,480
Speaker 1: look down on them. I think they're smarter than me.

1829
01:54:44,800 --> 01:54:47,880
Speaker 1: I think they're faster than me. I think they think

1830
01:54:47,960 --> 01:54:50,880
Speaker 1: of things beyond what I can think about. Now. Of

1831
01:54:51,000 --> 01:54:54,240
Speaker 1: course I tell them, hey, look, I'm the old head

1832
01:54:54,320 --> 01:54:56,480
Speaker 1: in the room, and I like that ship. I'm fifty

1833
01:54:56,680 --> 01:54:59,480
Speaker 1: fun this ship. Okay, that's my ship. I got a

1834
01:55:00,000 --> 01:55:21,080
Speaker 1: our peacon. I want my ship next time. Dude, Yo,

1835
01:55:23,200 --> 01:55:32,440
Speaker 1: that's what I'm saying. What fifty percent off hotels ship

1836
01:55:37,600 --> 01:55:44,600
Speaker 1: is bad? Let me tell you, Okay, we yo, were

1837
01:55:44,640 --> 01:55:48,720
Speaker 1: the elders in this. Young people are supposed to look

1838
01:55:48,880 --> 01:55:52,120
Speaker 1: up to us and be like, Yo, that's what it

1839
01:55:52,280 --> 01:55:55,760
Speaker 1: means to be fifty and hip hop world. You got

1840
01:55:55,840 --> 01:56:00,440
Speaker 1: your knowledge downpack, your family straight, you got your money right,

1841
01:56:00,760 --> 01:56:03,320
Speaker 1: You're doing your thing. That's what young people need to

1842
01:56:03,520 --> 01:56:10,840
Speaker 1: see and see more blue the blue print. Now we're

1843
01:56:10,880 --> 01:56:13,840
Speaker 1: gonna do it. Shows like this, your ship bringing people

1844
01:56:13,920 --> 01:56:17,880
Speaker 1: together right now as we speak. Right now, as we speak,

1845
01:56:17,960 --> 01:56:20,240
Speaker 1: dus is here and what it is what we gotta

1846
01:56:20,320 --> 01:56:23,520
Speaker 1: do is really unite, and here's what it's gonna take.

1847
01:56:23,640 --> 01:56:26,120
Speaker 1: Here's you asked this about to stop the violence movement

1848
01:56:26,120 --> 01:56:28,920
Speaker 1: about my brothers ain't doing that today? What we're so

1849
01:56:29,120 --> 01:56:33,760
Speaker 1: hard to do that today? Too much, too much competition,

1850
01:56:34,400 --> 01:56:40,440
Speaker 1: not enough cooperation. Okay, we live in a capitalist come

1851
01:56:41,680 --> 01:56:46,080
Speaker 1: we we we we live in a capitalist society where

1852
01:56:47,200 --> 01:56:54,360
Speaker 1: uh where competition is the number one order of the day.

1853
01:56:54,800 --> 01:56:57,920
Speaker 1: So the young are trained to kill the old so

1854
01:56:58,080 --> 01:57:00,080
Speaker 1: that you can get so so that you could you

1855
01:57:00,160 --> 01:57:02,200
Speaker 1: what it is the younger train to kill the all.

1856
01:57:02,480 --> 01:57:05,200
Speaker 1: The all a train to kill the young so you

1857
01:57:05,280 --> 01:57:08,480
Speaker 1: can stay in power. Kill these youngest as they coming up.

1858
01:57:08,760 --> 01:57:10,440
Speaker 1: I don't want you to take your hip hop the

1859
01:57:10,520 --> 01:57:14,320
Speaker 1: only generation like you know, the Odds brothers could tour forever.

1860
01:57:14,880 --> 01:57:18,200
Speaker 1: Why did they try to kill the older? Well, it's

1861
01:57:18,280 --> 01:57:23,320
Speaker 1: that it's that competition. It's still competition. Look when we start,

1862
01:57:23,480 --> 01:57:26,440
Speaker 1: when we stopped thinking of hip hop as a music

1863
01:57:26,920 --> 01:57:30,160
Speaker 1: and start thinking of it as a culture, a nation,

1864
01:57:30,720 --> 01:57:34,280
Speaker 1: a community. When you start realizing that you are a nation,

1865
01:57:34,720 --> 01:57:38,800
Speaker 1: you're a sovereign nation, all we gotta do is unite,

1866
01:57:40,000 --> 01:57:43,720
Speaker 1: just just unite. Just here's a unity. I here it is.

1867
01:57:44,360 --> 01:57:48,080
Speaker 1: Let's print our own currency. Alright, start right, This is

1868
01:57:48,160 --> 01:57:52,400
Speaker 1: the unity of any nation starts with trust. We print

1869
01:57:52,440 --> 01:57:56,080
Speaker 1: a hundred thousand dollars for every hip hop citizen in

1870
01:57:56,240 --> 01:57:59,880
Speaker 1: existing we have a million citizens. We print a hundred

1871
01:58:00,240 --> 01:58:11,880
Speaker 1: million of our currency currency. Wif cent I'm coming right

1872
01:58:11,920 --> 01:58:14,560
Speaker 1: now here, he'll he'll be a fifty cent piece, fifties

1873
01:58:14,560 --> 01:58:17,400
Speaker 1: worth more than that. But but I'm saying, print our

1874
01:58:17,520 --> 01:58:20,960
Speaker 1: own currency, and let's see if the people spend that. No,

1875
01:58:21,080 --> 01:58:26,280
Speaker 1: they will, You'll be instantly rich. People buying albums, we

1876
01:58:26,360 --> 01:58:31,840
Speaker 1: give them, give them currency by our currency, not our albums. Right.

1877
01:58:31,840 --> 01:58:33,680
Speaker 1: If we gets selling the album, we did that, we

1878
01:58:33,800 --> 01:58:37,520
Speaker 1: know that game. Now let's sell currencies in which you

1879
01:58:37,640 --> 01:58:39,760
Speaker 1: got the k arrest currency, and d would be like, Yo,

1880
01:58:39,880 --> 01:58:42,520
Speaker 1: this ship is worth this this week up against the

1881
01:58:42,520 --> 01:58:45,720
Speaker 1: American dollar, up against this is the end, up against

1882
01:58:45,760 --> 01:58:49,840
Speaker 1: the Euro, against this ship. Yo. Look, if you gave

1883
01:58:49,960 --> 01:58:52,680
Speaker 1: me a hundred thousand dollars, say you know, let's say

1884
01:58:52,680 --> 01:58:55,320
Speaker 1: I gave you a hundred thousands. Okay, I'll give you

1885
01:58:55,360 --> 01:59:00,240
Speaker 1: a hundred thousand hip hop currency currency. Okay, now you're

1886
01:59:00,240 --> 01:59:03,040
Speaker 1: gonna spend it with my man right here. What we

1887
01:59:03,280 --> 01:59:09,040
Speaker 1: what we want is specialized people to have this money electricians.

1888
01:59:09,160 --> 01:59:13,600
Speaker 1: Right now, hip hop is old enough. We got doctors, lawyers, ps, workers,

1889
01:59:13,640 --> 01:59:18,720
Speaker 1: we got all kinds of and entrepreneurs, okay, huge entrepreneurs.

1890
01:59:19,120 --> 01:59:23,000
Speaker 1: All we gotta do is trade our own currency with

1891
01:59:23,160 --> 01:59:26,360
Speaker 1: each other, with each other. This hip hop has their

1892
01:59:26,400 --> 01:59:36,520
Speaker 1: own stores, farms. Look, dude, funk that American dollar. I

1893
01:59:42,040 --> 01:59:51,360
Speaker 1: wanted to see if you're gone this is I gotta

1894
01:59:51,360 --> 01:59:57,240
Speaker 1: be until four in the morning on the plastic I'm

1895
01:59:57,240 --> 02:00:06,880
Speaker 1: not it's plastics. Ship. We gotta join. We gotta drink somewhere.

1896
02:00:06,920 --> 02:00:10,880
Speaker 1: Are your caress. I love you so much, man much,

1897
02:00:11,400 --> 02:00:13,560
Speaker 1: thank you so much for joining us and being a

1898
02:00:13,680 --> 02:00:17,120
Speaker 1: great sport. Took a drink. You even tried to smoke.

1899
02:00:17,240 --> 02:00:25,160
Speaker 1: You didn't want to. You gotta need bring you back

1900
02:00:25,240 --> 02:00:29,400
Speaker 1: to the old school. Dude, brother, I'm adas that over there. Okay,

1901
02:00:29,440 --> 02:00:33,600
Speaker 1: bass it over there. That's the drink. We gotta take

1902
02:00:33,640 --> 02:00:36,760
Speaker 1: one picture with you. Over there, came green. There's no

1903
02:00:36,880 --> 02:00:38,720
Speaker 1: way I can thank you ever in my life. I'm

1904
02:00:38,720 --> 02:00:42,120
Speaker 1: gonna be in your video. We have a moment. I'm

1905
02:00:42,240 --> 02:00:44,200
Speaker 1: being her video. But it's no way I can thank

1906
02:00:44,240 --> 02:00:47,280
Speaker 1: you ever in life. Because this is this is actually

1907
02:00:48,360 --> 02:00:50,400
Speaker 1: like one of the first hip hop albums I've ever

1908
02:00:50,480 --> 02:00:54,160
Speaker 1: listened to this man. Yeah, one of the first people

1909
02:00:54,280 --> 02:00:57,480
Speaker 1: that I ever said. Then I thought about like my

1910
02:00:57,600 --> 02:00:59,480
Speaker 1: Mom's like, what you're gonna be in life? And I

1911
02:00:59,640 --> 02:01:02,040
Speaker 1: was just like, I don't know. I knew I couldn't

1912
02:01:02,040 --> 02:01:06,160
Speaker 1: be a teacher, not like you. But I am a teacher,

1913
02:01:06,960 --> 02:01:09,680
Speaker 1: but not like you. I'm a different teacher because I

1914
02:01:09,720 --> 02:01:12,440
Speaker 1: show him a different path. But if I've never would

1915
02:01:12,440 --> 02:01:14,640
Speaker 1: have heard you, I would have never wanted to speak.

1916
02:01:14,680 --> 02:01:17,280
Speaker 1: I would never be here. You know what I'm saying.

1917
02:01:17,320 --> 02:01:19,840
Speaker 1: Some hot Kim Green. You know that's my brother. He

1918
02:01:20,040 --> 02:01:22,600
Speaker 1: called me And when he called me, I said I

1919
02:01:22,720 --> 02:01:25,440
Speaker 1: knew the number, but I hit him back. I just said,

1920
02:01:27,000 --> 02:01:30,960
Speaker 1: called madness And he got a website. Right, come on,

1921
02:01:31,080 --> 02:01:35,840
Speaker 1: I can't come over here, come over here, here here, yeah, yeah,

1922
02:01:35,960 --> 02:01:39,560
Speaker 1: So shout out your website. We got the maddesm dot

1923
02:01:39,680 --> 02:01:42,080
Speaker 1: org popping off, the ultimate cannabis journal. You know you

1924
02:01:42,160 --> 02:01:44,840
Speaker 1: got you got the maddest popping off internationally. It's big

1925
02:01:44,920 --> 02:01:46,560
Speaker 1: money right now. I want to make sure my people

1926
02:01:46,600 --> 02:01:47,680
Speaker 1: get a taste of that, you know what I mean.

1927
02:01:47,720 --> 02:01:50,000
Speaker 1: So see us off that maddesm dot org so you

1928
02:01:50,040 --> 02:01:52,480
Speaker 1: can keep up with all the latest grow techniques. You

1929
02:01:52,520 --> 02:01:54,960
Speaker 1: know what I mean. Grow When you say grow, listen,

1930
02:01:57,320 --> 02:02:00,600
Speaker 1: I'm about cannabis. I'm talking about that goodness chronic that

1931
02:02:00,920 --> 02:02:03,120
Speaker 1: you know what we do, what we got going on.

1932
02:02:03,800 --> 02:02:05,839
Speaker 1: Your casts need to know how to grow for themselves.

1933
02:02:05,920 --> 02:02:09,120
Speaker 1: It's not not just about smoking it, but industrial hip

1934
02:02:09,520 --> 02:02:15,320
Speaker 1: is a multi b pipe in the mail. Yeah, I

1935
02:02:15,360 --> 02:02:17,320
Speaker 1: got the whole. We got the hot box, you know

1936
02:02:17,320 --> 02:02:19,520
Speaker 1: what I mean. How we got different ways of you know,

1937
02:02:19,720 --> 02:02:22,560
Speaker 1: the vaping, got the smoking, the leaves, the paper, the blood,

1938
02:02:22,960 --> 02:02:25,160
Speaker 1: but we got the hot box. It's just a special

1939
02:02:25,240 --> 02:02:27,120
Speaker 1: way of inhaling, you know what I mean. It's real,

1940
02:02:27,200 --> 02:02:32,560
Speaker 1: real good. I want more. Are you a vegetarian? What

1941
02:02:32,680 --> 02:02:35,160
Speaker 1: are you? Yeah? Yes, so you don't eat no fish? No,

1942
02:02:35,800 --> 02:02:39,440
Speaker 1: I try to eat. I leaned toward a vegetarian die,

1943
02:02:39,520 --> 02:02:43,040
Speaker 1: but I do eat fish. How about you. I'm not

1944
02:02:43,160 --> 02:02:45,800
Speaker 1: a vegetarian, right, but I am about my health. I

1945
02:02:45,880 --> 02:02:47,440
Speaker 1: do a lot of juicing. And I said, you keep

1946
02:02:47,520 --> 02:02:51,440
Speaker 1: up with the bartender trying happy about trying to d

1947
02:02:51,480 --> 02:02:58,720
Speaker 1: I drink. Yeah, thank you so much for saying my

1948
02:02:58,880 --> 02:03:02,640
Speaker 1: brother yo, no jarres. Yeah, I called you Chris for

1949
02:03:02,720 --> 02:03:06,360
Speaker 1: the first time in my life. I never called you Chris. No,

1950
02:03:06,800 --> 02:03:09,000
Speaker 1: what you know what. It's through the records. It's like

1951
02:03:09,480 --> 02:03:12,800
Speaker 1: I never knew if I had the ability to call you, Chris,

1952
02:03:13,080 --> 02:03:16,400
Speaker 1: thank you so much. I appreciate what that man, greatest

1953
02:03:16,400 --> 02:03:19,680
Speaker 1: sport you actually sat down and drink. I didn't think

1954
02:03:19,720 --> 02:03:21,480
Speaker 1: I was gonna be able. I didn't think I was

1955
02:03:21,480 --> 02:03:23,240
Speaker 1: gonna be able to get anyway with it. Shout out,

1956
02:03:23,920 --> 02:03:27,560
Speaker 1: thank you so much. Side ball, everybody make some fing

1957
02:03:34,720 --> 02:03:59,880
Speaker 1: Oh my god, I let's say you speak find all

1958
02:03:59,880 --> 02:04:02,760
Speaker 1: your favorite movies and shows factor with Exfinity. Just speaking

1959
02:04:02,800 --> 02:04:05,120
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1960
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1961
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Speaker 1: Switch to Exfinity today and get a great offer. You'll

1962
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Speaker 1: enjoy a Xfinity X one, which gives you access to

1963
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Speaker 1: your favorite streaming apps like Netflix, YouTube, the Now, Prime Video.

1964
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Speaker 1: Go to Exfinity dot com, Callinity, or visit a store

1965
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Speaker 1: today to learn more. Restriction supplied