1 00:00:01,960 --> 00:00:05,240 Speaker 1: I welcome to episode to twenty. We'll talk to Lauren 2 00:00:05,320 --> 00:00:07,880 Speaker 1: Joe Black from Country Now dot Com. Five things to 3 00:00:07,920 --> 00:00:11,119 Speaker 1: look forward to in We'll talk a little bitbout the 4 00:00:11,160 --> 00:00:13,320 Speaker 1: Golden Globes this week, and Mike d has a movie 5 00:00:13,320 --> 00:00:17,560 Speaker 1: podcast called Mike D's Movie Podcasts, what it called Mike Movie, 6 00:00:17,560 --> 00:00:21,280 Speaker 1: Mike's Movie Podcast, Movie, Mike's Movie Podcast. I did want 7 00:00:21,320 --> 00:00:23,680 Speaker 1: to start with this article I saw from Ultimate Guitar. 8 00:00:24,680 --> 00:00:28,160 Speaker 1: They have a list of songs with mistakes that they 9 00:00:28,200 --> 00:00:32,440 Speaker 1: didn't take out of the recording. So I love when 10 00:00:32,840 --> 00:00:35,479 Speaker 1: people leave things in, and a lot of times we go, man, 11 00:00:35,520 --> 00:00:37,960 Speaker 1: that really that was a great idea to leave character, 12 00:00:38,000 --> 00:00:39,519 Speaker 1: and sometimes they're like, oh, yeah, we didn't hear it, 13 00:00:39,600 --> 00:00:41,800 Speaker 1: or sometimes they were like, we had no other option 14 00:00:41,880 --> 00:00:43,840 Speaker 1: but to leave it in because the take was so good, 15 00:00:44,080 --> 00:00:45,919 Speaker 1: especially with old music, because they all have to get 16 00:00:45,960 --> 00:00:47,440 Speaker 1: in the room at the same time and record and 17 00:00:47,479 --> 00:00:49,400 Speaker 1: sometimes it's just live and that's what they happen. It's 18 00:00:49,400 --> 00:00:51,880 Speaker 1: like they all have to Yeah. So these are seven 19 00:00:51,880 --> 00:00:53,959 Speaker 1: mistakes not edited out, and we'll start with the song 20 00:00:54,040 --> 00:00:56,880 Speaker 1: here Black Country Woman from Led Zeppelin. Here's the first song, 21 00:00:57,480 --> 00:01:03,800 Speaker 1: should we? So they were recording at a house and 22 00:01:03,920 --> 00:01:07,840 Speaker 1: just as they started, a plane flew over. You can 23 00:01:07,840 --> 00:01:12,319 Speaker 1: hear the plane flying over right there. So play that again, 24 00:01:13,000 --> 00:01:14,920 Speaker 1: and so Robert Plant going, I leave it. Here you 25 00:01:14,959 --> 00:01:26,280 Speaker 1: go again, not even yet, not leave it. I'll leave it. 26 00:01:26,760 --> 00:01:28,280 Speaker 1: But if you didn't know, and you can let it 27 00:01:28,319 --> 00:01:30,760 Speaker 1: play for a minute, if you didn't know, you would 28 00:01:30,760 --> 00:01:33,880 Speaker 1: think that was part of the recording on purpose, because 29 00:01:33,880 --> 00:01:35,960 Speaker 1: it does sound cool and my guys hanging out and like, 30 00:01:36,000 --> 00:01:38,000 Speaker 1: who cares. But they all had to get in the 31 00:01:38,040 --> 00:01:39,760 Speaker 1: same room and play instruments at the same time. Back then, 32 00:01:39,760 --> 00:01:42,120 Speaker 1: they weren't really tracking like they do now. Turn that 33 00:01:42,200 --> 00:01:52,920 Speaker 1: up him, listen mad cool. The next up is rock 34 00:01:52,960 --> 00:01:56,240 Speaker 1: Sand from the Police. At the beginning, you can hear 35 00:01:56,280 --> 00:02:00,560 Speaker 1: a cluster of keyboard notes, followed by Sting's laugh. He 36 00:02:00,680 --> 00:02:03,840 Speaker 1: accidentally sat on the keyboard. Here's the song. It's four 37 00:02:03,880 --> 00:02:06,440 Speaker 1: seconds in. It fits so well that it could have 38 00:02:06,480 --> 00:02:14,640 Speaker 1: been intentional, but it wasn't. Here you go, that's funny. 39 00:02:14,760 --> 00:02:16,760 Speaker 1: That's very quick. So you here we go, and we'll 40 00:02:16,800 --> 00:02:20,680 Speaker 1: do it again. Here we go. Sting sat on the 41 00:02:20,760 --> 00:02:30,520 Speaker 1: keyboard and that's what this is. Go ahead, that's funny, 42 00:02:30,440 --> 00:02:41,040 Speaker 1: he laughs. That laugh is in the song Wow Rocks 43 00:02:41,800 --> 00:02:45,200 Speaker 1: it's pretty cool. Next up is wish you hear from 44 00:02:45,200 --> 00:02:48,680 Speaker 1: Pink Floyd. So David go Moore coughs and can be 45 00:02:48,720 --> 00:02:51,520 Speaker 1: heard breathing right before the main guitar comes in. Now, 46 00:02:52,000 --> 00:02:54,919 Speaker 1: the rumor is that he couldn't hold in a cough 47 00:02:55,040 --> 00:02:57,600 Speaker 1: because he smoked so much, and he was so upset 48 00:02:57,639 --> 00:03:00,919 Speaker 1: when heard the final take that he quits ooking cold 49 00:03:00,919 --> 00:03:03,520 Speaker 1: turkey the next day. So you can start the song 50 00:03:03,560 --> 00:03:09,760 Speaker 1: now because it's like twenty seven seconds. That was a cough. 51 00:03:13,120 --> 00:03:18,560 Speaker 1: Sniffle wet to that cough. So again it just sounds 52 00:03:18,560 --> 00:03:30,560 Speaker 1: like it's part of the song here played again, funny 53 00:03:31,000 --> 00:03:33,640 Speaker 1: wish you were here the other version? Would they like 54 00:03:33,680 --> 00:03:36,480 Speaker 1: take that part out? They are because it's like on 55 00:03:36,480 --> 00:03:39,200 Speaker 1: one channel of the track, So there's another version where 56 00:03:39,200 --> 00:03:43,880 Speaker 1: that channel is just muted. That's interesting. Uh. I saw 57 00:03:43,920 --> 00:03:49,960 Speaker 1: her again from the Moms and papas. They did a 58 00:03:50,040 --> 00:03:53,200 Speaker 1: lot of layered vocals, but the repeated I saw her. 59 00:03:53,240 --> 00:03:54,720 Speaker 1: I saw her at the beginning of the third verse. 60 00:03:55,680 --> 00:03:57,760 Speaker 1: There was a mistake in the editing. They liked it, 61 00:03:57,800 --> 00:04:10,440 Speaker 1: so they kept it in so that first I saw 62 00:04:10,480 --> 00:04:12,880 Speaker 1: her as an accident. He came in early, he goes, 63 00:04:12,920 --> 00:04:16,560 Speaker 1: I saw her I saw her again. The first one 64 00:04:16,600 --> 00:04:25,919 Speaker 1: is an accident. So the song Lou LOUI, Oh yeah, 65 00:04:26,440 --> 00:04:30,160 Speaker 1: we gotta go thought by the Kingsman, someone drops an 66 00:04:30,160 --> 00:04:33,440 Speaker 1: F bomb in the background about about a minute into 67 00:04:33,480 --> 00:04:38,240 Speaker 1: the song, supposedly because the vocalist came into early. Now 68 00:04:38,360 --> 00:04:40,919 Speaker 1: this is the song. If you're going through listed on 69 00:04:40,960 --> 00:04:44,640 Speaker 1: your own, uh streaming, the F bombs about fifty four 70 00:04:44,720 --> 00:04:47,000 Speaker 1: seconds in, you can barely hear it, and you wouldn't 71 00:04:47,000 --> 00:04:48,800 Speaker 1: know as the F four were that being told. But 72 00:04:48,880 --> 00:04:51,080 Speaker 1: now that you know, I don't even know if I 73 00:04:51,080 --> 00:04:54,560 Speaker 1: played on the radio, now that I know, because you know, 74 00:04:55,200 --> 00:04:56,760 Speaker 1: remind me, let's talk about the fard after this. But 75 00:04:56,800 --> 00:05:06,760 Speaker 1: here we go that. So in the back you're the 76 00:05:06,760 --> 00:05:11,200 Speaker 1: guy go stop right there. If you play that again, 77 00:05:11,240 --> 00:05:14,520 Speaker 1: now that you heard it, listen again, And it's because 78 00:05:14,600 --> 00:05:16,320 Speaker 1: the vocalist came in a bit too early. Here you 79 00:05:16,320 --> 00:05:28,719 Speaker 1: go right there. Yeah. So in poker Face, I think 80 00:05:29,240 --> 00:05:31,279 Speaker 1: from Lady Gaga, which isn't on this thing here, it 81 00:05:31,320 --> 00:05:33,160 Speaker 1: wasn't an accident, but didn't it leave the effort in 82 00:05:33,200 --> 00:05:35,200 Speaker 1: on purpose? And there's only one station to ever catch it? Yeah, 83 00:05:35,200 --> 00:05:37,680 Speaker 1: because she keeps saying poker face, poker face and then 84 00:05:37,720 --> 00:05:40,080 Speaker 1: there's like one instance where she says the word her 85 00:05:40,080 --> 00:05:43,280 Speaker 1: face right, and they left it in and ready just 86 00:05:43,320 --> 00:05:45,880 Speaker 1: played it. Nobody ever knew. I remember people mentioning that, 87 00:05:45,920 --> 00:05:47,600 Speaker 1: but I was like, oh, you're just hearing that, but 88 00:05:48,000 --> 00:05:50,560 Speaker 1: apparently was true. Here is number six from one of 89 00:05:50,600 --> 00:05:52,479 Speaker 1: my favorite bands of all time, favorite artists Been Folds 90 00:05:52,520 --> 00:05:55,080 Speaker 1: five Stephen's Last Night in Talents name of the song. 91 00:05:55,480 --> 00:05:57,680 Speaker 1: They were recording it in a house and towards the 92 00:05:57,720 --> 00:05:59,400 Speaker 1: end of the song you can hear a phone ringing, 93 00:05:59,760 --> 00:06:02,200 Speaker 1: but since it sounded like a fit, they left it in. 94 00:06:02,240 --> 00:06:04,120 Speaker 1: It's like two fifty six into the song. Here you 95 00:06:04,160 --> 00:06:15,520 Speaker 1: go last night and so that phones in the background, 96 00:06:15,520 --> 00:06:19,680 Speaker 1: it goes it's when it dropped. Yea, So hear it 97 00:06:19,680 --> 00:06:33,760 Speaker 1: in the more time last night. That's pretty funny. Look, 98 00:06:33,839 --> 00:06:37,360 Speaker 1: it's really good. It sounds like it fits because all 99 00:06:37,440 --> 00:06:39,800 Speaker 1: his drums and piano sounds like a keyboard, almost like 100 00:06:40,200 --> 00:06:43,560 Speaker 1: keep playing. It sounds like more. Mayhem added one more. 101 00:06:43,600 --> 00:06:46,920 Speaker 1: Here is bar lights from Whiskey Town. So Ryan Adams 102 00:06:47,000 --> 00:06:51,240 Speaker 1: is in Whiskeytown. Ryan Adams forgot his line, started laughing, 103 00:06:51,720 --> 00:06:55,320 Speaker 1: Caitlyn Carrey started laughing, and Ryan broke a string all 104 00:06:55,400 --> 00:06:57,880 Speaker 1: in one bad moment and they still use that take. 105 00:06:58,160 --> 00:07:00,400 Speaker 1: Now it's two five into the song. As the song 106 00:07:00,480 --> 00:07:03,800 Speaker 1: fades out, he explains what happened. So and there's an 107 00:07:03,800 --> 00:07:10,080 Speaker 1: F word and just here you go. Look, that won't 108 00:07:10,240 --> 00:07:17,400 Speaker 1: make you mad. That won't make you mad, that won't 109 00:07:17,520 --> 00:08:03,440 Speaker 1: make Here comes the explanation somewhere that did. It doesn't 110 00:08:03,440 --> 00:08:11,240 Speaker 1: have a very end like go, hey, there you go 111 00:08:12,320 --> 00:08:16,000 Speaker 1: broken string Right after that happened, you believe that I 112 00:08:16,120 --> 00:08:19,840 Speaker 1: forgot the line, started laughing and then my string broke. 113 00:08:21,800 --> 00:08:25,120 Speaker 1: All right, I'm going to the bar. So those are 114 00:08:25,120 --> 00:08:27,400 Speaker 1: the seven things. It's from Ultimate Guitar Solid article. Loved it. 115 00:08:27,440 --> 00:08:29,160 Speaker 1: I thought it was so good. Um and since where 116 00:08:29,160 --> 00:08:32,679 Speaker 1: a music nerd podcast? Basically it gets no more music 117 00:08:32,720 --> 00:08:35,000 Speaker 1: nerdy than that. Some of them songs that aren't even singles, 118 00:08:35,120 --> 00:08:39,040 Speaker 1: they're just songs on records somewhere. So um yeah, there 119 00:08:39,040 --> 00:08:47,600 Speaker 1: you go. On the phone now Lauren Joe Black from 120 00:08:47,800 --> 00:08:50,160 Speaker 1: Country Now dot com and wandered to bring you on 121 00:08:50,200 --> 00:08:52,760 Speaker 1: to talk about five things to look forward to in 122 00:08:53,960 --> 00:08:55,400 Speaker 1: By the way, Lauren, what do your friends call you? 123 00:08:55,400 --> 00:08:56,920 Speaker 1: Do they call you? Lauren? Lauren Joe? What do they 124 00:08:56,920 --> 00:09:00,360 Speaker 1: what do they call you? Okay, that's what I lawresen 125 00:09:00,480 --> 00:09:04,320 Speaker 1: to Lauren in like my World, So sometimes I'm Lauren Joe, 126 00:09:04,400 --> 00:09:08,000 Speaker 1: but mostly it's Laurence at Lauren Joe Black on Instagram. 127 00:09:08,040 --> 00:09:11,440 Speaker 1: By the way, and Lauren has been covering country music 128 00:09:11,480 --> 00:09:16,280 Speaker 1: since two thousand eight or so, Yes, because you started 129 00:09:16,440 --> 00:09:19,720 Speaker 1: the website country Music is Love way back in the day. 130 00:09:19,760 --> 00:09:22,760 Speaker 1: Is that right, Yeah, in two thousand eight. It's crazy 131 00:09:22,800 --> 00:09:24,240 Speaker 1: that you say that, because I was just thinking it 132 00:09:24,559 --> 00:09:27,360 Speaker 1: will be twelve years that I've been covering country music 133 00:09:27,440 --> 00:09:30,600 Speaker 1: this year, and then you sold that to a record 134 00:09:30,679 --> 00:09:32,760 Speaker 1: label and they changed the name of it. Was my 135 00:09:32,800 --> 00:09:34,360 Speaker 1: story right on this and it's all kind of coming 136 00:09:34,360 --> 00:09:37,520 Speaker 1: back to me now. Yeah. So I sold it to 137 00:09:38,120 --> 00:09:42,600 Speaker 1: a record label in Nashville and I was the editor there. 138 00:09:43,000 --> 00:09:45,640 Speaker 1: Um we rebranded it to Sounds like Nashville and I 139 00:09:45,679 --> 00:09:48,199 Speaker 1: was the editor there for a couple of years. And 140 00:09:48,240 --> 00:09:52,760 Speaker 1: then in two thousand nineteen, I launched a new website, 141 00:09:52,880 --> 00:09:55,680 Speaker 1: which is Country Now and I'm loving it and the 142 00:09:55,720 --> 00:09:59,800 Speaker 1: response has been really great and excited to be working 143 00:09:59,800 --> 00:10:01,839 Speaker 1: on a it again this year, so check her out 144 00:10:01,840 --> 00:10:04,400 Speaker 1: and check out country now dot com. Five things to 145 00:10:04,480 --> 00:10:08,040 Speaker 1: look forward to what is and let's go in reverse order. 146 00:10:08,080 --> 00:10:10,439 Speaker 1: So five are these in order for you? Or no? 147 00:10:10,559 --> 00:10:13,400 Speaker 1: Are they just at random? Five? I just did a 148 00:10:13,480 --> 00:10:15,640 Speaker 1: random Okay, so we'll just do number one. What's the 149 00:10:15,679 --> 00:10:19,600 Speaker 1: first thing we're looking forward to? Well, I think for 150 00:10:19,760 --> 00:10:22,240 Speaker 1: me and a lot of country fans, it's just seeing 151 00:10:22,360 --> 00:10:25,640 Speaker 1: Luke Combs continue to skyrocket to the top. I mean, 152 00:10:25,720 --> 00:10:27,640 Speaker 1: he's already at the top of his game, and I 153 00:10:27,679 --> 00:10:32,040 Speaker 1: think that it will just continue in Um. I mean, 154 00:10:32,080 --> 00:10:35,000 Speaker 1: he's got what seven number ones, He dominated all the 155 00:10:35,040 --> 00:10:38,360 Speaker 1: awards shows, and I think it's really good for country music. 156 00:10:38,440 --> 00:10:42,720 Speaker 1: I feel like he's just your normal guy and people 157 00:10:42,720 --> 00:10:45,320 Speaker 1: can relate to him because of that, and I think 158 00:10:45,480 --> 00:10:48,839 Speaker 1: this year will continue to see him rise to the top. 159 00:10:49,000 --> 00:10:52,520 Speaker 1: And my bet is which you may agree, Um, we'll 160 00:10:52,520 --> 00:10:55,400 Speaker 1: probably see an Entertainer of the Year nomination on the horizon, 161 00:10:55,559 --> 00:10:57,800 Speaker 1: if not, you know, for the a c m S, 162 00:10:57,840 --> 00:11:00,560 Speaker 1: potentially the CMAZ later this year. You know, I was 163 00:11:00,600 --> 00:11:02,800 Speaker 1: talking about on air, I was doing a look into 164 00:11:02,800 --> 00:11:05,760 Speaker 1: the crystal ball and I actually predicted Luke Combs would 165 00:11:05,800 --> 00:11:07,680 Speaker 1: win Entertainer of the Year at the c MAS this 166 00:11:07,760 --> 00:11:11,240 Speaker 1: year and the same page there, and I know it's 167 00:11:11,360 --> 00:11:14,679 Speaker 1: it's rare for someone to come in never be nominated 168 00:11:14,760 --> 00:11:17,760 Speaker 1: and then just scoop up the wind. But it's almost 169 00:11:18,120 --> 00:11:25,160 Speaker 1: undeniable because it sells everything. No, he sells everything, tickets 170 00:11:25,240 --> 00:11:27,880 Speaker 1: and music. Yeah, And a couple of years ago, if 171 00:11:27,920 --> 00:11:31,120 Speaker 1: you said Luke, you know, everybody would just think Luke Brian. 172 00:11:31,200 --> 00:11:34,000 Speaker 1: You could just say it's Luke. But now you know 173 00:11:34,240 --> 00:11:36,560 Speaker 1: there's two Lukes, and you know it's kind of like 174 00:11:36,679 --> 00:11:38,880 Speaker 1: they're both at the top. But I think Luke Combs 175 00:11:38,920 --> 00:11:40,920 Speaker 1: is just going to take that edge this year and 176 00:11:40,920 --> 00:11:44,520 Speaker 1: we'll see, uh, a big, big year for him. Who 177 00:11:44,520 --> 00:11:46,319 Speaker 1: do you think got the bigger shaft at the c 178 00:11:46,480 --> 00:11:49,880 Speaker 1: MAS this year? Did you think that Carrie not winning 179 00:11:49,920 --> 00:11:55,160 Speaker 1: it or Luke Brian not being nominated was the bigger upset? Um, 180 00:11:55,200 --> 00:11:56,640 Speaker 1: that's a tough one, but I'm gonna have to go 181 00:11:56,679 --> 00:11:59,280 Speaker 1: with Carrie not winning. I just think that she did 182 00:11:59,320 --> 00:12:03,120 Speaker 1: everything right, Like she checked off all the boxes this year. 183 00:12:03,920 --> 00:12:07,280 Speaker 1: And um, you know, Luke music wise, like it's been 184 00:12:07,320 --> 00:12:10,680 Speaker 1: a while since we've had an album. Um, you know, 185 00:12:10,720 --> 00:12:12,640 Speaker 1: his touring is kind of cut back a little bit. 186 00:12:12,679 --> 00:12:15,760 Speaker 1: But I mean Carrie did everything and you know she's 187 00:12:15,800 --> 00:12:19,760 Speaker 1: at the Opry, she's you know, on all these national shows. 188 00:12:19,800 --> 00:12:22,840 Speaker 1: She did her massive tour, so I definitely would have 189 00:12:22,880 --> 00:12:24,559 Speaker 1: to say carry on that one, and they both were 190 00:12:24,679 --> 00:12:27,400 Speaker 1: big upsets that that it didn't happen. Now, I would 191 00:12:27,440 --> 00:12:30,600 Speaker 1: actually go the other way because you know, with Eric Church, 192 00:12:30,679 --> 00:12:33,360 Speaker 1: if he didn't want or Garth one, it's hard to 193 00:12:33,520 --> 00:12:37,280 Speaker 1: argue because everyone has their super strength. But with Luke Brian, 194 00:12:37,679 --> 00:12:39,760 Speaker 1: he had. He didn't put out a record, it's been 195 00:12:39,760 --> 00:12:41,520 Speaker 1: a while, but he did have a bunch of number ones, 196 00:12:41,760 --> 00:12:44,880 Speaker 1: and yes he did scale back touring. But two things happened. 197 00:12:45,200 --> 00:12:48,840 Speaker 1: One he got on a primetime television show, which kind 198 00:12:48,840 --> 00:12:52,320 Speaker 1: of raises his entertainer profile more than just a country artist. 199 00:12:52,520 --> 00:12:55,000 Speaker 1: I felt like him not being nominated. Again, there's not 200 00:12:55,040 --> 00:12:56,520 Speaker 1: a wrong answer, and I feel like both of them 201 00:12:56,760 --> 00:12:59,559 Speaker 1: were disappointments, but I feel like Luke Brian not being 202 00:12:59,600 --> 00:13:03,000 Speaker 1: nominated did was a shocker because he is the biggest 203 00:13:03,000 --> 00:13:05,719 Speaker 1: thing in contemporary country music right now. Yeah, I mean, 204 00:13:05,760 --> 00:13:08,000 Speaker 1: I definitely see your point because also when you hear 205 00:13:08,160 --> 00:13:10,440 Speaker 1: Entertainer of the Year, you immediately think, well, i've show, 206 00:13:10,520 --> 00:13:12,280 Speaker 1: but it actually is a lot of things that play 207 00:13:12,360 --> 00:13:15,840 Speaker 1: into that. It's their live show, but also you know 208 00:13:16,160 --> 00:13:19,320 Speaker 1: their presence as a whole, So being on a national 209 00:13:19,480 --> 00:13:22,720 Speaker 1: television show like American Idol of course is a big one. 210 00:13:22,800 --> 00:13:24,720 Speaker 1: So I do see your point there. For sure. That's 211 00:13:24,720 --> 00:13:28,520 Speaker 1: interesting that you interpret Entertainer of the Year because, and 212 00:13:28,559 --> 00:13:31,480 Speaker 1: this is the controversy or or just a debate, what 213 00:13:31,520 --> 00:13:33,520 Speaker 1: does that mean. I don't see Entertainer of the Year 214 00:13:33,559 --> 00:13:35,560 Speaker 1: as a live music thing. I see it as a 215 00:13:35,600 --> 00:13:38,600 Speaker 1: total three sixty like what do you add from all 216 00:13:38,600 --> 00:13:42,280 Speaker 1: the different angles? Now I'm not right, but it just 217 00:13:42,360 --> 00:13:44,480 Speaker 1: goes to show that two people who both work in 218 00:13:44,520 --> 00:13:48,640 Speaker 1: the industry can have a different interpretation on what Entertainer 219 00:13:48,679 --> 00:13:50,560 Speaker 1: of the Year means. And that's why people can be 220 00:13:50,600 --> 00:13:53,440 Speaker 1: disappointed that their person didn't win, because maybe they did 221 00:13:53,559 --> 00:13:56,240 Speaker 1: check the boxes that they thought Entertainer of the Year, 222 00:13:56,559 --> 00:13:59,520 Speaker 1: but maybe not the others. Right, Yeah, I definitely see that, 223 00:13:59,520 --> 00:14:02,600 Speaker 1: And I think fans, like from an outside, outside perspective, 224 00:14:02,679 --> 00:14:06,200 Speaker 1: really think about being an entertainer, you know, just their 225 00:14:06,640 --> 00:14:10,280 Speaker 1: literal live show. If that's the case, if it is 226 00:14:10,320 --> 00:14:13,199 Speaker 1: about a live show, then they got it right. And 227 00:14:13,640 --> 00:14:16,440 Speaker 1: I've seen everybody perform. Nobody outperforms Garth live and sells 228 00:14:16,480 --> 00:14:20,920 Speaker 1: more arenas than Garth in a row. So again, there 229 00:14:21,000 --> 00:14:23,760 Speaker 1: wasn't a wrong answer, but I felt like Luke not 230 00:14:23,840 --> 00:14:26,080 Speaker 1: being nominated for the c m A Award and Carrie 231 00:14:26,160 --> 00:14:29,600 Speaker 1: not winning. We're both general disappointments with the public. So 232 00:14:29,640 --> 00:14:31,560 Speaker 1: I wonder where you fell. And you know what, we disagree, 233 00:14:31,560 --> 00:14:33,040 Speaker 1: but I still like you, Mike. I still like her, 234 00:14:33,040 --> 00:14:35,800 Speaker 1: all right, We're still we don't have to dislike somebody 235 00:14:35,800 --> 00:14:39,640 Speaker 1: because we disagree. Number four, Lauren on the five things 236 00:14:39,680 --> 00:14:43,080 Speaker 1: look forward to, Well, I think it's a good segue. 237 00:14:43,280 --> 00:14:46,240 Speaker 1: So CMAS. I mean, this is a big year for 238 00:14:46,280 --> 00:14:49,520 Speaker 1: the CMA Awards because Carrie just announced that she's stepping 239 00:14:49,520 --> 00:14:53,200 Speaker 1: down from hosting after twelve years. And of course the 240 00:14:53,280 --> 00:14:56,840 Speaker 1: eleven years UM she was with Brad. This past year 241 00:14:57,000 --> 00:15:00,800 Speaker 1: she hosted with Reba and Dolly Parton, and you know, 242 00:15:00,920 --> 00:15:03,560 Speaker 1: it's it's a big thing. I think to think about, Um, 243 00:15:03,600 --> 00:15:05,520 Speaker 1: who's gonna host and how are they going to make 244 00:15:05,560 --> 00:15:08,720 Speaker 1: the show really big? Because Carry brought a lot of 245 00:15:08,720 --> 00:15:11,600 Speaker 1: star power to the show, definitely, rebut and Dolly did 246 00:15:11,640 --> 00:15:14,080 Speaker 1: this year. UM, and a lot of people are looking 247 00:15:14,120 --> 00:15:17,520 Speaker 1: at Thomas Rtt and Kelsey Ballerini. You know, they're thinking, hey, 248 00:15:17,560 --> 00:15:20,280 Speaker 1: maybe they'll be the next duo. They kind of UM 249 00:15:20,440 --> 00:15:23,080 Speaker 1: had a little training session as you could say with 250 00:15:23,160 --> 00:15:26,840 Speaker 1: the c m A Fest hosting um, which you did 251 00:15:26,840 --> 00:15:28,800 Speaker 1: to Bobby. So I mean, I don't know if your 252 00:15:29,000 --> 00:15:31,760 Speaker 1: calendar is open in early November, but maybe you should 253 00:15:31,840 --> 00:15:35,320 Speaker 1: leave it open because you could be a good contender 254 00:15:35,360 --> 00:15:37,720 Speaker 1: for that too. But I think this year the c 255 00:15:37,880 --> 00:15:40,880 Speaker 1: m A Awards will um, you know, definitely have to 256 00:15:41,320 --> 00:15:43,120 Speaker 1: They'll have to be big because they're going to have 257 00:15:43,160 --> 00:15:46,240 Speaker 1: to keep their audience and keep people watching without Carrie 258 00:15:46,280 --> 00:15:48,760 Speaker 1: and Brad. I'm gonna not comment on this just from 259 00:15:48,760 --> 00:15:51,160 Speaker 1: my own personal because I know too much that's happening 260 00:15:51,280 --> 00:15:53,600 Speaker 1: right now, and I'll say that the tr and Kelsey stuff, 261 00:15:53,600 --> 00:15:55,120 Speaker 1: people are just walking down the wrong track with that. 262 00:15:55,120 --> 00:15:58,000 Speaker 1: That's right now, it's not even in the conversation. I 263 00:15:58,040 --> 00:16:00,400 Speaker 1: don't think that. I don't think that they to do it. 264 00:16:00,440 --> 00:16:03,320 Speaker 1: I don't think I think they would, But it's not 265 00:16:03,440 --> 00:16:07,160 Speaker 1: going that direction right now. Things could change, well, you know, 266 00:16:07,280 --> 00:16:09,120 Speaker 1: some people think that when you're a host, it kind 267 00:16:09,120 --> 00:16:11,280 Speaker 1: of puts like a peg on you that you just 268 00:16:11,320 --> 00:16:13,680 Speaker 1: don't win anymore. And a lot of people have said 269 00:16:13,680 --> 00:16:17,920 Speaker 1: that about Carrie, you know, for whatever reason. But um, yeah, 270 00:16:17,960 --> 00:16:19,560 Speaker 1: I don't know. I mean that could make sense, like 271 00:16:19,640 --> 00:16:21,520 Speaker 1: if wherever they're out in their career if they didn't 272 00:16:21,520 --> 00:16:24,960 Speaker 1: want to do it. But now you really have me thinking, well, 273 00:16:25,000 --> 00:16:27,680 Speaker 1: here's the thing, is that anyone that goes into that 274 00:16:28,720 --> 00:16:31,480 Speaker 1: M I'm just walking on. I'll talk a lot. I 275 00:16:31,520 --> 00:16:35,560 Speaker 1: just know too. But um, here's what I'll say is 276 00:16:35,600 --> 00:16:39,240 Speaker 1: that anyone that goes into that, if they somewhat look 277 00:16:39,280 --> 00:16:41,680 Speaker 1: like Carrying Brad, They're going to be compared exactly to 278 00:16:41,760 --> 00:16:44,800 Speaker 1: Carry and Brad. And the last thing I would want 279 00:16:44,800 --> 00:16:47,080 Speaker 1: to be as another male and female artist hopping up 280 00:16:47,440 --> 00:16:49,680 Speaker 1: after Carrying Brad have done it for eleven or twelve years, 281 00:16:49,880 --> 00:16:51,560 Speaker 1: because it's gonna be like and we'll use them for 282 00:16:51,600 --> 00:16:53,280 Speaker 1: an example. And I will use them a example because 283 00:16:53,280 --> 00:16:56,000 Speaker 1: they're both friends of mine, t R and Kelsey. How 284 00:16:56,000 --> 00:16:58,080 Speaker 1: do they do compared to Carry and Brad? That is 285 00:16:58,160 --> 00:17:00,800 Speaker 1: not what you want. And you never want to follow 286 00:17:01,400 --> 00:17:03,600 Speaker 1: the guy. You want to follow the guy who follows 287 00:17:03,640 --> 00:17:08,159 Speaker 1: the guy. Now, Carrie had a deal with Dolly and 288 00:17:08,160 --> 00:17:10,480 Speaker 1: and Reba, and I'll say this too, I just get 289 00:17:10,480 --> 00:17:13,320 Speaker 1: myself in trouble. Carry and I share an agent um 290 00:17:13,359 --> 00:17:14,960 Speaker 1: which has nothing to do with C. M. A. Wards. 291 00:17:15,000 --> 00:17:18,119 Speaker 1: But I do know about that. There was only nothing 292 00:17:18,280 --> 00:17:21,520 Speaker 1: personal with Carrie leaving, she just felt like she had 293 00:17:21,560 --> 00:17:23,480 Speaker 1: done it all, and I don't think she wanted to 294 00:17:23,480 --> 00:17:27,000 Speaker 1: be stunt casted again with someone else, meaning she wasn't 295 00:17:27,040 --> 00:17:28,360 Speaker 1: She's not gonna hang it out for five or six 296 00:17:28,359 --> 00:17:30,760 Speaker 1: more years probably doing it. It'll only be a couple, 297 00:17:30,800 --> 00:17:31,919 Speaker 1: and I don't think she wanted to go through the 298 00:17:31,960 --> 00:17:34,080 Speaker 1: novelty of them putting somebody new with her every year. 299 00:17:35,000 --> 00:17:39,359 Speaker 1: So I'm gonna end on this note that I don't 300 00:17:39,880 --> 00:17:43,520 Speaker 1: think it'll be another guy girl pair of artists at 301 00:17:43,520 --> 00:17:45,760 Speaker 1: this point right now, because I don't think they wanted 302 00:17:45,800 --> 00:17:49,800 Speaker 1: to look like junior varsity care Carrie and Brad. Yes, 303 00:17:49,840 --> 00:17:51,800 Speaker 1: they don't want it to look like junior varsity carry 304 00:17:51,800 --> 00:17:54,400 Speaker 1: and Brad. I will say that, and I will now 305 00:17:54,480 --> 00:17:57,240 Speaker 1: walk away from this, thank you. But it's it's a 306 00:17:57,240 --> 00:18:01,560 Speaker 1: great people people are talking about and we'll stand by. Okay, 307 00:18:02,000 --> 00:18:04,080 Speaker 1: number what's I think I'm with the wrong orlder at 308 00:18:04,080 --> 00:18:06,600 Speaker 1: one than four? So now let's do two or what's 309 00:18:06,680 --> 00:18:10,080 Speaker 1: what's next up? Okay, so the next you know, the 310 00:18:10,119 --> 00:18:13,720 Speaker 1: female conversation. We've had the female conversation for years, but 311 00:18:13,720 --> 00:18:15,720 Speaker 1: I'm just gonna take a little bit of a twist 312 00:18:15,760 --> 00:18:18,000 Speaker 1: on it because you know, everyone wants female to get 313 00:18:18,000 --> 00:18:22,040 Speaker 1: more airplay, which I agree, but I'm thinking this is 314 00:18:22,080 --> 00:18:24,120 Speaker 1: just gonna be a really great year to look forward 315 00:18:24,160 --> 00:18:29,080 Speaker 1: to for great music coming from amazing artist to our female. Um, 316 00:18:29,119 --> 00:18:31,439 Speaker 1: and I was thinking about you know, we know Carly 317 00:18:31,520 --> 00:18:34,440 Speaker 1: Pierce has a record coming, Kelsey Ballerini will be announcing 318 00:18:34,440 --> 00:18:38,920 Speaker 1: her as any day, Lindsay l Ingrid Andrews, possibly something 319 00:18:38,920 --> 00:18:42,359 Speaker 1: from Gabby Barrett. And another one that which is huge 320 00:18:42,440 --> 00:18:44,440 Speaker 1: is the Dixie Chicks. So I think this is gonna 321 00:18:44,480 --> 00:18:47,800 Speaker 1: be a really really great year for females and um, 322 00:18:47,840 --> 00:18:50,640 Speaker 1: hopefully that will translate to airplay. But I mean, from 323 00:18:50,640 --> 00:18:53,800 Speaker 1: what I've heard of Carly's album, it's gonna be amazing. 324 00:18:54,600 --> 00:18:56,560 Speaker 1: And I mean all these ladies, I think it's just 325 00:18:56,600 --> 00:18:58,800 Speaker 1: going to be really really good. I would love a 326 00:18:58,840 --> 00:19:02,160 Speaker 1: Dixie Chicks album because like they just came back and said, hey, 327 00:19:02,600 --> 00:19:04,960 Speaker 1: take us or leave us, but we're country again and 328 00:19:05,000 --> 00:19:07,040 Speaker 1: here we are. I would love it. I would support 329 00:19:07,080 --> 00:19:09,760 Speaker 1: it so much. I've never not supported the Dixie Chicks. 330 00:19:10,280 --> 00:19:14,600 Speaker 1: I would just love it. And uh and uh, Kelsey 331 00:19:14,640 --> 00:19:16,320 Speaker 1: and I are good friends. I I don't listen to 332 00:19:16,359 --> 00:19:17,919 Speaker 1: many artists music before they put it out but I'll 333 00:19:17,960 --> 00:19:19,680 Speaker 1: say this, Kelsey and I've been been friends, and she 334 00:19:19,760 --> 00:19:21,879 Speaker 1: told me before she had a record deal, and and 335 00:19:21,920 --> 00:19:24,240 Speaker 1: so I do, well, we'll listen to things. And I 336 00:19:24,240 --> 00:19:26,560 Speaker 1: don't think she's announced, but she has some really cool 337 00:19:27,119 --> 00:19:29,679 Speaker 1: collapse on her record that are coming up that I've 338 00:19:29,720 --> 00:19:32,199 Speaker 1: been able to hear. Um, So the Kelsey stopps exciting 339 00:19:32,200 --> 00:19:35,280 Speaker 1: to me. Obviously, the Lindsay record is gonna be cool, 340 00:19:35,640 --> 00:19:37,359 Speaker 1: but also to me, I think there's a lot of 341 00:19:37,440 --> 00:19:40,639 Speaker 1: songs that aren't good about me. I think this is 342 00:19:40,640 --> 00:19:43,119 Speaker 1: the angry album about me, um, because the last time 343 00:19:43,240 --> 00:19:45,000 Speaker 1: was good about me. This album is gonna be her 344 00:19:45,119 --> 00:19:48,439 Speaker 1: kind of probably getting some of her frustration out about 345 00:19:48,440 --> 00:19:51,080 Speaker 1: our relationship. So as much as I think it's gonna 346 00:19:51,080 --> 00:19:53,040 Speaker 1: be great because Dan Help is producing it, who produced 347 00:19:53,080 --> 00:19:55,520 Speaker 1: Kane Brown, who produces basically everybody, they're gonna be a 348 00:19:55,520 --> 00:19:58,280 Speaker 1: great record, but one that I'm a little nervous about. UM, 349 00:19:58,359 --> 00:20:00,280 Speaker 1: and the and the Gabby Barrett stuff will be interesting too, 350 00:20:00,320 --> 00:20:02,560 Speaker 1: So I'm with you on most of that there. Um. 351 00:20:02,600 --> 00:20:04,119 Speaker 1: You know, I was talking on my show this morning 352 00:20:04,119 --> 00:20:11,760 Speaker 1: about uh female artists and how a revolution isn't good 353 00:20:11,800 --> 00:20:16,840 Speaker 1: an evolution is, and where a lot of these groups 354 00:20:16,880 --> 00:20:21,760 Speaker 1: will pressure programmers or playlist ers to go just put 355 00:20:21,800 --> 00:20:24,760 Speaker 1: a bunch of females in there, which, being an advocate 356 00:20:24,760 --> 00:20:26,720 Speaker 1: like I am, I've always said that's the absolute worst 357 00:20:26,720 --> 00:20:28,320 Speaker 1: thing to do, because what what what will happen and 358 00:20:28,320 --> 00:20:31,159 Speaker 1: I've seen happen is some of these pro And I 359 00:20:31,160 --> 00:20:32,720 Speaker 1: don't have a dog in this fight. I don't care 360 00:20:32,760 --> 00:20:34,640 Speaker 1: really what radio plays. I play what I want to play. 361 00:20:34,680 --> 00:20:37,639 Speaker 1: Sometimes I just let the tested songs play. But you 362 00:20:37,640 --> 00:20:39,240 Speaker 1: can play any songs around me I and be okay. 363 00:20:39,280 --> 00:20:41,560 Speaker 1: I get hired to talk. But and that's also why 364 00:20:41,560 --> 00:20:43,440 Speaker 1: I can be an advocate for certain kinds of music, 365 00:20:43,560 --> 00:20:46,480 Speaker 1: because I'm really not attached to anything specifically. But I've 366 00:20:46,520 --> 00:20:49,560 Speaker 1: seen in instances where they have taken just female records 367 00:20:49,560 --> 00:20:51,280 Speaker 1: and go okay, we're gonna slam lem up, and they 368 00:20:51,359 --> 00:20:53,040 Speaker 1: let them run for eight or nine or ten weeks, 369 00:20:53,040 --> 00:20:55,639 Speaker 1: and they don't get the research back because they haven't 370 00:20:55,680 --> 00:20:58,320 Speaker 1: been organically grown and haven't spent time with the records 371 00:20:58,320 --> 00:21:00,159 Speaker 1: on the radio. And then they go, we told you 372 00:21:00,240 --> 00:21:02,959 Speaker 1: it wasn't good, which isn't fair also to that female 373 00:21:03,080 --> 00:21:06,359 Speaker 1: artist because it didn't get to come up the same 374 00:21:06,400 --> 00:21:10,920 Speaker 1: slow system getting uh minor research at the beginning. You know, 375 00:21:10,960 --> 00:21:12,399 Speaker 1: if it didn't come back good, it was okay. They 376 00:21:12,440 --> 00:21:14,600 Speaker 1: were still going to grow it. So for a lot 377 00:21:14,640 --> 00:21:17,639 Speaker 1: of these programmers that are just throwing females in the mix, Like, 378 00:21:17,720 --> 00:21:19,680 Speaker 1: I love the idea of it, but it's not good 379 00:21:19,680 --> 00:21:21,840 Speaker 1: for long term because as soon as you throw something 380 00:21:21,880 --> 00:21:24,280 Speaker 1: in and it doesn't test well, they go, we told 381 00:21:24,320 --> 00:21:26,760 Speaker 1: you what did you want from us? We tried, it 382 00:21:26,960 --> 00:21:30,199 Speaker 1: didn't work. So I do love that we're seeing a 383 00:21:30,200 --> 00:21:33,400 Speaker 1: lot of A and R teams spend more time recruiting 384 00:21:33,440 --> 00:21:36,200 Speaker 1: developing female artists because that's where it starts. More record 385 00:21:36,280 --> 00:21:40,160 Speaker 1: labels are spending time, uh, nurturing these artists that Gabby 386 00:21:40,200 --> 00:21:42,240 Speaker 1: Barrett's a great example of that. They didn't just roll 387 00:21:42,280 --> 00:21:44,439 Speaker 1: out with a big album and stay here, let's go. 388 00:21:44,920 --> 00:21:47,560 Speaker 1: They spent time with our writing songs, putting out a song, 389 00:21:47,600 --> 00:21:50,399 Speaker 1: putting out a second song. So I'm in the camp 390 00:21:50,440 --> 00:21:54,119 Speaker 1: of it should have taken a few years and now 391 00:21:54,320 --> 00:21:56,560 Speaker 1: we're really getting ready to go, and and and ready 392 00:21:56,640 --> 00:22:00,159 Speaker 1: in prime for a bunch of these female artists to 393 00:22:00,440 --> 00:22:03,879 Speaker 1: grow even further. And Ingrid Andrews is stoppable train like 394 00:22:03,920 --> 00:22:06,720 Speaker 1: she is probably my favorite new artist, so Um, I 395 00:22:06,760 --> 00:22:08,480 Speaker 1: know I jumped in a lot of that of yours. Lauren, 396 00:22:09,480 --> 00:22:11,400 Speaker 1: Oh no, I love it. I love to hear your thoughts. 397 00:22:11,400 --> 00:22:13,200 Speaker 1: I mean I did. I think it's just going to 398 00:22:13,280 --> 00:22:15,480 Speaker 1: be incredible. And what what I think is amazing too, 399 00:22:15,520 --> 00:22:18,320 Speaker 1: is just I think that they're making really great music. 400 00:22:18,440 --> 00:22:20,440 Speaker 1: Like before people would say, well, the music isn't good, 401 00:22:20,480 --> 00:22:23,200 Speaker 1: but this is really good music. It just needs to 402 00:22:23,240 --> 00:22:26,080 Speaker 1: be heard. Next up, let's say, let's just call us one, 403 00:22:26,160 --> 00:22:31,000 Speaker 1: number four, number four or five. Okay, so, um, let's 404 00:22:31,040 --> 00:22:34,800 Speaker 1: see that. I'm just gonna just do a generic. This 405 00:22:34,880 --> 00:22:37,440 Speaker 1: is the tour, the year of tours. I mean, everyone 406 00:22:37,560 --> 00:22:43,040 Speaker 1: is headlining. The lineups are stacked. Um, fans just better 407 00:22:43,080 --> 00:22:45,560 Speaker 1: save their money or be really picky and choosy of 408 00:22:45,600 --> 00:22:48,399 Speaker 1: what they go see. Um. I mean, so far there's 409 00:22:48,440 --> 00:22:53,679 Speaker 1: been major tour announcements from Luke Coombs, Kenny Jesny, Miranda Lambert, 410 00:22:53,800 --> 00:22:56,320 Speaker 1: Jason Aldan, Thomas Rhett, and then also some of the 411 00:22:56,400 --> 00:22:58,960 Speaker 1: legendary artists like Rebuzz going back on the Road and 412 00:22:59,000 --> 00:23:02,480 Speaker 1: Alan Jackson. And I just think it's just such a 413 00:23:02,640 --> 00:23:05,880 Speaker 1: great time, um, you know, to get out go see 414 00:23:05,880 --> 00:23:08,320 Speaker 1: a show. And like I said, these lineups are stacked 415 00:23:08,359 --> 00:23:11,520 Speaker 1: like the Jason al Dean tour is Morgan Wallen and 416 00:23:11,680 --> 00:23:15,560 Speaker 1: Riley Green and Jason Aldean, like that is a good lineup. Um, 417 00:23:15,640 --> 00:23:18,200 Speaker 1: so fans are definitely getting their money's worth when they're 418 00:23:18,200 --> 00:23:21,199 Speaker 1: going to see these shows. And as a fan of 419 00:23:21,280 --> 00:23:24,160 Speaker 1: country music myself, I'm excited to go see them too. 420 00:23:24,480 --> 00:23:28,320 Speaker 1: The shows are great. Here's the frustration is that tickets 421 00:23:28,359 --> 00:23:31,720 Speaker 1: are so expensive, and these artists are doing a great 422 00:23:31,800 --> 00:23:34,840 Speaker 1: job of making the shows really pop, and they're they're 423 00:23:34,920 --> 00:23:37,920 Speaker 1: using a lot of technology to make the shows cooler. 424 00:23:37,960 --> 00:23:39,840 Speaker 1: They're making it more of a three sixty experience a 425 00:23:39,840 --> 00:23:41,960 Speaker 1: lot of times. But you're right, if you don't save 426 00:23:41,960 --> 00:23:43,880 Speaker 1: your money, you get like one or two shows a year, 427 00:23:44,560 --> 00:23:47,960 Speaker 1: and it's it's kind of the old Um, what do 428 00:23:47,960 --> 00:23:50,359 Speaker 1: you want a really great, amazing show or a cheaper 429 00:23:50,359 --> 00:23:52,439 Speaker 1: ticket because they don't come together. You're not gonna get 430 00:23:52,440 --> 00:23:53,720 Speaker 1: a show where they spend a bunch of money on 431 00:23:53,760 --> 00:23:57,400 Speaker 1: the show and you pay ten bucks. So it is there, 432 00:23:57,920 --> 00:24:01,720 Speaker 1: and I think that more amazing shows there are the 433 00:24:01,720 --> 00:24:05,040 Speaker 1: better just for fans. They're more to choose from. But tickets, man, 434 00:24:05,119 --> 00:24:08,200 Speaker 1: they are really getting up there, especially if you want 435 00:24:08,520 --> 00:24:10,840 Speaker 1: something on the floor or mid level, they're like a 436 00:24:10,960 --> 00:24:15,399 Speaker 1: hundred bucks apiece. Yeah, and especially if you want to 437 00:24:15,440 --> 00:24:19,399 Speaker 1: go to Vegas, like these Vegas shows, Crazy Brooks and Done, 438 00:24:19,440 --> 00:24:23,040 Speaker 1: Shania Twain, Keith Urban, they're all out in Vegas this year, 439 00:24:23,080 --> 00:24:26,560 Speaker 1: and those are very pricey. Yeah, but I'll also say this, 440 00:24:27,000 --> 00:24:29,159 Speaker 1: and again, Laurena, we have an advantage because we're in 441 00:24:29,160 --> 00:24:30,920 Speaker 1: the industry. We don't have to pay for tickets anymore. Right, 442 00:24:31,720 --> 00:24:35,080 Speaker 1: But you know, yeah, spoiled. I grew up broke though, 443 00:24:35,080 --> 00:24:37,960 Speaker 1: so I'm always watching money. And I went to Riba 444 00:24:38,040 --> 00:24:41,320 Speaker 1: and Brooks and Dune in Vegas and it wouldn't matter 445 00:24:41,440 --> 00:24:43,560 Speaker 1: what that ticket cost. That's a once in a lifetime 446 00:24:43,600 --> 00:24:46,080 Speaker 1: kind of thing. That was really an amazing show. And 447 00:24:46,119 --> 00:24:47,480 Speaker 1: so that's one of those where I'm like, man, if 448 00:24:47,480 --> 00:24:48,720 Speaker 1: you got to save up to go to that show 449 00:24:48,720 --> 00:24:50,480 Speaker 1: and you love them, you should go to that show 450 00:24:50,520 --> 00:24:52,400 Speaker 1: if you love them. Um, So all right, and give 451 00:24:52,440 --> 00:24:56,200 Speaker 1: me the last one of the five things, Lauren. Alright, 452 00:24:56,200 --> 00:24:59,320 Speaker 1: So this is just this is my personal favorite. It's 453 00:24:59,359 --> 00:25:01,239 Speaker 1: just I feel like the past couple of years we've 454 00:25:01,280 --> 00:25:05,320 Speaker 1: seen this resurgence of a traditional like nineties country sound. 455 00:25:05,680 --> 00:25:08,280 Speaker 1: We're getting away from like the bro country sounds too. 456 00:25:09,040 --> 00:25:12,000 Speaker 1: Artists leading the pack of this are you know, John Party, 457 00:25:12,359 --> 00:25:16,080 Speaker 1: Riley Green, Luke Hoombs again, Morgan Wallen, Um and even 458 00:25:16,119 --> 00:25:19,160 Speaker 1: Carly Pierce I think kind of has that, like especially Um. 459 00:25:19,240 --> 00:25:21,520 Speaker 1: Her latest single I Hope You're Happy Now kind of 460 00:25:21,560 --> 00:25:25,120 Speaker 1: has a more throwback five. But personally I love nineties 461 00:25:25,160 --> 00:25:29,080 Speaker 1: country and I think that just this leaning toward that 462 00:25:29,160 --> 00:25:32,359 Speaker 1: throwback sound is really cool and I think we're going 463 00:25:32,400 --> 00:25:35,240 Speaker 1: to keep seeing that. How do you feel about Rascal 464 00:25:35,240 --> 00:25:38,840 Speaker 1: Flats breaking up? Now? Okay, so yeah, that was breaking 465 00:25:38,840 --> 00:25:40,520 Speaker 1: news this morning as I was trying to get out 466 00:25:40,520 --> 00:25:43,800 Speaker 1: the door to take my kids to school, And honestly, 467 00:25:44,000 --> 00:25:46,800 Speaker 1: I have to admit I kind of saw it coming. Um. 468 00:25:46,800 --> 00:25:49,679 Speaker 1: I had heard that there was some they weren't re 469 00:25:49,840 --> 00:25:52,960 Speaker 1: signed to their contract at their record label this fall, 470 00:25:53,320 --> 00:25:56,560 Speaker 1: and so I kind of thought something like this was coming. Um, 471 00:25:57,280 --> 00:25:58,920 Speaker 1: And I think they're going out on a good note. 472 00:25:58,960 --> 00:26:01,280 Speaker 1: I mean, twenty years, it's a long time to be together. 473 00:26:01,960 --> 00:26:04,479 Speaker 1: But again, I'm not surprised. I kind of think when 474 00:26:04,560 --> 00:26:08,400 Speaker 1: Dan and Shay started to get popular, which now they're 475 00:26:08,440 --> 00:26:12,040 Speaker 1: just megastars, I kind of feel like they've filled that 476 00:26:12,160 --> 00:26:14,399 Speaker 1: place for Rascal Flats, Like I hate to say that 477 00:26:14,480 --> 00:26:16,440 Speaker 1: there's only one place for someone to sort of sound 478 00:26:16,480 --> 00:26:18,960 Speaker 1: like that, But I don't know how you feel about it, 479 00:26:18,960 --> 00:26:21,199 Speaker 1: but that's kind of how I feel. And then since then, 480 00:26:21,240 --> 00:26:24,520 Speaker 1: we've kind of seen like a decline of Rascal Flats 481 00:26:24,560 --> 00:26:28,360 Speaker 1: popularity on the radio. Um, but I mean, I love 482 00:26:28,440 --> 00:26:31,399 Speaker 1: them and I think that they're especially their older music is, 483 00:26:31,560 --> 00:26:34,159 Speaker 1: you know, something what I grew up listening to in 484 00:26:34,440 --> 00:26:36,960 Speaker 1: college in high school, So I don't always have a 485 00:26:37,000 --> 00:26:39,120 Speaker 1: little special place in my heart. But I can't say 486 00:26:39,119 --> 00:26:41,600 Speaker 1: I was very surprised. Are you saying that was in 487 00:26:41,720 --> 00:26:43,560 Speaker 1: fighting with the guys? Is that what I'm hearing you saying? 488 00:26:45,119 --> 00:26:47,080 Speaker 1: What are you saying there was fighting with the three guys? 489 00:26:47,119 --> 00:26:49,320 Speaker 1: Are you saying that? I don't think that there was fighting, 490 00:26:49,480 --> 00:26:51,600 Speaker 1: And I just I just think that maybe they were 491 00:26:51,640 --> 00:26:53,600 Speaker 1: just kind of already. I mean, when you do something 492 00:26:53,680 --> 00:26:55,760 Speaker 1: like if you go to a job every day for 493 00:26:55,880 --> 00:26:59,240 Speaker 1: twenty years, you know, maybe you kind of get sick 494 00:26:59,240 --> 00:27:01,360 Speaker 1: of it. I don't know, I love my job so much, 495 00:27:01,359 --> 00:27:03,439 Speaker 1: so I don't look at it as a as a 496 00:27:03,520 --> 00:27:06,080 Speaker 1: job that I get sick of. But maybe it just 497 00:27:06,160 --> 00:27:08,640 Speaker 1: kind of became they felt like they did what they 498 00:27:08,640 --> 00:27:11,080 Speaker 1: could do and they're going to move on. But I 499 00:27:11,080 --> 00:27:13,160 Speaker 1: mean I've seen a couple of people joke online like 500 00:27:13,640 --> 00:27:18,280 Speaker 1: Rascal Flats Reunion Tour, you know. So, I mean, who knows, 501 00:27:18,320 --> 00:27:20,200 Speaker 1: maybe they'll get back together in a couple of years 502 00:27:20,200 --> 00:27:23,560 Speaker 1: and we can relive all those hits together. But I 503 00:27:23,640 --> 00:27:26,440 Speaker 1: just had a feeling it was coming. I definitely don't 504 00:27:26,440 --> 00:27:28,159 Speaker 1: think they were fighting. I was making a joke with that. 505 00:27:28,400 --> 00:27:30,280 Speaker 1: And also I know a couple of them pretty well. 506 00:27:30,280 --> 00:27:32,679 Speaker 1: I think you're onto the They have a lot of 507 00:27:32,800 --> 00:27:36,320 Speaker 1: other interests right now. I think that you know, Jay 508 00:27:36,440 --> 00:27:38,560 Speaker 1: has got his own record label going. He's spending a 509 00:27:38,600 --> 00:27:42,400 Speaker 1: lot of time doing that, developing artists. Gary's target hunting 510 00:27:42,480 --> 00:27:46,000 Speaker 1: and building a moving company. Uh. And so yeah, they've 511 00:27:46,280 --> 00:27:48,240 Speaker 1: they've I think they've run their course at their label, 512 00:27:48,280 --> 00:27:49,880 Speaker 1: and you know what, they will reunite in a few 513 00:27:49,920 --> 00:27:51,960 Speaker 1: years and they'll make a much more money. And they 514 00:27:52,040 --> 00:27:53,959 Speaker 1: got a bunch of money. If you're not loving it 515 00:27:53,960 --> 00:27:59,320 Speaker 1: in your set, why would you keep going? Yeah, I agree, 516 00:27:59,400 --> 00:28:01,760 Speaker 1: I mean they can walk away from it and know that, 517 00:28:01,840 --> 00:28:03,920 Speaker 1: you know, they're leaving out on a high note. Good 518 00:28:03,960 --> 00:28:07,320 Speaker 1: for them, all right. Lauren Joe Black at Lauren Joe 519 00:28:07,359 --> 00:28:10,320 Speaker 1: Black on Instagram check out country now dot com and 520 00:28:10,359 --> 00:28:12,800 Speaker 1: country now dot com. Is what for our listeners here? 521 00:28:12,920 --> 00:28:16,080 Speaker 1: What will they find at country now dot com? Well, 522 00:28:16,119 --> 00:28:19,560 Speaker 1: the latest country music news, so, um, just anything that's 523 00:28:19,560 --> 00:28:22,680 Speaker 1: happening with their favorite artists. We also do some really 524 00:28:22,760 --> 00:28:25,840 Speaker 1: fun interviews like the puppy interview we got to do 525 00:28:25,920 --> 00:28:28,159 Speaker 1: with you and Stanley. That's when he was still a 526 00:28:28,160 --> 00:28:29,840 Speaker 1: good dog. By the way, he was still good then. 527 00:28:29,960 --> 00:28:33,520 Speaker 1: Now he's a nightmare. But yes, oh no, um. And 528 00:28:33,560 --> 00:28:36,680 Speaker 1: we also have um, you know, interviews with artists and 529 00:28:36,800 --> 00:28:41,239 Speaker 1: just lots of fun content plan for Yeah. Just check 530 00:28:41,280 --> 00:28:43,520 Speaker 1: it out and you can follow us on Twitter at 531 00:28:43,520 --> 00:28:48,120 Speaker 1: country now, Facebook, country Now, and Instagram at country Now. Well, 532 00:28:48,160 --> 00:28:50,760 Speaker 1: we appreciate the time. Thank you, welcome to the website 533 00:28:50,760 --> 00:28:52,239 Speaker 1: and check it out too, all right, Lauren, thank you? 534 00:28:52,240 --> 00:29:00,479 Speaker 1: All right by Lauren. By So, I want to take 535 00:29:00,480 --> 00:29:03,239 Speaker 1: a second talk about the Golden Globes because Mike has 536 00:29:03,240 --> 00:29:05,440 Speaker 1: a podcast now you can check out called Movie Mike's 537 00:29:05,680 --> 00:29:09,600 Speaker 1: Movie Podcast. Basically you just type in movie Mike and 538 00:29:09,680 --> 00:29:12,840 Speaker 1: you can hear him talk about his favorite movies, some 539 00:29:13,000 --> 00:29:15,320 Speaker 1: movie history I know in a recent episode talking about 540 00:29:15,280 --> 00:29:18,520 Speaker 1: Adam Sandler in doing dopey comedies, and doing serious work. 541 00:29:19,040 --> 00:29:23,320 Speaker 1: You talked about highest paid movies, so check out his podcast. 542 00:29:23,440 --> 00:29:25,120 Speaker 1: And because of that, and I watched a little bit 543 00:29:25,120 --> 00:29:27,800 Speaker 1: of the Golden Globes. With any award show, unless I 544 00:29:27,840 --> 00:29:29,880 Speaker 1: know the people, I kind of lose interest quickly. And 545 00:29:29,880 --> 00:29:32,120 Speaker 1: it's the weirdest one. It is because I mean, they're 546 00:29:32,560 --> 00:29:35,240 Speaker 1: sitting around here and it's it's kind of weird. We'll 547 00:29:35,280 --> 00:29:40,320 Speaker 1: start with the big ones here and Best Motion Picture Drama. 548 00:29:40,400 --> 00:29:44,720 Speaker 1: The big one. It was nineteen seventeen, The Irishman Joker, 549 00:29:45,160 --> 00:29:48,680 Speaker 1: Marriage Story and Two Popes. Now I did see The 550 00:29:48,720 --> 00:29:52,560 Speaker 1: Irishman Joker and the Two Popes? Did you see all 551 00:29:52,560 --> 00:29:54,520 Speaker 1: five of them? I haven't seen the Two Popes? And 552 00:29:54,600 --> 00:29:57,200 Speaker 1: nineteen seventeen hasn't had a full release yet. It comes 553 00:29:57,200 --> 00:30:00,080 Speaker 1: out Friday. Okay, So, but you saw a marriage story? 554 00:30:00,200 --> 00:30:01,560 Speaker 1: Did you like it? I like going a lot, but 555 00:30:01,720 --> 00:30:03,960 Speaker 1: I like it. I think he would is very dramatic 556 00:30:04,000 --> 00:30:07,040 Speaker 1: and it's real. Scarlett Johansson and Adam Driver just have 557 00:30:07,240 --> 00:30:10,200 Speaker 1: skipped over it so many times because I'm like, I 558 00:30:10,200 --> 00:30:13,760 Speaker 1: haven't been divorced. I haven't either, but I'm also not catholic. 559 00:30:14,320 --> 00:30:17,480 Speaker 1: Did you didn't watch Two Pokes and loved it? And 560 00:30:17,600 --> 00:30:24,680 Speaker 1: this it's um nonfiction. With some fiction. I would watch 561 00:30:24,720 --> 00:30:26,680 Speaker 1: the movie and then google what's real and what is 562 00:30:26,720 --> 00:30:28,840 Speaker 1: it because they don't hide what they're not making a 563 00:30:28,840 --> 00:30:31,600 Speaker 1: movie and then getting caught not telling the truth. But 564 00:30:31,640 --> 00:30:34,400 Speaker 1: they also intersplice some real the Pope because it's the story, 565 00:30:34,400 --> 00:30:36,800 Speaker 1: because what happened to Pope Benedict stepped down and Pope 566 00:30:36,800 --> 00:30:40,400 Speaker 1: Francis took over, and they didn't like each other, especially 567 00:30:40,440 --> 00:30:42,040 Speaker 1: from the beginning. Pope Francis like, take me out of 568 00:30:42,040 --> 00:30:44,960 Speaker 1: the running, and Bennedett got it. And then when Bennedict 569 00:30:45,080 --> 00:30:48,000 Speaker 1: was like, I gotta step down, a lot of the 570 00:30:48,040 --> 00:30:49,959 Speaker 1: sexual abuse stuff was going on. There's a lot going on, 571 00:30:50,000 --> 00:30:51,680 Speaker 1: and that's not why I said he stepped down, but 572 00:30:52,360 --> 00:30:54,920 Speaker 1: you know, you can read about it. Pope Francis was like, 573 00:30:54,920 --> 00:30:56,080 Speaker 1: I don't want to be the Pope. I don't I 574 00:30:56,080 --> 00:30:57,440 Speaker 1: don't think I deserve you the pope, and they made 575 00:30:57,520 --> 00:31:02,160 Speaker 1: him the pope. Crazy story great. I love the two popes. 576 00:31:02,200 --> 00:31:03,800 Speaker 1: It's a lot of talking back and forth and couldn't 577 00:31:03,840 --> 00:31:06,120 Speaker 1: be seen as boring if you're not dialed in and 578 00:31:06,400 --> 00:31:09,479 Speaker 1: like that. I'm not Catholic, so it wasn't that for me. 579 00:31:10,080 --> 00:31:11,800 Speaker 1: But I thought it was really good. Anthony Hopkins plays 580 00:31:11,800 --> 00:31:16,400 Speaker 1: the Pope Benedict's awesome. Yeah, um so okay, Marriage Story. 581 00:31:16,880 --> 00:31:19,360 Speaker 1: Give it out of five stars. Um, i'd say four 582 00:31:19,480 --> 00:31:22,000 Speaker 1: to five. Two Popes, I give it four out of five. 583 00:31:22,520 --> 00:31:25,440 Speaker 1: The Joker, I give a five out of five great 584 00:31:25,520 --> 00:31:29,760 Speaker 1: and give it four out of five is good. It 585 00:31:30,280 --> 00:31:33,800 Speaker 1: was real good to me, it wasn't great. Did we 586 00:31:33,840 --> 00:31:39,040 Speaker 1: watch it together? Okay, the Irishman, that's a three and 587 00:31:39,080 --> 00:31:43,640 Speaker 1: a half, very long. I give it four. I would 588 00:31:43,640 --> 00:31:45,640 Speaker 1: almost go to four and a half. But I did 589 00:31:45,680 --> 00:31:48,560 Speaker 1: watch it in two parts. And I love movies that 590 00:31:48,680 --> 00:31:53,440 Speaker 1: have history in it and I can learn because I 591 00:31:53,440 --> 00:31:56,920 Speaker 1: didn't know if people were I didn't know either. Yeah, 592 00:31:56,960 --> 00:31:59,640 Speaker 1: because the main character, not the guy who was doing 593 00:31:59,680 --> 00:32:02,520 Speaker 1: the killing, but the Jimmy Hoffa. I don't know any 594 00:32:02,560 --> 00:32:05,360 Speaker 1: about Jimmy happen now I do. He led the team stores, 595 00:32:05,360 --> 00:32:10,040 Speaker 1: he led the union, was also doing mob stuff. Um. 596 00:32:10,120 --> 00:32:12,360 Speaker 1: But but I like all these that I've seen. I 597 00:32:12,440 --> 00:32:16,200 Speaker 1: liked it one. Yeah that's crazy, and I haven't seen it. 598 00:32:16,240 --> 00:32:17,920 Speaker 1: You haven't seen it. It's a warm movie, like all 599 00:32:17,960 --> 00:32:21,280 Speaker 1: in one continuous shot World War One. Yeah, they shot 600 00:32:21,280 --> 00:32:23,560 Speaker 1: the holding one shot the whole movie, the whole movie. 601 00:32:23,600 --> 00:32:25,040 Speaker 1: I mean, I think they like found a way to 602 00:32:25,160 --> 00:32:27,280 Speaker 1: edit it together, but it's you never see a cut away, 603 00:32:27,360 --> 00:32:30,360 Speaker 1: so the whole thing is just one continuous shot. That's cool. 604 00:32:31,360 --> 00:32:32,800 Speaker 1: I wonder when the whole movie will be made with 605 00:32:32,800 --> 00:32:37,000 Speaker 1: the iPhone. I've had that idea, like like Apple will 606 00:32:37,160 --> 00:32:39,479 Speaker 1: pay for movies to be shot with with iPhone vertically. 607 00:32:39,520 --> 00:32:43,600 Speaker 1: I would love it, and not even just vertically, just 608 00:32:44,520 --> 00:32:46,240 Speaker 1: shoot a sideways. But they can just say we shot 609 00:32:46,280 --> 00:32:49,600 Speaker 1: the whole movie on Apple Plus with iPhones. People have 610 00:32:49,640 --> 00:32:51,600 Speaker 1: done that with music videos, but I haven't seen anything 611 00:32:51,600 --> 00:32:57,760 Speaker 1: with movies yet. Best Performance by an Actress an emotion picture. Um. 612 00:32:57,880 --> 00:33:01,040 Speaker 1: The winner was renee Zelwigger for Judy. Yeah, she one 613 00:33:01,080 --> 00:33:06,200 Speaker 1: and like sixteen years? Have you seen it? Is it out? Yeah? 614 00:33:06,240 --> 00:33:08,760 Speaker 1: I haven't seen a boy Judy Garland? Right? Yeah? Did 615 00:33:08,760 --> 00:33:10,920 Speaker 1: you see any of these? Have you seen a little one? Women? 616 00:33:11,360 --> 00:33:12,760 Speaker 1: And I taught my list to see, but I haven't 617 00:33:12,760 --> 00:33:14,400 Speaker 1: seen it yet. I'm gonna wait for your review on that. 618 00:33:14,800 --> 00:33:16,760 Speaker 1: I think it would be good. Everybody loves it that's 619 00:33:16,760 --> 00:33:19,840 Speaker 1: seen it, yeah, Um, Soul Johanson and Merrit Story didn't. 620 00:33:20,040 --> 00:33:22,520 Speaker 1: Cynthia Rebo and Harriet didn't. Win and Charlie Stare on 621 00:33:22,560 --> 00:33:23,880 Speaker 1: a bomb show. What you tried to go see but 622 00:33:23,920 --> 00:33:25,440 Speaker 1: it was sold out? I ended up to get to 623 00:33:25,440 --> 00:33:27,800 Speaker 1: see it, but I had in a weird seat. What 624 00:33:27,840 --> 00:33:30,240 Speaker 1: do you think It's hard to like that movie because 625 00:33:30,280 --> 00:33:32,240 Speaker 1: what it's about. Yeah, and I didn't think it was 626 00:33:32,360 --> 00:33:36,520 Speaker 1: done particularly well. Well, I didn't love it. No acting 627 00:33:36,640 --> 00:33:38,920 Speaker 1: is really good, but just the way they set it up, 628 00:33:38,920 --> 00:33:41,080 Speaker 1: it could have been better. Best performance by an actor 629 00:33:41,160 --> 00:33:43,320 Speaker 1: Joaquin Phoenix and Joker one. I have no problem with that. 630 00:33:43,360 --> 00:33:45,560 Speaker 1: He was great, and especially for what he was trying 631 00:33:45,560 --> 00:33:47,160 Speaker 1: to do. I feel like he nailed what he was 632 00:33:47,200 --> 00:33:51,560 Speaker 1: trying to nail. Uh. Jonathan Price from the two popes 633 00:33:51,600 --> 00:33:55,200 Speaker 1: who played Pope Francis look just like him too, just 634 00:33:55,280 --> 00:33:58,080 Speaker 1: like him? Adam Driving Merrit story didn't win Antonio Banderia's 635 00:33:58,080 --> 00:34:00,560 Speaker 1: Painting Glory Christian Bale Ford versus for Ari. Did you 636 00:34:00,600 --> 00:34:02,400 Speaker 1: see that one? Yeah? Did you like it? It's good? 637 00:34:02,600 --> 00:34:04,280 Speaker 1: I had a friend that saw it instead. It was 638 00:34:04,400 --> 00:34:06,760 Speaker 1: just fantastic. I don't I have no interest, but maybe 639 00:34:06,800 --> 00:34:09,439 Speaker 1: I should. I think you would like it, yea, But yeah, 640 00:34:09,480 --> 00:34:12,120 Speaker 1: Walking Phoenix for Joker. Everybody stood up and clapped in 641 00:34:12,160 --> 00:34:14,319 Speaker 1: gave a standing ovation except for Beyonce. Did you see that? 642 00:34:14,880 --> 00:34:16,680 Speaker 1: It sort of follow up as to why, and she 643 00:34:16,680 --> 00:34:19,600 Speaker 1: didn't make a statement why. They were just speculating Best 644 00:34:19,600 --> 00:34:24,040 Speaker 1: Motion Picture, Musical or Comedy. Your nominees were Dolomite is 645 00:34:24,080 --> 00:34:25,759 Speaker 1: My Name, which I see on my Netflix all the 646 00:34:25,760 --> 00:34:29,600 Speaker 1: time with Eddie Murphy and it's based on a real story. 647 00:34:30,040 --> 00:34:32,000 Speaker 1: I didn't have to watch some of these movies. It 648 00:34:32,040 --> 00:34:33,839 Speaker 1: pops up and I'm like, I have to get rid 649 00:34:33,880 --> 00:34:36,359 Speaker 1: of the because it's on Netflix. It sucks. Right after 650 00:34:36,560 --> 00:34:38,479 Speaker 1: I have to get they're putting out good movies now 651 00:34:39,400 --> 00:34:41,759 Speaker 1: Jojo Rabbit. Do you know what that is? It's a 652 00:34:42,360 --> 00:34:49,920 Speaker 1: like a comedy with like Nazis Knives Out. You saw that. 653 00:34:50,040 --> 00:34:51,680 Speaker 1: I haven't seen it. Oh yeah, I thought you went 654 00:34:51,719 --> 00:34:54,560 Speaker 1: to see Knives Now once part of Time in Hollywood 655 00:34:54,600 --> 00:34:57,200 Speaker 1: and Rocket Man once Part Time in Hollywood. One. I 656 00:34:57,200 --> 00:34:59,879 Speaker 1: thought it was pretty good. I love that one law 657 00:35:00,680 --> 00:35:03,600 Speaker 1: it's three hours three long. I thought Brad Pitt was 658 00:35:03,640 --> 00:35:08,479 Speaker 1: great in it, probably the start. Yeah, yeah, I thought 659 00:35:08,480 --> 00:35:12,000 Speaker 1: his character allowed you to like him more. I don't 660 00:35:12,000 --> 00:35:14,040 Speaker 1: know who's acting was better, because they they were both 661 00:35:14,040 --> 00:35:16,840 Speaker 1: playing these characters. But I thought Brad Pitt's character was 662 00:35:16,880 --> 00:35:20,399 Speaker 1: such a likable, hard working, kind of fun guy who's 663 00:35:20,440 --> 00:35:23,400 Speaker 1: just appreciated being there. So I thought his character was 664 00:35:23,440 --> 00:35:26,280 Speaker 1: built to like him more. But yeah, it was great. 665 00:35:26,440 --> 00:35:28,840 Speaker 1: He was great. I liked a movie. It was just 666 00:35:28,920 --> 00:35:31,040 Speaker 1: I watched that one in once one setting though, were 667 00:35:31,040 --> 00:35:33,680 Speaker 1: the irishman I split into. Maybe I would have liked 668 00:35:33,719 --> 00:35:36,000 Speaker 1: once a Part of Time in Hollywood if I watched 669 00:35:36,000 --> 00:35:38,680 Speaker 1: it in two parts. But I liked it. And Charles 670 00:35:38,680 --> 00:35:42,760 Speaker 1: Manson's in that for a second, and the hippie girls 671 00:35:43,160 --> 00:35:47,879 Speaker 1: Hot or Not had armpit hair. Did you notice that? Yeah? 672 00:35:48,320 --> 00:35:50,040 Speaker 1: Best performance by an actress in a motion picture of 673 00:35:50,120 --> 00:35:54,839 Speaker 1: musical comedy Aquafina. That's her name? That like the Water? Yeah, 674 00:35:54,880 --> 00:35:59,200 Speaker 1: she named herself after the water. Huh, good for her. 675 00:35:59,400 --> 00:36:03,920 Speaker 1: Did you ever see a farewell? Best performance by an actor? 676 00:36:03,920 --> 00:36:07,120 Speaker 1: Tarn Eagerton and rocket maner to say his name? Do 677 00:36:07,160 --> 00:36:09,960 Speaker 1: you like rocket Man? No? I didn't watch it because 678 00:36:09,960 --> 00:36:11,520 Speaker 1: everybody was like, it kind of sucks because it wasn't 679 00:36:11,560 --> 00:36:13,400 Speaker 1: and they were comparing it to Freddie Markeury movie. It 680 00:36:13,520 --> 00:36:15,560 Speaker 1: came out like what it was like the next big 681 00:36:15,600 --> 00:36:19,279 Speaker 1: biopick after that, and I didn't even like it. Best 682 00:36:19,280 --> 00:36:21,560 Speaker 1: performance by an actor and supporting role Brad Pitt Wins. 683 00:36:21,560 --> 00:36:24,399 Speaker 1: One time in Hollywood we talked about that music from 684 00:36:24,560 --> 00:36:27,080 Speaker 1: was from the Joker. I dont see the guy's name. 685 00:36:27,480 --> 00:36:30,880 Speaker 1: I thought there was. I try to wipe off the 686 00:36:30,920 --> 00:36:33,040 Speaker 1: dirt on the screen. But his name just has a 687 00:36:33,040 --> 00:36:36,839 Speaker 1: lot of it has a weird, weird accenting accents over them. Best. Okay, 688 00:36:36,920 --> 00:36:38,880 Speaker 1: let's get to some the television stuff. Your television limited 689 00:36:38,920 --> 00:36:44,640 Speaker 1: series Catch twenty two, Chernobyl, The Loudest Voice, unbelievable Listen. 690 00:36:44,680 --> 00:36:48,319 Speaker 1: Chernobyl was great. Did you ever watch Chernobyl? Like TV 691 00:36:48,360 --> 00:36:49,960 Speaker 1: shows where I started to dial in and go, man, 692 00:36:50,000 --> 00:36:52,360 Speaker 1: this is my spe I'm gonna do Bobby's TV Bobby Podcast. 693 00:36:53,120 --> 00:36:55,880 Speaker 1: Chernobyl was great and true. I love true. I like 694 00:36:55,960 --> 00:36:58,000 Speaker 1: to be entertained and learned at the same time, because 695 00:36:58,040 --> 00:36:59,879 Speaker 1: even if I'm not super entertained and I'm still learning 696 00:36:59,880 --> 00:37:01,920 Speaker 1: a fel like, I'm still in And even if it 697 00:37:02,040 --> 00:37:04,640 Speaker 1: just gives me two roads to enjoy, and if one 698 00:37:04,640 --> 00:37:06,960 Speaker 1: of them falls off a little bit, it's like the 699 00:37:07,080 --> 00:37:09,279 Speaker 1: two Popes. Some of it is a bit fictional, but 700 00:37:09,400 --> 00:37:12,359 Speaker 1: some loly I'm entertaining. I'm still in and even if 701 00:37:12,360 --> 00:37:14,799 Speaker 1: it's if it's true and I'm not as entertained. I'm like, oh, 702 00:37:14,800 --> 00:37:17,080 Speaker 1: but I'm learning, I'm still in or catching I love 703 00:37:17,120 --> 00:37:20,480 Speaker 1: the Two Roads or walk Down. Um. Michelle Williams wins 704 00:37:21,440 --> 00:37:24,719 Speaker 1: Best Director of from nineteen seventeen. I'm just looking at it. 705 00:37:24,760 --> 00:37:27,479 Speaker 1: I don't care about this other stuff, you know. Best 706 00:37:27,480 --> 00:37:30,960 Speaker 1: Original Song I'm Gonna Love Me Again from Rocket Man. 707 00:37:31,320 --> 00:37:33,800 Speaker 1: I don't know what that is. Best Television Series, Fleetbag 708 00:37:33,840 --> 00:37:37,520 Speaker 1: one again. I saw The Marvelous mist Masal nominated it 709 00:37:37,680 --> 00:37:40,319 Speaker 1: and I started that, except I started in season three. 710 00:37:41,000 --> 00:37:42,719 Speaker 1: Just pushed play. I'm like, I'm finally gonna watch it, 711 00:37:43,080 --> 00:37:44,520 Speaker 1: and I pushed play and watch two episodes. I was like, 712 00:37:44,560 --> 00:37:46,800 Speaker 1: I don't get it. I'm lost. They kind of started 713 00:37:46,800 --> 00:37:49,000 Speaker 1: in a weird place. And then I was telling my friend. 714 00:37:49,000 --> 00:37:50,400 Speaker 1: I was like, how did you like the show? Because 715 00:37:50,400 --> 00:37:52,399 Speaker 1: she's like opening for this and he's like, no, dude, 716 00:37:52,400 --> 00:37:58,840 Speaker 1: you started season Um. Best Screenplay Quentin Tarantino for Once 717 00:37:58,920 --> 00:38:00,600 Speaker 1: upon a Time in Hollywood. I thought his speech was 718 00:38:00,600 --> 00:38:03,560 Speaker 1: funny because he was like, well, on paraphrase, I don't 719 00:38:03,600 --> 00:38:05,000 Speaker 1: know who to thin because I wrote it all myself. 720 00:38:06,760 --> 00:38:10,440 Speaker 1: Very awkward guy. Um, there you go. Anything you'd like 721 00:38:10,480 --> 00:38:13,720 Speaker 1: to say about the oscars um but yeah, the nomination 722 00:38:13,800 --> 00:38:16,160 Speaker 1: was coming out of the Golden Globes. I'm sorry and clothes. 723 00:38:16,200 --> 00:38:19,360 Speaker 1: People always say that they like predict like or like 724 00:38:19,400 --> 00:38:21,600 Speaker 1: an indicator who's gonna win an oscar and be nominated? 725 00:38:21,680 --> 00:38:24,239 Speaker 1: But I think it's just set up so differently that 726 00:38:24,360 --> 00:38:26,439 Speaker 1: I'm curious to see. Wouldn't come out next week Who'll 727 00:38:26,440 --> 00:38:31,319 Speaker 1: be nominated? And Ricky gervass Is opening monologue. I thought 728 00:38:31,320 --> 00:38:33,040 Speaker 1: it was great. He had a great line about him 729 00:38:33,120 --> 00:38:36,120 Speaker 1: Leonardo DiCaprio about him going to the premiere of Once 730 00:38:36,160 --> 00:38:38,120 Speaker 1: U final time in Hollywood and by the time it 731 00:38:38,200 --> 00:38:41,000 Speaker 1: was over, his day was too old for him. He went. 732 00:38:41,040 --> 00:38:44,880 Speaker 1: After that, I thought, too, where he goes, don't make 733 00:38:44,960 --> 00:38:47,080 Speaker 1: you political speeches. Don't get up him make a political 734 00:38:47,120 --> 00:38:50,960 Speaker 1: speech because uh and he shouts at Apple. He's like, Apple, 735 00:38:50,960 --> 00:38:53,920 Speaker 1: you're doing you know, you got a show about doing 736 00:38:54,000 --> 00:38:57,120 Speaker 1: right integrity, but you got sweatshops in China with kids, 737 00:38:57,360 --> 00:38:58,800 Speaker 1: And he's like, if Ice has had a stream and siderce, 738 00:38:58,840 --> 00:39:01,200 Speaker 1: you'd all be calling the agents. I thought that was 739 00:39:01,239 --> 00:39:03,000 Speaker 1: pretty good and pretty right on. Have you seen the 740 00:39:03,000 --> 00:39:05,839 Speaker 1: Morning Show? Yeah? You like it? Yeah, I think it's 741 00:39:05,880 --> 00:39:08,080 Speaker 1: I don't know, it feels like it's too dramatic. But yeah, 742 00:39:08,120 --> 00:39:11,799 Speaker 1: it's very dramatic. Um. I because I work in TV 743 00:39:11,840 --> 00:39:13,360 Speaker 1: and if working a prompter a lot, they kind of 744 00:39:13,360 --> 00:39:15,400 Speaker 1: suck at doing the TV part of it, like they 745 00:39:15,440 --> 00:39:18,319 Speaker 1: kind of suck his news anchors. But I thought the 746 00:39:18,320 --> 00:39:20,440 Speaker 1: show was pretty good. Another thing annoyed me was I 747 00:39:20,440 --> 00:39:22,959 Speaker 1: feel like they used big words in places they didn't 748 00:39:22,960 --> 00:39:25,040 Speaker 1: have to, Like sometimes they just use big words to 749 00:39:25,080 --> 00:39:27,120 Speaker 1: seem smart when they didn't have to. Who's the guy 750 00:39:27,160 --> 00:39:29,799 Speaker 1: that writes all that stuff? Who's a great writer and 751 00:39:29,840 --> 00:39:33,400 Speaker 1: he's known for writing really smart No, just in general, 752 00:39:33,400 --> 00:39:36,600 Speaker 1: he writes all those shows he used to write, like, um, 753 00:39:36,800 --> 00:39:40,480 Speaker 1: Sunset Square, that show that he wrote, like, I don't 754 00:39:40,480 --> 00:39:44,560 Speaker 1: know who cares. But he taught a class two in 755 00:39:44,680 --> 00:39:48,200 Speaker 1: one of those where you can take the lessons. Yeah 756 00:39:48,520 --> 00:39:50,720 Speaker 1: you did. But it felt like a show that where 757 00:39:50,760 --> 00:39:53,160 Speaker 1: he was a writer. Um, which means nothing because I 758 00:39:53,200 --> 00:39:56,040 Speaker 1: couldn't tell you who it is. But yeah, I didn't 759 00:39:56,040 --> 00:39:57,840 Speaker 1: like it though, Like I did like it a lot. 760 00:39:57,560 --> 00:39:59,680 Speaker 1: I thought Steve Correll was low key the star of 761 00:39:59,719 --> 00:40:05,240 Speaker 1: the show. Really. I thought he played that Matt lower 762 00:40:05,280 --> 00:40:09,120 Speaker 1: type character so good and at times you were torn 763 00:40:10,520 --> 00:40:14,440 Speaker 1: and you're going huh. Mostly you weren't, but at times 764 00:40:14,719 --> 00:40:16,960 Speaker 1: you kind of were. But he's like, I didn't break 765 00:40:17,000 --> 00:40:20,200 Speaker 1: the law, and then being but I thought he was. 766 00:40:20,320 --> 00:40:22,359 Speaker 1: He did. There's only a couple times where I felt 767 00:40:22,360 --> 00:40:26,160 Speaker 1: it was Michael Scott when he would laugh cut if 768 00:40:26,200 --> 00:40:27,920 Speaker 1: you go, and I would hear Michael Scott in him. 769 00:40:27,920 --> 00:40:30,560 Speaker 1: But yeah, I thought I would give it four out 770 00:40:30,560 --> 00:40:34,120 Speaker 1: of five stars. The show that is weird. I didn't 771 00:40:34,120 --> 00:40:36,440 Speaker 1: see him as Michael Scott at all, and that I 772 00:40:36,520 --> 00:40:38,319 Speaker 1: watched The Office every day in my last year, I 773 00:40:38,320 --> 00:40:42,360 Speaker 1: think at some point, but he didn't love it. Huh. 774 00:40:42,960 --> 00:40:48,200 Speaker 1: See who teaches that writing class on online? Because I 775 00:40:48,280 --> 00:40:49,879 Speaker 1: need to say who it is? And maybe he wrote 776 00:40:49,880 --> 00:40:53,719 Speaker 1: west Wing. If you say it, I'll know who it is. 777 00:40:54,840 --> 00:40:59,200 Speaker 1: So um and yeah, the oscars come out that the 778 00:40:59,280 --> 00:41:03,640 Speaker 1: monologue was. I think that's it. Yeah, I think that's 779 00:41:03,640 --> 00:41:07,640 Speaker 1: who it is. What else has he written? Uh, let's 780 00:41:07,680 --> 00:41:12,640 Speaker 1: see comes up as the west Wing? Yeah? Anything else? 781 00:41:14,120 --> 00:41:17,280 Speaker 1: As you say that. I watched the Kevin Hart docuseries. 782 00:41:17,400 --> 00:41:19,239 Speaker 1: Did you watch that? I haven't seen any I know 783 00:41:19,400 --> 00:41:25,240 Speaker 1: good The news Room, Yes, that's it, it's him, it's him. 784 00:41:25,320 --> 00:41:27,000 Speaker 1: The news Room was so good. It was one of 785 00:41:27,040 --> 00:41:29,200 Speaker 1: the guys from dumba dumber when he was the anchor. 786 00:41:29,239 --> 00:41:30,759 Speaker 1: It was so good. Yeah. Yeah, it felt like an 787 00:41:30,800 --> 00:41:34,120 Speaker 1: Aaron Sorkin where you write the people a little smarter 788 00:41:34,200 --> 00:41:37,720 Speaker 1: than they probably are. Did he write the Studio Sunset 789 00:41:37,760 --> 00:41:42,520 Speaker 1: strip show It's there? Oh yeah, it's on here. He 790 00:41:42,560 --> 00:41:46,759 Speaker 1: also wrote the Social Network, the movie Yeah Wow, and 791 00:41:46,800 --> 00:41:50,239 Speaker 1: a Few Good Men. He wrote that movie too. I 792 00:41:50,239 --> 00:41:53,080 Speaker 1: should have known his name just out of respect and 793 00:41:53,200 --> 00:41:55,800 Speaker 1: money Ball. That's a good one. The Kevin Hart documentary 794 00:41:55,800 --> 00:41:58,240 Speaker 1: is good, and in that they talked about him getting 795 00:41:58,239 --> 00:42:00,920 Speaker 1: fired from the Oscars. He talks about it happens while 796 00:42:00,920 --> 00:42:03,319 Speaker 1: they're doing the show. It's why they start the show. 797 00:42:03,920 --> 00:42:06,000 Speaker 1: They're like, He's like, oh my god. And then he also, 798 00:42:06,040 --> 00:42:07,680 Speaker 1: in the middle of shooting it gets caught cheating on 799 00:42:07,719 --> 00:42:10,560 Speaker 1: his wife and that's a whole episode where he like 800 00:42:10,560 --> 00:42:12,360 Speaker 1: calls all his boys in and they're like, what happened? 801 00:42:12,360 --> 00:42:14,400 Speaker 1: How did this get at? It's a whole it's good. 802 00:42:15,239 --> 00:42:17,840 Speaker 1: There's no stand up in it, so there's no comedy 803 00:42:18,080 --> 00:42:23,879 Speaker 1: straight straight yeah, like as reality as it will be there, 804 00:42:23,920 --> 00:42:26,600 Speaker 1: like not reality, like very cavaliery, which is all fake. 805 00:42:26,960 --> 00:42:28,480 Speaker 1: I mean I see them shooting around that show. I 806 00:42:28,520 --> 00:42:31,399 Speaker 1: is so fake. It's all scripted. It's so fake, it's 807 00:42:31,440 --> 00:42:33,920 Speaker 1: so dumb. But if you like that, good for you, 808 00:42:33,960 --> 00:42:36,040 Speaker 1: as long as you know that it's there's not an 809 00:42:36,080 --> 00:42:38,359 Speaker 1: ounce of truth in that show. But that's a lot 810 00:42:38,400 --> 00:42:40,799 Speaker 1: of those shows like that, those thirty minute people that 811 00:42:40,880 --> 00:42:45,640 Speaker 1: used to be on Jiguna Beach or what's it calling, yeah, 812 00:42:46,280 --> 00:42:49,040 Speaker 1: jiggoon not an idiot, the ELM, the j I think. 813 00:42:49,160 --> 00:42:53,200 Speaker 1: I think I'm a little turned around. Yeah, um, but 814 00:42:53,320 --> 00:42:57,080 Speaker 1: it's it seems pretty real because it gets really uncomfortable 815 00:42:58,120 --> 00:43:00,160 Speaker 1: and the text he's I think the cameras like there 816 00:43:00,200 --> 00:43:03,600 Speaker 1: when he gets the Texas like oh yeah, and his 817 00:43:03,680 --> 00:43:05,239 Speaker 1: PR person is talking with them, They're like, dude, you 818 00:43:05,280 --> 00:43:07,640 Speaker 1: screwed and he's like, I'm not apologizing. This is during 819 00:43:07,640 --> 00:43:10,000 Speaker 1: that the Oscars. It's good. Just check it out. You 820 00:43:10,000 --> 00:43:13,319 Speaker 1: would like it. I like it. I watch um all right, 821 00:43:14,160 --> 00:43:15,680 Speaker 1: I think that's it. Anything you want to say about 822 00:43:15,680 --> 00:43:17,399 Speaker 1: the Oscars, I know I had you on something before 823 00:43:17,400 --> 00:43:20,600 Speaker 1: you jumped. Oh no, I'm just looking forward. I really 824 00:43:20,640 --> 00:43:24,000 Speaker 1: want Joaquin Phoenix to win for Best Actor, like I 825 00:43:24,040 --> 00:43:26,920 Speaker 1: think he will. I hope he does. He will, And 826 00:43:26,960 --> 00:43:29,480 Speaker 1: he's also the Joker made a bunch of money and 827 00:43:29,520 --> 00:43:33,160 Speaker 1: he's the critics pick, and he gets skinny for roles, 828 00:43:33,320 --> 00:43:35,680 Speaker 1: and he does all the extra things. I think he 829 00:43:35,719 --> 00:43:38,480 Speaker 1: has all of those things. He's like Luke Combs. Isn't 830 00:43:38,480 --> 00:43:40,360 Speaker 1: country music now what you're talked about a bit earlier, 831 00:43:40,520 --> 00:43:43,839 Speaker 1: But like normal folks like him, contemporary, like the people 832 00:43:43,880 --> 00:43:46,200 Speaker 1: that are like bring Country's back, like them, Like everybody 833 00:43:46,280 --> 00:43:48,880 Speaker 1: likes him. He checks off all of the boxes on 834 00:43:48,880 --> 00:43:52,239 Speaker 1: who's gonna vote for him, because usually there's a part 835 00:43:52,239 --> 00:43:54,520 Speaker 1: of a box that nobody like. Who. You know, it's 836 00:43:54,520 --> 00:43:58,520 Speaker 1: not traditional enough country, I'm not gonna vote for him. Who? So, uh, 837 00:43:58,640 --> 00:44:02,480 Speaker 1: Walking Phoenix checks all those commercially viable and it's super 838 00:44:02,520 --> 00:44:07,440 Speaker 1: cool too, you know, the snobby voter. So I say you, 839 00:44:07,440 --> 00:44:09,200 Speaker 1: when I put money on that, that's probably the betting up. 840 00:44:09,239 --> 00:44:12,120 Speaker 1: I guess they're not nominated, and I'd just like to 841 00:44:12,120 --> 00:44:14,520 Speaker 1: see m Adam Sandler to get a nomination. Yeah, that 842 00:44:14,560 --> 00:44:16,000 Speaker 1: would be awesome. I mean you had snubbed from the 843 00:44:16,040 --> 00:44:18,719 Speaker 1: Golden Globe. Did you like the movie? Yeah, that's the 844 00:44:18,800 --> 00:44:21,359 Speaker 1: one I want to see right now, uncut gems right. Well, 845 00:44:21,400 --> 00:44:24,240 Speaker 1: I like it because I love sports, I love gambling. 846 00:44:24,280 --> 00:44:27,240 Speaker 1: I love Adam Sandler, but he's not playing Adam Sandler. 847 00:44:27,560 --> 00:44:30,239 Speaker 1: He's playing a straight ahead gotten. There's glimpses of like 848 00:44:30,440 --> 00:44:33,560 Speaker 1: old Squadam Sandler and it like just his laugh, kind 849 00:44:33,560 --> 00:44:35,160 Speaker 1: of like you said about Steve Carell. You're like, oh, yeah, 850 00:44:35,160 --> 00:44:37,239 Speaker 1: it's Adam Sandler. But then once it gets into it's 851 00:44:37,239 --> 00:44:39,480 Speaker 1: like whoa this dude and tense. Thank you guys for 852 00:44:39,480 --> 00:44:42,440 Speaker 1: hanging out. It's been episode to twenty um. I believe 853 00:44:42,840 --> 00:44:45,640 Speaker 1: hopefully if things work out right, Shay from Dan and 854 00:44:45,640 --> 00:44:48,319 Speaker 1: Sha will be on next right, that's our unless somebody 855 00:44:48,360 --> 00:44:49,719 Speaker 1: gets sick, which has happened before and we had to 856 00:44:49,719 --> 00:44:52,800 Speaker 1: move Russell back a few times happened before that. Shaye 857 00:44:52,840 --> 00:44:56,959 Speaker 1: Mooney from Dan and Shay should be our next episode. 858 00:44:57,080 --> 00:44:58,680 Speaker 1: Thank you very much. Share this on Instagram. If you 859 00:44:58,719 --> 00:45:01,800 Speaker 1: don't mind, check out Mike spot cast Movie mis Movie Podcast. 860 00:45:01,880 --> 00:45:03,239 Speaker 1: All you have to do is check movie Mike and 861 00:45:03,320 --> 00:45:05,120 Speaker 1: type it in there. You'll get it. And if you 862 00:45:05,160 --> 00:45:08,520 Speaker 1: don't mind, subscribe and give me give me all the stars, 863 00:45:09,040 --> 00:45:11,600 Speaker 1: all of them. Five is that it is all five 864 00:45:11,640 --> 00:45:14,360 Speaker 1: podcast stars and write write a comment if you don't mind, because, 865 00:45:14,400 --> 00:45:16,000 Speaker 1: as Mike says in this podcast, when you guys do 866 00:45:16,040 --> 00:45:19,879 Speaker 1: that really helps us float up the podcast charts and 867 00:45:19,920 --> 00:45:21,320 Speaker 1: share it and tell your friends it's good and we 868 00:45:21,360 --> 00:45:23,200 Speaker 1: appreciate that so much. It does help us. I hope 869 00:45:23,200 --> 00:45:25,400 Speaker 1: you have a great day. Thanks for checking out the podcast. 870 00:45:25,440 --> 00:45:29,240 Speaker 1: See soon, by everybody.