1 00:00:00,360 --> 00:00:08,320 Speaker 1: Oh, welcome back, everybody, how jolly indeed, welcome to a 2 00:00:08,440 --> 00:00:12,920 Speaker 1: very Christmas e episode of Ridiculous Romance. Yeah, I'm Eli, 3 00:00:13,080 --> 00:00:15,880 Speaker 1: I'm Diana. We're so excited to have you back. Whether 4 00:00:15,920 --> 00:00:23,080 Speaker 1: you celebrate Christmas or not, whether you celebrate it traditionally, religiously, commercially, 5 00:00:23,680 --> 00:00:26,759 Speaker 1: or whether you can't stand it and you just wanted 6 00:00:26,840 --> 00:00:30,520 Speaker 1: to go away already. Um. Either way, I hope you're 7 00:00:30,520 --> 00:00:33,360 Speaker 1: having a great weekend and that you're feeling full of 8 00:00:33,920 --> 00:00:37,600 Speaker 1: joy and cheer, or at least tolerating all the joy 9 00:00:37,640 --> 00:00:42,320 Speaker 1: and cheer as it washes over you brings you into 10 00:00:42,320 --> 00:00:44,280 Speaker 1: a new year. I do know several people who have 11 00:00:44,320 --> 00:00:46,839 Speaker 1: been watching horror movies for the last few nights, so 12 00:00:46,880 --> 00:00:50,040 Speaker 1: perhaps they're combating all the joy and cheer with a 13 00:00:50,040 --> 00:00:54,720 Speaker 1: little horror horrifying. Some people aren't into joy and cheer. 14 00:00:54,760 --> 00:00:58,720 Speaker 1: I mean, I certainly can get my fill, sure it 15 00:00:58,760 --> 00:01:02,120 Speaker 1: doesn't take much, but I but I like feeling good 16 00:01:02,880 --> 00:01:06,240 Speaker 1: more than not, so I try to try to take 17 00:01:06,720 --> 00:01:09,240 Speaker 1: the best that I can from it. Yeah, I mean, 18 00:01:09,280 --> 00:01:13,120 Speaker 1: you know, I love Christmas because I like lights and nonsense. 19 00:01:14,280 --> 00:01:17,840 Speaker 1: Pine scented candles. That's my favorite scent is pine. Love 20 00:01:17,920 --> 00:01:19,680 Speaker 1: it but I don't like it the rest of the year. 21 00:01:20,280 --> 00:01:23,280 Speaker 1: I wouldn't light a pine scented candle in June or 22 00:01:23,319 --> 00:01:25,720 Speaker 1: even February because it's just it's wrong. Which is funny 23 00:01:25,760 --> 00:01:28,240 Speaker 1: because you can go to a pine forest at any 24 00:01:28,240 --> 00:01:30,440 Speaker 1: time of year and it just smells good and you 25 00:01:30,480 --> 00:01:32,920 Speaker 1: don't think immediately of Christmas. But I think you're right. 26 00:01:32,959 --> 00:01:35,679 Speaker 1: If you were to suddenly have a pine scented candle 27 00:01:35,840 --> 00:01:38,200 Speaker 1: going in May or something, it would be like kind 28 00:01:38,240 --> 00:01:40,399 Speaker 1: of weird, what's going on in here? Be like lighting 29 00:01:40,400 --> 00:01:45,280 Speaker 1: a pumpkin candles in May. I would never allow such 30 00:01:45,319 --> 00:01:49,880 Speaker 1: a thing. Bringing flowers only, yeah, and I don't want 31 00:01:49,960 --> 00:01:56,000 Speaker 1: daisies in October. You know. Now, Diana and I collect ornaments. 32 00:01:56,640 --> 00:01:59,000 Speaker 1: That's one of our our things. Whenever we travel and stuff, 33 00:01:59,000 --> 00:02:00,919 Speaker 1: we make sure we buy it. Chrisp Us ornaments somewhere, 34 00:02:01,040 --> 00:02:02,640 Speaker 1: something to hang on our tree. I mean, we have 35 00:02:03,680 --> 00:02:06,120 Speaker 1: write it, you know, if we try to remember where 36 00:02:07,400 --> 00:02:09,480 Speaker 1: where we were and we got it here, we got it. 37 00:02:09,560 --> 00:02:12,040 Speaker 1: So because of my memories ship I love who framed 38 00:02:12,080 --> 00:02:14,680 Speaker 1: Drowger Rabbit, and I could never find an ornament. So 39 00:02:14,720 --> 00:02:18,240 Speaker 1: I just bought some salt and pepper shakers of Roger 40 00:02:18,280 --> 00:02:20,959 Speaker 1: and Jessica and put some string on it. Yeah, and 41 00:02:21,000 --> 00:02:23,160 Speaker 1: they're hanging on our tree right now. But it's a 42 00:02:23,240 --> 00:02:26,720 Speaker 1: very meaningful tree. You know, everything on it has a 43 00:02:26,760 --> 00:02:29,720 Speaker 1: story to it. And I like that your parents are 44 00:02:29,800 --> 00:02:32,280 Speaker 1: much more traditional tree with the tinsel and the garland 45 00:02:32,320 --> 00:02:34,959 Speaker 1: and the ribbon and the ornaments like you know that 46 00:02:35,000 --> 00:02:37,960 Speaker 1: you'd see like the Rockefeller kind of thing. Yeah, beautiful. Well, 47 00:02:38,040 --> 00:02:40,680 Speaker 1: they have a lot of I guess you could call 48 00:02:40,760 --> 00:02:43,560 Speaker 1: them meaningful. I guess they're old. I guess there's a 49 00:02:43,600 --> 00:02:47,880 Speaker 1: better word inherited ornaments some years gone by, so they're 50 00:02:47,880 --> 00:02:49,960 Speaker 1: not necessarily like. And I have a couple on our 51 00:02:49,960 --> 00:02:52,240 Speaker 1: tree too that I took with me, but you're not 52 00:02:52,320 --> 00:02:54,720 Speaker 1: necessarily like. I don't know whose this was. I just 53 00:02:54,760 --> 00:02:57,760 Speaker 1: think it was somebody's grandma's at some point, but you know, 54 00:02:57,800 --> 00:03:00,079 Speaker 1: it feels important to keep. Well. I am excited it 55 00:03:00,200 --> 00:03:03,280 Speaker 1: for our version of Christmas. The world has given a 56 00:03:03,320 --> 00:03:07,000 Speaker 1: gift to me because we're going to see the Matrix 57 00:03:07,160 --> 00:03:10,120 Speaker 1: resurrections tonight and just real I mean, like, you know, 58 00:03:10,240 --> 00:03:11,760 Speaker 1: I'm not going to talk about we haven't seen it 59 00:03:11,840 --> 00:03:15,400 Speaker 1: yet and I'm very anti spoilers, but it is like 60 00:03:15,480 --> 00:03:17,920 Speaker 1: the Matrix is my movie, you know, like when I 61 00:03:18,000 --> 00:03:21,600 Speaker 1: was ninety nine. I was fifteen when that movie came out, 62 00:03:22,120 --> 00:03:24,440 Speaker 1: and I saw it six times in theaters and it 63 00:03:24,560 --> 00:03:26,720 Speaker 1: was mind blowing and so cool, and not just like 64 00:03:26,760 --> 00:03:29,800 Speaker 1: the philosophical red pill, blue pill bullshit that a lot 65 00:03:29,800 --> 00:03:32,000 Speaker 1: of people get hung up on, but just the the 66 00:03:32,160 --> 00:03:34,720 Speaker 1: energy of that movie, the choreography of that movie, not 67 00:03:34,720 --> 00:03:37,240 Speaker 1: not just to fight choreography, but the way the story flows. 68 00:03:37,920 --> 00:03:40,320 Speaker 1: Here's the thing about The Matrix. Whether or not you've 69 00:03:40,360 --> 00:03:45,760 Speaker 1: seen it, you got it started, I won't go and 70 00:03:45,800 --> 00:03:48,280 Speaker 1: I won't go on. You know, a whole tangent here. 71 00:03:48,320 --> 00:03:53,080 Speaker 1: But the Matrix is a series of monologues that different 72 00:03:53,160 --> 00:03:57,440 Speaker 1: characters give to Neo and he until at the end 73 00:03:57,440 --> 00:04:00,480 Speaker 1: of the movie he gives his own monologue. And that 74 00:04:00,600 --> 00:04:03,720 Speaker 1: is the entire structure of that movie. And it's amazing. 75 00:04:04,960 --> 00:04:07,080 Speaker 1: Except for the effects, would probably be a good play. 76 00:04:07,160 --> 00:04:10,240 Speaker 1: Oh yeah, honestly, pick one out, you get audition with it. 77 00:04:10,240 --> 00:04:14,280 Speaker 1: It's it's just everyone telling Neo a very long story. 78 00:04:14,560 --> 00:04:17,560 Speaker 1: At one point, Agent Smith gives Morpheus a monologue, but 79 00:04:17,600 --> 00:04:20,960 Speaker 1: other than that, it is just everyone gives a man 80 00:04:21,120 --> 00:04:23,880 Speaker 1: a monologue until he one day is eventually able to 81 00:04:23,960 --> 00:04:26,839 Speaker 1: give his own. That's the story of the Matrix. What 82 00:04:26,920 --> 00:04:30,599 Speaker 1: a beautiful character. And before we go to number four here, 83 00:04:30,839 --> 00:04:34,320 Speaker 1: my my expectations are tempered, you know, especially we just 84 00:04:34,360 --> 00:04:38,520 Speaker 1: saw Spider Man, which was such an incredible but I'm 85 00:04:38,560 --> 00:04:41,159 Speaker 1: just excited to see it. I'm just expecting a good 86 00:04:41,160 --> 00:04:43,960 Speaker 1: movie with some characters that I love. Talk about are 87 00:04:44,040 --> 00:04:47,240 Speaker 1: ridiculous romance. But Neo and Trinity are a great story. 88 00:04:47,800 --> 00:04:51,479 Speaker 1: I'm very excited to see another chapter of that. Despite 89 00:04:51,520 --> 00:04:55,880 Speaker 1: the fact that Neo has no character, you never you 90 00:04:56,000 --> 00:04:59,000 Speaker 1: never learned why she loves him so much. He never 91 00:04:59,080 --> 00:05:03,280 Speaker 1: has a chance to show oh himself off. Besides, he's selfless. 92 00:05:03,480 --> 00:05:05,279 Speaker 1: He wants to be a hero, he wants to do 93 00:05:05,320 --> 00:05:07,520 Speaker 1: the right thing. Great, but we don't spend any time 94 00:05:07,560 --> 00:05:10,000 Speaker 1: with him as a person. And yet I guess it's 95 00:05:10,040 --> 00:05:13,839 Speaker 1: just Kiana and carry In having just really great chemistry. 96 00:05:14,040 --> 00:05:15,920 Speaker 1: I want them to be together, I want them to 97 00:05:15,960 --> 00:05:20,599 Speaker 1: be happy. So anyway, and yeah, just Kiana and carry Anne. 98 00:05:20,680 --> 00:05:24,039 Speaker 1: I'm just here to watch them do anything they'd like 99 00:05:24,080 --> 00:05:27,000 Speaker 1: to do. They're fantastic and they look great in the 100 00:05:27,240 --> 00:05:30,920 Speaker 1: late fifties. Um, I guess everybody looks great in their 101 00:05:31,000 --> 00:05:32,960 Speaker 1: late fifties now, you know, late fifties of the new 102 00:05:33,040 --> 00:05:37,040 Speaker 1: late twenties, I swear, and if millennials have anything to 103 00:05:37,040 --> 00:05:40,720 Speaker 1: say about it, it's going to stay that way, very image, 104 00:05:41,320 --> 00:05:44,720 Speaker 1: perpetually in our late twenties. I don't want to grow up. 105 00:05:45,200 --> 00:05:49,720 Speaker 1: I'm a millennial. But those are not the celebrities we're 106 00:05:49,760 --> 00:05:53,120 Speaker 1: here to talk about today. No, no, today, we're doing 107 00:05:53,160 --> 00:05:57,320 Speaker 1: a quick, fun, little story about a beloved Hollywood couple 108 00:05:57,600 --> 00:06:01,120 Speaker 1: that has been together for almost forty years now and 109 00:06:01,160 --> 00:06:05,279 Speaker 1: the secret to their longevity. Well that's a pretty unconventional 110 00:06:05,360 --> 00:06:08,520 Speaker 1: answer for most of us and by most standards, but 111 00:06:09,200 --> 00:06:12,400 Speaker 1: to Goldie Hawn and Kurt Russell, this is the thing 112 00:06:12,480 --> 00:06:15,159 Speaker 1: that held them together through the good times and the 113 00:06:15,240 --> 00:06:18,120 Speaker 1: bad and brought them all the way from the shores 114 00:06:18,160 --> 00:06:21,719 Speaker 1: of Oregon in Overboard to the North Pole in the 115 00:06:21,839 --> 00:06:25,960 Speaker 1: Christmas Chronicles too, where they play Santa and Mrs Claus. 116 00:06:26,880 --> 00:06:28,600 Speaker 1: I think that's what sparked the idea for us to 117 00:06:28,640 --> 00:06:31,760 Speaker 1: do this episode, because hey, it's Christmas, let's do Santa 118 00:06:31,760 --> 00:06:34,200 Speaker 1: and Mrs Clause. Let's take a closer look at this, uh, 119 00:06:34,400 --> 00:06:39,160 Speaker 1: this very unconventional romance from these two superstars. Yeah, I'm excited. 120 00:06:39,920 --> 00:06:43,880 Speaker 1: Kyle French come listen, well, Elia and Diana got some 121 00:06:43,960 --> 00:06:47,479 Speaker 1: stories to tell. There's no match making a romantic tips. 122 00:06:47,720 --> 00:06:51,280 Speaker 1: It's just about pridiculous relationships, a love. It might be 123 00:06:51,320 --> 00:06:54,200 Speaker 1: any type of person at all, and abstract cons that 124 00:06:54,320 --> 00:06:57,120 Speaker 1: are a concrete wall. But if there's a story where 125 00:06:57,160 --> 00:07:02,880 Speaker 1: the second glance ridiculous A production of I Heart Radio. 126 00:07:03,920 --> 00:07:07,440 Speaker 1: So Kurt Russell, the King of Cool. He was born 127 00:07:07,440 --> 00:07:11,640 Speaker 1: in nineteen fifty one in Springfield, Massachusetts, and his father 128 00:07:12,120 --> 00:07:15,720 Speaker 1: Bing Russell Ding. It's a great name his name, Kurt 129 00:07:15,800 --> 00:07:18,160 Speaker 1: Russell's dad could only be named Bing. That's such a 130 00:07:18,200 --> 00:07:21,200 Speaker 1: twenties type of I know he was obviously not born 131 00:07:21,240 --> 00:07:23,280 Speaker 1: in the twenties, but like, that's such a turn of 132 00:07:23,280 --> 00:07:30,600 Speaker 1: the century. Bing's oh being old boy. Get on over here, Hey, guys, 133 00:07:30,680 --> 00:07:37,800 Speaker 1: Pottie started Bing's here. So Bing Russell was of course 134 00:07:37,880 --> 00:07:40,320 Speaker 1: also an actor. With a name like Bing Russell, you 135 00:07:40,360 --> 00:07:43,400 Speaker 1: gotta be a gonna do um. And Kurt Russell's mother, Louise, 136 00:07:43,600 --> 00:07:48,520 Speaker 1: was a dancer, so big, big arts performing family. Kurt 137 00:07:48,600 --> 00:07:52,720 Speaker 1: has three sisters, Jill, Jamie, and Jody. I can relate 138 00:07:52,760 --> 00:07:55,880 Speaker 1: to that boy with a bunch of sisters. I couldn't 139 00:07:55,880 --> 00:07:58,120 Speaker 1: find their birth order would just be funny if they 140 00:07:58,120 --> 00:07:59,960 Speaker 1: were like three jays and then they got to a son, 141 00:08:00,000 --> 00:08:01,640 Speaker 1: They're like, I guess we'll move on to the next letter. 142 00:08:04,960 --> 00:08:07,360 Speaker 1: They grew up together in the Los Angeles suburb of 143 00:08:07,400 --> 00:08:10,840 Speaker 1: Thousand Oaks, and in nineteen sixty three, when Kurt Russell 144 00:08:10,920 --> 00:08:13,600 Speaker 1: was twelve years old, he got his first acting gig 145 00:08:13,680 --> 00:08:17,640 Speaker 1: in an Elvis movie called Little What Happened in the 146 00:08:17,640 --> 00:08:22,320 Speaker 1: World's Fare Is that You? It Happened that the World's 147 00:08:22,360 --> 00:08:25,600 Speaker 1: Fair is a film with a fourteen percent on Rotten Tomatoes. 148 00:08:26,600 --> 00:08:30,800 Speaker 1: I haven't seen it um. Dennis Schwartz, a reviewer, said 149 00:08:30,920 --> 00:08:33,960 Speaker 1: it was a movie quote for die hard Elvis fans 150 00:08:34,280 --> 00:08:36,960 Speaker 1: or lovers of flicks that are set at the World's Fair. 151 00:08:37,960 --> 00:08:41,760 Speaker 1: That's my favorite. Netflix categories films set at the World's Fair. 152 00:08:41,880 --> 00:08:44,920 Speaker 1: There's two and they're like, and you want to play 153 00:08:44,960 --> 00:08:50,120 Speaker 1: him over and over. So anyway, Kurt Russell's performance was uncredited. Again, 154 00:08:50,120 --> 00:08:52,080 Speaker 1: he was a twelve year old boy. He played this 155 00:08:52,200 --> 00:08:55,200 Speaker 1: kid who Elvis stops and says, hey, good, I'll give 156 00:08:55,240 --> 00:08:57,320 Speaker 1: you a quarter to kick me on the chin real hard. 157 00:08:58,320 --> 00:09:05,320 Speaker 1: He see, I looked it up there. That's hilarious, right, Like, 158 00:09:05,360 --> 00:09:07,319 Speaker 1: what's wrong? With this guy. It's a great part. I 159 00:09:07,360 --> 00:09:10,560 Speaker 1: would have killed for this part. Um so that the 160 00:09:10,640 --> 00:09:12,959 Speaker 1: story is apparently in this scene that Elvis wants to 161 00:09:13,000 --> 00:09:15,880 Speaker 1: meet a girl who's a nurse. So he tells the kid, like, hey, 162 00:09:15,880 --> 00:09:17,439 Speaker 1: why don't you injure me a little so I'll have 163 00:09:17,480 --> 00:09:19,800 Speaker 1: an excuse to go talk to this nurse. It feels 164 00:09:19,800 --> 00:09:21,440 Speaker 1: like you could just fake a limp or something at 165 00:09:21,480 --> 00:09:25,040 Speaker 1: that point, but whatever, So the kid Kurt Russell does, 166 00:09:25,120 --> 00:09:27,120 Speaker 1: he takes the quarter, he kicks him in the shin 167 00:09:27,760 --> 00:09:30,960 Speaker 1: and uh, and then Elvis limps away and Kurt Russell 168 00:09:31,000 --> 00:09:35,360 Speaker 1: turns almost directly to the camera and goes, adults, they're 169 00:09:35,400 --> 00:09:40,360 Speaker 1: all nuts. It's a great delivery from a from a 170 00:09:40,720 --> 00:09:45,000 Speaker 1: soon to be superstar. On Graham Norton, Kurt Russell just 171 00:09:45,040 --> 00:09:47,000 Speaker 1: a few years ago, I was doing an interview about this. 172 00:09:47,080 --> 00:09:49,320 Speaker 1: He said, I kicked Elvis maybe a little too hard, 173 00:09:50,120 --> 00:09:55,439 Speaker 1: and he didn't really understand who Elvis was at the time. Yeah, right, 174 00:09:55,520 --> 00:09:58,480 Speaker 1: like I've heard the name. But then Elvis showed up 175 00:09:58,480 --> 00:10:00,400 Speaker 1: on set in a car or they were filming at 176 00:10:00,440 --> 00:10:03,720 Speaker 1: the actual World's Fair, and he said, three thousand women 177 00:10:03,840 --> 00:10:07,559 Speaker 1: just tackled the car and Kurt Russell was like, this 178 00:10:07,559 --> 00:10:13,400 Speaker 1: guy must be pretty famous. That's funny, and he was 179 00:10:13,520 --> 00:10:16,800 Speaker 1: soon cast in the titular role of an ABC Western 180 00:10:16,880 --> 00:10:22,280 Speaker 1: series called The Travels of Jamie mcfeeder's Jamie such a 181 00:10:22,559 --> 00:10:26,480 Speaker 1: nineteen sixties character name, and that series is about quote, 182 00:10:26,840 --> 00:10:30,319 Speaker 1: a boy, his ne'er do well father, and a ragtag 183 00:10:30,360 --> 00:10:34,200 Speaker 1: group of pioneers traveling westward from Paduca, Kentucky to the 184 00:10:34,280 --> 00:10:41,800 Speaker 1: California gold fields in eighteen forty nine. Paduca, Kentucky, Well, 185 00:10:41,920 --> 00:10:45,400 Speaker 1: Paduca to California is a long journey. That's how much 186 00:10:45,440 --> 00:10:49,280 Speaker 1: I know. And this show led to him signing a 187 00:10:49,320 --> 00:10:53,000 Speaker 1: ten year contract with Walt Disney Studios. Through the sixties 188 00:10:53,000 --> 00:10:56,840 Speaker 1: and early seventies, he was in movies like Follow Me Boys, 189 00:10:57,320 --> 00:11:00,800 Speaker 1: The Horse in the Gray Flannel Suit, The Computer Wore 190 00:11:00,960 --> 00:11:05,520 Speaker 1: Tennis Shoes, and The Barefoot Executive. So just a lot 191 00:11:05,600 --> 00:11:08,400 Speaker 1: of wacky titles for Disney. That's back in the day. 192 00:11:08,440 --> 00:11:11,959 Speaker 1: They love those crazy titles. So anyway, Kurt's and all 193 00:11:11,960 --> 00:11:15,120 Speaker 1: these crazy sounding movies for Disney, and he was also 194 00:11:15,240 --> 00:11:18,240 Speaker 1: guest starring in non Disney projects, just racking up credits 195 00:11:18,280 --> 00:11:23,080 Speaker 1: like a madman. And then in nine Disney was like 196 00:11:23,240 --> 00:11:26,200 Speaker 1: hot off the musical success of Mary Poppins and the 197 00:11:26,280 --> 00:11:29,839 Speaker 1: Sound of Music, And I mean obviously everybody s heart 198 00:11:29,880 --> 00:11:32,440 Speaker 1: of those, and they decided it's time to crank out 199 00:11:32,480 --> 00:11:36,040 Speaker 1: another classic hits. Well, you know after those two, like 200 00:11:36,080 --> 00:11:39,480 Speaker 1: you gotta come out swinging, Oh, Mary Poppins and Sound 201 00:11:39,520 --> 00:11:42,600 Speaker 1: of Music, something big. Whatever Disney comes out with next, 202 00:11:42,720 --> 00:11:45,920 Speaker 1: is gonna stand the test of time. Gotta be, gotta 203 00:11:45,960 --> 00:11:50,120 Speaker 1: be so. Kurt Russell was cast as the teenage son 204 00:11:50,480 --> 00:11:53,800 Speaker 1: Sydney Bauer in the movie We all Know and Love 205 00:11:54,760 --> 00:12:01,480 Speaker 1: the One and only genuine Original Family Band. No Fueler, 206 00:12:02,440 --> 00:12:08,280 Speaker 1: nobody anybody. Are fans out there cheering? You're not familiar 207 00:12:08,320 --> 00:12:11,160 Speaker 1: with that one. People just had to pull over to 208 00:12:11,679 --> 00:12:13,160 Speaker 1: get out of a car and jump up and down 209 00:12:13,200 --> 00:12:18,160 Speaker 1: a cheer. I mean, some die hard Disney Classics fans 210 00:12:18,320 --> 00:12:21,960 Speaker 1: really love the film. But at the time The New 211 00:12:22,040 --> 00:12:25,560 Speaker 1: York Times called it quote about is pepless and fizzled? 212 00:12:25,600 --> 00:12:28,080 Speaker 1: A musical has has ever come out of Walt Disney 213 00:12:28,160 --> 00:12:34,720 Speaker 1: studio pepliss and fizzled? Yikes? Please don't describe me that way. Um. 214 00:12:34,800 --> 00:12:38,240 Speaker 1: In my obituary, the l A Times said the film 215 00:12:38,440 --> 00:12:42,120 Speaker 1: quote is I'm afraid the worst Disney movie in a 216 00:12:42,280 --> 00:12:46,120 Speaker 1: long time. But none of that matters because the main 217 00:12:46,240 --> 00:12:49,679 Speaker 1: thing that matters about this movie is that an actress 218 00:12:50,120 --> 00:12:54,000 Speaker 1: five years older than Kurt Russell made her big screen 219 00:12:54,200 --> 00:12:59,560 Speaker 1: debut as Giggily Girl, and that actress was Goldie Geen 220 00:13:00,040 --> 00:13:03,959 Speaker 1: on gold I Love Goldie han. They spoke briefly on set, 221 00:13:04,080 --> 00:13:06,240 Speaker 1: but Kurt was a star in the movie and just 222 00:13:06,400 --> 00:13:10,000 Speaker 1: a teenager. Goldie Hawn was in her early twenties and 223 00:13:10,120 --> 00:13:12,120 Speaker 1: she had more of a cameo role, so they didn't 224 00:13:12,120 --> 00:13:14,319 Speaker 1: really have a lot of time to connect um and 225 00:13:14,400 --> 00:13:17,720 Speaker 1: it would have been inappropriate anyway. So Kurt Russell continued 226 00:13:17,760 --> 00:13:20,480 Speaker 1: his acting career, but in ninety one he decided he 227 00:13:20,559 --> 00:13:22,800 Speaker 1: wanted to be a baseball player in addition to being 228 00:13:22,840 --> 00:13:25,120 Speaker 1: an actor, so he started out in the minor leagues 229 00:13:25,200 --> 00:13:30,559 Speaker 1: and then he played for the Portland Mavericks, which incidentally 230 00:13:30,960 --> 00:13:34,760 Speaker 1: was a team that his dad owned. But surely, yeah, 231 00:13:34,920 --> 00:13:36,839 Speaker 1: just a coincidence, I'm sure had nothing to do with 232 00:13:36,880 --> 00:13:39,560 Speaker 1: the fact that this movie star got on the team. 233 00:13:39,640 --> 00:13:43,319 Speaker 1: I mean, okay, listen, he probably did play well enough 234 00:13:43,440 --> 00:13:45,400 Speaker 1: to get on the team, But the thing is is 235 00:13:45,440 --> 00:13:47,480 Speaker 1: that someone else would have not had to try out 236 00:13:47,600 --> 00:13:50,160 Speaker 1: at all unless the dad owned it, so just saying 237 00:13:50,559 --> 00:13:54,600 Speaker 1: a little bit short based on nepotism. It happens um 238 00:13:54,920 --> 00:13:56,599 Speaker 1: and he did play well. He did okay for a 239 00:13:56,640 --> 00:13:58,559 Speaker 1: couple of years. He was a second baseman, but he 240 00:13:58,640 --> 00:14:00,920 Speaker 1: had a shoulder injury that kind of got him out 241 00:14:00,960 --> 00:14:03,440 Speaker 1: of the game. It pretty much ended his baseball career 242 00:14:03,520 --> 00:14:06,920 Speaker 1: in nineteen seventy three. So he refocused on acting and 243 00:14:07,000 --> 00:14:09,640 Speaker 1: he started in Disney sci fi comedy The Strongest Man 244 00:14:09,720 --> 00:14:13,240 Speaker 1: in the World in ninety five, and then in nineteen 245 00:14:13,320 --> 00:14:16,520 Speaker 1: seventy nine, at twenty years old, he returned to his 246 00:14:17,240 --> 00:14:22,640 Speaker 1: his Graceland roots to play Elvis in this TV movie 247 00:14:22,760 --> 00:14:26,840 Speaker 1: called Elvis, which was directed by John Carpenter. Oh cool, 248 00:14:27,280 --> 00:14:29,720 Speaker 1: I've never knew John Carpenter made an Elvis. Oh yeah. 249 00:14:30,040 --> 00:14:32,960 Speaker 1: It was a a mini series and Kurt Russell ended 250 00:14:33,000 --> 00:14:34,920 Speaker 1: up getting an Emmy nomination for his work in that, 251 00:14:35,320 --> 00:14:37,920 Speaker 1: And of course he started a working relationship with John Carpenter, 252 00:14:38,280 --> 00:14:40,840 Speaker 1: which led to him being in Escape from New York 253 00:14:41,200 --> 00:14:44,840 Speaker 1: and that sort of started his career as an action star. Yes, 254 00:14:45,120 --> 00:14:48,120 Speaker 1: I'm sure they're like, can you play Elvis? And Kurt 255 00:14:48,160 --> 00:14:51,840 Speaker 1: Russell's like, oh me and Elvis go way back. Kicked 256 00:14:51,920 --> 00:14:58,080 Speaker 1: him in the ship once yea, and yeah, sure, we 257 00:14:58,160 --> 00:15:00,960 Speaker 1: could go through his IMDb bay and just list off 258 00:15:01,040 --> 00:15:04,480 Speaker 1: all the cool things and when you'll add includes in 259 00:15:04,600 --> 00:15:07,520 Speaker 1: three Thousand Miles to Graceland he played an Elvis impersonator 260 00:15:08,520 --> 00:15:12,480 Speaker 1: very much, so a lot of Kurt Russell's career. Actually, yeah, yeah, 261 00:15:12,520 --> 00:15:15,960 Speaker 1: I mean, do we even need to mention Big Trouble 262 00:15:16,000 --> 00:15:20,000 Speaker 1: in Little China, one of the finest shooms ever, beautiful 263 00:15:20,040 --> 00:15:27,400 Speaker 1: backdraft starting Tombstone forgetting Stone's one of the best movies 264 00:15:27,440 --> 00:15:31,240 Speaker 1: ever made, credible, some of the best performances. Val Kilmer 265 00:15:31,280 --> 00:15:33,480 Speaker 1: in Tombstone is one of my top ten. I was 266 00:15:33,520 --> 00:15:36,360 Speaker 1: going to say, as good as everyone is in that movie, 267 00:15:36,440 --> 00:15:38,720 Speaker 1: that movie kind of belongs to Val Kilmer in my opinion. 268 00:15:38,840 --> 00:15:42,440 Speaker 1: He makes it so iconic. That performances incredible. I love 269 00:15:42,560 --> 00:15:46,800 Speaker 1: him so much. He's amazing. But Kurt Russell, of course incredible. 270 00:15:46,840 --> 00:15:51,040 Speaker 1: Wider so also like born to play Wider Like I was, like, 271 00:15:51,360 --> 00:15:54,160 Speaker 1: who else could ever play Wider? But yeah, we're not 272 00:15:54,320 --> 00:15:57,200 Speaker 1: here to read your Kurt Russell's I am dB aging 273 00:15:57,240 --> 00:16:01,560 Speaker 1: get all excited about there because we want to talk 274 00:16:01,600 --> 00:16:04,960 Speaker 1: to you about the man's love life. Yes, weird nosy 275 00:16:05,080 --> 00:16:08,840 Speaker 1: like that and back in when he was making Elvis. 276 00:16:09,640 --> 00:16:13,440 Speaker 1: Kurt married his co star Season Hubley, who is a 277 00:16:13,480 --> 00:16:17,080 Speaker 1: now retired actress. Together they had one son, Boston Russell, 278 00:16:17,640 --> 00:16:21,440 Speaker 1: and they divorced for unknown reasons because it's none of 279 00:16:21,480 --> 00:16:28,000 Speaker 1: your business, your busybody. Get Boston Russell is a dog breed, right, 280 00:16:28,960 --> 00:16:33,120 Speaker 1: like a Boston Terrier and a Jack Russell. Oh, it's 281 00:16:33,120 --> 00:16:38,440 Speaker 1: a cute. What breed. It's a Boston Russell. Yeah, has 282 00:16:38,480 --> 00:16:42,600 Speaker 1: some breathing trouble, but he bounces a lot. Oh, I 283 00:16:42,720 --> 00:16:46,040 Speaker 1: think people would like Boston Russell. Would take a Boston Russell. 284 00:16:46,240 --> 00:16:49,000 Speaker 1: And the next year in Kurt Russell starred in the 285 00:16:49,080 --> 00:16:55,320 Speaker 1: movie Swing Shift alongside Fred Ward Ed Harris and Goldie Hawn. 286 00:16:56,360 --> 00:16:59,040 Speaker 1: So what has Goldie been up to all this time? 287 00:17:00,160 --> 00:17:03,760 Speaker 1: She was born in ninety and Washington, d c. Her 288 00:17:03,800 --> 00:17:06,720 Speaker 1: mother was also a dancer and owned a jewelry shop, 289 00:17:07,200 --> 00:17:11,680 Speaker 1: and her father was a band musician, another arty, and 290 00:17:11,800 --> 00:17:14,480 Speaker 1: she took ballet and tap lessons starting when she was 291 00:17:14,560 --> 00:17:17,119 Speaker 1: three years old. In her early twenties, she moved to 292 00:17:17,160 --> 00:17:20,520 Speaker 1: California and worked as a musical theater actress before getting 293 00:17:20,560 --> 00:17:23,359 Speaker 1: cast in a sitcom called Good Morning World, when she 294 00:17:23,440 --> 00:17:27,200 Speaker 1: played a stereotypical dumb blonde kind. She was like the 295 00:17:27,280 --> 00:17:30,720 Speaker 1: girlfriend of the DJ or something. Yeah, that sounds like 296 00:17:30,840 --> 00:17:34,440 Speaker 1: a common part for her to get, certainly. But in 297 00:17:34,560 --> 00:17:37,199 Speaker 1: nineteen sixty eight, she joined the cast of the hit 298 00:17:37,359 --> 00:17:40,960 Speaker 1: sketch comedy show Laughing, and her main stick on that 299 00:17:41,160 --> 00:17:43,280 Speaker 1: show was sort of a twist on the dumb blonde 300 00:17:43,400 --> 00:17:46,119 Speaker 1: thing because she's like giggle and laugh through bits, but 301 00:17:46,240 --> 00:17:50,600 Speaker 1: then turn it into like a perfectly delivered punchline so good, 302 00:17:50,720 --> 00:17:53,359 Speaker 1: and I totally see that she probably got that type 303 00:17:53,359 --> 00:17:55,960 Speaker 1: of role all the time and was just like so 304 00:17:56,240 --> 00:17:59,280 Speaker 1: over She's like, let me skewer this. That they recognized 305 00:17:59,359 --> 00:18:01,399 Speaker 1: how funny she really was kind of gave her a 306 00:18:01,480 --> 00:18:04,240 Speaker 1: chance to play with that and it's great. And as 307 00:18:04,359 --> 00:18:08,280 Speaker 1: this hot, funny blonde, she was America's it girl in 308 00:18:08,400 --> 00:18:14,119 Speaker 1: the late nineteen sixties. So her like giggling character on 309 00:18:14,240 --> 00:18:17,040 Speaker 1: Laughing is what led to her appearance in The Family Band, 310 00:18:17,080 --> 00:18:19,240 Speaker 1: which is of course where she met Kurt Russell for 311 00:18:19,320 --> 00:18:22,359 Speaker 1: the first time. But she wasn't even credited in that film, 312 00:18:22,480 --> 00:18:24,920 Speaker 1: you know, just total cameo appearance. They just want people 313 00:18:24,920 --> 00:18:27,320 Speaker 1: in audience go, oh, that's the girl from Laughing. Um. 314 00:18:28,200 --> 00:18:32,560 Speaker 1: But the very next year, she was cast in Cactus Flower, 315 00:18:32,720 --> 00:18:35,440 Speaker 1: which is a movie adaptation of a stage play with 316 00:18:35,680 --> 00:18:40,440 Speaker 1: Walter math Out and Ingrid Bergman, big names, and for 317 00:18:40,600 --> 00:18:43,560 Speaker 1: her very first credited role on the big screen ever, 318 00:18:44,480 --> 00:18:48,920 Speaker 1: she won an Oscar for Best Supporting Actress. Is that 319 00:18:51,720 --> 00:18:57,119 Speaker 1: I put in one gets your trophy? Yeah? Well, obviously 320 00:18:57,720 --> 00:19:01,639 Speaker 1: after this her film career blew up. Everybody wanted Goldie Hawns. 321 00:19:01,800 --> 00:19:05,240 Speaker 1: She started a few like successful comedies. Uh, There's a 322 00:19:05,320 --> 00:19:07,240 Speaker 1: Girl in My Soup was one of them. Have not 323 00:19:07,359 --> 00:19:13,280 Speaker 1: seen that one? Butterflies Are Free another one, And then 324 00:19:13,359 --> 00:19:15,520 Speaker 1: she got to go into more prestige films like The 325 00:19:15,600 --> 00:19:20,000 Speaker 1: Girl from Petrovka and Spielberg's first theatrical film, The sugar 326 00:19:20,040 --> 00:19:25,360 Speaker 1: Land Express. But you're not America's it girl without all 327 00:19:25,400 --> 00:19:29,240 Speaker 1: the boys coming for you, right, So she was out there. 328 00:19:29,320 --> 00:19:31,680 Speaker 1: I mean, she was hot, she was famous, she was 329 00:19:31,760 --> 00:19:37,560 Speaker 1: getting out there. She also apparently has a voracious sexual appetite. 330 00:19:38,240 --> 00:19:42,440 Speaker 1: She said, yeah, um. And so in nineteen sixty nine 331 00:19:42,560 --> 00:19:46,080 Speaker 1: she got married to a guy named Gus Trakonis, who 332 00:19:46,160 --> 00:19:48,520 Speaker 1: was a dancer. He was actually one of the sharks 333 00:19:48,640 --> 00:19:52,280 Speaker 1: in West Side Story original. Also, she and Gus share 334 00:19:52,320 --> 00:19:54,920 Speaker 1: the same birthday November twenty one. That was interesting for 335 00:19:55,000 --> 00:19:57,160 Speaker 1: a couple to get together over that, but they ended 336 00:19:57,240 --> 00:20:00,399 Speaker 1: up separating four years later in nineteen seventy three. So 337 00:20:00,720 --> 00:20:04,440 Speaker 1: Goldie Hawn then dated stuntman Ted Grossman. She dated a 338 00:20:04,520 --> 00:20:09,080 Speaker 1: Swedish actor named Bruno Vincel and an Italian actor Frank 339 00:20:09,119 --> 00:20:12,639 Speaker 1: o'neiro who's more famous. You've probably seen him in dozens 340 00:20:12,720 --> 00:20:14,640 Speaker 1: of things. He was the bad guy in john Wick 341 00:20:14,760 --> 00:20:18,760 Speaker 1: Two guys, speaking of Keanu, the guy who like sits 342 00:20:18,800 --> 00:20:21,480 Speaker 1: down in the Assassin's hotel with him and they're talking 343 00:20:21,480 --> 00:20:22,840 Speaker 1: to each other. He's like, wait, as soon as you 344 00:20:22,960 --> 00:20:26,160 Speaker 1: leave here, I'm gonna kill you. Yeah, that's him. After 345 00:20:26,320 --> 00:20:28,520 Speaker 1: she went all over the world, she sure did. Yeah 346 00:20:28,880 --> 00:20:35,320 Speaker 1: Swedish Italian. But after officially divorcing Traconis in she married 347 00:20:35,440 --> 00:20:40,800 Speaker 1: musician Bill Hudson of the Hudson Brothers, and together they 348 00:20:40,920 --> 00:20:44,160 Speaker 1: had two children who you may have heard of, Oliver 349 00:20:44,520 --> 00:20:51,359 Speaker 1: and Kate Hudson Leggings fame. But she filed for divorce 350 00:20:51,440 --> 00:20:54,720 Speaker 1: from Bill in eight They were just married for about 351 00:20:54,840 --> 00:20:58,720 Speaker 1: five years. So it's the early eighties. Goldie Hawn and 352 00:20:58,800 --> 00:21:02,080 Speaker 1: Kurt Russell are both in the thirties. Both divorced and 353 00:21:02,359 --> 00:21:07,240 Speaker 1: both parents, and they were cast opposite each other for 354 00:21:07,320 --> 00:21:12,480 Speaker 1: the first time in Swing Shift. What follows is a hot, steamy, 355 00:21:12,720 --> 00:21:15,000 Speaker 1: ridiculous romance that would lead to some of the best 356 00:21:15,119 --> 00:21:18,600 Speaker 1: comedic pairings, a family line of impressive careers, and a 357 00:21:18,680 --> 00:21:21,680 Speaker 1: fresh take on relationships that shows us that the standard 358 00:21:21,720 --> 00:21:25,520 Speaker 1: model isn't for everybody. It's all coming up right after this, 359 00:21:32,000 --> 00:21:37,280 Speaker 1: and welcome back to the show. Ho ho, I'm gonna 360 00:21:37,320 --> 00:21:40,760 Speaker 1: work it in as often as I now. Goldie said 361 00:21:40,840 --> 00:21:43,760 Speaker 1: that when they were reunited for Swing Shift, she remembered 362 00:21:43,840 --> 00:21:46,600 Speaker 1: meeting Kurt Russell on the set of The Family Band 363 00:21:46,840 --> 00:21:49,960 Speaker 1: in six and that she had liked him very much. 364 00:21:50,080 --> 00:21:52,920 Speaker 1: She thought he was adorable, but again, he was a teenager. 365 00:21:53,040 --> 00:21:55,359 Speaker 1: She was in her twenties. You know, it wasn't happening, 366 00:21:56,200 --> 00:21:59,639 Speaker 1: and they had both said they would never date another actor. 367 00:22:00,640 --> 00:22:04,440 Speaker 1: But Kurt was just too smooth and gents. He said. 368 00:22:04,480 --> 00:22:06,800 Speaker 1: He came to read lines with her for her audition 369 00:22:07,320 --> 00:22:09,000 Speaker 1: and it was the first time they had met since 370 00:22:09,040 --> 00:22:14,720 Speaker 1: eighteen years earlier, but he was severely hungover, he explained 371 00:22:14,760 --> 00:22:18,440 Speaker 1: in an interview with Conan O'Brien quote, I just didn't 372 00:22:18,480 --> 00:22:20,280 Speaker 1: have in my mind what I was going to see 373 00:22:20,359 --> 00:22:22,320 Speaker 1: and she had a great body. So the first thing 374 00:22:22,400 --> 00:22:24,639 Speaker 1: that came out was, man, you've got a great figure. 375 00:22:28,560 --> 00:22:31,639 Speaker 1: Oh my god, he said he didn't even realize he 376 00:22:31,760 --> 00:22:34,760 Speaker 1: was saying it. But you know, when you're so hungover 377 00:22:34,800 --> 00:22:37,560 Speaker 1: that your brain and your mouth are not communicating anymore. 378 00:22:37,600 --> 00:22:40,240 Speaker 1: He just went straight from his eyeballs to his mouth. 379 00:22:40,440 --> 00:22:42,200 Speaker 1: So he's like, oh, it could have gone so wrong. 380 00:22:42,359 --> 00:22:45,720 Speaker 1: But she simply replied, why thank you, which does sound 381 00:22:45,760 --> 00:22:48,160 Speaker 1: like a Julie Hunt thing to say. And she told 382 00:22:48,200 --> 00:22:52,480 Speaker 1: People Magazine in quote, he was so good looking, but 383 00:22:52,560 --> 00:22:54,959 Speaker 1: he had no pretense about him. I could tell right 384 00:22:55,000 --> 00:23:00,280 Speaker 1: away that he was a womanizer. And you know, look, 385 00:23:00,600 --> 00:23:03,359 Speaker 1: it's not it's not a good line. I will not 386 00:23:03,720 --> 00:23:06,280 Speaker 1: don't be like success. Well if it worked for Kurt Russell, 387 00:23:06,320 --> 00:23:09,359 Speaker 1: because here's the thing for everybody out there, a lot 388 00:23:09,400 --> 00:23:11,400 Speaker 1: of things are gonna work for Kurt Russell but aren't 389 00:23:11,400 --> 00:23:13,080 Speaker 1: going to work for the rest of us. And that's 390 00:23:13,119 --> 00:23:15,520 Speaker 1: just the truth of the world. I don't like it, 391 00:23:16,080 --> 00:23:21,840 Speaker 1: you don't like it, Kurt Russell likes it. Kurt Russell's 392 00:23:21,880 --> 00:23:25,159 Speaker 1: fine with it. But that's just that's just how it is. 393 00:23:26,359 --> 00:23:28,879 Speaker 1: Kurt said they were both trying to keep work work 394 00:23:29,200 --> 00:23:31,760 Speaker 1: and not mix business with pleasure. That's part of not 395 00:23:31,880 --> 00:23:34,320 Speaker 1: wanting to date actors. You know, Look, we're doing a 396 00:23:34,359 --> 00:23:36,399 Speaker 1: project together. I don't want to muck it up and 397 00:23:36,520 --> 00:23:40,159 Speaker 1: make things challenging. And so they're not trying to get together. 398 00:23:40,760 --> 00:23:43,399 Speaker 1: But there's a swing dancing scene in the movie. It 399 00:23:43,440 --> 00:23:46,720 Speaker 1: takes place during World War two, and so Kurt suggested 400 00:23:46,840 --> 00:23:48,840 Speaker 1: maybe they should go out at night and practice swing 401 00:23:49,000 --> 00:23:52,000 Speaker 1: dancing at a club somewhere, And he says, the only 402 00:23:52,119 --> 00:23:55,120 Speaker 1: club in town that was doing swing was the Playboy Club, 403 00:23:55,880 --> 00:24:01,480 Speaker 1: so it sounds legit. Well, they decided to go out 404 00:24:01,560 --> 00:24:05,240 Speaker 1: there and they ended up just talking for two hours. 405 00:24:05,359 --> 00:24:07,760 Speaker 1: He said, they never even ended up dancing because they 406 00:24:07,840 --> 00:24:12,280 Speaker 1: just headed off. So I know, it's so great. And 407 00:24:12,600 --> 00:24:14,960 Speaker 1: as he said on Live with Kelly and Ryan in 408 00:24:15,000 --> 00:24:18,639 Speaker 1: an interview about this, one thing led to another, and 409 00:24:19,119 --> 00:24:21,640 Speaker 1: Goldie invited him back to the house that she had 410 00:24:21,720 --> 00:24:25,840 Speaker 1: just bought. And the problem was she had just bought 411 00:24:25,920 --> 00:24:28,400 Speaker 1: the house to renovate it and it hadn't yet been 412 00:24:28,480 --> 00:24:32,280 Speaker 1: renovated and she didn't even have the key yet. So 413 00:24:32,680 --> 00:24:34,359 Speaker 1: they go back to this house. I imagine they're a 414 00:24:34,400 --> 00:24:37,520 Speaker 1: little tipsy from their night at the Playboy Club and 415 00:24:37,840 --> 00:24:41,639 Speaker 1: they have to break in. So they break into the 416 00:24:41,720 --> 00:24:45,280 Speaker 1: house and she's showing him around this you know, empty house, 417 00:24:45,359 --> 00:24:49,200 Speaker 1: probably partly torn apart, and Kurt said of it, quote, 418 00:24:49,600 --> 00:24:52,680 Speaker 1: we were looking around at imaginary furniture, and we went 419 00:24:52,720 --> 00:24:56,240 Speaker 1: to the imaginary bedroom and we were realistically having sex 420 00:24:57,800 --> 00:25:01,520 Speaker 1: when suddenly Kurt looked up and he was blinded by 421 00:25:01,560 --> 00:25:05,720 Speaker 1: a high beam flashlight. It was the cops. They were surrounded. 422 00:25:06,320 --> 00:25:08,639 Speaker 1: They had come out to investigate this break in. I 423 00:25:08,680 --> 00:25:12,359 Speaker 1: guess someone had tipped him off, and uh, they almost 424 00:25:12,359 --> 00:25:15,719 Speaker 1: got arrested. Kurt Russell called it cop us interrupt us. 425 00:25:16,560 --> 00:25:19,760 Speaker 1: That's good. And so they explained them that they owned 426 00:25:19,800 --> 00:25:22,000 Speaker 1: the house, and Kurt said, quote, they told us to 427 00:25:22,040 --> 00:25:27,440 Speaker 1: go get a hotel room, so we did. He said 428 00:25:27,480 --> 00:25:30,160 Speaker 1: it was such a fun time, and after that night 429 00:25:30,480 --> 00:25:34,119 Speaker 1: the two of them were inseparable. I love this loyal neighbor. 430 00:25:34,200 --> 00:25:37,480 Speaker 1: That's like, no, not on my watch, Goldie Han will 431 00:25:37,600 --> 00:25:41,760 Speaker 1: never be ribbed while I'm here. I wonder if later 432 00:25:41,840 --> 00:25:43,480 Speaker 1: he's like, you can always count on me. Goal that 433 00:25:43,600 --> 00:25:45,879 Speaker 1: I called the cops right when I saw this minute 434 00:25:45,880 --> 00:25:49,440 Speaker 1: I saw that window smash. She's like, yeah, thank you, 435 00:25:51,000 --> 00:25:53,440 Speaker 1: you're ruined some really hot floor sex. I was about 436 00:25:53,480 --> 00:25:55,920 Speaker 1: to have a Kurt Russell. But don't worry. We ended 437 00:25:56,000 --> 00:25:58,080 Speaker 1: up having really hot all over the furniture sex at 438 00:25:58,119 --> 00:26:02,400 Speaker 1: this hotel and now we have a great story. Yeah. Yeah, 439 00:26:02,440 --> 00:26:04,240 Speaker 1: it's true. They milked that one because it's in like 440 00:26:04,359 --> 00:26:09,680 Speaker 1: four interview. Oh my god, I would tell him. So. Yeah, 441 00:26:09,680 --> 00:26:12,840 Speaker 1: they started dating, but Goldie said that what really made 442 00:26:12,880 --> 00:26:15,119 Speaker 1: her fall for him was when her kids came to 443 00:26:15,240 --> 00:26:18,720 Speaker 1: the set and Oliver and Kate came occasionally to work 444 00:26:18,800 --> 00:26:22,080 Speaker 1: with Goldie and Kurt, who, of course as a father himself, 445 00:26:22,560 --> 00:26:25,520 Speaker 1: was amazing with them. He made time to hang out 446 00:26:25,640 --> 00:26:27,639 Speaker 1: with them, he knew how to talk to them. They 447 00:26:27,760 --> 00:26:30,040 Speaker 1: just they liked him back just as much as he 448 00:26:30,160 --> 00:26:34,000 Speaker 1: liked them. Goldie said that was it for her partly 449 00:26:34,640 --> 00:26:39,800 Speaker 1: probably speculation stations, but most likely it's because Bill Hudson, 450 00:26:39,960 --> 00:26:44,200 Speaker 1: who is their their biological father, basically split and didn't 451 00:26:44,240 --> 00:26:46,760 Speaker 1: have anything to do with Oliver and Kate after he 452 00:26:46,840 --> 00:26:52,480 Speaker 1: and Goldie divorced. In Oliver Hudson posted a photo of Bill, 453 00:26:52,720 --> 00:26:56,560 Speaker 1: his biological father, on Instagram on Father's Day and captioned 454 00:26:56,600 --> 00:27:01,560 Speaker 1: it quote happy abandonment Day. Ouch. While this year Kate 455 00:27:01,640 --> 00:27:05,080 Speaker 1: posted a picture of Kurt and wrote quote our great 456 00:27:05,160 --> 00:27:11,160 Speaker 1: loyal protector, our dependable, authentic captain, our wild, sometimes untamed 457 00:27:11,200 --> 00:27:14,960 Speaker 1: adventurer father. He's one hell of a dad. Lucky us. 458 00:27:16,200 --> 00:27:18,960 Speaker 1: And on his birthday, she posted that Kurt Russell was 459 00:27:19,040 --> 00:27:21,800 Speaker 1: a quote never missed a show or again kind of dad, 460 00:27:22,280 --> 00:27:25,879 Speaker 1: kids before anything, kind of dad. It is a speculation, 461 00:27:25,960 --> 00:27:29,200 Speaker 1: but it's probably pretty obvious that would be of powerful 462 00:27:29,280 --> 00:27:33,400 Speaker 1: aphrodisiaction on a woman to have her kids love her 463 00:27:33,520 --> 00:27:36,399 Speaker 1: boyfriend so much and then for him to be so 464 00:27:36,560 --> 00:27:39,320 Speaker 1: great with them throughout their whole lives when they didn't 465 00:27:39,359 --> 00:27:42,440 Speaker 1: have that kind of person in their life already. Yeah, 466 00:27:42,440 --> 00:27:45,000 Speaker 1: I could totally see that being very sexy. Yeah, definitely 467 00:27:45,080 --> 00:27:49,600 Speaker 1: very sexy. Definitely, especially if you already look like Kurt Russell. 468 00:27:49,880 --> 00:27:51,480 Speaker 1: I know she's like, first of all, you're sexy. Now 469 00:27:51,520 --> 00:27:55,920 Speaker 1: you're being sexy, Like, this is crazy. Save some for 470 00:27:55,960 --> 00:28:01,760 Speaker 1: the rest of us. Kurt and six Goldie and Kurt 471 00:28:01,840 --> 00:28:05,240 Speaker 1: had a son together who was named Wyatt, and you 472 00:28:05,359 --> 00:28:07,600 Speaker 1: might know him better as the guy you see and say, 473 00:28:08,040 --> 00:28:11,119 Speaker 1: holy sh it, that kid looks like Kurt Russell. He 474 00:28:12,320 --> 00:28:17,760 Speaker 1: really does. Most recently as Discount Captain America in The 475 00:28:17,840 --> 00:28:20,600 Speaker 1: Falcon and The Winter Soldier. But actually did such a 476 00:28:20,640 --> 00:28:22,919 Speaker 1: good job on that show that I thought he did 477 00:28:22,960 --> 00:28:27,320 Speaker 1: really well. Yeah, yeah, he was very good. People are 478 00:28:27,359 --> 00:28:29,280 Speaker 1: out there wondering when are we going to see Kurt 479 00:28:29,359 --> 00:28:31,560 Speaker 1: Russell and Goldie Hawn together again, because they know they're 480 00:28:31,560 --> 00:28:34,320 Speaker 1: a thing. They're a hot Hollywood couple. They got together 481 00:28:34,400 --> 00:28:37,280 Speaker 1: on this movie. Let's let's see him together again. We 482 00:28:37,359 --> 00:28:40,360 Speaker 1: all want that. But Kurt Russell pointed out that they 483 00:28:40,440 --> 00:28:44,200 Speaker 1: already had careers going. They weren't codependent people, and we'll 484 00:28:44,200 --> 00:28:46,280 Speaker 1: see a lot of that moving forward in their relationship. 485 00:28:46,680 --> 00:28:49,360 Speaker 1: They were happier, not mixing business and pleasure, and they 486 00:28:49,440 --> 00:28:52,080 Speaker 1: didn't want to just do like publicity stunt casting where 487 00:28:52,120 --> 00:28:54,080 Speaker 1: everyone's just you know, the whole point of the movie 488 00:28:54,200 --> 00:28:56,240 Speaker 1: is that Kurt Russell and goldiehn are together in it 489 00:28:56,800 --> 00:28:59,480 Speaker 1: all right, like we just want the movie to be good, Yeah, 490 00:28:59,600 --> 00:29:02,960 Speaker 1: exact lee. But then they got a script for a 491 00:29:03,080 --> 00:29:08,479 Speaker 1: movie called Overboard pulls their cars over again to get 492 00:29:08,520 --> 00:29:11,640 Speaker 1: out and stand up and chair her Overboard. The movie 493 00:29:11,720 --> 00:29:14,959 Speaker 1: was written by Leslie Dixon, and the studio commissioned her 494 00:29:15,000 --> 00:29:17,720 Speaker 1: to write Overboard based on a real incident in which 495 00:29:17,720 --> 00:29:21,680 Speaker 1: a woman with amnesia washed ashore in Florida. Dixon said 496 00:29:21,680 --> 00:29:24,320 Speaker 1: to Vanity Fair, quote, I was daunted from the get 497 00:29:24,400 --> 00:29:27,480 Speaker 1: go by the idea of amnesia as a central plot device, 498 00:29:28,080 --> 00:29:30,480 Speaker 1: but I was in no position to complain. Someone was 499 00:29:30,520 --> 00:29:34,240 Speaker 1: paying me to write a screenplay. Yes, I recognized that 500 00:29:34,360 --> 00:29:37,000 Speaker 1: feeling autely. Well, I don't because nobody's ever paid me 501 00:29:37,000 --> 00:29:39,440 Speaker 1: to write a screenplay. But I know how it would feel. 502 00:29:39,880 --> 00:29:42,280 Speaker 1: I'd be like, whatever you want, boss, I'll shut up 503 00:29:42,280 --> 00:29:45,240 Speaker 1: and do it. Here I go the Coca Cola overboard. 504 00:29:48,400 --> 00:29:51,080 Speaker 1: But Dixon said, Kurt Russell and Goldie Han made it 505 00:29:51,160 --> 00:29:54,680 Speaker 1: all work. Quote, they were newly in love and it 506 00:29:54,880 --> 00:29:58,240 Speaker 1: shows on screen. They're so cute together that the audience 507 00:29:58,360 --> 00:30:01,320 Speaker 1: loves it. And she said that she'd never before seen 508 00:30:01,400 --> 00:30:05,240 Speaker 1: an actor say yes to a screenplay so quickly. Also 509 00:30:05,840 --> 00:30:12,640 Speaker 1: in a quick fling with history, gotcha, Leslie. Dixon went 510 00:30:12,720 --> 00:30:16,520 Speaker 1: on to write Mrs doubt Fire, Pay It Forward, and 511 00:30:16,600 --> 00:30:21,120 Speaker 1: the remakes of Freaky Friday, Hairspray, and The Thomas Crown Affair. 512 00:30:21,760 --> 00:30:24,520 Speaker 1: But in what she calls her proudest accomplishment, she was 513 00:30:24,600 --> 00:30:27,800 Speaker 1: looking for the rights to a novel called The Dark Fields, 514 00:30:28,360 --> 00:30:35,480 Speaker 1: which were owned by Harvey Weinstein for Harvey Weinstein, but 515 00:30:35,640 --> 00:30:38,200 Speaker 1: she knew she didn't want to get involved with Miramax 516 00:30:38,360 --> 00:30:42,160 Speaker 1: because of Harvey's reputation. And we all know Harvey only 517 00:30:42,280 --> 00:30:47,040 Speaker 1: recently getting any jail time, but his all the accusations 518 00:30:47,080 --> 00:30:49,600 Speaker 1: against him, I mean, they've been coming out, They've been 519 00:30:49,680 --> 00:30:52,840 Speaker 1: leveled for decades. People. He's his behavior has been a 520 00:30:53,360 --> 00:30:57,120 Speaker 1: quote unquote open secret, which is the rightest dumbist turn 521 00:30:57,200 --> 00:31:00,720 Speaker 1: of phrase we have maybe ever come up with anyway 522 00:31:00,840 --> 00:31:03,080 Speaker 1: for a very long time. So clearly she's like, I'm 523 00:31:03,120 --> 00:31:05,760 Speaker 1: hearing all these whisper whispers and I don't like them, 524 00:31:06,320 --> 00:31:10,080 Speaker 1: even though there may be not substantiated you hear him enough, 525 00:31:10,320 --> 00:31:13,920 Speaker 1: who cares? And she said, quote I wasn't afraid of 526 00:31:14,000 --> 00:31:16,440 Speaker 1: being harassed because he really only went for girls in 527 00:31:16,480 --> 00:31:19,120 Speaker 1: their twenties and I was older than that. But I 528 00:31:19,200 --> 00:31:21,360 Speaker 1: didn't want a telephone thrown at my head or to 529 00:31:21,440 --> 00:31:26,760 Speaker 1: be screamed at. WHOA, what a lovely menu of options 530 00:31:26,880 --> 00:31:29,840 Speaker 1: for you hanging out with Harvey Wine. I'm too old 531 00:31:29,880 --> 00:31:31,920 Speaker 1: to be sexually harrass but I might get a phone 532 00:31:32,000 --> 00:31:35,960 Speaker 1: thrown in my head. Yas So, without ever meeting Harvey 533 00:31:36,000 --> 00:31:38,800 Speaker 1: in person, she made a deal with him. She would 534 00:31:38,840 --> 00:31:41,880 Speaker 1: write the script for The Dark Fields for free, but 535 00:31:41,960 --> 00:31:44,520 Speaker 1: if he didn't respond in a certain period of time, 536 00:31:44,760 --> 00:31:47,800 Speaker 1: she would get the rights. And she said, quote, then 537 00:31:47,840 --> 00:31:50,320 Speaker 1: I'm afraid I did a bad thing. I turned it 538 00:31:50,360 --> 00:31:52,840 Speaker 1: in during Canned Film Festival when I knew no one 539 00:31:52,920 --> 00:31:55,960 Speaker 1: would read it, and time ran out and the rights 540 00:31:56,000 --> 00:31:59,200 Speaker 1: were hers. She said, quote, I tricked Harvey out of 541 00:31:59,200 --> 00:32:02,600 Speaker 1: the rights without him ever meeting me, seeing me, or 542 00:32:02,760 --> 00:32:08,920 Speaker 1: knowing what I was doing. It get him and that 543 00:32:09,120 --> 00:32:13,000 Speaker 1: movie ended up being called Limitless during Bradley Cooper, which 544 00:32:13,040 --> 00:32:15,440 Speaker 1: is a great movie by the way, I was really 545 00:32:15,440 --> 00:32:16,760 Speaker 1: surprised how much I like that, and I think it 546 00:32:16,800 --> 00:32:20,040 Speaker 1: did pretty well, so good for Leslie Dixon love it. 547 00:32:20,240 --> 00:32:22,320 Speaker 1: It's not easy to pull one over on Harvey Weinstein 548 00:32:22,840 --> 00:32:25,880 Speaker 1: Batman's evil Hawk, but she got him, she got it, 549 00:32:25,920 --> 00:32:30,320 Speaker 1: got him good. But Overboard gave audiences this Kurt Russell 550 00:32:30,360 --> 00:32:33,120 Speaker 1: Goldie Hawn pairing they wanted to see, and this movie was, 551 00:32:33,280 --> 00:32:36,120 Speaker 1: of course a hit. Dixon said. The film has endured 552 00:32:36,240 --> 00:32:40,640 Speaker 1: quote because Kurt and Goldie are the two cutest individuals 553 00:32:40,720 --> 00:32:43,640 Speaker 1: who have walked the planet. The chemistry they had on 554 00:32:43,760 --> 00:32:46,480 Speaker 1: screen is very rare. I lay it all on them. 555 00:32:46,920 --> 00:32:50,280 Speaker 1: They are the movie so true. I mean, they are 556 00:32:50,400 --> 00:32:53,280 Speaker 1: so cute, they're adorable, and that movies like as I 557 00:32:53,360 --> 00:32:56,520 Speaker 1: would say, Leslie Dixon has ever met us, but other 558 00:32:56,680 --> 00:33:01,040 Speaker 1: than us, then she's probably correct. You've heard it live 559 00:33:01,080 --> 00:33:04,280 Speaker 1: on air. It's officially out on the internet. Diana Brown says, 560 00:33:04,760 --> 00:33:09,120 Speaker 1: I'm cuter than Goldie Haunt, and hey, I agree, but 561 00:33:10,720 --> 00:33:16,479 Speaker 1: but but yeah, I mean, like, you know, that movie's 562 00:33:16,520 --> 00:33:21,600 Speaker 1: got its uncomfortable issues because he does, like you know, guess, 563 00:33:21,680 --> 00:33:24,360 Speaker 1: like this woman with amnesia and thinking he's her husband 564 00:33:24,800 --> 00:33:26,840 Speaker 1: and then she has to raise his kids and all 565 00:33:26,880 --> 00:33:34,320 Speaker 1: this stuff. Like Leslie Dixon specifically was like, I took 566 00:33:34,440 --> 00:33:36,800 Speaker 1: the love making scene and I put it away late 567 00:33:36,880 --> 00:33:38,920 Speaker 1: in the movie so that it was already so she 568 00:33:39,080 --> 00:33:41,560 Speaker 1: was she had decided to do at that point, but 569 00:33:41,800 --> 00:33:43,920 Speaker 1: not like I guess I should because he's my husband. 570 00:33:44,000 --> 00:33:46,800 Speaker 1: She's like trying to make it better. So, all right, 571 00:33:46,880 --> 00:33:49,160 Speaker 1: this is the hottest couple in Hollywood, right. They've got 572 00:33:49,240 --> 00:33:53,160 Speaker 1: this incredible chemistry on screen and off. They loved each 573 00:33:53,160 --> 00:33:57,280 Speaker 1: other's kids, Everyone loves them together. So everybody's got the 574 00:33:57,400 --> 00:34:00,320 Speaker 1: same question, when am I going to hear them ring 575 00:34:00,400 --> 00:34:05,320 Speaker 1: a ding dang wedding bows, Hollywood wedding right, everybody's waiting 576 00:34:05,400 --> 00:34:09,120 Speaker 1: for it, obviously. And in nine the two of them 577 00:34:09,320 --> 00:34:12,719 Speaker 1: presented together for the Oscar for Best Director. They came 578 00:34:12,719 --> 00:34:14,920 Speaker 1: out to like, you know, read the envelope the Oscar 579 00:34:15,000 --> 00:34:16,800 Speaker 1: goes to and they and they did a little scripted 580 00:34:16,840 --> 00:34:20,040 Speaker 1: bit beforehand. I think just to give give Hollywood and 581 00:34:20,080 --> 00:34:22,400 Speaker 1: give the press little taste of what they were so 582 00:34:22,600 --> 00:34:26,160 Speaker 1: hungry for. So we'll we'll re enact this exact conversation 583 00:34:26,680 --> 00:34:28,400 Speaker 1: from the from the awards that you can find it 584 00:34:28,480 --> 00:34:33,359 Speaker 1: on YouTube. It's hilarious, Honey. I was just thinking back 585 00:34:33,400 --> 00:34:35,400 Speaker 1: there that we fit perfectly into the theme of the 586 00:34:35,480 --> 00:34:40,840 Speaker 1: show because we're co stars, were compadres, we're companions, and 587 00:34:40,960 --> 00:34:43,319 Speaker 1: we're a couple. Yeah, there's only one thing that we're 588 00:34:43,400 --> 00:34:50,560 Speaker 1: not married. He's about a proposal. Hell, putting you on 589 00:34:50,640 --> 00:34:52,560 Speaker 1: the spot. I guess now is a good time as 590 00:34:52,560 --> 00:34:55,560 Speaker 1: any to answer that. I oh, look, they want us 591 00:34:55,600 --> 00:34:58,640 Speaker 1: to speed things up. Listen, we'll talk about it later tonight. Anyway, 592 00:34:58,719 --> 00:35:01,399 Speaker 1: the role of director and needs no explanation. We will 593 00:35:01,480 --> 00:35:05,960 Speaker 1: talk about that later tonight. So, you know, just a 594 00:35:06,000 --> 00:35:08,400 Speaker 1: cute little bit. They did also watch it because it 595 00:35:08,440 --> 00:35:12,400 Speaker 1: looks like they just had sex before coming on stage. Literally, 596 00:35:12,480 --> 00:35:15,480 Speaker 1: look like they are so giddy together. More possible. I 597 00:35:15,600 --> 00:35:18,320 Speaker 1: think maybe they did always just have sex whenever you 598 00:35:18,360 --> 00:35:21,800 Speaker 1: saw them anywhere you go in Hollywood, the bathrooms closed 599 00:35:21,840 --> 00:35:24,600 Speaker 1: and everyone's like hurt and Goldie in there again. I mean, 600 00:35:24,880 --> 00:35:27,320 Speaker 1: I've been waiting for the bathroom for a fifteen minutes. 601 00:35:27,520 --> 00:35:31,239 Speaker 1: They imply it constantly in their interviews, and I did 602 00:35:31,360 --> 00:35:35,040 Speaker 1: read one um that Goldie and her husband Bill, her 603 00:35:35,080 --> 00:35:40,560 Speaker 1: ex husband, they apparently had sex constantly in airplane bathrooms 604 00:35:40,719 --> 00:35:47,520 Speaker 1: and airports, in the hotel, and like backstage constantly, she's thirsty. 605 00:35:48,160 --> 00:35:50,800 Speaker 1: Goldie likes to get it on. Hey, that should be 606 00:35:51,320 --> 00:35:53,919 Speaker 1: you should be her new publicist. I don't think she'd 607 00:35:53,920 --> 00:35:59,200 Speaker 1: appreciate that that focus. So it was just a scripted bit. 608 00:35:59,440 --> 00:36:02,120 Speaker 1: But of course everybody is out there drooling over the 609 00:36:02,200 --> 00:36:06,280 Speaker 1: idea of these two tie in the knot. So what happened? 610 00:36:06,800 --> 00:36:10,080 Speaker 1: When was the official proposal? Is love real or not? 611 00:36:10,400 --> 00:36:15,320 Speaker 1: Come on show us. Well, we will have the answer 612 00:36:15,400 --> 00:36:18,440 Speaker 1: to that right after we jingle all the way to 613 00:36:18,520 --> 00:36:27,640 Speaker 1: this commercial break. Okay, little girl, what would you like 614 00:36:27,840 --> 00:36:30,960 Speaker 1: for Christmas? I'd like to come back to the show. 615 00:36:31,040 --> 00:36:33,239 Speaker 1: I guess well, then we will be right back to 616 00:36:33,280 --> 00:36:35,400 Speaker 1: the show. Here we are. Well, thanks Santa. Back to 617 00:36:35,520 --> 00:36:41,720 Speaker 1: the show. So the world was waiting for Kurt Russell 618 00:36:41,840 --> 00:36:44,640 Speaker 1: to get down on one knee and give Goldie Han 619 00:36:44,760 --> 00:36:47,080 Speaker 1: a big old ring and for the two of them 620 00:36:47,160 --> 00:36:50,440 Speaker 1: to commit in holy matrimony and prove to us all 621 00:36:50,560 --> 00:36:53,600 Speaker 1: that a love like there's is everlasting and that a big, 622 00:36:53,680 --> 00:36:58,240 Speaker 1: fancy wedding ceremony is the way to show it. Well, sorry, world, 623 00:36:58,680 --> 00:37:00,879 Speaker 1: But as Hoda cut Beast aid on The Today Show 624 00:37:01,000 --> 00:37:04,840 Speaker 1: last year, Kurt and Goldier quote the gold standard for 625 00:37:04,960 --> 00:37:09,440 Speaker 1: living together and having a great relationship without getting married. 626 00:37:10,040 --> 00:37:13,560 Speaker 1: When asked, Kurt Russell said, quote, well, we really didn't 627 00:37:13,560 --> 00:37:17,600 Speaker 1: think about it that much, and Goldie said, well, I 628 00:37:17,719 --> 00:37:21,680 Speaker 1: thought about it. But she said that marriage hadn't worked 629 00:37:21,760 --> 00:37:23,520 Speaker 1: for either of them in the past. You know again 630 00:37:23,600 --> 00:37:27,480 Speaker 1: they're both divorced, and though she didn't think it would 631 00:37:27,640 --> 00:37:30,960 Speaker 1: necessarily not work again, they both just felt like it 632 00:37:31,040 --> 00:37:34,480 Speaker 1: was unnecessary. They found so much that brought them together, 633 00:37:34,920 --> 00:37:37,279 Speaker 1: but they had a lot about them that was different too, 634 00:37:37,760 --> 00:37:40,160 Speaker 1: and Goldie points out that not getting married made them 635 00:37:40,200 --> 00:37:44,560 Speaker 1: feel more free to have disagreements and differences, saying quote 636 00:37:44,719 --> 00:37:47,160 Speaker 1: there's no such thing as divorced when you're not married. 637 00:37:48,160 --> 00:37:51,239 Speaker 1: That's true, which is true, and Kurt agreed, although he 638 00:37:51,360 --> 00:37:53,120 Speaker 1: said that for the sake of their kids, if the 639 00:37:53,239 --> 00:37:55,560 Speaker 1: kids ever felt like that it was important for them, 640 00:37:55,800 --> 00:37:58,320 Speaker 1: they would have done it. Um, you know, he's if 641 00:37:58,360 --> 00:38:00,360 Speaker 1: that was something that mattered, we would have done it. 642 00:38:00,440 --> 00:38:03,600 Speaker 1: But Goldie said the kids didn't want them to. They 643 00:38:03,640 --> 00:38:07,160 Speaker 1: were strictly interested in building memories together and forming a 644 00:38:07,239 --> 00:38:10,800 Speaker 1: strong familial bond and just bringing joy into each other's lives. 645 00:38:11,680 --> 00:38:14,520 Speaker 1: At this point, right now today, they've been together for 646 00:38:14,640 --> 00:38:17,800 Speaker 1: almost forty years, and they attribute that longevity to not 647 00:38:18,040 --> 00:38:22,200 Speaker 1: being married. At a film panel in Goldie Hans said, quote, 648 00:38:22,400 --> 00:38:25,880 Speaker 1: if you like your independence, there's something psychological about not 649 00:38:26,080 --> 00:38:28,600 Speaker 1: being married, because it gives you the freedom to make 650 00:38:28,680 --> 00:38:31,479 Speaker 1: decisions one way or the other. I chose to stay, 651 00:38:31,719 --> 00:38:34,799 Speaker 1: and Kurt chose to stay. And she told Women's Day 652 00:38:34,840 --> 00:38:37,920 Speaker 1: magazine in two thousand seven, quote, I think the secret 653 00:38:38,239 --> 00:38:40,399 Speaker 1: is to know when to depend on somebody and when 654 00:38:40,480 --> 00:38:43,279 Speaker 1: not to. It's important that you hold up your side 655 00:38:43,320 --> 00:38:46,480 Speaker 1: of the house. I love that, Yeah, hold up your 656 00:38:46,520 --> 00:38:48,440 Speaker 1: side of the house. It's such a great way of 657 00:38:48,480 --> 00:38:52,400 Speaker 1: putting it because you you do. You need to have 658 00:38:52,719 --> 00:38:54,920 Speaker 1: someone that you can rely on, but that's what the 659 00:38:54,960 --> 00:38:58,720 Speaker 1: other person needs to so you have to be that person. 660 00:38:58,880 --> 00:39:00,600 Speaker 1: And then you also on your own. You have to 661 00:39:00,640 --> 00:39:02,799 Speaker 1: take care of yourself and your own life, and if 662 00:39:02,840 --> 00:39:05,759 Speaker 1: you're falling apart, you know, not able to handle your 663 00:39:05,800 --> 00:39:08,920 Speaker 1: ship as an independent person. You know, it's kind of 664 00:39:08,960 --> 00:39:11,239 Speaker 1: like it's kind of like Tony Sarks as a spider Man. 665 00:39:12,200 --> 00:39:15,799 Speaker 1: If if you're nothing without the suit, then you don't 666 00:39:15,840 --> 00:39:19,200 Speaker 1: deserve the suit. Right. If you are as a solo, 667 00:39:19,360 --> 00:39:24,000 Speaker 1: independent person not full and complete, you know, then how 668 00:39:24,080 --> 00:39:26,319 Speaker 1: are you as a partner? Yeah, I think it makes 669 00:39:26,320 --> 00:39:28,759 Speaker 1: you a more challenging partner. I mean, especially if even 670 00:39:28,840 --> 00:39:30,800 Speaker 1: if you are a whole person and then you're just 671 00:39:30,920 --> 00:39:35,200 Speaker 1: the type to get real codependent and be like, oh, well, 672 00:39:35,280 --> 00:39:37,239 Speaker 1: now that you're here, I don't have to do that 673 00:39:37,320 --> 00:39:39,480 Speaker 1: stuff anymore that I used to do just fine when 674 00:39:39,480 --> 00:39:43,920 Speaker 1: I was single. Um, because you know, people do that 675 00:39:44,120 --> 00:39:45,960 Speaker 1: ship all the time. They just kind of go, I'm 676 00:39:46,000 --> 00:39:48,320 Speaker 1: gonna be wrapped up in you. That's You're going to 677 00:39:48,440 --> 00:39:50,759 Speaker 1: be it for me and that's all I need. And 678 00:39:50,880 --> 00:39:53,440 Speaker 1: they're like, suddenly I have not just myself but a 679 00:39:53,480 --> 00:39:56,759 Speaker 1: whole other person. Whole life now is up to me. 680 00:39:56,920 --> 00:39:59,000 Speaker 1: The quality of your life is completely down to me. 681 00:39:59,239 --> 00:40:01,680 Speaker 1: That's not for be fair, right, right, because then you 682 00:40:01,760 --> 00:40:04,600 Speaker 1: have to concentrate on their quality of life over your own, 683 00:40:05,440 --> 00:40:08,800 Speaker 1: or else you're gonna hear about it. So so it 684 00:40:08,880 --> 00:40:11,319 Speaker 1: gets it. It's it's just as she says, not very fair. 685 00:40:11,560 --> 00:40:14,360 Speaker 1: So Goldiehan and Kurt Russell had found this blend of 686 00:40:14,680 --> 00:40:18,680 Speaker 1: like reliability and independence and that's worked very well for them. 687 00:40:19,160 --> 00:40:21,879 Speaker 1: The marriage, like the legally binding ceremony of it all, 688 00:40:22,040 --> 00:40:24,680 Speaker 1: this was incidental and not like a requisite for a 689 00:40:24,800 --> 00:40:27,960 Speaker 1: lasting bond. And this seems to be the hardest thing 690 00:40:28,040 --> 00:40:29,879 Speaker 1: for people to kind of grasp at first with sort 691 00:40:29,920 --> 00:40:32,879 Speaker 1: of our traditional views of marriage and long term relationships, 692 00:40:33,040 --> 00:40:39,520 Speaker 1: Like there's kind of an inherent discrepancy between independence and 693 00:40:39,920 --> 00:40:44,360 Speaker 1: a monogamous bond between two people. But Goldie said, quote, 694 00:40:44,640 --> 00:40:47,800 Speaker 1: I already feel devoted. Isn't that what marriage is supposed 695 00:40:47,800 --> 00:40:51,279 Speaker 1: to do. We both have independent finances, we're both well off. 696 00:40:51,440 --> 00:40:54,279 Speaker 1: We raised our children brilliantly, and we didn't have to 697 00:40:54,360 --> 00:40:56,719 Speaker 1: get married to do that. I like waking up every 698 00:40:56,800 --> 00:40:58,759 Speaker 1: day and seeing that he's there and knowing that I 699 00:40:58,840 --> 00:41:01,600 Speaker 1: have a choice there is really no reason to marry. 700 00:41:02,200 --> 00:41:03,680 Speaker 1: And that's another thing I wanted to bring up to 701 00:41:03,880 --> 00:41:07,000 Speaker 1: about these two is they also had the means to 702 00:41:07,080 --> 00:41:09,960 Speaker 1: live like this and not everyone does, which is another 703 00:41:11,040 --> 00:41:12,680 Speaker 1: way to just put a spotlight on the fact that 704 00:41:12,760 --> 00:41:16,960 Speaker 1: this is a unique relationship, and this style of relationship 705 00:41:17,120 --> 00:41:20,880 Speaker 1: works really well for people who can support themselves independently 706 00:41:20,960 --> 00:41:23,080 Speaker 1: and don't have to worry about each other's careers and 707 00:41:23,200 --> 00:41:27,399 Speaker 1: things like that. Um, that's great. That might not work 708 00:41:27,520 --> 00:41:32,520 Speaker 1: for many many other people. Yeah, totally. And of course, 709 00:41:32,640 --> 00:41:37,520 Speaker 1: like none of anything she said ever stopped that tabloid 710 00:41:37,600 --> 00:41:42,600 Speaker 1: rumor mill Okay, nothing ever stops them. And in reports 711 00:41:42,719 --> 00:41:45,920 Speaker 1: came out that they were having knocked down jag out fights, 712 00:41:46,719 --> 00:41:49,440 Speaker 1: or that Kurt dumped Goldie on a phone call the 713 00:41:49,560 --> 00:41:52,319 Speaker 1: same week that Goldie had been shopping for engagement rings. 714 00:41:52,680 --> 00:41:54,840 Speaker 1: You know, it's all kinds of ship like that. The 715 00:41:54,960 --> 00:41:58,440 Speaker 1: Globe reported in that they were canceling their wedding. Oh no, 716 00:42:00,120 --> 00:42:03,040 Speaker 1: except there never was a wedding. There never was any ring, 717 00:42:03,719 --> 00:42:06,400 Speaker 1: There was never going to be a wedding. Okay, that 718 00:42:06,560 --> 00:42:08,920 Speaker 1: was all made up. That drove me extra crazy too, 719 00:42:09,080 --> 00:42:12,200 Speaker 1: because they tried to do this thing where oh well, 720 00:42:12,360 --> 00:42:15,239 Speaker 1: Goldie was wedding ring shopping, like this is all Kurt, Like, 721 00:42:15,400 --> 00:42:18,200 Speaker 1: Goldie's a woman, so she wants to get married, and 722 00:42:18,360 --> 00:42:21,279 Speaker 1: Kurt Kurt's stud and he wants to go out and 723 00:42:21,360 --> 00:42:24,239 Speaker 1: not be tied down. And that's such a cliche story 724 00:42:24,280 --> 00:42:28,000 Speaker 1: when in fact, when I'm researching this story, almost everything 725 00:42:28,120 --> 00:42:31,120 Speaker 1: I find about the explanation of their relationship comes from 726 00:42:31,160 --> 00:42:36,000 Speaker 1: Goldie Hawn, who's very emphatically against getting married. She almost 727 00:42:36,000 --> 00:42:37,680 Speaker 1: seems to be the dry I think Kurt Russell is 728 00:42:37,760 --> 00:42:41,719 Speaker 1: totally into it as well, but she's the one articulating it. Yeah. Yeah, 729 00:42:41,840 --> 00:42:44,640 Speaker 1: Kurt and Goldie have long been one of Hollywood's sturdiest, 730 00:42:45,000 --> 00:42:47,719 Speaker 1: most passionate couples. Again, every time you see them they 731 00:42:47,760 --> 00:42:50,160 Speaker 1: look like they just had or they're about to go 732 00:42:50,280 --> 00:42:53,920 Speaker 1: again and time and again they attribute not getting married 733 00:42:54,080 --> 00:42:58,360 Speaker 1: to their strength. Goldie said quote, I'd long be divorced 734 00:42:58,440 --> 00:43:01,120 Speaker 1: if we'd ever gotten married. If you need to feel 735 00:43:01,160 --> 00:43:03,880 Speaker 1: bound to someone, it's important to be married. So like, 736 00:43:04,000 --> 00:43:06,960 Speaker 1: if you're the type of person who needs that paperwork 737 00:43:07,520 --> 00:43:09,879 Speaker 1: in place to know for sure that y'all they're good, 738 00:43:10,600 --> 00:43:14,080 Speaker 1: then yeah, you should get married. But she doesn't feel 739 00:43:14,120 --> 00:43:16,480 Speaker 1: the need for that piece of paper necessarily, or that 740 00:43:17,040 --> 00:43:20,640 Speaker 1: ceremony or whatever about it that does it for you psychologically. 741 00:43:21,320 --> 00:43:24,200 Speaker 1: She's like, I'm good. I don't need that. They feel 742 00:43:24,239 --> 00:43:26,480 Speaker 1: that they choose to be together every day and that 743 00:43:26,719 --> 00:43:29,719 Speaker 1: choice gives them strength and comfort, and it wasn't their 744 00:43:29,760 --> 00:43:33,200 Speaker 1: own personal family history that led to this. Goldie points 745 00:43:33,200 --> 00:43:36,480 Speaker 1: out that they both came from big, strong family units, 746 00:43:36,600 --> 00:43:40,520 Speaker 1: lots of siblings, loving parents, but that element of it, 747 00:43:40,600 --> 00:43:43,680 Speaker 1: the family aspect, was the only part that was important 748 00:43:43,680 --> 00:43:46,160 Speaker 1: to them, and they made sure that that stayed true 749 00:43:46,239 --> 00:43:50,000 Speaker 1: throughout their careers as Hollywood stars. She said, quote, we 750 00:43:50,160 --> 00:43:53,799 Speaker 1: talked about relationships and commonality early on, and we had 751 00:43:53,960 --> 00:43:57,040 Speaker 1: Nanny's no doubt about it. We've both been working, but 752 00:43:57,200 --> 00:43:59,839 Speaker 1: we are very present with our children. It's the same 753 00:44:00,000 --> 00:44:03,279 Speaker 1: way we grew up. Yeah, And again it's it's interesting because, 754 00:44:03,440 --> 00:44:05,799 Speaker 1: like you know, we present this in a very eye 755 00:44:05,800 --> 00:44:07,839 Speaker 1: opening kind of way, right, a different way to look 756 00:44:07,880 --> 00:44:09,839 Speaker 1: at marriages and things like that. I don't think she's 757 00:44:09,880 --> 00:44:13,759 Speaker 1: inherently right about everything she says here. I don't think 758 00:44:13,880 --> 00:44:17,520 Speaker 1: that people who choose to get married do it because 759 00:44:17,680 --> 00:44:20,400 Speaker 1: they need to feel locked in. They have to have 760 00:44:20,640 --> 00:44:23,880 Speaker 1: that formal paperwork. I mean some people get married for 761 00:44:23,920 --> 00:44:27,440 Speaker 1: many different reasons. People don't get married for many different reasons. Um, 762 00:44:27,480 --> 00:44:29,200 Speaker 1: which is sort of the whole point of the episode. 763 00:44:29,200 --> 00:44:32,239 Speaker 1: I think you're going to talk about And of course 764 00:44:32,280 --> 00:44:35,280 Speaker 1: it's not always easy. Uh, And when you're Kurt Russell 765 00:44:35,360 --> 00:44:39,920 Speaker 1: and Goldie Hawn, monogamy might be a little challenging. She 766 00:44:40,080 --> 00:44:44,080 Speaker 1: called it a tough order, monogamy being young and hot 767 00:44:44,320 --> 00:44:47,520 Speaker 1: and you know everybody wants to do you, and you know, 768 00:44:47,719 --> 00:44:49,560 Speaker 1: maybe you want to do some of them back. I 769 00:44:49,640 --> 00:44:53,239 Speaker 1: mean right, especially Goldie's like a hottie body, and it 770 00:44:53,360 --> 00:44:58,480 Speaker 1: was Kurt. They clear got the drives to match. But 771 00:44:58,760 --> 00:45:01,360 Speaker 1: she told People Magazine that the key is how you 772 00:45:01,480 --> 00:45:03,839 Speaker 1: deal with that as a couple. She said, You've got 773 00:45:03,920 --> 00:45:07,080 Speaker 1: to accept it, and you've got to be honest. She said, quote, 774 00:45:07,360 --> 00:45:09,520 Speaker 1: it's like you really liked that guy, didn't you? Or 775 00:45:09,680 --> 00:45:12,200 Speaker 1: you were looking at her? But my answer would be, 776 00:45:12,320 --> 00:45:15,120 Speaker 1: of course, why not? She's beautiful? Would you want a 777 00:45:15,200 --> 00:45:18,040 Speaker 1: man who doesn't look, who doesn't feel inspired by the 778 00:45:18,160 --> 00:45:20,320 Speaker 1: beauty or the curves of a woman's body or the 779 00:45:20,400 --> 00:45:23,160 Speaker 1: way that she is. I mean, come on, we're human beings. 780 00:45:25,040 --> 00:45:27,839 Speaker 1: She described the relationship as needing elasticity in this way, 781 00:45:28,239 --> 00:45:30,080 Speaker 1: and that if it gets stiff and dry like a 782 00:45:30,160 --> 00:45:32,600 Speaker 1: rubber band, it's going to break. I mean I kind 783 00:45:32,600 --> 00:45:34,520 Speaker 1: of agree with that. It seems silly to me to 784 00:45:34,600 --> 00:45:36,520 Speaker 1: be like, you don't have eyes in your head now 785 00:45:36,560 --> 00:45:38,960 Speaker 1: that you're married, and you can't see that someone's attractive 786 00:45:39,480 --> 00:45:41,440 Speaker 1: and be like, Wow, that person is attractive. I mean 787 00:45:41,480 --> 00:45:43,880 Speaker 1: it's different like chasing them across the parking lot to 788 00:45:43,960 --> 00:45:47,000 Speaker 1: get the phone number. That's a thing that is a 789 00:45:47,080 --> 00:45:49,600 Speaker 1: different behavior. But just to be like, oh, there was 790 00:45:49,600 --> 00:45:53,200 Speaker 1: a hottie in the freaking grocery store checkoutline today is 791 00:45:53,280 --> 00:45:55,919 Speaker 1: just like cool, hot, I'm glad you saw something worth 792 00:45:55,960 --> 00:46:00,440 Speaker 1: seeing today when you went out, right, Like to see 793 00:46:00,440 --> 00:46:03,919 Speaker 1: a hottie every now and then myself, Sure, sure, yeah, 794 00:46:04,040 --> 00:46:08,239 Speaker 1: I need refreshing, you know. Yeah, check your partners, make 795 00:46:08,239 --> 00:46:12,640 Speaker 1: sure they're not leering, right, But be like, oh, you know, 796 00:46:12,760 --> 00:46:16,240 Speaker 1: if I'll catch you know, your eyes across the table 797 00:46:16,600 --> 00:46:17,880 Speaker 1: and turn around and be like, what what are you 798 00:46:17,960 --> 00:46:23,560 Speaker 1: seeing right now? Oh? I see? Yes? Server is like stunning, right? 799 00:46:23,640 --> 00:46:27,120 Speaker 1: Odd they are? You know, whoever it is, we can 800 00:46:27,160 --> 00:46:30,160 Speaker 1: agree on that that's something we enjoy together as a couple. 801 00:46:30,440 --> 00:46:34,040 Speaker 1: Very true. Uh So, yeah, we are definitely too gross 802 00:46:34,200 --> 00:46:37,680 Speaker 1: people creeping on you all out in public, but we 803 00:46:37,760 --> 00:46:43,359 Speaker 1: will not chase your cross lambarking no respect names the game. 804 00:46:47,440 --> 00:46:51,120 Speaker 1: Kurt and Goldie performed together for only the fourth time 805 00:46:51,680 --> 00:46:55,239 Speaker 1: when Goldie was cast as Mrs Claws in the Christis Chronicles. 806 00:46:55,320 --> 00:47:01,120 Speaker 1: To Goldie said in an interview, I get a whole 807 00:47:01,239 --> 00:47:03,160 Speaker 1: different kind of Kurt when I work with him that 808 00:47:03,239 --> 00:47:05,880 Speaker 1: I don't get at home. He's so fun to work with, 809 00:47:06,360 --> 00:47:08,120 Speaker 1: not that he's not fun to be with, but I 810 00:47:08,200 --> 00:47:10,680 Speaker 1: see his generosity in a way you can only see 811 00:47:10,760 --> 00:47:15,120 Speaker 1: when he's working. That so true absolutely well, any work, 812 00:47:16,520 --> 00:47:19,799 Speaker 1: sometimes you see it's that thing where you see someone 813 00:47:19,880 --> 00:47:22,880 Speaker 1: being very good at what they do and whatever it is, 814 00:47:23,160 --> 00:47:25,640 Speaker 1: even if it's something boring, it can be really attractive 815 00:47:25,719 --> 00:47:28,120 Speaker 1: to shoot someone kind of in their element. And you're like, 816 00:47:28,640 --> 00:47:30,399 Speaker 1: I have friends that I feel that way about, where 817 00:47:30,400 --> 00:47:33,120 Speaker 1: I'm like, together, we're just goofing off and being stupid. 818 00:47:33,680 --> 00:47:37,160 Speaker 1: But then like I see something professional you've together, and 819 00:47:37,239 --> 00:47:39,200 Speaker 1: I'm just so impressed by you, and I'm like so 820 00:47:39,360 --> 00:47:41,640 Speaker 1: excited to see you in that light. It's a totally 821 00:47:41,719 --> 00:47:44,080 Speaker 1: different person and it's exciting, and you're like, that's my 822 00:47:44,200 --> 00:47:46,880 Speaker 1: friend or whatever. So I I just totally get that. 823 00:47:47,040 --> 00:47:49,120 Speaker 1: I mean, we have that working together. I see that 824 00:47:49,200 --> 00:47:51,600 Speaker 1: and you all the time. And yeah. She said she 825 00:47:51,800 --> 00:47:55,919 Speaker 1: was doing a scene with Kurt in Christmas Chronicles Too, 826 00:47:56,440 --> 00:47:59,320 Speaker 1: where the camera was on him as Santa, and she 827 00:47:59,440 --> 00:48:02,080 Speaker 1: got so lost in the magic of him performing that 828 00:48:02,200 --> 00:48:06,200 Speaker 1: she completely forgot to deliver her line, which is awesome. 829 00:48:06,440 --> 00:48:09,279 Speaker 1: You must play a great Santa. We've only seen the 830 00:48:09,320 --> 00:48:11,799 Speaker 1: first one. We haven't seen this one yet, and it's 831 00:48:11,920 --> 00:48:13,960 Speaker 1: it's good. It's not my favorite Christmas movie, but it 832 00:48:14,040 --> 00:48:16,319 Speaker 1: was cute. Probably watched the second one just for them. 833 00:48:16,560 --> 00:48:19,480 Speaker 1: Our Christmas movie this year was Klaus, and definitely watch 834 00:48:19,600 --> 00:48:26,040 Speaker 1: Klaus is gorgeous, hilarious. It's the Emperor's New Groove at Christmas. Basically, 835 00:48:26,400 --> 00:48:28,920 Speaker 1: it's a very similar movie, but it is. The animation 836 00:48:29,040 --> 00:48:33,120 Speaker 1: is incredible, the cast is fantastic, the story is beautiful. 837 00:48:33,760 --> 00:48:36,480 Speaker 1: Watch it. It's so good. So Goldie Hawn said in 838 00:48:36,560 --> 00:48:39,040 Speaker 1: an interview with James Gordon that she and Kurt Russell 839 00:48:39,080 --> 00:48:42,839 Speaker 1: were recently in bed getting ready to get busy, when 840 00:48:43,120 --> 00:48:46,120 Speaker 1: they suddenly had this spark of an idea to watch 841 00:48:46,280 --> 00:48:49,920 Speaker 1: Overboard together. They had never seen some couples are like, 842 00:48:50,280 --> 00:48:52,640 Speaker 1: let's put on a porn tape tonight, and they're like, 843 00:48:53,160 --> 00:48:56,960 Speaker 1: let's look at ourselves as younger people. Well, they had 844 00:48:57,040 --> 00:48:59,439 Speaker 1: never seen it from beginning to end, and she said 845 00:48:59,480 --> 00:49:01,800 Speaker 1: it was so much fun. She said, quote, you know 846 00:49:01,880 --> 00:49:04,640 Speaker 1: how sometimes you forget why you fell in love. I 847 00:49:04,840 --> 00:49:08,480 Speaker 1: remembered everything. It was really something to be able to 848 00:49:08,560 --> 00:49:13,080 Speaker 1: watch that. And they were just lying there in bed, 849 00:49:13,200 --> 00:49:15,279 Speaker 1: they had a glass of wine each and they were 850 00:49:15,320 --> 00:49:17,799 Speaker 1: just complimenting each other. She said. Kurt kept turning her 851 00:49:17,840 --> 00:49:20,960 Speaker 1: and being like, you did that so perfectly, that's so funny, 852 00:49:21,080 --> 00:49:24,759 Speaker 1: You're amazing. And then she said, and that was a 853 00:49:24,880 --> 00:49:28,520 Speaker 1: huge turn on. And we're left to imagine what happened next. 854 00:49:29,160 --> 00:49:32,920 Speaker 1: Although don't imagine too hard. If you're driving right now again, 855 00:49:33,239 --> 00:49:35,719 Speaker 1: pull over, get to a safe place, get out of 856 00:49:35,760 --> 00:49:40,040 Speaker 1: the car, and go ahead and imagine. Take us some breaths. 857 00:49:42,760 --> 00:49:45,080 Speaker 1: But there's one thing a wedding gives you that is 858 00:49:45,239 --> 00:49:48,200 Speaker 1: tough to get anywhere else, and that is a solid 859 00:49:48,280 --> 00:49:51,560 Speaker 1: day where people come together to celebrate your relationship. It's true, 860 00:49:51,719 --> 00:49:53,759 Speaker 1: it's true. That is one of the maiden reasons I 861 00:49:53,840 --> 00:49:56,200 Speaker 1: think that we got married is just like, you know, 862 00:49:56,520 --> 00:50:00,239 Speaker 1: but you know what I mean that day is amazing, easing. 863 00:50:00,360 --> 00:50:02,560 Speaker 1: It's just like, because you're not going to walk around 864 00:50:02,600 --> 00:50:05,200 Speaker 1: telling everybody our relationship so great, where so special, that 865 00:50:05,360 --> 00:50:09,160 Speaker 1: compliment us, you know, but you're like, well, maybe for 866 00:50:09,280 --> 00:50:11,879 Speaker 1: one day, we will do that. It's really too bad 867 00:50:12,040 --> 00:50:15,480 Speaker 1: that we only save nice things to say about each 868 00:50:15,520 --> 00:50:19,080 Speaker 1: other for special occasions, graduation or a wedding or something 869 00:50:19,160 --> 00:50:21,759 Speaker 1: like the funeral or a funeral when I'm not even 870 00:50:21,800 --> 00:50:25,680 Speaker 1: alive to hear all this nice ship. Hopefully nice sip 871 00:50:28,040 --> 00:50:33,080 Speaker 1: yourself happen between now and might be, I don't know, 872 00:50:33,239 --> 00:50:35,880 Speaker 1: eighty years from now, you'll live forever, I hope. So 873 00:50:36,400 --> 00:50:39,240 Speaker 1: so yeah, don't we all want that for Goldie and Kurt. 874 00:50:39,520 --> 00:50:42,800 Speaker 1: I mean, we all want to celebrate their fhip and 875 00:50:42,880 --> 00:50:47,160 Speaker 1: how wonderful it is. Unfortunately, they sort of got a 876 00:50:47,360 --> 00:50:52,640 Speaker 1: surrogate wedding ceremony in After thirty three years together at 877 00:50:52,719 --> 00:50:56,359 Speaker 1: that point and nearly fifty years in show biz, they 878 00:50:56,480 --> 00:50:59,800 Speaker 1: received stars on the Hollywood Walk of Fame in a 879 00:51:00,040 --> 00:51:04,279 Speaker 1: special joint ceremony, and Kate Hudson was there as well 880 00:51:04,320 --> 00:51:07,400 Speaker 1: as other stars and co workers like Quentin Tarantino and 881 00:51:07,640 --> 00:51:11,800 Speaker 1: Goldie Hans super fan Reese Witherspoon, who said, quote every 882 00:51:11,920 --> 00:51:15,080 Speaker 1: career choice I've ever made, I would think, would Goldie 883 00:51:15,120 --> 00:51:17,640 Speaker 1: approve of this? And I have to stay legally blond. 884 00:51:17,960 --> 00:51:20,080 Speaker 1: Yes you would. Yeah, that would have been a Goldie 885 00:51:20,160 --> 00:51:22,040 Speaker 1: role if it have happened, you know, a couple of 886 00:51:22,080 --> 00:51:26,040 Speaker 1: decades earlier. Absolutely everyone was there to see the two 887 00:51:26,120 --> 00:51:29,640 Speaker 1: of them together. In the many forums, their partnership existed 888 00:51:29,800 --> 00:51:34,480 Speaker 1: from romantic to professional. Goldie joked, can we just get married? 889 00:51:34,560 --> 00:51:38,239 Speaker 1: We've never had a celebration like this before. When Kate 890 00:51:38,320 --> 00:51:40,880 Speaker 1: Hudson took the stage to speak, she said, quote, I 891 00:51:41,040 --> 00:51:43,239 Speaker 1: was slotted to talk about my mother, but I have 892 00:51:43,400 --> 00:51:46,480 Speaker 1: two parents and they're both here. I always thought i'd 893 00:51:46,480 --> 00:51:48,320 Speaker 1: be talking about them at a wedding or something, but 894 00:51:48,440 --> 00:51:50,520 Speaker 1: since the wedding doesn't seem to be in our near future, 895 00:51:50,680 --> 00:51:54,320 Speaker 1: this seems to be my only opportunity. And she continued 896 00:51:54,360 --> 00:51:56,800 Speaker 1: that the two of them always put their family first 897 00:51:57,200 --> 00:51:59,640 Speaker 1: and that despite their huge careers, they worked hard to 898 00:51:59,719 --> 00:52:02,799 Speaker 1: meant a normalcy at home with their kids, and when 899 00:52:02,880 --> 00:52:07,560 Speaker 1: Kurt spoke, he said, quote, Goldie, to you, I owe 900 00:52:07,760 --> 00:52:12,399 Speaker 1: my wonderful life. Simply put, Goldie, I cherish you all 901 00:52:12,520 --> 00:52:15,439 Speaker 1: the stars in the sky or in the boulevard. Don't 902 00:52:15,480 --> 00:52:18,200 Speaker 1: hold a candle to that. There's no one else I'd 903 00:52:18,320 --> 00:52:21,759 Speaker 1: rather be next to than Goldie Hawn. I mean, what 904 00:52:21,880 --> 00:52:26,840 Speaker 1: more do you need more? It's beautiful. Also, just love 905 00:52:26,960 --> 00:52:30,719 Speaker 1: that Kate Hudson and Oliver Hudson had this great dad 906 00:52:30,760 --> 00:52:34,200 Speaker 1: in their life, because clearly, I mean with Oliver Hudson's 907 00:52:34,239 --> 00:52:37,680 Speaker 1: post about Happy Abandonment Day, clearly it's not something that 908 00:52:37,800 --> 00:52:41,000 Speaker 1: they're like that you get over. I don't think it's 909 00:52:41,040 --> 00:52:43,920 Speaker 1: something you get over, right, But it's so nice to 910 00:52:44,000 --> 00:52:46,560 Speaker 1: know that there was somebody they are to be awesome 911 00:52:46,640 --> 00:52:49,200 Speaker 1: to them and see their dad. I mean that's awesome. Yeah, 912 00:52:49,640 --> 00:52:53,160 Speaker 1: And I mean, you know, as somebody someone was Kurt, 913 00:52:53,360 --> 00:52:56,280 Speaker 1: I was just gonna say, as somebody awesome goes Kurt Russell, 914 00:52:56,480 --> 00:52:58,640 Speaker 1: you could get less awesome than that. And I don't 915 00:52:58,640 --> 00:53:02,200 Speaker 1: agree with everything Kurt Russell's ever said or done, but 916 00:53:03,520 --> 00:53:06,759 Speaker 1: but he does seem like a guy who supports the 917 00:53:06,840 --> 00:53:11,080 Speaker 1: people he loves, uh, you know, cares more about his 918 00:53:11,200 --> 00:53:14,520 Speaker 1: family than work, you know, And for a guy whose 919 00:53:14,560 --> 00:53:19,160 Speaker 1: work is being Kurt Russell, that's a lot because love 920 00:53:19,320 --> 00:53:23,120 Speaker 1: how often it seems to be such a joke in 921 00:53:23,200 --> 00:53:26,040 Speaker 1: the family like that, Goldie would be like, can we 922 00:53:26,120 --> 00:53:28,759 Speaker 1: just get married? All? Like she doesn't even want to, 923 00:53:29,080 --> 00:53:31,239 Speaker 1: but you know she's willing to make a joker kid. 924 00:53:31,320 --> 00:53:33,319 Speaker 1: Hudson's like, I thought I didn't save it for a wedding, 925 00:53:33,400 --> 00:53:37,839 Speaker 1: but what wedding? Right am? I right? Like love they're 926 00:53:37,840 --> 00:53:40,879 Speaker 1: all they're all just always joking about it, right Yeah. 927 00:53:40,920 --> 00:53:42,360 Speaker 1: And I will say, I mean it's so awesome that 928 00:53:42,440 --> 00:53:45,560 Speaker 1: it totally works for them, right right. Um, But I 929 00:53:45,600 --> 00:53:48,200 Speaker 1: will say, just speaking as a couple who were together 930 00:53:48,360 --> 00:53:51,719 Speaker 1: for eight years, it was six years before we got 931 00:53:51,760 --> 00:53:53,840 Speaker 1: engaged and then two more yeah, eight years before we 932 00:53:53,880 --> 00:53:56,319 Speaker 1: got married. Yeah, it took us a while to get 933 00:53:56,360 --> 00:53:59,440 Speaker 1: to that stage our relationship. And I know that we 934 00:54:00,800 --> 00:54:05,560 Speaker 1: talked about it several times and two we talked about 935 00:54:05,560 --> 00:54:09,320 Speaker 1: it twice. Yeah yeah, I mean in earnest we you know, 936 00:54:09,480 --> 00:54:13,520 Speaker 1: as a serious conversation. Okay, Well, anyway, we talked about it, 937 00:54:13,719 --> 00:54:16,640 Speaker 1: and I think, yeah, it's for for a while, it 938 00:54:16,760 --> 00:54:19,560 Speaker 1: wasn't really a big problem one way or another, because 939 00:54:19,600 --> 00:54:22,800 Speaker 1: it did feel, like Goldie says, You're just like, what 940 00:54:23,000 --> 00:54:26,040 Speaker 1: what do I need that for? If we're happy? We're happy. 941 00:54:26,120 --> 00:54:28,319 Speaker 1: I don't know if I need any proof of that happy, right, 942 00:54:29,360 --> 00:54:31,719 Speaker 1: But there did come a point for me at least. 943 00:54:32,200 --> 00:54:34,200 Speaker 1: I don't know about you, but I certainly got to 944 00:54:34,239 --> 00:54:36,000 Speaker 1: a point where I was like, I don't know why, 945 00:54:36,160 --> 00:54:38,920 Speaker 1: but I really need something. Might just be society brainwashing 946 00:54:38,960 --> 00:54:41,279 Speaker 1: me and it's working, I don't know, but I I 947 00:54:41,440 --> 00:54:43,799 Speaker 1: really feel like I need another stage. And I don't 948 00:54:43,800 --> 00:54:47,000 Speaker 1: know why, but it just feels like like nothing to 949 00:54:47,080 --> 00:54:49,480 Speaker 1: me right now. It's just happening because we happened to 950 00:54:49,520 --> 00:54:51,720 Speaker 1: be stuck together, but not because we want to be together. 951 00:54:52,480 --> 00:54:54,960 Speaker 1: I guess, is how it felt or something. I don't know. 952 00:54:55,160 --> 00:54:57,040 Speaker 1: I can't. I wish I could have better words for it, 953 00:54:57,160 --> 00:55:01,520 Speaker 1: but I proposed unprompted. Oh it did happen for me 954 00:55:01,680 --> 00:55:05,720 Speaker 1: to you know, um, But you know, we just decided 955 00:55:05,920 --> 00:55:07,440 Speaker 1: that was what we wanted to do next. And I 956 00:55:07,480 --> 00:55:09,360 Speaker 1: think that's all it really comes down to. There's not 957 00:55:09,440 --> 00:55:11,279 Speaker 1: really a whole lot of analysis to go around it. 958 00:55:11,640 --> 00:55:15,120 Speaker 1: At a certain point, at least for me, I was like, 959 00:55:15,760 --> 00:55:17,359 Speaker 1: it's not something I feel like I need or want 960 00:55:17,480 --> 00:55:20,840 Speaker 1: right now. And then then later I did, you know, 961 00:55:21,080 --> 00:55:23,480 Speaker 1: and not in such a way of like, well I 962 00:55:23,560 --> 00:55:26,160 Speaker 1: want it now, but then later it might change back again, 963 00:55:26,320 --> 00:55:30,560 Speaker 1: but rather and I think this is hugely important when 964 00:55:30,600 --> 00:55:35,839 Speaker 1: you're talking about marriage, an absolute certainty that yeah, I'm 965 00:55:35,960 --> 00:55:38,960 Speaker 1: good with this now and I know that I will 966 00:55:39,040 --> 00:55:41,920 Speaker 1: not want to change that in the future. And that 967 00:55:42,520 --> 00:55:45,840 Speaker 1: is something you can only know to a certain degree, 968 00:55:45,880 --> 00:55:49,000 Speaker 1: of course, because things change, people change, blah blah blah, 969 00:55:49,520 --> 00:55:53,120 Speaker 1: but that you can still have that certainty. And to me, 970 00:55:53,800 --> 00:55:56,800 Speaker 1: I think being together for six years before we decided 971 00:55:56,840 --> 00:56:00,600 Speaker 1: we want to get married was important because if you 972 00:56:00,680 --> 00:56:04,759 Speaker 1: get married earlier before you're certain, then you know you're 973 00:56:04,760 --> 00:56:08,760 Speaker 1: setting yourself up for potentially a divorce, which or feeling 974 00:56:08,840 --> 00:56:12,800 Speaker 1: locked together in something that you didn't want. And so 975 00:56:12,880 --> 00:56:15,160 Speaker 1: that's why I think that people should take their time 976 00:56:15,239 --> 00:56:17,160 Speaker 1: with it. I really think. And you may know, you 977 00:56:17,239 --> 00:56:20,279 Speaker 1: may know a year and a half or sooner. There 978 00:56:20,320 --> 00:56:22,680 Speaker 1: are people who I mean, there's plenty of just like 979 00:56:22,880 --> 00:56:25,560 Speaker 1: success stories where a month went by and we're new 980 00:56:25,640 --> 00:56:28,480 Speaker 1: and we're still happy years later after many children. So 981 00:56:29,320 --> 00:56:31,560 Speaker 1: it's very true. No one can put a timeline on it, 982 00:56:31,880 --> 00:56:33,640 Speaker 1: and nothing and it might be it might be a 983 00:56:33,760 --> 00:56:36,840 Speaker 1: long time before you know. I mean, there's just no 984 00:56:37,320 --> 00:56:42,279 Speaker 1: right answer. Nothing about our relationships specifically changed. It was 985 00:56:42,480 --> 00:56:46,640 Speaker 1: just well, I remember we were in Orlando and having 986 00:56:46,840 --> 00:56:48,920 Speaker 1: one of the best trips we've ever had, of our 987 00:56:48,960 --> 00:56:53,000 Speaker 1: many wonderful trips. And I remember thinking on that trip, 988 00:56:53,040 --> 00:56:55,439 Speaker 1: and I knew that you were interested in getting married. 989 00:56:55,560 --> 00:56:57,520 Speaker 1: You'd meant, like I said, You'd mentioned it a few times, 990 00:56:57,560 --> 00:57:00,520 Speaker 1: but were never pushy about it or know. I wasn't 991 00:57:00,520 --> 00:57:02,680 Speaker 1: like picking out a ring. No, you were just like, 992 00:57:03,160 --> 00:57:04,680 Speaker 1: that would be nice. Probably if that was the thing 993 00:57:04,760 --> 00:57:06,960 Speaker 1: that happened. I'd be happy for what happened. I knew 994 00:57:06,960 --> 00:57:10,440 Speaker 1: you'd say yes, it was pretty certain. Um, But I 995 00:57:10,560 --> 00:57:13,399 Speaker 1: definitely thought on that trip, you know what, Yeah, yeah, 996 00:57:13,400 --> 00:57:16,200 Speaker 1: I'm not going to turn around on this and uh, 997 00:57:16,520 --> 00:57:19,320 Speaker 1: and started thinking about it and figuring out what to do. 998 00:57:19,480 --> 00:57:22,920 Speaker 1: And then I got a ring from my mom, from 999 00:57:23,000 --> 00:57:26,120 Speaker 1: my great great great grandmother. We don't know exactly when 1000 00:57:26,160 --> 00:57:29,160 Speaker 1: it's from, but a long time ago. Yeah, and uh, 1001 00:57:29,400 --> 00:57:31,240 Speaker 1: and then carried it around for a little while before 1002 00:57:32,720 --> 00:57:35,400 Speaker 1: Christmas proposal, which brings us right back to I was 1003 00:57:35,440 --> 00:57:38,160 Speaker 1: going to say, Christmas is very special for us because 1004 00:57:38,360 --> 00:57:40,760 Speaker 1: you did propose on Christmas. It was it was a 1005 00:57:40,840 --> 00:57:43,560 Speaker 1: banner year at our house because I had I had 1006 00:57:43,720 --> 00:57:47,080 Speaker 1: bought him a PlayStation four, which is my big gift, 1007 00:57:47,360 --> 00:57:51,560 Speaker 1: and she's here thinking, oh, I guess. And so I 1008 00:57:51,640 --> 00:57:54,720 Speaker 1: had an envelope in the tree with tickets to Patton Oswalt. 1009 00:57:54,800 --> 00:57:56,680 Speaker 1: That was one of my gifts friend of the show, 1010 00:57:56,720 --> 00:57:59,680 Speaker 1: Patton Oswalt. And then I had this PlayStation four game 1011 00:57:59,800 --> 00:58:01,680 Speaker 1: that was going to make you open and then you 1012 00:58:01,800 --> 00:58:03,360 Speaker 1: were going to say, and you did it perfectly. You 1013 00:58:03,400 --> 00:58:05,160 Speaker 1: didn't know, but you did it perfectly. You were going 1014 00:58:05,200 --> 00:58:07,320 Speaker 1: to say, oh, babe, this is a PlayStation four game. 1015 00:58:07,400 --> 00:58:09,760 Speaker 1: I have a PlayStation three. And I'm like, oh ship, 1016 00:58:10,000 --> 00:58:12,000 Speaker 1: oh my, I'm so stupid. I don't even look like 1017 00:58:12,080 --> 00:58:14,320 Speaker 1: I just need you in the game. Whatever, we'll just 1018 00:58:14,440 --> 00:58:17,920 Speaker 1: go return. I was all miffed about it, and then 1019 00:58:17,960 --> 00:58:20,680 Speaker 1: you opened up your play and it was a trick. 1020 00:58:21,120 --> 00:58:25,040 Speaker 1: I said, what the hell is wrong with you? I 1021 00:58:25,120 --> 00:58:26,720 Speaker 1: thought I was going to have to go make a return. 1022 00:58:27,880 --> 00:58:31,920 Speaker 1: Horrible something in the world. Yeah. So, so I had 1023 00:58:32,040 --> 00:58:35,080 Speaker 1: also hung your present in the tree and did a 1024 00:58:35,160 --> 00:58:37,080 Speaker 1: hotter cold thing. I was like, your present is in 1025 00:58:37,160 --> 00:58:39,439 Speaker 1: the tree too, but you got to find it hot cold, 1026 00:58:39,520 --> 00:58:44,480 Speaker 1: hot cold. And then you finally found this sparkly ancient 1027 00:58:44,680 --> 00:58:49,840 Speaker 1: ring on the branch, so cute, and yeah, and later 1028 00:58:49,960 --> 00:58:53,560 Speaker 1: I was real nervous. Yeah, because you said you hung 1029 00:58:53,600 --> 00:58:55,480 Speaker 1: a present the tree, and it's like, oh, I don't 1030 00:58:55,480 --> 00:58:56,880 Speaker 1: want you to. I didn't want her to find it 1031 00:58:56,920 --> 00:58:59,200 Speaker 1: and be like, what the fund is this ring? For 1032 00:58:59,480 --> 00:59:01,400 Speaker 1: this come? I don't wonder if I would have put 1033 00:59:01,440 --> 00:59:04,320 Speaker 1: it together. And I'm not sure because I wasn't expecting it, 1034 00:59:04,480 --> 00:59:07,919 Speaker 1: so I'm not sure. Was this in the ORNAMENTO is this? Yeah? 1035 00:59:07,920 --> 00:59:13,120 Speaker 1: I guess it looks nice? Hook fell off? I don't know, 1036 00:59:13,960 --> 00:59:15,320 Speaker 1: but yeah. And then when I pulled it, I was 1037 00:59:15,360 --> 00:59:17,320 Speaker 1: like this and I turned around and he was on 1038 00:59:17,480 --> 00:59:20,280 Speaker 1: one knee and it was so cute one knee? Did 1039 00:59:23,520 --> 00:59:26,200 Speaker 1: are you mad about it? It's not my style? Well, 1040 00:59:26,480 --> 00:59:32,560 Speaker 1: I guess it is. It's certainly was. And then after 1041 00:59:32,680 --> 00:59:35,200 Speaker 1: we did get married, I think we both remarked that 1042 00:59:35,360 --> 00:59:39,800 Speaker 1: we felt a really strong bond, like even after eight 1043 00:59:39,920 --> 00:59:42,560 Speaker 1: years of being together, we did have a honeymoon phase 1044 00:59:42,840 --> 00:59:45,760 Speaker 1: kind of where everything was just so sparkly and lovely 1045 00:59:45,880 --> 00:59:49,360 Speaker 1: and everything felt great, and you know, it was I know, 1046 00:59:49,560 --> 00:59:51,880 Speaker 1: where's that energy? But you know what I mean? It 1047 00:59:52,000 --> 00:59:54,680 Speaker 1: was just it was like, even though it's something that 1048 00:59:54,760 --> 00:59:58,720 Speaker 1: seems like stupid, silly, outdated tradition, and certainly is for 1049 00:59:58,880 --> 01:00:03,040 Speaker 1: many people, it can actually have an effect on you psychologically, 1050 01:00:03,080 --> 01:00:05,800 Speaker 1: I guess because it did to me anyway. It's like, 1051 01:00:05,880 --> 01:00:09,480 Speaker 1: I feel really special right now. Just we felt very special, 1052 01:00:09,680 --> 01:00:12,840 Speaker 1: I guess. And I think all that together with Curtain 1053 01:00:12,840 --> 01:00:15,439 Speaker 1: Goldie story sort of side by side, you can see 1054 01:00:15,600 --> 01:00:18,360 Speaker 1: that it is different for everyone, and people have different 1055 01:00:18,400 --> 01:00:21,600 Speaker 1: needs and people get different things out of their relationship. 1056 01:00:21,680 --> 01:00:24,520 Speaker 1: I think that Goldie and Kurt have their own version 1057 01:00:24,600 --> 01:00:26,720 Speaker 1: of like a honeymoon phase or whatever, and maybe it 1058 01:00:26,880 --> 01:00:29,320 Speaker 1: was their way of understanding of coming to a point 1059 01:00:29,360 --> 01:00:32,080 Speaker 1: in their relationship where they said, no, yeah, this is 1060 01:00:32,160 --> 01:00:36,200 Speaker 1: forever and we just know that. And we I do 1061 01:00:36,400 --> 01:00:39,800 Speaker 1: like that idea if we choose that every day, you know, 1062 01:00:40,360 --> 01:00:42,200 Speaker 1: I wake up in the morning, and it's not about 1063 01:00:42,360 --> 01:00:45,400 Speaker 1: being free to choose not to do it, but it's 1064 01:00:45,480 --> 01:00:48,800 Speaker 1: rather about finding excitement in saying, wow, damn, I chose 1065 01:00:48,840 --> 01:00:53,520 Speaker 1: again another day, and every day becomes this like decision 1066 01:00:53,600 --> 01:00:55,520 Speaker 1: that you're making. And I can see the strengthen that 1067 01:00:55,640 --> 01:00:58,560 Speaker 1: I can see why that's, you know, a passionate thing 1068 01:00:58,640 --> 01:01:00,640 Speaker 1: for them well, and it's such a thing to take 1069 01:01:00,720 --> 01:01:02,320 Speaker 1: with you even if you're not, even if you are 1070 01:01:02,400 --> 01:01:04,880 Speaker 1: married to say, every day you wake up and you 1071 01:01:05,000 --> 01:01:07,880 Speaker 1: do choose that person because you choose not to divorce them. 1072 01:01:07,920 --> 01:01:10,960 Speaker 1: I mean, you do, so it is nice to think 1073 01:01:11,200 --> 01:01:13,920 Speaker 1: of it that way. And every day I'm choosing you 1074 01:01:14,080 --> 01:01:16,280 Speaker 1: and I'm choosing our life together. And some days it's that. 1075 01:01:16,360 --> 01:01:20,000 Speaker 1: Sometimes it's every day I'm choosing today, I chose to 1076 01:01:20,040 --> 01:01:21,680 Speaker 1: be with you, and I love that. And then other 1077 01:01:21,800 --> 01:01:25,640 Speaker 1: days it's like, I chose, I chose this, I think 1078 01:01:25,640 --> 01:01:30,640 Speaker 1: about this was my decision, and continues to be well, 1079 01:01:30,760 --> 01:01:33,160 Speaker 1: we all live with our choices, don't we. I'm going 1080 01:01:33,200 --> 01:01:37,720 Speaker 1: to go home and only think about my choices. And 1081 01:01:37,800 --> 01:01:42,280 Speaker 1: then she says something hilarious. You're like good choice, good choice, 1082 01:01:42,640 --> 01:01:48,480 Speaker 1: because she does. She says hilarious things. Um, both Diana 1083 01:01:48,560 --> 01:01:53,280 Speaker 1: and Goldie Han hilarious partners. If I can get to 1084 01:01:53,360 --> 01:01:58,200 Speaker 1: Goldie Hans standards, I'll be very happy. Well, I just 1085 01:01:58,360 --> 01:02:02,760 Speaker 1: hope that the warm of Goldie Han and Kurt Russell 1086 01:02:03,000 --> 01:02:06,600 Speaker 1: carries you through this winter, or if you're one of 1087 01:02:06,640 --> 01:02:10,480 Speaker 1: our listeners in the Southern Hemisphere, I hope the coolness 1088 01:02:10,960 --> 01:02:14,200 Speaker 1: of Russell and Goldie Han keeps you chilled through the summer. 1089 01:02:15,960 --> 01:02:19,120 Speaker 1: Either way, they got the temperature for you. That's right. Yes, 1090 01:02:19,560 --> 01:02:24,040 Speaker 1: they're both hot and very cool. Yes, um so yeah, 1091 01:02:24,280 --> 01:02:28,000 Speaker 1: this is a fun, sweet story to talk about for 1092 01:02:28,360 --> 01:02:32,400 Speaker 1: for the holiday season. Again, another perspective just kind of 1093 01:02:32,800 --> 01:02:35,440 Speaker 1: we call it ridiculous, but it's just a different a 1094 01:02:35,520 --> 01:02:37,480 Speaker 1: different way to live, a different way to love. Totally. 1095 01:02:37,520 --> 01:02:40,000 Speaker 1: That's kind of a running theme in this show, I think, 1096 01:02:40,760 --> 01:02:42,840 Speaker 1: And if you're interested, we did want to do an 1097 01:02:42,880 --> 01:02:46,280 Speaker 1: episode on the actual Santa and Mrs Claus, but Mrs 1098 01:02:46,360 --> 01:02:49,200 Speaker 1: Claus was like added to the legend of Santa and 1099 01:02:49,320 --> 01:02:52,560 Speaker 1: like the fifties or something by like a child's children's 1100 01:02:52,600 --> 01:02:55,320 Speaker 1: book author or something like that, and it's not that 1101 01:02:55,440 --> 01:02:58,160 Speaker 1: exciting of a story, unfortunately. I guess they were just 1102 01:02:58,240 --> 01:03:00,080 Speaker 1: kind of like, man, this old man just live in 1103 01:03:00,120 --> 01:03:02,360 Speaker 1: a house. A bunch of elves, give him a wife, 1104 01:03:02,400 --> 01:03:06,280 Speaker 1: so it don't seem like a pervert for children breaking 1105 01:03:06,320 --> 01:03:10,360 Speaker 1: into houses. He's got several names, Santa Claus, uh st Nick, 1106 01:03:11,120 --> 01:03:13,240 Speaker 1: you know whatever, you want to call him, Father, Christmas. 1107 01:03:13,800 --> 01:03:16,520 Speaker 1: What's her name? How about Mrs She don't even have 1108 01:03:16,600 --> 01:03:22,400 Speaker 1: a first name. She does in Santa Claus three, that's 1109 01:03:22,480 --> 01:03:27,560 Speaker 1: Elizabeth Mitchell, who, bless her heart, is really given it 1110 01:03:27,640 --> 01:03:30,800 Speaker 1: all in that movie, which is a weird movie and 1111 01:03:30,920 --> 01:03:33,960 Speaker 1: it's a weird movie. Well, in the original story, he 1112 01:03:34,040 --> 01:03:36,360 Speaker 1: didn't act her name. She's just Mrs Claus and she 1113 01:03:36,440 --> 01:03:38,760 Speaker 1: bakes cookies and she's that's it. Well, and I looked 1114 01:03:38,840 --> 01:03:41,040 Speaker 1: up St. Nicholas to see what's there. Although you know 1115 01:03:41,120 --> 01:03:48,640 Speaker 1: saints classically unmarried people but famously unmarried. But St. Nicholas 1116 01:03:48,720 --> 01:03:51,080 Speaker 1: I heard was, you know this old man who The 1117 01:03:51,400 --> 01:03:53,200 Speaker 1: one story I found was that there was like a 1118 01:03:53,720 --> 01:03:57,520 Speaker 1: classic farmer were three daughters kind of situation, and they 1119 01:03:57,600 --> 01:04:01,200 Speaker 1: didn't have a dowry, so none of them could get married, so, 1120 01:04:01,680 --> 01:04:04,760 Speaker 1: you know, they were all going to starve, and St. Nicholas, 1121 01:04:05,080 --> 01:04:07,320 Speaker 1: this guy Nicholas came by the house and in the 1122 01:04:07,400 --> 01:04:09,840 Speaker 1: dead of night he would just throw pouches of gold 1123 01:04:10,160 --> 01:04:12,880 Speaker 1: into the window because he was independently wealthy and he 1124 01:04:12,960 --> 01:04:15,760 Speaker 1: didn't he didn't so he just wanted to give them 1125 01:04:15,800 --> 01:04:17,520 Speaker 1: and he just wanted to give them, so he yeah, 1126 01:04:17,600 --> 01:04:19,200 Speaker 1: he tossed gold through the window at night and they 1127 01:04:19,240 --> 01:04:20,400 Speaker 1: woke up and they were like, oh my god, we 1128 01:04:20,480 --> 01:04:24,080 Speaker 1: have money. The daughters were all married off, the family thrived. Um. 1129 01:04:24,400 --> 01:04:28,080 Speaker 1: But I couldn't find anything about those daughters beyond that legend. 1130 01:04:28,200 --> 01:04:30,600 Speaker 1: So it's like, well, it's not a full episode. But man, 1131 01:04:30,720 --> 01:04:33,640 Speaker 1: too bad Santa doesn't show a bag of gold. Now 1132 01:04:35,920 --> 01:04:38,560 Speaker 1: I could put that in my Christmas letter. Dear Santa. 1133 01:04:38,760 --> 01:04:41,840 Speaker 1: Parents are like, please don't promise a lot of gold. Okay, 1134 01:04:42,440 --> 01:04:45,400 Speaker 1: it was enough to get the remote control car. Look, 1135 01:04:45,480 --> 01:04:47,560 Speaker 1: a bag of gold might be cheaper than a PlayStation 1136 01:04:47,640 --> 01:04:50,440 Speaker 1: five right now? So that is so true. We need 1137 01:04:50,480 --> 01:04:53,760 Speaker 1: to check the price of the exchange. What's gold worth 1138 01:04:53,840 --> 01:05:00,160 Speaker 1: these days? So point zero zero zero one? Have a 1139 01:05:00,240 --> 01:05:07,080 Speaker 1: bitcoin to me? Santa left you thirty eight thousand doge coin. Wow, 1140 01:05:07,160 --> 01:05:10,760 Speaker 1: he really cheaped out this year. Santa must be baroake. 1141 01:05:12,520 --> 01:05:18,360 Speaker 1: Santa could not hold it to the moon. Oh well, 1142 01:05:18,600 --> 01:05:22,240 Speaker 1: look y'all go go enjoy your holiday, whatever that means 1143 01:05:22,360 --> 01:05:25,400 Speaker 1: for you. Thank you for listening, thank you tuning in, 1144 01:05:25,760 --> 01:05:27,480 Speaker 1: and thank you for sticking with us through this year, 1145 01:05:28,080 --> 01:05:30,480 Speaker 1: uh and joining us in this amazing show. We've got 1146 01:05:30,560 --> 01:05:33,600 Speaker 1: more episodes to come. We'll be back next week before 1147 01:05:33,680 --> 01:05:37,080 Speaker 1: New Year's and I think we can't wait to bring 1148 01:05:37,160 --> 01:05:40,560 Speaker 1: you another story. Never can. So yeah, thanks as always 1149 01:05:40,600 --> 01:05:42,360 Speaker 1: for joining us. If you please let us know what 1150 01:05:42,480 --> 01:05:45,040 Speaker 1: you think about this story, about the show, about Christmas, 1151 01:05:45,160 --> 01:05:51,080 Speaker 1: whatever however you're celebrating, whether you're hot, or cold. It's Christmas. 1152 01:05:51,120 --> 01:05:54,840 Speaker 1: Wherever you are, We're Romance at I heart Media dot com. 1153 01:05:55,000 --> 01:05:57,720 Speaker 1: It's right or find us on Twitter and Instagram. I'm 1154 01:05:57,760 --> 01:06:00,280 Speaker 1: at Oh Great, it's Eli, I'm at Diana Mite Boom, 1155 01:06:00,400 --> 01:06:03,360 Speaker 1: and the show is at ridic Romance and you are 1156 01:06:03,560 --> 01:06:06,480 Speaker 1: awesome for listening. Thank you so much. Yes, we love you, 1157 01:06:06,680 --> 01:06:08,920 Speaker 1: your Christmas, happy holidays, and we'll see you next time. 1158 01:06:09,800 --> 01:06:13,640 Speaker 1: So long, friends, it's time to go. Thanks for listening 1159 01:06:13,760 --> 01:06:17,640 Speaker 1: to our show. Tell your friend's name's uncle Sandez to 1160 01:06:17,800 --> 01:06:20,000 Speaker 1: listen to a show Ridiculous Roll Dance