WEBVTT - Monster In Law • EP 808

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<v Speaker 1>First of all, you don't know me.

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<v Speaker 2>We all about that high school drama, Girl Drama, Girl,

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<v Speaker 2>all about them high school queens. We'll take you for

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<v Speaker 2>a ride, and our comic girl sharing for the right

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<v Speaker 2>team Drama, Queens of Girl Fashion.

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<v Speaker 3>But you'll tough, girl.

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<v Speaker 4>You could sit with.

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<v Speaker 1>Us, Girl Drama, Queens Drama, Queens Drama, Queens Drama, Drawn

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<v Speaker 1>the Queens Drama Queens.

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<v Speaker 5>Hi, everybody, Hi, I'm so sorry we weren't able to

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<v Speaker 5>be there last week.

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<v Speaker 6>Rob, how to go? It was a disaster too, aren't here?

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<v Speaker 6>The wheels come right off the wagon.

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<v Speaker 3>It was your first time hosting. I meant to text

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<v Speaker 3>you too.

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<v Speaker 5>I kept like thinking of it in moments when I

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<v Speaker 5>was like driving or brushing my teeth or like the

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<v Speaker 5>wrong moments, I was like, I need to text Rob.

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<v Speaker 5>I gotta find out how it went. How did he

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<v Speaker 5>feel about hosting the episode? You know, it's kind of

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<v Speaker 5>a big deal, Like totally it fell apart what.

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<v Speaker 6>There was a fair amount of nervous crying at the

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<v Speaker 6>beginning on Life Gorgeous. Luckily, Lee and Antoine are just

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<v Speaker 6>such great guys and such natural performers that they really

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<v Speaker 6>helped carry me. And I think at the end of

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<v Speaker 6>the day, we got something that is going to be usable.

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<v Speaker 5>Amazing.

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<v Speaker 4>I love that for you, though, I gotta be honest,

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<v Speaker 4>I was feeling the exact same way.

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<v Speaker 6>Joy.

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<v Speaker 4>I was just thinking to myself, of course, because we

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<v Speaker 4>have similar brains at like twelve thirty at night or

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<v Speaker 4>like six forty five in the morning, when Rob's on

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<v Speaker 4>the West Coast and it's a deeply inappropriate time to

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<v Speaker 4>text him, I wanted to ask.

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<v Speaker 3>All these questions.

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<v Speaker 4>And I also felt myself, like back in my younger self, going, well,

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<v Speaker 4>I'm sad I didn't get to hang out with the boys.

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<v Speaker 4>I wonder what they talked about. I wonder if they

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<v Speaker 4>had a good time, Like I was. I was amped

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<v Speaker 4>that you guys basically had a treehouse experience episode. And

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<v Speaker 4>also my little like younger self ego was wounded that

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<v Speaker 4>the girls didn't get to come and play, especially.

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<v Speaker 5>After watching that episode because it was just so fun.

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<v Speaker 6>Well, that's why it was perfect, right, and that was

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<v Speaker 6>sort of how I let in. I'm like, we're it's

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<v Speaker 6>it's kind of funny because it's like our parents, like

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<v Speaker 6>the parents are away and it's just like a boy's

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<v Speaker 6>night in and like but it's the perfect episode for

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<v Speaker 6>that because that's essentially what we do there as well.

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<v Speaker 6>Yeah and no, it was great. We had a lot

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<v Speaker 6>of fun, managed to keep things on track because with

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<v Speaker 6>those two guys, it's like my brain wants to go

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<v Speaker 6>in a million different directions conversationally. But it was great,

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<v Speaker 6>and now it is awesome to have you back. I

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<v Speaker 6>feel like before we even get into atoh eight, we

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<v Speaker 6>do need to touch upon the greatness that was both

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<v Speaker 6>of your performances in eight oh seven because you two

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<v Speaker 6>so if you and Sharon at the at the Bride

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<v Speaker 6>Expo is just like the episode. And of course it

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<v Speaker 6>was like a heroin Strauss episode. So the episode was

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<v Speaker 6>just rife with killer one liners. Yes, with the with

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<v Speaker 6>the gist of them being between you and Sharon, and

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<v Speaker 6>then when Joy pops in and Joy your stuff was

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<v Speaker 6>so funny, like you trying in Earnest to show up

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<v Speaker 6>as a friend, Hayley's trying to show up in Earnest

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<v Speaker 6>as a friend for Brooke but because of what's happening

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<v Speaker 6>hormonally with the pregnancy constantly undermining her at every turn,

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<v Speaker 6>and just the comedy playing between you guys.

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<v Speaker 1>Was so good.

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<v Speaker 4>I will say I think that's one of my top

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<v Speaker 4>five episodes we've ever done. I had the best time

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<v Speaker 4>with you and Sharon and that little storyline, and especially

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<v Speaker 4>it was a fun day.

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<v Speaker 5>I remember that.

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<v Speaker 4>It was so fun and everyone, I mean, the wardrobe

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<v Speaker 4>was amazing, the set was amazing, Like I remember walking

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<v Speaker 4>in there and thinking, Oh, this is going to be good.

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<v Speaker 4>And especially because we are and I think really beautifully

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<v Speaker 4>in this arc for everyone this season where people are

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<v Speaker 4>really trying to figure out life, they're figuring out their emotions,

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<v Speaker 4>they're figuring out things that require the maturity. Our characters

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<v Speaker 4>have earned emotional intelligence. So to have just an all

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<v Speaker 4>out comedic fun fest, yeah, it was relieving for me

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<v Speaker 4>as an actor.

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<v Speaker 3>And like you and I are goofy.

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<v Speaker 4>We like to be funny and it was nice to

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<v Speaker 4>get to show that and to do it with Sharon.

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<v Speaker 5>Come on, she's such a genius everything she does. I mean,

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<v Speaker 5>I tell you she always I said this already, she

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<v Speaker 5>floats through every room she's in. But the way she

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<v Speaker 5>played this character. And also I had totally forgotten that

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<v Speaker 5>she was had this drinking issue, and so as I

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<v Speaker 5>didn't realize that she was getting progressively more and more

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<v Speaker 5>like silly and loopy. I guess I thought she was

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<v Speaker 5>just being a little more happy or pushy or just

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<v Speaker 5>but it felt so jovial that you couldn't help, And

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<v Speaker 5>I think Hayley couldn't help but just fall in line

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<v Speaker 5>and fall in love with her. And so when you

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<v Speaker 5>find her collapsed in the hallway, it's like this, The

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<v Speaker 5>turn was so great because I hadn't spotted it. But

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<v Speaker 5>if you go back and watch, you can see Sharon's

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<v Speaker 5>deliberate choices to progress.

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<v Speaker 3>It's like the sixth sense.

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<v Speaker 4>You don't see it coming, and then once you know

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<v Speaker 4>the secret, you realize you saw it the whole time. Yeah,

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<v Speaker 4>it's the best kind of misdirect I think writers can do.

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<v Speaker 4>And to your point, Rob heroin Stress are just such

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<v Speaker 4>a good writing team, and they I think they just

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<v Speaker 4>crush it from the funny to the emotional.

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<v Speaker 6>Really, there was a line where it's when you're looking

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<v Speaker 6>at bridesmaid's dresses and she goes, how about these? And

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<v Speaker 6>you said, actually, I was thinking about I was planning

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<v Speaker 6>on designing them myself, you know, something cute And she says,

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<v Speaker 6>oh no, honey, the whole point is for your bridesmaids

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<v Speaker 6>to look ugly so you look pretty. And I love

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<v Speaker 6>that because it was perfect, right, it's there. It is

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<v Speaker 6>the leanest joke in that there is like, there's nothing

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<v Speaker 6>extra on it, because first of all, that's accurate. Why

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<v Speaker 6>are bride'smaid's dress is always hideous? But it's a perfectly

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<v Speaker 6>backhanded like, yeah, dear you them to look bad so

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<v Speaker 6>you can look good.

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<v Speaker 5>It's just so rude, so free.

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<v Speaker 4>Yeah, because God forbid another woman look beautiful then you don't.

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<v Speaker 4>It's such an antiquated way of thinking. And it's perfect

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<v Speaker 4>for a mother in law, particularly for Brooks mother in law,

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<v Speaker 4>because Brook's entire business is literally based on making other

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<v Speaker 4>women feel beautiful.

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<v Speaker 5>Yeah, just so tone deaf. She just shows up so

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<v Speaker 5>tone deaf.

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<v Speaker 4>It's so good though, because it's it's such a perfect

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<v Speaker 4>illustration of how these two do not speak the same language,

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<v Speaker 4>they do not come from the same era, and it's

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<v Speaker 4>you know, perfect.

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<v Speaker 5>I also really like the Sharon didn't make choices to

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<v Speaker 5>be aggressively pushy, that the pushiness just came out of

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<v Speaker 5>the flow of her. It's it's the uh, what's her

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<v Speaker 5>characters name, wait, Sylvia, Sylvia Right, It's like it's the

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<v Speaker 5>it's the Sylvia Show. It's always been the Sylvia Show

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<v Speaker 5>in her mind, and everywhere she goes it's just she

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<v Speaker 5>just floats around. Oh no, no, no, oh, yes, yes, yes, oh,

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<v Speaker 5>this is what we need to do. Oh that's what

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<v Speaker 5>It's just so endearing. You love it, but she also

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<v Speaker 5>hate it.

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<v Speaker 4>Yeah.

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<v Speaker 6>Well that's the thing, right. She does the thing that

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<v Speaker 6>good actors do, which is she makes it hard to

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<v Speaker 6>just make a snap judgment on like who she is, right,

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<v Speaker 6>because she's doing things that aren't cool, but she's coming

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<v Speaker 6>from kind of a good place, Like I think the

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<v Speaker 6>characters the best of the ones where like the water

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<v Speaker 6>is muddied and it's not easy to go like they're

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<v Speaker 6>great where they say. It's sort of like, man, she's

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<v Speaker 6>kind of being a mom zilla, but she's also offering

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<v Speaker 6>to pay for it, you know. It's like, ah, it's okay,

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<v Speaker 6>so I wanted to ask you.

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<v Speaker 2>Though.

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<v Speaker 6>At the end of the episode, obviously she gets canned.

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<v Speaker 6>You have to help her get home. She passes out

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<v Speaker 6>with all of her jewelry on Brave and at the

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<v Speaker 6>end of it she says, hey, don't mention this to

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<v Speaker 6>Julian and he worries about me, which also help tie

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<v Speaker 6>back to last season when he was like, my mom

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<v Speaker 6>was in a bad way, and we had a conversation

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<v Speaker 6>about how it was like, this woman seems very put together.

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<v Speaker 6>It doesn't make sense now we're getting a glimpse. But

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<v Speaker 6>if you were in Brooks shoes and your mother in

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<v Speaker 6>law did that and asked that of you, would you

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<v Speaker 6>keep her secret or would you share with your partner?

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<v Speaker 5>It depends on how often it happens. I think the

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<v Speaker 5>first time, I might not say anything. If it became

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<v Speaker 5>a pattern that I was noticing, then I would I

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<v Speaker 5>would bring it up.

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<v Speaker 3>Yeah.

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<v Speaker 4>God, that puts people in such a rock and a

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<v Speaker 4>hard place. In between, such a rock and a hard place,

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<v Speaker 4>because you never want to keep something from your partner.

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<v Speaker 4>But to your point, especially when you don't know someone,

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<v Speaker 4>I could see if that was a real situation, you know,

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<v Speaker 4>putting myself back in the shoes of that character, thinking well,

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<v Speaker 4>maybe she just got a little carried away. Today, you know,

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<v Speaker 4>plenty of people do that, and you know, sometimes somebody

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<v Speaker 4>drinks too much, and it's sort of the lore right

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<v Speaker 4>of even like a rehearsal dinner at a wedding, you know,

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<v Speaker 4>half the people there get shit canned and then they're

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<v Speaker 4>hung over the day of the wedding, Like, how many

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<v Speaker 4>times have we heard that story? So I feel like

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<v Speaker 4>you could rationalize it to yourself in a way, and

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<v Speaker 4>especially because they're having a hard time, I could see

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<v Speaker 4>wanting to ingratiate yourself and not make it worse, not

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<v Speaker 4>make your mother in law hate you. But on the

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<v Speaker 4>flip side, it would make me feel so icky to

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<v Speaker 4>keep a secret. So I feel like, especially at this point,

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<v Speaker 4>thinking about how young our characters were being in our

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<v Speaker 4>mid twenties, now different story, I think we've all gotten

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<v Speaker 4>to the point where you're like, look, you just got

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<v Speaker 4>to figure it out, be frank, deal with you. But

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<v Speaker 4>then I might have been like, wow, we had such

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<v Speaker 4>a good time, and they definitely gave your mom a

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<v Speaker 4>lot of champagne, but you know, obviously because she said

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<v Speaker 4>you'd pay for everything. Like I feel like I would

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<v Speaker 4>have tried to make it not her fault but alluded

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<v Speaker 4>to the fact that she wound up drunk.

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<v Speaker 5>You would have been passive aggressive.

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<v Speaker 4>So what you're saying, No, I think I would have

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<v Speaker 4>tried to do you think that's passive aggressive?

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<v Speaker 3>Oh my god, I think that's so protective.

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<v Speaker 6>Well, no, it's not aggressive, but it is.

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<v Speaker 5>It is like, Okay, maybe I don't know the definition

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<v Speaker 5>of passive aggressive. I thought it was that you're saying

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<v Speaker 5>something directly, but you're not being directive about it. You're

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<v Speaker 5>being passive about being saying something that is.

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<v Speaker 3>V But that's when you're mad at someone.

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<v Speaker 6>Wouldn't it be passive gossiping?

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<v Speaker 1>Then?

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<v Speaker 3>Yeah?

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<v Speaker 4>The way I look at it is more like I

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<v Speaker 4>don't want to rat on her, and she's asked me

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<v Speaker 4>not to say something, but I don't want to lie

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<v Speaker 4>to Julian, So I think I would have said something

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<v Speaker 4>in between, like they really gave you so much champagne yesterday?

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<v Speaker 5>Like whoa hinting?

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<v Speaker 4>You know? But I would have told him a little,

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<v Speaker 4>but not said I had to carry her home put

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<v Speaker 4>her in bed and then she told me not to

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<v Speaker 4>tell you, you know again, in my forties, I would

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<v Speaker 4>have a very different conversation.

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<v Speaker 5>Because it's your partner.

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<v Speaker 3>Though, yeah, it's your.

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<v Speaker 4>Partner, but you're also twenty and it's his mom, and

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<v Speaker 4>I don't I see, I see how.

0:11:05.120 --> 0:11:07.920
<v Speaker 6>Tough that is, but I hear it, like I hear

0:11:07.920 --> 0:11:11.040
<v Speaker 6>what you're saying, lout joy because I would like listen

0:11:11.080 --> 0:11:13.400
<v Speaker 6>It's not like she went to Applebee's on a Tuesday

0:11:13.480 --> 0:11:16.440
<v Speaker 6>afternoon by yourself and got you canned. Right, that would

0:11:16.440 --> 0:11:18.240
<v Speaker 6>be like, oh, oh, okay, you're right.

0:11:18.280 --> 0:11:19.160
<v Speaker 5>Yah, that's a conversation.

0:11:19.280 --> 0:11:22.480
<v Speaker 6>It is a highly atypical environment that is va tailored

0:11:22.520 --> 0:11:24.520
<v Speaker 6>to like let's get a little boozy and have fun.

0:11:24.760 --> 0:11:28.880
<v Speaker 5>Yeah. And I'm a watcher, like I if I notice behavior,

0:11:29.080 --> 0:11:31.040
<v Speaker 5>I don't I hold onto it. I'll put it in

0:11:31.080 --> 0:11:33.880
<v Speaker 5>my filing cabinet. But I don't do anything about it

0:11:33.960 --> 0:11:36.079
<v Speaker 5>until I see it becoming a pattern, and then I

0:11:36.120 --> 0:11:36.800
<v Speaker 5>become aware.

0:11:37.000 --> 0:11:38.800
<v Speaker 4>Well, yeah, because you have to make sure you're not

0:11:39.040 --> 0:11:43.120
<v Speaker 4>filling in a story, yeah, based on a moment, because

0:11:43.160 --> 0:11:47.440
<v Speaker 4>of any subconscious or preconceived notion you have. So you

0:11:47.559 --> 0:11:51.480
<v Speaker 4>have to make sure you're not filling in the blanks incorrectly.

0:11:51.760 --> 0:11:52.000
<v Speaker 6>Yeah.

0:11:52.000 --> 0:11:54.200
<v Speaker 5>And an environment like that, like you're talking about rob

0:11:54.240 --> 0:11:55.760
<v Speaker 5>when it's all catered to that.

0:11:56.040 --> 0:11:58.520
<v Speaker 4>Yeah, Like of course they're giving the mother of the

0:11:58.520 --> 0:12:01.640
<v Speaker 4>bride or the mother in law a ton of champagne

0:12:01.840 --> 0:12:02.840
<v Speaker 4>at a wedding expo.

0:12:03.240 --> 0:12:04.880
<v Speaker 3>So I see how.

0:12:04.960 --> 0:12:07.960
<v Speaker 4>And again, hats off to Heroin Strauss because they made

0:12:08.000 --> 0:12:13.400
<v Speaker 4>it sticky for Brooke. And when I think about the

0:12:13.880 --> 0:12:16.960
<v Speaker 4>life experience. We're all bringing to this conversation about what

0:12:17.000 --> 0:12:20.079
<v Speaker 4>would we do. Imagine trying to figure this out at

0:12:20.120 --> 0:12:24.280
<v Speaker 4>twenty two or twenty three years old, like nightmare.

0:12:24.080 --> 0:12:27.520
<v Speaker 6>Yeah, what would you do Rob today or then? I

0:12:27.559 --> 0:12:30.320
<v Speaker 6>mean in my twenties, I would have kept the secret

0:12:30.440 --> 0:12:32.760
<v Speaker 6>because I just wouldn't want to rock a boat. Yeah,

0:12:32.840 --> 0:12:36.160
<v Speaker 6>I kind of It's funny cause when you answered Joy,

0:12:36.160 --> 0:12:37.440
<v Speaker 6>I went, yeah, that's what I would do. I would

0:12:37.480 --> 0:12:39.760
<v Speaker 6>gather with some more data. But then when so I

0:12:39.880 --> 0:12:41.679
<v Speaker 6>was talking, I kind of agreed to it because it's like,

0:12:41.920 --> 0:12:43.920
<v Speaker 6>so if your answer was sort of the like halfway

0:12:43.960 --> 0:12:46.920
<v Speaker 6>between keeping the secret and gathering data, where it's like

0:12:47.520 --> 0:12:49.040
<v Speaker 6>I'm going to I'm going to tell you some of

0:12:49.040 --> 0:12:53.400
<v Speaker 6>the information without like laying it on super thick and worrisome,

0:12:53.960 --> 0:12:56.600
<v Speaker 6>you know, because I think now it's like it's my partner.

0:12:56.600 --> 0:12:58.959
<v Speaker 6>I'm not going to that's that's my primary I'm not

0:12:59.040 --> 0:13:01.880
<v Speaker 6>keeping secrets, Yeah, because I think that's how I would

0:13:02.000 --> 0:13:04.480
<v Speaker 6>let myself off the hook, is just go like nope,

0:13:05.480 --> 0:13:08.880
<v Speaker 6>you know, this is the dieout. Everything else comes second.

0:13:08.960 --> 0:13:10.680
<v Speaker 6>So I'm just gonna go ahead and share that because

0:13:10.679 --> 0:13:15.240
<v Speaker 6>I suck with secrets. Also, I'm a terrible Secret Surprise Keeper,

0:13:15.520 --> 0:13:19.160
<v Speaker 6>Me too, Surprise Keeper. Yeah, so can I ask.

0:13:19.000 --> 0:13:20.959
<v Speaker 4>You a question? Okay before we move on. This will

0:13:20.960 --> 0:13:24.400
<v Speaker 4>be the bridge between the episodes. I panic when I

0:13:24.440 --> 0:13:26.880
<v Speaker 4>have to, for example, like you just said help with

0:13:26.920 --> 0:13:30.160
<v Speaker 4>some sort of surprise, and people are like, you're an actor,

0:13:30.160 --> 0:13:31.960
<v Speaker 4>You're supposed to be good at this. And the thing

0:13:32.000 --> 0:13:33.880
<v Speaker 4>that always comes to mind for me is, no, you're

0:13:33.880 --> 0:13:37.319
<v Speaker 4>missing the point. Other people write the dialogue. We memorize.

0:13:37.520 --> 0:13:40.240
<v Speaker 4>That's what we're good at. We make the dialogue true.

0:13:40.440 --> 0:13:43.360
<v Speaker 3>When you ask me to come up with the fib

0:13:43.760 --> 0:13:45.400
<v Speaker 3>to do the thing, I'm not a writer. I don't

0:13:45.400 --> 0:13:46.839
<v Speaker 3>want to do it. I'm bad at it.

0:13:46.920 --> 0:13:48.960
<v Speaker 4>I start to get weird. I start to panic. People

0:13:49.000 --> 0:13:50.560
<v Speaker 4>are like, why is your voice going.

0:13:50.520 --> 0:13:51.720
<v Speaker 3>Up and octave. I'm like, I don't know what are

0:13:51.720 --> 0:13:54.040
<v Speaker 3>you talking about. I am the worst at that.

0:14:08.280 --> 0:14:12.680
<v Speaker 4>Okay, onto episode eight, Take us Away, Rob, Here we Go.

0:14:13.760 --> 0:14:18.480
<v Speaker 6>Season eight, Episode eight, Mouthful of Diamonds Air date November ninth,

0:14:18.520 --> 0:14:21.520
<v Speaker 6>twenty ten. Nathan's career as an agent takes a big

0:14:21.560 --> 0:14:25.360
<v Speaker 6>step forward when he visits Atlanta. While Haley consoles Jamie

0:14:25.440 --> 0:14:28.640
<v Speaker 6>regarding his new braces, the drama between Brooke and Sylvia

0:14:28.720 --> 0:14:31.640
<v Speaker 6>finally comes to a head, Oh boy does it, and

0:14:31.960 --> 0:14:35.080
<v Speaker 6>Chase makes a decision regarding Mia and Alex does He

0:14:35.640 --> 0:14:40.600
<v Speaker 6>directed by all love this man, Mike Leone, and it

0:14:40.760 --> 0:14:43.160
<v Speaker 6>was written It was.

0:14:44.320 --> 0:14:48.040
<v Speaker 4>For our lovely friends and listeners at home. Mike Leone,

0:14:48.040 --> 0:14:51.160
<v Speaker 4>you've heard us talk about before. Our script supervisor on

0:14:51.200 --> 0:14:55.440
<v Speaker 4>our show, the person who literally keeps every single note

0:14:55.680 --> 0:14:59.600
<v Speaker 4>and beat and moment organized in the entire script in

0:14:59.760 --> 0:15:03.240
<v Speaker 4>every episode, sits right next to the director. I think

0:15:03.280 --> 0:15:10.080
<v Speaker 4>there's probably nobody who knew our show better. I agree

0:15:10.120 --> 0:15:12.480
<v Speaker 4>with that, and God, he directed the heck out of

0:15:12.480 --> 0:15:13.040
<v Speaker 4>this episode.

0:15:13.080 --> 0:15:13.760
<v Speaker 3>I just loved it.

0:15:14.440 --> 0:15:16.440
<v Speaker 6>Also, hats off to Mike Cleon. I've told the story

0:15:16.480 --> 0:15:19.840
<v Speaker 6>on the podcast, but he The best burn I've ever

0:15:19.880 --> 0:15:22.880
<v Speaker 6>received on a set was courtesy of Mike Leon while

0:15:22.920 --> 0:15:25.560
<v Speaker 6>shooting our show one day. I was normally very good

0:15:25.600 --> 0:15:28.000
<v Speaker 6>about my lines, but I just I went up on

0:15:28.000 --> 0:15:30.040
<v Speaker 6>a line. I was like, what's that line, Mike, You'll

0:15:30.040 --> 0:15:31.920
<v Speaker 6>scream me across set because he's far away, and he

0:15:32.720 --> 0:15:34.680
<v Speaker 6>shouts it back to me. I go thanks, and then

0:15:34.720 --> 0:15:37.240
<v Speaker 6>he just goes, it's a good script, you should read it.

0:15:38.800 --> 0:15:42.800
<v Speaker 6>That's right, And I just died so to this day.

0:15:42.840 --> 0:15:44.480
<v Speaker 6>I still repeat that to people when they ask for

0:15:44.520 --> 0:15:46.920
<v Speaker 6>a line. You got me, Mike.

0:15:48.200 --> 0:15:51.000
<v Speaker 4>Just the funniest, sweetest man, Mike Leon.

0:15:51.400 --> 0:15:55.040
<v Speaker 5>He really was such a sweetheart, so so generous.

0:15:55.520 --> 0:15:57.680
<v Speaker 6>This episode had so much funny and good in it.

0:15:57.880 --> 0:16:02.760
<v Speaker 6>I loved The opening scene was so sad and funny

0:16:02.760 --> 0:16:05.120
<v Speaker 6>to me. It's when Brooke is signing away all of

0:16:05.160 --> 0:16:09.680
<v Speaker 6>her assets and she's liquidating everything she's signed all over

0:16:09.800 --> 0:16:12.880
<v Speaker 6>clothes for bros. Close overbros. Excuse me. And at the

0:16:13.000 --> 0:16:15.080
<v Speaker 6>end of it, when she's kind of just sitting there

0:16:15.120 --> 0:16:17.960
<v Speaker 6>shell shocked, there's like a pause and the lawyer goes,

0:16:18.840 --> 0:16:19.960
<v Speaker 6>could I have the pen back?

0:16:21.080 --> 0:16:21.240
<v Speaker 5>Yeah?

0:16:21.320 --> 0:16:23.800
<v Speaker 6>I noticed that too, wrong, Like they even stripped her

0:16:23.800 --> 0:16:24.840
<v Speaker 6>of the ballpoint pen.

0:16:24.960 --> 0:16:27.480
<v Speaker 3>Couldn't just be like keep the pen just you know,

0:16:27.560 --> 0:16:28.200
<v Speaker 3>it's fine?

0:16:28.480 --> 0:16:30.360
<v Speaker 5>So good? Yeah. The look on your face too, like

0:16:30.520 --> 0:16:33.480
<v Speaker 5>sure you can take this? Yeah great all her pen?

0:16:34.040 --> 0:16:37.280
<v Speaker 6>Even this, speaking of looks on face is joy You

0:16:37.320 --> 0:16:39.320
<v Speaker 6>pull off an eye patch quite well?

0:16:39.560 --> 0:16:41.160
<v Speaker 3>Oh, thank you a much.

0:16:41.000 --> 0:16:46.120
<v Speaker 5>Shoting consider it for my next look. Yeah, that was fun.

0:16:46.240 --> 0:16:48.920
<v Speaker 5>I remembered that. Isn't that funny? All the random things

0:16:48.920 --> 0:16:51.000
<v Speaker 5>that we remember. There's so many scenes we shoot that

0:16:51.040 --> 0:16:53.000
<v Speaker 5>I'm just like I have no recollection of being in

0:16:53.000 --> 0:16:56.600
<v Speaker 5>that location or anything, and that one I really remember

0:16:57.600 --> 0:16:58.880
<v Speaker 5>wearing an eye patch.

0:17:00.360 --> 0:17:04.640
<v Speaker 6>You. I was very appreciative of your performance because you

0:17:04.640 --> 0:17:06.199
<v Speaker 6>you always do this and I always say that, but

0:17:06.280 --> 0:17:12.520
<v Speaker 6>you fully committed to the lame parent jokes. Yes see,

0:17:12.600 --> 0:17:15.040
<v Speaker 6>there's a later scene in which you're wearing the wonky

0:17:15.320 --> 0:17:20.280
<v Speaker 6>glasses and the messed up teeth and I and it

0:17:20.359 --> 0:17:22.960
<v Speaker 6>even because what struck me was you're funny in the

0:17:23.000 --> 0:17:26.960
<v Speaker 6>whole scene. But the scene ends Jamie leaves the room, yes,

0:17:27.000 --> 0:17:30.280
<v Speaker 6>and you just you just create this additional moment where

0:17:30.320 --> 0:17:32.600
<v Speaker 6>you kind of turn back to camera because it's sort

0:17:32.600 --> 0:17:34.960
<v Speaker 6>of like over your shoulder ish and you sort of

0:17:35.000 --> 0:17:38.280
<v Speaker 6>like like do something with your mouth and you look around.

0:17:38.359 --> 0:17:40.800
<v Speaker 6>It clearly wasn't scripted. I was like, look at her

0:17:41.000 --> 0:17:44.480
<v Speaker 6>just leaning into the absurdity, Like there's no vanity in comedy,

0:17:44.600 --> 0:17:48.240
<v Speaker 6>and you were hilarious because you looked for none.

0:17:48.280 --> 0:17:51.320
<v Speaker 4>What I loved about that beat too, is that what

0:17:51.400 --> 0:17:53.600
<v Speaker 4>it told me as an audience member was that Haley

0:17:53.680 --> 0:17:57.040
<v Speaker 4>was having a good time. Yeah, you know, not just

0:17:57.119 --> 0:18:00.440
<v Speaker 4>for Jamie's sake, by the way that you were enjoying yourself.

0:18:01.000 --> 0:18:03.560
<v Speaker 4>You were having a silly day with your kid, and

0:18:03.600 --> 0:18:08.920
<v Speaker 4>it it took the what Rob's talking about the nature

0:18:08.960 --> 0:18:11.280
<v Speaker 4>of like you know what we call dad jokes. It

0:18:11.280 --> 0:18:13.840
<v Speaker 4>took the dad joke a step farther and it made

0:18:13.880 --> 0:18:17.080
<v Speaker 4>it yours. And I was like, yes, that's so nice,

0:18:17.640 --> 0:18:18.240
<v Speaker 4>that's so cool.

0:18:18.280 --> 0:18:20.159
<v Speaker 5>I think I've discovered it, which is funny. You know,

0:18:20.240 --> 0:18:23.119
<v Speaker 5>I wasn't a parent then, but I was actually pregnant,

0:18:23.119 --> 0:18:24.879
<v Speaker 5>so I was going to be. But now that I

0:18:24.920 --> 0:18:27.840
<v Speaker 5>am one, I think I've one of the secrets to

0:18:27.920 --> 0:18:32.240
<v Speaker 5>parenting is that Rob really genuinely enjoying yourself. Like all

0:18:32.280 --> 0:18:35.480
<v Speaker 5>the things that we do to entertain our kids, it

0:18:35.800 --> 0:18:38.000
<v Speaker 5>just you know, you can go through the motions, but

0:18:38.760 --> 0:18:40.760
<v Speaker 5>if you can't find a way to make old McDonald

0:18:40.760 --> 0:18:43.960
<v Speaker 5>has a farm like actually fun for yourself, like.

0:18:45.800 --> 0:18:46.679
<v Speaker 6>You're going to be bored.

0:18:46.800 --> 0:18:49.320
<v Speaker 5>Like that's part of enjoying parenthood is do you know,

0:18:49.880 --> 0:18:51.880
<v Speaker 5>how do you sing Twinkle Twinkled Little Star in four

0:18:51.880 --> 0:18:55.679
<v Speaker 5>different languages? Or like teach your kids a sign language

0:18:55.760 --> 0:18:58.080
<v Speaker 5>or whatever it is. It's like something you can get

0:18:58.080 --> 0:18:58.640
<v Speaker 5>out of it too.

0:18:58.920 --> 0:19:03.440
<v Speaker 6>Yea of my day is doing voices and stupid bits. Yeah,

0:19:03.440 --> 0:19:05.720
<v Speaker 6>and if and so, like we ran into this problem

0:19:05.720 --> 0:19:07.160
<v Speaker 6>a lot when we were trying to find a nanny.

0:19:07.200 --> 0:19:09.639
<v Speaker 5>No one knows how talented you are except your kids

0:19:09.720 --> 0:19:14.320
<v Speaker 5>and your wife, right, like, because it's amazing the kind

0:19:14.359 --> 0:19:16.760
<v Speaker 5>of talent that really comes out when you're.

0:19:16.640 --> 0:19:21.160
<v Speaker 6>With your kids, because it's a terrific mix of desperation,

0:19:21.560 --> 0:19:25.159
<v Speaker 6>exhaustion and a spark of talent. And but truly, like

0:19:25.200 --> 0:19:28.199
<v Speaker 6>the key is like to just not care, to not

0:19:28.280 --> 0:19:30.280
<v Speaker 6>care about how you look, to let it all go right.

0:19:30.440 --> 0:19:33.000
<v Speaker 6>And we ran into this issue when we were like

0:19:33.119 --> 0:19:35.000
<v Speaker 6>trying to see if we could find a nanny up here.

0:19:35.840 --> 0:19:39.280
<v Speaker 6>We found people who were great at like looking after

0:19:39.320 --> 0:19:40.760
<v Speaker 6>a kid and sort of doing play. But when it

0:19:40.760 --> 0:19:43.040
<v Speaker 6>came time to do a voice or be out and

0:19:43.080 --> 0:19:47.040
<v Speaker 6>out silly not in their wheelhouse, and boy, that shuts

0:19:47.040 --> 0:19:50.120
<v Speaker 6>things down so fast. We had to start saying, like, hey,

0:19:50.200 --> 0:19:53.120
<v Speaker 6>silliness is our brand here. If you're not comfortable doing

0:19:53.200 --> 0:19:56.679
<v Speaker 6>voices and outrageous like silly bits, like, it's not going

0:19:56.760 --> 0:19:58.960
<v Speaker 6>to be a good fit. Because like, you're right, that's

0:19:59.000 --> 0:20:01.320
<v Speaker 6>the key. It's like enjoying and just not caring how

0:20:01.400 --> 0:20:02.040
<v Speaker 6>dumb you look.

0:20:02.480 --> 0:20:06.840
<v Speaker 4>Yeah, and that's part of it, I think, like you're saying,

0:20:07.000 --> 0:20:10.080
<v Speaker 4>when you get to the eighteenth repetition of something or

0:20:10.119 --> 0:20:14.200
<v Speaker 4>the one hundred and fortieth repetition of whatever song Twinkle tonkle,

0:20:14.240 --> 0:20:19.520
<v Speaker 4>It's like you're so desperate for the laugh that every

0:20:20.320 --> 0:20:23.240
<v Speaker 4>parameter goes out the window. And isn't that really just

0:20:23.280 --> 0:20:24.320
<v Speaker 4>what great improv is?

0:20:24.720 --> 0:20:28.719
<v Speaker 5>Yes, Yes, that's what acting is. I mean, you just

0:20:28.760 --> 0:20:31.119
<v Speaker 5>gotta push all the boundaries.

0:20:31.160 --> 0:20:33.120
<v Speaker 3>You're like, I'll give you anything you want. You want

0:20:33.119 --> 0:20:34.520
<v Speaker 3>me to do it in a headstand?

0:20:34.560 --> 0:20:34.879
<v Speaker 5>Fine?

0:20:35.520 --> 0:20:40.000
<v Speaker 6>Yeah, truly were those braces actually Jackson's real braces?

0:20:40.200 --> 0:20:41.000
<v Speaker 3>Yeah, he got right.

0:20:41.040 --> 0:20:42.440
<v Speaker 6>I became a storyline. I thought, that's it.

0:20:43.119 --> 0:20:45.680
<v Speaker 5>That's his little head gear. So funny.

0:20:45.680 --> 0:20:49.000
<v Speaker 6>And how how far along in your pregnancy do you

0:20:49.119 --> 0:20:50.359
<v Speaker 6>recall around this time?

0:20:50.680 --> 0:20:53.480
<v Speaker 5>I looked like I was five or six months along.

0:20:54.080 --> 0:20:55.560
<v Speaker 5>I mean I was, I looked big.

0:20:55.920 --> 0:20:58.000
<v Speaker 6>You're not like big big, but you you can tell

0:20:58.040 --> 0:20:59.880
<v Speaker 6>you are. You are starting to grow a human being.

0:21:00.520 --> 0:21:03.439
<v Speaker 5>I actually wonder if I was wearing a pad at

0:21:03.440 --> 0:21:07.320
<v Speaker 5>any point, because my on screen pregnancy was ahead of

0:21:07.359 --> 0:21:13.000
<v Speaker 5>my personal pregnancy, so it's possible I was wearing Yeah, I.

0:21:13.880 --> 0:21:17.600
<v Speaker 4>Because I'm remembering at the end of the season, we

0:21:17.680 --> 0:21:21.160
<v Speaker 4>had to obviously get you out, so you didn't come

0:21:21.160 --> 0:21:24.679
<v Speaker 4>to Puerto Rico. Yeah, and then I remember, which sucked.

0:21:24.720 --> 0:21:26.560
<v Speaker 4>Oh my god, I've never felt worse. I was like, oh,

0:21:26.560 --> 0:21:28.080
<v Speaker 4>I guess we're all going to the beach and you're

0:21:28.119 --> 0:21:30.840
<v Speaker 4>not coming. But do we send you photos and say

0:21:30.840 --> 0:21:33.000
<v Speaker 4>wish you were here? Or does that make it worse?

0:21:33.040 --> 0:21:37.119
<v Speaker 4>Like what do we do? But I remember how weird

0:21:37.200 --> 0:21:40.440
<v Speaker 4>it was. I don't know if this helps the timeline.

0:21:40.480 --> 0:21:42.639
<v Speaker 4>This is episode eight. I remember how weird it was

0:21:42.680 --> 0:21:46.480
<v Speaker 4>when you had to come back and do the episode

0:21:46.480 --> 0:21:49.520
<v Speaker 4>where Haley has lydia, because you were like, I just

0:21:49.640 --> 0:21:54.639
<v Speaker 4>did this. This is to this is like way too remember,

0:21:54.640 --> 0:21:56.640
<v Speaker 4>because we talked about I sat in the hospital room

0:21:56.680 --> 0:21:58.159
<v Speaker 4>with you and you were like, I don't know how

0:21:58.200 --> 0:21:59.760
<v Speaker 4>I'm going to tell them that I don't want to

0:21:59.760 --> 0:22:01.720
<v Speaker 4>do this scene where I give birth on camera. I

0:22:01.760 --> 0:22:03.919
<v Speaker 4>don't want to do it. And we were like, just

0:22:03.920 --> 0:22:05.600
<v Speaker 4>tell them, just say no.

0:22:05.760 --> 0:22:07.960
<v Speaker 5>I think I was nervous about it because I don't

0:22:08.000 --> 0:22:10.920
<v Speaker 5>remember I was going to try, like I really would,

0:22:11.040 --> 0:22:11.199
<v Speaker 5>you know.

0:22:11.240 --> 0:22:13.359
<v Speaker 3>I mean, it's work, I know, but it was weird.

0:22:13.400 --> 0:22:14.480
<v Speaker 3>It was too personal.

0:22:15.040 --> 0:22:18.119
<v Speaker 5>Yeah, that's right when we and yeah.

0:22:17.520 --> 0:22:20.320
<v Speaker 4>Whenever that happens, you had already had the baby a

0:22:20.320 --> 0:22:22.200
<v Speaker 4>few weeks before then three.

0:22:22.119 --> 0:22:22.720
<v Speaker 3>Or four weeks.

0:22:22.840 --> 0:22:24.520
<v Speaker 5>No, it was the other way around. When we got

0:22:24.560 --> 0:22:27.160
<v Speaker 5>to this, I didn't I didn't want to go through

0:22:27.160 --> 0:22:31.440
<v Speaker 5>a fake labor with people that I loved around me,

0:22:31.760 --> 0:22:35.879
<v Speaker 5>oh and have it like like I didn't want to

0:22:35.920 --> 0:22:39.400
<v Speaker 5>experience my first labor that I was going to experience

0:22:39.400 --> 0:22:42.159
<v Speaker 5>in like four weeks or whatever.

0:22:42.600 --> 0:22:44.119
<v Speaker 3>It reversed in my timeline.

0:22:44.280 --> 0:22:46.600
<v Speaker 5>Yeah, whoa, that's what it was. I was time. We

0:22:46.600 --> 0:22:49.159
<v Speaker 5>were talking uncomfortable with this. I don't know, I don't know,

0:22:49.200 --> 0:22:51.560
<v Speaker 5>and then we got there and I I felt like

0:22:51.600 --> 0:22:53.800
<v Speaker 5>I was hyperventilating and it was a I was I

0:22:53.800 --> 0:22:56.040
<v Speaker 5>thought I was having like a mental breakdowns, like this

0:22:56.119 --> 0:22:58.040
<v Speaker 5>is the thing with my real life, Like I'm trying

0:22:58.040 --> 0:23:00.360
<v Speaker 5>to have a baby for the first time ever, and

0:23:01.119 --> 0:23:03.040
<v Speaker 5>now I have to do a fake labor that it's

0:23:03.119 --> 0:23:05.199
<v Speaker 5>not real, but like Sophia's going to come visit my

0:23:05.280 --> 0:23:07.320
<v Speaker 5>actual baby in the hospital, but now she's here in

0:23:07.359 --> 0:23:11.159
<v Speaker 5>the fake hospital. Like I'm this is real life intersecting

0:23:11.200 --> 0:23:13.960
<v Speaker 5>with fantasy in a way that I can't make sense of.

0:23:14.000 --> 0:23:15.760
<v Speaker 6>I got to go. So what ended up happening.

0:23:15.960 --> 0:23:19.560
<v Speaker 5>I pulled Greg Aside, our executive producer, and just started

0:23:19.600 --> 0:23:24.520
<v Speaker 5>like weeping and told him like, please, this is really

0:23:24.600 --> 0:23:28.080
<v Speaker 5>hurting me. Can we can we do this later? Can

0:23:28.160 --> 0:23:31.200
<v Speaker 5>we can we film this later? And I've never done

0:23:31.240 --> 0:23:34.800
<v Speaker 5>that on the whole show. I'd never asked for a

0:23:34.880 --> 0:23:36.680
<v Speaker 5>request to like I mean, I told you his story

0:23:36.680 --> 0:23:39.080
<v Speaker 5>about Atlanta, Like I went to Great Links, you know,

0:23:39.320 --> 0:23:42.399
<v Speaker 5>driving thirteen hours, like great lengths to make sure I

0:23:42.440 --> 0:23:44.359
<v Speaker 5>was at work and got my work done. So this

0:23:44.560 --> 0:23:46.760
<v Speaker 5>was it was an exception, but I'm really glad they did.

0:23:46.800 --> 0:23:48.639
<v Speaker 5>Greg said no, Brad, let's shut it down. Moved on

0:23:48.680 --> 0:23:50.600
<v Speaker 5>to the next scene, and they pulled it up a

0:23:50.680 --> 0:23:52.600
<v Speaker 5>few weeks later after I'd had my birth.

0:23:53.040 --> 0:23:53.480
<v Speaker 6>That's great.

0:23:53.560 --> 0:23:54.399
<v Speaker 3>So that's what it was.

0:23:54.440 --> 0:23:58.600
<v Speaker 4>We were in the hospital and then I'm combining two

0:23:58.680 --> 0:24:01.479
<v Speaker 4>days we were in the h hospital before and then

0:24:01.520 --> 0:24:05.040
<v Speaker 4>when we finally came back that they brought the whole

0:24:05.080 --> 0:24:05.800
<v Speaker 4>scene back up.

0:24:06.040 --> 0:24:08.560
<v Speaker 5>Yes, they brought it back up. And that day was

0:24:08.600 --> 0:24:11.760
<v Speaker 5>hard because we were in that hospital setting where there

0:24:11.760 --> 0:24:15.760
<v Speaker 5>were all those rocks to remember between the trailers. Yes,

0:24:16.040 --> 0:24:18.760
<v Speaker 5>it's a gravel parking lot, but it was it wasn't

0:24:18.800 --> 0:24:20.800
<v Speaker 5>just gravel. It was like no, like this big, big,

0:24:21.359 --> 0:24:26.199
<v Speaker 5>big rocks, so weird. Anyway, I was really having had

0:24:26.200 --> 0:24:28.399
<v Speaker 5>a hard labor and I was having trouble walking and

0:24:28.440 --> 0:24:31.119
<v Speaker 5>I needed them to take me to set in a wheelchair,

0:24:31.119 --> 0:24:33.760
<v Speaker 5>and I felt so ridiculous and like over dramatic, but

0:24:33.840 --> 0:24:35.960
<v Speaker 5>I was like, I this is hard, I need I

0:24:36.000 --> 0:24:37.800
<v Speaker 5>need help. But then they had to wheel me over

0:24:37.880 --> 0:24:39.680
<v Speaker 5>these rocks, which kind of made it worse.

0:24:40.200 --> 0:24:40.800
<v Speaker 4>I was just.

0:24:40.760 --> 0:24:46.159
<v Speaker 5>Like this shit man, it really was.

0:24:46.280 --> 0:24:48.960
<v Speaker 6>Yes. Meanwhile, everyone from a distance is like, look how

0:24:49.000 --> 0:24:50.520
<v Speaker 6>committed Joy is to her character.

0:24:50.720 --> 0:24:53.120
<v Speaker 5>Oh no, I think they were like, look how dramatic

0:24:53.200 --> 0:24:53.600
<v Speaker 5>she is.

0:24:54.200 --> 0:24:56.040
<v Speaker 6>No, I wish they would have just not done that

0:24:56.080 --> 0:25:00.960
<v Speaker 6>scene because I got to say, labor scenes. Yeah, like

0:25:01.080 --> 0:25:04.320
<v Speaker 6>we've all seen him. They all look the same, you know,

0:25:04.760 --> 0:25:06.040
<v Speaker 6>but you're a trooper.

0:25:06.400 --> 0:25:07.920
<v Speaker 5>We'll find out when we get there. I mean we'll

0:25:07.920 --> 0:25:12.439
<v Speaker 5>watch it eventually. Sorry, we're totally off this episode right now. Derailed.

0:25:12.600 --> 0:25:15.240
<v Speaker 3>It is helping us sort of track your timeline.

0:25:15.520 --> 0:25:20.120
<v Speaker 5>Yes, so yeah, how far along I was? But yeah,

0:25:20.280 --> 0:25:23.480
<v Speaker 5>it was really cute seeing Jackson with his braces and everything.

0:25:23.480 --> 0:25:24.800
<v Speaker 5>And I liked the device.

0:25:24.880 --> 0:25:25.720
<v Speaker 3>I really liked.

0:25:25.640 --> 0:25:28.160
<v Speaker 5>The device of Julian going around with his camera and

0:25:28.240 --> 0:25:31.359
<v Speaker 5>finally having it work this time. So I love to

0:25:31.400 --> 0:25:33.600
<v Speaker 5>set up that they presented at the beginning of it

0:25:33.680 --> 0:25:38.119
<v Speaker 5>failing and then previous episodes excuse me, and then bringing

0:25:38.160 --> 0:25:40.320
<v Speaker 5>it up to this point where he's really figured it out.

0:25:40.359 --> 0:25:42.840
<v Speaker 5>I liked watching the artistic process. I like to see

0:25:43.000 --> 0:25:46.159
<v Speaker 5>people open up and be honest. It was great, It

0:25:46.280 --> 0:25:46.880
<v Speaker 5>really was.

0:25:46.800 --> 0:25:50.240
<v Speaker 4>And it was an interesting way to just get a

0:25:50.320 --> 0:25:53.159
<v Speaker 4>layer deeper with all these characters that we know. But

0:25:53.240 --> 0:25:55.440
<v Speaker 4>there is something that happens when you're in a first

0:25:55.440 --> 0:25:59.400
<v Speaker 4>person interview like that and let alone with someone you trust,

0:26:00.040 --> 0:26:03.399
<v Speaker 4>and to see how sweet he is with Jamie at

0:26:03.400 --> 0:26:07.960
<v Speaker 4>the top of the episode, it's so disarming that in

0:26:08.000 --> 0:26:11.040
<v Speaker 4>a way, I felt like that disarming nature carried through

0:26:11.080 --> 0:26:19.359
<v Speaker 4>every single interview and particularly seeing Nathan be the sort

0:26:19.400 --> 0:26:24.879
<v Speaker 4>of torch bearer for this group theme of my life

0:26:24.920 --> 0:26:27.679
<v Speaker 4>is changing and I don't really know what comes next.

0:26:28.200 --> 0:26:31.199
<v Speaker 4>I'm trying to figure it out. I'm a I'm in

0:26:31.240 --> 0:26:35.760
<v Speaker 4>a period of transition. Yeah, it was really beautiful.

0:26:36.119 --> 0:26:40.000
<v Speaker 5>I loved Nathan in this episode. Oh so fun to watch.

0:26:53.440 --> 0:26:58.280
<v Speaker 6>You did a great job joy of playing Hayley's I

0:26:58.280 --> 0:27:02.920
<v Speaker 6>feel like discomfort being on camera. Yeah, because the first

0:27:02.920 --> 0:27:05.840
<v Speaker 6>time I was weird. Because it gives it gives strong

0:27:06.000 --> 0:27:09.719
<v Speaker 6>hostage vibes and I was watching it going, why do

0:27:09.760 --> 0:27:11.879
<v Speaker 6>I feel like I'm watching a Ransom video? And they realize,

0:27:11.920 --> 0:27:16.160
<v Speaker 6>oh yeah, Joy's playing it like. Haley is uncomfortable. She's

0:27:16.200 --> 0:27:17.840
<v Speaker 6>not natural in front of the camera. You know, she

0:27:17.960 --> 0:27:19.639
<v Speaker 6>used to be on a stage, not sitting directly in

0:27:19.640 --> 0:27:21.200
<v Speaker 6>front of a of a lens. And it's funny because

0:27:21.200 --> 0:27:23.040
<v Speaker 6>if you go back and watch it, it looks like

0:27:23.040 --> 0:27:25.639
<v Speaker 6>you're being coerced to say everything you're saying, because especially

0:27:25.640 --> 0:27:27.760
<v Speaker 6>because you're like, I'm I like parenting, I'm a I'm

0:27:27.800 --> 0:27:28.359
<v Speaker 6>a good parent.

0:27:28.440 --> 0:27:30.320
<v Speaker 3>It's fine, Yeah, I'm a good mom.

0:27:30.920 --> 0:27:31.240
<v Speaker 6>Yeah.

0:27:31.320 --> 0:27:32.800
<v Speaker 5>Yeah, that was definitely a choice.

0:27:33.080 --> 0:27:35.200
<v Speaker 4>It was fun and what I like about it too

0:27:35.480 --> 0:27:38.720
<v Speaker 4>is and it is also hats off to Mike Leone

0:27:38.720 --> 0:27:41.639
<v Speaker 4>for talking to all of us in the way he

0:27:41.720 --> 0:27:45.280
<v Speaker 4>did as a director. It's really smart when a director

0:27:45.480 --> 0:27:48.600
<v Speaker 4>can be present for actors who are all doing the

0:27:48.640 --> 0:27:51.479
<v Speaker 4>same thing but give them such different colors in it.

0:27:52.680 --> 0:27:56.399
<v Speaker 4>And we needed the levity from Haley because Nathan is

0:27:57.440 --> 0:28:01.159
<v Speaker 4>giving up his dream and even the metaph for you know,

0:28:01.320 --> 0:28:04.440
<v Speaker 4>or the action rather of him taking the Ravens basketball

0:28:04.480 --> 0:28:08.320
<v Speaker 4>down and putting Troy's football up, He's moving on to

0:28:08.400 --> 0:28:12.000
<v Speaker 4>this next chapter, and he's not hiding that it's hard.

0:28:12.880 --> 0:28:16.160
<v Speaker 4>He's hopeful, he likes it, he knows it's the right fit.

0:28:16.280 --> 0:28:17.560
<v Speaker 4>He's proud of what he's doing.

0:28:17.800 --> 0:28:20.600
<v Speaker 5>He's using the fact that it's hard to make it

0:28:20.640 --> 0:28:23.600
<v Speaker 5>better to make it through exactly why are the other

0:28:23.640 --> 0:28:24.200
<v Speaker 5>guy Troy?

0:28:24.480 --> 0:28:26.440
<v Speaker 4>And I like that he's not hiding that it comes

0:28:26.480 --> 0:28:30.200
<v Speaker 4>with loss. And then Brooke is in all loss. It's

0:28:30.280 --> 0:28:32.720
<v Speaker 4>so sad. She doesn't know what to do. She feels

0:28:32.720 --> 0:28:36.960
<v Speaker 4>like she's losing her identity. So it's really nice to

0:28:37.200 --> 0:28:40.160
<v Speaker 4>sort of counter where Brooke is, to have Haley in

0:28:40.240 --> 0:28:45.000
<v Speaker 4>this very comedic, uncomfortable I.

0:28:45.040 --> 0:28:47.760
<v Speaker 3>Like my life. I don't know why you want to

0:28:47.800 --> 0:28:48.720
<v Speaker 3>ask me about it?

0:28:48.960 --> 0:28:51.440
<v Speaker 5>Yeah, why are we talking about this? I'm so confused.

0:28:51.720 --> 0:28:55.280
<v Speaker 3>I like it's great, it's a great energy.

0:28:56.040 --> 0:28:59.040
<v Speaker 5>And who know who else is in transition? Is Clay?

0:28:59.400 --> 0:29:01.080
<v Speaker 5>This can for.

0:29:02.720 --> 0:29:03.640
<v Speaker 4>It was so great.

0:29:03.760 --> 0:29:06.240
<v Speaker 5>First of all, you had such a babyface. Oh my gosh,

0:29:06.240 --> 0:29:10.960
<v Speaker 5>I'd never seen a baby face like you did. Was

0:29:10.960 --> 0:29:13.040
<v Speaker 5>it the angle, the lighting? I don't know what it was,

0:29:13.120 --> 0:29:15.200
<v Speaker 5>but you were like eight years old.

0:29:15.520 --> 0:29:20.160
<v Speaker 6>Yes. In my confessional with Julian, I was like, oh

0:29:20.200 --> 0:29:24.360
<v Speaker 6>my gosh, like like a twelve year old who ate

0:29:24.400 --> 0:29:25.000
<v Speaker 6>too much salt?

0:29:25.320 --> 0:29:27.680
<v Speaker 5>You committed to this bit with the can so well,

0:29:27.760 --> 0:29:30.760
<v Speaker 5>you really figured it out. Good on you, physical comedy.

0:29:31.000 --> 0:29:34.800
<v Speaker 6>Listen, there's some lines between uh Brooke and Sylvia that

0:29:34.880 --> 0:29:37.400
<v Speaker 6>are my favorites. But suck it soup. I'm just gonna

0:29:37.400 --> 0:29:39.720
<v Speaker 6>spoil it. Is my honorable mention. Yeah, I left out

0:29:39.760 --> 0:29:44.360
<v Speaker 6>loud high up there, and I love the subtle nod

0:29:44.440 --> 0:29:47.200
<v Speaker 6>back to it when Clay there's a very very sweet

0:29:47.200 --> 0:29:49.640
<v Speaker 6>homecoming where Clay is waiting for Nathan at the airport

0:29:49.680 --> 0:29:53.320
<v Speaker 6>and he's clapping for him. I love that friendship. But

0:29:54.360 --> 0:29:57.200
<v Speaker 6>when Nathan gets in the car, he's like, what is this?

0:29:57.440 --> 0:30:00.120
<v Speaker 6>And Clay just goes an electric can opener and it's

0:30:00.120 --> 0:30:02.360
<v Speaker 6>perfect because he doesn't talk about it, so it's just

0:30:02.400 --> 0:30:04.440
<v Speaker 6>like a little like to the audience for him.

0:30:04.720 --> 0:30:07.240
<v Speaker 5>Yeah, yeah, yeah, you did that so well. It wasn't

0:30:07.640 --> 0:30:09.320
<v Speaker 5>there was no cheese on top of it. It was

0:30:09.400 --> 0:30:10.840
<v Speaker 5>just you just said the line and through the thing

0:30:10.840 --> 0:30:12.440
<v Speaker 5>in the back seat. It's all it required. Cool.

0:30:12.520 --> 0:30:14.520
<v Speaker 6>I conquered it. Now I'm never going to do that again.

0:30:14.720 --> 0:30:17.520
<v Speaker 4>But I got that little spread of pride being like

0:30:19.000 --> 0:30:22.680
<v Speaker 4>I solved the puzzle moving on like it was such

0:30:22.760 --> 0:30:24.400
<v Speaker 4>a good little vibean actually made me.

0:30:24.440 --> 0:30:25.120
<v Speaker 3>Laugh out loud.

0:30:25.840 --> 0:30:29.400
<v Speaker 6>I also liked seeing Clay Uh. It was a great

0:30:29.400 --> 0:30:32.120
<v Speaker 6>device when he spills the like chips are cereal and

0:30:32.200 --> 0:30:35.760
<v Speaker 6>on the newspaper and then he sees Will's obituary. Yeah,

0:30:35.800 --> 0:30:38.160
<v Speaker 6>And it was nice to see him go to the

0:30:38.200 --> 0:30:42.720
<v Speaker 6>cemetery just because he's he got so close to dying

0:30:42.920 --> 0:30:46.040
<v Speaker 6>and we haven't really seen him talk about it or

0:30:46.160 --> 0:30:49.000
<v Speaker 6>feel anything about it, so it was I liked the

0:30:49.040 --> 0:30:51.400
<v Speaker 6>sort of still quietness of him just sitting there and

0:30:52.120 --> 0:30:56.120
<v Speaker 6>having that speech to Will's headstone, and he kind of

0:30:56.200 --> 0:30:58.880
<v Speaker 6>ends it with saying like, thank you for what for

0:30:58.920 --> 0:31:01.560
<v Speaker 6>what you did, I'm I'm going to earn it. Yeah,

0:31:01.600 --> 0:31:04.640
<v Speaker 6>And I just I thought that was so effective.

0:31:05.000 --> 0:31:08.200
<v Speaker 5>And the mirroring of the earning with Troy as well

0:31:08.240 --> 0:31:10.239
<v Speaker 5>in the way that Nathan was talking him through that

0:31:11.360 --> 0:31:15.120
<v Speaker 5>at the end. I just love seeing this transition for Nathan.

0:31:15.640 --> 0:31:18.000
<v Speaker 5>How did we shoot those scenes with the braves? By

0:31:18.040 --> 0:31:20.520
<v Speaker 5>the way, was it the falcons? Falcons? Excuse me?

0:31:20.600 --> 0:31:24.560
<v Speaker 6>So last episode there are only there's only one shot.

0:31:24.600 --> 0:31:26.440
<v Speaker 6>It's the first shot we see where Nathan is sitting

0:31:26.480 --> 0:31:30.600
<v Speaker 6>down with the representative from the Falcons and when I watched,

0:31:30.640 --> 0:31:34.400
<v Speaker 6>I was like, holy cow, we're at the Falcons stadium.

0:31:34.400 --> 0:31:36.680
<v Speaker 6>Why do I not remember this? And then the scene

0:31:36.760 --> 0:31:38.800
<v Speaker 6>is so short. I thought, oh. I went back and

0:31:38.840 --> 0:31:40.760
<v Speaker 6>watched itause I thought, oh, maybe we green screened it,

0:31:40.920 --> 0:31:43.440
<v Speaker 6>because you don't go to you don't go all the

0:31:43.440 --> 0:31:45.760
<v Speaker 6>way to this Atlanta Falcons stadium and only do one

0:31:45.800 --> 0:31:48.240
<v Speaker 6>scene and then there's a bit on like Nathan the escalator.

0:31:48.320 --> 0:31:50.640
<v Speaker 6>So I was so confused because it was clearly not

0:31:50.720 --> 0:31:54.880
<v Speaker 6>a green screen. So this episode it really pays off

0:31:54.960 --> 0:31:58.120
<v Speaker 6>because holy cal First of all, shout out to Stephen Howell,

0:31:58.160 --> 0:32:01.800
<v Speaker 6>who played Troy, because he's I'm so earnest and believable

0:32:01.920 --> 0:32:02.600
<v Speaker 6>and likable.

0:32:02.760 --> 0:32:03.800
<v Speaker 3>He's a great actor.

0:32:03.960 --> 0:32:08.040
<v Speaker 6>It is the perfect pairing with Nathan. And but he

0:32:08.120 --> 0:32:11.280
<v Speaker 6>got to dress up, get to excuse me, suit up

0:32:11.320 --> 0:32:15.400
<v Speaker 6>in Atlanta Falcon's gear with the pads and take the

0:32:15.440 --> 0:32:19.800
<v Speaker 6>field through the tunnel with an actual crowd there. How

0:32:19.840 --> 0:32:20.560
<v Speaker 6>did we do this?

0:32:20.680 --> 0:32:22.280
<v Speaker 5>I mean, we must have just gone to a real

0:32:22.320 --> 0:32:24.680
<v Speaker 5>game and made a deal with the Falcons and told

0:32:24.720 --> 0:32:27.160
<v Speaker 5>everybody in the stadium, here's what's going on. We're shooting

0:32:27.200 --> 0:32:32.040
<v Speaker 5>a TV show, so badass. I love it when shows

0:32:32.080 --> 0:32:33.760
<v Speaker 5>do stuff like that that's incredible.

0:32:33.800 --> 0:32:35.880
<v Speaker 6>We had Tony Gonzalez, who was an Atlanta Falcon at

0:32:35.880 --> 0:32:38.800
<v Speaker 6>the time, who, by the way, much like Jerry Rice,

0:32:39.160 --> 0:32:40.320
<v Speaker 6>very good on camera.

0:32:40.280 --> 0:32:42.840
<v Speaker 3>Great actor, right, yeah, Tony was great.

0:32:43.120 --> 0:32:44.720
<v Speaker 6>He's gone on to host, so I guess it makes sense.

0:32:44.760 --> 0:32:48.160
<v Speaker 6>But I remember I was watching going like, oh, oh, okay,

0:32:48.320 --> 0:32:49.760
<v Speaker 6>you know, and then just going back to what you

0:32:49.760 --> 0:32:52.480
<v Speaker 6>said about Nathan, like, like, one thing I liked is he

0:32:52.600 --> 0:32:56.920
<v Speaker 6>is not hiding the fact that he's in transition and

0:32:56.960 --> 0:32:59.560
<v Speaker 6>he doesn't have it figured out. I like that in

0:32:59.600 --> 0:33:03.880
<v Speaker 6>his conversations with Troy and in his conversations with Tony Gonzalez,

0:33:04.680 --> 0:33:07.440
<v Speaker 6>he references it and he's like, yeah, I don't know.

0:33:07.680 --> 0:33:09.760
<v Speaker 6>But it was just cool to see that as opposed

0:33:09.800 --> 0:33:13.840
<v Speaker 6>to like the other like kind of cliche guy thing

0:33:13.880 --> 0:33:16.680
<v Speaker 6>of like nah, it's good or I'm good or what

0:33:16.680 --> 0:33:18.520
<v Speaker 6>are you talking about? And said he was like, yeah,

0:33:18.560 --> 0:33:20.680
<v Speaker 6>I don't have it figured out, man, wish me luck.

0:33:21.160 --> 0:33:21.320
<v Speaker 5>You know.

0:33:21.720 --> 0:33:24.000
<v Speaker 6>Oh, that's so cool. Like he's self aware enough and

0:33:24.040 --> 0:33:26.840
<v Speaker 6>he's not he's not hiding the fact that like he

0:33:26.880 --> 0:33:29.200
<v Speaker 6>doesn't have it figured out and he doesn't know what's next,

0:33:29.320 --> 0:33:30.680
<v Speaker 6>but he's just showing up for it.

0:33:30.760 --> 0:33:32.320
<v Speaker 5>In a mature phase of life.

0:33:32.800 --> 0:33:36.760
<v Speaker 4>Yeah, well, it reminds me kind of of what we

0:33:36.760 --> 0:33:39.200
<v Speaker 4>were talking about at the top of the episode, even

0:33:39.240 --> 0:33:43.200
<v Speaker 4>figuring out what would you do in this situation. What

0:33:43.360 --> 0:33:46.240
<v Speaker 4>I love about where all these characters are is there

0:33:46.320 --> 0:33:51.600
<v Speaker 4>in these phases of discovery and change that require a

0:33:51.720 --> 0:33:56.480
<v Speaker 4>level of emotional intelligence, to be patient, to be honest,

0:33:57.120 --> 0:33:59.440
<v Speaker 4>to be upfront about what you're going through. You have

0:33:59.480 --> 0:34:03.280
<v Speaker 4>to check your ego and just say this is what

0:34:03.320 --> 0:34:08.560
<v Speaker 4>it is. And especially for you know, it's TV, obviously,

0:34:08.640 --> 0:34:10.640
<v Speaker 4>but for something that people always used to bring up

0:34:10.640 --> 0:34:12.719
<v Speaker 4>about our show, like wow, for a small town, these

0:34:12.719 --> 0:34:17.040
<v Speaker 4>people all have these really big, unique careers, Like it's

0:34:17.280 --> 0:34:20.440
<v Speaker 4>nice to see all these people who've succeeded in ways

0:34:20.440 --> 0:34:26.320
<v Speaker 4>that are kind of ridiculous just say, I don't know either,

0:34:27.239 --> 0:34:29.440
<v Speaker 4>And I think it's one of those things that was

0:34:29.480 --> 0:34:34.360
<v Speaker 4>good for us, you know, to be experiencing as actors,

0:34:34.400 --> 0:34:37.759
<v Speaker 4>because the challenges felt grounded and real. But these are

0:34:37.800 --> 0:34:40.560
<v Speaker 4>the things that our fans talk to us about where

0:34:40.560 --> 0:34:43.399
<v Speaker 4>they say, oh, this made me feel so seen, that's

0:34:43.400 --> 0:34:47.400
<v Speaker 4>what I was going through. The circumstances are really unique,

0:34:48.160 --> 0:34:53.640
<v Speaker 4>but the transitional journey in life is so universal and

0:34:54.920 --> 0:34:57.400
<v Speaker 4>even now looking back at it as a viewer, I

0:34:57.400 --> 0:35:00.200
<v Speaker 4>feel like I see myself, I see all of you,

0:35:00.320 --> 0:35:04.680
<v Speaker 4>I see people I know, like I see relationships to

0:35:04.760 --> 0:35:08.000
<v Speaker 4>people's real lives in this show, in this episode.

0:35:07.560 --> 0:35:09.040
<v Speaker 3>In a way that made me feel so proud that

0:35:09.080 --> 0:35:10.080
<v Speaker 3>we got to do this.

0:35:11.880 --> 0:35:12.480
<v Speaker 6>So nice.

0:35:12.760 --> 0:35:14.400
<v Speaker 5>I think that's great. Yeah, it was really. It was

0:35:14.440 --> 0:35:18.680
<v Speaker 5>tied together all so well with Julian being the voyeur

0:35:18.800 --> 0:35:21.000
<v Speaker 5>and you know the well, maybe that's too aggressive of

0:35:21.040 --> 0:35:22.160
<v Speaker 5>a word, but the you know.

0:35:22.120 --> 0:35:22.200
<v Speaker 6>The.

0:35:23.719 --> 0:35:27.879
<v Speaker 5>Glue that's sort of like, yeah, not really what I meant, but.

0:35:28.040 --> 0:35:30.279
<v Speaker 4>Well, in a way, he kind of he fills the

0:35:30.400 --> 0:35:34.920
<v Speaker 4>role almost in a therapist as a documentarian in this episode.

0:35:35.000 --> 0:35:37.319
<v Speaker 4>You know, it's like you get to see people on.

0:35:37.280 --> 0:35:40.719
<v Speaker 5>The couch, yeah, but giving us that feeling, you know,

0:35:40.719 --> 0:35:43.480
<v Speaker 5>that feeling that you're talking about, And it was so

0:35:43.600 --> 0:35:47.160
<v Speaker 5>carefully crafted to bring us to that place where Troy's

0:35:47.239 --> 0:35:49.880
<v Speaker 5>running out and it's the stadium and the smoke, and

0:35:50.280 --> 0:35:53.560
<v Speaker 5>you know, we're we're cheering for him, sure, but we're

0:35:53.640 --> 0:35:57.480
<v Speaker 5>cheering for us and for everything that we're achieving and

0:35:57.600 --> 0:36:00.400
<v Speaker 5>the new transitions and the new phases of life everyone's

0:36:00.400 --> 0:36:04.239
<v Speaker 5>stepping into. That's the culmination. So they gave us that

0:36:04.360 --> 0:36:08.440
<v Speaker 5>in this big, gorgeous, glittery, huge moment.

0:36:08.800 --> 0:36:12.200
<v Speaker 4>Yes, wonderful, and it was a cool thing. I mean,

0:36:12.360 --> 0:36:14.640
<v Speaker 4>it gave me chills when I watched him run out there.

0:36:14.680 --> 0:36:17.520
<v Speaker 4>I was so excited that we'd done that, that we'd

0:36:17.520 --> 0:36:21.799
<v Speaker 4>been able to pull off the partnership, you know, and

0:36:21.840 --> 0:36:23.480
<v Speaker 4>it's our second time, by the way. We did it

0:36:23.520 --> 0:36:26.480
<v Speaker 4>with the Bobcats for James, and now we're doing it

0:36:26.480 --> 0:36:29.440
<v Speaker 4>with the Falcons for Steven who plays Troy.

0:36:30.080 --> 0:36:30.560
<v Speaker 5>Yeah.

0:36:30.640 --> 0:36:33.040
<v Speaker 4>Yeah, but I mean, you know, the NBA, the NFL,

0:36:33.160 --> 0:36:37.680
<v Speaker 4>Like these were big deals, and in a really interesting way.

0:36:38.280 --> 0:36:42.600
<v Speaker 4>There was the juxtaposition of going from the field with

0:36:42.719 --> 0:36:45.720
<v Speaker 4>him where I was like, oh my god, like true

0:36:45.800 --> 0:36:50.319
<v Speaker 4>dream come true energy to seeing Brook alone on that

0:36:50.400 --> 0:36:55.960
<v Speaker 4>bench on the roof finally just say I'm having a

0:36:56.040 --> 0:37:02.799
<v Speaker 4>really really hard time yeah, and just be in it.

0:37:02.800 --> 0:37:05.120
<v Speaker 3>It was really.

0:37:06.880 --> 0:37:07.200
<v Speaker 6>I don't know.

0:37:07.280 --> 0:37:10.680
<v Speaker 4>I loved the choice even in the edit to say, like,

0:37:10.800 --> 0:37:15.200
<v Speaker 4>sometimes you reach the peak and sometimes you're you're hitting

0:37:15.280 --> 0:37:17.920
<v Speaker 4>rock bottom, and and those things are going to happen

0:37:17.920 --> 0:37:18.640
<v Speaker 4>on the same day.

0:37:19.280 --> 0:37:22.640
<v Speaker 5>That goes to Julian's comment to you about happiness, which

0:37:22.680 --> 0:37:28.520
<v Speaker 5>I loved this comment that happiness is a mood. It's

0:37:28.560 --> 0:37:32.040
<v Speaker 5>something that comes and goes. It's not a state of

0:37:32.120 --> 0:37:35.440
<v Speaker 5>being that you will achieve and just be there permanently.

0:37:35.880 --> 0:37:41.719
<v Speaker 5>It's yes, it's a it's a mood, and that's okay.

0:37:41.760 --> 0:37:43.160
<v Speaker 5>And I like that, he says. I think if more

0:37:43.200 --> 0:37:45.640
<v Speaker 5>people wish I wrote it down, But it was something like,

0:37:45.680 --> 0:37:48.360
<v Speaker 5>if more people thought of it this way, the world

0:37:48.440 --> 0:37:51.360
<v Speaker 5>would end up actually being happier because everybody wouldn't be

0:37:51.640 --> 0:37:53.520
<v Speaker 5>in this constant state of like, oh no, why am

0:37:53.520 --> 0:37:55.920
<v Speaker 5>I not happy? It's okay, it's okay.

0:37:56.200 --> 0:37:59.000
<v Speaker 4>Well, and the fact that he compares it to hunger.

0:37:59.680 --> 0:38:02.160
<v Speaker 4>He said, it's a condition. It's like being hungry.

0:38:02.880 --> 0:38:04.040
<v Speaker 3>That's what goes.

0:38:04.880 --> 0:38:09.480
<v Speaker 4>And to talk about it in that way after acknowledging

0:38:09.520 --> 0:38:12.080
<v Speaker 4>that most people think, if I get this, if I

0:38:12.120 --> 0:38:14.600
<v Speaker 4>get that, if I get this job, once I get married,

0:38:14.640 --> 0:38:16.959
<v Speaker 4>once I have a kid, once I buy that car,

0:38:17.120 --> 0:38:20.040
<v Speaker 4>once I once I fill in the blank, I will

0:38:20.040 --> 0:38:20.680
<v Speaker 4>be happy.

0:38:21.200 --> 0:38:21.960
<v Speaker 5>Amen's sister.

0:38:22.320 --> 0:38:24.680
<v Speaker 4>Then you miss your whole life waiting for a thing

0:38:25.360 --> 0:38:30.040
<v Speaker 4>instead of living it. And we've all tried that it

0:38:30.040 --> 0:38:30.760
<v Speaker 4>hasn't worked.

0:38:31.080 --> 0:38:33.279
<v Speaker 5>Oh yeah, I mean I feel like we still try it.

0:38:33.280 --> 0:38:35.319
<v Speaker 5>I still tried subconsciously, and then I'm like, wait, why

0:38:35.320 --> 0:38:35.839
<v Speaker 5>am I doing this?

0:38:35.920 --> 0:38:39.440
<v Speaker 4>What am I doing exactly? But what a cool what

0:38:39.520 --> 0:38:42.879
<v Speaker 4>a cool thing to do. And I thought, I thought

0:38:42.920 --> 0:38:45.640
<v Speaker 4>Austin played the scene so beautifully because he didn't try

0:38:45.680 --> 0:38:48.279
<v Speaker 4>to put a hat on a hat. He just said, look,

0:38:48.280 --> 0:38:50.640
<v Speaker 4>this is what I'm noddling with, this is what I think,

0:38:50.719 --> 0:38:53.359
<v Speaker 4>and maybe we'd be happier if we thought about it

0:38:53.360 --> 0:38:53.759
<v Speaker 4>this way.

0:38:54.320 --> 0:38:57.759
<v Speaker 3>And it's so perfect.

0:38:58.080 --> 0:39:04.600
<v Speaker 5>It gives Brooke kind of a permission to feel like

0:39:04.640 --> 0:39:07.480
<v Speaker 5>it's hard and like she's not having it. It's okay

0:39:07.600 --> 0:39:10.040
<v Speaker 5>to feel that way because happiness will come again.

0:39:10.680 --> 0:39:13.440
<v Speaker 6>Yeah, the code of for this episode was so strong,

0:39:13.640 --> 0:39:18.520
<v Speaker 6>and yeah, Julian was doing some great partnering because obviously

0:39:18.560 --> 0:39:20.720
<v Speaker 6>the way it ends, like when Brook's having that moment,

0:39:20.760 --> 0:39:22.799
<v Speaker 6>he just comes and just sits down next to her,

0:39:23.000 --> 0:39:25.160
<v Speaker 6>which I love. You know. It's like he's not trying

0:39:25.200 --> 0:39:26.719
<v Speaker 6>to fix it or talk her out of it. He's

0:39:26.760 --> 0:39:29.160
<v Speaker 6>just like, cool, I'm just gonna be here with you,

0:39:29.160 --> 0:39:32.000
<v Speaker 6>you know. And then earlier, I think, in the same location,

0:39:32.600 --> 0:39:35.640
<v Speaker 6>when Brooke and Sylvia have just had it out and

0:39:35.680 --> 0:39:38.520
<v Speaker 6>Brooke is chucking water balloons down the street, which is

0:39:38.840 --> 0:39:41.000
<v Speaker 6>hilarious in and of itself. I guess this was something

0:39:41.040 --> 0:39:43.239
<v Speaker 6>that Peyton used to do. Did you actually show that

0:39:43.320 --> 0:39:44.279
<v Speaker 6>on the show? Did we know that?

0:39:44.600 --> 0:39:47.000
<v Speaker 3>Yeah? Okay, yeah, we did a lot of water balloons.

0:39:47.360 --> 0:39:49.799
<v Speaker 6>So it was so funny. But then that way that

0:39:49.840 --> 0:39:51.839
<v Speaker 6>first of all, that seems funny because Brooke is like,

0:39:51.920 --> 0:39:53.759
<v Speaker 6>I shouldn't have yelled at your mom, and as an

0:39:53.760 --> 0:39:56.680
<v Speaker 6>audience member, I was like, you one hundred percent should have.

0:39:57.360 --> 0:39:59.560
<v Speaker 6>You're not a doramat you did. You did the right thing.

0:40:00.080 --> 0:40:03.000
<v Speaker 6>But I love At the end of it, Julian goes up, well,

0:40:03.040 --> 0:40:04.640
<v Speaker 6>do you want me to go down there and walk

0:40:04.680 --> 0:40:06.000
<v Speaker 6>around so you can practice your aim?

0:40:07.080 --> 0:40:08.800
<v Speaker 3>I was like, it's so good.

0:40:08.920 --> 0:40:12.839
<v Speaker 6>All right, let's get into the brook Sylvia of it all,

0:40:12.880 --> 0:40:19.680
<v Speaker 6>because the lines in this episode were so funny. When

0:40:19.719 --> 0:40:23.320
<v Speaker 6>she finally snaps, she says, you're a spoiled little bitch,

0:40:23.840 --> 0:40:27.400
<v Speaker 6>to which Brook responds, okay, Drinki and ends it with

0:40:27.840 --> 0:40:33.320
<v Speaker 6>good luck with being old God, and then the perfect

0:40:33.360 --> 0:40:36.400
<v Speaker 6>blocking for the next bit where Julian is there for

0:40:36.440 --> 0:40:39.439
<v Speaker 6>his mom and she has she has the washcloth over

0:40:39.480 --> 0:40:42.000
<v Speaker 6>her eyes while she lays out on her fainting couch.

0:40:42.360 --> 0:40:43.719
<v Speaker 5>I know where you're going.

0:40:43.680 --> 0:40:46.600
<v Speaker 6>And she ends it with because of course, he's just

0:40:46.640 --> 0:40:50.040
<v Speaker 6>being reasonable and the like, asking follow up questions, to

0:40:50.040 --> 0:40:52.320
<v Speaker 6>which she takes it as being attacked and not believed.

0:40:52.360 --> 0:40:55.440
<v Speaker 6>And she ends by saying she has poisoned you with

0:40:55.600 --> 0:41:02.480
<v Speaker 6>her a perfect line that Sharon delivered perfectly.

0:41:03.600 --> 0:41:06.759
<v Speaker 4>She sure did. Sharon is such an icon.

0:41:07.120 --> 0:41:10.279
<v Speaker 5>And then Julian, we're done here, We're done here, We're

0:41:10.320 --> 0:41:11.520
<v Speaker 5>done here, We're done.

0:41:11.680 --> 0:41:12.160
<v Speaker 3>Yeah.

0:41:12.800 --> 0:41:17.160
<v Speaker 6>That was that was so so funny and for as

0:41:17.200 --> 0:41:19.440
<v Speaker 6>funny as all of it was. I love the repair.

0:41:20.600 --> 0:41:20.839
<v Speaker 4>Yeah.

0:41:20.960 --> 0:41:23.200
<v Speaker 6>I love the sincere, not funny part of it where Brooke,

0:41:23.400 --> 0:41:26.520
<v Speaker 6>showing her character, comes back and makes it right, makes

0:41:26.520 --> 0:41:30.600
<v Speaker 6>an amends, repairs it, and she receives it and accepts it,

0:41:30.680 --> 0:41:34.439
<v Speaker 6>and you guys, you know, end up sort of being

0:41:34.440 --> 0:41:37.160
<v Speaker 6>in a much more I think, respectful, amicable place.

0:41:37.719 --> 0:41:40.319
<v Speaker 5>That's so lovely. I actually don't want your money, but

0:41:40.400 --> 0:41:42.120
<v Speaker 5>I still do want your advice.

0:41:42.400 --> 0:41:46.560
<v Speaker 6>Right wow m h Yeah, I respect you enough to

0:41:46.560 --> 0:41:47.360
<v Speaker 6>be honest with you.

0:41:48.120 --> 0:41:48.719
<v Speaker 3>Yeah.

0:41:49.239 --> 0:41:54.520
<v Speaker 4>And there's something really inspiring to me about Granted it

0:41:54.560 --> 0:41:57.439
<v Speaker 4>didn't go well in iteration one where the fight broke out,

0:41:57.880 --> 0:42:00.160
<v Speaker 4>but for her to say I learned my lesson. I

0:42:00.200 --> 0:42:04.320
<v Speaker 4>know what it means when you take people's money. Yeah,

0:42:04.360 --> 0:42:08.600
<v Speaker 4>I don't want that energy in my family. Yeah, and

0:42:08.680 --> 0:42:12.239
<v Speaker 4>I feel like that's what comes out more in check

0:42:12.280 --> 0:42:15.080
<v Speaker 4>in number two where they make up to say that,

0:42:15.160 --> 0:42:18.080
<v Speaker 4>to say no, I still don't want this part. I

0:42:18.120 --> 0:42:21.799
<v Speaker 4>know that that actually can be what poisons relationships, but

0:42:21.880 --> 0:42:25.680
<v Speaker 4>I want you to be part of it. That to

0:42:25.760 --> 0:42:30.360
<v Speaker 4>me was I was very impressed. I thought it's nice writing.

0:42:30.400 --> 0:42:32.080
<v Speaker 4>That's a nice little life lesson right there.

0:42:32.360 --> 0:42:35.880
<v Speaker 5>Sharon is so effervescent and so easy. She falls in

0:42:35.920 --> 0:42:37.920
<v Speaker 5>line with all of us so easily. She just folds

0:42:37.920 --> 0:42:39.759
<v Speaker 5>into the family like I want to see more and

0:42:39.760 --> 0:42:42.160
<v Speaker 5>more and more of Sylvia means, I love this dynamic

0:42:42.200 --> 0:42:45.120
<v Speaker 5>between the two of you guys and with Julian. It's

0:42:45.160 --> 0:42:46.120
<v Speaker 5>so fun to watch.

0:42:47.000 --> 0:42:50.279
<v Speaker 6>It's great and yes, to speaking of it's reminded me

0:42:50.320 --> 0:42:52.360
<v Speaker 6>at the start of episode seven when Jolie's like, I

0:42:52.360 --> 0:42:53.960
<v Speaker 6>don't know it's going to be my best man in

0:42:54.040 --> 0:42:56.480
<v Speaker 6>Brooke goes well, who is your best friend growing up?

0:42:56.760 --> 0:42:59.840
<v Speaker 6>And just as she walks through the background of the scene, Sylvia,

0:43:00.360 --> 0:43:04.239
<v Speaker 6>I was, Oh, they are killing this nightmare mom thing.

0:43:04.320 --> 0:43:07.040
<v Speaker 6>But yeah, I thought Brooks repair it's it was such

0:43:07.080 --> 0:43:11.400
<v Speaker 6>a show or an act of respect and kindness because

0:43:11.440 --> 0:43:13.960
<v Speaker 6>you can have that conversation and you can build a

0:43:14.080 --> 0:43:17.080
<v Speaker 6>real relationship on top of it. Y. Yeah, if you

0:43:17.200 --> 0:43:20.000
<v Speaker 6>don't discuss it, it's like you're never gonna really have

0:43:20.320 --> 0:43:21.759
<v Speaker 6>There's going to be a resentment. And I know, but

0:43:21.760 --> 0:43:24.080
<v Speaker 6>it's a Brooks way of going, like, hey, I take

0:43:24.160 --> 0:43:27.640
<v Speaker 6>up space. Here are some boundaries inviting you to be

0:43:27.719 --> 0:43:30.120
<v Speaker 6>a part of it. But now you know where I stand.

0:43:30.360 --> 0:43:31.080
<v Speaker 5>Yeah.

0:43:31.320 --> 0:43:33.920
<v Speaker 4>Something that dawned on me too, And I wonder if

0:43:33.960 --> 0:43:39.520
<v Speaker 4>you guys got this the when Julian is explaining why

0:43:39.560 --> 0:43:42.840
<v Speaker 4>his mom is so particular and he says, look, my

0:43:42.960 --> 0:43:44.040
<v Speaker 4>dad wasn't around.

0:43:44.680 --> 0:43:46.840
<v Speaker 3>It was really just me and my mom.

0:43:48.600 --> 0:43:51.640
<v Speaker 4>I saw it on my face, and it like it

0:43:51.680 --> 0:43:55.400
<v Speaker 4>took me back to sitting and making notes in the script, thinking, oh,

0:43:55.920 --> 0:43:58.279
<v Speaker 4>Brooke knows exactly what that means. Because she didn't have

0:43:58.320 --> 0:44:01.640
<v Speaker 4>her mom or her dad around. Her friends were her

0:44:01.719 --> 0:44:06.400
<v Speaker 4>world and you guys still are you know these people

0:44:06.520 --> 0:44:09.520
<v Speaker 4>Tree Hill? It's so important to her. And in that

0:44:09.640 --> 0:44:13.400
<v Speaker 4>one sentence, I feel like Julian kind of gave Brooke

0:44:13.440 --> 0:44:18.560
<v Speaker 4>a key to Sylvia because it's like she had nobody

0:44:18.560 --> 0:44:22.560
<v Speaker 4>but her kid. I built a community of my peers.

0:44:23.160 --> 0:44:26.480
<v Speaker 4>Of course, this woman feels threatened by me. I see

0:44:26.520 --> 0:44:29.560
<v Speaker 4>Julian as my peer, he's my partner. She sees him

0:44:29.560 --> 0:44:33.920
<v Speaker 4>as her only person, and so in this weird way,

0:44:35.200 --> 0:44:37.920
<v Speaker 4>I thought that that simple thing that he said was

0:44:37.920 --> 0:44:41.400
<v Speaker 4>what gave her the ability later to say, I understand

0:44:41.440 --> 0:44:43.759
<v Speaker 4>why it could be scary for you that your son

0:44:43.800 --> 0:44:47.520
<v Speaker 4>has me now, but you're still welcome in this family.

0:44:48.600 --> 0:44:53.200
<v Speaker 4>You're still going to be part of this. And it

0:44:53.239 --> 0:44:57.279
<v Speaker 4>was a very interesting sort of shift in I think

0:44:57.320 --> 0:45:03.400
<v Speaker 4>the way she could see a parental relationship, especially with

0:45:03.440 --> 0:45:05.759
<v Speaker 4>what she's been through with Victoria. And I was like, man,

0:45:05.840 --> 0:45:09.360
<v Speaker 4>it's it's really simple dialogue, but it communicates a lot

0:45:09.440 --> 0:45:11.480
<v Speaker 4>about the history of these characters.

0:45:11.880 --> 0:45:12.440
<v Speaker 5>It's great.

0:45:12.760 --> 0:45:16.920
<v Speaker 6>And the way that they wrapped up that scene was perfect,

0:45:17.360 --> 0:45:19.919
<v Speaker 6>where it's like the repair has been made, You guys

0:45:19.920 --> 0:45:22.880
<v Speaker 6>are all good, and she goes, well, it's all right,

0:45:22.880 --> 0:45:26.120
<v Speaker 6>It wasn't even the worst part of my day, goes, oh, no,

0:45:26.320 --> 0:45:31.120
<v Speaker 6>what happened? Some jackass hit me with a water balloon?

0:45:31.280 --> 0:45:35.400
<v Speaker 6>What is wrong with people? Awful in your face and just.

0:45:35.360 --> 0:45:38.600
<v Speaker 3>Laughing into her forehead exactly.

0:45:38.600 --> 0:45:40.879
<v Speaker 6>Because she can't see your face but the audience can.

0:45:41.000 --> 0:45:44.520
<v Speaker 6>It's it was just you guys crushed it. It was

0:45:44.560 --> 0:45:45.040
<v Speaker 6>so good.

0:45:45.320 --> 0:45:46.040
<v Speaker 3>It was so fun.

0:45:46.200 --> 0:45:49.279
<v Speaker 4>That was my electric can opener moment. It was just

0:45:49.320 --> 0:45:51.840
<v Speaker 4>for the audience, but as an audience member, it's so

0:45:52.080 --> 0:45:52.719
<v Speaker 4>fun to watch.

0:45:52.800 --> 0:45:55.920
<v Speaker 6>Yeah, you know what else was fun to watch was

0:45:56.200 --> 0:45:57.320
<v Speaker 6>Mouth and Chase.

0:45:57.800 --> 0:46:00.160
<v Speaker 5>I loved this. I didn't know I needed.

0:46:00.640 --> 0:46:06.600
<v Speaker 6>Exactly this whole storyline of cleaning out the back room,

0:46:07.040 --> 0:46:10.160
<v Speaker 6>you know, and Mouth opining about what's what he's gonna do,

0:46:10.360 --> 0:46:14.280
<v Speaker 6>and Chase being indecisive and torn between the two women.

0:46:14.520 --> 0:46:17.000
<v Speaker 6>It was just it was fun and it was like

0:46:17.320 --> 0:46:20.319
<v Speaker 6>cool to see the friendship between those two and they

0:46:20.360 --> 0:46:21.440
<v Speaker 6>both it's so good.

0:46:21.880 --> 0:46:24.080
<v Speaker 5>It's such a relief not to have to deal with

0:46:24.200 --> 0:46:29.680
<v Speaker 5>like sexual jokes and abous shots of women, and like

0:46:29.960 --> 0:46:32.360
<v Speaker 5>it's like, thank God, we don't have to bear the

0:46:32.680 --> 0:46:35.440
<v Speaker 5>emotional burden of this right now. We can just watch

0:46:35.520 --> 0:46:38.319
<v Speaker 5>these two guys just trying to figure out life. It's

0:46:38.360 --> 0:46:41.040
<v Speaker 5>so nice and there's so much fun to watch, and

0:46:41.320 --> 0:46:45.960
<v Speaker 5>very much like we've gotten such excellent male friendship with

0:46:46.080 --> 0:46:47.040
<v Speaker 5>Clay and Nathan.

0:46:47.680 --> 0:46:52.360
<v Speaker 4>I love Stephen and Lee together. I love that they're vulnerable.

0:46:52.440 --> 0:46:56.160
<v Speaker 4>I love that they're questioning. I love that they're talking

0:46:56.200 --> 0:46:57.280
<v Speaker 4>about what isn't working?

0:46:58.080 --> 0:47:03.040
<v Speaker 5>Another sign of maturity because Mouth usually with skills, you know,

0:47:03.040 --> 0:47:05.480
<v Speaker 5>they're into shenanigans, like they're getting up to things. They're

0:47:05.520 --> 0:47:08.120
<v Speaker 5>sort of goofing off. There's not a lot of real

0:47:08.280 --> 0:47:11.560
<v Speaker 5>depth of conversation. There has been a few, but usually

0:47:11.600 --> 0:47:14.800
<v Speaker 5>that's their routine with each other. So to see Mouth

0:47:14.960 --> 0:47:19.279
<v Speaker 5>now entering into another relationship that is there's a maturity level,

0:47:19.320 --> 0:47:22.120
<v Speaker 5>like everybody's leveling up. Yeah, it's so cool.

0:47:22.560 --> 0:47:24.759
<v Speaker 6>And have you ever heard the expression you can save

0:47:24.800 --> 0:47:26.560
<v Speaker 6>your ass or you can save your face, but you

0:47:26.560 --> 0:47:28.040
<v Speaker 6>can't save them both at the same time.

0:47:29.080 --> 0:47:30.719
<v Speaker 5>No, but that's amazing.

0:47:31.000 --> 0:47:33.879
<v Speaker 6>I love that quote. But it's you see a lot

0:47:33.880 --> 0:47:37.000
<v Speaker 6>of that happening when these guys like Nathan, like Mouth,

0:47:37.280 --> 0:47:40.600
<v Speaker 6>are not trying to put up an appearance or a

0:47:40.640 --> 0:47:43.200
<v Speaker 6>facade of like it's all good or I'm on top

0:47:43.280 --> 0:47:47.160
<v Speaker 6>of it. Instead they're just like owning it and they're

0:47:47.200 --> 0:47:49.080
<v Speaker 6>not trying to save their face or just trying to

0:47:49.080 --> 0:47:53.120
<v Speaker 6>figure out what to do with their ass. You know, crazy,

0:47:55.120 --> 0:48:00.799
<v Speaker 6>that's great. Laura isor is great? Who plays Aaron? Here's

0:48:00.800 --> 0:48:04.160
<v Speaker 6>a question, by the way, highly googleable questions, So shout

0:48:04.160 --> 0:48:06.240
<v Speaker 6>out to me for not doing thirty seconds of research

0:48:06.320 --> 0:48:10.760
<v Speaker 6>on this, But was she acting before this show, because

0:48:10.760 --> 0:48:12.520
<v Speaker 6>she's terrific and natural.

0:48:12.840 --> 0:48:16.480
<v Speaker 5>Yes, she really is. She's so understated. I think I

0:48:16.560 --> 0:48:20.360
<v Speaker 5>remember her just being terrified and being like, I'm just

0:48:20.400 --> 0:48:23.320
<v Speaker 5>going to sit here and not do anything and say

0:48:23.440 --> 0:48:26.480
<v Speaker 5>my lines. And I was like, that's the key, yeh,

0:48:26.920 --> 0:48:31.320
<v Speaker 5>all you ever have to this? Yeah? She was great.

0:48:31.440 --> 0:48:35.319
<v Speaker 5>I think I'm actually wondering if maybe we had we

0:48:35.400 --> 0:48:39.160
<v Speaker 5>must have had it deal relationship with a label, Warner

0:48:39.239 --> 0:48:45.120
<v Speaker 5>probably and Lindsay had. Lindsay Wolfington had artists that she

0:48:45.360 --> 0:48:49.080
<v Speaker 5>was wanting to put on the show. Maybe Warner Records did,

0:48:49.719 --> 0:48:52.359
<v Speaker 5>and they were trying to find artists that they could

0:48:52.719 --> 0:48:55.440
<v Speaker 5>bring on to the actual TV show and not just play.

0:48:55.920 --> 0:48:58.840
<v Speaker 5>So I think Laura was probably one of them. But

0:48:58.960 --> 0:48:59.640
<v Speaker 5>she was great.

0:49:00.200 --> 0:49:06.800
<v Speaker 4>She was so good, and the way she asked questions

0:49:07.160 --> 0:49:11.759
<v Speaker 4>of Haley, I really just felt like the two of

0:49:11.800 --> 0:49:16.040
<v Speaker 4>you were sharing about what it's like to try to

0:49:16.080 --> 0:49:20.680
<v Speaker 4>make something, because how you trust a person with your

0:49:20.840 --> 0:49:23.480
<v Speaker 4>art it's a gamble, you know.

0:49:23.560 --> 0:49:27.000
<v Speaker 3>It's it's sort of like, that's scary showing up on a.

0:49:26.960 --> 0:49:29.280
<v Speaker 4>Set and having to act with someone who's a stranger.

0:49:29.320 --> 0:49:30.799
<v Speaker 4>But on day one they were meant to be your

0:49:30.840 --> 0:49:34.960
<v Speaker 4>lifelong best friend or signing a deal for a record label.

0:49:35.320 --> 0:49:40.840
<v Speaker 4>It's like it requires a fully surrendered trust fall without

0:49:40.880 --> 0:49:43.960
<v Speaker 4>an evidence of why you should trust someone, and you

0:49:44.080 --> 0:49:44.879
<v Speaker 4>just have to do it.

0:49:44.960 --> 0:49:47.160
<v Speaker 5>I mean, it's just showing up to do an indie

0:49:47.200 --> 0:49:50.000
<v Speaker 5>film or an acting project with a director that you

0:49:50.000 --> 0:49:51.759
<v Speaker 5>don't know and you haven't seen a lot of their work.

0:49:51.800 --> 0:49:54.000
<v Speaker 5>It's like, oh, I mean, I know what I can do,

0:49:54.080 --> 0:49:57.200
<v Speaker 5>but we'll see how it turns out on the actual

0:49:57.239 --> 0:49:59.600
<v Speaker 5>cutting day exactly.

0:49:59.640 --> 0:50:01.520
<v Speaker 4>And I I think what I loved about watching you

0:50:01.560 --> 0:50:04.520
<v Speaker 4>two talk to each other is I got the sense

0:50:05.200 --> 0:50:10.320
<v Speaker 4>that Aaron and Haley we're having the same conversation about

0:50:10.360 --> 0:50:16.799
<v Speaker 4>this gamble without having to necessarily say all of it.

0:50:17.560 --> 0:50:20.480
<v Speaker 4>And I loved it. And to your point, Rob, I thought, God,

0:50:20.560 --> 0:50:23.120
<v Speaker 4>she's so good. Has she been acting?

0:50:23.840 --> 0:50:27.080
<v Speaker 6>No? Her only other acting credit is one episode of

0:50:27.160 --> 0:50:31.319
<v Speaker 6>Bones that also aired in twenty ten Stop Yeah, which

0:50:31.800 --> 0:50:34.040
<v Speaker 6>which is wild that she stepped onto the set and

0:50:34.160 --> 0:50:35.960
<v Speaker 6>was like this good and this natural, and then it

0:50:36.040 --> 0:50:38.680
<v Speaker 6>was also probably just like I'm good, I'm good on

0:50:38.760 --> 0:50:41.840
<v Speaker 6>that she could dease. This is something she could easily do,

0:50:41.920 --> 0:50:43.800
<v Speaker 6>and she probably just like, ah, i'm good with music.

0:50:43.920 --> 0:50:44.240
<v Speaker 5>Thanks.

0:50:45.040 --> 0:50:48.399
<v Speaker 6>That's but I also liked they did this cool thing

0:50:48.440 --> 0:50:50.960
<v Speaker 6>where I feel like there's this can happen a lot

0:50:51.040 --> 0:50:54.279
<v Speaker 6>in shows where when a guest star comes in, they

0:50:54.440 --> 0:50:59.000
<v Speaker 6>are immediately ready to trust or jump on board with

0:50:59.040 --> 0:51:01.360
<v Speaker 6>whatever is happening with one of the main characters of

0:51:01.400 --> 0:51:04.200
<v Speaker 6>the show, and it's only the main characters whoever question

0:51:05.080 --> 0:51:08.200
<v Speaker 6>the new people like. The new people never have like stakes,

0:51:08.200 --> 0:51:10.160
<v Speaker 6>They're just like, I'm all in whatever you say, I

0:51:10.200 --> 0:51:12.560
<v Speaker 6>trust you. I like that she came in was and

0:51:12.719 --> 0:51:19.080
<v Speaker 6>was real thorough with sort of vetting Hayley before deciding

0:51:19.080 --> 0:51:20.600
<v Speaker 6>to sign on, because I think the easy thing would

0:51:20.600 --> 0:51:23.480
<v Speaker 6>be like a record deal, I'm in, and instead she

0:51:23.560 --> 0:51:27.200
<v Speaker 6>was like, Nah, what's your deal? Mature angle friend, what

0:51:27.239 --> 0:51:28.400
<v Speaker 6>are we doing again?

0:51:28.560 --> 0:51:32.279
<v Speaker 5>Maturity the difference between a twenty year old who's like,

0:51:32.360 --> 0:51:35.600
<v Speaker 5>I'll take whatever I can get and somebody who's like, no,

0:51:35.920 --> 0:51:38.120
<v Speaker 5>what I have is valuable. What do you have?

0:51:38.400 --> 0:51:41.000
<v Speaker 6>Did you guys? I had this funny note that I

0:51:41.080 --> 0:51:43.360
<v Speaker 6>laughed at that. I don't know if you guys, cos

0:51:43.360 --> 0:51:45.480
<v Speaker 6>I don't think that the normal viewer would saw. But

0:51:45.719 --> 0:51:49.640
<v Speaker 6>when at the Atlanta Falcons game, Troy and Nathan have

0:51:49.760 --> 0:51:53.719
<v Speaker 6>their moment and it's before the game. Excuse me. It's

0:51:53.760 --> 0:51:55.319
<v Speaker 6>when they're just on the field, the two of them, right,

0:51:55.360 --> 0:51:57.200
<v Speaker 6>and they're having this like we did it, we're here,

0:51:57.280 --> 0:52:00.360
<v Speaker 6>this is your dream, earn it, love it, blah blah blah,

0:52:00.400 --> 0:52:03.759
<v Speaker 6>and then they they say a goodbye as if they're

0:52:03.800 --> 0:52:06.160
<v Speaker 6>not going to see each other again, or at least

0:52:06.239 --> 0:52:09.120
<v Speaker 6>for a while. And I found myself laughing, going, dude,

0:52:09.120 --> 0:52:11.240
<v Speaker 6>that's your agent. You guys are going to be texting

0:52:11.280 --> 0:52:13.399
<v Speaker 6>and talking probably every single day.

0:52:14.440 --> 0:52:15.840
<v Speaker 5>But it was probably the last time he was going

0:52:15.920 --> 0:52:18.200
<v Speaker 5>to see Stephen Howell because I don't think Troy came back.

0:52:18.880 --> 0:52:21.239
<v Speaker 6>I don't think he does either, So I just thought

0:52:21.239 --> 0:52:23.759
<v Speaker 6>was funny. I really loved Yeah, it's like you're gonna

0:52:23.760 --> 0:52:26.360
<v Speaker 6>have literally be texting that guy questions tonight. He's probably

0:52:26.400 --> 0:52:28.759
<v Speaker 6>gonna be texting you great game. He's there, He's literally

0:52:28.800 --> 0:52:31.560
<v Speaker 6>going to be on the sidelines that they're like, hey, think, hey, hey,

0:52:31.960 --> 0:52:35.040
<v Speaker 6>thank you for everything. No, no, no, hey, thank you

0:52:35.280 --> 0:52:37.680
<v Speaker 6>for everything. It's like, you guys are going to see

0:52:37.680 --> 0:52:42.880
<v Speaker 6>each other in like sixty minutes, goodbye, my friend, like

0:52:42.920 --> 0:52:45.680
<v Speaker 6>Harry and the Hendersons, like, guys, you're driving home together.

0:52:46.120 --> 0:52:49.960
<v Speaker 4>Meanwhile, Nathan and his whole family are at the first game.

0:52:50.360 --> 0:52:52.160
<v Speaker 6>Right, Yeah, that's what I'm saying. They're going to be

0:52:52.200 --> 0:52:53.000
<v Speaker 6>on the sidelines.

0:52:53.680 --> 0:52:55.879
<v Speaker 3>Yeah, that's so good.

0:52:55.880 --> 0:52:57.319
<v Speaker 5>Wait was I there? I wasn't there.

0:52:57.360 --> 0:52:59.200
<v Speaker 4>I don't think you were there, But in my brain

0:52:59.440 --> 0:53:00.680
<v Speaker 4>I assure he was right.

0:53:01.400 --> 0:53:03.080
<v Speaker 3>Jamie was there, But in my brain, I.

0:53:03.080 --> 0:53:05.839
<v Speaker 4>Assume you all would have gone and you probably would

0:53:05.840 --> 0:53:07.839
<v Speaker 4>have been there. But yes, I think they just didn't

0:53:07.840 --> 0:53:09.800
<v Speaker 4>want to fly everyone to Atlanta for sure.

0:53:10.200 --> 0:53:14.359
<v Speaker 6>Also, they are still, despite being quite pregnant, they are

0:53:14.400 --> 0:53:18.160
<v Speaker 6>still putting Haley in lots of short skirts, lots of platforms.

0:53:18.280 --> 0:53:19.000
<v Speaker 5>Yeah.

0:53:19.040 --> 0:53:22.480
<v Speaker 6>I know it's TV, but I found myself going, okay,

0:53:23.440 --> 0:53:26.680
<v Speaker 6>all right, no sweatpants in her arsenal, no way, no

0:53:26.760 --> 0:53:29.080
<v Speaker 6>athleisure where she's keeping it cute and chic.

0:53:29.560 --> 0:53:31.879
<v Speaker 4>Rob It's a TV show, that's right.

0:53:32.360 --> 0:53:36.040
<v Speaker 6>I know, I know, I just wanted to be in

0:53:36.080 --> 0:53:38.320
<v Speaker 6>real life. So darn bad guys.

0:53:38.840 --> 0:53:54.440
<v Speaker 4>Yeah, okay, We've got a question from Lisa, who also

0:53:54.480 --> 0:53:57.719
<v Speaker 4>gave us her nickname show She that must be. Yeah,

0:53:59.440 --> 0:54:01.360
<v Speaker 4>when you are going to direct an episode, do you

0:54:01.400 --> 0:54:04.520
<v Speaker 4>get to pick the episode or is it you get

0:54:04.560 --> 0:54:07.000
<v Speaker 4>what you get and you don't throw a fit type

0:54:07.040 --> 0:54:07.799
<v Speaker 4>of situation.

0:54:10.640 --> 0:54:12.239
<v Speaker 3>Yeah, Yeah, that's it.

0:54:12.800 --> 0:54:15.319
<v Speaker 6>Yeah, and you don't throw a fit like that.

0:54:15.680 --> 0:54:20.560
<v Speaker 4>Yeah, because they they make a schedule. Certainly when we

0:54:20.640 --> 0:54:25.200
<v Speaker 4>have visiting directors based on their availability, then are recurring

0:54:25.239 --> 0:54:28.120
<v Speaker 4>directors like joy When you were talking about Greg Prange,

0:54:28.160 --> 0:54:30.640
<v Speaker 4>who I think directed the most episodes of our show

0:54:30.640 --> 0:54:34.480
<v Speaker 4>of anyone, are on site executive producer, then.

0:54:34.360 --> 0:54:35.239
<v Speaker 3>His would fill in.

0:54:35.520 --> 0:54:39.600
<v Speaker 4>They basically have to build the director schedule like a puzzle,

0:54:40.520 --> 0:54:44.880
<v Speaker 4>and then they would essentially slot us as directing cast

0:54:45.080 --> 0:54:48.080
<v Speaker 4>in last because we're all there all the time anyway,

0:54:48.400 --> 0:54:50.640
<v Speaker 4>so it's the easiest for us to work around other

0:54:50.640 --> 0:54:51.560
<v Speaker 4>people's schedules.

0:54:51.920 --> 0:54:55.400
<v Speaker 5>Yeah, but still pretty cool. Like they gave us big episodes.

0:54:55.440 --> 0:54:57.360
<v Speaker 5>They gave it to Halloween episode, they gave me the

0:54:57.400 --> 0:55:03.320
<v Speaker 5>Thanksgiving episode, like big stuff. Gosh makes me really grateful.

0:55:03.320 --> 0:55:05.239
<v Speaker 5>I hadn't thought about that. Yeah, it's pretty well. Maybe

0:55:05.280 --> 0:55:07.000
<v Speaker 5>I had, I just forgot. But it's pretty cool.

0:55:07.360 --> 0:55:09.560
<v Speaker 4>But it's dawning on you again and it feels nice.

0:55:10.440 --> 0:55:11.840
<v Speaker 5>It's a kind of a great thing about having a

0:55:11.880 --> 0:55:14.279
<v Speaker 5>short term memory is like I remember new things all

0:55:14.320 --> 0:55:16.040
<v Speaker 5>the time, even though I already.

0:55:16.239 --> 0:55:18.879
<v Speaker 6>You're constantly in a sense of awe and wonder.

0:55:19.800 --> 0:55:21.960
<v Speaker 4>Well, it's like a memory pops up like it's like

0:55:22.000 --> 0:55:24.520
<v Speaker 4>someone's blown bubbles by your face and you're like, wait

0:55:24.560 --> 0:55:25.840
<v Speaker 4>a second, I know, Yeah.

0:55:27.000 --> 0:55:31.400
<v Speaker 6>I love it. Honorable mentions do we have them? Oh,

0:55:31.480 --> 0:55:34.240
<v Speaker 6>I've already spoiled the beans on minus Suck It Soup.

0:55:35.239 --> 0:55:41.200
<v Speaker 5>Suck It Soup. That was great. I really want to

0:55:41.200 --> 0:55:44.440
<v Speaker 5>give actually Mike leone to me, Like, I think he

0:55:44.480 --> 0:55:47.520
<v Speaker 5>did such a nice job. He always he always did

0:55:47.520 --> 0:55:49.839
<v Speaker 5>a really good job directing, and he worked so hard

0:55:49.880 --> 0:55:51.840
<v Speaker 5>at it, and I don't think he got enough credit.

0:55:52.200 --> 0:55:55.920
<v Speaker 4>I agree with that. I absolutely agree with that. I'm

0:55:55.920 --> 0:56:00.400
<v Speaker 4>going to give mine to Austin. I think he is

0:56:00.440 --> 0:56:05.799
<v Speaker 4>showing up everything he's doing right now as Julian. He's

0:56:05.840 --> 0:56:10.719
<v Speaker 4>got this like really beautiful, quiet sort of strength, and

0:56:10.920 --> 0:56:15.040
<v Speaker 4>he really glued this whole episode together for me, and

0:56:15.320 --> 0:56:17.440
<v Speaker 4>I think it's a testament to him as an actor

0:56:17.560 --> 0:56:20.600
<v Speaker 4>to be able to do that sort of service and

0:56:20.680 --> 0:56:24.200
<v Speaker 4>be what every single other person you're in with needs.

0:56:24.840 --> 0:56:26.640
<v Speaker 5>Yeah, And I just think.

0:56:26.560 --> 0:56:29.200
<v Speaker 4>He's he's in such a great groove right now and

0:56:29.280 --> 0:56:31.439
<v Speaker 4>I really appreciate what he's doing.

0:56:31.920 --> 0:56:33.040
<v Speaker 5>Love it. I agree.

0:56:33.280 --> 0:56:34.120
<v Speaker 3>We have a good gang.

0:56:34.600 --> 0:56:37.200
<v Speaker 5>Okay, let's spin a wheel joy.

0:56:37.239 --> 0:56:42.239
<v Speaker 6>Can we get that again? With less enthusiasm.

0:56:42.440 --> 0:56:46.879
<v Speaker 5>It's been a well where it is? Oh, come on,

0:56:47.280 --> 0:56:48.800
<v Speaker 5>so many Okay.

0:56:49.080 --> 0:56:53.719
<v Speaker 6>Most likely to cry during a rom com me me

0:56:54.239 --> 0:56:55.319
<v Speaker 6>my knee jerk was joy?

0:56:55.760 --> 0:56:57.560
<v Speaker 5>Really? I mean I cried everything.

0:56:58.000 --> 0:57:00.520
<v Speaker 3>Yeah, I'm a weeper, do too.

0:57:00.600 --> 0:57:01.839
<v Speaker 5>So yeah.

0:57:02.239 --> 0:57:04.200
<v Speaker 3>I think because things.

0:57:04.040 --> 0:57:06.279
<v Speaker 4>Are so busy, it's like, if I'm gonna, really I

0:57:06.280 --> 0:57:08.560
<v Speaker 4>don't know, elevate something, it's usually because it's something that

0:57:08.600 --> 0:57:11.359
<v Speaker 4>I'm fired up about. But then I realize, because most

0:57:11.360 --> 0:57:13.560
<v Speaker 4>people see each other on the Internet that I think

0:57:13.600 --> 0:57:16.400
<v Speaker 4>everyone thinks I'm like fired up all the time. And

0:57:16.440 --> 0:57:19.560
<v Speaker 4>mostly I'm just emotional and reading. And then I get

0:57:19.560 --> 0:57:21.520
<v Speaker 4>mad about something and I'm like everyone should know about this,

0:57:21.520 --> 0:57:23.720
<v Speaker 4>this is really important. And then people hang out with

0:57:23.760 --> 0:57:26.280
<v Speaker 4>me and they're like, wow, you're really like sensitive and

0:57:26.320 --> 0:57:28.760
<v Speaker 4>also kind of nerdy and you make weird jokes and

0:57:28.800 --> 0:57:32.360
<v Speaker 4>I'm like does that not translate? So yeah, I'm definitely

0:57:32.400 --> 0:57:33.240
<v Speaker 4>a rom com cryer.

0:57:33.440 --> 0:57:37.080
<v Speaker 6>All you do is read, eat sandwiches and cry. I

0:57:37.120 --> 0:57:40.120
<v Speaker 6>thought you'd be different. You know who also would cry

0:57:40.760 --> 0:57:45.120
<v Speaker 6>to spill the beans listen closet case rom com crer

0:57:45.560 --> 0:57:52.160
<v Speaker 6>you James Lafferty, Oh wow, no way O a weeper?

0:57:52.640 --> 0:57:53.760
<v Speaker 6>Such a softie?

0:57:54.680 --> 0:57:57.120
<v Speaker 5>Ah he's so stoic that surprises me.

0:57:57.480 --> 0:57:59.800
<v Speaker 6>Wow, he can't watch How to Lose a Guy In

0:57:59.800 --> 0:58:02.440
<v Speaker 6>two I'll burning through a whole box of Kleenex.

0:58:03.680 --> 0:58:05.919
<v Speaker 4>I like when the boys know things about each other

0:58:05.960 --> 0:58:06.600
<v Speaker 4>that we don't.

0:58:06.720 --> 0:58:10.520
<v Speaker 5>I need verification on this. Yeah, character, character, it's going

0:58:10.560 --> 0:58:12.840
<v Speaker 5>to be skills right because of the notebook.

0:58:13.520 --> 0:58:15.600
<v Speaker 4>Isn't that the whole thing?

0:58:15.640 --> 0:58:18.400
<v Speaker 3>That was the whole thing that he's a scribing softy? Yeah,

0:58:18.480 --> 0:58:19.560
<v Speaker 3>well that's funny.

0:58:19.880 --> 0:58:21.040
<v Speaker 5>Yeah, so skills.

0:58:21.320 --> 0:58:22.040
<v Speaker 6>This was fun.

0:58:22.480 --> 0:58:23.360
<v Speaker 5>This was fun.

0:58:23.680 --> 0:58:25.040
<v Speaker 3>What do we have next week? Joy?

0:58:25.600 --> 0:58:29.920
<v Speaker 5>Season eight, Episode nine between Raising Hell and Amazing Grace?

0:58:30.480 --> 0:58:34.360
<v Speaker 5>Oh okay, a nice place to be. All right, we'll

0:58:34.360 --> 0:58:37.160
<v Speaker 5>see you then, Matt, Hey, thanks for listening.

0:58:37.280 --> 0:58:39.520
<v Speaker 4>Don't forget to leave us a review. You can also

0:58:39.560 --> 0:58:42.600
<v Speaker 4>follow us on Instagram at Drama Queen's ot.

0:58:42.680 --> 0:58:47.320
<v Speaker 3>H or email us at Drama Queens at iHeartRadio dot com.

0:58:47.640 --> 0:58:48.640
<v Speaker 5>See you next time.

0:58:49.880 --> 0:58:53.280
<v Speaker 2>We all about that high school drama, Girl Drama, Girl

0:58:53.320 --> 0:58:56.440
<v Speaker 2>all about them high school queens. We'll take you for

0:58:56.560 --> 0:58:59.680
<v Speaker 2>a ride at our comic girl sharing for the right

0:59:00.120 --> 0:59:02.960
<v Speaker 2>drama Queens dramaise my girl off girl.

0:59:02.800 --> 0:59:04.120
<v Speaker 3>Fashion with your tough girl.

0:59:04.200 --> 0:59:07.200
<v Speaker 1>You could sit with us Girl Drama Queens drama, queise drama,

0:59:07.320 --> 0:59:10.959
<v Speaker 1>Queens drama drama, Queens drama, Queens