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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, Girl Drama, Girl,

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Speaker 2: all about them high school queens. We'll take you for

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Speaker 2: a ride, and our comic girl sharing for the right

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Speaker 2: team Drama, Queens of Girl Fashion.

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Speaker 3: But you'll tough, girl.

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Speaker 4: You could sit with.

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Speaker 1: Us, Girl Drama, Queens Drama, Queens Drama, Queens Drama, Drawn

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Speaker 1: the Queens Drama Queens.

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Speaker 5: Hi, everybody, Hi, I'm so sorry we weren't able to

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Speaker 5: be there last week.

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Speaker 6: Rob, how to go? It was a disaster too, aren't here?

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Speaker 6: The wheels come right off the wagon.

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Speaker 3: It was your first time hosting. I meant to text

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Speaker 3: you too.

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Speaker 5: I kept like thinking of it in moments when I

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Speaker 5: was like driving or brushing my teeth or like the

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Speaker 5: wrong moments, I was like, I need to text Rob.

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Speaker 5: I gotta find out how it went. How did he

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Speaker 5: feel about hosting the episode? You know, it's kind of

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Speaker 5: a big deal, Like totally it fell apart what.

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Speaker 6: There was a fair amount of nervous crying at the

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Speaker 6: beginning on Life Gorgeous. Luckily, Lee and Antoine are just

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Speaker 6: such great guys and such natural performers that they really

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Speaker 6: helped carry me. And I think at the end of

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Speaker 6: the day, we got something that is going to be usable.

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Speaker 5: Amazing.

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Speaker 4: I love that for you, though, I gotta be honest,

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Speaker 4: I was feeling the exact same way.

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Speaker 6: Joy.

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Speaker 4: I was just thinking to myself, of course, because we

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Speaker 4: have similar brains at like twelve thirty at night or

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Speaker 4: like six forty five in the morning, when Rob's on

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Speaker 4: the West Coast and it's a deeply inappropriate time to

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Speaker 4: text him, I wanted to ask.

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Speaker 3: All these questions.

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Speaker 4: And I also felt myself, like back in my younger self, going, well,

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Speaker 4: I'm sad I didn't get to hang out with the boys.

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Speaker 4: I wonder what they talked about. I wonder if they

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Speaker 4: had a good time, Like I was. I was amped

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Speaker 4: that you guys basically had a treehouse experience episode. And

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Speaker 4: also my little like younger self ego was wounded that

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Speaker 4: the girls didn't get to come and play, especially.

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Speaker 5: After watching that episode because it was just so fun.

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Speaker 6: Well, that's why it was perfect, right, and that was

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Speaker 6: sort of how I let in. I'm like, we're it's

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Speaker 6: it's kind of funny because it's like our parents, like

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Speaker 6: the parents are away and it's just like a boy's

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Speaker 6: night in and like but it's the perfect episode for

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Speaker 6: that because that's essentially what we do there as well.

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Speaker 6: Yeah and no, it was great. We had a lot

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Speaker 6: of fun, managed to keep things on track because with

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Speaker 6: those two guys, it's like my brain wants to go

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Speaker 6: in a million different directions conversationally. But it was great,

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Speaker 6: and now it is awesome to have you back. I

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Speaker 6: feel like before we even get into atoh eight, we

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Speaker 6: do need to touch upon the greatness that was both

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Speaker 6: of your performances in eight oh seven because you two

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Speaker 6: so if you and Sharon at the at the Bride

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Speaker 6: Expo is just like the episode. And of course it

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Speaker 6: was like a heroin Strauss episode. So the episode was

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Speaker 6: just rife with killer one liners. Yes, with the with

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Speaker 6: the gist of them being between you and Sharon, and

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Speaker 6: then when Joy pops in and Joy your stuff was

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Speaker 6: so funny, like you trying in Earnest to show up

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Speaker 6: as a friend, Hayley's trying to show up in Earnest

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Speaker 6: as a friend for Brooke but because of what's happening

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Speaker 6: hormonally with the pregnancy constantly undermining her at every turn,

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Speaker 6: and just the comedy playing between you guys.

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Speaker 1: Was so good.

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Speaker 4: I will say I think that's one of my top

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Speaker 4: five episodes we've ever done. I had the best time

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Speaker 4: with you and Sharon and that little storyline, and especially

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Speaker 4: it was a fun day.

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Speaker 5: I remember that.

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Speaker 4: It was so fun and everyone, I mean, the wardrobe

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Speaker 4: was amazing, the set was amazing, Like I remember walking

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Speaker 4: in there and thinking, Oh, this is going to be good.

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Speaker 4: And especially because we are and I think really beautifully

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Speaker 4: in this arc for everyone this season where people are

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Speaker 4: really trying to figure out life, they're figuring out their emotions,

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Speaker 4: they're figuring out things that require the maturity. Our characters

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Speaker 4: have earned emotional intelligence. So to have just an all

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Speaker 4: out comedic fun fest, yeah, it was relieving for me

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Speaker 4: as an actor.

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Speaker 3: And like you and I are goofy.

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Speaker 4: We like to be funny and it was nice to

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Speaker 4: get to show that and to do it with Sharon.

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Speaker 5: Come on, she's such a genius everything she does. I mean,

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Speaker 5: I tell you she always I said this already, she

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Speaker 5: floats through every room she's in. But the way she

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Speaker 5: played this character. And also I had totally forgotten that

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Speaker 5: she was had this drinking issue, and so as I

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Speaker 5: didn't realize that she was getting progressively more and more

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Speaker 5: like silly and loopy. I guess I thought she was

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Speaker 5: just being a little more happy or pushy or just

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Speaker 5: but it felt so jovial that you couldn't help, And

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Speaker 5: I think Hayley couldn't help but just fall in line

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Speaker 5: and fall in love with her. And so when you

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Speaker 5: find her collapsed in the hallway, it's like this, The

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Speaker 5: turn was so great because I hadn't spotted it. But

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Speaker 5: if you go back and watch, you can see Sharon's

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Speaker 5: deliberate choices to progress.

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Speaker 3: It's like the sixth sense.

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Speaker 4: You don't see it coming, and then once you know

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Speaker 4: the secret, you realize you saw it the whole time. Yeah,

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Speaker 4: it's the best kind of misdirect I think writers can do.

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Speaker 4: And to your point, Rob heroin Stress are just such

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Speaker 4: a good writing team, and they I think they just

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Speaker 4: crush it from the funny to the emotional.

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Speaker 6: Really, there was a line where it's when you're looking

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Speaker 6: at bridesmaid's dresses and she goes, how about these? And

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Speaker 6: you said, actually, I was thinking about I was planning

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Speaker 6: on designing them myself, you know, something cute And she says,

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Speaker 6: oh no, honey, the whole point is for your bridesmaids

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Speaker 6: to look ugly so you look pretty. And I love

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Speaker 6: that because it was perfect, right, it's there. It is

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Speaker 6: the leanest joke in that there is like, there's nothing

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Speaker 6: extra on it, because first of all, that's accurate. Why

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Speaker 6: are bride'smaid's dress is always hideous? But it's a perfectly

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Speaker 6: backhanded like, yeah, dear you them to look bad so

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Speaker 6: you can look good.

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Speaker 5: It's just so rude, so free.

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Speaker 4: Yeah, because God forbid another woman look beautiful then you don't.

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Speaker 4: It's such an antiquated way of thinking. And it's perfect

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Speaker 4: for a mother in law, particularly for Brooks mother in law,

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Speaker 4: because Brook's entire business is literally based on making other

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Speaker 4: women feel beautiful.

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Speaker 5: Yeah, just so tone deaf. She just shows up so

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Speaker 5: tone deaf.

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Speaker 4: It's so good though, because it's it's such a perfect

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Speaker 4: illustration of how these two do not speak the same language,

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Speaker 4: they do not come from the same era, and it's

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Speaker 4: you know, perfect.

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Speaker 5: I also really like the Sharon didn't make choices to

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Speaker 5: be aggressively pushy, that the pushiness just came out of

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Speaker 5: the flow of her. It's it's the uh, what's her

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Speaker 5: characters name, wait, Sylvia, Sylvia Right, It's like it's the

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Speaker 5: it's the Sylvia Show. It's always been the Sylvia Show

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Speaker 5: in her mind, and everywhere she goes it's just she

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Speaker 5: just floats around. Oh no, no, no, oh, yes, yes, yes, oh,

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Speaker 5: this is what we need to do. Oh that's what

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Speaker 5: It's just so endearing. You love it, but she also

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Speaker 5: hate it.

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Speaker 4: Yeah.

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Speaker 6: Well that's the thing, right. She does the thing that

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Speaker 6: good actors do, which is she makes it hard to

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Speaker 6: just make a snap judgment on like who she is, right,

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Speaker 6: because she's doing things that aren't cool, but she's coming

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Speaker 6: from kind of a good place, Like I think the

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Speaker 6: characters the best of the ones where like the water

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Speaker 6: is muddied and it's not easy to go like they're

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Speaker 6: great where they say. It's sort of like, man, she's

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Speaker 6: kind of being a mom zilla, but she's also offering

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Speaker 6: to pay for it, you know. It's like, ah, it's okay,

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Speaker 6: so I wanted to ask you.

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Speaker 2: Though.

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Speaker 6: At the end of the episode, obviously she gets canned.

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Speaker 6: You have to help her get home. She passes out

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Speaker 6: with all of her jewelry on Brave and at the

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Speaker 6: end of it she says, hey, don't mention this to

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Speaker 6: Julian and he worries about me, which also help tie

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Speaker 6: back to last season when he was like, my mom

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Speaker 6: was in a bad way, and we had a conversation

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Speaker 6: about how it was like, this woman seems very put together.

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Speaker 6: It doesn't make sense now we're getting a glimpse. But

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Speaker 6: if you were in Brooks shoes and your mother in

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Speaker 6: law did that and asked that of you, would you

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Speaker 6: keep her secret or would you share with your partner?

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Speaker 5: It depends on how often it happens. I think the

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Speaker 5: first time, I might not say anything. If it became

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Speaker 5: a pattern that I was noticing, then I would I

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Speaker 5: would bring it up.

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Speaker 3: Yeah.

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Speaker 4: God, that puts people in such a rock and a

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Speaker 4: hard place. In between, such a rock and a hard place,

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Speaker 4: because you never want to keep something from your partner.

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Speaker 4: But to your point, especially when you don't know someone,

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Speaker 4: I could see if that was a real situation, you know,

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Speaker 4: putting myself back in the shoes of that character, thinking well,

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Speaker 4: maybe she just got a little carried away. Today, you know,

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Speaker 4: plenty of people do that, and you know, sometimes somebody

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Speaker 4: drinks too much, and it's sort of the lore right

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Speaker 4: of even like a rehearsal dinner at a wedding, you know,

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Speaker 4: half the people there get shit canned and then they're

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Speaker 4: hung over the day of the wedding, Like, how many

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Speaker 4: times have we heard that story? So I feel like

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Speaker 4: you could rationalize it to yourself in a way, and

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Speaker 4: especially because they're having a hard time, I could see

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Speaker 4: wanting to ingratiate yourself and not make it worse, not

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Speaker 4: make your mother in law hate you. But on the

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Speaker 4: flip side, it would make me feel so icky to

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Speaker 4: keep a secret. So I feel like, especially at this point,

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Speaker 4: thinking about how young our characters were being in our

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Speaker 4: mid twenties, now different story, I think we've all gotten

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Speaker 4: to the point where you're like, look, you just got

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Speaker 4: to figure it out, be frank, deal with you. But

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Speaker 4: then I might have been like, wow, we had such

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Speaker 4: a good time, and they definitely gave your mom a

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Speaker 4: lot of champagne, but you know, obviously because she said

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Speaker 4: you'd pay for everything. Like I feel like I would

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Speaker 4: have tried to make it not her fault but alluded

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Speaker 4: to the fact that she wound up drunk.

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Speaker 5: You would have been passive aggressive.

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Speaker 4: So what you're saying, No, I think I would have

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Speaker 4: tried to do you think that's passive aggressive?

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Speaker 3: Oh my god, I think that's so protective.

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Speaker 6: Well, no, it's not aggressive, but it is.

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Speaker 5: It is like, Okay, maybe I don't know the definition

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Speaker 5: of passive aggressive. I thought it was that you're saying

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Speaker 5: something directly, but you're not being directive about it. You're

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Speaker 5: being passive about being saying something that is.

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Speaker 3: V But that's when you're mad at someone.

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Speaker 6: Wouldn't it be passive gossiping?

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Speaker 1: Then?

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Speaker 3: Yeah?

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Speaker 4: The way I look at it is more like I

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Speaker 4: don't want to rat on her, and she's asked me

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Speaker 4: not to say something, but I don't want to lie

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Speaker 4: to Julian, So I think I would have said something

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Speaker 4: in between, like they really gave you so much champagne yesterday?

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Speaker 5: Like whoa hinting?

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Speaker 4: You know? But I would have told him a little,

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Speaker 4: but not said I had to carry her home put

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Speaker 4: her in bed and then she told me not to

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Speaker 4: tell you, you know again, in my forties, I would

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Speaker 4: have a very different conversation.

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Speaker 5: Because it's your partner.

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Speaker 3: Though, yeah, it's your.

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Speaker 4: Partner, but you're also twenty and it's his mom, and

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Speaker 4: I don't I see, I see how.

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Speaker 6: Tough that is, but I hear it, like I hear

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Speaker 6: what you're saying, lout joy because I would like listen

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Speaker 6: It's not like she went to Applebee's on a Tuesday

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Speaker 6: afternoon by yourself and got you canned. Right, that would

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Speaker 6: be like, oh, oh, okay, you're right.

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Speaker 5: Yah, that's a conversation.

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Speaker 6: It is a highly atypical environment that is va tailored

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Speaker 6: to like let's get a little boozy and have fun.

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Speaker 5: Yeah. And I'm a watcher, like I if I notice behavior,

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Speaker 5: I don't I hold onto it. I'll put it in

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Speaker 5: my filing cabinet. But I don't do anything about it

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Speaker 5: until I see it becoming a pattern, and then I

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Speaker 5: become aware.

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Speaker 4: Well, yeah, because you have to make sure you're not

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Speaker 4: filling in a story, yeah, based on a moment, because

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Speaker 4: of any subconscious or preconceived notion you have. So you

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Speaker 4: have to make sure you're not filling in the blanks incorrectly.

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Speaker 6: Yeah.

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Speaker 5: And an environment like that, like you're talking about rob

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Speaker 5: when it's all catered to that.

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Speaker 4: Yeah, Like of course they're giving the mother of the

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Speaker 4: bride or the mother in law a ton of champagne

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Speaker 4: at a wedding expo.

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Speaker 3: So I see how.

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Speaker 4: And again, hats off to Heroin Strauss because they made

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Speaker 4: it sticky for Brooke. And when I think about the

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Speaker 4: life experience. We're all bringing to this conversation about what

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Speaker 4: would we do. Imagine trying to figure this out at

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Speaker 4: twenty two or twenty three years old, like nightmare.

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Speaker 6: Yeah, what would you do Rob today or then? I

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Speaker 6: mean in my twenties, I would have kept the secret

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Speaker 6: because I just wouldn't want to rock a boat. Yeah,

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Speaker 6: I kind of It's funny cause when you answered Joy,

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Speaker 6: I went, yeah, that's what I would do. I would

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Speaker 6: gather with some more data. But then when so I

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Speaker 6: was talking, I kind of agreed to it because it's like,

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Speaker 6: so if your answer was sort of the like halfway

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Speaker 6: between keeping the secret and gathering data, where it's like

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Speaker 6: I'm going to I'm going to tell you some of

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Speaker 6: the information without like laying it on super thick and worrisome,

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Speaker 6: you know, because I think now it's like it's my partner.

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Speaker 6: I'm not going to that's that's my primary I'm not

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Speaker 6: keeping secrets, Yeah, because I think that's how I would

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Speaker 6: let myself off the hook, is just go like nope,

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Speaker 6: you know, this is the dieout. Everything else comes second.

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Speaker 6: So I'm just gonna go ahead and share that because

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Speaker 6: I suck with secrets. Also, I'm a terrible Secret Surprise Keeper,

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Speaker 6: Me too, Surprise Keeper. Yeah, so can I ask.

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Speaker 4: You a question? Okay before we move on. This will

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Speaker 4: be the bridge between the episodes. I panic when I

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Speaker 4: have to, for example, like you just said help with

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Speaker 4: some sort of surprise, and people are like, you're an actor,

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Speaker 4: You're supposed to be good at this. And the thing

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Speaker 4: that always comes to mind for me is, no, you're

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Speaker 4: missing the point. Other people write the dialogue. We memorize.

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Speaker 4: That's what we're good at. We make the dialogue true.

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Speaker 3: When you ask me to come up with the fib

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Speaker 3: to do the thing, I'm not a writer. I don't

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Speaker 3: want to do it. I'm bad at it.

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Speaker 4: I start to get weird. I start to panic. People

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Speaker 4: are like, why is your voice going.

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Speaker 3: Up and octave. I'm like, I don't know what are

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Speaker 3: you talking about. I am the worst at that.

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Speaker 4: Okay, onto episode eight, Take us Away, Rob, Here we Go.

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Speaker 6: Season eight, Episode eight, Mouthful of Diamonds Air date November ninth,

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Speaker 6: twenty ten. Nathan's career as an agent takes a big

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Speaker 6: step forward when he visits Atlanta. While Haley consoles Jamie

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Speaker 6: regarding his new braces, the drama between Brooke and Sylvia

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Speaker 6: finally comes to a head, Oh boy does it, and

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Speaker 6: Chase makes a decision regarding Mia and Alex does He

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Speaker 6: directed by all love this man, Mike Leone, and it

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Speaker 6: was written It was.

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Speaker 4: For our lovely friends and listeners at home. Mike Leone,

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Speaker 4: you've heard us talk about before. Our script supervisor on

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Speaker 4: our show, the person who literally keeps every single note

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Speaker 4: and beat and moment organized in the entire script in

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Speaker 4: every episode, sits right next to the director. I think

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Speaker 4: there's probably nobody who knew our show better. I agree

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Speaker 4: with that, and God, he directed the heck out of

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Speaker 4: this episode.

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Speaker 3: I just loved it.

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Speaker 6: Also, hats off to Mike Cleon. I've told the story

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Speaker 6: on the podcast, but he The best burn I've ever

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Speaker 6: received on a set was courtesy of Mike Leon while

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Speaker 6: shooting our show one day. I was normally very good

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Speaker 6: about my lines, but I just I went up on

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Speaker 6: a line. I was like, what's that line, Mike, You'll

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Speaker 6: scream me across set because he's far away, and he

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Speaker 6: shouts it back to me. I go thanks, and then

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Speaker 6: he just goes, it's a good script, you should read it.

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Speaker 6: That's right, And I just died so to this day.

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Speaker 6: I still repeat that to people when they ask for

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Speaker 6: a line. You got me, Mike.

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Speaker 4: Just the funniest, sweetest man, Mike Leon.

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Speaker 5: He really was such a sweetheart, so so generous.

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Speaker 6: This episode had so much funny and good in it.

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Speaker 6: I loved The opening scene was so sad and funny

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Speaker 6: to me. It's when Brooke is signing away all of

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Speaker 6: her assets and she's liquidating everything she's signed all over

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Speaker 6: clothes for bros. Close overbros. Excuse me. And at the

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Speaker 6: end of it, when she's kind of just sitting there

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Speaker 6: shell shocked, there's like a pause and the lawyer goes,

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Speaker 6: could I have the pen back?

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Speaker 5: Yeah?

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Speaker 6: I noticed that too, wrong, Like they even stripped her

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Speaker 6: of the ballpoint pen.

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Speaker 3: Couldn't just be like keep the pen just you know,

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Speaker 3: it's fine?

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Speaker 5: So good? Yeah. The look on your face too, like

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Speaker 5: sure you can take this? Yeah great all her pen?

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Speaker 6: Even this, speaking of looks on face is joy You

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Speaker 6: pull off an eye patch quite well?

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Speaker 3: Oh, thank you a much.

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Speaker 5: Shoting consider it for my next look. Yeah, that was fun.

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Speaker 5: I remembered that. Isn't that funny? All the random things

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Speaker 5: that we remember. There's so many scenes we shoot that

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Speaker 5: I'm just like I have no recollection of being in

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Speaker 5: that location or anything, and that one I really remember

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Speaker 5: wearing an eye patch.

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Speaker 6: You. I was very appreciative of your performance because you

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Speaker 6: you always do this and I always say that, but

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Speaker 6: you fully committed to the lame parent jokes. Yes see,

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Speaker 6: there's a later scene in which you're wearing the wonky

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Speaker 6: glasses and the messed up teeth and I and it

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Speaker 6: even because what struck me was you're funny in the

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Speaker 6: whole scene. But the scene ends Jamie leaves the room, yes,

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Speaker 6: and you just you just create this additional moment where

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Speaker 6: you kind of turn back to camera because it's sort

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Speaker 6: of like over your shoulder ish and you sort of

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Speaker 6: like like do something with your mouth and you look around.

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Speaker 6: It clearly wasn't scripted. I was like, look at her

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Speaker 6: just leaning into the absurdity, Like there's no vanity in comedy,

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Speaker 6: and you were hilarious because you looked for none.

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Speaker 4: What I loved about that beat too, is that what

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Speaker 4: it told me as an audience member was that Haley

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Speaker 4: was having a good time. Yeah, you know, not just

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Speaker 4: for Jamie's sake, by the way that you were enjoying yourself.

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Speaker 4: You were having a silly day with your kid, and

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Speaker 4: it it took the what Rob's talking about the nature

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Speaker 4: of like you know what we call dad jokes. It

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Speaker 4: took the dad joke a step farther and it made

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Speaker 4: it yours. And I was like, yes, that's so nice,

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Speaker 4: that's so cool.

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Speaker 5: I think I've discovered it, which is funny. You know,

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Speaker 5: I wasn't a parent then, but I was actually pregnant,

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Speaker 5: so I was going to be. But now that I

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Speaker 5: am one, I think I've one of the secrets to

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Speaker 5: parenting is that Rob really genuinely enjoying yourself. Like all

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Speaker 5: the things that we do to entertain our kids, it

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Speaker 5: just you know, you can go through the motions, but

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Speaker 5: if you can't find a way to make old McDonald

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Speaker 5: has a farm like actually fun for yourself, like.

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Speaker 6: You're going to be bored.

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Speaker 5: Like that's part of enjoying parenthood is do you know,

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Speaker 5: how do you sing Twinkle Twinkled Little Star in four

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Speaker 5: different languages? Or like teach your kids a sign language

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Speaker 5: or whatever it is. It's like something you can get

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Speaker 5: out of it too.

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Speaker 6: Yea of my day is doing voices and stupid bits. Yeah,

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Speaker 6: and if and so, like we ran into this problem

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Speaker 6: a lot when we were trying to find a nanny.

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Speaker 5: No one knows how talented you are except your kids

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Speaker 5: and your wife, right, like, because it's amazing the kind

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Speaker 5: of talent that really comes out when you're.

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Speaker 6: With your kids, because it's a terrific mix of desperation,

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Speaker 6: exhaustion and a spark of talent. And but truly, like

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Speaker 6: the key is like to just not care, to not

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Speaker 6: care about how you look, to let it all go right.

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Speaker 6: And we ran into this issue when we were like

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Speaker 6: trying to see if we could find a nanny up here.

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Speaker 6: We found people who were great at like looking after

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Speaker 6: a kid and sort of doing play. But when it

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Speaker 6: came time to do a voice or be out and

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Speaker 6: out silly not in their wheelhouse, and boy, that shuts

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Speaker 6: things down so fast. We had to start saying, like, hey,

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Speaker 6: silliness is our brand here. If you're not comfortable doing

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Speaker 6: voices and outrageous like silly bits, like, it's not going

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Speaker 6: to be a good fit. Because like, you're right, that's

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Speaker 6: the key. It's like enjoying and just not caring how

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Speaker 6: dumb you look.

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Speaker 4: Yeah, and that's part of it, I think, like you're saying,

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Speaker 4: when you get to the eighteenth repetition of something or

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Speaker 4: the one hundred and fortieth repetition of whatever song Twinkle tonkle,

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Speaker 4: It's like you're so desperate for the laugh that every

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Speaker 4: parameter goes out the window. And isn't that really just

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Speaker 4: what great improv is?

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Speaker 5: Yes, Yes, that's what acting is. I mean, you just

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Speaker 5: gotta push all the boundaries.

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Speaker 3: You're like, I'll give you anything you want. You want

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Speaker 3: me to do it in a headstand?

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Speaker 5: Fine?

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Speaker 6: Yeah, truly were those braces actually Jackson's real braces?

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Speaker 3: Yeah, he got right.

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Speaker 6: I became a storyline. I thought, that's it.

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Speaker 5: That's his little head gear. So funny.

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Speaker 6: And how how far along in your pregnancy do you

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Speaker 6: recall around this time?

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Speaker 5: I looked like I was five or six months along.

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Speaker 5: I mean I was, I looked big.

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Speaker 6: You're not like big big, but you you can tell

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Speaker 6: you are. You are starting to grow a human being.

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Speaker 5: I actually wonder if I was wearing a pad at

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Speaker 5: any point, because my on screen pregnancy was ahead of

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Speaker 5: my personal pregnancy, so it's possible I was wearing Yeah, I.

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Speaker 4: Because I'm remembering at the end of the season, we

437
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Speaker 4: had to obviously get you out, so you didn't come

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Speaker 4: to Puerto Rico. Yeah, and then I remember, which sucked.

439
00:21:24,720 --> 00:21:26,560
Speaker 4: Oh my god, I've never felt worse. I was like, oh,

440
00:21:26,560 --> 00:21:28,080
Speaker 4: I guess we're all going to the beach and you're

441
00:21:28,119 --> 00:21:30,840
Speaker 4: not coming. But do we send you photos and say

442
00:21:30,840 --> 00:21:33,000
Speaker 4: wish you were here? Or does that make it worse?

443
00:21:33,040 --> 00:21:37,119
Speaker 4: Like what do we do? But I remember how weird

444
00:21:37,200 --> 00:21:40,440
Speaker 4: it was. I don't know if this helps the timeline.

445
00:21:40,480 --> 00:21:42,639
Speaker 4: This is episode eight. I remember how weird it was

446
00:21:42,680 --> 00:21:46,480
Speaker 4: when you had to come back and do the episode

447
00:21:46,480 --> 00:21:49,520
Speaker 4: where Haley has lydia, because you were like, I just

448
00:21:49,640 --> 00:21:54,639
Speaker 4: did this. This is to this is like way too remember,

449
00:21:54,640 --> 00:21:56,640
Speaker 4: because we talked about I sat in the hospital room

450
00:21:56,680 --> 00:21:58,159
Speaker 4: with you and you were like, I don't know how

451
00:21:58,200 --> 00:21:59,760
Speaker 4: I'm going to tell them that I don't want to

452
00:21:59,760 --> 00:22:01,720
Speaker 4: do this scene where I give birth on camera. I

453
00:22:01,760 --> 00:22:03,919
Speaker 4: don't want to do it. And we were like, just

454
00:22:03,920 --> 00:22:05,600
Speaker 4: tell them, just say no.

455
00:22:05,760 --> 00:22:07,960
Speaker 5: I think I was nervous about it because I don't

456
00:22:08,000 --> 00:22:10,920
Speaker 5: remember I was going to try, like I really would,

457
00:22:11,040 --> 00:22:11,199
Speaker 5: you know.

458
00:22:11,240 --> 00:22:13,359
Speaker 3: I mean, it's work, I know, but it was weird.

459
00:22:13,400 --> 00:22:14,480
Speaker 3: It was too personal.

460
00:22:15,040 --> 00:22:18,119
Speaker 5: Yeah, that's right when we and yeah.

461
00:22:17,520 --> 00:22:20,320
Speaker 4: Whenever that happens, you had already had the baby a

462
00:22:20,320 --> 00:22:22,200
Speaker 4: few weeks before then three.

463
00:22:22,119 --> 00:22:22,720
Speaker 3: Or four weeks.

464
00:22:22,840 --> 00:22:24,520
Speaker 5: No, it was the other way around. When we got

465
00:22:24,560 --> 00:22:27,160
Speaker 5: to this, I didn't I didn't want to go through

466
00:22:27,160 --> 00:22:31,440
Speaker 5: a fake labor with people that I loved around me,

467
00:22:31,760 --> 00:22:35,879
Speaker 5: oh and have it like like I didn't want to

468
00:22:35,920 --> 00:22:39,400
Speaker 5: experience my first labor that I was going to experience

469
00:22:39,400 --> 00:22:42,159
Speaker 5: in like four weeks or whatever.

470
00:22:42,600 --> 00:22:44,119
Speaker 3: It reversed in my timeline.

471
00:22:44,280 --> 00:22:46,600
Speaker 5: Yeah, whoa, that's what it was. I was time. We

472
00:22:46,600 --> 00:22:49,159
Speaker 5: were talking uncomfortable with this. I don't know, I don't know,

473
00:22:49,200 --> 00:22:51,560
Speaker 5: and then we got there and I I felt like

474
00:22:51,600 --> 00:22:53,800
Speaker 5: I was hyperventilating and it was a I was I

475
00:22:53,800 --> 00:22:56,040
Speaker 5: thought I was having like a mental breakdowns, like this

476
00:22:56,119 --> 00:22:58,040
Speaker 5: is the thing with my real life, Like I'm trying

477
00:22:58,040 --> 00:23:00,360
Speaker 5: to have a baby for the first time ever, and

478
00:23:01,119 --> 00:23:03,040
Speaker 5: now I have to do a fake labor that it's

479
00:23:03,119 --> 00:23:05,199
Speaker 5: not real, but like Sophia's going to come visit my

480
00:23:05,280 --> 00:23:07,320
Speaker 5: actual baby in the hospital, but now she's here in

481
00:23:07,359 --> 00:23:11,159
Speaker 5: the fake hospital. Like I'm this is real life intersecting

482
00:23:11,200 --> 00:23:13,960
Speaker 5: with fantasy in a way that I can't make sense of.

483
00:23:14,000 --> 00:23:15,760
Speaker 6: I got to go. So what ended up happening.

484
00:23:15,960 --> 00:23:19,560
Speaker 5: I pulled Greg Aside, our executive producer, and just started

485
00:23:19,600 --> 00:23:24,520
Speaker 5: like weeping and told him like, please, this is really

486
00:23:24,600 --> 00:23:28,080
Speaker 5: hurting me. Can we can we do this later? Can

487
00:23:28,160 --> 00:23:31,200
Speaker 5: we can we film this later? And I've never done

488
00:23:31,240 --> 00:23:34,800
Speaker 5: that on the whole show. I'd never asked for a

489
00:23:34,880 --> 00:23:36,680
Speaker 5: request to like I mean, I told you his story

490
00:23:36,680 --> 00:23:39,080
Speaker 5: about Atlanta, Like I went to Great Links, you know,

491
00:23:39,320 --> 00:23:42,399
Speaker 5: driving thirteen hours, like great lengths to make sure I

492
00:23:42,440 --> 00:23:44,359
Speaker 5: was at work and got my work done. So this

493
00:23:44,560 --> 00:23:46,760
Speaker 5: was it was an exception, but I'm really glad they did.

494
00:23:46,800 --> 00:23:48,639
Speaker 5: Greg said no, Brad, let's shut it down. Moved on

495
00:23:48,680 --> 00:23:50,600
Speaker 5: to the next scene, and they pulled it up a

496
00:23:50,680 --> 00:23:52,600
Speaker 5: few weeks later after I'd had my birth.

497
00:23:53,040 --> 00:23:53,480
Speaker 6: That's great.

498
00:23:53,560 --> 00:23:54,399
Speaker 3: So that's what it was.

499
00:23:54,440 --> 00:23:58,600
Speaker 4: We were in the hospital and then I'm combining two

500
00:23:58,680 --> 00:24:01,479
Speaker 4: days we were in the h hospital before and then

501
00:24:01,520 --> 00:24:05,040
Speaker 4: when we finally came back that they brought the whole

502
00:24:05,080 --> 00:24:05,800
Speaker 4: scene back up.

503
00:24:06,040 --> 00:24:08,560
Speaker 5: Yes, they brought it back up. And that day was

504
00:24:08,600 --> 00:24:11,760
Speaker 5: hard because we were in that hospital setting where there

505
00:24:11,760 --> 00:24:15,760
Speaker 5: were all those rocks to remember between the trailers. Yes,

506
00:24:16,040 --> 00:24:18,760
Speaker 5: it's a gravel parking lot, but it was it wasn't

507
00:24:18,800 --> 00:24:20,800
Speaker 5: just gravel. It was like no, like this big, big,

508
00:24:21,359 --> 00:24:26,199
Speaker 5: big rocks, so weird. Anyway, I was really having had

509
00:24:26,200 --> 00:24:28,399
Speaker 5: a hard labor and I was having trouble walking and

510
00:24:28,440 --> 00:24:31,119
Speaker 5: I needed them to take me to set in a wheelchair,

511
00:24:31,119 --> 00:24:33,760
Speaker 5: and I felt so ridiculous and like over dramatic, but

512
00:24:33,840 --> 00:24:35,960
Speaker 5: I was like, I this is hard, I need I

513
00:24:36,000 --> 00:24:37,800
Speaker 5: need help. But then they had to wheel me over

514
00:24:37,880 --> 00:24:39,680
Speaker 5: these rocks, which kind of made it worse.

515
00:24:40,200 --> 00:24:40,800
Speaker 4: I was just.

516
00:24:40,760 --> 00:24:46,159
Speaker 5: Like this shit man, it really was.

517
00:24:46,280 --> 00:24:48,960
Speaker 6: Yes. Meanwhile, everyone from a distance is like, look how

518
00:24:49,000 --> 00:24:50,520
Speaker 6: committed Joy is to her character.

519
00:24:50,720 --> 00:24:53,120
Speaker 5: Oh no, I think they were like, look how dramatic

520
00:24:53,200 --> 00:24:53,600
Speaker 5: she is.

521
00:24:54,200 --> 00:24:56,040
Speaker 6: No, I wish they would have just not done that

522
00:24:56,080 --> 00:25:00,960
Speaker 6: scene because I got to say, labor scenes. Yeah, like

523
00:25:01,080 --> 00:25:04,320
Speaker 6: we've all seen him. They all look the same, you know,

524
00:25:04,760 --> 00:25:06,040
Speaker 6: but you're a trooper.

525
00:25:06,400 --> 00:25:07,920
Speaker 5: We'll find out when we get there. I mean we'll

526
00:25:07,920 --> 00:25:12,439
Speaker 5: watch it eventually. Sorry, we're totally off this episode right now. Derailed.

527
00:25:12,600 --> 00:25:15,240
Speaker 3: It is helping us sort of track your timeline.

528
00:25:15,520 --> 00:25:20,120
Speaker 5: Yes, so yeah, how far along I was? But yeah,

529
00:25:20,280 --> 00:25:23,480
Speaker 5: it was really cute seeing Jackson with his braces and everything.

530
00:25:23,480 --> 00:25:24,800
Speaker 5: And I liked the device.

531
00:25:24,880 --> 00:25:25,720
Speaker 3: I really liked.

532
00:25:25,640 --> 00:25:28,160
Speaker 5: The device of Julian going around with his camera and

533
00:25:28,240 --> 00:25:31,359
Speaker 5: finally having it work this time. So I love to

534
00:25:31,400 --> 00:25:33,600
Speaker 5: set up that they presented at the beginning of it

535
00:25:33,680 --> 00:25:38,119
Speaker 5: failing and then previous episodes excuse me, and then bringing

536
00:25:38,160 --> 00:25:40,320
Speaker 5: it up to this point where he's really figured it out.

537
00:25:40,359 --> 00:25:42,840
Speaker 5: I liked watching the artistic process. I like to see

538
00:25:43,000 --> 00:25:46,159
Speaker 5: people open up and be honest. It was great, It

539
00:25:46,280 --> 00:25:46,880
Speaker 5: really was.

540
00:25:46,800 --> 00:25:50,240
Speaker 4: And it was an interesting way to just get a

541
00:25:50,320 --> 00:25:53,159
Speaker 4: layer deeper with all these characters that we know. But

542
00:25:53,240 --> 00:25:55,440
Speaker 4: there is something that happens when you're in a first

543
00:25:55,440 --> 00:25:59,400
Speaker 4: person interview like that and let alone with someone you trust,

544
00:26:00,040 --> 00:26:03,399
Speaker 4: and to see how sweet he is with Jamie at

545
00:26:03,400 --> 00:26:07,960
Speaker 4: the top of the episode, it's so disarming that in

546
00:26:08,000 --> 00:26:11,040
Speaker 4: a way, I felt like that disarming nature carried through

547
00:26:11,080 --> 00:26:19,359
Speaker 4: every single interview and particularly seeing Nathan be the sort

548
00:26:19,400 --> 00:26:24,879
Speaker 4: of torch bearer for this group theme of my life

549
00:26:24,920 --> 00:26:27,679
Speaker 4: is changing and I don't really know what comes next.

550
00:26:28,200 --> 00:26:31,199
Speaker 4: I'm trying to figure it out. I'm a I'm in

551
00:26:31,240 --> 00:26:35,760
Speaker 4: a period of transition. Yeah, it was really beautiful.

552
00:26:36,119 --> 00:26:40,000
Speaker 5: I loved Nathan in this episode. Oh so fun to watch.

553
00:26:53,440 --> 00:26:58,280
Speaker 6: You did a great job joy of playing Hayley's I

554
00:26:58,280 --> 00:27:02,920
Speaker 6: feel like discomfort being on camera. Yeah, because the first

555
00:27:02,920 --> 00:27:05,840
Speaker 6: time I was weird. Because it gives it gives strong

556
00:27:06,000 --> 00:27:09,719
Speaker 6: hostage vibes and I was watching it going, why do

557
00:27:09,760 --> 00:27:11,879
Speaker 6: I feel like I'm watching a Ransom video? And they realize,

558
00:27:11,920 --> 00:27:16,160
Speaker 6: oh yeah, Joy's playing it like. Haley is uncomfortable. She's

559
00:27:16,200 --> 00:27:17,840
Speaker 6: not natural in front of the camera. You know, she

560
00:27:17,960 --> 00:27:19,639
Speaker 6: used to be on a stage, not sitting directly in

561
00:27:19,640 --> 00:27:21,200
Speaker 6: front of a of a lens. And it's funny because

562
00:27:21,200 --> 00:27:23,040
Speaker 6: if you go back and watch it, it looks like

563
00:27:23,040 --> 00:27:25,639
Speaker 6: you're being coerced to say everything you're saying, because especially

564
00:27:25,640 --> 00:27:27,760
Speaker 6: because you're like, I'm I like parenting, I'm a I'm

565
00:27:27,800 --> 00:27:28,359
Speaker 6: a good parent.

566
00:27:28,440 --> 00:27:30,320
Speaker 3: It's fine, Yeah, I'm a good mom.

567
00:27:30,920 --> 00:27:31,240
Speaker 6: Yeah.

568
00:27:31,320 --> 00:27:32,800
Speaker 5: Yeah, that was definitely a choice.

569
00:27:33,080 --> 00:27:35,200
Speaker 4: It was fun and what I like about it too

570
00:27:35,480 --> 00:27:38,720
Speaker 4: is and it is also hats off to Mike Leone

571
00:27:38,720 --> 00:27:41,639
Speaker 4: for talking to all of us in the way he

572
00:27:41,720 --> 00:27:45,280
Speaker 4: did as a director. It's really smart when a director

573
00:27:45,480 --> 00:27:48,600
Speaker 4: can be present for actors who are all doing the

574
00:27:48,640 --> 00:27:51,479
Speaker 4: same thing but give them such different colors in it.

575
00:27:52,680 --> 00:27:56,399
Speaker 4: And we needed the levity from Haley because Nathan is

576
00:27:57,440 --> 00:28:01,159
Speaker 4: giving up his dream and even the metaph for you know,

577
00:28:01,320 --> 00:28:04,440
Speaker 4: or the action rather of him taking the Ravens basketball

578
00:28:04,480 --> 00:28:08,320
Speaker 4: down and putting Troy's football up, He's moving on to

579
00:28:08,400 --> 00:28:12,000
Speaker 4: this next chapter, and he's not hiding that it's hard.

580
00:28:12,880 --> 00:28:16,160
Speaker 4: He's hopeful, he likes it, he knows it's the right fit.

581
00:28:16,280 --> 00:28:17,560
Speaker 4: He's proud of what he's doing.

582
00:28:17,800 --> 00:28:20,600
Speaker 5: He's using the fact that it's hard to make it

583
00:28:20,640 --> 00:28:23,600
Speaker 5: better to make it through exactly why are the other

584
00:28:23,640 --> 00:28:24,200
Speaker 5: guy Troy?

585
00:28:24,480 --> 00:28:26,440
Speaker 4: And I like that he's not hiding that it comes

586
00:28:26,480 --> 00:28:30,200
Speaker 4: with loss. And then Brooke is in all loss. It's

587
00:28:30,280 --> 00:28:32,720
Speaker 4: so sad. She doesn't know what to do. She feels

588
00:28:32,720 --> 00:28:36,960
Speaker 4: like she's losing her identity. So it's really nice to

589
00:28:37,200 --> 00:28:40,160
Speaker 4: sort of counter where Brooke is, to have Haley in

590
00:28:40,240 --> 00:28:45,000
Speaker 4: this very comedic, uncomfortable I.

591
00:28:45,040 --> 00:28:47,760
Speaker 3: Like my life. I don't know why you want to

592
00:28:47,800 --> 00:28:48,720
Speaker 3: ask me about it?

593
00:28:48,960 --> 00:28:51,440
Speaker 5: Yeah, why are we talking about this? I'm so confused.

594
00:28:51,720 --> 00:28:55,280
Speaker 3: I like it's great, it's a great energy.

595
00:28:56,040 --> 00:28:59,040
Speaker 5: And who know who else is in transition? Is Clay?

596
00:28:59,400 --> 00:29:01,080
Speaker 5: This can for.

597
00:29:02,720 --> 00:29:03,640
Speaker 4: It was so great.

598
00:29:03,760 --> 00:29:06,240
Speaker 5: First of all, you had such a babyface. Oh my gosh,

599
00:29:06,240 --> 00:29:10,960
Speaker 5: I'd never seen a baby face like you did. Was

600
00:29:10,960 --> 00:29:13,040
Speaker 5: it the angle, the lighting? I don't know what it was,

601
00:29:13,120 --> 00:29:15,200
Speaker 5: but you were like eight years old.

602
00:29:15,520 --> 00:29:20,160
Speaker 6: Yes. In my confessional with Julian, I was like, oh

603
00:29:20,200 --> 00:29:24,360
Speaker 6: my gosh, like like a twelve year old who ate

604
00:29:24,400 --> 00:29:25,000
Speaker 6: too much salt?

605
00:29:25,320 --> 00:29:27,680
Speaker 5: You committed to this bit with the can so well,

606
00:29:27,760 --> 00:29:30,760
Speaker 5: you really figured it out. Good on you, physical comedy.

607
00:29:31,000 --> 00:29:34,800
Speaker 6: Listen, there's some lines between uh Brooke and Sylvia that

608
00:29:34,880 --> 00:29:37,400
Speaker 6: are my favorites. But suck it soup. I'm just gonna

609
00:29:37,400 --> 00:29:39,720
Speaker 6: spoil it. Is my honorable mention. Yeah, I left out

610
00:29:39,760 --> 00:29:44,360
Speaker 6: loud high up there, and I love the subtle nod

611
00:29:44,440 --> 00:29:47,200
Speaker 6: back to it when Clay there's a very very sweet

612
00:29:47,200 --> 00:29:49,640
Speaker 6: homecoming where Clay is waiting for Nathan at the airport

613
00:29:49,680 --> 00:29:53,320
Speaker 6: and he's clapping for him. I love that friendship. But

614
00:29:54,360 --> 00:29:57,200
Speaker 6: when Nathan gets in the car, he's like, what is this?

615
00:29:57,440 --> 00:30:00,120
Speaker 6: And Clay just goes an electric can opener and it's

616
00:30:00,120 --> 00:30:02,360
Speaker 6: perfect because he doesn't talk about it, so it's just

617
00:30:02,400 --> 00:30:04,440
Speaker 6: like a little like to the audience for him.

618
00:30:04,720 --> 00:30:07,240
Speaker 5: Yeah, yeah, yeah, you did that so well. It wasn't

619
00:30:07,640 --> 00:30:09,320
Speaker 5: there was no cheese on top of it. It was

620
00:30:09,400 --> 00:30:10,840
Speaker 5: just you just said the line and through the thing

621
00:30:10,840 --> 00:30:12,440
Speaker 5: in the back seat. It's all it required. Cool.

622
00:30:12,520 --> 00:30:14,520
Speaker 6: I conquered it. Now I'm never going to do that again.

623
00:30:14,720 --> 00:30:17,520
Speaker 4: But I got that little spread of pride being like

624
00:30:19,000 --> 00:30:22,680
Speaker 4: I solved the puzzle moving on like it was such

625
00:30:22,760 --> 00:30:24,400
Speaker 4: a good little vibean actually made me.

626
00:30:24,440 --> 00:30:25,120
Speaker 3: Laugh out loud.

627
00:30:25,840 --> 00:30:29,400
Speaker 6: I also liked seeing Clay Uh. It was a great

628
00:30:29,400 --> 00:30:32,120
Speaker 6: device when he spills the like chips are cereal and

629
00:30:32,200 --> 00:30:35,760
Speaker 6: on the newspaper and then he sees Will's obituary. Yeah,

630
00:30:35,800 --> 00:30:38,160
Speaker 6: And it was nice to see him go to the

631
00:30:38,200 --> 00:30:42,720
Speaker 6: cemetery just because he's he got so close to dying

632
00:30:42,920 --> 00:30:46,040
Speaker 6: and we haven't really seen him talk about it or

633
00:30:46,160 --> 00:30:49,000
Speaker 6: feel anything about it, so it was I liked the

634
00:30:49,040 --> 00:30:51,400
Speaker 6: sort of still quietness of him just sitting there and

635
00:30:52,120 --> 00:30:56,120
Speaker 6: having that speech to Will's headstone, and he kind of

636
00:30:56,200 --> 00:30:58,880
Speaker 6: ends it with saying like, thank you for what for

637
00:30:58,920 --> 00:31:01,560
Speaker 6: what you did, I'm I'm going to earn it. Yeah,

638
00:31:01,600 --> 00:31:04,640
Speaker 6: And I just I thought that was so effective.

639
00:31:05,000 --> 00:31:08,200
Speaker 5: And the mirroring of the earning with Troy as well

640
00:31:08,240 --> 00:31:10,239
Speaker 5: in the way that Nathan was talking him through that

641
00:31:11,360 --> 00:31:15,120
Speaker 5: at the end. I just love seeing this transition for Nathan.

642
00:31:15,640 --> 00:31:18,000
Speaker 5: How did we shoot those scenes with the braves? By

643
00:31:18,040 --> 00:31:20,520
Speaker 5: the way, was it the falcons? Falcons? Excuse me?

644
00:31:20,600 --> 00:31:24,560
Speaker 6: So last episode there are only there's only one shot.

645
00:31:24,600 --> 00:31:26,440
Speaker 6: It's the first shot we see where Nathan is sitting

646
00:31:26,480 --> 00:31:30,600
Speaker 6: down with the representative from the Falcons and when I watched,

647
00:31:30,640 --> 00:31:34,400
Speaker 6: I was like, holy cow, we're at the Falcons stadium.

648
00:31:34,400 --> 00:31:36,680
Speaker 6: Why do I not remember this? And then the scene

649
00:31:36,760 --> 00:31:38,800
Speaker 6: is so short. I thought, oh. I went back and

650
00:31:38,840 --> 00:31:40,760
Speaker 6: watched itause I thought, oh, maybe we green screened it,

651
00:31:40,920 --> 00:31:43,440
Speaker 6: because you don't go to you don't go all the

652
00:31:43,440 --> 00:31:45,760
Speaker 6: way to this Atlanta Falcons stadium and only do one

653
00:31:45,800 --> 00:31:48,240
Speaker 6: scene and then there's a bit on like Nathan the escalator.

654
00:31:48,320 --> 00:31:50,640
Speaker 6: So I was so confused because it was clearly not

655
00:31:50,720 --> 00:31:54,880
Speaker 6: a green screen. So this episode it really pays off

656
00:31:54,960 --> 00:31:58,120
Speaker 6: because holy cal First of all, shout out to Stephen Howell,

657
00:31:58,160 --> 00:32:01,800
Speaker 6: who played Troy, because he's I'm so earnest and believable

658
00:32:01,920 --> 00:32:02,600
Speaker 6: and likable.

659
00:32:02,760 --> 00:32:03,800
Speaker 3: He's a great actor.

660
00:32:03,960 --> 00:32:08,040
Speaker 6: It is the perfect pairing with Nathan. And but he

661
00:32:08,120 --> 00:32:11,280
Speaker 6: got to dress up, get to excuse me, suit up

662
00:32:11,320 --> 00:32:15,400
Speaker 6: in Atlanta Falcon's gear with the pads and take the

663
00:32:15,440 --> 00:32:19,800
Speaker 6: field through the tunnel with an actual crowd there. How

664
00:32:19,840 --> 00:32:20,560
Speaker 6: did we do this?

665
00:32:20,680 --> 00:32:22,280
Speaker 5: I mean, we must have just gone to a real

666
00:32:22,320 --> 00:32:24,680
Speaker 5: game and made a deal with the Falcons and told

667
00:32:24,720 --> 00:32:27,160
Speaker 5: everybody in the stadium, here's what's going on. We're shooting

668
00:32:27,200 --> 00:32:32,040
Speaker 5: a TV show, so badass. I love it when shows

669
00:32:32,080 --> 00:32:33,760
Speaker 5: do stuff like that that's incredible.

670
00:32:33,800 --> 00:32:35,880
Speaker 6: We had Tony Gonzalez, who was an Atlanta Falcon at

671
00:32:35,880 --> 00:32:38,800
Speaker 6: the time, who, by the way, much like Jerry Rice,

672
00:32:39,160 --> 00:32:40,320
Speaker 6: very good on camera.

673
00:32:40,280 --> 00:32:42,840
Speaker 3: Great actor, right, yeah, Tony was great.

674
00:32:43,120 --> 00:32:44,720
Speaker 6: He's gone on to host, so I guess it makes sense.

675
00:32:44,760 --> 00:32:48,160
Speaker 6: But I remember I was watching going like, oh, oh, okay,

676
00:32:48,320 --> 00:32:49,760
Speaker 6: you know, and then just going back to what you

677
00:32:49,760 --> 00:32:52,480
Speaker 6: said about Nathan, like, like, one thing I liked is he

678
00:32:52,600 --> 00:32:56,920
Speaker 6: is not hiding the fact that he's in transition and

679
00:32:56,960 --> 00:32:59,560
Speaker 6: he doesn't have it figured out. I like that in

680
00:32:59,600 --> 00:33:03,880
Speaker 6: his conversations with Troy and in his conversations with Tony Gonzalez,

681
00:33:04,680 --> 00:33:07,440
Speaker 6: he references it and he's like, yeah, I don't know.

682
00:33:07,680 --> 00:33:09,760
Speaker 6: But it was just cool to see that as opposed

683
00:33:09,800 --> 00:33:13,840
Speaker 6: to like the other like kind of cliche guy thing

684
00:33:13,880 --> 00:33:16,680
Speaker 6: of like nah, it's good or I'm good or what

685
00:33:16,680 --> 00:33:18,520
Speaker 6: are you talking about? And said he was like, yeah,

686
00:33:18,560 --> 00:33:20,680
Speaker 6: I don't have it figured out, man, wish me luck.

687
00:33:21,160 --> 00:33:21,320
Speaker 5: You know.

688
00:33:21,720 --> 00:33:24,000
Speaker 6: Oh, that's so cool. Like he's self aware enough and

689
00:33:24,040 --> 00:33:26,840
Speaker 6: he's not he's not hiding the fact that like he

690
00:33:26,880 --> 00:33:29,200
Speaker 6: doesn't have it figured out and he doesn't know what's next,

691
00:33:29,320 --> 00:33:30,680
Speaker 6: but he's just showing up for it.

692
00:33:30,760 --> 00:33:32,320
Speaker 5: In a mature phase of life.

693
00:33:32,800 --> 00:33:36,760
Speaker 4: Yeah, well, it reminds me kind of of what we

694
00:33:36,760 --> 00:33:39,200
Speaker 4: were talking about at the top of the episode, even

695
00:33:39,240 --> 00:33:43,200
Speaker 4: figuring out what would you do in this situation. What

696
00:33:43,360 --> 00:33:46,240
Speaker 4: I love about where all these characters are is there

697
00:33:46,320 --> 00:33:51,600
Speaker 4: in these phases of discovery and change that require a

698
00:33:51,720 --> 00:33:56,480
Speaker 4: level of emotional intelligence, to be patient, to be honest,

699
00:33:57,120 --> 00:33:59,440
Speaker 4: to be upfront about what you're going through. You have

700
00:33:59,480 --> 00:34:03,280
Speaker 4: to check your ego and just say this is what

701
00:34:03,320 --> 00:34:08,560
Speaker 4: it is. And especially for you know, it's TV, obviously,

702
00:34:08,640 --> 00:34:10,640
Speaker 4: but for something that people always used to bring up

703
00:34:10,640 --> 00:34:12,719
Speaker 4: about our show, like wow, for a small town, these

704
00:34:12,719 --> 00:34:17,040
Speaker 4: people all have these really big, unique careers, Like it's

705
00:34:17,280 --> 00:34:20,440
Speaker 4: nice to see all these people who've succeeded in ways

706
00:34:20,440 --> 00:34:26,320
Speaker 4: that are kind of ridiculous just say, I don't know either,

707
00:34:27,239 --> 00:34:29,440
Speaker 4: And I think it's one of those things that was

708
00:34:29,480 --> 00:34:34,360
Speaker 4: good for us, you know, to be experiencing as actors,

709
00:34:34,400 --> 00:34:37,759
Speaker 4: because the challenges felt grounded and real. But these are

710
00:34:37,800 --> 00:34:40,560
Speaker 4: the things that our fans talk to us about where

711
00:34:40,560 --> 00:34:43,399
Speaker 4: they say, oh, this made me feel so seen, that's

712
00:34:43,400 --> 00:34:47,400
Speaker 4: what I was going through. The circumstances are really unique,

713
00:34:48,160 --> 00:34:53,640
Speaker 4: but the transitional journey in life is so universal and

714
00:34:54,920 --> 00:34:57,400
Speaker 4: even now looking back at it as a viewer, I

715
00:34:57,400 --> 00:35:00,200
Speaker 4: feel like I see myself, I see all of you,

716
00:35:00,320 --> 00:35:04,680
Speaker 4: I see people I know, like I see relationships to

717
00:35:04,760 --> 00:35:08,000
Speaker 4: people's real lives in this show, in this episode.

718
00:35:07,560 --> 00:35:09,040
Speaker 3: In a way that made me feel so proud that

719
00:35:09,080 --> 00:35:10,080
Speaker 3: we got to do this.

720
00:35:11,880 --> 00:35:12,480
Speaker 6: So nice.

721
00:35:12,760 --> 00:35:14,400
Speaker 5: I think that's great. Yeah, it was really. It was

722
00:35:14,440 --> 00:35:18,680
Speaker 5: tied together all so well with Julian being the voyeur

723
00:35:18,800 --> 00:35:21,000
Speaker 5: and you know the well, maybe that's too aggressive of

724
00:35:21,040 --> 00:35:22,160
Speaker 5: a word, but the you know.

725
00:35:22,120 --> 00:35:22,200
Speaker 6: The.

726
00:35:23,719 --> 00:35:27,879
Speaker 5: Glue that's sort of like, yeah, not really what I meant, but.

727
00:35:28,040 --> 00:35:30,279
Speaker 4: Well, in a way, he kind of he fills the

728
00:35:30,400 --> 00:35:34,920
Speaker 4: role almost in a therapist as a documentarian in this episode.

729
00:35:35,000 --> 00:35:37,319
Speaker 4: You know, it's like you get to see people on.

730
00:35:37,280 --> 00:35:40,719
Speaker 5: The couch, yeah, but giving us that feeling, you know,

731
00:35:40,719 --> 00:35:43,480
Speaker 5: that feeling that you're talking about, And it was so

732
00:35:43,600 --> 00:35:47,160
Speaker 5: carefully crafted to bring us to that place where Troy's

733
00:35:47,239 --> 00:35:49,880
Speaker 5: running out and it's the stadium and the smoke, and

734
00:35:50,280 --> 00:35:53,560
Speaker 5: you know, we're we're cheering for him, sure, but we're

735
00:35:53,640 --> 00:35:57,480
Speaker 5: cheering for us and for everything that we're achieving and

736
00:35:57,600 --> 00:36:00,400
Speaker 5: the new transitions and the new phases of life everyone's

737
00:36:00,400 --> 00:36:04,239
Speaker 5: stepping into. That's the culmination. So they gave us that

738
00:36:04,360 --> 00:36:08,440
Speaker 5: in this big, gorgeous, glittery, huge moment.

739
00:36:08,800 --> 00:36:12,200
Speaker 4: Yes, wonderful, and it was a cool thing. I mean,

740
00:36:12,360 --> 00:36:14,640
Speaker 4: it gave me chills when I watched him run out there.

741
00:36:14,680 --> 00:36:17,520
Speaker 4: I was so excited that we'd done that, that we'd

742
00:36:17,520 --> 00:36:21,799
Speaker 4: been able to pull off the partnership, you know, and

743
00:36:21,840 --> 00:36:23,480
Speaker 4: it's our second time, by the way. We did it

744
00:36:23,520 --> 00:36:26,480
Speaker 4: with the Bobcats for James, and now we're doing it

745
00:36:26,480 --> 00:36:29,440
Speaker 4: with the Falcons for Steven who plays Troy.

746
00:36:30,080 --> 00:36:30,560
Speaker 5: Yeah.

747
00:36:30,640 --> 00:36:33,040
Speaker 4: Yeah, but I mean, you know, the NBA, the NFL,

748
00:36:33,160 --> 00:36:37,680
Speaker 4: Like these were big deals, and in a really interesting way.

749
00:36:38,280 --> 00:36:42,600
Speaker 4: There was the juxtaposition of going from the field with

750
00:36:42,719 --> 00:36:45,720
Speaker 4: him where I was like, oh my god, like true

751
00:36:45,800 --> 00:36:50,319
Speaker 4: dream come true energy to seeing Brook alone on that

752
00:36:50,400 --> 00:36:55,960
Speaker 4: bench on the roof finally just say I'm having a

753
00:36:56,040 --> 00:37:02,799
Speaker 4: really really hard time yeah, and just be in it.

754
00:37:02,800 --> 00:37:05,120
Speaker 3: It was really.

755
00:37:06,880 --> 00:37:07,200
Speaker 6: I don't know.

756
00:37:07,280 --> 00:37:10,680
Speaker 4: I loved the choice even in the edit to say, like,

757
00:37:10,800 --> 00:37:15,200
Speaker 4: sometimes you reach the peak and sometimes you're you're hitting

758
00:37:15,280 --> 00:37:17,920
Speaker 4: rock bottom, and and those things are going to happen

759
00:37:17,920 --> 00:37:18,640
Speaker 4: on the same day.

760
00:37:19,280 --> 00:37:22,640
Speaker 5: That goes to Julian's comment to you about happiness, which

761
00:37:22,680 --> 00:37:28,520
Speaker 5: I loved this comment that happiness is a mood. It's

762
00:37:28,560 --> 00:37:32,040
Speaker 5: something that comes and goes. It's not a state of

763
00:37:32,120 --> 00:37:35,440
Speaker 5: being that you will achieve and just be there permanently.

764
00:37:35,880 --> 00:37:41,719
Speaker 5: It's yes, it's a it's a mood, and that's okay.

765
00:37:41,760 --> 00:37:43,160
Speaker 5: And I like that, he says. I think if more

766
00:37:43,200 --> 00:37:45,640
Speaker 5: people wish I wrote it down, But it was something like,

767
00:37:45,680 --> 00:37:48,360
Speaker 5: if more people thought of it this way, the world

768
00:37:48,440 --> 00:37:51,360
Speaker 5: would end up actually being happier because everybody wouldn't be

769
00:37:51,640 --> 00:37:53,520
Speaker 5: in this constant state of like, oh no, why am

770
00:37:53,520 --> 00:37:55,920
Speaker 5: I not happy? It's okay, it's okay.

771
00:37:56,200 --> 00:37:59,000
Speaker 4: Well, and the fact that he compares it to hunger.

772
00:37:59,680 --> 00:38:02,160
Speaker 4: He said, it's a condition. It's like being hungry.

773
00:38:02,880 --> 00:38:04,040
Speaker 3: That's what goes.

774
00:38:04,880 --> 00:38:09,480
Speaker 4: And to talk about it in that way after acknowledging

775
00:38:09,520 --> 00:38:12,080
Speaker 4: that most people think, if I get this, if I

776
00:38:12,120 --> 00:38:14,600
Speaker 4: get that, if I get this job, once I get married,

777
00:38:14,640 --> 00:38:16,959
Speaker 4: once I have a kid, once I buy that car,

778
00:38:17,120 --> 00:38:20,040
Speaker 4: once I once I fill in the blank, I will

779
00:38:20,040 --> 00:38:20,680
Speaker 4: be happy.

780
00:38:21,200 --> 00:38:21,960
Speaker 5: Amen's sister.

781
00:38:22,320 --> 00:38:24,680
Speaker 4: Then you miss your whole life waiting for a thing

782
00:38:25,360 --> 00:38:30,040
Speaker 4: instead of living it. And we've all tried that it

783
00:38:30,040 --> 00:38:30,760
Speaker 4: hasn't worked.

784
00:38:31,080 --> 00:38:33,279
Speaker 5: Oh yeah, I mean I feel like we still try it.

785
00:38:33,280 --> 00:38:35,319
Speaker 5: I still tried subconsciously, and then I'm like, wait, why

786
00:38:35,320 --> 00:38:35,839
Speaker 5: am I doing this?

787
00:38:35,920 --> 00:38:39,440
Speaker 4: What am I doing exactly? But what a cool what

788
00:38:39,520 --> 00:38:42,879
Speaker 4: a cool thing to do. And I thought, I thought

789
00:38:42,920 --> 00:38:45,640
Speaker 4: Austin played the scene so beautifully because he didn't try

790
00:38:45,680 --> 00:38:48,279
Speaker 4: to put a hat on a hat. He just said, look,

791
00:38:48,280 --> 00:38:50,640
Speaker 4: this is what I'm noddling with, this is what I think,

792
00:38:50,719 --> 00:38:53,359
Speaker 4: and maybe we'd be happier if we thought about it

793
00:38:53,360 --> 00:38:53,759
Speaker 4: this way.

794
00:38:54,320 --> 00:38:57,759
Speaker 3: And it's so perfect.

795
00:38:58,080 --> 00:39:04,600
Speaker 5: It gives Brooke kind of a permission to feel like

796
00:39:04,640 --> 00:39:07,480
Speaker 5: it's hard and like she's not having it. It's okay

797
00:39:07,600 --> 00:39:10,040
Speaker 5: to feel that way because happiness will come again.

798
00:39:10,680 --> 00:39:13,440
Speaker 6: Yeah, the code of for this episode was so strong,

799
00:39:13,640 --> 00:39:18,520
Speaker 6: and yeah, Julian was doing some great partnering because obviously

800
00:39:18,560 --> 00:39:20,720
Speaker 6: the way it ends, like when Brook's having that moment,

801
00:39:20,760 --> 00:39:22,799
Speaker 6: he just comes and just sits down next to her,

802
00:39:23,000 --> 00:39:25,160
Speaker 6: which I love. You know. It's like he's not trying

803
00:39:25,200 --> 00:39:26,719
Speaker 6: to fix it or talk her out of it. He's

804
00:39:26,760 --> 00:39:29,160
Speaker 6: just like, cool, I'm just gonna be here with you,

805
00:39:29,160 --> 00:39:32,000
Speaker 6: you know. And then earlier, I think, in the same location,

806
00:39:32,600 --> 00:39:35,640
Speaker 6: when Brooke and Sylvia have just had it out and

807
00:39:35,680 --> 00:39:38,520
Speaker 6: Brooke is chucking water balloons down the street, which is

808
00:39:38,840 --> 00:39:41,000
Speaker 6: hilarious in and of itself. I guess this was something

809
00:39:41,040 --> 00:39:43,239
Speaker 6: that Peyton used to do. Did you actually show that

810
00:39:43,320 --> 00:39:44,279
Speaker 6: on the show? Did we know that?

811
00:39:44,600 --> 00:39:47,000
Speaker 3: Yeah? Okay, yeah, we did a lot of water balloons.

812
00:39:47,360 --> 00:39:49,799
Speaker 6: So it was so funny. But then that way that

813
00:39:49,840 --> 00:39:51,839
Speaker 6: first of all, that seems funny because Brooke is like,

814
00:39:51,920 --> 00:39:53,759
Speaker 6: I shouldn't have yelled at your mom, and as an

815
00:39:53,760 --> 00:39:56,680
Speaker 6: audience member, I was like, you one hundred percent should have.

816
00:39:57,360 --> 00:39:59,560
Speaker 6: You're not a doramat you did. You did the right thing.

817
00:40:00,080 --> 00:40:03,000
Speaker 6: But I love At the end of it, Julian goes up, well,

818
00:40:03,040 --> 00:40:04,640
Speaker 6: do you want me to go down there and walk

819
00:40:04,680 --> 00:40:06,000
Speaker 6: around so you can practice your aim?

820
00:40:07,080 --> 00:40:08,800
Speaker 3: I was like, it's so good.

821
00:40:08,920 --> 00:40:12,839
Speaker 6: All right, let's get into the brook Sylvia of it all,

822
00:40:12,880 --> 00:40:19,680
Speaker 6: because the lines in this episode were so funny. When

823
00:40:19,719 --> 00:40:23,320
Speaker 6: she finally snaps, she says, you're a spoiled little bitch,

824
00:40:23,840 --> 00:40:27,400
Speaker 6: to which Brook responds, okay, Drinki and ends it with

825
00:40:27,840 --> 00:40:33,320
Speaker 6: good luck with being old God, and then the perfect

826
00:40:33,360 --> 00:40:36,400
Speaker 6: blocking for the next bit where Julian is there for

827
00:40:36,440 --> 00:40:39,439
Speaker 6: his mom and she has she has the washcloth over

828
00:40:39,480 --> 00:40:42,000
Speaker 6: her eyes while she lays out on her fainting couch.

829
00:40:42,360 --> 00:40:43,719
Speaker 5: I know where you're going.

830
00:40:43,680 --> 00:40:46,600
Speaker 6: And she ends it with because of course, he's just

831
00:40:46,640 --> 00:40:50,040
Speaker 6: being reasonable and the like, asking follow up questions, to

832
00:40:50,040 --> 00:40:52,320
Speaker 6: which she takes it as being attacked and not believed.

833
00:40:52,360 --> 00:40:55,440
Speaker 6: And she ends by saying she has poisoned you with

834
00:40:55,600 --> 00:41:02,480
Speaker 6: her a perfect line that Sharon delivered perfectly.

835
00:41:03,600 --> 00:41:06,759
Speaker 4: She sure did. Sharon is such an icon.

836
00:41:07,120 --> 00:41:10,279
Speaker 5: And then Julian, we're done here, We're done here, We're

837
00:41:10,320 --> 00:41:11,520
Speaker 5: done here, We're done.

838
00:41:11,680 --> 00:41:12,160
Speaker 3: Yeah.

839
00:41:12,800 --> 00:41:17,160
Speaker 6: That was that was so so funny and for as

840
00:41:17,200 --> 00:41:19,440
Speaker 6: funny as all of it was. I love the repair.

841
00:41:20,600 --> 00:41:20,839
Speaker 4: Yeah.

842
00:41:20,960 --> 00:41:23,200
Speaker 6: I love the sincere, not funny part of it where Brooke,

843
00:41:23,400 --> 00:41:26,520
Speaker 6: showing her character, comes back and makes it right, makes

844
00:41:26,520 --> 00:41:30,600
Speaker 6: an amends, repairs it, and she receives it and accepts it,

845
00:41:30,680 --> 00:41:34,439
Speaker 6: and you guys, you know, end up sort of being

846
00:41:34,440 --> 00:41:37,160
Speaker 6: in a much more I think, respectful, amicable place.

847
00:41:37,719 --> 00:41:40,319
Speaker 5: That's so lovely. I actually don't want your money, but

848
00:41:40,400 --> 00:41:42,120
Speaker 5: I still do want your advice.

849
00:41:42,400 --> 00:41:46,560
Speaker 6: Right wow m h Yeah, I respect you enough to

850
00:41:46,560 --> 00:41:47,360
Speaker 6: be honest with you.

851
00:41:48,120 --> 00:41:48,719
Speaker 3: Yeah.

852
00:41:49,239 --> 00:41:54,520
Speaker 4: And there's something really inspiring to me about Granted it

853
00:41:54,560 --> 00:41:57,439
Speaker 4: didn't go well in iteration one where the fight broke out,

854
00:41:57,880 --> 00:42:00,160
Speaker 4: but for her to say I learned my lesson. I

855
00:42:00,200 --> 00:42:04,320
Speaker 4: know what it means when you take people's money. Yeah,

856
00:42:04,360 --> 00:42:08,600
Speaker 4: I don't want that energy in my family. Yeah, and

857
00:42:08,680 --> 00:42:12,239
Speaker 4: I feel like that's what comes out more in check

858
00:42:12,280 --> 00:42:15,080
Speaker 4: in number two where they make up to say that,

859
00:42:15,160 --> 00:42:18,080
Speaker 4: to say no, I still don't want this part. I

860
00:42:18,120 --> 00:42:21,799
Speaker 4: know that that actually can be what poisons relationships, but

861
00:42:21,880 --> 00:42:25,680
Speaker 4: I want you to be part of it. That to

862
00:42:25,760 --> 00:42:30,360
Speaker 4: me was I was very impressed. I thought it's nice writing.

863
00:42:30,400 --> 00:42:32,080
Speaker 4: That's a nice little life lesson right there.

864
00:42:32,360 --> 00:42:35,880
Speaker 5: Sharon is so effervescent and so easy. She falls in

865
00:42:35,920 --> 00:42:37,920
Speaker 5: line with all of us so easily. She just folds

866
00:42:37,920 --> 00:42:39,759
Speaker 5: into the family like I want to see more and

867
00:42:39,760 --> 00:42:42,160
Speaker 5: more and more of Sylvia means, I love this dynamic

868
00:42:42,200 --> 00:42:45,120
Speaker 5: between the two of you guys and with Julian. It's

869
00:42:45,160 --> 00:42:46,120
Speaker 5: so fun to watch.

870
00:42:47,000 --> 00:42:50,279
Speaker 6: It's great and yes, to speaking of it's reminded me

871
00:42:50,320 --> 00:42:52,360
Speaker 6: at the start of episode seven when Jolie's like, I

872
00:42:52,360 --> 00:42:53,960
Speaker 6: don't know it's going to be my best man in

873
00:42:54,040 --> 00:42:56,480
Speaker 6: Brooke goes well, who is your best friend growing up?

874
00:42:56,760 --> 00:42:59,840
Speaker 6: And just as she walks through the background of the scene, Sylvia,

875
00:43:00,360 --> 00:43:04,239
Speaker 6: I was, Oh, they are killing this nightmare mom thing.

876
00:43:04,320 --> 00:43:07,040
Speaker 6: But yeah, I thought Brooks repair it's it was such

877
00:43:07,080 --> 00:43:11,400
Speaker 6: a show or an act of respect and kindness because

878
00:43:11,440 --> 00:43:13,960
Speaker 6: you can have that conversation and you can build a

879
00:43:14,080 --> 00:43:17,080
Speaker 6: real relationship on top of it. Y. Yeah, if you

880
00:43:17,200 --> 00:43:20,000
Speaker 6: don't discuss it, it's like you're never gonna really have

881
00:43:20,320 --> 00:43:21,759
Speaker 6: There's going to be a resentment. And I know, but

882
00:43:21,760 --> 00:43:24,080
Speaker 6: it's a Brooks way of going, like, hey, I take

883
00:43:24,160 --> 00:43:27,640
Speaker 6: up space. Here are some boundaries inviting you to be

884
00:43:27,719 --> 00:43:30,120
Speaker 6: a part of it. But now you know where I stand.

885
00:43:30,360 --> 00:43:31,080
Speaker 5: Yeah.

886
00:43:31,320 --> 00:43:33,920
Speaker 4: Something that dawned on me too, And I wonder if

887
00:43:33,960 --> 00:43:39,520
Speaker 4: you guys got this the when Julian is explaining why

888
00:43:39,560 --> 00:43:42,840
Speaker 4: his mom is so particular and he says, look, my

889
00:43:42,960 --> 00:43:44,040
Speaker 4: dad wasn't around.

890
00:43:44,680 --> 00:43:46,840
Speaker 3: It was really just me and my mom.

891
00:43:48,600 --> 00:43:51,640
Speaker 4: I saw it on my face, and it like it

892
00:43:51,680 --> 00:43:55,400
Speaker 4: took me back to sitting and making notes in the script, thinking, oh,

893
00:43:55,920 --> 00:43:58,279
Speaker 4: Brooke knows exactly what that means. Because she didn't have

894
00:43:58,320 --> 00:44:01,640
Speaker 4: her mom or her dad around. Her friends were her

895
00:44:01,719 --> 00:44:06,400
Speaker 4: world and you guys still are you know these people

896
00:44:06,520 --> 00:44:09,520
Speaker 4: Tree Hill? It's so important to her. And in that

897
00:44:09,640 --> 00:44:13,400
Speaker 4: one sentence, I feel like Julian kind of gave Brooke

898
00:44:13,440 --> 00:44:18,560
Speaker 4: a key to Sylvia because it's like she had nobody

899
00:44:18,560 --> 00:44:22,560
Speaker 4: but her kid. I built a community of my peers.

900
00:44:23,160 --> 00:44:26,480
Speaker 4: Of course, this woman feels threatened by me. I see

901
00:44:26,520 --> 00:44:29,560
Speaker 4: Julian as my peer, he's my partner. She sees him

902
00:44:29,560 --> 00:44:33,920
Speaker 4: as her only person, and so in this weird way,

903
00:44:35,200 --> 00:44:37,920
Speaker 4: I thought that that simple thing that he said was

904
00:44:37,920 --> 00:44:41,400
Speaker 4: what gave her the ability later to say, I understand

905
00:44:41,440 --> 00:44:43,759
Speaker 4: why it could be scary for you that your son

906
00:44:43,800 --> 00:44:47,520
Speaker 4: has me now, but you're still welcome in this family.

907
00:44:48,600 --> 00:44:53,200
Speaker 4: You're still going to be part of this. And it

908
00:44:53,239 --> 00:44:57,279
Speaker 4: was a very interesting sort of shift in I think

909
00:44:57,320 --> 00:45:03,400
Speaker 4: the way she could see a parental relationship, especially with

910
00:45:03,440 --> 00:45:05,759
Speaker 4: what she's been through with Victoria. And I was like, man,

911
00:45:05,840 --> 00:45:09,360
Speaker 4: it's it's really simple dialogue, but it communicates a lot

912
00:45:09,440 --> 00:45:11,480
Speaker 4: about the history of these characters.

913
00:45:11,880 --> 00:45:12,440
Speaker 5: It's great.

914
00:45:12,760 --> 00:45:16,920
Speaker 6: And the way that they wrapped up that scene was perfect,

915
00:45:17,360 --> 00:45:19,919
Speaker 6: where it's like the repair has been made, You guys

916
00:45:19,920 --> 00:45:22,880
Speaker 6: are all good, and she goes, well, it's all right,

917
00:45:22,880 --> 00:45:26,120
Speaker 6: It wasn't even the worst part of my day, goes, oh, no,

918
00:45:26,320 --> 00:45:31,120
Speaker 6: what happened? Some jackass hit me with a water balloon?

919
00:45:31,280 --> 00:45:35,400
Speaker 6: What is wrong with people? Awful in your face and just.

920
00:45:35,360 --> 00:45:38,600
Speaker 3: Laughing into her forehead exactly.

921
00:45:38,600 --> 00:45:40,879
Speaker 6: Because she can't see your face but the audience can.

922
00:45:41,000 --> 00:45:44,520
Speaker 6: It's it was just you guys crushed it. It was

923
00:45:44,560 --> 00:45:45,040
Speaker 6: so good.

924
00:45:45,320 --> 00:45:46,040
Speaker 3: It was so fun.

925
00:45:46,200 --> 00:45:49,279
Speaker 4: That was my electric can opener moment. It was just

926
00:45:49,320 --> 00:45:51,840
Speaker 4: for the audience, but as an audience member, it's so

927
00:45:52,080 --> 00:45:52,719
Speaker 4: fun to watch.

928
00:45:52,800 --> 00:45:55,920
Speaker 6: Yeah, you know what else was fun to watch was

929
00:45:56,200 --> 00:45:57,320
Speaker 6: Mouth and Chase.

930
00:45:57,800 --> 00:46:00,160
Speaker 5: I loved this. I didn't know I needed.

931
00:46:00,640 --> 00:46:06,600
Speaker 6: Exactly this whole storyline of cleaning out the back room,

932
00:46:07,040 --> 00:46:10,160
Speaker 6: you know, and Mouth opining about what's what he's gonna do,

933
00:46:10,360 --> 00:46:14,280
Speaker 6: and Chase being indecisive and torn between the two women.

934
00:46:14,520 --> 00:46:17,000
Speaker 6: It was just it was fun and it was like

935
00:46:17,320 --> 00:46:20,319
Speaker 6: cool to see the friendship between those two and they

936
00:46:20,360 --> 00:46:21,440
Speaker 6: both it's so good.

937
00:46:21,880 --> 00:46:24,080
Speaker 5: It's such a relief not to have to deal with

938
00:46:24,200 --> 00:46:29,680
Speaker 5: like sexual jokes and abous shots of women, and like

939
00:46:29,960 --> 00:46:32,360
Speaker 5: it's like, thank God, we don't have to bear the

940
00:46:32,680 --> 00:46:35,440
Speaker 5: emotional burden of this right now. We can just watch

941
00:46:35,520 --> 00:46:38,319
Speaker 5: these two guys just trying to figure out life. It's

942
00:46:38,360 --> 00:46:41,040
Speaker 5: so nice and there's so much fun to watch, and

943
00:46:41,320 --> 00:46:45,960
Speaker 5: very much like we've gotten such excellent male friendship with

944
00:46:46,080 --> 00:46:47,040
Speaker 5: Clay and Nathan.

945
00:46:47,680 --> 00:46:52,360
Speaker 4: I love Stephen and Lee together. I love that they're vulnerable.

946
00:46:52,440 --> 00:46:56,160
Speaker 4: I love that they're questioning. I love that they're talking

947
00:46:56,200 --> 00:46:57,280
Speaker 4: about what isn't working?

948
00:46:58,080 --> 00:47:03,040
Speaker 5: Another sign of maturity because Mouth usually with skills, you know,

949
00:47:03,040 --> 00:47:05,480
Speaker 5: they're into shenanigans, like they're getting up to things. They're

950
00:47:05,520 --> 00:47:08,120
Speaker 5: sort of goofing off. There's not a lot of real

951
00:47:08,280 --> 00:47:11,560
Speaker 5: depth of conversation. There has been a few, but usually

952
00:47:11,600 --> 00:47:14,800
Speaker 5: that's their routine with each other. So to see Mouth

953
00:47:14,960 --> 00:47:19,279
Speaker 5: now entering into another relationship that is there's a maturity level,

954
00:47:19,320 --> 00:47:22,120
Speaker 5: like everybody's leveling up. Yeah, it's so cool.

955
00:47:22,560 --> 00:47:24,759
Speaker 6: And have you ever heard the expression you can save

956
00:47:24,800 --> 00:47:26,560
Speaker 6: your ass or you can save your face, but you

957
00:47:26,560 --> 00:47:28,040
Speaker 6: can't save them both at the same time.

958
00:47:29,080 --> 00:47:30,719
Speaker 5: No, but that's amazing.

959
00:47:31,000 --> 00:47:33,879
Speaker 6: I love that quote. But it's you see a lot

960
00:47:33,880 --> 00:47:37,000
Speaker 6: of that happening when these guys like Nathan, like Mouth,

961
00:47:37,280 --> 00:47:40,600
Speaker 6: are not trying to put up an appearance or a

962
00:47:40,640 --> 00:47:43,200
Speaker 6: facade of like it's all good or I'm on top

963
00:47:43,280 --> 00:47:47,160
Speaker 6: of it. Instead they're just like owning it and they're

964
00:47:47,200 --> 00:47:49,080
Speaker 6: not trying to save their face or just trying to

965
00:47:49,080 --> 00:47:53,120
Speaker 6: figure out what to do with their ass. You know, crazy,

966
00:47:55,120 --> 00:48:00,799
Speaker 6: that's great. Laura isor is great? Who plays Aaron? Here's

967
00:48:00,800 --> 00:48:04,160
Speaker 6: a question, by the way, highly googleable questions, So shout

968
00:48:04,160 --> 00:48:06,240
Speaker 6: out to me for not doing thirty seconds of research

969
00:48:06,320 --> 00:48:10,760
Speaker 6: on this, But was she acting before this show, because

970
00:48:10,760 --> 00:48:12,520
Speaker 6: she's terrific and natural.

971
00:48:12,840 --> 00:48:16,480
Speaker 5: Yes, she really is. She's so understated. I think I

972
00:48:16,560 --> 00:48:20,360
Speaker 5: remember her just being terrified and being like, I'm just

973
00:48:20,400 --> 00:48:23,320
Speaker 5: going to sit here and not do anything and say

974
00:48:23,440 --> 00:48:26,480
Speaker 5: my lines. And I was like, that's the key, yeh,

975
00:48:26,920 --> 00:48:31,320
Speaker 5: all you ever have to this? Yeah? She was great.

976
00:48:31,440 --> 00:48:35,319
Speaker 5: I think I'm actually wondering if maybe we had we

977
00:48:35,400 --> 00:48:39,160
Speaker 5: must have had it deal relationship with a label, Warner

978
00:48:39,239 --> 00:48:45,120
Speaker 5: probably and Lindsay had. Lindsay Wolfington had artists that she

979
00:48:45,360 --> 00:48:49,080
Speaker 5: was wanting to put on the show. Maybe Warner Records did,

980
00:48:49,719 --> 00:48:52,359
Speaker 5: and they were trying to find artists that they could

981
00:48:52,719 --> 00:48:55,440
Speaker 5: bring on to the actual TV show and not just play.

982
00:48:55,920 --> 00:48:58,840
Speaker 5: So I think Laura was probably one of them. But

983
00:48:58,960 --> 00:48:59,640
Speaker 5: she was great.

984
00:49:00,200 --> 00:49:06,800
Speaker 4: She was so good, and the way she asked questions

985
00:49:07,160 --> 00:49:11,759
Speaker 4: of Haley, I really just felt like the two of

986
00:49:11,800 --> 00:49:16,040
Speaker 4: you were sharing about what it's like to try to

987
00:49:16,080 --> 00:49:20,680
Speaker 4: make something, because how you trust a person with your

988
00:49:20,840 --> 00:49:23,480
Speaker 4: art it's a gamble, you know.

989
00:49:23,560 --> 00:49:27,000
Speaker 3: It's it's sort of like, that's scary showing up on a.

990
00:49:26,960 --> 00:49:29,280
Speaker 4: Set and having to act with someone who's a stranger.

991
00:49:29,320 --> 00:49:30,799
Speaker 4: But on day one they were meant to be your

992
00:49:30,840 --> 00:49:34,960
Speaker 4: lifelong best friend or signing a deal for a record label.

993
00:49:35,320 --> 00:49:40,840
Speaker 4: It's like it requires a fully surrendered trust fall without

994
00:49:40,880 --> 00:49:43,960
Speaker 4: an evidence of why you should trust someone, and you

995
00:49:44,080 --> 00:49:44,879
Speaker 4: just have to do it.

996
00:49:44,960 --> 00:49:47,160
Speaker 5: I mean, it's just showing up to do an indie

997
00:49:47,200 --> 00:49:50,000
Speaker 5: film or an acting project with a director that you

998
00:49:50,000 --> 00:49:51,759
Speaker 5: don't know and you haven't seen a lot of their work.

999
00:49:51,800 --> 00:49:54,000
Speaker 5: It's like, oh, I mean, I know what I can do,

1000
00:49:54,080 --> 00:49:57,200
Speaker 5: but we'll see how it turns out on the actual

1001
00:49:57,239 --> 00:49:59,600
Speaker 5: cutting day exactly.

1002
00:49:59,640 --> 00:50:01,520
Speaker 4: And I I think what I loved about watching you

1003
00:50:01,560 --> 00:50:04,520
Speaker 4: two talk to each other is I got the sense

1004
00:50:05,200 --> 00:50:10,320
Speaker 4: that Aaron and Haley we're having the same conversation about

1005
00:50:10,360 --> 00:50:16,799
Speaker 4: this gamble without having to necessarily say all of it.

1006
00:50:17,560 --> 00:50:20,480
Speaker 4: And I loved it. And to your point, Rob, I thought, God,

1007
00:50:20,560 --> 00:50:23,120
Speaker 4: she's so good. Has she been acting?

1008
00:50:23,840 --> 00:50:27,080
Speaker 6: No? Her only other acting credit is one episode of

1009
00:50:27,160 --> 00:50:31,319
Speaker 6: Bones that also aired in twenty ten Stop Yeah, which

1010
00:50:31,800 --> 00:50:34,040
Speaker 6: which is wild that she stepped onto the set and

1011
00:50:34,160 --> 00:50:35,960
Speaker 6: was like this good and this natural, and then it

1012
00:50:36,040 --> 00:50:38,680
Speaker 6: was also probably just like I'm good, I'm good on

1013
00:50:38,760 --> 00:50:41,840
Speaker 6: that she could dease. This is something she could easily do,

1014
00:50:41,920 --> 00:50:43,800
Speaker 6: and she probably just like, ah, i'm good with music.

1015
00:50:43,920 --> 00:50:44,240
Speaker 5: Thanks.

1016
00:50:45,040 --> 00:50:48,399
Speaker 6: That's but I also liked they did this cool thing

1017
00:50:48,440 --> 00:50:50,960
Speaker 6: where I feel like there's this can happen a lot

1018
00:50:51,040 --> 00:50:54,279
Speaker 6: in shows where when a guest star comes in, they

1019
00:50:54,440 --> 00:50:59,000
Speaker 6: are immediately ready to trust or jump on board with

1020
00:50:59,040 --> 00:51:01,360
Speaker 6: whatever is happening with one of the main characters of

1021
00:51:01,400 --> 00:51:04,200
Speaker 6: the show, and it's only the main characters whoever question

1022
00:51:05,080 --> 00:51:08,200
Speaker 6: the new people like. The new people never have like stakes,

1023
00:51:08,200 --> 00:51:10,160
Speaker 6: They're just like, I'm all in whatever you say, I

1024
00:51:10,200 --> 00:51:12,560
Speaker 6: trust you. I like that she came in was and

1025
00:51:12,719 --> 00:51:19,080
Speaker 6: was real thorough with sort of vetting Hayley before deciding

1026
00:51:19,080 --> 00:51:20,600
Speaker 6: to sign on, because I think the easy thing would

1027
00:51:20,600 --> 00:51:23,480
Speaker 6: be like a record deal, I'm in, and instead she

1028
00:51:23,560 --> 00:51:27,200
Speaker 6: was like, Nah, what's your deal? Mature angle friend, what

1029
00:51:27,239 --> 00:51:28,400
Speaker 6: are we doing again?

1030
00:51:28,560 --> 00:51:32,279
Speaker 5: Maturity the difference between a twenty year old who's like,

1031
00:51:32,360 --> 00:51:35,600
Speaker 5: I'll take whatever I can get and somebody who's like, no,

1032
00:51:35,920 --> 00:51:38,120
Speaker 5: what I have is valuable. What do you have?

1033
00:51:38,400 --> 00:51:41,000
Speaker 6: Did you guys? I had this funny note that I

1034
00:51:41,080 --> 00:51:43,360
Speaker 6: laughed at that. I don't know if you guys, cos

1035
00:51:43,360 --> 00:51:45,480
Speaker 6: I don't think that the normal viewer would saw. But

1036
00:51:45,719 --> 00:51:49,640
Speaker 6: when at the Atlanta Falcons game, Troy and Nathan have

1037
00:51:49,760 --> 00:51:53,719
Speaker 6: their moment and it's before the game. Excuse me. It's

1038
00:51:53,760 --> 00:51:55,319
Speaker 6: when they're just on the field, the two of them, right,

1039
00:51:55,360 --> 00:51:57,200
Speaker 6: and they're having this like we did it, we're here,

1040
00:51:57,280 --> 00:52:00,360
Speaker 6: this is your dream, earn it, love it, blah blah blah,

1041
00:52:00,400 --> 00:52:03,759
Speaker 6: and then they they say a goodbye as if they're

1042
00:52:03,800 --> 00:52:06,160
Speaker 6: not going to see each other again, or at least

1043
00:52:06,239 --> 00:52:09,120
Speaker 6: for a while. And I found myself laughing, going, dude,

1044
00:52:09,120 --> 00:52:11,240
Speaker 6: that's your agent. You guys are going to be texting

1045
00:52:11,280 --> 00:52:13,399
Speaker 6: and talking probably every single day.

1046
00:52:14,440 --> 00:52:15,840
Speaker 5: But it was probably the last time he was going

1047
00:52:15,920 --> 00:52:18,200
Speaker 5: to see Stephen Howell because I don't think Troy came back.

1048
00:52:18,880 --> 00:52:21,239
Speaker 6: I don't think he does either, So I just thought

1049
00:52:21,239 --> 00:52:23,759
Speaker 6: was funny. I really loved Yeah, it's like you're gonna

1050
00:52:23,760 --> 00:52:26,360
Speaker 6: have literally be texting that guy questions tonight. He's probably

1051
00:52:26,400 --> 00:52:28,759
Speaker 6: gonna be texting you great game. He's there, He's literally

1052
00:52:28,800 --> 00:52:31,560
Speaker 6: going to be on the sidelines that they're like, hey, think, hey, hey,

1053
00:52:31,960 --> 00:52:35,040
Speaker 6: thank you for everything. No, no, no, hey, thank you

1054
00:52:35,280 --> 00:52:37,680
Speaker 6: for everything. It's like, you guys are going to see

1055
00:52:37,680 --> 00:52:42,880
Speaker 6: each other in like sixty minutes, goodbye, my friend, like

1056
00:52:42,920 --> 00:52:45,680
Speaker 6: Harry and the Hendersons, like, guys, you're driving home together.

1057
00:52:46,120 --> 00:52:49,960
Speaker 4: Meanwhile, Nathan and his whole family are at the first game.

1058
00:52:50,360 --> 00:52:52,160
Speaker 6: Right, Yeah, that's what I'm saying. They're going to be

1059
00:52:52,200 --> 00:52:53,000
Speaker 6: on the sidelines.

1060
00:52:53,680 --> 00:52:55,879
Speaker 3: Yeah, that's so good.

1061
00:52:55,880 --> 00:52:57,319
Speaker 5: Wait was I there? I wasn't there.

1062
00:52:57,360 --> 00:52:59,200
Speaker 4: I don't think you were there, But in my brain

1063
00:52:59,440 --> 00:53:00,680
Speaker 4: I assure he was right.

1064
00:53:01,400 --> 00:53:03,080
Speaker 3: Jamie was there, But in my brain, I.

1065
00:53:03,080 --> 00:53:05,839
Speaker 4: Assume you all would have gone and you probably would

1066
00:53:05,840 --> 00:53:07,839
Speaker 4: have been there. But yes, I think they just didn't

1067
00:53:07,840 --> 00:53:09,800
Speaker 4: want to fly everyone to Atlanta for sure.

1068
00:53:10,200 --> 00:53:14,359
Speaker 6: Also, they are still, despite being quite pregnant, they are

1069
00:53:14,400 --> 00:53:18,160
Speaker 6: still putting Haley in lots of short skirts, lots of platforms.

1070
00:53:18,280 --> 00:53:19,000
Speaker 5: Yeah.

1071
00:53:19,040 --> 00:53:22,480
Speaker 6: I know it's TV, but I found myself going, okay,

1072
00:53:23,440 --> 00:53:26,680
Speaker 6: all right, no sweatpants in her arsenal, no way, no

1073
00:53:26,760 --> 00:53:29,080
Speaker 6: athleisure where she's keeping it cute and chic.

1074
00:53:29,560 --> 00:53:31,879
Speaker 4: Rob It's a TV show, that's right.

1075
00:53:32,360 --> 00:53:36,040
Speaker 6: I know, I know, I just wanted to be in

1076
00:53:36,080 --> 00:53:38,320
Speaker 6: real life. So darn bad guys.

1077
00:53:38,840 --> 00:53:54,440
Speaker 4: Yeah, okay, We've got a question from Lisa, who also

1078
00:53:54,480 --> 00:53:57,719
Speaker 4: gave us her nickname show She that must be. Yeah,

1079
00:53:59,440 --> 00:54:01,360
Speaker 4: when you are going to direct an episode, do you

1080
00:54:01,400 --> 00:54:04,520
Speaker 4: get to pick the episode or is it you get

1081
00:54:04,560 --> 00:54:07,000
Speaker 4: what you get and you don't throw a fit type

1082
00:54:07,040 --> 00:54:07,799
Speaker 4: of situation.

1083
00:54:10,640 --> 00:54:12,239
Speaker 3: Yeah, Yeah, that's it.

1084
00:54:12,800 --> 00:54:15,319
Speaker 6: Yeah, and you don't throw a fit like that.

1085
00:54:15,680 --> 00:54:20,560
Speaker 4: Yeah, because they they make a schedule. Certainly when we

1086
00:54:20,640 --> 00:54:25,200
Speaker 4: have visiting directors based on their availability, then are recurring

1087
00:54:25,239 --> 00:54:28,120
Speaker 4: directors like joy When you were talking about Greg Prange,

1088
00:54:28,160 --> 00:54:30,640
Speaker 4: who I think directed the most episodes of our show

1089
00:54:30,640 --> 00:54:34,480
Speaker 4: of anyone, are on site executive producer, then.

1090
00:54:34,360 --> 00:54:35,239
Speaker 3: His would fill in.

1091
00:54:35,520 --> 00:54:39,600
Speaker 4: They basically have to build the director schedule like a puzzle,

1092
00:54:40,520 --> 00:54:44,880
Speaker 4: and then they would essentially slot us as directing cast

1093
00:54:45,080 --> 00:54:48,080
Speaker 4: in last because we're all there all the time anyway,

1094
00:54:48,400 --> 00:54:50,640
Speaker 4: so it's the easiest for us to work around other

1095
00:54:50,640 --> 00:54:51,560
Speaker 4: people's schedules.

1096
00:54:51,920 --> 00:54:55,400
Speaker 5: Yeah, but still pretty cool. Like they gave us big episodes.

1097
00:54:55,440 --> 00:54:57,360
Speaker 5: They gave it to Halloween episode, they gave me the

1098
00:54:57,400 --> 00:55:03,320
Speaker 5: Thanksgiving episode, like big stuff. Gosh makes me really grateful.

1099
00:55:03,320 --> 00:55:05,239
Speaker 5: I hadn't thought about that. Yeah, it's pretty well. Maybe

1100
00:55:05,280 --> 00:55:07,000
Speaker 5: I had, I just forgot. But it's pretty cool.

1101
00:55:07,360 --> 00:55:09,560
Speaker 4: But it's dawning on you again and it feels nice.

1102
00:55:10,440 --> 00:55:11,840
Speaker 5: It's a kind of a great thing about having a

1103
00:55:11,880 --> 00:55:14,279
Speaker 5: short term memory is like I remember new things all

1104
00:55:14,320 --> 00:55:16,040
Speaker 5: the time, even though I already.

1105
00:55:16,239 --> 00:55:18,879
Speaker 6: You're constantly in a sense of awe and wonder.

1106
00:55:19,800 --> 00:55:21,960
Speaker 4: Well, it's like a memory pops up like it's like

1107
00:55:22,000 --> 00:55:24,520
Speaker 4: someone's blown bubbles by your face and you're like, wait

1108
00:55:24,560 --> 00:55:25,840
Speaker 4: a second, I know, Yeah.

1109
00:55:27,000 --> 00:55:31,400
Speaker 6: I love it. Honorable mentions do we have them? Oh,

1110
00:55:31,480 --> 00:55:34,240
Speaker 6: I've already spoiled the beans on minus Suck It Soup.

1111
00:55:35,239 --> 00:55:41,200
Speaker 5: Suck It Soup. That was great. I really want to

1112
00:55:41,200 --> 00:55:44,440
Speaker 5: give actually Mike leone to me, Like, I think he

1113
00:55:44,480 --> 00:55:47,520
Speaker 5: did such a nice job. He always he always did

1114
00:55:47,520 --> 00:55:49,839
Speaker 5: a really good job directing, and he worked so hard

1115
00:55:49,880 --> 00:55:51,840
Speaker 5: at it, and I don't think he got enough credit.

1116
00:55:52,200 --> 00:55:55,920
Speaker 4: I agree with that. I absolutely agree with that. I'm

1117
00:55:55,920 --> 00:56:00,400
Speaker 4: going to give mine to Austin. I think he is

1118
00:56:00,440 --> 00:56:05,799
Speaker 4: showing up everything he's doing right now as Julian. He's

1119
00:56:05,840 --> 00:56:10,719
Speaker 4: got this like really beautiful, quiet sort of strength, and

1120
00:56:10,920 --> 00:56:15,040
Speaker 4: he really glued this whole episode together for me, and

1121
00:56:15,320 --> 00:56:17,440
Speaker 4: I think it's a testament to him as an actor

1122
00:56:17,560 --> 00:56:20,600
Speaker 4: to be able to do that sort of service and

1123
00:56:20,680 --> 00:56:24,200
Speaker 4: be what every single other person you're in with needs.

1124
00:56:24,840 --> 00:56:26,640
Speaker 5: Yeah, And I just think.

1125
00:56:26,560 --> 00:56:29,200
Speaker 4: He's he's in such a great groove right now and

1126
00:56:29,280 --> 00:56:31,439
Speaker 4: I really appreciate what he's doing.

1127
00:56:31,920 --> 00:56:33,040
Speaker 5: Love it. I agree.

1128
00:56:33,280 --> 00:56:34,120
Speaker 3: We have a good gang.

1129
00:56:34,600 --> 00:56:37,200
Speaker 5: Okay, let's spin a wheel joy.

1130
00:56:37,239 --> 00:56:42,239
Speaker 6: Can we get that again? With less enthusiasm.

1131
00:56:42,440 --> 00:56:46,879
Speaker 5: It's been a well where it is? Oh, come on,

1132
00:56:47,280 --> 00:56:48,800
Speaker 5: so many Okay.

1133
00:56:49,080 --> 00:56:53,719
Speaker 6: Most likely to cry during a rom com me me

1134
00:56:54,239 --> 00:56:55,319
Speaker 6: my knee jerk was joy?

1135
00:56:55,760 --> 00:56:57,560
Speaker 5: Really? I mean I cried everything.

1136
00:56:58,000 --> 00:57:00,520
Speaker 3: Yeah, I'm a weeper, do too.

1137
00:57:00,600 --> 00:57:01,839
Speaker 5: So yeah.

1138
00:57:02,239 --> 00:57:04,200
Speaker 3: I think because things.

1139
00:57:04,040 --> 00:57:06,279
Speaker 4: Are so busy, it's like, if I'm gonna, really I

1140
00:57:06,280 --> 00:57:08,560
Speaker 4: don't know, elevate something, it's usually because it's something that

1141
00:57:08,600 --> 00:57:11,359
Speaker 4: I'm fired up about. But then I realize, because most

1142
00:57:11,360 --> 00:57:13,560
Speaker 4: people see each other on the Internet that I think

1143
00:57:13,600 --> 00:57:16,400
Speaker 4: everyone thinks I'm like fired up all the time. And

1144
00:57:16,440 --> 00:57:19,560
Speaker 4: mostly I'm just emotional and reading. And then I get

1145
00:57:19,560 --> 00:57:21,520
Speaker 4: mad about something and I'm like everyone should know about this,

1146
00:57:21,520 --> 00:57:23,720
Speaker 4: this is really important. And then people hang out with

1147
00:57:23,760 --> 00:57:26,280
Speaker 4: me and they're like, wow, you're really like sensitive and

1148
00:57:26,320 --> 00:57:28,760
Speaker 4: also kind of nerdy and you make weird jokes and

1149
00:57:28,800 --> 00:57:32,360
Speaker 4: I'm like does that not translate? So yeah, I'm definitely

1150
00:57:32,400 --> 00:57:33,240
Speaker 4: a rom com cryer.

1151
00:57:33,440 --> 00:57:37,080
Speaker 6: All you do is read, eat sandwiches and cry. I

1152
00:57:37,120 --> 00:57:40,120
Speaker 6: thought you'd be different. You know who also would cry

1153
00:57:40,760 --> 00:57:45,120
Speaker 6: to spill the beans listen closet case rom com crer

1154
00:57:45,560 --> 00:57:52,160
Speaker 6: you James Lafferty, Oh wow, no way O a weeper?

1155
00:57:52,640 --> 00:57:53,760
Speaker 6: Such a softie?

1156
00:57:54,680 --> 00:57:57,120
Speaker 5: Ah he's so stoic that surprises me.

1157
00:57:57,480 --> 00:57:59,800
Speaker 6: Wow, he can't watch How to Lose a Guy In

1158
00:57:59,800 --> 00:58:02,440
Speaker 6: two I'll burning through a whole box of Kleenex.

1159
00:58:03,680 --> 00:58:05,919
Speaker 4: I like when the boys know things about each other

1160
00:58:05,960 --> 00:58:06,600
Speaker 4: that we don't.

1161
00:58:06,720 --> 00:58:10,520
Speaker 5: I need verification on this. Yeah, character, character, it's going

1162
00:58:10,560 --> 00:58:12,840
Speaker 5: to be skills right because of the notebook.

1163
00:58:13,520 --> 00:58:15,600
Speaker 4: Isn't that the whole thing?

1164
00:58:15,640 --> 00:58:18,400
Speaker 3: That was the whole thing that he's a scribing softy? Yeah,

1165
00:58:18,480 --> 00:58:19,560
Speaker 3: well that's funny.

1166
00:58:19,880 --> 00:58:21,040
Speaker 5: Yeah, so skills.

1167
00:58:21,320 --> 00:58:22,040
Speaker 6: This was fun.

1168
00:58:22,480 --> 00:58:23,360
Speaker 5: This was fun.

1169
00:58:23,680 --> 00:58:25,040
Speaker 3: What do we have next week? Joy?

1170
00:58:25,600 --> 00:58:29,920
Speaker 5: Season eight, Episode nine between Raising Hell and Amazing Grace?

1171
00:58:30,480 --> 00:58:34,360
Speaker 5: Oh okay, a nice place to be. All right, we'll

1172
00:58:34,360 --> 00:58:37,160
Speaker 5: see you then, Matt, Hey, thanks for listening.

1173
00:58:37,280 --> 00:58:39,520
Speaker 4: Don't forget to leave us a review. You can also

1174
00:58:39,560 --> 00:58:42,600
Speaker 4: follow us on Instagram at Drama Queen's ot.

1175
00:58:42,680 --> 00:58:47,320
Speaker 3: H or email us at Drama Queens at iHeartRadio dot com.

1176
00:58:47,640 --> 00:58:48,640
Speaker 5: See you next time.

1177
00:58:49,880 --> 00:58:53,280
Speaker 2: We all about that high school drama, Girl Drama, Girl

1178
00:58:53,320 --> 00:58:56,440
Speaker 2: all about them high school queens. We'll take you for

1179
00:58:56,560 --> 00:58:59,680
Speaker 2: a ride at our comic girl sharing for the right

1180
00:59:00,120 --> 00:59:02,960
Speaker 2: drama Queens dramaise my girl off girl.

1181
00:59:02,800 --> 00:59:04,120
Speaker 3: Fashion with your tough girl.

1182
00:59:04,200 --> 00:59:07,200
Speaker 1: You could sit with us Girl Drama Queens drama, queise drama,

1183
00:59:07,320 --> 00:59:10,959
Speaker 1: Queens drama drama, Queens drama, Queens