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Speaker 1: If one of my non me pieces dies, I'm gonna

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Speaker 1: be crying at that funeral doing that. And I would

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Speaker 1: love for my girl support me through this. I was

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Speaker 1: a I mean peace.

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Speaker 2: I know.

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Speaker 3: The church you was just smashing every now and again. No,

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Speaker 3: you're not going to that.

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Speaker 1: If that's the five you could go to your shorties.

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Speaker 3: Yeah, that's a fact. I love the good morning, good afternoon,

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Speaker 3: or good night, depending on when and where you are

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Speaker 3: in the world and when you're listening to us. Welcome

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Speaker 3: to a new episode of the new Rory and Mall podcast.

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Speaker 1: I am All, I'm the Maras, and we are back.

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Speaker 3: Had a couple of days off. How you feeling.

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Speaker 1: I feel good speaking of good night, good morning, good

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Speaker 1: evening and all that stuff. I follow a girl that's

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Speaker 1: in Iceland right now, and the sun goes down at

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Speaker 1: eleven pm currently and I think comes back up at

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Speaker 1: three am. Thanks, just judging by how like certain nights

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Speaker 1: are kind of determined by what time the sun goes

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Speaker 1: down and how that moves with your life. It might

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Speaker 1: get fucking nuts in Iceland at night.

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Speaker 3: Well today in the day night.

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Speaker 1: It's just day sex all the time.

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Speaker 3: I don't know if I could live somewhere like that

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Speaker 3: for an extended period of time, Like it can't be

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Speaker 3: dark for too many hours.

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Speaker 1: I'm kind of the opposite, it can't be light for

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Speaker 1: too many hours. Well, summertime I don't even particularly love

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Speaker 1: because the sun goes down at fucking nine pm.

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Speaker 3: Well, the sun is your enemy. That is very tricky.

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Speaker 3: But I just I don't know. I just I need

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Speaker 3: to see sunlight for a few hours. I don't have

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Speaker 3: to be out in it. I need to see it.

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Speaker 3: I need to see it coming through the windows. I

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Speaker 3: just need to see it. If it's dark all day,

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Speaker 3: you don't have the motivation. Like if it's gloomy, raining

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Speaker 3: all day, you don't want to go outside. Stay home.

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Speaker 1: I mean, i've I've dabbled in the the club girl

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Speaker 1: vibe before. I just wonder what that would be like

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Speaker 1: in a place where the sun is always out, Like

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Speaker 1: is there any laws?

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Speaker 3: Of course? I feel I feel like all the laws

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Speaker 3: go out the window when the is.

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Speaker 1: I think there has a lot to do with laws

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Speaker 1: based on the sun going up and down. Okay, well,

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Speaker 1: I really think society is built off the sun going

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Speaker 1: up and down. I don't think time is a real thing.

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Speaker 1: I think the sun is a real thing.

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Speaker 3: The sun is a real thing, and so we keep

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Speaker 3: time and.

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Speaker 1: How their structure and even delusion, Like have you ever

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Speaker 1: stayed up all night and just kind of got not

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Speaker 1: delusion on the next day, but you're kind of out

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Speaker 1: of whack because.

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Speaker 3: Oh no, it's the same effect the sun and rise and.

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Speaker 1: You slept, Like I could only imagine what the fuck

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Speaker 1: that would be like if you're not on vacationed to oh,

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Speaker 1: not a vacation, you have.

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Speaker 3: The same effect. If you don't get any sleep, it's

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Speaker 3: the same effect as you being drunk on your body.

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Speaker 4: All night or.

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Speaker 1: Lastly, I don't know, Monday at distress.

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Speaker 3: I mean I do that only when I'm traveling to

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Speaker 3: the West coast, Like I'll stay up all night and

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Speaker 3: just go straight to the airport so I can sleep

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Speaker 3: the entire flight.

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Speaker 1: But they must make a killing in blackout curtains over there,

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Speaker 1: Oh for sure.

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Speaker 3: That's probably the corner of the market. That's probably law.

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Speaker 3: You have to have blackout curtains. You have to have, oh,

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Speaker 3: I guess a heater or something in your house, Like.

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Speaker 1: Well, isn't Iceland warm because I watched the Mighty Ducks

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Speaker 1: and I'm only going.

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Speaker 3: Off that Iceland gets warm.

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Speaker 1: I feel like Greenland ice and then Iceland is normal

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Speaker 1: is green? We have to really get into I know,

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Speaker 1: we're tearing down the statues of all the people that

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Speaker 1: like own slaves and ship in America, which I'm all

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Speaker 1: the way, but all the people that named these places

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Speaker 1: like where they just trying to be ironic and sarcastic,

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Speaker 1: like I don't think I should be able to name

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Speaker 1: a country because I'm an asshole.

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Speaker 2: Well, a lot of so, a lot of it has

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Speaker 2: to do with the Earth is changing because we've fucked

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Speaker 2: it up, fucked up the Earth's core so much.

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Speaker 3: Solace it might have been ice before.

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Speaker 1: You guys are not going to get me back into

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Speaker 1: a TikTok viral moment about the dinosaurs because they're about

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Speaker 1: to be like Iceland was ice and then Iceland did

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Speaker 1: this and then Green. You're not going to get me

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Speaker 1: looking stupid on TikTok.

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Speaker 2: You're always for three weeks for something.

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Speaker 1: Did you see that on TikTok?

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Speaker 2: Are you viral?

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Speaker 3: Poppy dinosaurs?

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Speaker 1: Yeah, they made fun of Rory's I actually, whoever did that?

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Speaker 1: I don't know the gentleman's name. I wish I have

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Speaker 1: not been. He was hilarious. I thought that was fucking great.

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Speaker 1: I love a good joke, and they took me saying

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Speaker 1: on this podcast, when the asteroid hit, why did like

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Speaker 1: all the bones stay mm hm. And this gentleman would

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Speaker 1: very sarcastic, Yeah, but in a very condescending like the

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Speaker 1: way I would tell a joke. Oh yeah, it was

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Speaker 1: fucking amazing, right there, got it? Oh he was hilarious.

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Speaker 1: What's this guy's name. I want to give him credit.

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Speaker 3: This is Rocky retrograde grade, Rocky retrograde.

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Speaker 1: Shout out to Rocky Retrograde. This was hilarious asteroid that

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Speaker 1: killed all the dinosaurs, yet their bones stayed. It's just nothing.

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Speaker 5: Big rock flight in the planet, big rock, Big rock

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Speaker 5: hit planet in one big boom fire, not go all

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Speaker 5: around planet, stay greater, big fire hurt dinosaur.

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Speaker 3: Dinosaur.

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Speaker 1: He's making fun of how stupid I am thinking.

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Speaker 3: That he must have talked like that's like his Neanderthal accent.

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Speaker 1: Well, you know, this is just why I hate democrats.

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Speaker 1: I am their global warming and their fossil fuels. We

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Speaker 1: never got into the conspiracy with fossil fuels, fossils, dinosaurs fuel,

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Speaker 1: No school, I don't want to get into it, and

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Speaker 1: it's I see what he's doing.

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Speaker 3: Oh, you're going to have another one for you tomorrow

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Speaker 3: behind this one. I thought I didn't break it down

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Speaker 3: for you enough.

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Speaker 1: Okay, it lagged a lot, so you missed a lot

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Speaker 1: of the good comedic timing.

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Speaker 3: It was very funny. No, I like it did a

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Speaker 3: lot of numbers. First of all, Yeah, it has one

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Speaker 3: point eight million likes.

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Speaker 1: First of all about my stupidity. Yeah, my mother is

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Speaker 1: so proud.

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Speaker 3: But yeah, I mean, you know, I like the fact

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Speaker 3: that he did that just to kind of break it

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Speaker 3: down and you know, to where you can understand, like,

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Speaker 3: dinosaur don't die because dinosaur don't die from rock explosion.

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Speaker 2: And you know what I sent mall, what the fuck?

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Speaker 3: That's what he was doing. He sound like he's sounding

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Speaker 3: like the god from Norbit, that orphan.

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Speaker 1: He might as well said more duckt sauce or soy sauces.

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Speaker 3: What you're saying, that's that's that's the only thing he

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Speaker 3: didn't say. Oh, but I like that. I appreciate that

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Speaker 3: because you know, he didn't help you out, and now

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Speaker 3: you understand that, well.

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Speaker 1: You know what made me feel worse about the entire

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Speaker 1: thing outside of Uh, I don't give a fuck. I

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Speaker 1: actually thought it was hilarious, but the fact that I fully

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Speaker 1: understood what he was saying, and I was like, I'm

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Speaker 1: glad someone cleared that up. But he did it in

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Speaker 1: the most condescending, dumb tone, like to make me understand

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Speaker 1: it like that, Oh I get it now, I love

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Speaker 1: I didn't even know about the cloud condescending.

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Speaker 3: They should teach a class on how to speak with

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Speaker 3: a condescending tone.

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Speaker 1: Oh, I could teach that cloud.

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Speaker 3: Yeah, they should have to teach a class on how

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Speaker 3: to speak one of They need it. I think that's necessary.

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Speaker 3: I think that helps you bypass a lot of frivolous conversations.

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Speaker 3: Speaking of frivolous conversations, we had a lot. I had

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Speaker 3: a lot of frivolous conversations that you're single release party.

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Speaker 2: I was like, totally drained party that I did not throw.

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Speaker 3: Uh mentally drained, uh, physically drained. But yeah, they we

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Speaker 3: need a class on condescending tones. We need to know

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Speaker 3: how to speak that fluently because that helps you get

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Speaker 3: out of bullshit conversations.

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Speaker 2: Like but sometimes when you deliver a message in a

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Speaker 2: condescending tone, the tone is all the person here is

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Speaker 2: not the message.

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Speaker 3: No, but this is why when you when you take

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Speaker 3: a class, you know how to fluctuate your voice different

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Speaker 3: octaves but still keep the condescending demeanor with the person.

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Speaker 3: Is like I think this person is being sarcastic, Like yeah,

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Speaker 3: I am.

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Speaker 4: Do you really think that?

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Speaker 3: Absolutely? I do.

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Speaker 1: See clearly not.

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Speaker 3: Got but how up? Like yeah, no I do.

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Speaker 1: I was caught off guard at my it's not a

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Speaker 1: party at the gathering. I was because usually I go

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Speaker 1: into usually go into places thinking, let me get prepared

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Speaker 1: to get my condescending small talk, find my exits out

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Speaker 1: of conversations I don't want to have like oh, what

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Speaker 1: you're working on? Like like you know those kind got

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Speaker 1: to prepare yourself. Yeah, so you know that takes a

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Speaker 1: lot out of me, so I have to prepare myself

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Speaker 1: for it. I went in there vulnerable, like just chilling, thinking.

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Speaker 1: I invited friends and family, not realizing they brought all

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Speaker 1: their pluses plus six and I was not ready. I

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Speaker 1: was cornered. I couldn't get out of the corner I got.

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Speaker 1: I got verbally jumped.

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Speaker 3: Yeah, it almost happened to me, But I was able

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Speaker 3: to maneuver and spin off a little bit. But first

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Speaker 3: of all, congratulations on the single coming out, thank You,

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Speaker 3: I Want You but You'll Never Know Rory Shelley fka

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Speaker 3: Drom and the Lovely Alex Eisley. So congrats on that.

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Speaker 3: Some people that in there that I didn't see in

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Speaker 3: a while that I was happy to see.

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Speaker 1: One percent of my listenership is non binary?

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Speaker 4: Cool?

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Speaker 3: Really yeah the.

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Speaker 1: Numbers on that, Yeah, I just I looked them up. Well,

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Speaker 1: we were sitting here before we started recording. I was like, oh,

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Speaker 1: that's cool. Yeah, I want to up that though I

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Speaker 1: feel like the song is non binary.

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Speaker 3: We could, I could really like have fun with them.

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Speaker 1: That was actually really good, Like I really wasn't.

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Speaker 3: I'm not gonna I'm not gonna do it. Uh So,

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Speaker 3: there was a lot of people in there that I

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Speaker 3: haven't seen in a while that it was good to see.

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Speaker 3: Uh you know, old faces, old friends.

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Speaker 1: That was the goal. Yeah, and then the old and

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Speaker 1: then the old faces brought new ones people you didn't know, right, like,

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Speaker 1: what are you doing here?

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Speaker 3: Uh So I ended up sitting next to uh Scotty

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Speaker 3: and Raven. Okay, shout out to Scotty and Raven.

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Speaker 1: At Scotty bean a well f f k A Diani Yes,

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Speaker 1: and Ravy b f k A Raven.

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Speaker 3: Uh So. So Raven we was talking and she was like,

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Speaker 3: she said, I love the fact that Rory thinks that

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Speaker 3: he's really not industry. And I was like, you mean,

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Speaker 3: so listen, listen, No, it gets better. I am though, no, no,

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Speaker 3: but it gets better. So when I walked in, first

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Speaker 3: of all, I saw Benner and he was like, yo,

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Speaker 3: you know, do you want to introduce the single once

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Speaker 3: we play it at midnight? Because Rory doesn't want to

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Speaker 3: do it. So I looked at Better, like okay.

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Speaker 1: And first of all, I don't like that that I'm

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Speaker 1: just finding out about this because I wouldn't want you

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Speaker 1: to do that either, but never asked that of you.

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Speaker 3: No, that's what I'm saying. So I was like sure.

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Speaker 3: I looked around, like why doesn't Roy He's like, Rory

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Speaker 3: doesn't want to do it. I was like, okay, I mean,

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Speaker 3: if you need somebody to do it, I'll do it. No,

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Speaker 3: I don't mind, but that's neither hiding on this. So

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Speaker 3: we talked about that, we laughed, whatever, And so I'm

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Speaker 3: talking to Raven and she's like, y'all love the fact

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Speaker 3: that Rory thinks he's not industry. I was like, he's

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Speaker 3: definitely industry, but he's gonna fight it till he can't

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Speaker 3: fight it no more.

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Speaker 1: I'm going to ruin the whole story.

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Speaker 3: So mad industry, so so so. As was sitting it talking,

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Speaker 3: Loki introduced you to introduce the single, shout out the

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Speaker 3: low key and Rory. Rory gets into his bag. He's like, no, no, no, no, no,

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Speaker 3: I don't want to do this, terrible. I don't, I don't.

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Speaker 3: I don't want to introduce a song. These are my friends.

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Speaker 3: You guys are my friends. I invited all of you

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Speaker 3: put your phone down. Why are you taking pictures of me?

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Speaker 3: I know you, guys. I just spoke to you earlier

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Speaker 3: on the phone. I'm like, all truth, No, all truth.

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Speaker 3: Violet maybe thought it was weird, Wilett, maybe all true.

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Speaker 1: I don't ever want to see my friends take their

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Speaker 1: phone out.

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Speaker 3: No, but it's just funny because you go from that

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Speaker 3: to no, no, no, to well, let me tell you,

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Speaker 3: I really wanted to go with the second song that

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Speaker 3: we're going to balance, I said, and that went into

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Speaker 3: a whole speek, a whole speech about the record, which

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Speaker 3: was great, which is what you're supposed to do.

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Speaker 1: Great, I was forced to do it. I try to

258
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Speaker 1: do it my way and then get into understand.

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Speaker 3: But it was just we had to have fun because

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Speaker 3: it went from oh, as you should, no, I don't

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Speaker 3: want to do this, to well, let me tell you.

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Speaker 3: I really wanted to go with the second song that

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Speaker 3: I love personally, but this one, you know, we wrote

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Speaker 3: and we did, and I was just like, look at

265
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Speaker 3: my boy in his bag, like he's gonna fight that

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Speaker 3: industry shit as long as he can. But you can't

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Speaker 3: fight it.

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Speaker 1: It's like when people like applaud for you're like, oh,

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Speaker 1: please stop stop stop. You keep going, yeah, keep going.

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Speaker 3: Oh it's like you went award and you like yo,

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Speaker 3: I didn't have anything prepared and pull out a whole

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Speaker 3: list idea. I was not expecting this at all. Didn't

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Speaker 3: think I would win. But it was good to see

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Speaker 3: a room full of people that you respect and that

275
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Speaker 3: you have a relationship with come out and support you,

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Speaker 3: enjoy the record, enjoy the music. It was definitely a

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Speaker 3: good vibe in there.

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Speaker 1: But why it was weird to me is because the

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Speaker 1: people there was other people there that were not friends

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Speaker 1: and family, but it was just odd to me. I

281
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Speaker 1: didn't want it wasn't a listening party, even though it was.

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Speaker 1: I guess tagged as that. It was a let's come

283
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Speaker 1: out and kick it people. I don't see a lot

284
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Speaker 1: we're getting older in age, not to say, and we

285
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Speaker 1: don't see each other as much like let's just all

286
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Speaker 1: kick it. And the song is not to be played

287
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Speaker 1: in like a party like listen, go listen to it

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Speaker 1: on your way home.

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Speaker 3: You're wrong on that though. That song can definitely you

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Speaker 3: played in the party, that type of party, a small

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Speaker 3: intimate room like that, dim lights, candles. It was the

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Speaker 3: right vibe for that record.

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Speaker 1: But it just makes me really uncomfortable.

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Speaker 3: I play at a M two, No, I wouldn't be bad.

295
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Speaker 3: I wouldn't be blasting that as a DJ at M two.

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Speaker 1: But in that and that went off at the time.

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Speaker 3: No, no, no, But in that environment, that lounge type

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Speaker 3: of vibe, piano on the stage, absolutely you can get

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Speaker 3: that off in it.

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Speaker 1: I guess I just don't ever want to watch because

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Speaker 1: I know all my friends have different taste and I

302
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Speaker 1: want to celebrate with my friends even if they don't

303
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Speaker 1: like the song. I'd be fine with that. I wouldn't

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Speaker 1: be offended by it. I didn't make the record for

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Speaker 1: my friends to like. I made it for people.

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Speaker 3: That wanted to create a vibe that and.

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Speaker 1: The people that I know like that type of shit,

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Speaker 1: but the same I don't want to watch my friends

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Speaker 1: not pretend but like have to awkwardly sit there while

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Speaker 1: I'm like, hey, listen to my song, Like no, no, no,

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Speaker 1: if you want to listen to it, or listen to it.

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Speaker 1: If you don't, if you're still my friend, my friendship

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Speaker 1: is not based off you listening to my record. Here

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Speaker 1: there was no reporters industry type of like, oh we

315
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Speaker 1: invited the DSPs. No, we invited my friends.

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Speaker 3: But here's the thing you gotta remember. Number One, you

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00:14:00,440 --> 00:14:05,599
Speaker 3: have an ear for music that most people would appreciate it,

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Speaker 3: even if they don't play it on their own in

319
00:14:08,280 --> 00:14:09,880
Speaker 3: a spot and it comes on this, they're not gonna

320
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Speaker 3: be like, this song is terrible. Oh yeah, that's don't

321
00:14:12,120 --> 00:14:14,839
Speaker 3: want that. Number two, they came out because they knew

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Speaker 3: that you were putting a single out, so of course

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Speaker 3: they want to hit the record.

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Speaker 1: They came out because of the people in there that

325
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Speaker 1: I invited have had that record for three months.

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Speaker 3: Which which means which means even more that because they

327
00:14:27,080 --> 00:14:28,960
Speaker 3: came out. So it's like, oh, you play the record,

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Speaker 3: I heard it.

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Speaker 4: I like it.

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Speaker 3: I guess, so it was. It was it was just

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Speaker 3: fun to watch you like not want that spotlight.

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Speaker 1: I didn't.

333
00:14:36,560 --> 00:14:38,240
Speaker 3: But then as soon as the spotlight came on, Oh

334
00:14:38,280 --> 00:14:39,920
Speaker 3: you turned in the old blue eyes. You turn into

335
00:14:39,920 --> 00:14:42,680
Speaker 3: Frankie Sinodis. You was up there. You was out there

336
00:14:42,800 --> 00:14:45,200
Speaker 3: doing your shoe op shoe wop. I said, look at

337
00:14:45,240 --> 00:14:47,240
Speaker 3: my boy, glow. You was up there. You were so

338
00:14:47,360 --> 00:14:49,680
Speaker 3: comfortable in the room full of vultures and they weren't

339
00:14:49,680 --> 00:14:50,320
Speaker 3: any vultures in it.

340
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Speaker 1: But not because no, that all came from us doing

341
00:14:55,680 --> 00:14:58,400
Speaker 1: live pods, because I can just turn that on if

342
00:14:58,400 --> 00:15:00,840
Speaker 1: I have to, because I just felt awkward. Then it

343
00:15:00,880 --> 00:15:02,680
Speaker 1: would start put their phones out, and I'm like, well, fuck,

344
00:15:02,760 --> 00:15:04,920
Speaker 1: not have to say something. Where everyone stopped at the

345
00:15:05,000 --> 00:15:07,240
Speaker 1: conversations they were having the music went off. I was like,

346
00:15:07,680 --> 00:15:11,160
Speaker 1: all right, well, I guess now I'll say something. And

347
00:15:11,400 --> 00:15:13,280
Speaker 1: in the second record that comes out on the twenty second,

348
00:15:13,320 --> 00:15:15,920
Speaker 1: I just assumed like that one would have fared better

349
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Speaker 1: in that room. So I was like, let's listen to

350
00:15:18,000 --> 00:15:20,320
Speaker 1: this one. No, the one that's out now.

351
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Speaker 3: The record was. The record was great. It came across great.

352
00:15:23,360 --> 00:15:25,120
Speaker 3: It was the right room for it, the right vibe,

353
00:15:25,120 --> 00:15:27,680
Speaker 3: the right energy, The right people were in the room

354
00:15:27,720 --> 00:15:31,120
Speaker 3: for that record. You had a lot of savvy music music,

355
00:15:31,680 --> 00:15:35,240
Speaker 3: musical savvy people in the room that no good music,

356
00:15:35,560 --> 00:15:39,400
Speaker 3: that appreciate good music. And I think that it was.

357
00:15:39,480 --> 00:15:41,680
Speaker 3: It came up, it was, it was all all in all,

358
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Speaker 3: it was a great night. I think it was the

359
00:15:43,320 --> 00:15:46,960
Speaker 3: right amount of people, the right Yeah, the right energy. Like,

360
00:15:47,000 --> 00:15:48,760
Speaker 3: I think that it was a really really successful night.

361
00:15:48,800 --> 00:15:52,240
Speaker 3: So congratulations on that. I congratulations on the record. The

362
00:15:52,280 --> 00:15:53,600
Speaker 3: record is dope. But I told you that when you

363
00:15:53,600 --> 00:15:56,480
Speaker 3: played that shit for me months ago, and yeah, man,

364
00:15:56,720 --> 00:15:57,960
Speaker 3: we need to do some more of that. Though I'm

365
00:15:57,960 --> 00:15:59,480
Speaker 3: not gonna lie. I meant to text you the next

366
00:15:59,560 --> 00:16:01,520
Speaker 3: day like I ain't gonna lie. We neve needed one

367
00:16:01,520 --> 00:16:02,160
Speaker 3: of those a month.

368
00:16:03,040 --> 00:16:06,080
Speaker 1: I loved the amount of money that that open bar

369
00:16:06,160 --> 00:16:09,800
Speaker 1: and space costs together. We could do that ship by weekly.

370
00:16:09,920 --> 00:16:11,680
Speaker 3: Yeah, I'm not gonna lie like that. That was a

371
00:16:11,720 --> 00:16:15,120
Speaker 3: real nice room, real good energy, and yeah we need

372
00:16:15,160 --> 00:16:16,600
Speaker 3: ship like that. Like, I don't go out it was,

373
00:16:16,640 --> 00:16:18,160
Speaker 3: but it was good to I went out only like

374
00:16:18,160 --> 00:16:19,880
Speaker 3: I said, to support you. And I knew that we

375
00:16:19,920 --> 00:16:21,520
Speaker 3: know a lot of mutual people. So some people I

376
00:16:21,520 --> 00:16:23,000
Speaker 3: haven't seen a while, I knew they would be there.

377
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Speaker 1: So and I wasn't gonna try to do some fucking

378
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Speaker 1: big ass listening party. Let's do some my living room

379
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Speaker 1: and kick right.

380
00:16:31,160 --> 00:16:34,760
Speaker 3: It was the right type of vibe, right type of room. Uh.

381
00:16:34,960 --> 00:16:36,800
Speaker 3: I ran in. The Best in the Best scared me

382
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Speaker 3: a little bit. I was, that's my god. I love him,

383
00:16:39,240 --> 00:16:41,720
Speaker 3: but you know you don't expect his energy in that

384
00:16:41,760 --> 00:16:43,800
Speaker 3: type of room. I'm like, Best, you're scaring the people.

385
00:16:43,960 --> 00:16:45,320
Speaker 2: Yo. Let me tell you all about Best.

386
00:16:45,640 --> 00:16:48,560
Speaker 1: I walked in for me body.

387
00:16:48,600 --> 00:16:48,800
Speaker 3: Best.

388
00:16:48,920 --> 00:16:53,080
Speaker 2: He's standing outside the venue with like a half a

389
00:16:53,080 --> 00:16:59,720
Speaker 2: pound of weed in his hand and he had holding

390
00:17:00,080 --> 00:17:02,280
Speaker 2: to find the venue. I walked up to him. He

391
00:17:02,360 --> 00:17:04,720
Speaker 2: hugged me real tight. Sod, I smoke it all that ship.

392
00:17:04,720 --> 00:17:06,679
Speaker 2: I'm like, Best, I understand that, but I need you

393
00:17:06,720 --> 00:17:07,800
Speaker 2: to I need you to put that.

394
00:17:07,720 --> 00:17:08,879
Speaker 1: On mind you. All I can smell it is his

395
00:17:08,880 --> 00:17:10,560
Speaker 1: own weed. I didn't even smell it exactly.

396
00:17:10,600 --> 00:17:11,920
Speaker 2: I said, Best, I need you to put that way. No,

397
00:17:11,960 --> 00:17:12,920
Speaker 2: we ain't go bring it in the video.

398
00:17:14,320 --> 00:17:14,560
Speaker 3: Sorry.

399
00:17:14,840 --> 00:17:17,160
Speaker 2: Standing on Broadway holding a half a pound of weed.

400
00:17:17,200 --> 00:17:19,000
Speaker 3: I need you to put big Bronx energy. You gotta

401
00:17:19,040 --> 00:17:21,080
Speaker 3: love it. A shout out to my God, big body best.

402
00:17:21,480 --> 00:17:22,320
Speaker 4: He's a sweetie.

403
00:17:22,880 --> 00:17:23,800
Speaker 3: But yeah, it was a lot of It was a

404
00:17:23,840 --> 00:17:25,119
Speaker 3: lot of good people in the room, A lot of

405
00:17:25,119 --> 00:17:28,560
Speaker 3: good people. I had to have, uh and entertain conversations

406
00:17:28,560 --> 00:17:30,320
Speaker 3: that you know, you know how I am rory. I

407
00:17:30,320 --> 00:17:31,960
Speaker 3: think I'm worse than you when it comes to socially

408
00:17:31,960 --> 00:17:34,679
Speaker 3: awkward shit. I didn't want to have certain conversations, but

409
00:17:34,720 --> 00:17:38,080
Speaker 3: I had to now because now I'm just always like

410
00:17:38,359 --> 00:17:40,080
Speaker 3: I don't want to leave here, and then it be

411
00:17:40,080 --> 00:17:41,600
Speaker 3: a mention on me on Twitter like oh, he's such

412
00:17:41,600 --> 00:17:44,879
Speaker 3: an asshole, Like that's my I'm like, I don't want

413
00:17:44,880 --> 00:17:46,560
Speaker 3: people to just think I'm an asshole, but I really

414
00:17:46,600 --> 00:17:50,359
Speaker 3: just don't you know this. I don't like having I

415
00:17:50,400 --> 00:17:52,000
Speaker 3: feel like you should feel my energy when I'm like,

416
00:17:52,000 --> 00:17:53,160
Speaker 3: all right, I'm done with this conversation.

417
00:17:53,280 --> 00:17:55,160
Speaker 1: See, I feel the same way, and I think we're wrong.

418
00:17:55,800 --> 00:17:57,480
Speaker 3: You know what I'm saying, Like I think you should take.

419
00:17:57,359 --> 00:17:59,560
Speaker 1: Cues of what because I'm going to make the cues

420
00:17:59,600 --> 00:18:03,880
Speaker 1: even crazier. Yeah, company that we fucked with heavily had

421
00:18:03,920 --> 00:18:08,840
Speaker 1: brought some people there who were very nice, people like them,

422
00:18:09,119 --> 00:18:13,360
Speaker 1: but after two minutes, like, how many more do y'all

423
00:18:13,359 --> 00:18:15,800
Speaker 1: appreciate y'all? Like thank you everything y'all do? Like how

424
00:18:15,800 --> 00:18:17,760
Speaker 1: many more of those after everything you say?

425
00:18:18,520 --> 00:18:20,159
Speaker 3: And I don't want to and I don't want to

426
00:18:20,160 --> 00:18:23,440
Speaker 3: come across like I'm not appreciative of love and support

427
00:18:23,520 --> 00:18:26,480
Speaker 3: and good energy. You know, I like that. But at

428
00:18:26,480 --> 00:18:29,640
Speaker 3: the same time, I'm here. I'm here to party. I'm

429
00:18:29,640 --> 00:18:31,280
Speaker 3: here to I'm here to just you know, chill have

430
00:18:31,320 --> 00:18:33,800
Speaker 3: a good time. I don't want to talk about business.

431
00:18:34,080 --> 00:18:35,440
Speaker 2: Oh my god, I don't.

432
00:18:35,240 --> 00:18:35,840
Speaker 3: Want to do that.

433
00:18:35,960 --> 00:18:41,320
Speaker 1: I just want to chill, drink felf awareness and other

434
00:18:41,359 --> 00:18:45,320
Speaker 1: people's self awareness like ship. When Boogie did his single

435
00:18:45,320 --> 00:18:49,640
Speaker 1: release joint, I was in LA and Boogie and I,

436
00:18:49,760 --> 00:18:52,679
Speaker 1: let's not even say, like, uh the corporation partners like

437
00:18:53,320 --> 00:18:56,800
Speaker 1: here to support me and Boogie friends for real, I

438
00:18:56,880 --> 00:18:59,080
Speaker 1: knew the night Boogie had with the amount of people

439
00:18:59,080 --> 00:19:03,000
Speaker 1: in there. I did not speak to Boogie once because

440
00:19:03,080 --> 00:19:05,399
Speaker 1: I went to support the party. We kicked it similar

441
00:19:05,440 --> 00:19:07,200
Speaker 1: to mine, like a small shit, but he had his

442
00:19:07,400 --> 00:19:09,280
Speaker 1: you know, interscope type of shit where he had the

443
00:19:09,320 --> 00:19:12,280
Speaker 1: politic and all that I'm leaving you alone because I

444
00:19:12,320 --> 00:19:13,720
Speaker 1: know you gotta do that shit. I just wish to

445
00:19:13,920 --> 00:19:15,600
Speaker 1: go to play the room. I feel like everyone would

446
00:19:15,680 --> 00:19:16,800
Speaker 1: just let the person do that.

447
00:19:17,040 --> 00:19:19,560
Speaker 3: Yeah, I mean, you know, but everybody that they don't

448
00:19:19,600 --> 00:19:21,639
Speaker 3: pick up on that, so you know it's okay. But

449
00:19:22,200 --> 00:19:24,040
Speaker 3: all in all, again, man, it was. It was a

450
00:19:24,080 --> 00:19:28,840
Speaker 3: good night, a good event, great music, and yeah, we

451
00:19:28,840 --> 00:19:30,600
Speaker 3: need to do that a little molten. We need to

452
00:19:30,600 --> 00:19:31,960
Speaker 3: find feature something out to where.

453
00:19:31,800 --> 00:19:33,520
Speaker 1: We could and there's smaller rooms at that spot, so.

454
00:19:33,520 --> 00:19:35,320
Speaker 3: Yeah, where we could do something in that type of room,

455
00:19:35,320 --> 00:19:37,680
Speaker 3: and just to have something to go to every month,

456
00:19:37,720 --> 00:19:38,959
Speaker 3: just to get out the house and just you know,

457
00:19:39,119 --> 00:19:41,440
Speaker 3: see people that we don't see all the time, even

458
00:19:41,480 --> 00:19:42,800
Speaker 3: if it's just for one night out of the month

459
00:19:42,840 --> 00:19:45,080
Speaker 3: and just leave me alone for another thirty days. I'll

460
00:19:45,080 --> 00:19:46,480
Speaker 3: see you on thirty days. That type of shit.

461
00:19:46,560 --> 00:19:48,800
Speaker 2: And I think it was best because we curated it

462
00:19:48,840 --> 00:19:51,080
Speaker 2: like it wasn't like somebody else's party we went to,

463
00:19:51,320 --> 00:19:53,280
Speaker 2: Like we knew who were going to be there. Yeah,

464
00:19:53,280 --> 00:19:55,639
Speaker 2: and it's people that we actually wanted to see and

465
00:19:55,680 --> 00:19:57,920
Speaker 2: we wanted to kick it with. So that's so much

466
00:19:57,920 --> 00:19:59,959
Speaker 2: better than just going out and like random people are

467
00:20:00,359 --> 00:20:02,359
Speaker 2: I'm not either arguing, but this is kind of family

468
00:20:02,440 --> 00:20:04,240
Speaker 2: and an extension of family of course.

469
00:20:04,280 --> 00:20:06,919
Speaker 1: But yeah, I'm mad at like Podden for twenty minutes

470
00:20:07,640 --> 00:20:10,280
Speaker 1: and then just kicking it for the night type of thing.

471
00:20:10,359 --> 00:20:13,040
Speaker 3: Yeah, it does something like that, something real, something real, cool,

472
00:20:13,160 --> 00:20:17,240
Speaker 3: real intimate, but fun, you know, not too too stuffy,

473
00:20:17,640 --> 00:20:19,840
Speaker 3: you know, a little loose in there. That's why you know.

474
00:20:19,920 --> 00:20:22,159
Speaker 3: I walked in there. I smelled the cush immediately I

475
00:20:22,240 --> 00:20:24,320
Speaker 3: knew I was home. I said, oh, yes, we can

476
00:20:24,359 --> 00:20:24,920
Speaker 3: smoke in here.

477
00:20:25,040 --> 00:20:25,240
Speaker 1: Yeah.

478
00:20:25,240 --> 00:20:26,879
Speaker 2: The manager came up to me and was like, someone

479
00:20:27,000 --> 00:20:28,880
Speaker 2: smoking in here? I said, finding me kicked the ass.

480
00:20:28,880 --> 00:20:33,359
Speaker 3: Oh, oh that was me for sure, Manager, whoever you are,

481
00:20:33,400 --> 00:20:34,600
Speaker 3: that was definitely me. I'm sorry.

482
00:20:35,400 --> 00:20:37,239
Speaker 1: Somebody definitely did come up to me and said, did

483
00:20:37,280 --> 00:20:39,560
Speaker 1: someone smoking? I was like, no one would ever do that.

484
00:20:40,040 --> 00:20:42,280
Speaker 1: I was high off the second hand smoke.

485
00:20:43,200 --> 00:20:46,120
Speaker 3: That was me and a few other individuals who shot.

486
00:20:46,119 --> 00:20:46,840
Speaker 2: I was in the corner.

487
00:20:47,000 --> 00:20:49,480
Speaker 1: Oh, I smelled that ship on every definitely.

488
00:20:49,480 --> 00:20:53,040
Speaker 3: I definitely raised the noise pollution, the smoke pollution in there, definitely, definitely.

489
00:20:53,119 --> 00:20:54,240
Speaker 3: But it was a good room. It was a good

490
00:20:54,280 --> 00:20:56,040
Speaker 3: room for that. It felt like a little jazz lounge.

491
00:20:56,040 --> 00:20:58,520
Speaker 2: You know it was res vibe. That's why, Like when

492
00:20:58,520 --> 00:21:00,480
Speaker 2: I saw it, I was like, I think this is

493
00:21:00,520 --> 00:21:01,760
Speaker 2: worth perfectly worry.

494
00:21:01,560 --> 00:21:03,840
Speaker 3: Because real good night.

495
00:21:03,880 --> 00:21:05,920
Speaker 1: I hate I hate to you know. I never want

496
00:21:05,960 --> 00:21:08,520
Speaker 1: to beat topics that we've talked about so much into

497
00:21:08,520 --> 00:21:10,960
Speaker 1: the ground. But we can revisit this one now that

498
00:21:11,040 --> 00:21:15,359
Speaker 1: you said that you and Raymon were talking about it. Okay,

499
00:21:15,560 --> 00:21:19,320
Speaker 1: being industry, do you have a different view of it?

500
00:21:20,320 --> 00:21:22,440
Speaker 3: Do I have a different view of being industry?

501
00:21:22,880 --> 00:21:25,439
Speaker 1: I used to fight me being industry because I had

502
00:21:25,440 --> 00:21:28,280
Speaker 1: a different definition of what being industry meant. At this point,

503
00:21:28,440 --> 00:21:31,600
Speaker 1: now I've accepted everyone else's definition of it, and now

504
00:21:31,640 --> 00:21:32,160
Speaker 1: I understand.

505
00:21:32,160 --> 00:21:35,080
Speaker 3: I'm in we're industry, bro Like we can't. We're industry.

506
00:21:35,720 --> 00:21:39,280
Speaker 3: We just don't do the industry shit all the time.

507
00:21:40,440 --> 00:21:42,600
Speaker 3: I agree, like, we're industry, but we don't do the

508
00:21:42,640 --> 00:21:44,480
Speaker 3: indy Like I don't go to a lot of these events.

509
00:21:44,560 --> 00:21:46,199
Speaker 3: I don't go to a lot of these parties. I

510
00:21:46,200 --> 00:21:49,240
Speaker 3: don't go to a lot of these festivals and conferences,

511
00:21:49,240 --> 00:21:51,000
Speaker 3: and I don't do that type of shit. But I

512
00:21:51,080 --> 00:21:53,280
Speaker 3: jump in and out of certain things that I feel

513
00:21:53,280 --> 00:21:55,040
Speaker 3: like it is going to be worth my time, Like, Okay,

514
00:21:55,040 --> 00:21:56,800
Speaker 3: I'll go support that, I'll go pop out to that.

515
00:21:57,080 --> 00:21:59,199
Speaker 3: But were industry. It is what it is. But I

516
00:21:59,200 --> 00:22:01,719
Speaker 3: don't The industry I'm talking about is the ones that

517
00:22:02,440 --> 00:22:04,679
Speaker 3: like hold that card high, like everywhere they go like that.

518
00:22:04,880 --> 00:22:05,320
Speaker 3: I don't.

519
00:22:05,320 --> 00:22:06,399
Speaker 1: That's what I always viewed it.

520
00:22:06,560 --> 00:22:08,159
Speaker 3: I don't like, I don't do that.

521
00:22:08,200 --> 00:22:11,160
Speaker 1: We know that industry person. That's how I always viewed it.

522
00:22:11,160 --> 00:22:13,720
Speaker 3: It gets a negative it gets a negative kind of connotation,

523
00:22:13,920 --> 00:22:16,040
Speaker 3: like the industry thing.

524
00:22:16,200 --> 00:22:20,720
Speaker 1: And to me now I realize the definition of it

525
00:22:20,760 --> 00:22:23,359
Speaker 1: is if you're a garbage man and you pick up

526
00:22:23,400 --> 00:22:28,800
Speaker 1: garbage and someone goes you're a garbage man, it's like, yeah, okay,

527
00:22:28,920 --> 00:22:31,680
Speaker 1: wait I work in the music industry. Yeah, oh yeah, okay,

528
00:22:31,680 --> 00:22:35,200
Speaker 1: then I'm industry. We just all have that different.

529
00:22:35,080 --> 00:22:37,320
Speaker 3: Because industry meant like, oh, you'll be trying to act

530
00:22:37,359 --> 00:22:38,960
Speaker 3: like you better than somebody.

531
00:22:38,680 --> 00:22:41,879
Speaker 1: And corn and there's people that don't even work in

532
00:22:41,920 --> 00:22:44,360
Speaker 1: the music industry that I'd be like, yo, you industry

533
00:22:44,520 --> 00:22:48,119
Speaker 1: because you just do that corny ship. Like I'll go

534
00:22:48,160 --> 00:22:51,720
Speaker 1: to events because I would like the artist and there

535
00:22:51,800 --> 00:22:54,360
Speaker 1: might be some hose there, not because I'm like, hey,

536
00:22:54,400 --> 00:22:56,520
Speaker 1: I just to let you guys know, I went to

537
00:22:56,600 --> 00:23:00,679
Speaker 1: this place, like not just what I fuck with his

538
00:23:00,760 --> 00:23:02,000
Speaker 1: music and he get bitches.

539
00:23:02,119 --> 00:23:08,080
Speaker 3: So I'm here. He also went out, uh last night,

540
00:23:08,800 --> 00:23:09,119
Speaker 3: all right.

541
00:23:09,160 --> 00:23:10,520
Speaker 1: So to me, it's a perfect example.

542
00:23:10,680 --> 00:23:14,320
Speaker 3: That's some industry ship. How that was an industry event. No,

543
00:23:14,400 --> 00:23:15,639
Speaker 3: it wasn't a listening event.

544
00:23:16,760 --> 00:23:18,359
Speaker 1: But I have not been to a listening event in

545
00:23:18,520 --> 00:23:22,040
Speaker 1: so fucking long. When I was yeah, George, mine was

546
00:23:22,080 --> 00:23:22,520
Speaker 1: an industry.

547
00:23:22,600 --> 00:23:24,600
Speaker 3: I had George Monday, mine was an industry. Had another

548
00:23:24,600 --> 00:23:24,840
Speaker 3: one on.

549
00:23:24,840 --> 00:23:26,280
Speaker 4: Which it was definitely industry.

550
00:23:26,480 --> 00:23:27,160
Speaker 3: It was industry.

551
00:23:27,280 --> 00:23:28,120
Speaker 4: I had an rs VP.

552
00:23:29,400 --> 00:23:30,920
Speaker 3: The Maris called me like I might not even be

553
00:23:30,960 --> 00:23:31,439
Speaker 3: able to get in.

554
00:23:31,520 --> 00:23:33,840
Speaker 1: She called me my way in your niece Mac Sierra

555
00:23:33,920 --> 00:23:34,640
Speaker 1: had an rs VP.

556
00:23:35,560 --> 00:23:37,520
Speaker 3: The Mariage called me, like, mo, where you at? I said,

557
00:23:37,840 --> 00:23:40,240
Speaker 3: five minutes away? Oh cuz, Yo, I don't know. It's

558
00:23:40,280 --> 00:23:43,000
Speaker 3: tight tight. I was like, yo, it's tight, Dad, Like

559
00:23:43,040 --> 00:23:44,960
Speaker 3: I can't get in. She was like, yo, you might

560
00:23:44,960 --> 00:23:46,720
Speaker 3: have to do something to me, like drop a little

561
00:23:46,760 --> 00:23:47,440
Speaker 3: dub or something.

562
00:23:47,800 --> 00:23:48,600
Speaker 1: I might.

563
00:23:49,920 --> 00:23:51,800
Speaker 3: I might have to grease up palm for you.

564
00:23:51,800 --> 00:23:52,720
Speaker 1: You couldn't get into my.

565
00:23:52,880 --> 00:23:55,520
Speaker 3: Yo, my single release it was close. I'm not gonna

566
00:23:55,560 --> 00:23:57,480
Speaker 3: lie like I try to come mind you.

567
00:23:57,600 --> 00:23:59,560
Speaker 2: This was at eleven thirty. The party ended that what.

568
00:23:59,680 --> 00:24:01,120
Speaker 3: Was thy national line?

569
00:24:01,400 --> 00:24:03,720
Speaker 2: I was out, I was staying outside.

570
00:24:03,800 --> 00:24:03,960
Speaker 1: Bro.

571
00:24:04,080 --> 00:24:05,520
Speaker 3: It was eleven thirty.

572
00:24:05,720 --> 00:24:08,440
Speaker 2: He list a lion. He came at ten twenty lying.

573
00:24:09,000 --> 00:24:11,240
Speaker 1: See she lying on me because I said I got

574
00:24:11,280 --> 00:24:12,680
Speaker 1: there before ten. She was like, you got there way

575
00:24:12,680 --> 00:24:14,440
Speaker 1: after ten. I was like, I got there like nine

576
00:24:14,520 --> 00:24:15,480
Speaker 1: thirty nine forty.

577
00:24:15,520 --> 00:24:16,840
Speaker 3: I got there at ten twenty.

578
00:24:17,440 --> 00:24:21,600
Speaker 2: Mall, you lied, man, that's crazy like that, he gets

579
00:24:22,119 --> 00:24:24,080
Speaker 2: Let scroll because don't worry because I got it on

580
00:24:24,160 --> 00:24:24,480
Speaker 2: my phone.

581
00:24:24,520 --> 00:24:26,640
Speaker 1: Damn how many people you text? It's a lot of scrolls.

582
00:24:26,760 --> 00:24:30,800
Speaker 1: Was any shit was on Monday that long ago? And

583
00:24:30,880 --> 00:24:31,159
Speaker 1: I know you.

584
00:24:31,200 --> 00:24:33,800
Speaker 2: Deleted told me he was ten minutes away at eleven

585
00:24:33,880 --> 00:24:35,960
Speaker 2: fifty six. You know when mall say ten minutes away,

586
00:24:35,960 --> 00:24:39,560
Speaker 2: it really means twenty at ten fifty six. Mall got

587
00:24:39,560 --> 00:24:41,240
Speaker 2: there at eleven twenty five.

588
00:24:41,320 --> 00:24:43,720
Speaker 3: Bro, No, I did not. I did not get there

589
00:24:43,720 --> 00:24:44,640
Speaker 3: at eleven twenty five.

590
00:24:45,480 --> 00:24:46,879
Speaker 2: But you had ten fifty six. You said you was

591
00:24:46,880 --> 00:24:47,520
Speaker 2: ten minutes a way.

592
00:24:48,000 --> 00:24:49,280
Speaker 3: No, I was in the building. I was.

593
00:24:49,400 --> 00:24:50,639
Speaker 2: You wasn't in the fucking building.

594
00:24:50,720 --> 00:24:52,320
Speaker 3: I was in a building by left. Oh no, you

595
00:24:52,400 --> 00:24:54,760
Speaker 3: were not a right, I asked Benner.

596
00:24:54,840 --> 00:24:57,399
Speaker 2: Actually I shouldn't asked been to get it.

597
00:24:57,400 --> 00:24:58,000
Speaker 3: What were you?

598
00:24:58,400 --> 00:24:59,520
Speaker 4: I overslept.

599
00:25:00,600 --> 00:25:01,880
Speaker 3: I just thought about that.

600
00:25:01,520 --> 00:25:04,160
Speaker 2: I'm like it couldn't make it because he had to edit.

601
00:25:04,200 --> 00:25:09,359
Speaker 3: That just was like, way, hold up.

602
00:25:09,280 --> 00:25:11,600
Speaker 1: I took that, and so I think I told you

603
00:25:11,680 --> 00:25:13,320
Speaker 1: to cut out one ten second things.

604
00:25:14,640 --> 00:25:18,240
Speaker 3: So yeah, it's okay, I get I'll get it. But yeah,

605
00:25:18,280 --> 00:25:20,520
Speaker 3: you went to another another listening session for uh.

606
00:25:21,240 --> 00:25:22,680
Speaker 1: To me, that wasn't industry.

607
00:25:23,040 --> 00:25:25,720
Speaker 3: That sounds Lloyd Banks listening session isn't industry.

608
00:25:25,840 --> 00:25:29,480
Speaker 2: No more industry than Banks is Lloyd's gonna let me

609
00:25:29,520 --> 00:25:29,639
Speaker 2: in this.

610
00:25:29,840 --> 00:25:30,399
Speaker 1: I'm more industry.

611
00:25:31,119 --> 00:25:33,040
Speaker 3: Rory's in the picture with Westside Gun.

612
00:25:34,640 --> 00:25:38,920
Speaker 1: Lloyd friend, brother, they're rappers.

613
00:25:39,560 --> 00:25:41,240
Speaker 3: I don't care if they your friends or not. That's

614
00:25:41,280 --> 00:25:45,000
Speaker 3: some industry ship. You can't fight it, bro, don't try

615
00:25:45,080 --> 00:25:47,080
Speaker 3: to fight this. That's the industry ship. You went to

616
00:25:47,240 --> 00:25:48,440
Speaker 3: Lloyd Bank's listening session.

617
00:25:48,720 --> 00:25:50,200
Speaker 1: If I was in a picture with a rapper, I

618
00:25:50,320 --> 00:25:52,639
Speaker 1: didn't know what is listening session, that's industry.

619
00:25:52,680 --> 00:25:56,320
Speaker 3: To me, that is too that's industry you're in. But

620
00:25:56,400 --> 00:25:58,680
Speaker 3: if you're a picture of rappers, that's industry ship.

621
00:25:58,760 --> 00:25:58,840
Speaker 1: Bro.

622
00:25:59,680 --> 00:26:01,520
Speaker 3: The fact did you can say Lloyd Banks, oh brother,

623
00:26:01,760 --> 00:26:04,120
Speaker 3: that's my brother, that's industry ship.

624
00:26:04,240 --> 00:26:07,440
Speaker 1: It's like it's like the fourth impression, the fourth impression.

625
00:26:08,600 --> 00:26:09,400
Speaker 3: No, that's my guy.

626
00:26:09,520 --> 00:26:12,120
Speaker 2: Oh, don't do that because all them people are young.

627
00:26:11,960 --> 00:26:16,000
Speaker 3: People's too, though, are set up industry. That's that's what

628
00:26:16,040 --> 00:26:18,520
Speaker 3: you're missing it. He's fighting it. I've accepted it.

629
00:26:19,440 --> 00:26:22,680
Speaker 1: I've accepted it. But in this podcast, I'm going to

630
00:26:22,760 --> 00:26:25,280
Speaker 1: fight off hours, fight to the death.

631
00:26:25,359 --> 00:26:25,600
Speaker 3: Rory.

632
00:26:25,840 --> 00:26:30,239
Speaker 1: It can't be all right if you go all right,

633
00:26:30,320 --> 00:26:33,520
Speaker 1: every whole listening session went to that made you industry.

634
00:26:33,720 --> 00:26:38,119
Speaker 3: Yes, absolutely, brother it I thought it for twenty but

635
00:26:38,680 --> 00:26:42,360
Speaker 3: industry more was like born industry. I fought it for years, Rory.

636
00:26:42,440 --> 00:26:44,919
Speaker 3: I'm not fighting no more. I am industry. I'm here

637
00:26:44,960 --> 00:26:49,080
Speaker 3: to let you know I can't fight it. The industry

638
00:26:49,119 --> 00:26:51,040
Speaker 3: we don't like. I'm not that type of industry.

639
00:26:51,400 --> 00:26:53,360
Speaker 1: I guess that's why I keep going back exactly.

640
00:26:53,080 --> 00:26:55,440
Speaker 3: You're not that type of industry, but you are industry's

641
00:26:55,640 --> 00:26:57,360
Speaker 3: when you do the fact that you got to invite

642
00:26:57,400 --> 00:27:01,120
Speaker 3: to Lloyd's listen Lloyd Banks listening sessions. Some industry I invitition.

643
00:27:01,200 --> 00:27:04,200
Speaker 1: I long I would not exist in this industry without

644
00:27:04,200 --> 00:27:06,320
Speaker 1: show money. I those are my.

645
00:27:06,760 --> 00:27:10,360
Speaker 4: Facts, and you accept it, which is there's nothing wrong

646
00:27:10,400 --> 00:27:10,600
Speaker 4: with that.

647
00:27:10,760 --> 00:27:15,560
Speaker 1: See, I get it, but that's that's fucking Shah was

648
00:27:15,600 --> 00:27:18,879
Speaker 1: at my engagement party in Saint Alban's like that. It's like,

649
00:27:19,000 --> 00:27:22,280
Speaker 1: these are my family industry. No, those are my family.

650
00:27:23,200 --> 00:27:24,960
Speaker 2: Your family's industry yet industry, but.

651
00:27:26,440 --> 00:27:28,160
Speaker 1: I know we're not blood related.

652
00:27:31,160 --> 00:27:32,680
Speaker 3: It hurts. I know it hurts to accept it, but

653
00:27:32,760 --> 00:27:34,119
Speaker 3: you got to accept it. Man. But how was the

654
00:27:34,560 --> 00:27:35,960
Speaker 3: How was the Lloyd Bank listening session?

655
00:27:36,840 --> 00:27:38,520
Speaker 1: It was good and how I would define it would

656
00:27:38,560 --> 00:27:41,879
Speaker 1: be not industry. It was a bunch of people that

657
00:27:42,000 --> 00:27:44,360
Speaker 1: we fuck with, whose opinions we fuck with, that came

658
00:27:44,440 --> 00:27:47,000
Speaker 1: and kicked it and showed Banks love and there was

659
00:27:47,000 --> 00:27:48,480
Speaker 1: a lot you know, I actually liked a lot about it.

660
00:27:49,160 --> 00:27:52,040
Speaker 1: There's a lot of young people in young I guess

661
00:27:52,040 --> 00:27:53,520
Speaker 1: I wouldn't call them. I don't know what they're called

662
00:27:53,560 --> 00:27:55,320
Speaker 1: now because they're not bloggers because they run off i

663
00:27:55,440 --> 00:27:57,760
Speaker 1: G pages and all that, but people that that post

664
00:27:57,840 --> 00:27:59,720
Speaker 1: new music. There was a lot of them in there,

665
00:27:59,800 --> 00:28:04,080
Speaker 1: and that made me feel like good about uh where

666
00:28:04,560 --> 00:28:07,679
Speaker 1: the music I grew up on in its longevity? Right?

667
00:28:08,080 --> 00:28:10,320
Speaker 1: Like young people was there to really check out the

668
00:28:10,400 --> 00:28:13,000
Speaker 1: Banks listening party? That's dope, And it was great food

669
00:28:13,080 --> 00:28:15,560
Speaker 1: and do saying tequila that Yeah.

670
00:28:15,440 --> 00:28:18,080
Speaker 3: I totally forgot about it. I gotta I got a

671
00:28:18,160 --> 00:28:20,320
Speaker 3: text Ovaine and apologize about not going because he did

672
00:28:20,440 --> 00:28:23,400
Speaker 3: invite me. But I saw some people that was there.

673
00:28:23,560 --> 00:28:27,000
Speaker 3: I saw you know, people talking about the project.

674
00:28:26,680 --> 00:28:28,600
Speaker 1: Online like they like it, oh for sure.

675
00:28:28,960 --> 00:28:31,000
Speaker 3: And I'm just I told hove An, I'm just happy

676
00:28:31,040 --> 00:28:35,400
Speaker 3: to see Banks active and you know, moving around outside

677
00:28:35,480 --> 00:28:40,360
Speaker 3: again and having a listening session and having an album released,

678
00:28:40,400 --> 00:28:42,320
Speaker 3: dinner and things like that, because you know, for a

679
00:28:42,400 --> 00:28:45,360
Speaker 3: few years, Banks kind of like you know, stayed in

680
00:28:45,440 --> 00:28:47,800
Speaker 3: his bubble and kind of just you know, disappeared and

681
00:28:48,080 --> 00:28:51,200
Speaker 3: wasn't really like accessible like that. Yeah, you know a

682
00:28:51,280 --> 00:28:51,720
Speaker 3: long time.

683
00:28:51,800 --> 00:28:54,120
Speaker 1: Yeah, even when it went out great mixtaps, Banks was

684
00:28:54,240 --> 00:28:56,480
Speaker 1: Banks has never been a social person to be with. Yeah,

685
00:28:57,000 --> 00:29:01,440
Speaker 1: So seeing him at that listening party like, actually, I

686
00:29:01,480 --> 00:29:04,160
Speaker 1: don't say excited, because we Banks and I both share

687
00:29:04,200 --> 00:29:08,160
Speaker 1: that same like dark aura about each other. When we

688
00:29:08,240 --> 00:29:09,840
Speaker 1: walk in the room, it looks like we're miserable and

689
00:29:09,880 --> 00:29:12,280
Speaker 1: we're not. He had like a Peppinist step and he

690
00:29:12,400 --> 00:29:13,960
Speaker 1: was like happy to be there. He was asking people

691
00:29:14,000 --> 00:29:16,640
Speaker 1: about records. I was like, oh, this, this is great

692
00:29:16,640 --> 00:29:17,760
Speaker 1: because the music is great.

693
00:29:18,000 --> 00:29:20,200
Speaker 3: Maybe he took some shrooms that could be it.

694
00:29:21,160 --> 00:29:24,280
Speaker 1: Well, no, Banks said he I'll take him for his word.

695
00:29:24,280 --> 00:29:26,360
Speaker 1: I've never know Banks to be a liar. Banks is

696
00:29:26,400 --> 00:29:28,440
Speaker 1: not drinking, he's not smoking. I hope that doesn't ruin

697
00:29:28,520 --> 00:29:29,080
Speaker 1: his image.

698
00:29:29,480 --> 00:29:32,640
Speaker 3: I hope the ball is still hit like Bank.

699
00:29:32,920 --> 00:29:35,080
Speaker 1: You know, of course we know him. He's a family

700
00:29:35,160 --> 00:29:38,280
Speaker 1: man now. Yeah, like he just Banks look good man,

701
00:29:38,400 --> 00:29:40,440
Speaker 1: He's just he looked. He looked so happy about the

702
00:29:40,480 --> 00:29:43,400
Speaker 1: project too. That meant a lot outside fucked my opinion.

703
00:29:43,520 --> 00:29:45,120
Speaker 1: He looked so excited about the project.

704
00:29:45,800 --> 00:29:48,560
Speaker 3: I like seeing rats from a certain era of age

705
00:29:48,640 --> 00:29:53,200
Speaker 3: gracefully and good to hear that he's not drinking or smoking,

706
00:29:53,720 --> 00:29:55,920
Speaker 3: not abusing drugs, because a lot of you know, unfortunately

707
00:29:56,000 --> 00:29:58,800
Speaker 3: in our culture, as artists get older, you know, for

708
00:29:58,880 --> 00:30:00,800
Speaker 3: the most part, a lot of it, you know, fall

709
00:30:00,920 --> 00:30:03,400
Speaker 3: victim to their advices and you don't see them for

710
00:30:03,480 --> 00:30:05,080
Speaker 3: five years and then they pop up and they look

711
00:30:05,320 --> 00:30:07,800
Speaker 3: I'm talking about bad like Jesus Christ. Life hit him

712
00:30:07,840 --> 00:30:10,040
Speaker 3: with a fucking combo, you know what I mean. But

713
00:30:10,520 --> 00:30:13,400
Speaker 3: guys like Banks, to see them get older and still

714
00:30:13,480 --> 00:30:16,560
Speaker 3: sharp at their craft, still look good, still carry themselves

715
00:30:16,600 --> 00:30:18,760
Speaker 3: a certain way. It's good to see that, you know

716
00:30:18,760 --> 00:30:20,160
Speaker 3: what I mean, Because, like I said, we don't get

717
00:30:20,200 --> 00:30:21,880
Speaker 3: we get a lot of the opposite end of that,

718
00:30:22,000 --> 00:30:24,320
Speaker 3: where it's like, damn, like he let hisself go. He

719
00:30:24,400 --> 00:30:27,000
Speaker 3: looked bad, he's strung out, you know what I mean.

720
00:30:27,120 --> 00:30:31,680
Speaker 3: But to see artists, especially rappers, grow and and you know,

721
00:30:31,960 --> 00:30:34,200
Speaker 3: still look good and still carry themselves at a certain

722
00:30:34,320 --> 00:30:36,720
Speaker 3: level and a certain standard. I love seeing shit like that.

723
00:30:37,480 --> 00:30:41,160
Speaker 1: And maybe our younger fans won't realize the run that

724
00:30:41,400 --> 00:30:44,440
Speaker 1: G Unit had and how important that was to hip hop.

725
00:30:44,480 --> 00:30:48,400
Speaker 1: To be absolutely, it's it's a credit that I don't

726
00:30:48,400 --> 00:30:52,480
Speaker 1: think people will give Banks in the second half of

727
00:30:52,560 --> 00:30:52,960
Speaker 1: his career.

728
00:30:53,400 --> 00:30:53,719
Speaker 3: Mm hm.

729
00:30:54,960 --> 00:30:57,240
Speaker 1: He could have taken every single bait from fifty And

730
00:30:57,240 --> 00:30:59,000
Speaker 1: I don't want to get in between the fifteen Banks

731
00:30:59,080 --> 00:31:04,200
Speaker 1: thing or the entire G Unit family. I'm staying out

732
00:31:04,200 --> 00:31:08,200
Speaker 1: of that entire thing. Banks has never replied to any.

733
00:31:08,040 --> 00:31:10,560
Speaker 3: Of that ship. Mm hmm. When he when?

734
00:31:10,640 --> 00:31:12,840
Speaker 1: When when he could when? When he could have? Yeah,

735
00:31:13,120 --> 00:31:16,960
Speaker 1: but when he could have, and especially around that this

736
00:31:17,280 --> 00:31:21,760
Speaker 1: the first Cody Banks could have centered his entire rollout

737
00:31:21,880 --> 00:31:25,920
Speaker 1: around that entire thing, and he didn't. He just made

738
00:31:25,920 --> 00:31:28,080
Speaker 1: an amazing album and just kept it pushing.

739
00:31:28,560 --> 00:31:30,520
Speaker 3: He's the best way to do things sometimes though, man

740
00:31:30,560 --> 00:31:35,040
Speaker 3: like and and Banks never really had uh, a real

741
00:31:35,160 --> 00:31:38,600
Speaker 3: negative energy about him, even you know in the early

742
00:31:38,640 --> 00:31:41,280
Speaker 3: two thousands, he never had that. He was obviously he

743
00:31:41,360 --> 00:31:43,480
Speaker 3: was g unit, you know what I mean. And you

744
00:31:43,560 --> 00:31:46,720
Speaker 3: know the lyrics were you know, street and the hardcore

745
00:31:46,760 --> 00:31:48,680
Speaker 3: if you want to call it that or whatever. But

746
00:31:49,160 --> 00:31:51,680
Speaker 3: in any interview you see a Banks, he's always very

747
00:31:51,760 --> 00:31:55,320
Speaker 3: soft spoken, mildlannard, Uh, he was. He's never you never

748
00:31:55,360 --> 00:31:57,720
Speaker 3: really see him like rah rah ra loud loud unless

749
00:31:57,720 --> 00:32:00,720
Speaker 3: he's performing, so you know, I mean, And then again,

750
00:32:00,760 --> 00:32:03,680
Speaker 3: shit like that, it's probably like it is very personal,

751
00:32:04,200 --> 00:32:07,360
Speaker 3: and you know where it can go. It's gonna be

752
00:32:07,400 --> 00:32:11,240
Speaker 3: a spiral of just airing out shit that's private, that's

753
00:32:11,320 --> 00:32:13,280
Speaker 3: personal to us, and then once it said and done,

754
00:32:13,560 --> 00:32:15,200
Speaker 3: it's gonna be like, all right, what was all that for?

755
00:32:16,640 --> 00:32:18,080
Speaker 3: And you don't ever want to get caught up in that,

756
00:32:18,200 --> 00:32:20,240
Speaker 3: especially when it's a lot of history, a lot of

757
00:32:20,280 --> 00:32:22,800
Speaker 3: personal things that people don't know about that. You know,

758
00:32:22,920 --> 00:32:25,600
Speaker 3: it's like you risk getting putting that out there in

759
00:32:25,640 --> 00:32:27,600
Speaker 3: the public, and then once it's out there, you can't

760
00:32:27,640 --> 00:32:29,280
Speaker 3: take it back. We can we can move past it,

761
00:32:29,760 --> 00:32:32,040
Speaker 3: but we'll always remember what was said about each other,

762
00:32:32,480 --> 00:32:35,600
Speaker 3: you know, what was done. So it's good that sometimes

763
00:32:35,640 --> 00:32:37,600
Speaker 3: you just like understand, like this is just a moment.

764
00:32:38,120 --> 00:32:40,360
Speaker 3: Don't get caught up in the moment. Don't say some

765
00:32:40,440 --> 00:32:42,440
Speaker 3: shit that you're gonna regret five minutes from now, ten

766
00:32:42,480 --> 00:32:45,120
Speaker 3: minutes from now. Just you know, just let it, let

767
00:32:45,160 --> 00:32:47,720
Speaker 3: it settle where it's gonna settle. In their end result

768
00:32:47,880 --> 00:32:51,760
Speaker 3: is Banks still having a very you know, successful progressive

769
00:32:51,800 --> 00:32:56,560
Speaker 3: career for sure, still looking good, still sounding good. And yeah,

770
00:32:56,640 --> 00:32:58,120
Speaker 3: sometimes you gotta let life happen like that.

771
00:32:58,760 --> 00:33:03,280
Speaker 1: And of course they could do more together, but sometimes

772
00:33:03,480 --> 00:33:04,760
Speaker 1: that ain't your choice.

773
00:33:04,760 --> 00:33:08,880
Speaker 3: Sometimes, which it was. Yeah, just like how we talked

774
00:33:08,920 --> 00:33:11,320
Speaker 3: about the Mason the bad boy thing, that's that's the story,

775
00:33:11,360 --> 00:33:13,080
Speaker 3: that's part of it, that's part of the legacy. That's

776
00:33:13,080 --> 00:33:14,960
Speaker 3: how it's supposed to go that's how it was written,

777
00:33:15,000 --> 00:33:17,000
Speaker 3: that's how it was supposed to go down. It is

778
00:33:17,080 --> 00:33:20,360
Speaker 3: what it is. Of course, of course, of the Inevitable

779
00:33:20,400 --> 00:33:30,760
Speaker 3: two available now download that stream that I finally watched

780
00:33:30,800 --> 00:33:34,360
Speaker 3: the rest of the Supreme Team documentary. Shout out the

781
00:33:34,400 --> 00:33:36,520
Speaker 3: Massive Pill, Shout out the NAS, Shout out to everybody,

782
00:33:36,560 --> 00:33:38,640
Speaker 3: involved with that. It was a really really good documentary.

783
00:33:38,640 --> 00:33:41,720
Speaker 3: If you haven't watched it, please watch it. Check it out.

784
00:33:41,920 --> 00:33:47,080
Speaker 3: It's a really really emotional story. Uh you know, it's

785
00:33:47,200 --> 00:33:49,760
Speaker 3: just a mirror of what goes on in the in

786
00:33:50,080 --> 00:33:52,600
Speaker 3: the in the cities. And like I said, I like

787
00:33:52,680 --> 00:33:54,840
Speaker 3: the fact that Nas did it, He directed it. He uh,

788
00:33:55,360 --> 00:33:58,000
Speaker 3: he interviewed a lot of the people that was on it.

789
00:33:58,800 --> 00:34:01,040
Speaker 3: I like the fact. I just like the again because

790
00:34:02,840 --> 00:34:08,440
Speaker 3: it's weird how Nas needed characters like prem and Prince

791
00:34:08,600 --> 00:34:12,600
Speaker 3: and these guys too, because hip hop is the art

792
00:34:12,640 --> 00:34:14,960
Speaker 3: of storytelling, So they had to live the story in

793
00:34:15,080 --> 00:34:18,320
Speaker 3: order for Nas to rap about it and to you know,

794
00:34:18,560 --> 00:34:20,640
Speaker 3: spread it out to the world and be basically the

795
00:34:20,719 --> 00:34:25,200
Speaker 3: mouthpiece for what was going on in his community. So

796
00:34:25,320 --> 00:34:27,160
Speaker 3: it was good that they sat down and they you know,

797
00:34:27,400 --> 00:34:29,560
Speaker 3: like relived a lot of those moments in those days,

798
00:34:30,280 --> 00:34:33,440
Speaker 3: sad stories. You realize how how many lives were lost,

799
00:34:35,560 --> 00:34:37,840
Speaker 3: how many lives were lost to you know, violence, how

800
00:34:37,840 --> 00:34:42,400
Speaker 3: many lives were lost to jail sentences. But it's you know,

801
00:34:42,520 --> 00:34:45,440
Speaker 3: it's it's a story that needed to be told. It's

802
00:34:45,440 --> 00:34:48,200
Speaker 3: a story that needed to be put together. And I

803
00:34:48,239 --> 00:34:50,360
Speaker 3: think Nas and Master Pill did a great job at that.

804
00:34:51,080 --> 00:34:52,680
Speaker 3: So if you get a chance, if you haven't seen

805
00:34:52,719 --> 00:34:54,840
Speaker 3: it yet, Supreme Team documentary on Showtime.

806
00:34:55,800 --> 00:34:58,799
Speaker 1: I mean, I think what Nas and mass Piel did

807
00:34:58,880 --> 00:35:01,360
Speaker 1: the best about that entire doc is all the stuff

808
00:35:01,400 --> 00:35:04,440
Speaker 1: that wasn't about the spring Steam. Yeah, Like, that's what

809
00:35:04,560 --> 00:35:07,920
Speaker 1: I think was so important. They weren't glorifying anything. There

810
00:35:08,000 --> 00:35:12,120
Speaker 1: was no romanticizing. The entire shap was all right, this

811
00:35:12,239 --> 00:35:14,120
Speaker 1: is the funck was going on in New York City

812
00:35:14,400 --> 00:35:17,840
Speaker 1: and this was the result. Yeah, yeah, Like it was

813
00:35:17,920 --> 00:35:20,239
Speaker 1: so much more about what was going on the fuck

814
00:35:20,320 --> 00:35:23,080
Speaker 1: New York City, America at the time, and this is

815
00:35:23,160 --> 00:35:25,560
Speaker 1: what you got. This was this was the result of

816
00:35:25,640 --> 00:35:28,200
Speaker 1: everything that the higher ups that we could never control.

817
00:35:28,400 --> 00:35:30,239
Speaker 3: Yep, this is this is it. And I love the

818
00:35:30,320 --> 00:35:34,640
Speaker 3: fact that we finally got to hear from Irv's his

819
00:35:34,800 --> 00:35:36,560
Speaker 3: side of the story and what happened and what was

820
00:35:36,600 --> 00:35:39,520
Speaker 3: the relationship with him and Preme, because a lot of

821
00:35:39,600 --> 00:35:42,160
Speaker 3: a lot of people for years with speculation. So I

822
00:35:42,239 --> 00:35:44,319
Speaker 3: love the fact that Niles was able to shit IRV

823
00:35:44,400 --> 00:35:46,840
Speaker 3: down and get that get that side of the story

824
00:35:46,880 --> 00:35:49,320
Speaker 3: for him. It shed a lot of light on you know,

825
00:35:49,440 --> 00:35:51,800
Speaker 3: because I loosely knew what was going on and what

826
00:35:51,960 --> 00:35:54,480
Speaker 3: had happened. But to hear IRV talk in depth about

827
00:35:54,520 --> 00:35:57,920
Speaker 3: it was like, that's what I took the most from

828
00:35:57,960 --> 00:35:59,640
Speaker 3: the I knew a lot of the other parts of

829
00:35:59,680 --> 00:36:02,359
Speaker 3: the story to the Preme team, but getting IRV story

830
00:36:02,360 --> 00:36:04,360
Speaker 3: and what happened with Murder inc And all of that

831
00:36:04,600 --> 00:36:08,480
Speaker 3: and his relationship with Supreme. I thought that that was

832
00:36:08,560 --> 00:36:11,120
Speaker 3: dope that Knos was able to sit down and get

833
00:36:11,160 --> 00:36:13,960
Speaker 3: that interview with IRV. But yeah, it was a really

834
00:36:14,000 --> 00:36:15,560
Speaker 3: good documentary. Man, I wish it was I wish it

835
00:36:15,640 --> 00:36:17,520
Speaker 3: was a little longer. That was my only thing, Like

836
00:36:17,520 --> 00:36:19,719
Speaker 3: I felt like it could have been like another four episodes.

837
00:36:20,600 --> 00:36:22,560
Speaker 3: But I mean they did a good job.

838
00:36:22,920 --> 00:36:26,160
Speaker 1: You know, we talked with the IRV at BC and

839
00:36:26,680 --> 00:36:29,440
Speaker 1: I think they'll tell hopefully in the scripted series, and

840
00:36:29,840 --> 00:36:32,399
Speaker 1: I've trust in everyone that's involved with it that they'll

841
00:36:32,440 --> 00:36:34,439
Speaker 1: tell like the whole fucking story.

842
00:36:34,520 --> 00:36:36,719
Speaker 3: Yeah, they'll get, they'll get. But this was a this

843
00:36:36,960 --> 00:36:40,640
Speaker 3: was a great This set the tone like this was

844
00:36:40,719 --> 00:36:44,000
Speaker 3: great for that, Like now we know that the series

845
00:36:44,120 --> 00:36:47,239
Speaker 3: is coming, we know that I believe the movie is coming,

846
00:36:47,880 --> 00:36:50,560
Speaker 3: so you know other things that are happening that you know,

847
00:36:50,680 --> 00:36:53,200
Speaker 3: other sides of the stories more in detail about certain

848
00:36:53,239 --> 00:36:57,000
Speaker 3: things that happened without affecting anybody in current day, you

849
00:36:57,040 --> 00:36:58,319
Speaker 3: know what I mean. I know they're going to find

850
00:36:58,320 --> 00:36:59,560
Speaker 3: a way they like listen, we don't want to We

851
00:36:59,600 --> 00:37:02,080
Speaker 3: can't say too many things, but all in all, it's

852
00:37:02,120 --> 00:37:04,960
Speaker 3: just it was just very interesting to see, uh, you know,

853
00:37:05,520 --> 00:37:09,440
Speaker 3: old old videos of LL in the club's and himteen

854
00:37:09,520 --> 00:37:12,520
Speaker 3: years old. Yeah, him looking at you know, these guys

855
00:37:12,600 --> 00:37:14,960
Speaker 3: on stage and like idolizing these guys like damn, like

856
00:37:15,080 --> 00:37:17,360
Speaker 3: this is llo cool, this is like the first rap superstar,

857
00:37:18,040 --> 00:37:19,520
Speaker 3: you know what I mean. And he's looking at these

858
00:37:19,600 --> 00:37:22,800
Speaker 3: guys like like damn, like you know, they really doing it.

859
00:37:23,640 --> 00:37:26,640
Speaker 1: And the older guys that were run DMC as far

860
00:37:26,680 --> 00:37:29,239
Speaker 1: as like the rapper Wise that were idolizing premium in

861
00:37:29,280 --> 00:37:32,440
Speaker 1: prints and and everybody, Bimmy was their first fucking road manager.

862
00:37:32,560 --> 00:37:32,759
Speaker 3: Yeah.

863
00:37:33,040 --> 00:37:36,000
Speaker 1: Actually, I mean, I would have loved to see Bimmy

864
00:37:36,760 --> 00:37:38,960
Speaker 1: involved in it, and I honestly have no idea why

865
00:37:39,000 --> 00:37:41,239
Speaker 1: he wasn't, nor is it my business why he wasn't.

866
00:37:42,800 --> 00:37:44,360
Speaker 1: It would have been nice to hear from from Bimmy

867
00:37:44,400 --> 00:37:48,719
Speaker 1: and that and a few other people I wish would

868
00:37:48,719 --> 00:37:50,920
Speaker 1: have been involved in that documentary. But that's that's politics.

869
00:37:50,960 --> 00:37:54,239
Speaker 1: That are just politics. But yeah, I'm glad that story

870
00:37:54,360 --> 00:37:55,759
Speaker 1: was told. It was just funny to me looking at

871
00:37:55,800 --> 00:37:58,359
Speaker 1: this fucking TV and seeing Supreme Team on Show Tom,

872
00:37:58,760 --> 00:38:00,560
Speaker 1: like that was just true. That just trip me out.

873
00:38:01,320 --> 00:38:05,279
Speaker 3: A really good documentary. Check it out. So I was

874
00:38:05,320 --> 00:38:07,680
Speaker 3: watching some clips on Instagram today and I saw that

875
00:38:08,480 --> 00:38:13,080
Speaker 3: Angie Martinez first episode of a podcast. Shout out to

876
00:38:13,080 --> 00:38:16,520
Speaker 3: Angie martinaz first episode with Lauren London.

877
00:38:16,520 --> 00:38:18,439
Speaker 1: And before we even get into that, I'm so happy

878
00:38:18,480 --> 00:38:20,759
Speaker 1: to see ange after the accident that she had, like

879
00:38:21,120 --> 00:38:22,560
Speaker 1: looking so like, I'm so.

880
00:38:22,640 --> 00:38:24,440
Speaker 3: Happy she's healthy back to herself.

881
00:38:24,840 --> 00:38:27,760
Speaker 1: Shout out to Angie. Man, I'm so happy your recovery

882
00:38:27,840 --> 00:38:31,040
Speaker 1: has I'm sure it was not easy, but I think

883
00:38:31,080 --> 00:38:32,799
Speaker 1: it's so good to see you back.

884
00:38:32,960 --> 00:38:35,040
Speaker 3: And like, yeah, I think the last time I saw

885
00:38:35,120 --> 00:38:37,759
Speaker 3: Angie at the Rock Nation off, I think she still

886
00:38:37,800 --> 00:38:40,719
Speaker 3: had her back brace on the last time I saw, so,

887
00:38:40,880 --> 00:38:42,400
Speaker 3: you know, to see her like move on from that

888
00:38:42,520 --> 00:38:45,080
Speaker 3: and then what looks like she's fully recovered from that

889
00:38:45,239 --> 00:38:47,759
Speaker 3: is it's good to see that. But yeah, I didn't

890
00:38:47,760 --> 00:38:49,960
Speaker 3: actually see the whole interview yet, but I did see

891
00:38:50,000 --> 00:38:53,319
Speaker 3: some clips online with Lauren London to.

892
00:38:53,360 --> 00:38:55,320
Speaker 1: Mary Spots to take over. This is her favorite interview

893
00:38:55,360 --> 00:38:56,120
Speaker 1: of all time is this?

894
00:38:56,200 --> 00:38:56,880
Speaker 3: Did you really enjoy it?

895
00:38:57,000 --> 00:39:00,239
Speaker 2: I really really really enjoyed them all good was like

896
00:39:00,480 --> 00:39:03,520
Speaker 2: it came at like the right time. It was beautiful,

897
00:39:03,840 --> 00:39:06,440
Speaker 2: not even just you know, talking about She's The episode

898
00:39:06,560 --> 00:39:09,400
Speaker 2: is called We're All Gonna Die yep, which is the

899
00:39:09,480 --> 00:39:14,399
Speaker 2: fact fact, And they spoke a lot regarding not only

900
00:39:14,560 --> 00:39:16,400
Speaker 2: just like death and the physical, but like also the

901
00:39:16,520 --> 00:39:20,440
Speaker 2: death of your ego and moving from your ego. And

902
00:39:20,600 --> 00:39:24,160
Speaker 2: you've seen that Lauren has grown a lot since her loss,

903
00:39:24,200 --> 00:39:26,840
Speaker 2: which I mean is to be expected absolutely, but just

904
00:39:26,960 --> 00:39:29,120
Speaker 2: you know how how she's the path that she's on

905
00:39:29,320 --> 00:39:30,920
Speaker 2: to like where she's just like I want to kill

906
00:39:31,000 --> 00:39:32,560
Speaker 2: my ego. I don't want to move from my ego.

907
00:39:32,600 --> 00:39:35,279
Speaker 2: I want to move out of pure love, like I

908
00:39:35,400 --> 00:39:37,920
Speaker 2: want to do move out of what's my purpose, Like

909
00:39:37,960 --> 00:39:39,759
Speaker 2: I want to do things because it's my purpose, not

910
00:39:39,880 --> 00:39:43,239
Speaker 2: because I want to impress people or I feel like

911
00:39:43,320 --> 00:39:46,200
Speaker 2: this is what I should be doing. And she's just

912
00:39:46,360 --> 00:39:49,320
Speaker 2: she sounds really enlightened and really like she's on a

913
00:39:49,480 --> 00:39:51,000
Speaker 2: good path, And it was great to see her in

914
00:39:51,080 --> 00:39:55,360
Speaker 2: that in that space. It was amazing. I cried, but

915
00:39:55,440 --> 00:39:56,759
Speaker 2: I didn't cry in the way that I thought I

916
00:39:56,800 --> 00:39:59,120
Speaker 2: would cry. Did cry in the way of like she's

917
00:39:59,200 --> 00:40:01,840
Speaker 2: crying over NI and you know, like the fantasy cry.

918
00:40:02,000 --> 00:40:04,680
Speaker 2: It was more like a almost like a realization and

919
00:40:04,920 --> 00:40:07,719
Speaker 2: enlightenment that we are not as important in this world

920
00:40:07,800 --> 00:40:10,160
Speaker 2: as we like to think that we are. What's really is,

921
00:40:10,600 --> 00:40:12,640
Speaker 2: what's really important is our work and what we're set

922
00:40:12,680 --> 00:40:15,520
Speaker 2: here to do. Yeah, and walking in our purpose with that.

923
00:40:15,640 --> 00:40:18,320
Speaker 2: With whoever you believe in, whether it's God or whoever

924
00:40:18,520 --> 00:40:18,719
Speaker 2: you know.

925
00:40:19,280 --> 00:40:22,480
Speaker 1: Well, death will do fuck religion or what you believe in.

926
00:40:22,760 --> 00:40:25,719
Speaker 1: That's your prerogative. No matter what human death will make

927
00:40:25,760 --> 00:40:29,080
Speaker 1: you feel that type of way, especially if it's a partner.

928
00:40:29,680 --> 00:40:31,479
Speaker 1: And I didn't watch the interview. I saw one clip,

929
00:40:31,600 --> 00:40:34,720
Speaker 1: but I mean, I don't want to lose a partner,

930
00:40:34,800 --> 00:40:39,640
Speaker 1: but it's pretty high in percentage that it might happen

931
00:40:39,719 --> 00:40:42,120
Speaker 1: at some point. That should have put a lot of

932
00:40:42,280 --> 00:40:44,120
Speaker 1: things in perspective as far as your ego. You want

933
00:40:44,120 --> 00:40:46,120
Speaker 1: to fight about a bunch of bullshit everything, and then

934
00:40:46,160 --> 00:40:49,080
Speaker 1: when that person's going it's like, wait, this is what

935
00:40:49,239 --> 00:40:52,120
Speaker 1: I spent my time with this person talking about this

936
00:40:52,280 --> 00:40:55,120
Speaker 1: bullshit like it just yeah, I could see your whole

937
00:40:55,200 --> 00:40:57,800
Speaker 1: ego wanting to go away at that point, Like I

938
00:40:57,880 --> 00:40:59,880
Speaker 1: cannot believe I walked in the house and this is

939
00:41:00,040 --> 00:41:00,959
Speaker 1: when I was beefing about.

940
00:41:01,520 --> 00:41:03,800
Speaker 3: Yeah, it's ego is a funny thing because I do

941
00:41:03,960 --> 00:41:08,000
Speaker 3: think ego is necessary. I just think that you need

942
00:41:08,120 --> 00:41:11,160
Speaker 3: to know how to turn it on, turn it off

943
00:41:11,760 --> 00:41:15,360
Speaker 3: type of thing. I think that ego is. It helps

944
00:41:15,360 --> 00:41:17,040
Speaker 3: you in a lot of situations. It helps you in

945
00:41:17,120 --> 00:41:20,719
Speaker 3: a lot of a lot of circumstances where you know,

946
00:41:20,760 --> 00:41:23,040
Speaker 3: even if it's something as simple as a job interview,

947
00:41:23,880 --> 00:41:27,040
Speaker 3: just like because ego, you know, just confident, just the

948
00:41:27,080 --> 00:41:30,600
Speaker 3: way you carry yourself, knowing that you're capable, knowing that

949
00:41:30,800 --> 00:41:34,080
Speaker 3: you're more than up for the job. You know what

950
00:41:34,080 --> 00:41:36,520
Speaker 3: I'm saying, Like, sometimes you need to have that energy

951
00:41:36,560 --> 00:41:38,799
Speaker 3: about you, like I could do this, like without a doubt.

952
00:41:39,000 --> 00:41:42,600
Speaker 1: I think every major emotion that we have is important

953
00:41:42,800 --> 00:41:46,279
Speaker 1: and purposeful. The entire point of this is trying to

954
00:41:46,400 --> 00:41:50,640
Speaker 1: manage those things. Anger is really important. All of us

955
00:41:50,680 --> 00:41:53,320
Speaker 1: are bad at it, but there is purpose of anger,

956
00:41:54,120 --> 00:41:57,040
Speaker 1: whether it be actually defending yourself or anger.

957
00:41:57,080 --> 00:41:58,080
Speaker 3: It's channel is.

958
00:41:58,200 --> 00:42:02,000
Speaker 1: Yeah, egos up there too. Shit, we talk about humor

959
00:42:02,040 --> 00:42:04,800
Speaker 1: and bad jokes, that's important, But you need to manage

960
00:42:04,880 --> 00:42:06,960
Speaker 1: how you do humor, how you do condescending shit, how

961
00:42:07,000 --> 00:42:10,440
Speaker 1: you talk, like every last emotion outside of like the

962
00:42:10,560 --> 00:42:13,480
Speaker 1: nasty ones that these fucks be doing. I just watch

963
00:42:13,520 --> 00:42:16,160
Speaker 1: a terrible Netflix stock that girl in the picture ship.

964
00:42:16,880 --> 00:42:19,919
Speaker 1: Actually people need just certain people need it. Certain people

965
00:42:19,960 --> 00:42:21,080
Speaker 1: just need to be buried under jail.

966
00:42:21,280 --> 00:42:22,480
Speaker 4: Would you mind saying what's the context?

967
00:42:23,160 --> 00:42:27,120
Speaker 1: I'll get? But every major emotion that that every human

968
00:42:27,239 --> 00:42:30,880
Speaker 1: is given is important, ego being one of them, it's

969
00:42:30,960 --> 00:42:34,239
Speaker 1: just where we channel them and balance them ships out.

970
00:42:34,239 --> 00:42:35,680
Speaker 1: They really look like sound waves.

971
00:42:35,719 --> 00:42:38,160
Speaker 2: And being self aware as well. You have to be

972
00:42:38,200 --> 00:42:42,120
Speaker 2: self aware when you're moving from your ego so that

973
00:42:42,239 --> 00:42:44,239
Speaker 2: you can check yourself and say is this needed right now?

974
00:42:44,480 --> 00:42:47,600
Speaker 2: Like is this person actually out to harm me? Or

975
00:42:47,719 --> 00:42:52,080
Speaker 2: is my ego harmed? Do I love this person? Or

976
00:42:52,200 --> 00:42:54,040
Speaker 2: is this person good for my ego? Does this person

977
00:42:54,080 --> 00:42:56,680
Speaker 2: stroke my ego? Like it's you have to be extremely

978
00:42:56,800 --> 00:42:58,879
Speaker 2: self aware of where your emotions are coming from.

979
00:42:59,000 --> 00:43:01,360
Speaker 3: I don't ever want anybody to stroke my ego. I

980
00:43:01,400 --> 00:43:04,080
Speaker 3: think that's what I think. I don't I don't need stroke.

981
00:43:04,320 --> 00:43:05,440
Speaker 1: What's what's your definition of it?

982
00:43:07,640 --> 00:43:09,839
Speaker 3: Well, like I don't need anybody to be like, yeah,

983
00:43:10,080 --> 00:43:12,279
Speaker 3: like you're really great at that, Like, yeah, I don't.

984
00:43:13,080 --> 00:43:13,359
Speaker 6: I don't.

985
00:43:13,360 --> 00:43:16,440
Speaker 3: I don't need that human being. I mean, I want

986
00:43:16,480 --> 00:43:18,440
Speaker 3: to be appreciated. I want to be you know, I

987
00:43:18,520 --> 00:43:21,360
Speaker 3: want people to appreciate what I do and appreciate, you know,

988
00:43:21,480 --> 00:43:23,680
Speaker 3: my relationship with them, appreciate my energy and their life

989
00:43:23,719 --> 00:43:25,799
Speaker 3: and their space or whatever. But I don't. I don't

990
00:43:25,840 --> 00:43:26,760
Speaker 3: need my ego stroke.

991
00:43:26,920 --> 00:43:28,640
Speaker 4: When you say ego stroke, you mean like when people

992
00:43:28,680 --> 00:43:30,800
Speaker 4: are overly doing it to just kind of get the

993
00:43:30,880 --> 00:43:32,520
Speaker 4: reaction out of you in comparison.

994
00:43:32,120 --> 00:43:34,400
Speaker 3: To I don't. I don't need that, Like I just

995
00:43:34,560 --> 00:43:35,600
Speaker 3: wob that's a little weird.

996
00:43:35,640 --> 00:43:38,759
Speaker 1: Would that be separating what's genuine and what's not, because like,

997
00:43:38,840 --> 00:43:41,560
Speaker 1: what if someone that really loved you was like, yo,

998
00:43:41,680 --> 00:43:44,759
Speaker 1: what that thing you just put out or whatever you

999
00:43:44,880 --> 00:43:46,920
Speaker 1: just did was really amazing, Like I really love that.

1000
00:43:47,200 --> 00:43:48,120
Speaker 1: That's not stroking your ego.

1001
00:43:48,880 --> 00:43:52,040
Speaker 3: Somebody that like, really that's different. That's different.

1002
00:43:52,800 --> 00:43:56,120
Speaker 1: I guess that's separating fake ship from real ship.

1003
00:43:56,160 --> 00:43:58,799
Speaker 2: That it can real ship can stroke your ego though

1004
00:43:58,800 --> 00:44:01,799
Speaker 2: it's not being purposely done to that, but it can

1005
00:44:02,360 --> 00:44:04,120
Speaker 2: feed into that at the true too.

1006
00:44:05,640 --> 00:44:08,279
Speaker 3: Again, ego is very necessary because I go back to,

1007
00:44:08,520 --> 00:44:11,879
Speaker 3: you know, conversation that I've had recently about Steph curR

1008
00:44:12,760 --> 00:44:15,560
Speaker 3: And you know, I was talking to some friends and

1009
00:44:15,680 --> 00:44:17,840
Speaker 3: I think I mentioned it online at some point and

1010
00:44:17,920 --> 00:44:19,680
Speaker 3: I said, I believe Steph Curry is a top five

1011
00:44:19,719 --> 00:44:23,200
Speaker 3: player of all time. I just believe that if he

1012
00:44:23,360 --> 00:44:28,560
Speaker 3: had more of an ego that people would talk like

1013
00:44:28,640 --> 00:44:31,600
Speaker 3: he's his top five player of all time. I think

1014
00:44:31,640 --> 00:44:33,680
Speaker 3: that Michael Jordan moved going back to Jordan, I don't

1015
00:44:33,680 --> 00:44:36,480
Speaker 3: think Jordan. I think the only reason Jordan got past

1016
00:44:37,440 --> 00:44:40,920
Speaker 3: the bad boy Pistons that era was because he started

1017
00:44:41,440 --> 00:44:43,640
Speaker 3: I think Jordan always felt like he was the best

1018
00:44:43,680 --> 00:44:46,440
Speaker 3: player in the league, but at that point he started

1019
00:44:46,480 --> 00:44:49,560
Speaker 3: to impose that ego like I'm better than all of y'all.

1020
00:44:49,760 --> 00:44:54,240
Speaker 1: But sometimes ego can be mastered as insecurity, like whereas

1021
00:44:54,880 --> 00:44:57,840
Speaker 1: if someone is talking about themselves constantly, that can just

1022
00:44:57,920 --> 00:45:01,239
Speaker 1: come from a very narcissistic inst type of the way,

1023
00:45:01,360 --> 00:45:03,839
Speaker 1: like what I'm saying, no one saying. But then also

1024
00:45:04,040 --> 00:45:07,120
Speaker 1: like that can come from a secure place. If you

1025
00:45:07,520 --> 00:45:11,839
Speaker 1: do something, let's say, uh, just take care of your

1026
00:45:11,880 --> 00:45:15,400
Speaker 1: family mm hm, and you're secure and know that you

1027
00:45:15,480 --> 00:45:18,040
Speaker 1: take care of your family. You may not need someone

1028
00:45:18,120 --> 00:45:20,080
Speaker 1: to constantly be like, yo, thank you for taking care

1029
00:45:20,120 --> 00:45:23,759
Speaker 1: of us. You don't need your kids. So I think

1030
00:45:23,840 --> 00:45:28,479
Speaker 1: so much of ego is very personal and stroking. Ego

1031
00:45:28,520 --> 00:45:32,080
Speaker 1: comes from insecurity, and I'm making up my own definitions.

1032
00:45:32,120 --> 00:45:34,400
Speaker 1: I hate when people try to find webster ship, like

1033
00:45:34,480 --> 00:45:38,920
Speaker 1: we all speak different languages in the English language, So

1034
00:45:39,080 --> 00:45:44,600
Speaker 1: what is it? Is it insecurity or is it security

1035
00:45:45,000 --> 00:45:46,720
Speaker 1: when it comes to anything ego, I think.

1036
00:45:46,560 --> 00:45:48,839
Speaker 3: You know, I think you know when you could sense

1037
00:45:48,840 --> 00:45:53,480
Speaker 3: when is imposing an ego on you because from a

1038
00:45:53,520 --> 00:45:55,440
Speaker 3: place of insecurity, I think you can see that. I

1039
00:45:55,480 --> 00:45:56,879
Speaker 3: think you can feel that. I think you can feel

1040
00:45:56,920 --> 00:45:59,200
Speaker 3: like all this person is a little he doesn't he

1041
00:45:59,239 --> 00:46:01,719
Speaker 3: doesn't really believe that, but I get it. You know,

1042
00:46:01,960 --> 00:46:04,440
Speaker 3: as you get older and you go through enough relationships

1043
00:46:04,480 --> 00:46:06,640
Speaker 3: with people and things like that, you start to sense

1044
00:46:06,680 --> 00:46:08,560
Speaker 3: things and pick up on things and read things better.

1045
00:46:08,680 --> 00:46:12,000
Speaker 3: Like he's a little insecure, But it's okay, I understand.

1046
00:46:12,840 --> 00:46:14,920
Speaker 3: I just think that a lot of times with our ego,

1047
00:46:16,360 --> 00:46:17,840
Speaker 3: we get caught up in thinking that ego is a

1048
00:46:17,960 --> 00:46:21,200
Speaker 3: bad thing, and it's really not. If you know, if

1049
00:46:21,320 --> 00:46:24,640
Speaker 3: you know how and when to impose it and use it.

1050
00:46:25,120 --> 00:46:27,360
Speaker 3: I think you need ego to push through certain situations

1051
00:46:27,400 --> 00:46:29,719
Speaker 3: of doubt. I think you need ego to push through

1052
00:46:29,719 --> 00:46:32,360
Speaker 3: certain situations of like, you know, just not being in

1053
00:46:32,400 --> 00:46:36,160
Speaker 3: your comfort zone. Like you need it sometimes to maneuver

1054
00:46:36,239 --> 00:46:38,600
Speaker 3: through this world because you know, a lot of the

1055
00:46:38,680 --> 00:46:41,360
Speaker 3: times people are not gonna you know, they might know

1056
00:46:41,520 --> 00:46:44,280
Speaker 3: that you're good at something or you're a good person,

1057
00:46:44,400 --> 00:46:46,759
Speaker 3: but they're not gonna tell you. They're not gonna make

1058
00:46:46,800 --> 00:46:48,880
Speaker 3: you feel like that. And sometimes you have to be like,

1059
00:46:48,920 --> 00:46:50,239
Speaker 3: you know what, I am a good person. You know

1060
00:46:50,280 --> 00:46:51,640
Speaker 3: what I'm saying. You know what, I am good at this.

1061
00:46:51,760 --> 00:46:54,120
Speaker 3: I am the best at this. I do this very well.

1062
00:46:54,800 --> 00:46:57,280
Speaker 2: That's not always your ego, though your ego more comes

1063
00:46:57,320 --> 00:47:01,960
Speaker 2: from your ego is more formed to detect you, protect

1064
00:47:02,000 --> 00:47:05,320
Speaker 2: you from whatever you're afraid of insecurity and fear.

1065
00:47:05,560 --> 00:47:06,440
Speaker 3: Right, That's why I said it.

1066
00:47:06,920 --> 00:47:08,920
Speaker 2: If you are the best at something and you believe

1067
00:47:08,920 --> 00:47:10,640
Speaker 2: that you're the best, that's something that's not you speaking

1068
00:47:10,640 --> 00:47:12,759
Speaker 2: from your ego, that's just fact. Then you can love

1069
00:47:12,840 --> 00:47:15,040
Speaker 2: yourself and have oh no, it could be speaking from

1070
00:47:15,040 --> 00:47:18,640
Speaker 2: an ego without you being egotistical, without you that's all

1071
00:47:18,880 --> 00:47:19,520
Speaker 2: you have to know how.

1072
00:47:19,440 --> 00:47:21,279
Speaker 3: To channel you have to know how to channel. You

1073
00:47:21,360 --> 00:47:22,520
Speaker 3: have to know how to use it, how to turn

1074
00:47:22,560 --> 00:47:23,759
Speaker 3: it on, how to turn it off. When do you

1075
00:47:23,840 --> 00:47:26,080
Speaker 3: impose it on the people? When do you just take

1076
00:47:26,120 --> 00:47:27,360
Speaker 3: a back seat and be like, Yo, you know what

1077
00:47:27,360 --> 00:47:29,000
Speaker 3: I'm saying, I know that I'm capable of this, but

1078
00:47:29,320 --> 00:47:31,600
Speaker 3: I'm gonna just fall back. Like it's just all about knowing,

1079
00:47:31,680 --> 00:47:35,320
Speaker 3: like you said, self awareness, knowing yourself, knowing your capabilities,

1080
00:47:35,840 --> 00:47:38,399
Speaker 3: you know, knowing your insecurities because we all have them,

1081
00:47:38,440 --> 00:47:41,239
Speaker 3: you know what I'm saying, But then also knowing where

1082
00:47:41,280 --> 00:47:44,200
Speaker 3: to put yourself in what type of situation to where

1083
00:47:44,560 --> 00:47:47,319
Speaker 3: your insecurities are not challenged, you know what I mean,

1084
00:47:47,400 --> 00:47:49,399
Speaker 3: Like you don't walk in certain rooms, or you don't

1085
00:47:49,400 --> 00:47:50,960
Speaker 3: go to certain places, or you don't do certain things

1086
00:47:51,040 --> 00:47:53,480
Speaker 3: because you know I have a security Like nah, I'm

1087
00:47:53,480 --> 00:47:54,719
Speaker 3: not gonna do it. I'm stay away from I'm not

1088
00:47:54,719 --> 00:47:56,839
Speaker 3: gonna do that because you know yourself, be self aware,

1089
00:47:56,920 --> 00:47:59,160
Speaker 3: be aware of yourself, and and you know that's just

1090
00:47:59,239 --> 00:48:00,960
Speaker 3: the first part. And once you do that and you

1091
00:48:01,000 --> 00:48:03,960
Speaker 3: start to put yourself in the right situations, then you

1092
00:48:04,120 --> 00:48:06,640
Speaker 3: know how, Okay, I could strive in this room, I

1093
00:48:06,680 --> 00:48:07,960
Speaker 3: could I could do this, I could do that.

1094
00:48:08,239 --> 00:48:10,960
Speaker 1: But is ego just a blanket statement and not really

1095
00:48:11,600 --> 00:48:14,800
Speaker 1: an emotion per se? Uh And granted they gave me

1096
00:48:14,840 --> 00:48:17,320
Speaker 1: a tequila shot before we did this, so bear with me,

1097
00:48:17,400 --> 00:48:18,880
Speaker 1: reddit with my terrible.

1098
00:48:18,719 --> 00:48:20,759
Speaker 3: Brcket bloat is cushion your face in ten minutes, don't

1099
00:48:20,800 --> 00:48:22,279
Speaker 3: you worry? Is ego?

1100
00:48:22,520 --> 00:48:25,040
Speaker 1: Like the way they've taught us what carbs and gluten is,

1101
00:48:25,200 --> 00:48:29,240
Speaker 1: bear with me. There's good carbs, there's bad carbs. Carbs

1102
00:48:29,880 --> 00:48:35,360
Speaker 1: beneath them, but they'll kill us gluten carbs do. So

1103
00:48:35,400 --> 00:48:37,520
Speaker 1: it is ego just a blanket statement of whereas what

1104
00:48:37,719 --> 00:48:39,560
Speaker 1: Demarics is talking about is confidence. Like if you have

1105
00:48:39,640 --> 00:48:42,680
Speaker 1: confidence in your craft, confidence and everything, that's great. So

1106
00:48:42,800 --> 00:48:45,560
Speaker 1: then line though, yeah, but is there certain parts of

1107
00:48:45,640 --> 00:48:47,640
Speaker 1: it where your body needs just this much of it?

1108
00:48:48,440 --> 00:48:50,560
Speaker 1: If you go a little too far with it, now

1109
00:48:50,640 --> 00:48:51,399
Speaker 1: you're a fat fuck.

1110
00:48:53,320 --> 00:48:56,040
Speaker 2: It's bad. So the the definition is a person's sense

1111
00:48:56,080 --> 00:48:57,920
Speaker 2: of self esteem or self importance if you want to

1112
00:48:57,920 --> 00:49:00,279
Speaker 2: get into the psycho analysis of it. It's the part

1113
00:49:00,320 --> 00:49:03,120
Speaker 2: of the mind that mediates between the conscience and the unconscious,

1114
00:49:03,120 --> 00:49:05,560
Speaker 2: and it's responsible for reality testing and a sense of

1115
00:49:05,640 --> 00:49:06,600
Speaker 2: personal identity.

1116
00:49:08,080 --> 00:49:11,920
Speaker 3: That's ego. Yes, okay, So.

1117
00:49:12,040 --> 00:49:14,000
Speaker 2: Your Your ego is kind of more of a face

1118
00:49:14,080 --> 00:49:16,799
Speaker 2: you put on for the world. That's why I said

1119
00:49:16,800 --> 00:49:19,200
Speaker 2: it's more of a protection thing. It's more of a

1120
00:49:19,280 --> 00:49:21,320
Speaker 2: face sho you put on for the world and what

1121
00:49:21,520 --> 00:49:25,080
Speaker 2: you how you react to people, from what you think

1122
00:49:25,120 --> 00:49:26,799
Speaker 2: they might want from them, or what you think they

1123
00:49:26,880 --> 00:49:30,879
Speaker 2: might think of you. It's not deeply who you are inside.

1124
00:49:32,320 --> 00:49:34,920
Speaker 2: It's a part of you, but probably but it's a

1125
00:49:35,000 --> 00:49:37,080
Speaker 2: part of not always a front. But it's a small

1126
00:49:37,160 --> 00:49:39,000
Speaker 2: part of you. But I think sometimes a lot of

1127
00:49:39,080 --> 00:49:42,319
Speaker 2: us let it get too big and we operate from

1128
00:49:42,400 --> 00:49:44,600
Speaker 2: that instead of operating from our hearts.

1129
00:49:45,160 --> 00:49:47,880
Speaker 3: Do you think the Incredible Hulk character is based on

1130
00:49:48,000 --> 00:49:49,480
Speaker 3: ego in some weird way.

1131
00:49:50,440 --> 00:49:51,600
Speaker 4: I think it's anger issues.

1132
00:49:52,520 --> 00:49:56,279
Speaker 1: Yeah, that's where I would go more than ego. But

1133
00:49:56,360 --> 00:49:57,719
Speaker 1: I feel like I taught us that it's okay to

1134
00:49:57,800 --> 00:49:58,680
Speaker 1: be angry and blow up.

1135
00:49:58,719 --> 00:49:59,879
Speaker 4: Or sometimes you're always saved the world.

1136
00:50:00,520 --> 00:50:02,239
Speaker 2: You always get angry and you can get the girl

1137
00:50:02,280 --> 00:50:03,440
Speaker 2: that looks like Scarlett Johanes.

1138
00:50:03,560 --> 00:50:05,400
Speaker 3: I feel like some of that, some of that character

1139
00:50:05,400 --> 00:50:08,080
Speaker 3: that's based on ego too. It's definitely anger and anger

1140
00:50:08,239 --> 00:50:10,000
Speaker 3: management and things like that. But I do think so

1141
00:50:10,080 --> 00:50:12,120
Speaker 3: a small part of it is ego like I could

1142
00:50:12,200 --> 00:50:15,160
Speaker 3: literally kill everybody in here if I wanted to, but

1143
00:50:15,280 --> 00:50:16,520
Speaker 3: a lot of a lot.

1144
00:50:16,480 --> 00:50:18,399
Speaker 2: Of I under sure we're going with that. But even

1145
00:50:18,640 --> 00:50:19,360
Speaker 2: even something.

1146
00:50:19,239 --> 00:50:20,759
Speaker 1: Right now, we're now we're getting in my type of talk.

1147
00:50:21,960 --> 00:50:25,040
Speaker 1: You're just helping a whole other chapter I watched.

1148
00:50:25,080 --> 00:50:26,879
Speaker 3: I watch movies, but I read in between the lines

1149
00:50:26,920 --> 00:50:27,319
Speaker 3: too as well.

1150
00:50:27,640 --> 00:50:29,920
Speaker 2: Even if something as far as anger, anger is a

1151
00:50:30,000 --> 00:50:35,000
Speaker 2: manifestation of sadness. Anger is ego's manifestation of sadness because

1152
00:50:35,040 --> 00:50:38,239
Speaker 2: it's not okay technically to be sad. Sadness makes you

1153
00:50:38,320 --> 00:50:41,600
Speaker 2: look weak. So your ego's manifestation of that sadness is

1154
00:50:41,680 --> 00:50:45,239
Speaker 2: to be angry, because anger is more applaudable than shad.

1155
00:50:45,600 --> 00:50:48,239
Speaker 3: She Binge watched death poetry this week, and I know

1156
00:50:48,280 --> 00:50:51,399
Speaker 3: when somebody watched death poetry, she ain't a lot though. Yeah,

1157
00:50:51,440 --> 00:50:53,080
Speaker 3: but she you don't come in here with the death

1158
00:50:53,120 --> 00:50:55,400
Speaker 3: poetry energy in marriage? Don't we not doing that?

1159
00:50:55,480 --> 00:50:57,239
Speaker 2: I'm just we were talking. If we're gonna talk, we

1160
00:50:57,320 --> 00:50:58,919
Speaker 2: could be talking. We can talk. I can talk about

1161
00:50:58,920 --> 00:50:59,800
Speaker 2: bullshit if you want me to.

1162
00:50:59,880 --> 00:51:01,759
Speaker 1: But if you no, no, no, we're gonna were gonna

1163
00:51:01,760 --> 00:51:04,200
Speaker 1: talk about chopped the champagne bottle before that was just

1164
00:51:04,400 --> 00:51:06,360
Speaker 1: mad sadness coming out angrily.

1165
00:51:06,560 --> 00:51:10,160
Speaker 3: Hey, I was waiting to see where he was gonna

1166
00:51:10,200 --> 00:51:12,839
Speaker 3: tie that and like make it make sense, Like that's

1167
00:51:12,920 --> 00:51:14,520
Speaker 3: what you.

1168
00:51:14,640 --> 00:51:16,879
Speaker 1: Just you shook up a bottle and it was sad

1169
00:51:17,400 --> 00:51:20,520
Speaker 1: and it got fucking angry, and I don't know how

1170
00:51:20,600 --> 00:51:23,200
Speaker 1: you came there is pressure.

1171
00:51:23,239 --> 00:51:27,640
Speaker 3: It's so yeah, shout out to Andrew Martinez.

1172
00:51:27,680 --> 00:51:29,840
Speaker 1: The name of how do we get to Martinez?

1173
00:51:30,920 --> 00:51:32,440
Speaker 3: Oh, because just about the death of Ego and all

1174
00:51:32,480 --> 00:51:35,719
Speaker 3: of that. I know part of the conversation. What's the

1175
00:51:35,800 --> 00:51:36,560
Speaker 3: name on our podcast?

1176
00:51:36,600 --> 00:51:38,640
Speaker 2: I'm sorry in real life?

1177
00:51:38,880 --> 00:51:44,400
Speaker 3: Another interview that uh came out and was on the timeline. Uh, Marco,

1178
00:51:44,520 --> 00:51:51,279
Speaker 3: Funny Marco. That his name, you know, Funny Marco. I

1179
00:51:51,320 --> 00:51:54,400
Speaker 3: don't know people many Funny Marco. He does all the

1180
00:51:54,440 --> 00:51:55,840
Speaker 3: funny videos on Instagram.

1181
00:51:55,960 --> 00:51:57,560
Speaker 1: Oh yeah, I know. This is so.

1182
00:51:57,680 --> 00:51:59,800
Speaker 3: He sat down and he did an interview with a

1183
00:52:00,040 --> 00:52:03,719
Speaker 3: Lando Brown. Yes, I don't know if Funny Marker has

1184
00:52:03,760 --> 00:52:04,759
Speaker 3: a podcast or.

1185
00:52:05,640 --> 00:52:06,680
Speaker 1: Who doesn't have a podcast?

1186
00:52:06,760 --> 00:52:13,799
Speaker 3: Well absolutely at this point he sat down with Orlando Brown.

1187
00:52:14,120 --> 00:52:16,480
Speaker 3: And Orlando Brown, as we know, is one of the

1188
00:52:16,640 --> 00:52:22,000
Speaker 3: most viral people on the Internet anytime. Orlando Brown decides

1189
00:52:22,080 --> 00:52:25,520
Speaker 3: to sit down and talk and open his mouth. Pause.

1190
00:52:26,440 --> 00:52:30,200
Speaker 3: We don't know what to expect, and he's back with

1191
00:52:30,280 --> 00:52:33,680
Speaker 3: another doozy for us. Uh. He sat down with Funny Marco,

1192
00:52:33,719 --> 00:52:36,279
Speaker 3: and Funny Marco asked him about I mean, he asked

1193
00:52:36,360 --> 00:52:39,320
Speaker 3: him about bow Wow, and he asked him out, you

1194
00:52:39,360 --> 00:52:41,480
Speaker 3: know what ship issue with He said, I don't have

1195
00:52:41,520 --> 00:52:45,840
Speaker 3: an issue bow Wow and then things went left because

1196
00:52:46,520 --> 00:52:49,279
Speaker 3: I don't think any of us expected Orlando Brown to

1197
00:52:49,320 --> 00:52:52,080
Speaker 3: say what he said. After that, he said, really, Orlando,

1198
00:52:53,360 --> 00:52:54,640
Speaker 3: I mean, I didn't expect.

1199
00:52:54,400 --> 00:52:56,920
Speaker 1: Judging by his viral history that you thought this was

1200
00:52:57,280 --> 00:52:58,400
Speaker 1: this He drew the line this.

1201
00:52:58,600 --> 00:53:01,800
Speaker 3: No, but this I wasn't expect thing Orlando Brown is

1202
00:53:01,880 --> 00:53:05,040
Speaker 3: say that bow Wow has some bomb pussy? Was the

1203
00:53:05,160 --> 00:53:05,960
Speaker 3: last time you watched one?

1204
00:53:06,000 --> 00:53:07,759
Speaker 1: On sixth and part from last time it was hot

1205
00:53:07,920 --> 00:53:08,879
Speaker 1: with Little bow Wow?

1206
00:53:09,280 --> 00:53:11,560
Speaker 3: Who was on their You got a problem with a

1207
00:53:11,560 --> 00:53:13,120
Speaker 3: little bow Wow. I ain't got a problem a little

1208
00:53:13,120 --> 00:53:15,120
Speaker 3: bow Wow. Little bow Wow got some bomb ass pussy.

1209
00:53:17,239 --> 00:53:20,240
Speaker 3: M hm, you said bomb put bomb ass pussy.

1210
00:53:20,440 --> 00:53:20,960
Speaker 1: Hilarious?

1211
00:53:21,800 --> 00:53:22,680
Speaker 2: What a straight face?

1212
00:53:23,600 --> 00:53:25,440
Speaker 1: And by the way, by the way, did one O

1213
00:53:25,520 --> 00:53:28,879
Speaker 1: six and park exist after bow Wow? I haven't watched

1214
00:53:28,920 --> 00:53:33,239
Speaker 1: it since it was hot. Who was on after Wow?

1215
00:53:34,280 --> 00:53:36,759
Speaker 2: Well that was bow Wow was way after the whole

1216
00:53:36,840 --> 00:53:39,319
Speaker 2: Melissa and guy that.

1217
00:53:39,640 --> 00:53:41,920
Speaker 1: Kesh was on there with him and then she it

1218
00:53:42,040 --> 00:53:43,680
Speaker 1: was after those four.

1219
00:53:43,800 --> 00:53:44,600
Speaker 4: Didn't it end?

1220
00:53:46,840 --> 00:53:47,200
Speaker 3: Mm hmm.

1221
00:53:49,120 --> 00:53:53,440
Speaker 1: Kesh was great on there was great on there. Didn't

1222
00:53:53,440 --> 00:53:54,399
Speaker 1: it end after their run?

1223
00:53:55,239 --> 00:53:55,560
Speaker 3: I think?

1224
00:53:55,640 --> 00:53:59,440
Speaker 1: So who came on after them and.

1225
00:53:59,440 --> 00:54:04,440
Speaker 3: Shouts key Keisha and d J enough DJ pro style?

1226
00:54:05,440 --> 00:54:12,560
Speaker 4: Uh this Mikey who surety the Prince Angela Simmons Keisha?

1227
00:54:13,040 --> 00:54:15,200
Speaker 1: Yeah, man like yeah after Keisha.

1228
00:54:15,280 --> 00:54:16,200
Speaker 3: Yeah, that was like the end of it.

1229
00:54:16,760 --> 00:54:21,359
Speaker 1: Yeah, and they were great. Yeah, that was so yeah,

1230
00:54:21,360 --> 00:54:24,680
Speaker 1: that was it. Anyways, I thought it was hysterical.

1231
00:54:25,000 --> 00:54:28,160
Speaker 3: But I mean, you know, he's right about about since

1232
00:54:28,239 --> 00:54:31,640
Speaker 3: bow Wow saying that having bombed and now we sat

1233
00:54:31,680 --> 00:54:33,400
Speaker 3: down with bow Wow when he kicked it. I had

1234
00:54:33,480 --> 00:54:35,239
Speaker 3: no idea that we were sitting across from my man

1235
00:54:35,280 --> 00:54:38,719
Speaker 3: that had bombed. Ass he No, I mean we was

1236
00:54:38,840 --> 00:54:39,560
Speaker 3: kicking it. I didn't.

1237
00:54:39,760 --> 00:54:44,480
Speaker 1: I'm looking at bat like got his his track, Tennis

1238
00:54:44,480 --> 00:54:44,960
Speaker 1: didn't go up.

1239
00:54:45,040 --> 00:54:48,239
Speaker 3: Yeah, like I didn't think. I didn't think. I didn't

1240
00:54:48,360 --> 00:54:50,120
Speaker 3: get the feeling that bow I had a vagina in

1241
00:54:50,200 --> 00:54:53,640
Speaker 3: that room. Like, no, I'm a visionary, but I just didn't.

1242
00:54:53,719 --> 00:54:58,359
Speaker 3: I guess, I guess, my, my, my, my, my eyes

1243
00:54:58,360 --> 00:54:59,960
Speaker 3: were blurry, but I don't. I don't know. I don't

1244
00:55:00,000 --> 00:55:04,840
Speaker 3: don't know what Orlando Brown is alluding to. But is

1245
00:55:04,920 --> 00:55:08,760
Speaker 3: this what his response was? Yes? Okay, so bow Wow's responsible?

1246
00:55:08,840 --> 00:55:12,560
Speaker 3: Since when legends got to speak on fuckery. I'm filming

1247
00:55:12,640 --> 00:55:14,680
Speaker 3: my new TV show as we speak, and preparing for

1248
00:55:14,760 --> 00:55:16,840
Speaker 3: a sold out show at the Old Two Arena for

1249
00:55:16,920 --> 00:55:19,160
Speaker 3: the Millennium Tour in London. I'm a thirty five year

1250
00:55:19,160 --> 00:55:21,239
Speaker 3: old father. I don't play them type of games. You

1251
00:55:21,320 --> 00:55:23,600
Speaker 3: don't know this bow Wow you're talking to, right, I

1252
00:55:23,719 --> 00:55:24,600
Speaker 3: am a boy damon.

1253
00:55:25,080 --> 00:55:29,279
Speaker 1: Okay, So this is somebody battling with their ego. This

1254
00:55:29,440 --> 00:55:31,600
Speaker 1: is someone that has rested a lot and wants to

1255
00:55:31,640 --> 00:55:33,640
Speaker 1: make jokes in the middle of it but still don't

1256
00:55:33,640 --> 00:55:34,040
Speaker 1: play with me.

1257
00:55:34,440 --> 00:55:36,040
Speaker 3: Or this is someone that's just letting it be known,

1258
00:55:36,160 --> 00:55:39,080
Speaker 3: like I don't have bomb ass pussy. I don't know

1259
00:55:39,160 --> 00:55:41,200
Speaker 3: what this gentleman is talking about, what he's alluding to.

1260
00:55:41,360 --> 00:55:44,520
Speaker 1: I still have a crazy ego, but if somebody said

1261
00:55:44,560 --> 00:55:45,560
Speaker 1: it about me, I probably laugh.

1262
00:55:45,880 --> 00:55:48,919
Speaker 3: Oh you have to. You have to laugh at something

1263
00:55:48,960 --> 00:55:51,880
Speaker 3: like this, like something as wild and outlandish as this.

1264
00:55:52,520 --> 00:55:55,120
Speaker 3: You can't get on Instagram live and start cursing at

1265
00:55:55,200 --> 00:55:56,960
Speaker 3: Orlando Brown and say I'm gonna fuck you up and

1266
00:55:57,000 --> 00:55:59,200
Speaker 3: all this other stupid You just gotta laugh, man, it's

1267
00:55:59,280 --> 00:56:02,680
Speaker 3: Orlando Brown. It's like, bro, he's sitting down with Funny Marco.

1268
00:56:03,080 --> 00:56:05,960
Speaker 3: It ain't like he was sitting down with Walters.

1269
00:56:05,600 --> 00:56:09,280
Speaker 2: And when are we gonna stop for a drug addict?

1270
00:56:09,560 --> 00:56:12,759
Speaker 2: And like fur views because he's very clearly a drug

1271
00:56:12,760 --> 00:56:13,960
Speaker 2: addict and he's which.

1272
00:56:13,760 --> 00:56:16,000
Speaker 1: I heard, he's actually doing better, to be quite honest,

1273
00:56:16,080 --> 00:56:16,360
Speaker 1: is he is?

1274
00:56:16,400 --> 00:56:17,160
Speaker 3: This him doing better?

1275
00:56:17,840 --> 00:56:20,960
Speaker 1: Takes a while for drug addicts to get drugs, no,

1276
00:56:21,200 --> 00:56:23,160
Speaker 1: to do better. From what I've understood that he is

1277
00:56:23,239 --> 00:56:26,800
Speaker 1: doing better. But I did see a girl tweet that

1278
00:56:28,000 --> 00:56:35,120
Speaker 1: bow wow was replied with avoidance. Look what I'm doing, bitch,

1279
00:56:36,520 --> 00:56:42,399
Speaker 1: and I'm so off you. He must have good pussy, y'all,

1280
00:56:43,239 --> 00:56:45,360
Speaker 1: he replied, like every chick that has good pussy.

1281
00:56:46,120 --> 00:56:48,600
Speaker 3: Yeah, I don't know, man, I just you know, Helendo Brown.

1282
00:56:48,680 --> 00:56:50,640
Speaker 3: I just hope that you know he's he's in his

1283
00:56:50,960 --> 00:56:53,680
Speaker 3: in his sobriety and his uh you know, recovery, that

1284
00:56:53,760 --> 00:56:58,480
Speaker 3: he's doing well. Because we know Orlando Brown is is

1285
00:56:58,520 --> 00:57:01,680
Speaker 3: definitely not somebody that's gonna disappear for too long. He'll

1286
00:57:01,719 --> 00:57:03,399
Speaker 3: be back. He gonna come back with some more news

1287
00:57:03,440 --> 00:57:07,960
Speaker 3: for somebody that got some more bombas pussy wow. I

1288
00:57:08,000 --> 00:57:09,879
Speaker 3: didn't know about what Obama as susy, like the things

1289
00:57:09,920 --> 00:57:11,480
Speaker 3: you learned from Mark.

1290
00:57:11,520 --> 00:57:14,560
Speaker 1: I'm gonna get a bucket and I'm not. I just

1291
00:57:14,680 --> 00:57:17,280
Speaker 1: want to know. We took a break and Eden referred

1292
00:57:17,480 --> 00:57:22,360
Speaker 1: to Jill Biden as Jill Scott. Damn it, I did,

1293
00:57:22,520 --> 00:57:24,760
Speaker 1: and I use a bathroom and we just a quick break,

1294
00:57:24,800 --> 00:57:26,240
Speaker 1: and he was like, did you see what Jill Scott

1295
00:57:26,320 --> 00:57:29,960
Speaker 1: said about the Mexicans? And I was like, Jilly from Philly.

1296
00:57:29,960 --> 00:57:32,560
Speaker 3: I think Jill went crazy. I was like, don't tell me,

1297
00:57:32,720 --> 00:57:35,600
Speaker 3: Jilly went crazy the last three days, like what happened?

1298
00:57:35,640 --> 00:57:37,240
Speaker 4: Damn it. I should have seen that coming.

1299
00:57:38,080 --> 00:57:42,600
Speaker 1: You definitely defended UH Trump and all his quotes that

1300
00:57:42,680 --> 00:57:46,200
Speaker 1: were taking out of context against the Hispanic community. Are

1301
00:57:46,240 --> 00:57:47,960
Speaker 1: you going to defend Jill Biden?

1302
00:57:48,280 --> 00:57:50,320
Speaker 3: I don't know if I ever defended Trump and his

1303
00:57:50,560 --> 00:57:53,000
Speaker 3: UH comments about the Hispanic community.

1304
00:57:53,040 --> 00:57:54,320
Speaker 4: Do you think I'm sometimes good people?

1305
00:57:54,840 --> 00:57:57,120
Speaker 3: I think you're sometimes a good person. Do you think

1306
00:57:57,200 --> 00:57:58,000
Speaker 3: do you think we are?

1307
00:57:58,080 --> 00:57:59,720
Speaker 1: Do you think he's all a rapist.

1308
00:58:00,200 --> 00:58:01,360
Speaker 4: Uh, or a drug dealer.

1309
00:58:01,400 --> 00:58:04,360
Speaker 3: I don't know. You look like you dealt some drugs.

1310
00:58:04,920 --> 00:58:06,280
Speaker 1: And have you ever done drugs?

1311
00:58:06,800 --> 00:58:07,840
Speaker 2: You've never sold anything?

1312
00:58:08,000 --> 00:58:11,240
Speaker 1: Not one rock No, but defines that too though.

1313
00:58:11,440 --> 00:58:13,439
Speaker 3: What drug dealing? Yeah, I think you have to clear

1314
00:58:13,440 --> 00:58:14,000
Speaker 3: a certain amount.

1315
00:58:14,160 --> 00:58:14,680
Speaker 1: Yeah, I agree.

1316
00:58:14,960 --> 00:58:17,000
Speaker 3: At least I saw some weed.

1317
00:58:17,120 --> 00:58:18,960
Speaker 1: But I would never consider myself a drug dealer.

1318
00:58:19,040 --> 00:58:19,200
Speaker 3: Yeah.

1319
00:58:19,280 --> 00:58:21,880
Speaker 1: No, I even sold a couple of grams of coke.

1320
00:58:21,960 --> 00:58:23,840
Speaker 1: I didn't feel like a drug dealer. I was just like, oh, yeah,

1321
00:58:23,880 --> 00:58:24,960
Speaker 1: my man's I got you.

1322
00:58:25,920 --> 00:58:27,640
Speaker 3: Can you go back to that? Edan? So I could

1323
00:58:27,680 --> 00:58:30,720
Speaker 3: read that, Uh, I've.

1324
00:58:30,600 --> 00:58:37,560
Speaker 1: Been killed online because I retweeted the compilation trailer of uh,

1325
00:58:37,880 --> 00:58:44,840
Speaker 1: what's Biden's son's name? Hunter Biden's the crack CEO, and

1326
00:58:45,080 --> 00:58:47,280
Speaker 1: I believe I retweeted the trailer and I said, Uh,

1327
00:58:48,160 --> 00:58:50,280
Speaker 1: he kind of looks like that dude. What's the commotion about?

1328
00:58:50,440 --> 00:58:54,200
Speaker 3: Oh yeah, that's that's that's what everybody. If this was

1329
00:58:54,240 --> 00:58:56,720
Speaker 3: Trump's kids, it wouldn't be No, he looks like he

1330
00:58:56,800 --> 00:58:57,680
Speaker 3: looks like a rock star.

1331
00:58:57,840 --> 00:58:58,520
Speaker 1: That's not what I'm saying.

1332
00:58:58,560 --> 00:59:00,920
Speaker 3: He looks like he's having a great what I'm trying

1333
00:59:00,920 --> 00:59:03,440
Speaker 3: to do this rabbit hole. If this was one of

1334
00:59:03,520 --> 00:59:06,000
Speaker 3: the Trumps, Oh my god, get them out and peach.

1335
00:59:07,080 --> 00:59:11,320
Speaker 1: Yet well, well, Jill was talking about thedeckis.

1336
00:59:11,360 --> 00:59:14,560
Speaker 3: What did she call them? But they the decis But

1337
00:59:15,160 --> 00:59:17,320
Speaker 3: she said she fucked that up, she said the word.

1338
00:59:17,400 --> 00:59:19,200
Speaker 3: Of course, she fucked it up. None of these people

1339
00:59:19,240 --> 00:59:21,360
Speaker 3: are in tune with the communities that they're trying to

1340
00:59:21,440 --> 00:59:23,600
Speaker 3: get to vote from. None of these people care about

1341
00:59:23,640 --> 00:59:25,280
Speaker 3: the communities that they're trying to get to vote from.

1342
00:59:25,440 --> 00:59:26,840
Speaker 3: None of these people care about the people in the

1343
00:59:26,840 --> 00:59:28,480
Speaker 3: communities that they're trying to get to vote from. So

1344
00:59:28,560 --> 00:59:30,560
Speaker 3: then they get on stage and the teller prompter that

1345
00:59:30,680 --> 00:59:33,400
Speaker 3: kicks their ass huh, and they stumbled onto all their words.

1346
00:59:33,400 --> 00:59:34,880
Speaker 3: They don't know what they're talking about. They sound so

1347
00:59:34,960 --> 00:59:37,280
Speaker 3: out of touch. And then people are surprised that they

1348
00:59:37,360 --> 00:59:41,840
Speaker 3: say things like these people are unique as tacos and Bodega's.

1349
00:59:41,520 --> 00:59:47,919
Speaker 6: Right, diversity of this community, as distinct as the bogadas

1350
00:59:48,000 --> 00:59:52,600
Speaker 6: of the Bronx, as beautiful as the blossoms of Miami,

1351
00:59:53,680 --> 00:59:58,120
Speaker 6: and as unique as the breakfast tacos here in San Antonio.

1352
00:59:58,880 --> 01:00:00,840
Speaker 1: My face should probably not be the one that says

1353
01:00:01,000 --> 01:00:04,320
Speaker 1: she was not calling them tacos.

1354
01:00:04,440 --> 01:00:05,040
Speaker 3: She was saying.

1355
01:00:05,160 --> 01:00:05,400
Speaker 5: She was.

1356
01:00:05,640 --> 01:00:08,880
Speaker 1: It's a terrible speech. It's an awful speech. She was

1357
01:00:08,920 --> 01:00:11,720
Speaker 1: not saying, you guys are tacos. No, she didn't saying

1358
01:00:11,720 --> 01:00:15,600
Speaker 1: as unique as the breakfast tacos or breakfast burritos, which is.

1359
01:00:16,920 --> 01:00:18,880
Speaker 3: Would have said, there's nothing unique about it.

1360
01:00:19,040 --> 01:00:21,160
Speaker 1: I wouldn't have said that in a speech she was not.

1361
01:00:21,320 --> 01:00:24,880
Speaker 1: I don't think she was referring to the Hispanic community

1362
01:00:25,080 --> 01:00:28,920
Speaker 1: in I'm sorry, Latin X, thank you community.

1363
01:00:29,360 --> 01:00:31,000
Speaker 3: That's right. Defend your First Lady Rory.

1364
01:00:32,560 --> 01:00:33,520
Speaker 1: You voted, I voted.

1365
01:00:36,960 --> 01:00:38,439
Speaker 3: Defend your First Lady Rory.

1366
01:00:39,080 --> 01:00:43,400
Speaker 1: I'm it was a horrible speech. I don't I just

1367
01:00:43,480 --> 01:00:45,080
Speaker 1: don't think she was calling them.

1368
01:00:45,440 --> 01:00:47,280
Speaker 3: No, I get what you're saying. In a statement Monday,

1369
01:00:47,320 --> 01:00:50,000
Speaker 3: the National Association of Hispanic Journalists called on the First

1370
01:00:50,080 --> 01:00:52,400
Speaker 3: Lady and her speech writing team to take the time

1371
01:00:52,480 --> 01:00:56,000
Speaker 3: in the future to better understand the complexities of our

1372
01:00:56,040 --> 01:00:59,360
Speaker 3: people and communities, adding, we are not tacos and do

1373
01:00:59,520 --> 01:01:04,280
Speaker 3: not reduce the stereotypes. Yes, our Latin friends, family, brothers,

1374
01:01:04,360 --> 01:01:06,440
Speaker 3: and sisters are not tacos.

1375
01:01:06,520 --> 01:01:06,880
Speaker 4: No, we're not.

1376
01:01:06,960 --> 01:01:12,240
Speaker 1: All right, Well, let me ask two residents of the BRONX,

1377
01:01:13,240 --> 01:01:14,840
Speaker 1: do you guys feel like you guys are boga.

1378
01:01:15,640 --> 01:01:16,920
Speaker 3: I have never been to a bodega?

1379
01:01:17,160 --> 01:01:18,000
Speaker 4: Are you calling me fat?

1380
01:01:19,800 --> 01:01:20,920
Speaker 3: Never been to? I've been to.

1381
01:01:21,640 --> 01:01:22,680
Speaker 1: I think both of you guys are.

1382
01:01:24,480 --> 01:01:28,640
Speaker 3: I'm a go getter. I think that I would call

1383
01:01:28,720 --> 01:01:29,480
Speaker 3: myself a go getter.

1384
01:01:30,160 --> 01:01:32,479
Speaker 1: And in Jill's defense, I know a lot of women

1385
01:01:32,520 --> 01:01:33,840
Speaker 1: in Miami that I've called a blossom.

1386
01:01:34,880 --> 01:01:35,680
Speaker 3: This is very true.

1387
01:01:36,200 --> 01:01:39,760
Speaker 1: This is this is very very very What is a blossom?

1388
01:01:39,760 --> 01:01:41,920
Speaker 1: I'm not I'm actually not trying to be funny blossoms.

1389
01:01:41,960 --> 01:01:44,120
Speaker 3: I'm assuming flowers.

1390
01:01:44,640 --> 01:01:47,240
Speaker 1: Yes, it is Miami known for their flowers.

1391
01:01:47,680 --> 01:01:50,400
Speaker 3: I would assume, so it's a pretty Uh, the son

1392
01:01:50,480 --> 01:01:53,600
Speaker 3: and ship, there's a blossom. The cherry blossoms.

1393
01:01:55,240 --> 01:01:56,480
Speaker 1: Oh yeah, those those are beautiful.

1394
01:01:56,640 --> 01:02:01,600
Speaker 3: Yeah, I guess you can compare those two Latin people blossom. Yeah,

1395
01:02:01,680 --> 01:02:04,439
Speaker 3: they blossom and inside of breakfast tacos.

1396
01:02:05,920 --> 01:02:06,480
Speaker 4: But breakfast.

1397
01:02:06,600 --> 01:02:08,840
Speaker 1: That's first of all that she was Was she trying

1398
01:02:08,880 --> 01:02:11,560
Speaker 1: to like do a scheme. Was she suggesting that there's

1399
01:02:11,600 --> 01:02:14,800
Speaker 1: the Latina, there's Latin X. She was community, she was

1400
01:02:14,880 --> 01:02:18,800
Speaker 1: in tune with the corner stories, and then there's she was.

1401
01:02:18,800 --> 01:02:20,400
Speaker 3: Trying to make a funny rory and it.

1402
01:02:22,080 --> 01:02:23,040
Speaker 2: Higher Latin people.

1403
01:02:23,760 --> 01:02:26,040
Speaker 3: What Oh, finally they should get some Latin people in

1404
01:02:26,080 --> 01:02:27,000
Speaker 3: their cabinet.

1405
01:02:27,920 --> 01:02:28,280
Speaker 4: Mm hmm.

1406
01:02:29,200 --> 01:02:31,919
Speaker 1: By the way, also, I mean all the woke people.

1407
01:02:31,960 --> 01:02:34,040
Speaker 1: Why is that not a degrading word to anyone? But

1408
01:02:34,320 --> 01:02:39,160
Speaker 1: don't put me in your cabinet. Well, like if I'm worried,

1409
01:02:39,200 --> 01:02:40,480
Speaker 1: like bro, I don't want to be in your cabinet.

1410
01:02:40,920 --> 01:02:45,120
Speaker 3: In the closet, Wow, wow, wow, wow wow. I don't

1411
01:02:45,160 --> 01:02:46,000
Speaker 3: even know what just happened.

1412
01:02:46,000 --> 01:02:48,840
Speaker 4: I have no idea she said in the closet did she?

1413
01:02:49,000 --> 01:02:50,120
Speaker 1: Oh, I get it because you're gay.

1414
01:02:50,720 --> 01:02:51,240
Speaker 4: That's crazy.

1415
01:02:53,360 --> 01:02:56,720
Speaker 3: There was another episode. There was another Uh, I'm trying

1416
01:02:56,720 --> 01:02:58,280
Speaker 3: to I promise you. I'm trying to hold this thing.

1417
01:02:58,320 --> 01:03:01,240
Speaker 2: He's a Latin x all trying to hold the pot together.

1418
01:03:01,800 --> 01:03:04,960
Speaker 3: I'm trying to hold the ship together. Another interview that

1419
01:03:05,160 --> 01:03:07,840
Speaker 3: we saw is coming is a season two I think

1420
01:03:07,920 --> 01:03:09,960
Speaker 3: of Kevin Hart's is it heart to Heart? Is that

1421
01:03:10,040 --> 01:03:12,320
Speaker 3: the name of it? Did I just butcher Kev's think

1422
01:03:12,440 --> 01:03:15,640
Speaker 3: he's gonna probably kick my ass for that? Anyway, heart

1423
01:03:15,720 --> 01:03:16,040
Speaker 3: to heart?

1424
01:03:16,280 --> 01:03:17,880
Speaker 1: If you lose a fight to Kevi, Actually I've seen

1425
01:03:17,920 --> 01:03:18,920
Speaker 1: keV box. He got quick hands.

1426
01:03:21,320 --> 01:03:23,240
Speaker 3: He ain't gonna be no it ain't gonna be no

1427
01:03:23,320 --> 01:03:25,920
Speaker 3: light light fight. I don't think to fight Kevin Hart uh,

1428
01:03:26,600 --> 01:03:28,480
Speaker 3: but he has an interview coming with Jay jay Z

1429
01:03:29,640 --> 01:03:32,320
Speaker 3: on the second season of his show on Peacock TV.

1430
01:03:33,720 --> 01:03:34,880
Speaker 3: I believe it's called Heart to Heart.

1431
01:03:36,360 --> 01:03:38,920
Speaker 1: I mean, I understand that keV has been part of

1432
01:03:39,040 --> 01:03:42,480
Speaker 1: Rockefeller Films for a very long time. I feel like.

1433
01:03:44,120 --> 01:03:46,720
Speaker 3: keV needs a he keV shit. Honestly, he might need

1434
01:03:46,760 --> 01:03:47,440
Speaker 3: a rock chain.

1435
01:03:47,600 --> 01:03:50,120
Speaker 1: Okay, if he was kind of funny, You're not honorary Rockefeller.

1436
01:03:50,200 --> 01:03:52,680
Speaker 1: You are a Rockefeller and don't and we're on our

1437
01:03:52,840 --> 01:03:55,280
Speaker 1: second season, yeah are we?

1438
01:03:55,680 --> 01:03:57,560
Speaker 4: I don't know, do I also a rock chain? I

1439
01:03:57,720 --> 01:03:59,080
Speaker 4: just feel like, do I get a rock chain?

1440
01:04:00,560 --> 01:04:01,720
Speaker 3: You can have talk?

1441
01:04:02,440 --> 01:04:08,640
Speaker 2: Okay, mall doesn't even have a rock a JD fucking interview.

1442
01:04:08,720 --> 01:04:10,640
Speaker 2: All we got is that broken rock candle, Like.

1443
01:04:12,240 --> 01:04:12,920
Speaker 1: No I got a new one.

1444
01:04:13,960 --> 01:04:14,360
Speaker 3: I know that.

1445
01:04:15,880 --> 01:04:16,280
Speaker 4: Look at you.

1446
01:04:18,400 --> 01:04:20,280
Speaker 3: I I want to see this. I think that is dope.

1447
01:04:20,320 --> 01:04:23,560
Speaker 3: That keV was able to secure an interview with Jay,

1448
01:04:26,200 --> 01:04:28,600
Speaker 3: and it looks obviously it looks like Jay is comfortable.

1449
01:04:28,640 --> 01:04:30,760
Speaker 3: He knows keV. They have a relationship, they have a friendship,

1450
01:04:31,640 --> 01:04:33,440
Speaker 3: and I like what Kevin is doing. He's sitting down

1451
01:04:33,440 --> 01:04:36,720
Speaker 3: with some some interesting people, he has uh interviews with

1452
01:04:37,120 --> 01:04:42,880
Speaker 3: Pete Davison, Chris Rock, Jay Man, whoever that else is

1453
01:04:42,920 --> 01:04:46,959
Speaker 3: in his phone, So everybody, everybody in his phone.

1454
01:04:47,520 --> 01:04:48,080
Speaker 1: J D.

1455
01:04:48,680 --> 01:04:53,560
Speaker 3: Tyler, Perry, Mark Wahlberg, Tracy Ellis, Ross Sweetie, Christian Stewart,

1456
01:04:53,600 --> 01:04:56,480
Speaker 3: Mike Tyson. That should be an interesting one. Seth mc McFarlane.

1457
01:04:57,400 --> 01:05:00,640
Speaker 3: Oh yeah. So Peacock has ordered eleven episodes for the

1458
01:05:00,680 --> 01:05:04,040
Speaker 3: new season of the show, which is produced by Heartbeat keV,

1459
01:05:04,280 --> 01:05:09,080
Speaker 3: Jeff Clanagan, Cannice Wilson, Cherry ty Randolph and Todd Yasue.

1460
01:05:09,440 --> 01:05:12,960
Speaker 3: I'm sorry if I fucked that up service as executive producers,

1461
01:05:13,000 --> 01:05:17,240
Speaker 3: and all episodes are directed by Leslie Small. So yeah, man,

1462
01:05:17,280 --> 01:05:17,919
Speaker 3: shout out to keV.

1463
01:05:18,640 --> 01:05:22,400
Speaker 1: Of course, shout out to keV. I hope they get

1464
01:05:22,440 --> 01:05:24,960
Speaker 1: into his ship man. Did they say who was sponsoring it?

1465
01:05:25,040 --> 01:05:26,320
Speaker 1: I know you just read a bunch of stuff, But

1466
01:05:26,960 --> 01:05:28,120
Speaker 1: did they say who was sponsoring it?

1467
01:05:29,040 --> 01:05:35,480
Speaker 3: Probably some alcohol that keV owns, Probably some haircare products

1468
01:05:35,600 --> 01:05:36,240
Speaker 3: that keV.

1469
01:05:36,120 --> 01:05:38,520
Speaker 1: Owns, So keV could get into a ship man.

1470
01:05:38,840 --> 01:05:40,520
Speaker 3: Wait, get into it. Sh as far as what.

1471
01:05:42,000 --> 01:05:46,080
Speaker 1: Some real conversations, because keV is a deep dude. keV

1472
01:05:46,120 --> 01:05:50,080
Speaker 1: has just decided as he fucking should for his legacy

1473
01:05:50,120 --> 01:05:54,040
Speaker 1: and family to be one of the biggest comedians and

1474
01:05:54,120 --> 01:05:59,160
Speaker 1: celebrities of all time. Now that he's now that he's surpassed,

1475
01:05:59,200 --> 01:06:02,280
Speaker 1: he's he's passed that entire peak. Like, I know keV

1476
01:06:02,320 --> 01:06:03,760
Speaker 1: can do more. I'm not trying to box him in.

1477
01:06:03,800 --> 01:06:06,800
Speaker 1: I know there's more for keV. But keV has solidified

1478
01:06:06,880 --> 01:06:10,680
Speaker 1: himself as the legend that he is in film, comedy,

1479
01:06:10,680 --> 01:06:13,160
Speaker 1: everything you want to talk about, He's broken every fucking record. Yeah,

1480
01:06:14,040 --> 01:06:16,439
Speaker 1: keV is a deep dude, man. V. keV comes from

1481
01:06:17,360 --> 01:06:21,520
Speaker 1: the Patrese, O'Neill, Bill Burr, Jim Norton, like he comes

1482
01:06:21,600 --> 01:06:24,520
Speaker 1: from that class of the comedy seller. keV is not

1483
01:06:24,720 --> 01:06:28,520
Speaker 1: some shallow dude that he can come across to Middle America.

1484
01:06:28,680 --> 01:06:29,640
Speaker 1: keV is a deep dude.

1485
01:06:30,760 --> 01:06:31,160
Speaker 3: I hope.

1486
01:06:31,640 --> 01:06:33,480
Speaker 1: I just want to see keV getting that bag because

1487
01:06:33,480 --> 01:06:36,120
Speaker 1: I know that's who keV really is. Like Kevin Hart

1488
01:06:36,320 --> 01:06:39,120
Speaker 1: is this superstar, of course, but bro, he did fucking

1489
01:06:39,240 --> 01:06:43,760
Speaker 1: fifteen years of being that deep ass comedian for a while.

1490
01:06:43,920 --> 01:06:46,920
Speaker 1: Pause if that's a pause. I I just can't believe

1491
01:06:47,000 --> 01:06:48,919
Speaker 1: that the guy, Like I don't want him to talk

1492
01:06:49,000 --> 01:06:52,160
Speaker 1: to Pete about Kim. I'm sorry, I don't I want

1493
01:06:52,200 --> 01:06:54,320
Speaker 1: to talk to me about drug. Yes, I want him

1494
01:06:54,320 --> 01:06:56,120
Speaker 1: to talk to Pete about YO, fan, the fuck is

1495
01:06:56,160 --> 01:06:56,400
Speaker 1: going on?

1496
01:06:57,400 --> 01:06:58,560
Speaker 2: Weren't you got to marry? Ironic?

1497
01:06:58,560 --> 01:06:59,800
Speaker 3: Grind is going on with ye?

1498
01:07:00,440 --> 01:07:05,560
Speaker 1: Know? What the fuck is going on with your unstable relationships.

1499
01:07:05,440 --> 01:07:10,600
Speaker 3: With you and Kem? What you mean He's gonna ask

1500
01:07:10,680 --> 01:07:12,520
Speaker 3: Pete Davison what the fuck is going on? You just asked?

1501
01:07:12,560 --> 01:07:14,760
Speaker 1: You asked me a question off rip from what I

1502
01:07:14,840 --> 01:07:16,680
Speaker 1: know about Pete. And I'm not saying this as an

1503
01:07:16,720 --> 01:07:19,080
Speaker 1: attack to him or any being gossipy or anything, but

1504
01:07:19,480 --> 01:07:22,440
Speaker 1: shit has been thrown on our face. I've known Pete's

1505
01:07:22,520 --> 01:07:25,080
Speaker 1: father pasted in nine to eleven, and he has had

1506
01:07:25,280 --> 01:07:28,240
Speaker 1: constant relationships that have been high profile that have lasted

1507
01:07:28,280 --> 01:07:32,240
Speaker 1: two to three fucking months. SNL has been an up

1508
01:07:32,280 --> 01:07:35,600
Speaker 1: and down with him. The public has been an up

1509
01:07:35,640 --> 01:07:39,080
Speaker 1: and down with him. He hates attention, yet gets constant attention,

1510
01:07:39,240 --> 01:07:41,480
Speaker 1: yet only dates people that are going to get him attention.

1511
01:07:41,840 --> 01:07:46,200
Speaker 1: Talk to me, Pete, Yeah, And I think I wouldn't

1512
01:07:46,240 --> 01:07:48,160
Speaker 1: ask Pete that because Pete and I are not friends

1513
01:07:48,720 --> 01:07:50,280
Speaker 1: and Pete would never sit down with me, which is

1514
01:07:50,360 --> 01:07:54,320
Speaker 1: totally fine, But I don't care. I don't mean that

1515
01:07:54,360 --> 01:07:57,400
Speaker 1: in a bad way. I actually like Pete. I would

1516
01:07:57,440 --> 01:07:59,360
Speaker 1: sit with Pete. I just don't think he would sit

1517
01:07:59,400 --> 01:08:01,800
Speaker 1: with me. And that's fine because there's plenty of people

1518
01:08:01,840 --> 01:08:02,480
Speaker 1: I wouldn't sit with.

1519
01:08:03,440 --> 01:08:05,240
Speaker 3: People would not shit down on this show, of.

1520
01:08:05,280 --> 01:08:07,600
Speaker 1: Course not, and that's totally fine. I think we suffer

1521
01:08:07,640 --> 01:08:12,560
Speaker 1: from a similar anxiety. But keV is his man's keV

1522
01:08:12,600 --> 01:08:13,680
Speaker 1: can ask him those questions.

1523
01:08:13,880 --> 01:08:15,920
Speaker 3: No, which is why I'm saying. I think what keV

1524
01:08:16,080 --> 01:08:18,000
Speaker 3: is doing and how he's able to do it is

1525
01:08:18,200 --> 01:08:19,960
Speaker 3: perfect for this type of shit. He's a comedian, so

1526
01:08:20,040 --> 01:08:23,040
Speaker 3: he can give the comic relief type of questions. They

1527
01:08:23,120 --> 01:08:27,000
Speaker 3: could relate to each other because they're both comedians. And

1528
01:08:27,080 --> 01:08:30,040
Speaker 3: then keV knows personal things that I think about these

1529
01:08:30,439 --> 01:08:33,679
Speaker 3: celebrities and these guests that they're okay with him bringing

1530
01:08:33,760 --> 01:08:34,439
Speaker 3: up on camera.

1531
01:08:35,040 --> 01:08:36,960
Speaker 1: All right, I'll put it this way, because you know, like,

1532
01:08:37,000 --> 01:08:41,559
Speaker 1: I'm a big stand up comedian fan. So I've watched

1533
01:08:42,439 --> 01:08:44,960
Speaker 1: keV on like Opi and Anthony and say what you

1534
01:08:45,000 --> 01:08:48,839
Speaker 1: will about them. Once our label mates apparently was serious,

1535
01:08:49,920 --> 01:08:52,840
Speaker 1: but I've seen Opian Anthony was on serious. I've seen

1536
01:08:53,040 --> 01:08:55,920
Speaker 1: keV with Opi and Anthony I've seen him on shit,

1537
01:08:56,000 --> 01:08:58,639
Speaker 1: even with Joe Rogan when Joe Rogan was popping. There's

1538
01:08:58,680 --> 01:09:01,160
Speaker 1: a level of comfort on Bill burd podcast, Like there's

1539
01:09:01,200 --> 01:09:04,479
Speaker 1: a level of comfort where keV gets out of his

1540
01:09:04,640 --> 01:09:09,439
Speaker 1: superstar bag, which is my favorite keV and I and

1541
01:09:09,560 --> 01:09:11,880
Speaker 1: this is my personal shit. Of course keV is come on,

1542
01:09:12,479 --> 01:09:13,800
Speaker 1: you just got to shut up when you're at that

1543
01:09:13,880 --> 01:09:14,880
Speaker 1: level about certain things.

1544
01:09:16,120 --> 01:09:16,680
Speaker 3: He's just.

1545
01:09:18,560 --> 01:09:22,200
Speaker 1: Amazing in that bag. And now that he's surpassed everything, Like,

1546
01:09:23,280 --> 01:09:23,719
Speaker 1: what more.

1547
01:09:23,640 --> 01:09:24,040
Speaker 4: Do you need?

1548
01:09:24,479 --> 01:09:26,240
Speaker 1: I'm just to get back into the keV that I've

1549
01:09:26,320 --> 01:09:28,799
Speaker 1: watched on but where you look the most comfortable.

1550
01:09:28,800 --> 01:09:30,040
Speaker 3: But why do you keep saying to get back to it?

1551
01:09:30,160 --> 01:09:32,040
Speaker 3: Like he's not in that bag? Did you watch the

1552
01:09:32,040 --> 01:09:34,400
Speaker 3: first season of this? Yeah, you know you feel like

1553
01:09:34,439 --> 01:09:36,160
Speaker 3: he didn't ask like the questions that you wanted him

1554
01:09:36,160 --> 01:09:36,599
Speaker 3: to ask.

1555
01:09:36,760 --> 01:09:39,320
Speaker 1: Not the ones that I know he would ask from

1556
01:09:39,720 --> 01:09:44,360
Speaker 1: the class of comedians that I know he's from. Okay,

1557
01:09:44,479 --> 01:09:46,559
Speaker 1: and I'm not talking about comedy. I'm just talking about

1558
01:09:46,600 --> 01:09:51,080
Speaker 1: that deep, psychological, fucking stand up dark bag well that

1559
01:09:51,160 --> 01:09:52,160
Speaker 1: I know keV is from.

1560
01:09:52,439 --> 01:09:54,519
Speaker 2: Well, you guys do interviews, you know that it's not

1561
01:09:54,680 --> 01:09:57,559
Speaker 2: always up to you what you asked because you can people,

1562
01:09:57,720 --> 01:10:00,320
Speaker 2: especially superstars of this magnitude, walk in and say this

1563
01:10:00,400 --> 01:10:02,080
Speaker 2: is off limits. This is off limits, this is off limits.

1564
01:10:02,080 --> 01:10:02,840
Speaker 2: We're not talking about this.

1565
01:10:02,960 --> 01:10:04,680
Speaker 1: Great great point, keV.

1566
01:10:04,680 --> 01:10:06,280
Speaker 3: I don't think keV receives a lot of that from

1567
01:10:06,439 --> 01:10:08,000
Speaker 3: the people that he sit down with. I don't think

1568
01:10:08,000 --> 01:10:09,639
Speaker 3: they give him a long list of I don't want

1569
01:10:09,640 --> 01:10:10,880
Speaker 3: to talk about that. I don't want to talk about that,

1570
01:10:10,960 --> 01:10:12,120
Speaker 3: like I don't. I don't think so.

1571
01:10:12,240 --> 01:10:15,120
Speaker 2: I think that's because they assume that he knows not

1572
01:10:15,280 --> 01:10:16,000
Speaker 2: to ask about this.

1573
01:10:16,240 --> 01:10:20,080
Speaker 1: That's a great point. And that's why I specifically brought

1574
01:10:20,160 --> 01:10:23,679
Speaker 1: up Pete in that conversation, because Pete is a comedian

1575
01:10:23,920 --> 01:10:26,960
Speaker 1: and Pete has a comics brain and his friends with keV,

1576
01:10:27,080 --> 01:10:29,559
Speaker 1: so they can actually get in that conversation and they're

1577
01:10:29,560 --> 01:10:32,360
Speaker 1: both superstars and can know where that line could be drawn.

1578
01:10:32,760 --> 01:10:35,720
Speaker 1: He's been Rockefeller Films since oh one, Him and Jay

1579
01:10:35,760 --> 01:10:38,400
Speaker 1: can have a real conversation, not that bullshit David Letterman

1580
01:10:38,520 --> 01:10:41,000
Speaker 1: conversation that was on Netflix, like I don't need to

1581
01:10:41,040 --> 01:10:44,639
Speaker 1: see another superstar talk to another superstar. keV and Jay

1582
01:10:44,760 --> 01:10:47,280
Speaker 1: have known each other for ever. Don't give me the

1583
01:10:47,360 --> 01:10:48,920
Speaker 1: retirement And I'm not saying that's what that is. I

1584
01:10:49,000 --> 01:10:50,639
Speaker 1: know that was the clip to promote Come on, I'm

1585
01:10:50,680 --> 01:10:53,120
Speaker 1: not stupid. I just know that they know each other

1586
01:10:53,439 --> 01:10:57,680
Speaker 1: and they both share a crazy amount of success. I

1587
01:10:57,720 --> 01:11:01,519
Speaker 1: can't speak success and seccess whatever. I mean. They're both married,

1588
01:11:03,920 --> 01:11:05,720
Speaker 1: and you know, people that married don't really fuck that much.

1589
01:11:06,000 --> 01:11:07,840
Speaker 3: They don't. I'm terrible.

1590
01:11:09,600 --> 01:11:12,480
Speaker 1: I would just like to see keV take this opportunity

1591
01:11:13,960 --> 01:11:17,200
Speaker 1: to be the conversationalist that I know keV could really be.

1592
01:11:17,600 --> 01:11:18,000
Speaker 3: Mm hmm.

1593
01:11:18,320 --> 01:11:18,680
Speaker 1: That's all.

1594
01:11:19,280 --> 01:11:20,040
Speaker 3: I think we'll get that.

1595
01:11:20,240 --> 01:11:23,320
Speaker 1: I think that doing Brian Cranton. I know you're on

1596
01:11:23,400 --> 01:11:25,880
Speaker 1: the same movie with him, and I love that movie too,

1597
01:11:26,080 --> 01:11:26,880
Speaker 1: But you're not.

1598
01:11:26,920 --> 01:11:30,240
Speaker 3: Gonna get that was a great movie. Well great great remake.

1599
01:11:30,320 --> 01:11:33,640
Speaker 1: Yeah, no, it really was a good movie. Just I

1600
01:11:33,720 --> 01:11:36,120
Speaker 1: want to see keV getting his bag man, like I

1601
01:11:36,280 --> 01:11:39,880
Speaker 1: love to see people become superstars and then also go

1602
01:11:40,000 --> 01:11:42,599
Speaker 1: back to their roots because it's now it's like everything's

1603
01:11:42,640 --> 01:11:43,920
Speaker 1: for you. I think Hove is doing that now.

1604
01:11:43,960 --> 01:11:46,680
Speaker 3: I think I think, I think this is exactly what

1605
01:11:46,800 --> 01:11:49,960
Speaker 3: Kevin Hart is doing with this this heart to heart show.

1606
01:11:50,520 --> 01:11:52,720
Speaker 3: I think this is him, you know, just sitting now

1607
01:11:52,840 --> 01:11:55,320
Speaker 3: kicking it with with people that he has a real

1608
01:11:55,400 --> 01:11:59,600
Speaker 3: relationship with real friends, and I'm just talking about a

1609
01:11:59,600 --> 01:12:01,880
Speaker 3: bunch of it that they probably would talk about if

1610
01:12:01,920 --> 01:12:04,879
Speaker 3: the cameras weren't rolling. So I'm supportive.

1611
01:12:04,880 --> 01:12:05,920
Speaker 1: Do that not sound supportive? No?

1612
01:12:05,960 --> 01:12:07,880
Speaker 3: No, no, you sound supportive. You sound like you just want.

1613
01:12:08,360 --> 01:12:10,000
Speaker 2: You sound like a fan. And I don't mean that.

1614
01:12:10,360 --> 01:12:12,760
Speaker 3: You sound like you sound like you want to know.

1615
01:12:13,360 --> 01:12:15,760
Speaker 3: You know deep dark shit. I know your brain gets

1616
01:12:15,800 --> 01:12:18,679
Speaker 3: deep and dark. No, you want to know. If everybody

1617
01:12:18,720 --> 01:12:20,599
Speaker 3: hears the voices that you hear at night in your head,

1618
01:12:20,760 --> 01:12:22,360
Speaker 3: we do, I promise You're the only one. And I

1619
01:12:22,400 --> 01:12:22,920
Speaker 3: think voices.

1620
01:12:23,000 --> 01:12:25,320
Speaker 1: No, I think keV, Pete and Hove all hear the

1621
01:12:25,360 --> 01:12:25,800
Speaker 1: same voice.

1622
01:12:25,880 --> 01:12:28,160
Speaker 3: We all hear the voices. I've heard Dominicans yelling all

1623
01:12:28,479 --> 01:12:32,120
Speaker 3: through my childhood upstairs, sixth floor. No, you hear the voices.

1624
01:12:32,560 --> 01:12:33,439
Speaker 3: You never get them out your head?

1625
01:12:33,560 --> 01:12:35,720
Speaker 1: And sends me voice notes all the time, all the time.

1626
01:12:36,160 --> 01:12:38,439
Speaker 3: Do your voice notes? You look like a voice notes?

1627
01:12:39,400 --> 01:12:41,960
Speaker 3: Season two of Heart to Heart. I don't I believe.

1628
01:12:42,040 --> 01:12:45,960
Speaker 3: July twenty, I want to say ninth, I believe. I believe.

1629
01:12:46,000 --> 01:12:48,240
Speaker 3: I saw that. I'm sorry if it's not someone in

1630
01:12:48,320 --> 01:12:53,519
Speaker 3: Jely fourteenth today, look at me, Look at me. Just mean,

1631
01:12:53,600 --> 01:12:54,400
Speaker 3: this is why they paid me.

1632
01:12:54,360 --> 01:12:54,920
Speaker 4: The big books.

1633
01:12:55,560 --> 01:12:57,080
Speaker 1: Well, how do you feel about Pete saying he wants

1634
01:12:57,120 --> 01:12:59,280
Speaker 1: to be a dad? Oh we should watch this.

1635
01:12:59,520 --> 01:13:01,800
Speaker 2: I believe that, you know, he's at that age where

1636
01:13:01,880 --> 01:13:05,120
Speaker 2: he probably you know, well, he got four step kids

1637
01:13:05,160 --> 01:13:05,439
Speaker 2: right now.

1638
01:13:06,560 --> 01:13:08,800
Speaker 4: They're not step kids, they're not kids.

1639
01:13:09,040 --> 01:13:11,960
Speaker 2: Okay, they're not married. Four bonus kids right now, his

1640
01:13:12,080 --> 01:13:12,639
Speaker 2: bonus kids.

1641
01:13:13,439 --> 01:13:16,120
Speaker 3: Crazy, his fucking kids, you think, and my kids.

1642
01:13:16,240 --> 01:13:19,040
Speaker 1: I've been I've been critical of Kanye and how he's

1643
01:13:19,080 --> 01:13:23,800
Speaker 1: reaction to that stuff. But if somebody called my dude

1644
01:13:23,920 --> 01:13:26,120
Speaker 1: and if my kids is his bonus kids, I'm a fight.

1645
01:13:26,200 --> 01:13:27,240
Speaker 3: Yeah, you can't do that up.

1646
01:13:27,280 --> 01:13:29,360
Speaker 1: So now I understand why Kanye asks the way he

1647
01:13:29,479 --> 01:13:31,840
Speaker 1: acts because people are saying things like, oh, you got

1648
01:13:31,880 --> 01:13:32,679
Speaker 1: my bonus kids.

1649
01:13:33,080 --> 01:13:33,839
Speaker 4: That's crazy.

1650
01:13:34,400 --> 01:13:38,040
Speaker 3: So yeah, season two available now. Peacock Hard to Heart.

1651
01:13:39,520 --> 01:13:42,000
Speaker 3: I'll definitely watch it because season season one really good.

1652
01:13:47,360 --> 01:13:50,040
Speaker 3: Tony Siriuso, the acting known for his role as Paulie

1653
01:13:50,080 --> 01:13:52,799
Speaker 3: and the Sopranos, has died at seventy nine. Sopranos portrayed

1654
01:13:52,800 --> 01:13:57,120
Speaker 3: wisecracking gangst the Paulie Walnuts Waltierry on the HBO hit

1655
01:13:57,160 --> 01:14:00,640
Speaker 3: The Sopranos. He died Friday in Florida. I meant to

1656
01:14:00,720 --> 01:14:04,720
Speaker 3: mention that the last episode, yeah, man, Holly from the

1657
01:14:04,760 --> 01:14:07,320
Speaker 3: Sopranos man and not even just some of the best

1658
01:14:07,360 --> 01:14:09,439
Speaker 3: hair in the business, just not the sopri Yeah, well

1659
01:14:09,479 --> 01:14:10,559
Speaker 3: that too, he had the wings.

1660
01:14:10,840 --> 01:14:13,800
Speaker 1: Yeah, not just Sopranos. He was on one of my

1661
01:14:14,200 --> 01:14:18,439
Speaker 1: favorite movies. I don't think it's too much credit, but

1662
01:14:18,560 --> 01:14:22,479
Speaker 1: the Gotti HBO movie, not the Gotty one with John Travolta,

1663
01:14:22,640 --> 01:14:24,960
Speaker 1: The HBO one, I think is one of my favorite

1664
01:14:24,960 --> 01:14:27,759
Speaker 1: movies ever. He was in Good Fellas for a second.

1665
01:14:27,920 --> 01:14:31,840
Speaker 3: Yeah he was.

1666
01:14:32,080 --> 01:14:35,040
Speaker 1: He was one of those that lived his rhymes. I

1667
01:14:35,080 --> 01:14:39,720
Speaker 1: don't know if people really know that. Like he was

1668
01:14:39,760 --> 01:14:43,800
Speaker 1: a consultant and they say, yo, you should act.

1669
01:14:44,400 --> 01:14:44,679
Speaker 4: Damn.

1670
01:14:46,400 --> 01:14:49,880
Speaker 1: Yeah, he was really that and he was an amazing

1671
01:14:49,960 --> 01:14:54,040
Speaker 1: actor by far. I probably the most. I hate the

1672
01:14:54,080 --> 01:14:56,599
Speaker 1: word polarizing, but sometimes that's the only way to describe shit.

1673
01:14:56,800 --> 01:14:59,760
Speaker 1: He was the most polarizing character outside of Tony on

1674
01:14:59,800 --> 01:15:03,320
Speaker 1: that show. Like he was the one. Yeah, you could

1675
01:15:03,360 --> 01:15:05,800
Speaker 1: have other favorite characters, but probably like he was the

1676
01:15:05,840 --> 01:15:09,920
Speaker 1: one that was just stole every fucking scene no matter

1677
01:15:10,000 --> 01:15:10,560
Speaker 1: what was going on.

1678
01:15:11,479 --> 01:15:13,200
Speaker 3: And again, some of the best here in the business.

1679
01:15:14,560 --> 01:15:17,880
Speaker 3: Rest in peace, Pollie, Tony SIRIOUSO and.

1680
01:15:18,080 --> 01:15:21,759
Speaker 1: Uh shit, we just talked about the Sopranos last episode.

1681
01:15:23,720 --> 01:15:24,719
Speaker 1: He might have killed Tony.

1682
01:15:26,320 --> 01:15:30,200
Speaker 3: What, No, come on, man, I look, I don't I

1683
01:15:30,240 --> 01:15:33,040
Speaker 3: don't mind doing the deep thinking ship, but sometimes we

1684
01:15:33,080 --> 01:15:34,640
Speaker 3: gotta just be like, all right, no, come on.

1685
01:15:34,800 --> 01:15:37,200
Speaker 1: Why he turned down Tony in the last episode to

1686
01:15:37,240 --> 01:15:39,920
Speaker 1: take over the whole construction business, said Hey, I'm kind

1687
01:15:39,960 --> 01:15:41,160
Speaker 1: of out of this shit. Man, I don't really want

1688
01:15:41,200 --> 01:15:43,439
Speaker 1: to do this. He was He was treated like shit.

1689
01:15:43,520 --> 01:15:45,439
Speaker 1: He was the oldest person in the entire crew.

1690
01:15:46,200 --> 01:15:46,719
Speaker 3: Mm hmmm.

1691
01:15:47,320 --> 01:15:50,080
Speaker 1: Constantly was just told to kill everyone. Never really moved

1692
01:15:50,160 --> 01:15:53,840
Speaker 1: up or down like he was just never got his credit.

1693
01:15:54,160 --> 01:15:55,960
Speaker 1: Tony used to fucking fetch his sandwiches.

1694
01:15:57,160 --> 01:15:59,479
Speaker 3: Yeah, man, So you believe PAULI whacked Tony.

1695
01:15:59,720 --> 01:16:05,160
Speaker 1: Maybe or along with a few other people, he maybe

1696
01:16:05,200 --> 01:16:05,720
Speaker 1: had had enough.

1697
01:16:06,640 --> 01:16:07,800
Speaker 3: I mean it's not impossible.

1698
01:16:09,040 --> 01:16:10,679
Speaker 1: It's not my theory, but I could see that theory.

1699
01:16:11,640 --> 01:16:15,960
Speaker 3: Rest in peace. T Evannah Trump pres condolences to the

1700
01:16:16,000 --> 01:16:18,880
Speaker 3: Trump family. Evanna Trump passes away at the age of

1701
01:16:18,880 --> 01:16:19,439
Speaker 3: seventy three.

1702
01:16:20,280 --> 01:16:25,720
Speaker 1: How do you think she felt when Evanka came in?

1703
01:16:27,320 --> 01:16:29,600
Speaker 1: I don't want to joke during someone passing away with

1704
01:16:29,680 --> 01:16:32,160
Speaker 1: seventy three, God bless. I really hope I lived to

1705
01:16:32,280 --> 01:16:35,280
Speaker 1: see seventy three, and I hope people joke about my death.

1706
01:16:37,520 --> 01:16:38,080
Speaker 3: You hope people.

1707
01:16:38,400 --> 01:16:40,439
Speaker 1: You gotta you gotta like you gotta think. That call

1708
01:16:40,560 --> 01:16:45,800
Speaker 1: came in when Trump went public with Avanka. You know,

1709
01:16:45,920 --> 01:16:49,600
Speaker 1: she called and was like, really, bruh, it's what Avanka.

1710
01:16:49,280 --> 01:16:51,400
Speaker 4: One letter off? That's crazy.

1711
01:16:52,280 --> 01:16:54,600
Speaker 1: You know. He got a call from Avana on his

1712
01:16:54,720 --> 01:16:57,519
Speaker 1: phone and said, Avanka really.

1713
01:17:00,080 --> 01:17:02,280
Speaker 3: See I think the opposite. I think Trump was so

1714
01:17:03,080 --> 01:17:07,360
Speaker 3: past that that he knew the difference immediately, never made

1715
01:17:07,400 --> 01:17:07,880
Speaker 3: that mistake.

1716
01:17:08,640 --> 01:17:10,960
Speaker 1: I don't think he made the mistake. I just want

1717
01:17:11,040 --> 01:17:12,479
Speaker 1: to know what her reaction was when.

1718
01:17:13,160 --> 01:17:14,200
Speaker 3: Oh, I mean, you know, she.

1719
01:17:15,720 --> 01:17:16,559
Speaker 1: You've gave it a woman.

1720
01:17:16,760 --> 01:17:17,040
Speaker 3: Yeah, but.

1721
01:17:19,280 --> 01:17:24,040
Speaker 1: Can you imagine if it was one letter difference and

1722
01:17:24,160 --> 01:17:26,640
Speaker 1: she was and she was young enough to be her granddaughter?

1723
01:17:28,640 --> 01:17:28,880
Speaker 3: Yuck?

1724
01:17:29,960 --> 01:17:32,880
Speaker 1: Yeah, that gout a you know, you know I'm here

1725
01:17:32,960 --> 01:17:34,799
Speaker 1: to stick up for you know, Ifa went crazy.

1726
01:17:34,880 --> 01:17:37,040
Speaker 3: Yeah, yeah, she definitely. I mean, she got a pretty

1727
01:17:37,120 --> 01:17:41,320
Speaker 3: she got a pretty settlement. Though she she she she lived,

1728
01:17:42,280 --> 01:17:43,120
Speaker 3: she lived a great life.

1729
01:17:43,200 --> 01:17:47,320
Speaker 1: I damn Ego though fourteen million in nineteen ninety two.

1730
01:17:48,200 --> 01:17:52,640
Speaker 4: Take it, I'd be sucking the wrong decks. Oh okay, sorry.

1731
01:17:53,080 --> 01:17:56,559
Speaker 3: I mean wrestling piece Vonad Trump just talk about Dick

1732
01:17:56,640 --> 01:17:59,200
Speaker 3: sucking as I say, resting beasts Trump.

1733
01:17:59,240 --> 01:18:01,599
Speaker 2: I mean, I don't you guys so much for tuning

1734
01:18:01,640 --> 01:18:03,280
Speaker 2: into the new Rory and Mal podcast.

1735
01:18:03,640 --> 01:18:08,160
Speaker 3: I'm Rory, yeah, man, So what about the weekend? What

1736
01:18:08,160 --> 01:18:08,479
Speaker 3: were we doing?

1737
01:18:08,560 --> 01:18:08,800
Speaker 1: Rory?

1738
01:18:12,439 --> 01:18:13,040
Speaker 3: Where we go it?

1739
01:18:14,000 --> 01:18:16,800
Speaker 1: Yeah? I just really want to know what that conversation was?

1740
01:18:17,760 --> 01:18:20,000
Speaker 3: What what was that? What was your conversation like when

1741
01:18:20,040 --> 01:18:21,240
Speaker 3: you know, I was just about to.

1742
01:18:21,200 --> 01:18:23,120
Speaker 1: Say, like I was trying to figure out what, uh

1743
01:18:23,760 --> 01:18:29,240
Speaker 1: would ryan with Sam? That would be another name Sam, No,

1744
01:18:29,560 --> 01:18:33,400
Speaker 1: that would be another woman's name, Pam. Can you imagine

1745
01:18:33,439 --> 01:18:35,759
Speaker 1: if I just dated a Pam like next.

1746
01:18:37,360 --> 01:18:38,240
Speaker 3: Yeah, that's not good.

1747
01:18:39,040 --> 01:18:40,080
Speaker 1: You know you getting that call?

1748
01:18:40,200 --> 01:18:42,360
Speaker 3: That's not good. That's definitely an argument.

1749
01:18:42,439 --> 01:18:46,599
Speaker 1: That's definitely really like during a settlement too, you piece

1750
01:18:46,680 --> 01:18:49,640
Speaker 1: of shit, like that's somebody with an ego and some

1751
01:18:49,800 --> 01:18:52,840
Speaker 1: fucking confidence. That motherfucker Trump said, yeah, or let me

1752
01:18:52,880 --> 01:18:54,400
Speaker 1: find a shack with the same name that could be

1753
01:18:54,479 --> 01:18:55,560
Speaker 1: her granddaughter.

1754
01:18:55,320 --> 01:18:56,600
Speaker 3: Or I love a better version of you.

1755
01:18:57,479 --> 01:18:58,000
Speaker 1: What's worse?

1756
01:18:58,680 --> 01:19:01,160
Speaker 4: Almost the same name. They look exactly the same.

1757
01:19:03,200 --> 01:19:05,360
Speaker 3: What's worse looking exactly the same?

1758
01:19:05,880 --> 01:19:11,439
Speaker 1: That's kind of because you can't tell me my soulmate

1759
01:19:11,479 --> 01:19:13,720
Speaker 1: wouldn't have been Pam. But if they look the same, Yeah,

1760
01:19:13,800 --> 01:19:16,040
Speaker 1: that's that's kind of weird. Now you're looking.

1761
01:19:17,479 --> 01:19:20,560
Speaker 3: New, your new partner looking like what if you have

1762
01:19:20,640 --> 01:19:23,360
Speaker 3: the type? You could have a type, but you can't

1763
01:19:23,439 --> 01:19:25,919
Speaker 3: have a fucking replica.

1764
01:19:26,520 --> 01:19:29,360
Speaker 1: That is like, I can't whatever your parents named you

1765
01:19:29,479 --> 01:19:33,320
Speaker 1: is out of my jurisdiction, but their genetics. Yeah, if

1766
01:19:33,360 --> 01:19:38,560
Speaker 1: I now I'm being weird, I know my answer, but

1767
01:19:38,960 --> 01:19:41,120
Speaker 1: it would be a conversation with with the new wife.

1768
01:19:42,000 --> 01:19:43,599
Speaker 1: Do you go to the funeral? And is the new

1769
01:19:43,640 --> 01:19:44,080
Speaker 1: wife going?

1770
01:19:45,680 --> 01:19:48,360
Speaker 3: I think yes, because you funeral is all about paying

1771
01:19:48,439 --> 01:19:54,680
Speaker 3: respects sure, and no matter personal things, private things, they

1772
01:19:54,680 --> 01:19:59,320
Speaker 3: should always be respect for the dead. So yes, if

1773
01:19:59,320 --> 01:20:01,599
Speaker 3: you're married in and have moved on and your ex

1774
01:20:01,680 --> 01:20:05,760
Speaker 3: wife passes away, you absolutely come to the funeral with

1775
01:20:05,960 --> 01:20:08,479
Speaker 3: your new wife like she has to pay her respects

1776
01:20:08,520 --> 01:20:11,120
Speaker 3: to your ex wife, have children, children together?

1777
01:20:11,439 --> 01:20:14,720
Speaker 1: Just sounds like a very Twitter conversation. But are you

1778
01:20:14,840 --> 01:20:17,439
Speaker 1: going to your your if you're with a girl right now,

1779
01:20:17,479 --> 01:20:19,519
Speaker 1: are you going to ex's funeral like your last X?

1780
01:20:19,600 --> 01:20:21,519
Speaker 1: Because I am by the way her. I'll get my

1781
01:20:21,720 --> 01:20:24,360
Speaker 1: answer the way her ex. Yes, you are with a

1782
01:20:24,439 --> 01:20:26,640
Speaker 1: girl and her ex dies, and she's like, you know

1783
01:20:26,680 --> 01:20:27,000
Speaker 1: I want to go.

1784
01:20:27,320 --> 01:20:30,519
Speaker 3: Yeah, I'm there for emotional support from my lady.

1785
01:20:31,160 --> 01:20:33,200
Speaker 1: Yeah, I'm surprised because what.

1786
01:20:33,240 --> 01:20:36,080
Speaker 2: If she cry real hard that she loved this person.

1787
01:20:37,520 --> 01:20:38,800
Speaker 3: My ego is not like that.

1788
01:20:39,560 --> 01:20:44,000
Speaker 1: Okay, I'm shocked because I'm going, I'm going like, did

1789
01:20:44,040 --> 01:20:45,680
Speaker 1: you think I would not go? Of course, yes, I

1790
01:20:45,720 --> 01:20:47,439
Speaker 1: did not think You're not going to go. That's not

1791
01:20:47,880 --> 01:20:51,280
Speaker 1: and I think you would break She why are you crying?

1792
01:20:51,640 --> 01:20:52,559
Speaker 3: Think I'm a piece of ship.

1793
01:20:52,680 --> 01:20:56,800
Speaker 1: You fucking are you crying to with another dude?

1794
01:20:57,080 --> 01:21:01,120
Speaker 3: I'm not like that if it's my girlfriend, Like and

1795
01:21:01,240 --> 01:21:02,519
Speaker 3: it's like, yeah.

1796
01:21:02,520 --> 01:21:05,280
Speaker 1: Now if what if they wasn't official, if she if

1797
01:21:05,320 --> 01:21:06,679
Speaker 1: she was if.

1798
01:21:06,600 --> 01:21:08,760
Speaker 3: She used to date Devin Booker and were watching the

1799
01:21:08,800 --> 01:21:11,080
Speaker 3: game and he fucking God forbid blows his the chilles

1800
01:21:11,080 --> 01:21:13,080
Speaker 3: and she starts crying, Oh, then we're gonna have a

1801
01:21:13,120 --> 01:21:17,240
Speaker 3: fucking argument. But if he dies, saying like if her ex,

1802
01:21:17,520 --> 01:21:19,760
Speaker 3: if her ex dies, like, I'm not mad at she's

1803
01:21:19,800 --> 01:21:22,719
Speaker 3: crying out her exit, passing away, But if he tears

1804
01:21:22,760 --> 01:21:24,439
Speaker 3: his a cl and you start crying because he's out

1805
01:21:24,439 --> 01:21:24,920
Speaker 3: for the season.

1806
01:21:25,160 --> 01:21:28,320
Speaker 1: Okay, what what if Devin Booker's mothers die and she

1807
01:21:28,400 --> 01:21:29,240
Speaker 1: wants to go to the funeral?

1808
01:21:29,479 --> 01:21:32,479
Speaker 3: Okay, and that's her ex. Yeah, they know each other,

1809
01:21:32,520 --> 01:21:33,479
Speaker 3: they wore in each other's love.

1810
01:21:33,640 --> 01:21:36,559
Speaker 2: But what if she depressed like she depressed for months,

1811
01:21:36,600 --> 01:21:37,599
Speaker 2: like she can't get out of bed.

1812
01:21:37,840 --> 01:21:39,960
Speaker 3: We we we we got seven days for that, and

1813
01:21:40,040 --> 01:21:42,799
Speaker 3: then we snapping the bottle. Seven days. I lost my homie.

1814
01:21:42,880 --> 01:21:44,519
Speaker 3: That took me seven days. I got over it.

1815
01:21:44,640 --> 01:21:47,200
Speaker 2: This was my Everybody has a different grieving press.

1816
01:21:47,240 --> 01:21:50,120
Speaker 3: Well, no, but you got seven days to grieve. Then

1817
01:21:50,160 --> 01:21:51,240
Speaker 3: we got to get back to living.

1818
01:21:51,360 --> 01:21:53,640
Speaker 1: Like what if what if she just what if she

1819
01:21:53,760 --> 01:21:56,479
Speaker 1: used to like just casually fuck homie and he dies

1820
01:21:57,439 --> 01:21:59,040
Speaker 1: and she wants to go to the funeral and she's like,

1821
01:21:59,120 --> 01:22:01,439
Speaker 1: more like, this is just one of my you know,

1822
01:22:02,720 --> 01:22:05,320
Speaker 1: little no I mean pieces, not supporting?

1823
01:22:05,400 --> 01:22:06,640
Speaker 3: Can you're not doing that?

1824
01:22:06,920 --> 01:22:08,800
Speaker 2: I mean loving my no mean pieces.

1825
01:22:08,880 --> 01:22:11,479
Speaker 1: About to say if one of my non me pieces dies,

1826
01:22:11,560 --> 01:22:13,800
Speaker 1: I'm gonna be crying at that funeral. Not doing that,

1827
01:22:14,040 --> 01:22:16,000
Speaker 1: And I would love for my girl support me through this.

1828
01:22:17,920 --> 01:22:18,800
Speaker 1: I was a not mean piece.

1829
01:22:18,840 --> 01:22:21,839
Speaker 3: I know somebody that the church you was just smashing

1830
01:22:21,880 --> 01:22:23,479
Speaker 3: every now and again. No you're not going to that

1831
01:22:23,680 --> 01:22:26,040
Speaker 3: what if that's the five No, you're not going to

1832
01:22:26,120 --> 01:22:31,000
Speaker 3: that funeral? Would like if I was just having casual sex.

1833
01:22:30,840 --> 01:22:32,800
Speaker 1: With a woman for a while and that was like,

1834
01:22:32,920 --> 01:22:35,240
Speaker 1: come on, you have a no mean but I'm just saying.

1835
01:22:35,080 --> 01:22:36,840
Speaker 3: I'm not my girl can't go to the nigga. She

1836
01:22:37,000 --> 01:22:38,040
Speaker 3: was just casually smashing.

1837
01:22:38,120 --> 01:22:40,639
Speaker 1: You could go to your shorties, yeah, that's the fact

1838
01:22:40,680 --> 01:22:41,160
Speaker 1: I love them.

1839
01:22:45,479 --> 01:22:47,840
Speaker 3: Yeah, it's different. Now I could go. I could go

1840
01:22:47,960 --> 01:22:50,080
Speaker 3: to my little chick that I was just you know,

1841
01:22:50,439 --> 01:22:52,320
Speaker 3: we had a little a sexual relationship. That was it

1842
01:22:52,680 --> 01:22:54,559
Speaker 3: I go to. But you can't go to no nigga funeral.

1843
01:22:54,640 --> 01:22:58,439
Speaker 3: That was just smashing, Like no, or you can't go

1844
01:22:58,560 --> 01:22:59,640
Speaker 3: and expect me to go with you.

1845
01:23:00,000 --> 01:23:02,879
Speaker 2: I wouldn't even want to anywhere like you might be able.

1846
01:23:02,720 --> 01:23:05,479
Speaker 3: To go because it's like, man, but I'm gonna definitely

1847
01:23:05,520 --> 01:23:07,240
Speaker 3: be an hour. That's why that nigga did you say

1848
01:23:07,320 --> 01:23:13,880
Speaker 3: like I'm sick like that? Sometimes I don't give a sick.

1849
01:23:14,000 --> 01:23:19,360
Speaker 3: It ain't like he could fuck oh wow, wow wow wow.

1850
01:23:19,840 --> 01:23:21,519
Speaker 3: It was what it was, you want to go to

1851
01:23:21,600 --> 01:23:24,080
Speaker 3: the funeral. Go to funeral? I know I know what

1852
01:23:24,160 --> 01:23:24,640
Speaker 3: else gonna be.

1853
01:23:24,600 --> 01:23:27,720
Speaker 2: Still when you get back there, you're forgetta argue me

1854
01:23:27,840 --> 01:23:30,479
Speaker 2: like that nigga does. Yeah, and I'm still thinking about

1855
01:23:30,479 --> 01:23:30,760
Speaker 2: that day.

1856
01:23:30,920 --> 01:23:32,840
Speaker 3: You can't you can't use you can't use that in

1857
01:23:32,880 --> 01:23:37,400
Speaker 3: the augument. That's it. That's that's crazy, that's that's like yo. Yeah, yeah.

1858
01:23:37,439 --> 01:23:39,280
Speaker 3: Do y'all really like each other? Ya like that?

1859
01:23:39,720 --> 01:23:41,759
Speaker 1: I told her lie once, don't.

1860
01:23:41,600 --> 01:23:43,400
Speaker 3: Tell me you said one of your pieces died And.

1861
01:23:43,720 --> 01:23:45,559
Speaker 1: No, God, no, I'm not that type of liar.

1862
01:23:46,120 --> 01:23:46,519
Speaker 3: I lied.

1863
01:23:46,680 --> 01:23:49,519
Speaker 1: I don't lie like that. I went to a ex's

1864
01:23:49,680 --> 01:23:53,720
Speaker 1: grandmother's funeral when I was with somebody once and I

1865
01:23:53,840 --> 01:23:55,800
Speaker 1: may or may not have put the suit in the

1866
01:23:55,920 --> 01:23:59,160
Speaker 1: car and changed never mind.

1867
01:23:59,400 --> 01:24:02,360
Speaker 2: That's not bad, not forget it, no bad, just telling you, no,

1868
01:24:02,640 --> 01:24:04,519
Speaker 2: that's not I don't I personally don't think that's bad.

1869
01:24:04,760 --> 01:24:05,599
Speaker 4: I don't think that's bad.

1870
01:24:05,720 --> 01:24:07,519
Speaker 1: I threw the suit in the backseat of the car

1871
01:24:07,600 --> 01:24:09,880
Speaker 1: and left the crib with regular clothes on, and then

1872
01:24:09,960 --> 01:24:12,599
Speaker 1: changed into my funeral outfit and went to an ex's

1873
01:24:12,720 --> 01:24:16,400
Speaker 1: grandmother's funeral. I wasn't I was not fucking that girl

1874
01:24:16,479 --> 01:24:18,680
Speaker 1: no more. That was my homie. But out of like

1875
01:24:19,640 --> 01:24:22,400
Speaker 1: it's weird, when you say out of respect, because that's disrespectful.

1876
01:24:22,479 --> 01:24:26,439
Speaker 1: You need money, yes, okay, so then yeah, I get it.

1877
01:24:26,680 --> 01:24:28,920
Speaker 1: But I just didn't want to put somebody in that position,

1878
01:24:28,960 --> 01:24:31,840
Speaker 1: which in retrospect I would have just now been like, hey,

1879
01:24:32,640 --> 01:24:35,000
Speaker 1: I you know, I've met this woman and like, I

1880
01:24:35,120 --> 01:24:36,000
Speaker 1: just want to go show.

1881
01:24:35,880 --> 01:24:38,200
Speaker 3: Love like you think you would have been pissed.

1882
01:24:38,439 --> 01:24:40,439
Speaker 1: Of course that's why I lied.

1883
01:24:40,800 --> 01:24:43,320
Speaker 2: But see that just lets me you were with wrong.

1884
01:24:43,479 --> 01:24:45,439
Speaker 1: By light, you were wrong.

1885
01:24:45,800 --> 01:24:47,320
Speaker 2: We have to lie about understanding that.

1886
01:24:47,560 --> 01:24:47,800
Speaker 1: I know.

1887
01:24:48,160 --> 01:24:50,800
Speaker 3: That's what men we have to lie about them.

1888
01:24:51,280 --> 01:24:54,680
Speaker 1: I had not fucked this girl in ten years, Like

1889
01:24:55,240 --> 01:24:57,240
Speaker 1: she was not a threat to nothing like that was

1890
01:24:57,360 --> 01:25:00,439
Speaker 1: just a big part of my life life. And I

1891
01:25:00,560 --> 01:25:02,519
Speaker 1: was just like, damn, I want to go, but I

1892
01:25:02,720 --> 01:25:04,760
Speaker 1: just know you and you're gonna be weird about it.

1893
01:25:05,640 --> 01:25:07,599
Speaker 1: And you already had some weird thought in your head

1894
01:25:07,720 --> 01:25:11,040
Speaker 1: that we were still fucking when we on God was not,

1895
01:25:12,000 --> 01:25:13,880
Speaker 1: so I had so I had to you know how

1896
01:25:14,240 --> 01:25:16,639
Speaker 1: weird I felt about lying about going to a funeral.

1897
01:25:16,720 --> 01:25:18,280
Speaker 1: You had to like to throw a black suit in

1898
01:25:18,320 --> 01:25:21,400
Speaker 1: the backseat of a car and walk out in jim shorts, like, hey,

1899
01:25:21,520 --> 01:25:22,360
Speaker 1: just headed to the gym.

1900
01:25:23,960 --> 01:25:25,680
Speaker 3: No, you know what you had, you know what that

1901
01:25:25,760 --> 01:25:28,080
Speaker 3: felt like? You had to do that because again, you

1902
01:25:28,200 --> 01:25:31,800
Speaker 3: was protecting your current those feelings, like I didn't know.

1903
01:25:31,920 --> 01:25:32,960
Speaker 1: I did not want to lie about it.

1904
01:25:33,000 --> 01:25:34,559
Speaker 3: Women say they want honesty from in, but.

1905
01:25:34,800 --> 01:25:36,599
Speaker 1: Of course they don't want honestly, are you crazy?

1906
01:25:37,240 --> 01:25:37,840
Speaker 3: They don't want that?

1907
01:25:38,120 --> 01:25:40,880
Speaker 1: And I think she's probably listening and putting two and

1908
01:25:40,920 --> 01:25:44,800
Speaker 1: two together now it doesn't matter. But no, of course

1909
01:25:44,800 --> 01:25:47,160
Speaker 1: it doesn't matter now. But it's weird the shit you

1910
01:25:47,200 --> 01:25:47,679
Speaker 1: have to lie about.

1911
01:25:47,680 --> 01:25:50,439
Speaker 2: Girls gotta stop tripping about stupid ship like that's so stupid,

1912
01:25:50,479 --> 01:25:53,519
Speaker 2: that's stupid tripping funny experience.

1913
01:25:53,880 --> 01:25:56,599
Speaker 1: Did you guys watch Bill burs In special since about

1914
01:25:56,600 --> 01:25:57,040
Speaker 1: comedy now?

1915
01:25:57,240 --> 01:25:59,960
Speaker 3: Yeah, I'm so mad. We'll watch it tonight.

1916
01:26:01,360 --> 01:26:03,720
Speaker 1: Uh it's exactly what I want from Bill Burr at

1917
01:26:03,760 --> 01:26:04,160
Speaker 1: his age.

1918
01:26:05,560 --> 01:26:07,400
Speaker 3: I know what that means. So yeah, what else is

1919
01:26:07,680 --> 01:26:09,120
Speaker 3: on the on the on the list? This weekend? What

1920
01:26:09,160 --> 01:26:09,559
Speaker 3: are we doing?

1921
01:26:10,080 --> 01:26:11,240
Speaker 4: What are you doing about?

1922
01:26:12,280 --> 01:26:14,960
Speaker 1: You want to go to Toronto? When not this weekend?

1923
01:26:16,120 --> 01:26:19,240
Speaker 1: Drake announced his Uh oh yes, I wouldn't call it

1924
01:26:19,360 --> 01:26:21,400
Speaker 1: ovio Fest because it's not acause he said he wants

1925
01:26:21,400 --> 01:26:23,280
Speaker 1: to put that universal. I see what he's doing. I

1926
01:26:23,400 --> 01:26:26,880
Speaker 1: respect it great marketing. He's doing the Ovio World Weekend.

1927
01:26:26,960 --> 01:26:28,640
Speaker 1: This is the way to promote and pop off the

1928
01:26:29,000 --> 01:26:31,639
Speaker 1: world toy is gonna do with Ovio Fest, which I love.

1929
01:26:32,840 --> 01:26:37,400
Speaker 1: Without even seeing this lineup Thursday, I definitely want to

1930
01:26:37,439 --> 01:26:39,160
Speaker 1: go to And this is no disrespect to Chris Brown

1931
01:26:39,200 --> 01:26:43,599
Speaker 1: and Little Baby. I just don't particularly care Wayne Nikki

1932
01:26:43,840 --> 01:26:47,680
Speaker 1: and Drake Young Money reunion. I would. I'll go to

1933
01:26:47,760 --> 01:26:52,800
Speaker 1: Toronto for that and during that weekend Carabano Weekend. However

1934
01:26:52,840 --> 01:26:56,840
Speaker 1: you want to pronounce it, I'm white. Really we had

1935
01:26:57,200 --> 01:27:01,360
Speaker 1: everyone pronounces it differently. I'm going off what Toronto's pronounce

1936
01:27:01,360 --> 01:27:01,479
Speaker 1: it that.

1937
01:27:03,000 --> 01:27:10,519
Speaker 3: I mean Canadians six Ins six and the Sixers. Yeah,

1938
01:27:10,560 --> 01:27:11,439
Speaker 3: this look good lineup.

1939
01:27:12,640 --> 01:27:14,960
Speaker 1: I want to know what the All Canadian north Stars

1940
01:27:14,960 --> 01:27:16,240
Speaker 1: ship is going to be this h the.

1941
01:27:16,240 --> 01:27:21,240
Speaker 3: Weekend All Canadian north Stars. Maybe maybe we get a

1942
01:27:21,240 --> 01:27:22,000
Speaker 3: Glenn Lewis set.

1943
01:27:24,400 --> 01:27:26,320
Speaker 1: I feel like that's the most obvious one. If Glenn

1944
01:27:26,360 --> 01:27:29,320
Speaker 1: Lewis does not come out on the Canadian ship, if

1945
01:27:29,400 --> 01:27:33,600
Speaker 1: Cardno doesn't come out on that ship, don't pull up

1946
01:27:33,680 --> 01:27:34,840
Speaker 1: Ryan Gosling.

1947
01:27:35,120 --> 01:27:37,120
Speaker 2: Oh my god, Sandra Oh is from Canada.

1948
01:27:37,479 --> 01:27:41,960
Speaker 1: Most actors in that ship. The rocket is not from Canada.

1949
01:27:43,080 --> 01:27:46,479
Speaker 3: He's not from He's from Tijuana. He's from Tijuana. I

1950
01:27:46,560 --> 01:27:47,200
Speaker 3: know where the rock is.

1951
01:27:47,240 --> 01:27:48,320
Speaker 2: All these people are from Canada.

1952
01:27:48,760 --> 01:27:51,480
Speaker 3: He's from Tijuana, Tijuana.

1953
01:27:57,520 --> 01:27:59,680
Speaker 4: Oh no, he wasn't born in Canao. Damn it.

1954
01:28:00,240 --> 01:28:01,760
Speaker 1: People doesn't bring out Tory Lanez.

1955
01:28:03,040 --> 01:28:04,519
Speaker 3: Scot why of course?

1956
01:28:05,920 --> 01:28:09,160
Speaker 1: Oh yeah, yeah, no, don't say of course so quickly.

1957
01:28:09,280 --> 01:28:11,880
Speaker 3: I don't know. I was just going off the music.

1958
01:28:12,280 --> 01:28:14,200
Speaker 1: But of course if you're going off the music, I

1959
01:28:14,439 --> 01:28:15,120
Speaker 1: have to bring out.

1960
01:28:16,800 --> 01:28:20,240
Speaker 3: Yeah. But you know, Drake is very I don't know

1961
01:28:20,280 --> 01:28:23,920
Speaker 3: if he's gonna it's just tough because because around this time,

1962
01:28:23,960 --> 01:28:24,400
Speaker 3: when it's.

1963
01:28:24,280 --> 01:28:27,479
Speaker 1: Just all July twenty eight around the corner bro.

1964
01:28:28,120 --> 01:28:30,920
Speaker 3: Yeah, I don't know. In two weeks the All Canadian

1965
01:28:31,000 --> 01:28:33,439
Speaker 3: north Star should be interesting though. That would be interesting

1966
01:28:33,520 --> 01:28:36,880
Speaker 3: too to see who he brings out for that. Chris Brown,

1967
01:28:36,880 --> 01:28:39,720
Speaker 3: A little Baby is gonna be dope. That's gonna be

1968
01:28:39,760 --> 01:28:42,360
Speaker 3: I mean, Chris Brown said, is always dope, little baby guy,

1969
01:28:42,560 --> 01:28:44,280
Speaker 3: that little baby verse, that's his best verse.

1970
01:28:44,360 --> 01:28:46,720
Speaker 1: Man that wants to needs verse from little Baby That

1971
01:28:46,760 --> 01:28:47,800
Speaker 1: sh is fucking.

1972
01:28:48,320 --> 01:28:50,000
Speaker 3: He went on, but that in a minute, it's special.

1973
01:28:50,120 --> 01:28:53,679
Speaker 3: That's his best verse by far important verse too. Shit,

1974
01:28:53,880 --> 01:28:57,639
Speaker 3: I like what he was saying on there. I fuck

1975
01:28:57,680 --> 01:29:00,559
Speaker 3: with little Baby. I like Little Baby a lot. All right, So, y'all,

1976
01:29:00,560 --> 01:29:02,400
Speaker 3: I don't know what I'm doing this weekend. Probably go

1977
01:29:02,479 --> 01:29:06,160
Speaker 3: to the movies. Uh, maybe catch Black Phone. Let's go

1978
01:29:06,240 --> 01:29:08,240
Speaker 3: see it. Go see Black Phone. I want to catch

1979
01:29:08,280 --> 01:29:10,200
Speaker 3: the Yankees Red Soxes here this weekend. I want to

1980
01:29:10,240 --> 01:29:11,400
Speaker 3: catch one of those games for sure.

1981
01:29:11,720 --> 01:29:12,960
Speaker 1: Does Drake bring out snow?

1982
01:29:14,040 --> 01:29:18,439
Speaker 3: Oh yeah, I think so.

1983
01:29:18,920 --> 01:29:20,679
Speaker 1: No, not snow allegra.

1984
01:29:21,320 --> 01:29:25,120
Speaker 3: Oh she's young, so yeah. Man. We'll talk to y'all soon.

1985
01:29:26,120 --> 01:29:28,920
Speaker 3: Be safe this week and have fun. I'm that nigga.

1986
01:29:28,960 --> 01:29:32,479
Speaker 3: He's just ginger peace, no worry, en