1 00:00:00,720 --> 00:00:08,719 Speaker 1: I am all in you. 2 00:00:16,960 --> 00:00:20,640 Speaker 2: I am all in with Scott Patterson, an iHeartRadio podcast. 3 00:00:21,040 --> 00:00:24,840 Speaker 1: Hey everybody, Scott Patterson, I am all in podcast. Very excited. 4 00:00:25,320 --> 00:00:28,160 Speaker 1: This is going to be our first episode for something 5 00:00:28,200 --> 00:00:35,160 Speaker 1: that we have dubbed You've Been Gilmore. So we hear 6 00:00:35,360 --> 00:00:37,560 Speaker 1: all you super fans out there want to be a 7 00:00:37,640 --> 00:00:41,199 Speaker 1: part of the podcast. So as a new series we 8 00:00:41,360 --> 00:00:44,640 Speaker 1: are doing, We're gonna bring on a super fan to 9 00:00:44,720 --> 00:00:49,040 Speaker 1: get their take on everything Gilmore. This week we are 10 00:00:49,120 --> 00:00:54,080 Speaker 1: starting with Gilmore Girls. Super fan and celebrity designer Isaac 11 00:00:54,720 --> 00:00:58,400 Speaker 1: ms Rahi. Isaac worked extensively in the entertainment industry as 12 00:00:58,400 --> 00:01:03,240 Speaker 1: an actor, host, writer, designer, and producer for over thirty years. 13 00:01:04,040 --> 00:01:07,080 Speaker 1: He is a subject and co creator of Unzipped, a 14 00:01:07,160 --> 00:01:11,319 Speaker 1: documentary following the making of his Fall ninety four collection, 15 00:01:11,680 --> 00:01:15,200 Speaker 1: which received an award at the sun Dance Film Festival. 16 00:01:15,240 --> 00:01:18,000 Speaker 1: He hosted his own television talk show, The Isaac mcsrahi 17 00:01:18,040 --> 00:01:21,080 Speaker 1: Show for seven years, has written to books, and has 18 00:01:21,120 --> 00:01:24,560 Speaker 1: made countless appearances and movies on television. He is the 19 00:01:24,640 --> 00:01:28,920 Speaker 1: chief designer for Isaac Mizrahi Brands, a division of Excel 20 00:01:29,000 --> 00:01:32,480 Speaker 1: Brands incorporated in two thousand and nine. He launched his 21 00:01:32,520 --> 00:01:38,160 Speaker 1: lifestyle collection Isaac Mizrahi Live on QVC. His I Am 22 00:01:38,319 --> 00:01:41,480 Speaker 1: New York City collection is currently sold at Lord and 23 00:01:41,560 --> 00:01:45,120 Speaker 1: Taylor and Hudson Bay Company. He is a director of 24 00:01:45,120 --> 00:01:48,200 Speaker 1: A Little Night Music and Magic Flute the Opera Theater 25 00:01:48,400 --> 00:01:52,800 Speaker 1: of Saint Louis. So much more we can we can 26 00:01:52,840 --> 00:01:55,360 Speaker 1: go into, but let's just bring him on. He's got 27 00:01:55,360 --> 00:01:58,400 Speaker 1: his own production company, Isaac Mssrahi Entertainment, under which he 28 00:01:58,440 --> 00:02:02,160 Speaker 1: has several projects and development television, theater and literature. His 29 00:02:02,240 --> 00:02:05,920 Speaker 1: memoir I Am was published in February twenty nineteen. He 30 00:02:06,000 --> 00:02:10,240 Speaker 1: and he's currently hosting his own podcast called Hello Isaac. 31 00:02:11,120 --> 00:02:14,920 Speaker 1: One of my good friends Isaac ms Raja, Hello Isaac, 32 00:02:15,360 --> 00:02:18,920 Speaker 1: You're our first guest on our new segment. You've been gilmourd. 33 00:02:19,080 --> 00:02:21,880 Speaker 1: You are the absolute And he said, who's the biggest 34 00:02:21,880 --> 00:02:24,119 Speaker 1: super fan? I said, you gotta get Isaac. I don't 35 00:02:24,160 --> 00:02:25,840 Speaker 1: care what he's doing, I don't care where he is 36 00:02:25,840 --> 00:02:29,760 Speaker 1: in the world. Screw it. Get him, book them, get 37 00:02:29,800 --> 00:02:30,040 Speaker 1: them all. 38 00:02:30,680 --> 00:02:33,360 Speaker 2: Get me. I am a Gilmore super fan. 39 00:02:33,520 --> 00:02:34,000 Speaker 1: You are. 40 00:02:34,840 --> 00:02:39,320 Speaker 2: I am a Basil super fan. You're the guy Aladino 41 00:02:40,120 --> 00:02:41,919 Speaker 2: valad German superfan. 42 00:02:42,480 --> 00:02:43,680 Speaker 1: You're the guy. You're the guy. 43 00:02:43,720 --> 00:02:44,000 Speaker 3: All right. 44 00:02:44,040 --> 00:02:45,799 Speaker 1: So last time we talked to you watched the entire 45 00:02:45,800 --> 00:02:48,359 Speaker 1: series four times. Have you watched again since. 46 00:02:48,720 --> 00:02:51,560 Speaker 2: I watch it? Yes? I mean, it's just it's literally 47 00:02:52,080 --> 00:02:54,919 Speaker 2: I go between this is my thing. I go between 48 00:02:55,440 --> 00:02:58,880 Speaker 2: Gilmore Girls, Masel, and Downton Abbey. I don't know how 49 00:02:58,919 --> 00:03:02,000 Speaker 2: Downton Abbey got him, but it's like one of those 50 00:03:02,080 --> 00:03:05,919 Speaker 2: three things I visit like literally every single night. 51 00:03:05,720 --> 00:03:08,320 Speaker 1: Right, Okay, well that's well, so what's your favorite line 52 00:03:08,320 --> 00:03:09,840 Speaker 1: of all time? Favorite line? 53 00:03:10,120 --> 00:03:12,960 Speaker 2: You know, this is gonna sound a little trite, but 54 00:03:13,160 --> 00:03:16,720 Speaker 2: because I think it's something she says it often, Laurel, 55 00:03:16,800 --> 00:03:21,280 Speaker 2: I says, I smell snow. And you know, it's like 56 00:03:21,360 --> 00:03:25,799 Speaker 2: the greatest line in the world because because first of all, 57 00:03:25,919 --> 00:03:29,600 Speaker 2: you can smell snow, right, And that's such an incredibly beautiful, 58 00:03:29,680 --> 00:03:33,400 Speaker 2: astute thing to say. And as someone Scott, you know, 59 00:03:33,480 --> 00:03:37,640 Speaker 2: I hate the summer. I don't like the summer really, really, Darling, 60 00:03:37,800 --> 00:03:39,280 Speaker 2: I hate the summertime. 61 00:03:39,440 --> 00:03:41,040 Speaker 1: You're a winter guy. You like the winter. 62 00:03:41,600 --> 00:03:44,720 Speaker 2: I love the winter. I love the snow. And so 63 00:03:44,840 --> 00:03:47,200 Speaker 2: of course, you know when she says I smell snow, 64 00:03:47,240 --> 00:03:49,880 Speaker 2: I literally start crying. I'm like, oh, my god, it's snow. 65 00:03:50,120 --> 00:03:52,360 Speaker 2: And then I think it's never gonna snow again, and 66 00:03:53,120 --> 00:03:55,720 Speaker 2: right like, oh man. 67 00:03:55,880 --> 00:03:58,160 Speaker 1: Yeah, you should move to either or you should spend 68 00:03:58,240 --> 00:03:59,480 Speaker 1: time in Lake Tahoe, or. 69 00:03:59,760 --> 00:04:03,920 Speaker 2: You'd hollow, darling, I should move to stars hollow. 70 00:04:04,200 --> 00:04:08,880 Speaker 1: Right or there? That's are you a skier? But by 71 00:04:08,920 --> 00:04:12,000 Speaker 1: the way, are you no? So you just like the snow. 72 00:04:12,560 --> 00:04:15,360 Speaker 2: I just like the snow. I like play with my 73 00:04:15,480 --> 00:04:18,039 Speaker 2: dogs and the snow. I like to look at the 74 00:04:18,040 --> 00:04:21,800 Speaker 2: snow from indoors. I like to sometimes walk in the 75 00:04:21,839 --> 00:04:24,320 Speaker 2: snow for a minute, and then I get tired and 76 00:04:24,480 --> 00:04:27,119 Speaker 2: cold and I want to come inside. But I prefer 77 00:04:27,279 --> 00:04:30,280 Speaker 2: that to being like hot and not knowing how I'm 78 00:04:30,320 --> 00:04:33,680 Speaker 2: going to get you know, a little air. Besides air conditioning, 79 00:04:33,680 --> 00:04:36,720 Speaker 2: I don't air conditioning. I like the winter and I 80 00:04:36,760 --> 00:04:37,400 Speaker 2: love the snow. 81 00:04:37,520 --> 00:04:39,520 Speaker 1: Well, we're both snow guys. I love the snow. I 82 00:04:39,600 --> 00:04:42,800 Speaker 1: love it. You see, Oh, you can't get me off 83 00:04:42,800 --> 00:04:45,520 Speaker 1: the hill. You cannot get they live close the list 84 00:04:45,560 --> 00:04:48,480 Speaker 1: and I'm still like, I'm trundling up the hill on 85 00:04:48,480 --> 00:04:49,280 Speaker 1: my own. I don't care. 86 00:04:49,560 --> 00:04:50,679 Speaker 2: Right the ski. 87 00:04:50,560 --> 00:04:52,600 Speaker 1: Patrol has to kick me off. It's nighttime. I get 88 00:04:52,600 --> 00:04:55,159 Speaker 1: a miner's helmet on I'm skiing. I don't care. 89 00:04:55,480 --> 00:04:58,000 Speaker 2: Wow, you're so lucky. I don't like it. I don't know. 90 00:04:58,080 --> 00:04:58,560 Speaker 2: I don't know. 91 00:04:58,720 --> 00:05:00,560 Speaker 1: I grew up with it. I mean, I mean, I 92 00:05:00,600 --> 00:05:02,280 Speaker 1: got a pair of wooden skis when I was seven, 93 00:05:02,360 --> 00:05:03,840 Speaker 1: and the rest is history. What can I tell you? 94 00:05:03,920 --> 00:05:07,080 Speaker 1: What's your favorite episode? What is your favorite episode? Tell 95 00:05:07,120 --> 00:05:09,279 Speaker 1: me why it is your favorite episode. 96 00:05:10,080 --> 00:05:13,160 Speaker 2: There are two episodes that come to mind, right, and 97 00:05:13,200 --> 00:05:15,200 Speaker 2: we can discuss both of them, and it's really random. 98 00:05:15,200 --> 00:05:17,720 Speaker 2: Of course, you could talk about the graduation. I mean, 99 00:05:17,720 --> 00:05:20,160 Speaker 2: there's a million of great episodes. But I think of 100 00:05:20,200 --> 00:05:25,359 Speaker 2: the hilarious episode where Rory does the benefit and she 101 00:05:25,560 --> 00:05:29,120 Speaker 2: like dresses in the USO thing is so ridiculous and 102 00:05:29,160 --> 00:05:30,920 Speaker 2: she's like sort of trying to be like a daughter 103 00:05:30,960 --> 00:05:33,960 Speaker 2: of the American Revolution and she's trying so hard to 104 00:05:34,000 --> 00:05:37,040 Speaker 2: fit in with those women and it's just a very 105 00:05:37,040 --> 00:05:43,400 Speaker 2: funny episode. And Rory looks really really hot in that uniform. 106 00:05:43,440 --> 00:05:46,160 Speaker 2: So that's one of my favorite episodes. The other episode 107 00:05:46,200 --> 00:05:49,000 Speaker 2: that I just love, well, I love Emily, Like I 108 00:05:49,640 --> 00:05:51,520 Speaker 2: just first of all, I want to meet her, like 109 00:05:51,640 --> 00:05:54,080 Speaker 2: next time we go, next time we do this podcast, 110 00:05:54,360 --> 00:05:56,360 Speaker 2: we have to get that person we have to get 111 00:05:56,360 --> 00:05:58,520 Speaker 2: Emily Gilmore because I need to meet her. I just 112 00:05:58,560 --> 00:06:02,760 Speaker 2: love her so much. But I love the episode where 113 00:06:03,360 --> 00:06:05,880 Speaker 2: is that she she goes like a little blind and 114 00:06:05,920 --> 00:06:07,919 Speaker 2: they have to like sort of shepherd her around and 115 00:06:08,240 --> 00:06:09,760 Speaker 2: Rory has to drive her around. 116 00:06:11,080 --> 00:06:13,599 Speaker 1: You know that episode where No, I mean it must 117 00:06:13,680 --> 00:06:16,480 Speaker 1: be beyond season six or seven because I haven't gotten 118 00:06:16,520 --> 00:06:17,160 Speaker 1: there yet. 119 00:06:17,520 --> 00:06:20,159 Speaker 2: No, come on, it's where it's where she gets like 120 00:06:21,000 --> 00:06:24,400 Speaker 2: where I forgot exactly what the premise is. But but 121 00:06:24,400 --> 00:06:26,919 Speaker 2: but Laurel I has to kind of take care of 122 00:06:26,960 --> 00:06:30,160 Speaker 2: her and drive her around. And because she can't see 123 00:06:30,320 --> 00:06:32,599 Speaker 2: or something, oh, she can't see she gets something in 124 00:06:32,640 --> 00:06:35,320 Speaker 2: her eyes and she can't see. That's the funniest episode 125 00:06:35,320 --> 00:06:38,279 Speaker 2: of the world. I love that. I don't exactly remember 126 00:06:38,320 --> 00:06:40,400 Speaker 2: what it was about, but I just think because it's 127 00:06:40,440 --> 00:06:45,080 Speaker 2: about the relationship between Emily and Laurel, I I love it. 128 00:06:45,120 --> 00:06:50,240 Speaker 2: I love that relationship because it really what's the word 129 00:06:50,279 --> 00:06:53,680 Speaker 2: it resonates for me personally. You no, like I have 130 00:06:53,720 --> 00:06:57,880 Speaker 2: a fraud relationship with my mother, And any of those 131 00:06:57,920 --> 00:07:01,360 Speaker 2: episodes where you know where Emily is being a pain 132 00:07:01,400 --> 00:07:03,239 Speaker 2: in the ass, it's just the greatest thing. 133 00:07:03,320 --> 00:07:07,720 Speaker 1: Like all of them, particularly. 134 00:07:07,160 --> 00:07:11,240 Speaker 2: Because she's like, she needs she needs Laurel. I like Laurel. 135 00:07:11,280 --> 00:07:13,760 Speaker 2: I has to kind of like drive her around. And 136 00:07:13,800 --> 00:07:17,400 Speaker 2: it's a really funny episode. The episode. I just can't 137 00:07:17,400 --> 00:07:19,840 Speaker 2: remember exactly why or when it comes. 138 00:07:19,840 --> 00:07:23,600 Speaker 1: You know, it's season six, season six. It's Hannah just 139 00:07:23,640 --> 00:07:27,040 Speaker 1: told me it's season six. I haven't seen it yet. 140 00:07:27,320 --> 00:07:29,200 Speaker 2: What do you mean you haven't seen it yet? Darling? 141 00:07:29,320 --> 00:07:31,240 Speaker 2: What is that supposed to mean? Didn't you shoot it? 142 00:07:32,000 --> 00:07:38,040 Speaker 1: I don't remember from twenty years ago? Short term memory? Short, Look, 143 00:07:38,080 --> 00:07:40,400 Speaker 1: you've been on Broadway. It's all about short term memory. 144 00:07:40,960 --> 00:07:42,560 Speaker 1: You don't remember it. 145 00:07:42,680 --> 00:07:45,720 Speaker 2: So you aren't a super fan. I'm a super fan. 146 00:07:45,760 --> 00:07:47,120 Speaker 2: I can rewatch it a million times. 147 00:07:47,160 --> 00:07:49,560 Speaker 1: And you don't know the premise of this podcast was 148 00:07:49,640 --> 00:07:52,840 Speaker 1: I called iHeart and I said, I've never seen the show. 149 00:07:54,840 --> 00:07:57,360 Speaker 1: Let's do a podcast where I watch it and the 150 00:07:57,400 --> 00:07:59,880 Speaker 1: fans can rewatch it. When you can write, it's my 151 00:08:00,080 --> 00:08:01,600 Speaker 1: first impression of the episodes. 152 00:08:01,880 --> 00:08:02,760 Speaker 2: How long does it take? 153 00:08:02,760 --> 00:08:02,840 Speaker 1: You? 154 00:08:02,880 --> 00:08:04,320 Speaker 2: Don't you binge? Don't you pay? 155 00:08:04,400 --> 00:08:06,840 Speaker 1: No? I can't. I'm not allowed to. I'm under contract. 156 00:08:07,000 --> 00:08:10,080 Speaker 1: One at a time. If I watch two or three 157 00:08:10,200 --> 00:08:12,680 Speaker 1: or four, you know, Amy Sugarman will send a hit 158 00:08:12,760 --> 00:08:16,160 Speaker 1: band and smack me down. Man, I'll tell you I 159 00:08:16,240 --> 00:08:16,720 Speaker 1: can't do it. 160 00:08:17,080 --> 00:08:19,320 Speaker 2: I didn't realize that I want to do it. 161 00:08:19,760 --> 00:08:22,040 Speaker 1: I don't. Don't get me wrong. I want to binge 162 00:08:22,080 --> 00:08:24,400 Speaker 1: the heck out of this thing. O my god, but 163 00:08:24,480 --> 00:08:29,320 Speaker 1: I got Amy Sugarman assassins out there watching me making 164 00:08:29,320 --> 00:08:32,920 Speaker 1: sure I don't. Okay, yeah, got it. These are heavy, 165 00:08:32,960 --> 00:08:35,400 Speaker 1: heavy people, man, They're like seriously trained. 166 00:08:36,000 --> 00:08:40,400 Speaker 2: Wow, what we do for podcasts? 167 00:08:41,160 --> 00:08:44,800 Speaker 1: What is your Here's here's a big question. You're ready? 168 00:08:44,800 --> 00:08:46,840 Speaker 1: Are you ready? Who's your favorite Gilmore character? 169 00:08:48,080 --> 00:08:50,679 Speaker 2: My favorite Guildmore well, aside from Laura La, I mean, 170 00:08:50,720 --> 00:08:54,959 Speaker 2: what is more charming than Laura? Like and and you 171 00:08:55,080 --> 00:08:58,320 Speaker 2: stop it, stop it now now? My favorite Gilmore character 172 00:08:58,360 --> 00:09:00,320 Speaker 2: has got to be Emily Gilmore. I just think she 173 00:09:00,400 --> 00:09:04,200 Speaker 2: is the greatest, funniest and I completely understand her. And 174 00:09:04,240 --> 00:09:07,640 Speaker 2: she's so much like my mother, likely well down to 175 00:09:07,679 --> 00:09:10,160 Speaker 2: the way she dresses, down to kind of the way 176 00:09:10,200 --> 00:09:12,480 Speaker 2: she looks. She kind of looks like my mother, just 177 00:09:12,520 --> 00:09:16,719 Speaker 2: a teeny teeny bit love her. She's so funny and 178 00:09:16,800 --> 00:09:21,880 Speaker 2: so I don't know, like pretentious in this cool way. 179 00:09:22,240 --> 00:09:24,760 Speaker 2: You know. I love Emily Gilmore? 180 00:09:24,800 --> 00:09:25,480 Speaker 1: Is that a good enough? 181 00:09:25,800 --> 00:09:27,440 Speaker 2: Is that a good enough answer, that's my face. 182 00:09:27,559 --> 00:09:34,480 Speaker 1: Definitely, she's definitely a fan favorite, for sure. She's a 183 00:09:34,559 --> 00:09:40,040 Speaker 1: seminal character, and I think the tension that her character 184 00:09:40,120 --> 00:09:45,200 Speaker 1: creates is is significant. It's, you know, all of that 185 00:09:45,280 --> 00:09:51,000 Speaker 1: old school tradition and manners and keeping the bloodline pure 186 00:09:51,120 --> 00:09:54,880 Speaker 1: and keeping it you know, and all that patrician stuff 187 00:09:54,960 --> 00:09:58,839 Speaker 1: that's so important too. And it's so it's point zero 188 00:09:59,000 --> 00:10:01,360 Speaker 1: zero one percent, right, fun. 189 00:10:01,400 --> 00:10:04,080 Speaker 2: It's funny when like you watch it back now and 190 00:10:04,120 --> 00:10:06,600 Speaker 2: it's like it is one percent and it's like a 191 00:10:06,720 --> 00:10:10,559 Speaker 2: little bit it's not exactly cringey because they still exist, 192 00:10:10,640 --> 00:10:14,000 Speaker 2: but it's very very white, you know, like that Emily 193 00:10:14,000 --> 00:10:16,520 Speaker 2: Gilmore character is. It's just like a really white, white, 194 00:10:16,559 --> 00:10:19,400 Speaker 2: white white character. But you know, like in some ways 195 00:10:19,440 --> 00:10:22,240 Speaker 2: I feel like she's eternal and she's classic. And that 196 00:10:22,360 --> 00:10:25,760 Speaker 2: actress I think is her name Kelly Bishop. Yes, yeah, 197 00:10:25,840 --> 00:10:28,800 Speaker 2: it's Kelly Bishop. Like she gets something. She gets to 198 00:10:28,880 --> 00:10:33,000 Speaker 2: the core of that character, and I think like everyone 199 00:10:33,120 --> 00:10:35,800 Speaker 2: can relate to that as a mother, Like everyone can 200 00:10:35,840 --> 00:10:38,160 Speaker 2: relate to that mother. I think she gets to something. 201 00:10:38,200 --> 00:10:41,640 Speaker 2: It's like, so it doesn't matter if you're white or black, 202 00:10:41,760 --> 00:10:45,200 Speaker 2: or Jewish or Chinese or whatever. She kind of like 203 00:10:45,880 --> 00:10:48,840 Speaker 2: she just becomes like everyone's mother. And I think it's 204 00:10:48,880 --> 00:10:51,320 Speaker 2: really like the writing, but I think it's also the 205 00:10:51,360 --> 00:10:54,120 Speaker 2: gift of that woman. She just appears. I think she 206 00:10:54,240 --> 00:10:55,800 Speaker 2: was like this is I don't know who she was 207 00:10:55,880 --> 00:10:59,520 Speaker 2: before the Game Wore Girls. That woman Kelly Bishop. Now 208 00:10:59,600 --> 00:11:03,560 Speaker 2: she's on Mazel. She plays that hilarious matchmaker character, which 209 00:11:03,600 --> 00:11:08,120 Speaker 2: is hilarious also so funny, you know, and she's great 210 00:11:08,160 --> 00:11:11,560 Speaker 2: at that. But she got at something in the Gilmore Girl. 211 00:11:11,640 --> 00:11:14,840 Speaker 2: She got to that mother thing that everybody could relate to, 212 00:11:15,160 --> 00:11:17,280 Speaker 2: rich people, poor people, everybody. You know. 213 00:11:17,520 --> 00:11:21,840 Speaker 1: Yeah, there you go, upholding traditions. Yeah, holding the family together. 214 00:11:22,240 --> 00:11:25,160 Speaker 2: Apparently she was the original Sheila in a chorus line, 215 00:11:25,200 --> 00:11:26,920 Speaker 2: that's what Neil says. 216 00:11:26,800 --> 00:11:31,600 Speaker 1: Right, right, And she was. She was in what's the 217 00:11:31,640 --> 00:11:34,439 Speaker 1: Patrick Swayze Jennifer Gray Dirty dancing. 218 00:11:34,200 --> 00:11:37,880 Speaker 2: Oh, dirty dancing, right exactly, that's right. But by the 219 00:11:37,920 --> 00:11:40,520 Speaker 2: way I saw I saw a chorus line about fifteen 220 00:11:40,559 --> 00:11:41,920 Speaker 2: times when I was a teenager. 221 00:11:42,040 --> 00:11:46,160 Speaker 1: Oh yeah, No, Kelly's a real deal dancer and actress. 222 00:11:47,520 --> 00:11:49,560 Speaker 2: One is when to meet and we're just gonna both 223 00:11:49,679 --> 00:11:51,920 Speaker 2: like freak out. 224 00:11:52,600 --> 00:11:56,040 Speaker 1: You know me too. I think one day, like Kelly 225 00:11:56,040 --> 00:12:02,959 Speaker 1: and I will meet and I maybe she'll freak out. 226 00:12:05,240 --> 00:12:09,520 Speaker 1: How do you feel, Isaac, how do you feel about Christopher? 227 00:12:09,960 --> 00:12:13,880 Speaker 2: Christopher was are you kidding me? I? I don't know 228 00:12:13,920 --> 00:12:16,160 Speaker 2: what it was like. I would see him on screen 229 00:12:16,200 --> 00:12:18,680 Speaker 2: and I would just go like that man has to know. 230 00:12:18,720 --> 00:12:22,440 Speaker 2: I don't know what that actor's name is, but I 231 00:12:22,600 --> 00:12:25,319 Speaker 2: was born to like be that person's lover. I don't 232 00:12:25,360 --> 00:12:27,480 Speaker 2: know what his name was, but he is the most 233 00:12:27,920 --> 00:12:32,480 Speaker 2: incredibly attractive person I've ever seen in my life. Kind 234 00:12:32,520 --> 00:12:36,280 Speaker 2: of like suits, those like baggy like nineties kind of suits. 235 00:12:36,320 --> 00:12:40,360 Speaker 2: Forget about. He was the most attractive person in the world. Yeah, 236 00:12:40,480 --> 00:12:43,240 Speaker 2: and again I didn't think he was right for laural I. 237 00:12:43,240 --> 00:12:45,400 Speaker 2: I never thought he was right for Laura la except 238 00:12:46,000 --> 00:12:48,520 Speaker 2: he was so being attractive. He was like one of 239 00:12:48,559 --> 00:12:51,600 Speaker 2: those people that I would have just like lown myself at, 240 00:12:51,800 --> 00:12:54,720 Speaker 2: you know, and it would been wrong, wrong, wrong, because 241 00:12:54,760 --> 00:12:57,360 Speaker 2: he was just he was just so callow. I don't know, 242 00:12:57,520 --> 00:13:00,199 Speaker 2: he was never he never had the right substance. 243 00:12:59,640 --> 00:13:00,559 Speaker 1: You know, mm hmm. 244 00:13:01,360 --> 00:13:04,319 Speaker 2: You know, like sometimes rich people just don't have that substance, 245 00:13:04,559 --> 00:13:09,680 Speaker 2: right generation rich people, Yes, they lack the substance, right Christopher, 246 00:13:09,800 --> 00:13:10,720 Speaker 2: Oh my god, you know what. 247 00:13:10,760 --> 00:13:15,280 Speaker 1: This leads me back to another question, which I think 248 00:13:15,320 --> 00:13:19,000 Speaker 1: is important given your feelings about Emily. Now we know 249 00:13:19,000 --> 00:13:22,800 Speaker 1: how you feel about Christopher. Oh what do you think 250 00:13:22,840 --> 00:13:26,640 Speaker 1: about Emily trying to break up laurel I and Luke 251 00:13:27,440 --> 00:13:32,400 Speaker 1: Vaya using Christopher as her programmable robot to go in 252 00:13:32,480 --> 00:13:33,640 Speaker 1: and showing. 253 00:13:33,480 --> 00:13:37,440 Speaker 2: Human darling, She's she's human, she's human, right, So what 254 00:13:37,480 --> 00:13:40,000 Speaker 2: do you think about that? She didn't see it? And 255 00:13:40,000 --> 00:13:43,480 Speaker 2: and that's what I love about the writing of that relationship, 256 00:13:43,559 --> 00:13:46,640 Speaker 2: you know, because it's like, you know, she didn't understand 257 00:13:46,679 --> 00:13:50,320 Speaker 2: how much Luke meant to Laurelai. She just could not 258 00:13:50,640 --> 00:13:53,880 Speaker 2: fathom it. She just could not. And maybe I do 259 00:13:54,000 --> 00:14:00,720 Speaker 2: think that, oh, what's mister Gilmore's name, whether Richard Richard Gilmour. 260 00:14:01,000 --> 00:14:04,760 Speaker 2: I think that between Richard and Emily there was a 261 00:14:04,840 --> 00:14:07,959 Speaker 2: real bond, you know. I think they really loved each 262 00:14:08,000 --> 00:14:11,160 Speaker 2: other and they really got to this incredible point in 263 00:14:11,200 --> 00:14:13,880 Speaker 2: their relationship together. And of course there were those seasons 264 00:14:13,920 --> 00:14:15,720 Speaker 2: where they were, like, you know, sort of separating a 265 00:14:15,720 --> 00:14:18,120 Speaker 2: little bit, and then they kind of lived apart for 266 00:14:18,160 --> 00:14:21,560 Speaker 2: a second. But but I don't think it was the 267 00:14:21,600 --> 00:14:26,480 Speaker 2: same between Christopher and laurel I. I think that the 268 00:14:26,520 --> 00:14:29,600 Speaker 2: mother just kind of assumed it was and she assumed 269 00:14:29,600 --> 00:14:31,200 Speaker 2: it was the best thing for her daughter because there 270 00:14:31,240 --> 00:14:36,360 Speaker 2: was like security and money. Yeah, but she was wrong 271 00:14:36,440 --> 00:14:40,560 Speaker 2: about that. She really stopped, didn't she. She really did, gop. 272 00:14:41,160 --> 00:14:45,240 Speaker 2: She went all the way there and Emily did, Yeah, 273 00:14:45,360 --> 00:14:49,280 Speaker 2: she did. And I love this. Listen, darling, My mother 274 00:14:49,320 --> 00:14:51,800 Speaker 2: has gone all the way there and up in my 275 00:14:52,040 --> 00:14:54,600 Speaker 2: like she is like really led me down the wrong 276 00:14:54,680 --> 00:14:56,480 Speaker 2: garden paths, you know what I mean? This is why 277 00:14:56,520 --> 00:14:59,040 Speaker 2: I think it's such a great show for like a 278 00:14:59,160 --> 00:15:02,040 Speaker 2: you know, for one of those networky hour shows we 279 00:15:02,120 --> 00:15:05,560 Speaker 2: have like a million executives like calling every five seconds 280 00:15:05,600 --> 00:15:08,360 Speaker 2: with an opinion. I think they really managed to keep 281 00:15:08,440 --> 00:15:12,320 Speaker 2: it very, very real, you know. That's what's right about 282 00:15:12,360 --> 00:15:16,400 Speaker 2: the Gilmore Girls. Delightful And it's how many seasons is it? 283 00:15:16,560 --> 00:15:17,200 Speaker 2: Seven seasons? 284 00:15:17,360 --> 00:15:17,640 Speaker 1: Seven? 285 00:15:18,400 --> 00:15:19,160 Speaker 2: Seven seasons? 286 00:15:19,160 --> 00:15:23,120 Speaker 1: Oh my god? And we're just getting started, you know. 287 00:15:25,080 --> 00:15:25,280 Speaker 2: Yeah. 288 00:15:25,680 --> 00:15:32,080 Speaker 1: Okay, so should they have been well, let me ask 289 00:15:32,120 --> 00:15:36,880 Speaker 1: you this, okay, please, do you think that Luke is 290 00:15:36,920 --> 00:15:41,280 Speaker 1: the best match for Laura l I yes, I do. 291 00:15:41,640 --> 00:15:45,720 Speaker 2: And I'm not just saying that because you're sitting here, well, 292 00:15:45,800 --> 00:15:52,400 Speaker 2: because you know, he may not be her equal in 293 00:15:52,520 --> 00:15:56,200 Speaker 2: every single way. But then again, she's not his equal 294 00:15:56,240 --> 00:15:57,800 Speaker 2: in a lot of ways, you know what I mean. 295 00:15:57,800 --> 00:16:00,720 Speaker 2: And I feel like they compliment each other. They're very 296 00:16:00,840 --> 00:16:04,400 Speaker 2: very well and they have that incredible chemistry, you know, 297 00:16:05,320 --> 00:16:08,520 Speaker 2: and they have that incredible history. And he makes that 298 00:16:08,680 --> 00:16:14,120 Speaker 2: really good coffee, you know. You know, someone makes that 299 00:16:14,240 --> 00:16:16,720 Speaker 2: coffee for you, darling. That's a hard thing to be 300 00:16:17,360 --> 00:16:19,720 Speaker 2: but no, but you know, and I think that they 301 00:16:19,800 --> 00:16:21,800 Speaker 2: wrote it in such a way that they kind of 302 00:16:21,880 --> 00:16:24,680 Speaker 2: convinced us that it was the right thing. You know. 303 00:16:25,320 --> 00:16:27,360 Speaker 2: They threw you off, and they put you on, and 304 00:16:27,400 --> 00:16:29,200 Speaker 2: they threw you off, and then finally in the end 305 00:16:29,560 --> 00:16:34,600 Speaker 2: you got why they were right together, you know, whereas 306 00:16:34,920 --> 00:16:37,280 Speaker 2: the other men in her life. You know, I always 307 00:16:37,280 --> 00:16:40,000 Speaker 2: thought the teacher was kind of gorgeous too. The teacher 308 00:16:40,200 --> 00:16:45,360 Speaker 2: was his name, Max, Max exactly. He was kind of 309 00:16:45,400 --> 00:16:50,000 Speaker 2: a hot moment for Laurali as well. And in the end, 310 00:16:51,200 --> 00:16:53,560 Speaker 2: she didn't bother. She just kind of let it go. 311 00:16:53,680 --> 00:16:56,080 Speaker 2: And so I thought, Okay, well she doesn't care that much. 312 00:16:56,360 --> 00:16:58,880 Speaker 2: I know what that's about. I Mean, that's the great 313 00:16:58,920 --> 00:17:02,200 Speaker 2: thing about all of these and these characters is that 314 00:17:02,960 --> 00:17:07,520 Speaker 2: you know, they're written to an extent where you understand 315 00:17:07,680 --> 00:17:11,040 Speaker 2: perfectly by the end of the four episode arc or 316 00:17:11,200 --> 00:17:14,480 Speaker 2: the season arc or whatever it is, where these characters are, 317 00:17:14,560 --> 00:17:17,960 Speaker 2: you really do understand. And not because it's full of 318 00:17:18,000 --> 00:17:21,520 Speaker 2: exposition or full of like it isn't. It's because it's 319 00:17:21,560 --> 00:17:28,760 Speaker 2: like really psychologically very well considered. So yeah, So I 320 00:17:28,800 --> 00:17:32,400 Speaker 2: think I always I everybody, the whole the whole world. 321 00:17:32,480 --> 00:17:35,400 Speaker 2: I think that was the story. That was story number one, Right, 322 00:17:35,800 --> 00:17:38,600 Speaker 2: Will Luke and Laurel I end up together? And we 323 00:17:38,720 --> 00:17:41,480 Speaker 2: hope they do. Everybody was just hoping the whole time, 324 00:17:42,320 --> 00:17:44,920 Speaker 2: even when we thought that Luke was a shot or 325 00:17:45,000 --> 00:17:47,159 Speaker 2: Laurel I was a sh and they were shot together, 326 00:17:47,520 --> 00:17:49,360 Speaker 2: we were still kind of hoping somewhere in the back 327 00:17:49,359 --> 00:17:51,040 Speaker 2: of our minds that it would work. 328 00:17:52,760 --> 00:17:54,719 Speaker 1: Who's your favorite boyfriend for Rory? 329 00:17:56,040 --> 00:18:02,960 Speaker 2: That's so easy, it's logan, No, just completely Jess. Yes, 330 00:18:03,000 --> 00:18:05,720 Speaker 2: I'm so shallow. I just think that Jess was the 331 00:18:05,840 --> 00:18:09,760 Speaker 2: hottest first of all, the best looking, right, And there's 332 00:18:09,760 --> 00:18:12,800 Speaker 2: something about the character that I think, first of all, 333 00:18:12,840 --> 00:18:14,800 Speaker 2: he wrote a book, you know, so anybody who writes 334 00:18:14,840 --> 00:18:17,800 Speaker 2: an actual book is a genius. And I think was 335 00:18:17,800 --> 00:18:19,840 Speaker 2: it a book of poetry or was it a book? 336 00:18:21,280 --> 00:18:23,680 Speaker 2: It was. It was a slim volume, you know. 337 00:18:23,720 --> 00:18:25,359 Speaker 1: I think it was a book of poems. 338 00:18:25,880 --> 00:18:27,800 Speaker 2: It was a book of poems, and it was a 339 00:18:27,840 --> 00:18:31,359 Speaker 2: slim volume. And I think, like God, that is absolutely 340 00:18:32,000 --> 00:18:34,440 Speaker 2: like that is the most heroic thing a person could 341 00:18:34,480 --> 00:18:36,520 Speaker 2: do in their lives. I write a book and then 342 00:18:36,560 --> 00:18:40,480 Speaker 2: a book of poems like that requires such an incredible will. 343 00:18:40,520 --> 00:18:43,199 Speaker 2: That's the will of iron, you know. And so I 344 00:18:43,200 --> 00:18:45,560 Speaker 2: always thought that she kind of missed the boat with Jess. 345 00:18:45,560 --> 00:18:48,359 Speaker 2: And then of course later, you know, when he comes back, 346 00:18:48,400 --> 00:18:51,280 Speaker 2: he's so cool, It's like, Wow, you really missed the boat. 347 00:18:52,400 --> 00:18:54,680 Speaker 2: One thing I sort of can't believe is that we're 348 00:18:54,720 --> 00:18:57,680 Speaker 2: still dangling in the world and we still don't know 349 00:18:57,960 --> 00:18:59,760 Speaker 2: whatever happened to Rory. 350 00:19:00,200 --> 00:19:04,960 Speaker 1: It's very very strange feeling, isn't it. After twenty three years, 351 00:19:05,000 --> 00:19:05,560 Speaker 1: we don't know. 352 00:19:05,680 --> 00:19:08,040 Speaker 2: I mean it, we still don't know what happened to her, 353 00:19:08,240 --> 00:19:11,280 Speaker 2: you know, Like, do you know, do you secretly know 354 00:19:11,359 --> 00:19:13,720 Speaker 2: what the Palladino Sherman's did to her? 355 00:19:14,440 --> 00:19:17,200 Speaker 1: I don't. I don't know, And honestly I don't want 356 00:19:17,240 --> 00:19:17,480 Speaker 1: to know. 357 00:19:18,840 --> 00:19:23,600 Speaker 2: Don't want to know, you're kidding. I want to know 358 00:19:23,640 --> 00:19:24,560 Speaker 2: how she ended up. 359 00:19:25,760 --> 00:19:27,640 Speaker 1: Well, we saw how she ended up. We saw how 360 00:19:27,640 --> 00:19:28,280 Speaker 1: she ended up. 361 00:19:28,640 --> 00:19:31,360 Speaker 2: Well, she looks like Charlotte Rampling. So there's that. She's 362 00:19:31,400 --> 00:19:32,000 Speaker 2: so beautiful. 363 00:19:32,040 --> 00:19:33,800 Speaker 1: You think she looks like Charlotte Rampling. 364 00:19:33,880 --> 00:19:36,000 Speaker 2: Oh my god, she looks exactly like you think. 365 00:19:36,040 --> 00:19:38,240 Speaker 1: Alexis looks like Charlotte Rampling. I guess you know what, 366 00:19:38,280 --> 00:19:39,159 Speaker 1: I guess she does. 367 00:19:39,520 --> 00:19:41,040 Speaker 2: And she's extremely beautiful. 368 00:19:41,080 --> 00:19:43,560 Speaker 1: I guess I guess she kind of does. Yeah, I 369 00:19:43,960 --> 00:19:46,200 Speaker 1: see the jawl lie and yeah, okay, oh. 370 00:19:46,040 --> 00:19:49,440 Speaker 2: It's that kind of also that mysterious. 371 00:19:49,680 --> 00:19:52,199 Speaker 1: Yeah, I know, I know what you mean. Yeah, I 372 00:19:52,200 --> 00:19:55,960 Speaker 1: mean Charlotte was a little I don't know more, I 373 00:19:55,960 --> 00:19:57,720 Speaker 1: don't know what's the word tomboyish. 374 00:19:58,000 --> 00:20:00,399 Speaker 2: She was tough as much, but she wasn't given the 375 00:20:00,440 --> 00:20:05,880 Speaker 2: words to say by those crazy writers. A lot of words. 376 00:20:05,920 --> 00:20:10,960 Speaker 1: But yeah, so who do you think? So you think 377 00:20:11,040 --> 00:20:12,040 Speaker 1: so it's Jess for you? 378 00:20:12,400 --> 00:20:14,520 Speaker 2: Yes, absolutely, Jesse. Absolutely. 379 00:20:14,560 --> 00:20:16,119 Speaker 1: What do you think of this Logan guy in this 380 00:20:16,160 --> 00:20:19,640 Speaker 1: relationship he's got going on with because I'm just starting 381 00:20:19,640 --> 00:20:23,720 Speaker 1: to see the fruits of this relationship because we're in 382 00:20:23,760 --> 00:20:26,640 Speaker 1: season five, we're well into season five, we're halfway more 383 00:20:26,680 --> 00:20:29,680 Speaker 1: than halfway into season five. So Logan's kind of made 384 00:20:29,680 --> 00:20:30,080 Speaker 1: his move. 385 00:20:30,720 --> 00:20:32,920 Speaker 2: So when you didn't see the shows, but you didn't 386 00:20:32,960 --> 00:20:34,920 Speaker 2: actually you only read your scenes. 387 00:20:35,440 --> 00:20:38,200 Speaker 1: No, I read the scripts, but I don't remember them. 388 00:20:38,600 --> 00:20:39,800 Speaker 2: Got it, Okay, got it? 389 00:20:39,800 --> 00:20:42,960 Speaker 1: Got it, Isaac, Isaac. In order to shoot these scenes, 390 00:20:42,960 --> 00:20:48,440 Speaker 1: you gotta have just, you know, store store this dialogue 391 00:20:48,560 --> 00:20:52,280 Speaker 1: very temporarily and then then flush it and then make 392 00:20:52,359 --> 00:20:54,439 Speaker 1: room for the new stuff. And that's the muscle you developed. 393 00:20:54,480 --> 00:20:59,639 Speaker 2: It so hard, that's so hard. But the point about Logan, right, 394 00:21:00,760 --> 00:21:04,639 Speaker 2: he was a necessary diversion for Rory. But I can't 395 00:21:04,680 --> 00:21:09,240 Speaker 2: believe that in the redo. How How I can't believe 396 00:21:09,280 --> 00:21:13,119 Speaker 2: how that kind of happened that she was she was 397 00:21:13,200 --> 00:21:15,919 Speaker 2: kind of like brought into that and she sort of 398 00:21:15,960 --> 00:21:19,359 Speaker 2: had that affair and everything that was really I didn't 399 00:21:19,400 --> 00:21:21,600 Speaker 2: think that was going to happen, and it did. And 400 00:21:21,680 --> 00:21:25,080 Speaker 2: I really like when real things happen, Like that's a 401 00:21:25,200 --> 00:21:28,240 Speaker 2: really fucked up thing to happen, and they let it happen. 402 00:21:28,320 --> 00:21:29,280 Speaker 2: They made it happen. 403 00:21:29,440 --> 00:21:29,640 Speaker 3: Right. 404 00:21:30,119 --> 00:21:32,840 Speaker 2: But anyway, going back to the season five or whatever 405 00:21:32,880 --> 00:21:36,240 Speaker 2: you're on, where Logan kind of and she and you 406 00:21:36,320 --> 00:21:38,960 Speaker 2: think it's a good thing, and it becomes this kind 407 00:21:39,000 --> 00:21:42,280 Speaker 2: of necessary step for her, and you think maybe it's 408 00:21:42,320 --> 00:21:45,320 Speaker 2: the thing that Laurel I never did, that the daughter 409 00:21:45,400 --> 00:21:48,200 Speaker 2: needs to do because she can handle it, whereas Laurel 410 00:21:48,240 --> 00:21:50,840 Speaker 2: I needed to rebel or something like that. Maybe she's 411 00:21:50,920 --> 00:21:54,679 Speaker 2: living the dream of of of of Emily. You know, 412 00:21:54,720 --> 00:21:58,760 Speaker 2: she's gonna she's gonna do it for Emily, right, And 413 00:21:58,800 --> 00:22:01,960 Speaker 2: then sort of he begins to become this really boring, 414 00:22:03,080 --> 00:22:06,199 Speaker 2: one note kind of rich person, you know, like that 415 00:22:06,240 --> 00:22:10,120 Speaker 2: whole thing where he he does that ridiculous parachute parachute 416 00:22:10,160 --> 00:22:13,679 Speaker 2: ParaSail thing and gets gets injured and almost dies. 417 00:22:13,920 --> 00:22:16,920 Speaker 1: And you mean that the light Light and Death Brigade, 418 00:22:17,000 --> 00:22:18,919 Speaker 1: the Life and Death Brigade where they jump off. 419 00:22:18,840 --> 00:22:23,399 Speaker 2: The thing exactly exactly. It's like this umbrellas, like this 420 00:22:23,600 --> 00:22:27,640 Speaker 2: freemason society that takes place in like these frat houses, 421 00:22:27,760 --> 00:22:30,360 Speaker 2: and where he gets Harvard or something where he goes, 422 00:22:30,359 --> 00:22:34,000 Speaker 2: oh yeah, he goes to yell as well, she goes 423 00:22:34,000 --> 00:22:36,760 Speaker 2: to yell. That's what I mean, yea and yeah and 424 00:22:36,840 --> 00:22:39,320 Speaker 2: so yeah, and so he jumps off a cliff with 425 00:22:39,359 --> 00:22:42,479 Speaker 2: these friends of his and he injures himself like nearly 426 00:22:42,760 --> 00:22:46,679 Speaker 2: nearly dead. He goes nearly dead, and there's Laurel I, 427 00:22:46,800 --> 00:22:49,000 Speaker 2: who's you know, sort of devoted to him, and she 428 00:22:49,160 --> 00:22:50,320 Speaker 2: nurses him back to health. 429 00:22:51,200 --> 00:22:53,639 Speaker 1: Huh, all right, so that happens. 430 00:22:53,680 --> 00:22:56,399 Speaker 2: I'm like, no, girl, no, no, no, no, no, you 431 00:22:56,440 --> 00:22:59,400 Speaker 2: do not want this man. You're not nursing a rich 432 00:22:59,480 --> 00:23:02,600 Speaker 2: man to health and then he loses all the money 433 00:23:02,640 --> 00:23:05,320 Speaker 2: and everything. You're like no, no, no, no, no no no 434 00:23:05,560 --> 00:23:08,040 Speaker 2: hu distance distance. 435 00:23:12,680 --> 00:23:14,960 Speaker 1: Alight. So we have a fashion question for you. 436 00:23:15,359 --> 00:23:16,680 Speaker 2: What is that? 437 00:23:20,480 --> 00:23:24,240 Speaker 1: What do you think of laurelized bridesmaid's dress for Emily 438 00:23:24,320 --> 00:23:28,280 Speaker 1: and Richard's vowel renewal? Do you remember that? 439 00:23:28,880 --> 00:23:31,280 Speaker 2: I don't really remember it? No? Should I google it? 440 00:23:31,720 --> 00:23:33,840 Speaker 1: No? No, no, it's okay if you don't. We have a 441 00:23:33,880 --> 00:23:36,199 Speaker 1: million other question don't worry about because it was a 442 00:23:36,480 --> 00:23:38,760 Speaker 1: We thought it was a some people. Some people on 443 00:23:38,800 --> 00:23:40,879 Speaker 1: the panel thought it was great. Other people thought it 444 00:23:40,880 --> 00:23:42,680 Speaker 1: was a little inappropriate for these I. 445 00:23:42,520 --> 00:23:45,359 Speaker 2: Love the way they dress, I love those They have 446 00:23:45,480 --> 00:23:48,640 Speaker 2: so many good sweaters. I have taken so many screenshots 447 00:23:48,680 --> 00:23:51,720 Speaker 2: of those sweaters and sent them to my design staff, going, 448 00:23:52,000 --> 00:23:55,080 Speaker 2: what about a cute little you know, like hand crochet, 449 00:23:55,240 --> 00:23:57,080 Speaker 2: kind of harlequin with sequence. 450 00:23:57,119 --> 00:23:57,760 Speaker 1: I'm not kidding. 451 00:23:58,080 --> 00:24:03,760 Speaker 2: They have some good knitwear, some good knitwear. Carthy had 452 00:24:03,800 --> 00:24:09,040 Speaker 2: some good prints. It was a good sense of Print's character. 453 00:24:09,320 --> 00:24:09,720 Speaker 1: She liked. 454 00:24:10,720 --> 00:24:11,560 Speaker 2: She liked to Print. 455 00:24:12,320 --> 00:24:15,880 Speaker 1: Is there a storyline that you would change? What would 456 00:24:15,920 --> 00:24:16,240 Speaker 1: it be? 457 00:24:16,760 --> 00:24:17,000 Speaker 3: If? 458 00:24:17,119 --> 00:24:20,000 Speaker 1: If? If? If you think there's a storyline you would change? 459 00:24:20,440 --> 00:24:24,240 Speaker 2: Could I really say this? Because I don't, because I didn't. 460 00:24:24,400 --> 00:24:26,919 Speaker 2: I don't watch the remake as much as I watched 461 00:24:27,040 --> 00:24:33,159 Speaker 2: the regular season. But as I remember, like Laurela I 462 00:24:33,280 --> 00:24:36,679 Speaker 2: has this really shy moment in the remake, It's like 463 00:24:37,160 --> 00:24:39,959 Speaker 2: she takes her whole life, takes a really kind of 464 00:24:40,000 --> 00:24:43,879 Speaker 2: like a path that I don't like, and I want 465 00:24:43,920 --> 00:24:46,640 Speaker 2: her not to. I would, I would, I would somehow 466 00:24:46,720 --> 00:24:51,919 Speaker 2: try to No, no, no, she has an affair with 467 00:24:52,119 --> 00:24:58,040 Speaker 2: Logan or something, and it's like laurelaybody else Laurel I No, 468 00:24:58,080 --> 00:25:00,600 Speaker 2: I'm sorry, did I say Laurela? I met Rory? Oh 469 00:25:00,920 --> 00:25:02,600 Speaker 2: Orlai has a great are you kidding me? 470 00:25:02,640 --> 00:25:04,760 Speaker 1: She's like all right, no, no, okay. 471 00:25:04,960 --> 00:25:07,160 Speaker 2: Has the greatest trajectory of. 472 00:25:07,200 --> 00:25:08,520 Speaker 1: All right, So okay. 473 00:25:08,560 --> 00:25:11,640 Speaker 2: So I'm getting confused again between Dean like I did 474 00:25:11,680 --> 00:25:12,119 Speaker 2: with Diana. 475 00:25:12,359 --> 00:25:17,639 Speaker 1: So you so you object to the Rory Logan storyline? 476 00:25:17,880 --> 00:25:24,160 Speaker 2: Yes, I object to the later Rory Logan storyline. They 477 00:25:24,200 --> 00:25:26,359 Speaker 2: get together in London. I just don't like it. I 478 00:25:26,359 --> 00:25:30,399 Speaker 2: find it like distasteful and beneath our Rory. You know, 479 00:25:30,680 --> 00:25:34,480 Speaker 2: we raised Rory better than this, Okay, we I don't 480 00:25:34,520 --> 00:25:36,040 Speaker 2: believe that she would go there. 481 00:25:36,200 --> 00:25:40,320 Speaker 1: I just don't, Isaac. We have so many other questions, 482 00:25:40,320 --> 00:25:44,560 Speaker 1: but we've run out of time and we're gonna have 483 00:25:44,640 --> 00:25:46,280 Speaker 1: we get We have to have you back on. I mean, 484 00:25:46,280 --> 00:25:49,760 Speaker 1: it's just you come back on. You're the super fan 485 00:25:49,880 --> 00:25:51,600 Speaker 1: of all super fans. 486 00:25:52,040 --> 00:25:54,680 Speaker 2: You know what I need? I need the MASL super 487 00:25:54,760 --> 00:25:58,040 Speaker 2: fan podcast. Who's going to do that podcast? Because that 488 00:25:58,240 --> 00:26:01,120 Speaker 2: is what Forget about it? Right now? I am obsessed. 489 00:26:01,400 --> 00:26:03,560 Speaker 2: I can't live with the fact there are no more 490 00:26:03,560 --> 00:26:06,479 Speaker 2: episodes of mas coming. I can't stand it. Could you 491 00:26:06,600 --> 00:26:08,159 Speaker 2: please tell them right? 492 00:26:08,359 --> 00:26:11,479 Speaker 1: Well? Maybe I'll do it. Maybe maybe I'll just do it. 493 00:26:12,240 --> 00:26:13,879 Speaker 2: Could do you love that show as much as me? 494 00:26:15,760 --> 00:26:17,920 Speaker 1: Show? I have not seen the show? 495 00:26:18,880 --> 00:26:21,840 Speaker 2: Come on, why are you living under a rock or something? 496 00:26:21,960 --> 00:26:25,600 Speaker 2: What's wrong with you? That's crazy? Man? 497 00:26:26,359 --> 00:26:28,320 Speaker 1: Enough to discuss what's wrong with me? 498 00:26:28,520 --> 00:26:30,920 Speaker 2: The greatest thing in the world ever written. 499 00:26:31,040 --> 00:26:34,600 Speaker 1: Okay, but I don't know. 500 00:26:35,200 --> 00:26:36,880 Speaker 2: I find it like, can I tell you what I think? 501 00:26:36,880 --> 00:26:39,920 Speaker 2: It's like a microaggression against Jews that you don't watch 502 00:26:39,960 --> 00:26:45,119 Speaker 2: that show. I mean it. It's like, seriously, Darling, I 503 00:26:45,240 --> 00:26:50,560 Speaker 2: mean it. Watch the damn show. 504 00:26:53,280 --> 00:26:54,880 Speaker 1: I want to. I want to hear about your podcast. 505 00:26:54,920 --> 00:26:57,040 Speaker 1: Tell us about your podcast, Hello Isaac. 506 00:26:57,720 --> 00:27:00,680 Speaker 2: But yeah, it's called Hello Isaac. And we talk It's 507 00:27:00,720 --> 00:27:02,879 Speaker 2: really just a lot of funny talk, but we we 508 00:27:02,960 --> 00:27:05,879 Speaker 2: end up talking a lot about failure and how it 509 00:27:05,960 --> 00:27:08,480 Speaker 2: kind of changes your life. And you talk about like 510 00:27:08,560 --> 00:27:11,520 Speaker 2: good things and bad things and ugly things on my podcast. 511 00:27:11,520 --> 00:27:13,960 Speaker 2: But I think it's a smart thing to talk about, 512 00:27:14,000 --> 00:27:16,840 Speaker 2: like failing, I really do, because it's it's it's got 513 00:27:16,880 --> 00:27:19,320 Speaker 2: a bad rap. I think failure is a very very 514 00:27:19,320 --> 00:27:20,400 Speaker 2: good thing in people's life. 515 00:27:20,480 --> 00:27:22,440 Speaker 1: I have I have a I have a great suggestion 516 00:27:22,560 --> 00:27:25,639 Speaker 1: for a for a guest me. Why don't you have 517 00:27:25,760 --> 00:27:29,760 Speaker 1: me on Let's book it man, Love of God, Let's 518 00:27:29,800 --> 00:27:33,120 Speaker 1: go am. I can talk about failure all day. 519 00:27:33,560 --> 00:27:39,960 Speaker 2: Failure Babe, you got the right guy starring Scott Patterson. 520 00:27:40,160 --> 00:27:42,400 Speaker 2: You know, I think you should be doing this podcast. 521 00:27:43,160 --> 00:27:44,359 Speaker 2: Amazing podcast. 522 00:27:46,200 --> 00:27:48,720 Speaker 1: I'm gonna do them all, all right, I'm gonna do 523 00:27:48,760 --> 00:27:53,440 Speaker 1: them all. So what kind of guests are you having 524 00:27:53,440 --> 00:27:54,360 Speaker 1: on your podcast? 525 00:27:54,800 --> 00:27:59,159 Speaker 2: We have all kinds of guests we have, well we 526 00:27:59,280 --> 00:28:02,000 Speaker 2: have who do we have? We have Andy Cohen and 527 00:28:02,040 --> 00:28:07,400 Speaker 2: we have Belinda Carlisle and Jesse Tyler Ferguson and Gabby 528 00:28:07,600 --> 00:28:12,000 Speaker 2: Sida Bay and oh I can't think of Jacques Pepin, 529 00:28:12,160 --> 00:28:15,639 Speaker 2: you know, the famous chef. And we have this person 530 00:28:15,680 --> 00:28:19,320 Speaker 2: coming on called Betty Hallbrush who is a fantastic like 531 00:28:19,359 --> 00:28:21,520 Speaker 2: sort of fashion expert. We have. 532 00:28:21,960 --> 00:28:23,480 Speaker 1: I want to be on. I want to be on. 533 00:28:24,320 --> 00:28:25,159 Speaker 2: You're on, Darling. 534 00:28:25,400 --> 00:28:30,560 Speaker 1: I want boy, can we wax philosophic about imagine failure? 535 00:28:31,119 --> 00:28:33,120 Speaker 2: Well, I want to talk about like, you know, what 536 00:28:33,160 --> 00:28:36,159 Speaker 2: you've done in your life besides Gilmore. 537 00:28:36,200 --> 00:28:40,200 Speaker 1: Is that want a lot of failure? But you know 538 00:28:40,280 --> 00:28:44,720 Speaker 1: it makes a failure maketh the man and and nice 539 00:28:44,720 --> 00:28:51,080 Speaker 1: clothes too, you know. Always great to see you. Stay cool, 540 00:28:51,920 --> 00:28:54,720 Speaker 1: you get to the beach, ride. 541 00:28:54,480 --> 00:28:57,080 Speaker 2: Some waves through, make it through the summer. 542 00:28:57,680 --> 00:28:59,640 Speaker 1: It's not it's come on, it's great out there. It's 543 00:28:59,640 --> 00:29:00,680 Speaker 1: beautifull out there. 544 00:29:00,800 --> 00:29:01,720 Speaker 2: It is, it's beautiful. 545 00:29:01,960 --> 00:29:04,640 Speaker 1: It's gorgeous out to you know, ride some waves, go 546 00:29:04,680 --> 00:29:09,320 Speaker 1: to some clam bakes and have some bonfires on the beach. 547 00:29:09,360 --> 00:29:11,000 Speaker 1: Are they allowed you a love to do that anymore? 548 00:29:11,040 --> 00:29:13,640 Speaker 2: Well, maybe I'll host a clam bake. That's a very 549 00:29:13,680 --> 00:29:14,240 Speaker 2: good idea. 550 00:29:14,360 --> 00:29:17,600 Speaker 1: Are you like, are you juiced in over there politically? 551 00:29:17,640 --> 00:29:20,000 Speaker 1: I mean, do you go to all the big fundraisers 552 00:29:20,040 --> 00:29:21,600 Speaker 1: and hanging out with it? 553 00:29:21,880 --> 00:29:25,640 Speaker 2: Really? No, I thing is I don't. I decided that 554 00:29:25,720 --> 00:29:29,959 Speaker 2: I'm not. I'm not a community oriented guy. I do 555 00:29:30,120 --> 00:29:33,080 Speaker 2: my best, you know I do. I do what I 556 00:29:33,160 --> 00:29:36,719 Speaker 2: absolutely have to do, right, But otherwise I like to 557 00:29:36,760 --> 00:29:39,719 Speaker 2: just stay quietly in my home with my dogs and 558 00:29:39,760 --> 00:29:41,840 Speaker 2: be in my pool. I don't even like going in 559 00:29:41,880 --> 00:29:44,440 Speaker 2: the ocean. Honestly, I could be anywhere. I could be 560 00:29:44,480 --> 00:29:47,960 Speaker 2: anywhere in the entire United States. Really, if it was 561 00:29:48,000 --> 00:29:52,320 Speaker 2: close to like a gourmet food emporium, I'd be fine. 562 00:29:54,160 --> 00:29:57,880 Speaker 1: Isaac. It is always a great pleasure seeing you and 563 00:29:57,880 --> 00:30:00,880 Speaker 1: speaking with you. Good luck with everything. We'll see you 564 00:30:00,920 --> 00:30:03,640 Speaker 1: next time, and I will come on your podcast. 565 00:30:03,720 --> 00:30:05,800 Speaker 2: Okay, you're going to book that immediately. 566 00:30:06,480 --> 00:30:09,520 Speaker 1: Let's book that immediately. We will unearth mysteries, and we 567 00:30:09,600 --> 00:30:12,880 Speaker 1: will we'll attempt to entertain. At the same time. 568 00:30:12,960 --> 00:30:16,400 Speaker 2: You're going to pump you for gilmore information, Okay, information 569 00:30:16,400 --> 00:30:17,920 Speaker 2: about the Sherman Palladinos. 570 00:30:17,960 --> 00:30:19,720 Speaker 1: I think I may give it up. I don't know 571 00:30:19,920 --> 00:30:24,920 Speaker 1: you're hard to resist. You're you're an irresistible force. All 572 00:30:24,960 --> 00:30:28,320 Speaker 1: the best of my friends. Much love, and take good 573 00:30:28,320 --> 00:30:28,920 Speaker 1: care of yourself. 574 00:30:29,000 --> 00:31:23,560 Speaker 3: Okay, all right, buddy. 575 00:30:59,240 --> 00:31:02,960 Speaker 1: Everybody, don't again. Follow us on Instagram at I Am 576 00:31:03,120 --> 00:31:08,040 Speaker 1: all In podcast and email us at Gilmore at iHeartRadio 577 00:31:08,360 --> 00:31:18,720 Speaker 1: dot com.