WEBVTT - Colette, Part 2

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<v Speaker 1>Welcome to Stuff You Missed in History Class, a production

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<v Speaker 1>of I Heart Radio. Hello and welcome to the podcast.

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<v Speaker 1>I'm Tracy V. Wilson and I'm Holly Frying. Today we

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<v Speaker 1>have part two of our episode on French author Collette

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<v Speaker 1>Love and Passion and pain and Loss. We're all ongoing

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<v Speaker 1>themes and her writing. And her writing also played a

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<v Speaker 1>lot with gender and sexuality, including lots of portrayals of

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<v Speaker 1>women and their physical desires and their pursuits of fulfilling relationships.

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<v Speaker 1>Most critics consider Collett's portrayals of women to be the

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<v Speaker 1>most interesting and the most fully realized, sometimes with her

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<v Speaker 1>portrayals of men being criticized as seeming weak or one dimensional.

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<v Speaker 1>Part one of this two part episode is highly recommended

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<v Speaker 1>before getting into this one because it covers the first

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<v Speaker 1>forty years of Collett's life, include her marriage to Ari

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<v Speaker 1>de Jouvenel. We're picking up during that marriage today heads up.

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<v Speaker 1>Today's episode includes Collette's sexual relationship with her sixteen year

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<v Speaker 1>old stepson, and we will also have some brief mentions

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<v Speaker 1>of suicide. So, as we mentioned in Part one, Colette's

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<v Speaker 1>second husband, Rie de Jouvenelle, was a wealthy baron and

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<v Speaker 1>during their marriage, he was elected to represent the Department

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<v Speaker 1>of Cores in the French Parliament. Colette was writing fiction

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<v Speaker 1>as well as writing for Lamatta, where Henri was a

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<v Speaker 1>political journalist and editor. In addition to her writing, Colette

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<v Speaker 1>was called on to host various officials and dignitaries and

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<v Speaker 1>to visit them as well. This was all a big

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<v Speaker 1>shift from what her life had been like before this point.

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<v Speaker 1>Prior to their marriage, Alri had a reputation as a womanizer,

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<v Speaker 1>and sometime during Colette's pregnancy with their daughter, he started

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<v Speaker 1>having an affair with an other woman. Collette found out

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<v Speaker 1>and was once again devastated, and this might have led

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<v Speaker 1>to a pretty speedy end for their relationship, But then

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<v Speaker 1>World War One began and in August of nineteen fourteen,

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<v Speaker 1>Ari was called into active service in the military. Collette

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<v Speaker 1>made a very brief for a into volunteering as a

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<v Speaker 1>night nurse before transferring to the day shift and then

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<v Speaker 1>traveling under forged identification papers to join her husband. And

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<v Speaker 1>when we say this for it was brief, it lasted

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<v Speaker 1>about a week before she asked to move to the

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<v Speaker 1>day shift and then set off a verdant Soon she

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<v Speaker 1>was writing about what she saw there, becoming one of

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<v Speaker 1>the first women in Europe to report from the front.

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<v Speaker 1>Her work was published at Demetta that was the publication

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<v Speaker 1>that her husband edited, and she published at other journals

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<v Speaker 1>and newspapers as well. Then this work was published as

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<v Speaker 1>a collection called The Long Hours after the war was over.

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<v Speaker 1>She focused a lot of her wartime writing on how

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<v Speaker 1>the war was affecting women and children. This wasn't a

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<v Speaker 1>subject that many other reporters were really covering. But this

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<v Speaker 1>work is also lyrical, more sentimental, and sometimes even romanticized,

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<v Speaker 1>especially when compared to writers who were focused more on

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<v Speaker 1>the war's horrific and violent aspects. In Secrets of the Flesh,

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<v Speaker 1>a Life of Colette, biographer Judith Thurman writes, quote, there

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<v Speaker 1>is not a single corpse in any of her dispatches.

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<v Speaker 1>There is anxiety, but no despair, hunger but no starvation.

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<v Speaker 1>Some of this is probably a byproduct of where Colette

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<v Speaker 1>was and what she personally witnessed, but it's also one

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<v Speaker 1>of the running themes of her life. She often did

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<v Speaker 1>not directly comment on or seemed to notice political crises

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<v Speaker 1>or major world events unless they personally affected her. For example,

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<v Speaker 1>most of what we talked about in part one of

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<v Speaker 1>this episode took place during the Drefist affair, which we

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<v Speaker 1>covered on the show as a two parter in one,

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<v Speaker 1>and that was something that divided French society, and we

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<v Speaker 1>didn't mention it because Collette's surviving writing never even mentions it,

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<v Speaker 1>and we don't really know what her opinions were on it,

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<v Speaker 1>although we do know Weallye, who she was married to

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<v Speaker 1>at the time, was anti Semitic and anti Drefussar. On

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<v Speaker 1>the rare occasion that Collette did directly comment on things

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<v Speaker 1>like politics, her opinions didn't really align with what a

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<v Speaker 1>person might expect based on what we have talked about

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<v Speaker 1>in her life so far, like she took dance lessons

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<v Speaker 1>and started publishing her work under her own name in

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<v Speaker 1>preparation to leave her husband, and all of that ran

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<v Speaker 1>contrary to what was expected of women. She tried to

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<v Speaker 1>make a life for herself under her own terms, and

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<v Speaker 1>one of the themes of her writing is that women

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<v Speaker 1>should be able to feel fulfilled, including having sexual fulfillment

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<v Speaker 1>in their lives. But she didn't think of herself as

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<v Speaker 1>a feminist or advocate for political equality regardless of sex.

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<v Speaker 1>In nineteen ten, she told an interviewer that she thought

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<v Speaker 1>suffragists were disgusting and said they deserved quote the whip

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<v Speaker 1>and the harem. After the war was over, Alrid de

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<v Speaker 1>Juvenna traveled to Geneva as part of France's delegation to

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<v Speaker 1>the Disarmament Commission, and Collett's role expanded at Lamenta. In

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<v Speaker 1>addition to working as a theater critic, she became literary editor,

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<v Speaker 1>including deciding which works of fiction Lomentin should publish. She

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<v Speaker 1>also turned her attention back to writing fiction herself, which

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<v Speaker 1>she had not done much of during the war. The

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<v Speaker 1>result was Cherie, published serially and then as a book

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<v Speaker 1>in nineteen twenty. This is about an affair between a

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<v Speaker 1>forty nine year old woman named Leah and a five

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<v Speaker 1>year old man named Bread, known as Cherie. This follows

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<v Speaker 1>their affair through to its necessary end, and the end

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<v Speaker 1>of that affair leaves both of them heartbroken all the

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<v Speaker 1>Collette originally envisioned this as a play. It became one

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<v Speaker 1>of her best known novels, especially in France. That same

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<v Speaker 1>year she was named Chevalier in the French Legion of Honor.

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<v Speaker 1>After Colette had started publishing Cherry Alri's ex wife, Sarah,

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<v Speaker 1>sent their son Bertran to try to convince Colette to

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<v Speaker 1>persuade Enri to allow Sarah to keep using her married name.

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<v Speaker 1>The de Juvenal name carried a lot of Prestigian influence,

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<v Speaker 1>and Henri seems to have felt like Sarah was abusing

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<v Speaker 1>that privilege and was annoyed about it. Bertran was sixteen,

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<v Speaker 1>the same age that Colette had been when she met

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<v Speaker 1>her first husband. Really, Collette seduced Bertran, and her behavior

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<v Speaker 1>toward him, and her descriptions of all this are pretty

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<v Speaker 1>manipulative and predatory. Bertron had a girlfriend his own age, Pamela,

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<v Speaker 1>the sister of one of his school friends, when Colette,

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<v Speaker 1>who was forty eight, started seducing him. This included giving

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<v Speaker 1>him books from her library to read, and one of

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<v Speaker 1>those books us Cherie about this affair between an older

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<v Speaker 1>woman and a much younger man. She later said, quote,

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<v Speaker 1>I invented Leah as a premonition. The biography we mentioned

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<v Speaker 1>earlier described the Villa of rose Ven, where Colette spent

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<v Speaker 1>her summers, as quote a hotbed of Chicovian drama. During

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<v Speaker 1>this time, Collette also passed letters back and forth between

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<v Speaker 1>Bertrand and Pamela and used their relationship as the basis

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<v Speaker 1>for Leblon abb or The Ripening Seed, which came out

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<v Speaker 1>in That was also the year that Ari found out

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<v Speaker 1>what was going on, either Colette admitted it to him

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<v Speaker 1>or he caught them together. He was outraged and left

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<v Speaker 1>Colette immediately. Ari had numerous affairs during their marriage, but

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<v Speaker 1>his wife sleeping with his teenage son was obviously something

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<v Speaker 1>very different from that. Bertrand described himself as horrified to

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<v Speaker 1>have been the cause of all this chaos and strife.

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<v Speaker 1>Given aure's position at Lamadon, Colette had to stop working

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<v Speaker 1>there after a few months. She went to work at

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<v Speaker 1>one of the publication's rivals, Le Journal, and she and

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<v Speaker 1>Bertramp continued to have a pretty public relationship in Paris. This,

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<v Speaker 1>of course, led to a lot of scandal and gossip,

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<v Speaker 1>more connected to the fact that Bertrand was Colette's husband's

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<v Speaker 1>son than their respective ages. Eventually, Bertrand's engagement was announced

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<v Speaker 1>to Marcel Pratt, and Colette was extremely jealous and kept

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<v Speaker 1>trying to convince him to stay with her instead, but

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<v Speaker 1>Bertrand's wedding went on as planned. In Collette published a

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<v Speaker 1>sequel to Sari called The Last of Schari the following year.

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<v Speaker 1>In its after Years Apart, Schari returns to Leah and

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<v Speaker 1>finds her older and heavier, and he's no longer attracted

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<v Speaker 1>to her. He takes his own life at the end

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<v Speaker 1>of the book, which is one of a number of

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<v Speaker 1>suice sides in Colette's writing. By the time this book

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<v Speaker 1>was published, Colette had met someone else, Maurice Gudiquette, who

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<v Speaker 1>was thirty five. He had long been a fan of

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<v Speaker 1>her work, and at first he found her really intimidating,

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<v Speaker 1>but their relationship would continue for the rest of her life.

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<v Speaker 1>During that time, she would evolve from being thought of

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<v Speaker 1>as a perpetual source of scandal, chaos, and controversial literature

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<v Speaker 1>to a more mature and knowing woman whose long experience

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<v Speaker 1>had given her perspective on things like love and loss,

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<v Speaker 1>and also for having a deep love of fine things,

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<v Speaker 1>including good food and wine, and taking joy in indulgence.

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<v Speaker 1>She would eventually say of herself justue gourmet gourmand gluton

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<v Speaker 1>or I am gourmet greedy gluttonius. We'll have more on

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<v Speaker 1>her life. After a quick sponsor break before his death

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<v Speaker 1>in nineteen twenty two, Marcel Proust had been widely regarded

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<v Speaker 1>as France's greatest living writer. After that point, in a

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<v Speaker 1>lot of people's opinion, France's greatest writer was Colette. As

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<v Speaker 1>the nineteen twenties progressed, Colette decided to sell the villa

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<v Speaker 1>of Roseven that she and Missy had purchased so that

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<v Speaker 1>she could purchase another place near Central Bay. She continued

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<v Speaker 1>to both write and act, including a touring production of

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<v Speaker 1>Sherry with herself in the role of Leah. She published

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<v Speaker 1>a series of stories about her childhood called My Mother's

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<v Speaker 1>House in nineteen twenty two. In ninety eight, she was

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<v Speaker 1>named an officer in the French Legion of Honor, and

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<v Speaker 1>a year later she published Sido, which was a memoir

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<v Speaker 1>of her mother's Sidonie, who had died in nineteen twelve.

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<v Speaker 1>We talked about how much she admired and aspired to

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<v Speaker 1>be like her mother, and a lot of people had

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<v Speaker 1>pointed out that like it took a while before she

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<v Speaker 1>returned to the idea of her mother and her writing.

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<v Speaker 1>After her mother's death, Colette and Maurice struggled financially after

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<v Speaker 1>the Great Depression started in Maurice had been a pearl merchant,

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<v Speaker 1>and his business had already become a lot less profitable,

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<v Speaker 1>in part because the fashion world was turning toward costume jewelry.

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<v Speaker 1>He eventually gave up his pearl business and started selling

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<v Speaker 1>things like used washing machines. Then, in nineteen thirty one,

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<v Speaker 1>Colette broke her fibula. She developed ulcers around her cast,

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<v Speaker 1>so doctors removed it much earlier than they normally would.

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<v Speaker 1>Colette later developed arthritis, which was progressively disabling and painful,

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<v Speaker 1>and Maurice believed this break and how it was treated

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<v Speaker 1>were a factor. Colette tried many different treatments for this condition,

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<v Speaker 1>including thermal baths, acupuncture, and during the nineteen forties X

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<v Speaker 1>ray treatments, some of which caused burns on her stomach

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<v Speaker 1>and legs. In ninety two, Colette published a Plezzier or

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<v Speaker 1>These Pleasures, which would later be revised and republished as

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<v Speaker 1>The Pure and the Impure. She later described this as

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<v Speaker 1>the closest she would ever come to an autobiography, and

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<v Speaker 1>included a lot of her thoughts on love and passion,

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<v Speaker 1>especially in terms of same sex relationships. That included an

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<v Speaker 1>account of the ladies of Longcotland, who we covered on

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<v Speaker 1>the podcast back in that one made a return to

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<v Speaker 1>people's feeds in as part of an episode or a

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<v Speaker 1>pot sort of a playlist of all of our favorites.

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<v Speaker 1>She also continued to appear on stage, including another portrayal

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<v Speaker 1>of Leiah in a production of Sherry, although by this

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<v Speaker 1>point she was visibly older than the character that she

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<v Speaker 1>was portraying. She also opened a beauty institute in nineteen

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<v Speaker 1>thirty two, where she made and sold perfumes and cosmetic treatments.

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<v Speaker 1>She framed this as giving other women the power to

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<v Speaker 1>enhance and preserve their beauty and stave off aging, and

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<v Speaker 1>a lot of people thought the whole idea was way

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<v Speaker 1>beneath the right or of such national stature. The institute

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<v Speaker 1>only lasted for about a year, though it seems like

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<v Speaker 1>she more or less just kind of lost interest in

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<v Speaker 1>Collette and Maurice got married in a civil ceremony. They

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<v Speaker 1>had been together for about a decade, and he was

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<v Speaker 1>forty five and she was sixty two. Their decision to

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<v Speaker 1>get married at this point was at least ostensibly a

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<v Speaker 1>practical one, not necessarily a romantic one. They were planning

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<v Speaker 1>a trip to New York and they'd heard that the

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<v Speaker 1>hotels might not rent them a room together if they

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<v Speaker 1>were not married. This relationship seems to have been happy,

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<v Speaker 1>stable and loving. Maurice later said of it, quote, I

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<v Speaker 1>set myself gently by the side of this woman whom

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<v Speaker 1>life had so wounded, and I did so with the

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<v Speaker 1>firm determination of proving to her that fidelity was not

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<v Speaker 1>an empty word. Year by year she grew more persuaded

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<v Speaker 1>of this, and her last books bear witness to a

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<v Speaker 1>serenity that she would not otherwise have acquired. The year

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<v Speaker 1>Collette and Maurice got married, Ari de Juvenell died, and

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<v Speaker 1>the year after that Colette published My Apprenticeships, which is

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<v Speaker 1>both the story of how she became a writer and

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<v Speaker 1>a look at her relationship with her first husband, Arigotie Viler,

0:14:13.040 --> 0:14:17.080
<v Speaker 1>also known as Really. He had died back in one

0:14:17.720 --> 0:14:21.160
<v Speaker 1>This is pretty scathing and its treatment of him. Her

0:14:21.200 --> 0:14:25.120
<v Speaker 1>reputation of a writer was continuing to grow. In ninety six,

0:14:25.120 --> 0:14:27.600
<v Speaker 1>she was named Commander in the French Legion of Honor.

0:14:28.360 --> 0:14:32.120
<v Speaker 1>By that point, Adolph Hitler had become Chancellor of Germany.

0:14:32.360 --> 0:14:36.320
<v Speaker 1>The Nazi Party had been made Germany's only legal political party,

0:14:36.600 --> 0:14:41.120
<v Speaker 1>and had passed discriminatory laws restricting virtually every aspect of

0:14:41.200 --> 0:14:45.960
<v Speaker 1>Jewish people's lives and stripping them of German citizenship. Tensions

0:14:45.960 --> 0:14:49.120
<v Speaker 1>were escalating in Europe and in Asia, and Italy had

0:14:49.160 --> 0:14:53.000
<v Speaker 1>invaded Ethiopia, but as was the case with so many

0:14:53.080 --> 0:14:56.800
<v Speaker 1>other major events, Collette didn't really seem to pay much

0:14:56.800 --> 0:15:00.160
<v Speaker 1>attention to any of it. This was true even after

0:15:00.240 --> 0:15:03.720
<v Speaker 1>Paris fell to the German army in nineteen forty, after

0:15:03.760 --> 0:15:06.920
<v Speaker 1>which the French government moved to Vichy and began collaborating

0:15:06.920 --> 0:15:10.760
<v Speaker 1>with the Nazi Party, And it was true even though

0:15:10.880 --> 0:15:15.640
<v Speaker 1>Maurice Gutiquet was Jewish. But then on December seven, nineteen

0:15:15.640 --> 0:15:19.400
<v Speaker 1>forty one, Japan attacked Pearl Harbor, Hawaii, and the United

0:15:19.440 --> 0:15:22.960
<v Speaker 1>States made its formal entry into World War Two. The

0:15:23.000 --> 0:15:28.080
<v Speaker 1>French resistance increased its activities, and in response, Hitler issued

0:15:28.120 --> 0:15:31.480
<v Speaker 1>what was known as the Night and Fog Decree, allowing

0:15:31.560 --> 0:15:34.760
<v Speaker 1>German authorities to arrest people who were believed to be

0:15:34.840 --> 0:15:38.760
<v Speaker 1>part of the resistance or otherwise in endangering German interests.

0:15:39.400 --> 0:15:42.000
<v Speaker 1>The name night and Fog came from the idea that

0:15:42.040 --> 0:15:46.640
<v Speaker 1>these arrests, which really were essentially kidnappings, would happen during

0:15:46.640 --> 0:15:50.560
<v Speaker 1>the night, with people simply disappearing from site, they would

0:15:50.560 --> 0:15:53.480
<v Speaker 1>be detained and they would be tried in secret courts.

0:15:54.200 --> 0:15:57.600
<v Speaker 1>On December twelfth, ninety one, the Gestapo arrived at the

0:15:57.640 --> 0:16:01.160
<v Speaker 1>Paris apartment in the Palais Royale, where Colette and Maurice

0:16:01.200 --> 0:16:04.680
<v Speaker 1>were living. This is something neither of them seemed to

0:16:04.720 --> 0:16:06.840
<v Speaker 1>have thought of as a possibility, and they were not

0:16:06.960 --> 0:16:10.400
<v Speaker 1>at all prepared for it. Colette and their housekeeper were

0:16:10.440 --> 0:16:12.920
<v Speaker 1>able to pack a small bag for Maurice before he

0:16:13.000 --> 0:16:18.920
<v Speaker 1>was taken away. This was obviously terrifying for everyone, especially

0:16:18.920 --> 0:16:22.400
<v Speaker 1>because both Colette and Maurice don't seem to have considered

0:16:22.440 --> 0:16:25.960
<v Speaker 1>that something like this could happen. Collette said that for

0:16:26.040 --> 0:16:29.040
<v Speaker 1>the rest of her life, her mouth would start trembling

0:16:29.160 --> 0:16:34.240
<v Speaker 1>anytime someone unexpectedly arrived at her door. Maurice was held

0:16:34.320 --> 0:16:37.720
<v Speaker 1>at a detention camp northeast of Paris. He later described

0:16:37.760 --> 0:16:39.800
<v Speaker 1>this as a place where he was not given much

0:16:39.840 --> 0:16:43.280
<v Speaker 1>to eat, and their betting was infested with vermin, but

0:16:43.480 --> 0:16:46.920
<v Speaker 1>at least for fit and healthy people, things were manageable

0:16:46.960 --> 0:16:50.240
<v Speaker 1>and the guards mostly left them alone. He managed to

0:16:50.240 --> 0:16:52.680
<v Speaker 1>have notes to Collette smuggled out of the camp from

0:16:52.680 --> 0:16:55.360
<v Speaker 1>time to time, most of them asking for things like

0:16:55.480 --> 0:17:00.680
<v Speaker 1>food or books. Meanwhile, Colette tried to free him, calling

0:17:00.680 --> 0:17:04.040
<v Speaker 1>in favors, talking to anybody she thought might be able

0:17:04.080 --> 0:17:08.639
<v Speaker 1>to help. Eventually, on February six ninety two, he was

0:17:08.800 --> 0:17:11.879
<v Speaker 1>freed on the order of Otto Abbott's, who was the

0:17:12.000 --> 0:17:16.320
<v Speaker 1>German ambassador to vic France. He had married a French

0:17:16.440 --> 0:17:21.560
<v Speaker 1>woman named Suzanne de Breiker in two She had convinced

0:17:21.560 --> 0:17:26.320
<v Speaker 1>her husband to intervene on Collette's behalf. After Maurice's release

0:17:26.400 --> 0:17:29.000
<v Speaker 1>from the camp, they remained in Paris. A couple of

0:17:29.040 --> 0:17:31.439
<v Speaker 1>months later, they had tea with Susanne de Breiker at

0:17:31.440 --> 0:17:35.879
<v Speaker 1>the German embassy. That June, the Nazis ordered Jewish people

0:17:35.880 --> 0:17:38.160
<v Speaker 1>in France and a number of other countries to start

0:17:38.200 --> 0:17:41.879
<v Speaker 1>wearing yellow stars. This is something that Colette described her

0:17:41.960 --> 0:17:46.040
<v Speaker 1>husband as not particularly bothered by. It was only after

0:17:46.200 --> 0:17:49.960
<v Speaker 1>Viscy authorities started deporting thousands of Jewish people from France

0:17:50.080 --> 0:17:52.840
<v Speaker 1>and one of Colett's Jewish friends took her own life

0:17:53.320 --> 0:17:56.400
<v Speaker 1>that they started to believe that Paris might be too dangerous.

0:17:57.000 --> 0:18:01.200
<v Speaker 1>They went to centro Pe using forged papers. Eventually, Maurice

0:18:01.240 --> 0:18:03.960
<v Speaker 1>made his way back to Paris and remained in hiding there.

0:18:04.720 --> 0:18:06.960
<v Speaker 1>Collette made her way back as well, and they were

0:18:06.960 --> 0:18:09.680
<v Speaker 1>both in Paris when it was liberated in August of

0:18:09.800 --> 0:18:15.080
<v Speaker 1>n Shortly before the liberation of Paris, Missy dea Bouf,

0:18:15.119 --> 0:18:17.800
<v Speaker 1>who we talked about in Part one, died by suicide

0:18:18.280 --> 0:18:22.760
<v Speaker 1>sometime after the immediate aftermath of their breakup had subsided.

0:18:23.080 --> 0:18:26.680
<v Speaker 1>Missy and Colette had gotten in contact again. They kept

0:18:26.760 --> 0:18:29.760
<v Speaker 1>up a correspondence for most of the rest of their lives.

0:18:30.320 --> 0:18:33.400
<v Speaker 1>Missy died at the age of eighty one, having outlived

0:18:33.520 --> 0:18:38.119
<v Speaker 1>many close friends and also started to experience some cognitive decline.

0:18:38.600 --> 0:18:40.800
<v Speaker 1>As was the case with much of what happened in

0:18:40.840 --> 0:18:44.639
<v Speaker 1>the world during Colette's lifetime, she did not really comment

0:18:44.760 --> 0:18:47.120
<v Speaker 1>on the events of World War two or speak out

0:18:47.200 --> 0:18:51.119
<v Speaker 1>against the Nazi Party's violent anti semitism, even as it

0:18:51.200 --> 0:18:55.280
<v Speaker 1>targeted her husband. We do not really know her thought

0:18:55.280 --> 0:18:58.719
<v Speaker 1>process on this. Some scenarios are easy to imagine, like

0:18:59.400 --> 0:19:02.399
<v Speaker 1>she may have understood that if she were publicly vocal

0:19:02.480 --> 0:19:04.920
<v Speaker 1>on any of this, her husband's life would be at risk.

0:19:05.640 --> 0:19:09.639
<v Speaker 1>But she's described as being a passive collaborationist during World

0:19:09.640 --> 0:19:12.360
<v Speaker 1>War two, and she also published a lot of her

0:19:12.359 --> 0:19:16.520
<v Speaker 1>work in pro visy anti Semitic journals. During the war,

0:19:16.640 --> 0:19:20.679
<v Speaker 1>she also published a novel, Julie de Carnilon, which contained

0:19:20.920 --> 0:19:26.240
<v Speaker 1>a lot of anti Semitic language. Even generously, this was

0:19:26.280 --> 0:19:30.440
<v Speaker 1>not good, any of it. One of Collette's more well

0:19:30.480 --> 0:19:34.080
<v Speaker 1>known novellas, especially in the United States, was one of

0:19:34.080 --> 0:19:36.720
<v Speaker 1>the works she published in a pro VC journal during

0:19:36.760 --> 0:19:40.119
<v Speaker 1>World War Two. This was Gig, which was published in

0:19:41.760 --> 0:19:43.840
<v Speaker 1>This is the story of a girl in Paris whose

0:19:43.920 --> 0:19:46.480
<v Speaker 1>grandmother and great aunt are training her to be a

0:19:46.560 --> 0:19:50.879
<v Speaker 1>high class courtisan. Does not go exactly the way that

0:19:50.920 --> 0:19:53.680
<v Speaker 1>those two women are planning for her. After the war

0:19:53.880 --> 0:19:57.520
<v Speaker 1>was over, Collette chose Audrey Hepburn to play the role

0:19:57.600 --> 0:20:00.800
<v Speaker 1>of Gigi on Broadway, and that launched hep Barn's career.

0:20:01.600 --> 0:20:05.080
<v Speaker 1>She was also made into a musical film in and

0:20:05.119 --> 0:20:08.040
<v Speaker 1>that film won all nine Academy Awards that it was

0:20:08.080 --> 0:20:11.960
<v Speaker 1>nominated for. Collette did not live to see this version

0:20:12.000 --> 0:20:14.359
<v Speaker 1>of her novella, though, and we're going to talk about

0:20:14.400 --> 0:20:26.199
<v Speaker 1>that after we pause for a sponsor break. As we

0:20:26.240 --> 0:20:30.480
<v Speaker 1>mentioned earlier, Collette developed arthritis and it worsened during World

0:20:30.520 --> 0:20:34.040
<v Speaker 1>War Two. We've also talked about how Collette really hated

0:20:34.040 --> 0:20:36.840
<v Speaker 1>the idea of aging, and in her younger years she

0:20:36.880 --> 0:20:39.480
<v Speaker 1>had kept up a fitness regiment to both sculpt what

0:20:39.560 --> 0:20:43.040
<v Speaker 1>her body looked like and to hopefully prevent physical problems

0:20:43.160 --> 0:20:46.480
<v Speaker 1>later on in her life. Her body changed a lot

0:20:46.520 --> 0:20:49.560
<v Speaker 1>as she got older, but she had really hoped that

0:20:49.600 --> 0:20:52.560
<v Speaker 1>she was going to be active and physically well all

0:20:52.600 --> 0:20:55.959
<v Speaker 1>the way until the end. So her disability and the

0:20:56.040 --> 0:20:59.760
<v Speaker 1>chronic pain that accompanied it were just very, very upsetting

0:20:59.800 --> 0:21:03.520
<v Speaker 1>to her. She tried to remain in good spirits, and

0:21:03.800 --> 0:21:07.120
<v Speaker 1>if she thought she was sinking too far into despair,

0:21:07.200 --> 0:21:09.680
<v Speaker 1>she would think about when the Gestapo came from Maurice.

0:21:09.960 --> 0:21:12.000
<v Speaker 1>She thought that was the worst thing that could ever

0:21:12.080 --> 0:21:15.960
<v Speaker 1>happen to her, and it had already happened. She spent

0:21:16.040 --> 0:21:17.959
<v Speaker 1>most of the last years of her life in an

0:21:17.960 --> 0:21:21.760
<v Speaker 1>apartment in Paris that overlooked the Palais Royal Gardens, an

0:21:21.800 --> 0:21:25.800
<v Speaker 1>apartment that she described as quote another country home in Paris.

0:21:26.680 --> 0:21:29.040
<v Speaker 1>Her bed was pushed against the window so she could

0:21:29.040 --> 0:21:31.280
<v Speaker 1>see outside and sit in the fresh air when the

0:21:31.280 --> 0:21:34.359
<v Speaker 1>weather was good. For a time, she was still able

0:21:34.400 --> 0:21:36.879
<v Speaker 1>to travel, and she and Maurice would stay with friends

0:21:36.960 --> 0:21:40.119
<v Speaker 1>or in hotels, or visit spas and thermal baths with

0:21:40.200 --> 0:21:43.399
<v Speaker 1>the hope that she would get some pain relief. But

0:21:43.680 --> 0:21:46.040
<v Speaker 1>the more trouble she had with her mobility, the less

0:21:46.080 --> 0:21:49.359
<v Speaker 1>this was possible. This was an upstairs apartment, it was

0:21:49.400 --> 0:21:53.120
<v Speaker 1>not accessible to her. Getting downstairs required her and her

0:21:53.119 --> 0:21:56.640
<v Speaker 1>wheelchair to be carried. That was something that required two

0:21:56.680 --> 0:22:00.280
<v Speaker 1>strong people to do. Maurice thought about moving them to

0:22:00.359 --> 0:22:03.080
<v Speaker 1>a first floor apartment where this wouldn't be an issue,

0:22:03.200 --> 0:22:06.439
<v Speaker 1>but worried that that kind of relocation would just be

0:22:06.520 --> 0:22:09.359
<v Speaker 1>too upsetting for her, and then she would also no

0:22:09.440 --> 0:22:11.960
<v Speaker 1>longer have the view of the gardens that she loved

0:22:12.000 --> 0:22:15.399
<v Speaker 1>so much. After World War two, there had been a

0:22:15.400 --> 0:22:18.440
<v Speaker 1>wave of effort in France to seek out and prosecute

0:22:18.440 --> 0:22:22.800
<v Speaker 1>people who had collaborated with Germany. Many writers who had

0:22:22.800 --> 0:22:25.880
<v Speaker 1>published in the pro Vichy press had their work boycotted,

0:22:26.160 --> 0:22:30.720
<v Speaker 1>and some faced death threats and violence, but Collette's reputation

0:22:30.920 --> 0:22:34.639
<v Speaker 1>was seemingly unaffected by her publishing in a range of

0:22:34.720 --> 0:22:39.280
<v Speaker 1>pro Vissy journals during the war. On May second, she

0:22:39.400 --> 0:22:42.600
<v Speaker 1>was elected to the French literary organization known as the

0:22:42.640 --> 0:22:46.639
<v Speaker 1>Academy goncur. She was only the second woman to be

0:22:46.760 --> 0:22:51.760
<v Speaker 1>so honored at mondegoncour who established the Academy, had specified

0:22:51.840 --> 0:22:54.320
<v Speaker 1>in his will that it was not open to women

0:22:54.440 --> 0:22:58.800
<v Speaker 1>or Jews. He also excluded poets and members of the

0:22:58.840 --> 0:23:03.359
<v Speaker 1>Academy fonseai Is. In ninety Colette was nominated for the

0:23:03.400 --> 0:23:07.560
<v Speaker 1>Nobel Prize in Literature, although that prize went to T. S. Eliott.

0:23:08.080 --> 0:23:11.080
<v Speaker 1>In nineteen fifty three, she was named Grand Officer in

0:23:11.119 --> 0:23:14.679
<v Speaker 1>the French Legion of Honor. Colette died in Paris on

0:23:14.720 --> 0:23:18.040
<v Speaker 1>August third, nineteen fifty four, at the age of eighty one.

0:23:18.280 --> 0:23:20.639
<v Speaker 1>Maurice wrote an account of her death and which he

0:23:20.720 --> 0:23:24.280
<v Speaker 1>said that as she was dying, she kept admonishing him

0:23:24.280 --> 0:23:28.480
<v Speaker 1>to look. Look. He couldn't see what was so absorbing

0:23:28.520 --> 0:23:30.679
<v Speaker 1>and so wondrous to her, and thought she must be

0:23:30.680 --> 0:23:34.479
<v Speaker 1>seeing paradise. He later said of her quote. For thirty

0:23:34.560 --> 0:23:37.080
<v Speaker 1>years she enabled me to live in a fairy world.

0:23:38.000 --> 0:23:41.400
<v Speaker 1>It is often mentioned that Colette was denied Catholic funeral

0:23:41.480 --> 0:23:45.280
<v Speaker 1>rites because of her divorces and remarriages, which is true,

0:23:45.680 --> 0:23:48.960
<v Speaker 1>but she had not left any instructions for what should

0:23:48.960 --> 0:23:52.240
<v Speaker 1>happen to her after her death, aside from the instruction

0:23:52.440 --> 0:23:55.720
<v Speaker 1>that no one should see her. The request for a

0:23:55.800 --> 0:24:00.560
<v Speaker 1>Catholic funeral had come from Maurice. Colette wasn't dead honored

0:24:00.560 --> 0:24:03.800
<v Speaker 1>with a state funeral in France on August seventh, nineteen

0:24:03.800 --> 0:24:08.520
<v Speaker 1>fifty four. She was buried at pearl Ches Cemetery. Maurice

0:24:08.560 --> 0:24:11.720
<v Speaker 1>had become her literary executor. He later wrote a book

0:24:11.800 --> 0:24:14.679
<v Speaker 1>about their life together called pret to Colette or Close

0:24:14.720 --> 0:24:18.320
<v Speaker 1>to Collette. He later remarried and also became a father

0:24:18.400 --> 0:24:20.960
<v Speaker 1>at the age of seventy one. He wrote a memoir

0:24:21.080 --> 0:24:23.760
<v Speaker 1>about this, called The Delights of Growing Old, which was

0:24:23.760 --> 0:24:28.520
<v Speaker 1>published in nineteen sixty six. He died on January nineteen

0:24:28.560 --> 0:24:32.240
<v Speaker 1>seventy seven. Her daughter died in nineteen eighty one and

0:24:32.359 --> 0:24:36.879
<v Speaker 1>was buried next to Collette at Parlaches. Collette was regarded

0:24:36.920 --> 0:24:39.320
<v Speaker 1>as a national icon in France by the time of

0:24:39.359 --> 0:24:42.960
<v Speaker 1>her death, and her work was widely read and deeply beloved.

0:24:43.480 --> 0:24:46.720
<v Speaker 1>She wrote at least fifty books, along with plays and articles,

0:24:46.760 --> 0:24:50.360
<v Speaker 1>and a ton of letters. She was a very avid correspondent.

0:24:51.000 --> 0:24:53.400
<v Speaker 1>Although some of her books had been translated into other

0:24:53.480 --> 0:24:56.840
<v Speaker 1>languages during her lifetime, she didn't become as widely known

0:24:56.840 --> 0:24:59.679
<v Speaker 1>in many other parts of the world until later. In

0:24:59.760 --> 0:25:02.920
<v Speaker 1>the UK and the US, her popularity didn't really take

0:25:02.960 --> 0:25:06.440
<v Speaker 1>hold until the nineteen seventies thanks to a surging interest

0:25:06.560 --> 0:25:10.000
<v Speaker 1>in women's literature. Will end with a quote from her

0:25:10.000 --> 0:25:13.440
<v Speaker 1>work that, to me evokes both collette style of writing

0:25:13.520 --> 0:25:16.119
<v Speaker 1>and how she viewed her own life and work. She

0:25:16.240 --> 0:25:20.119
<v Speaker 1>published the short story Levrial de Vane, or The Tendrils

0:25:20.119 --> 0:25:22.879
<v Speaker 1>of the Vine in Night. This was part of a

0:25:22.920 --> 0:25:26.320
<v Speaker 1>collection of stories by the same name. She wrote it

0:25:26.359 --> 0:25:30.080
<v Speaker 1>before her separation from Willie, in the early years of

0:25:30.119 --> 0:25:33.800
<v Speaker 1>her career as a writer. It's framed as a legend

0:25:34.040 --> 0:25:36.840
<v Speaker 1>that the nightingale didn't used to sing at night until

0:25:36.880 --> 0:25:39.159
<v Speaker 1>he woke to find that he had become entangled in

0:25:39.200 --> 0:25:43.080
<v Speaker 1>a fast growing vine. The nightingale feared that he would die,

0:25:43.240 --> 0:25:45.600
<v Speaker 1>and so he swore to stay awake and sing for

0:25:45.640 --> 0:25:49.440
<v Speaker 1>as long as the vine grew. While singing, he discovered

0:25:49.480 --> 0:25:52.159
<v Speaker 1>his own voice and fell in love with it. Singing quote,

0:25:52.440 --> 0:25:55.720
<v Speaker 1>I want to say say say everything. I know, everything,

0:25:55.760 --> 0:25:59.920
<v Speaker 1>I think, everything, I guess everything which delights and hurt

0:26:00.160 --> 0:26:05.400
<v Speaker 1>and astonishes me. That is called who. As I said

0:26:05.400 --> 0:26:08.400
<v Speaker 1>at the beginning of part one, aren't of her life

0:26:08.440 --> 0:26:11.399
<v Speaker 1>file Love and other parts? I'm like, no, that was

0:26:11.720 --> 0:26:16.000
<v Speaker 1>that was bad girl. What do you have a listener

0:26:16.080 --> 0:26:18.840
<v Speaker 1>mail for us? I do? This is from Cindy. Cindy

0:26:18.840 --> 0:26:22.920
<v Speaker 1>wrote to us after we talked in our most recent

0:26:23.000 --> 0:26:28.040
<v Speaker 1>Unearthed episodes about watermelon seeds and eating roasted watermelon seeds,

0:26:28.040 --> 0:26:31.840
<v Speaker 1>and yes, Hi, Holly and Tracy, longtime fan of the show.

0:26:32.200 --> 0:26:34.280
<v Speaker 1>I've never really been compelled to write, but when you

0:26:34.320 --> 0:26:37.040
<v Speaker 1>mentioned trying roasted watermelon seeds, I just felt the need

0:26:37.080 --> 0:26:41.560
<v Speaker 1>to act. Roasted in seasoned watermelon seeds her popular snack

0:26:41.600 --> 0:26:44.200
<v Speaker 1>in China and a staple at gatherings. I would say

0:26:44.200 --> 0:26:47.600
<v Speaker 1>they taste like a slightly sweeter sunflower seed. As much

0:26:47.640 --> 0:26:50.120
<v Speaker 1>as I like eating them, though, I dreaded them being

0:26:50.200 --> 0:26:53.240
<v Speaker 1>brought out at a party because it almost always meant

0:26:53.240 --> 0:26:56.280
<v Speaker 1>that no matter when we said we were going to leave,

0:26:56.640 --> 0:27:00.399
<v Speaker 1>and how late it got, the adults would chatter away

0:27:00.480 --> 0:27:03.280
<v Speaker 1>for another hour or two, a pile of seed husks

0:27:03.359 --> 0:27:06.560
<v Speaker 1>slowly growing between them on the table. As the oldest

0:27:06.680 --> 0:27:09.480
<v Speaker 1>child in the family and among my parents friends, it

0:27:09.600 --> 0:27:11.720
<v Speaker 1>just meant I had to sit among the toddlers a

0:27:11.800 --> 0:27:15.080
<v Speaker 1>little longer. Still, though, it's one of my favorite snacks,

0:27:15.080 --> 0:27:17.760
<v Speaker 1>and I think that if you like sunflower or pumpkin seeds,

0:27:17.760 --> 0:27:20.639
<v Speaker 1>you should definitely give them a try. You can find

0:27:20.680 --> 0:27:24.000
<v Speaker 1>the seeds at most local Chinese supermarkets, but I've included

0:27:24.040 --> 0:27:26.639
<v Speaker 1>a link to a brand my family likes, as well

0:27:26.680 --> 0:27:29.919
<v Speaker 1>as pictures of my cat and pup. My girlfriend and

0:27:29.960 --> 0:27:32.280
<v Speaker 1>I adopted the kittie about five months ago and his

0:27:32.359 --> 0:27:36.880
<v Speaker 1>name is Eggs Benedict. I love it, me do. He's

0:27:36.920 --> 0:27:38.680
<v Speaker 1>the most active cat I've ever seen and loves to

0:27:38.760 --> 0:27:41.520
<v Speaker 1>join us on hikes. The pup is Cedric, and I

0:27:41.560 --> 0:27:44.040
<v Speaker 1>started listening to your show around the time when I

0:27:44.080 --> 0:27:46.880
<v Speaker 1>adopted him about six years ago. I'm sure he would

0:27:46.880 --> 0:27:49.320
<v Speaker 1>recognize your voices in a crowd. At this point, You've

0:27:49.400 --> 0:27:51.720
<v Speaker 1>kept us company on many a long drive. Thanks for

0:27:51.760 --> 0:27:54.800
<v Speaker 1>all you do, and please keep up the great work. Cindy.

0:27:54.960 --> 0:27:58.239
<v Speaker 1>Cindy sent a picture of um they are They are

0:27:58.400 --> 0:28:02.080
<v Speaker 1>soy sauce watermelons needs. Other folks had also let us

0:28:02.119 --> 0:28:03.720
<v Speaker 1>know that if there are things that you can pick

0:28:03.840 --> 0:28:09.040
<v Speaker 1>up at Chinese or other Asian supermarkets, and then of

0:28:09.080 --> 0:28:13.280
<v Speaker 1>course animal pictures, which we always super super love. So

0:28:13.359 --> 0:28:15.720
<v Speaker 1>thank you so much for letting me know that. About

0:28:16.040 --> 0:28:19.280
<v Speaker 1>watermelon seeds, I don't know that they have ever caught

0:28:19.320 --> 0:28:22.480
<v Speaker 1>my eye when I have been in one of the

0:28:22.600 --> 0:28:27.520
<v Speaker 1>very out of our various local Asian groceries, So thank you.

0:28:28.320 --> 0:28:30.119
<v Speaker 1>If you would like to send us a note about

0:28:30.160 --> 0:28:32.479
<v Speaker 1>this or any other podcasts were at History Podcasts at

0:28:32.480 --> 0:28:35.760
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0:28:35.800 --> 0:28:38.560
<v Speaker 1>at missed in History and Let's Throw Find our Facebook, Twitter, Pinterest,

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<v Speaker 1>in Instagram, and you can subscribe to our show on

0:28:42.200 --> 0:28:44.080
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0:28:44.120 --> 0:28:51.680
<v Speaker 1>get your podcasts. Stuff you Missed in History Class is

0:28:51.720 --> 0:28:54.920
<v Speaker 1>a production of I heart Radio. For more podcasts from

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<v Speaker 1>I heart Radio, visit the i heart Radio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.