WEBVTT - David Koechner

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<v Speaker 1>High Gang. My name is David Keckner. I'm Todd Packer

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<v Speaker 1>from the Office the pac Man. What's up, my nerds? Well,

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<v Speaker 1>hello again, everybody. Welcome to another episode of the Office

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<v Speaker 1>Deep Dive. Buckle up, It's gonna be a bumpy ride today,

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<v Speaker 1>that's all I'll tell you. I am, as always, your host,

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<v Speaker 1>Brian baum Gartner, and I've got some exciting news. As

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<v Speaker 1>you know, I am soon going to be transitioning into

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<v Speaker 1>my new podcast, Off the Beat, which is going to

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<v Speaker 1>take what we do here at the Office Deep Dive

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<v Speaker 1>and expand it to more of your favorite guests and shows.

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<v Speaker 1>So we will still be talking to folks associated with

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<v Speaker 1>the Office, but so much more. And so today you're

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<v Speaker 1>gonna get a little sneak peek of what you can

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<v Speaker 1>expect in Off the Beat as we bring in a

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<v Speaker 1>very special guest, one of my good friends and one

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<v Speaker 1>of the funniest guys that I know, David Keckner. Now

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<v Speaker 1>you may know him as Todd Packer from the Office,

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<v Speaker 1>the pac Man himself. But today we're gonna go deep,

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<v Speaker 1>that's what she said. We're gonna go into his full career,

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<v Speaker 1>starting with his early days at Second City and Improv

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<v Speaker 1>Olympic to SNL, where he got his start alongside Will Ferrell,

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<v Speaker 1>his move out to l A, which led to his

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<v Speaker 1>big break as champ Kind on Anchorman, and well the

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<v Speaker 1>longstanding friendship he's had with both Steve Carrell and Nancy

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<v Speaker 1>Walls Correll, which is how he landed his guest starring

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<v Speaker 1>role on the Office as the man we all understandably

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<v Speaker 1>love to hate. So let's dive in right now. The

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<v Speaker 1>man who brought everyone in the old at the Office

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<v Speaker 1>down is here today to lift us up. David Keckner. Everybody,

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<v Speaker 1>Bubble and squeak. I love it, Bubble and squeak on

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<v Speaker 1>Bubble and squeaker, cooking at every month left over from

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<v Speaker 1>the nabby. Hey, well, what do I see but doubleb

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<v Speaker 1>He's looking at me. How are you, buddy? Always I'm great.

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<v Speaker 1>Always with the hat I need I need lessons from

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<v Speaker 1>you in hat wear. Well, you know, it's just it's

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<v Speaker 1>the sun for me. I'm fair. Yeah, So for me,

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<v Speaker 1>it's it's more like, um, it's not necessarily fashioned. It's

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<v Speaker 1>a necessity of I gotta keep the sun off. No,

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<v Speaker 1>but I do that. But I just wear baseball hats

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<v Speaker 1>and I go into hat stores to try to find

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<v Speaker 1>something just a little bit more fashionable. I can't. I

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<v Speaker 1>don't know. It's my head shape or something. See how

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<v Speaker 1>I have a small head too, so um, but it's

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<v Speaker 1>really Brian, I gotta say, I've always thought this. It's

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<v Speaker 1>all a decision about I can wear that. Really, I

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<v Speaker 1>just need to have confidence. That's that's what I think.

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<v Speaker 1>You just go yep, I can wear that, and then

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<v Speaker 1>you do because you can wear for for us, it's

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<v Speaker 1>the larger forehead, the superior forehead that we have. But

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<v Speaker 1>it's for me it's the ears I gotta watch out for,

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<v Speaker 1>you know, yah, because the ball cap doesn't do those.

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<v Speaker 1>So baby, do you sunscreen? I do, sure, Okay, yeah,

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<v Speaker 1>I don't religiously sunscreen, so I gotta that's my This

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<v Speaker 1>is the lazy sunscreen for me, lazy sunscreen, but fast

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<v Speaker 1>in a ball way more fashionable as well. Well. Thank

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<v Speaker 1>you for saying so. And you're right, Yeah, I am right.

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<v Speaker 1>I'm right, Dave. You are one of the funniest people

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<v Speaker 1>I've ever met. Um that that almost goes with without sad.

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<v Speaker 1>Let's stop there. That was the episode and I am

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<v Speaker 1>now fully stated I want to go back with you

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<v Speaker 1>because there's a lot about your life that I don't know.

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<v Speaker 1>I know obviously, Well we'll talk about the chiefs later

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<v Speaker 1>on in Kansas City. But you were born in Tipton, Missouri,

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<v Speaker 1>and I assume your family was in in farming, right

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<v Speaker 1>your dad manufactured chicken turkey coops. Turkey coops. I always

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<v Speaker 1>start with saying he manufactured livestock trailers, so then people

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<v Speaker 1>get at least a vision of it's on a trailer.

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<v Speaker 1>Then I add coops to it so they know it's

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<v Speaker 1>on a trailer. Because every time I say it, people go, oh,

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<v Speaker 1>for like something in your backyard, Like, well, um, that's condescending,

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<v Speaker 1>and you're also ignorant and not interested because it seems

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<v Speaker 1>to me like when they go over your backyard, I've

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<v Speaker 1>never seen a turkey coop in someone's backyard. I've seen

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<v Speaker 1>chicken coops, but to me, like, oh, like your backyard, Like, oh,

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<v Speaker 1>so you don't want to hear the rest of the story,

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<v Speaker 1>That's what I take away from it. Um, so, no,

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<v Speaker 1>they were. There were forty foot trailers and uh large

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<v Speaker 1>racks that are built for transferring turkeys from the farm

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<v Speaker 1>to the processing plant, so from their home to uh

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<v Speaker 1>their death. Yes, theirs. So my dad as a manufactur

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<v Speaker 1>he built a lot of different other farm influments like hey,

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<v Speaker 1>bail forks, pharaohing crates, which is another thing that's too

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<v Speaker 1>long to get into, gas barrel stands, picnic table frames.

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<v Speaker 1>But the biggest part of the business was turkey coops.

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<v Speaker 1>And yeah, so from Tipton it's right dead center Missouri

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<v Speaker 1>and from north southeast west it's like right in the

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<v Speaker 1>middle on Highway fifty between Jefferson City, the State cap

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<v Speaker 1>Role and Saidelia, which is where the Missouri State Fair

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<v Speaker 1>was held every year. That is a very special place

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<v Speaker 1>in my heart. And so yeah, that's where I grew up.

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<v Speaker 1>Town to two thousand people. Wow, And now, when did

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<v Speaker 1>you start thinking about being a performer? And I'm gonna

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<v Speaker 1>get I'm gonna use the word performer generally now because

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<v Speaker 1>I want to talk about that a little bit later,

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<v Speaker 1>about what you consider yourself. But when did you start thinking, oh,

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<v Speaker 1>this may be something that I want to do. Well,

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<v Speaker 1>I've said this before. I'm one of six kids, and

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<v Speaker 1>so when I was ten, I have a distinct memory

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<v Speaker 1>of walking around the west side of my house by

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<v Speaker 1>myself being very contemplative and thinking I gotta get out

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<v Speaker 1>of here. I have to. I have to live in

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<v Speaker 1>a city. I I don't know where I'm gonna go.

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<v Speaker 1>I'm gonna miss my family and friends, but I know

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<v Speaker 1>I've got to go. And then when I was thirteen,

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<v Speaker 1>was the first year for Saturday at Live, and I

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<v Speaker 1>knew my parents wouldn't let me watch it because they

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<v Speaker 1>wouldn't let me watch like laugh In or a lot

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<v Speaker 1>of shows, you know, like A Room two twenty two

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<v Speaker 1>or stuff like that was too racy. But they leased

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<v Speaker 1>to go out dancing every weekend to the local Farmers

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<v Speaker 1>and Sportsmen's Club, and I had to babysit my three

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<v Speaker 1>younger siblings, and I knew they were gonna be there,

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<v Speaker 1>so I didn't say anything. I didn't ask permission because

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<v Speaker 1>I knew they would have said no, So I didn't

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<v Speaker 1>say anything so I didn't have to lie. I just

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<v Speaker 1>wouldn't mention it because I don't know if you remember,

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<v Speaker 1>you're a little bit younger than me, but they would do.

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<v Speaker 1>They were doing some live commercials promoting Saturday Life. I

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<v Speaker 1>was like, this is brand news. This is a live show,

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<v Speaker 1>and it's comedy. It looks like something that I've never

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<v Speaker 1>seen before and so my parents were gone and so

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<v Speaker 1>sn L let's see it aired at ten thirty in

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<v Speaker 1>the Midwest, and I remember watching it, and through that

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<v Speaker 1>first year, I was like, I want to do that.

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<v Speaker 1>I want to be on that show. Now. Then you don't.

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<v Speaker 1>You don't tell people because you're in a small town.

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<v Speaker 1>Small small towns don't really embrace dreams. And again, this

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<v Speaker 1>is before the internet. So I had no I the

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<v Speaker 1>that's the title of your new book. Yeah, I like

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<v Speaker 1>you said new book, as if I've written many. Uh,

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<v Speaker 1>But so that was in my head and I didn't

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<v Speaker 1>tell people. I didn't tell anyone. And again, there's no

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<v Speaker 1>performance opportunity or stage opportunity in Tipton. None except once

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<v Speaker 1>a year there was the high school play, and you

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<v Speaker 1>couldn't do that into your junior so there was no opportunity.

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<v Speaker 1>This is pre internet. There's not a ton of books.

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<v Speaker 1>I'd never met an actor. I didn't know how it worked.

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<v Speaker 1>So that's that's that's when I knew, though. You just

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<v Speaker 1>you've watched SNL and you were like, I want to

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<v Speaker 1>do that, that's what I want to do. Yeow. So

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<v Speaker 1>what was your process then, of of leaving Tipton. I

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<v Speaker 1>know you went to Chicago. How did you decide that

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<v Speaker 1>was the place or go about getting there? Well, I

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<v Speaker 1>went to college first, and I was a political science major. Again,

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<v Speaker 1>that's surprising to me. That's the most surprising thing you've

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<v Speaker 1>so far. Really, that's funny. The thing was. The thing

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<v Speaker 1>is because I'm very uh, I didn't even have a

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<v Speaker 1>thought that I should be a theater major. That didn't

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<v Speaker 1>come up. I thought, you go to college for something

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<v Speaker 1>that is dedicated to a pursuit a career, a profession.

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<v Speaker 1>So I thought, well, I'm going to be in politics.

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<v Speaker 1>And I really, looking back on it, I think that

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<v Speaker 1>was my desire to seek a stage. But I also

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<v Speaker 1>had this altruistic streak where I thought a politician their

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<v Speaker 1>job was to help people. So I did that for

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<v Speaker 1>three years, and then I started realizing that this isn't

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<v Speaker 1>no one's talking about the you know, how you use

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<v Speaker 1>power or or the process or politics to really help people.

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<v Speaker 1>It was just about this machinations of things going on.

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<v Speaker 1>The third year was kind of getting the more dry

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<v Speaker 1>aspects of politics and the administrative end of it, and

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<v Speaker 1>I remember thinking, well, shoot, I've met so many bright

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<v Speaker 1>people in this pursuit and I thought, well, the people

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<v Speaker 1>in politics are either from a political family, or they

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<v Speaker 1>are very wealthy, or they're the smartest person in any

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<v Speaker 1>room they walk into. And I was none of those things.

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<v Speaker 1>So I just quit going to my classes because I

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<v Speaker 1>remember thinking, I don't want to be a lawyer. I

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<v Speaker 1>don't want to just work for a senator, and that

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<v Speaker 1>doesn't seem like these people are really committed to just

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<v Speaker 1>helping people. So I quit going to all my classes.

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<v Speaker 1>So as you know, if that happens, you're what they

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<v Speaker 1>call academically ineligible, which is my way of punting. It

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<v Speaker 1>really was. And my dad said, well, Dave, I don't

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<v Speaker 1>know what you want to do, but I don't think

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<v Speaker 1>you want to go to school. And for me that

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<v Speaker 1>was a relief. I didn't there was no punishment, but

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<v Speaker 1>for him as a relief because it's like, Okay, this

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<v Speaker 1>kid's off my doll I don't. So he sold me

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<v Speaker 1>the car I was driving. It was a god, what

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<v Speaker 1>year was that thing? It was a nineteen probably a

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<v Speaker 1>nineteen seven D seven Plymouth Grand Fury. Uh. He sold

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<v Speaker 1>me that car for four hundred dollars, and then I

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<v Speaker 1>was there in Clymie, Missouri. I was working three different

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<v Speaker 1>jobs just to make it, you know, paying for your

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<v Speaker 1>rent and all that stuff. And then a buddy of

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<v Speaker 1>mine and I. By this point, Brian, I had read

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<v Speaker 1>a bunch of books about Saturday Live, like there's a

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<v Speaker 1>smaller book called Backstage at Saturday Night Live. Then I

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<v Speaker 1>was starting to read books about Second City, and I'd

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<v Speaker 1>read the book about John Belushi Wired, and everything that

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<v Speaker 1>kept coming up was like, oh, they're all from a

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<v Speaker 1>Second City. So a buddy of mine and I we

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<v Speaker 1>drove up to Chicago and we saw a show at

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<v Speaker 1>Second City and I was like, oh my god, oh

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<v Speaker 1>my god, you know, sitting there in the whole time's

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<v Speaker 1>like God, this is what I want, This is what

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<v Speaker 1>I want. And then on the way out, so actually

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<v Speaker 1>on that second level, they're the big, big room at

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<v Speaker 1>Second City. Go downstairs and there's a big poster and

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<v Speaker 1>it was advertising classes. I was like, oh my god,

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<v Speaker 1>that's oh that's how that's how they do it. And

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<v Speaker 1>I had a match book and a golf pencil, because

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<v Speaker 1>back then you would fill out a piece of paper

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<v Speaker 1>for your mainly address. They wanted people's just like now

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<v Speaker 1>they want your information. And so I surreptitiously wrote down

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<v Speaker 1>the number for classes on that matchbook. Because I'm from Tipton,

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<v Speaker 1>I expected someone to tap on my shoulder and say,

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<v Speaker 1>what are you writing that down for? You can't do that.

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<v Speaker 1>That's the kind of narrative you come from a small town,

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<v Speaker 1>like you don't, don't you have? You can't do that.

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<v Speaker 1>And so then I went back to Columbia, Missouri, and

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<v Speaker 1>I called and I found out that they taught very

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<v Speaker 1>different levels of classes. And then I saved my money

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<v Speaker 1>so that summer I came up and took a two

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<v Speaker 1>week concentrated course for the what was called Players Workshop.

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<v Speaker 1>And then I went home and like, that's it, I'm

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<v Speaker 1>doing this. Went home. It took another year to save

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<v Speaker 1>money and come back. And then I moved to Chicago

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<v Speaker 1>when I was twenty four. Wow, and and did you

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<v Speaker 1>because I know you worked at Improv Olympic as well,

0:12:53.280 --> 0:12:56.400
<v Speaker 1>were you doing both of those things simultaneously or Once

0:12:56.440 --> 0:12:59.800
<v Speaker 1>I got to town, I made the mistake of thinking

0:12:59.840 --> 0:13:03.440
<v Speaker 1>I had to be in restaurant management to uh to

0:13:03.520 --> 0:13:06.600
<v Speaker 1>afford living in Chicago, which I didn't realize. I made

0:13:06.679 --> 0:13:08.720
<v Speaker 1>less money there than I would have if I was

0:13:08.760 --> 0:13:11.240
<v Speaker 1>waiting tables. It took six months there so I just

0:13:11.320 --> 0:13:15.200
<v Speaker 1>kept all these things that happened happened for a reason,

0:13:15.640 --> 0:13:18.360
<v Speaker 1>Like I didn't move to Chicago to l twenty four

0:13:18.559 --> 0:13:21.079
<v Speaker 1>and I didn't start right away. And then when I

0:13:21.120 --> 0:13:23.240
<v Speaker 1>was ready to start and I quit working as a

0:13:23.280 --> 0:13:26.600
<v Speaker 1>restaurant manager, I got a job waiting tables and I

0:13:26.640 --> 0:13:29.719
<v Speaker 1>opened up the Chicago Tribune. In the Sunday section had

0:13:29.760 --> 0:13:32.560
<v Speaker 1>an article about Dell Close and Sharna helping from the

0:13:32.559 --> 0:13:34.640
<v Speaker 1>Improv Olympic and about what they were doing, and they

0:13:34.640 --> 0:13:37.240
<v Speaker 1>were going to have their own television show, and I like,

0:13:37.320 --> 0:13:39.880
<v Speaker 1>this is the place to go. So I started first

0:13:39.960 --> 0:13:42.560
<v Speaker 1>at the Improv Olympic, which was a blessing, Like all

0:13:42.600 --> 0:13:44.520
<v Speaker 1>these things lined up and sent me to the right

0:13:44.559 --> 0:13:46.920
<v Speaker 1>direction every time. And it was a delay in a sense,

0:13:47.120 --> 0:13:49.840
<v Speaker 1>but it is the right time because at that point,

0:13:49.880 --> 0:13:52.760
<v Speaker 1>all these other people were moving to town and starting classes,

0:13:53.440 --> 0:13:55.680
<v Speaker 1>and they had all been fans of Saray life the

0:13:55.720 --> 0:13:58.200
<v Speaker 1>same relative age that I had been. And we're all

0:13:58.200 --> 0:14:00.720
<v Speaker 1>happened to be there, but everybody one to be good.

0:14:00.760 --> 0:14:04.079
<v Speaker 1>It wasn't about being famous or successful. Is about you

0:14:04.120 --> 0:14:06.360
<v Speaker 1>wanted to go there and do this thing and create that,

0:14:06.720 --> 0:14:09.600
<v Speaker 1>then find a way to do that magic you had

0:14:09.720 --> 0:14:12.120
<v Speaker 1>been witnessing and be part of that type of thing,

0:14:12.400 --> 0:14:15.240
<v Speaker 1>and it just so happens. So I started the Probablympic first,

0:14:15.559 --> 0:14:18.559
<v Speaker 1>and then I started taking classes at Second City simultaneously,

0:14:18.600 --> 0:14:21.400
<v Speaker 1>so I was taken both classes. So about that time

0:14:21.440 --> 0:14:26.000
<v Speaker 1>I was probably doing at least four nights of classes

0:14:26.200 --> 0:14:28.520
<v Speaker 1>a week, and then within a year then I would

0:14:28.520 --> 0:14:32.800
<v Speaker 1>be doing four nights of classes and or performance every

0:14:32.840 --> 0:14:35.880
<v Speaker 1>week for my entire time in Chicago. And then years

0:14:35.960 --> 0:14:39.240
<v Speaker 1>later you read the book Outliers by Malcolm Gladwell and

0:14:39.320 --> 0:14:42.160
<v Speaker 1>they talked about the ten thousand hours theory and I

0:14:42.200 --> 0:14:44.280
<v Speaker 1>looked back like, oh wow, I did it. I put

0:14:44.360 --> 0:14:47.240
<v Speaker 1>that time in and that's the thing, right. So that's

0:14:47.240 --> 0:14:49.920
<v Speaker 1>how that's how it happened. And for people who don't

0:14:49.920 --> 0:14:53.880
<v Speaker 1>know Dell Close, this is a legendary comedy teacher in

0:14:54.000 --> 0:14:58.280
<v Speaker 1>Chicago who was there at the same time with you. Well,

0:14:58.360 --> 0:15:01.040
<v Speaker 1>when I was there, Chris far and I started. Actually

0:15:01.160 --> 0:15:04.800
<v Speaker 1>Chris Farley started I think six months later than me,

0:15:04.960 --> 0:15:10.720
<v Speaker 1>but Chris Farley, Pat Finn, Pete Hallney, Neil Flynn, Mike Coleman. Then,

0:15:11.080 --> 0:15:14.760
<v Speaker 1>uh so this is at Second City that it's Dave Razowski,

0:15:15.280 --> 0:15:19.000
<v Speaker 1>Dave Pasquasy, a lot of these people are legends that

0:15:19.080 --> 0:15:21.520
<v Speaker 1>you might not be household names, but trust me, these

0:15:21.560 --> 0:15:26.160
<v Speaker 1>are legendary and prop performers. Timmadows was there, Joel Murray

0:15:26.440 --> 0:15:29.480
<v Speaker 1>was there, and then over the Second City side at

0:15:29.480 --> 0:15:33.520
<v Speaker 1>the same time was Stephen Colbert, Steve Carrell, Richard Kind

0:15:33.560 --> 0:15:36.760
<v Speaker 1>had Jeff left town. But the list of the people

0:15:36.840 --> 0:15:39.960
<v Speaker 1>that I ended up working with in Chicago is a

0:15:40.040 --> 0:15:43.760
<v Speaker 1>who's who of people who eventually became amazing. So then

0:15:44.000 --> 0:15:48.200
<v Speaker 1>just behind me was Matt Besser, Amy Poehler, Ian Roberts,

0:15:48.320 --> 0:15:53.600
<v Speaker 1>Matt Walsh, Tina Faye, Rachel Dratch, Ratio Sayings, Adam McKay,

0:15:53.800 --> 0:15:57.120
<v Speaker 1>and other other names. Now these are writers John Glazer,

0:15:57.680 --> 0:16:02.760
<v Speaker 1>Brian McCann, Bryan Stack, Vandorff. The list goes on and on,

0:16:02.800 --> 0:16:06.960
<v Speaker 1>and Tommy, Andy Richter. It just goes on, and you

0:16:07.080 --> 0:16:10.640
<v Speaker 1>realize that this was just happened to be an amazing time.

0:16:10.680 --> 0:16:12.880
<v Speaker 1>And before I left town, I got Saturday Live after

0:16:12.920 --> 0:16:16.360
<v Speaker 1>a couple of years, after many years working there. But

0:16:16.640 --> 0:16:19.800
<v Speaker 1>um I met with a guy named Bernie Sillens is

0:16:19.800 --> 0:16:22.880
<v Speaker 1>one of the persons that started Second City Night, and

0:16:22.920 --> 0:16:25.240
<v Speaker 1>he and I had lunch and he said he had

0:16:25.280 --> 0:16:28.360
<v Speaker 1>never seen such a confluence of talent as had been

0:16:28.400 --> 0:16:31.240
<v Speaker 1>there in this past ten years, and I look at

0:16:31.240 --> 0:16:34.720
<v Speaker 1>it now and like that has never happened again, Like

0:16:34.800 --> 0:16:37.080
<v Speaker 1>this group of people that all came through at this

0:16:37.160 --> 0:16:40.560
<v Speaker 1>particular time in history, and all of them made a

0:16:40.560 --> 0:16:46.920
<v Speaker 1>big impact in show business or in media. I guess, well,

0:16:46.960 --> 0:16:50.880
<v Speaker 1>you were there. I know Nancy Walls was also there. Sorry,

0:16:50.880 --> 0:16:53.040
<v Speaker 1>I forgot to mention. Nancy and I were on Saturday

0:16:53.120 --> 0:16:56.520
<v Speaker 1>Live together. Nancy Nancy Corrells been dating. Yeah, she'd been

0:16:56.600 --> 0:16:59.760
<v Speaker 1>dating Steve Carrell. So Nancy and I actually were in

0:16:59.760 --> 0:17:02.320
<v Speaker 1>the same company at Second City and then we both

0:17:02.360 --> 0:17:04.960
<v Speaker 1>got hired on Saturday at Live at the same time,

0:17:05.280 --> 0:17:07.479
<v Speaker 1>and then we both got let go from Saturday Night

0:17:07.520 --> 0:17:10.800
<v Speaker 1>Live at the same time. Nancy and Steve got married

0:17:10.840 --> 0:17:13.600
<v Speaker 1>this summer, she and I got hired, and uh, I

0:17:13.640 --> 0:17:15.520
<v Speaker 1>was at their wedding and we were out there, you know,

0:17:15.600 --> 0:17:18.040
<v Speaker 1>and Steve audition for ESNL. I mean that can be

0:17:18.119 --> 0:17:23.359
<v Speaker 1>to be believed, like they didn't recognize like Steve Carell's specialness. Um,

0:17:23.400 --> 0:17:25.320
<v Speaker 1>I guess I guess had to say thank god because

0:17:25.359 --> 0:17:27.880
<v Speaker 1>then I probably wouldn't have gotten hired. But so, yeah,

0:17:27.920 --> 0:17:30.720
<v Speaker 1>they got married right before we started doing SNL that

0:17:30.760 --> 0:17:33.280
<v Speaker 1>first season, Nancy and I and then I think Steve

0:17:33.400 --> 0:17:36.480
<v Speaker 1>was doing a play. He'd been at Second City for

0:17:36.520 --> 0:17:38.159
<v Speaker 1>a long time and I was a huge fan of

0:17:38.240 --> 0:17:41.159
<v Speaker 1>his back then. And he then went and did a

0:17:41.200 --> 0:17:44.600
<v Speaker 1>play at the Goodman called Picasso at the Lapino Gil

0:17:44.960 --> 0:17:47.360
<v Speaker 1>which was a Step Martin play, and then he ended

0:17:47.400 --> 0:17:49.960
<v Speaker 1>up I think, doing it at a Broadway theater in

0:17:50.000 --> 0:17:52.800
<v Speaker 1>New York, so they were there at the same time.

0:17:52.800 --> 0:17:57.520
<v Speaker 1>Too interesting. I didn't know did he play Einstein? Remember,

0:17:58.240 --> 0:18:01.399
<v Speaker 1>I don't know, never saw the play. Yeah, how arrogant

0:18:01.480 --> 0:18:04.000
<v Speaker 1>is that? I didn't think, oh shit, you know, it's

0:18:04.040 --> 0:18:06.000
<v Speaker 1>one of those things. Back then, I probably would have

0:18:06.040 --> 0:18:08.880
<v Speaker 1>said he's done something stupid, like I'd like to see

0:18:08.880 --> 0:18:11.399
<v Speaker 1>her play in such a way that meant like fuck you,

0:18:12.080 --> 0:18:13.440
<v Speaker 1>you know what I mean that I would have thought,

0:18:13.600 --> 0:18:15.359
<v Speaker 1>you want to kind of see my play. Oh how

0:18:15.440 --> 0:18:18.200
<v Speaker 1>good of you to come down to see my play.

0:18:18.240 --> 0:18:21.640
<v Speaker 1>But you know, you're busy thinking about yourself and doing

0:18:21.680 --> 0:18:24.080
<v Speaker 1>a million other things. But I never did get it.

0:18:24.160 --> 0:18:25.960
<v Speaker 1>I didn't have a chance to see it in Chicago

0:18:26.080 --> 0:18:27.800
<v Speaker 1>and then in New York. I forget when the run was,

0:18:27.840 --> 0:18:29.560
<v Speaker 1>but I didn't. I didn't get a chance to see it.

0:18:48.359 --> 0:18:50.800
<v Speaker 1>Were you still at Second City when you auditioned for

0:18:50.960 --> 0:18:53.520
<v Speaker 1>S and L. Yeah? Yeah, so that was why you

0:18:53.640 --> 0:18:57.120
<v Speaker 1>left Second Yeah. That. I always thought to myself, I'm

0:18:57.160 --> 0:18:59.160
<v Speaker 1>not going to go to New York or Los Angeles

0:18:59.200 --> 0:19:03.119
<v Speaker 1>without a job. Like I would see people leave Chicago

0:19:03.480 --> 0:19:06.120
<v Speaker 1>and go to l A. But I always thought to myself,

0:19:06.720 --> 0:19:09.280
<v Speaker 1>go when a job takes you there. And I was

0:19:09.320 --> 0:19:12.280
<v Speaker 1>fortunate enough that a job took me away. Yeah. Tell

0:19:12.320 --> 0:19:16.400
<v Speaker 1>me about that audition experience. I've heard so many amazing stories.

0:19:16.440 --> 0:19:19.800
<v Speaker 1>Did you audition for Lauren? Yeah, I tell you, I

0:19:19.880 --> 0:19:24.399
<v Speaker 1>had um It's weird and it sounds arrogant, but I

0:19:24.480 --> 0:19:26.879
<v Speaker 1>knew I was going to get it because when I

0:19:26.920 --> 0:19:29.840
<v Speaker 1>was thirteen, as I told you, I decided I'm going

0:19:29.880 --> 0:19:32.960
<v Speaker 1>to be on that show. And it wasn't a feeling

0:19:33.200 --> 0:19:38.160
<v Speaker 1>of hubris or ego. It was just kind of this knowing, well,

0:19:38.160 --> 0:19:40.800
<v Speaker 1>I'm going to be on that show. And so when

0:19:40.800 --> 0:19:43.680
<v Speaker 1>I got asked to audition, I kind of heard other

0:19:43.720 --> 0:19:46.560
<v Speaker 1>people had talked and some of the scouts had come through,

0:19:46.600 --> 0:19:49.239
<v Speaker 1>and I knew they really liked me. And I had

0:19:49.240 --> 0:19:52.199
<v Speaker 1>heard from other people that Lauren really thought highly of me.

0:19:52.760 --> 0:19:55.720
<v Speaker 1>So this is before I went out to audition, so

0:19:55.800 --> 0:19:59.879
<v Speaker 1>I really I felt at ease. And so my first audition,

0:20:00.160 --> 0:20:03.280
<v Speaker 1>you had to come in with a an original character,

0:20:04.040 --> 0:20:06.840
<v Speaker 1>and then you had to do a political impression, and

0:20:06.840 --> 0:20:10.200
<v Speaker 1>then you had to do a celebrity impression. So I

0:20:10.240 --> 0:20:13.800
<v Speaker 1>did Pat Buchanan because he's got a grave, gravelly voice

0:20:13.840 --> 0:20:16.680
<v Speaker 1>like I do. Pat Buchanan is this right wing commentator

0:20:17.280 --> 0:20:20.600
<v Speaker 1>on on back then it was CNN because there wasn't

0:20:20.640 --> 0:20:23.160
<v Speaker 1>Fox News yet, but he was a right wing guy

0:20:23.200 --> 0:20:25.119
<v Speaker 1>who was one of the first guys talking about building

0:20:25.160 --> 0:20:28.879
<v Speaker 1>a wall. And then I did Jack Lemon and Jim

0:20:28.920 --> 0:20:31.560
<v Speaker 1>Carey doing a Buddy movie and they were arguing about

0:20:31.640 --> 0:20:37.040
<v Speaker 1>whose trailer was bigger, and Brian I improvised the entire

0:20:37.200 --> 0:20:39.960
<v Speaker 1>thing just off the top of your head. YEP. I

0:20:40.000 --> 0:20:42.399
<v Speaker 1>had some thoughts, you know how you think because I

0:20:42.480 --> 0:20:45.960
<v Speaker 1>was I was at the I OH. There's such a

0:20:46.000 --> 0:20:49.440
<v Speaker 1>purity to improvisation, Like you don't decide what you're doing

0:20:49.480 --> 0:20:52.439
<v Speaker 1>ahead of time. Now that is a blessing and a curse.

0:20:52.960 --> 0:20:55.600
<v Speaker 1>And you never repeat yourself at the I OH, Like

0:20:55.640 --> 0:20:58.280
<v Speaker 1>if you did the same character week after week, people

0:20:58.280 --> 0:21:00.800
<v Speaker 1>look like, what what are you doing? That's kind of

0:21:00.800 --> 0:21:05.679
<v Speaker 1>like cheating. So after the first audition, which I just improvised,

0:21:05.720 --> 0:21:09.600
<v Speaker 1>I wrote the second audition. The second audition, can't remember exactly.

0:21:09.640 --> 0:21:12.879
<v Speaker 1>It may have been just go do your characters, or

0:21:12.880 --> 0:21:16.080
<v Speaker 1>it may have been do the political impression and whatever

0:21:16.160 --> 0:21:18.280
<v Speaker 1>characters you want to do. I remember I didn't have

0:21:18.320 --> 0:21:21.320
<v Speaker 1>to do celebrities anymore, so I think I may have

0:21:21.359 --> 0:21:24.720
<v Speaker 1>done Pat Buchanan again. And then i'd written this little

0:21:24.720 --> 0:21:27.880
<v Speaker 1>piece which is almost a one man show of just characters,

0:21:27.920 --> 0:21:30.640
<v Speaker 1>because I love to do characters back in Chicago too,

0:21:31.160 --> 0:21:32.920
<v Speaker 1>and so I had all these little things I was

0:21:32.920 --> 0:21:35.040
<v Speaker 1>going to do. It is almost like they blended together.

0:21:35.400 --> 0:21:38.919
<v Speaker 1>And it's studio eight h there's no audience and no

0:21:38.920 --> 0:21:41.919
<v Speaker 1>one's laughing, and there's no warmth, and it's a bit cold,

0:21:42.200 --> 0:21:45.399
<v Speaker 1>and there's cameras. Now I didn't know, and thankfully I

0:21:45.400 --> 0:21:50.080
<v Speaker 1>didn't know. The cameras are a live feed. There's people

0:21:50.160 --> 0:21:54.440
<v Speaker 1>all over NBC, all over the building, watching all over

0:21:54.480 --> 0:21:57.320
<v Speaker 1>the building and on the West coast. You don't know

0:21:57.400 --> 0:22:01.119
<v Speaker 1>that you have a very large audience of people. You

0:22:01.160 --> 0:22:03.399
<v Speaker 1>don't know that until later, and thankfully you don't know,

0:22:03.440 --> 0:22:07.600
<v Speaker 1>because that would have probably been more anxiety inducing than

0:22:07.600 --> 0:22:11.080
<v Speaker 1>anything else. But again, that doesn't exist unless you let

0:22:11.080 --> 0:22:13.359
<v Speaker 1>it come into your head. And I had this sense

0:22:13.400 --> 0:22:16.280
<v Speaker 1>of calm and peace that I knew, I knew what

0:22:16.359 --> 0:22:20.119
<v Speaker 1>I was doing, and I in myself, I knew that

0:22:20.160 --> 0:22:23.520
<v Speaker 1>what I was gonna do was gonna be satisfactory to me,

0:22:24.080 --> 0:22:26.119
<v Speaker 1>and that this is what I have, and there was

0:22:26.160 --> 0:22:28.600
<v Speaker 1>no worry to it, and I did it and I

0:22:28.640 --> 0:22:31.439
<v Speaker 1>felt very good about it. I don't remember if there

0:22:31.520 --> 0:22:34.040
<v Speaker 1>was a laugh at all, because no one gives it up.

0:22:34.840 --> 0:22:38.040
<v Speaker 1>And then you wait another week or two, and then

0:22:38.080 --> 0:22:41.080
<v Speaker 1>you get called back again. And you're getting called back

0:22:41.119 --> 0:22:43.200
<v Speaker 1>and they don't tell you to prep or anything like that.

0:22:43.800 --> 0:22:46.199
<v Speaker 1>You're just getting called back for a meeting and you

0:22:46.200 --> 0:22:47.679
<v Speaker 1>don't know what it is. So you go to a

0:22:47.680 --> 0:22:49.920
<v Speaker 1>meeting and it's Lauren Michaels is in there, and Steve

0:22:50.320 --> 0:22:53.280
<v Speaker 1>Higgins was the head writer. And then Lauren talks to you,

0:22:53.359 --> 0:22:56.360
<v Speaker 1>and it's really weird because he talks about this or that.

0:22:56.760 --> 0:22:58.760
<v Speaker 1>He talks about baseball, and I'm like, funk, I don't

0:22:58.760 --> 0:23:02.639
<v Speaker 1>know a thing about baseball. And then in Chicago that summer,

0:23:02.680 --> 0:23:05.879
<v Speaker 1>five people had died from the heat, and for whatever reason,

0:23:05.960 --> 0:23:07.359
<v Speaker 1>that was on my mind because it's just been a

0:23:07.400 --> 0:23:10.359
<v Speaker 1>headline that's talking about that, and I remember Lauren Lawrence

0:23:10.400 --> 0:23:13.720
<v Speaker 1>saying we're done talking about that now, to kind of

0:23:13.760 --> 0:23:16.400
<v Speaker 1>prompt me that okay, either he doesn't want to hear

0:23:16.400 --> 0:23:20.120
<v Speaker 1>about this story or whatever, and so then it goes on,

0:23:20.160 --> 0:23:22.760
<v Speaker 1>I don't know, five ten minutes, and then at some

0:23:22.840 --> 0:23:27.640
<v Speaker 1>point Steve leans Ummer goes congratulations, you're hired. They're like, oh, okay,

0:23:28.160 --> 0:23:30.520
<v Speaker 1>because you're like, what. It doesn't seem to be structured

0:23:30.560 --> 0:23:33.439
<v Speaker 1>to this meeting, but I do. I think the final

0:23:33.520 --> 0:23:35.600
<v Speaker 1>meeting is just to check out if you're if you've

0:23:35.600 --> 0:23:38.399
<v Speaker 1>got a screw loose, or you're a nut job or something,

0:23:38.840 --> 0:23:41.000
<v Speaker 1>or you're just not ready, if you're too green or something.

0:23:41.000 --> 0:23:43.240
<v Speaker 1>It would be pretty evident at that point. There was

0:23:43.320 --> 0:23:45.160
<v Speaker 1>one guy and I don't know where he was from,

0:23:45.160 --> 0:23:47.320
<v Speaker 1>and I don't know what his name was, but I

0:23:47.400 --> 0:23:50.560
<v Speaker 1>do know that in the previous two auditions everyone thought

0:23:50.560 --> 0:23:52.560
<v Speaker 1>he was British because all he did was speaking of

0:23:52.600 --> 0:23:55.159
<v Speaker 1>British accent, and we're all from America. We don't know

0:23:55.200 --> 0:23:57.200
<v Speaker 1>if it's a real one or not. It seemed fine,

0:23:58.080 --> 0:23:59.879
<v Speaker 1>It did seem I didn't get to know him. That

0:24:00.000 --> 0:24:03.400
<v Speaker 1>seemed a bit presentational to me, but then apparently at

0:24:03.400 --> 0:24:06.080
<v Speaker 1>his meeting it came out like, oh, I'm not really British,

0:24:06.280 --> 0:24:09.560
<v Speaker 1>but he'd always been doing everything. It's like, okay, fella,

0:24:10.080 --> 0:24:13.280
<v Speaker 1>there seems to be a potential problem with you. And

0:24:13.320 --> 0:24:15.600
<v Speaker 1>then he didn't make use. Everyone's like, probably that guy's

0:24:15.640 --> 0:24:17.880
<v Speaker 1>gonna make it, but he was gone. So I think

0:24:17.880 --> 0:24:21.399
<v Speaker 1>that's what that final meeting is, to find out, Hey,

0:24:21.440 --> 0:24:23.560
<v Speaker 1>what do we got here? Now we're just one on one,

0:24:23.600 --> 0:24:26.760
<v Speaker 1>there's no performance. Who are you? So? Yes, Will Farrell

0:24:26.800 --> 0:24:28.600
<v Speaker 1>and I were hired the same day, and then Will

0:24:28.640 --> 0:24:31.639
<v Speaker 1>and I went to a baseball game that night and

0:24:31.680 --> 0:24:34.160
<v Speaker 1>a limo pulls up and myself and Will and Steve

0:24:34.240 --> 0:24:36.760
<v Speaker 1>Higgins sat in the fourth row behind home plate. There

0:24:36.800 --> 0:24:39.080
<v Speaker 1>Laurence seats Born didn't sit with us. He sat with

0:24:39.119 --> 0:24:41.800
<v Speaker 1>Jim Silly, who did all the films, the short films

0:24:42.240 --> 0:24:44.720
<v Speaker 1>about eighteen rolls back and we're like, so we're at

0:24:44.720 --> 0:24:46.200
<v Speaker 1>a game with Lauren. This is how a game with

0:24:46.280 --> 0:24:50.760
<v Speaker 1>Lauren works. And before that, Lauren had mentioned to me, um,

0:24:51.200 --> 0:24:54.280
<v Speaker 1>Dave at the meeting, that's right, Dave. You know this

0:24:54.359 --> 0:24:57.439
<v Speaker 1>is your first time that people see you on television,

0:24:57.760 --> 0:24:59.719
<v Speaker 1>So it's up to you. Do you want to have

0:25:00.280 --> 0:25:03.520
<v Speaker 1>or not. I was like, what And he told me

0:25:03.560 --> 0:25:05.600
<v Speaker 1>all the people that had wigs and all the people

0:25:05.600 --> 0:25:07.920
<v Speaker 1>that had plugs. And I'm not going to tell you,

0:25:08.160 --> 0:25:11.720
<v Speaker 1>but it was a list of people. You're thinking like, oh, yeah,

0:25:11.760 --> 0:25:13.600
<v Speaker 1>I can see that. I can see. Like, I think

0:25:13.640 --> 0:25:16.000
<v Speaker 1>to myself, like, is he telling me I have to

0:25:16.040 --> 0:25:18.639
<v Speaker 1>get a too pay? Is he telling me I have

0:25:18.720 --> 0:25:21.040
<v Speaker 1>to get hair plugs? I was like, oh, fun, because

0:25:21.040 --> 0:25:24.280
<v Speaker 1>I was thinking there's no way I could ever live

0:25:24.320 --> 0:25:27.600
<v Speaker 1>it down with my buddies from Chicago if I show

0:25:27.680 --> 0:25:31.119
<v Speaker 1>up on TV with hair, because they'd be like, who

0:25:31.200 --> 0:25:35.719
<v Speaker 1>the fuck are you? Or my family would just probably go, oh,

0:25:35.760 --> 0:25:39.879
<v Speaker 1>this is sad. And then I remember later, Lauren, you know,

0:25:39.920 --> 0:25:43.119
<v Speaker 1>because I could I assume he could clearly see I

0:25:43.200 --> 0:25:45.600
<v Speaker 1>was struggling with it. And I remember after the game

0:25:45.640 --> 0:25:48.760
<v Speaker 1>he said, Dave about the hair, fuck, it doesn't matter

0:25:48.880 --> 0:25:51.760
<v Speaker 1>to you. You be you like, oh, thank god. So

0:25:51.880 --> 0:25:54.479
<v Speaker 1>that was that I may have been like the first

0:25:54.720 --> 0:25:58.399
<v Speaker 1>bald guy on the show. Maybe not that it matters, right,

0:25:59.400 --> 0:26:04.520
<v Speaker 1>That is interesting. Yeah, so you know that's how it happened. Yeah,

0:26:04.680 --> 0:26:06.680
<v Speaker 1>And there's a bunch of new people with me, as

0:26:06.760 --> 0:26:10.120
<v Speaker 1>me and Will Ferrell and sherryo Terry and Jim Brewer

0:26:10.359 --> 0:26:16.520
<v Speaker 1>and Darryl Hammond and Nancy Walls and Molly Shannon's second year,

0:26:17.119 --> 0:26:21.600
<v Speaker 1>McDonald's third year, Spades fifth year, Tim Meadows fifth year.

0:26:22.119 --> 0:26:25.760
<v Speaker 1>Then Chris Catan came on halfway through the season. God,

0:26:25.760 --> 0:26:29.720
<v Speaker 1>they're there's a whole picture over there. Oh um. Mark

0:26:29.840 --> 0:26:34.199
<v Speaker 1>McKinney's second year. I think that's all of this. Wow,

0:26:34.800 --> 0:26:38.119
<v Speaker 1>that's amazing. I love that and I love that you,

0:26:38.119 --> 0:26:41.880
<v Speaker 1>you know, sitting at home in Tipton, said that's what

0:26:41.920 --> 0:26:45.360
<v Speaker 1>I'm gonna do, and then you did, and then that

0:26:45.440 --> 0:26:49.560
<v Speaker 1>brought you calm later on. Yeah, I tell you, Brian.

0:26:49.640 --> 0:26:52.359
<v Speaker 1>And when I got the show, I already decided my mind,

0:26:52.400 --> 0:26:54.840
<v Speaker 1>I'm not staying. You get a six year contract, and

0:26:54.880 --> 0:26:57.960
<v Speaker 1>I already decided I'm not staying six years because I

0:26:57.920 --> 0:27:00.280
<v Speaker 1>always felt there's some people that stayed too long here

0:27:00.400 --> 0:27:02.520
<v Speaker 1>and I'm not going to be one of them. And

0:27:02.560 --> 0:27:04.800
<v Speaker 1>I thought, I'm gonna be here three years. And whether

0:27:04.840 --> 0:27:08.160
<v Speaker 1>you believe in manifesting things or not. After the first year,

0:27:08.960 --> 0:27:11.600
<v Speaker 1>I wasn't invited back, and I was shocked because I

0:27:11.640 --> 0:27:14.840
<v Speaker 1>had a great first year, but apparently some people on

0:27:14.880 --> 0:27:18.680
<v Speaker 1>the West Coast didn't dig what I was doing, and

0:27:18.840 --> 0:27:22.160
<v Speaker 1>I like that. I'm Irish Catholic, and as a person

0:27:22.320 --> 0:27:24.600
<v Speaker 1>from Second City and a teacher there had once told

0:27:24.640 --> 0:27:26.800
<v Speaker 1>me because he was Irish too, he was you know,

0:27:26.840 --> 0:27:30.919
<v Speaker 1>we Irish, we don't suffer fools, gladly, and I certainly didn't.

0:27:31.560 --> 0:27:33.840
<v Speaker 1>And I had very strong opinions about what should and

0:27:33.880 --> 0:27:35.679
<v Speaker 1>shouldn't be on the show. And I think I was

0:27:35.680 --> 0:27:37.800
<v Speaker 1>pretty loud in my opinions. And no one gave me

0:27:37.880 --> 0:27:40.520
<v Speaker 1>fuck because you know, you're you're not running the show, boy,

0:27:40.680 --> 0:27:43.280
<v Speaker 1>You're on the show. Do anything to get on the show.

0:27:43.600 --> 0:27:45.320
<v Speaker 1>And it had been suggested to me that I do

0:27:45.480 --> 0:27:47.440
<v Speaker 1>this one character as a talk show, and I thought

0:27:47.520 --> 0:27:49.560
<v Speaker 1>that was the dumbest idea that I've heard. And I

0:27:49.640 --> 0:27:52.480
<v Speaker 1>told him that that I realized after I wasn't asked back.

0:27:52.600 --> 0:27:56.440
<v Speaker 1>They weren't asking me, they were telling me do this,

0:27:56.680 --> 0:27:58.679
<v Speaker 1>But they were nice to know, how about this as

0:27:58.680 --> 0:28:01.160
<v Speaker 1>a talk show? And I would say, that's what's wrong

0:28:01.240 --> 0:28:02.919
<v Speaker 1>with this show. We have too many talk shows. We

0:28:02.960 --> 0:28:07.480
<v Speaker 1>need more scenes. No one cares what you think. But

0:28:07.800 --> 0:28:10.680
<v Speaker 1>you know, it was a blessing, I guess, because you know,

0:28:10.720 --> 0:28:12.440
<v Speaker 1>I moved out to l A. It was very fortunate

0:28:12.480 --> 0:28:14.680
<v Speaker 1>to start working right away. I had a development deal

0:28:14.800 --> 0:28:17.280
<v Speaker 1>within three months that I moved out here. So I've

0:28:17.280 --> 0:28:20.840
<v Speaker 1>been very fortunate. That's awesome. I want to mention really quickly.

0:28:20.880 --> 0:28:23.480
<v Speaker 1>I know you did stuff with Conan O'Brien before you

0:28:23.560 --> 0:28:28.040
<v Speaker 1>left New York right a little bit, Lauren Lauren felt bad.

0:28:28.480 --> 0:28:30.680
<v Speaker 1>Lauren did not want to fire me. Lauren wanted to

0:28:30.760 --> 0:28:33.399
<v Speaker 1>keep me. But this the year that I was on

0:28:33.560 --> 0:28:36.080
<v Speaker 1>SNL is the first year that mad TV came on

0:28:36.119 --> 0:28:38.560
<v Speaker 1>the air, and then Howard Stern had a late night

0:28:38.600 --> 0:28:40.880
<v Speaker 1>show so that they had competition in that hour for

0:28:40.920 --> 0:28:43.560
<v Speaker 1>the first time, and so West Coast had a little

0:28:43.560 --> 0:28:45.960
<v Speaker 1>bit more leverage on Lauren. Of course, there's a different

0:28:45.960 --> 0:28:49.160
<v Speaker 1>politics that's going on there, and so they said, we

0:28:49.200 --> 0:28:51.959
<v Speaker 1>want changes, but Lauren wanted to keep me, and an

0:28:52.000 --> 0:28:54.520
<v Speaker 1>effort to keep me, he said, maybe you can become

0:28:55.400 --> 0:28:58.920
<v Speaker 1>a regular player on Conan show, which they didn't have

0:28:59.040 --> 0:29:03.800
<v Speaker 1>that position. So I remember going to someone's birthday party

0:29:03.920 --> 0:29:06.959
<v Speaker 1>and h Conan was there, and I think Lauren had

0:29:07.000 --> 0:29:09.760
<v Speaker 1>mentioned to Conan, you know, why don't you make Kettner

0:29:09.800 --> 0:29:12.960
<v Speaker 1>a regular player on your show? And ConA was just

0:29:13.040 --> 0:29:15.440
<v Speaker 1>kind of like, He's like, I love you, but to

0:29:15.560 --> 0:29:18.560
<v Speaker 1>be honest, that doesn't exist here, and we don't have

0:29:18.600 --> 0:29:21.080
<v Speaker 1>the money. This is pretty early in their show, like

0:29:21.080 --> 0:29:24.320
<v Speaker 1>they didn't have a budget for because every dollars accounted for.

0:29:24.480 --> 0:29:26.920
<v Speaker 1>So if if you had more money for talent, it

0:29:26.920 --> 0:29:30.600
<v Speaker 1>would be you'd get another writer. And so they weren't

0:29:30.720 --> 0:29:33.000
<v Speaker 1>hiring me as a writer. Uh, it would have been

0:29:33.000 --> 0:29:34.760
<v Speaker 1>a great education for me to be a writer, because

0:29:34.760 --> 0:29:36.240
<v Speaker 1>I'm sure it would have had plenty of ideas and

0:29:36.240 --> 0:29:38.440
<v Speaker 1>I sure I probably could have made it work. But

0:29:38.680 --> 0:29:40.800
<v Speaker 1>the the idea of hiring an actor is to come

0:29:40.840 --> 0:29:42.480
<v Speaker 1>on and be on the show, and he kind of

0:29:42.560 --> 0:29:44.440
<v Speaker 1>let me down generally like that doesn't exist you and

0:29:44.480 --> 0:29:46.200
<v Speaker 1>I thought I didn't really want to do that either,

0:29:46.720 --> 0:29:48.320
<v Speaker 1>because I didn't want to stay in the same building.

0:29:48.400 --> 0:29:51.120
<v Speaker 1>Was like, hey, you're back in the minor leagues, in

0:29:51.160 --> 0:29:53.280
<v Speaker 1>the same building, on the same station at the same time,

0:29:53.320 --> 0:29:54.720
<v Speaker 1>but not on the time you want to be there.

0:29:55.640 --> 0:29:57.760
<v Speaker 1>So it was like, yeah, I wasn't fighting for us that. Yeah,

0:29:58.200 --> 0:30:01.760
<v Speaker 1>it hurt like hell, man, it hurt like hell, But yeah,

0:30:01.760 --> 0:30:04.400
<v Speaker 1>I moved to l A. Then that next year, that September,

0:30:04.520 --> 0:30:07.640
<v Speaker 1>when you know they're going back to work, I packed

0:30:07.720 --> 0:30:09.680
<v Speaker 1>up all my stuff in a U haul and drove

0:30:09.680 --> 0:30:14.000
<v Speaker 1>out to l A. And when did you meet Gruber? Oh?

0:30:14.040 --> 0:30:16.600
<v Speaker 1>Gruber the first time I met him. He guest wrote

0:30:16.680 --> 0:30:21.000
<v Speaker 1>on the show for two weeks in January of nineties six,

0:30:21.560 --> 0:30:24.280
<v Speaker 1>and I had put Gerald. I got a sketch of

0:30:24.320 --> 0:30:27.640
<v Speaker 1>Gerald Tibbins on the air, and he always liked that character.

0:30:27.720 --> 0:30:30.320
<v Speaker 1>And Dave Dave's from uh He had spent a lot

0:30:30.360 --> 0:30:32.400
<v Speaker 1>of time in Iowa. So he's from Midwest, and so

0:30:32.560 --> 0:30:36.640
<v Speaker 1>am I. Dave Gruber Allen is a legendary comedy figure,

0:30:36.680 --> 0:30:38.320
<v Speaker 1>and he and I eventually did this show called The

0:30:38.400 --> 0:30:40.880
<v Speaker 1>Naked Trucker and T Bones, and so he and I

0:30:40.960 --> 0:30:43.720
<v Speaker 1>both got cast in this movie called Dill Scallion, directed

0:30:43.760 --> 0:30:47.520
<v Speaker 1>by Jordan Brady who has now become a huge commercial director.

0:30:48.120 --> 0:30:49.880
<v Speaker 1>And so I got cast in that and groupers in

0:30:49.920 --> 0:30:52.640
<v Speaker 1>the show too. And he was doing a late night

0:30:52.720 --> 0:30:55.520
<v Speaker 1>show at Largo. The old Largo was a smaller club.

0:30:55.560 --> 0:30:57.640
<v Speaker 1>Now it's his big theater in in l A, or

0:30:57.680 --> 0:30:59.440
<v Speaker 1>mid midsize theater in l A where they do a

0:30:59.440 --> 0:31:01.920
<v Speaker 1>lot of comedy. And he said, Hey, I'm doing the

0:31:01.920 --> 0:31:04.560
<v Speaker 1>show called The Naked Truckers. Shows you come by and

0:31:04.600 --> 0:31:07.520
<v Speaker 1>do a guest spot as your t Bones character. So

0:31:07.680 --> 0:31:09.760
<v Speaker 1>after we've wrapped the film, I came by and I

0:31:09.800 --> 0:31:12.720
<v Speaker 1>did I think ten minutes of his show, and he

0:31:12.800 --> 0:31:15.560
<v Speaker 1>did like forty minutes, and then he invited me back

0:31:15.600 --> 0:31:17.479
<v Speaker 1>the next week, and I think I did fifteen minutes,

0:31:17.840 --> 0:31:20.120
<v Speaker 1>and then the same thing the next week, and then

0:31:20.160 --> 0:31:21.600
<v Speaker 1>I said, hey, why didn't I just stay up for

0:31:21.640 --> 0:31:23.520
<v Speaker 1>the whole show because it was working and he and

0:31:23.560 --> 0:31:25.920
<v Speaker 1>I were just improvising that this it was a really

0:31:25.960 --> 0:31:28.760
<v Speaker 1>weird thing. So the Naked Trucker sings songs about being

0:31:28.760 --> 0:31:32.320
<v Speaker 1>on the road and they're just really absurd comedy songs,

0:31:32.560 --> 0:31:34.760
<v Speaker 1>and he would tell stories and then here I come

0:31:34.800 --> 0:31:38.600
<v Speaker 1>with this character that's a ne'er do weel Carney slash

0:31:38.760 --> 0:31:43.880
<v Speaker 1>hobo who can quote Chaucer and no him Chomsky. So

0:31:43.920 --> 0:31:47.160
<v Speaker 1>he's kind of like an intellectual Carny. And so the

0:31:47.280 --> 0:31:53.200
<v Speaker 1>chemistry was just perfect and the partnership was just incredible,

0:31:53.760 --> 0:31:57.440
<v Speaker 1>and so he and I together was just magic, and

0:31:57.480 --> 0:31:59.400
<v Speaker 1>we did that show for seven years in l A

0:31:59.640 --> 0:32:01.280
<v Speaker 1>and I I'd say, to this day it is probably

0:32:01.320 --> 0:32:05.560
<v Speaker 1>one of my my fondest memories of performing ever, because man,

0:32:05.680 --> 0:32:09.640
<v Speaker 1>it was just fantastic and the greatest compliment I had

0:32:09.680 --> 0:32:12.520
<v Speaker 1>ever heard in doing that show so live. Then we

0:32:12.600 --> 0:32:15.800
<v Speaker 1>became a headliner there twice a month. But the greatest

0:32:15.800 --> 0:32:18.400
<v Speaker 1>compliment I ever got was from some writers, because a

0:32:18.440 --> 0:32:20.560
<v Speaker 1>lot of Hollywood writers would come to the show, like

0:32:20.600 --> 0:32:23.800
<v Speaker 1>every Hollywood person came to the show, and some Hollywood

0:32:23.800 --> 0:32:26.720
<v Speaker 1>writers had said, um, we come to this show for

0:32:26.800 --> 0:32:29.800
<v Speaker 1>inspiration to realize that great comedy can still be done

0:32:29.840 --> 0:32:33.640
<v Speaker 1>in this town. I was like, wow, I didn't you know.

0:32:33.680 --> 0:32:37.720
<v Speaker 1>I've never been a guy that's big on seeking advantage

0:32:37.800 --> 0:32:41.640
<v Speaker 1>or trying to not really understanding how to leverage what

0:32:41.720 --> 0:32:45.680
<v Speaker 1>I have into something bigger. I just always assumed something

0:32:46.000 --> 0:32:48.080
<v Speaker 1>bigger and the right thing is going to come along.

0:32:48.120 --> 0:32:50.280
<v Speaker 1>It doesn't work that way. You've really got to be

0:32:50.520 --> 0:32:53.680
<v Speaker 1>very specific and determined about exactly what you want to

0:32:53.720 --> 0:32:57.240
<v Speaker 1>turn this thing into. And um, it turned into a

0:32:57.400 --> 0:33:01.959
<v Speaker 1>very compromised show on Comedy Central in one season, and

0:33:02.000 --> 0:33:03.920
<v Speaker 1>it's there and I haven't looked at it in years.

0:33:03.920 --> 0:33:05.560
<v Speaker 1>There's a lot of great stuff we had, but it's

0:33:05.600 --> 0:33:10.440
<v Speaker 1>really confusing because the success Comedy Central had in comedy

0:33:10.480 --> 0:33:14.800
<v Speaker 1>shows was Chappelle and Mencia, and that the format for

0:33:14.920 --> 0:33:17.320
<v Speaker 1>that was the comic comes out and talks and then

0:33:17.320 --> 0:33:20.760
<v Speaker 1>throws to a sketch. We weren't a sketch duo, and

0:33:20.840 --> 0:33:24.160
<v Speaker 1>so the format they forced us into was counterintuitive to

0:33:24.200 --> 0:33:26.600
<v Speaker 1>what we should have been doing. But I didn't have

0:33:26.640 --> 0:33:30.160
<v Speaker 1>the right people around me to be able to force

0:33:30.480 --> 0:33:32.320
<v Speaker 1>Comedy Central's hand and say no, no no, we're gonna do

0:33:32.360 --> 0:33:34.000
<v Speaker 1>the show that we want to do, and so I

0:33:34.040 --> 0:33:36.040
<v Speaker 1>just went along with it, and you know, it was great,

0:33:36.080 --> 0:33:37.800
<v Speaker 1>we had our own show. I've got to dig through

0:33:37.840 --> 0:33:39.760
<v Speaker 1>all the tapes and start putting that stuff online and

0:33:39.800 --> 0:33:41.880
<v Speaker 1>see what it was. Maybe it was one of those

0:33:41.880 --> 0:33:43.400
<v Speaker 1>things like probably a little bit ahead of his time,

0:33:43.440 --> 0:33:45.360
<v Speaker 1>and I don't say that ego wise. It was just

0:33:45.440 --> 0:33:49.560
<v Speaker 1>kind of confusing for people. And they promoted it. I said,

0:33:49.600 --> 0:33:52.440
<v Speaker 1>don't you ever promote this is blue collar comedy, because

0:33:52.440 --> 0:33:54.760
<v Speaker 1>it's not. That's not the crowd for this. I said,

0:33:54.800 --> 0:33:58.000
<v Speaker 1>we're more of a daily show crowd. Um. And so

0:33:58.080 --> 0:34:02.239
<v Speaker 1>they came up and started calling it roadhouse comedy, like

0:34:02.280 --> 0:34:04.800
<v Speaker 1>what we didn't call it. We call a comedy, but

0:34:05.080 --> 0:34:09.360
<v Speaker 1>you know, like what the fuck is roadhouse comedy? Like

0:34:09.440 --> 0:34:12.600
<v Speaker 1>it's you know, they would say it's smart dumb, Like,

0:34:12.719 --> 0:34:15.239
<v Speaker 1>don't fucking ever say dumb when you're referring to my

0:34:15.320 --> 0:34:17.920
<v Speaker 1>comedy because it tells me that you don't get it

0:34:18.000 --> 0:34:20.799
<v Speaker 1>at all anyway. Is that network? You're still in there?

0:34:20.880 --> 0:34:23.720
<v Speaker 1>And I mean that in all seriousness, good god whatever.

0:34:23.800 --> 0:34:27.040
<v Speaker 1>I think that's shitty because that's ego based. But they

0:34:27.080 --> 0:34:29.479
<v Speaker 1>made a lot of mistakes, and my mistake was letting

0:34:29.480 --> 0:34:32.840
<v Speaker 1>them do it right. What what would you consider yourself?

0:34:32.880 --> 0:34:36.080
<v Speaker 1>Are you? And I brought this up earlier, are you

0:34:36.120 --> 0:34:39.439
<v Speaker 1>a stand up are you? Are you an improviser? Are

0:34:39.480 --> 0:34:42.680
<v Speaker 1>you an actor? I know you're all you do all

0:34:42.719 --> 0:34:46.799
<v Speaker 1>of those things. How do you view yourself? And it

0:34:46.840 --> 0:34:50.000
<v Speaker 1>doesn't really matter, it's just curious. But from between you

0:34:50.040 --> 0:34:52.399
<v Speaker 1>and me is like we we do delineate between those

0:34:52.440 --> 0:34:54.840
<v Speaker 1>types of things. But you said a performer, and I

0:34:54.840 --> 0:34:57.480
<v Speaker 1>think that's probably the closest thing that's a catch all

0:34:57.560 --> 0:35:00.480
<v Speaker 1>for what I am. I love performing, whether it's with

0:35:00.680 --> 0:35:04.520
<v Speaker 1>just two people or a thousand, So there's a performance.

0:35:04.840 --> 0:35:07.000
<v Speaker 1>So I guess the other part would be I'm an entertainer.

0:35:07.360 --> 0:35:10.000
<v Speaker 1>So I didn't do stand up until I had my

0:35:10.080 --> 0:35:13.359
<v Speaker 1>fifth child because at that point it's like I can

0:35:13.440 --> 0:35:15.960
<v Speaker 1>never have a down month, Like I can't rely on

0:35:16.040 --> 0:35:19.520
<v Speaker 1>anybody else to bring income, and if you're a stand up,

0:35:19.560 --> 0:35:21.480
<v Speaker 1>you do have some independence, like you can just go

0:35:21.520 --> 0:35:23.759
<v Speaker 1>out and get it. That's the best part. And the

0:35:23.760 --> 0:35:25.680
<v Speaker 1>other thing is at this point in my career, I

0:35:25.719 --> 0:35:28.279
<v Speaker 1>could start as a headliner, which is a bit of

0:35:28.280 --> 0:35:30.240
<v Speaker 1>a cheap because you know, in the stand up world

0:35:30.360 --> 0:35:33.320
<v Speaker 1>you pay your dues, but I had paid my dues

0:35:33.800 --> 0:35:37.160
<v Speaker 1>on other stages, and I've never stopped performing live, So

0:35:37.200 --> 0:35:40.520
<v Speaker 1>I've always performed live in Chicago, always performed in l

0:35:40.560 --> 0:35:42.879
<v Speaker 1>A all the time. So I would do the theake

0:35:42.880 --> 0:35:45.480
<v Speaker 1>a Trucker show or else. I would do sketch character

0:35:45.560 --> 0:35:48.560
<v Speaker 1>pieces on stand up shows because there's a variety of

0:35:48.680 --> 0:35:51.759
<v Speaker 1>entertainment being done, all kinds of alternative rooms, so it's

0:35:51.760 --> 0:35:54.680
<v Speaker 1>always a place to go perform live. So when I

0:35:54.680 --> 0:35:56.560
<v Speaker 1>started doing stand up was kind of like me doing

0:35:56.560 --> 0:35:58.920
<v Speaker 1>a one man show because I would do character pieces.

0:35:59.200 --> 0:36:02.560
<v Speaker 1>In fact, for hour, I had like I had Brian,

0:36:02.719 --> 0:36:06.560
<v Speaker 1>I had changes on stage in comedy clubs, and I

0:36:06.600 --> 0:36:09.880
<v Speaker 1>think people are wanting, like, what the fuck is going

0:36:10.040 --> 0:36:13.720
<v Speaker 1>on here? Um because it's not it's not the natural

0:36:13.800 --> 0:36:15.759
<v Speaker 1>rhythm that they're used to, like bought it up, bout

0:36:15.760 --> 0:36:17.840
<v Speaker 1>it up, Bob, and there's this guy let this added

0:36:17.880 --> 0:36:21.400
<v Speaker 1>to the entire show by anyway. So that was very interesting.

0:36:21.440 --> 0:36:23.719
<v Speaker 1>But at the same time, to me, I'm like, I'm

0:36:23.760 --> 0:36:26.040
<v Speaker 1>doing an hour of entertainment. You call it stand up,

0:36:26.080 --> 0:36:28.600
<v Speaker 1>call it whatever you want. The stand up aspect is

0:36:28.680 --> 0:36:31.359
<v Speaker 1>one person in front of a microphone standing up there.

0:36:31.520 --> 0:36:34.200
<v Speaker 1>That's it. So you can't tell me, oh, I'm not

0:36:34.239 --> 0:36:36.479
<v Speaker 1>doing it the way you do it. Like I'm gonna

0:36:36.520 --> 0:36:37.960
<v Speaker 1>do it the way I do it, and I'm getting

0:36:37.960 --> 0:36:40.840
<v Speaker 1>the same result. That audience full of people is laughing.

0:36:40.960 --> 0:36:44.040
<v Speaker 1>So I think I think what you said performers correct,

0:36:44.320 --> 0:36:47.360
<v Speaker 1>because there's performance when you're acting, and there's performance we

0:36:47.400 --> 0:37:08.960
<v Speaker 1>are doing stand up or your sketch or whatever. So, yeah,

0:37:09.480 --> 0:37:12.400
<v Speaker 1>when did you meet Greg Daniels. I met Greg Daniels

0:37:12.400 --> 0:37:15.319
<v Speaker 1>the first time when I was writing a pilot with

0:37:16.040 --> 0:37:21.040
<v Speaker 1>a writer from King of the Hill, John Callier, Jesus

0:37:21.160 --> 0:37:25.880
<v Speaker 1>christ Kicker, John Collier, amazing man, amazing writer. So we

0:37:25.920 --> 0:37:28.960
<v Speaker 1>wrote a pilot for the for the Gerald character, this

0:37:29.000 --> 0:37:32.520
<v Speaker 1>is before the Naked Trucker, and it was really good,

0:37:32.680 --> 0:37:35.920
<v Speaker 1>but they didn't understand it at all. They liked it,

0:37:35.960 --> 0:37:37.960
<v Speaker 1>but it never went to pilots. So we wrote the

0:37:38.000 --> 0:37:40.600
<v Speaker 1>script and so Greg would come around then say I

0:37:40.640 --> 0:37:42.560
<v Speaker 1>was a friend of Norm his cock from Saray Live.

0:37:42.719 --> 0:37:44.879
<v Speaker 1>He was a writer on Saraday Live Canadian right who's

0:37:45.080 --> 0:37:47.560
<v Speaker 1>head writer for Kids in the Hall? And so I

0:37:47.600 --> 0:37:49.160
<v Speaker 1>wanted Norm to do it, but Norm was too busy

0:37:49.160 --> 0:37:50.600
<v Speaker 1>because he was righting the King of the Hill and

0:37:50.600 --> 0:37:52.760
<v Speaker 1>doing something else. And then John and I wrote the pilot.

0:37:52.840 --> 0:37:55.400
<v Speaker 1>He was He was fantastic. But anyway, that's when I

0:37:55.440 --> 0:37:56.960
<v Speaker 1>met Greg for the first time, and Norm and I

0:37:57.000 --> 0:37:59.120
<v Speaker 1>were friends. And then Norm and I wrote a bunch

0:37:59.160 --> 0:38:03.600
<v Speaker 1>of stuff together, were several scripts for two movie scripts

0:38:03.600 --> 0:38:07.279
<v Speaker 1>for Gerald. They got close and then didn't get made.

0:38:08.000 --> 0:38:09.840
<v Speaker 1>And then Norm was one of the head writers for

0:38:09.840 --> 0:38:12.759
<v Speaker 1>the Naked Trigger and TBone show on Comedy Central. So,

0:38:12.800 --> 0:38:15.800
<v Speaker 1>but that's how I met Greg. Yeah. Yeah, So the

0:38:16.200 --> 0:38:20.920
<v Speaker 1>story goes, you're shooting snakes on a plane in Canada,

0:38:21.160 --> 0:38:25.480
<v Speaker 1>in Canada, and you you get a call about coming

0:38:25.480 --> 0:38:29.359
<v Speaker 1>on and appearing on this television show, The Office. I had.

0:38:29.480 --> 0:38:33.160
<v Speaker 1>I had auditioned. You had auditioned for Michael Scott. But

0:38:33.280 --> 0:38:35.480
<v Speaker 1>I was a huge fan of the British Office. And

0:38:35.520 --> 0:38:38.800
<v Speaker 1>as you remember, the pilot episode for the American Office

0:38:38.880 --> 0:38:42.600
<v Speaker 1>borrowed heavily from the pilot episode of the British Office,

0:38:43.000 --> 0:38:46.319
<v Speaker 1>and I couldn't get Ricky's your Vay's rhythms out of

0:38:46.320 --> 0:38:48.480
<v Speaker 1>my head. I couldn't audition because I was like, well,

0:38:48.520 --> 0:38:51.080
<v Speaker 1>here's how he says it. How else would anyone say it?

0:38:51.480 --> 0:38:53.680
<v Speaker 1>Because the way he does it's perfect. So I couldn't.

0:38:53.719 --> 0:38:56.799
<v Speaker 1>I auditioned, but it was neither here nor there because

0:38:56.840 --> 0:38:59.239
<v Speaker 1>I didn't have a take other than what he did.

0:38:59.480 --> 0:39:03.480
<v Speaker 1>That's so interesting because you know, Steve didn't know Ricky

0:39:03.520 --> 0:39:06.200
<v Speaker 1>Gervais's version of the office, so when he went in

0:39:06.360 --> 0:39:09.640
<v Speaker 1>he didn't have that reference. That's fascinating. So you had

0:39:09.719 --> 0:39:13.520
<v Speaker 1>met Greg then auditioning for Michael, and then they called

0:39:13.560 --> 0:39:16.759
<v Speaker 1>you about Packer. Is that what happened? Yes, As like

0:39:16.800 --> 0:39:19.760
<v Speaker 1>you said, as the story goes, you'd had a wonderful

0:39:19.800 --> 0:39:23.279
<v Speaker 1>actor who was quite capable, but I think he was

0:39:23.280 --> 0:39:26.840
<v Speaker 1>struggling with it for whatever reason and it just wasn't working.

0:39:26.880 --> 0:39:28.960
<v Speaker 1>And I think they all agreed like, oh, this doesn't

0:39:29.000 --> 0:39:31.719
<v Speaker 1>this isn't quite there. So the new guys went on

0:39:31.840 --> 0:39:34.360
<v Speaker 1>to shoot the next episode. I think it might have

0:39:34.360 --> 0:39:36.960
<v Speaker 1>been episode four, and I think this was episode three

0:39:36.960 --> 0:39:40.960
<v Speaker 1>when Packer comes and so Steve they were I guess

0:39:40.960 --> 0:39:44.240
<v Speaker 1>still auditioning, and Steve apparently had said to Greg Daniels,

0:39:44.280 --> 0:39:48.239
<v Speaker 1>how about Keckner for Packer? And I'm sure Greg was thinking, yeah,

0:39:48.239 --> 0:39:51.520
<v Speaker 1>he's awful um as a human being, let's bring him

0:39:51.520 --> 0:39:54.759
<v Speaker 1>as But no. So with that, you know, I had

0:39:55.120 --> 0:39:57.640
<v Speaker 1>had a pretty good career going. We'd already done Anchorman,

0:39:57.800 --> 0:40:01.239
<v Speaker 1>so you know, you've got the confidence and you know yourself.

0:40:01.680 --> 0:40:04.560
<v Speaker 1>You know Packer. To me it was like, oh my lord,

0:40:05.040 --> 0:40:07.480
<v Speaker 1>you come in and say these awful things to people

0:40:07.680 --> 0:40:11.200
<v Speaker 1>and get away with it. Fun. Plus it's my buddy Steve,

0:40:11.680 --> 0:40:14.360
<v Speaker 1>all right, you know, there's no pressure. Really, I'm just

0:40:14.360 --> 0:40:16.880
<v Speaker 1>gonna come in and do it. Okay. Now, had I

0:40:16.920 --> 0:40:19.440
<v Speaker 1>had to audition for it, it would have been different

0:40:19.560 --> 0:40:22.959
<v Speaker 1>because then you're trying rather than like like I said

0:40:22.960 --> 0:40:25.399
<v Speaker 1>before on S and L, I just went and did

0:40:25.440 --> 0:40:28.160
<v Speaker 1>what I do and it worked and you get the job.

0:40:28.280 --> 0:40:30.240
<v Speaker 1>You just go do what you do. When you're audition

0:40:30.360 --> 0:40:32.840
<v Speaker 1>for it, you're doing what in your there's part of

0:40:32.840 --> 0:40:35.520
<v Speaker 1>your mind that goes, I'm I'm doing what I hope

0:40:35.560 --> 0:40:39.440
<v Speaker 1>they want. Doesn't help it. It is so smart. That

0:40:39.640 --> 0:40:43.759
<v Speaker 1>is just so smart because you're right, of course, no

0:40:43.800 --> 0:40:45.840
<v Speaker 1>matter what you're auditioning for and you know what, what

0:40:45.880 --> 0:40:47.759
<v Speaker 1>did they tell you all the time? Right, make it

0:40:47.840 --> 0:40:50.520
<v Speaker 1>your own, just do your version of it. But no,

0:40:50.680 --> 0:40:52.839
<v Speaker 1>there's always still a place in the back of your

0:40:52.880 --> 0:40:56.560
<v Speaker 1>mind that's going like, oh, well, they must want this

0:40:56.760 --> 0:41:01.160
<v Speaker 1>version of me or that or that. It's that is

0:41:01.239 --> 0:41:04.800
<v Speaker 1>so free, that's so true. I've never told this before,

0:41:04.840 --> 0:41:11.040
<v Speaker 1>but I I borrowed from you and Robin Williams, actually

0:41:11.160 --> 0:41:14.279
<v Speaker 1>the two of you who I started working with. I

0:41:14.320 --> 0:41:17.560
<v Speaker 1>did a few projects with him right around the same time,

0:41:17.680 --> 0:41:22.520
<v Speaker 1>maybe a little bit after. And I'll tell you. I

0:41:22.560 --> 0:41:25.919
<v Speaker 1>mean to say like Dave was packer all the time

0:41:25.960 --> 0:41:28.919
<v Speaker 1>on set, that's an inaccurate statement. But what I mean

0:41:29.080 --> 0:41:36.520
<v Speaker 1>is is that you were so free and fun and

0:41:37.160 --> 0:41:42.320
<v Speaker 1>brought just an amazing energy to the set every single

0:41:42.360 --> 0:41:44.480
<v Speaker 1>time you were there. And now, whether it was because

0:41:44.480 --> 0:41:47.279
<v Speaker 1>of your confidence or your relationship with Steve and you

0:41:47.360 --> 0:41:49.680
<v Speaker 1>had known Greg and you were like, well, they're not

0:41:49.719 --> 0:41:53.279
<v Speaker 1>gonna fire me, or whatever it was, but you know,

0:41:53.520 --> 0:41:56.719
<v Speaker 1>but I just mean, you just came in and it

0:41:56.760 --> 0:42:02.040
<v Speaker 1>was immediately like, we're not doing brain surgery here, guys.

0:42:02.120 --> 0:42:06.160
<v Speaker 1>We're making comedy television and let's make it fun and

0:42:06.320 --> 0:42:11.200
<v Speaker 1>keep the atmosphere light. And I always respected you for that,

0:42:11.280 --> 0:42:14.719
<v Speaker 1>And Robin was the same way on set, just like

0:42:14.800 --> 0:42:19.080
<v Speaker 1>we're not going to take this too seriously, and um yeah,

0:42:19.160 --> 0:42:22.279
<v Speaker 1>I just I always I always respected you for that

0:42:22.360 --> 0:42:25.719
<v Speaker 1>and feel like I learned from you about that. I've

0:42:25.760 --> 0:42:29.680
<v Speaker 1>taken to other projects to be like, let's let's keep

0:42:29.719 --> 0:42:33.240
<v Speaker 1>this loose, let's keep this light, because ultimately that energy

0:42:33.360 --> 0:42:38.800
<v Speaker 1>is just way more helpful to creating comedy television. Right. Yeah.

0:42:39.080 --> 0:42:41.560
<v Speaker 1>There's a great improv teacher and he runs the Annoyance

0:42:41.600 --> 0:42:44.240
<v Speaker 1>Theater in Chicago, and he's one of my peers in Chicago.

0:42:44.320 --> 0:42:47.319
<v Speaker 1>Guy named McK napier, and he's legendary at this point though.

0:42:48.160 --> 0:42:51.440
<v Speaker 1>But he had written a one man show at the

0:42:51.440 --> 0:42:55.120
<v Speaker 1>Annoyance for himself and it was called sex Boy because

0:42:55.880 --> 0:42:58.800
<v Speaker 1>Mick was going through his life and transition of whatever

0:42:59.120 --> 0:43:01.600
<v Speaker 1>he felt his actuality was, so that was part of it.

0:43:01.680 --> 0:43:04.000
<v Speaker 1>He grew up in a small town in Indiana, and

0:43:04.040 --> 0:43:06.120
<v Speaker 1>you know, I think he may have been buy or whatever,

0:43:06.160 --> 0:43:08.520
<v Speaker 1>but just figuring that whole thing out and putting it

0:43:08.560 --> 0:43:10.319
<v Speaker 1>out on stage. But he had a preamble in his

0:43:10.480 --> 0:43:12.759
<v Speaker 1>program and he said, and I don't know if he

0:43:12.800 --> 0:43:15.440
<v Speaker 1>borrowed it from somewhere else. But he said, it's called

0:43:15.440 --> 0:43:18.360
<v Speaker 1>a play. It's not called a bore or a trial

0:43:18.560 --> 0:43:22.040
<v Speaker 1>or a suffering. It's called a play. So let us

0:43:22.160 --> 0:43:24.799
<v Speaker 1>do that. And I always thought, yes, it's called a play.

0:43:24.880 --> 0:43:28.920
<v Speaker 1>It's called a teleplay, it's called a screenplay. But the

0:43:29.000 --> 0:43:33.319
<v Speaker 1>operative word is to play. And our job is to

0:43:33.400 --> 0:43:36.600
<v Speaker 1>go out and play. And for me, if I'm the

0:43:36.680 --> 0:43:39.880
<v Speaker 1>best day ever is when you've got a job in

0:43:40.000 --> 0:43:44.040
<v Speaker 1>show business. So for me, I'm gonna pay witness to that.

0:43:44.120 --> 0:43:46.319
<v Speaker 1>Today we get to do the thing we wanted to

0:43:46.360 --> 0:43:50.239
<v Speaker 1>do when thousands and thousands and thousands of people who

0:43:50.239 --> 0:43:52.279
<v Speaker 1>want to do what we get to do don't get

0:43:52.320 --> 0:43:55.239
<v Speaker 1>to do it. So let's play and celebrate it. That's

0:43:55.280 --> 0:44:00.160
<v Speaker 1>my attitude, like, let's go have some fun. Yeah, uh,

0:44:00.760 --> 0:44:03.960
<v Speaker 1>that's awesome. Did you feel because again they said come

0:44:03.960 --> 0:44:06.880
<v Speaker 1>and do what you do, that you felt the freedom

0:44:06.960 --> 0:44:10.320
<v Speaker 1>to just do what you do. There was no judgment,

0:44:10.360 --> 0:44:13.959
<v Speaker 1>there was no restraint. So yeah, I didn't. I didn't

0:44:13.960 --> 0:44:16.920
<v Speaker 1>put any guardrails or parameters and what I was gonna

0:44:16.920 --> 0:44:20.319
<v Speaker 1>do and you never did. Yes, And plus the other thing,

0:44:20.360 --> 0:44:24.000
<v Speaker 1>I knew the characters based on Finchy from the original

0:44:24.040 --> 0:44:28.759
<v Speaker 1>Office and Finchy was fucking crazy and awful. He's not

0:44:28.840 --> 0:44:32.440
<v Speaker 1>as bad as Finchy. Who remember Finchy takes one of

0:44:32.480 --> 0:44:34.839
<v Speaker 1>the girls from the office and he has sex with

0:44:34.840 --> 0:44:38.200
<v Speaker 1>her in the alleyway and the look on his face

0:44:38.280 --> 0:44:46.080
<v Speaker 1>is just priceless. Yeah, although you did, you know, poop

0:44:46.120 --> 0:44:52.279
<v Speaker 1>in Michael's office and serve laced cupcakes, which actually I

0:44:52.360 --> 0:44:54.640
<v Speaker 1>thank you for that because that was one of my

0:44:55.080 --> 0:44:58.799
<v Speaker 1>most favorite I mean, people talk about the chili or

0:44:58.840 --> 0:45:01.720
<v Speaker 1>that this or that that, but one of my most

0:45:01.840 --> 0:45:05.160
<v Speaker 1>favorite physical comedy scenes that I was able to do

0:45:05.360 --> 0:45:10.520
<v Speaker 1>was like the flashback scene with Andy slash ed Helms

0:45:10.520 --> 0:45:13.560
<v Speaker 1>and I after we got dosed up on your cupcakes

0:45:14.040 --> 0:45:18.360
<v Speaker 1>maybe my favorite. But I feel like your role is

0:45:18.400 --> 0:45:22.040
<v Speaker 1>a real manifestation of what ended up being a central

0:45:22.040 --> 0:45:24.959
<v Speaker 1>part of the show, which was Michael's journey right from

0:45:25.000 --> 0:45:28.319
<v Speaker 1>I mean clearly a friend of yours from early on,

0:45:28.520 --> 0:45:31.480
<v Speaker 1>or at least wanted to seem cool, to be a

0:45:31.520 --> 0:45:35.480
<v Speaker 1>friend of yours, to ultimately sort of, you know, shedding

0:45:35.719 --> 0:45:37.719
<v Speaker 1>the shackles of you and being able to sort of

0:45:37.760 --> 0:45:41.880
<v Speaker 1>evolve as a human being exactly. It's the representation of

0:45:42.000 --> 0:45:46.160
<v Speaker 1>stunted adolescence. Right there are men that never grow. And

0:45:46.200 --> 0:45:48.200
<v Speaker 1>then then they don't when you don't care to grow,

0:45:48.480 --> 0:45:51.400
<v Speaker 1>when you won't take a signal, or there's no desire

0:45:51.480 --> 0:45:55.040
<v Speaker 1>to be a better human, or if there's someone suggests

0:45:55.040 --> 0:45:57.000
<v Speaker 1>that you don't hear it, and in fact you try

0:45:57.040 --> 0:46:00.200
<v Speaker 1>to defeat it, you would challenge it. And you know,

0:46:00.360 --> 0:46:05.120
<v Speaker 1>it's just that absolute stubbornness that I'm fine, but it's

0:46:05.120 --> 0:46:08.680
<v Speaker 1>also pain, right, I am resolute in my pain, and

0:46:08.719 --> 0:46:11.520
<v Speaker 1>I won't look at it. I will only drown it.

0:46:11.560 --> 0:46:14.080
<v Speaker 1>I'll drown it with alcohol, I'll drown it with my noise.

0:46:14.120 --> 0:46:16.799
<v Speaker 1>I'll drown it with my terrible behavior. And and then

0:46:16.840 --> 0:46:19.360
<v Speaker 1>you find out you're given license. When you're that horrible,

0:46:20.080 --> 0:46:23.399
<v Speaker 1>no one dares to challenge you because they don't want

0:46:23.400 --> 0:46:25.600
<v Speaker 1>to be bear the brunt of whatever you're gonna bring.

0:46:25.640 --> 0:46:27.759
<v Speaker 1>They're just like, this is a storm that's coming in

0:46:27.840 --> 0:46:30.200
<v Speaker 1>because Packer is not there all the time. It's a storm.

0:46:30.360 --> 0:46:33.080
<v Speaker 1>I'll weather the storm, battened down the hashes, and wait

0:46:33.120 --> 0:46:36.359
<v Speaker 1>for it to go away. So that's what happens, right,

0:46:36.400 --> 0:46:39.279
<v Speaker 1>And he's an emotional hand grenade, and he's a terrible storm.

0:46:39.320 --> 0:46:41.640
<v Speaker 1>I've never thought of that before, but that's exactly what happens.

0:46:42.040 --> 0:46:43.880
<v Speaker 1>He's a storm coming through and it was like, just

0:46:44.080 --> 0:46:46.799
<v Speaker 1>let it go. Let it go, because he's got this

0:46:46.880 --> 0:46:50.640
<v Speaker 1>Ally and Michael until there are strong women that come

0:46:50.680 --> 0:46:54.800
<v Speaker 1>into his life and say no, no, that's not okay,

0:46:55.160 --> 0:46:58.280
<v Speaker 1>that's interesting. Now. I have you ever run across anyone

0:46:58.520 --> 0:47:00.920
<v Speaker 1>at this point, Brian, And you know this phenomenon as

0:47:00.960 --> 0:47:03.080
<v Speaker 1>well as I do, and it's something I can't quite

0:47:03.080 --> 0:47:06.760
<v Speaker 1>wrap my head around. The phenomenon that is The Office

0:47:07.280 --> 0:47:09.880
<v Speaker 1>is unlike any television show, I would say in the

0:47:10.040 --> 0:47:13.520
<v Speaker 1>history of television. It's beyond compare. I've never been part

0:47:13.520 --> 0:47:17.080
<v Speaker 1>of something this incredible. I'm imagining the people from The

0:47:17.080 --> 0:47:19.759
<v Speaker 1>Sopranos and Game of Thrones have the same thing. But

0:47:19.840 --> 0:47:22.000
<v Speaker 1>the difference is because it's The Office and it's a

0:47:22.080 --> 0:47:25.080
<v Speaker 1>comedy and it brings something else to everybody's life. It's

0:47:25.120 --> 0:47:29.920
<v Speaker 1>so important to people's lives and their devotion to it.

0:47:29.760 --> 0:47:33.399
<v Speaker 1>It changes people's lives and it's it's it's a real

0:47:34.239 --> 0:47:36.680
<v Speaker 1>deep part of their lives. And you've heard people say

0:47:36.960 --> 0:47:38.960
<v Speaker 1>it got me through cancer, or it got me through

0:47:39.000 --> 0:47:42.440
<v Speaker 1>this breakup, or it got us together, and it's unlike

0:47:42.480 --> 0:47:45.960
<v Speaker 1>anything else. Have you ever heard anyone who has written

0:47:46.120 --> 0:47:50.320
<v Speaker 1>a dissertation or their college thesis on the office. Oh yeah,

0:47:50.360 --> 0:47:56.000
<v Speaker 1>well there's first college classes now that are to the show. Well,

0:47:56.040 --> 0:47:58.200
<v Speaker 1>I think I think the thing that is, and you know,

0:47:58.239 --> 0:48:00.560
<v Speaker 1>it's part of what I've been explored worrying over the

0:48:00.640 --> 0:48:03.279
<v Speaker 1>last couple of years, which I think, as you say,

0:48:03.440 --> 0:48:06.400
<v Speaker 1>it makes it wholly unique from even the shows that

0:48:06.440 --> 0:48:11.120
<v Speaker 1>you mentioned, which was that seven eight years after we

0:48:11.200 --> 0:48:15.120
<v Speaker 1>filmed anything, it was bigger than it was when we

0:48:15.120 --> 0:48:19.520
<v Speaker 1>were on, Like, it continues to expand and grow. Do

0:48:19.600 --> 0:48:23.239
<v Speaker 1>you have an idea of why that is? Here's the

0:48:23.280 --> 0:48:25.120
<v Speaker 1>way I look at it, and what I look at

0:48:25.360 --> 0:48:28.239
<v Speaker 1>is why it appeals to a twelve year old all

0:48:28.239 --> 0:48:30.560
<v Speaker 1>the way to a fifty year old and beyond the

0:48:30.560 --> 0:48:32.279
<v Speaker 1>way I look at it is when they come to

0:48:32.360 --> 0:48:36.440
<v Speaker 1>it at twelve, they're exploring what they think is adult

0:48:36.520 --> 0:48:38.440
<v Speaker 1>humor for the first time, and they get it and

0:48:38.480 --> 0:48:41.040
<v Speaker 1>they understand it because it's so sharply written, like, oh,

0:48:41.160 --> 0:48:44.640
<v Speaker 1>jokes can be subtle and smart and big and broad

0:48:44.680 --> 0:48:46.719
<v Speaker 1>and done at the same time. So they're starting to

0:48:46.719 --> 0:48:51.320
<v Speaker 1>see the tapestry of humor. And then in high school

0:48:52.080 --> 0:48:56.040
<v Speaker 1>it's kind of like you get that shared communion of

0:48:56.560 --> 0:48:59.080
<v Speaker 1>you get the joke the way I get the joke. Yes,

0:48:59.480 --> 0:49:02.759
<v Speaker 1>it's a show. There's hip humor in it too. There's

0:49:02.760 --> 0:49:05.120
<v Speaker 1>the obvious stuff, but then there's a settle stuff. So

0:49:05.200 --> 0:49:09.320
<v Speaker 1>that's another thing. Then in college, I believe it gives

0:49:09.320 --> 0:49:12.319
<v Speaker 1>you that that security blanket of well, I'm gonna have

0:49:12.320 --> 0:49:14.399
<v Speaker 1>to go out in the world and work, but it's

0:49:14.440 --> 0:49:17.919
<v Speaker 1>not so scary because those buffoons on the office seem

0:49:18.000 --> 0:49:20.799
<v Speaker 1>to make it work and so it can't be that

0:49:20.920 --> 0:49:23.839
<v Speaker 1>scarier place. And then when you get into the workplace,

0:49:24.320 --> 0:49:26.920
<v Speaker 1>you go, oh, that's right, Well, at least it's not.

0:49:27.400 --> 0:49:29.440
<v Speaker 1>Our place is better than that place. But there are

0:49:29.440 --> 0:49:30.920
<v Speaker 1>some people at the work of this place that I

0:49:31.040 --> 0:49:33.440
<v Speaker 1>like that place, And as you're gone, then you embrace

0:49:33.560 --> 0:49:36.680
<v Speaker 1>like where the office. So that's why I think there's

0:49:36.680 --> 0:49:39.200
<v Speaker 1>this thread that runs through all of those things. But

0:49:40.200 --> 0:49:45.480
<v Speaker 1>the deep psychological impact, I haven't broken that down, but

0:49:45.600 --> 0:49:47.680
<v Speaker 1>that's the only threat. I feel like I kind of

0:49:47.680 --> 0:49:50.439
<v Speaker 1>have a beat on why it's got that appeal from

0:49:50.440 --> 0:49:55.600
<v Speaker 1>twelve to ninety. But the psychological and the psychological thing

0:49:55.600 --> 0:49:58.120
<v Speaker 1>I probably breaks down to a bunch of different categories.

0:49:58.440 --> 0:50:01.080
<v Speaker 1>And you know what Comedia dell are taint is and

0:50:01.120 --> 0:50:02.520
<v Speaker 1>for the for your listeners. I don't know if you

0:50:02.600 --> 0:50:05.840
<v Speaker 1>talked about it. Comedia dell arte is it's an Italian

0:50:05.920 --> 0:50:08.680
<v Speaker 1>art form and they based their characters there. They had

0:50:08.960 --> 0:50:14.000
<v Speaker 1>eleven archetypes based on these representations of what humans were,

0:50:14.440 --> 0:50:16.560
<v Speaker 1>from low class to high class, but all of them

0:50:16.560 --> 0:50:19.239
<v Speaker 1>were lampooned. And so I know, we don't have time

0:50:19.239 --> 0:50:21.480
<v Speaker 1>to break it down, but if you look at the office,

0:50:21.680 --> 0:50:24.640
<v Speaker 1>they are all represented by one of the comedy archetypes

0:50:24.800 --> 0:50:28.919
<v Speaker 1>from Comedia del arte as our most sitcoms, and we're

0:50:28.920 --> 0:50:32.000
<v Speaker 1>really just making fun of ourselves. And what we do

0:50:32.080 --> 0:50:35.719
<v Speaker 1>is we see ourselves represented on the screen in those characters,

0:50:36.000 --> 0:50:39.120
<v Speaker 1>and it gives us comfort and worth and the ability

0:50:39.120 --> 0:50:42.120
<v Speaker 1>to go on because I belong. I'm part of something

0:50:42.560 --> 0:50:44.920
<v Speaker 1>larger than me, and I'm represented here and that's me

0:50:45.040 --> 0:50:47.120
<v Speaker 1>and that person as someone else I love and you know,

0:50:47.320 --> 0:50:50.560
<v Speaker 1>enjoy or that person is a caution and everyone recognizes

0:50:50.560 --> 0:50:53.680
<v Speaker 1>that that's the worst person. We all agree on that

0:50:54.239 --> 0:51:01.239
<v Speaker 1>is terrible. Right now. I think you're exactly you know.

0:51:01.280 --> 0:51:05.040
<v Speaker 1>I mean, people talk about, you know, Michael Scott, the

0:51:05.080 --> 0:51:08.120
<v Speaker 1>character of Michael Scott, and he says inappropriate things and

0:51:08.160 --> 0:51:12.600
<v Speaker 1>he says misguided things. But I think that throughout the show,

0:51:13.440 --> 0:51:17.919
<v Speaker 1>you really get to know these people, and as mean

0:51:17.960 --> 0:51:20.920
<v Speaker 1>as he is or misguided as he is at times,

0:51:21.680 --> 0:51:23.920
<v Speaker 1>he has a tremendous amount of heart. And all of

0:51:23.920 --> 0:51:26.480
<v Speaker 1>the characters have a tremendous amount of heart, which I

0:51:26.520 --> 0:51:29.879
<v Speaker 1>think brings comfort. I don't know, but that's I think.

0:51:29.920 --> 0:51:33.120
<v Speaker 1>I think you're absolutely right. Every all the regular players

0:51:33.120 --> 0:51:36.680
<v Speaker 1>on the show, you know, we identify was struggle, and

0:51:36.760 --> 0:51:39.239
<v Speaker 1>so everyone's struggling, but they all succeed and they get through.

0:51:39.480 --> 0:51:41.160
<v Speaker 1>And the best way to get through is to have

0:51:41.360 --> 0:51:46.200
<v Speaker 1>heart and to identify with what kindness is and make

0:51:46.239 --> 0:51:50.840
<v Speaker 1>the better choice. And it might take someone several times

0:51:50.880 --> 0:51:53.840
<v Speaker 1>to make the better choice, but you're rooting for them, like,

0:51:54.080 --> 0:51:57.160
<v Speaker 1>don't do that make the right choice please this time?

0:51:57.440 --> 0:51:58.880
<v Speaker 1>But you know you have to not make that right

0:51:58.960 --> 0:52:19.560
<v Speaker 1>choice a long time because it's comedy. Right, you were

0:52:19.600 --> 0:52:23.600
<v Speaker 1>on SNL. We haven't even talked about, but obviously you know,

0:52:24.280 --> 0:52:30.840
<v Speaker 1>huge classic now all time comedy movies. Anchorman, champ Kind.

0:52:31.640 --> 0:52:35.240
<v Speaker 1>What is the role now that you have done throughout

0:52:35.239 --> 0:52:37.359
<v Speaker 1>your career that you would say that you are are

0:52:37.520 --> 0:52:41.919
<v Speaker 1>most recognized for. Oh, well, it's Todd Packer, hands down,

0:52:42.400 --> 0:52:45.319
<v Speaker 1>and then Champ Kind second, it was a puzzle to

0:52:45.360 --> 0:52:50.160
<v Speaker 1>me because after three years of being on just two

0:52:50.200 --> 0:52:53.239
<v Speaker 1>episodes this season of the Office, when you'd see your

0:52:53.320 --> 0:52:56.520
<v Speaker 1>name in print David Kicker from the Office and Anchorman

0:52:56.640 --> 0:53:00.680
<v Speaker 1>like wait no, it's Anchorman. Then the Office, I'm I'm

0:53:00.680 --> 0:53:04.360
<v Speaker 1>not on the Office. I'm barely on the Office. But

0:53:04.440 --> 0:53:07.360
<v Speaker 1>I think the thing about Packer is he was referenced

0:53:07.400 --> 0:53:10.719
<v Speaker 1>a lot in the show, even when he's not there,

0:53:11.160 --> 0:53:14.279
<v Speaker 1>or I think people would feel there's like, oh shit,

0:53:15.160 --> 0:53:18.880
<v Speaker 1>something's going on, things are bad. Is Packer coming. I

0:53:18.920 --> 0:53:22.840
<v Speaker 1>think there's a pervasive feeling like it any is a

0:53:22.880 --> 0:53:26.239
<v Speaker 1>storm on its way. Can we avoid the storm? Or

0:53:26.320 --> 0:53:29.040
<v Speaker 1>just an episode where Packer is gonna show up and

0:53:29.040 --> 0:53:32.160
<v Speaker 1>it's always this loathsome feel like, oh, I don't want

0:53:32.520 --> 0:53:40.040
<v Speaker 1>I don't want the ghosts, the horrible ghost visit tonight. Yes, well,

0:53:40.239 --> 0:53:43.120
<v Speaker 1>if Packers coming, there's no way to avoid them. Let's

0:53:43.160 --> 0:53:45.719
<v Speaker 1>just be clear about that. There. You might batten down

0:53:45.719 --> 0:53:49.239
<v Speaker 1>the hatches, but you can't. You can't protect yourself. Yes,

0:53:49.600 --> 0:53:53.200
<v Speaker 1>things are gonna be overturned. I do want to mention obviously,

0:53:53.400 --> 0:53:59.759
<v Speaker 1>you are still incredibly busy and successful, and I know

0:54:00.160 --> 0:54:02.360
<v Speaker 1>right now you're on tour and by the way, I

0:54:02.360 --> 0:54:04.080
<v Speaker 1>do have to say that. I do have to tell

0:54:04.120 --> 0:54:07.120
<v Speaker 1>you this. People ask me now all the time, you know,

0:54:07.200 --> 0:54:09.640
<v Speaker 1>I say, oh, I'm going to this college or I'm

0:54:09.680 --> 0:54:11.960
<v Speaker 1>going here there, and they're like, oh, you know, stand

0:54:12.040 --> 0:54:15.480
<v Speaker 1>up and I for me, you you mentioned sort of

0:54:15.520 --> 0:54:19.359
<v Speaker 1>this before. I can't even call myself a stand up

0:54:19.680 --> 0:54:23.200
<v Speaker 1>because I feel like it's cheating because I didn't go

0:54:23.320 --> 0:54:27.239
<v Speaker 1>through that before. It's cheating now. But you're doing a

0:54:27.280 --> 0:54:32.399
<v Speaker 1>live show, David Keckner dot com. You can grab tickets there.

0:54:32.520 --> 0:54:35.200
<v Speaker 1>You're going everywhere, right all around the country. Yeah, this

0:54:35.239 --> 0:54:37.239
<v Speaker 1>is the I'm doing more dates this year than I

0:54:37.320 --> 0:54:39.879
<v Speaker 1>ever had before because I'm writing a new show and

0:54:39.920 --> 0:54:41.719
<v Speaker 1>I will be doing a special before the end of

0:54:41.760 --> 0:54:45.319
<v Speaker 1>the year. Yeah. And you know, it takes a long

0:54:45.400 --> 0:54:47.440
<v Speaker 1>time to become a stand up, and they say, and

0:54:47.480 --> 0:54:49.200
<v Speaker 1>I've been doing it long enough now that I feel

0:54:49.200 --> 0:54:52.319
<v Speaker 1>like I can call myself one. Okay, But you know,

0:54:52.960 --> 0:54:55.280
<v Speaker 1>rather than trying to do what everybody else is doing,

0:54:55.680 --> 0:54:58.240
<v Speaker 1>I finally like, no, no, David, You've got to embrace

0:54:58.320 --> 0:55:00.879
<v Speaker 1>the thing that you do and do more of that

0:55:01.400 --> 0:55:03.319
<v Speaker 1>because there's so many great stand ups that do so

0:55:03.360 --> 0:55:07.319
<v Speaker 1>many different things. Well like that do what you do well, Dave,

0:55:07.480 --> 0:55:09.680
<v Speaker 1>don't try and be a little bit of this and

0:55:09.719 --> 0:55:11.080
<v Speaker 1>a little bit of that before. I think a lot

0:55:11.120 --> 0:55:12.480
<v Speaker 1>of my show has been a little bit of this,

0:55:12.520 --> 0:55:14.799
<v Speaker 1>a little bit of that, like compared to a lot

0:55:14.840 --> 0:55:18.880
<v Speaker 1>of different influences that we've all had. But then at

0:55:18.880 --> 0:55:21.239
<v Speaker 1>some point you're gonna, well, what's your thing do You're

0:55:21.400 --> 0:55:23.640
<v Speaker 1>just an hour of just your thing the way you

0:55:23.719 --> 0:55:25.799
<v Speaker 1>want to do it, and they'll come good for you

0:55:25.960 --> 0:55:29.080
<v Speaker 1>to see that. There are moments sometimes in shows if

0:55:29.120 --> 0:55:32.000
<v Speaker 1>I'm doing a character piece or someone who's used to

0:55:32.040 --> 0:55:34.799
<v Speaker 1>the rhythm of the stand up going from this joke

0:55:34.840 --> 0:55:37.640
<v Speaker 1>to another. Now I'm in a character like what and

0:55:37.880 --> 0:55:39.480
<v Speaker 1>you know the thing that I have and you have too,

0:55:39.560 --> 0:55:42.319
<v Speaker 1>is like you've got to say the stuff from the

0:55:42.360 --> 0:55:45.239
<v Speaker 1>office and anchorman because that's what got me here. So

0:55:45.280 --> 0:55:46.799
<v Speaker 1>I do have to do that in my show, and

0:55:46.840 --> 0:55:49.360
<v Speaker 1>I recognize that. So once that's done, like, okay, guys,

0:55:49.560 --> 0:55:54.240
<v Speaker 1>we're done with that. Now comes my turn. I struggle

0:55:54.320 --> 0:55:56.799
<v Speaker 1>with whether to make them wait for it or just

0:55:56.800 --> 0:56:00.200
<v Speaker 1>getting off off the bat soon. I don't know. I'm

0:56:00.239 --> 0:56:02.960
<v Speaker 1>the same way. I don't there's not an answer. Okay,

0:56:03.080 --> 0:56:05.600
<v Speaker 1>there's you know, it's up to you. I think what

0:56:05.680 --> 0:56:07.880
<v Speaker 1>I've done, I've done both. I've done where I do

0:56:07.920 --> 0:56:10.360
<v Speaker 1>it right away, and I've done where I do it

0:56:10.520 --> 0:56:13.399
<v Speaker 1>halfway through. And I sometimes will do it when they

0:56:13.480 --> 0:56:19.640
<v Speaker 1>yell right. You know, after fifteen minutes, someone will yell whammy,

0:56:19.719 --> 0:56:22.319
<v Speaker 1>and I know they can't even pay attention to my

0:56:22.400 --> 0:56:26.279
<v Speaker 1>show until they hear whammy. It's almost like, Okay, I'll

0:56:26.320 --> 0:56:28.560
<v Speaker 1>give you a whammy. It's almost like a kid, all right,

0:56:28.600 --> 0:56:32.319
<v Speaker 1>you're gonna get one cookie and then we're gonna you know,

0:56:32.400 --> 0:56:34.680
<v Speaker 1>then we're going home or whatever. They we're gonna settle

0:56:34.680 --> 0:56:36.800
<v Speaker 1>in and watch the movie. Yes, you get popcorn and

0:56:37.000 --> 0:56:38.839
<v Speaker 1>soda pop. Then you've gotta be quiet for the whole movie.

0:56:39.800 --> 0:56:41.839
<v Speaker 1>But there is that because there's people who just can't

0:56:41.880 --> 0:56:45.560
<v Speaker 1>stand it. When's he gonna say whammy? What's he gonna say?

0:56:45.600 --> 0:56:48.680
<v Speaker 1>What's up? My nerds? I can't hear you say what's up?

0:56:48.719 --> 0:56:53.960
<v Speaker 1>My nerds? I get it you and I can't run

0:56:54.000 --> 0:56:56.200
<v Speaker 1>from this. It's it's what got them in the seats

0:56:56.200 --> 0:57:00.320
<v Speaker 1>in the first place. That's right, That is true. Can't

0:57:00.440 --> 0:57:06.400
<v Speaker 1>leave you without talking about the Kansas City Chiefs. Maybe

0:57:06.440 --> 0:57:11.759
<v Speaker 1>the greatest game in the history of the NFL, the

0:57:11.800 --> 0:57:16.920
<v Speaker 1>Buffalo Bills losing somehow with thirteen seconds left on the

0:57:16.960 --> 0:57:22.160
<v Speaker 1>clock and Kansas City coming through. What your experience watching

0:57:22.200 --> 0:57:27.280
<v Speaker 1>the last plus seconds of that game, Well, I'd be

0:57:27.360 --> 0:57:31.480
<v Speaker 1>a liar if I didn't say I had availed myself

0:57:31.520 --> 0:57:34.680
<v Speaker 1>to the idea that it's okay, okay, it's okay. I

0:57:34.760 --> 0:57:37.840
<v Speaker 1>knew we were playing the best other team in my

0:57:38.000 --> 0:57:41.600
<v Speaker 1>estimation in the game this year. I knew that the

0:57:41.640 --> 0:57:44.320
<v Speaker 1>Buffalo Bills would be our toughest opponent of the year.

0:57:44.760 --> 0:57:47.040
<v Speaker 1>We've got so many weapons, You've got so much hope,

0:57:47.240 --> 0:57:49.760
<v Speaker 1>and we've got Mahomes and all of them. You don't

0:57:49.800 --> 0:57:52.840
<v Speaker 1>just say we've got Mahomes. We've got Mahomes and Kelsey

0:57:52.880 --> 0:57:56.360
<v Speaker 1>and Hill and Pringle and everybody you know, and Williams

0:57:56.600 --> 0:58:00.000
<v Speaker 1>and Edwards, Hilaire uh in that front line. We've got everything.

0:58:00.360 --> 0:58:03.200
<v Speaker 1>But there is something about the magic of these two quarterbacks,

0:58:03.840 --> 0:58:07.040
<v Speaker 1>Alan and Mahomes, and they both kept doing it, and

0:58:07.080 --> 0:58:09.960
<v Speaker 1>it's you know, it's only about the time, because they

0:58:09.960 --> 0:58:13.880
<v Speaker 1>would have come back and scored, yeah, back and forth

0:58:13.920 --> 0:58:16.439
<v Speaker 1>all night. Yeah, we just happened to have the ball.

0:58:16.560 --> 0:58:21.400
<v Speaker 1>Alan played an absolutely perfect game and lost and lost.

0:58:21.920 --> 0:58:26.920
<v Speaker 1>Um so I was willing. I was willing to accept defeat.

0:58:27.280 --> 0:58:30.560
<v Speaker 1>I wasn't defeated. I was willing to go, Okay, well

0:58:30.720 --> 0:58:32.680
<v Speaker 1>we put it all out there too, and I can't

0:58:32.720 --> 0:58:35.960
<v Speaker 1>believe they came back after what we just did. And

0:58:36.000 --> 0:58:40.200
<v Speaker 1>there there's never because there's always talking about time management

0:58:40.200 --> 0:58:42.720
<v Speaker 1>and football. You left him too much time. You're like,

0:58:42.720 --> 0:58:44.919
<v Speaker 1>you're like, what, you left him too much time? There's

0:58:44.920 --> 0:58:49.000
<v Speaker 1>thirteen seconds? Yeah, then you know you can't second guess

0:58:49.000 --> 0:58:54.160
<v Speaker 1>their coach. Right, let's put him deep on. Everyone could

0:58:54.160 --> 0:58:56.280
<v Speaker 1>say you should have swibbed it, you should have kicked

0:58:56.320 --> 0:58:58.560
<v Speaker 1>an on side kicked you shaid we should have, should have,

0:58:58.600 --> 0:59:01.760
<v Speaker 1>should have and how are you gonna go you know,

0:59:01.880 --> 0:59:06.040
<v Speaker 1>seventy yards that's not going to happen. Well, yeah, well

0:59:06.120 --> 0:59:08.280
<v Speaker 1>the special team it does and it's okay, and you've

0:59:08.320 --> 0:59:10.560
<v Speaker 1>got to be part of a special game. And I

0:59:10.600 --> 0:59:12.400
<v Speaker 1>felt too, was like, god, do we start saying this

0:59:12.480 --> 0:59:15.600
<v Speaker 1>is the greatest game. I was at the Colosseum when

0:59:15.640 --> 0:59:18.920
<v Speaker 1>the Chiefs and the Rams scored a hundred and nine

0:59:19.040 --> 0:59:21.680
<v Speaker 1>points and kept going back and forth. That was an

0:59:21.680 --> 0:59:24.760
<v Speaker 1>amazing game. We lost that one, but the lesson was

0:59:24.960 --> 0:59:27.680
<v Speaker 1>we were right there. We could do it. We scored

0:59:27.720 --> 0:59:31.240
<v Speaker 1>forty summer fifty points, right, like, we can do it.

0:59:31.960 --> 0:59:34.560
<v Speaker 1>So yeah, it to be part of a great game

0:59:34.680 --> 0:59:38.520
<v Speaker 1>is something else. Yeah, it was amazing. If you are

0:59:38.600 --> 0:59:43.120
<v Speaker 1>playing in the super Bowl, good luck, and if you're not, well,

0:59:43.960 --> 0:59:47.200
<v Speaker 1>you won. I think the greatest game in the NFL history,

0:59:47.840 --> 0:59:51.160
<v Speaker 1>the best game I've ever seen. Yeah, I don't see

0:59:51.160 --> 0:59:54.760
<v Speaker 1>how we're not there. I'm pretty confident. But you know,

0:59:54.840 --> 0:59:58.000
<v Speaker 1>one game one day to time, and I know you

0:59:58.040 --> 1:00:01.600
<v Speaker 1>and Aaron are close and that it is tough. Yeah,

1:00:01.920 --> 1:00:06.480
<v Speaker 1>that was not as fun. I'll be honest. I was hoping.

1:00:06.680 --> 1:00:09.160
<v Speaker 1>I was hoping it was going to be uh, the

1:00:09.240 --> 1:00:11.880
<v Speaker 1>Chiefs and the Packers. I thought it was going to be.

1:00:12.400 --> 1:00:14.400
<v Speaker 1>I did too. I thought I was pretty sure that's

1:00:14.520 --> 1:00:16.560
<v Speaker 1>that's and I thought that's going to be an incredible

1:00:16.600 --> 1:00:19.440
<v Speaker 1>game because we didn't play the Packers. We played the

1:00:19.440 --> 1:00:23.000
<v Speaker 1>Packers without Aaron Rodgers. Earlier in the season. We didn't

1:00:23.000 --> 1:00:26.000
<v Speaker 1>beat the Packers. We beat the Packers without Aaron Rodgers.

1:00:26.040 --> 1:00:31.760
<v Speaker 1>That's not the Packers, right. Yeah, Well, good luck, enjoy

1:00:32.280 --> 1:00:36.440
<v Speaker 1>enjoy it, and Dave, thank you so much for coming on. Pleasure,

1:00:36.440 --> 1:00:41.200
<v Speaker 1>appreciate you so much and sharing well, you're inside about

1:00:41.240 --> 1:00:44.960
<v Speaker 1>the Office, but also I think some amazing words for

1:00:44.960 --> 1:00:47.560
<v Speaker 1>for anyone who not only has a dream of being

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<v Speaker 1>an entertainer or in this business, but but really any business.

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<v Speaker 1>So thank you, my friend. I appreciate you as well,

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<v Speaker 1>doubl b. Great to spend time with you. Thank God

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<v Speaker 1>for technology so we can hang out and know it all.

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<v Speaker 1>My brother, best your family, have a great day. That

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<v Speaker 1>was amazing, David, Thank you so much for stopping by.

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<v Speaker 1>Funny I expected Deep I did not, but hey, I

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<v Speaker 1>loved it. All of you out there listening, that was great, right,

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<v Speaker 1>I hope you enjoyed it. Off the Beat is going

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<v Speaker 1>to be freaking awesome. I'm so excited. I'm gonna be

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<v Speaker 1>back next week here with the man who brought the

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<v Speaker 1>Office to the States once again, Ben Silverman. It's gonna

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<v Speaker 1>be a bitter sweet episode. But I cannot wait to

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<v Speaker 1>go off the beat with all of you. I'll see

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<v Speaker 1>you that the Office. Deep Dive is hosted and executive

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<v Speaker 1>produced by me Brian Baumgartner, alongside our executive producer Langlee.

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<v Speaker 1>Our producers are Liz Hayes and Diego Tapia. Our theme

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<v Speaker 1>song Bubble and Squeak, performed by my great friend Creed Bratton,

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<v Speaker 1>and the episode was mixed by seth Olandsky.