1 00:00:00,240 --> 00:00:02,000 Speaker 1: The Day in History Class is a production of I 2 00:00:02,080 --> 00:00:09,760 Speaker 1: Heart Radio, Hello and Welcome to this Day in History Class, 3 00:00:09,800 --> 00:00:12,680 Speaker 1: a show that belts out the greatest hits of history 4 00:00:13,000 --> 00:00:17,160 Speaker 1: one day at a time. I'm Gay Bluesier, and today 5 00:00:17,600 --> 00:00:20,600 Speaker 1: we're exploring the story behind one of the most famous 6 00:00:20,640 --> 00:00:25,360 Speaker 1: songs in country rock history, including its unexpected ties to 7 00:00:25,520 --> 00:00:37,560 Speaker 1: classic literature. The day was June twenty three, nineteen seventy nine, 8 00:00:38,520 --> 00:00:42,320 Speaker 1: the Charlie Daniels Band released a hit single called The 9 00:00:42,400 --> 00:00:46,120 Speaker 1: Devil Went Down to Georgia. The song was the first 10 00:00:46,240 --> 00:00:50,040 Speaker 1: radio single from the band's nineteen seventy nine studio album 11 00:00:50,200 --> 00:00:54,600 Speaker 1: Million Mile Reflections. It proved to be a rare crossover 12 00:00:54,720 --> 00:00:59,320 Speaker 1: hit that summer, steadily climbing both country and pop music charts. 13 00:01:00,040 --> 00:01:03,360 Speaker 1: In late August, the song hit number one on Billboard's 14 00:01:03,400 --> 00:01:07,119 Speaker 1: Hot Country Songs chart, and in mid September, it peaked 15 00:01:07,160 --> 00:01:11,080 Speaker 1: at number three on Billboard's All Genre Hot one hundred, 16 00:01:11,520 --> 00:01:14,520 Speaker 1: just behind after The Love Is Gone by Earth Wind 17 00:01:14,560 --> 00:01:19,440 Speaker 1: and Fire and My Sharona by the Neck. The Fiery 18 00:01:19,480 --> 00:01:22,720 Speaker 1: Fiddle heavy ballad tells the story of a man named 19 00:01:22,800 --> 00:01:26,520 Speaker 1: Johnny who squares off in a musical contest against the 20 00:01:26,560 --> 00:01:30,360 Speaker 1: Devil himself. Let's take a listen the boys that my 21 00:01:30,520 --> 00:01:33,320 Speaker 1: name's Johnny, and it might be a sin, but I'll 22 00:01:33,319 --> 00:01:35,480 Speaker 1: take your bet. You're gonna regret because I'm the best. 23 00:01:35,560 --> 00:01:39,040 Speaker 1: Is every ben Johnny, up your phone and play your 24 00:01:39,080 --> 00:01:43,000 Speaker 1: fiddle hard because Hell's proclusive Georgia and the Devil deals 25 00:01:43,040 --> 00:01:45,800 Speaker 1: and hards and if you and you get the shiny 26 00:01:45,880 --> 00:01:49,240 Speaker 1: bit a little bit of gold, but if you get 27 00:01:49,280 --> 00:01:56,000 Speaker 1: your soul. As the song explains, the devil was in 28 00:01:56,080 --> 00:01:59,680 Speaker 1: a bind because he was way behind, presumably on the 29 00:02:00,040 --> 00:02:03,240 Speaker 1: voda of souls he needed to collect that month to 30 00:02:03,360 --> 00:02:06,960 Speaker 1: help make his numbers. The devil sets his sights on Johnny, 31 00:02:07,160 --> 00:02:10,040 Speaker 1: a brash young fiddle player from the Deep South who 32 00:02:10,080 --> 00:02:14,480 Speaker 1: seems like an easy mark. Satan proposes a fiddle contest 33 00:02:14,560 --> 00:02:17,840 Speaker 1: between the two of them, wagering a golden fiddle against 34 00:02:17,960 --> 00:02:21,840 Speaker 1: Johnny's immortal soul. The young man takes the bet without 35 00:02:21,880 --> 00:02:25,919 Speaker 1: a second thought, and in the end his confidence proves justified. 36 00:02:26,480 --> 00:02:30,320 Speaker 1: Johnny gives such an inspired performance that the Devil can't 37 00:02:30,320 --> 00:02:34,000 Speaker 1: deny he's been bested. He lays the golden prize at 38 00:02:34,080 --> 00:02:38,360 Speaker 1: Johnny's feet and SLINKs away, defeated, making a deal with 39 00:02:38,400 --> 00:02:42,079 Speaker 1: the devil for personal gain is a classic literary theme. 40 00:02:42,800 --> 00:02:45,760 Speaker 1: One of the earliest and most popular examples is the 41 00:02:45,840 --> 00:02:50,240 Speaker 1: sixteenth century German tale of Faust, a depressed scholar who 42 00:02:50,280 --> 00:02:53,720 Speaker 1: trades his soul to Satan in exchange for infinite knowledge 43 00:02:53,840 --> 00:02:58,519 Speaker 1: and some sweet magic powers. That popular legend has inspired 44 00:02:58,600 --> 00:03:02,680 Speaker 1: countless reinterpretations of the concept of bargaining with the devil. 45 00:03:03,120 --> 00:03:07,800 Speaker 1: For example, in nineteen thirty six, Stephen Vincent Bannet put 46 00:03:07,800 --> 00:03:10,400 Speaker 1: his spin on the idea in a short story called 47 00:03:10,560 --> 00:03:14,040 Speaker 1: The Devil and Daniel Webster. It tells the tale of 48 00:03:14,080 --> 00:03:17,200 Speaker 1: a struggling New Hampshire farmer who sells his soul for 49 00:03:17,240 --> 00:03:19,720 Speaker 1: a better life, and later tries to get out of 50 00:03:19,760 --> 00:03:22,639 Speaker 1: the deal with the help of his lawyer, Daniel Webster. 51 00:03:23,600 --> 00:03:26,960 Speaker 1: Charlie Daniels read that story in his youth and later 52 00:03:27,040 --> 00:03:31,960 Speaker 1: cited it as inspiration for his similarly themed song Amazingly, though, 53 00:03:32,320 --> 00:03:35,680 Speaker 1: that wasn't the only work by Stephen Vincent Bannet that 54 00:03:35,840 --> 00:03:39,760 Speaker 1: inspired The Devil Went Down to Georgia. Daniels was also 55 00:03:39,880 --> 00:03:44,160 Speaker 1: familiar with a nineteen poem by the author titled The 56 00:03:44,320 --> 00:03:48,960 Speaker 1: Mountain Whipper Will or How hill Billy Jim Won the 57 00:03:49,040 --> 00:03:53,960 Speaker 1: Great Fiddler's Prize. As that subtitle suggests, the poem is 58 00:03:54,000 --> 00:03:57,040 Speaker 1: about an underdog who fiddles his heart out and wins 59 00:03:57,080 --> 00:04:00,720 Speaker 1: first place at a contest. There's no deal with the Devil, 60 00:04:00,960 --> 00:04:04,640 Speaker 1: but the poem does include lines like Hell's broke loose 61 00:04:04,680 --> 00:04:08,840 Speaker 1: in Georgia and fire on the Mountains, Snakes in the grass, 62 00:04:09,240 --> 00:04:14,320 Speaker 1: Satan's here a bilin, Oh, Lordy let him pass. Binet's 63 00:04:14,440 --> 00:04:18,039 Speaker 1: stories clearly left an impression on Daniels as a child, 64 00:04:18,440 --> 00:04:21,080 Speaker 1: but he didn't consciously set out to write a song 65 00:04:21,200 --> 00:04:25,000 Speaker 1: combining them as an adult. In fact, The Devil went 66 00:04:25,080 --> 00:04:28,800 Speaker 1: Down to Georgia only came about because the band realized 67 00:04:28,880 --> 00:04:32,600 Speaker 1: they didn't have a fiddle centric song for their new album. 68 00:04:32,680 --> 00:04:35,480 Speaker 1: That was a problem since the band viewed fiddle songs 69 00:04:35,520 --> 00:04:38,440 Speaker 1: as a link to their bluegrass roots and knew that 70 00:04:38,560 --> 00:04:42,599 Speaker 1: fans would be disappointed if that uniquely country instrument wasn't 71 00:04:42,600 --> 00:04:46,920 Speaker 1: given its due. Daniels later spoke about the recording process, 72 00:04:46,960 --> 00:04:51,240 Speaker 1: saying quote, we had rehearsed, written and recorded the music 73 00:04:51,320 --> 00:04:54,400 Speaker 1: for our Million Mile Reflections album, and all of a 74 00:04:54,440 --> 00:04:57,400 Speaker 1: sudden we said we don't have a fiddle song. I 75 00:04:57,440 --> 00:04:59,920 Speaker 1: don't know why we didn't discover that, but we went 76 00:05:00,040 --> 00:05:02,240 Speaker 1: out and we took a couple of days break from 77 00:05:02,240 --> 00:05:05,680 Speaker 1: the recording studio, went into a rehearsal studio, and I 78 00:05:05,800 --> 00:05:08,839 Speaker 1: just had this idea, the Devil went down to Georgia. 79 00:05:09,560 --> 00:05:11,960 Speaker 1: It may have come from an old poem that Stephen 80 00:05:12,040 --> 00:05:15,680 Speaker 1: Vincent Benet wrote many many years ago. He didn't use 81 00:05:15,760 --> 00:05:19,320 Speaker 1: that line, but I just started and the band started playing, 82 00:05:19,400 --> 00:05:23,120 Speaker 1: and first thing you know, we had it down. The 83 00:05:23,279 --> 00:05:26,640 Speaker 1: energetic song they came up with was a country twist 84 00:05:26,800 --> 00:05:30,320 Speaker 1: on the classic idea of a devil's bargain. The song 85 00:05:30,440 --> 00:05:33,560 Speaker 1: is built around Daniel's spoken word telling of the story, 86 00:05:33,920 --> 00:05:37,799 Speaker 1: as well as two strikingly different musical interludes, a pair 87 00:05:37,920 --> 00:05:42,080 Speaker 1: of fiddle solos, one to represent the Devil's performance and 88 00:05:42,160 --> 00:05:47,440 Speaker 1: one to represent Johnny's. Both solos are performed by Charlie Daniels, 89 00:05:47,440 --> 00:05:50,440 Speaker 1: but you'd never guess it was the same guy playing them. 90 00:05:50,480 --> 00:06:03,560 Speaker 1: The devil style is showy, inconsistent, and lacks a clear melody. 91 00:06:04,560 --> 00:06:07,599 Speaker 1: Johnny's style, on the other hand, is much smoother and 92 00:06:07,640 --> 00:06:26,159 Speaker 1: more melodic. Daniels later explained these choices, saying, quote, the 93 00:06:26,240 --> 00:06:29,800 Speaker 1: Devil's just blowing smoke. There's no melody to it. There's 94 00:06:29,839 --> 00:06:33,240 Speaker 1: no nothing. It's just a bunch of noise, just confusion 95 00:06:33,360 --> 00:06:38,359 Speaker 1: and stuff, and of course Johnny is saying something. The 96 00:06:38,440 --> 00:06:41,160 Speaker 1: song was a mainstream hit when it was released as 97 00:06:41,160 --> 00:06:44,359 Speaker 1: a single, pushing the Charlie Daniels band further into the 98 00:06:44,400 --> 00:06:47,680 Speaker 1: spotlight than they had ever been before. The song went 99 00:06:47,720 --> 00:06:50,120 Speaker 1: on to win a Grammy Award for the Best Country 100 00:06:50,160 --> 00:06:54,000 Speaker 1: Performance by a Duo or Group with Vocals. It also 101 00:06:54,080 --> 00:06:56,479 Speaker 1: got a second win the following year, when it was 102 00:06:56,520 --> 00:06:59,719 Speaker 1: included on the soundtrack for the John Travolta film Urban 103 00:07:00,000 --> 00:07:03,640 Speaker 1: all Boy. In the decades since, the song has been 104 00:07:03,680 --> 00:07:09,000 Speaker 1: covered by all kinds of artists, including Blues Traveler Primus Corn, 105 00:07:09,400 --> 00:07:13,960 Speaker 1: as well as both the Chipmunks and the Muppets. I'm 106 00:07:14,000 --> 00:07:16,640 Speaker 1: sure winning a Grammy was nice, but I think we 107 00:07:16,680 --> 00:07:21,760 Speaker 1: can all agree what the real honor was. I'm gay, 108 00:07:21,800 --> 00:07:25,360 Speaker 1: bluesier and hopefully you now know a little more about 109 00:07:25,440 --> 00:07:29,200 Speaker 1: history today than you did yesterday. If you have a 110 00:07:29,280 --> 00:07:33,320 Speaker 1: second and you're so inclined, consider following us on Twitter, Facebook, 111 00:07:33,320 --> 00:07:37,680 Speaker 1: and Instagram at T D I HC Show. You can 112 00:07:37,720 --> 00:07:40,760 Speaker 1: also rate and review the show on Apple Podcasts, or 113 00:07:40,880 --> 00:07:43,840 Speaker 1: you can write to me directly at this day at 114 00:07:43,880 --> 00:07:46,920 Speaker 1: I heart media dot Com. I'd love to hear what 115 00:07:47,200 --> 00:07:51,040 Speaker 1: you trade your soul for. Thanks to Chandler Mays for 116 00:07:51,120 --> 00:07:54,120 Speaker 1: producing the show, and thanks to you for listening. I'll 117 00:07:54,120 --> 00:07:57,320 Speaker 1: see you back here again tomorrow for another day in 118 00:07:57,440 --> 00:08:02,280 Speaker 1: history class. It beat a dent in the