WEBVTT - Mini Crush #7

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<v Speaker 1>Hey everybody, and welcome to Movie Crush. This is Chuck

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<v Speaker 1>here the home studio Pont City Market with Knoll. Hey Chuck,

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<v Speaker 1>Good morning, Chuck, Good morning. We are this is our

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<v Speaker 1>earliest recording yet hailing it. Come on, it's not clock.

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<v Speaker 1>It's fine. We'll just wood like it was six fifteen.

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<v Speaker 1>How you doing doing well? Yeah? How about you? I'm great.

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<v Speaker 1>I was just reading this New Yorker article when you

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<v Speaker 1>walked in on Atlanta Monster. I know. We're really like,

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<v Speaker 1>we're living with the swells with that show, aren't we crazy? Um?

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<v Speaker 1>All right, so welcome every body to uh Mini Crush

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<v Speaker 1>number five. This week's We're gonna just get right into it.

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<v Speaker 1>We've got a few segments and this one first one

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<v Speaker 1>is a new one. I'm gonna call it Hollywood History. Hollywood.

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<v Speaker 1>How about that? I like it very much. So maybe

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<v Speaker 1>every once in a while just do a little stuff.

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<v Speaker 1>You should know, stop short bit on something that I

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<v Speaker 1>found interesting, and this was certainly that um story of

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<v Speaker 1>Peg Entwhistle. Do you know who that is? Nold? There's

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<v Speaker 1>a bass player with the last name Entwistle from the

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<v Speaker 1>who right, John? It was not the same guy? No, No,

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<v Speaker 1>this is Peg and I don't think there was any

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<v Speaker 1>relation there. In fact, I know there's not because Peg

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<v Speaker 1>was very well known um in two for leaping to

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<v Speaker 1>her death from the age of the Hollywood Sign. Wow,

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<v Speaker 1>have you ever heard that? I have not heard that.

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<v Speaker 1>But that's a high age. That would definitely be a

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<v Speaker 1>be a death fall that would do it. And so

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<v Speaker 1>if I'm not mistaken, back then the sign said Hollywood Land. Um.

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<v Speaker 1>I did not look this part up, so I'm not

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<v Speaker 1>sure when it switched. But if you didn't know that,

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<v Speaker 1>it used to say Hollywood Land, the big famous iconic

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<v Speaker 1>sign in the Hollywood Hills there in Los Angeles. And

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<v Speaker 1>I think it was like a a developer or something,

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<v Speaker 1>and it wasn't you know. Then the land came down

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<v Speaker 1>just became Hollywood. Have you seen that movie Hollywood Land? No,

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<v Speaker 1>But I wrote a movie years ago called Hollywood Land,

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<v Speaker 1>which had nothing to do with the movie that came

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<v Speaker 1>out called Hollywood Land. But I wrote a movie years

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<v Speaker 1>ago that never went anywhere. It was not very good

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<v Speaker 1>of course, um that ended up being uh, sort of

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<v Speaker 1>like the movie Crash remember that one. Yeah, it actually

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<v Speaker 1>won the Oscar but wasn't a very good movie. It's

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<v Speaker 1>a weird one right that everyone loved and years later

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<v Speaker 1>I like to think it was a better version of Crash.

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<v Speaker 1>But it had the name Hollywood Land, which later became

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<v Speaker 1>a movie. So I was kind of like, well, this

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<v Speaker 1>is clearly I'm not gonna go anywhere serendipity because the

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<v Speaker 1>plat and the titler taken anyway, Peg Entwhistle in two

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<v Speaker 1>leapt from the Hollywood signs. Huh. Some say that area

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<v Speaker 1>is still haunted today. Uh, there are reportings of uh, well,

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<v Speaker 1>I'll get to that actually, Um, but here's PEG's story.

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<v Speaker 1>She well, here, there's kind of two parts to this.

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<v Speaker 1>She uh came to Hollywood and she ended up working

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<v Speaker 1>a little bit. She got a big role in David

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<v Speaker 1>O'sel's Next Thirteen Women, but was cut from the final film.

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<v Speaker 1>Unfortunately that happens. Uh, And the kind of legend goes

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<v Speaker 1>that she she came to Hollywood and did not ever

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<v Speaker 1>Um did not ever make it as the young starlett

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<v Speaker 1>that she wanted to be, So she leapt from the

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<v Speaker 1>h because of that. On September six, two beautiful Hollywood

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<v Speaker 1>actress grief stricken, supposedly intoxicated, uh drunk, I guess um

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<v Speaker 1>hiked from her uncle's house to the Hollywood signed and yes,

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<v Speaker 1>actually to see it did say Hollywood Land back then. Um,

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<v Speaker 1>and that's a serious hike. Yeah, get to that side

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<v Speaker 1>is no small task. Yeah, I mean and now there

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<v Speaker 1>are trails. I don't even know what it was like. Um,

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<v Speaker 1>but yeah, it's it's it's not easy and uh so

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<v Speaker 1>she hiped from her uncle's house, climbed up the maintenance

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<v Speaker 1>ladder in the back, and then uh leapt to her death.

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<v Speaker 1>The next day, a female hiker unidentified found her body

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<v Speaker 1>with a shoe, a jacket, a person a suicide note

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<v Speaker 1>that said, I'm afraid. I'm a coward. I'm sorry for everything.

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<v Speaker 1>If I had done this a long time ago, it

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<v Speaker 1>would have saved a lot of pain. P e for

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<v Speaker 1>peg end whistle man, how about that? It's sad. So

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<v Speaker 1>here's the deal though, uh people have said it's been

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<v Speaker 1>haunted for years. According to legend, the ghost is accompanied

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<v Speaker 1>by the smell of Guardinius, which was her favorite perfume.

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<v Speaker 1>People say they have smelled that. You know, it's one

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<v Speaker 1>of those you know, I don't believe it, but it's

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<v Speaker 1>one of those stories that you hear. Smell is a

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<v Speaker 1>very powerful sense Chuck, it is it is. But here's

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<v Speaker 1>the truth actually, Um, it's sort of been rewritten all

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<v Speaker 1>these years that peg Entwhistle was upset because she didn't

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<v Speaker 1>make it as a big actress. And while she may

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<v Speaker 1>not have loved the fact that she was never a

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<v Speaker 1>big actress, she actually was. Today you would probably call

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<v Speaker 1>her clinically depressed and who knows, maybe bipolar or maybe

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<v Speaker 1>had some other you know, uh, some other mental illness

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<v Speaker 1>going on. Uh. It's really easy to paint her as like, oh,

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<v Speaker 1>she didn't make it in Hollywood, so she left to

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<v Speaker 1>her death. But there was a lot more going on

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<v Speaker 1>with pegg Ent Whistle. Well, that stuff was largely un

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<v Speaker 1>treatable or undiagnosed in those days. Yeah, she would have

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<v Speaker 1>been hysterical, hysterical woman probably. Um so back east that

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<v Speaker 1>as the true story goes, or the more full story. Um,

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<v Speaker 1>she lived and worked on Broadway, had a had a

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<v Speaker 1>decent career on Broadway. Actually, when she was nineteen, she

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<v Speaker 1>married an older actor this is kind of interesting, named

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<v Speaker 1>Robert key h. Two years later they divorced and she

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<v Speaker 1>alleged deception and cruelty and uh because she found out

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<v Speaker 1>that he had been previously married and had a six

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<v Speaker 1>year old son, and that six year old son would

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<v Speaker 1>grow up to be the actor Brian Keith. So that's

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<v Speaker 1>a little, uh little side note there. Um So anyway,

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<v Speaker 1>at the end of the day, it looks like she

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<v Speaker 1>told her uncle that she was gonna step out to

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<v Speaker 1>buy a book from a drug drug store and then

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<v Speaker 1>to maybe go see some friends, and she disappeared. And

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<v Speaker 1>the uncle did say she was always fascinated by that sign.

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<v Speaker 1>But by all accounts, peck Ent Whistle had had serious

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<v Speaker 1>mental problems, um most certainly depression, and it was not

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<v Speaker 1>all just wrapped up in this starlet never made it

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<v Speaker 1>as an actor's story. Um it sounds like her when

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<v Speaker 1>we've got real bad reviews too, I guess that. Yeah,

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<v Speaker 1>I'm sure that doesn't help depression. She got cut from

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<v Speaker 1>the studio. I think it looks like right. But her

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<v Speaker 1>uncle Charles did say that she was depressed, suffering an

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<v Speaker 1>intense mental anger wish and um, I just I hate

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<v Speaker 1>it when stories like that are just neatly tied in

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<v Speaker 1>such a bow that you never really realized that there's

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<v Speaker 1>probably really something serious going on there and it wasn't

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<v Speaker 1>just about the movie industry. Uh So that is Hollywood

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<v Speaker 1>History for this week. Uh. And now we'll just move

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<v Speaker 1>right on into recommended viewing. As you know, I recommend

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<v Speaker 1>a foreign film, a documentary film, and an independent film

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<v Speaker 1>in the recommended viewing segment, and I will start with

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<v Speaker 1>not Born in the USA. My foreign film pick for

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<v Speaker 1>the week is Run, Lola Run. I knew you would

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<v Speaker 1>have seen that one years ago. I haven't seen a lot,

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<v Speaker 1>but it's such a cool one. I haven't either. I

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<v Speaker 1>was kind of just picking through my brain about I

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<v Speaker 1>used to watch a lot more foreign films. I think

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<v Speaker 1>it's the deal. Um. And I don't know why I

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<v Speaker 1>haven't been on that train lately, but I need to

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<v Speaker 1>get back on it. Run Lola Run, the Great German

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<v Speaker 1>film from directed by Tom Tickover. It's a thriller, um.

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<v Speaker 1>I guess you would call it a thriller. Uh. And

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<v Speaker 1>it starts Franka Potente and more. It's bleep trough and

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<v Speaker 1>the story is very basic. Basically is right at the

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<v Speaker 1>very beginning, Lola, this character gets a call from her

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<v Speaker 1>boyfriend Frantic and she has to get ahold of one

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<v Speaker 1>hundred thousand Deutsche marks in twenty minutes to save his life.

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<v Speaker 1>And when you start a movie like that, you get

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<v Speaker 1>that clock ticking in such a frantic fashion. It's not

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<v Speaker 1>like you've got forty eight hours twenty minutes. So it

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<v Speaker 1>just launches like a cannonball right out of the gate

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<v Speaker 1>right there. Does not let up, and it does not

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<v Speaker 1>let up, and it tells the story in three, um

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<v Speaker 1>three different ways. There are three different runs with three

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<v Speaker 1>different outcomes, and each time she starts over in the

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<v Speaker 1>same place and basically at the end of each run,

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<v Speaker 1>you know, um, I won't spoil it, but like I said,

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<v Speaker 1>there are three different outcomes depending on what happens on

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<v Speaker 1>her run. So it's got a little bit of a

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<v Speaker 1>sliding doors quality to it. Uh. But it's just like

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<v Speaker 1>the pace of this movie is just nuts. Yet it

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<v Speaker 1>doesn't feel like, you know, it's sort of edge your seat,

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<v Speaker 1>but it's not exhausting as a as a viewer. It's

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<v Speaker 1>very nineties. It's very like techno soundtrack and it's almost

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<v Speaker 1>kind of like an electro groundhog Day situation or like

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<v Speaker 1>Rashaman or something. Yeah, that's a good way to put

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<v Speaker 1>it actually. Uh. And they call it Run Lola Run

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<v Speaker 1>because you know, she's got twenty minutes. She spends a

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<v Speaker 1>lot of this movie running literally physically running in the

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<v Speaker 1>Midtown Arts Cinema like on our local movie theater. They

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<v Speaker 1>have all these foreign posters in the lobby and one

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<v Speaker 1>of them is for that and the German version is

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<v Speaker 1>just called Lola rent Yeah, it's at rent Um anyway,

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<v Speaker 1>great movie, check it out. The next up, we have

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<v Speaker 1>our documentary What's Up? Doc? I Am Going to Go

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<v Speaker 1>with the Kids stays in the picture from two thousand

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<v Speaker 1>to this movie from uh Nanette Bernstein and Brett Morrigan.

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<v Speaker 1>It's about the life of fame film producer Robert Evans,

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<v Speaker 1>his his history in Hollywood, starting from when he was

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<v Speaker 1>in a kind of a bad actor by all accounts,

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<v Speaker 1>he was sort of a rags to riches to rags

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<v Speaker 1>story because he doesn't make it as an actor, becomes

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<v Speaker 1>a producer, eventually becomes a studio chief, they head of

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<v Speaker 1>Paramount Pictures, and then kind of loses it all and

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<v Speaker 1>there is um there's a lot involved along the way

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<v Speaker 1>and Uh. They focused on his personal relationships, notably his

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<v Speaker 1>marriage to Ali mcgrawl, the actress from Love Story, which

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<v Speaker 1>he produced very big hit with Ryan O'Neill. He also

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<v Speaker 1>produced The Godfather. He also produced Chinatown and Paramount under

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<v Speaker 1>his watch was those were so sort of the golden

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<v Speaker 1>years of Paramount Pictures. Uh in the nineteen seventies when

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<v Speaker 1>Robert Evans was was chief. Have you seen it? I

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<v Speaker 1>have not. Oh dude, didn't you say you went to

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<v Speaker 1>the premiere of that? And yeah? I think, Um, I

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<v Speaker 1>want to say, Paula Tompkins in that episode. Um, it

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<v Speaker 1>wasn't the premiere. I just want an opening night in

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<v Speaker 1>Los Angeles on Sunset Boulevard and it was. It felt

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<v Speaker 1>like a premiere because there were at least tenders, well

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<v Speaker 1>famous people in that audience. It was a very highly

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<v Speaker 1>anticipated movie. Um, in the in the Hollywood community. And uh,

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<v Speaker 1>it was just visually really compelling the way they told

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<v Speaker 1>the story. And people have ripped it off since then. Um,

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<v Speaker 1>but at the time, you know, documentaries didn't do things

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<v Speaker 1>like this had these animations. Um, you really just got

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<v Speaker 1>to see it like almost like cut out animations that

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<v Speaker 1>tell the story. And Evans narrated it of course, which

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<v Speaker 1>is there's no way it could have been anyone else

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<v Speaker 1>than Robert Evans telling his own story. Yeah. I mean

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<v Speaker 1>sure there are parts of it that are funny. Um,

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<v Speaker 1>and he's he's he tells the story in a very

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<v Speaker 1>real way, and he's just got this booming voice and

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<v Speaker 1>the way he talks about, you know, making pictures, and

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<v Speaker 1>he's sort of a throwback um visually though just off

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<v Speaker 1>the charts as far as what documentaries were doing at

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<v Speaker 1>the time. You could like it had a budget, you know,

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<v Speaker 1>which is that's the reason most documentaries back then didn't

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<v Speaker 1>look great because of course there's some kid with a

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<v Speaker 1>camera guerrilla style. Let's check that up, uh and it it.

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<v Speaker 1>I think it made a big difference in the kind

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<v Speaker 1>of budgets that documentaries did get because they kind of

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<v Speaker 1>started looking better after kids stays in the picture made

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<v Speaker 1>a lot of money. It was a big hit. And

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<v Speaker 1>then finally my Independence Day pick I'm going to go

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<v Speaker 1>with the day Trippers from talked very briefly about this

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<v Speaker 1>on the episode with Guy Brandham, which should be out

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<v Speaker 1>by now, I think, um, but if not, look forward

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<v Speaker 1>to that. And it was written and directed by the

0:12:38.520 --> 0:12:41.520
<v Speaker 1>wonderful Greg Mazzola and and I think it was his

0:12:41.559 --> 0:12:44.280
<v Speaker 1>first movie, a little small indie. It was a very

0:12:44.320 --> 0:12:47.520
<v Speaker 1>simple story. That's a story about a woman who finds

0:12:47.520 --> 0:12:50.880
<v Speaker 1>a letter that indicates that her husband may be cheating

0:12:50.920 --> 0:12:54.320
<v Speaker 1>on her, so she decides to pile in the car

0:12:54.840 --> 0:12:58.079
<v Speaker 1>in the station wagon with her sister, her sister's boyfriend,

0:12:58.160 --> 0:13:00.680
<v Speaker 1>and her parents and go from Long Island into the

0:13:00.679 --> 0:13:04.360
<v Speaker 1>city of Manhattan to uh do a little spying and

0:13:04.360 --> 0:13:08.959
<v Speaker 1>find that out. Very simple story, just a delightful fun movie. Uh.

0:13:08.960 --> 0:13:11.360
<v Speaker 1>The woman has hope. Davis Stanley Tucci is her husband,

0:13:11.720 --> 0:13:15.079
<v Speaker 1>Parker Posey as her sister, Liev Schreiber as her boyfriend,

0:13:15.679 --> 0:13:17.920
<v Speaker 1>and her mom and dad are the great Anne Mara

0:13:18.440 --> 0:13:22.240
<v Speaker 1>and Pat McNamara. Also Campbell Scott is in it. And

0:13:22.240 --> 0:13:25.600
<v Speaker 1>it's just so funny. Uh. It's just one of these

0:13:25.720 --> 0:13:30.760
<v Speaker 1>movies that really captures family so well because their whole

0:13:30.800 --> 0:13:34.360
<v Speaker 1>family is kind of playing detective in Manhattan, snooping around

0:13:34.400 --> 0:13:36.520
<v Speaker 1>his office trying to find out if he's cheating on her.

0:13:37.120 --> 0:13:41.280
<v Speaker 1>And um, just a very very delightful fun movie. The

0:13:41.360 --> 0:13:46.000
<v Speaker 1>Day Trippers from nineteen nine six go check it out,

0:13:47.000 --> 0:13:49.360
<v Speaker 1>all right, and we finish up with stream this and

0:13:49.400 --> 0:13:54.880
<v Speaker 1>comment card I am gonna go for streaming this. It's

0:13:54.920 --> 0:13:56.920
<v Speaker 1>a bit of a cheat because it's an HBO show

0:13:57.800 --> 0:14:00.120
<v Speaker 1>and you don't exactly stream that, although it gets you

0:14:00.160 --> 0:14:01.599
<v Speaker 1>can you can buy that all the cart Now, I

0:14:01.640 --> 0:14:03.319
<v Speaker 1>think you don't even have to have a subscription. There's

0:14:03.320 --> 0:14:06.080
<v Speaker 1>an HBO Now or whatever, HBO go, you can just

0:14:06.480 --> 0:14:08.360
<v Speaker 1>you can just buy now. Yeah, all right, we're good

0:14:08.360 --> 0:14:11.360
<v Speaker 1>for them. High Maintenance Season two. Do you watch this show?

0:14:11.520 --> 0:14:14.199
<v Speaker 1>This is the we Delivery show. Yes, I've seen a

0:14:14.240 --> 0:14:16.439
<v Speaker 1>little bit of it. Alright, So how this show started

0:14:16.520 --> 0:14:19.800
<v Speaker 1>was started as a web series which I watched. Um,

0:14:20.040 --> 0:14:22.360
<v Speaker 1>I can't remember who sent it to me, but someone

0:14:22.400 --> 0:14:24.480
<v Speaker 1>sent it to me, and I watched the web series.

0:14:24.520 --> 0:14:27.120
<v Speaker 1>There were shorts, Um, I feel like they were about

0:14:27.320 --> 0:14:29.240
<v Speaker 1>six or seven minutes long and just told like one

0:14:29.560 --> 0:14:32.240
<v Speaker 1>little piece of a story. Uh. And then I found

0:14:32.240 --> 0:14:35.080
<v Speaker 1>out it was from husband wife team Ben Sinclair and

0:14:35.800 --> 0:14:40.640
<v Speaker 1>Katcha Blitchfeld. Um. And I'll finish up with their story

0:14:40.640 --> 0:14:44.960
<v Speaker 1>in a second. But they got signed by HBO to

0:14:45.080 --> 0:14:48.520
<v Speaker 1>do the series, and I was super stoked because it's

0:14:48.560 --> 0:14:50.920
<v Speaker 1>just such a good The web shorts were so great

0:14:51.560 --> 0:14:54.200
<v Speaker 1>and um, to be picked up by HBO was just

0:14:54.440 --> 0:14:57.640
<v Speaker 1>obviously a huge, huge deal for them. HBO didn't have

0:14:57.680 --> 0:15:00.400
<v Speaker 1>a habit of picking up random web shows about weed

0:15:00.400 --> 0:15:05.080
<v Speaker 1>delivery guys. Uh. And you know it's that's the easiest

0:15:05.120 --> 0:15:07.280
<v Speaker 1>way to describe it. It's about a weed delivery guy

0:15:07.280 --> 0:15:10.040
<v Speaker 1>in New York City. But it's really not about a

0:15:10.080 --> 0:15:13.240
<v Speaker 1>weed delivery guy. He he happens to do that. It's

0:15:13.280 --> 0:15:16.440
<v Speaker 1>about it's about New York City and the stories of

0:15:16.480 --> 0:15:18.520
<v Speaker 1>the people of New York City. It's a perfect frame

0:15:18.560 --> 0:15:21.040
<v Speaker 1>story for telling that kind of stuff. You know, absolutely

0:15:21.440 --> 0:15:24.920
<v Speaker 1>different different character every episode. You know, seeing the landscape

0:15:24.960 --> 0:15:29.560
<v Speaker 1>as he's biking around, I believe yeah, Uh it is. Uh.

0:15:29.640 --> 0:15:33.560
<v Speaker 1>It's probably the most accurate portrayal of modern New York

0:15:33.600 --> 0:15:36.080
<v Speaker 1>that I've seen because it tells the stories of everyone.

0:15:36.520 --> 0:15:38.400
<v Speaker 1>And that's that. You're right, that's the great thing about

0:15:38.400 --> 0:15:42.200
<v Speaker 1>the weed delivery guy. One episode and in each episode

0:15:42.200 --> 0:15:44.840
<v Speaker 1>now the thirty minute version weaves together two or three

0:15:44.840 --> 0:15:47.680
<v Speaker 1>different stories. Um. So one he might visit a high

0:15:47.680 --> 0:15:51.400
<v Speaker 1>powered um stockbroker in Wall Street, and then he bikes

0:15:51.440 --> 0:15:54.760
<v Speaker 1>over to like a young Cuban girl, uh, in a

0:15:54.760 --> 0:15:58.120
<v Speaker 1>tenement apartment, and all these stories kind of weave together

0:15:58.160 --> 0:16:00.000
<v Speaker 1>somehow a lot of times, and a lot of times

0:16:00.160 --> 0:16:03.200
<v Speaker 1>he is the through line before how they weave together.

0:16:03.720 --> 0:16:06.880
<v Speaker 1>But it's got so much heart and it's real, and

0:16:06.960 --> 0:16:11.240
<v Speaker 1>it can be heartbreaking and sad or funny. Um it's

0:16:11.280 --> 0:16:14.280
<v Speaker 1>just really really awesome. Uh. And the reason I said

0:16:14.360 --> 0:16:17.400
<v Speaker 1>I'll finish up about their marriage. They actually Ben Sinclair,

0:16:17.600 --> 0:16:19.600
<v Speaker 1>who stars in the movie. They don't even name him.

0:16:19.640 --> 0:16:22.640
<v Speaker 1>He's just weird guy or the guy. Uh, and his

0:16:22.680 --> 0:16:26.720
<v Speaker 1>wife was behind the scenes writing and directing along with him.

0:16:27.160 --> 0:16:32.360
<v Speaker 1>They actually got divorced before season two and decided to

0:16:33.560 --> 0:16:36.680
<v Speaker 1>you know, she she they got divorced. She is now

0:16:36.720 --> 0:16:41.000
<v Speaker 1>living with her new girlfriend and they're all friends, and

0:16:41.040 --> 0:16:43.320
<v Speaker 1>he was like, you know that that kind of life happens.

0:16:43.320 --> 0:16:45.600
<v Speaker 1>It was rough, but we have a good thing going

0:16:45.640 --> 0:16:47.760
<v Speaker 1>here with the show, and they decided to keep making

0:16:47.760 --> 0:16:51.040
<v Speaker 1>the show together through season two. Yeah. It's really interesting

0:16:51.680 --> 0:16:53.240
<v Speaker 1>that they can make that work like that, and so

0:16:53.320 --> 0:16:55.400
<v Speaker 1>hats off to them. I'm trying to get Ben Sinclair

0:16:55.440 --> 0:16:57.680
<v Speaker 1>on the show, um and have actually been in touch

0:16:57.720 --> 0:17:01.800
<v Speaker 1>with HBO, and it may be possible. He's The problem is,

0:17:01.840 --> 0:17:03.800
<v Speaker 1>I'm going to New York at the end of February

0:17:03.840 --> 0:17:05.320
<v Speaker 1>and I was trying to land him there, but he's

0:17:05.320 --> 0:17:09.199
<v Speaker 1>in l A through February. UM, but it sounds like

0:17:09.200 --> 0:17:11.320
<v Speaker 1>it's possible, so I'm gonna make it happen. It's like, yeah,

0:17:11.320 --> 0:17:14.640
<v Speaker 1>it's awesome. He just the character that he plays. It's

0:17:14.680 --> 0:17:18.440
<v Speaker 1>just such a sweet guy. Um. He always just wants

0:17:18.480 --> 0:17:23.240
<v Speaker 1>to do right by people in whatever situation he's launched into.

0:17:23.800 --> 0:17:25.760
<v Speaker 1>He always just has a good heart and wants to

0:17:25.760 --> 0:17:28.359
<v Speaker 1>do the right thing. Um. And he's just one of

0:17:28.520 --> 0:17:30.680
<v Speaker 1>one of the beloved characters on TV. To me, it's

0:17:30.680 --> 0:17:33.240
<v Speaker 1>interesting too, because I think people have a perceived idea

0:17:33.280 --> 0:17:37.000
<v Speaker 1>of like what kinds of people by Maryland Yeah or

0:17:37.040 --> 0:17:39.600
<v Speaker 1>Deliver Maryland. Yeah. What you realize in the show is yeah,

0:17:39.600 --> 0:17:42.160
<v Speaker 1>like it's it's it's every kind of person. It's every

0:17:42.240 --> 0:17:45.240
<v Speaker 1>kind of person exactly, um and all I mean that

0:17:45.320 --> 0:17:47.000
<v Speaker 1>is certainly not the focus of the show, but yet

0:17:47.040 --> 0:17:50.040
<v Speaker 1>that ends up sort of bleeding through for sure. Uh

0:17:50.080 --> 0:17:52.520
<v Speaker 1>So High Maintenance season two, check out season one, and

0:17:52.560 --> 0:17:56.040
<v Speaker 1>I believe on HBO they had a They have the

0:17:56.040 --> 0:17:58.640
<v Speaker 1>web shorts up there too, and I recommend all of them.

0:17:58.680 --> 0:18:00.680
<v Speaker 1>And it's kind of funny if you watch the web shorts.

0:18:01.119 --> 0:18:05.000
<v Speaker 1>Some of those characters later appear um on various episodes.

0:18:05.119 --> 0:18:08.000
<v Speaker 1>And sometimes it will be like a girlfriend who was

0:18:09.720 --> 0:18:12.600
<v Speaker 1>a girlfriend who later ends up with a different boyfriend

0:18:12.920 --> 0:18:14.960
<v Speaker 1>and he'll be like, wait a minute, didn't I know

0:18:15.119 --> 0:18:18.439
<v Speaker 1>you from the other place? And so It's kind of

0:18:18.560 --> 0:18:20.639
<v Speaker 1>kind of cool how they do that. All right, And

0:18:20.680 --> 0:18:23.960
<v Speaker 1>now we finish with comic card listener mail from you guys,

0:18:24.359 --> 0:18:27.679
<v Speaker 1>and I specifically ask for questions for for me and

0:18:27.760 --> 0:18:31.840
<v Speaker 1>nol on this one. You ready, no, I am? This

0:18:31.880 --> 0:18:36.440
<v Speaker 1>is from Avalon Rector. Great name, very intense name. Reboots.

0:18:36.800 --> 0:18:40.560
<v Speaker 1>Huh what are they good for? Absolutely nothing? Or is

0:18:40.600 --> 0:18:42.560
<v Speaker 1>it just a basic desire to see things we have

0:18:42.640 --> 0:18:46.240
<v Speaker 1>created before through the lens of our new technology. What

0:18:46.400 --> 0:18:50.080
<v Speaker 1>are your thoughts, guys, I'll let you go first here.

0:18:50.640 --> 0:18:53.400
<v Speaker 1>I think it just depends on their reboot, right, Like,

0:18:54.440 --> 0:18:56.680
<v Speaker 1>some of them are such obvious cash grabs that you

0:18:56.720 --> 0:18:58.879
<v Speaker 1>can't help it just be offended by it, especially if

0:18:58.880 --> 0:19:00.800
<v Speaker 1>you have like a special place in your heart for

0:19:00.840 --> 0:19:04.800
<v Speaker 1>the original and speaking in generalizations here, um, Like, for example,

0:19:04.920 --> 0:19:08.000
<v Speaker 1>there's The Ocean's eleven reboot that's coming out with all women.

0:19:08.160 --> 0:19:11.520
<v Speaker 1>I think that's interesting and and could be, if handled well,

0:19:12.000 --> 0:19:13.919
<v Speaker 1>a good thing. You know, that franchise is so kind

0:19:13.920 --> 0:19:16.720
<v Speaker 1>of open ended anyway that it's not like a remake.

0:19:16.840 --> 0:19:19.800
<v Speaker 1>It's just kind of like we're gonna resuscitate this concept

0:19:19.840 --> 0:19:22.080
<v Speaker 1>of a group of people doing a heist. I'm all

0:19:22.080 --> 0:19:24.320
<v Speaker 1>about stuff like that. But then if you have like

0:19:24.359 --> 0:19:27.679
<v Speaker 1>you know, uh, for example, there's this Heather's there's a

0:19:27.680 --> 0:19:31.439
<v Speaker 1>Heather's TV show, and it looks like utter trash. It

0:19:31.520 --> 0:19:34.159
<v Speaker 1>just looks it's like this modern reboot of Heathers in

0:19:34.160 --> 0:19:37.360
<v Speaker 1>a TV show form and it looks just like offensive

0:19:37.480 --> 0:19:39.879
<v Speaker 1>and just really crass. And I know the original is

0:19:39.920 --> 0:19:42.280
<v Speaker 1>crass as well, but it's got you know, it's got class,

0:19:42.320 --> 0:19:45.280
<v Speaker 1>it's classy crass, you know, but this just looks really

0:19:45.280 --> 0:19:48.919
<v Speaker 1>really bad. Um. It replaces characters from the originals with

0:19:49.000 --> 0:19:51.840
<v Speaker 1>kind of more modern versions. It just looks like kind

0:19:51.880 --> 0:19:54.840
<v Speaker 1>of a gross glee kind of you know, So that

0:19:55.119 --> 0:20:04.520
<v Speaker 1>bothers me stuff like that, you know. All right, My

0:20:04.640 --> 0:20:09.600
<v Speaker 1>take is, um, I'm kind of throwing remakes and reboots

0:20:09.600 --> 0:20:13.000
<v Speaker 1>into the same bucket, even though I know they're a

0:20:13.000 --> 0:20:17.479
<v Speaker 1>little different. Um, when it comes to like here's our

0:20:17.520 --> 0:20:21.480
<v Speaker 1>third version of Spider Man, it gets a little tiresome

0:20:21.520 --> 0:20:23.840
<v Speaker 1>to me. And that feels like, just hey, let's just

0:20:23.840 --> 0:20:26.639
<v Speaker 1>try and print some money for the studio. Let's not

0:20:26.680 --> 0:20:29.879
<v Speaker 1>be original. Having said that, the latest iteration of Spider

0:20:29.880 --> 0:20:34.080
<v Speaker 1>Man with the young kid is great. I really thought

0:20:34.080 --> 0:20:35.480
<v Speaker 1>it was really good, and that was a lot of

0:20:35.480 --> 0:20:40.879
<v Speaker 1>studio weirdness with like owning the rights and Marvel or whatever.

0:20:41.480 --> 0:20:43.239
<v Speaker 1>Now Marvel has it and they can do whatever they

0:20:43.240 --> 0:20:46.600
<v Speaker 1>want with the characters, So I think that makes sense. Yeah, um,

0:20:46.880 --> 0:20:49.480
<v Speaker 1>I guess like that middle version with Andrew Garfield, I

0:20:49.480 --> 0:20:52.240
<v Speaker 1>didn't care for it all, So maybe that was the problem.

0:20:52.320 --> 0:20:57.240
<v Speaker 1>Is is just throw those movies out and uh keep

0:20:58.160 --> 0:21:01.320
<v Speaker 1>one and two of Toby McGuire because the third one

0:21:01.400 --> 0:21:04.000
<v Speaker 1>wasn't great. I think they just you're right, like a

0:21:04.000 --> 0:21:06.400
<v Speaker 1>lot of times it feels like a cash grab. We're

0:21:06.440 --> 0:21:08.760
<v Speaker 1>just ill conceived. Like, um, you know one of my

0:21:08.800 --> 0:21:11.240
<v Speaker 1>most beloved movies of all time, the great comedy Arthur

0:21:11.680 --> 0:21:14.720
<v Speaker 1>with Dudley Moore. You know when they remained that with

0:21:15.000 --> 0:21:18.800
<v Speaker 1>Russell Brand I didn't I wouldn't even see it, you know,

0:21:18.840 --> 0:21:20.879
<v Speaker 1>because I knew. I was like, this is not going

0:21:20.920 --> 0:21:23.200
<v Speaker 1>to be good. But is that a remake or a reboot?

0:21:23.200 --> 0:21:25.800
<v Speaker 1>Like as it was that, Like it's a remake, yeah,

0:21:25.840 --> 0:21:29.040
<v Speaker 1>straight up. Remake. Reboots are more about like franchises maybe

0:21:29.200 --> 0:21:32.239
<v Speaker 1>or yeah. I mean they're doing it with TV now

0:21:32.280 --> 0:21:34.800
<v Speaker 1>to like Roseanne comes back or Willing Grace comes back.

0:21:34.800 --> 0:21:37.400
<v Speaker 1>And my whole thing is just there's so many good

0:21:37.400 --> 0:21:40.720
<v Speaker 1>writers out there, so many great ideas. We heard of

0:21:40.760 --> 0:21:44.440
<v Speaker 1>the Blacklist in l A, the list of screenplays that

0:21:44.520 --> 0:21:48.040
<v Speaker 1>don't get Oh no, there's a podcast. No, there's something.

0:21:48.119 --> 0:21:50.240
<v Speaker 1>It's it's been around for years they put it. Uh,

0:21:50.480 --> 0:21:52.640
<v Speaker 1>I can't remember what organization puts it out, But there's

0:21:52.640 --> 0:21:56.560
<v Speaker 1>something called the Blacklist where the best unproduced screenplays each

0:21:56.640 --> 0:22:00.800
<v Speaker 1>year are put on a list. And uh, like they're

0:22:00.840 --> 0:22:03.679
<v Speaker 1>great ideas. They're great original ideas out there. It's not

0:22:03.760 --> 0:22:07.240
<v Speaker 1>like for all of Hollywood's history they had great new

0:22:07.320 --> 0:22:10.360
<v Speaker 1>ideas and then writers just dried up and they couldn't

0:22:10.359 --> 0:22:13.280
<v Speaker 1>do it, so they started remaking everything. It has nothing

0:22:13.320 --> 0:22:17.000
<v Speaker 1>to do with that. So why make Heathers again when

0:22:17.040 --> 0:22:20.400
<v Speaker 1>you can just do another story about high school if

0:22:20.440 --> 0:22:25.320
<v Speaker 1>you want, because it worked once. Well, it's lazy. It's

0:22:25.400 --> 0:22:30.720
<v Speaker 1>studio chiefs and studio heads, uh doing the laziest thing possible.

0:22:31.600 --> 0:22:33.520
<v Speaker 1>That's what I think. Having said that, some of these

0:22:33.520 --> 0:22:36.680
<v Speaker 1>movies can be okay, but um, and I just feel bad.

0:22:36.680 --> 0:22:39.120
<v Speaker 1>There's so many good, great ideas out there that don't

0:22:39.119 --> 0:22:43.880
<v Speaker 1>get made. Just be more original. Great question avalon great

0:22:43.960 --> 0:22:47.879
<v Speaker 1>name uh A number two of three Katherine Williams, What

0:22:48.040 --> 0:22:50.480
<v Speaker 1>is your opinion on. Well, no, we get right back

0:22:50.480 --> 0:22:53.120
<v Speaker 1>into it. What's your opinion on male lead movies being

0:22:53.160 --> 0:22:58.359
<v Speaker 1>turned into all female lead movies like Ghostbusters and Oceans Eight.

0:22:59.200 --> 0:23:01.800
<v Speaker 1>I'll go first on this one. Um, this sort of

0:23:01.840 --> 0:23:06.280
<v Speaker 1>ties in with the reboot in a way I'm kind

0:23:06.280 --> 0:23:10.600
<v Speaker 1>of like, But in these cases, UM, I think is

0:23:10.680 --> 0:23:15.320
<v Speaker 1>so important for especially when you're talking about recasting with

0:23:15.359 --> 0:23:18.480
<v Speaker 1>an all female cast, and so important that the young

0:23:18.520 --> 0:23:22.720
<v Speaker 1>women and girls see these movies and be uh and

0:23:22.760 --> 0:23:25.320
<v Speaker 1>can be represented. Like when I saw some of the

0:23:26.400 --> 0:23:28.680
<v Speaker 1>uh so I can't remember, someone sent me a video

0:23:28.760 --> 0:23:33.520
<v Speaker 1>of the Ghostbusters reaction um from these young girls, and

0:23:33.520 --> 0:23:37.520
<v Speaker 1>it was just amazing to see these girls like uh,

0:23:37.840 --> 0:23:41.679
<v Speaker 1>identifying with these characters finally in a way that they

0:23:41.680 --> 0:23:44.679
<v Speaker 1>couldn't before. And like, I don't see how you can

0:23:44.720 --> 0:23:46.800
<v Speaker 1>watch that and say, like, that's not a good thing.

0:23:48.320 --> 0:23:52.200
<v Speaker 1>I think unfortunately that movie wasn't very good, but that

0:23:52.320 --> 0:23:54.639
<v Speaker 1>it was okay. I saw it with my kid. She

0:23:54.800 --> 0:23:56.680
<v Speaker 1>she liked it. My daughter is nine now and it

0:23:56.760 --> 0:23:58.800
<v Speaker 1>was eight at the time. She she enjoyed it quite

0:23:58.800 --> 0:24:01.080
<v Speaker 1>a lot. Um, it didn't knocker socks off the way

0:24:01.240 --> 0:24:04.560
<v Speaker 1>some things have, but UM, I totally see the good

0:24:04.640 --> 0:24:07.840
<v Speaker 1>behind doing that, but it's also like, let's just to

0:24:07.920 --> 0:24:10.399
<v Speaker 1>your previous point, let's just make more original stories with

0:24:10.440 --> 0:24:14.240
<v Speaker 1>badass female leads. Yeah, well that's true. Um, And here's

0:24:14.280 --> 0:24:16.719
<v Speaker 1>my dirty little secret and stuff you should know. Fans,

0:24:16.760 --> 0:24:19.040
<v Speaker 1>I know that this is largely he's listening. You're gonna

0:24:19.040 --> 0:24:21.119
<v Speaker 1>be so mad at me. I don't think the original

0:24:21.200 --> 0:24:27.480
<v Speaker 1>Ghostbusters was the greatest thing. Whoa whoa gauntlet thrown down?

0:24:28.119 --> 0:24:30.320
<v Speaker 1>Do you love it? I? I I do? I do. I mean,

0:24:30.359 --> 0:24:33.199
<v Speaker 1>I certainly liked it, but when I go back and

0:24:33.200 --> 0:24:35.760
<v Speaker 1>watch it now, it's not the funniest thing in the world.

0:24:35.800 --> 0:24:38.119
<v Speaker 1>Like the funniest parts are just Bill Murray goofing around.

0:24:38.359 --> 0:24:41.000
<v Speaker 1>I think their chemistry is really fun great, you know.

0:24:41.080 --> 0:24:43.159
<v Speaker 1>I I enjoyed that, but I haven't seen it in

0:24:43.160 --> 0:24:44.800
<v Speaker 1>a long time, so maybe it won't hold up for me.

0:24:44.840 --> 0:24:46.879
<v Speaker 1>But I know, I mean, I liked it, but it's

0:24:46.920 --> 0:24:50.359
<v Speaker 1>put on this pedestal, like especially the blowback that the

0:24:50.840 --> 0:24:54.879
<v Speaker 1>lady version got from a bunch of dudes. You know,

0:24:54.920 --> 0:24:57.040
<v Speaker 1>they to me, they put Ghostbusts, the original on a

0:24:57.080 --> 0:24:59.960
<v Speaker 1>pedestal that it's like, you know, the the greatest film

0:25:00.080 --> 0:25:02.760
<v Speaker 1>ever made, and how dare put women in those suits

0:25:03.320 --> 0:25:07.200
<v Speaker 1>and I'm just like, come on, man, seriously, put women

0:25:07.200 --> 0:25:08.919
<v Speaker 1>in the suit. Dude, Well do whatever you want, just

0:25:08.920 --> 0:25:10.920
<v Speaker 1>don't make it. Make a good movie, That's all I'm saying.

0:25:10.960 --> 0:25:14.760
<v Speaker 1>And I think the new Oceans eight looks awesome definitely.

0:25:14.840 --> 0:25:18.159
<v Speaker 1>And is Soderberg involved or they're not, I don't know.

0:25:19.400 --> 0:25:21.879
<v Speaker 1>I bet he's producing in some capacity. I think he did.

0:25:21.880 --> 0:25:24.000
<v Speaker 1>Wret he's directed all of them thus far, I believe,

0:25:24.760 --> 0:25:26.880
<v Speaker 1>I think so. I like that first one a lot.

0:25:27.880 --> 0:25:32.800
<v Speaker 1>That was a good remake, all right. And finally, Matthew Moyle, Um,

0:25:32.840 --> 0:25:35.639
<v Speaker 1>and thanks Catherine for that question. Matthew Moyle, which is

0:25:35.680 --> 0:25:39.560
<v Speaker 1>more important to you in a film? The technical aspects

0:25:39.600 --> 0:25:43.720
<v Speaker 1>like cinematography and editing, or the artistic aspects like plot

0:25:43.760 --> 0:25:47.800
<v Speaker 1>and acting. Uh, Matthew, that is a great question. And

0:25:47.840 --> 0:25:50.879
<v Speaker 1>it's a total cop out because I'm gonna say both

0:25:51.280 --> 0:25:55.439
<v Speaker 1>all of it. Um. The great movie is all of

0:25:55.480 --> 0:25:59.760
<v Speaker 1>those things coming together and holding hands to make a

0:25:59.760 --> 0:26:05.560
<v Speaker 1>great film. Um. The technical aspects like if you're well,

0:26:05.600 --> 0:26:08.080
<v Speaker 1>I was about to say, if you're missing half, then

0:26:08.320 --> 0:26:10.480
<v Speaker 1>it's probably not gonna be a great movie. I will

0:26:10.520 --> 0:26:16.040
<v Speaker 1>say this, A wonderfully technical movie can never be great

0:26:16.560 --> 0:26:21.400
<v Speaker 1>if the what you call artistic aspects are not good great. However,

0:26:22.400 --> 0:26:26.080
<v Speaker 1>if the artistic aspects are great, then you can get

0:26:26.119 --> 0:26:28.920
<v Speaker 1>away with the technical aspects not being as great. At

0:26:28.960 --> 0:26:31.679
<v Speaker 1>case in point, a lot of like really low budget

0:26:31.680 --> 0:26:33.399
<v Speaker 1>indie movies that didn't have a lot to work with,

0:26:33.480 --> 0:26:37.280
<v Speaker 1>they can't make it look like Roger Deakins, Uh, shot

0:26:37.440 --> 0:26:41.280
<v Speaker 1>picture can still be great great movies. Absolutely. It reminds

0:26:41.320 --> 0:26:43.680
<v Speaker 1>me of a quote, uh that I'm in a paraphrase

0:26:43.720 --> 0:26:47.199
<v Speaker 1>from that recent Batshit interview with Quincy Jones. Uh. He

0:26:47.280 --> 0:26:49.679
<v Speaker 1>talks about like, I don't care if you have the

0:26:49.760 --> 0:26:53.760
<v Speaker 1>greatest singer on the planet and the best studio musicians,

0:26:53.960 --> 0:26:56.560
<v Speaker 1>if you don't have a song, you don't have a song. Yeah,

0:26:56.600 --> 0:26:58.119
<v Speaker 1>you know what I mean. So I think you can

0:26:58.119 --> 0:27:04.000
<v Speaker 1>apply that to film it. Yeah, you can't. The old saying, um,

0:27:04.080 --> 0:27:08.320
<v Speaker 1>but to me, to make a for all cylinders to

0:27:08.359 --> 0:27:11.480
<v Speaker 1>be firing, that's when you're really cooking with gas. Dad

0:27:11.560 --> 0:27:14.359
<v Speaker 1>used to say, it looks great, sounds great, great acting,

0:27:14.440 --> 0:27:17.520
<v Speaker 1>great story, but it all comes down to that story. Man.

0:27:17.800 --> 0:27:19.760
<v Speaker 1>But like we talked about last week with like the

0:27:19.840 --> 0:27:22.119
<v Speaker 1>that movie Tangerine, you can make a great movie on

0:27:22.160 --> 0:27:26.120
<v Speaker 1>an iPhone and you know, iPhone look pretty good, but like, yeah,

0:27:26.200 --> 0:27:28.920
<v Speaker 1>that's very low low fi by today's standards. But if

0:27:28.960 --> 0:27:31.840
<v Speaker 1>you have the acting in the story, the technical stuff

0:27:31.880 --> 0:27:36.080
<v Speaker 1>is a little less important kind of Ye. Well, Chuck,

0:27:36.160 --> 0:27:39.320
<v Speaker 1>what is on the docket for Friday's episode? Are you

0:27:39.359 --> 0:27:43.080
<v Speaker 1>talking about the homework assignment whatever you want to call it? Man,

0:27:43.280 --> 0:27:46.000
<v Speaker 1>I don't know your code words. Yeah, homework. Everybody this

0:27:46.040 --> 0:27:48.840
<v Speaker 1>week is to watch well, good for you, it's to

0:27:48.880 --> 0:27:52.000
<v Speaker 1>watch Waiting for Guffman. That's homework on mind giving out,

0:27:52.280 --> 0:27:54.000
<v Speaker 1>And then you have to read Waiting for Good dough

0:27:54.720 --> 0:27:57.440
<v Speaker 1>and write a report and submitted via email to movie

0:27:57.440 --> 0:28:01.200
<v Speaker 1>crush dot com right to make it real homework. Uh

0:28:01.200 --> 0:28:04.720
<v Speaker 1>that yeah, Waiting for Government The Great Christopher Guest mocumentary UM,

0:28:04.760 --> 0:28:07.760
<v Speaker 1>which hopefully everybody has seen, if not, to just get

0:28:07.800 --> 0:28:10.480
<v Speaker 1>ready because it's one of the great great funny movies

0:28:10.520 --> 0:28:12.440
<v Speaker 1>of all time. And I had in New York City,

0:28:12.680 --> 0:28:16.720
<v Speaker 1>the Wonderful and Charming Brook Adams of Invasion of the

0:28:16.720 --> 0:28:19.439
<v Speaker 1>Body Snatchers and The Dead Zone and Days of Heaven

0:28:20.320 --> 0:28:22.200
<v Speaker 1>and some of like the great movies of the seventies

0:28:22.200 --> 0:28:26.680
<v Speaker 1>and eighties, Classic Pictures and Tony Schlub's Wife. So it's

0:28:26.680 --> 0:28:29.320
<v Speaker 1>no surprise why she was in there. I recorded them

0:28:29.320 --> 0:28:32.240
<v Speaker 1>back to back. Very well done, Chuck. Yeah so watch

0:28:32.240 --> 0:28:35.200
<v Speaker 1>Waiting for Guffman coming up this Friday with Brooke Adams

0:28:35.680 --> 0:28:37.720
<v Speaker 1>and we appreciate you guys tuning in this week for

0:28:37.760 --> 0:28:41.400
<v Speaker 1>the Mini Crush. Thanks a lot, see yea