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Speaker 1: I am all in. Oh, I am all in with

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Speaker 1: Scott Patterson an I heeart radio podcast. Everybody Scott Patterson,

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Speaker 1: I am all in podcast. I am back to the

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Speaker 1: old traditional one eleven productions. iHeart radio. I am joined

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Speaker 1: by my intrepid crew, Tara Sued, Daniel Romo, and the

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Speaker 1: wet haired Josh. Freshly out of the shower. Amy tried

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Speaker 1: hard to be on time San Francisco mansion. By the way,

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Speaker 1: big man, she moves around a lot, it's basically a studio. Uh.

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Speaker 1: I tried so hard to be on time because this

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Speaker 1: is like a big day. See see Tara looks like

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Speaker 1: freshly blow dried and like ready for a proper nally.

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Speaker 1: In my defense, I went to the gym at seven.

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Speaker 1: I was home by eight. I fully showered and out,

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Speaker 1: everything done before nine. It makes you if it makes

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Speaker 1: you feel better, Amy, I'm a combination of you and Tara.

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Speaker 1: I showered, however, my hair is still half wet, and

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Speaker 1: I was like, oh, I'm gonna have all this time.

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Speaker 1: I'll be all organized of all my notes. I was

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Speaker 1: running frantic, but everyone's like, please get to this. Going

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Speaker 1: on experiencing torrential downpours wherever we are. So it's like

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Speaker 1: an inside day anyway, good day to be watching Gilmore

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Speaker 1: an inside days, I will say, isn't a rainy day

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Speaker 1: a great day for Gilmore girls? It's it's it's really

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Speaker 1: the best. It kind of gives you that feeling like

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Speaker 1: you're in the Northeast. It's a little cold, it's cloudy,

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Speaker 1: maybe snowing in. An episode's coming on and if this episode,

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Speaker 1: oh my god, this episode's called Raincoats, Raincoats and Recipes,

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Speaker 1: and raincoats and recipes, which is lethal combination for insiders. Okay,

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Speaker 1: so this is season four, episode twenty two, Raincoats and Recipes.

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Speaker 1: Air date May eighteenth, two thousand and four. It's a

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Speaker 1: big weekend for Loralai. The Dragonfly in is having a

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Speaker 1: test run with friends from Stars Hollow. Loralai invites her

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Speaker 1: parents and Emily finally admits what's going on in her

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Speaker 1: and Richard's marriage. Jason Style shows up and almost ruins

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Speaker 1: Luke's chances at Loralai, but a big gesture finally makes

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Speaker 1: them realize their feelings for each other. Lastly, Rory and

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Speaker 1: Dean commit a big mistake that will have irreparable damage

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Speaker 1: to his marriage. All Right, let's get into this. Let's

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Speaker 1: do a countdown three to one and we're off. What

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Speaker 1: do you think of the episode? You guys go first.

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Speaker 1: Danielle and Scott want to go first? Scot, you go best,

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Speaker 1: I've seen best of the best. Delightful, joyful, funny, light, wonderful,

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Speaker 1: a little a little bit of heaviness there with Richard

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Speaker 1: and Emily, but that's fine. You kind of needed it.

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Speaker 1: And uh and Loral and Rory, Oh my god, and

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Speaker 1: I am team Lorela. She really was correct, but we'll

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Speaker 1: get to that command that kid, she was not well.

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Speaker 1: You could catch that sexual tension between those two with

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Speaker 1: a knife. Wow. True, but it does take it great

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Speaker 1: this woman say, lora life some finally, somebody in that

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Speaker 1: show called Rory out. And that's what Lorala I did

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Speaker 1: in this episode. And I could not be more happy.

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Speaker 1: And she called her out like norly, like she did.

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Speaker 1: She was heartbroken, disappointed, but she wasn't mad. She was

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Speaker 1: just discussed. It's like, what are you doing? This is

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Speaker 1: not you? You know, like, yeah, oh I love that,

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Speaker 1: And I know I think a great beginning, a great ending,

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Speaker 1: a great all. I mean it just that kiss there

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Speaker 1: of a kiss. So let's save that. Okay, we're gonna

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Speaker 1: let's build up to that, just like just like the

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Speaker 1: show so artfully did. Um, yeah, let's not rush to it.

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Speaker 1: Should we go in order? Should we think? I think

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Speaker 1: we should? I think we should still, we should? Got

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Speaker 1: you missed, Danielle. I didn't know. Should we stand still?

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Speaker 1: I said, should we stand still? Get it? Would you

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Speaker 1: stand still? Would you please just stand still? Like I said,

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Speaker 1: let's let's not go there yet. I know everybody's like,

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Speaker 1: you know, Revn their engines for the Luke and Laurel.

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Speaker 1: I five hundred? Where is missus? Where is missus Scott

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Speaker 1: Patterson when we need you know? She actually walked in,

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Speaker 1: uh when I was watching it last night and right

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Speaker 1: during that pivotal scene, and she just smiled and smiled,

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Speaker 1: and I kind of mad. I forgot to ask her

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Speaker 1: what it's like when she sees you in Laurel. But

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Speaker 1: I love to say that for part two. I don't

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Speaker 1: think she's thrilled. But yeah, I mean I don't think

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Speaker 1: I don't think anybody's thrilled by that. It's also your

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Speaker 1: job that you've like seasons, you know, the smile just

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Speaker 1: becomes kind of frozen. That must be tough. I'm not

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Speaker 1: gonna lie like that's tough. Yeah. Yeah, it's only tough

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Speaker 1: because like so many people like fall in love with

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Speaker 1: their co stars, like and and that's like oh, but

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Speaker 1: also it's like your significant other is known for having

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Speaker 1: this groundbreaking kiss with a different girl, you know, like

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Speaker 1: even though it's not like Scott Patterson, but like you

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Speaker 1: as Luke, like everyone knows this kiss. Yeah, but we

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Speaker 1: have a we have a child together, so it's like

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Speaker 1: a yeah, yeah, she's got a leg up on the life.

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Speaker 1: She's got a legit card on the fictional character and

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Speaker 1: the I think there's like legal paperwork too, so I

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Speaker 1: think you're sorry. I think she's solid but very very legal. Yes,

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Speaker 1: extremely legal in the state of California. So okay, let's

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Speaker 1: go from the beginning. First of all, Rory was so

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Speaker 1: like speedy with the PoTA pasta and the mac and

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Speaker 1: cheese and she can't sleep at all, and I was

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Speaker 1: just like, she on drugs, Like what is going on?

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Speaker 1: She was definitely setting up for the fact that she's

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Speaker 1: going to make a massive mistake this episode, you know,

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Speaker 1: like she was so frantic. I like that Lorela just

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Speaker 1: closed the door and blocked it. She's like, right, that's

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Speaker 1: great opening, and just I don't know, that's just sort

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Speaker 1: of normal adjusting to college schedule that she hasn't you know,

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Speaker 1: that's how she kind of lives now. Now she's coming

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Speaker 1: back into the place, you know, coming home and imposing

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Speaker 1: that on Laurel, and it's like, what is going on here?

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Speaker 1: I also thought for two people that don't grocery shop,

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Speaker 1: they had an extraordinary, extraordinary amount of fruit in that

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Speaker 1: fruit bowl. Well, I'm surprised they had food. In general,

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Speaker 1: they never have food, right, That's why I was like,

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Speaker 1: I think they cut all those fruit buying scenes out

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Speaker 1: in the final edit because they're not compelling. They're just

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Speaker 1: buying fruit. I thought Laurella's tank top that she sleeps

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Speaker 1: in was very cute. You like that, Yeah, you know,

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Speaker 1: I gotta keep my fashion. Maybe Luke would stop buy

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Speaker 1: you never know, I gotta be ready, gotta have a

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Speaker 1: piece of fruit ready, or we're gonna cut that out,

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Speaker 1: aren't we? Oh we sure aren't. We might um And

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Speaker 1: then it's just the funny line, great to have you

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Speaker 1: home perfect. So yeah, I mean, yeah, it was great.

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Speaker 1: It wasn't my favorite opening scene of all time, but no, complaints.

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Speaker 1: It's just nice to see her back home though, yes,

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Speaker 1: oh yeah, off the phone. It was actually maybe my

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Speaker 1: favorite opening really yeah, yeah, because it was short. It

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Speaker 1: was it was shortened, it was easy, it was funny, um,

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Speaker 1: and it was a good point. I wonder if they

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Speaker 1: had to keep it tight because there's so much to

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Speaker 1: get to. They couldn't, like because some of those openings

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Speaker 1: are longer, right, And I'm so glad that they cut

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Speaker 1: really late, like great writing. You you know, when you're

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Speaker 1: deciding how to write any scene. Yeah, you know, they

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Speaker 1: tell you all the books tell you to cut in

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Speaker 1: as late as possible into the scene and get out

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Speaker 1: of the scene as early as possible. Explain that what

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Speaker 1: does that mean? So you don't want to do all

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Speaker 1: the high hellos? How are you in that? So when

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Speaker 1: you see movies that know, your people are constantly introducing themselves,

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Speaker 1: it's like, that's bad writing. Okay, it's interesting. True. So

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Speaker 1: I'm glad they cut into it after she got home

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Speaker 1: and she got settled in and she's just kind of

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Speaker 1: you know, we didn't get the scene where Laura like

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Speaker 1: gets woken up by the doors closing and it's rory

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Speaker 1: and the whole thing. It's just like their in process. Yeah,

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Speaker 1: it's like she's already awake, she's she's drowsy, she's kind

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Speaker 1: of skulking around like she's tired. And it was just great.

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Speaker 1: You know, it's like you've got all the information you need, right, Okay,

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Speaker 1: that's good. Cool, Yeah, yeah, let me learn that it's

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Speaker 1: going to be the test run at the Inn and

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Speaker 1: that they've invited you know, their friends, the townspeople. Although

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Speaker 1: I have a few flags on the play. That's there

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Speaker 1: were some people I'd never seen before that got invited

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Speaker 1: to the Inn. I'm like, the hell are they? But

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Speaker 1: we'll get to that. And Michelle really wants to invite

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Speaker 1: the dog, So that's kind of where at I'm comparing

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Speaker 1: the dog so Rory so relatable. Let's talk about my dog.

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Speaker 1: This is kids, and you know, in a macro sense,

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Speaker 1: I think it was really clever to end this season

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Speaker 1: with the opening of the Dragonfly, Yeah, because it was

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Speaker 1: such a celebration and it really gave the audience something

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Speaker 1: that they were waiting for and had and had, you know,

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Speaker 1: paid the price of admission to to to witness and

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Speaker 1: now you get to witness it. You don't have to

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Speaker 1: wait all summer or all yeah, all summer because we

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Speaker 1: go on our height. Yeah, that's a great that's a

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Speaker 1: great point. They gave him a nice meal, a nice completion.

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Speaker 1: Did anyone notice that Lorelai was wearing a dragonfly T shirt?

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Speaker 1: Like dragon Yeah, big giant dragonfly. So okay. A couple comments.

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Speaker 1: One is I definitely thought about I cannot believe everyone

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Speaker 1: when they watched is the first time had to wait

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Speaker 1: so long? I mean, this is what is this May

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Speaker 1: and we don't get the payoff until September. Now we

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Speaker 1: are in a different experience, and so are all the

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Speaker 1: people that have watched on Netflix and DVDs or whatever.

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Speaker 1: But like those og original fans had to wait months

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Speaker 1: on that cliffhanger. Yeah, they got a lot in this episode.

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Speaker 1: They got a lot of loose ends tight up. They

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Speaker 1: were left with like will they are wat right? So

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Speaker 1: if you're gonna write, it's not that kind of waiting.

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Speaker 1: It's not torturous. It's like it's like joyful anticipation, like, oh,

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Speaker 1: is it going to work out between those two? Is

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Speaker 1: it gonna what's gonna happen with Roy? How the dragonflies

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Speaker 1: up and going? You know, it's all positive everything's positive,

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Speaker 1: not Rory and Dean. I don't know. I kind of

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Speaker 1: see that as a positive. I like that, I think, really,

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Speaker 1: I think that's the most interesting storyline of this entire line,

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Speaker 1: of course, but it's yeah, gnarly, you know they're feeling

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Speaker 1: so much. I agree with you in a different on

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Speaker 1: a different way, because I feel like I don't. I

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Speaker 1: didn't love it, but I appreciated the fact that this

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Speaker 1: is happening to her because she's gonna learn so much

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Speaker 1: from it, you know what I mean. Like that, that's

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Speaker 1: where I was coming from. At least I like it,

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Speaker 1: But I think she should have. I would have liked

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Speaker 1: running off with Jess me too. I completely agree with you.

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Speaker 1: I wanted another Jess moment. Yeah, I would have it.

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Speaker 1: I would have picked the Jess moment over this, to

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Speaker 1: be honest. Yeah, that's so funny Amy that the writers

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Speaker 1: did this because it makes Rory so flawed. Yes, this

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Speaker 1: is a better compelling story since we are watching a

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Speaker 1: TV show. But like, like, if she still wanted her

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Speaker 1: to go with you, she's gonna do the massive sabotage

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Speaker 1: screw up on her life with Jess. The Dean thing.

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Speaker 1: Sleeping with Dean was a good starter kit. Right, at

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Speaker 1: least it gets us a step closer. So like, oh,

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Speaker 1: now she's capable of blowing up her life, big team,

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Speaker 1: And that is a really important Scott save that again

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Speaker 1: because that is such an important note for anyone who

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Speaker 1: hasn't seen this. She really does know how to screw.

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Speaker 1: But the thing is, the thing I appreciate you about

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Speaker 1: it is she's she's following her heart. She screwed up,

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Speaker 1: she didn't do anything. She may have something done something

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Speaker 1: wrong morally, but she didn't do it. Um you know,

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Speaker 1: she didn't do it with with malicious intent. Yeah, I agree,

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Speaker 1: you know what I mean. She's following her heart. And

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Speaker 1: it's it's difficult for adults not to follow their hearts.

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Speaker 1: Imagine with all those hormones raging eighteen year old. Right,

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Speaker 1: we'll get to this because in her heart, I think

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Speaker 1: she actually believed that Lindsay and Dean were done like

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Speaker 1: in her heart, right, And it's not till her mom

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Speaker 1: points out how not to do and they are and

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Speaker 1: then the phone call, which we'll get to. We're going out. Okay,

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Speaker 1: I want to bring something up that's going a tad controversial.

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Speaker 1: It just rocketed right into the middle of my brain

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Speaker 1: and I have to spit it out here. What if

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Speaker 1: it's if if if Rory is flawed and she's becoming flawed,

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Speaker 1: and yay for that and all that, okay, and I

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Speaker 1: want to say this the right way so as not

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Speaker 1: to trigger people, but what are you know? It's like,

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Speaker 1: I say, what are the holes in her life? How

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Speaker 1: is she filling the holes in her life? The lack

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Speaker 1: of a father figure in the house twenty four to seven?

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Speaker 1: You know, a traditional family, nuclear family unit. She didn't

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Speaker 1: have that. She had her mom, who was fantastic in

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Speaker 1: every way, but a little on the um shall we say,

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Speaker 1: uh freewheeling. Yeah, I mean her mom's like like Laureliz

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Speaker 1: is kind of like a hippie. Yeah, she just she

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Speaker 1: just says what she and a great example for a

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Speaker 1: kid and all heart and soul. But did she, in

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Speaker 1: you know, in a practical sense, set the best example

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Speaker 1: for her daughter, um, in every situation, in every situation,

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Speaker 1: Not that everybody does, but I mean, how risky is

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Speaker 1: her upbringing compared to a traditional upbringing? And maybe this

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Speaker 1: is why she's this is how she's flawed. I think

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Speaker 1: that you make such an interesting topic here, because this

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Speaker 1: is where we could address should a mother and daughter

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Speaker 1: be best friends? Right? Maybe not, that's a good way

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Speaker 1: of putting it. Yes, you facinctly yes, and so and

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Speaker 1: I think when necessary, Lorelei really slips into parenting mode,

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Speaker 1: you know, like we saw it really evident when Rory

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Speaker 1: and Dean fell asleep at Miss Patty's and they forgot

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Speaker 1: to come home, and she really even though Lorela knew

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Speaker 1: nothing happened, it's like that that was a real parenting moment,

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Speaker 1: and there were a few others. And I think that's

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Speaker 1: why it sort of shocks Rory, because this was a

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Speaker 1: very firm parenting moment and a parent being disappointed, and

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Speaker 1: Rory sort of like, what are you talking about? Like

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Speaker 1: Rory literally thought Loralai was going to be happy about this, right, yeah.

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Speaker 1: She thought the big problem was sorry, didn't tell you

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Speaker 1: in advance. I don't think it occurred to her until

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Speaker 1: she and she brought up the fact that she's like, well,

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Speaker 1: you slept with dad when he was well. I was like, good, comeback, Rory.

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Speaker 1: I've I was like, oh yeah, And Loria's response was

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Speaker 1: that's different. And so I think you do have a

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Speaker 1: point there, Like she is looking she's looking up to

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Speaker 1: her mom. But that's not a traditional right household. And

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Speaker 1: let me ask you guys this. You know, um, can

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Speaker 1: you even can you even imagine there being a husband

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Speaker 1: in that household? Even now? No, I mean that we're

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Speaker 1: light years away from that on Gilmore Girls. It is

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Speaker 1: such a single parent home. I'm not girls house. I'm

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Speaker 1: not saying it's a good or a bad thing. I

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Speaker 1: think that Rory got very lucky with having such a

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Speaker 1: spectacular mom. But that's a lot of heavy lifting for

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Speaker 1: one person to read. When Max tried to move in

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Speaker 1: or sleep over, it was like this, Yeah, but seriously,

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Speaker 1: I mean, it's like the gap there and if it

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Speaker 1: even if you want to see it that way, maybe

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Speaker 1: it's not a gap. Maybe for a lot of people,

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Speaker 1: it's like, yeah, there's no you know, there's no husband there,

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Speaker 1: there's no father there. Um so so but can you

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Speaker 1: even imagine there being somebody there? Even there isn't there's

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Speaker 1: no space right physically and figuratively, figuratively figuratively in that

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Speaker 1: house for anyone else. Yeah. Yeah, they got to work

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Speaker 1: it out themselves between the two of them. Yeah, I

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Speaker 1: have so much more to time. So does it make

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Speaker 1: Rory a stronger person. Ultimately, you know what I'm saying

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Speaker 1: that she she has to sort of, you know, in

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Speaker 1: a lot of situations raise her mother yea, like be

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Speaker 1: the parent to her, but not on this episode. Yeah,

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Speaker 1: well in the one line and Tara points it out, Yeah,

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Speaker 1: but you slept with Christopher. Yeah, but well we'll get

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Speaker 1: into that. We're going to debate all this. So okay,

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Speaker 1: so I do like she's putting post it's everywhere for

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Speaker 1: the work that needs to be done, which is just

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Speaker 1: like kind of hilarious. Are you a post it people

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Speaker 1: or are you like to do list people? Both? Yeah? Both?

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Speaker 1: Wait sidebar. Are you guys are good at like accomplishing

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Speaker 1: your to do list? Like, are you guys those people

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Speaker 1: that are oh my god, you should? There's that and

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Speaker 1: then and then there's my calendar sheet from my god,

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Speaker 1: did you get it done every day? Yeah? I check

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Speaker 1: mark as I go and if I don't finish, I

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Speaker 1: roll it over to the next day. Kind of slap happy,

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Speaker 1: like what, okay, so what do we think? What does

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Speaker 1: it dry your hair, take a shower? Put your list

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Speaker 1: is like try to get dressed and the driveway called

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Speaker 1: the other proprietorsy of my other mansions. Yeah, make sure

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Speaker 1: the windows are closed to make sure. What do you

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Speaker 1: think of Lulu and Kirk? I love them together? He too.

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Speaker 1: I think it was pretty good. I mean it was

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Speaker 1: pretty good. Yeah, Like she doesn't know how weird he is, like,

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Speaker 1: She's just kind of like okay, yeah, yeah, okay. So

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Speaker 1: I just love you play that whole storyline through. Oh,

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Speaker 1: Lulu is so sweet and she sort of worships him,

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Speaker 1: which is totally insane. Yeah, and then I love that

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Speaker 1: he comes to you. He goes to Luke always to

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Speaker 1: be his guiding lde, his brother, his father figure, his help,

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Speaker 1: all that. And then you hear like, oh, we've had

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Speaker 1: a lot of sex, we just never slept over and

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Speaker 1: I'm like, oh, I really was like, whoa right? But

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Speaker 1: he's so sweet, she's so excited about it, and he

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Speaker 1: wants when you're happy. And then he has the night tares.

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Speaker 1: The whole thing. It's just like, oh my god. So

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Speaker 1: I was thinking, I was like, how is no one

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Speaker 1: in the town known about his night tares? He just

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Speaker 1: runs out, you know, it is naked everywhere all the time.

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Speaker 1: Absolute classic Kirk scene. That might be my favorite Kirksyne.

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Speaker 1: I agree because it's such a Gilmore way to break

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Speaker 1: up the kiss, which we can get to too that

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Speaker 1: it's like, because how are you going to end that? Right?

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Speaker 1: How did you move on from that? Other than him?

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Speaker 1: I also thought it was very funny when he says

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Speaker 1: to Lorelai, is Luke here yet? Like that's funny the bit.

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Speaker 1: It was sort of this comic relief that came through

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Speaker 1: the whole thing, him going into the room, him finding

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Speaker 1: Luke later, Like the whole thing was just a funny

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Speaker 1: bit throughout the whole episode. I don't think Kirk has

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Speaker 1: been better used in an episode than this. Yeah, yeah,

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Speaker 1: I think that that's true. He even though it was

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Speaker 1: still Kirkish, nutty and sort of over the top costo,

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Speaker 1: like when it comes to the Luke's apartment and just

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Speaker 1: like I don't realize it was a small up here,

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Speaker 1: like and he just goes up here, just yeah, walks

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Speaker 1: right in, doesn't it say something like I'm all right,

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Speaker 1: I'm gonna ninja kicker. I think I love her, Like

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Speaker 1: it's just the whole mess. The oreos, how he set

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Speaker 1: out the oreo, the chocolate covered oreos that said I

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Speaker 1: love you or something like that if she started eating.

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Speaker 1: You know what would be so good is like if

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Speaker 1: this were now, if this show was on now, you

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Speaker 1: would totally have like a online series of like Kirk

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Speaker 1: and Lulu and their life, do you know what I mean?

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Speaker 1: It'd be like a weird like a little spinoff. Yeah,

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Speaker 1: but not like on TV like that how they do

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Speaker 1: those things weird Gilmore Girls after Dark. Yeah you would, Yeah,

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Speaker 1: you'd like I need eight minutes of them and just

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Speaker 1: and how weird they are. Anyway, So I think that

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Speaker 1: pretty much does that play through that sort of whole

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Speaker 1: whole thing, Yeah, minus the part with the kiss, but

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Speaker 1: we'll get to that. Yeah, all right, Okay, So then

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Speaker 1: we've got the kitchen bit, the drama that she's got

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Speaker 1: seven workers but she can only afford five, and that

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Speaker 1: sort of keeps coming up and is also sort of

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Speaker 1: comic relief, and she forgets her anniversary. Oh yeah, Oh

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Speaker 1: that was a great moment, not only not only for

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Speaker 1: Suki's reaction, but notice in that scene if you could

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Speaker 1: bring it up, Jackie, if you that I want to

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Speaker 1: see this scene because there's a there's a beautiful little

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Speaker 1: act piece of acting on on Jonique's part, because he

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Speaker 1: just takes a drink out of his cup as she's

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Speaker 1: scampering out because she forgot and it was just it

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Speaker 1: just put just the perfect button on that same thing.

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Speaker 1: You notice so many of those things when you watch

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Speaker 1: it the fourth fifth time. Yeah, man, I mean it's

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Speaker 1: just so it makes it so much better and funnier. Yeah,

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Speaker 1: watch watch Okay, Yeah, there we go. I also, I

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Speaker 1: mean we'll get to this because I belly laughed so

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Speaker 1: hard at one point in this episode that I will

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Speaker 1: tell you about. But how Laurelai is just a complete

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Speaker 1: weirdo now, like, oh my god coming and she's just

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Speaker 1: all weird and like what did you think watching her?

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Speaker 1: Like how goofy and nervous and all giddy and just

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Speaker 1: messy and just she is you're talking about laurel Yeah,

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Speaker 1: just because we know she knows she likes you. Oh,

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Speaker 1: that scene in the foyer starts, It starts with a diner.

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Speaker 1: I thought it was a little bit before the diner.

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Speaker 1: Diner was great too. Yeah, when they say Luke's coming

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Speaker 1: and she's like, oh, he's coming, do you know how

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Speaker 1: hard that is to do? Do you know how hard

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Speaker 1: that is to pull that off? Like that? Like falling

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Speaker 1: like that and make it look like it was natural.

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Speaker 1: We're going a little out of order about the diners

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Speaker 1: is one of the funniest things of every But wait

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Speaker 1: a minute, have we gotten to the diner scene yet, No,

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Speaker 1: we're going we're skipping over Lane's apartment, So let's talk

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Speaker 1: about that really quickly. So we see Rory that we

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Speaker 1: know that they're going to go to Luke's for lunch

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Speaker 1: because she's got the sticky on her head. So then

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Speaker 1: we go into the apartment and they're and they're playing

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Speaker 1: the video games. The apartment looked beautifully clean, though I

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Speaker 1: agree it was like where are the boys? Like why

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Speaker 1: is there not? Like, yeah, so clean, take out on

402
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Speaker 1: the counter or something I don't I don't know, so clean.

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Speaker 1: And then we see that she's hiding her snacks floorboard board.

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Speaker 1: Wouldn't be Lane without a floorboard, yeah, And then she

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Speaker 1: sort of tells Lane about the situation that Jess came

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Speaker 1: and you know, she said she didn't know what she says,

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Speaker 1: she didn't know what to say. I very clearly remember

408
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Speaker 1: the no because I was upset about it. And then

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Speaker 1: this is where you start to see Rory talking about

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Speaker 1: Dean and Dean is ingenitable and yeah, and she's about

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Speaker 1: him in like the present tense and off the past. Yeah. Yeah,

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Speaker 1: because with Jess, I mean they set it up so

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Speaker 1: well because she talks about Jess first and she goes like,

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Speaker 1: you know, he's great, but then one, you know, the

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00:26:12,720 --> 00:26:17,000
Speaker 1: next minute he's not and he's so unpredictable. And then

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Speaker 1: she talks about Dean and she goes like how he

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Speaker 1: was so safe and she says, nice to her. That's

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Speaker 1: what she says, is Dean is dependable. Was was yah? Yeah,

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Speaker 1: and that she she felt that she blew it and

420
00:26:31,080 --> 00:26:33,959
Speaker 1: didn't appreciate it. You know. Like that's when I was like,

421
00:26:34,080 --> 00:26:38,000
Speaker 1: oh God, something's going to happen. Yeah, for Scott and Danielle,

422
00:26:38,000 --> 00:26:42,040
Speaker 1: what were all thinking? Hearing her talk like that. I

423
00:26:42,480 --> 00:26:44,679
Speaker 1: had a feeling that something was going to happen between

424
00:26:44,720 --> 00:26:47,120
Speaker 1: Dean and Rory right then and there I was. I

425
00:26:47,200 --> 00:26:50,560
Speaker 1: was like, had fingers crossed for Jess, an escape plan

426
00:26:50,640 --> 00:26:52,680
Speaker 1: with Jess, and then this just like threw it down

427
00:26:52,680 --> 00:26:57,320
Speaker 1: the toilet. I like, I don't care what show it

428
00:26:57,440 --> 00:27:01,520
Speaker 1: is or film. I like seeing people who are wrestling

429
00:27:01,560 --> 00:27:05,800
Speaker 1: with their true feelings. You know, it's compelling, it's it's

430
00:27:05,880 --> 00:27:09,840
Speaker 1: it's it's a nice thing to watch if they're not

431
00:27:09,880 --> 00:27:13,640
Speaker 1: struggling too much and it's not you know, causing too

432
00:27:13,680 --> 00:27:17,680
Speaker 1: much anxiety. But yeah, you know, it's like a person

433
00:27:17,960 --> 00:27:21,679
Speaker 1: in the Good Good Notes because it's like, yeah, I

434
00:27:21,720 --> 00:27:24,639
Speaker 1: do like watching it. I just think people are really

435
00:27:24,680 --> 00:27:26,840
Speaker 1: you know, when they're being truthful like that, they're really

436
00:27:26,880 --> 00:27:30,040
Speaker 1: beautiful to me, you know, And and they're vulnerable and

437
00:27:30,040 --> 00:27:33,240
Speaker 1: their vulnerability I love that. I love to see her

438
00:27:33,280 --> 00:27:35,160
Speaker 1: like that. I love to see any character like that,

439
00:27:35,960 --> 00:27:40,120
Speaker 1: you know. So I mean especially like like look at

440
00:27:40,119 --> 00:27:44,359
Speaker 1: a missus Kim when she softens. Yeah, you know what

441
00:27:44,400 --> 00:27:47,479
Speaker 1: I mean. It's just it's very nice to see. Yes,

442
00:27:47,560 --> 00:27:51,640
Speaker 1: it's also the opposite of boring. We're completely hooked into

443
00:27:51,680 --> 00:27:54,959
Speaker 1: all that everything happening, right, and we forgive them all

444
00:27:55,000 --> 00:27:59,000
Speaker 1: their sins, right, Yeah, all our judgments go out the window,

445
00:27:59,000 --> 00:28:01,399
Speaker 1: our prior judgment, and it's like, wow, they're just people

446
00:28:01,480 --> 00:28:05,360
Speaker 1: like everybody else, and the vulnerable figure it out, man,

447
00:28:05,720 --> 00:28:09,359
Speaker 1: you know, I only I only speak of peace. I

448
00:28:09,400 --> 00:28:16,560
Speaker 1: only speak of peace. I think the next thing is

449
00:28:16,560 --> 00:28:18,439
Speaker 1: probably one of the best things in all of Gilmurls,

450
00:28:18,560 --> 00:28:26,000
Speaker 1: Like it is so effing hilarious. The script is hilarious.

451
00:28:26,440 --> 00:28:30,960
Speaker 1: The physical stuff what do they call it? Physicality? Hilarious?

452
00:28:31,440 --> 00:28:33,679
Speaker 1: So okay, so Roy's walking through town. They get to

453
00:28:33,720 --> 00:28:37,359
Speaker 1: the diner, and I think lore Lyce is basically like,

454
00:28:37,920 --> 00:28:40,560
Speaker 1: have you noticed anything different about Luke? Wait till he

455
00:28:40,600 --> 00:28:42,640
Speaker 1: comes over, right? And then you come over and you're

456
00:28:42,680 --> 00:28:46,520
Speaker 1: just like polite, And then they go outside and it's

457
00:28:46,560 --> 00:28:51,880
Speaker 1: just like, oh my god, Luke, that was a great conversation.

458
00:28:52,840 --> 00:29:00,040
Speaker 1: That was a classic her Like she's just like like,

459
00:29:00,200 --> 00:29:09,000
Speaker 1: oh my god, mom has lost it. Like it's just

460
00:29:09,080 --> 00:29:12,360
Speaker 1: so hilarious. But isn't it great that the comedy comes from.

461
00:29:13,440 --> 00:29:16,360
Speaker 1: It's so great because she's such a strong woman, and

462
00:29:16,480 --> 00:29:19,800
Speaker 1: she's such a capable woman and an independent woman, and

463
00:29:19,960 --> 00:29:23,680
Speaker 1: she's taking a stand against her oppressive family and she's

464
00:29:23,720 --> 00:29:26,280
Speaker 1: doing it all on her own, and yet here she

465
00:29:26,480 --> 00:29:30,600
Speaker 1: is kind of gutting Loopie for a guy Jackie. Can

466
00:29:30,640 --> 00:29:33,360
Speaker 1: we please I know some people are torn on whether

467
00:29:33,400 --> 00:29:35,720
Speaker 1: they like us watching it, but can we please watch

468
00:29:35,800 --> 00:29:38,480
Speaker 1: the part I'll let him tear, Let him tear. It's

469
00:29:38,520 --> 00:29:44,360
Speaker 1: just when she goes when you say, is everything okay? Balls?

470
00:29:44,520 --> 00:29:49,440
Speaker 1: Like I I last, Oh my god, there's nothing funnier

471
00:29:49,440 --> 00:29:52,360
Speaker 1: than these two going back and forth. Okay, so here's

472
00:29:53,720 --> 00:30:01,160
Speaker 1: she's trying to be all cool, right, watch him more times.

473
00:30:01,280 --> 00:30:06,520
Speaker 1: Ye look at her sitting down like just's like the

474
00:30:06,560 --> 00:30:10,720
Speaker 1: face acting, guys, the face acting one more time, Jackie,

475
00:30:11,080 --> 00:30:15,040
Speaker 1: like the couple behind them, at the couple behind the table.

476
00:30:15,480 --> 00:30:18,080
Speaker 1: Look how cool she is walking in. Look at that

477
00:30:18,200 --> 00:30:25,640
Speaker 1: bomb a little over acting on that background actor's part though,

478
00:30:25,920 --> 00:30:28,200
Speaker 1: Do him one more time. Look at he's a little

479
00:30:28,200 --> 00:30:30,760
Speaker 1: over the top of the background actor. Yeah, the girl's better.

480
00:30:36,840 --> 00:30:41,360
Speaker 1: Oh my god, I laughed, just laugh out loud. Oh yeah, yeah,

481
00:30:41,360 --> 00:30:44,000
Speaker 1: I forgot that that was in there. And then this

482
00:30:44,240 --> 00:30:46,880
Speaker 1: part and then this is so tragic. She's so happy

483
00:30:46,880 --> 00:30:50,120
Speaker 1: and she waves at him and he's just like, yeah,

484
00:30:50,400 --> 00:30:54,280
Speaker 1: that's a d move by Dean there like not he

485
00:30:54,320 --> 00:30:57,480
Speaker 1: didn't even wave back like politely. Are you kidding me?

486
00:30:57,840 --> 00:31:01,080
Speaker 1: The love of his life was he? I thinks she's

487
00:31:01,120 --> 00:31:10,280
Speaker 1: with Jess and he drove to the cab driver for good.

488
00:31:10,280 --> 00:31:15,640
Speaker 1: He's f and married. Are you kidding me? That dude's married? Married?

489
00:31:17,040 --> 00:31:21,560
Speaker 1: But on paper he is? But in reality, oh man,

490
00:31:21,600 --> 00:31:24,600
Speaker 1: you're going up against Lorle on that one because she's like,

491
00:31:24,760 --> 00:31:27,120
Speaker 1: does he have a ring? And then we'll get to it.

492
00:31:27,160 --> 00:31:30,240
Speaker 1: I'm sorry, I'm getting so over my skis. But that's

493
00:31:30,240 --> 00:31:34,280
Speaker 1: still a jerk move. Dean like he's married, he's supposed

494
00:31:34,320 --> 00:31:36,640
Speaker 1: to be her friend, and then he's all but hurt

495
00:31:36,680 --> 00:31:38,920
Speaker 1: because Jess showed up. It's like we're back in high

496
00:31:38,920 --> 00:31:42,280
Speaker 1: school again. But hurt. It's not it's his feelings, his heart.

497
00:31:42,600 --> 00:31:45,000
Speaker 1: His heart got trampled on again, and he should have

498
00:31:45,000 --> 00:31:47,040
Speaker 1: waved instead. It has nothing to do with his butt.

499
00:31:48,760 --> 00:31:53,480
Speaker 1: His heart hurt. Let's just clarify it here. Then he

500
00:31:53,520 --> 00:31:55,600
Speaker 1: should have waited. He should have done this, I'll do

501
00:31:55,640 --> 00:31:59,640
Speaker 1: some acting for you. Oh good. He should have said

502
00:31:59,640 --> 00:32:01,360
Speaker 1: come out here, I need to talk to you. Or

503
00:32:01,360 --> 00:32:02,880
Speaker 1: she's got in the dinner and been like, Rory, I

504
00:32:02,920 --> 00:32:08,800
Speaker 1: need to talk to you and said what he was happy.

505
00:32:08,920 --> 00:32:12,120
Speaker 1: She's like, hi, his heart was injured. His heart was

506
00:32:12,200 --> 00:32:16,400
Speaker 1: not functioning, doesn't She's like, this is a married dude's

507
00:32:16,440 --> 00:32:18,840
Speaker 1: supposed to be my friend. Hey, maybe here's a blind

508
00:32:18,880 --> 00:32:21,440
Speaker 1: spot for Rory. She's not aware of the pain that

509
00:32:21,520 --> 00:32:25,320
Speaker 1: she's causing Dean. But he's also been rejected by her

510
00:32:25,360 --> 00:32:28,680
Speaker 1: so many times now, Yeah, yeah, it's over. It's like

511
00:32:28,800 --> 00:32:31,880
Speaker 1: it's like she's not thinking about how he feels. She's

512
00:32:31,920 --> 00:32:33,800
Speaker 1: supposed to be in love with hen of him and

513
00:32:33,880 --> 00:32:36,080
Speaker 1: have feelings and thinking about it, but she doesn't feel

514
00:32:36,320 --> 00:32:39,719
Speaker 1: She doesn't think about how he feels post just showing

515
00:32:39,800 --> 00:32:44,520
Speaker 1: up at the last minute, and how bad he's married.

516
00:32:44,560 --> 00:32:50,240
Speaker 1: I understand that, but she's not recognizing that fully, right.

517
00:32:51,000 --> 00:32:55,440
Speaker 1: I think maybe seventy eighty ninety percent she's not recognizing it.

518
00:32:55,880 --> 00:32:57,960
Speaker 1: And then when she decides to, you know, do the

519
00:32:58,080 --> 00:33:02,280
Speaker 1: deed there, you know, and in her bedroom, then she's

520
00:33:02,280 --> 00:33:05,760
Speaker 1: one hundred percent. But there are there are degrees, and

521
00:33:06,960 --> 00:33:10,719
Speaker 1: I just, you know, that's maybe an inconsistency there with

522
00:33:10,760 --> 00:33:13,640
Speaker 1: that character. It's like, why isn't she thinking of how

523
00:33:13,680 --> 00:33:16,080
Speaker 1: he feels in that moment? Why is she just waving

524
00:33:16,120 --> 00:33:19,800
Speaker 1: at him like, you know, nothing happened. That's fair. Fair,

525
00:33:19,960 --> 00:33:22,840
Speaker 1: I'm gonna give you that fair. But I still think

526
00:33:22,920 --> 00:33:27,120
Speaker 1: he's married, like the married guys all mad because the

527
00:33:27,240 --> 00:33:31,560
Speaker 1: girl he's not married to has maybe a guy interested

528
00:33:31,600 --> 00:33:33,920
Speaker 1: in her. Like it's a little okay, he's married, he's

529
00:33:33,960 --> 00:33:37,600
Speaker 1: what eighteen nineteen, he has no children. It's not going well.

530
00:33:37,600 --> 00:33:40,280
Speaker 1: It's not like he's thirty five and he's got four kids.

531
00:33:40,480 --> 00:33:42,920
Speaker 1: And I think here's the thing, you know, what I mean,

532
00:33:43,080 --> 00:33:45,920
Speaker 1: it's it's a little different. I think it's a little different.

533
00:33:45,920 --> 00:33:49,080
Speaker 1: I get what you're saying. It's a moral issue, obviously,

534
00:33:49,240 --> 00:33:52,320
Speaker 1: but it's he's he's not so in deep with lindsay

535
00:33:52,480 --> 00:33:57,600
Speaker 1: that something else. Let's just say this is friends two friends,

536
00:33:57,680 --> 00:34:01,560
Speaker 1: Dean Rory have no relationship together whatsoever. If I'm driving

537
00:34:02,040 --> 00:34:04,120
Speaker 1: far away to pick up my friend and take him

538
00:34:04,160 --> 00:34:09,000
Speaker 1: back home and they tell me go home right exactly

539
00:34:09,239 --> 00:34:12,080
Speaker 1: buff not even a thank you, like, what the hell?

540
00:34:14,280 --> 00:34:20,120
Speaker 1: It's very complicated. But also I'll repeat this Jess. We

541
00:34:20,239 --> 00:34:23,880
Speaker 1: all love to criticize Jess. Jess broke up with makeup

542
00:34:23,960 --> 00:34:30,680
Speaker 1: counter girl Shane before he went Ferry. Weren't married, Nope,

543
00:34:30,760 --> 00:34:34,800
Speaker 1: and he wasn't even he wasn't even that into her anyway,

544
00:34:34,840 --> 00:34:37,800
Speaker 1: because that girl was just all worshiping. But Jess still

545
00:34:37,880 --> 00:34:41,680
Speaker 1: did the right thing and the right Compare these two

546
00:34:41,719 --> 00:34:45,239
Speaker 1: situations at all, of course you can't. You can just

547
00:34:45,440 --> 00:34:48,720
Speaker 1: did the right thing in a lesser situation, and Dean's

548
00:34:48,760 --> 00:34:51,799
Speaker 1: doing the wrong thing. It's easier to do the right

549
00:34:51,840 --> 00:34:54,360
Speaker 1: thing in a lesser situation. How what's he how's he

550
00:34:54,400 --> 00:34:58,960
Speaker 1: supposed to? Man? You're playing devil's advocate you're playing the

551
00:34:59,080 --> 00:35:01,759
Speaker 1: role of Laurel. Now I know what I know what

552
00:35:01,800 --> 00:35:05,560
Speaker 1: you're doing. I look, I can be Lucy Goosey with

553
00:35:05,640 --> 00:35:09,759
Speaker 1: people in their bad marriages, right, but in this case,

554
00:35:09,800 --> 00:35:13,640
Speaker 1: it's like, Dean, you're the good guy. You're a good guy. Yeah,

555
00:35:13,680 --> 00:35:16,440
Speaker 1: but how bad must that marriage? I'm sorry to interrupt,

556
00:35:16,440 --> 00:35:19,319
Speaker 1: but how bad must that marriage be? Because we're talking

557
00:35:19,360 --> 00:35:22,040
Speaker 1: about two young people and they're still in their teens. Well,

558
00:35:22,080 --> 00:35:25,440
Speaker 1: I don't know, they got married way too young. They

559
00:35:25,440 --> 00:35:29,960
Speaker 1: were idiots, but they did it right. But that's explains everything.

560
00:35:30,239 --> 00:35:34,279
Speaker 1: But do the right thing, Dean, get get separated, move out,

561
00:35:34,600 --> 00:35:36,759
Speaker 1: do the right thing, and then kiss Rory all you want,

562
00:35:36,840 --> 00:35:41,560
Speaker 1: and then we've got nothing to watch. Then there's no tension. True,

563
00:35:43,920 --> 00:35:47,520
Speaker 1: then it's not real because that's not real life. No,

564
00:35:47,719 --> 00:35:50,200
Speaker 1: that's true too. People don't do the right thing. You're right,

565
00:35:50,640 --> 00:35:54,000
Speaker 1: People don't do the right thing correct. And if they

566
00:35:54,080 --> 00:35:56,680
Speaker 1: did and they went to the other person, the other

567
00:35:56,719 --> 00:35:59,479
Speaker 1: person would probably say I changed my mind. It would

568
00:35:59,480 --> 00:36:02,080
Speaker 1: take so long that the other person would meet somebody else.

569
00:36:02,840 --> 00:36:06,200
Speaker 1: In eight out of ten situations this were real life,

570
00:36:07,440 --> 00:36:10,120
Speaker 1: that they definitely would have kissed. Do you know what

571
00:36:10,200 --> 00:36:12,719
Speaker 1: I'm saying? Right, But it doesn't make it like right.

572
00:36:12,840 --> 00:36:15,239
Speaker 1: It doesn't make Dean a good guy. Dean's not a

573
00:36:15,280 --> 00:36:18,120
Speaker 1: good guy. Right now. I can't judge these kids. I

574
00:36:18,160 --> 00:36:21,960
Speaker 1: can't judge them. Their hearts are full when they are together.

575
00:36:23,040 --> 00:36:26,680
Speaker 1: Whatever dysfunction that they are both bringing to that union,

576
00:36:27,640 --> 00:36:31,640
Speaker 1: it still feels full to them. It still feels meaningful

577
00:36:31,719 --> 00:36:35,479
Speaker 1: and real and deep, and they're recapturing something right. She's

578
00:36:35,600 --> 00:36:39,120
Speaker 1: she's She gets to maybe a doover to do that

579
00:36:39,200 --> 00:36:42,799
Speaker 1: relationship right, and he gets in a second chance at

580
00:36:42,840 --> 00:36:45,480
Speaker 1: it and a way to wipe out all the bad

581
00:36:45,520 --> 00:36:48,080
Speaker 1: feelings he's getting from his marriage. I think they deserve

582
00:36:48,080 --> 00:36:51,399
Speaker 1: a second chance. But he needs to do the right thing. Yep,

583
00:36:53,680 --> 00:36:55,759
Speaker 1: going out, I think he is doing the right thing.

584
00:36:55,840 --> 00:37:01,200
Speaker 1: But sleeping with Rory like living truthfully and not living alone.

585
00:37:01,239 --> 00:37:03,719
Speaker 1: He's not. But you do realize that his marriage is

586
00:37:03,760 --> 00:37:07,040
Speaker 1: a lie. Like if there's anyone that's not living truthfully,

587
00:37:07,040 --> 00:37:10,560
Speaker 1: it's deep, Like he we found that out. I think

588
00:37:10,560 --> 00:37:13,880
Speaker 1: he went she called the phone. Where was he he

589
00:37:14,040 --> 00:37:18,840
Speaker 1: was back at home? I think you know, like he's lying,

590
00:37:19,040 --> 00:37:23,360
Speaker 1: He's he said all that there is there is a

591
00:37:23,440 --> 00:37:28,080
Speaker 1: level of deception, yes, but I think he has just

592
00:37:28,280 --> 00:37:31,120
Speaker 1: he's obviously checked out of his marriage. He's we do

593
00:37:31,520 --> 00:37:35,399
Speaker 1: some then get it annulled or get divorced. He's checked out,

594
00:37:35,400 --> 00:37:38,839
Speaker 1: but he's physically still there, like he's mentally checked out,

595
00:37:38,840 --> 00:37:41,839
Speaker 1: but like he's leading Rory on saying like, I'm gonna

596
00:37:41,920 --> 00:37:44,040
Speaker 1: leave Lindsay. She agrees, when at the end of the day,

597
00:37:44,080 --> 00:37:47,120
Speaker 1: clearly Lindsay wasn't a part of that conversation and she's

598
00:37:47,760 --> 00:37:50,799
Speaker 1: making all those sandwiches. And he also has never told

599
00:37:50,840 --> 00:37:54,520
Speaker 1: Lindsay I'm not happy. She's the one that's telling him,

600
00:37:55,640 --> 00:37:58,360
Speaker 1: saying exactly, she wears the pants in that family, and

601
00:37:58,400 --> 00:38:01,520
Speaker 1: she he's afraid of her. Yeah, no, no, Like my

602
00:38:01,640 --> 00:38:04,440
Speaker 1: point is he needs to like say something like I

603
00:38:05,280 --> 00:38:07,560
Speaker 1: don't even think he's afraid of her. Oh I do.

604
00:38:07,840 --> 00:38:10,279
Speaker 1: I think he's I think he's just stuck. He just

605
00:38:10,320 --> 00:38:14,000
Speaker 1: did this thing, and now he's marrying different kind She's

606
00:38:14,040 --> 00:38:17,919
Speaker 1: a different kind of gal, and she's taken over that

607
00:38:18,000 --> 00:38:21,239
Speaker 1: relationship to the point where he's she's forcing him to

608
00:38:21,320 --> 00:38:23,719
Speaker 1: drop out of college and do this because I want

609
00:38:23,719 --> 00:38:26,399
Speaker 1: a condo. We we don't hear the fights that they

610
00:38:26,440 --> 00:38:29,040
Speaker 1: have or the disagreements they have, but I can I

611
00:38:29,400 --> 00:38:32,879
Speaker 1: can hear him. I know what they're dialogue. It ain't good.

612
00:38:33,000 --> 00:38:37,680
Speaker 1: They sorry, we got to get get divorced. Yeah, life

613
00:38:37,680 --> 00:38:40,799
Speaker 1: doesn't work that way, you know that. Come on, come on,

614
00:38:42,080 --> 00:38:44,319
Speaker 1: look like I think this is playing out exactly how

615
00:38:44,320 --> 00:38:46,719
Speaker 1: it would play out, and realize. Yes, that being said,

616
00:38:46,719 --> 00:38:49,040
Speaker 1: it doesn't make me have to think Dean's a great guy.

617
00:38:49,760 --> 00:38:51,960
Speaker 1: I think he's just human. These are human beings and

618
00:38:52,160 --> 00:38:54,919
Speaker 1: and and this is life, and I don't. I think

619
00:38:54,960 --> 00:38:59,560
Speaker 1: it's a brilliant portrayal. And again, the writing is to

620
00:38:59,680 --> 00:39:02,240
Speaker 1: write is spot on because this is how life works.

621
00:39:02,280 --> 00:39:04,440
Speaker 1: But they managed to elevate it and make it funny

622
00:39:04,440 --> 00:39:06,640
Speaker 1: and make it deep and compelling because it's real. We

623
00:39:07,120 --> 00:39:10,080
Speaker 1: feel this way if it wasn't real, I agree with you.

624
00:39:10,320 --> 00:39:13,680
Speaker 1: I don't. I think it is real and it is

625
00:39:13,760 --> 00:39:17,799
Speaker 1: going how it would go in reality. Unfortunate, still kind

626
00:39:17,800 --> 00:39:22,399
Speaker 1: of he's a tool to stop it. You guys are

627
00:39:22,440 --> 00:39:24,839
Speaker 1: being too judgy. Come on, Okay, it's just a kid.

628
00:39:25,200 --> 00:39:28,600
Speaker 1: A kid made a mistake. He's a kid who made

629
00:39:28,600 --> 00:39:30,439
Speaker 1: a mistake. I mean, where is I don't think that's

630
00:39:30,440 --> 00:39:32,640
Speaker 1: a mistake because it wasn't a one time thing. Like

631
00:39:32,640 --> 00:39:36,080
Speaker 1: they clearly kissed at the end and then they so

632
00:39:36,160 --> 00:39:39,440
Speaker 1: they never kiss Oh sorry, they almost kissed. They almost kissed,

633
00:39:39,920 --> 00:39:41,920
Speaker 1: but I think we're going to count that as a kiss.

634
00:39:43,000 --> 00:39:47,359
Speaker 1: It but this is something that's not like that, just

635
00:39:47,440 --> 00:39:49,160
Speaker 1: like they saw each other for the first time in

636
00:39:49,560 --> 00:39:52,480
Speaker 1: months and they're like, oh my god, yeah, it's all going.

637
00:39:52,640 --> 00:39:56,560
Speaker 1: It's been it's been brewing for a few weeks. I mean,

638
00:39:56,640 --> 00:39:58,439
Speaker 1: here's the debate we're going to have in a minute too,

639
00:39:58,680 --> 00:40:02,040
Speaker 1: would Rory Actually, we have slept with someone who is

640
00:40:02,280 --> 00:40:05,960
Speaker 1: married on a like a on a five minutes in

641
00:40:06,000 --> 00:40:09,960
Speaker 1: her childhood bedroom, Like, come on, that does not track.

642
00:40:10,600 --> 00:40:12,760
Speaker 1: But we'll get to that. So first we have Friday

643
00:40:12,840 --> 00:40:15,200
Speaker 1: night dinner. So we're at the awkward dot com Friday

644
00:40:15,280 --> 00:40:19,000
Speaker 1: Night dinner where they're like maybe eating rabbit, but it's

645
00:40:19,000 --> 00:40:22,160
Speaker 1: not rabbit, it's rabbit sauce. And then Lorilized decides she's

646
00:40:22,160 --> 00:40:25,520
Speaker 1: just really gonna stick it to them and invite them

647
00:40:25,560 --> 00:40:28,960
Speaker 1: both to the opening of the Inn, which I thought,

648
00:40:29,160 --> 00:40:31,600
Speaker 1: all right, and it was a funny moment, and then

649
00:40:31,719 --> 00:40:34,600
Speaker 1: somebody said something about Haley Mills and I laughed so hard.

650
00:40:34,760 --> 00:40:37,279
Speaker 1: Did you get that joke? I didn't? What was that?

651
00:40:39,760 --> 00:40:43,560
Speaker 1: She was in the parent trap? And so well, I'm

652
00:40:43,560 --> 00:40:45,239
Speaker 1: sure we'll talk about it in pop culture, but like

653
00:40:45,520 --> 00:40:49,359
Speaker 1: it was a parent trap joke because she's basically doing

654
00:40:49,400 --> 00:40:51,719
Speaker 1: a parent trap. Oh look who died and made you,

655
00:40:51,800 --> 00:40:57,520
Speaker 1: Haley Mills. Yeah, pretty good. So anyway, what do we think.

656
00:40:57,600 --> 00:41:00,560
Speaker 1: Let's let's talk about the Gilmore's. Let's just play that

657
00:41:00,600 --> 00:41:02,719
Speaker 1: through and what's going on there. We don't know why

658
00:41:02,760 --> 00:41:06,719
Speaker 1: they're separated, do we, Because my gut is we have

659
00:41:06,760 --> 00:41:10,120
Speaker 1: no idea. No, because Lori La is so mad at

660
00:41:10,239 --> 00:41:14,160
Speaker 1: Richard for the whole digger thing and that it really

661
00:41:14,200 --> 00:41:16,880
Speaker 1: put the relationship, it could have put the relationship at

662
00:41:16,960 --> 00:41:21,120
Speaker 1: risk between her and Lorelai and Rory, and and then

663
00:41:21,719 --> 00:41:25,279
Speaker 1: Richard really didn't listen to Emily, and we know why.

664
00:41:25,520 --> 00:41:28,239
Speaker 1: You think that's the reason that they're separated. I think

665
00:41:28,280 --> 00:41:30,880
Speaker 1: that's a cherry on top because Pennell and Lot has

666
00:41:30,920 --> 00:41:34,920
Speaker 1: a lot to do with it. Yeah, yeah, probably. So

667
00:41:35,040 --> 00:41:37,480
Speaker 1: you think it was a couple of straws that that

668
00:41:37,200 --> 00:41:39,359
Speaker 1: was that was the big one, Yeah yeah, and then

669
00:41:39,400 --> 00:41:41,440
Speaker 1: this one was just a straw that broke the camel's back.

670
00:41:41,520 --> 00:41:46,080
Speaker 1: Huh huh. I think so. So then you know, Okay,

671
00:41:46,120 --> 00:41:49,440
Speaker 1: so so we've already talked about Kirk and Luke And

672
00:41:49,480 --> 00:41:52,680
Speaker 1: now we're at the inn and it's time for the

673
00:41:52,800 --> 00:41:56,280
Speaker 1: inn to open. The doors are missing, which I love.

674
00:41:56,719 --> 00:42:02,719
Speaker 1: I love how it's like follow your door. That was

675
00:42:02,960 --> 00:42:08,480
Speaker 1: such a funny bit. Oh so good room. It's a

676
00:42:08,800 --> 00:42:11,920
Speaker 1: second to be like, what how adorable were the golf

677
00:42:11,960 --> 00:42:15,720
Speaker 1: carts pulling up to a great shot? And there's there's

678
00:42:15,760 --> 00:42:20,279
Speaker 1: Taylor and all his glory. Yeah, totally crushing it with

679
00:42:20,280 --> 00:42:23,960
Speaker 1: his notes. Yeah, but guys, I do have a flag

680
00:42:24,000 --> 00:42:26,560
Speaker 1: on the play. So Jackie, can you do me a solid?

681
00:42:26,760 --> 00:42:28,839
Speaker 1: Will you pull up where the golf carts pull up?

682
00:42:30,120 --> 00:42:31,839
Speaker 1: Did you guys see where this was when you were

683
00:42:31,840 --> 00:42:35,360
Speaker 1: on the lot, Yes, Oh my god, this would be amazing. Okay,

684
00:42:35,480 --> 00:42:39,040
Speaker 1: so see here comes all these people, right, and this

685
00:42:39,080 --> 00:42:42,160
Speaker 1: is supposed to be like the town people. Heck is

686
00:42:42,200 --> 00:42:46,640
Speaker 1: this guy background inspecting? Totally? First of all, that's great acting.

687
00:42:46,680 --> 00:42:51,239
Speaker 1: You're talking about who are those people? Two total randos

688
00:42:51,320 --> 00:43:02,120
Speaker 1: got invited? Yeah, but then again that's my cousin total Rando.

689
00:43:03,000 --> 00:43:05,440
Speaker 1: Oh man, I have a picture right in front of this.

690
00:43:05,520 --> 00:43:13,160
Speaker 1: Amy so jealous. I'm so jealous. I'm still so mad.

691
00:43:13,200 --> 00:43:17,560
Speaker 1: I couldn't go to that anyway. So there's some randos Taylor.

692
00:43:17,840 --> 00:43:19,960
Speaker 1: I actually think Taylor's one of the best parts of

693
00:43:19,960 --> 00:43:24,560
Speaker 1: this whole thing. Oh me too, So okay. So then

694
00:43:24,640 --> 00:43:27,919
Speaker 1: now Rory goes in and she sees Dean and they

695
00:43:27,960 --> 00:43:33,960
Speaker 1: sort of have their confrontation and the almost kiss. What

696
00:43:34,080 --> 00:43:38,319
Speaker 1: did you think? I thought it was a great It

697
00:43:38,400 --> 00:43:40,759
Speaker 1: was just such a scene that was so fraught with

698
00:43:40,880 --> 00:43:44,719
Speaker 1: feelings and great acting and tension and yeah, man, it

699
00:43:44,800 --> 00:43:48,359
Speaker 1: was great. It was great. Those two play off each

700
00:43:48,360 --> 00:43:53,799
Speaker 1: other beautifully. The tension between those two is just palpable. Yes,

701
00:43:53,960 --> 00:43:59,279
Speaker 1: but nobody's like, oh oh, because literally they like talk

702
00:43:59,320 --> 00:44:03,920
Speaker 1: to each other. Are you Auntie love? What is going on? No?

703
00:44:04,080 --> 00:44:09,120
Speaker 1: I'm very like, very to Amy and Danielle. These two

704
00:44:09,160 --> 00:44:12,759
Speaker 1: are in love. Can we just celebrate it? Yeah, but

705
00:44:12,880 --> 00:44:17,759
Speaker 1: look what happens at the end about his paperwork and legality.

706
00:44:18,800 --> 00:44:21,440
Speaker 1: You had your chance and you broke up with him,

707
00:44:21,520 --> 00:44:28,120
Speaker 1: like and also like, come on, is well, I'm very

708
00:44:28,880 --> 00:44:32,600
Speaker 1: I think it would be totally kid. It's still a kid. Yeah,

709
00:44:32,640 --> 00:44:35,120
Speaker 1: But when you get married and you're committing to someone,

710
00:44:35,160 --> 00:44:37,560
Speaker 1: I think it's very different. If Dean was single, this

711
00:44:37,560 --> 00:44:42,080
Speaker 1: would be a totally different conversation. But he is, and

712
00:44:42,160 --> 00:44:47,240
Speaker 1: he's he's not like fast is what it would be. Yeah,

713
00:44:47,280 --> 00:44:50,279
Speaker 1: but it's the moral of it getting a stomach ache

714
00:44:50,280 --> 00:44:54,799
Speaker 1: because here's the thing. Yeah, it's all sexy and cute.

715
00:44:54,840 --> 00:44:56,840
Speaker 1: Oh they almost kiss. Look at the tension. This is

716
00:44:56,880 --> 00:45:00,640
Speaker 1: so great. The last scene of this episod eisode is

717
00:45:00,719 --> 00:45:05,680
Speaker 1: so important to think about. Rory is heart broken. Not

718
00:45:05,800 --> 00:45:09,920
Speaker 1: only is she heartbroken because Dean is married and he

719
00:45:10,120 --> 00:45:13,480
Speaker 1: is living there and she's answering his phone. You know what,

720
00:45:14,000 --> 00:45:16,719
Speaker 1: let's just can we sorry, can we just put a

721
00:45:16,719 --> 00:45:19,360
Speaker 1: pin in that thought? Because I think it's a huge thought.

722
00:45:19,920 --> 00:45:23,319
Speaker 1: That's a huge beat. So why don't we I think

723
00:45:23,360 --> 00:45:26,280
Speaker 1: we're gonna have to do a part two here, Okay,

724
00:45:26,320 --> 00:45:29,719
Speaker 1: So let's just we're gonna log off here. We'll do

725
00:45:29,800 --> 00:45:32,640
Speaker 1: a part two. Okay. I am fired up and I'm

726
00:45:32,640 --> 00:45:35,080
Speaker 1: starting to feel a little sick, like it's just making me.

727
00:45:35,400 --> 00:45:42,319
Speaker 1: Go ahead and take another bite, swallow water. Listen, we'll

728
00:45:42,360 --> 00:45:45,320
Speaker 1: be back with part two. Thanks for tuning in, uh

729
00:45:45,360 --> 00:46:18,320
Speaker 1: and we'll we'll we'll see in a second. Hey, everybody,

730
00:46:18,320 --> 00:46:21,680
Speaker 1: and don't forget follow us on Instagram at I Am

731
00:46:21,719 --> 00:46:26,920
Speaker 1: all In podcast and email us at Gilmore at iHeartRadio

732
00:46:27,000 --> 00:46:29,560
Speaker 1: dot com. Oh you're Gilmore fans. If you're looking for

733
00:46:29,560 --> 00:46:31,400
Speaker 1: the best cup of coffee in the world, go to

734
00:46:31,600 --> 00:46:35,279
Speaker 1: my website from my company scott ep dot com, s

735
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736
00:46:38,560 --> 00:46:48,200
Speaker 1: Grade one Specialty Coffee