1 00:00:00,120 --> 00:00:02,480 Speaker 1: The Nick Agliser Podcast. 2 00:00:07,040 --> 00:00:12,360 Speaker 2: Nick Glaser, here's Nikky. Hello here, I am welcome to 3 00:00:12,400 --> 00:00:12,760 Speaker 2: the show. 4 00:00:12,800 --> 00:00:17,360 Speaker 3: It's Nicky Glazer podcast, coming at you live from California, 5 00:00:17,440 --> 00:00:19,759 Speaker 3: where three out of four of us are. 6 00:00:20,480 --> 00:00:24,640 Speaker 2: Do I hear it's on the airplane an airplane mode. 7 00:00:26,000 --> 00:00:29,320 Speaker 1: That's probably outside my window. I'm in Studio City, twenty 8 00:00:29,320 --> 00:00:32,400 Speaker 1: minutes from Burbank Airport, forty minutes from Lax where they're 9 00:00:32,400 --> 00:00:33,360 Speaker 1: striking today. 10 00:00:34,080 --> 00:00:36,840 Speaker 2: Okay, they're striking at Lax. 11 00:00:37,600 --> 00:00:40,440 Speaker 1: Oh. Yeah, workers in LA are striking today. This is 12 00:00:40,479 --> 00:00:45,000 Speaker 1: the new thing. All workers LA workers are striking, and 13 00:00:45,080 --> 00:00:46,240 Speaker 1: I believe it's. 14 00:00:46,240 --> 00:00:48,080 Speaker 2: Sweet all workers in LA. 15 00:00:49,120 --> 00:00:51,080 Speaker 1: I can read it to you, but I do not 16 00:00:51,240 --> 00:00:51,880 Speaker 1: know for sure. 17 00:00:51,960 --> 00:00:55,960 Speaker 2: I think LA. You work for the United States Postal Service. Yes, 18 00:00:57,320 --> 00:00:57,880 Speaker 2: your shirt. 19 00:00:58,040 --> 00:01:01,840 Speaker 3: Oh, I can tell you this. The United States Postal Service. 20 00:01:01,840 --> 00:01:04,120 Speaker 3: For those of you not watching on YouTube, which is most. 21 00:01:03,960 --> 00:01:07,840 Speaker 4: Of you, definitively, the United States Postal Service will be 22 00:01:07,880 --> 00:01:11,080 Speaker 4: delivering the mail today. You will get your packages, your 23 00:01:11,080 --> 00:01:13,120 Speaker 4: birth control, your everything you need. 24 00:01:13,560 --> 00:01:15,880 Speaker 1: I don't know. 25 00:01:17,319 --> 00:01:21,600 Speaker 4: I know that the UH, the Union of Flight Attendants, 26 00:01:21,640 --> 00:01:25,680 Speaker 4: did strike with the writers and actors this week, but 27 00:01:25,800 --> 00:01:28,880 Speaker 4: they were not working. But yeah, the La City workers 28 00:01:28,880 --> 00:01:33,760 Speaker 4: stage one day strike impacting services. Thousands of city workers 29 00:01:33,760 --> 00:01:36,040 Speaker 4: in Los Angeles are taking part in a one day 30 00:01:36,080 --> 00:01:39,400 Speaker 4: strike to bring attention to what they describe as unfair 31 00:01:39,480 --> 00:01:43,280 Speaker 4: labor practices and the city's failure to bargain in good faith. 32 00:01:43,520 --> 00:01:47,600 Speaker 4: So that means that, uh, let's see who who is there. 33 00:01:47,600 --> 00:01:52,080 Speaker 4: It's gonna traffic services such as, oh, no parking enforcement. 34 00:01:52,160 --> 00:01:54,080 Speaker 4: That means you can park wherever the fuck you want 35 00:01:54,120 --> 00:01:58,160 Speaker 4: today and you will not get a ticket. Public public 36 00:01:58,160 --> 00:02:01,720 Speaker 4: swimming pools closed, there will be no trash pick up. 37 00:02:01,720 --> 00:02:04,040 Speaker 4: It's just going to be delayed one day. If you 38 00:02:04,160 --> 00:02:07,440 Speaker 4: call three one one, yeah, three one one, they're not 39 00:02:07,440 --> 00:02:12,040 Speaker 4: going to pick up. Oh what a change. Police, fire, paramedics, 40 00:02:12,080 --> 00:02:13,440 Speaker 4: they're not affected. 41 00:02:13,040 --> 00:02:15,040 Speaker 3: By It's like to call three one one. But I'm 42 00:02:15,080 --> 00:02:17,000 Speaker 3: guessing when I called nine one one in my own 43 00:02:17,040 --> 00:02:19,639 Speaker 3: city of Saint Louis, it was a busy signal, which 44 00:02:19,639 --> 00:02:20,520 Speaker 3: I haven't heard since. 45 00:02:21,240 --> 00:02:23,919 Speaker 4: You serious beep d D. 46 00:02:24,760 --> 00:02:27,480 Speaker 3: I'm like, I really haven't heard that since nineteen ninety 47 00:02:27,480 --> 00:02:29,600 Speaker 3: four when I was calling Kirsten Florman and her dad 48 00:02:29,639 --> 00:02:31,720 Speaker 3: was on the phone or something like. You don't hear 49 00:02:31,760 --> 00:02:33,919 Speaker 3: busy signals anymore except on nine. 50 00:02:33,720 --> 00:02:34,600 Speaker 2: One one. 51 00:02:36,080 --> 00:02:39,440 Speaker 1: You're in Detroit. There, you just can't get into it. 52 00:02:39,560 --> 00:02:41,800 Speaker 2: Rings and rings and rings. 53 00:02:41,480 --> 00:02:43,360 Speaker 4: And why were you calling nine one one? 54 00:02:44,520 --> 00:02:48,040 Speaker 3: Well, in Saint Louis, I accidentally called. I think I 55 00:02:48,120 --> 00:02:49,800 Speaker 3: might have these backwards. But there was one time I 56 00:02:49,840 --> 00:02:51,919 Speaker 3: called because of a traffic collision somewhere. I think that 57 00:02:52,160 --> 00:02:55,600 Speaker 3: was in Detroit. Yeah, we witnessed a traffic incident where 58 00:02:55,639 --> 00:02:58,400 Speaker 3: a car was just zooming down the highway at like 59 00:02:58,440 --> 00:03:00,280 Speaker 3: one hundred miles an hour, and then we heard a 60 00:03:00,320 --> 00:03:02,440 Speaker 3: crash ahead of us right on you. 61 00:03:02,520 --> 00:03:04,640 Speaker 1: Yeah, I think you were with Andrew and you guys 62 00:03:04,639 --> 00:03:06,880 Speaker 1: both tried to get through and then we were there. 63 00:03:07,120 --> 00:03:09,760 Speaker 1: You guys were writing rose jokes for Detroit, and she 64 00:03:09,919 --> 00:03:12,680 Speaker 1: was like, oh, one of the statistics is that it's 65 00:03:13,200 --> 00:03:16,400 Speaker 1: the hardest city to get connected with my weight time. 66 00:03:16,639 --> 00:03:18,880 Speaker 2: Yeah, that's right, that's right, And I experienced it. 67 00:03:18,919 --> 00:03:20,840 Speaker 3: And then the other time I accidentally, you know, on 68 00:03:20,840 --> 00:03:23,680 Speaker 3: your phone and you like press a certain button, it'll 69 00:03:23,720 --> 00:03:26,200 Speaker 3: like start calling the emergency when you press nine to 70 00:03:26,200 --> 00:03:30,679 Speaker 3: one one and then send. 71 00:03:29,200 --> 00:03:31,200 Speaker 1: When you hit the button a few too many times. 72 00:03:31,800 --> 00:03:33,880 Speaker 2: Yeah, so I think that's yeah. 73 00:03:33,919 --> 00:03:35,440 Speaker 3: So I accidentally did that and it was a bit 74 00:03:35,440 --> 00:03:36,880 Speaker 3: and I was just like oh, I got a calling 75 00:03:36,960 --> 00:03:38,840 Speaker 3: nine one one, and then it started being busy signal 76 00:03:38,880 --> 00:03:40,520 Speaker 3: and I was like, that's hilarious. 77 00:03:40,720 --> 00:03:40,920 Speaker 4: Yeah. 78 00:03:41,120 --> 00:03:42,360 Speaker 2: And then you know. 79 00:03:42,360 --> 00:03:45,000 Speaker 4: Sometimes when you're on your phone and like, uh, it 80 00:03:45,120 --> 00:03:47,240 Speaker 4: like texts your ex girlfriend like a bunch of times 81 00:03:47,240 --> 00:03:48,440 Speaker 4: at o'clock in the morning. 82 00:03:48,920 --> 00:03:53,320 Speaker 2: Yeah, and you're like, what know. I accidentally facetimed. 83 00:03:52,880 --> 00:03:57,240 Speaker 3: Someone the other day and it was humiliating because it 84 00:03:57,280 --> 00:03:59,360 Speaker 3: was someone whose number was being given to me from 85 00:03:59,400 --> 00:04:02,080 Speaker 3: another person, and so I like it, and it just 86 00:04:02,120 --> 00:04:06,840 Speaker 3: started FaceTime videoing them from my car, humiliating. I was 87 00:04:06,840 --> 00:04:08,880 Speaker 3: hoping they didn't have my number saved. I don't think 88 00:04:08,880 --> 00:04:10,720 Speaker 3: they did. They were probably just like that's a weird 89 00:04:11,000 --> 00:04:14,160 Speaker 3: number coming. So but man, if it was someone that 90 00:04:14,320 --> 00:04:15,960 Speaker 3: I had known, it was me, what do you do? 91 00:04:16,000 --> 00:04:18,040 Speaker 3: I mean, you just text and go sorry, that was 92 00:04:18,040 --> 00:04:22,479 Speaker 3: a mistake. I would say. I'm going to actually say 93 00:04:22,520 --> 00:04:26,760 Speaker 3: that whenever I get a FaceTime from someone, I think 94 00:04:26,800 --> 00:04:28,440 Speaker 3: I think most of ninety percent of the time it 95 00:04:28,480 --> 00:04:30,400 Speaker 3: is a mistake and it should be because that is 96 00:04:30,440 --> 00:04:33,200 Speaker 3: an aggressive move. And I'm not the first to say this. 97 00:04:33,200 --> 00:04:37,960 Speaker 3: This is like very memorable. Everyone knows facetiming is weird. Yeah, 98 00:04:38,120 --> 00:04:40,320 Speaker 3: it's not right and you need to warn the person. 99 00:04:42,040 --> 00:04:45,840 Speaker 2: And it's astag act. Yeah, did you know do I 100 00:04:45,880 --> 00:04:46,960 Speaker 2: have anyone in your life does it? 101 00:04:47,279 --> 00:04:49,720 Speaker 4: There's two people, two groups of people in your life 102 00:04:49,720 --> 00:04:52,760 Speaker 4: that can FaceTime at will without incident, and that is 103 00:04:53,080 --> 00:04:57,360 Speaker 4: your significant other if they want, or a family member 104 00:04:57,440 --> 00:05:02,080 Speaker 4: like my brother facetimes me all the over, calling me 105 00:05:02,120 --> 00:05:04,719 Speaker 4: all the time because he wants to show me my 106 00:05:04,839 --> 00:05:07,440 Speaker 4: niece I like playing in like and you gotta film 107 00:05:07,480 --> 00:05:09,680 Speaker 4: them and then you know. So Other than that, though 108 00:05:09,720 --> 00:05:12,800 Speaker 4: it's pretty crazy. Sometimes I do get a stray FaceTime 109 00:05:12,880 --> 00:05:14,240 Speaker 4: from a friend or something. 110 00:05:14,520 --> 00:05:16,520 Speaker 2: Yeah, just start having a bipolar episode. 111 00:05:16,640 --> 00:05:19,880 Speaker 3: It's like when I get a friend who my friends 112 00:05:19,920 --> 00:05:22,840 Speaker 3: who do FaceTime me they struggle with bipolar disorder. And 113 00:05:22,880 --> 00:05:25,839 Speaker 3: I'm not judging people that have that, obviously I struggle 114 00:05:25,880 --> 00:05:28,760 Speaker 3: with mental illness. But it's a clear cut signing something's 115 00:05:28,760 --> 00:05:31,000 Speaker 3: going on if you know it. 116 00:05:31,120 --> 00:05:31,800 Speaker 4: I think. 117 00:05:33,520 --> 00:05:36,080 Speaker 2: There's other things too. My friend always said that. 118 00:05:37,480 --> 00:05:42,000 Speaker 3: People who she worked in a mental hospital and was 119 00:05:42,120 --> 00:05:45,440 Speaker 3: often working with like actually criminals. She was a pathologist 120 00:05:45,440 --> 00:05:48,520 Speaker 3: for like criminals. This isn't Taylor, it's another friend of mine. 121 00:05:48,600 --> 00:05:54,240 Speaker 3: But she said that people with bipolar love unicorns, it's 122 00:05:54,240 --> 00:05:56,200 Speaker 3: a common thing. It's not like if you love unicorns, 123 00:05:56,240 --> 00:05:59,000 Speaker 3: you have bipolar. But like people with bipolar really just 124 00:05:59,080 --> 00:06:02,120 Speaker 3: gravitate towards that creature and become like kind of obsessed 125 00:06:02,120 --> 00:06:02,600 Speaker 3: with it. 126 00:06:02,800 --> 00:06:06,120 Speaker 2: So my niece Poppy, she's four, but I'm more I'm 127 00:06:06,120 --> 00:06:08,239 Speaker 2: just kidding so many. I told that to my sister. 128 00:06:08,279 --> 00:06:10,919 Speaker 3: She's like, great, Poppy, I'm like, no, she's a child 129 00:06:11,120 --> 00:06:12,479 Speaker 3: that likes the pretty thing. 130 00:06:12,880 --> 00:06:14,440 Speaker 2: That's different than an adult being. 131 00:06:14,480 --> 00:06:17,200 Speaker 3: Like I like unicorns, which again no judgment, Like I 132 00:06:17,240 --> 00:06:20,640 Speaker 3: love birds, I love you know, and I am. Probably 133 00:06:21,120 --> 00:06:23,440 Speaker 3: There's been times where I've thought I've had bipolar, but 134 00:06:23,520 --> 00:06:28,280 Speaker 3: I don't think I do, because it requires mania, which 135 00:06:28,279 --> 00:06:30,520 Speaker 3: I don't really have. I have the other one, but 136 00:06:30,560 --> 00:06:33,760 Speaker 3: I don't have the Like. Let's like sometimes I get 137 00:06:33,760 --> 00:06:35,640 Speaker 3: like amped up, but it's because I have too much 138 00:06:35,640 --> 00:06:38,000 Speaker 3: caffeine or I'm on some kind of drug or something, 139 00:06:38,040 --> 00:06:41,039 Speaker 3: but I don't. I don't have that upswing, but I 140 00:06:41,080 --> 00:06:42,600 Speaker 3: have the down one. 141 00:06:43,600 --> 00:06:48,520 Speaker 1: Really about unicorns that makes people bipolar? Do they think 142 00:06:48,560 --> 00:06:49,680 Speaker 1: they are a unicorn? 143 00:06:50,200 --> 00:06:52,960 Speaker 3: I think they, Yeah, I think it's probably probably that 144 00:06:53,200 --> 00:06:56,200 Speaker 3: I don't. Yeah, I think I think something about reunicorns 145 00:06:56,240 --> 00:06:56,920 Speaker 3: resonates with them. 146 00:06:56,960 --> 00:06:57,560 Speaker 2: I'm different. 147 00:06:57,680 --> 00:07:02,800 Speaker 3: I you know, unicorns are special, but they are mystical. 148 00:07:02,880 --> 00:07:04,400 Speaker 2: I don't know. There's not many of them. 149 00:07:04,480 --> 00:07:06,920 Speaker 3: They don't don't really exist, much like the thoughts in 150 00:07:06,960 --> 00:07:08,000 Speaker 3: my head don't exist. 151 00:07:08,080 --> 00:07:09,320 Speaker 2: I don't. I don't know, I don't. 152 00:07:09,360 --> 00:07:12,200 Speaker 4: I have a friend who's a psychologist, and she told 153 00:07:12,200 --> 00:07:14,400 Speaker 4: me that sociopaths love paw patrol. 154 00:07:17,080 --> 00:07:17,600 Speaker 2: Is this really? 155 00:07:18,000 --> 00:07:18,240 Speaker 4: No? 156 00:07:18,240 --> 00:07:18,320 Speaker 1: No? 157 00:07:18,560 --> 00:07:20,239 Speaker 2: Just I was like, oh my god. 158 00:07:20,120 --> 00:07:21,960 Speaker 1: Well I have a real statistic though. 159 00:07:22,000 --> 00:07:27,120 Speaker 2: Okay, what but it's not like people. I wouldn't be surprised. 160 00:07:27,200 --> 00:07:30,760 Speaker 3: You know, people are into like my little pony adult men. 161 00:07:31,480 --> 00:07:37,680 Speaker 2: Yeah, but that's going to be a disorders the whole world. Okay, No, This. 162 00:07:37,640 --> 00:07:40,520 Speaker 1: Person who is not a clinical psychologist, but they do 163 00:07:40,640 --> 00:07:44,559 Speaker 1: work with children, and they say that trans children really 164 00:07:44,600 --> 00:07:50,000 Speaker 1: love Mermaids because it's like half and half, like that 165 00:07:50,040 --> 00:07:53,480 Speaker 1: makes human girl and half fish, or like their genitals 166 00:07:53,480 --> 00:07:54,880 Speaker 1: are not they don't exist. 167 00:07:55,200 --> 00:07:55,800 Speaker 2: They don't. 168 00:07:55,880 --> 00:08:01,400 Speaker 3: People are like an afterthought. Mermaids genitals don't matter or 169 00:08:01,440 --> 00:08:03,400 Speaker 3: like it's not like it doesn't define who they are. 170 00:08:03,600 --> 00:08:04,440 Speaker 2: Their hair does. 171 00:08:05,080 --> 00:08:09,040 Speaker 3: They're pretty hair and they're seashell boobs Yeah, yeah. 172 00:08:08,800 --> 00:08:10,640 Speaker 4: Man, you gotta have big boobs if you're a mermaid, 173 00:08:11,120 --> 00:08:11,680 Speaker 4: but if you're. 174 00:08:11,560 --> 00:08:12,720 Speaker 1: Am, you don't. 175 00:08:13,160 --> 00:08:17,600 Speaker 3: I still felt like little Mermaid. I felt very That 176 00:08:17,640 --> 00:08:21,160 Speaker 3: definitely affected my body issues as a child, like Disney, 177 00:08:21,400 --> 00:08:25,360 Speaker 3: definitely the waste on Disney. We talked about Barbie. I'm 178 00:08:25,360 --> 00:08:28,200 Speaker 3: sorry I wasn't comparing myself to Barbie. I don't like 179 00:08:28,240 --> 00:08:30,080 Speaker 3: this whole narrative. I think I've already said it, but 180 00:08:31,080 --> 00:08:34,760 Speaker 3: of the Barbie movie being successful because they've got it 181 00:08:34,760 --> 00:08:37,839 Speaker 3: all wrong. People are like Barbie's successful because girls loved 182 00:08:37,920 --> 00:08:40,320 Speaker 3: playing with Barbie and they went to go see the 183 00:08:40,360 --> 00:08:44,760 Speaker 3: movie to finish the story. They told themselves as children, No, 184 00:08:44,960 --> 00:08:48,079 Speaker 3: we did it. We're not that basic and stupid. We're 185 00:08:48,120 --> 00:08:50,440 Speaker 3: not like I like Barbie's and I want to be 186 00:08:50,600 --> 00:08:54,079 Speaker 3: little again. It's because it's directed by Greta Gerwig, who 187 00:08:54,120 --> 00:08:57,000 Speaker 3: is a phenomenal director. It's funny. It has Margot Robbie, 188 00:08:57,000 --> 00:08:58,560 Speaker 3: who we like, it as Ryan Gosling, who we like. 189 00:08:58,800 --> 00:09:01,240 Speaker 3: It's a huge, but big budget movie that was marketed 190 00:09:01,240 --> 00:09:04,560 Speaker 3: to us like nothing else in the history of marketing. 191 00:09:05,000 --> 00:09:07,679 Speaker 3: Maybe that's why it's not like we're all like these infantile, 192 00:09:07,840 --> 00:09:11,040 Speaker 3: little idiot girls that are like let Barbie. When I 193 00:09:11,120 --> 00:09:13,120 Speaker 3: was little that's like what they're saying. The movie is 194 00:09:13,120 --> 00:09:15,880 Speaker 3: successful for so now they're having like Polly Pocket movie 195 00:09:15,920 --> 00:09:19,320 Speaker 3: and like Gui Joe movie and he Man movie. And 196 00:09:19,320 --> 00:09:22,440 Speaker 3: it's like they got it wrong if they think that 197 00:09:22,520 --> 00:09:24,400 Speaker 3: we're going to see this because we played with these 198 00:09:24,400 --> 00:09:26,120 Speaker 3: things as kids. Am I wrong about this? Like? 199 00:09:26,240 --> 00:09:27,240 Speaker 2: Did you go see Barbie? 200 00:09:27,280 --> 00:09:30,520 Speaker 4: Because you like Barbie's are stupid? 201 00:09:30,559 --> 00:09:34,320 Speaker 2: They're so so duffer everything they probably know. 202 00:09:35,200 --> 00:09:37,439 Speaker 3: But I think like the like the Press is like 203 00:09:37,640 --> 00:09:40,840 Speaker 3: globbing onto I don't glomming onto this idea that girls 204 00:09:41,480 --> 00:09:43,000 Speaker 3: love Barbie and that's why they went. 205 00:09:42,960 --> 00:09:43,320 Speaker 2: To see it. 206 00:09:43,320 --> 00:09:45,680 Speaker 3: It's like, no, because we have good taste in comedy 207 00:09:45,720 --> 00:09:48,160 Speaker 3: and we're eager for a female comedy because you haven't 208 00:09:48,160 --> 00:09:51,280 Speaker 3: given us one since Bride'smaids. You gave us a one 209 00:09:51,360 --> 00:09:52,880 Speaker 3: and you let us like that one and be like 210 00:09:52,960 --> 00:09:54,480 Speaker 3: it's actually good girls. 211 00:09:54,520 --> 00:09:56,959 Speaker 2: Finally like something that's good. Here's another thing. 212 00:09:57,000 --> 00:09:58,720 Speaker 3: Oh my god, and now we have Taylor Swift that 213 00:09:58,760 --> 00:10:01,840 Speaker 3: you're all acknowledging is act actually good girls. 214 00:10:01,880 --> 00:10:04,079 Speaker 2: Actually we're onto this one. Okay. 215 00:10:04,640 --> 00:10:08,240 Speaker 4: It was the first. It was the first women forward 216 00:10:08,320 --> 00:10:12,440 Speaker 4: comedy that wasn't just a remake of a man forward comedy. 217 00:10:12,440 --> 00:10:15,920 Speaker 4: From the last thirty years. Oh yeah, and then yeah, 218 00:10:16,000 --> 00:10:19,000 Speaker 4: like all that Shiit, Reddi Gerwig and Margot Roby as 219 00:10:19,040 --> 00:10:21,720 Speaker 4: a team together is like, why would you not go 220 00:10:21,800 --> 00:10:22,240 Speaker 4: see that? 221 00:10:22,760 --> 00:10:24,040 Speaker 2: You can't say, Robbie, he's been. 222 00:10:23,920 --> 00:10:30,000 Speaker 4: Sa Robbie Mozzarella said, wait to say p E N 223 00:10:30,000 --> 00:10:34,479 Speaker 4: E E pasta, penny pasta, penny pasta. 224 00:10:34,160 --> 00:10:36,360 Speaker 2: Everyone penny pasta yesterday. 225 00:10:36,840 --> 00:10:40,439 Speaker 4: And then there's some words that you just don't don't 226 00:10:40,520 --> 00:10:40,760 Speaker 4: leave you. 227 00:10:40,920 --> 00:10:42,600 Speaker 3: I don't blame you for ordering my coffee the other 228 00:10:42,679 --> 00:10:44,880 Speaker 3: day and you asked for Stevia. I was like, okay, 229 00:10:45,000 --> 00:10:46,839 Speaker 3: I'll correct him on that one. He'll never do it again. 230 00:10:47,120 --> 00:10:50,360 Speaker 1: My dad says, Vagan, I'm about to see my parents. 231 00:10:51,559 --> 00:10:53,880 Speaker 3: I think that was I think that was in the seventies. 232 00:10:54,520 --> 00:10:57,560 Speaker 3: Oh really, Vegan. My dad says it too, and I 233 00:10:57,640 --> 00:11:01,480 Speaker 3: broke him of it finally, But he also says, you 234 00:11:01,520 --> 00:11:03,959 Speaker 3: know when they when my parents take an edible, they 235 00:11:04,000 --> 00:11:06,160 Speaker 3: do say did you get off on that a lot? 236 00:11:08,200 --> 00:11:10,160 Speaker 2: Did you get off on that? Yet we got off 237 00:11:10,200 --> 00:11:10,559 Speaker 2: so much. 238 00:11:10,640 --> 00:11:14,160 Speaker 3: Last we were watching the Beatles documentary. 239 00:11:14,240 --> 00:11:16,160 Speaker 2: We both got off on these. I was just like, 240 00:11:16,600 --> 00:11:17,679 Speaker 2: it's disgusting. 241 00:11:19,080 --> 00:11:22,280 Speaker 4: Well, Vegan is actually a one of the brightest stars 242 00:11:22,320 --> 00:11:24,560 Speaker 4: in the night skyes Vega and the Vagan star system 243 00:11:24,600 --> 00:11:26,240 Speaker 4: is a thing, so when you say Vagan, it also 244 00:11:26,280 --> 00:11:29,679 Speaker 4: means that which is also the site of an evil race. 245 00:11:30,240 --> 00:11:32,200 Speaker 2: Almost got as annoying as a vegan. 246 00:11:35,200 --> 00:11:38,480 Speaker 3: But last night I got u There was a moment 247 00:11:39,240 --> 00:11:42,600 Speaker 3: with my friends that we were like, uh, I forget what, 248 00:11:42,760 --> 00:11:44,560 Speaker 3: Oh what were we talking about? We were talking about 249 00:11:44,559 --> 00:11:48,520 Speaker 3: a lady bug or something, and there's sayings, oh, we 250 00:11:48,559 --> 00:11:48,880 Speaker 3: were talking. 251 00:11:49,160 --> 00:11:50,880 Speaker 2: We were talking about your possum story, Brian. 252 00:11:50,960 --> 00:11:53,400 Speaker 3: We were like telling filling our friends in about the 253 00:11:53,440 --> 00:11:56,160 Speaker 3: possum incident where Brian had witnessed that a possum got 254 00:11:56,160 --> 00:11:58,839 Speaker 3: trapped by his neighbor in an animal trap so the 255 00:11:58,840 --> 00:12:01,880 Speaker 3: possum would stop eating his crops or whatever, and then the. 256 00:12:01,920 --> 00:12:03,880 Speaker 2: Possum was just left there to fucking die. 257 00:12:03,960 --> 00:12:06,760 Speaker 3: And Brian called the you know, animal control, which they 258 00:12:06,800 --> 00:12:08,440 Speaker 3: wouldn't pick up the phone today if they called because 259 00:12:08,440 --> 00:12:12,080 Speaker 3: Ali City is on strike. And these girls were like 260 00:12:12,360 --> 00:12:14,240 Speaker 3: that is so cruel, and I'm like, yeah, you just 261 00:12:14,280 --> 00:12:16,520 Speaker 3: left it there to suffer, and they're like people who 262 00:12:16,640 --> 00:12:20,280 Speaker 3: do that to animals are just it's seriously sociopathic. And 263 00:12:20,320 --> 00:12:21,920 Speaker 3: I go, do you guys eat animals and they were 264 00:12:21,920 --> 00:12:24,760 Speaker 3: like NICKI, and I go, I'm just wondering because their 265 00:12:24,800 --> 00:12:27,800 Speaker 3: animals eat being treated like that all the time because 266 00:12:27,840 --> 00:12:28,280 Speaker 3: you eat them. 267 00:12:28,280 --> 00:12:29,160 Speaker 2: And I just started laughing. 268 00:12:29,200 --> 00:12:31,240 Speaker 3: I was like, I got it, and I got it, 269 00:12:31,320 --> 00:12:33,080 Speaker 3: and I changed it on you because they were like, 270 00:12:33,280 --> 00:12:36,520 Speaker 3: anyone who supports that is sociopathic. And I was like, really, 271 00:12:37,000 --> 00:12:40,120 Speaker 3: because I think you do. But I was just joking, 272 00:12:40,200 --> 00:12:42,280 Speaker 3: like they were like, oh, Nick, you know. I was like, 273 00:12:42,440 --> 00:12:44,840 Speaker 3: I'm just kidding. I have to slide in a little 274 00:12:45,360 --> 00:12:48,760 Speaker 3: like you know, burst of hypocrisy when I can, let 275 00:12:48,800 --> 00:12:51,160 Speaker 3: me get it in. I'm not like over the top 276 00:12:51,200 --> 00:12:53,760 Speaker 3: all the time. You have to get off somehow. 277 00:12:54,080 --> 00:12:55,520 Speaker 2: I gotta get off. I got off. 278 00:12:55,920 --> 00:12:58,760 Speaker 3: Wait, speaking of the Barbie movie, Anya, you did see it, 279 00:12:58,800 --> 00:13:00,680 Speaker 3: and I'm just like, I've been done to talk to 280 00:13:00,720 --> 00:13:02,640 Speaker 3: anyone about the Barbie movie. I know it is like 281 00:13:03,360 --> 00:13:05,720 Speaker 3: weeks and weeks past, but I guess I actually now 282 00:13:05,720 --> 00:13:07,280 Speaker 3: we can maybe talk about it with a little more 283 00:13:07,280 --> 00:13:10,440 Speaker 3: freedom because people maybe have seen it more. But just 284 00:13:10,440 --> 00:13:11,959 Speaker 3: in case, we're going to talk about the Barbie movie, 285 00:13:11,960 --> 00:13:14,000 Speaker 3: and I don't think we're going to spoil it at all, 286 00:13:14,040 --> 00:13:15,880 Speaker 3: but I want to just hear if we do a spoiler, 287 00:13:15,880 --> 00:13:16,360 Speaker 3: We'll give you. 288 00:13:16,320 --> 00:13:20,440 Speaker 2: A yeah, yeah, I do a spoiler. 289 00:13:20,559 --> 00:13:21,559 Speaker 4: Wow choking? 290 00:13:21,640 --> 00:13:24,600 Speaker 3: Okay, well do it before you do the spoiler, and 291 00:13:24,640 --> 00:13:26,280 Speaker 3: people can do like ten seconds ahead or something. 292 00:13:28,160 --> 00:13:30,000 Speaker 1: You want to know what I thought of Barbie? 293 00:13:30,520 --> 00:13:33,319 Speaker 3: Oh shit, I like, you don't want to hear this 294 00:13:33,400 --> 00:13:34,520 Speaker 3: if you don't want to be spoiled. 295 00:13:34,520 --> 00:13:35,679 Speaker 2: What Anna thinks about it? 296 00:13:35,720 --> 00:13:37,840 Speaker 1: I don't have I'm not like, I don't have an 297 00:13:37,880 --> 00:13:41,120 Speaker 1: amazing take or anything. I just was it was so overhyped. 298 00:13:41,640 --> 00:13:44,840 Speaker 1: And I'm a huge Credit Grwig fan. I think I 299 00:13:45,000 --> 00:13:48,120 Speaker 1: haven't you know, I've seen almost all her films and 300 00:13:48,160 --> 00:13:49,559 Speaker 1: I love her and I want to support her and 301 00:13:49,600 --> 00:13:51,840 Speaker 1: I think it's great. But it's also like, I'm not 302 00:13:52,040 --> 00:13:53,720 Speaker 1: you know me, I'm not like a huge fan of 303 00:13:53,760 --> 00:13:57,880 Speaker 1: blockbuster things in general, or like super popular things. 304 00:13:57,960 --> 00:14:02,200 Speaker 3: That sounds crazy to say that I don't like they're popular. 305 00:14:02,720 --> 00:14:04,920 Speaker 1: No, I'm not. I just happen to not be a 306 00:14:04,920 --> 00:14:07,600 Speaker 1: fan of like big blockbusters. I'm not like, what did 307 00:14:07,600 --> 00:14:09,520 Speaker 1: we talk about before some film that I was like, 308 00:14:09,559 --> 00:14:12,200 Speaker 1: I don't love Titanic and you were like, how can 309 00:14:12,240 --> 00:14:13,880 Speaker 1: you not love Titanic? I just don't love it. 310 00:14:13,960 --> 00:14:16,720 Speaker 2: You just don't like it? Because it's huge. That doesn't 311 00:14:16,720 --> 00:14:17,280 Speaker 2: make sense. 312 00:14:17,800 --> 00:14:21,000 Speaker 1: It does make like these, Yeah, these things have to 313 00:14:21,080 --> 00:14:23,280 Speaker 1: be exactly. It's the same as like a lot of 314 00:14:23,320 --> 00:14:23,760 Speaker 1: the music. 315 00:14:23,840 --> 00:14:27,600 Speaker 4: I don't you didn't love Quantumania. 316 00:14:27,800 --> 00:14:30,000 Speaker 3: I understand not liking a movie because you don't like 317 00:14:30,040 --> 00:14:32,680 Speaker 3: the movie, but I just was wondering. You can't just 318 00:14:32,760 --> 00:14:36,320 Speaker 3: not like something because it's huge. There has some aspects 319 00:14:36,360 --> 00:14:38,240 Speaker 3: about it. But you did say that, so that's why 320 00:14:38,240 --> 00:14:40,120 Speaker 3: a question. But now you're not celebrating. 321 00:14:40,760 --> 00:14:44,520 Speaker 1: Yes, I'm saying I tend to not love things that 322 00:14:44,560 --> 00:14:47,720 Speaker 1: are huge. Here's why they have to take a lot 323 00:14:47,760 --> 00:14:50,760 Speaker 1: of boxes to be popular, Like you have to have 324 00:14:51,280 --> 00:14:54,520 Speaker 1: huge music. Like I didn't love all the music. You know, 325 00:14:54,680 --> 00:14:57,640 Speaker 1: it's like all the but they were great songs, I guess. 326 00:14:57,720 --> 00:14:59,600 Speaker 1: But what it was it like Cardi. 327 00:14:59,320 --> 00:15:03,200 Speaker 3: Ba missed when you say she literally was like, and 328 00:15:03,240 --> 00:15:04,920 Speaker 3: there are some great songs. 329 00:15:05,080 --> 00:15:06,840 Speaker 2: Loot in your back hurt when you said it like 330 00:15:07,600 --> 00:15:08,440 Speaker 2: he have to. 331 00:15:08,400 --> 00:15:11,440 Speaker 1: Pick all the top five top ten artists to do 332 00:15:11,520 --> 00:15:11,960 Speaker 1: these songs. 333 00:15:13,200 --> 00:15:15,520 Speaker 3: It was like, this is dua lipa and I'm singing 334 00:15:15,560 --> 00:15:18,600 Speaker 3: a song about Barbie as you're trying to listen to 335 00:15:18,680 --> 00:15:21,680 Speaker 3: dialogue and actually some of this is funny when I'm saying, 336 00:15:21,720 --> 00:15:23,840 Speaker 3: so you gotta listen to this, and you gotta listen 337 00:15:23,840 --> 00:15:25,920 Speaker 3: to her, and you gotta listen to me, and now 338 00:15:25,960 --> 00:15:28,520 Speaker 3: here's the Lizzo she's coming on, and here's. 339 00:15:28,280 --> 00:15:31,200 Speaker 2: Start to be Nicki Minaj. Let's get in all three. 340 00:15:31,400 --> 00:15:34,200 Speaker 3: It was like it was like a lot when there's 341 00:15:34,200 --> 00:15:36,640 Speaker 3: too many jokes in the songs. I'm just like And 342 00:15:36,640 --> 00:15:39,920 Speaker 3: then putting Dualipa into the movie felt forced. 343 00:15:40,200 --> 00:15:41,360 Speaker 2: I mean, I know there's sung. 344 00:15:41,200 --> 00:15:44,040 Speaker 3: Her on a sound stage in the UK and it 345 00:15:44,120 --> 00:15:48,280 Speaker 3: didn't fit anything. But I love when singers can't act. 346 00:15:48,400 --> 00:15:50,280 Speaker 3: It really brings me a lot of joy when you 347 00:15:50,320 --> 00:15:53,800 Speaker 3: go there's a big difference between what's going on here 348 00:15:54,080 --> 00:15:56,280 Speaker 3: and what's going on over there. And she shouldn't be 349 00:15:56,280 --> 00:15:59,440 Speaker 3: able to act. She is amazing at singing. I love 350 00:15:59,760 --> 00:16:03,400 Speaker 3: when someone super talented, a singer songwriter who is like 351 00:16:03,800 --> 00:16:06,680 Speaker 3: such a good dancer, like I love and you're gonna 352 00:16:06,800 --> 00:16:08,480 Speaker 3: people who know are gonna go do a Lipa is 353 00:16:08,520 --> 00:16:11,120 Speaker 3: a good dancer. Yes, she fucking worked it and now 354 00:16:11,160 --> 00:16:13,160 Speaker 3: she's a really good dancer because she did an embarrassing 355 00:16:13,240 --> 00:16:14,880 Speaker 3: dance when she first went on tour and everyone made 356 00:16:14,920 --> 00:16:17,640 Speaker 3: fun of her for it, and now she fucking dominates 357 00:16:17,680 --> 00:16:21,320 Speaker 3: the stage. But when she she's not the best actress 358 00:16:21,560 --> 00:16:23,880 Speaker 3: and is someone who is good at one thing and 359 00:16:23,920 --> 00:16:25,760 Speaker 3: bad at many other things. I like to see it 360 00:16:25,760 --> 00:16:29,720 Speaker 3: in my fellow performers, because didn't you think there was 361 00:16:30,080 --> 00:16:33,840 Speaker 3: a like screeching halt when she was like almost the 362 00:16:33,880 --> 00:16:37,560 Speaker 3: projector broke and someone put in a self tape in. 363 00:16:37,560 --> 00:16:38,840 Speaker 1: Her name Tuly five? 364 00:16:39,360 --> 00:16:41,880 Speaker 3: Yeah, she was a mermaid. When she was the genderless 365 00:16:41,880 --> 00:16:43,760 Speaker 3: mermaid she. 366 00:16:43,800 --> 00:16:44,520 Speaker 2: Was I forgot. 367 00:16:44,560 --> 00:16:46,400 Speaker 1: I was just like, is that dualipa? So I guess 368 00:16:46,440 --> 00:16:48,320 Speaker 1: there was a screech in my mind, like is that 369 00:16:48,440 --> 00:16:49,240 Speaker 1: who I think it is? 370 00:16:49,680 --> 00:16:50,200 Speaker 2: Yeah? 371 00:16:50,240 --> 00:16:52,480 Speaker 1: There were a lot of those actors where you're like, wait, 372 00:16:52,800 --> 00:16:55,880 Speaker 1: that's a big actor in a tiny role. I wish 373 00:16:55,880 --> 00:16:59,680 Speaker 1: Here's what I loved about the film. Margaret Robbie is incredible. 374 00:16:59,720 --> 00:17:04,680 Speaker 1: She was so good. So aside from being like shockingly gorgeous, 375 00:17:05,000 --> 00:17:07,840 Speaker 1: she's just like she's so great. She's subtle, she doesn't 376 00:17:07,880 --> 00:17:11,600 Speaker 1: overdo anything. I thought the script was pretty great. Here's 377 00:17:11,600 --> 00:17:13,959 Speaker 1: what I wish there would have been more. Oh. I 378 00:17:14,000 --> 00:17:16,720 Speaker 1: loved how you're just thinking the whole time, like Mattel 379 00:17:16,840 --> 00:17:20,520 Speaker 1: signed off on this. They're getting roasted in this film, 380 00:17:20,520 --> 00:17:23,240 Speaker 1: which I love. But of course they know they're gonna 381 00:17:23,240 --> 00:17:25,439 Speaker 1: sell a shit ton of Barbies after this, but still 382 00:17:25,520 --> 00:17:31,400 Speaker 1: they get pretty skewer so belated spoiler. But I here's 383 00:17:31,440 --> 00:17:33,760 Speaker 1: what I didn't love. Will Ferrell is so funny. I 384 00:17:33,760 --> 00:17:36,639 Speaker 1: thought he was under used they could. I just kept wishing, like, 385 00:17:36,720 --> 00:17:41,600 Speaker 1: do a couple more punches. Yes, I think he was funny. 386 00:17:41,920 --> 00:17:44,240 Speaker 3: Will Ferrell him just dealing with those guys on the 387 00:17:44,320 --> 00:17:47,280 Speaker 3: rollerblades was hilarious. Every scene where he would just touch someone. 388 00:17:47,320 --> 00:17:49,600 Speaker 3: He's just such a subtle comedic actor. I just thought 389 00:17:49,640 --> 00:17:51,959 Speaker 3: he was He added so much to it. But I 390 00:17:51,960 --> 00:17:55,040 Speaker 3: couldn't agree more that let's just do one more pass 391 00:17:55,040 --> 00:17:57,439 Speaker 3: on the script and punch things up. But from what 392 00:17:57,480 --> 00:17:59,280 Speaker 3: I can tell from all the stuff they talked about 393 00:17:59,400 --> 00:18:02,359 Speaker 3: is that they had to fight so hard to get 394 00:18:02,400 --> 00:18:05,560 Speaker 3: the stuff through that they did, And from my experience 395 00:18:05,560 --> 00:18:08,640 Speaker 3: in these kinds of situations, that was like the most 396 00:18:08,680 --> 00:18:11,840 Speaker 3: they were willing to budge on super weird, funny stuff. 397 00:18:11,960 --> 00:18:13,960 Speaker 3: Did you also love that line where they cut in 398 00:18:14,000 --> 00:18:16,000 Speaker 3: and said Margot Robbie is not the best person to 399 00:18:16,280 --> 00:18:16,879 Speaker 3: do the scene. 400 00:18:17,440 --> 00:18:20,760 Speaker 1: Yes, when they're talking about Jush, Barbie finally becomes sort 401 00:18:20,760 --> 00:18:24,600 Speaker 1: of human and ugly, and then Helen Maren's over dub 402 00:18:24,880 --> 00:18:27,800 Speaker 1: voice is like, all right, we admit that Margot Robbie 403 00:18:27,840 --> 00:18:30,000 Speaker 1: isn't the best person for this Scarry that was great, 404 00:18:30,480 --> 00:18:33,919 Speaker 1: And America Ferrera's speech was great. I love all the 405 00:18:35,359 --> 00:18:35,960 Speaker 1: You didn't. 406 00:18:35,760 --> 00:18:40,520 Speaker 3: Like it, Well, it's been talked about a lot. I maybe, yeah, 407 00:18:40,520 --> 00:18:42,520 Speaker 3: that was overhyped to me because we got to it 408 00:18:42,560 --> 00:18:44,480 Speaker 3: and I thought, this is going to be a speech 409 00:18:44,520 --> 00:18:49,119 Speaker 3: that makes me just go whoa. But sometimes when people 410 00:18:49,160 --> 00:18:51,439 Speaker 3: complain too much about what it's like to be a woman, 411 00:18:51,600 --> 00:18:55,359 Speaker 3: I just kind of I'm such a I am a feminist. 412 00:18:55,400 --> 00:18:57,680 Speaker 3: I complain about being a woman all the time. It's 413 00:18:57,760 --> 00:19:00,439 Speaker 3: like the crux of who I am. But it just 414 00:19:00,520 --> 00:19:03,560 Speaker 3: becomes like I almost stopped listening by the end of it, 415 00:19:03,920 --> 00:19:06,520 Speaker 3: and it's like it's all about like, if you're fat, 416 00:19:06,680 --> 00:19:08,840 Speaker 3: they don't like you. If you're too skinny, they don't 417 00:19:08,880 --> 00:19:10,840 Speaker 3: like you. You can't be too mean, but you have 418 00:19:10,880 --> 00:19:12,719 Speaker 3: to be nice enough to this. You get into this 419 00:19:12,760 --> 00:19:20,200 Speaker 3: and it's like, Okay, yeah, years ago, I'm not kidding you, 420 00:19:20,280 --> 00:19:22,879 Speaker 3: Like it's it's all been said before. It didn't seem 421 00:19:22,920 --> 00:19:25,800 Speaker 3: like that groundbreaking to me and everyone I think that speech. 422 00:19:26,160 --> 00:19:28,320 Speaker 3: If I had not heard about like, oh my god, 423 00:19:28,400 --> 00:19:31,360 Speaker 3: this speech that she gives, way do you hear it? 424 00:19:31,400 --> 00:19:33,040 Speaker 2: I think I would have been like that was cool. 425 00:19:33,119 --> 00:19:35,560 Speaker 3: But I was like, yes, this moment that's gonna make 426 00:19:35,600 --> 00:19:39,639 Speaker 3: me feel a lot of things. I just didn't It 427 00:19:39,680 --> 00:19:42,119 Speaker 3: didn't resonate with me, but I did, you know. And 428 00:19:42,200 --> 00:19:44,600 Speaker 3: I also hate to be like it sucks being men too, 429 00:19:44,720 --> 00:19:47,359 Speaker 3: but it kind of does. And like, I don't know, 430 00:19:48,600 --> 00:19:51,400 Speaker 3: I'm over this thing of like making men feel bad 431 00:19:51,520 --> 00:19:53,760 Speaker 3: every man feel bad about the way it is to 432 00:19:53,800 --> 00:19:55,320 Speaker 3: be a woman. I think I used to be on 433 00:19:55,359 --> 00:19:58,159 Speaker 3: that train of like you guys need to know how 434 00:19:58,200 --> 00:20:00,439 Speaker 3: much it sucks, and you have it so good. But 435 00:20:00,440 --> 00:20:02,960 Speaker 3: it's like I'm starting to see that like men have 436 00:20:03,000 --> 00:20:04,960 Speaker 3: it kind of shitty too, and they also and not 437 00:20:05,080 --> 00:20:07,679 Speaker 3: that it's like we should just forgive everything and like 438 00:20:07,800 --> 00:20:10,240 Speaker 3: never talk about our struggles. I'm not saying that, but 439 00:20:10,800 --> 00:20:15,400 Speaker 3: I did think Barbie handled the struggle as men well too. 440 00:20:15,920 --> 00:20:20,800 Speaker 4: Life sucks for everything. It's just there's different degrees that sucks. 441 00:20:20,840 --> 00:20:22,159 Speaker 4: I mean, I guess it's like if you have some 442 00:20:22,240 --> 00:20:25,520 Speaker 4: privilege or whatever, that's nice, but like everybody likes to 443 00:20:26,119 --> 00:20:28,520 Speaker 4: uh it doesn't matter who you are. But everybody likes 444 00:20:28,600 --> 00:20:33,720 Speaker 4: penned that their struggle and suffering is the worst one. Yes, 445 00:20:33,800 --> 00:20:36,800 Speaker 4: and maybe they have over that. Maybe it is. But 446 00:20:36,960 --> 00:20:40,480 Speaker 4: like everyone's got their thing, everyone's got their struggle, and 447 00:20:40,960 --> 00:20:45,040 Speaker 4: there's no group of people women, men, black, white, whatever 448 00:20:45,520 --> 00:20:49,600 Speaker 4: that is. Every single person is struggling more than every 449 00:20:49,600 --> 00:20:52,440 Speaker 4: other person in the other group. It's based on the individual. 450 00:20:53,080 --> 00:20:56,560 Speaker 4: That's what Martin Luther King said and did he no, No, 451 00:20:56,640 --> 00:21:01,359 Speaker 4: that was just okay, poptrol. I feel like like in 452 00:21:01,480 --> 00:21:03,480 Speaker 4: closing this out, I. 453 00:21:03,440 --> 00:21:05,680 Speaker 1: Just feel like, ready, I have so much more to. 454 00:21:06,000 --> 00:21:07,120 Speaker 2: No, but it's just this segment. 455 00:21:07,560 --> 00:21:09,840 Speaker 3: I just want to say that, Like, I know, we're 456 00:21:09,840 --> 00:21:12,040 Speaker 3: never supposed to be like you know, when you didn't 457 00:21:12,040 --> 00:21:13,639 Speaker 3: want to eat your food as a kid, your mom 458 00:21:13,680 --> 00:21:16,080 Speaker 3: would be like, there's starving kids in Africa, but there are. 459 00:21:16,280 --> 00:21:19,479 Speaker 3: Can we all like we stop using that argument anymore 460 00:21:19,520 --> 00:21:22,960 Speaker 3: of like, but your struggle is your struggle, like your hangnail. 461 00:21:23,119 --> 00:21:25,879 Speaker 3: It sucks that your hangnails infected. Like you're allowed to 462 00:21:25,920 --> 00:21:28,119 Speaker 3: feel bad even though they're starving kids in Africa because 463 00:21:28,760 --> 00:21:31,320 Speaker 3: that's you, Like you don't know their struggle and this 464 00:21:31,359 --> 00:21:33,720 Speaker 3: is yours and it's enough. It's like, no, it's not. 465 00:21:34,320 --> 00:21:37,520 Speaker 3: There are starving kids in Africa. Be fucking grateful that. 466 00:21:37,920 --> 00:21:38,159 Speaker 2: You know. 467 00:21:38,320 --> 00:21:40,359 Speaker 3: I'm doing a bit right now about how hard it 468 00:21:40,400 --> 00:21:43,199 Speaker 3: is for me to drink water, and like I'm always 469 00:21:43,200 --> 00:21:45,240 Speaker 3: like thought, I need to drink more water. And it's 470 00:21:45,280 --> 00:21:48,000 Speaker 3: like there I read about a village where these girls 471 00:21:48,040 --> 00:21:51,360 Speaker 3: have to walk seven miles to go get water every 472 00:21:51,400 --> 00:21:53,520 Speaker 3: day for their village, right and this is like right 473 00:21:53,520 --> 00:21:56,000 Speaker 3: now happening in South America somewhere I didn't even like 474 00:21:56,080 --> 00:21:58,560 Speaker 3: pay attention enough to know the exact place. And on 475 00:21:58,680 --> 00:22:03,239 Speaker 3: the way they get couple times, not at once, like 476 00:22:03,320 --> 00:22:06,159 Speaker 3: a couple times there are gangs of men waiting to 477 00:22:06,359 --> 00:22:09,199 Speaker 3: rape them. So there's this whole foundation to buy bicycles 478 00:22:09,240 --> 00:22:11,840 Speaker 3: for these women so that they can go faster to 479 00:22:11,920 --> 00:22:12,520 Speaker 3: get the water. 480 00:22:12,920 --> 00:22:15,480 Speaker 2: And I'm like, oh god, all they have is this 481 00:22:15,680 --> 00:22:17,320 Speaker 2: sawny and then I. 482 00:22:17,280 --> 00:22:19,320 Speaker 3: Have to put in these little like packets to make 483 00:22:19,400 --> 00:22:22,440 Speaker 3: it like you know, a fruity flavor so that I 484 00:22:22,480 --> 00:22:23,359 Speaker 3: can drink more of it. 485 00:22:23,400 --> 00:22:25,120 Speaker 2: And it's easy, and they. 486 00:22:25,040 --> 00:22:26,879 Speaker 3: Have to like put in packets so it kills like 487 00:22:26,920 --> 00:22:30,080 Speaker 3: a bacteria that will give them giardia and like give 488 00:22:30,080 --> 00:22:33,160 Speaker 3: them diarrhea. Until they die and like I'm like, oh, 489 00:22:33,160 --> 00:22:35,040 Speaker 3: what's that packet? And they're like, oh, this tastes like 490 00:22:35,080 --> 00:22:38,240 Speaker 3: shit and it's just to kill off the fucking worms inside. 491 00:22:38,280 --> 00:22:41,200 Speaker 3: I'm like, oh, is it like mango flavored? Like it's 492 00:22:41,359 --> 00:22:44,720 Speaker 3: just it's you gotta you have to check yourself. 493 00:22:44,760 --> 00:22:45,240 Speaker 2: I'm sorry. 494 00:22:45,280 --> 00:22:49,440 Speaker 3: Not every struggle deserves like everyone's sympathy all the time. 495 00:22:49,480 --> 00:22:52,119 Speaker 3: You do have to compare yourself to others. And I 496 00:22:52,160 --> 00:22:54,520 Speaker 3: think that actually is the worst thing to do, actually, 497 00:22:54,600 --> 00:22:56,040 Speaker 3: because you're not supposed to compare yourself. 498 00:22:56,080 --> 00:22:57,440 Speaker 2: I don't know what to do. Okay, we'll figure out 499 00:22:57,440 --> 00:23:03,159 Speaker 2: when we get that. All right, we're back Anya. 500 00:23:03,160 --> 00:23:05,480 Speaker 3: You had so much to say, You said so much 501 00:23:05,480 --> 00:23:09,720 Speaker 3: more to say, Okay. 502 00:23:09,920 --> 00:23:11,879 Speaker 1: Part of me is just like, well, Matt also agreed 503 00:23:11,920 --> 00:23:14,520 Speaker 1: with you that the speeches were a little too heavy handed. 504 00:23:14,560 --> 00:23:15,919 Speaker 1: He's like, I would have liked it more if it 505 00:23:16,000 --> 00:23:18,320 Speaker 1: wasn't so like and here's the moral of the story. 506 00:23:18,720 --> 00:23:21,439 Speaker 1: I would have liked here. I would have liked Barbie 507 00:23:21,480 --> 00:23:23,400 Speaker 1: to spend more time in the real world. I thought 508 00:23:23,440 --> 00:23:25,720 Speaker 1: that was really interesting. And all of a sudden, they like, 509 00:23:25,760 --> 00:23:30,280 Speaker 1: go back to Barbie Land. I was like, already, and 510 00:23:31,080 --> 00:23:34,600 Speaker 1: I wish Ryan Gosling wouldn't have done such a wink wink, 511 00:23:34,720 --> 00:23:37,320 Speaker 1: nudge nudge to the camera like I like him. I 512 00:23:37,400 --> 00:23:39,920 Speaker 1: like how Margaret Robbie stays in character as Barbie the 513 00:23:39,960 --> 00:23:42,159 Speaker 1: whole time. Where is I feel like Ken has this 514 00:23:42,240 --> 00:23:44,479 Speaker 1: moment a lot with the camera where he's like, I'm 515 00:23:44,560 --> 00:23:47,679 Speaker 1: Ryan Gosling and I'm playing Ken and this is ridiculous. 516 00:23:47,800 --> 00:23:50,879 Speaker 3: I disagree with that, but I do understand that he 517 00:23:50,920 --> 00:23:55,320 Speaker 3: had more opportunities to kind of be ridiculous where it 518 00:23:55,960 --> 00:23:59,120 Speaker 3: broke his character because he we saw his internal struggle 519 00:23:59,160 --> 00:24:01,920 Speaker 3: of being like okay, Barbie, yeah, thanks, and then he'd 520 00:24:01,920 --> 00:24:05,040 Speaker 3: be like, oh, worried. There was more for he wasn't 521 00:24:05,400 --> 00:24:07,840 Speaker 3: just Barbie was just true to herself the whole time. 522 00:24:07,920 --> 00:24:10,399 Speaker 3: She didn't have a lot of internal moments of like, well, 523 00:24:10,440 --> 00:24:12,680 Speaker 3: I guess she did when she's like I'm thinking about death. 524 00:24:13,119 --> 00:24:15,000 Speaker 3: It was just And I liked when they went back 525 00:24:15,000 --> 00:24:17,160 Speaker 3: to Barbie lame because that's where everything was fucking crazy 526 00:24:17,200 --> 00:24:19,280 Speaker 3: and the real world was like not. 527 00:24:19,119 --> 00:24:21,120 Speaker 2: Really were not really how people act. 528 00:24:21,160 --> 00:24:24,159 Speaker 3: Although my friend Adam Ray is in he's one of 529 00:24:24,200 --> 00:24:27,440 Speaker 3: the cops when they get arrested, and he said they 530 00:24:27,480 --> 00:24:30,480 Speaker 3: shot like like so like it was like a seven 531 00:24:30,480 --> 00:24:32,639 Speaker 3: minute long scene, like it was such a long scene 532 00:24:33,119 --> 00:24:36,239 Speaker 3: at the cops station that whittled down to like a 533 00:24:36,280 --> 00:24:37,160 Speaker 3: little little bit. 534 00:24:37,280 --> 00:24:40,280 Speaker 2: So I'm sure they shot a ton more did. 535 00:24:40,320 --> 00:24:42,639 Speaker 3: Someone actually told me that the best marketing of the 536 00:24:42,680 --> 00:24:45,439 Speaker 3: whole movie. It was a social media guy that I 537 00:24:45,480 --> 00:24:48,280 Speaker 3: know it runs a big social media company that you know, 538 00:24:48,400 --> 00:24:52,520 Speaker 3: does social media for networks and companies, and he said, 539 00:24:52,520 --> 00:24:57,800 Speaker 3: the best thing they did was when Ryan Gosling and 540 00:24:57,880 --> 00:25:04,200 Speaker 3: Margot Robbie were paparazzi filming that scene rollerblading in Venice, 541 00:25:04,440 --> 00:25:07,040 Speaker 3: and those shots came everywhere and they're those you know, 542 00:25:07,680 --> 00:25:11,280 Speaker 3: neon yellow or green, depending on your how your ic 543 00:25:11,480 --> 00:25:17,439 Speaker 3: thing icee things rollerblades outfits. She's in that song and 544 00:25:17,440 --> 00:25:19,399 Speaker 3: those pictures, because I remember when those pictures came out 545 00:25:19,400 --> 00:25:21,680 Speaker 3: and everyone was like, what the fuck is this? That's 546 00:25:21,720 --> 00:25:25,960 Speaker 3: so it's such a good idea. Call the paparazzi. That's 547 00:25:25,960 --> 00:25:27,639 Speaker 3: how you get things going. 548 00:25:27,720 --> 00:25:30,240 Speaker 4: Staged paparazzi moment like they didn't. 549 00:25:30,359 --> 00:25:32,480 Speaker 3: I don't know if it was staged, but if it was, 550 00:25:32,520 --> 00:25:35,000 Speaker 3: it was brilliant. But it just ended up being like 551 00:25:35,119 --> 00:25:38,800 Speaker 3: such a good moment for them. And that's why celebrities 552 00:25:38,840 --> 00:25:42,639 Speaker 3: called paparazzi. I mean, it's my friend Esther, who I 553 00:25:42,680 --> 00:25:45,240 Speaker 3: went to Taylor Swift with this weekend. She does these 554 00:25:45,240 --> 00:25:48,679 Speaker 3: really cool things on Instagram where she has someone just 555 00:25:49,400 --> 00:25:52,639 Speaker 3: take pictures from her across the street like a camera, 556 00:25:53,240 --> 00:25:56,600 Speaker 3: and it looks like paparazzi. She's obviously doing it. She's 557 00:25:56,640 --> 00:25:59,320 Speaker 3: not saying like this is paparazzi, but it's like they're 558 00:25:59,359 --> 00:26:01,520 Speaker 3: just done in that style, and it looks so much 559 00:26:01,560 --> 00:26:05,320 Speaker 3: cooler than like posing in like a you know, a 560 00:26:05,440 --> 00:26:05,960 Speaker 3: ring light. 561 00:26:06,400 --> 00:26:08,120 Speaker 2: It's so much better. And oh my god, I saw 562 00:26:08,160 --> 00:26:09,679 Speaker 2: the most depressing thing today. 563 00:26:10,119 --> 00:26:12,840 Speaker 3: There are AI models that take two seconds to make 564 00:26:14,040 --> 00:26:16,960 Speaker 3: that have millions of followers, maybe not millions, but thousands 565 00:26:16,960 --> 00:26:20,240 Speaker 3: and thousands, probably gonna be millions because they had an 566 00:26:20,400 --> 00:26:23,440 Speaker 3: one had one hundred thousand likes underneath her video or picture, 567 00:26:23,760 --> 00:26:25,320 Speaker 3: so that's like probably a million followers. 568 00:26:25,320 --> 00:26:29,280 Speaker 2: I didn't see it. And they are generating so much money. 569 00:26:29,359 --> 00:26:31,320 Speaker 3: These models that are all in bikinis that are like, 570 00:26:31,359 --> 00:26:32,960 Speaker 3: buy me a coffee, and men are like, I hope 571 00:26:33,000 --> 00:26:36,240 Speaker 3: you enjoy your coffee, and leading comments and like drooling 572 00:26:36,320 --> 00:26:39,840 Speaker 3: over these AI models that are just generating so much 573 00:26:39,920 --> 00:26:40,400 Speaker 3: it's real. 574 00:26:40,480 --> 00:26:42,960 Speaker 1: It's happening to make the money, go to elon. 575 00:26:43,000 --> 00:26:44,919 Speaker 2: To someone who's making the models. 576 00:26:45,119 --> 00:26:48,760 Speaker 4: There's a couple of pretty famous ones that have like 577 00:26:49,040 --> 00:26:50,920 Speaker 4: tens of millions of followers, and. 578 00:26:51,040 --> 00:26:53,919 Speaker 3: Do people know some people know those are these are 579 00:26:53,960 --> 00:26:55,560 Speaker 3: new ones that they don't know are AI? 580 00:26:56,160 --> 00:26:56,960 Speaker 4: They don't even know. 581 00:26:57,560 --> 00:27:01,000 Speaker 3: No, it is Justine Bateman's Instagram if you want to 582 00:27:01,040 --> 00:27:03,359 Speaker 3: see it. That's where I saw this, because she's obsessed 583 00:27:03,400 --> 00:27:06,800 Speaker 3: with AI and how it's taking over the you know, 584 00:27:07,160 --> 00:27:10,480 Speaker 3: movie industry and TV and just today. 585 00:27:11,720 --> 00:27:16,760 Speaker 4: Yeah, it's there's also like AI porn, you know, like 586 00:27:16,800 --> 00:27:20,199 Speaker 4: there's AI porn stars now that you can follow, and 587 00:27:20,240 --> 00:27:20,840 Speaker 4: then they'll. 588 00:27:20,680 --> 00:27:22,480 Speaker 3: Be someone make a deep fake of me in a 589 00:27:22,520 --> 00:27:27,240 Speaker 3: gang bang for myself not to put out. But I like, 590 00:27:27,320 --> 00:27:29,400 Speaker 3: I was like, maybe I don't need to do this 591 00:27:29,480 --> 00:27:32,680 Speaker 3: ever in my life. Maybe you please actually please don't 592 00:27:32,720 --> 00:27:34,399 Speaker 3: do that because I don't I really don't want to 593 00:27:34,440 --> 00:27:37,679 Speaker 3: see that. I really really I'm I was kidding when 594 00:27:37,680 --> 00:27:39,160 Speaker 3: I said that I will not watch it. 595 00:27:39,320 --> 00:27:44,600 Speaker 1: I won't stify need what why wouldn't it satisfy your 596 00:27:44,640 --> 00:27:46,320 Speaker 1: need to do it? Like it might? 597 00:27:47,720 --> 00:27:49,960 Speaker 3: Because I actually don't like watching myself. It's not like 598 00:27:50,000 --> 00:27:51,199 Speaker 3: I want to do a gang bang so I can 599 00:27:51,240 --> 00:27:53,040 Speaker 3: tape it and watch it back with my family and 600 00:27:53,040 --> 00:27:54,040 Speaker 3: be like remember that. 601 00:27:54,040 --> 00:27:54,639 Speaker 2: Like I want to. 602 00:27:54,960 --> 00:27:57,880 Speaker 3: I want to when I'm masturbating, when I'm gooning out, 603 00:27:57,960 --> 00:28:01,200 Speaker 3: it's because I'm I'm imagining it's happening, you know, I'm 604 00:28:01,200 --> 00:28:03,399 Speaker 3: not like imagining me watching it. You know. 605 00:28:04,400 --> 00:28:06,800 Speaker 1: Wait, so what's the point of doing it in real life? 606 00:28:06,840 --> 00:28:09,160 Speaker 1: You have this real desire to do it in real life? 607 00:28:09,560 --> 00:28:12,560 Speaker 2: Right, Well, what's the point of doing it in real life? Yeah? 608 00:28:12,600 --> 00:28:12,879 Speaker 1: Like what? 609 00:28:12,960 --> 00:28:14,760 Speaker 2: Because it's an experience I want to have. 610 00:28:15,160 --> 00:28:18,760 Speaker 1: But then you'll remember it and think back on it, right, Isn't. 611 00:28:18,560 --> 00:28:19,960 Speaker 3: That I don't want to do it in real life 612 00:28:19,960 --> 00:28:24,280 Speaker 3: because it's a huge risk of being recognized. And also 613 00:28:24,320 --> 00:28:27,080 Speaker 3: it's like scary because it's strange dicks that I don't know. 614 00:28:28,000 --> 00:28:30,080 Speaker 2: It can't really happen. It's like a thing that I know. 615 00:28:30,440 --> 00:28:33,679 Speaker 1: Let's say you're in a parallel universe where you're safe 616 00:28:33,760 --> 00:28:35,640 Speaker 1: and it happens and it's completely safe. 617 00:28:35,760 --> 00:28:37,320 Speaker 2: Yes, Ai, it's like robots. 618 00:28:37,640 --> 00:28:41,720 Speaker 1: Yeah, let's say you did do it. What isn't the 619 00:28:41,760 --> 00:28:43,840 Speaker 1: point of it? What is the point of you doing it? 620 00:28:43,840 --> 00:28:46,240 Speaker 3: It's the same point where people go vacationing. I go, 621 00:28:46,320 --> 00:28:48,520 Speaker 3: what's the point. You're just going to go there to 622 00:28:48,760 --> 00:28:51,920 Speaker 3: the cheets and itza and then you leave and like, 623 00:28:52,000 --> 00:28:53,760 Speaker 3: it's just the memory of it. I don't understand why 624 00:28:53,760 --> 00:28:55,120 Speaker 3: people do that, but they do it. 625 00:28:55,200 --> 00:28:58,080 Speaker 1: The memory of it, so you want to have it. 626 00:28:58,080 --> 00:29:01,240 Speaker 3: It's not the memory, it's the experience. I wouldn't think 627 00:29:01,320 --> 00:29:03,120 Speaker 3: back on it that much. I would hope. I think 628 00:29:03,120 --> 00:29:05,720 Speaker 3: it would haunt me. Actually, I would be like filled 629 00:29:05,720 --> 00:29:07,760 Speaker 3: with shame. I wouldn't want I would want to dump 630 00:29:07,800 --> 00:29:10,320 Speaker 3: it from my memory immediately, like I do going to 631 00:29:10,360 --> 00:29:11,480 Speaker 3: see museums. 632 00:29:11,600 --> 00:29:14,040 Speaker 2: I would just want I did it, so you. 633 00:29:14,080 --> 00:29:16,000 Speaker 1: Just bought the one time experience of it. 634 00:29:16,480 --> 00:29:18,160 Speaker 3: Maybe I would get addicted to it or something and 635 00:29:18,160 --> 00:29:19,280 Speaker 3: be like, oh, this is great. I want to do 636 00:29:19,280 --> 00:29:21,240 Speaker 3: it again. But it's be like going to six Flags 637 00:29:21,320 --> 00:29:23,520 Speaker 3: or something. Why do people do that for the thrill 638 00:29:24,000 --> 00:29:24,600 Speaker 3: of the moment. 639 00:29:24,640 --> 00:29:28,520 Speaker 1: Think an ai a deep fake or whatever of you 640 00:29:28,560 --> 00:29:30,520 Speaker 1: getting a bang Gang Bang. 641 00:29:30,520 --> 00:29:33,440 Speaker 3: You wouldn't like it because I don't. They wouldn't use 642 00:29:33,480 --> 00:29:35,080 Speaker 3: the right picture of me. There would be some picture 643 00:29:35,080 --> 00:29:37,560 Speaker 3: they would take a picture to generate. They always do 644 00:29:37,600 --> 00:29:39,840 Speaker 3: this whenever anyone uses it. Does deep fakes of me, 645 00:29:39,880 --> 00:29:41,760 Speaker 3: which is very generous and so sweet when they do 646 00:29:41,840 --> 00:29:43,800 Speaker 3: do it, but it's always a picture I really hate 647 00:29:43,840 --> 00:29:46,040 Speaker 3: of myself. So I have to watch this like version 648 00:29:46,080 --> 00:29:50,400 Speaker 3: of myself from twenty fourteen where I kind of looked. 649 00:29:52,680 --> 00:29:53,719 Speaker 1: You didn't like your eyebrown. 650 00:29:53,840 --> 00:29:57,239 Speaker 3: I just looked into a lesbian who has given up 651 00:29:57,240 --> 00:29:59,880 Speaker 3: on looking feminine, which is not what I was. Fine 652 00:29:59,880 --> 00:30:01,640 Speaker 3: for some people and I'm attracted to that, and I 653 00:30:01,640 --> 00:30:03,840 Speaker 3: think it's super hot on others, it doesn't. It didn't 654 00:30:03,880 --> 00:30:06,400 Speaker 3: suit me, and I was just trying. I don't know 655 00:30:06,400 --> 00:30:07,720 Speaker 3: what I was trying. I was just trying to be 656 00:30:07,800 --> 00:30:11,280 Speaker 3: like an anti like woman on TV and didn't wear 657 00:30:11,280 --> 00:30:13,760 Speaker 3: a lot of makeup, and it just I look, I 658 00:30:13,760 --> 00:30:15,520 Speaker 3: don't like those pictures, so they always use that and 659 00:30:15,560 --> 00:30:16,840 Speaker 3: I'm like, I can't watch this stuff. 660 00:30:17,760 --> 00:30:19,560 Speaker 4: Maybe there is a deep fake of you already. Have 661 00:30:19,600 --> 00:30:21,080 Speaker 4: you ever searched there. 662 00:30:20,960 --> 00:30:24,240 Speaker 2: Are deep fakes of me? My friend Brian Monarch makes. 663 00:30:24,400 --> 00:30:27,240 Speaker 4: Like me, is that what you're saying? 664 00:30:27,240 --> 00:30:29,880 Speaker 3: It probably will be eventually after I after people hear 665 00:30:29,960 --> 00:30:30,560 Speaker 3: this episode. 666 00:30:30,680 --> 00:30:32,040 Speaker 2: It's I think I probably. 667 00:30:31,840 --> 00:30:34,800 Speaker 4: Said to make I think, oh really, see. 668 00:30:36,000 --> 00:30:37,760 Speaker 2: No, Bryan, do not look that up. 669 00:30:37,800 --> 00:30:38,520 Speaker 4: Do not look that up. 670 00:30:38,560 --> 00:30:44,800 Speaker 3: Bran, I want that, and I say that I have 671 00:30:44,880 --> 00:30:47,360 Speaker 3: better boobs than any person that you could put me on, 672 00:30:47,440 --> 00:30:48,960 Speaker 3: and so I don't want you doing that because I'll 673 00:30:48,960 --> 00:30:50,960 Speaker 3: just be like her body is it? And you don't 674 00:30:50,960 --> 00:30:53,240 Speaker 3: have access to what my boobs look like really naked, 675 00:30:53,360 --> 00:30:55,760 Speaker 3: because there's no evidence of that out there, so. 676 00:30:55,680 --> 00:30:57,440 Speaker 2: You couldn't make a deep fake of my tits. 677 00:30:57,520 --> 00:31:01,560 Speaker 4: And I did not look at the video, but I 678 00:31:01,600 --> 00:31:04,520 Speaker 4: in five seconds of searching, I have found two deep 679 00:31:04,560 --> 00:31:06,760 Speaker 4: fakes of you getting banged. 680 00:31:07,400 --> 00:31:10,680 Speaker 2: Yeah, okay, it's out there. If you want to go 681 00:31:10,720 --> 00:31:15,840 Speaker 2: watch that, enjoy it, but it does not mean definitely do. 682 00:31:16,720 --> 00:31:20,080 Speaker 4: One of them is pretty you know, pretty standard Nicki 683 00:31:20,160 --> 00:31:24,000 Speaker 4: Glazer doggy style, so I don't. 684 00:31:23,880 --> 00:31:25,360 Speaker 3: Even look it that way. If they didn't even get 685 00:31:25,360 --> 00:31:27,280 Speaker 3: it right, that brings me no pleasure. 686 00:31:28,200 --> 00:31:32,120 Speaker 4: The second one is this one's pretty good Nicki Glazer, 687 00:31:32,840 --> 00:31:35,440 Speaker 4: the anal slut two point. 688 00:31:35,160 --> 00:31:38,720 Speaker 2: Oh okay, that they nailed it from me. 689 00:31:38,800 --> 00:31:45,680 Speaker 3: There so onepials what is the stand for? I don't know, Uh, 690 00:31:46,000 --> 00:31:49,440 Speaker 3: maybe stare click and find out. I'm guessing the two 691 00:31:49,640 --> 00:31:50,880 Speaker 3: is a number two that. 692 00:31:50,960 --> 00:31:52,360 Speaker 4: Okay, you know what? 693 00:31:52,520 --> 00:31:54,480 Speaker 2: This is also making a cameo. 694 00:31:55,160 --> 00:31:57,760 Speaker 4: This is good news for you this video the anal 695 00:31:58,080 --> 00:32:01,120 Speaker 4: two point oh was made too years ago. That means 696 00:32:01,400 --> 00:32:04,120 Speaker 4: you were worthy of an anal slut video two years ago. 697 00:32:04,880 --> 00:32:07,280 Speaker 3: I felt worthy of it for about five years, so 698 00:32:07,480 --> 00:32:10,680 Speaker 3: this tracks they were a little late. Yeah, I think 699 00:32:10,720 --> 00:32:13,360 Speaker 3: I've been open about being into anal sex for about 700 00:32:13,360 --> 00:32:16,280 Speaker 3: two years. Maybe No, My first thing I said about 701 00:32:16,320 --> 00:32:17,800 Speaker 3: it I think was twenty seventeen. 702 00:32:17,880 --> 00:32:19,959 Speaker 2: So it's been. It's this has been. It's been a 703 00:32:20,040 --> 00:32:23,320 Speaker 2: long time coming. Thank you. 704 00:32:23,520 --> 00:32:25,880 Speaker 4: Also made seven minutes long? 705 00:32:26,600 --> 00:32:27,520 Speaker 2: And do can we. 706 00:32:27,440 --> 00:32:29,480 Speaker 3: See views before? Please don't click on it, but can 707 00:32:29,520 --> 00:32:31,280 Speaker 3: you see how many views? Uh? 708 00:32:32,040 --> 00:32:34,480 Speaker 4: I just I just xed out of it? But okay, good, 709 00:32:34,520 --> 00:32:35,640 Speaker 4: don't get I find it again? 710 00:32:36,120 --> 00:32:38,800 Speaker 2: Go back. It's going to cop Okay, god, I minutes? 711 00:32:38,880 --> 00:32:41,720 Speaker 1: What's the warm up? You're answering the door for the 712 00:32:41,760 --> 00:32:42,400 Speaker 1: pizza guy? 713 00:32:43,040 --> 00:32:45,960 Speaker 3: Well, seven minutes is typically the amount of time I 714 00:32:46,360 --> 00:32:48,959 Speaker 3: like a video. That's about Sometimes when I'm searching on 715 00:32:49,000 --> 00:32:51,440 Speaker 3: porn videos, I do ten minutes plus because I want 716 00:32:52,400 --> 00:32:56,479 Speaker 3: Usually if one video is hitting the right spots for 717 00:32:56,520 --> 00:32:57,920 Speaker 3: me in terms of like, oh I like what they're 718 00:32:57,960 --> 00:33:00,680 Speaker 3: doing to her there, there's gonna be an another part 719 00:33:00,760 --> 00:33:02,760 Speaker 3: of it that I like it too. The dynamic, but 720 00:33:02,880 --> 00:33:06,200 Speaker 3: the men are talkative. You guys know, I've been very 721 00:33:08,080 --> 00:33:10,600 Speaker 3: adamant about miking the men. We need to hear the 722 00:33:10,680 --> 00:33:13,960 Speaker 3: men say things and respond. I don't need to hear 723 00:33:13,960 --> 00:33:16,040 Speaker 3: them grown, but I want them to say things. I 724 00:33:16,080 --> 00:33:18,360 Speaker 3: hate when they're quiet. I don't really need to hear 725 00:33:18,360 --> 00:33:20,440 Speaker 3: the woman say anything. I kind of don't want her 726 00:33:20,480 --> 00:33:22,560 Speaker 3: to talk at all. I like, That's why I've definitely 727 00:33:22,560 --> 00:33:25,960 Speaker 3: looked up Bell Gagged because I'm just like, stop this 728 00:33:26,160 --> 00:33:27,000 Speaker 3: fake whining. 729 00:33:27,400 --> 00:33:32,040 Speaker 2: I don't like it. And so, yeah, I. 730 00:33:32,000 --> 00:33:34,360 Speaker 4: Have the views. I have the views if you want. Okay, 731 00:33:35,400 --> 00:33:41,400 Speaker 4: So Nikki Glazer Doggy Style not so great? Well, it's good, good, No, 732 00:33:41,520 --> 00:33:45,400 Speaker 4: this is good. Thirteen thousand, three hundred and nine views. 733 00:33:45,720 --> 00:33:48,320 Speaker 3: That's a lot of views for a video I didn't 734 00:33:48,320 --> 00:33:51,040 Speaker 3: know existed. And I'm that is a perfect amount. It 735 00:33:51,040 --> 00:33:53,239 Speaker 3: doesn't feel like three Like if it was like two 736 00:33:53,320 --> 00:33:55,280 Speaker 3: hundred and ten, I'd be like, this has been up 737 00:33:55,280 --> 00:33:58,640 Speaker 3: for a while. But thirteen thousands perfect, that's okay. 738 00:33:58,720 --> 00:34:03,200 Speaker 4: And then Nikki Glaz th're the anal slut two point oh, 739 00:34:03,240 --> 00:34:07,200 Speaker 4: clocking in at thirty nine thousand, and seven hundred and 740 00:34:07,280 --> 00:34:07,920 Speaker 4: thirty four. 741 00:34:08,120 --> 00:34:10,680 Speaker 3: Okay, that one's Okay, I'm a little disappointed in how 742 00:34:10,680 --> 00:34:14,319 Speaker 3: that one's doing. Also, Nikki Lazer anal slut two point zero. 743 00:34:15,800 --> 00:34:21,920 Speaker 3: Someone leaked my special title. Also yes three point oh 744 00:34:22,640 --> 00:34:22,920 Speaker 3: just for. 745 00:34:22,960 --> 00:34:30,640 Speaker 4: Comparisons sake, Margot Roby master bass in stockings, really Margot 746 00:34:30,680 --> 00:34:34,799 Speaker 4: Roby Masterbates and stockings stockings. Oh no, no, no, she is 747 00:34:34,800 --> 00:34:36,400 Speaker 4: in front of a fireplace. But I don't think it's 748 00:34:36,440 --> 00:34:41,360 Speaker 4: Christmas game. Okay, ninety eighty, so you're only half. 749 00:34:41,280 --> 00:34:42,640 Speaker 1: That you're doing well? 750 00:34:42,880 --> 00:34:46,480 Speaker 3: Yeah, Marcot, Robbie. Can we talk about these little like 751 00:34:46,600 --> 00:34:49,520 Speaker 3: pockets underneath her eyes? Do you guys know what I'm 752 00:34:49,560 --> 00:34:52,799 Speaker 3: talking about? She has quamies. And if you don't know 753 00:34:52,840 --> 00:34:56,360 Speaker 3: what quamis are, it's when your eye has like a 754 00:34:56,400 --> 00:34:59,320 Speaker 3: pocket underneath it that is almost matching the upper islet 755 00:34:59,360 --> 00:35:01,560 Speaker 3: and when they closed together, they look like little quams. 756 00:35:02,000 --> 00:35:04,480 Speaker 3: And I say quams because the first person in high 757 00:35:04,520 --> 00:35:07,480 Speaker 3: school that had this with his eyes was our friend's 758 00:35:07,480 --> 00:35:12,640 Speaker 3: boyfriend and his last name had was started with a 759 00:35:12,680 --> 00:35:16,000 Speaker 3: K and an R and but he also kind of 760 00:35:16,040 --> 00:35:18,960 Speaker 3: talked like dish, and so we called him qua And 761 00:35:19,000 --> 00:35:20,680 Speaker 3: so let's say his last name was Kramer. 762 00:35:20,760 --> 00:35:22,280 Speaker 2: We called him Quaima. 763 00:35:21,880 --> 00:35:24,600 Speaker 3: Because she talked to white dish because his jaw was 764 00:35:24,640 --> 00:35:27,439 Speaker 3: a little bit like tight, and so we called him 765 00:35:27,800 --> 00:35:31,880 Speaker 3: Crispy Kueima because well, actually his last name has the 766 00:35:31,880 --> 00:35:33,960 Speaker 3: word chris in it, so we called but we I 767 00:35:34,000 --> 00:35:37,319 Speaker 3: don't know why we called him crispy, but we know 768 00:35:37,360 --> 00:35:40,640 Speaker 3: we called him Crispy quamies and because he had quams. 769 00:35:40,920 --> 00:35:43,440 Speaker 3: But it was like, but she has quams too, she 770 00:35:44,920 --> 00:35:46,400 Speaker 3: do you know what I'm talking about? Look at what 771 00:35:46,440 --> 00:35:49,680 Speaker 3: your mother, Rubbie. There is a distinct what is that? 772 00:35:49,760 --> 00:35:50,279 Speaker 3: Can I get that? 773 00:35:51,960 --> 00:35:52,120 Speaker 5: Ms? 774 00:35:53,320 --> 00:35:55,600 Speaker 1: No, I don't want to quam, I I do. 775 00:35:55,680 --> 00:35:58,319 Speaker 3: I went that little fold right there that makes you 776 00:35:58,400 --> 00:36:02,080 Speaker 3: go when you smile, like every one likes it now. Yeah, 777 00:36:02,120 --> 00:36:04,440 Speaker 3: but that's just like an old skin. No, no, no, 778 00:36:04,480 --> 00:36:08,360 Speaker 3: it's not youth there's but she has that going. That 779 00:36:08,520 --> 00:36:12,000 Speaker 3: is what makes her face so incredible. Is that little 780 00:36:12,239 --> 00:36:14,200 Speaker 3: extra line underneath her eye. 781 00:36:14,400 --> 00:36:15,160 Speaker 2: I think that's it. 782 00:36:15,760 --> 00:36:18,720 Speaker 1: My friend has it. She told me that French people 783 00:36:18,840 --> 00:36:21,240 Speaker 1: value that and they have they have these all these 784 00:36:21,600 --> 00:36:24,120 Speaker 1: rules for beauty and one of them is having the 785 00:36:24,200 --> 00:36:29,600 Speaker 1: quisby quam underneath. It's just a little pooch, a little pocket, yes, yeah, 786 00:36:29,680 --> 00:36:32,440 Speaker 1: pocket and beauty right under your eye, not a bag. 787 00:36:32,880 --> 00:36:34,480 Speaker 2: It's not no, not a bag. 788 00:36:34,520 --> 00:36:37,440 Speaker 3: It's the same color as your eyes, like as your 789 00:36:37,520 --> 00:36:38,080 Speaker 3: normal skin. 790 00:36:38,200 --> 00:36:40,640 Speaker 2: Everything is one color. 791 00:36:41,040 --> 00:36:42,919 Speaker 4: It's in the same spot as a bag. Though. 792 00:36:43,600 --> 00:36:45,520 Speaker 2: Yes, you have kind of qispy quam going on right now. 793 00:36:45,560 --> 00:36:49,040 Speaker 3: You kind of have the margot Robbie Bryan me, No, Brian, 794 00:36:50,520 --> 00:36:52,520 Speaker 3: doesn't he have it? 795 00:36:51,920 --> 00:36:55,640 Speaker 2: Yes? No, no, it's not bags. You have it. 796 00:36:55,640 --> 00:37:01,400 Speaker 3: It's good little like it looks unda dust sy like 797 00:37:01,400 --> 00:37:10,359 Speaker 3: they're like they're the chorus in the background. US, Okay, yeah, yeah. 798 00:37:10,400 --> 00:37:13,759 Speaker 3: I analyzed her beauty NonStop in that movie, just like 799 00:37:13,840 --> 00:37:17,040 Speaker 3: staring at her face, marveling and being like how does 800 00:37:17,080 --> 00:37:19,160 Speaker 3: she do it? But it's some and she's like a 801 00:37:19,200 --> 00:37:21,080 Speaker 3: lovely person. Did you see that video of her like 802 00:37:21,120 --> 00:37:26,279 Speaker 3: doing sign language? You go, oh, Milly, I saw that 803 00:37:27,680 --> 00:37:31,120 Speaker 3: sweet and she knows all of her she knows asl 804 00:37:31,280 --> 00:37:33,680 Speaker 3: or Australian sign like whatever. It is, just like she. 805 00:37:34,000 --> 00:37:36,040 Speaker 3: I hate when perfect people just keep being perfect. That's 806 00:37:36,040 --> 00:37:37,759 Speaker 3: why I loved when Dua Lipa like kind of gave 807 00:37:37,800 --> 00:37:40,800 Speaker 3: a drab performance acting and. 808 00:37:40,880 --> 00:37:43,719 Speaker 2: I was just like, yes, a flaw. It just makes 809 00:37:43,760 --> 00:37:45,000 Speaker 2: me so happy. 810 00:37:45,200 --> 00:37:48,120 Speaker 1: But my friend Heather was like, give me a fucking break. 811 00:37:48,719 --> 00:37:52,520 Speaker 1: Margot Robbie is saying she speaks Asl is like me 812 00:37:52,640 --> 00:37:55,160 Speaker 1: saying I speak French and then singing. 813 00:37:54,880 --> 00:37:57,920 Speaker 2: For say it. People said it. She didn't say that, 814 00:37:58,080 --> 00:37:59,320 Speaker 2: she just like spelling. 815 00:37:59,800 --> 00:38:05,279 Speaker 3: No, I know it, I know it. She did some 816 00:38:05,320 --> 00:38:09,560 Speaker 3: stuff like it's sad. She said she knows Asl and. 817 00:38:09,560 --> 00:38:13,040 Speaker 2: Your friends yea or what you know? 818 00:38:14,400 --> 00:38:15,080 Speaker 4: That's cool? 819 00:38:16,000 --> 00:38:18,720 Speaker 1: Yeah, but then I speak French. 820 00:38:19,400 --> 00:38:25,640 Speaker 3: Fish are well pretty people haven't really gotten the memo 821 00:38:25,719 --> 00:38:28,720 Speaker 3: that they're ever bad at anything. And I'm guessing Margot 822 00:38:28,760 --> 00:38:31,640 Speaker 3: Robbie doesn't get a lot of feedback that's like you 823 00:38:31,719 --> 00:38:35,319 Speaker 3: need to work on that, you know, like there's show 824 00:38:35,400 --> 00:38:38,480 Speaker 3: us another draft, like I think that most and I don't. 825 00:38:38,680 --> 00:38:40,840 Speaker 3: She actually seems like a very well adjusted person and 826 00:38:40,920 --> 00:38:43,319 Speaker 3: kind person that doesn't seem obsessed with her looks like 827 00:38:43,400 --> 00:38:44,600 Speaker 3: other people just seem to be. 828 00:38:44,719 --> 00:38:47,600 Speaker 2: But I'm just guessing, so I do. I do really 829 00:38:47,680 --> 00:38:48,000 Speaker 2: like her. 830 00:38:48,280 --> 00:38:50,720 Speaker 3: We were talking yesterday about who we would be friends 831 00:38:50,719 --> 00:38:54,680 Speaker 3: with in Hollywood? Is there anyone that like you would 832 00:38:54,719 --> 00:38:57,040 Speaker 3: want you honestly, if I said you have to go 833 00:38:57,040 --> 00:38:59,560 Speaker 3: to dinner with them tonight, you guys and people always 834 00:38:59,560 --> 00:39:01,360 Speaker 3: answer this, I would love to go to the And 835 00:39:01,360 --> 00:39:04,359 Speaker 3: it's like, I feel burdened by the idea of going 836 00:39:04,400 --> 00:39:06,799 Speaker 3: to dinner with a new person so much. It's one 837 00:39:06,840 --> 00:39:08,440 Speaker 3: on one with you and this person, and you're going 838 00:39:08,480 --> 00:39:11,520 Speaker 3: to be friends and it's a date. I'm thinking most 839 00:39:11,560 --> 00:39:15,319 Speaker 3: people would turn down most opportunities because it's so stressful. 840 00:39:15,400 --> 00:39:17,480 Speaker 3: You think you want to be friends with people because 841 00:39:17,480 --> 00:39:19,879 Speaker 3: of the acting roles they've played, But I don't think 842 00:39:19,880 --> 00:39:22,440 Speaker 3: you would like most people or like how they present 843 00:39:22,480 --> 00:39:24,840 Speaker 3: themselves on TV and stuff. 844 00:39:25,520 --> 00:39:28,560 Speaker 4: Is there anymore you know that because you've now befriended 845 00:39:28,600 --> 00:39:31,960 Speaker 4: many celebrities and have learned that they're just like regular people. 846 00:39:31,960 --> 00:39:34,440 Speaker 4: But I think for the average person that I think 847 00:39:34,480 --> 00:39:36,800 Speaker 4: they would jump at the opportunity to have dinner with 848 00:39:36,840 --> 00:39:37,920 Speaker 4: almost that celebrity. 849 00:39:38,120 --> 00:39:40,480 Speaker 5: We want to punish them with our fandom or do 850 00:39:40,480 --> 00:39:42,360 Speaker 5: we have to like act like proper people? 851 00:39:43,880 --> 00:39:46,640 Speaker 3: I think you, well, if that's what you want to do, 852 00:39:46,640 --> 00:39:48,360 Speaker 3: you have to act. You have to like try to 853 00:39:48,400 --> 00:39:49,799 Speaker 3: get them to be friends with you, Like you have 854 00:39:49,880 --> 00:39:51,960 Speaker 3: to honestly like be like we're going to start a friendship, 855 00:39:51,960 --> 00:39:53,680 Speaker 3: and this is someone that I want to hang out with. 856 00:39:54,320 --> 00:39:57,560 Speaker 3: I I don't know that there's really I think I'm 857 00:39:57,640 --> 00:40:00,680 Speaker 3: really Drake no new friends. I don't really want to 858 00:40:00,680 --> 00:40:03,600 Speaker 3: be maybe Jennifer Aniston, but even that seems to stress 859 00:40:03,640 --> 00:40:05,440 Speaker 3: me out. If I got like a message from her 860 00:40:05,480 --> 00:40:08,120 Speaker 3: being like she wants to have coffee, I would kind 861 00:40:08,120 --> 00:40:11,640 Speaker 3: of go, oh boy, like I'm going I'm gonna have 862 00:40:11,800 --> 00:40:15,080 Speaker 3: to be fake a little bit. I'm not gonna be 863 00:40:15,080 --> 00:40:16,640 Speaker 3: able to be totally myself. 864 00:40:16,800 --> 00:40:21,280 Speaker 1: And if she only goes to Coffee Beans and hates Starbucks. 865 00:40:21,560 --> 00:40:22,640 Speaker 2: I mean I could. I could. 866 00:40:22,800 --> 00:40:24,879 Speaker 3: I could get in with Coffee Bean, I can have half, 867 00:40:24,960 --> 00:40:27,160 Speaker 3: I can get a good to coffee anywhere Phil's. 868 00:40:27,200 --> 00:40:30,160 Speaker 2: I don't know what, oh what is that coffee Phils. 869 00:40:30,360 --> 00:40:32,759 Speaker 4: I think for most people, the idea of being fake 870 00:40:32,920 --> 00:40:36,680 Speaker 4: with Jennifer Aniston is perfectly acceptable. It's better than being 871 00:40:36,800 --> 00:40:39,440 Speaker 4: fake with like Sue, the girl he went to high 872 00:40:39,480 --> 00:40:41,759 Speaker 4: school with, you know, like that's the option. I would 873 00:40:41,840 --> 00:40:43,320 Speaker 4: choose Jennifer Anison every time. 874 00:40:44,400 --> 00:40:47,680 Speaker 3: Yeah, I guess I know. But how many friends don't 875 00:40:47,719 --> 00:40:49,520 Speaker 3: like going to parties and stuff? You think you like 876 00:40:49,560 --> 00:40:51,120 Speaker 3: going to parties and then you don't want to go, 877 00:40:51,200 --> 00:40:53,600 Speaker 3: Like people always think they want to do things. But 878 00:40:53,680 --> 00:40:57,520 Speaker 3: let's like really just think about it in your mind tonight, listener, 879 00:40:57,760 --> 00:40:59,640 Speaker 3: you have to go to dinner with someone, you have 880 00:40:59,640 --> 00:41:02,240 Speaker 3: to get dressed up and feel like, Okay, I'm presenting 881 00:41:02,239 --> 00:41:04,759 Speaker 3: myself in the right way. Like doesn't don't people have 882 00:41:04,840 --> 00:41:07,279 Speaker 3: social anxiety? Why when the question of like who would 883 00:41:07,280 --> 00:41:09,320 Speaker 3: you have dinner with? The social anxiety flies out the 884 00:41:09,360 --> 00:41:13,920 Speaker 3: window when everyone's like Obama, Michelle, Beyonce and you're like, 885 00:41:14,680 --> 00:41:17,080 Speaker 3: you couldn't go to dinner with my boss the other night, 886 00:41:17,160 --> 00:41:19,800 Speaker 3: like now my girlfriend wants to go to dinner with Beyonce? 887 00:41:20,000 --> 00:41:23,480 Speaker 3: Like do you really would you really how would you 888 00:41:23,520 --> 00:41:26,000 Speaker 3: handle yourself? Do you really feel like you could hold 889 00:41:26,040 --> 00:41:28,360 Speaker 3: a good conversation with these people? Wouldn't you feel a 890 00:41:28,360 --> 00:41:30,480 Speaker 3: little bit like a burden? Don't you feel like you 891 00:41:30,600 --> 00:41:32,759 Speaker 3: might not really give a fuck about what they might 892 00:41:32,800 --> 00:41:35,600 Speaker 3: have to say and how self absorbed they probably are 893 00:41:35,719 --> 00:41:37,640 Speaker 3: based on I mean, they have to agree to this 894 00:41:37,719 --> 00:41:41,560 Speaker 3: dinner too, so that's true, Well, who would you think? 895 00:41:41,760 --> 00:41:44,120 Speaker 4: It's the same thing with Hall Passes, where it's like, yeah, 896 00:41:44,160 --> 00:41:47,040 Speaker 4: I'd fuck Hugh Jackman or whatever, and then it's like 897 00:41:47,040 --> 00:41:48,640 Speaker 4: but then you have to like go to dinner with 898 00:41:48,680 --> 00:41:51,560 Speaker 4: them before and then listen to their stories about how 899 00:41:51,560 --> 00:41:54,040 Speaker 4: they caught a shark, and then you get to have 900 00:41:54,080 --> 00:41:56,040 Speaker 4: sex with them, and then you gotta sit in bed 901 00:41:56,120 --> 00:41:59,320 Speaker 4: while they go like clean themselves in the bathroom, Like 902 00:41:59,320 --> 00:42:00,279 Speaker 4: are you willing to do all that? 903 00:42:01,800 --> 00:42:04,200 Speaker 3: I think even would actually that sex with your jack 904 00:42:04,280 --> 00:42:04,960 Speaker 3: that's different. 905 00:42:05,600 --> 00:42:05,840 Speaker 1: I do. 906 00:42:06,760 --> 00:42:10,759 Speaker 3: People have said to me like you're my husband's hall 907 00:42:10,880 --> 00:42:12,760 Speaker 3: pass when they like meet me at meet and greets, 908 00:42:12,760 --> 00:42:14,400 Speaker 3: and I'm just like, I don't really know what to 909 00:42:14,440 --> 00:42:17,360 Speaker 3: do with that, Like do I guess they're throwing it 910 00:42:17,360 --> 00:42:19,319 Speaker 3: out there to be like if you wanted, we think 911 00:42:19,360 --> 00:42:19,920 Speaker 3: you're a slut. 912 00:42:19,920 --> 00:42:21,320 Speaker 2: You talked about it a lot on stage. 913 00:42:21,360 --> 00:42:23,320 Speaker 3: We heard that episode where you talked about gang bangs, 914 00:42:24,360 --> 00:42:26,840 Speaker 3: but I don't. I'm never gonna fuck a random person. 915 00:42:26,920 --> 00:42:27,080 Speaker 4: Ever. 916 00:42:27,480 --> 00:42:29,640 Speaker 1: My T shirt sold out and we should bring it 917 00:42:29,680 --> 00:42:30,680 Speaker 1: back in a new fund. 918 00:42:31,400 --> 00:42:33,080 Speaker 2: Nicky Glazer is my hall Pass? 919 00:42:33,360 --> 00:42:34,359 Speaker 1: That was a great T shirt. 920 00:42:35,120 --> 00:42:36,520 Speaker 2: Yeah, I only liked. 921 00:42:36,440 --> 00:42:38,239 Speaker 3: When girls bought it, though, when guys bought it, I 922 00:42:38,280 --> 00:42:41,000 Speaker 3: was like, you don't get the joke. This is for 923 00:42:41,120 --> 00:42:43,520 Speaker 3: people who are gay for me or girls who are 924 00:42:43,520 --> 00:42:46,840 Speaker 3: being ironic, like I would buy a Taylor switch is 925 00:42:46,840 --> 00:42:50,680 Speaker 3: my hall pass shirt? Because I'm not gay except for her. Really, 926 00:42:51,280 --> 00:42:54,520 Speaker 3: And I was talking the other day like someone came 927 00:42:54,680 --> 00:42:57,799 Speaker 3: Wayne Brady came out as pan sexual, and I was like, okay, 928 00:42:57,800 --> 00:42:58,480 Speaker 3: we got to google that. 929 00:42:58,520 --> 00:43:00,960 Speaker 2: Which one is that? I forget? 930 00:43:01,040 --> 00:43:02,799 Speaker 3: I didn't even get that far because then I said, 931 00:43:02,960 --> 00:43:06,760 Speaker 3: what is the sexual where you like men? And Taylor Swift? 932 00:43:06,840 --> 00:43:09,319 Speaker 3: Only that's what I am. 933 00:43:09,560 --> 00:43:13,719 Speaker 1: You'd only be like sexual homost sextual. 934 00:43:14,200 --> 00:43:15,960 Speaker 2: So who would you pick? Anya, who would you go 935 00:43:15,960 --> 00:43:16,440 Speaker 2: out to dinner with? 936 00:43:16,520 --> 00:43:18,480 Speaker 3: And I think you are on You're on board with this, 937 00:43:18,640 --> 00:43:21,600 Speaker 3: Like there's most people you've met, some famous people. It's 938 00:43:21,680 --> 00:43:24,120 Speaker 3: not many all it's cracked up to be, and it 939 00:43:24,200 --> 00:43:26,600 Speaker 3: kind of makes you nervous and you're just not like 940 00:43:26,760 --> 00:43:27,120 Speaker 3: I don't know. 941 00:43:27,200 --> 00:43:29,600 Speaker 1: I always like end up at a dinner and someone 942 00:43:29,719 --> 00:43:32,360 Speaker 1: famous is there, and I'm like, oh, okay. Like I 943 00:43:32,440 --> 00:43:34,560 Speaker 1: ended up at a dinner with John Mayer once and 944 00:43:34,600 --> 00:43:36,759 Speaker 1: there were four of us at the dinner including him, 945 00:43:36,840 --> 00:43:39,160 Speaker 1: and I was like, this is the best kind of 946 00:43:40,239 --> 00:43:42,960 Speaker 1: situation where I didn't have time to get nervous and 947 00:43:43,000 --> 00:43:45,239 Speaker 1: I just didn't care at all. I found out like 948 00:43:45,440 --> 00:43:48,080 Speaker 1: on the way there, I had ten minutes maybe, and 949 00:43:48,120 --> 00:43:50,799 Speaker 1: then he was lovely and easy and you know, but 950 00:43:50,960 --> 00:43:54,960 Speaker 1: like a superstar, so the conversation is all about him, and. 951 00:43:56,000 --> 00:43:58,360 Speaker 3: Yeah, but it was talking about them, so you just 952 00:43:58,400 --> 00:44:01,200 Speaker 3: give them shit are you don't kiss their ass, You're 953 00:44:01,280 --> 00:44:03,480 Speaker 3: just yourself and then they kind of like that. 954 00:44:03,760 --> 00:44:06,000 Speaker 1: But that was that was an interesting I know I 955 00:44:06,000 --> 00:44:08,279 Speaker 1: would be friends with Nicole Richie, like if I was 956 00:44:08,320 --> 00:44:10,479 Speaker 1: at a dinner with her, I know we'd get along. 957 00:44:10,640 --> 00:44:13,920 Speaker 1: Justine Bateman love because I like these people and I 958 00:44:13,920 --> 00:44:17,120 Speaker 1: feel like I kind of get them and I'm not 959 00:44:17,360 --> 00:44:24,000 Speaker 1: that starstruck by them, but i'd probably be super Aniston. 960 00:44:24,200 --> 00:44:26,120 Speaker 4: You'd be friends of them because you're not impressed. 961 00:44:26,920 --> 00:44:30,440 Speaker 1: Yeah, I'd be excited to like go to dinner with 962 00:44:30,520 --> 00:44:32,560 Speaker 1: someone like esther though, because I've never met her and 963 00:44:32,600 --> 00:44:34,120 Speaker 1: I know her through you. But that's not like a 964 00:44:34,200 --> 00:44:35,120 Speaker 1: huge celebrity. 965 00:44:35,640 --> 00:44:39,400 Speaker 3: But that would be like fun friend that I'm willing 966 00:44:39,440 --> 00:44:44,759 Speaker 3: to be like, Okay, she's my newest like best like 967 00:44:44,880 --> 00:44:49,000 Speaker 3: eligible for best friend territory, where if someone I think 968 00:44:49,040 --> 00:44:50,600 Speaker 3: I would even I could even say like she's one 969 00:44:50,640 --> 00:44:53,120 Speaker 3: of my good friends and she would be okay with 970 00:44:53,160 --> 00:44:54,440 Speaker 3: me saying that, where. 971 00:44:54,239 --> 00:44:56,720 Speaker 2: She's nick uster have good like girlfriend dates. 972 00:44:57,520 --> 00:44:59,720 Speaker 3: Yeah, we like I took her to the iHeartRadio Awards, 973 00:44:59,719 --> 00:45:02,080 Speaker 3: like she like I took her to We went to 974 00:45:02,120 --> 00:45:05,200 Speaker 3: another premiere together too. Yeah, we just do these little 975 00:45:05,960 --> 00:45:08,319 Speaker 3: one off dates and we have the best time. And 976 00:45:08,600 --> 00:45:10,440 Speaker 3: you know, there is that feeling though, when you go 977 00:45:10,480 --> 00:45:12,120 Speaker 3: out with a new friend, what you're like kind of 978 00:45:12,200 --> 00:45:16,760 Speaker 3: nervous and sometimes you're worried that the conversation isn't gonna 979 00:45:16,760 --> 00:45:20,160 Speaker 3: flow and you might run out of things to talk 980 00:45:20,200 --> 00:45:23,640 Speaker 3: about or you might offend. You're kind of like caretaking, like, oh, 981 00:45:23,719 --> 00:45:24,800 Speaker 3: can I go to the I'm gonna go to the 982 00:45:24,800 --> 00:45:25,440 Speaker 3: bathroom real quick? 983 00:45:25,520 --> 00:45:25,959 Speaker 2: Is that cool? 984 00:45:26,000 --> 00:45:28,400 Speaker 3: Like you can't just talk to them like a normal friend. 985 00:45:29,200 --> 00:45:31,560 Speaker 3: You're like, I'm gonna go Like your voice gets gonna 986 00:45:31,640 --> 00:45:33,280 Speaker 3: like hi. When you're like I'm gonna go to the bathroom, 987 00:45:33,320 --> 00:45:35,000 Speaker 3: walk what do you want to go room? Or like 988 00:45:35,280 --> 00:45:37,720 Speaker 3: I'm gonna Like you're constantly checking in on one another. 989 00:45:37,760 --> 00:45:40,440 Speaker 3: It's a little awkward, and it just it's not like 990 00:45:40,480 --> 00:45:43,759 Speaker 3: that with her, And I'm just so grateful because I 991 00:45:43,840 --> 00:45:44,439 Speaker 3: strayed out. 992 00:45:44,400 --> 00:45:47,200 Speaker 4: Vibes, except without the opportunity to have sex with them 993 00:45:47,239 --> 00:45:49,200 Speaker 4: at the end of it. I guess there is, but 994 00:45:49,320 --> 00:45:52,080 Speaker 4: generally you don't. But yeah, it's like first date vibes, 995 00:45:52,120 --> 00:45:53,680 Speaker 4: and it's like a little exciting and it's like, oh 996 00:45:53,719 --> 00:45:55,399 Speaker 4: my god, is this person gonna be my friend. That's 997 00:45:55,440 --> 00:45:56,160 Speaker 4: definitely there. 998 00:45:56,640 --> 00:45:59,320 Speaker 1: Do you get that with guy friends? Like new guy friends? 999 00:46:01,000 --> 00:46:04,000 Speaker 4: I honestly, I'm going through the roll of deckx of 1000 00:46:04,080 --> 00:46:06,839 Speaker 4: memories in my mind and I cannot remember the last 1001 00:46:06,920 --> 00:46:10,040 Speaker 4: time I had a hang with a new guy friend. 1002 00:46:10,640 --> 00:46:10,839 Speaker 2: Yeah. 1003 00:46:10,840 --> 00:46:13,920 Speaker 4: I have lots of guy friends, like and there's guys 1004 00:46:13,960 --> 00:46:17,279 Speaker 4: from work that I then hung out with outside of work. 1005 00:46:17,320 --> 00:46:20,040 Speaker 4: I guess that's the closest. But that was not even recent, 1006 00:46:20,840 --> 00:46:23,480 Speaker 4: So I don't know. 1007 00:46:21,400 --> 00:46:25,239 Speaker 5: A avi like recently. I mean, like I guess it 1008 00:46:25,280 --> 00:46:26,759 Speaker 5: was a couple of months ago. He went on like 1009 00:46:26,800 --> 00:46:30,080 Speaker 5: a man friend date and it was so cute. He 1010 00:46:30,239 --> 00:46:32,799 Speaker 5: was like kind of like toiling about like where they're 1011 00:46:32,840 --> 00:46:35,160 Speaker 5: going to go and where they're going to hang out, 1012 00:46:35,520 --> 00:46:38,000 Speaker 5: and then when he came back, he was like so giddy. 1013 00:46:38,040 --> 00:46:42,879 Speaker 5: They had like the most like I don't know, off 1014 00:46:42,920 --> 00:46:49,319 Speaker 5: centric conversation about like music tones that like help you 1015 00:46:49,400 --> 00:46:51,680 Speaker 5: spiritually and stuff, and then like the guy gave him 1016 00:46:51,680 --> 00:46:55,880 Speaker 5: a like went to sleep listening to it, and then 1017 00:46:55,920 --> 00:46:57,560 Speaker 5: they like followed up next day. 1018 00:46:57,600 --> 00:47:00,240 Speaker 2: It was it was really cute. 1019 00:47:00,120 --> 00:47:01,319 Speaker 1: Few friends that is. 1020 00:47:01,480 --> 00:47:05,719 Speaker 3: Need so many more friends. It's so sweet. It's it's 1021 00:47:05,760 --> 00:47:07,400 Speaker 3: hard just so when he met at the gym. 1022 00:47:07,920 --> 00:47:12,720 Speaker 2: Just like cute. I wonder who made the first move. 1023 00:47:13,600 --> 00:47:16,840 Speaker 1: It's hard to get a date off the ground. Yeah, 1024 00:47:16,960 --> 00:47:19,080 Speaker 1: like there was a cancel. 1025 00:47:19,440 --> 00:47:21,360 Speaker 4: There was a guy when I used to go to 1026 00:47:21,360 --> 00:47:23,840 Speaker 4: the gym Goals gym, there was a guy who tried 1027 00:47:23,880 --> 00:47:26,360 Speaker 4: to get me on a on a mandate and I 1028 00:47:26,440 --> 00:47:28,920 Speaker 4: just never panned out. But this guy was super cool. 1029 00:47:29,400 --> 00:47:33,440 Speaker 4: He was jacked and he had tattoos all over his body. 1030 00:47:33,680 --> 00:47:35,200 Speaker 4: And when he first came to talk to me, I 1031 00:47:35,280 --> 00:47:36,680 Speaker 4: was like, what the fuck is this guy in a 1032 00:47:36,719 --> 00:47:39,640 Speaker 4: gang or something because he was tattooed everywhere. But he 1033 00:47:39,760 --> 00:47:41,359 Speaker 4: was like, yo, man, what's up? And I was like, 1034 00:47:41,400 --> 00:47:43,239 Speaker 4: what the fuck are you talking to me for this 1035 00:47:43,600 --> 00:47:47,759 Speaker 4: scraggly jew struggling on the chest press machine. Yeah, he 1036 00:47:47,880 --> 00:47:52,080 Speaker 4: was talking to me, and eventually he invited me. He 1037 00:47:52,160 --> 00:47:56,440 Speaker 4: invited me to like like a canoe trip, and I 1038 00:47:56,520 --> 00:47:58,720 Speaker 4: was like, well, we're gonna go from jim to canoe 1039 00:47:58,760 --> 00:48:01,400 Speaker 4: trip with He's like, yeah, me and four other guys 1040 00:48:01,960 --> 00:48:03,520 Speaker 4: going on this canoe trip. And I was like that's 1041 00:48:03,560 --> 00:48:06,480 Speaker 4: a little yeah, that's a little uh extreme. So then 1042 00:48:06,520 --> 00:48:09,799 Speaker 4: I said I declined, And then after that point I 1043 00:48:09,800 --> 00:48:11,319 Speaker 4: tried to avoid him because I'm like, I don't want 1044 00:48:11,320 --> 00:48:12,200 Speaker 4: to go on a canoe trip. 1045 00:48:12,320 --> 00:48:15,000 Speaker 1: Yes, I'm like you, that's it. There's a certain guy 1046 00:48:15,040 --> 00:48:16,600 Speaker 1: like that. I feel like Chris Kanvy is one of 1047 00:48:16,600 --> 00:48:19,520 Speaker 1: those guys. They like big adventures, they like groups, they 1048 00:48:19,600 --> 00:48:22,960 Speaker 1: like doing fun, big things together. I'm not an adventure 1049 00:48:23,040 --> 00:48:25,839 Speaker 1: friend unless I know all the people in the group 1050 00:48:25,840 --> 00:48:28,040 Speaker 1: and I know all the parameters like how many days? 1051 00:48:28,080 --> 00:48:30,200 Speaker 1: Where are we going? And I like them all. But 1052 00:48:30,320 --> 00:48:32,200 Speaker 1: I'm if I met someone new and they all of 1053 00:48:32,239 --> 00:48:33,759 Speaker 1: a sudden wanted to go on a canoe trip, I'd 1054 00:48:33,800 --> 00:48:36,879 Speaker 1: be like, something's wrong with you? Like a one on 1055 00:48:36,880 --> 00:48:37,839 Speaker 1: one coffee hang. 1056 00:48:38,239 --> 00:48:41,200 Speaker 4: But like, I'm an adventure friend. If Chris Kanvey wanted 1057 00:48:41,239 --> 00:48:42,480 Speaker 4: to go on a canoe trip, I would go on 1058 00:48:42,520 --> 00:48:44,439 Speaker 4: a canoe trip with him and whatever he's been. 1059 00:48:44,360 --> 00:48:46,839 Speaker 1: Waiting for this, Yeah, he wants to have you eat 1060 00:48:46,840 --> 00:48:48,000 Speaker 1: a strawberry in Japan. 1061 00:48:48,960 --> 00:48:51,080 Speaker 3: If his head just perked up and he turned had 1062 00:48:51,120 --> 00:48:55,240 Speaker 3: to go somewhere, to go somewhere with me, I'll go Ecuador. 1063 00:48:56,600 --> 00:48:58,840 Speaker 4: Yeah, he's but I'm not going to go on a 1064 00:48:58,840 --> 00:49:00,680 Speaker 4: canoe trip with the guy who I talk to a 1065 00:49:00,719 --> 00:49:02,080 Speaker 4: handful of times in the jail. 1066 00:49:02,200 --> 00:49:05,839 Speaker 3: That is he's that's a crazy person that would jump 1067 00:49:05,880 --> 00:49:07,560 Speaker 3: to that so much. But a couple of years ago, 1068 00:49:07,560 --> 00:49:09,319 Speaker 3: I had someone who wanted to hang out with me 1069 00:49:10,600 --> 00:49:13,520 Speaker 3: a girlfriend, and I didn't want to be friends with 1070 00:49:13,560 --> 00:49:16,880 Speaker 3: this person. What do you do when someone's coming on 1071 00:49:17,000 --> 00:49:18,640 Speaker 3: very strong and they want to be friends with you, 1072 00:49:18,719 --> 00:49:20,440 Speaker 3: Because there is when. 1073 00:49:20,320 --> 00:49:20,839 Speaker 2: It's a guy. 1074 00:49:21,400 --> 00:49:22,719 Speaker 3: Even if it's a guy that wants to be friends 1075 00:49:22,719 --> 00:49:24,400 Speaker 3: with you, you can say I have a boyfriend, it's just 1076 00:49:24,440 --> 00:49:26,399 Speaker 3: I don't really hang out with guys in a non 1077 00:49:26,480 --> 00:49:28,560 Speaker 3: romantic way. You can have that excuse, even though I 1078 00:49:28,600 --> 00:49:30,840 Speaker 3: disagree with that wholeheartedly, and I think women should be 1079 00:49:30,880 --> 00:49:33,200 Speaker 3: able to have guy friends no matter what the relationship 1080 00:49:33,200 --> 00:49:36,160 Speaker 3: they're in. I could always use that excuse obviously to 1081 00:49:36,160 --> 00:49:38,040 Speaker 3: be like, my boyfriend's not really cool about it. I 1082 00:49:38,040 --> 00:49:40,279 Speaker 3: don't think it's appropriate. Or if it's a guy that 1083 00:49:40,320 --> 00:49:41,520 Speaker 3: wants to go on a date with you, hey, I'm 1084 00:49:41,520 --> 00:49:43,920 Speaker 3: in a relationship. Even if i'm not, I'm not really 1085 00:49:43,960 --> 00:49:47,239 Speaker 3: seeing anyone right now, I'm not interested in dating. There's 1086 00:49:47,280 --> 00:49:49,400 Speaker 3: an excuse built in. But when someone just wants to 1087 00:49:49,400 --> 00:49:51,279 Speaker 3: be your friend, which is a thing you can have 1088 00:49:51,400 --> 00:49:55,880 Speaker 3: an infinite number of what do you do? You just 1089 00:49:56,080 --> 00:49:58,560 Speaker 3: lie and say you are busy all the time. 1090 00:49:58,920 --> 00:50:02,600 Speaker 4: Here's what you do. Nick and Wayne Brady figured this out. 1091 00:50:02,840 --> 00:50:05,560 Speaker 4: You just say you're pant sexual and then you say, 1092 00:50:05,600 --> 00:50:08,240 Speaker 4: my boyfriend wouldn't be okay with this because I'm pant sexual. 1093 00:50:08,280 --> 00:50:09,480 Speaker 4: I'm atracted to all genders. 1094 00:50:10,200 --> 00:50:11,680 Speaker 1: Yeah, that's really good. 1095 00:50:13,000 --> 00:50:14,960 Speaker 3: There has been someone that I'm like, wanted to be 1096 00:50:15,000 --> 00:50:18,440 Speaker 3: friends with me after I had been interested in them 1097 00:50:18,640 --> 00:50:21,399 Speaker 3: in a romantic way and they did it work out 1098 00:50:21,480 --> 00:50:23,920 Speaker 3: for us in that way, but they still wanted to 1099 00:50:23,920 --> 00:50:27,239 Speaker 3: be friends and I said I can't because I get 1100 00:50:27,280 --> 00:50:29,000 Speaker 3: a crush on you when we hang out and it's 1101 00:50:29,000 --> 00:50:32,280 Speaker 3: not fun for me to feel these feelings. And they 1102 00:50:32,480 --> 00:50:35,520 Speaker 3: are so mad at me. In fact, when I run 1103 00:50:35,520 --> 00:50:38,759 Speaker 3: into them, they turn the other way, they avoid me. 1104 00:50:39,640 --> 00:50:41,160 Speaker 3: It's the only person in my life that I have 1105 00:50:41,239 --> 00:50:43,400 Speaker 3: like I would say beef with where if I was 1106 00:50:43,440 --> 00:50:45,839 Speaker 3: on the same thing as them, I would be like, Okay, 1107 00:50:45,880 --> 00:50:49,120 Speaker 3: I'm just not gonna I'm I'll get there a different 1108 00:50:49,120 --> 00:50:50,960 Speaker 3: time because I don't want to make this person uncomfortable 1109 00:50:50,960 --> 00:50:54,200 Speaker 3: because they hate me so much because I call yeah, 1110 00:50:54,200 --> 00:50:56,960 Speaker 3: because we had a really good friendship, like because I 1111 00:50:57,080 --> 00:50:59,200 Speaker 3: liked him, so I would listen to his stories and 1112 00:50:59,280 --> 00:51:01,960 Speaker 3: hear him talk, let him express himself, and he got 1113 00:51:02,000 --> 00:51:03,160 Speaker 3: a lot of feelings out with me. 1114 00:51:03,640 --> 00:51:05,640 Speaker 2: And then when I would go in. 1115 00:51:05,560 --> 00:51:08,040 Speaker 3: For like a romantic thing, which I thought we were building, 1116 00:51:08,400 --> 00:51:11,560 Speaker 3: and he definitely made it seem that way at times. 1117 00:51:11,640 --> 00:51:13,960 Speaker 3: I'm not crazy, even though he would claim to be, like, what, 1118 00:51:14,080 --> 00:51:16,839 Speaker 3: we're just friends, I'm like, come on, I'm not I'm 1119 00:51:16,840 --> 00:51:19,960 Speaker 3: not stupid. I'm reading the signs. I'm Margot Robbie. I 1120 00:51:20,400 --> 00:51:26,640 Speaker 3: know the body language in the ASL And he was like, no, 1121 00:51:26,680 --> 00:51:27,240 Speaker 3: I just want. 1122 00:51:27,080 --> 00:51:27,439 Speaker 2: To be friends. 1123 00:51:27,440 --> 00:51:29,040 Speaker 3: And I'm like, well, then I can't just be friends 1124 00:51:29,040 --> 00:51:30,640 Speaker 3: with you because every time we end up hanging out, 1125 00:51:30,680 --> 00:51:32,719 Speaker 3: I get a crush and it's just not fun. And 1126 00:51:32,760 --> 00:51:36,160 Speaker 3: he was so offended and so he's now he's mad 1127 00:51:36,160 --> 00:51:38,160 Speaker 3: at me. But that's his boundary, Jonah Hill, he has 1128 00:51:38,200 --> 00:51:38,760 Speaker 3: a boundary. 1129 00:51:39,120 --> 00:51:41,520 Speaker 2: I have to respect it. It's fine, But what do 1130 00:51:41,560 --> 00:51:44,440 Speaker 2: you do with a girlfriend? 1131 00:51:44,960 --> 00:51:47,440 Speaker 1: I that guy annoys me? Whoever this is and I 1132 00:51:47,440 --> 00:51:52,080 Speaker 1: think I know who? Yeah, getting angry is so lame. 1133 00:51:52,280 --> 00:51:56,399 Speaker 1: The reason he's angry is he's he subconsciously knows he's 1134 00:51:56,440 --> 00:51:58,359 Speaker 1: fucking with you. He has a crush on you too, 1135 00:51:58,400 --> 00:52:00,880 Speaker 1: and he wants to intrigue with you, and this whole 1136 00:52:00,960 --> 00:52:03,280 Speaker 1: cover of like I just want to be friends. God, 1137 00:52:03,320 --> 00:52:05,120 Speaker 1: why can't you just be a purist and be my 1138 00:52:05,239 --> 00:52:11,400 Speaker 1: friend is bullshit. He's enjoying stringing you along and flirting 1139 00:52:11,400 --> 00:52:13,480 Speaker 1: with you. It's like he gets off on it. And 1140 00:52:13,560 --> 00:52:14,200 Speaker 1: I'm not saying that. 1141 00:52:14,280 --> 00:52:16,239 Speaker 3: Like, if if Chris heard this, I could see him 1142 00:52:16,239 --> 00:52:18,080 Speaker 3: getting upset and being like, oh, so there's some guy 1143 00:52:18,080 --> 00:52:19,799 Speaker 3: that you've to like avoid because you're so in love 1144 00:52:19,840 --> 00:52:21,520 Speaker 3: with him, you're gonna get stuck back into it. That 1145 00:52:21,640 --> 00:52:23,879 Speaker 3: is not the case with this guy any longer. When 1146 00:52:23,920 --> 00:52:25,880 Speaker 3: this happened, that was the case. I was single, and 1147 00:52:25,920 --> 00:52:28,239 Speaker 3: I was like, this is distracting to me, And now 1148 00:52:28,280 --> 00:52:29,640 Speaker 3: that I have a boyfriend, I have no interest in 1149 00:52:29,680 --> 00:52:32,080 Speaker 3: hanging out with this guy who really wasn't giving me 1150 00:52:32,120 --> 00:52:34,360 Speaker 3: anything in the friendship department anyway. The only reason I 1151 00:52:34,400 --> 00:52:35,920 Speaker 3: was really connecting with him was because I thought it 1152 00:52:35,960 --> 00:52:38,879 Speaker 3: was going in a romantic direction, and I wasn't like, Wow, 1153 00:52:38,920 --> 00:52:41,600 Speaker 3: this is someone i'd take in any capacity, Like I 1154 00:52:41,680 --> 00:52:43,800 Speaker 3: thought you were hot. That's why I was kind of 1155 00:52:43,800 --> 00:52:46,239 Speaker 3: putting up with the rest. And I think that's where 1156 00:52:46,280 --> 00:52:50,719 Speaker 3: he gets angry is that he realizes without the physical part. 1157 00:52:50,760 --> 00:52:54,160 Speaker 3: I don't really have much interest in what you are giving. 1158 00:52:54,560 --> 00:52:58,120 Speaker 3: And that's you know, uh, that's the is that a 1159 00:52:58,200 --> 00:53:00,600 Speaker 3: me too thing of being like I can't unless you 1160 00:53:00,640 --> 00:53:02,800 Speaker 3: have sex with me. I don't really care for anything 1161 00:53:02,840 --> 00:53:04,920 Speaker 3: you have to say, and I'm not going to be 1162 00:53:05,000 --> 00:53:07,040 Speaker 3: really interested in pursuing this intellectually. 1163 00:53:07,800 --> 00:53:13,600 Speaker 2: Possibly we're going to ring and we'll come back after this. 1164 00:53:15,960 --> 00:53:16,839 Speaker 2: All right, we're back. 1165 00:53:16,920 --> 00:53:17,040 Speaker 1: Hey. 1166 00:53:17,120 --> 00:53:18,960 Speaker 3: I want to remind everyone that I am going to 1167 00:53:19,000 --> 00:53:21,120 Speaker 3: be on tour in the fall. I am taking a 1168 00:53:21,239 --> 00:53:24,400 Speaker 3: hiatus right now and I am writing so much new material. 1169 00:53:24,480 --> 00:53:26,919 Speaker 3: I'm doing stand up sets in La like every night 1170 00:53:28,560 --> 00:53:31,200 Speaker 3: while I'm living here for a couple months. And then 1171 00:53:31,200 --> 00:53:34,759 Speaker 3: in September, September fifteenth, I am back on tour and 1172 00:53:34,800 --> 00:53:37,520 Speaker 3: it's the biggest show that I maybe have ever done 1173 00:53:37,560 --> 00:53:40,640 Speaker 3: on the road. It's at the Chicago Theater September fifteenth. 1174 00:53:41,080 --> 00:53:43,440 Speaker 3: It is a huge show that plays is a huge venue. 1175 00:53:43,480 --> 00:53:44,759 Speaker 3: I really want to sell it out. So if you're 1176 00:53:44,800 --> 00:53:47,040 Speaker 3: in the Chicago area, I would love to see you 1177 00:53:47,120 --> 00:53:49,440 Speaker 3: at that show. We will be doing meet and greets 1178 00:53:49,440 --> 00:53:51,560 Speaker 3: on you will be there. It's going to be so 1179 00:53:51,800 --> 00:53:55,120 Speaker 3: much freaking fun. And then the next night, we have Peoria, Illinois, 1180 00:53:55,160 --> 00:53:58,000 Speaker 3: if you're a little bit south of Chicago. We also 1181 00:53:58,040 --> 00:54:01,080 Speaker 3: have tons of dates including New Jersey, Vegas, I'm there 1182 00:54:01,120 --> 00:54:07,200 Speaker 3: with David Spade again, Minnesota, Calgary, California, all over California. 1183 00:54:07,239 --> 00:54:12,319 Speaker 3: Four dates in California, Milwaukee, Iowa, Kansas, Lawrence, Kansas. I'm 1184 00:54:12,360 --> 00:54:15,920 Speaker 3: going back to my college town Boston, Maryland, and it 1185 00:54:15,960 --> 00:54:17,560 Speaker 3: goes on and on. I'm not gonna read them all, 1186 00:54:17,560 --> 00:54:20,200 Speaker 3: but there's a bunch more coming up, and I'm so 1187 00:54:20,280 --> 00:54:22,319 Speaker 3: excited to see besties at them and for you guys 1188 00:54:22,320 --> 00:54:24,200 Speaker 3: to see all my new material, which is on top 1189 00:54:24,239 --> 00:54:26,200 Speaker 3: of a ton of new material from the last time 1190 00:54:26,200 --> 00:54:29,560 Speaker 3: you saw me. So and you could go to multiple 1191 00:54:29,560 --> 00:54:31,719 Speaker 3: shows and you're gonna get different shows for each show. 1192 00:54:31,760 --> 00:54:34,279 Speaker 3: I would say that the overlap will probably be like 1193 00:54:34,760 --> 00:54:37,640 Speaker 3: seventy percent at the most, but I tend to do 1194 00:54:37,680 --> 00:54:41,120 Speaker 3: different material at every show, so I hope to see 1195 00:54:41,120 --> 00:54:41,439 Speaker 3: you there. 1196 00:54:41,480 --> 00:54:42,240 Speaker 2: It's so much fun. 1197 00:54:42,280 --> 00:54:44,200 Speaker 3: And yeah, I've been having a lot more fun with 1198 00:54:44,239 --> 00:54:48,280 Speaker 3: stand up recently because I've been saturating myself in stand 1199 00:54:48,360 --> 00:54:50,759 Speaker 3: up comedy. As Brian hears every day because we hang 1200 00:54:50,800 --> 00:54:54,280 Speaker 3: out and I talk about we're analyzing stand up comedy 1201 00:54:54,320 --> 00:54:56,879 Speaker 3: and Brian is very analytical stand up comedy as well. 1202 00:54:57,280 --> 00:54:57,920 Speaker 2: I feel like we. 1203 00:54:59,440 --> 00:55:02,799 Speaker 3: You and you have listened to Like, I'm getting back 1204 00:55:02,800 --> 00:55:06,480 Speaker 3: into Louis c K. And I'm obsessed. I'm back on board. 1205 00:55:07,400 --> 00:55:10,080 Speaker 3: Here's my take. Are you ready for my problematic take? 1206 00:55:11,520 --> 00:55:15,239 Speaker 2: All right? Get a horn? Can we get the problematic take? 1207 00:55:15,280 --> 00:55:18,440 Speaker 1: Horn? 1208 00:55:18,520 --> 00:55:21,440 Speaker 3: That means but they're all the same, it's slightly different. 1209 00:55:22,080 --> 00:55:24,560 Speaker 3: That's a different hurts. Abby could tell you about it 1210 00:55:24,600 --> 00:55:27,040 Speaker 3: if he went to dinner with his friend again. That 1211 00:55:27,120 --> 00:55:32,640 Speaker 3: sounded had a slightly different hurts level. Okay, so Louis 1212 00:55:32,640 --> 00:55:36,120 Speaker 3: c K. I I didn't listen to him for very 1213 00:55:36,120 --> 00:55:39,359 Speaker 3: long because I've talked about this before. I really liked 1214 00:55:39,440 --> 00:55:41,319 Speaker 3: him for his honesty. That was always my favorite part 1215 00:55:41,360 --> 00:55:44,040 Speaker 3: about his stand up. And I felt like, wow, what 1216 00:55:44,200 --> 00:55:50,040 Speaker 3: he came out as having done is he's a liar, 1217 00:55:50,239 --> 00:55:53,120 Speaker 3: Like there was like a really seediness underneath all of 1218 00:55:53,160 --> 00:55:56,279 Speaker 3: this that we didn't know about, and it was, you know, 1219 00:55:56,560 --> 00:55:59,319 Speaker 3: and I didn't like his actions. I think that it 1220 00:55:59,360 --> 00:56:02,520 Speaker 3: was a little bit murky. I don't think that he's 1221 00:56:02,600 --> 00:56:05,760 Speaker 3: necessarily like the nicest person all the time to people 1222 00:56:06,440 --> 00:56:11,480 Speaker 3: from stories I've heard, but I'm sorry. 1223 00:56:10,360 --> 00:56:14,680 Speaker 2: Here comes that same im. Sorry, I know here comes 1224 00:56:14,719 --> 00:56:15,000 Speaker 2: the take. 1225 00:56:15,680 --> 00:56:18,680 Speaker 3: If you go back and listen to his albums, I've gone, 1226 00:56:18,760 --> 00:56:21,239 Speaker 3: I've listened to every single album. I think there's been 1227 00:56:21,320 --> 00:56:26,160 Speaker 3: like ten or so, it's all there. No one should 1228 00:56:26,160 --> 00:56:31,040 Speaker 3: be surprised of what came out. It's all there. You 1229 00:56:31,080 --> 00:56:34,040 Speaker 3: should actually be surprised if he hadn't done this. And 1230 00:56:34,080 --> 00:56:36,880 Speaker 3: I'm not saying what he did was okay. I'm not condoning. 1231 00:56:37,320 --> 00:56:41,120 Speaker 3: Condoning is saying it's okay, right. I'm not saying that 1232 00:56:41,560 --> 00:56:44,680 Speaker 3: the women weren't right to feel violated and they weren't 1233 00:56:44,760 --> 00:56:47,439 Speaker 3: right to like we should not shame them in any way. 1234 00:56:47,640 --> 00:56:52,000 Speaker 3: Or I hope they have amazing careers and that coming 1235 00:56:52,040 --> 00:56:53,640 Speaker 3: out about it did not affect their careers. I think 1236 00:56:53,640 --> 00:56:55,399 Speaker 3: that's the saddest part about this is that like that's 1237 00:56:55,400 --> 00:56:57,479 Speaker 3: what they're known for now if you do know their names, 1238 00:56:57,480 --> 00:56:59,040 Speaker 3: and I hope that is I hope you don't know 1239 00:56:59,080 --> 00:57:01,560 Speaker 3: their names so that they have a separate career. But 1240 00:57:03,200 --> 00:57:06,279 Speaker 3: I or you know, just a separate identity away from 1241 00:57:06,320 --> 00:57:07,160 Speaker 3: this story. 1242 00:57:07,520 --> 00:57:10,279 Speaker 2: But if this guy did not. 1243 00:57:10,360 --> 00:57:13,360 Speaker 3: Jerk off in front of people based on what these 1244 00:57:13,760 --> 00:57:16,400 Speaker 3: you if you listen to these albums, there's just no 1245 00:57:16,640 --> 00:57:19,000 Speaker 3: way this guy. First of all, let me just say 1246 00:57:19,000 --> 00:57:20,680 Speaker 3: some of the things that he reveals in these albums, 1247 00:57:20,680 --> 00:57:22,360 Speaker 3: because it might have been a while for since you 1248 00:57:22,400 --> 00:57:25,800 Speaker 3: listened to him. His first experience of one of his 1249 00:57:25,800 --> 00:57:28,720 Speaker 3: first experiences with bad words, an old man approached him 1250 00:57:28,760 --> 00:57:30,560 Speaker 3: on the Who knows how true the story is, but 1251 00:57:30,840 --> 00:57:32,640 Speaker 3: I'm sure there's some level of truth to it. An 1252 00:57:32,640 --> 00:57:34,160 Speaker 3: old man came up to him at a very young 1253 00:57:34,160 --> 00:57:36,040 Speaker 3: age when he's like in kindergarten and was like, hey, 1254 00:57:36,040 --> 00:57:38,280 Speaker 3: little boy, you want to hear all the dirty words. 1255 00:57:38,360 --> 00:57:40,520 Speaker 3: And of course he's like, yeah, of course. And so 1256 00:57:40,600 --> 00:57:45,120 Speaker 3: the guy's like pussy ash, a fuck, cunt, shit, fart, 1257 00:57:45,640 --> 00:57:49,240 Speaker 3: and he told him all, dick, you know whatever, cunt 1258 00:57:49,440 --> 00:57:51,800 Speaker 3: and I think I said cunt twice, but probably, and 1259 00:57:52,440 --> 00:57:54,040 Speaker 3: he was like okay, and then he learned him all. 1260 00:57:54,040 --> 00:57:57,400 Speaker 3: He was like, pussy ass, fart, cunt, shit, ask and 1261 00:57:57,800 --> 00:57:59,800 Speaker 3: he goes okay, And then he goes to kindergarten. He 1262 00:57:59,800 --> 00:58:02,240 Speaker 3: goes to his teacher, it's kind of a teacher, and 1263 00:58:02,280 --> 00:58:04,000 Speaker 3: he says all the words. He just goes up to 1264 00:58:04,040 --> 00:58:05,880 Speaker 3: her and says all the words right to her and 1265 00:58:05,920 --> 00:58:09,320 Speaker 3: she starts crying. And he said it was one of 1266 00:58:09,360 --> 00:58:11,600 Speaker 3: the greatest moments of his life. Oh okay, and so 1267 00:58:12,240 --> 00:58:15,800 Speaker 3: there we go. That's and I believe either I'm sorry 1268 00:58:16,040 --> 00:58:19,280 Speaker 3: or the one after I'm sorry where And then right 1269 00:58:19,360 --> 00:58:21,959 Speaker 3: after that bit, he goes into some people have weird 1270 00:58:22,000 --> 00:58:23,800 Speaker 3: sexual stuff and then everyone starts laughing. He's like, what 1271 00:58:23,800 --> 00:58:25,880 Speaker 3: do you mean someone he was like, you guys know mine. 1272 00:58:25,920 --> 00:58:28,880 Speaker 3: Everyone knows mine. Obama knows mine. He's like, he talks 1273 00:58:28,880 --> 00:58:32,280 Speaker 3: about it, but that is the genesis of it. A 1274 00:58:32,320 --> 00:58:35,520 Speaker 3: young age, he said something disgusting. He got pleasure from 1275 00:58:35,560 --> 00:58:38,280 Speaker 3: a woman being horrified, which leads him to be a 1276 00:58:38,280 --> 00:58:40,680 Speaker 3: comedian who says some of the most horrible things you 1277 00:58:40,720 --> 00:58:41,440 Speaker 3: could ever imagine. 1278 00:58:41,440 --> 00:58:43,120 Speaker 2: It makes a career off of it. That's why we 1279 00:58:43,160 --> 00:58:43,480 Speaker 2: love him. 1280 00:58:43,480 --> 00:58:44,880 Speaker 3: He was the first person to ever say that his 1281 00:58:44,960 --> 00:58:47,720 Speaker 3: kids were assholes, told a story about his wife giving 1282 00:58:47,760 --> 00:58:50,680 Speaker 3: him the status hand job in America, or you know, 1283 00:58:51,040 --> 00:58:53,640 Speaker 3: all these things. And then there's another story where he 1284 00:58:54,200 --> 00:58:56,640 Speaker 3: showed his penis to a girl with Down syndrome when 1285 00:58:56,680 --> 00:58:59,160 Speaker 3: he was ten years old. And I'm guessing that that 1286 00:58:59,240 --> 00:59:01,920 Speaker 3: age is a little old, bitch. I'm guessing that age 1287 00:59:01,960 --> 00:59:03,640 Speaker 3: is a little bit older than what he said. 1288 00:59:04,120 --> 00:59:05,960 Speaker 2: For the joke. If I was a betting woman. 1289 00:59:06,560 --> 00:59:10,200 Speaker 3: I'm just saying, and the and so he said that 1290 00:59:10,640 --> 00:59:15,160 Speaker 3: he also the punchline to many of his jokes is 1291 00:59:15,280 --> 00:59:18,200 Speaker 3: jerking off onto the thing that he has just talked about. 1292 00:59:18,240 --> 00:59:21,240 Speaker 2: Almost in every album there is here is. 1293 00:59:21,360 --> 00:59:25,520 Speaker 4: Getting jerked off onto. You can from on my back 1294 00:59:25,640 --> 00:59:29,480 Speaker 4: and pretend that I'm your father mother. Yes, yes, I 1295 00:59:29,480 --> 00:59:32,240 Speaker 4: think what you're saying is like what Louis did is 1296 00:59:32,280 --> 00:59:36,400 Speaker 4: not acceptable, and that's bad. But you can't be surprised 1297 00:59:36,720 --> 00:59:40,120 Speaker 4: that the guy who's spent twenty years talking about how 1298 00:59:40,200 --> 00:59:42,840 Speaker 4: much of a piece of shit he is on stage 1299 00:59:43,240 --> 00:59:44,720 Speaker 4: is actually a piece of that. 1300 00:59:45,200 --> 00:59:47,720 Speaker 3: He's not just a sexual piece of shit, which he covers. 1301 00:59:47,800 --> 00:59:49,920 Speaker 3: He is a bad person in general. He tells us 1302 00:59:49,960 --> 00:59:53,080 Speaker 3: he's a bad person over and over. He has bad thoughts. 1303 00:59:53,240 --> 00:59:55,680 Speaker 3: He hates people, He hates a little kid. He wishes 1304 00:59:55,760 --> 00:59:58,280 Speaker 3: this little kid has the worst, Like he talks about 1305 00:59:58,400 --> 01:00:00,880 Speaker 3: for like seven minutes of four old that's in his 1306 01:00:00,960 --> 01:00:02,920 Speaker 3: daughter's class, who he fucking hates, and he does like 1307 01:00:02,960 --> 01:00:06,280 Speaker 3: a fake name for the kid. But he has evil, dark, 1308 01:00:06,400 --> 01:00:09,960 Speaker 3: twisted thoughts. All I'm saying is that, Nikki Glazer, you 1309 01:00:09,960 --> 01:00:14,520 Speaker 3: have no right to stand on this little stand on 1310 01:00:14,600 --> 01:00:18,040 Speaker 3: your hill and say my soapbox and say I don't 1311 01:00:18,680 --> 01:00:21,360 Speaker 3: like him anymore because he was an honest He's telling 1312 01:00:21,400 --> 01:00:22,960 Speaker 3: you the whole time, that's not a reason to not 1313 01:00:23,080 --> 01:00:26,280 Speaker 3: enjoy his comedy anymore. He it's in line with who 1314 01:00:26,320 --> 01:00:28,960 Speaker 3: he was, and it's just funny to go back. I'm 1315 01:00:29,000 --> 01:00:31,760 Speaker 3: reading this Tornado Commoner book right now, and she says 1316 01:00:31,760 --> 01:00:34,480 Speaker 3: in it that you can read this book about me, 1317 01:00:34,680 --> 01:00:36,880 Speaker 3: and I'm going to tell you all these stories about songs, 1318 01:00:37,160 --> 01:00:39,360 Speaker 3: but if you want to know any everything about me, 1319 01:00:39,760 --> 01:00:42,960 Speaker 3: it's all in the songs. There's nothing here that will 1320 01:00:42,960 --> 01:00:46,360 Speaker 3: be any more indicative of who I am than the songs. 1321 01:00:46,440 --> 01:00:49,480 Speaker 3: Everything you want to know about me, listen to the songs, 1322 01:00:49,560 --> 01:00:51,440 Speaker 3: it's in the songs. And then someone else said that 1323 01:00:51,440 --> 01:00:54,360 Speaker 3: recently too, of like, oh, I think I was talking 1324 01:00:54,360 --> 01:00:57,400 Speaker 3: about Taylor Swift, and I'm like, I have this news 1325 01:00:57,440 --> 01:00:59,360 Speaker 3: stance with her where I don't want to know anything 1326 01:00:59,400 --> 01:01:02,440 Speaker 3: about her that she doesn't tell us. I'm tired of speculation. 1327 01:01:02,920 --> 01:01:05,680 Speaker 3: I don't want I don't want to even see paparazzi 1328 01:01:05,720 --> 01:01:08,400 Speaker 3: shots of her anymore unless she has, like called them 1329 01:01:08,480 --> 01:01:10,760 Speaker 3: to take a picture. I don't want to know anything 1330 01:01:10,800 --> 01:01:12,880 Speaker 3: that she isn't giving us because we are so lucky 1331 01:01:12,920 --> 01:01:17,560 Speaker 3: as Swifties to be privileged to so much information via 1332 01:01:17,680 --> 01:01:20,720 Speaker 3: her lyrics, so much she gives us. 1333 01:01:22,000 --> 01:01:24,560 Speaker 2: She is telling us so many little Easter eggs. 1334 01:01:24,560 --> 01:01:26,160 Speaker 3: If you put the puzzles together, if you do the 1335 01:01:26,200 --> 01:01:28,560 Speaker 3: research with other fans. She is letting us know all 1336 01:01:28,600 --> 01:01:31,200 Speaker 3: these things. She does like us speculating about lyrics and 1337 01:01:31,200 --> 01:01:33,840 Speaker 3: figuring things out and putting puzzle pieces together. And that's 1338 01:01:33,880 --> 01:01:36,880 Speaker 3: the joy of being a Swifty. It's not speculating about 1339 01:01:36,880 --> 01:01:39,440 Speaker 3: things that she hasn't given us. Let's respect her and 1340 01:01:39,480 --> 01:01:41,800 Speaker 3: be like very appreciative of all the stuff that she 1341 01:01:41,920 --> 01:01:44,360 Speaker 3: does give us, like diaries. She literally gives as like 1342 01:01:44,800 --> 01:01:48,439 Speaker 3: printouts of some of her diaries, so we don't need 1343 01:01:48,480 --> 01:01:51,160 Speaker 3: to dig any further. And I want to respect follow 1344 01:01:51,360 --> 01:01:53,160 Speaker 3: like going forward as. 1345 01:01:54,680 --> 01:01:55,720 Speaker 2: In my career, as Swifty. 1346 01:01:55,800 --> 01:01:57,800 Speaker 3: I just want to have that boundary for myself where 1347 01:01:57,840 --> 01:01:59,360 Speaker 3: I'm like, Okay, if Taylor didn't give it to me, 1348 01:01:59,400 --> 01:02:01,600 Speaker 3: I don't want it, yo, because. 1349 01:02:01,440 --> 01:02:04,640 Speaker 1: You didn't talk about Saturday night yet, did you. 1350 01:02:04,840 --> 01:02:05,919 Speaker 2: Well, here's my take. 1351 01:02:06,480 --> 01:02:10,000 Speaker 3: Everyone goes, how is Saturday night the same as the 1352 01:02:10,040 --> 01:02:13,360 Speaker 3: other eight? Exactly the same? And by that I mean 1353 01:02:13,440 --> 01:02:16,800 Speaker 3: every celebrity looking incredible. I know, yeah it was there, 1354 01:02:16,960 --> 01:02:21,439 Speaker 3: there's so many celebrities, but how I see any Heime 1355 01:02:21,560 --> 01:02:25,360 Speaker 3: was amazing. They put on such a good show as 1356 01:02:25,400 --> 01:02:28,440 Speaker 3: an opening band, and so did Gail. G A y 1357 01:02:28,640 --> 01:02:31,680 Speaker 3: l E was so good, but Heime was fucking They're 1358 01:02:31,720 --> 01:02:34,000 Speaker 3: just rock stars. There's no one cooler. I just looked 1359 01:02:34,000 --> 01:02:35,760 Speaker 3: over at Esther and I go was like, can you 1360 01:02:35,800 --> 01:02:38,640 Speaker 3: imagine being this cool? Like shredding on guitar with a 1361 01:02:38,640 --> 01:02:42,480 Speaker 3: fucking crop top on and looking hot as fuck but 1362 01:02:42,560 --> 01:02:45,120 Speaker 3: not sexy, but like also not too sexy, and just 1363 01:02:45,320 --> 01:02:46,160 Speaker 3: they're just cool. 1364 01:02:46,520 --> 01:02:49,400 Speaker 2: It's just it's they're. 1365 01:02:48,880 --> 01:02:51,600 Speaker 3: The coolest girls ever in to perform with your sisters 1366 01:02:51,640 --> 01:02:54,320 Speaker 3: and to have like these fucking amazing songs, it was 1367 01:02:54,400 --> 01:02:56,680 Speaker 3: just like I think I'd envy their lives more than 1368 01:02:56,720 --> 01:02:59,400 Speaker 3: almost anyone. And to have Taylor Swift go like these are. 1369 01:02:59,280 --> 01:03:01,000 Speaker 2: My best friends. 1370 01:03:01,240 --> 01:03:04,960 Speaker 3: I was just like, oh my god, I want to 1371 01:03:04,960 --> 01:03:08,480 Speaker 3: be ahim sister so bad. But yeah, let me just 1372 01:03:08,480 --> 01:03:11,200 Speaker 3: say Taylor show shows. People keep going what's your favorite one? 1373 01:03:12,200 --> 01:03:14,880 Speaker 3: The only difference between the shows is who I go 1374 01:03:14,960 --> 01:03:17,280 Speaker 3: with and where I'm seated, So that's the only time 1375 01:03:17,640 --> 01:03:20,040 Speaker 3: the show will be better than another show because. 1376 01:03:19,760 --> 01:03:22,360 Speaker 2: She's a so so fucking consistent. 1377 01:03:22,440 --> 01:03:24,560 Speaker 3: Yeah, the secret songs do make it better, but I 1378 01:03:24,600 --> 01:03:28,880 Speaker 3: would say the biggest factor is where I'm sitting it 1379 01:03:29,320 --> 01:03:30,320 Speaker 3: is and who I'm with. 1380 01:03:30,920 --> 01:03:34,640 Speaker 1: I mean, it looks like you guys said so much fun. 1381 01:03:34,880 --> 01:03:37,920 Speaker 3: She's adorable, she dances so well, she's so cute. She 1382 01:03:38,080 --> 01:03:41,400 Speaker 3: was just really into my reactions, you know, I don't know, 1383 01:03:41,480 --> 01:03:43,520 Speaker 3: she was just laughing at everything I said. Like at 1384 01:03:43,520 --> 01:03:45,400 Speaker 3: one point she was like, I put this on my 1385 01:03:45,400 --> 01:03:47,440 Speaker 3: Instagram story because she wrote it out. But she was like, 1386 01:03:48,080 --> 01:03:49,560 Speaker 3: so do you do you think you're gonna go to 1387 01:03:49,600 --> 01:03:52,600 Speaker 3: another show of hers? And I was like, I don't 1388 01:03:52,600 --> 01:03:54,520 Speaker 3: know if I can make it Wednesday, like this week 1389 01:03:54,560 --> 01:03:56,560 Speaker 3: is kind of and she was like not this week 1390 01:03:56,760 --> 01:03:59,800 Speaker 3: like and I was like, no, then the answer is yes. 1391 01:04:00,000 --> 01:04:01,720 Speaker 2: It was like, that's so funny. You thought I met 1392 01:04:01,800 --> 01:04:03,320 Speaker 2: this week. Of course you wouldn't. 1393 01:04:03,360 --> 01:04:05,919 Speaker 3: This is such a like it's an extreme hassle going 1394 01:04:05,960 --> 01:04:08,120 Speaker 3: down there, getting down there, it's like hours of your life. 1395 01:04:08,240 --> 01:04:09,040 Speaker 4: Oh, fis rough. 1396 01:04:09,800 --> 01:04:10,520 Speaker 2: It's rough. 1397 01:04:10,600 --> 01:04:10,800 Speaker 1: Man. 1398 01:04:11,120 --> 01:04:15,800 Speaker 2: Have you been there for football games? I've no What 1399 01:04:15,840 --> 01:04:17,640 Speaker 2: have you been there for? Billy Joe? What do we doing? 1400 01:04:17,680 --> 01:04:17,840 Speaker 5: I know? 1401 01:04:18,000 --> 01:04:20,200 Speaker 4: I just heard that it's rough based on everyone whatever 1402 01:04:20,240 --> 01:04:22,400 Speaker 4: one else's time. I'm going there this year, and everyone's 1403 01:04:22,440 --> 01:04:24,120 Speaker 4: like it's a nightmare getting out of there. And I 1404 01:04:24,160 --> 01:04:26,480 Speaker 4: just know from other football games in the area before 1405 01:04:26,520 --> 01:04:29,880 Speaker 4: so far existed that just getting out is you have 1406 01:04:29,920 --> 01:04:31,560 Speaker 4: to leave in like the third quarter in order to 1407 01:04:31,600 --> 01:04:33,240 Speaker 4: get out. Yeah, that's what I did for Taylor. 1408 01:04:33,280 --> 01:04:36,320 Speaker 3: We left after Anti Hero, which I know people are going, Oh, 1409 01:04:36,360 --> 01:04:38,840 Speaker 3: Swift Ties are like, you left before. That means we 1410 01:04:38,920 --> 01:04:45,280 Speaker 3: missed Midnight Rain, Karma, Vigilante Shit, and uh Mastermind, So 1411 01:04:45,320 --> 01:04:47,640 Speaker 3: we missed most of Midnight's But I've seen all of 1412 01:04:47,680 --> 01:04:50,120 Speaker 3: those before. I've never seen Karma in full because I 1413 01:04:50,160 --> 01:04:54,640 Speaker 3: always leave before Karma. You gotta leave during Karma. You guys, 1414 01:04:54,680 --> 01:04:57,400 Speaker 3: if you go to a Taylor Swift concert, save yourselves 1415 01:04:57,640 --> 01:05:00,840 Speaker 3: hours in traffic and by the way, you stationary for 1416 01:05:00,880 --> 01:05:03,600 Speaker 3: three and a half hours that night, just you know, 1417 01:05:03,720 --> 01:05:06,400 Speaker 3: rocking back and forth when you get to finally leave. Noah, 1418 01:05:06,440 --> 01:05:10,040 Speaker 3: you did this with me. Yes, when you're leaving, it's 1419 01:05:10,080 --> 01:05:12,160 Speaker 3: fun to skip to the song. It's like fun to 1420 01:05:12,200 --> 01:05:14,400 Speaker 3: like move in a different way to the song and 1421 01:05:14,480 --> 01:05:17,320 Speaker 3: you can't see her, but there's nothing she's doing that 1422 01:05:17,360 --> 01:05:20,400 Speaker 3: she hasn't done the whole show. You've seen her thought, 1423 01:05:20,400 --> 01:05:21,880 Speaker 3: you've been watching for three and a half hours. She's 1424 01:05:21,920 --> 01:05:24,520 Speaker 3: not gonna move in a way that's new. I understand 1425 01:05:24,560 --> 01:05:26,400 Speaker 3: people being completionists, and like I got to see it 1426 01:05:26,440 --> 01:05:29,880 Speaker 3: to the end. You're not missing I promise you you're not 1427 01:05:29,920 --> 01:05:32,800 Speaker 3: missing it. I haven't seen I watched you know, swift 1428 01:05:32,800 --> 01:05:35,560 Speaker 3: talk or like swift reels that come up. No one's 1429 01:05:35,600 --> 01:05:38,080 Speaker 3: clipping the very end of the show. It's not the 1430 01:05:38,120 --> 01:05:40,240 Speaker 3: stand up part of the show. It's I know Taylor 1431 01:05:40,240 --> 01:05:42,640 Speaker 3: would probably be disappointed to hear me say this, but 1432 01:05:43,160 --> 01:05:46,960 Speaker 3: you gotta leave after the first verse of Karma, see 1433 01:05:47,000 --> 01:05:48,959 Speaker 3: a little bit of it, and then you are gonna 1434 01:05:49,000 --> 01:05:53,160 Speaker 3: get such a you're gonna not be in traffic for hours. 1435 01:05:53,200 --> 01:05:54,880 Speaker 3: And so if I was terrible getting out of it, 1436 01:05:54,920 --> 01:05:58,640 Speaker 3: so we but we left very early, and we still 1437 01:05:58,640 --> 01:06:00,600 Speaker 3: struggled with uh, a little bit of like. 1438 01:06:00,800 --> 01:06:06,920 Speaker 4: Already on the top of LA traffic. No matter what's happening, 1439 01:06:07,080 --> 01:06:08,960 Speaker 4: LA has got terrible traffic. And then if you have 1440 01:06:09,600 --> 01:06:13,760 Speaker 4: like the most seminal concert experience of our generation occurring 1441 01:06:13,800 --> 01:06:17,240 Speaker 4: in downtown or an ingle, whatever it is, it's going 1442 01:06:17,320 --> 01:06:19,600 Speaker 4: to be a disaster. But I do think you should 1443 01:06:19,600 --> 01:06:21,920 Speaker 4: go to one more Taylor Swift concert at least because 1444 01:06:21,960 --> 01:06:24,360 Speaker 4: you got to hit ten. I mean, if you're at nine, 1445 01:06:24,800 --> 01:06:27,920 Speaker 4: you've got to hit ten. You're never gonna question yourself. 1446 01:06:29,160 --> 01:06:32,040 Speaker 3: Final thought, there's no question I'm going to ten shows. 1447 01:06:32,120 --> 01:06:33,880 Speaker 3: I think I'm going to use this opportunity in her 1448 01:06:34,000 --> 01:06:39,160 Speaker 3: international tour to give into what my boyfriend likes, which 1449 01:06:39,200 --> 01:06:42,280 Speaker 3: is traveling and I don't like. But I think that 1450 01:06:42,840 --> 01:06:45,000 Speaker 3: this is the I think it was either his idea 1451 01:06:45,080 --> 01:06:46,880 Speaker 3: or it had to be one of our ideas. But 1452 01:06:47,160 --> 01:06:50,120 Speaker 3: to now knock out both of the things we love 1453 01:06:50,600 --> 01:06:53,440 Speaker 3: together and I'll go to Singapore, but now I'm going 1454 01:06:53,440 --> 01:06:54,480 Speaker 3: there to see Taylor Swift. 1455 01:06:54,480 --> 01:06:55,080 Speaker 2: It makes more sense. 1456 01:06:55,400 --> 01:06:59,720 Speaker 3: But I will say that the show can't change for 1457 01:06:59,800 --> 01:07:01,840 Speaker 3: me anymore. It's like I can't I've been as close 1458 01:07:01,880 --> 01:07:03,960 Speaker 3: as I could possibly sit. I've been in the best 1459 01:07:03,960 --> 01:07:06,720 Speaker 3: seat in the whole house. I've seen it. 1460 01:07:06,880 --> 01:07:07,360 Speaker 2: I know it. 1461 01:07:07,400 --> 01:07:09,920 Speaker 3: I can't wait to see whatever they're filming, because they 1462 01:07:09,920 --> 01:07:11,440 Speaker 3: were filming in so far. I can't wait to see 1463 01:07:11,440 --> 01:07:15,200 Speaker 3: it that up close, where like the little Rover camera 1464 01:07:15,320 --> 01:07:18,040 Speaker 3: is on stage with her as she's like doing my 1465 01:07:18,120 --> 01:07:23,160 Speaker 3: tears ricochet and you know, walking down like in a procession, 1466 01:07:23,240 --> 01:07:24,640 Speaker 3: and then she falls to the ground and it's like 1467 01:07:24,680 --> 01:07:26,040 Speaker 3: right in front of her. I can't wait to get 1468 01:07:26,120 --> 01:07:30,240 Speaker 3: up in her face when she's doing that scene. But yeah, 1469 01:07:30,280 --> 01:07:32,280 Speaker 3: it's let me ask you a question, Those shows are 1470 01:07:32,320 --> 01:07:33,640 Speaker 3: different except the secret songs. 1471 01:07:33,720 --> 01:07:33,959 Speaker 1: Yeah. 1472 01:07:34,000 --> 01:07:36,160 Speaker 4: If you if let's say three years from now, four 1473 01:07:36,240 --> 01:07:39,520 Speaker 4: years from now, you were talking to somebody and you 1474 01:07:39,600 --> 01:07:42,880 Speaker 4: were like, I went to the Error's tour ten times, 1475 01:07:43,680 --> 01:07:45,680 Speaker 4: and then they're like, oh my god, yeah, I mean 1476 01:07:45,720 --> 01:07:50,000 Speaker 4: I went seventeen times. How would you feel like it? 1477 01:07:50,600 --> 01:07:54,160 Speaker 3: I wouldn't like it because I want I heard there's 1478 01:07:54,160 --> 01:07:56,120 Speaker 3: someone on a Taylor sweat from Bess's board that said, 1479 01:07:57,040 --> 01:07:59,520 Speaker 3: who who's gone the most times of you guys? That 1480 01:07:59,560 --> 01:08:01,480 Speaker 3: you guys have heard of you asking other fans, and 1481 01:08:01,480 --> 01:08:03,520 Speaker 3: someone said there's a girl on TikTok who's been like 1482 01:08:03,520 --> 01:08:05,800 Speaker 3: to thirty eight. So I'm not going to touch that girl, 1483 01:08:05,840 --> 01:08:08,640 Speaker 3: but I am going to. I think the more I go, 1484 01:08:08,760 --> 01:08:10,840 Speaker 3: the funnier it is, Like I'm trying to hit the 1485 01:08:10,840 --> 01:08:13,520 Speaker 3: funniest number that makes people go what the fuck? Like 1486 01:08:14,440 --> 01:08:16,360 Speaker 3: I say on stage, like I'm talking about, you know, 1487 01:08:16,800 --> 01:08:18,840 Speaker 3: not freezing my eggs and all the money you save, 1488 01:08:18,880 --> 01:08:20,120 Speaker 3: and I'm like, and that's why I've been to see 1489 01:08:20,120 --> 01:08:22,680 Speaker 3: Taylor Swift eight times and people laugh and I go 1490 01:08:22,960 --> 01:08:26,559 Speaker 3: and that's not an exaggerated number. It's literally eight times 1491 01:08:26,560 --> 01:08:29,000 Speaker 3: this year. And people kind of go like it's kind 1492 01:08:29,000 --> 01:08:31,760 Speaker 3: of shocking, and so it's fun. I'm in this really 1493 01:08:31,800 --> 01:08:34,040 Speaker 3: fun stage of telling people where they go have you 1494 01:08:34,040 --> 01:08:35,720 Speaker 3: seen I'll wear like a shirt and they're like, have 1495 01:08:35,760 --> 01:08:37,240 Speaker 3: you seen her yet? And I go eight times and 1496 01:08:37,240 --> 01:08:41,040 Speaker 3: they go oh, and I go this year nine times total, 1497 01:08:41,439 --> 01:08:45,040 Speaker 3: one time in twenty thirteen, and then ten years later 1498 01:08:45,439 --> 01:08:47,719 Speaker 3: eight nine more times. 1499 01:08:48,040 --> 01:08:49,240 Speaker 2: So ye Kasey missed it. 1500 01:08:49,400 --> 01:08:52,719 Speaker 1: Check out the New York Times article where Nikki Glazer 1501 01:08:52,800 --> 01:08:55,320 Speaker 1: is mentioned a number of times that was really good. 1502 01:08:55,360 --> 01:08:55,960 Speaker 2: It was exciting. 1503 01:08:56,280 --> 01:08:58,559 Speaker 4: Nicky Glazer is mentioned eight times. 1504 01:09:00,160 --> 01:09:01,919 Speaker 2: I was really three. It was awesome. 1505 01:09:02,080 --> 01:09:04,559 Speaker 3: The guy that was so random because he came up 1506 01:09:04,600 --> 01:09:06,240 Speaker 3: to us at the Kansas City Show. I was there 1507 01:09:06,240 --> 01:09:10,640 Speaker 3: with Kirsten, my sister, and Kat and I went to 1508 01:09:10,640 --> 01:09:11,960 Speaker 3: take a picture with a fan and then this guy 1509 01:09:12,000 --> 01:09:13,640 Speaker 3: was just holding his card and was like, I'm just 1510 01:09:13,680 --> 01:09:15,960 Speaker 3: interviewing fans and I'm like, oh, okay, I'm NICKI guys 1511 01:09:16,040 --> 01:09:17,760 Speaker 3: arm comedian and he was like, oh, I know you, 1512 01:09:17,880 --> 01:09:19,800 Speaker 3: and I was like and then we talked later on 1513 01:09:19,840 --> 01:09:23,479 Speaker 3: the phone here you know, weeks later, and he followed 1514 01:09:23,520 --> 01:09:24,240 Speaker 3: up on some stuff. 1515 01:09:24,280 --> 01:09:25,639 Speaker 2: And it was cool because that. 1516 01:09:25,680 --> 01:09:30,639 Speaker 3: Article interviewed Billy Joel to talk about like another musician 1517 01:09:30,720 --> 01:09:35,719 Speaker 3: commenting on things, herb Albert to comment on her breaking 1518 01:09:35,760 --> 01:09:39,000 Speaker 3: his record. He's a trumpet player breaking his record, and 1519 01:09:39,040 --> 01:09:43,080 Speaker 3: then another I think Shania Twain to comment on the 1520 01:09:43,160 --> 01:09:46,160 Speaker 3: touring and how she's another person that's touring so and 1521 01:09:46,200 --> 01:09:48,680 Speaker 3: then me as the representative of the fans. I was 1522 01:09:48,720 --> 01:09:50,280 Speaker 3: the only one that was like a fan that was 1523 01:09:50,360 --> 01:09:52,479 Speaker 3: quoted to represent the experience. 1524 01:09:52,479 --> 01:09:53,519 Speaker 2: So that was so cool. 1525 01:09:54,120 --> 01:09:56,439 Speaker 3: And I think they would have just used a norm 1526 01:09:56,560 --> 01:09:58,280 Speaker 3: which kind of sucks for that normy that would have 1527 01:09:58,280 --> 01:10:01,559 Speaker 3: been picked. But it was fun and it wasn't something 1528 01:10:01,600 --> 01:10:03,600 Speaker 3: that I was like, I gotta get my publicist to 1529 01:10:03,640 --> 01:10:04,960 Speaker 3: get me in with the New York Times. 1530 01:10:05,000 --> 01:10:05,799 Speaker 2: I need to quote. 1531 01:10:05,920 --> 01:10:08,880 Speaker 3: It all happened from just happenstance from me going to 1532 01:10:09,000 --> 01:10:11,000 Speaker 3: enough shows that I ran into a reporter and he 1533 01:10:11,040 --> 01:10:12,519 Speaker 3: happened to be sitting in our same row. I mean, 1534 01:10:12,560 --> 01:10:14,240 Speaker 3: it was really weird. It was not planned at all. 1535 01:10:14,439 --> 01:10:16,800 Speaker 3: But if I was an outsider looking in. I'd be like, 1536 01:10:16,800 --> 01:10:19,920 Speaker 3: oh she called and like use some in to get in, 1537 01:10:20,280 --> 01:10:20,840 Speaker 3: and I did not. 1538 01:10:20,960 --> 01:10:23,200 Speaker 4: It was dumb luck, serendipity. 1539 01:10:24,080 --> 01:10:25,280 Speaker 2: Yeah, it was something like that. 1540 01:10:25,320 --> 01:10:28,000 Speaker 4: Billy Joels my Taylor Swift. I'm glad he was in 1541 01:10:28,000 --> 01:10:28,559 Speaker 4: that article. 1542 01:10:29,240 --> 01:10:32,280 Speaker 1: Yeah, he said going to his final concert. 1543 01:10:32,880 --> 01:10:36,800 Speaker 4: I went to see him last in November of last 1544 01:10:36,880 --> 01:10:41,439 Speaker 4: year or so in at MSG. I'm a billy, I'm 1545 01:10:41,479 --> 01:10:42,560 Speaker 4: a piano manatee. 1546 01:10:43,360 --> 01:10:43,960 Speaker 2: Do you leave? 1547 01:10:45,080 --> 01:10:45,479 Speaker 4: Do you? 1548 01:10:46,160 --> 01:10:48,080 Speaker 2: That's so funny. Do you leave early? 1549 01:10:50,120 --> 01:10:52,160 Speaker 4: No, we didn't leave early. Getting out of MSG as 1550 01:10:52,200 --> 01:10:53,840 Speaker 4: a breeze. I mean, you just have to deal with 1551 01:10:53,880 --> 01:10:56,400 Speaker 4: the train. It's just you walk out. That's why New 1552 01:10:56,439 --> 01:10:59,559 Speaker 4: York City is so amazing. It's like, yeah, you're at 1553 01:11:00,160 --> 01:11:02,920 Speaker 4: Madison Square Garden where there's tens of thousands of people 1554 01:11:03,000 --> 01:11:05,160 Speaker 4: all in the same spot, and then you walk out 1555 01:11:05,200 --> 01:11:07,160 Speaker 4: and it's like, yeah, this is the same amount of 1556 01:11:07,160 --> 01:11:08,960 Speaker 4: people that's always here. We're prepared for. 1557 01:11:08,880 --> 01:11:14,200 Speaker 3: This, whereas Minnesota with Noah, because we walked from our hotel. 1558 01:11:14,280 --> 01:11:16,240 Speaker 3: If you can walk to the venue, you can stay. 1559 01:11:16,320 --> 01:11:18,280 Speaker 3: We still left a little early because I just have 1560 01:11:18,400 --> 01:11:22,720 Speaker 3: that anxiety. Yeah, that was the easiest leaving experience. 1561 01:11:22,840 --> 01:11:25,960 Speaker 5: Yes, we didn't get caught up in like mobs of 1562 01:11:26,000 --> 01:11:28,479 Speaker 5: people or anything, and we got to like see all 1563 01:11:28,479 --> 01:11:29,880 Speaker 5: the fun stuff that was happening at said, do you 1564 01:11:29,920 --> 01:11:32,519 Speaker 5: remember when we were walking to the hotel and we 1565 01:11:32,600 --> 01:11:36,639 Speaker 5: saw her like car with like all the police cars 1566 01:11:36,680 --> 01:11:37,160 Speaker 5: around it. 1567 01:11:37,439 --> 01:11:39,840 Speaker 2: Yes, she had the police escort out. Yes. 1568 01:11:39,920 --> 01:11:42,360 Speaker 3: People are always like how does she get out because 1569 01:11:42,560 --> 01:11:45,479 Speaker 3: the traffic is insane by the time she's leaving the show, 1570 01:11:45,600 --> 01:11:47,920 Speaker 3: I don't I would think helicopter most of the time, 1571 01:11:47,920 --> 01:11:52,360 Speaker 3: but we saw police escort. Yeah, So I'll go again. 1572 01:11:52,920 --> 01:11:56,240 Speaker 3: And it's the same performance every time. It is perfection. 1573 01:11:56,439 --> 01:11:59,040 Speaker 3: She doesn't do one thing wrong. Sometimes her dress like 1574 01:11:59,080 --> 01:12:01,320 Speaker 3: we'll snag on something and you go woo. But my 1575 01:12:01,400 --> 01:12:06,439 Speaker 3: favorite part now was that. So there's a moment that 1576 01:12:06,479 --> 01:12:08,960 Speaker 3: she does differently now where it's like there's this song 1577 01:12:09,000 --> 01:12:11,400 Speaker 3: called the One and she's like, you meet. 1578 01:12:11,320 --> 01:12:13,599 Speaker 2: Some woman on the Internet and take her. 1579 01:12:13,520 --> 01:12:16,280 Speaker 3: Home, and that's like the album version, but in the 1580 01:12:16,880 --> 01:12:19,680 Speaker 3: in the stadium she goes you meet some woman on 1581 01:12:19,720 --> 01:12:23,719 Speaker 3: the Internet and take her home, and everyone fucking starts 1582 01:12:23,760 --> 01:12:26,519 Speaker 3: screaming when she just changes it to take her home, 1583 01:12:26,840 --> 01:12:29,120 Speaker 3: and then esther looked at me like what happened? And 1584 01:12:29,160 --> 01:12:35,840 Speaker 3: I go she changed a note and. 1585 01:12:33,840 --> 01:12:35,960 Speaker 2: Lost their goddamn mind over it. 1586 01:12:37,479 --> 01:12:41,120 Speaker 5: How like you know, like exactly where Taylor is going 1587 01:12:41,160 --> 01:12:42,639 Speaker 5: to be on the stage. It's it's the same thing 1588 01:12:42,640 --> 01:12:45,400 Speaker 5: that I was like so impressed with that, you like 1589 01:12:45,600 --> 01:12:49,320 Speaker 5: understand the choreography and how the show operates and the production. 1590 01:12:49,520 --> 01:12:52,719 Speaker 2: It was that's like really cool. Yeah, it is funny 1591 01:12:52,760 --> 01:12:53,280 Speaker 2: to just it. 1592 01:12:53,479 --> 01:12:55,600 Speaker 3: It's really fun to just look at esther when a 1593 01:12:55,600 --> 01:12:57,920 Speaker 3: song ends, and then just look over her exactly as 1594 01:12:57,960 --> 01:13:00,439 Speaker 3: the news song starts. I'm like, you us somebody I 1595 01:13:00,439 --> 01:13:02,040 Speaker 3: don't know, and she's like, how you don't know? That 1596 01:13:02,120 --> 01:13:04,800 Speaker 3: was coming out of that exact moment, or like those 1597 01:13:04,800 --> 01:13:10,400 Speaker 3: little moments. There was another one where oh god, what 1598 01:13:10,479 --> 01:13:10,760 Speaker 3: was it. 1599 01:13:11,240 --> 01:13:13,920 Speaker 1: I like that she was like go ahead, yeah, no, no, no, 1600 01:13:14,760 --> 01:13:17,120 Speaker 1: Or she's like Nikki told me, don't even bother filming 1601 01:13:17,120 --> 01:13:18,920 Speaker 1: because I know all the angles and I'll get it all. 1602 01:13:19,200 --> 01:13:19,439 Speaker 2: That's it. 1603 01:13:20,320 --> 01:13:23,200 Speaker 3: I gave my friends this thing of like, let your 1604 01:13:23,200 --> 01:13:26,679 Speaker 3: friends film, because your friends are gonna film no matter 1605 01:13:26,720 --> 01:13:28,000 Speaker 3: what I'm telling you. 1606 01:13:28,200 --> 01:13:28,800 Speaker 2: Take it in. 1607 01:13:29,000 --> 01:13:30,800 Speaker 3: Do not be stuck on your phone trying to get 1608 01:13:30,840 --> 01:13:33,760 Speaker 3: the perfect thing, because you're missing so much. I can 1609 01:13:33,760 --> 01:13:35,640 Speaker 3: now miss stuff because I've been to enough. Let me 1610 01:13:35,720 --> 01:13:38,479 Speaker 3: just get the good stuff. And for the love of God, 1611 01:13:38,640 --> 01:13:40,800 Speaker 3: if you go to a Taylor Swift show, unless you're 1612 01:13:40,800 --> 01:13:44,000 Speaker 3: on the floor in the first like nine rows, film 1613 01:13:44,200 --> 01:13:45,000 Speaker 3: the screens. 1614 01:13:45,160 --> 01:13:46,000 Speaker 2: They are. 1615 01:13:46,040 --> 01:13:48,720 Speaker 3: There's someone that is capturing the perfect angle of her 1616 01:13:48,800 --> 01:13:52,479 Speaker 3: at all times on this gigantic, perfect HD screen. Film 1617 01:13:52,520 --> 01:13:55,439 Speaker 3: the screen. Don't film her. It's your camera is shitty, 1618 01:13:55,680 --> 01:13:58,240 Speaker 3: it's not gonna look as good. Trust the screens. You 1619 01:13:58,240 --> 01:13:59,920 Speaker 3: can just leave it static on the screens. You don't 1620 01:14:00,080 --> 01:14:03,240 Speaker 3: have to follow her. Film the screen and also change 1621 01:14:03,280 --> 01:14:06,200 Speaker 3: the aperture or like the lighting on your side. 1622 01:14:06,360 --> 01:14:08,559 Speaker 4: Luis c k joke about that we're like at a 1623 01:14:08,640 --> 01:14:11,720 Speaker 4: baseball stadium when like someone hits a home run and 1624 01:14:11,720 --> 01:14:15,599 Speaker 4: then you see all the flashes of people's cameras, like. 1625 01:14:14,960 --> 01:14:17,640 Speaker 2: Like their flashes, like flash's. 1626 01:14:17,160 --> 01:14:19,040 Speaker 4: Gonna light up Yankee stadium. 1627 01:14:19,960 --> 01:14:21,840 Speaker 2: Yes, I love that. 1628 01:14:21,920 --> 01:14:24,360 Speaker 3: You see so many people's flashes on you're just like, 1629 01:14:24,479 --> 01:14:27,800 Speaker 3: oh God. But there was a moment when she did 1630 01:14:27,800 --> 01:14:31,000 Speaker 3: her secret songs on Saturday Night, which are the two 1631 01:14:31,080 --> 01:14:33,840 Speaker 3: songs that she you know, is always gonna be a 1632 01:14:33,920 --> 01:14:36,040 Speaker 3: random thing, and everyone's just waiting with baited breath, like 1633 01:14:36,080 --> 01:14:38,519 Speaker 3: what's it gonna be and I got it wrong when 1634 01:14:38,520 --> 01:14:40,519 Speaker 3: I was with Noah because I saw the capo and 1635 01:14:40,560 --> 01:14:42,920 Speaker 3: I go, it's gonna be Cornelia straight because it was 1636 01:14:42,920 --> 01:14:45,280 Speaker 3: on the fourth fret and I was like uh. And 1637 01:14:45,320 --> 01:14:47,639 Speaker 3: then the other night she puts it on the fourth 1638 01:14:47,640 --> 01:14:49,880 Speaker 3: front and I just turned to esther. I go death 1639 01:14:49,920 --> 01:14:52,759 Speaker 3: by a thousand cuts and then I go saying goodbye 1640 01:14:52,800 --> 01:14:54,000 Speaker 3: and she goes saying goodbye. 1641 01:14:54,000 --> 01:14:56,800 Speaker 2: I was like, I got it. I nailed it. I 1642 01:14:56,840 --> 01:14:58,360 Speaker 2: was like, I'm so excited. 1643 01:14:58,640 --> 01:15:01,240 Speaker 3: And then she also played You're on your Own Kid 1644 01:15:01,280 --> 01:15:03,760 Speaker 3: on piano, which was those those are my two like 1645 01:15:03,960 --> 01:15:05,599 Speaker 3: two of my favorite songs ever. It was the best 1646 01:15:05,640 --> 01:15:07,880 Speaker 3: two secret songs yet. I'm so excited. I was so 1647 01:15:07,880 --> 01:15:11,160 Speaker 3: excited about it. It was a great moment. But my favorite 1648 01:15:11,160 --> 01:15:14,719 Speaker 3: part of the show is the Illicit Affairs interlude into 1649 01:15:15,640 --> 01:15:18,040 Speaker 3: My Tears ricochet. That's always my favorite part of the show. 1650 01:15:18,520 --> 01:15:23,040 Speaker 3: And final answer on that, but yeah, I will say 1651 01:15:23,040 --> 01:15:25,360 Speaker 3: that I'm also in La people don't dress up as much. 1652 01:15:25,439 --> 01:15:29,000 Speaker 3: There were people going buck wild, but a lot of 1653 01:15:29,040 --> 01:15:31,200 Speaker 3: people are just like I just got these tickets from 1654 01:15:31,240 --> 01:15:32,920 Speaker 3: my friend at the radio station, like they. 1655 01:15:32,840 --> 01:15:36,719 Speaker 4: Were just like people. Too many people were connecting a reason. 1656 01:15:37,200 --> 01:15:40,840 Speaker 4: It's the reason so many comedy audiences in La suck. 1657 01:15:40,920 --> 01:15:42,759 Speaker 4: It's the same reason when you go to a comedy 1658 01:15:42,760 --> 01:15:45,440 Speaker 4: show in LA it's not as good as Denver, Seattle 1659 01:15:45,520 --> 01:15:48,599 Speaker 4: or whatever. It's because everyone you're fucking connected and over 1660 01:15:48,640 --> 01:15:50,240 Speaker 4: it and not wanting to be there. 1661 01:15:50,479 --> 01:15:52,320 Speaker 3: No one was wearing like there were people just dressed 1662 01:15:52,320 --> 01:15:54,800 Speaker 3: in like regular clothes. I will say Esther came in 1663 01:15:55,040 --> 01:15:58,000 Speaker 3: a d's track pants and a black shirt and nothing, pink, 1664 01:15:58,080 --> 01:16:01,840 Speaker 3: nothing but dazzled nothing. And she cause she just didn't 1665 01:16:01,840 --> 01:16:04,680 Speaker 3: get the memo she's she's the coolest person ever. She 1666 01:16:04,720 --> 01:16:06,920 Speaker 3: either didn't get the memo or didn't care. But she 1667 01:16:07,080 --> 01:16:09,040 Speaker 3: saw me in my sparkly dress. We met up and 1668 01:16:09,080 --> 01:16:12,280 Speaker 3: she just was like, she. 1669 01:16:12,320 --> 01:16:16,759 Speaker 2: Goes, do you do you always do this? You always 1670 01:16:16,880 --> 01:16:19,120 Speaker 2: dress up like this? And I was like, yeah, it's 1671 01:16:19,160 --> 01:16:21,400 Speaker 2: kind of like what you do. She was just like 1672 01:16:21,600 --> 01:16:24,320 Speaker 2: so weird. I was like, it's kind of like Halloween 1673 01:16:24,400 --> 01:16:25,760 Speaker 2: for me. I don't know, I really like it. 1674 01:16:25,840 --> 01:16:28,519 Speaker 1: She was like, Okay, did you want to give her 1675 01:16:28,439 --> 01:16:29,439 Speaker 1: heads up at all? 1676 01:16:30,120 --> 01:16:30,200 Speaker 2: No? 1677 01:16:30,360 --> 01:16:32,879 Speaker 3: I thought, she's not. She doesn't give a fuck. Dester's 1678 01:16:32,920 --> 01:16:39,120 Speaker 3: the coolest person ever. You gotta follow it. Monster on Instagram. Yeah, 1679 01:16:39,160 --> 01:16:40,560 Speaker 3: but I don't get he needs to dress up like 1680 01:16:40,600 --> 01:16:41,400 Speaker 3: I don't think she would have. 1681 01:16:41,560 --> 01:16:42,120 Speaker 2: She didn't care. 1682 01:16:42,400 --> 01:16:46,120 Speaker 3: She's just like she's the coolest person i've I might know. 1683 01:16:46,600 --> 01:16:48,160 Speaker 3: No offense to everyone. I know. 1684 01:16:49,840 --> 01:16:50,479 Speaker 2: The question of. 1685 01:16:50,439 --> 01:16:52,480 Speaker 1: Which celeberty you'd like to have dinner. 1686 01:16:52,160 --> 01:16:56,000 Speaker 3: With, I think it's none. Honestly, you can't think you know. 1687 01:16:56,439 --> 01:16:58,920 Speaker 3: Luis c k is actually my one right now. 1688 01:17:00,520 --> 01:17:01,720 Speaker 1: I know how that's gonna end. 1689 01:17:01,920 --> 01:17:05,000 Speaker 3: No, we don't, I really, I would said to Brian, 1690 01:17:05,080 --> 01:17:08,120 Speaker 3: I think I would want to like. I am very 1691 01:17:08,120 --> 01:17:10,240 Speaker 3: inspired by him and artistically. I know I'm gonna get 1692 01:17:10,240 --> 01:17:13,639 Speaker 3: shitped for this, but I shouldn't because you probably person 1693 01:17:13,680 --> 01:17:15,639 Speaker 3: who's getting mad at me listen to music from someone 1694 01:17:15,680 --> 01:17:19,200 Speaker 3: who's like beat a woman several times. But like everything, 1695 01:17:19,800 --> 01:17:22,720 Speaker 3: you know, everyone has done terrible things to There's so 1696 01:17:22,840 --> 01:17:26,200 Speaker 3: many men who have made things, produced things, been a 1697 01:17:26,240 --> 01:17:29,000 Speaker 3: part of things that you enjoy that have done terrible things. 1698 01:17:29,200 --> 01:17:33,280 Speaker 3: So back off about my interest in studying his brain 1699 01:17:33,360 --> 01:17:35,800 Speaker 3: and wanting his help with my next special I just 1700 01:17:35,840 --> 01:17:38,920 Speaker 3: want to, like, I wanna I want to just talk 1701 01:17:38,960 --> 01:17:39,240 Speaker 3: to him. 1702 01:17:39,200 --> 01:17:40,200 Speaker 2: I've just been studying. 1703 01:17:40,240 --> 01:17:42,400 Speaker 3: I've listened to ten of his albums in the past 1704 01:17:42,720 --> 01:17:45,519 Speaker 3: three weeks. I'd be interested in sitting down with them 1705 01:17:45,560 --> 01:17:49,520 Speaker 3: and talking about stuff and like asking about his process 1706 01:17:49,600 --> 01:17:54,320 Speaker 3: and possibly getting some help on my next special. 1707 01:17:54,840 --> 01:17:55,639 Speaker 2: So that's mine. 1708 01:17:55,800 --> 01:17:59,400 Speaker 4: I mean he is. He is probably the best stand 1709 01:17:59,479 --> 01:18:04,720 Speaker 4: up comedian of the last fifteen years. I mean he is. 1710 01:18:05,560 --> 01:18:09,880 Speaker 4: His stand up is miles above other people who are 1711 01:18:09,920 --> 01:18:13,519 Speaker 4: even great at stand up. It really is. That's why 1712 01:18:13,720 --> 01:18:16,360 Speaker 4: when this all came out, it was like, God damn it. 1713 01:18:16,360 --> 01:18:18,360 Speaker 4: It's like when Michael Jackson. You can't listen to Michael 1714 01:18:18,400 --> 01:18:20,920 Speaker 4: Jackson anymore. It's like, God damn it, because you can't. 1715 01:18:20,960 --> 01:18:23,439 Speaker 4: It was the best, It was the best everything. No 1716 01:18:23,479 --> 01:18:26,439 Speaker 4: one listening to a Luis k Our special. No one 1717 01:18:26,479 --> 01:18:30,840 Speaker 4: does what he does to me when I'm listening their 1718 01:18:30,880 --> 01:18:32,920 Speaker 4: stand up special. Maybe with Teresa O'Neil or something, but 1719 01:18:32,960 --> 01:18:33,200 Speaker 4: that's it. 1720 01:18:33,320 --> 01:18:35,639 Speaker 2: Yes, But no one changes the way I think about 1721 01:18:35,640 --> 01:18:40,120 Speaker 2: the world. No one. I'm constantly flooded by things. Every day. 1722 01:18:40,200 --> 01:18:42,280 Speaker 3: I am like, oh my god, that's that one thing 1723 01:18:42,280 --> 01:18:44,320 Speaker 3: that Louis said, and like, it makes me look at 1724 01:18:44,320 --> 01:18:47,360 Speaker 3: that differently, It makes me think of it validates a 1725 01:18:47,360 --> 01:18:49,519 Speaker 3: lot of fears I have about motherhood. It also makes 1726 01:18:49,520 --> 01:18:51,200 Speaker 3: me feel a little bit like sad about some of 1727 01:18:51,200 --> 01:18:53,320 Speaker 3: the things I feel about motherhood and missing out on that. 1728 01:18:53,600 --> 01:18:56,360 Speaker 3: It makes me feel appreciative to be a human being 1729 01:18:56,360 --> 01:18:58,400 Speaker 3: and to not complain about stuff as much like he 1730 01:18:58,479 --> 01:19:00,920 Speaker 3: just he's a I think, a modern day philosopher, and 1731 01:19:00,960 --> 01:19:05,519 Speaker 3: I think and also more honest than most people will 1732 01:19:05,560 --> 01:19:08,000 Speaker 3: ever get with the inner workings of their psyche. And 1733 01:19:08,040 --> 01:19:10,200 Speaker 3: I'm I'm fucking into it, and I want to be 1734 01:19:10,240 --> 01:19:12,519 Speaker 3: able to do that. But not everything he does, but 1735 01:19:12,560 --> 01:19:14,400 Speaker 3: I want to be able to do and I want 1736 01:19:14,439 --> 01:19:16,000 Speaker 3: to learn from that. So I guess that's who I 1737 01:19:16,000 --> 01:19:19,360 Speaker 3: would go to lunch with. And that's my problematic take. 1738 01:19:21,120 --> 01:19:23,920 Speaker 1: I said it, that's a good answer. One of my 1739 01:19:23,920 --> 01:19:26,960 Speaker 1: favorite jokes of his is the thing about why do 1740 01:19:27,000 --> 01:19:29,200 Speaker 1: we count the years the way we do? It's like 1741 01:19:29,240 --> 01:19:34,880 Speaker 1: we're just plodding on from the years zero, like Jesus, Jesus, 1742 01:19:35,040 --> 01:19:39,439 Speaker 1: like everything is BC or a D. I loved that 1743 01:19:39,520 --> 01:19:42,720 Speaker 1: whole way that he put the lays that out. I'm like, 1744 01:19:42,800 --> 01:19:44,760 Speaker 1: oh my god, it makes me think, like, why the 1745 01:19:44,800 --> 01:19:46,800 Speaker 1: fuck do we count the years this way. 1746 01:19:46,840 --> 01:19:50,719 Speaker 4: It's the only comedian that I frequently reference, not because 1747 01:19:50,760 --> 01:19:53,680 Speaker 4: of their jokes, but because of an idea that he 1748 01:19:53,800 --> 01:19:57,000 Speaker 4: had that makes me think of differently. And then I 1749 01:19:57,080 --> 01:20:00,599 Speaker 4: say this phrase maybe like once every two weeks. I go, 1750 01:20:01,160 --> 01:20:03,479 Speaker 4: especially when I'm in a not polite company, I go, 1751 01:20:03,680 --> 01:20:05,519 Speaker 4: not to bring up Louis c K. But Louis c 1752 01:20:05,680 --> 01:20:07,560 Speaker 4: K has a joke that says blah blah blah. I 1753 01:20:07,640 --> 01:20:08,920 Speaker 4: say that like every two weeks. 1754 01:20:09,240 --> 01:20:12,160 Speaker 3: Yes, I'm saying it now too, now that I'm more 1755 01:20:12,280 --> 01:20:14,320 Speaker 3: like versed in what he says, I say it all 1756 01:20:14,360 --> 01:20:14,639 Speaker 3: the time. 1757 01:20:14,720 --> 01:20:15,320 Speaker 2: I think about him. 1758 01:20:15,479 --> 01:20:18,400 Speaker 3: I say it every time I travel and there's a delay, 1759 01:20:18,479 --> 01:20:20,599 Speaker 3: I think of Louis c K. And how you get 1760 01:20:20,640 --> 01:20:24,840 Speaker 3: to fly through the air miraculously like a bird. Yeah, 1761 01:20:24,880 --> 01:20:26,920 Speaker 3: you get to go, you know, I just think of 1762 01:20:27,240 --> 01:20:28,600 Speaker 3: I always just go. You get to fly through the 1763 01:20:28,640 --> 01:20:32,040 Speaker 3: air miraculously like a bird. Don't complain about fucking anything 1764 01:20:32,080 --> 01:20:34,640 Speaker 3: that happens right now. You have no idea even the 1765 01:20:34,760 --> 01:20:37,559 Speaker 3: big you can't. I like that the right He has 1766 01:20:37,600 --> 01:20:39,960 Speaker 3: a bit about like, you know, there's a delay for 1767 01:20:39,960 --> 01:20:42,479 Speaker 3: forty five minutes. He's like, that's someone's story. People will 1768 01:20:42,479 --> 01:20:44,759 Speaker 3: stop doing the dishes to be like you were delayed 1769 01:20:44,800 --> 01:20:47,240 Speaker 3: for forty five minutes, Like that's a story. He was like, 1770 01:20:47,360 --> 01:20:49,240 Speaker 3: can you imagine the right, brothers. Hearing about that now 1771 01:20:49,240 --> 01:20:51,200 Speaker 3: and being like, wait, they were delayed for forty five 1772 01:20:51,240 --> 01:20:52,040 Speaker 3: we shouldn't even bother. 1773 01:20:52,160 --> 01:20:52,720 Speaker 2: Let's not do this. 1774 01:20:53,360 --> 01:20:57,880 Speaker 3: Is like that idea is so fucking good and really 1775 01:20:57,960 --> 01:21:01,719 Speaker 3: change the way I see the world, and and yeah, 1776 01:21:02,040 --> 01:21:04,519 Speaker 3: he but he did make a point that he says, 1777 01:21:04,600 --> 01:21:06,720 Speaker 3: don't jerk off and don't ask people. He was like, 1778 01:21:06,760 --> 01:21:09,559 Speaker 3: don't jerk off in front of people, and even if 1779 01:21:09,560 --> 01:21:13,040 Speaker 3: you ask them and they say yes, don't don't do it. 1780 01:21:13,920 --> 01:21:15,280 Speaker 2: Do you remember when he said that, Brian. 1781 01:21:17,400 --> 01:21:22,760 Speaker 4: To me personally or on the special? I do remember that. 1782 01:21:22,840 --> 01:21:25,120 Speaker 4: I do remember that he did. He did address it. 1783 01:21:25,360 --> 01:21:28,559 Speaker 4: He did address that briefly, but not and I'm sorry 1784 01:21:28,600 --> 01:21:30,720 Speaker 4: so much. But on the next one, but I don't 1785 01:21:30,760 --> 01:21:32,040 Speaker 4: remember exactly. 1786 01:21:31,880 --> 01:21:32,559 Speaker 2: That's what he said. 1787 01:21:32,560 --> 01:21:35,160 Speaker 3: He was like, don't jerk off in people, even if 1788 01:21:35,160 --> 01:21:37,559 Speaker 3: you ask them, don't do it because they might be 1789 01:21:37,720 --> 01:21:40,559 Speaker 3: saying yes and they don't mean yeah. 1790 01:21:40,720 --> 01:21:42,240 Speaker 4: I don't know how I feel about that. That kind 1791 01:21:42,280 --> 01:21:45,759 Speaker 4: of feels like just an excuse. 1792 01:21:46,040 --> 01:21:51,720 Speaker 3: Yeah, well, I'm not going to say anything further on that, 1793 01:21:52,000 --> 01:21:55,439 Speaker 3: but I do at what point do you not trust 1794 01:21:55,520 --> 01:21:55,880 Speaker 3: a yes? 1795 01:21:56,520 --> 01:22:01,799 Speaker 1: Here's how I really to that, And I can't speak 1796 01:22:02,960 --> 01:22:08,120 Speaker 1: because I will say, well, I don't know if I'm 1797 01:22:08,160 --> 01:22:09,960 Speaker 1: in such a position of power, but I just got 1798 01:22:09,960 --> 01:22:13,439 Speaker 1: in trouble for doing something that was someone asked me 1799 01:22:13,479 --> 01:22:17,040 Speaker 1: to help them downsize their their home and I did, 1800 01:22:17,320 --> 01:22:20,439 Speaker 1: and then I had just heard back that I got. 1801 01:22:20,600 --> 01:22:23,800 Speaker 1: Now I have a bad reputation for doing that, like 1802 01:22:24,080 --> 01:22:28,000 Speaker 1: I coerce them into downsizing their home, and it just 1803 01:22:28,040 --> 01:22:30,559 Speaker 1: goes to show you no good deed goes unpunished because 1804 01:22:30,600 --> 01:22:34,160 Speaker 1: I definitely did not coerce. But now I am known 1805 01:22:34,200 --> 01:22:36,160 Speaker 1: as the person that like talk to someone and just 1806 01:22:36,280 --> 01:22:37,439 Speaker 1: doing something they did they did not. 1807 01:22:37,600 --> 01:22:39,400 Speaker 3: You asked them like do you want some help with 1808 01:22:39,400 --> 01:22:41,080 Speaker 3: this thing? And they said yes, And now. 1809 01:22:41,080 --> 01:22:43,160 Speaker 1: You may yes. 1810 01:22:43,280 --> 01:22:48,280 Speaker 3: That's what that's a similar exactly, Luis, It's not it's 1811 01:22:48,360 --> 01:22:51,840 Speaker 3: not well, it sounds like that person said yes. And 1812 01:22:51,880 --> 01:22:53,800 Speaker 3: this is what their argument is is they said yes 1813 01:22:53,800 --> 01:22:56,040 Speaker 3: because they felt like if they said no, you would 1814 01:22:56,080 --> 01:22:57,240 Speaker 3: be mad at them or. 1815 01:22:57,200 --> 01:22:58,520 Speaker 2: Like they would be disappointing. 1816 01:22:58,600 --> 01:23:00,479 Speaker 1: I had power that I didn't realize. 1817 01:23:01,120 --> 01:23:03,080 Speaker 2: Yeah, but do everyone. 1818 01:23:03,200 --> 01:23:05,640 Speaker 3: And this brings into the Lizo thing like Lizzo with 1819 01:23:05,760 --> 01:23:09,320 Speaker 3: those dancers is I don't think. 1820 01:23:09,120 --> 01:23:10,599 Speaker 2: She's aware of her power. 1821 01:23:12,720 --> 01:23:14,920 Speaker 3: She's someone who doesn't even think of that that way, 1822 01:23:14,960 --> 01:23:17,360 Speaker 3: which she should, and that's not to excuse her. Everyone 1823 01:23:17,360 --> 01:23:20,200 Speaker 3: should can consider their privilege and their power when they 1824 01:23:20,240 --> 01:23:22,760 Speaker 3: do something. I have to do it often too, because 1825 01:23:22,760 --> 01:23:25,360 Speaker 3: I employ friends, and sometimes I'll say something that I'm like, Wait, 1826 01:23:25,400 --> 01:23:28,120 Speaker 3: you don't have to answer that, because you might feel 1827 01:23:28,120 --> 01:23:29,240 Speaker 3: like I might fire. 1828 01:23:29,040 --> 01:23:30,960 Speaker 2: You if you don't like. But if you can, you 1829 01:23:31,000 --> 01:23:31,960 Speaker 2: can always say no. 1830 01:23:32,400 --> 01:23:34,240 Speaker 3: But do you have to remind people of that all 1831 01:23:34,280 --> 01:23:36,519 Speaker 3: the time or do you have to always just never 1832 01:23:36,600 --> 01:23:38,439 Speaker 3: ask those things? I don't know what the answer is. 1833 01:23:38,479 --> 01:23:41,320 Speaker 3: All I know is do you guys want to watch 1834 01:23:41,320 --> 01:23:45,320 Speaker 3: me masturbate right now? I have to thank you guys 1835 01:23:45,320 --> 01:23:48,920 Speaker 3: for listening to the show. We will be back tomorrow 1836 01:23:48,960 --> 01:23:51,080 Speaker 3: with more Nicki Glazer podcast. Come see me on tour 1837 01:23:51,160 --> 01:23:53,360 Speaker 3: Nicki glazer dot com for all the dates and tickets, 1838 01:23:53,520 --> 01:23:55,479 Speaker 3: and Dumpika and. 1839 01:23:57,720 --> 01:24:00,800 Speaker 2: Just ignore like half of the podcast. 1840 01:24:00,960 --> 01:24:04,439 Speaker 3: And then if you're upset and promise, and I'm a 1841 01:24:04,479 --> 01:24:06,760 Speaker 3: good person, I promise, and maybe I'm problematic, just to 1842 01:24:07,000 --> 01:24:09,320 Speaker 3: just DM me everything that you're upset with me about.