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Speaker 1: Welcome to a special episode of The Bobbycast. It's an

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Speaker 1: episode in case you missed it. And usually this happens

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Speaker 1: because Mike and I are like, you know what, interview

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Speaker 1: was great and we haven't heard from in a while.

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Speaker 2: And then we just play it.

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Speaker 1: And sometimes people don't want to scroll all the way

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Speaker 1: down and find like an old Chris Stapleton interview, you know. Yeah,

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Speaker 1: So this one's a little different. I was at the

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Speaker 1: airport and I was flying back from Utah. I was

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Speaker 1: it a speaking deal there and I see Tanil Arts

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Speaker 1: and what she had posted on her Instagram story. Now,

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Speaker 1: till Art, let me play a number one song. You

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Speaker 1: hit that one? So I like Tnail Arts. I don't

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Speaker 1: know where super well, but we've had her on The

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Speaker 1: Bobbycast a couple of times, so I'll read you her

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Speaker 1: Instagram story. I was so intrigued. I do not know

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Speaker 1: what it means, but I kind of want to reset

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Speaker 1: everybody because it sounds like it could be dramatic. Yeah,

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Speaker 1: go to bad. I don't know what it is. I mean,

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Speaker 1: it could be something, So let me read the story.

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Speaker 1: We'll get to it. To Neil Arts on Instagram.

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Speaker 2: Rights.

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Speaker 1: This is in the last few days before we get

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Speaker 1: to an old episode and some thoughts. She writes, to

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Speaker 1: be honest, I haven't been completely honest with all of you.

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Speaker 1: The last two years have been really tough, and I'm

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Speaker 1: done hiding what I've been through. Get ready for some

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Speaker 1: real content and a real look into my life. I

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Speaker 1: have videos, I have pictures, I have receipts, I have stories.

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Speaker 1: I have the blank receipts. So I'm not hiding anything

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Speaker 1: and holding anything back anymore. The people who treated me

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Speaker 1: like s know who they are, and I hope they

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Speaker 1: see this. If you even question whether this is about you,

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Speaker 1: it is welcome to the new era and the new me.

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Speaker 1: To my amazing fans, You're on my lifeline. I love

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Speaker 1: you so so much. You have always been there for me,

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Speaker 1: and I'm so grateful for you. More to come than

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Speaker 1: she puts a heart. It's pretty intense. Yeah, pretty dramatic,

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Speaker 1: and it could be a whole line of things. I mean,

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Speaker 1: it could be some serious like traumatic stuff, or it

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Speaker 1: could be an X, or it could it could be business.

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Speaker 2: I don't know.

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Speaker 1: At first, I thought it was like with their record label,

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Speaker 1: because she did leave her other record I did to

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Speaker 1: it first. He got the rights to her songs, and

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Speaker 1: I thought it was that, But the whole keeping receipts

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Speaker 1: thing like that seems like a personal thing. I have videos,

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Speaker 1: I have pictures, I have texts, I have stories, I

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Speaker 1: have the receipts. Yeah, so we don't know what it is.

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Speaker 1: I haven't reached out to her because I don't know

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Speaker 1: her well enough to be like, what are you talking about? Yeah,

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Speaker 1: I want to do though we had her on for

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Speaker 1: the first time back in twenty nineteen.

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Speaker 2: Was she the first person to ever bring her instrument in?

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Speaker 1: First person bring her guitar? She and she came in

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Speaker 1: and she had her case, and I thought maybe she'd

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Speaker 1: come from a right or a show and she was like, here,

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Speaker 1: men play, and she was just like, I want to

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Speaker 1: show that I can play with no little studio special effects.

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Speaker 1: And she was good. So I wanted to go back

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Speaker 1: to that. So she talked about how she grew up

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Speaker 1: on a wheat farm, how she moved to Nashville after

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Speaker 1: being discovered online. She went on The Bachelor twice to perform,

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Speaker 1: and again she had her guitar. You can check out

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Speaker 1: her new single called Jealous of Myself featuring Lene Rhymes.

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Speaker 2: What a paternal Leeann rhymes fighting.

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Speaker 1: Oh the music video just came out day, so I'm interested.

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Speaker 1: She's got me. I'm I'm following along to see what

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Speaker 1: the drama is. But this isn't in case you missed it,

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Speaker 1: So here's tanail Arts on the Bobby Cast.

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Speaker 2: In case you missed it, Here we.

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Speaker 1: Go episode two oh three with tanil Arts. How are

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Speaker 1: you hey?

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Speaker 3: I'm good?

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Speaker 1: How are you good?

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Speaker 4: On?

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Speaker 1: There?

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Speaker 4: You go?

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Speaker 1: H pretty good.

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Speaker 2: I was looking at your Instagram. You have a lot

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Speaker 2: of followers.

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Speaker 1: I do. Where is that? What's the deal?

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Speaker 2: Where did that come from?

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Speaker 3: I don't know. I mean I've been on social media

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Speaker 3: for a really long time and on YouTube, and yeah,

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Speaker 3: I've just been like really trying to keep up the

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Speaker 3: online presence.

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Speaker 1: I was doing a little deep dive about you and

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Speaker 1: I had seen that you were on The Bachelor twice.

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Speaker 2: Not as a contestant, although that'd be a good story too, but.

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Speaker 1: You played how do you? How do you land getting

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Speaker 1: on the Bachelor? To play?

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Speaker 3: Well? My manager had been sending my music into them

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Speaker 3: for a really long time and they just came across

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Speaker 3: some of my music that they loved. The first song

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Speaker 3: was called Moment of weakness and it pretty much sounded

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Speaker 3: like we had written it for the show. So it

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Speaker 3: worked out really well, and I performed on a one

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Speaker 3: on one date.

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Speaker 2: Do you remember who it was?

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Speaker 3: It was Ari and Chelsea.

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Speaker 2: Okay, so, Mike, do you know who Ari is? I do? Okay,

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Speaker 2: help me out.

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Speaker 1: Good looking dude.

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Speaker 2: I think it's like kind of great hair.

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Speaker 1: Right, Oh yeah, no, okay, So I got it and

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Speaker 1: that was the season. I don't really watch the show.

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Speaker 1: I don't hate people to do. By the way, don't

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Speaker 1: get mad a him Bachelor Nation. He's the one that

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Speaker 1: was like he broke up with the girl at the

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Speaker 1: end of the season.

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Speaker 3: Yeah, he kicked someone and then broke up with her

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Speaker 3: and then picked the second place girl.

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Speaker 1: Like, no, that I could admire anyone that kind of

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Speaker 1: is not status quo on that show. I like, okay,

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Speaker 1: so you played for him and Chelsea? Did they stay together?

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Speaker 3: No?

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Speaker 2: Was it your song? Was that the reason they didn't

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Speaker 2: stay together?

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Speaker 3: I hope not. No, she left She had a kid,

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Speaker 3: so she wanted.

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Speaker 1: To get on the show as they were dancing on the.

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Speaker 3: Not on the show, but I think she wanted to

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Speaker 3: get back to her son. So I think she ended

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Speaker 3: up leaving the show.

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Speaker 1: So tell me what that's like then playing do you

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Speaker 1: have played over and over and over again for the cameras.

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Speaker 3: Yeah, we played a few times. It's like, definitely a

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Speaker 3: surprise for the girl. I think the bachelor knows that

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Speaker 3: this is going down because I think he has like

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Speaker 3: a hand in picking the dates. But the girl was

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Speaker 3: completely surprised when she walked in. And we played the

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Speaker 3: song a couple of times for them to get their

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Speaker 3: shots and everything. But then we play it again multiple times, and.

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Speaker 1: That makes sense so they can shoot you, Yeah.

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Speaker 3: So they can get close ups and stuff. But it

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Speaker 3: was really awkward because nobody told me if I should

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Speaker 3: look at the cameras or not. So I just found

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Speaker 3: myself staring at the couple dancing and making out and

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Speaker 3: it was so awkward. I did not know what to do.

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Speaker 3: It was Yeah, that was that.

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Speaker 1: But so let me hear some of this moment of

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Speaker 1: weakness and I'm gonna imagine a couple dancing right.

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Speaker 3: Money.

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Speaker 1: That is quite a bachelor song, yeah, because you're basically

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Speaker 1: begging them to make out right there. Yeah, you're playing

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Speaker 1: this song like, all right, have your moment weakness, right,

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Speaker 1: you're on camera, so we can document it.

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Speaker 2: Okay, So you go on the show and I would.

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Speaker 1: Imagine, because I've had some friends go on that show

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Speaker 1: and play, there's a nice pop with your music the

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Speaker 1: day after it airs. Oh yeah, so that was pretty cool.

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Speaker 3: Right, that was really cool. That had a huge part

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Speaker 3: to do with my social media and just my music

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Speaker 3: getting out there in general.

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Speaker 1: So but then you go back again. Yeah, so they're like, hey,

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Speaker 1: you riveted our couple so much, we want you to

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Speaker 1: bring that back for another couple. Is that what happened

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Speaker 1: the next time?

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Speaker 3: I don't know. They're just like they became a fan

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Speaker 3: of my music and they wanted to help me out

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Speaker 3: as a new artist. And I think it's really cool

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Speaker 3: and kind of unexpected to be a part of something

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Speaker 3: like The Bachelor, Like you wouldn't think that's a great

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Speaker 3: way to promote your music, but it kind of is.

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Speaker 3: I mean, there's a lot of people that watch that show,

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Speaker 3: and it's like the perfect age for my music. So

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Speaker 3: they asked me to come back.

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Speaker 1: So you go back and then you play.

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Speaker 3: For this one was Coulton and Elise.

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Speaker 1: Okay, now if I remember they're not together, No, you're

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Speaker 1: ope for two. I'm just telling you your success right

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Speaker 1: on this show is not great for the couple staying together.

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Speaker 3: I've played really early on in the show, so I

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Speaker 3: feel like, you know, you never know what's gonna happen

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Speaker 3: at that point.

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Speaker 2: So Colton and Elise and what are they doing?

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Speaker 1: Like eating?

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Speaker 3: Date?

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Speaker 1: Oh?

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Speaker 2: Dancing?

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Speaker 3: Yeah, it was in a big theater in La so

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Speaker 3: there was actually an audience there.

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Speaker 1: Okay, so a little more natural way more naturalist time.

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Speaker 1: So you're playing in a theater And how does that

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Speaker 1: part of me for not knowing this, how did they

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Speaker 1: set that up? Do they fake like they're walking in

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Speaker 1: on a show or they're both big tan Neil Arts fans?

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Speaker 3: Yeah, sometimes they do it like that.

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Speaker 1: Not that they be faking it, but I work.

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Speaker 2: I do a lot of TV too, and we.

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Speaker 1: Faked a lot of stuff, not not originally, but in

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Speaker 1: order to redo it again and again and again, we

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Speaker 1: have to sometimes go all right, let's shoot this again. Yeah,

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Speaker 1: so they walk in like, oh, yeah, we're big fans

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Speaker 1: of ten Neil Arts.

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Speaker 2: Let's go Is that what it was?

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Speaker 3: Yeah, basically that's what That's what happened. It was like

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Speaker 3: a surprise for the girl and everything. But she ended

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Speaker 3: up messaging me like right after that episode and was like,

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Speaker 3: I'm gonna remember that night forever. I love your music.

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Speaker 3: So she definitely like dove into my music after that, and.

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Speaker 2: So and then there you have it.

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Speaker 1: Yea to you need one more though, You gotta get

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Speaker 1: on a successful you gotta get on a couple of

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Speaker 1: stays together. Yeah, right right now, you're the Clayton Kershaw of.

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Speaker 2: The Bachelor.

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Speaker 1: It's just not working out for you so far. Yeah,

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Speaker 1: that's pretty cool though.

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Speaker 2: They brought you back. And what song did you do there?

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Speaker 1: Well?

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Speaker 3: It ended up being a song called I Hate This,

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Speaker 3: which was a breakup song, which you predicted.

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Speaker 1: Yeah, I do like that song this, I hate the

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Speaker 1: song I've programmed into the iHeart the women of Buy

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Speaker 1: Heart Country Show.

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Speaker 2: That's a good one. Not that the other one wasn't.

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Speaker 2: I just had never heard it. I like this one

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Speaker 2: a lot.

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Speaker 1: Fast. When you hear your own music, you kind of

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Speaker 1: bob your head and you still do you like listening

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Speaker 1: to your own music?

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Speaker 3: I do?

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Speaker 1: Yeah, yeah, because when we played that, I felt like

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Speaker 1: you kind of felt that a little bit.

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Speaker 3: Yeah. I immediately started thinking about when I wrote it

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Speaker 3: and who it's about, and yeah, I go there every time.

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Speaker 1: So you wrote that as okay good. It's a perfect

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Speaker 1: segue into this. We have a lot of songwriters that

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Speaker 1: come on the show, which you are obviously, yeah, and

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Speaker 1: they talk about songs. So let's talk about this song specifically.

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Speaker 1: How long ago did you write.

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Speaker 3: It would have been like a year and a half ago.

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Speaker 2: Oh, still pretty fresh.

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Speaker 3: Yeah, pretty new. And it's funny because when I had

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Speaker 3: originally written it, I wasn't going through a breakup or

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Speaker 3: anything like. I was kind of imagining what that would

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Speaker 3: be like and everything, and then I went through a

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Speaker 3: breakup and that song it was so hard to go

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Speaker 3: out and sing that song at every show.

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Speaker 1: So a song that you didn't write about your breakup

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Speaker 1: ended up being hard to sing because later on you

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Speaker 1: went through a breakup. Yeah, that's kind of a Mike.

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Speaker 1: We've never heard a story like that, right, I know,

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Speaker 1: like they write a song and then it comes back

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Speaker 1: into their life about their life the breakup, and then

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Speaker 1: it's hardest thing about that.

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Speaker 2: But yeah, not around like Carl when.

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Speaker 1: She would come answers like, yeah, I wrote every little thing,

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Speaker 1: and you know, I would play and think about the

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Speaker 1: breakup every time. But you didn't break up with the song.

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Speaker 1: It just came back to haunt you later. It did interesting.

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Speaker 1: So do you write the song and you did you

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Speaker 1: write it about the boyfriend you had at the time,

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Speaker 1: and at least, like, did you predict That's why it was.

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Speaker 2: You're predicting the breakup, aren't you.

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Speaker 3: It wasn't that far before we ended up breaking up,

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Speaker 3: So I think that I had a little bit of

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Speaker 3: that in my mind. But I always try to like

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Speaker 3: take from personal experiences or try to imagine what it

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Speaker 3: would be like if I was going through that.

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Speaker 1: You wrote you wrote this with a guy named Adam Wheeler. Yeah,

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Speaker 1: so you guys hop in a room together, and how does.

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Speaker 2: That work with you?

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Speaker 1: You go, hey, I got this idea, I'm probably gonna

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Speaker 1: break up with this dude, Like, how does that work?

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Speaker 1: I didn't say, Okay, go ahead.

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Speaker 3: Yeah, No, it was. I had written a lot with

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Speaker 3: him around that same like time period, so we knew

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Speaker 3: what was going on in each other's lives and and

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Speaker 3: he knew that things were like a little bit rocky

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Speaker 3: in my relationship, and he had talked about some of

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Speaker 3: his past relationships and we really just kind of dove

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Speaker 3: into it and the song. It's weird because the song

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Speaker 3: isn't really about like a breakup. It's about that time

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Speaker 3: period right after you break up where you don't know

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Speaker 3: if you're gonna end up getting back together or if

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Speaker 3: you're just gonna actually stay broken up. Because I feel

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Speaker 3: like there's a little bit of hope during that time

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Speaker 3: where you still love that person and you still think

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Speaker 3: maybe you know, something might work out, but then you

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Speaker 3: know eventually you have to deal with the fact that okay,

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Speaker 3: maybe it really is over.

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Speaker 1: Let's talk about that for a second away from music.

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Speaker 1: Like most times, let's still a little public service announcement.

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Speaker 1: It doesn't work out. If you're gonna break up, it

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Speaker 1: doesn't work out. I'll tell you from my experience, you

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Speaker 1: feel like you know it might work out, let's give

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Speaker 1: it another try. But I'm gonna say probably like ninety

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Speaker 1: three percent of the time, if you break up and

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Speaker 1: you're like, m maybe we should give it a try,

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Speaker 1: because it could, it's.

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Speaker 3: Not going yeah, because I think once you break up,

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Speaker 3: you think that those those things will maybe like work

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Speaker 3: themselves out, and then when you get back together it'll

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Speaker 3: just be like a fresh start. But it's not. There's

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Speaker 3: still like all of those things that you all of

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Speaker 3: those issues I guess that you had.

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Speaker 1: Before you know what you should do. This is maybe

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Speaker 1: a lesson for you.

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Speaker 2: A little bit younger than I am, or anyone.

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Speaker 1: Watching this or listening to this, if you're struggling in

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Speaker 1: your relationship and you don't know really what to do

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Speaker 1: to make it work. Have a baby, Oh my gosh,

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Speaker 1: wouldn't you say that's a good one, Mic, Yeah, I

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Speaker 1: just have a baby. Then you're stuck and you have

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Speaker 1: to make it work. Yeah, every problem?

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Speaker 2: Yeah, I would say, yeah, fixes fixes all the problems.

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Speaker 1: You don't agree with that. Why don't we do somebody

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Speaker 1: like that? Which is this is the single?

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Speaker 2: Now it is?

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Speaker 1: Okay?

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Speaker 2: Here is somebody like that?

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Speaker 4: Don't I'm gone? All right?

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Speaker 3: All right? Well I wrote this one after writing a

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Speaker 3: ton of breakup songs. I was like, I'm done, Like,

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Speaker 3: I'm done writing these breakup songs. I want to start

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Speaker 3: looking for somebody again. I want to, you know, start

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Speaker 3: putting myself out there. So I got in the writing

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Speaker 3: room with Alex Klein and Alison Veltz and we were

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Speaker 3: just kind of reflecting on relationships that we had seen

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Speaker 3: go really well, like looking at our parents, looking at

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Speaker 3: our grandparents, you know, just kind of those relationships that

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Speaker 3: we idolized as kids and looked up to. And you know,

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Speaker 3: I have a lot of great relationships in my life,

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Speaker 3: and I feel like we just looked back on, you know,

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Speaker 3: maybe love that we had or love that went really well,

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Speaker 3: love that went bad, and just kind of looking for

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Speaker 3: the right kind of love this time and not settling

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Speaker 3: until we find it.

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Speaker 2: And how long ago did you write this song?

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Speaker 3: This one would have been about six months ago.

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Speaker 1: And did you predict the future? Much like you predicted

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Speaker 1: the demise of the Bachelor, you'd make this song, and

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Speaker 1: did somebody like that come along? They predicted the future.

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Speaker 1: That's what you need to do. You need to write

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Speaker 1: more song predicting, predicting future songs. Yeah. My therapist says,

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Speaker 1: you got to like see the good stuff to you,

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Speaker 1: But then I do when it never happens, So then

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Speaker 1: I started seeing the bad stuff again. You have an accent,

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Speaker 1: which is interesting, Yeah, a bit of a not so

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Speaker 1: much of a Canadian one, a little bit. I dated

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Speaker 1: a Canadian girl for a long time, so I'm very

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Speaker 1: experienced with the Canadian talk. And your your your little

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Speaker 1: hybrid English French a type language, but just a little

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Speaker 1: country accent too.

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Speaker 2: Yeah, so what, like, what tell me about like a

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Speaker 2: town you grew up in.

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Speaker 3: I grew up in a really small town in Saskatchewan

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Speaker 3: in Canada, and my dad's a wheat farmer, so we

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Speaker 3: grew up like in the small town. But then we

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Speaker 3: also had the family farm, so I spent a lot

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Speaker 3: of time out there.

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Speaker 1: And there's a wheat farmer huh, Yeah, what is that

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Speaker 1: entail day to day?

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Speaker 3: I mean, for us being in Canada, there's like a

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Speaker 3: very short.

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Speaker 1: Like a week right where it's warm enough to grow anything.

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Speaker 3: Yeah, I mean it pretty much starts like end of

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Speaker 3: May June, and harvest time is like September October.

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Speaker 1: So is it vaca? Is it like snow vacation? They're

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Speaker 1: all the rest of the year as a wheat farmer.

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Speaker 3: Well, my dad had another job that he worked that

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Speaker 3: whole time as well. But yeah, I guess for most

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Speaker 3: people or they've got like cattle or something, but we don't.

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Speaker 1: It's a wheat farmer in Canada. I didn't think about that,

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Speaker 1: Like when I flew to Toronto, which, by the way,

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Speaker 1: I don't know what's in the water up there, but

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Speaker 1: you guys are way too nice and I enjoy it.

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Speaker 1: I enjoy it. But even with my ex girlfriend, she's

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Speaker 1: way too nice and that will be like, why are

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Speaker 1: you being so nice to me all the time. But

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Speaker 1: it was just a natural. It was just like in

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Speaker 1: you guys's blood. And I didn't really realize that until

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Speaker 1: I went to Toronto and people would just like stop

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Speaker 1: on the road and talk to me. And this is

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Speaker 1: Toronto too, which is very metropolitan by it really close

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Speaker 1: to New York, and you would think would be a

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Speaker 1: little different than than you know, Saskatchewan or Vancouver or

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Speaker 1: a lot of these other places that I was familiar with.

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Speaker 1: But people were just like, hey, Sarah, and I'd be like,

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Speaker 1: what's up? Would you like a dollar? Not asking for

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Speaker 1: the homeless. People were offering me money in Canada. It

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Speaker 1: was so different than here, and the States were like

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Speaker 1: going to get a dollar. They were like, so I

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Speaker 1: don't have much, but why don't you have my last dollar?

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Speaker 1: Canadians are nuts, man, It's awesome. So it was my

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Speaker 1: point with all that, Mike, Canadians really nuice. Yeah, I

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Speaker 1: feel like I was onto something there, but so your dad, Oh,

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Speaker 1: but oh, my point is I was flying in and

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Speaker 1: I would see golf courses in Canada, and.

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Speaker 2: I was like, what week do you get to play

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Speaker 2: golf here?

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Speaker 1: Yeah? It's so cold all the time. And so you're

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Speaker 1: do you have tractors?

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Speaker 3: Yeah?

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Speaker 1: Okay? And how big was this wheat farm?

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Speaker 3: People always ask me this and I always forget to

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Speaker 3: ask him how big it is? But I mean, we've

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Speaker 3: got a lot of land.

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Speaker 1: Do we need to call your dad and ask? I

402
00:15:55,720 --> 00:15:58,240
Speaker 1: might have to because we have a phone connected right there,

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00:15:58,320 --> 00:16:00,600
Speaker 1: we can call your dad. Do we want to get

404
00:16:00,600 --> 00:16:03,200
Speaker 1: your dad on the phone. I mean I'll call him. Okay,

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00:16:03,600 --> 00:16:06,680
Speaker 1: they'll don't press me. Hey, Mike, can you call her dad? Okay,

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Speaker 1: We're gonna call her dad and see if he'll even

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Speaker 1: just answer the phone.

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Speaker 2: All right, what's he doing?

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Speaker 4: Is he?

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Speaker 1: Is he? What is today?

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Speaker 3: Today's Yeah, they're trying to harvest right now.

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Speaker 1: But it just knows you're gonna get interrupted by a

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Speaker 1: phone call and his daughter. Has your dad ever been

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Speaker 1: an interview before?

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Speaker 3: No?

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00:16:20,240 --> 00:16:24,400
Speaker 1: Okay, it's first, Okay, is it gonna be very nervous. Yeah,

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00:16:24,560 --> 00:16:26,240
Speaker 1: we're gonna plug the phone up something. We have this

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00:16:26,280 --> 00:16:28,840
Speaker 1: phone here to Neil and so we sometimes we'll do

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Speaker 1: phone interviews if people are in Los Angeles. Are you

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Speaker 1: freaked out about your dad being on Well, I'm.

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Speaker 3: Just like he never answers his phone, So we might

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Speaker 3: go through all of this or nothing.

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Speaker 1: That's all right. We didn't say we didn't try, right, Mike,

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Speaker 1: and this, Mike, this phone rings all that I'll be

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Speaker 1: because this is my house, which, by the way, if

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Speaker 1: you're a dog barking and you're listening to this, it's

427
00:16:45,680 --> 00:16:48,120
Speaker 1: because I have a bulldog puppy and I put him

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Speaker 1: away for this interview, but I can hear him barking downs.

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Speaker 1: Do you hear him barking? No? No, he does this sometime,

430
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Speaker 1: bring him out, but he's so cute. That's all he does.

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00:16:58,160 --> 00:17:01,760
Speaker 1: And so this this phone. As soon as we bought

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00:17:01,760 --> 00:17:03,840
Speaker 1: the line to start calling people, it rings. It'll be

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Speaker 1: one o'clock in the morning.

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Speaker 3: Oh is it just like random?

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00:17:06,920 --> 00:17:08,880
Speaker 1: It's like people trying to sell me stuff? Oh yeah,

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00:17:08,960 --> 00:17:10,560
Speaker 1: I thought it would be like Jana Kramer, who we

437
00:17:10,600 --> 00:17:11,919
Speaker 1: call on it like, what up?

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Speaker 2: No, it's it's some people trying to sell me stuff.

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Speaker 1: You're good, all right? You wanted to just show you

440
00:17:16,640 --> 00:17:20,640
Speaker 1: the number off the camera? All right, let's see, by

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Speaker 1: the way, everyone listening right now, as we as we

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00:17:22,920 --> 00:17:26,600
Speaker 1: look at this, follow tan Neil on Instagram. T E

443
00:17:26,760 --> 00:17:29,800
Speaker 1: n I L l E Arts to Neil Arts.

444
00:17:29,840 --> 00:17:30,520
Speaker 2: That is her name?

445
00:17:30,520 --> 00:17:30,760
Speaker 1: There?

446
00:17:31,200 --> 00:17:32,040
Speaker 2: Do we have a dial tone?

447
00:17:32,040 --> 00:17:34,320
Speaker 1: Mike? We do? All right, let's see if we uh

448
00:17:34,840 --> 00:17:35,720
Speaker 1: and what is his name?

449
00:17:36,240 --> 00:17:36,560
Speaker 3: Kevin?

450
00:17:36,840 --> 00:17:41,320
Speaker 1: Well, Kevin know that an unnamed Nashville phone number is

451
00:17:41,359 --> 00:17:46,280
Speaker 1: probably specific to you? Maybe, okay, because I never would

452
00:17:46,320 --> 00:17:47,639
Speaker 1: answer a call if I didn't knowho it was.

453
00:17:48,400 --> 00:17:48,600
Speaker 2: Ever.

454
00:17:48,800 --> 00:17:51,800
Speaker 3: Yeah, I mean, well, he's just like, he'll leave his phone.

455
00:17:52,080 --> 00:17:54,159
Speaker 2: Does he have any idea who Bobby Bones is at all?

456
00:17:54,320 --> 00:17:56,080
Speaker 3: I just I was just talking to him last night

457
00:17:56,119 --> 00:17:58,560
Speaker 3: and I was like, I'm doing this this show.

458
00:17:58,680 --> 00:18:00,640
Speaker 2: Okay, I don't hear or anything, but.

459
00:18:02,560 --> 00:18:03,280
Speaker 4: You have read.

460
00:18:04,320 --> 00:18:07,840
Speaker 1: Okay, so text him okay and say, hey, we're trying

461
00:18:07,840 --> 00:18:08,360
Speaker 1: to call you.

462
00:18:08,400 --> 00:18:09,480
Speaker 2: Can you answer the call?

463
00:18:09,560 --> 00:18:09,679
Speaker 1: Here?

464
00:18:09,720 --> 00:18:10,000
Speaker 3: Okay?

465
00:18:10,359 --> 00:18:12,520
Speaker 1: All right, let me read you a little bit about

466
00:18:12,520 --> 00:18:15,359
Speaker 1: Tanil as she does this here. Let's see she won

467
00:18:15,480 --> 00:18:18,520
Speaker 1: five of the Saskatchewan Country Music Association Awards for All

468
00:18:18,520 --> 00:18:21,240
Speaker 1: which you were nominated. Okay, Mike, you still have his number?

469
00:18:21,359 --> 00:18:23,040
Speaker 1: I don't. Okay, he needs the phone again?

470
00:18:23,160 --> 00:18:23,440
Speaker 3: Okay.

471
00:18:24,600 --> 00:18:27,399
Speaker 1: What we're doing is really hacking your phone? What's the

472
00:18:27,440 --> 00:18:30,680
Speaker 1: trick we do with everyone, so maybe he'll see that.

473
00:18:30,720 --> 00:18:32,480
Speaker 1: All right, we're gonna keep going, Mike. I guess we

474
00:18:32,520 --> 00:18:34,760
Speaker 1: have to hear it. Huh yeah, okay, that's all right,

475
00:18:34,800 --> 00:18:37,080
Speaker 1: We're good. So tell me you're on Reviver Records. Yeah,

476
00:18:37,119 --> 00:18:38,960
Speaker 1: how long you've been? How when'd you get that? That deal?

477
00:18:39,280 --> 00:18:41,040
Speaker 3: About a year and a half ago?

478
00:18:41,359 --> 00:18:43,320
Speaker 2: And so how did they get on to you to

479
00:18:43,359 --> 00:18:43,720
Speaker 2: sign you?

480
00:18:44,359 --> 00:18:45,800
Speaker 3: It was actually it had a lot to do with

481
00:18:45,840 --> 00:18:48,760
Speaker 3: The Bachelor. I performed on Did That without a label?

482
00:18:49,160 --> 00:18:51,680
Speaker 3: The first time I've performed it was, yeah, completely without

483
00:18:51,680 --> 00:18:55,000
Speaker 3: a label. And we were having like a viewing party

484
00:18:55,119 --> 00:18:58,560
Speaker 3: for the episode here in Nashville, and we had Gator

485
00:18:58,600 --> 00:19:01,439
Speaker 3: from Reviver Records come out to the show because I

486
00:19:01,440 --> 00:19:04,840
Speaker 3: played like a little set before the episode aired, and

487
00:19:05,720 --> 00:19:07,639
Speaker 3: it was pretty instant, like I met with him and

488
00:19:07,680 --> 00:19:09,560
Speaker 3: the whole team, and I was just like, this feels

489
00:19:09,560 --> 00:19:10,919
Speaker 3: like a perfect place for me.

490
00:19:11,359 --> 00:19:11,960
Speaker 2: Well good for you?

491
00:19:12,080 --> 00:19:12,960
Speaker 1: Yeah wow.

492
00:19:13,080 --> 00:19:14,760
Speaker 2: And so then you become a millionaire soon as you

493
00:19:14,760 --> 00:19:15,200
Speaker 2: get signed.

494
00:19:15,280 --> 00:19:17,640
Speaker 1: Yeah, of course that's that's how it works, right, you're

495
00:19:17,680 --> 00:19:20,320
Speaker 1: just loaded. Yeah, Michae, if we don't get him this time,

496
00:19:20,320 --> 00:19:24,040
Speaker 1: we'll just give it a rest for a bit, No luck, No, look, okay,

497
00:19:24,080 --> 00:19:25,760
Speaker 1: that's all right, We're still gonna get Heim's gonna text her.

498
00:19:27,119 --> 00:19:29,440
Speaker 1: He maybe listened. Will you listened to this? Yeah?

499
00:19:29,480 --> 00:19:32,640
Speaker 3: Oh yeah, he he loves to listen to Like I'll

500
00:19:32,640 --> 00:19:35,399
Speaker 3: be home and I'll hear him watching and listening to

501
00:19:35,440 --> 00:19:36,359
Speaker 3: my YouTube videos.

502
00:19:36,400 --> 00:19:39,280
Speaker 1: I'm like, Dad, I'm right here, super supportive dad. Yeah. Yeah.

503
00:19:39,320 --> 00:19:40,240
Speaker 2: So what about your mom?

504
00:19:40,280 --> 00:19:41,679
Speaker 1: They still together? Yeah? Okay?

505
00:19:41,720 --> 00:19:42,439
Speaker 2: And what does she do?

506
00:19:43,359 --> 00:19:46,160
Speaker 3: She used to work as a lab tech in the hospital,

507
00:19:46,200 --> 00:19:47,960
Speaker 3: but she is was a stay at home mom for

508
00:19:48,080 --> 00:19:48,840
Speaker 3: my entire life.

509
00:19:48,920 --> 00:19:52,280
Speaker 1: A lab tech like needles, Yeah, you know. I had

510
00:19:52,280 --> 00:19:54,000
Speaker 1: a cousin once who was training to be a lab

511
00:19:54,080 --> 00:19:56,399
Speaker 1: tech and she said, Hey, I need to borrow you

512
00:19:56,560 --> 00:19:59,399
Speaker 1: for needle practice. And I was like, first of all,

513
00:19:59,400 --> 00:20:01,160
Speaker 1: that's not gonna have and I don't do needles very well.

514
00:20:01,320 --> 00:20:02,720
Speaker 1: That she was like, I need to do needles in

515
00:20:02,720 --> 00:20:04,560
Speaker 1: your knuckles because apparently they have to learn if they

516
00:20:04,560 --> 00:20:06,240
Speaker 1: can't get it from your arm, they have to draw

517
00:20:06,240 --> 00:20:08,840
Speaker 1: it from your knuckles, and so I don't do I

518
00:20:08,840 --> 00:20:10,639
Speaker 1: didn't let her do it, obviously, but I didn't know

519
00:20:10,640 --> 00:20:12,719
Speaker 1: you could draw a needle from knuckles me either. Does

520
00:20:12,760 --> 00:20:13,879
Speaker 1: your mom draw blood from people?

521
00:20:14,160 --> 00:20:14,440
Speaker 3: Uh?

522
00:20:14,480 --> 00:20:17,639
Speaker 1: She did? Yeah, if you were sick. Could she help you,

523
00:20:18,720 --> 00:20:21,080
Speaker 1: like by giving you IVS or medicine.

524
00:20:21,200 --> 00:20:22,920
Speaker 3: She never did any of that stuff, but I mean

525
00:20:22,960 --> 00:20:25,920
Speaker 3: she had medical knowledge, so she I mean, she would

526
00:20:25,960 --> 00:20:27,400
Speaker 3: help us out as much as she could.

527
00:20:27,480 --> 00:20:30,320
Speaker 1: All Right, So you moved to the States when four

528
00:20:30,400 --> 00:20:33,480
Speaker 1: years ago, you've only been here four years? Yeah, So okay,

529
00:20:33,560 --> 00:20:35,400
Speaker 1: So do you do the whole Canada thing first where

530
00:20:35,400 --> 00:20:37,160
Speaker 1: you're you know, you're like, I'm gonna be a star

531
00:20:37,200 --> 00:20:37,800
Speaker 1: in Canada?

532
00:20:37,920 --> 00:20:39,960
Speaker 3: Not really. I mean I was a little bit involved

533
00:20:39,960 --> 00:20:44,560
Speaker 3: in like the Canadian country music industry up there, and

534
00:20:44,720 --> 00:20:46,480
Speaker 3: they had a really cool program that I was a

535
00:20:46,480 --> 00:20:48,399
Speaker 3: part of that was like the Discovery program where they

536
00:20:48,400 --> 00:20:51,119
Speaker 3: help you out, give you the connections and everything. But

537
00:20:51,440 --> 00:20:53,600
Speaker 3: I always knew that I wanted to be in Nashville.

538
00:20:53,640 --> 00:20:56,359
Speaker 3: I made my first trip. It was it's almost exactly

539
00:20:56,440 --> 00:20:59,280
Speaker 3: ten years ago when I first came here to you know,

540
00:20:59,359 --> 00:21:02,200
Speaker 3: write and get involved in everything. So I always had

541
00:21:02,240 --> 00:21:05,480
Speaker 3: my sights set on Nashville, and so I didn't spend

542
00:21:05,480 --> 00:21:08,479
Speaker 3: a ton of time focusing on on the Canadian scene.

543
00:21:08,560 --> 00:21:10,679
Speaker 1: So what was it for you that made you go, oh,

544
00:21:10,760 --> 00:21:11,680
Speaker 1: I got to move down there.

545
00:21:12,840 --> 00:21:17,680
Speaker 3: I think I had just seen so many people it's

546
00:21:17,720 --> 00:21:20,199
Speaker 3: just such a community. Like Canada is so spread out.

547
00:21:20,280 --> 00:21:22,880
Speaker 3: I wish they had a place that everybody could go

548
00:21:22,920 --> 00:21:25,679
Speaker 3: and write with each other because there's really there's nothing.

549
00:21:25,680 --> 00:21:28,240
Speaker 3: I mean, everybody's so spread out. So I knew that

550
00:21:28,359 --> 00:21:31,640
Speaker 3: Nashville was just such a community. I knew that some

551
00:21:31,680 --> 00:21:34,080
Speaker 3: of my favorite songwriters, some of my favorite artists. That's

552
00:21:34,080 --> 00:21:37,280
Speaker 3: what they did. They once they could, they moved to Nashville,

553
00:21:37,359 --> 00:21:39,600
Speaker 3: and they made their connections and they just started building

554
00:21:39,640 --> 00:21:41,680
Speaker 3: it from the ground up. And that's what I wanted

555
00:21:41,680 --> 00:21:41,920
Speaker 3: to do.

556
00:21:42,400 --> 00:21:43,480
Speaker 1: So you tell your parents what.

557
00:21:44,560 --> 00:21:49,119
Speaker 3: Well. The first time I actually came down, I was

558
00:21:49,400 --> 00:21:51,520
Speaker 3: fourteen or fifteen, and I had just been putting up

559
00:21:51,560 --> 00:21:55,040
Speaker 3: YouTube videos and stuff and a manager called her house

560
00:21:55,720 --> 00:21:58,240
Speaker 3: and he was like, Hey, I want to bring you

561
00:21:58,280 --> 00:22:00,199
Speaker 3: to Nashville and I want to see if you know

562
00:22:00,400 --> 00:22:02,440
Speaker 3: you work well with this girl, because he was proposing

563
00:22:02,480 --> 00:22:03,400
Speaker 3: me to be in this duo.

564
00:22:03,680 --> 00:22:05,239
Speaker 1: Oh so what you got? Justin Biebert? A little bit?

565
00:22:05,240 --> 00:22:06,720
Speaker 1: They see you in a little bit as a kid,

566
00:22:06,800 --> 00:22:08,439
Speaker 1: someone sees you on YouTube and says, let's do it.

567
00:22:08,520 --> 00:22:11,200
Speaker 1: Yeah a bit that will be creepy to me though,

568
00:22:11,200 --> 00:22:13,040
Speaker 1: I'll be like, really, what's happening here? Yeah?

569
00:22:13,080 --> 00:22:15,399
Speaker 3: I mean, oh, my dad was super skeptical about it.

570
00:22:15,440 --> 00:22:18,840
Speaker 3: My mom was excited because I was excited. But yeah,

571
00:22:18,880 --> 00:22:21,040
Speaker 3: it was definitely kind of like a well, let's just

572
00:22:21,080 --> 00:22:24,320
Speaker 3: go see what happens. Like let's saying about it, but yeah,

573
00:22:24,400 --> 00:22:27,679
Speaker 3: let's go see what happens. And it was so they

574
00:22:27,880 --> 00:22:29,760
Speaker 3: they always knew that that's where I wanted to go,

575
00:22:30,000 --> 00:22:32,200
Speaker 3: so they were supportive of it. And when I moved,

576
00:22:32,240 --> 00:22:33,840
Speaker 3: they were like, oh, yeah, go for it.

577
00:22:34,200 --> 00:22:36,000
Speaker 2: So what happened with that duo?

578
00:22:36,600 --> 00:22:39,880
Speaker 3: It just didn't work out. Our music ideas were so different.

579
00:22:40,200 --> 00:22:42,800
Speaker 3: And it was kind of like a Maddian Ta thing before,

580
00:22:43,240 --> 00:22:45,000
Speaker 3: like pretty much right before Maddie and Te.

581
00:22:45,160 --> 00:22:46,320
Speaker 2: So, well, who is the girl?

582
00:22:46,400 --> 00:22:49,320
Speaker 3: Is she around? I think she's still.

583
00:22:49,240 --> 00:22:50,399
Speaker 2: Miranda Lambert say it?

584
00:22:51,040 --> 00:22:52,679
Speaker 1: No, yeah we thought so.

585
00:22:53,080 --> 00:22:54,760
Speaker 2: No, she's still in town.

586
00:22:55,480 --> 00:22:57,560
Speaker 3: I don't think so. I think she went to college somewhere.

587
00:22:57,600 --> 00:22:58,399
Speaker 1: You guys hated each other.

588
00:22:58,480 --> 00:23:00,000
Speaker 3: Huh. We didn't get along.

589
00:23:00,040 --> 00:23:01,640
Speaker 1: Oh I was just kidding, but wow, for you, Yeah,

590
00:23:01,640 --> 00:23:02,320
Speaker 1: we didn't get along.

591
00:23:02,359 --> 00:23:03,720
Speaker 2: Oh, Mike and I don't get along.

592
00:23:03,800 --> 00:23:06,240
Speaker 1: Yeah, we just kind of sat there and okay, so

593
00:23:06,280 --> 00:23:07,680
Speaker 1: you come and you go. Okay, Well, Nashville is where

594
00:23:07,680 --> 00:23:09,320
Speaker 1: I want to be so you go back home? Yeah,

595
00:23:09,359 --> 00:23:10,240
Speaker 1: and do you finish school?

596
00:23:10,560 --> 00:23:12,000
Speaker 3: I did? I finished high school.

597
00:23:11,800 --> 00:23:13,640
Speaker 1: Okay, and then you go. As soon as I'm done,

598
00:23:13,680 --> 00:23:14,280
Speaker 1: I'm out of here.

599
00:23:14,400 --> 00:23:14,840
Speaker 3: Yeah.

600
00:23:14,880 --> 00:23:17,040
Speaker 1: And so when did you actually pack up and move down?

601
00:23:17,359 --> 00:23:20,439
Speaker 3: I stayed for just like a couple of years, just

602
00:23:20,480 --> 00:23:22,760
Speaker 3: saving up. I still lived with my parents and everything.

603
00:23:22,840 --> 00:23:26,000
Speaker 3: And yeah, I was twenty one when I moved down,

604
00:23:26,280 --> 00:23:28,560
Speaker 3: first time I had ever lived on my own. Got

605
00:23:28,640 --> 00:23:31,200
Speaker 3: a one bedroom apartment, the whole thing.

606
00:23:31,320 --> 00:23:35,360
Speaker 1: Who moved with you? My mom and a what tell

607
00:23:35,359 --> 00:23:36,679
Speaker 1: me the story you get in the U haul? Do

608
00:23:36,680 --> 00:23:37,840
Speaker 1: you get starck with the trailer?

609
00:23:38,040 --> 00:23:41,080
Speaker 3: We did the drive twice. The first time. We took

610
00:23:41,119 --> 00:23:44,000
Speaker 3: her car and just loaded it up and drove as

611
00:23:44,080 --> 00:23:46,080
Speaker 3: much as we could down just to get moved in.

612
00:23:46,640 --> 00:23:49,440
Speaker 3: And then I ended up driving back again. I can't

613
00:23:49,440 --> 00:23:52,040
Speaker 3: really remember why that happened, but I took I have

614
00:23:52,160 --> 00:23:56,600
Speaker 3: like a little yellow Pontiac G five from when I

615
00:23:56,640 --> 00:23:59,639
Speaker 3: was like sixteen, and we loaded that thing up and

616
00:23:59,680 --> 00:24:01,480
Speaker 3: I'll have that car. We drove it all the way

617
00:24:01,520 --> 00:24:04,399
Speaker 3: down here, and my mom stayed for like about a

618
00:24:04,440 --> 00:24:06,480
Speaker 3: week to just get me settled, and then she hopped

619
00:24:06,520 --> 00:24:08,360
Speaker 3: on a plane and left me by myself.

620
00:24:08,400 --> 00:24:09,040
Speaker 1: What's the drive?

621
00:24:09,840 --> 00:24:12,240
Speaker 3: Full twenty five hours of driving, so it took us

622
00:24:12,280 --> 00:24:13,160
Speaker 3: about two days.

623
00:24:13,480 --> 00:24:15,520
Speaker 1: Do you still have that car? Do you still drive

624
00:24:15,520 --> 00:24:19,159
Speaker 1: that car? H? I like you with this millionaire record deal,

625
00:24:19,160 --> 00:24:22,520
Speaker 1: you shouldn't have like Mercede, you know, talk about that

626
00:24:22,560 --> 00:24:26,720
Speaker 1: for a second, because that is quite the misconception because

627
00:24:28,000 --> 00:24:30,480
Speaker 1: you sign a record and listen, when I signed my

628
00:24:30,720 --> 00:24:32,640
Speaker 1: record deal, I actually think I went in the hole.

629
00:24:32,720 --> 00:24:33,720
Speaker 2: I think I lost money.

630
00:24:34,440 --> 00:24:36,960
Speaker 1: And people think when you sign a deal that it's

631
00:24:37,000 --> 00:24:39,760
Speaker 1: just like a whole bunch of money given to you.

632
00:24:39,760 --> 00:24:42,680
Speaker 1: You're a bit different than I am. You're better tell

633
00:24:42,720 --> 00:24:44,280
Speaker 1: me what happens when you sign a deal.

634
00:24:45,000 --> 00:24:50,080
Speaker 3: Well, for me, my deal was pretty unique because my publisher,

635
00:24:51,080 --> 00:24:52,880
Speaker 3: so I had been living off of, you know, being

636
00:24:52,960 --> 00:24:54,040
Speaker 3: a songwriter.

637
00:24:53,680 --> 00:24:55,440
Speaker 1: And you sign a publishing deal.

638
00:24:55,440 --> 00:24:58,360
Speaker 3: I first signed a publishing deal first, and about halfway

639
00:24:58,400 --> 00:25:02,000
Speaker 3: through that first year, publisher was like, we should record

640
00:25:02,040 --> 00:25:03,680
Speaker 3: this stuff on you. He knew that I wanted to

641
00:25:03,680 --> 00:25:07,320
Speaker 3: be an artist, and so he really started just helping

642
00:25:07,320 --> 00:25:09,520
Speaker 3: me out with all of that stuff, which was really

643
00:25:09,520 --> 00:25:12,280
Speaker 3: really cool, and I ended up signing kind of he

644
00:25:12,359 --> 00:25:15,840
Speaker 3: created a label, I guess for me to release music.

645
00:25:16,359 --> 00:25:19,359
Speaker 3: And so when I ended up signing with Reviver like

646
00:25:19,400 --> 00:25:21,960
Speaker 3: that all still kind of stayed together, So not much

647
00:25:22,000 --> 00:25:25,000
Speaker 3: really changed for me other than having, you know, all

648
00:25:25,040 --> 00:25:27,879
Speaker 3: of the label and everything. But yeah, no, it's not

649
00:25:27,920 --> 00:25:31,040
Speaker 3: like you're just like handed a bunch of money and like, yeah,

650
00:25:31,119 --> 00:25:32,200
Speaker 3: you're a signed artist now.

651
00:25:32,280 --> 00:25:35,639
Speaker 1: Mostly they go, we're gonna pay for you to do things,

652
00:25:36,400 --> 00:25:39,000
Speaker 1: and even then you got to pay us back. Yeah

653
00:25:39,040 --> 00:25:43,040
Speaker 1: that's really Yeah, unless you're a major artist switching labels

654
00:25:43,080 --> 00:25:46,040
Speaker 1: and they're trying to woo you. They're going, Okay, we're

655
00:25:46,040 --> 00:25:47,359
Speaker 1: now going to pay for you to make a record,

656
00:25:47,600 --> 00:25:49,080
Speaker 1: and we're gonna pay for you to travel and do

657
00:25:49,080 --> 00:25:52,760
Speaker 1: what they call radio tour, but you will pay us back, yeah,

658
00:25:52,880 --> 00:25:54,400
Speaker 1: or we will drop you. One of the two things

659
00:25:54,400 --> 00:25:58,399
Speaker 1: will happen. And so sounds sounds amazing, doesn't it. But

660
00:25:58,440 --> 00:26:00,000
Speaker 1: it is cool to actually get a deal because they're

661
00:26:00,000 --> 00:26:01,960
Speaker 1: actually supporting you to go out and try all this thing.

662
00:26:02,000 --> 00:26:04,320
Speaker 3: It is and I mean without that, it'd be really

663
00:26:04,359 --> 00:26:07,040
Speaker 3: really hard to do all of those things if you

664
00:26:07,080 --> 00:26:08,240
Speaker 3: didn't have that support.

665
00:26:08,359 --> 00:26:09,439
Speaker 2: What'd you put on YouTube?

666
00:26:09,440 --> 00:26:09,880
Speaker 1: What song?

667
00:26:10,560 --> 00:26:11,760
Speaker 3: Uh? Like the one that I get?

668
00:26:11,800 --> 00:26:14,600
Speaker 1: Yeah, the one that govern there's always there's always a video.

669
00:26:14,880 --> 00:26:18,280
Speaker 3: It was fifteen by Taylor Swift and I was fifteen

670
00:26:18,359 --> 00:26:20,680
Speaker 3: singing it, so that's what got me here.

671
00:26:21,200 --> 00:26:23,760
Speaker 1: And when they called, they asked for you. Wait, how

672
00:26:23,760 --> 00:26:24,600
Speaker 1: did they get your number?

673
00:26:24,960 --> 00:26:27,159
Speaker 3: That's the whole thing that I still have not figured out.

674
00:26:27,160 --> 00:26:29,560
Speaker 3: I don't know how they found me, but I mean,

675
00:26:29,840 --> 00:26:31,480
Speaker 3: I'm glad that they did because I learned a lot

676
00:26:31,520 --> 00:26:34,520
Speaker 3: from it. But yeah, they literally just were like, hey,

677
00:26:34,640 --> 00:26:37,920
Speaker 3: is to kneel there. I answered the phone and talked

678
00:26:37,920 --> 00:26:41,680
Speaker 3: to them for a little while, and yeah, it was weird.

679
00:26:41,840 --> 00:26:44,159
Speaker 1: Grand Ole Oprey debut just happened. Yes, how'd that go?

680
00:26:44,440 --> 00:26:47,320
Speaker 3: Amazing? Oh my gosh. I still can't even believe that

681
00:26:47,400 --> 00:26:49,520
Speaker 3: it happened. Like it was just one of those moments

682
00:26:49,560 --> 00:26:51,520
Speaker 3: where you're like, it feels like a pad on the

683
00:26:51,560 --> 00:26:54,520
Speaker 3: back from the country music industry, you know, just everybody

684
00:26:54,600 --> 00:26:57,320
Speaker 3: here being like you deserve to be on that stage

685
00:26:57,320 --> 00:26:59,520
Speaker 3: and make your debut. So I think that's what meant

686
00:26:59,600 --> 00:27:02,520
Speaker 3: so much to me. And I had a ton of

687
00:27:02,560 --> 00:27:05,199
Speaker 3: family and friends, everybody in town for it, so it

688
00:27:05,240 --> 00:27:07,119
Speaker 3: was just a really big deal and it made me

689
00:27:07,119 --> 00:27:07,960
Speaker 3: feel very special.

690
00:27:09,119 --> 00:27:12,960
Speaker 1: Yeah, so the operator the first time is like a

691
00:27:13,960 --> 00:27:16,840
Speaker 1: your eyes wide open thing. Yeah, you'll like this second

692
00:27:17,000 --> 00:27:19,480
Speaker 1: through the ninth or tenth time because you actually can

693
00:27:19,480 --> 00:27:21,520
Speaker 1: take it in. Yeah, there's just a lot of people

694
00:27:21,560 --> 00:27:23,359
Speaker 1: there on the first one. The first time that I

695
00:27:23,400 --> 00:27:25,040
Speaker 1: played it, I was like, holy crap. And I do

696
00:27:25,119 --> 00:27:26,760
Speaker 1: comedy the little bit of music, right, so it's not

697
00:27:26,800 --> 00:27:28,560
Speaker 1: definitely not the same, Like you're a legitimate artist.

698
00:27:28,560 --> 00:27:30,679
Speaker 2: I'm a joke, so you.

699
00:27:32,160 --> 00:27:33,960
Speaker 1: It's just so many people like oh my goodness, oh

700
00:27:33,960 --> 00:27:36,119
Speaker 1: my goodness, that it's really hard to take it in.

701
00:27:36,320 --> 00:27:36,520
Speaker 3: Yeah.

702
00:27:36,720 --> 00:27:38,320
Speaker 1: I feel like that would be what a wedding is like,

703
00:27:38,359 --> 00:27:40,040
Speaker 1: even never been married, so I don't.

704
00:27:40,160 --> 00:27:42,359
Speaker 3: It's like the build up is like so crazy and

705
00:27:42,400 --> 00:27:44,480
Speaker 3: then it's like over in a second, and you're like.

706
00:27:44,520 --> 00:27:46,200
Speaker 2: Oh it is quick.

707
00:27:46,680 --> 00:27:48,840
Speaker 1: But I will say, I don't know if you're playing

708
00:27:48,880 --> 00:27:53,360
Speaker 1: it anytime soon, but you actually enjoy the opry experience

709
00:27:53,920 --> 00:27:57,399
Speaker 1: from now on more. Yeah, yeah, because you look and you.

710
00:27:57,760 --> 00:28:00,240
Speaker 1: For me, I struggle with even seeing anyone in theudience

711
00:28:00,280 --> 00:28:01,959
Speaker 1: because I was just like, oh my god, this is crazy.

712
00:28:02,280 --> 00:28:05,840
Speaker 1: I'm up here playing, I'm in the circle, and so

713
00:28:05,920 --> 00:28:08,280
Speaker 1: I really didn't see the people out there. From now

714
00:28:08,320 --> 00:28:10,560
Speaker 1: I walk out there, it's it goes much slower.

715
00:28:10,720 --> 00:28:11,720
Speaker 3: Yeah, that's good.

716
00:28:11,880 --> 00:28:12,879
Speaker 2: It's you can take it in.

717
00:28:13,000 --> 00:28:15,320
Speaker 1: You can actually breathe and talk in between segments if

718
00:28:15,320 --> 00:28:16,200
Speaker 1: you want to. M hmm.

719
00:28:16,359 --> 00:28:18,480
Speaker 2: There's not the pressure of all your family being there.

720
00:28:18,600 --> 00:28:21,200
Speaker 1: Yeah, good pressure, but there's still a lot of pressure

721
00:28:21,200 --> 00:28:22,119
Speaker 1: there with everybody watching.

722
00:28:22,400 --> 00:28:24,879
Speaker 3: Yeah, it definitely was like a little bit of pressure.

723
00:28:24,920 --> 00:28:27,159
Speaker 3: But I tried to When I walked out there, I

724
00:28:27,240 --> 00:28:29,680
Speaker 3: was like, for whatever reason, I wanted to like watch

725
00:28:29,720 --> 00:28:31,960
Speaker 3: my footstep into the circle, So I made sure to

726
00:28:32,040 --> 00:28:34,480
Speaker 3: just like take a moment to see that moment.

727
00:28:34,560 --> 00:28:35,840
Speaker 1: That's cool. Are you that kind of person? Are you

728
00:28:35,840 --> 00:28:37,280
Speaker 1: a take a moment person? Yeah?

729
00:28:37,320 --> 00:28:40,040
Speaker 3: I try to be, especially with those like really big moments.

730
00:28:40,080 --> 00:28:42,280
Speaker 3: Otherwise it just gets away from me.

731
00:28:42,240 --> 00:28:50,600
Speaker 1: Sometimes, right, Top three Big moments in your life. Okay,

732
00:28:50,640 --> 00:28:53,320
Speaker 1: let's let's walk backward on this. I know I'm giving

733
00:28:53,320 --> 00:28:56,400
Speaker 1: you a second on this one. You're twenty five years old.

734
00:28:56,640 --> 00:28:59,600
Speaker 1: Top three Big moments of your life at number three,

735
00:29:00,280 --> 00:29:02,440
Speaker 1: at number three, at number three in America, we go

736
00:29:02,480 --> 00:29:03,040
Speaker 1: backward to one.

737
00:29:03,040 --> 00:29:04,000
Speaker 2: It's like a big build up.

738
00:29:04,640 --> 00:29:06,360
Speaker 3: Can I still use the operator of course?

739
00:29:06,480 --> 00:29:06,720
Speaker 1: Yeah?

740
00:29:06,720 --> 00:29:07,680
Speaker 2: Nothing, Number three?

741
00:29:07,760 --> 00:29:11,520
Speaker 3: Number three? Uh? Performing on the Bachelor?

742
00:29:11,800 --> 00:29:15,320
Speaker 1: Okay, which one or two? You can two?

743
00:29:15,680 --> 00:29:18,720
Speaker 3: Because it was just bigger and more people who are like.

744
00:29:18,760 --> 00:29:21,960
Speaker 1: That so that's number three life moment. Number two life moment.

745
00:29:23,320 --> 00:29:27,400
Speaker 3: Performing the Canadian national anthem at the NBA Finals recently.

746
00:29:27,560 --> 00:29:29,000
Speaker 1: Yeah, that's pretty cool.

747
00:29:29,080 --> 00:29:31,960
Speaker 3: It was a big one. It was something that literally

748
00:29:32,240 --> 00:29:35,400
Speaker 3: when I started working with my manager, I was like,

749
00:29:35,440 --> 00:29:37,000
Speaker 3: the one thing I do not want to do is

750
00:29:37,040 --> 00:29:41,640
Speaker 3: sing any anthems. I am terrified. And that was when

751
00:29:41,640 --> 00:29:44,200
Speaker 3: I got the call for that. Obviously, I was excited

752
00:29:44,240 --> 00:29:47,440
Speaker 3: and wanted to take that opportunity and take that risk,

753
00:29:47,800 --> 00:29:50,520
Speaker 3: but it was the most terrifying moment of my entire

754
00:29:50,520 --> 00:29:51,080
Speaker 3: life so far.

755
00:29:52,360 --> 00:29:54,520
Speaker 2: What did you sing with any a band.

756
00:29:54,440 --> 00:29:59,120
Speaker 1: Or totally about acapella? Yeah? So was there any sort

757
00:29:59,120 --> 00:30:02,000
Speaker 1: of echo back on top of you? Yes, because that.

758
00:30:02,160 --> 00:30:05,280
Speaker 3: Songs it that was tough. There was a lot of

759
00:30:05,320 --> 00:30:08,960
Speaker 3: people and just you're kind of trying to keep my

760
00:30:09,040 --> 00:30:11,520
Speaker 3: note in my head walking out to the spot where

761
00:30:11,520 --> 00:30:13,560
Speaker 3: I'm supposed to sing. I was so worried about that.

762
00:30:14,120 --> 00:30:15,840
Speaker 3: And then they have all these rules about like you

763
00:30:15,920 --> 00:30:18,200
Speaker 3: have to take a hard left to like walk off

764
00:30:18,280 --> 00:30:20,000
Speaker 3: so that you don't get hit by the flag that's

765
00:30:20,000 --> 00:30:22,240
Speaker 3: coming out for the American anthem, and there were just

766
00:30:22,280 --> 00:30:23,480
Speaker 3: so many things to think about.

767
00:30:23,720 --> 00:30:27,120
Speaker 1: But so I explain how we're gonna get to number

768
00:30:27,120 --> 00:30:29,600
Speaker 1: one in a second. But explain how you're holding your note,

769
00:30:29,640 --> 00:30:31,160
Speaker 1: all the stuffs happening around you, what are you doing

770
00:30:31,240 --> 00:30:31,840
Speaker 1: inside your head?

771
00:30:32,160 --> 00:30:35,120
Speaker 3: If you watch back any of the clips, I'm literally

772
00:30:35,160 --> 00:30:39,320
Speaker 3: just like like singing it in my head constantly.

773
00:30:39,440 --> 00:30:40,000
Speaker 2: But you got it.

774
00:30:40,120 --> 00:30:40,719
Speaker 3: Yeah.

775
00:30:40,920 --> 00:30:42,760
Speaker 1: And the thing, well, I don't know about the Canadian anthem,

776
00:30:42,800 --> 00:30:45,120
Speaker 1: but the American anthem, if you start a little higher

777
00:30:45,120 --> 00:30:48,400
Speaker 1: than you're supposed to, you're done. Oh yeah, what's the

778
00:30:48,440 --> 00:30:49,440
Speaker 1: Canadian anthem? Like?

779
00:30:49,760 --> 00:30:53,960
Speaker 3: It's not difficult to sing, like, the range isn't as

780
00:30:54,000 --> 00:30:57,920
Speaker 3: crazy as the American anthem. But I think for me,

781
00:30:58,320 --> 00:31:01,200
Speaker 3: I overthink anthems so much. I'll go over the lyrics

782
00:31:01,200 --> 00:31:02,840
Speaker 3: in my head a hundred times.

783
00:31:02,960 --> 00:31:06,000
Speaker 1: There's almost a no win. No, there is a win

784
00:31:06,040 --> 00:31:07,160
Speaker 1: because it's number two on your list.

785
00:31:07,360 --> 00:31:07,880
Speaker 2: So that's a win.

786
00:31:08,000 --> 00:31:12,080
Speaker 1: However, in the grand scheme of doing the anthem, if

787
00:31:12,120 --> 00:31:14,960
Speaker 1: you go out and you nail the anthem you were

788
00:31:15,000 --> 00:31:17,520
Speaker 1: supposed to nail the anthem, life just moves on.

789
00:31:17,760 --> 00:31:17,960
Speaker 3: Yeah.

790
00:31:18,240 --> 00:31:21,680
Speaker 1: If you screw up the anthem any anthem, life does

791
00:31:21,680 --> 00:31:24,600
Speaker 1: not move on. No, people get pissed. Yeah, So it's

792
00:31:24,640 --> 00:31:26,959
Speaker 1: a lot of pressure where if you nail it, you

793
00:31:26,960 --> 00:31:27,920
Speaker 1: were supposed to think.

794
00:31:27,960 --> 00:31:30,440
Speaker 2: You go about your day, but if you don't, holy crap.

795
00:31:30,720 --> 00:31:33,360
Speaker 3: I mean I actually ended up getting a lot of criticism.

796
00:31:34,160 --> 00:31:38,120
Speaker 3: Why because I changed it up a little bit.

797
00:31:38,640 --> 00:31:40,880
Speaker 1: We took it. You made it your own. It's not

798
00:31:40,920 --> 00:31:41,920
Speaker 1: American idol to nail.

799
00:31:43,160 --> 00:31:46,120
Speaker 3: But okay, like the anthem is like, oh Canada, and

800
00:31:46,160 --> 00:31:47,560
Speaker 3: I went, oh, Canada.

801
00:31:48,120 --> 00:31:50,560
Speaker 1: Probably wouldn't done that for me. I would just got

802
00:31:50,600 --> 00:31:52,960
Speaker 1: Robert Goolay and watched him and done that. Yeah, okay, well,

803
00:31:53,360 --> 00:31:55,040
Speaker 1: oh Canada.

804
00:31:55,720 --> 00:31:57,360
Speaker 3: But that's not me. So I went out there and

805
00:31:57,400 --> 00:31:58,640
Speaker 3: I did it the way that you know.

806
00:31:58,760 --> 00:32:01,920
Speaker 1: Robert Goulay is. No, he's I think he's I think

807
00:32:01,920 --> 00:32:03,240
Speaker 1: he's Canadian. Do you know who he is? I do

808
00:32:03,360 --> 00:32:05,760
Speaker 1: know who he is. I saw him saying that the

809
00:32:05,840 --> 00:32:08,520
Speaker 1: Canadians playing without WrestleMania once and for some reason, he's

810
00:32:08,520 --> 00:32:09,280
Speaker 1: stuck in my head.

811
00:32:09,680 --> 00:32:11,760
Speaker 2: You see if Robert Gouley is Canadian, because if he's not,

812
00:32:11,760 --> 00:32:12,440
Speaker 2: I feel like I do.

813
00:32:13,280 --> 00:32:15,680
Speaker 1: Okay, good for you. That's a number two singing the

814
00:32:15,720 --> 00:32:19,600
Speaker 1: Canadian national anthem at the NBA Finals And who is

815
00:32:19,640 --> 00:32:20,800
Speaker 1: the game? What was the game?

816
00:32:21,240 --> 00:32:22,160
Speaker 3: It was Toronto?

817
00:32:22,440 --> 00:32:24,000
Speaker 2: And oh there's the last one, Golden State.

818
00:32:24,920 --> 00:32:27,240
Speaker 3: Yeah it wasn't the last, but they were, Yeah, they were.

819
00:32:27,400 --> 00:32:28,400
Speaker 2: Yes, it was in the finals.

820
00:32:28,600 --> 00:32:29,440
Speaker 1: It wasn't the last.

821
00:32:29,600 --> 00:32:31,600
Speaker 3: Okay, yeah, I don't know sports, but yes, that's what happened.

822
00:32:31,640 --> 00:32:35,080
Speaker 1: Okay, So but who won the game? Uh, don't say

823
00:32:35,080 --> 00:32:37,520
Speaker 1: Golden State because if you do, this may be the

824
00:32:37,560 --> 00:32:41,360
Speaker 1: curse of Danil. You don't know. We'll go with Toronto then,

825
00:32:41,760 --> 00:32:43,360
Speaker 1: and Kawuhi had a big game? Is the whole thing?

826
00:32:43,720 --> 00:32:44,040
Speaker 3: Yeah?

827
00:32:44,120 --> 00:32:49,040
Speaker 1: Yeah, big yeah, Mike. He is of Canadian descent boom

828
00:32:49,080 --> 00:32:52,200
Speaker 1: from where well he was born in the US. Crap,

829
00:32:52,280 --> 00:32:57,080
Speaker 1: but ancestry is in Canadian, Canadian Canadian. Who's the most

830
00:32:57,120 --> 00:32:58,600
Speaker 1: famous person you're growing up in Canada?

831
00:32:59,840 --> 00:33:01,080
Speaker 3: The most famous person to me?

832
00:33:01,280 --> 00:33:04,960
Speaker 1: Yeah, Shania Twain okay, because she was from Canada and

833
00:33:05,000 --> 00:33:07,320
Speaker 1: also massive and probably the most famous everybody period in

834
00:33:07,320 --> 00:33:11,720
Speaker 1: North America. Yes, okay, so Shania Twain? Who anybody else?

835
00:33:11,880 --> 00:33:14,720
Speaker 1: Because we're I'm on the radios to sketch one? Is

836
00:33:14,760 --> 00:33:16,200
Speaker 1: that a town or a province?

837
00:33:16,480 --> 00:33:16,880
Speaker 3: Province?

838
00:33:16,880 --> 00:33:21,520
Speaker 1: Okay? So dumb, forgive me, because here's what happened. I'll

839
00:33:21,600 --> 00:33:24,040
Speaker 1: I love the people in Canada, can't get enough of them.

840
00:33:24,280 --> 00:33:26,680
Speaker 1: That being said, I was thrown into so many places

841
00:33:26,680 --> 00:33:29,920
Speaker 1: at once. Yeah, that they're like you're in all and

842
00:33:29,960 --> 00:33:31,920
Speaker 1: I'm trying to learn as fast as I can. I'm

843
00:33:31,920 --> 00:33:36,040
Speaker 1: a big Outawa Senators fan, although they suck, so I

844
00:33:36,080 --> 00:33:38,800
Speaker 1: wear the hat proudly. But that maybe the worst run

845
00:33:39,040 --> 00:33:42,520
Speaker 1: hockey organization in the NHL. Are you a hockey fan

846
00:33:42,880 --> 00:33:43,800
Speaker 1: a little bit? Okay?

847
00:33:43,800 --> 00:33:44,680
Speaker 2: Who's your team?

848
00:33:44,880 --> 00:33:48,080
Speaker 3: Well? I just hop on the band wagon of wherever

849
00:33:48,160 --> 00:33:48,480
Speaker 3: I am.

850
00:33:48,560 --> 00:33:52,640
Speaker 1: So friends, Oh, you don't have like a Canadian team.

851
00:33:52,720 --> 00:33:55,560
Speaker 1: I don't you think did your dad like watch a team?

852
00:33:55,640 --> 00:33:58,160
Speaker 3: I mean, like we grew up as a family. My

853
00:33:58,240 --> 00:34:01,160
Speaker 3: brother played, so I mean the most hockey I watched

854
00:34:01,200 --> 00:34:03,520
Speaker 3: was him playing. I also played for a year, just

855
00:34:03,560 --> 00:34:06,680
Speaker 3: saying but yeah, played hockey.

856
00:34:06,760 --> 00:34:11,040
Speaker 1: Yet you don't have like a team that you watched. Oh, okay,

857
00:34:11,080 --> 00:34:11,960
Speaker 1: so you're a Preds fan.

858
00:34:12,280 --> 00:34:14,840
Speaker 3: Yeah, I like to actually go to games. Watching sports

859
00:34:14,840 --> 00:34:16,759
Speaker 3: on TV just does nothing for me.

860
00:34:17,320 --> 00:34:20,880
Speaker 1: And you played hockey? Also a dancer? Yeah, and you

861
00:34:20,920 --> 00:34:22,600
Speaker 1: answer that confidently. So you're a good dancer.

862
00:34:22,920 --> 00:34:26,920
Speaker 3: I mean I was competitive, especially with like tap dancing.

863
00:34:26,960 --> 00:34:30,040
Speaker 3: That was kind of my thing. But my little sister

864
00:34:30,320 --> 00:34:33,960
Speaker 3: is amazing, and so I once I decided that I

865
00:34:34,040 --> 00:34:36,359
Speaker 3: wasn't going to be a dancer. She really she like

866
00:34:36,560 --> 00:34:39,239
Speaker 3: ran with it. She loves dancing and she still does

867
00:34:39,280 --> 00:34:39,960
Speaker 3: that to this day.

868
00:34:40,080 --> 00:34:40,879
Speaker 1: How many years did.

869
00:34:40,760 --> 00:34:44,320
Speaker 3: You dance from the time I was like three to eighteen?

870
00:34:44,480 --> 00:34:45,160
Speaker 2: Oh a long time.

871
00:34:45,239 --> 00:34:45,439
Speaker 1: Yeah.

872
00:34:45,480 --> 00:34:47,399
Speaker 2: Did you have any championships? I?

873
00:34:47,600 --> 00:34:52,160
Speaker 3: Well, like I went to competitions all around like the provinces,

874
00:34:52,200 --> 00:34:54,360
Speaker 3: boarding Mine, and a few in the States.

875
00:34:54,400 --> 00:34:57,240
Speaker 1: Do you have any trophies? Yeah? I want some stuff

876
00:34:57,320 --> 00:34:59,640
Speaker 1: crap because I want a trophy dance and I like

877
00:34:59,680 --> 00:35:01,680
Speaker 1: to brag about it a little bit. I dance for

878
00:35:02,080 --> 00:35:02,680
Speaker 1: four months.

879
00:35:02,840 --> 00:35:04,879
Speaker 3: Oh well, yeah, there you go.

880
00:35:04,880 --> 00:35:05,279
Speaker 2: That's right.

881
00:35:05,520 --> 00:35:06,560
Speaker 3: That's a pretty big trophy.

882
00:35:06,680 --> 00:35:09,320
Speaker 1: That's right. That's right. So I'll probably imagine if I

883
00:35:09,400 --> 00:35:11,919
Speaker 1: dance for fifteen years, all the trophies I would have. Yeah, dang,

884
00:35:11,960 --> 00:35:14,960
Speaker 1: that was cool, exactly. Okay, so you're in Canada, you

885
00:35:15,000 --> 00:35:18,560
Speaker 1: moved to the States. You've been here for as of today,

886
00:35:18,880 --> 00:35:22,239
Speaker 1: like four years. Yeah, that's it. Huh. Well you're just

887
00:35:22,280 --> 00:35:25,520
Speaker 1: a baby and yeah the nationale terms and you have

888
00:35:25,560 --> 00:35:27,279
Speaker 1: a record deal and you got music that's already. That's

889
00:35:27,480 --> 00:35:29,520
Speaker 1: good for you pop in a little bit.

890
00:35:29,760 --> 00:35:31,600
Speaker 3: Well, I just decided. I was like, if I'm going

891
00:35:31,640 --> 00:35:34,040
Speaker 3: to be away from everybody, because like I moved here

892
00:35:34,160 --> 00:35:37,000
Speaker 3: not knowing anybody. My entire family's back in Canada. I

893
00:35:37,000 --> 00:35:38,440
Speaker 3: was like, if I'm gonna move here, I'm gonna put

894
00:35:38,440 --> 00:35:39,960
Speaker 3: my head down and make sure that this time is

895
00:35:40,040 --> 00:35:43,759
Speaker 3: worth it, and my time away from my family, my grandparents,

896
00:35:43,760 --> 00:35:47,360
Speaker 3: everything I needed to make it feel like it was worthwhile.

897
00:35:47,719 --> 00:35:49,960
Speaker 1: Is it frustrating to not find a key chain with

898
00:35:50,000 --> 00:35:50,719
Speaker 1: your name on it?

899
00:35:51,280 --> 00:35:51,560
Speaker 3: Yes?

900
00:35:52,160 --> 00:35:54,680
Speaker 1: Because I don't know. I never met Aitanil until I

901
00:35:54,760 --> 00:35:58,080
Speaker 1: met the other one yep, and I was like huh.

902
00:35:58,120 --> 00:35:59,920
Speaker 1: And then I heard and I was like, there's another

903
00:36:00,480 --> 00:36:03,319
Speaker 1: So Tanil Town's is a friend and she opened for

904
00:36:03,360 --> 00:36:04,560
Speaker 1: me for a lot of tour, for a lot of

905
00:36:04,560 --> 00:36:07,480
Speaker 1: my comedy tour last year. And then I was like,

906
00:36:07,520 --> 00:36:08,799
Speaker 1: there were like Neil arts and I was like, no,

907
00:36:08,840 --> 00:36:09,520
Speaker 1: you're saying it wrong.

908
00:36:09,600 --> 00:36:11,680
Speaker 2: It said Town, not Art.

909
00:36:11,920 --> 00:36:14,400
Speaker 1: And they're like, no, there's another Tanil And I was like, well,

910
00:36:14,440 --> 00:36:14,920
Speaker 1: how about that.

911
00:36:14,920 --> 00:36:15,520
Speaker 2: That's kind of weird.

912
00:36:15,520 --> 00:36:16,520
Speaker 1: What does she you know?

913
00:36:17,239 --> 00:36:17,319
Speaker 4: What?

914
00:36:17,360 --> 00:36:21,480
Speaker 1: Where she from? Like from Canada too? Same age? That's confusing.

915
00:36:21,680 --> 00:36:23,480
Speaker 3: Yeah, isn't that crazy?

916
00:36:23,640 --> 00:36:25,879
Speaker 1: Did you guys know each other? Yeah? Oh you did

917
00:36:26,600 --> 00:36:28,440
Speaker 1: from like like a tan Neil chat room where you

918
00:36:28,440 --> 00:36:29,960
Speaker 1: guys ever been to Neil would get in and talk

919
00:36:29,960 --> 00:36:30,399
Speaker 1: with each other.

920
00:36:30,480 --> 00:36:32,759
Speaker 3: Actually, the first time I met her, she had one

921
00:36:32,760 --> 00:36:35,200
Speaker 3: of her good friends with her and her name was

922
00:36:35,239 --> 00:36:35,880
Speaker 3: also Tanil.

923
00:36:35,960 --> 00:36:36,960
Speaker 2: So what's what's happening?

924
00:36:37,000 --> 00:36:39,840
Speaker 1: Is there something Canada where they name him after captain

925
00:36:39,880 --> 00:36:41,719
Speaker 1: and to Neil is a big big thing. Mike is

926
00:36:41,800 --> 00:36:44,520
Speaker 1: Tanil Canadian from Captain Intil. I don't know who you

927
00:36:44,560 --> 00:36:45,080
Speaker 1: looked at eye.

928
00:36:45,400 --> 00:36:48,120
Speaker 3: I know that she was born in like Montgomery, Alabama

929
00:36:48,239 --> 00:36:48,640
Speaker 3: or something.

930
00:36:49,680 --> 00:36:51,000
Speaker 1: So you know this already.

931
00:36:50,920 --> 00:36:52,880
Speaker 3: Because I thought that was weird because I grew up

932
00:36:52,920 --> 00:36:55,800
Speaker 3: on Montgomery Crescent. She was from Montgomery, Alabama.

933
00:36:56,080 --> 00:36:57,839
Speaker 1: Does that have anything to do with your name?

934
00:36:58,400 --> 00:37:02,560
Speaker 3: Well, my parents named me after that, after Captain. Yeah,

935
00:37:02,600 --> 00:37:04,640
Speaker 3: they loved the name. But they also gave me two

936
00:37:04,640 --> 00:37:05,480
Speaker 3: middle names.

937
00:37:05,239 --> 00:37:09,239
Speaker 1: Just in case Captaininta was singing songs like Muskrat Love.

938
00:37:09,440 --> 00:37:10,840
Speaker 3: Yeah.

939
00:37:10,880 --> 00:37:12,600
Speaker 1: I don't know how I know that. Did Kevin hit

940
00:37:12,640 --> 00:37:15,120
Speaker 1: his back on the on the text Let's see dad

941
00:37:16,200 --> 00:37:21,080
Speaker 1: yet there? Apparently they're not Canadian lose. That's all right, Okay,

942
00:37:21,120 --> 00:37:24,360
Speaker 1: so let's do we do this. Sometimes you're mount rushmore

943
00:37:24,400 --> 00:37:28,520
Speaker 1: of artists. Okay, you get four. However I allow five

944
00:37:28,840 --> 00:37:31,040
Speaker 1: because everyone always goes let me add one more. I'm

945
00:37:31,080 --> 00:37:32,920
Speaker 1: gonna give you five, but you can't go let me

946
00:37:32,960 --> 00:37:36,240
Speaker 1: add one more. We're already doing that plus one five.

947
00:37:36,560 --> 00:37:39,719
Speaker 1: So okay, five artists on your mount Rushmore? Who is

948
00:37:39,760 --> 00:37:40,520
Speaker 1: your first artist?

949
00:37:40,760 --> 00:37:41,399
Speaker 3: Are they any?

950
00:37:41,600 --> 00:37:43,440
Speaker 2: It doesn't matter, it can be any.

951
00:37:43,200 --> 00:37:45,439
Speaker 3: Genre first artist, Like this is no order?

952
00:37:46,239 --> 00:37:49,120
Speaker 1: Well, okay, you don't have to rank them. Okay, but

953
00:37:49,160 --> 00:37:50,840
Speaker 1: you can if you want. Are you saying right now?

954
00:37:50,920 --> 00:37:51,319
Speaker 1: No order?

955
00:37:51,440 --> 00:37:51,839
Speaker 3: No order?

956
00:37:51,880 --> 00:37:52,239
Speaker 1: No order?

957
00:37:52,280 --> 00:37:57,080
Speaker 3: Because they'll probably come to me as we do this. Well,

958
00:37:57,120 --> 00:37:59,439
Speaker 3: I grew up listening to Paul Simon, Okay, so I'm

959
00:37:59,440 --> 00:38:01,760
Speaker 3: a huge fan of his songwriting and everything.

960
00:38:02,080 --> 00:38:05,640
Speaker 1: It's Graceland. Yeah, the whole record, the whole record, amazing,

961
00:38:05,680 --> 00:38:09,920
Speaker 1: I love it. Okay, go ahead.

962
00:38:10,360 --> 00:38:13,160
Speaker 3: Oh man, this is already hard, and I'm only one

963
00:38:13,200 --> 00:38:19,440
Speaker 3: person in. Shania Twain has to be on there. Uh,

964
00:38:19,880 --> 00:38:21,680
Speaker 3: I know, I'm gonna do this and forget somebody and

965
00:38:21,760 --> 00:38:33,960
Speaker 3: be really sad. Keith Urban, Kelly Clarkson, And.

966
00:38:33,960 --> 00:38:36,200
Speaker 1: You got one here that counts. It's not a bonus

967
00:38:36,200 --> 00:38:39,040
Speaker 1: that you get five. So so far, while you're thinking,

968
00:38:39,040 --> 00:38:44,400
Speaker 1: we have Paul Simon, Shania Twain, Keith Urban, Kelly Clarkson, Oh.

969
00:38:44,239 --> 00:38:49,520
Speaker 3: My gosh, can I call a friend.

970
00:38:50,120 --> 00:38:50,640
Speaker 1: I don't know.

971
00:38:50,920 --> 00:38:53,239
Speaker 3: That's a hard one. There's so many good artists like

972
00:38:53,280 --> 00:38:53,920
Speaker 3: I feel.

973
00:38:53,640 --> 00:38:56,360
Speaker 1: Like, but if you pick nobody, then you get nothing. Yeah,

974
00:38:56,440 --> 00:38:58,440
Speaker 1: you're not bound to this contractually, you know, if you

975
00:38:58,560 --> 00:39:00,600
Speaker 1: leave this house and decide to see me.

976
00:39:00,840 --> 00:39:02,800
Speaker 3: Overthinking everything right now.

977
00:39:02,719 --> 00:39:04,799
Speaker 1: I'm like, wait, do I hate Okay, pull up a

978
00:39:04,800 --> 00:39:07,359
Speaker 1: playlist on your phone? What do you Spotify, Apple Music? Whatever?

979
00:39:07,360 --> 00:39:08,200
Speaker 1: You have? Pull it up?

980
00:39:08,880 --> 00:39:10,440
Speaker 2: Okay, and we will.

981
00:39:13,640 --> 00:39:17,560
Speaker 1: Let's look at the last song? Great, yes, love it? Okay, no, no, no,

982
00:39:17,640 --> 00:39:18,440
Speaker 1: let's look at the playlist.

983
00:39:18,880 --> 00:39:20,040
Speaker 3: Well, I don't really have playlists.

984
00:39:20,040 --> 00:39:21,799
Speaker 1: You don't have like liked songs like the last songs

985
00:39:21,840 --> 00:39:22,480
Speaker 1: you liked.

986
00:39:22,680 --> 00:39:23,399
Speaker 3: I don't do that.

987
00:39:23,800 --> 00:39:25,680
Speaker 2: Let me see your Let me see your playlist.

988
00:39:25,280 --> 00:39:27,160
Speaker 3: Here, Like, I'm kind of all over the place.

989
00:39:27,280 --> 00:39:29,600
Speaker 1: Well you should be musically, But how do you find stuff?

990
00:39:29,960 --> 00:39:30,640
Speaker 1: Chase albums?

991
00:39:30,880 --> 00:39:33,080
Speaker 3: I just like I look up the album like this

992
00:39:33,120 --> 00:39:33,279
Speaker 3: is my.

993
00:39:33,640 --> 00:39:37,200
Speaker 1: You have a last songs? You played yours? Yours?

994
00:39:37,360 --> 00:39:38,920
Speaker 3: I was warming up in the car on the way here.

995
00:39:39,000 --> 00:39:42,000
Speaker 1: Your song, which is interesting. You brought a guitar. We've

996
00:39:42,000 --> 00:39:43,160
Speaker 1: never had anyone bring a guitar.

997
00:39:43,239 --> 00:39:44,959
Speaker 3: Oh, you never know when you're gonna need to break

998
00:39:44,960 --> 00:39:46,240
Speaker 3: out in a song that's true.

999
00:39:46,480 --> 00:39:48,360
Speaker 1: So to your last song is I hate this? Do

1000
00:39:48,400 --> 00:39:49,920
Speaker 1: you have a list of stuff you played recently? I

1001
00:39:49,920 --> 00:39:52,080
Speaker 1: don't know how to get library I got you.

1002
00:39:52,160 --> 00:39:53,279
Speaker 3: Technology is hard for me.

1003
00:39:53,719 --> 00:39:55,160
Speaker 1: Oh check it out.

1004
00:39:55,600 --> 00:39:56,719
Speaker 2: A lot of chumbawamba.

1005
00:39:57,880 --> 00:40:02,640
Speaker 1: You're a big fan. I'm just kidding. Carrie Underwood, Casey

1006
00:40:02,760 --> 00:40:05,160
Speaker 1: musk Graves. Who's Paul Sykes.

1007
00:40:05,800 --> 00:40:07,880
Speaker 3: He's a friend of mine. He used to play guitar

1008
00:40:07,920 --> 00:40:08,120
Speaker 3: for me.

1009
00:40:08,160 --> 00:40:10,359
Speaker 1: Shout out, Paul Sykes. I'm really going through your stuff.

1010
00:40:10,400 --> 00:40:13,359
Speaker 1: This is this is still stuff here. You have a

1011
00:40:13,400 --> 00:40:16,360
Speaker 1: lot of some artists named tenn Neil arts a lot. Wow,

1012
00:40:16,800 --> 00:40:17,840
Speaker 1: are you in the fan club?

1013
00:40:18,080 --> 00:40:19,200
Speaker 2: Who's Twin Kennedy?

1014
00:40:19,400 --> 00:40:20,479
Speaker 3: They're also friends of mine.

1015
00:40:20,560 --> 00:40:22,600
Speaker 1: Okay, so we get a lot of shout outs here,

1016
00:40:22,640 --> 00:40:24,520
Speaker 1: and that's all you have in all your songs. Yeah,

1017
00:40:24,920 --> 00:40:27,840
Speaker 1: you listen to yourself and your friends. I like that.

1018
00:40:28,560 --> 00:40:30,680
Speaker 3: Well, I gotta download my own stuff and make sure

1019
00:40:30,719 --> 00:40:33,160
Speaker 3: that nothing's wrong with it, you know, when it goes

1020
00:40:33,200 --> 00:40:33,640
Speaker 3: out there?

1021
00:40:34,120 --> 00:40:37,560
Speaker 1: All right, Well, why don't we let's let's I'm not

1022
00:40:37,560 --> 00:40:39,120
Speaker 1: gonna ask you like really sing or anything, but let's

1023
00:40:39,120 --> 00:40:40,759
Speaker 1: grab this guitar, Mike. Let's see what's happened over here.

1024
00:40:40,760 --> 00:40:42,680
Speaker 1: If we can't get Kevin to call us back. Kevin's

1025
00:40:42,680 --> 00:40:46,000
Speaker 1: big time and is right now? Do you know, let's

1026
00:40:46,000 --> 00:40:49,440
Speaker 1: play a game while he's doing that. Okay, Canadian or

1027
00:40:49,480 --> 00:40:53,279
Speaker 1: not Canadian? Are you ready? I give you, I give

1028
00:40:53,280 --> 00:40:54,920
Speaker 1: you a celebri You tell me if they're Canadian or not.

1029
00:40:55,400 --> 00:41:01,840
Speaker 1: Jake Jillenhall not okay correct, Ryan Reynolds Canadian? Right, Hayley

1030
00:41:01,880 --> 00:41:08,680
Speaker 1: Bieber not correct, James Franco not, Ryan Gosling Canadian? Yeah?

1031
00:41:09,480 --> 00:41:14,720
Speaker 1: And Hathaway not not. Does the Canadians have dominate any interview?

1032
00:41:14,800 --> 00:41:15,160
Speaker 1: You ever do?

1033
00:41:15,200 --> 00:41:15,279
Speaker 3: Are?

1034
00:41:15,320 --> 00:41:16,879
Speaker 1: They always tell me about Canada.

1035
00:41:17,600 --> 00:41:18,960
Speaker 3: A little bit? But yeah?

1036
00:41:19,000 --> 00:41:21,520
Speaker 2: What about the Double Tanils? Does that happen a lot?

1037
00:41:21,600 --> 00:41:23,360
Speaker 3: Yeah? They do?

1038
00:41:23,400 --> 00:41:24,719
Speaker 1: You ever think if it doesn't work, you to can

1039
00:41:24,760 --> 00:41:28,280
Speaker 1: form a group maybe and just be called Tanil Tool Squared.

1040
00:41:28,520 --> 00:41:30,080
Speaker 2: Look at this? What kind of guitar we have here?

1041
00:41:30,200 --> 00:41:31,799
Speaker 3: This is a PRS acoustic.

1042
00:41:32,200 --> 00:41:34,200
Speaker 1: So what we're gonna do here is we're gonna play

1043
00:41:34,239 --> 00:41:35,520
Speaker 1: very light I have We've never done this before, so

1044
00:41:35,600 --> 00:41:36,400
Speaker 1: let's se what it sounds like.

1045
00:41:36,760 --> 00:41:37,960
Speaker 3: Well, let me make sure.

1046
00:41:38,280 --> 00:41:40,799
Speaker 1: I like to go no tuning. Yeah, we like to

1047
00:41:40,840 --> 00:41:42,719
Speaker 1: go out of tune. It's kind of our style here

1048
00:41:42,719 --> 00:41:51,480
Speaker 1: on the show. Okay, Mike, you want to see how

1049
00:41:51,520 --> 00:41:53,719
Speaker 1: this sounds, to check it out. Okay, you want to

1050
00:41:53,880 --> 00:41:54,680
Speaker 1: back away from Mike just a.

1051
00:41:54,680 --> 00:41:55,960
Speaker 2: Little bit, maybe just a little bit.

1052
00:41:56,360 --> 00:41:57,160
Speaker 3: Okay, it's the.

1053
00:41:57,160 --> 00:41:59,279
Speaker 1: Opposite what we just did. We have Now we're gonna

1054
00:41:59,280 --> 00:42:00,920
Speaker 1: have you moved back just a little bit, all right,

1055
00:42:00,960 --> 00:42:04,160
Speaker 1: So play me a little bit of I hate this okay,

1056
00:42:04,239 --> 00:42:06,360
Speaker 1: because that's the one you had up on your phone. Yeah, okay,

1057
00:42:06,880 --> 00:42:09,200
Speaker 1: then we're going to the Canadian ational anthem. I'm just

1058
00:42:09,280 --> 00:42:09,799
Speaker 1: kidding question.

1059
00:42:10,360 --> 00:42:12,359
Speaker 3: I was like, no, maybe not all.

1060
00:42:12,320 --> 00:42:15,560
Speaker 1: Right, for the first time on this podcast, someone's gonna

1061
00:42:15,560 --> 00:42:17,040
Speaker 1: play We'll do a little bit off I hate this.

1062
00:42:17,080 --> 00:42:18,160
Speaker 1: Go ahead, you want me to.

1063
00:42:18,080 --> 00:42:26,279
Speaker 3: Just do like first course? Yeah, okay, I hate this.

1064
00:42:26,520 --> 00:42:29,560
Speaker 3: Here I am running into you. Try not to touch.

1065
00:42:31,360 --> 00:42:32,200
Speaker 3: I hate this.

1066
00:42:32,280 --> 00:42:37,719
Speaker 4: Actually our kids not killing me when it does. And

1067
00:42:37,719 --> 00:42:43,759
Speaker 4: then watch up, Gavest. It looks good on you. Don't

1068
00:42:43,760 --> 00:42:47,600
Speaker 4: you think it's time we less little lipspe men?

1069
00:42:49,480 --> 00:42:55,480
Speaker 3: Cuz I no, we said we just be friends.

1070
00:42:56,440 --> 00:43:06,360
Speaker 4: Can Prettton boy trading bad line?

1071
00:43:07,680 --> 00:43:10,600
Speaker 3: Ustall you and.

1072
00:43:18,440 --> 00:43:20,080
Speaker 1: That's good? Thank you? Look at that?

1073
00:43:20,760 --> 00:43:20,960
Speaker 4: Good?

1074
00:43:21,200 --> 00:43:22,920
Speaker 1: Thank you? Well look at it?

1075
00:43:23,000 --> 00:43:25,239
Speaker 2: Okay, Well we can put the put the guard down.

1076
00:43:25,239 --> 00:43:25,560
Speaker 3: That's good.

1077
00:43:25,760 --> 00:43:27,400
Speaker 2: Had it sound sound pretty good?

1078
00:43:27,480 --> 00:43:29,440
Speaker 1: Popped or anything? No, okay, what if you have it?

1079
00:43:29,440 --> 00:43:30,200
Speaker 1: Do you want to do a little bit of a

1080
00:43:30,239 --> 00:43:32,160
Speaker 1: new song, then sure? I mean if that's the new single,

1081
00:43:32,239 --> 00:43:35,600
Speaker 1: let's let's hear uh somebody like that? Okay.

1082
00:43:40,960 --> 00:43:45,160
Speaker 4: I've seen pickup lines and dive bar strangers, slow dance.

1083
00:43:45,719 --> 00:43:49,920
Speaker 4: I've seen Happy Hour two for once turned one, nast dance.

1084
00:43:50,520 --> 00:43:56,960
Speaker 4: I've seen me on read they.

1085
00:43:55,120 --> 00:43:56,439
Speaker 3: Not drunk dup.

1086
00:43:59,440 --> 00:44:02,000
Speaker 4: I've seen that's seen to reel a fairy tale, go

1087
00:44:02,239 --> 00:44:03,840
Speaker 4: up in cigarets smoke.

1088
00:44:04,400 --> 00:44:08,560
Speaker 3: I've seen two hearts pitied all and still and up broke.

1089
00:44:09,640 --> 00:44:17,960
Speaker 3: Real thing won't be yeah my sic world, but I

1090
00:44:18,160 --> 00:44:18,600
Speaker 3: want that.

1091
00:44:20,239 --> 00:44:20,520
Speaker 1: Fun.

1092
00:44:21,320 --> 00:44:25,200
Speaker 4: Keep the fire you're burning like the first time feel

1093
00:44:25,560 --> 00:44:30,799
Speaker 4: and don't matter what. If I'm gonna, I'm gonna love

1094
00:44:31,440 --> 00:44:38,719
Speaker 4: somebody like that of Open Arsist forever ever, never ever

1095
00:44:39,360 --> 00:44:46,600
Speaker 4: take it back. If I'm gonna, I'm gonna love somebody

1096
00:44:47,040 --> 00:44:47,440
Speaker 4: like that.

1097
00:44:49,760 --> 00:44:51,520
Speaker 2: Holy crap, man, it's really good.

1098
00:44:52,719 --> 00:44:55,520
Speaker 1: You're like two foot tall Humongo's voice. Thank you, Michael.

1099
00:44:55,560 --> 00:44:57,879
Speaker 1: Take your guitar from here. You'll be sure to drop

1100
00:44:57,920 --> 00:45:00,640
Speaker 1: it there it is. Let's check one more time for Kevin.

1101
00:45:01,080 --> 00:45:04,080
Speaker 1: I'd love to have had him on the show. Did

1102
00:45:04,160 --> 00:45:08,960
Speaker 1: he respond to your text? No? Mmm, he probably likes

1103
00:45:09,000 --> 00:45:11,360
Speaker 1: your brother and sister better, huh. I bet if they texted,

1104
00:45:11,480 --> 00:45:12,640
Speaker 1: he probably would have been like no.

1105
00:45:13,160 --> 00:45:15,000
Speaker 3: He literally just never has his phone on him.

1106
00:45:15,200 --> 00:45:16,759
Speaker 1: So what's the story with your brothers and sisters? You

1107
00:45:16,800 --> 00:45:17,160
Speaker 1: have one?

1108
00:45:17,320 --> 00:45:18,480
Speaker 2: You have two total, one each.

1109
00:45:18,560 --> 00:45:20,200
Speaker 3: I have two sisters and a brother.

1110
00:45:20,320 --> 00:45:21,839
Speaker 2: Okay, and you are in the mix?

1111
00:45:21,960 --> 00:45:23,040
Speaker 1: What what what level?

1112
00:45:23,120 --> 00:45:23,840
Speaker 3: Second youngest?

1113
00:45:24,040 --> 00:45:26,120
Speaker 1: Okay? And your oldest is.

1114
00:45:27,600 --> 00:45:28,000
Speaker 3: Brittany?

1115
00:45:28,080 --> 00:45:30,879
Speaker 2: Okay, And what's Brittany do music at all?

1116
00:45:31,080 --> 00:45:34,440
Speaker 3: It's not really No. She her husband was in the

1117
00:45:34,480 --> 00:45:37,279
Speaker 3: military in Canada. They moved around a lot, and now

1118
00:45:37,320 --> 00:45:40,080
Speaker 3: they're back in Saskatchewan starting their own company. So they're

1119
00:45:40,280 --> 00:45:42,760
Speaker 3: they're working on stuff there. It's a drone company.

1120
00:45:43,000 --> 00:45:43,480
Speaker 1: Oh that's cool.

1121
00:45:43,640 --> 00:45:45,680
Speaker 2: My co's husband has a drone company. He was in

1122
00:45:45,719 --> 00:45:46,400
Speaker 2: the military too.

1123
00:45:46,600 --> 00:45:48,480
Speaker 1: Yeah, and now they apparently all fly drones and look

1124
00:45:48,480 --> 00:45:49,919
Speaker 1: at our windows and exactly.

1125
00:45:49,640 --> 00:45:50,320
Speaker 2: Who knows what they're do?

1126
00:45:50,360 --> 00:45:51,959
Speaker 3: They know everything about our lives.

1127
00:45:52,080 --> 00:45:54,400
Speaker 1: And then your brother is older than you, and what

1128
00:45:54,480 --> 00:45:54,840
Speaker 1: does he do.

1129
00:45:55,280 --> 00:45:58,359
Speaker 3: He went to school for finance stuff, but he's also

1130
00:45:58,480 --> 00:46:01,640
Speaker 3: been working at the farm as well, so he's We're

1131
00:46:01,680 --> 00:46:03,560
Speaker 3: all just kind of all over the place doing our

1132
00:46:03,640 --> 00:46:03,960
Speaker 3: own thing.

1133
00:46:04,160 --> 00:46:06,960
Speaker 1: And your youngest sister is a hockey plan dancer. Yeah

1134
00:46:07,120 --> 00:46:09,640
Speaker 1: is that true? She just dances now, Okay, Yeah, are

1135
00:46:09,640 --> 00:46:12,520
Speaker 1: they very proud of you? Yeah? Are they like keeping up?

1136
00:46:12,640 --> 00:46:13,640
Speaker 2: Are they super excited?

1137
00:46:13,800 --> 00:46:16,080
Speaker 3: Yeah, they keep up. And my little sister and I

1138
00:46:16,239 --> 00:46:20,120
Speaker 3: talk like really often. But so since we're both kind

1139
00:46:20,160 --> 00:46:22,920
Speaker 3: of very I guess you know, we like hair and

1140
00:46:23,040 --> 00:46:26,600
Speaker 3: makeup and photos and and doing all of the fun stuff.

1141
00:46:26,840 --> 00:46:30,920
Speaker 3: My older two siblings felt like they were not in

1142
00:46:31,120 --> 00:46:34,520
Speaker 3: the group or whatever of us performing sisters, so they

1143
00:46:34,600 --> 00:46:37,600
Speaker 3: created their own Instagram called like the Other two Siblings

1144
00:46:37,719 --> 00:46:40,520
Speaker 3: or something, and they recreate our photos on the farm.

1145
00:46:41,120 --> 00:46:44,960
Speaker 3: It is hilarious. Yeah, it's it's pretty funny. So they

1146
00:46:45,680 --> 00:46:46,640
Speaker 3: they're all supportive and.

1147
00:46:46,960 --> 00:46:51,600
Speaker 1: Yeah, so parents, four kids, yep. Any animals growing up? Yeah,

1148
00:46:51,680 --> 00:46:54,960
Speaker 1: we had a dog, a dog, yeah, just one. Okay,

1149
00:46:55,640 --> 00:46:59,040
Speaker 1: No cows, no, no cows. What kind of animals are

1150
00:46:59,120 --> 00:47:00,000
Speaker 1: on farms in Canada?

1151
00:47:00,560 --> 00:47:02,400
Speaker 3: We had just like a lot of straight cats, like

1152
00:47:02,560 --> 00:47:04,040
Speaker 3: farm cats, just running around.

1153
00:47:04,280 --> 00:47:06,360
Speaker 1: Yeah, all right, Mike, anything for Tanil.

1154
00:47:07,120 --> 00:47:08,600
Speaker 2: We're about to about to wrap this up.

1155
00:47:08,800 --> 00:47:09,400
Speaker 1: I'm just amazed.

1156
00:47:09,800 --> 00:47:11,680
Speaker 2: That was awesome. Yeah, that was really good.

1157
00:47:12,160 --> 00:47:13,680
Speaker 1: What's cool as we get to hear everybody saying I

1158
00:47:13,760 --> 00:47:16,560
Speaker 1: mean hear about on the show or out as really good.

1159
00:47:17,520 --> 00:47:19,360
Speaker 2: I don't know that. I was not expecting it to be,

1160
00:47:20,080 --> 00:47:22,480
Speaker 2: but it's really good and we've never done that before. Yeah,

1161
00:47:22,680 --> 00:47:24,200
Speaker 2: you gotta brought your guitar and a ball or move.

1162
00:47:24,239 --> 00:47:25,600
Speaker 1: It's like, I just have my guitar. If you need it,

1163
00:47:25,680 --> 00:47:28,520
Speaker 1: let me. That's it's cool. I like that. Here's so.

1164
00:47:29,120 --> 00:47:31,200
Speaker 1: I work on American Idol and I mentor a lot

1165
00:47:31,239 --> 00:47:33,520
Speaker 1: of these these kids. A lot of the kids need

1166
00:47:33,680 --> 00:47:35,640
Speaker 1: more of the music mentorship. A lot of the older

1167
00:47:35,640 --> 00:47:37,440
Speaker 1: people kind of need the kind of the life how

1168
00:47:37,480 --> 00:47:39,600
Speaker 1: to go through reality show. But I tell them, and

1169
00:47:39,680 --> 00:47:41,719
Speaker 1: I think you could probably speak on this too. If

1170
00:47:41,760 --> 00:47:44,239
Speaker 1: someone asked you to play, just freaking play, yeah, that's it.

1171
00:47:44,840 --> 00:47:46,719
Speaker 1: If someone's like, hey, do you play, don't take a

1172
00:47:46,760 --> 00:47:48,200
Speaker 1: thing and be like, well, I'm not really right now,

1173
00:47:48,560 --> 00:47:49,400
Speaker 1: and you know, let me think it.

1174
00:47:50,000 --> 00:47:52,399
Speaker 2: Go yeah, like play a freaking song.

1175
00:47:52,680 --> 00:47:56,279
Speaker 1: Hm. Always because you never know who's listening. Who may

1176
00:47:56,800 --> 00:47:58,400
Speaker 1: that person's not gonna get your record deal, but they

1177
00:47:58,440 --> 00:48:01,480
Speaker 1: may hear you and go, oh this person, yeah you

1178
00:48:01,480 --> 00:48:02,440
Speaker 1: should you should hear that.

1179
00:48:02,719 --> 00:48:05,320
Speaker 3: That's the thing. You never know when you're gonna be discovered.

1180
00:48:05,440 --> 00:48:07,120
Speaker 3: And I think the more you play, the more you

1181
00:48:07,160 --> 00:48:09,080
Speaker 3: get out there, the more chances there are. You know,

1182
00:48:09,160 --> 00:48:10,919
Speaker 3: you can't just sit in your bedroom and sing songs

1183
00:48:10,920 --> 00:48:12,800
Speaker 3: all the time and think that you're going to get somewhere.

1184
00:48:18,920 --> 00:48:21,719
Speaker 1: Here's my neighbor overheard me singing in my backyard and

1185
00:48:21,800 --> 00:48:24,960
Speaker 1: recommended me to get in vocal training. Yeah, is that

1186
00:48:25,040 --> 00:48:27,080
Speaker 1: familiar at all? Because it didn't happen to me, No,

1187
00:48:27,719 --> 00:48:30,600
Speaker 1: that it happened to me. So you're singing and just

1188
00:48:31,040 --> 00:48:31,840
Speaker 1: doing How old are you?

1189
00:48:32,120 --> 00:48:34,960
Speaker 3: Oh, my gosh, I was probably like seven.

1190
00:48:35,120 --> 00:48:38,319
Speaker 1: And your neighbor hears something in your voice yeah, and says, hot,

1191
00:48:38,400 --> 00:48:40,480
Speaker 1: you should go and learn to sing the real way.

1192
00:48:40,680 --> 00:48:40,839
Speaker 4: Yeah.

1193
00:48:40,960 --> 00:48:43,080
Speaker 3: She came over, like because I was always just like

1194
00:48:43,200 --> 00:48:45,520
Speaker 3: belting out Shania Twain songs or like whatever I was

1195
00:48:45,600 --> 00:48:48,560
Speaker 3: listening to or making songs up, belt him out in

1196
00:48:48,680 --> 00:48:51,680
Speaker 3: my backyard, and my neighbor just came over and she's

1197
00:48:51,840 --> 00:48:53,160
Speaker 3: told my mom, She's like, I think she has a

1198
00:48:53,200 --> 00:48:55,520
Speaker 3: great voice. I think you should try to, you know,

1199
00:48:56,360 --> 00:48:58,200
Speaker 3: take her somewhere, see if she can do something with it.

1200
00:48:58,840 --> 00:49:02,280
Speaker 3: And of course I loved that. My first voice lesson

1201
00:49:02,440 --> 00:49:05,759
Speaker 3: I was so pumped and just so excited that like,

1202
00:49:05,920 --> 00:49:07,719
Speaker 3: that's what made it feel real to me at eight

1203
00:49:07,800 --> 00:49:10,040
Speaker 3: years old, seven or eight whatever it was. I was like,

1204
00:49:10,239 --> 00:49:11,920
Speaker 3: that's gonna be my career. I'm going to do this.

1205
00:49:12,040 --> 00:49:14,759
Speaker 2: Where did you start singing as a kid Publicly?

1206
00:49:16,239 --> 00:49:18,960
Speaker 3: I did, like a couple little like local festivals and

1207
00:49:19,080 --> 00:49:22,320
Speaker 3: things like that. But also because I was doing classically

1208
00:49:23,320 --> 00:49:28,440
Speaker 3: trained music, I also performed in like the music festivals.

1209
00:49:28,440 --> 00:49:30,520
Speaker 1: And stuff, and you would sing what kind of song

1210
00:49:30,600 --> 00:49:31,920
Speaker 1: it was a classically trained performer.

1211
00:49:32,800 --> 00:49:35,439
Speaker 3: There was like a book okay, yes, songs out.

1212
00:49:35,360 --> 00:49:38,239
Speaker 1: Of Okay, you have another record coming out of the

1213
00:49:38,760 --> 00:49:39,200
Speaker 1: next year.

1214
00:49:39,440 --> 00:49:43,000
Speaker 3: Yeah, yeah, we know when it'll be early twenty twenty.

1215
00:49:43,719 --> 00:49:45,440
Speaker 1: And people listen to these things forever, so it may

1216
00:49:45,480 --> 00:49:47,400
Speaker 1: already be out when this thing is. You may be

1217
00:49:47,480 --> 00:49:49,880
Speaker 1: hearing the Teneil Arts podcast because we've done a lot

1218
00:49:49,880 --> 00:49:52,000
Speaker 1: of these micro where people have at early stages and.

1219
00:49:52,000 --> 00:49:54,040
Speaker 2: They're gonna blown up and you can go back and

1220
00:49:54,120 --> 00:49:54,480
Speaker 2: hear them.

1221
00:49:54,840 --> 00:49:58,600
Speaker 1: Because this is episode two, one hundred and three, so

1222
00:49:59,239 --> 00:50:02,839
Speaker 1: early on we had some artists on in the early

1223
00:50:02,920 --> 00:50:04,239
Speaker 1: stages too, and they were like, I don't know, we're

1224
00:50:04,239 --> 00:50:05,960
Speaker 1: just trying to get something going. And you go back

1225
00:50:06,000 --> 00:50:07,719
Speaker 1: now and you're like, holy crap, Like now they're they're

1226
00:50:07,760 --> 00:50:11,719
Speaker 1: big deal. So hopefully, uh, this this is what happens here. Okay, Well, listen,

1227
00:50:11,880 --> 00:50:14,120
Speaker 1: we've I think we've said everything that that we need

1228
00:50:14,200 --> 00:50:15,799
Speaker 1: to say. You feel like you learn a little bit

1229
00:50:15,800 --> 00:50:19,560
Speaker 1: about you? Yeah, Kevin, Kevin will not call us back

1230
00:50:20,040 --> 00:50:22,360
Speaker 1: if you're listening right now, Kevin, we tried. Before we

1231
00:50:22,400 --> 00:50:23,839
Speaker 1: wrap it up, we're gonna we're gonna give it one

1232
00:50:23,880 --> 00:50:25,799
Speaker 1: more look, not yet. I'm gonna ask you a few

1233
00:50:25,880 --> 00:50:28,120
Speaker 1: random questions here and then we'll call this a day.

1234
00:50:28,719 --> 00:50:30,320
Speaker 1: What's the last concert you bought tickets for?

1235
00:50:31,080 --> 00:50:33,279
Speaker 3: I bought tickets for Casey Musgraves and I didn't get

1236
00:50:33,320 --> 00:50:33,440
Speaker 3: to go.

1237
00:50:34,000 --> 00:50:34,560
Speaker 1: Which show?

1238
00:50:35,040 --> 00:50:38,439
Speaker 3: It was the one of the Ryman the Golden Hour

1239
00:50:38,520 --> 00:50:39,399
Speaker 3: Tour I went?

1240
00:50:39,640 --> 00:50:42,120
Speaker 1: Or what the world I did? Yeah?

1241
00:50:42,120 --> 00:50:42,960
Speaker 3: I'm really jealous.

1242
00:50:43,120 --> 00:50:45,360
Speaker 1: Yeah you should be. It's great. Why did you not

1243
00:50:45,440 --> 00:50:45,719
Speaker 1: get to go?

1244
00:50:45,960 --> 00:50:46,799
Speaker 3: I had a show come up?

1245
00:50:47,320 --> 00:50:48,320
Speaker 2: Great reason to not go?

1246
00:50:48,560 --> 00:50:48,960
Speaker 3: Exactly?

1247
00:50:49,040 --> 00:50:49,440
Speaker 1: How about that?

1248
00:50:49,600 --> 00:50:49,759
Speaker 2: Good?

1249
00:50:50,040 --> 00:50:50,320
Speaker 1: Okay?

1250
00:50:50,440 --> 00:50:53,239
Speaker 2: So question number two, what's the last movie you saw

1251
00:50:53,239 --> 00:50:53,760
Speaker 2: in theaters?

1252
00:50:54,600 --> 00:50:59,200
Speaker 3: In theaters? I think it was that last show, last

1253
00:50:59,280 --> 00:51:02,120
Speaker 3: movie of the Avengers or whatever that.

1254
00:51:03,000 --> 00:51:05,560
Speaker 2: Yeah, what's it called Endgame and end Game.

1255
00:51:05,760 --> 00:51:06,120
Speaker 1: It's good.

1256
00:51:06,200 --> 00:51:07,200
Speaker 2: Huh, it was long.

1257
00:51:07,719 --> 00:51:07,919
Speaker 1: Yeah.

1258
00:51:08,080 --> 00:51:09,880
Speaker 3: Well, here's the thing. I didn't watch any of the

1259
00:51:09,960 --> 00:51:10,439
Speaker 3: other ones.

1260
00:51:10,920 --> 00:51:14,000
Speaker 1: Oh no, that sucks because there were like three I

1261
00:51:14,120 --> 00:51:16,759
Speaker 1: saw most of them. Yeah, but there were only three

1262
00:51:16,840 --> 00:51:18,759
Speaker 1: or four that I didn't see, and I felt a

1263
00:51:18,760 --> 00:51:20,640
Speaker 1: little out of it at times. I can only imagine

1264
00:51:20,680 --> 00:51:23,759
Speaker 1: what you felt. No, it's knowing that I was very

1265
00:51:23,840 --> 00:51:24,120
Speaker 1: out of it.

1266
00:51:24,239 --> 00:51:26,640
Speaker 3: Well, actually I think I saw the Captain Marvel one

1267
00:51:26,719 --> 00:51:30,880
Speaker 3: the Girl maybe, Yeah, I saw that one before. But

1268
00:51:31,080 --> 00:51:32,719
Speaker 3: also at the end of that, I did not know

1269
00:51:32,800 --> 00:51:34,680
Speaker 3: that this was like a big thing that was going

1270
00:51:34,760 --> 00:51:37,160
Speaker 3: to be coming to an end, and everybody was sitting

1271
00:51:37,200 --> 00:51:39,960
Speaker 3: in the theater still like waiting to see whatever they

1272
00:51:40,040 --> 00:51:42,640
Speaker 3: show at the end of those movies. I had no clue.

1273
00:51:42,840 --> 00:51:45,239
Speaker 3: I was completely in the dark that this was a

1274
00:51:45,320 --> 00:51:46,120
Speaker 3: whole series of.

1275
00:51:46,360 --> 00:51:48,560
Speaker 2: Things and that's the last movie you saw. Yeah, okay,

1276
00:51:48,600 --> 00:51:49,359
Speaker 2: are you on the road a lot?

1277
00:51:49,440 --> 00:51:53,440
Speaker 1: Now? Yeah? Every weekend you're going out? This weekend, I am.

1278
00:51:53,560 --> 00:51:54,440
Speaker 3: I'm leaving tomorrow.

1279
00:51:54,719 --> 00:51:55,160
Speaker 1: Where do you go?

1280
00:51:55,320 --> 00:51:57,600
Speaker 3: I'm going to Deadwood, South Dakota.

1281
00:51:58,880 --> 00:51:59,120
Speaker 2: Wow.

1282
00:51:59,360 --> 00:52:00,239
Speaker 1: Yeah, true up.

1283
00:52:00,400 --> 00:52:02,280
Speaker 2: Yeah, you're driving the Pontiac.

1284
00:52:03,000 --> 00:52:06,920
Speaker 3: Oh no, it's a Pontiac. But I don't even think

1285
00:52:06,960 --> 00:52:07,640
Speaker 3: it would make it there.

1286
00:52:08,000 --> 00:52:09,960
Speaker 2: One final question, what is your hobby and why do

1287
00:52:10,080 --> 00:52:10,480
Speaker 2: you do it?

1288
00:52:11,440 --> 00:52:12,520
Speaker 3: My hobby.

1289
00:52:14,440 --> 00:52:17,040
Speaker 1: It cannot be something you make money at. Okay, so

1290
00:52:17,120 --> 00:52:17,960
Speaker 1: don't say music.

1291
00:52:18,160 --> 00:52:19,400
Speaker 2: What is your hobby and why.

1292
00:52:19,280 --> 00:52:19,680
Speaker 1: Do you do it?

1293
00:52:19,960 --> 00:52:24,160
Speaker 3: Oh? Man, it's a lot of my things have to

1294
00:52:24,239 --> 00:52:26,840
Speaker 3: do with music. But like this one thing that I

1295
00:52:26,920 --> 00:52:30,000
Speaker 3: started doing is like painting on the back of jean jackets.

1296
00:52:30,400 --> 00:52:32,560
Speaker 3: So that's kind of like a hobby thing that has

1297
00:52:33,000 --> 00:52:34,680
Speaker 3: become something that I think.

1298
00:52:34,719 --> 00:52:37,960
Speaker 1: That's a wonderful answer. You're in a jacket now that

1299
00:52:38,160 --> 00:52:41,439
Speaker 1: is very painty. But you didn't paint this one. No, Okay,

1300
00:52:41,800 --> 00:52:44,200
Speaker 1: let's check one more time for Kevin. This is her dad.

1301
00:52:45,760 --> 00:52:46,000
Speaker 2: Three.

1302
00:52:47,800 --> 00:52:49,480
Speaker 3: It's okay, dad, we'll talk to you.

1303
00:52:49,760 --> 00:52:52,200
Speaker 1: We'll do a whole podcast with him, Mike at some point.

1304
00:52:52,760 --> 00:52:54,640
Speaker 1: Listen to Neil. It's been not I didn't know you.

1305
00:52:55,239 --> 00:52:55,879
Speaker 2: Have we ever met?

1306
00:52:55,960 --> 00:52:57,120
Speaker 1: No, I don't feel like we'd ever met.

1307
00:52:58,280 --> 00:52:59,600
Speaker 2: It's it's been nice to get to know you.

1308
00:52:59,800 --> 00:53:01,200
Speaker 3: Than you nice. I get to know you too.

1309
00:53:01,400 --> 00:53:03,200
Speaker 2: I feel like big things are ahead.

1310
00:53:03,440 --> 00:53:03,680
Speaker 3: Thank you.

1311
00:53:03,920 --> 00:53:05,120
Speaker 1: Do you feel like that I'm talking about for me?

1312
00:53:05,200 --> 00:53:07,040
Speaker 1: But do you feel like you feel like they're also

1313
00:53:07,080 --> 00:53:07,440
Speaker 1: head for you.

1314
00:53:07,760 --> 00:53:09,840
Speaker 3: Yeah, Okay, I'm excited. I feel like this is a

1315
00:53:09,920 --> 00:53:12,160
Speaker 3: time where just I've been through so much in the

1316
00:53:12,160 --> 00:53:13,880
Speaker 3: past year that i feel like my music has just

1317
00:53:14,000 --> 00:53:16,600
Speaker 3: changed so much and I'm just excited for everything that's

1318
00:53:16,600 --> 00:53:17,080
Speaker 3: coming with it.

1319
00:53:17,239 --> 00:53:20,440
Speaker 1: All Right, tanill Arts T E n I L L

1320
00:53:20,600 --> 00:53:22,640
Speaker 1: E Arts. I bet you people ask all the time

1321
00:53:22,640 --> 00:53:25,759
Speaker 1: if that's your real last name. It is. Kevin. Art's

1322
00:53:25,800 --> 00:53:28,480
Speaker 1: one of my favorite fault We farmers in Canada, so

1323
00:53:28,800 --> 00:53:31,239
Speaker 1: it's a guy. All right, Well, there we have it, Mike,

1324
00:53:31,280 --> 00:53:33,960
Speaker 1: I believe that I'll wrap us up episode two three

1325
00:53:34,000 --> 00:53:36,759
Speaker 1: with tennil Arts. It's a solid interview, maybe the longest

1326
00:53:36,800 --> 00:53:37,360
Speaker 1: interview you've.

1327
00:53:37,200 --> 00:53:40,880
Speaker 3: Ever done it, but it was great. Yeah, went by fast.

1328
00:53:40,760 --> 00:53:43,439
Speaker 1: As you walk out the house. And I always wonder

1329
00:53:43,480 --> 00:53:46,040
Speaker 1: if it's weird because this we normally do this earlier

1330
00:53:46,080 --> 00:53:48,239
Speaker 1: in the daytime, but because of my schedule, so weird

1331
00:53:48,280 --> 00:53:49,640
Speaker 1: this week we actually did this one at night.

1332
00:53:49,640 --> 00:53:50,640
Speaker 2: It's fully dark right now.

1333
00:53:50,960 --> 00:53:53,239
Speaker 1: I'd always think it'd be weird going to somebody's house

1334
00:53:53,560 --> 00:53:55,719
Speaker 1: for a show, like someone's like coming to this, coming

1335
00:53:55,719 --> 00:53:57,080
Speaker 1: to the house, We're going to do a show, Like

1336
00:53:57,160 --> 00:54:00,319
Speaker 1: this's gotta be a little weird, right I mean not really.

1337
00:54:00,360 --> 00:54:01,720
Speaker 3: I was like, I'm coming here with my manager.

1338
00:54:01,760 --> 00:54:04,200
Speaker 1: I don't know, Okay, it doesn't matter to me, great

1339
00:54:04,719 --> 00:54:07,399
Speaker 1: I would. I just think, like going to somebody's house,

1340
00:54:07,560 --> 00:54:08,239
Speaker 1: this is a trick.

1341
00:54:08,560 --> 00:54:10,279
Speaker 2: But you can rest assured it is not a trick.

1342
00:54:10,560 --> 00:54:12,200
Speaker 1: All right. But we didn't record any of this. This

1343
00:54:12,280 --> 00:54:14,520
Speaker 1: is just for me. We're just saving it, all right

1344
00:54:14,560 --> 00:54:16,839
Speaker 1: to Neill Art's I'm Gonna Talk to Everybody. Check out

1345
00:54:16,840 --> 00:54:19,280
Speaker 1: her music. Her new single as of right now, this recording.

1346
00:54:19,640 --> 00:54:22,440
Speaker 1: The song is called Somebody Like That. I really like

1347
00:54:22,520 --> 00:54:23,239
Speaker 1: the song. I hate this.

1348
00:54:23,360 --> 00:54:25,359
Speaker 2: I put it on the National Female Show a couple

1349
00:54:25,400 --> 00:54:25,680
Speaker 2: of times.

1350
00:54:26,080 --> 00:54:27,360
Speaker 1: I'll tell you what, I'll do it again because I

1351
00:54:27,680 --> 00:54:31,040
Speaker 1: felt like the performance was fantastic and I think that's

1352
00:54:31,080 --> 00:54:33,600
Speaker 1: it all right. Till Arts, thank you. Thanks for listening

1353
00:54:33,680 --> 00:54:36,360
Speaker 1: to the Bobby Cast. Share this episode with a friend,

1354
00:54:36,719 --> 00:54:38,440
Speaker 1: because they don't pay to advertise us.