1 00:00:00,160 --> 00:00:01,920 Speaker 1: I love finding a new show and sharing it with 2 00:00:01,960 --> 00:00:04,360 Speaker 1: my friends. And Unstable is that show I'm sharing with 3 00:00:04,400 --> 00:00:06,400 Speaker 1: my friends on Netflix. And of course Rob Below and 4 00:00:06,440 --> 00:00:11,040 Speaker 1: John Owen Lowe stars and also producer, executive producer, co 5 00:00:11,160 --> 00:00:15,880 Speaker 1: creators and co creators of Unstable, writer and writer. Yes, 6 00:00:16,160 --> 00:00:18,279 Speaker 1: that's awesome. So gone you'll see in the very first 7 00:00:18,280 --> 00:00:21,840 Speaker 1: episode not only will you see the bare butt of 8 00:00:21,920 --> 00:00:25,640 Speaker 1: Rob Lowe, but also his son teaching flute lessons in 9 00:00:25,680 --> 00:00:27,680 Speaker 1: New York City. Well this, you're you're really pitching the 10 00:00:27,680 --> 00:00:29,240 Speaker 1: show in a great way. I mean, I don't know 11 00:00:29,240 --> 00:00:31,920 Speaker 1: about you, but I'm like, wait, I'm a fifty nine 12 00:00:32,000 --> 00:00:34,199 Speaker 1: year old man's butt and a flute player. I mean, 13 00:00:34,280 --> 00:00:37,919 Speaker 1: it's awesome. It is everything one needs. Wait is it 14 00:00:37,920 --> 00:00:40,479 Speaker 1: a double Oh it's mine. Okay, we haven't fallen that 15 00:00:40,520 --> 00:00:42,959 Speaker 1: far off the face of the d That was weird 16 00:00:43,000 --> 00:00:46,760 Speaker 1: of me and that I don't want. Let talk. Let's 17 00:00:46,760 --> 00:00:50,199 Speaker 1: talk about what is really really at a hand here, 18 00:00:50,760 --> 00:00:56,000 Speaker 1: and that's Unstable. I love your characters. Rob, your character 19 00:00:56,240 --> 00:01:00,440 Speaker 1: ellis is this? I tell you what, John Owen subscribe 20 00:01:00,480 --> 00:01:02,840 Speaker 1: your dad's character and then you describe your son's character. 21 00:01:02,960 --> 00:01:06,120 Speaker 1: I like that. Sure, Um so Rob plays Ellis Dragon 22 00:01:06,200 --> 00:01:14,400 Speaker 1: Ellis is a wildly successful um but very eccentric, untethered, 23 00:01:15,440 --> 00:01:23,800 Speaker 1: slightly insane, narcissistic, egomaniac, billionaire entrepreneur, biotech creator. And I 24 00:01:23,880 --> 00:01:26,319 Speaker 1: have all those words and descriptive words you've used. How 25 00:01:26,319 --> 00:01:28,800 Speaker 1: many of those actually apply to your father Rob? The 26 00:01:28,800 --> 00:01:34,399 Speaker 1: first half of them? Yeah, the ones that success. No, 27 00:01:34,600 --> 00:01:37,520 Speaker 1: that one I told you you. You know what's the 28 00:01:37,560 --> 00:01:44,119 Speaker 1: phrase I like to say, benevolent narcissist is important? Yes, Well, 29 00:01:44,120 --> 00:01:47,039 Speaker 1: the quickness of the character is just it's it's fun. 30 00:01:47,080 --> 00:01:49,560 Speaker 1: It looks like a fun, fun role to play. It's 31 00:01:49,560 --> 00:01:51,840 Speaker 1: a really fun part. I mean it's it's it's a 32 00:01:51,920 --> 00:01:55,440 Speaker 1: character that gives me so much latitude. Just go for 33 00:01:55,560 --> 00:01:58,160 Speaker 1: it and be silly and funny and goofy and and 34 00:01:58,240 --> 00:02:00,480 Speaker 1: yet it's kind of grounded in reality because you read 35 00:02:00,520 --> 00:02:03,160 Speaker 1: the news and you see that there are so many eccentric, 36 00:02:03,360 --> 00:02:08,360 Speaker 1: insane tech giants out there that it's it's it's the 37 00:02:08,400 --> 00:02:11,239 Speaker 1: perfect time to kind of lampoon that a little bit. Well, 38 00:02:11,240 --> 00:02:14,639 Speaker 1: so your son John Owen, Yeah, is playing your son Jackson? Yes, 39 00:02:14,720 --> 00:02:17,360 Speaker 1: So describe here's character, let him have it, let him 40 00:02:17,440 --> 00:02:21,000 Speaker 1: know exactly how you feel. I would say, someone who's 41 00:02:21,639 --> 00:02:27,079 Speaker 1: trying to find his way, trying to navigate what it's 42 00:02:27,120 --> 00:02:31,360 Speaker 1: like to live in the shadow of his father, and 43 00:02:32,240 --> 00:02:35,320 Speaker 1: you know, likes it and also hates it all at 44 00:02:35,320 --> 00:02:39,040 Speaker 1: the same time, and very talented in his own right. 45 00:02:39,480 --> 00:02:43,440 Speaker 1: But kind of a drift that was so political? Was 46 00:02:43,480 --> 00:02:45,440 Speaker 1: it right? Was it correct? I thought I'd kind of 47 00:02:45,480 --> 00:02:47,840 Speaker 1: let you have it. Really, Yeah, you could have been 48 00:02:47,840 --> 00:02:49,840 Speaker 1: way way harsher than that. Oh okay, I thought and 49 00:02:49,880 --> 00:02:52,080 Speaker 1: see it. I thought I was being hard. No, no, no, 50 00:02:52,360 --> 00:02:55,120 Speaker 1: the bar is like really high on that in our family? 51 00:02:56,240 --> 00:02:58,880 Speaker 1: What's lower that? Quickly? Shall we yea so gandhi. What 52 00:02:58,960 --> 00:03:03,800 Speaker 1: happens is Ellis loses his wife, Jackson's mother, and so 53 00:03:04,280 --> 00:03:08,000 Speaker 1: they feel at the company he's lost it. So they 54 00:03:08,080 --> 00:03:12,000 Speaker 1: run to New York grabbed their flout flute, teaching Son 55 00:03:12,080 --> 00:03:14,120 Speaker 1: to come back to the West Coast and try to 56 00:03:14,600 --> 00:03:18,280 Speaker 1: get dad grounded. Yeah, and so the fun ensues. Yeah, 57 00:03:18,320 --> 00:03:21,800 Speaker 1: I mean Jackson, Jackson is Jackson. My son is really 58 00:03:21,840 --> 00:03:25,000 Speaker 1: the only person who can sort of reach Ellis. He's 59 00:03:25,000 --> 00:03:27,359 Speaker 1: the only one who speaks the language who can ground him, 60 00:03:27,360 --> 00:03:31,400 Speaker 1: tether him. Look, the show was originally based on John 61 00:03:31,440 --> 00:03:35,160 Speaker 1: Owens trolling of me online, and so anytime I would 62 00:03:35,160 --> 00:03:38,640 Speaker 1: post anything, he would just eviscerate me, and we just 63 00:03:38,760 --> 00:03:39,960 Speaker 1: he just did it as a bet and it was 64 00:03:40,000 --> 00:03:42,360 Speaker 1: funny and we liked it. His father's son ribbing. But 65 00:03:42,400 --> 00:03:44,240 Speaker 1: then it kind of caught on and became a thing, 66 00:03:44,360 --> 00:03:47,240 Speaker 1: and anytime I did an interview, people wanted to talk 67 00:03:47,280 --> 00:03:51,480 Speaker 1: about that. And Johnny came to me and was like, Dad, 68 00:03:51,520 --> 00:03:54,800 Speaker 1: people kind of like this vibe. Is there a show there? 69 00:03:55,520 --> 00:03:58,080 Speaker 1: So it took us a while. We pitched ideas to 70 00:03:58,120 --> 00:04:00,920 Speaker 1: each other, and it was Johnny's idea to figure something out, 71 00:04:00,960 --> 00:04:04,640 Speaker 1: and we eventually came up with Unstable. So baked into 72 00:04:04,680 --> 00:04:09,080 Speaker 1: it as that kind of real father son. Everyone's parents 73 00:04:09,160 --> 00:04:12,760 Speaker 1: annoy them, uh to some degree, and so that there 74 00:04:12,840 --> 00:04:17,159 Speaker 1: was this relatability to you know, having a dad who 75 00:04:17,480 --> 00:04:20,640 Speaker 1: a lot of people like, and as his son, not 76 00:04:20,720 --> 00:04:23,440 Speaker 1: having many people on my side when I think to myself, like, 77 00:04:23,440 --> 00:04:26,880 Speaker 1: this guy's really annoying, you know, this is just something 78 00:04:26,920 --> 00:04:30,440 Speaker 1: more annoying, is there? You know that you're supposed to 79 00:04:30,480 --> 00:04:32,240 Speaker 1: annoy people. Now you're not even my dad and you're 80 00:04:32,240 --> 00:04:35,760 Speaker 1: annoying me. No, it is true, thank you, thank you. 81 00:04:35,800 --> 00:04:37,600 Speaker 1: It is true. Like I'll run into people like I 82 00:04:37,720 --> 00:04:39,680 Speaker 1: met your dad, and like I think, oh my god, 83 00:04:40,800 --> 00:04:43,360 Speaker 1: that's your job, and he was so great. I'm like, yeah, yeah, yeah, 84 00:04:43,880 --> 00:04:46,359 Speaker 1: it is really true. It's an interesting sort of like, um, 85 00:04:46,400 --> 00:04:49,320 Speaker 1: you know, like blind spot when it's like your dad 86 00:04:49,440 --> 00:04:52,640 Speaker 1: is a quote unquote beloved sort of character. He had 87 00:04:52,640 --> 00:04:54,760 Speaker 1: to put the quotes on it. He couldn't just a 88 00:04:54,960 --> 00:05:02,359 Speaker 1: quotes beloved, um, because no, yeah, no quotes on that. 89 00:05:02,680 --> 00:05:04,800 Speaker 1: So yeah, I got an opportunity to make fun of 90 00:05:04,880 --> 00:05:07,000 Speaker 1: him on national television and took it immediately. At what 91 00:05:07,120 --> 00:05:09,680 Speaker 1: point did you decide you wanted to pursue Hollywood and 92 00:05:09,720 --> 00:05:11,560 Speaker 1: going down that path instead of just going in a 93 00:05:11,600 --> 00:05:14,680 Speaker 1: totally different direction. Um, We'll tell her what you were 94 00:05:14,839 --> 00:05:16,680 Speaker 1: the path you were on, because it makes it even 95 00:05:16,680 --> 00:05:20,479 Speaker 1: more appalling his choices. I I really I look. I 96 00:05:20,520 --> 00:05:23,719 Speaker 1: worked initially as an intern and then basically as an 97 00:05:23,760 --> 00:05:26,080 Speaker 1: assistant at a stem cell biology research a lot at 98 00:05:26,080 --> 00:05:29,719 Speaker 1: the UCSF ELI broth Regenerate. Being a little, a little modest, 99 00:05:29,800 --> 00:05:32,760 Speaker 1: he was the only one who could take the hearts 100 00:05:32,800 --> 00:05:34,320 Speaker 1: out of the What were you doing? It sounds awful 101 00:05:34,360 --> 00:05:37,520 Speaker 1: like animal cruel chism? Doing was I was just working 102 00:05:37,520 --> 00:05:40,600 Speaker 1: on various like we were farming stem cells from mice 103 00:05:40,880 --> 00:05:43,920 Speaker 1: out of their old factory bulbs, and I was culturing 104 00:05:43,960 --> 00:05:47,360 Speaker 1: these cells and we were working. Um man, it was 105 00:05:47,400 --> 00:05:52,880 Speaker 1: like the end uh neural stem cells for regenerative cancer research. 106 00:05:52,960 --> 00:05:55,600 Speaker 1: That's very that's understandable. It's very important work, very much. 107 00:05:55,720 --> 00:05:56,840 Speaker 1: Or so, were you one of the people who was 108 00:05:56,839 --> 00:05:59,400 Speaker 1: putting the antlers on mice by mixing the stem cells 109 00:05:59,400 --> 00:06:01,520 Speaker 1: in the DNA. No, Unfortunately, I was doing like the 110 00:06:01,560 --> 00:06:03,240 Speaker 1: grunt work for the most part. But I got lucky 111 00:06:03,240 --> 00:06:05,479 Speaker 1: and I was the I got my sales, got used 112 00:06:05,480 --> 00:06:07,359 Speaker 1: in it, and an abstract that was published, So I 113 00:06:07,400 --> 00:06:11,120 Speaker 1: was the youngest published scientific author at that institute. Your 114 00:06:11,160 --> 00:06:14,320 Speaker 1: dead shadow does not fall across that industry at all, No, 115 00:06:15,880 --> 00:06:20,279 Speaker 1: I know, Um, but no, I was always I've always 116 00:06:20,279 --> 00:06:22,440 Speaker 1: been artistic. I've been playing piano since I was like five. 117 00:06:22,480 --> 00:06:24,160 Speaker 1: I've been writing since I was you know, in in 118 00:06:24,480 --> 00:06:27,039 Speaker 1: grade school. I knew I had a passion for the arts. 119 00:06:27,040 --> 00:06:28,960 Speaker 1: I thought that maybe I could get away with them 120 00:06:29,000 --> 00:06:31,520 Speaker 1: just being a hobby and then I'll do a little 121 00:06:31,560 --> 00:06:34,480 Speaker 1: like name dropping. Was like when I was at Stanford, Um, 122 00:06:34,520 --> 00:06:39,520 Speaker 1: I like I like to like that. Yeah, I was 123 00:06:39,760 --> 00:06:41,880 Speaker 1: called back to because basically he was doing this show 124 00:06:41,920 --> 00:06:43,720 Speaker 1: at the time called The Grinder on Fox, and I 125 00:06:43,760 --> 00:06:46,640 Speaker 1: worked as an intern in the writer's room and found 126 00:06:46,839 --> 00:06:49,480 Speaker 1: sort of my my spot as a writer. And I 127 00:06:49,520 --> 00:06:52,120 Speaker 1: still left acting on the sort of out of the 128 00:06:52,120 --> 00:06:55,240 Speaker 1: picture because of you know what loomed if I chose 129 00:06:55,279 --> 00:06:57,680 Speaker 1: to walk that path. It was like, I know the 130 00:06:57,720 --> 00:07:00,680 Speaker 1: comparisons that are going to come, and I'll nevitably have 131 00:07:00,800 --> 00:07:03,080 Speaker 1: to deal with that sort of elephant in the room, 132 00:07:03,080 --> 00:07:05,280 Speaker 1: and I didn't want to. And then it took a 133 00:07:05,279 --> 00:07:08,359 Speaker 1: project like Unstable that was personal enough to me that 134 00:07:08,400 --> 00:07:11,520 Speaker 1: I have to literally play myself with him to bring 135 00:07:11,520 --> 00:07:14,560 Speaker 1: this to fruition. And getting to walk through that on 136 00:07:14,600 --> 00:07:16,400 Speaker 1: a project like this, I think is exactly how I 137 00:07:16,400 --> 00:07:17,760 Speaker 1: would want to. Okay, that was a great story. I 138 00:07:17,760 --> 00:07:19,679 Speaker 1: would only say, if you're going to tell it again, 139 00:07:20,600 --> 00:07:23,200 Speaker 1: when you get to the point where you say elephant 140 00:07:23,280 --> 00:07:25,720 Speaker 1: in the room, if you could say instead of elephant, 141 00:07:25,800 --> 00:07:34,800 Speaker 1: that thoroughbred users already looming as well. So can I 142 00:07:34,840 --> 00:07:36,400 Speaker 1: give you a piece of advice, Not that it's any 143 00:07:36,440 --> 00:07:38,040 Speaker 1: of my business to do so, but I have a 144 00:07:38,080 --> 00:07:42,560 Speaker 1: famous relative too, And if the only way that the 145 00:07:42,680 --> 00:07:45,120 Speaker 1: shadow falls on you is if you walk in their path, 146 00:07:45,240 --> 00:07:48,120 Speaker 1: and you two seem very different. It seems like two 147 00:07:48,160 --> 00:07:50,960 Speaker 1: totally different paths. So I would say, not that it's 148 00:07:50,960 --> 00:07:52,720 Speaker 1: any of my business to give you this advice. Keep 149 00:07:52,720 --> 00:07:54,200 Speaker 1: going down the path you're going, because it seems like 150 00:07:54,200 --> 00:07:56,600 Speaker 1: you're going in a really awesome direction by yourself. It's 151 00:07:56,600 --> 00:07:59,040 Speaker 1: great that your dad's are ablow, awesome high. But if 152 00:07:59,080 --> 00:08:01,360 Speaker 1: you can write these things and you don't need him, 153 00:08:01,480 --> 00:08:04,600 Speaker 1: I mean, you could have had any character play him 154 00:08:04,680 --> 00:08:12,520 Speaker 1: right if you try to get stop? Is he busy? Yes? 155 00:08:14,280 --> 00:08:15,720 Speaker 1: Was it fun to work with each other? Though I 156 00:08:15,720 --> 00:08:17,280 Speaker 1: know this isn't the first time you worked together, but 157 00:08:17,840 --> 00:08:20,760 Speaker 1: this much material working together must have been a lot. 158 00:08:21,080 --> 00:08:24,000 Speaker 1: It was. Any parent listening out there knows what it's 159 00:08:24,000 --> 00:08:25,400 Speaker 1: like when your kids get to a certain age. You 160 00:08:25,440 --> 00:08:27,600 Speaker 1: have to figure out creative ways to spend time with 161 00:08:27,680 --> 00:08:30,120 Speaker 1: them because they're you know, they're off living their own lives. 162 00:08:30,160 --> 00:08:31,400 Speaker 1: You know, they don't they even want to go on 163 00:08:31,480 --> 00:08:34,640 Speaker 1: vacation with you anymore. Um So I thought, I know, 164 00:08:35,480 --> 00:08:39,000 Speaker 1: we'll figure out a television show to do together and 165 00:08:39,120 --> 00:08:43,720 Speaker 1: he'll have to spend time with me. Do you remember 166 00:08:43,760 --> 00:08:45,800 Speaker 1: the way you felt, and I'm assuming this happened this 167 00:08:45,880 --> 00:08:48,080 Speaker 1: moment when your dad looked you in the eye and said, 168 00:08:48,120 --> 00:08:50,920 Speaker 1: Joe Owen, you you really are good. You're a good 169 00:08:51,120 --> 00:08:53,360 Speaker 1: hasn't happened yet? Yeah? Wait, when is that going to happen? 170 00:08:53,600 --> 00:08:56,560 Speaker 1: I've never done that? So do you find him? I 171 00:08:56,640 --> 00:08:58,640 Speaker 1: know I read somewhere that you did say at one 172 00:08:58,640 --> 00:09:00,480 Speaker 1: point you think your son is a good actor. I 173 00:09:00,520 --> 00:09:02,920 Speaker 1: wasn't in the room. Was it a bit? No? I 174 00:09:02,960 --> 00:09:04,960 Speaker 1: just probably wasn't in the room. Can you look, don't 175 00:09:05,000 --> 00:09:06,560 Speaker 1: say it, don't do it right now? Look him in 176 00:09:06,559 --> 00:09:08,960 Speaker 1: the eye. Come on, do it? You know you want here. 177 00:09:09,080 --> 00:09:12,320 Speaker 1: Here's the thing I I and I and I talked 178 00:09:12,320 --> 00:09:15,640 Speaker 1: about this with some people this morning. We were on 179 00:09:16,840 --> 00:09:23,679 Speaker 1: uh seth Myers and Johnny absolutely destroyed. He murdered on 180 00:09:23,720 --> 00:09:26,440 Speaker 1: the show, and I and I did have a moment 181 00:09:26,440 --> 00:09:31,360 Speaker 1: where I thought, oh, he's he's completely found his voice 182 00:09:31,760 --> 00:09:34,240 Speaker 1: and has come into his own and I literally can 183 00:09:34,280 --> 00:09:37,200 Speaker 1: just shut up and enjoy the ride as you roll 184 00:09:37,240 --> 00:09:39,360 Speaker 1: your eyes over there, what's your problem? My problem with 185 00:09:39,440 --> 00:09:44,160 Speaker 1: that is that my I love that you're like, thank 186 00:09:44,200 --> 00:09:47,360 Speaker 1: you for for for Uh, he's going to find a 187 00:09:47,360 --> 00:09:49,160 Speaker 1: way to murder me for something nice that I just said. 188 00:09:49,200 --> 00:09:52,200 Speaker 1: Here's my no, actually this is the not I won't 189 00:09:52,240 --> 00:09:53,640 Speaker 1: I won't make this a joke. I want to actually 190 00:09:53,679 --> 00:09:56,120 Speaker 1: hear your take on this. Is my only qualm with 191 00:09:56,200 --> 00:09:59,920 Speaker 1: that is that my voice. I spent that whole interviewed 192 00:10:00,120 --> 00:10:03,520 Speaker 1: talking about you because it was questions about you. So 193 00:10:03,679 --> 00:10:06,720 Speaker 1: is my voice just like my take on you. See 194 00:10:07,320 --> 00:10:12,079 Speaker 1: that's how self obsessed he is about the shadow, my shadow, 195 00:10:12,320 --> 00:10:15,480 Speaker 1: Like it's all. He's the one who's making about me, 196 00:10:15,640 --> 00:10:18,560 Speaker 1: not me. It's an important you're making about you talking 197 00:10:18,559 --> 00:10:21,640 Speaker 1: about him, making it about what I'm saying. This is 198 00:10:21,720 --> 00:10:26,320 Speaker 1: this one having a mental breakdown. This is the show. 199 00:10:26,360 --> 00:10:27,960 Speaker 1: This is why the show can run. This is what 200 00:10:28,000 --> 00:10:29,959 Speaker 1: you want to binge. This is it if you want 201 00:10:29,960 --> 00:10:32,400 Speaker 1: to get deeper into this, the metallness of all this, 202 00:10:32,559 --> 00:10:35,280 Speaker 1: come come with us on Unstable. I love it so yeah. 203 00:10:35,320 --> 00:10:37,000 Speaker 1: Like I said at the very beginning, I know you 204 00:10:37,040 --> 00:10:39,520 Speaker 1: guys have to roll. You've got lots of things to 205 00:10:39,600 --> 00:10:43,320 Speaker 1: unpack with each other today. But Unstable, this is the show. 206 00:10:43,320 --> 00:10:46,679 Speaker 1: I'm telling all my friends to watch and back into it. Oh, 207 00:10:46,679 --> 00:10:49,200 Speaker 1: thank you and thank you to the Netflix for giving 208 00:10:49,280 --> 00:10:53,400 Speaker 1: us another incredible hit. Unstable. It's streaming right now, make 209 00:10:53,440 --> 00:10:55,680 Speaker 1: sure you catch it. Roblow John owen Low. Thank you 210 00:10:55,679 --> 00:10:58,199 Speaker 1: guys for coming in. Thank God be with you getting 211 00:10:58,200 --> 00:11:01,080 Speaker 1: to this day together. I know we need it. There's 212 00:11:01,160 --> 00:11:02,920 Speaker 1: more to come. Thanks for having us though,