WEBVTT - Romeo Muller & Rankin/Bass

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<v Speaker 1>Ephemeral production of I Heart three D audio for full exposure.

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<v Speaker 1>Listen with that phones. It's officially that time of year

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<v Speaker 1>when it's impossible to miss the decorations going up in

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<v Speaker 1>display windows, jingles trumpeting from department store speakers, and classic

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<v Speaker 1>Christmas specials dancing across the TV. Somewhere along the way,

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<v Speaker 1>you're almost guaranteed to run into a Rank and Bass production.

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<v Speaker 1>You know them, the retro stop animated sing alongs from

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<v Speaker 1>the nineties sixties, such as Rudolph the Red Nosed Reindeer.

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<v Speaker 1>He's got a shiny nose. Shiny I'd even say in

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<v Speaker 1>glow Frosty the snow Man, Happy Birthday, that had brought

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<v Speaker 1>Frosty to life? It must be Magi or the Little

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<v Speaker 1>Drummer Boy, A Little Drummer Boy? Are those animals dancing

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<v Speaker 1>been in it? But what you maybe don't know is

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<v Speaker 1>that one man was responsible for creating and writing each

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<v Speaker 1>of those holiday favorites and many more. His name was

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<v Speaker 1>Romeo Mueller, and his impact on the modern myth of

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<v Speaker 1>Christmas is unparalleled. He was like a real Santa Claus,

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<v Speaker 1>and I became really close friends with his brother Jean,

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<v Speaker 1>who wanted to see his legacy live on, and I've

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<v Speaker 1>tried to do that in my books. I always donate

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<v Speaker 1>time to Romeo because he was the basis of every special.

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<v Speaker 1>You have to have good writing for these to have

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<v Speaker 1>the longevity that they have. My name is Rick Goldschmidt,

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<v Speaker 1>and I'm the official Ranking Bass historian biographer, and I've

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<v Speaker 1>written six books about Arthur Ranking and Jules Bass and

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<v Speaker 1>work on a lot of the projects associated with the

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<v Speaker 1>classic TV holiday specials like Brewed Up the Red Nose Reindeer,

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<v Speaker 1>Santa Claus Is Coming to Town, the Little Drummer Boy, etcetera. Well.

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<v Speaker 1>Ranking Bass is primarily known for their iconic holiday specials.

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<v Speaker 1>They also produced a number of other influential works that

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<v Speaker 1>don't get mentioned as often. They're also known for the

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<v Speaker 1>hobbit I would speak with the King's Great does come

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<v Speaker 1>upon you all? An army of goblins with claim to

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<v Speaker 1>the Trasier comes from the north ThunderCats. I could probably

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<v Speaker 1>handle him myself, Yes, lionelh No, please call the other ThunderCats,

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<v Speaker 1>bunder thunder, bundercuts, silver Hawks like the moon Star shined

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<v Speaker 1>into my cell and you will be rewarded with wealth,

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<v Speaker 1>the odwealth our dead A monstar we know exactly what

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<v Speaker 1>will happen if you ever see the moon Star again.

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<v Speaker 1>A lot of Saturday morning television like the Jackson five Show.

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<v Speaker 1>I'm Michael Jackson and a couple of years ago near

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<v Speaker 1>my big brother Marlin, Jermaine, Tito and Jackie. It's kind

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<v Speaker 1>of square quite that home in Gary, Indiana. And one

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<v Speaker 1>day Mr Diana Ross herself came to town to sing

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<v Speaker 1>a concert and the Osmond Show. Jimmy, you know, mom

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<v Speaker 1>and Dad don't want you to do these late concerts. O. Hey,

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<v Speaker 1>we better take him back to the hotel. Yeah, but

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<v Speaker 1>we'll never get through that. Mama ends out there. And

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<v Speaker 1>some feature films like King Kong Escapes, Beat the Last Unicorn.

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<v Speaker 1>I tell you there is one unicorn neft in the world,

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<v Speaker 1>and as long as it lives in this forest, we'll

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<v Speaker 1>find no game to hunt here. Mad Monster Party. It's

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<v Speaker 1>a come as you are, a party that's out of

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<v Speaker 1>this world. You don't get invited if he'll get commented.

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<v Speaker 1>It's a psychedelic scaret. Who with the groove is Googles

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<v Speaker 1>of all kind. They were in business for about thirty

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<v Speaker 1>years and produced some of the most memorable, especially holiday entertainment,

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<v Speaker 1>which is still on the networks today. It's been over

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<v Speaker 1>fifty years, actually over fifty five years now, so they

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<v Speaker 1>have a longevity that most animation studios don't have. To

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<v Speaker 1>become a production company, Soul Biographer is no small undertaking.

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<v Speaker 1>We asked Rick what drew him to the Ranking Bass

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<v Speaker 1>Specials and what he loves about them. The thing that

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<v Speaker 1>attracted me to Ranking Bass was the look of everything,

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<v Speaker 1>because I'm an artist and illustrator, so first and foremost

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<v Speaker 1>for me, it was always the look of the puppets

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<v Speaker 1>and the look of the cell animation. As a musician,

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<v Speaker 1>I also loved the music of Maury Laws and the arrangements,

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<v Speaker 1>which are always so happy and upbeat, very holiday ish,

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<v Speaker 1>you know, with glockenspields and all kinds of fun accents

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<v Speaker 1>to their music. And Jules Bass wrote the lyrics to

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<v Speaker 1>all of the great songs like the Miser and Snow Miser.

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<v Speaker 1>Remember at check up, Frances, whatever, I poke one ft

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<v Speaker 1>in front of the other, one on in front of

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<v Speaker 1>the other, and soon you'll be walking across the floor.

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<v Speaker 1>There's a lot of classic Christmas songs that came out

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<v Speaker 1>of the Ranking Bass Specials as well, but for them

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<v Speaker 1>to last this long, you have to have good writing.

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<v Speaker 1>Most of the time, it was Romeo Mueller who wrote

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<v Speaker 1>with a lot of heart and warmth. Theater five has

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<v Speaker 1>presented Toby's Wonderful Egg, written by Romeo Muller, produced and

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<v Speaker 1>directed by Ted Bell. In the cast John McGovern, Betty

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<v Speaker 1>Guard Robert. Romeo Mueller had a storied career that made

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<v Speaker 1>him a perfect fit for ranking bass Well. Romeo Mueller

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<v Speaker 1>was a writer out of the New York area High Falls,

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<v Speaker 1>New York and wrote for a lot of the great

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<v Speaker 1>comedians of the early days of television, like Jack Benny.

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<v Speaker 1>I would like to tell you one Joe. This about

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<v Speaker 1>two drunks that were standing at a bar and one

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<v Speaker 1>drunk said to the other, you know where I got

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<v Speaker 1>for my wife the other day. The other drunk said, no,

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<v Speaker 1>what did you get for your wife the other day?

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<v Speaker 1>So the first drunk said, a poodle. So this other

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<v Speaker 1>drunk said, I wish I could make a trade like that.

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<v Speaker 1>That's the end of the job. And Red Scalton, I

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<v Speaker 1>think everybody's so nice here since I've been in town.

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<v Speaker 1>They can't seem to do enough for me. They gave

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<v Speaker 1>me a big car to drive around, a big rules Royce.

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<v Speaker 1>See my wife says, let me drive that thing. I

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<v Speaker 1>can stop it on a dime. She did. He also

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<v Speaker 1>wrote as who would have thought that kindly old Dr

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<v Speaker 1>Segwick was in reality a mad scientist. That's strictly off

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<v Speaker 1>the record. You understand at one print of thing, but

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<v Speaker 1>you said you'd worked out a plan to destroy Superman

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<v Speaker 1>Max Max Max Good Guys plan Bad Guy's ski. So

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<v Speaker 1>he had a great knowledge of how to put a

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<v Speaker 1>story together, and he was actually hired by Arthur Ranking

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<v Speaker 1>for the first ranking best television special Returned to Oz

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<v Speaker 1>total Do you remember Oz? That wonderful land? We went

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<v Speaker 1>too far, far away, halfway to yesterday and back. Returned

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<v Speaker 1>to Oz was like the first time that the Wizard

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<v Speaker 1>of Oz was revisited, that there was any type of

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<v Speaker 1>sequel to the original MGM movie, which was being shown

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<v Speaker 1>every year on television. So they thought that would be

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<v Speaker 1>a huge hit, you know, because of the longevity of

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<v Speaker 1>the Wizard of Us. But his second script was Rudolph

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<v Speaker 1>the Red Nose Reindeer. Rudolf the Red Nose Reindeer had

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<v Speaker 1>a very shiny no and if you ever saw it,

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<v Speaker 1>you would even say a lot of people don't realize

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<v Speaker 1>that the story book written by Robert L. May and

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<v Speaker 1>the song written by his brother in law Johnny Marks,

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<v Speaker 1>just had basically a germ of a story. You know,

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<v Speaker 1>there was this reindeer with the red nose that everybody

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<v Speaker 1>made fun of it, and you know Santa asked him

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<v Speaker 1>to pull his sleve. That was it. So Romeo wrote

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<v Speaker 1>Hermi the Dentist. I just don't like to make toys.

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<v Speaker 1>Hermi doesn't like to make toys. Herb, he doesn't like

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<v Speaker 1>to make toys. Someday I'd like to be a dentist. Dentist,

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<v Speaker 1>you can't, Cornelius, you can fresh fit that away. Who

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<v Speaker 1>are you? Who am I? The names? You can't Cornelius

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<v Speaker 1>the greatest prospector in Lenore Island to misfit toys. I'm

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<v Speaker 1>the official center of the Island of misfit toys at

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<v Speaker 1>Jack in the Box or a center is. My name

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<v Speaker 1>is don't Jolly Jack, no Charlie. That's why I'm a

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<v Speaker 1>business toy. My name is all wrong. No child wants

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<v Speaker 1>to play with a Charlie in the box. So I

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<v Speaker 1>had to come here. And he based a lot of

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<v Speaker 1>the story off of friends and relatives he had a

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<v Speaker 1>friend that was named Clarice. Something wrong with your nose?

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<v Speaker 1>I mean, you talk kind of funny. What's the fudy

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<v Speaker 1>both way? I don't well, don't get I agree, I

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<v Speaker 1>don't mind you old. My name is Clarie Hi. My

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<v Speaker 1>ave Rudolph Hi. He had another friend that dreams stories

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<v Speaker 1>of a monster peeking over cliffs, like the bumble Shot.

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<v Speaker 1>So he put all of that into his scripts, and

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<v Speaker 1>he did it in such a way that it draws

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<v Speaker 1>you in. No matter how old you are, you could

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<v Speaker 1>be a little kid, you could be a grandparent. Everything

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<v Speaker 1>about it is heartwarming, and you just want to watch

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<v Speaker 1>these things over and over and over again. So eventually

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<v Speaker 1>he went on to write all of these other shows

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<v Speaker 1>which were basically based on a song like Santa Claus

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<v Speaker 1>has come into town. You better not woman, And then

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<v Speaker 1>he would come up with these backstories to the son.

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<v Speaker 1>In the case of Frosty the Snowman, he put in

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<v Speaker 1>Professor Inkle and so I put the magic eggs into

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<v Speaker 1>my hat aboca dab to coin the phrase at Wala,

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<v Speaker 1>the eggs have turned into miss miss missing. All these

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<v Speaker 1>things that we associate with the character came from the

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<v Speaker 1>mind of Romeo Muller, so in that regards, he was

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<v Speaker 1>a genius. He was like the Stan Lee of the

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<v Speaker 1>Ranking Bats universe. You know, he was the writer and

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<v Speaker 1>then the designer was Paul Cooker Jr. Most of the time,

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<v Speaker 1>who would have been the Jack Kirby of the Marvel universe.

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<v Speaker 1>So he was a really important ingredient in the whole

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<v Speaker 1>universe of Rank and Bass productions. There's no doubt that

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<v Speaker 1>Mueller is considered one of the first great writers of

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<v Speaker 1>family oriented television. We asked Rick what stylistic choices made

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<v Speaker 1>Mueller so iconic. The quintessential Mueller is the fact that

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<v Speaker 1>the main characters usually were the underdog. You know, they

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<v Speaker 1>either had something wrong with them, or they they felt

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<v Speaker 1>like they didn't fit in, or something that they had

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<v Speaker 1>to overcome to get to a happy ending. And the

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<v Speaker 1>villains usually were reformed, which is always more satisfying than

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<v Speaker 1>if they're just killed off. The villains, like the Winter Warlock,

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<v Speaker 1>would you know, see that they were wrong and find

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<v Speaker 1>a way to help and fit in. Shoot you, I've

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<v Speaker 1>always wanted funny. What's that my artsy heart? It's melting? Well?

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<v Speaker 1>Look Mr Warlock, please please call me Winter Winter. Yes, yes,

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<v Speaker 1>suddenly my whole outlook has changed from bad to good great.

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<v Speaker 1>You know, the people at Pixar early on when they

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<v Speaker 1>were a company before they were taken over by Disney,

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<v Speaker 1>they recognized that that was a more satisfy rying way

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<v Speaker 1>to tell a story than to kill off a villain,

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<v Speaker 1>and they mimicked the scripts of Romeo Muller and tried

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<v Speaker 1>to go for the look of the Ranking Bass productions.

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<v Speaker 1>So I think that's why the early Pixar films were

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<v Speaker 1>so successful is that they paid close attention to the script,

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<v Speaker 1>which doesn't happen today. Unfortunately, in today's modern entertainment, all

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<v Speaker 1>they care about is making money and it doesn't matter

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<v Speaker 1>how they make it. But Ranking Bass they were more

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<v Speaker 1>concerned about the quality of the project. That's why they

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<v Speaker 1>hired Romeo Muller and stuck with them for so long.

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<v Speaker 1>And Romeo was a lover of the classic comedies and

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<v Speaker 1>the classic films. He was a film buff, and he

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<v Speaker 1>knew what quality was from the love of the passion

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<v Speaker 1>he had for classic film and classic comedy. So it

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<v Speaker 1>really had that feel to it. You know, everything that

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<v Speaker 1>rankin Bass did, very few things were failures. They were

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<v Speaker 1>all high quality productions. With great stories, and you know,

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<v Speaker 1>Romeo was a big part of it. Romeo would say

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<v Speaker 1>that his favorite was The Little Drummer Boy. Well, the

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<v Speaker 1>Little Drummer Boy is basically the story of what Christmas

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<v Speaker 1>is all about. My lamb has been injured. You must

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<v Speaker 1>save him. He is near death. Oh Lad, there is

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<v Speaker 1>nothing I can do but but you are a king,

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<v Speaker 1>immortal king only. But there is a king among kings

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<v Speaker 1>who would save your little frightened the babe. But I

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<v Speaker 1>do not understand. He's not necessary that you understand. Go

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<v Speaker 1>to him, but I I have no gift to bring.

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<v Speaker 1>Look about the new Born Key. It doesn't get aired

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<v Speaker 1>as much today, but it had a magical quality to it.

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<v Speaker 1>I remember early on, when I was a little kid

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<v Speaker 1>and I went to C c D, they would tell

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<v Speaker 1>you to watch it, and I was always wanting to

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<v Speaker 1>watch it because we used to have little Nativity scenes

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<v Speaker 1>that we were given as gifts, so it was a

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<v Speaker 1>more common religious type special everybody knew that it was,

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<v Speaker 1>you know, the telling of what Christmas is all about,

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<v Speaker 1>but we've kind of lost that over the years. And

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<v Speaker 1>I think Romeo really liked Chris Us a lot, you know,

0:18:01.680 --> 0:18:06.840
<v Speaker 1>and since this was really the Telling of Christmas. That

0:18:06.880 --> 0:18:10.399
<v Speaker 1>would be his favorite special, and it's a lot of

0:18:10.560 --> 0:18:15.640
<v Speaker 1>people's favorite special. And what surprised me about it was

0:18:15.760 --> 0:18:20.240
<v Speaker 1>the song One Star in the Night was written by

0:18:20.560 --> 0:18:35.560
<v Speaker 1>Jules Bass and Maury Laws, and Maury told me that

0:18:35.640 --> 0:18:39.560
<v Speaker 1>it was some music that they had written prior to

0:18:39.720 --> 0:18:43.960
<v Speaker 1>the special, not particularly for the special. And when you

0:18:44.040 --> 0:18:47.800
<v Speaker 1>watch it, it seems like it's some kind of a

0:18:47.920 --> 0:18:51.080
<v Speaker 1>classic song that would have been written a hundred years

0:18:51.119 --> 0:18:55.000
<v Speaker 1>before that special. It has that quality to it that

0:18:55.600 --> 0:18:59.240
<v Speaker 1>it seems like a traditional Christmas song, but they actually

0:18:59.240 --> 0:19:08.159
<v Speaker 1>wrote it. Romeo Mueller is still best known for his

0:19:08.240 --> 0:19:11.920
<v Speaker 1>Rank and Bass contributions, but when he eventually moved on,

0:19:12.480 --> 0:19:17.359
<v Speaker 1>he continued to write on other beloved programs even after

0:19:17.480 --> 0:19:23.960
<v Speaker 1>Ranking Bass. He wrote Strawberry Shortcake, You're just in time.

0:19:24.280 --> 0:19:27.720
<v Speaker 1>Strawberry Shortcake and all her friends are getting ready for

0:19:27.800 --> 0:19:32.840
<v Speaker 1>their first annual garden Party, a celebration of the most

0:19:32.920 --> 0:19:38.280
<v Speaker 1>frequently delicious berries in the whole world. The Little Rascal's

0:19:38.400 --> 0:19:41.879
<v Speaker 1>Christmas Special. We all live up at the North Pole.

0:19:42.760 --> 0:19:47.359
<v Speaker 1>You believe it or not, these are roast ho ho ho.

0:19:48.240 --> 0:19:52.080
<v Speaker 1>This is just as well as Christmas. Ever. One of

0:19:52.119 --> 0:19:56.359
<v Speaker 1>his last films post Ranking Bass was called Noel, and

0:19:56.440 --> 0:19:59.320
<v Speaker 1>it was a special one. Not to mention my personal

0:19:59.400 --> 0:20:07.760
<v Speaker 1>childhood fa friend is Noel. And it came out in

0:20:07.840 --> 0:20:12.760
<v Speaker 1>the form of a kid's children's book and was about

0:20:12.800 --> 0:20:17.119
<v Speaker 1>an ornament. Here's a good spot for you, little fella.

0:20:18.920 --> 0:20:23.040
<v Speaker 1>I get it. What a neat idea. Hey, look at me.

0:20:24.119 --> 0:20:27.119
<v Speaker 1>It's been years since I watched it, but I know

0:20:27.400 --> 0:20:31.720
<v Speaker 1>that he went on radio, and he also went into

0:20:31.920 --> 0:20:37.959
<v Speaker 1>actual schools and told the story every Christmas. It was

0:20:38.040 --> 0:20:41.720
<v Speaker 1>like a tradition for him to tell the story of

0:20:41.840 --> 0:20:46.960
<v Speaker 1>Noel in the New York Hi Falls area. What's happening

0:20:47.000 --> 0:20:51.280
<v Speaker 1>now this it's become a thing called Christmas Eve, the

0:20:51.359 --> 0:20:55.440
<v Speaker 1>reason you were made and I was born. It feels

0:20:55.600 --> 0:21:03.560
<v Speaker 1>like magic. As Rick briefly mentioned, Mueller loved to read

0:21:03.600 --> 0:21:06.639
<v Speaker 1>his stories on radio, but he never voiced any of

0:21:06.680 --> 0:21:10.639
<v Speaker 1>his characters in the Rank and Bass specials. However, he

0:21:10.680 --> 0:21:14.399
<v Speaker 1>did appear in other places. I know he made a

0:21:14.440 --> 0:21:20.240
<v Speaker 1>cameo appearance in uh Marco, which is a NY three

0:21:21.080 --> 0:21:27.000
<v Speaker 1>movie starring Zero Mostel and Desi Arnez Jr. At the

0:21:27.080 --> 0:21:31.159
<v Speaker 1>beginning of the film, Desi Arnez is flying on a

0:21:31.280 --> 0:21:38.080
<v Speaker 1>kite in Romeo's running underneath in a costume yelling at

0:21:38.119 --> 0:21:46.280
<v Speaker 1>the kite. So it was kind of neat that he

0:21:46.400 --> 0:22:01.560
<v Speaker 1>made a little cameo in the movie. Romeo Mother's relationship

0:22:01.640 --> 0:22:05.840
<v Speaker 1>with Ranking Bass would get complicated after he left the company.

0:22:06.600 --> 0:22:11.760
<v Speaker 1>When Romeo branched out and started writing other shows for

0:22:11.840 --> 0:22:17.760
<v Speaker 1>other producers and other television things like The Little Rascal's

0:22:17.840 --> 0:22:23.000
<v Speaker 1>Christmas Special, he started talking about how he created the

0:22:23.119 --> 0:22:28.440
<v Speaker 1>Ranking Bass holiday specials, and for some reason that caused

0:22:28.480 --> 0:22:32.639
<v Speaker 1>a bit of friction with Arthur Ranking. He felt like

0:22:32.840 --> 0:22:37.359
<v Speaker 1>Romeo was taking too much credit and there was sort

0:22:37.400 --> 0:22:42.920
<v Speaker 1>of a fallout with Ranking Bass Productions. But when I

0:22:42.960 --> 0:22:46.760
<v Speaker 1>wrote my first book, The Enchanted World of Ranking Bass,

0:22:46.800 --> 0:22:50.880
<v Speaker 1>and early on when I contacted Arthur Ranking, he had

0:22:50.920 --> 0:22:57.040
<v Speaker 1>called me right after he went to Romeo's memorial, and

0:22:57.400 --> 0:23:00.920
<v Speaker 1>I think they patched things up before where he passed.

0:23:01.600 --> 0:23:05.440
<v Speaker 1>He was an important person to Arthur on a personal

0:23:05.600 --> 0:23:09.199
<v Speaker 1>level too. But as you worked with someone for a

0:23:09.240 --> 0:23:12.080
<v Speaker 1>long time, you know like you could have a falling

0:23:12.119 --> 0:23:19.000
<v Speaker 1>out at some point, and that's what happened. Romeo Moller

0:23:19.080 --> 0:23:26.960
<v Speaker 1>died on Wednesday, leaving behind an unfinished film project. It

0:23:27.040 --> 0:23:31.760
<v Speaker 1>was called The Twelve Days of Christmas. One Partridge two

0:23:32.080 --> 0:23:37.720
<v Speaker 1>Turtle Doves, three French Hands, four Calling Birds, five Golden Rings,

0:23:37.720 --> 0:23:42.480
<v Speaker 1>six Gisa Lang, seven Swansea, Swimming by My Sword, Princess

0:23:42.520 --> 0:23:46.600
<v Speaker 1>silver Bell has some strange desires. And there was some

0:23:47.359 --> 0:23:51.439
<v Speaker 1>business partner involved with that, and that was released, and

0:23:51.520 --> 0:23:56.200
<v Speaker 1>that caused a lot of friction between his brother Jean

0:23:56.600 --> 0:24:00.280
<v Speaker 1>and the producer of that, and they never got their

0:24:00.280 --> 0:24:03.640
<v Speaker 1>money from it either. So it was like a kind

0:24:03.680 --> 0:24:07.880
<v Speaker 1>of a bad ending to what was always a very

0:24:08.000 --> 0:24:12.960
<v Speaker 1>positive life for Romeo. By the time Rick started writing

0:24:13.000 --> 0:24:16.879
<v Speaker 1>about Rank and Bass, Mueller had already passed away, but

0:24:17.000 --> 0:24:21.280
<v Speaker 1>Rick did get to meet Romeo's brother, Jeane Muller. I

0:24:21.359 --> 0:24:24.080
<v Speaker 1>wish I could have talked to Romeo, but I was

0:24:24.119 --> 0:24:28.720
<v Speaker 1>glad I developed the friendship with Jean. Jean gave me everything.

0:24:29.000 --> 0:24:33.600
<v Speaker 1>He gave me romeo scrapbooks, he gave me all the

0:24:33.680 --> 0:24:38.480
<v Speaker 1>records that he had. He really opened up Romeo's archives

0:24:38.520 --> 0:24:42.440
<v Speaker 1>to me when I wrote my books, So I'm grateful

0:24:42.520 --> 0:24:47.000
<v Speaker 1>for that. Throughout his many books, Rick has painted a

0:24:47.080 --> 0:24:50.760
<v Speaker 1>vivid picture of Romeo Mueller's life and the greater impact

0:24:50.880 --> 0:24:54.760
<v Speaker 1>he had on storytelling in America. We asked Rick what

0:24:54.880 --> 0:25:02.760
<v Speaker 1>he sees as Mueller's greatest legacy overall, Romyo created classic television,

0:25:03.560 --> 0:25:08.159
<v Speaker 1>but it goes beyond that. It's become part of the

0:25:08.280 --> 0:25:13.480
<v Speaker 1>Christmas Holiday or the Easter Holiday or whatever holiday the

0:25:13.560 --> 0:25:18.280
<v Speaker 1>specials were written for. We're only talking about a few

0:25:19.119 --> 0:25:22.920
<v Speaker 1>Christmas specials in this day and age. The only ones

0:25:23.000 --> 0:25:28.159
<v Speaker 1>that have survived besides the Rank and Best holiday specials

0:25:28.160 --> 0:25:33.440
<v Speaker 1>that Romeo wrote are How the Grinch Stole Christmas and

0:25:34.040 --> 0:25:38.199
<v Speaker 1>Charlie Brown Christmas, and that's basically it. And Rank and

0:25:38.320 --> 0:25:43.600
<v Speaker 1>Bass Productions holds more of that pie because they were

0:25:43.680 --> 0:25:48.080
<v Speaker 1>successful with several television specials and all of them were

0:25:48.080 --> 0:25:52.080
<v Speaker 1>written by Romeo. So when you look at the grand

0:25:52.200 --> 0:25:58.080
<v Speaker 1>scheme of the entertainment industry over the last seventy five years,

0:25:58.560 --> 0:26:02.199
<v Speaker 1>we're still talking about out Rootolph the Red Nose Reindeer

0:26:02.240 --> 0:26:08.119
<v Speaker 1>and Frosty the Snowman. There's several Ranking Bass specials that

0:26:08.359 --> 0:26:13.960
<v Speaker 1>Romeo wrote that our favorites of everyone's. And what you

0:26:14.040 --> 0:26:19.600
<v Speaker 1>see happening now is a MC has a weekend marathon

0:26:20.480 --> 0:26:25.800
<v Speaker 1>of the specials, and so does free Form Television, and

0:26:25.840 --> 0:26:29.640
<v Speaker 1>then they're still on the networks. So you're seeing more

0:26:29.720 --> 0:26:33.719
<v Speaker 1>exposure of them over time, and I'm sure they'll be

0:26:33.840 --> 0:26:40.360
<v Speaker 1>streaming and Blu ray and DVDs will be getting better hopefully. So,

0:26:40.920 --> 0:26:44.560
<v Speaker 1>I mean there's a big market of the holiday stuff

0:26:44.600 --> 0:26:51.440
<v Speaker 1>and most of it is what Romeo wrote one special

0:26:51.440 --> 0:26:54.840
<v Speaker 1>treat for our listeners. In Atlanta, the Center for Puppetry

0:26:54.960 --> 0:26:57.960
<v Speaker 1>Arts has a new exhibit featuring the puppets from the

0:26:58.000 --> 0:27:04.320
<v Speaker 1>Ranking Bass specials, well sort of the Santa and Rootolph

0:27:04.400 --> 0:27:08.320
<v Speaker 1>puppet that they have, which actually I helped to restore

0:27:08.600 --> 0:27:12.760
<v Speaker 1>and I also appeared with them for several years. They're

0:27:12.840 --> 0:27:17.399
<v Speaker 1>not the ones that were used in the Ranking Best

0:27:18.160 --> 0:27:22.080
<v Speaker 1>Rootolph the Red Nosed Reindeer Special. What they were created

0:27:22.240 --> 0:27:26.840
<v Speaker 1>for was for publicity purposes. So in other words, they

0:27:26.920 --> 0:27:30.920
<v Speaker 1>created a set of puppets that they sent from Japan

0:27:31.160 --> 0:27:35.080
<v Speaker 1>to New York so that they could take the publicity

0:27:35.200 --> 0:27:41.880
<v Speaker 1>photos for the NBC Holiday General Electric Theater. What they

0:27:41.920 --> 0:27:45.320
<v Speaker 1>did was they stuck them in a glass case at

0:27:45.480 --> 0:27:51.040
<v Speaker 1>NBC in the Rockefeller Center in New York, and they

0:27:51.080 --> 0:27:55.199
<v Speaker 1>had them there for several years, and a lot of

0:27:55.200 --> 0:27:59.120
<v Speaker 1>people remember seeing them, whether they were on school trips

0:27:59.680 --> 0:28:04.080
<v Speaker 1>or just taking a tour of NBC. But to this day,

0:28:04.119 --> 0:28:08.119
<v Speaker 1>I haven't found a photo of that display, so I

0:28:08.160 --> 0:28:11.679
<v Speaker 1>don't know exactly what puppets were in there, but I

0:28:11.760 --> 0:28:14.840
<v Speaker 1>have a feeling they're the ones that were only featured

0:28:14.880 --> 0:28:18.720
<v Speaker 1>in the publicity photos, and there was only a handful

0:28:18.760 --> 0:28:23.880
<v Speaker 1>of those. All of these puppets have had some wild adventures,

0:28:23.920 --> 0:28:26.920
<v Speaker 1>being passed around over the years without much of a record.

0:28:27.680 --> 0:28:31.359
<v Speaker 1>All in all, the publicity puppets are lucky to have survived,

0:28:32.000 --> 0:28:34.399
<v Speaker 1>and there's a wild story behind the fate of the

0:28:34.440 --> 0:28:40.720
<v Speaker 1>puppets used on screen. I know everyone involved with these

0:28:40.840 --> 0:28:45.240
<v Speaker 1>two particular puppets. I know Barbara Adams who was the

0:28:45.360 --> 0:28:49.000
<v Speaker 1>secretary that took him home, and then she gaven to

0:28:49.160 --> 0:28:52.640
<v Speaker 1>her nephew, and some of them were in the attic

0:28:52.960 --> 0:28:57.240
<v Speaker 1>and got you know, melted together, and they had to

0:28:57.320 --> 0:28:59.680
<v Speaker 1>get rid of them because they were no good anymore.

0:29:00.400 --> 0:29:04.000
<v Speaker 1>So Santa and Rudolph were the only two that survived

0:29:04.040 --> 0:29:07.160
<v Speaker 1>out of that batch. And I know the people that

0:29:07.240 --> 0:29:11.080
<v Speaker 1>bought them from the nephew, and I helped restore them.

0:29:11.200 --> 0:29:14.600
<v Speaker 1>Like I said, I know the people that restored them.

0:29:14.680 --> 0:29:18.840
<v Speaker 1>So these two puppets have a history, But the really

0:29:19.000 --> 0:29:23.280
<v Speaker 1>interesting history are the ones that were used in the

0:29:23.400 --> 0:29:27.840
<v Speaker 1>actual specials. Some of them are in in the US.

0:29:27.880 --> 0:29:32.600
<v Speaker 1>I used to own two from the first Christmas. You know,

0:29:32.680 --> 0:29:36.200
<v Speaker 1>I had all their eyes and mouths and you could

0:29:36.240 --> 0:29:39.320
<v Speaker 1>tell they were the actual puppets that were used in

0:29:39.360 --> 0:29:44.600
<v Speaker 1>the animation. But most of the state in Japan they

0:29:44.640 --> 0:29:49.920
<v Speaker 1>still have King Kong it from Mad Monster Party in

0:29:50.000 --> 0:29:54.720
<v Speaker 1>this tad Moshinaga exhibit, and they have other puppets like

0:29:54.800 --> 0:29:58.600
<v Speaker 1>from Willie McBean and his Magic Machine, and all kinds

0:29:58.600 --> 0:30:04.560
<v Speaker 1>of Rear Rank and Bass puppets. I would say of

0:30:04.600 --> 0:30:08.640
<v Speaker 1>the puppets stayed in Japan, and five percent came to

0:30:08.720 --> 0:30:12.840
<v Speaker 1>the States for one reason or another. Arthur rankin want

0:30:12.960 --> 0:30:16.800
<v Speaker 1>and to give to somebody or just to put in

0:30:16.840 --> 0:30:20.520
<v Speaker 1>the office. And those are the ones that that I've

0:30:20.560 --> 0:30:25.320
<v Speaker 1>appeared with, like I've appeared with Red Skelton from Rudolph's

0:30:25.320 --> 0:30:28.960
<v Speaker 1>Shiny New Year. Father Time for the passing of time

0:30:29.120 --> 0:30:33.640
<v Speaker 1>is all inspiring. It's the one certain thing in all

0:30:33.720 --> 0:30:38.320
<v Speaker 1>the universe. In a way, it's like an old king

0:30:38.560 --> 0:30:42.520
<v Speaker 1>stepping down and a new one taking its place. Smokey

0:30:42.600 --> 0:30:45.800
<v Speaker 1>the Bear from the Ballot of Smokey the Bear. Smoke

0:30:45.840 --> 0:30:48.720
<v Speaker 1>He started up by being just a normal bear, young

0:30:48.840 --> 0:30:52.000
<v Speaker 1>and happy playing games. He never had a care Mamma

0:30:52.080 --> 0:30:55.040
<v Speaker 1>used to worry. That is friendly trusting way would get

0:30:55.120 --> 0:30:57.000
<v Speaker 1>him into trouble. So she said to me one day

0:30:57.040 --> 0:31:01.120
<v Speaker 1>and big Bear, she said, knowledge's anny young Fred, so

0:31:01.280 --> 0:31:03.760
<v Speaker 1>try to keep an eye on him. He needed brother band.

0:31:04.240 --> 0:31:06.720
<v Speaker 1>When I said, Mom, don't worry. God believe it all

0:31:06.760 --> 0:31:10.280
<v Speaker 1>to me. I never thought our simple life would change.

0:31:10.840 --> 0:31:15.760
<v Speaker 1>So suddenly I've had him at shows. So there's only

0:31:15.800 --> 0:31:18.560
<v Speaker 1>a few that are in the US, but most of

0:31:18.600 --> 0:31:22.960
<v Speaker 1>them are in Japan. Still, you can find a selection

0:31:23.120 --> 0:31:26.520
<v Speaker 1>of surviving puppets now at the Center for Puppetry Arts.

0:31:27.120 --> 0:31:30.000
<v Speaker 1>Rick says he hopes the exhibit will help keep the

0:31:30.040 --> 0:31:35.240
<v Speaker 1>spirit of the Ranking Bass Specials alive for years to come. See.

0:31:35.280 --> 0:31:39.080
<v Speaker 1>The focus at the museum over the years has been

0:31:39.120 --> 0:31:42.960
<v Speaker 1>on Rudolph. They do a puppet show every year like

0:31:43.040 --> 0:31:47.800
<v Speaker 1>a marionette show. That's been successful for them for a

0:31:47.840 --> 0:31:52.800
<v Speaker 1>long time. So the focus is just done Rudolph, not

0:31:52.960 --> 0:31:57.000
<v Speaker 1>so much the enchanted world of Ranking Bass, but Rudolph

0:31:57.080 --> 0:31:59.800
<v Speaker 1>the Red Nosed Reindeer. Ranked in Bass is route up

0:31:59.800 --> 0:32:04.240
<v Speaker 1>the Nose Reindeer. And they only have the two puppets.

0:32:04.320 --> 0:32:08.239
<v Speaker 1>But I think they're gonna make a nice display with

0:32:08.320 --> 0:32:12.280
<v Speaker 1>the images that I gave them and the actual history

0:32:12.360 --> 0:32:15.280
<v Speaker 1>of them. You know, all the puppets need to be

0:32:15.360 --> 0:32:19.360
<v Speaker 1>in museum so everyone can see them. They shouldn't be

0:32:19.440 --> 0:32:23.760
<v Speaker 1>in at any private collection in my opinion, and I'm

0:32:23.800 --> 0:32:27.520
<v Speaker 1>probably one of the biggest private collectors there is, and

0:32:27.680 --> 0:32:30.880
<v Speaker 1>I have a lot of things. My home home is

0:32:30.880 --> 0:32:35.360
<v Speaker 1>a museum, but I think things like this, you know,

0:32:35.520 --> 0:32:39.840
<v Speaker 1>Puppets Center from Iconic TV specials should be in a

0:32:39.960 --> 0:32:43.960
<v Speaker 1>museum and I'm I'm glad the Center for Puppetry Arts

0:32:44.040 --> 0:33:03.280
<v Speaker 1>has them. Jingle, Ingle Ingle. This episode of Ephemeral was

0:33:03.320 --> 0:33:06.800
<v Speaker 1>written and assembled by Trevor Young, produced with Max and

0:33:06.840 --> 0:33:12.280
<v Speaker 1>Alex Williams, and is dedicated to Romeo Maller. Rick Goldschmidt

0:33:12.440 --> 0:33:15.240
<v Speaker 1>is the official biographer of Frank and Bass and you

0:33:15.240 --> 0:33:17.959
<v Speaker 1>can find all of his books online or keep up

0:33:18.000 --> 0:33:21.400
<v Speaker 1>with him at Rank and Bass dot com. And we

0:33:21.480 --> 0:33:24.600
<v Speaker 1>implore you to check out the new Routolph exhibit at

0:33:24.600 --> 0:33:28.040
<v Speaker 1>the Center for Puppetry Arts in Atlanta. Find more in

0:33:28.120 --> 0:33:31.920
<v Speaker 1>everything you heard here at our website Ephemeral dot Show.

0:33:34.680 --> 0:33:41.960
<v Speaker 1>No Wait, Kingle Bill time is a swell time to

0:33:42.080 --> 0:33:46.920
<v Speaker 1>go gladden in the want horse Lane, Canny a Kingle

0:33:47.040 --> 0:33:56.040
<v Speaker 1>hard pick up, Jingle down the Car, the Kingle and

0:34:01.320 --> 0:34:03.840
<v Speaker 1>Jingle Bell jingle bell jing