WEBVTT - American Alexandria: Susan Orlean on the Great LA Library Fire

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<v Speaker 1>I'm Alec Baldwin, and you're listening to Here's the Thing.

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<v Speaker 1>Of all the staff writers at the New Yorker magazine,

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<v Speaker 1>Susan Orlean covers perhaps the most ground thematically and geographically.

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<v Speaker 1>She's been embedded with fertility, shamans and Bhutan, and orchid

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<v Speaker 1>thieves in Louisiana. She's profiled a dog, a boxer named Biff,

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<v Speaker 1>and the entire city of Midland, Texas. She combines a

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<v Speaker 1>deep emotional understanding of her subjects with rigorous reporting, and

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<v Speaker 1>she spends pretty much as long as she likes on

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<v Speaker 1>each project. If that weren't enough, her book The Orchid

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<v Speaker 1>Thief inspired adaptation one of the more successful art house

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<v Speaker 1>movies of the past twenty years. Her most recent book

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<v Speaker 1>takes as its heroes the librarians and archivists of Los

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<v Speaker 1>Angeles County. Her entree to this story was her shock

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<v Speaker 1>upon hearing for the first time just three years ago

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<v Speaker 1>about the six arson at l A's Central Library. The

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<v Speaker 1>fire is mostly unknown outside southern California, overshadowed by the

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<v Speaker 1>Chernobyl event, but it's our Alexandria, the most devastating library

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<v Speaker 1>fire in American history. So we have four hundred thousand gone,

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<v Speaker 1>just gone. The whole collections. The l A Library had

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<v Speaker 1>the largest cookbook collection in the US. They're out of print.

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<v Speaker 1>They're gone. I mean, they had car manuals for every

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<v Speaker 1>make and model of cars, starting at the model t irrecoverable.

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<v Speaker 1>It had been developed. Librarians developed these collections over the years,

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<v Speaker 1>finding these books, putting them together. So each library is

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<v Speaker 1>also unique in that way. What's in the New York

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<v Speaker 1>Public Library is not the same as what's in the

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<v Speaker 1>l A Public Library, but the core stuff. And while

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<v Speaker 1>you can quantify it, you can say four hundred thousand books.

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<v Speaker 1>The library was founded at the turn of the century.

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<v Speaker 1>Many of these collections had been built from that time,

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<v Speaker 1>and that can't be fixed by money. And it's like Fantasia.

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<v Speaker 1>It's an incredibly beautiful building that is a sort of

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<v Speaker 1>combination Art Deco Egyptian downtown, right in the center of downtown.

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<v Speaker 1>And this was the central library of the entire l

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<v Speaker 1>A Library system in it was in bad shape. It

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<v Speaker 1>was a time when downtown l A was in bad shape.

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<v Speaker 1>People weren't even sure that it was important to have

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<v Speaker 1>a library. Downtown Los Angeles has changed. It's unrecognizable from

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<v Speaker 1>when I first came here. No one lived inland that

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<v Speaker 1>what Nola Wood lived in Silver Lake in Los VELAs.

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<v Speaker 1>The air quality was so poor that everybody lived as

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<v Speaker 1>far west as they could afford, and nobody lived downtown.

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<v Speaker 1>Describe what happened um April. A fire alarm went off

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<v Speaker 1>and everybody thought it was a false alarm. The library

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<v Speaker 1>had a lot of false alarms, and lo and behold,

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<v Speaker 1>firefighters found smoke in the fiction section. Suddenly it absolutely erupted.

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<v Speaker 1>I mean, you can imagine a fire in the library,

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<v Speaker 1>that's the perfect environment. More than that, it wasn't only

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<v Speaker 1>that it was books. It was in the stacks, which

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<v Speaker 1>are almost like chimneys. They were thick, concrete walled tubes

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<v Speaker 1>filled with books. Biggest library fire in the history of

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<v Speaker 1>the US, which at the time I heard about it,

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<v Speaker 1>which was very recently, I am shocked. You would assume

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<v Speaker 1>there would be coverage in the New York papers. So

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<v Speaker 1>I went back to look at what was going on

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<v Speaker 1>that somehow obscure. You're this news. There's a little story

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<v Speaker 1>on the front page in the New York Times saying

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<v Speaker 1>radiation detected in Scandinavia was the Chernobyl meltdown, and I

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<v Speaker 1>had kind of forgotten how terrifying that had been. Nobody

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<v Speaker 1>knew what was going to happen, and it really was

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<v Speaker 1>days of the New York Times being wall to wall

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<v Speaker 1>Chernobyl coverage because we none of us knew if this

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<v Speaker 1>fallout was going to end up traveling around the world.

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<v Speaker 1>In fact it did, but the Chernobyl I don't want

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<v Speaker 1>to digress on this, but I had lived in Los

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<v Speaker 1>Angeles pretty much full time, the only time of my

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<v Speaker 1>life that I lived only in l A. And in

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<v Speaker 1>December eighty five and moved back to New York. So

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<v Speaker 1>you just missed and well, I and I commuted back

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<v Speaker 1>and forth forever, but I was mostly in New York

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<v Speaker 1>and Chernobyl was six and I was living in New

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<v Speaker 1>York at the time, and remember that never heard a

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<v Speaker 1>word about this fire. Yeah, so how do you first

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<v Speaker 1>become familiar? How did this cross your desks? I had

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<v Speaker 1>just moved to l A. And I was offered a

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<v Speaker 1>tour of Central Library by the head of the Library

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<v Speaker 1>Foundation because I had done a little fundraising thing for them,

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<v Speaker 1>and I thought, well, I've never actually been to Central

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<v Speaker 1>Library in l A. And libraries had really come back

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<v Speaker 1>into my consciousness when I had a kid and started

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<v Speaker 1>taking my son to the library and was reminded so

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<v Speaker 1>powerfully of what it is like as a child to

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<v Speaker 1>go to a library. And it was really vivid and

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<v Speaker 1>very poignant for me because my mom had just developed

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<v Speaker 1>Alzheimer's and I was thinking a lot about our trips

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<v Speaker 1>together to the library, so libraries were on my mind.

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<v Speaker 1>When I was offered this tour of Central Library, I thought,

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<v Speaker 1>oh great, so I went down there was really struck

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<v Speaker 1>by the building because it's so beautiful. And as we

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<v Speaker 1>were walking through on this tour, Ken Brecker, who is

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<v Speaker 1>the head of the foundation, pulled a library book off

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<v Speaker 1>the shelf and he took a deep whiff of it

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<v Speaker 1>and I thought, I guess I'm new to l a.

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<v Speaker 1>Maybe that's the way people do it here. What do

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<v Speaker 1>I know books? Actually, it's a nice thought. And he said,

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<v Speaker 1>you can still smell the smoke and some of them.

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<v Speaker 1>And I said, oh, did they used to allow smoking

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<v Speaker 1>in the library And he looked at me like I

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<v Speaker 1>was crazy. Of course, he said no, the fire And

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<v Speaker 1>I said what fire And he said the big fire,

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<v Speaker 1>the fire in six that shut the library down for

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<v Speaker 1>seven years. And my jaw just dropped and I said,

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<v Speaker 1>what tell me about this? And how did I never

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<v Speaker 1>hear about it? Because the more I learned, more I

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<v Speaker 1>learned the scope of the fire, the more amazed I was.

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<v Speaker 1>That was one of those stories that was kind of

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<v Speaker 1>hiding in plain sight. So my interest in writing about

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<v Speaker 1>libraries then had this hook because besides just being a

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<v Speaker 1>chance to write about my feelings about libraries, it was

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<v Speaker 1>a chance to write about this event that was fascinating.

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<v Speaker 1>I mean both the investigation into it, the reason that

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<v Speaker 1>I didn't know about it, the libraries recovery from it,

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<v Speaker 1>and all of the emotions around it, which we're really

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<v Speaker 1>powerful because obviously people in l A knew about this,

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<v Speaker 1>and for seven years that library was closed, the main library,

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<v Speaker 1>the library still around. He just passed away. We spent many,

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<v Speaker 1>many many hours on the phone. He's he was an

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<v Speaker 1>amazing care during His name was Wyman Jones and he's irascible, um, arrogant, fascinating,

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<v Speaker 1>multi talented guy who was an amateur magician, very talented

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<v Speaker 1>magician and jazz pianist who's also this head of libraries.

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<v Speaker 1>He had come from running the libraries in Fort Worth,

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<v Speaker 1>Texas and was the head of the library system in

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<v Speaker 1>l A for twenty years. Very opinionated. He actually believed

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<v Speaker 1>that central Library should be torn down and that the

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<v Speaker 1>land should be sold and there should be a new

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<v Speaker 1>library built somewhere else. But he conceded the point when

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<v Speaker 1>public opinion rose up to preserve the building. So why

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<v Speaker 1>if back then, when the fire happened and it was

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<v Speaker 1>closed for seven years in that area isn't favorites, why

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<v Speaker 1>did they bother resurrecting the library. Well, there were a

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<v Speaker 1>lot of people who made the argument that there was

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<v Speaker 1>no need for a central downtown library and that the

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<v Speaker 1>city could function very well just having branch library. And

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<v Speaker 1>those people who wanted to resurrect it, how did they

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<v Speaker 1>win the day. I can't say that people had the

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<v Speaker 1>ability to see twenty years into the future and realized

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<v Speaker 1>downtown would be renovated um the way it's been, because

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<v Speaker 1>I was downtown in that period of time here as

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<v Speaker 1>a visitor and no one lived down here. It was

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<v Speaker 1>desolate at night. So the idea that the library would

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<v Speaker 1>be a centerpiece in a revitalized downtown sounded ridiculous. But

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<v Speaker 1>these people really had the hope that downtown would turn

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<v Speaker 1>into a thriving part of the city. But there were

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<v Speaker 1>also people saying the building is too small, we should

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<v Speaker 1>tear it down, sell the land, will get all sorts

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<v Speaker 1>of money for the land, and we'll build another central

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<v Speaker 1>library somewhere else. Yeah, and that there was a very

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<v Speaker 1>strong um kind of movements supporting that. Now, looking back,

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<v Speaker 1>I would say, we're really lucky that that didn't happen.

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<v Speaker 1>Is there a hero of the preservation cause absolutely there

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<v Speaker 1>was a woman named Margaret Bach and another architect named

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<v Speaker 1>Barton Phelps. A number of architects got together and said

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<v Speaker 1>we have to preserve the library. And that actually was

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<v Speaker 1>the first organized group doing any kind of historical preservation

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<v Speaker 1>in l A. So we have them to thank that

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<v Speaker 1>that grew into being the l A Conservancy, which has

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<v Speaker 1>preserved all these Loutner houses, all these Schindler houses that

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<v Speaker 1>wouldn't have happened if the library hadn't been threatened. Now,

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<v Speaker 1>described the devastation of losing that volume of these things

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<v Speaker 1>to them, precious volumes of beautiful books. Who did you

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<v Speaker 1>talk to about that? I spend time with a lot

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<v Speaker 1>of the librarians who many of whom are now retired,

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<v Speaker 1>who were here at the time the librarians were devastated.

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<v Speaker 1>I mean they had spent their entire professional lives developing

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<v Speaker 1>the collections in their departments also, and I found this

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<v Speaker 1>really touching. They were absolutely frantic over the prospect of

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<v Speaker 1>the patrons not having the library to come to. And

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<v Speaker 1>the city of l A hired a psychologist to work

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<v Speaker 1>with the librarians because a lot of them really were

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<v Speaker 1>suffering kind of PTSD and they had seen their life's

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<v Speaker 1>work go up and smoke. They care. They care about

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<v Speaker 1>books in a way that you probably you do on

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<v Speaker 1>the park as your this is your stock and trade.

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<v Speaker 1>But uh, you know similar, I guess to art, where

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<v Speaker 1>there's an inventory of material that exists purely for a

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<v Speaker 1>humanistic reason. People who work there are horrifically underpaid. I

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<v Speaker 1>was guided recently by a New York Time writer, uh,

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<v Speaker 1>to the plight of libraries in Iowa, and we were

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<v Speaker 1>my wife and I have a charitable foundation, my family,

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<v Speaker 1>and we were pointed towards this group of people. And

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<v Speaker 1>there's three libraries she's been in touch with who are

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<v Speaker 1>struggling too. I spoke to I said to one of them,

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<v Speaker 1>I said, what do you need? I don't want to

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<v Speaker 1>assume anything. I said, what do you need and how

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<v Speaker 1>much money? She said, the budget for the library is

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<v Speaker 1>five thousand dollars. I said, I said, wait a second.

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<v Speaker 1>I said, you mean like a day or a week

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<v Speaker 1>or and she said no, no, She said everybody's volunteers

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<v Speaker 1>and part time people, and no one's getting paid. And

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<v Speaker 1>she's books are given to us. She said, books we

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<v Speaker 1>don't need. She said, what I need in this library,

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<v Speaker 1>it's food. I need money for food because the kids

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<v Speaker 1>are coming here and asking for food and they want

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<v Speaker 1>to eat. They come from poor homes. And I thought

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<v Speaker 1>the average person just can't appreciate how much they must

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<v Speaker 1>have suffered. Yeah. A number of librarians um marriages fell

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<v Speaker 1>apart in the wake of this. They were really pressed

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<v Speaker 1>and out of a job, yeah, and felt useless, felt

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<v Speaker 1>they didn't know what to do with themselves. One woman

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<v Speaker 1>librarian told me she didn't get her period for for

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<v Speaker 1>four months after the fire. She was under so much

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<v Speaker 1>stress and she was so dismayed. I think it's very difficult.

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<v Speaker 1>I think it would be the only analog I can

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<v Speaker 1>think of is if your house burned down. When Dick

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<v Speaker 1>Cavitt's house, one of the Seven Sisters houses in Montalk,

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<v Speaker 1>the Stanford White Houses on the bluff there in Montalk.

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<v Speaker 1>The house burned down. A good deal of what was

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<v Speaker 1>his on the personal level was destroyed in the fire.

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<v Speaker 1>The house was ruined, and for that reason, I keep

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<v Speaker 1>nothing of any value like that in my Long Island home.

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<v Speaker 1>It's in storage in the city because I'm terrified of

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<v Speaker 1>a fire. It's terrifying. And interestingly, the insurance coverage that

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<v Speaker 1>a library has covers the building and not the contents,

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<v Speaker 1>so the insurance did not cover the cost of the

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<v Speaker 1>lost books. It's like two million dollars worth of books.

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<v Speaker 1>The money had to be raised. It was raised by

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<v Speaker 1>tiny donations from school kids, big donations from the Getty Foundation,

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<v Speaker 1>from some of the studios George Lucas, Sydney Sheldon Um.

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<v Speaker 1>There was a real rallying in the city, and I

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<v Speaker 1>suspect it was a lot of people who had never

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<v Speaker 1>really before given the library much thought. Well, of course,

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<v Speaker 1>all books now in the world we live in existed digitally.

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<v Speaker 1>Everything is on a file somewhere and backed up, and

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<v Speaker 1>there's no fear that that's going to be raised forever.

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<v Speaker 1>This fire, because it was so epic, did it launch

0:14:44.320 --> 0:14:47.600
<v Speaker 1>some kind of program where people could preserve these books

0:14:47.640 --> 0:14:51.960
<v Speaker 1>better and in case this happens and these fabled collections

0:14:51.960 --> 0:14:57.320
<v Speaker 1>aren't lost. It's interesting because, um, the fire occurred right

0:14:57.360 --> 0:15:03.560
<v Speaker 1>at the moment when technology was first entering library management.

0:15:04.800 --> 0:15:07.720
<v Speaker 1>The l A library at that point switched to an

0:15:07.720 --> 0:15:15.280
<v Speaker 1>electronic catalog because even losing the card catalog was devastating. Yeah,

0:15:15.320 --> 0:15:18.880
<v Speaker 1>I mean they had to read catalog two million books

0:15:18.920 --> 0:15:23.880
<v Speaker 1>they didn't even know. And that was actually one of

0:15:23.920 --> 0:15:29.520
<v Speaker 1>those odd pieces of timing that electronic cataloging was just

0:15:29.760 --> 0:15:34.680
<v Speaker 1>becoming widely available. So l A had to read catalog

0:15:34.720 --> 0:15:39.120
<v Speaker 1>all of its books. Anyway, it was purchasing all of

0:15:39.160 --> 0:15:41.720
<v Speaker 1>these new books to replace the ones that were lost,

0:15:42.440 --> 0:15:47.920
<v Speaker 1>but the books themselves all new books. Digital copy exists,

0:15:48.480 --> 0:15:53.800
<v Speaker 1>but of old books they Google has a huge project

0:15:53.920 --> 0:15:58.400
<v Speaker 1>where they are digitally scanning old but they don't exist

0:15:58.440 --> 0:16:00.840
<v Speaker 1>on a file that that book is it. Yeah, and

0:16:00.840 --> 0:16:03.920
<v Speaker 1>they're gonna make a file. I mean for an individual

0:16:04.000 --> 0:16:11.200
<v Speaker 1>library to do that, it's probably Google. Yeah. And so

0:16:11.400 --> 0:16:15.320
<v Speaker 1>we are putting more safeguards in place so that if

0:16:15.360 --> 0:16:20.800
<v Speaker 1>you had a devastating fire and you lost these rare

0:16:21.760 --> 0:16:24.240
<v Speaker 1>in many cases, now I think there is a backup

0:16:24.320 --> 0:16:28.000
<v Speaker 1>on the other hand, the l A Public Library has

0:16:28.880 --> 0:16:32.000
<v Speaker 1>the largest or one of the very largest collections of

0:16:32.160 --> 0:16:35.280
<v Speaker 1>maps and atlas is of any library in the country.

0:16:35.400 --> 0:16:40.160
<v Speaker 1>They have over two thousand. It would take a very

0:16:40.200 --> 0:16:42.920
<v Speaker 1>long time and a lot of money for them to

0:16:43.000 --> 0:16:47.920
<v Speaker 1>digitize all of them. That's the goal, because that would

0:16:47.960 --> 0:16:51.680
<v Speaker 1>be fantastic to have all those maps, a digital copy

0:16:51.760 --> 0:16:54.840
<v Speaker 1>of all of them. But it's it's an enormous amount

0:16:54.840 --> 0:16:57.680
<v Speaker 1>of work for a library to do. For me, what

0:16:57.800 --> 0:17:01.240
<v Speaker 1>I find interesting with a book like this, You don't

0:17:01.240 --> 0:17:03.480
<v Speaker 1>make it into a detective story. You don't build this

0:17:03.520 --> 0:17:06.359
<v Speaker 1>book in that way. This book is a lot of history.

0:17:06.520 --> 0:17:08.240
<v Speaker 1>How does the book begin to emerge? And how do

0:17:08.280 --> 0:17:11.239
<v Speaker 1>you piece together? I guess what I'm asking is, how

0:17:11.240 --> 0:17:13.640
<v Speaker 1>does Susan Lean write a book? What do you do?

0:17:14.000 --> 0:17:17.120
<v Speaker 1>I'm still trying to answer that question, actually for myself.

0:17:17.200 --> 0:17:21.280
<v Speaker 1>But what I do I have a My approach is

0:17:21.400 --> 0:17:24.920
<v Speaker 1>to throw my net as wide as possible in the beginning,

0:17:25.000 --> 0:17:28.119
<v Speaker 1>to have no preconceived idea of what the book has,

0:17:28.160 --> 0:17:32.199
<v Speaker 1>show me everything, just I want to learn everything. The

0:17:32.240 --> 0:17:34.560
<v Speaker 1>way I look at it is in the beginning, I'm

0:17:34.600 --> 0:17:39.639
<v Speaker 1>a student. I'm I'm doing a graduate course in the library.

0:17:39.840 --> 0:17:43.520
<v Speaker 1>Library history, the history of this particular incident with the fire,

0:17:44.440 --> 0:17:47.360
<v Speaker 1>the people who work there. The people who work there

0:17:47.440 --> 0:17:50.440
<v Speaker 1>now what the day to day life is of a library,

0:17:51.880 --> 0:17:54.399
<v Speaker 1>and in the course of it, you know, and the

0:17:54.520 --> 0:17:58.600
<v Speaker 1>history of arson and the history burning books, in the

0:17:58.680 --> 0:18:02.680
<v Speaker 1>course of world of events, which sadly has been a

0:18:03.400 --> 0:18:09.560
<v Speaker 1>theme since the beginning of time. As I'm doing all

0:18:09.600 --> 0:18:15.240
<v Speaker 1>of this and gathering so much material, themes begin emerging

0:18:15.280 --> 0:18:20.760
<v Speaker 1>to me. And what this was about was storytelling. We

0:18:20.880 --> 0:18:26.359
<v Speaker 1>are creatures who tell stories, We preserve stories, and we

0:18:26.480 --> 0:18:31.440
<v Speaker 1>make stories up about yourselves. And I feel like this

0:18:31.640 --> 0:18:34.960
<v Speaker 1>was about the story of the library, and the library

0:18:35.160 --> 0:18:39.880
<v Speaker 1>is the repository of stories. The people who became very

0:18:39.960 --> 0:18:43.159
<v Speaker 1>interesting to me in the book, like Harry Peak, the

0:18:43.240 --> 0:18:48.080
<v Speaker 1>person who is accused of starting the fire, of Charles

0:18:48.160 --> 0:18:53.600
<v Speaker 1>lammis one of the really fascinating characters who ran the library.

0:18:53.880 --> 0:18:57.520
<v Speaker 1>These were people who were who made up stories about themselves,

0:18:57.560 --> 0:19:01.600
<v Speaker 1>who created stories around the who they were in the world,

0:19:02.359 --> 0:19:06.440
<v Speaker 1>even more than the average person. So as that theme

0:19:06.520 --> 0:19:11.320
<v Speaker 1>began to emerge, it helped me organize this material and

0:19:11.400 --> 0:19:15.080
<v Speaker 1>begin pruning away at what was important for me to

0:19:15.160 --> 0:19:19.520
<v Speaker 1>know but wasn't important to put in the book. I

0:19:19.760 --> 0:19:23.960
<v Speaker 1>chose to start the book with Harry Peak because I

0:19:24.000 --> 0:19:26.560
<v Speaker 1>think people are more interested in people than they are

0:19:26.600 --> 0:19:31.600
<v Speaker 1>in places or events that a book that invites you

0:19:31.640 --> 0:19:35.399
<v Speaker 1>in through a character is often one that you're willing

0:19:35.440 --> 0:19:39.840
<v Speaker 1>to keep reading. And he as a person who was

0:19:40.000 --> 0:19:47.280
<v Speaker 1>a compulsive storyteller otherwise known as a liar, he symbolized

0:19:47.359 --> 0:19:50.120
<v Speaker 1>so much of what the book was. He's a kind

0:19:50.119 --> 0:19:56.160
<v Speaker 1>of classic creature of l A, a want to be actor, dreamer,

0:19:56.480 --> 0:19:58.920
<v Speaker 1>a drifter, how old at the time of the event

0:19:59.200 --> 0:20:02.280
<v Speaker 1>he is in his to Ennis, And he also kind

0:20:02.320 --> 0:20:06.280
<v Speaker 1>of intersected with l A history in a very interesting way. Um,

0:20:06.320 --> 0:20:10.080
<v Speaker 1>and I won't necessarily tell you the de nument of

0:20:10.200 --> 0:20:12.800
<v Speaker 1>his story, so that will leave a little bit of mystery.

0:20:12.920 --> 0:20:16.600
<v Speaker 1>But even the way he left this earth was very

0:20:16.720 --> 0:20:20.840
<v Speaker 1>much a part of what was going on historically in

0:20:21.119 --> 0:20:25.800
<v Speaker 1>Los Angeles. Yeah, but my challenges. I like writing about

0:20:25.840 --> 0:20:28.200
<v Speaker 1>things I don't know anything about. So I begin as

0:20:28.200 --> 0:20:31.000
<v Speaker 1>a student and then I become a teacher, and I

0:20:31.040 --> 0:20:33.280
<v Speaker 1>try to turn to readers and say, let me teach

0:20:33.320 --> 0:20:37.760
<v Speaker 1>you about this amazing thing I learned about, And like

0:20:37.840 --> 0:20:40.040
<v Speaker 1>a teacher, I have to figure out how can I

0:20:40.119 --> 0:20:43.879
<v Speaker 1>tell you this story in the most compelling way that

0:20:44.200 --> 0:20:48.000
<v Speaker 1>keeps you engaged. And I don't have to include every

0:20:48.040 --> 0:20:50.919
<v Speaker 1>single thing that I learned, because there's just too much,

0:20:50.960 --> 0:20:54.760
<v Speaker 1>but instead create a narrative that will bring you into

0:20:54.760 --> 0:20:59.320
<v Speaker 1>the story and you can follow the journey of learning

0:20:59.359 --> 0:21:05.160
<v Speaker 1>about why this topic interested me. Susan or Leave New

0:21:05.240 --> 0:21:09.760
<v Speaker 1>Yorker writer and the author of the library book about

0:21:10.680 --> 0:21:14.080
<v Speaker 1>l a Library Fire. If you're as fascinated as I

0:21:14.160 --> 0:21:17.320
<v Speaker 1>am by all things New Yorker, you should listen to

0:21:17.359 --> 0:21:21.880
<v Speaker 1>my interview with the intrepid Tina Brown coming from Vanity Fair.

0:21:22.280 --> 0:21:25.120
<v Speaker 1>She was greeted with skepticism when she took over The

0:21:25.160 --> 0:21:30.480
<v Speaker 1>New Yorker. It was much more open warfare against me

0:21:30.520 --> 0:21:32.320
<v Speaker 1>at the New Yorker at the beginning, you know, because

0:21:32.320 --> 0:21:35.480
<v Speaker 1>we had this huge kind of pushback from the old

0:21:35.480 --> 0:21:38.399
<v Speaker 1>guard expecting that this was going to be me putting

0:21:38.440 --> 0:21:41.639
<v Speaker 1>Demi Moore and in the magazine. I mean, first of

0:21:41.680 --> 0:21:44.560
<v Speaker 1>the cartoonist Bob Mankoff. He thought that I was going

0:21:44.640 --> 0:21:48.560
<v Speaker 1>to cancel all of cartoons and just put pictures in here.

0:21:48.720 --> 0:21:52.680
<v Speaker 1>The full interview with Tina Brown in our archive at

0:21:52.760 --> 0:22:08.160
<v Speaker 1>Here's the Thing dot org. This is Alec Baldwin, and

0:22:08.200 --> 0:22:11.639
<v Speaker 1>you're listening to Here's the Thing Now, more of my

0:22:11.760 --> 0:22:17.679
<v Speaker 1>conversation with New Yorker writer Susan or Lean. In February,

0:22:17.720 --> 0:22:21.199
<v Speaker 1>ten months after the worst library fire in American history,

0:22:21.560 --> 0:22:24.879
<v Speaker 1>the l a p D arrested a man named Harry Peak.

0:22:25.640 --> 0:22:29.480
<v Speaker 1>He confessed to starting the fire, and then he recanted.

0:22:30.600 --> 0:22:35.800
<v Speaker 1>He confessed multiple times, actually and recanted multiple times with

0:22:35.960 --> 0:22:39.399
<v Speaker 1>different alibis each time. It assumed that that was coached

0:22:39.400 --> 0:22:41.840
<v Speaker 1>by an attorney. Did a lawyer coach He didn't even

0:22:41.920 --> 0:22:45.840
<v Speaker 1>have a lawyer for the first several times that he

0:22:45.960 --> 0:22:49.959
<v Speaker 1>confessed and recanted. This was he confessed to friends, and

0:22:50.040 --> 0:22:54.240
<v Speaker 1>friends turned him in as one's friends do. There was

0:22:54.320 --> 0:22:59.800
<v Speaker 1>a reward. He had confessed multiple times two friends. He

0:23:00.080 --> 0:23:04.360
<v Speaker 1>confess to the police in a casual interview where they

0:23:04.359 --> 0:23:08.600
<v Speaker 1>were simply saying, what were you doing that day? Where

0:23:08.640 --> 0:23:11.720
<v Speaker 1>were you? What happens in days prior to no video

0:23:11.760 --> 0:23:13.960
<v Speaker 1>cameras that are getting people in and out. There were

0:23:14.000 --> 0:23:19.000
<v Speaker 1>simply security keeping people from coming into early There was

0:23:19.080 --> 0:23:22.280
<v Speaker 1>no there's no record. Take your feet off the table exactly,

0:23:22.320 --> 0:23:28.280
<v Speaker 1>and don't eat potato chips on the rarebus quiet and

0:23:28.400 --> 0:23:33.959
<v Speaker 1>even today libraries are open to anybody, anyone can come in.

0:23:34.640 --> 0:23:39.920
<v Speaker 1>That is both their greatest strength and sometimes their greatest challenge.

0:23:40.400 --> 0:23:43.560
<v Speaker 1>I did this movie with Emilio Estefays. He did this

0:23:43.600 --> 0:23:47.359
<v Speaker 1>movie The Public and it's about a guy who's on

0:23:47.400 --> 0:23:50.240
<v Speaker 1>the staff of the Cincinnati Public Library who joins a

0:23:50.320 --> 0:23:55.879
<v Speaker 1>protest by homeless people who are denizens of the library,

0:23:55.880 --> 0:24:00.359
<v Speaker 1>and a bane to the board of the library stage

0:24:00.359 --> 0:24:02.639
<v Speaker 1>a demonstration and they seal off a section of the library,

0:24:02.680 --> 0:24:05.600
<v Speaker 1>takeover and have a protest of a demonstration. And the

0:24:05.640 --> 0:24:09.000
<v Speaker 1>movie just screened at the Toronto Film Festival did quite

0:24:09.040 --> 0:24:12.680
<v Speaker 1>well with great We all went up there, Michael Michael,

0:24:12.760 --> 0:24:17.719
<v Speaker 1>Kay Williams and Taylor Shilling and all these wonderful actress

0:24:17.720 --> 0:24:21.400
<v Speaker 1>who working film and m and Amelia plays the lead role.

0:24:21.640 --> 0:24:25.359
<v Speaker 1>And the support he's gotten from the library community is really,

0:24:25.359 --> 0:24:29.680
<v Speaker 1>really wonderful. They are a warm, friendly, welcoming place, full

0:24:29.720 --> 0:24:34.240
<v Speaker 1>of interesting stuff costing nothing, and there aren't that many

0:24:34.280 --> 0:24:38.800
<v Speaker 1>places in our world that exists like that. So there

0:24:38.920 --> 0:24:43.080
<v Speaker 1>was no record of Harry Pea coming into the library,

0:24:43.600 --> 0:24:46.800
<v Speaker 1>as there was no record of anybody coming into the library.

0:24:46.840 --> 0:24:50.479
<v Speaker 1>And in regards to him confessing and becanting, did he

0:24:50.880 --> 0:24:52.879
<v Speaker 1>indicate any motive? Why did he do it? Once he

0:24:52.920 --> 0:24:55.520
<v Speaker 1>confessed to the next question is why he never he

0:24:55.640 --> 0:25:00.680
<v Speaker 1>never said. The library opens for employees or elier than

0:25:00.720 --> 0:25:03.879
<v Speaker 1>it does to the public. So a door is open,

0:25:03.920 --> 0:25:06.439
<v Speaker 1>a security guard sits there to make sure you have

0:25:06.600 --> 0:25:10.840
<v Speaker 1>an employee badge to get in. On that morning, a

0:25:10.960 --> 0:25:15.040
<v Speaker 1>young man started walking in. The security guards stopped him

0:25:15.400 --> 0:25:18.920
<v Speaker 1>and said the library is not open, and the young

0:25:18.960 --> 0:25:24.119
<v Speaker 1>man apparently was annoyed by being stopped and left. The

0:25:24.240 --> 0:25:29.480
<v Speaker 1>city's final explanation for why they believed Harry Peake did

0:25:29.520 --> 0:25:32.200
<v Speaker 1>it on top of the fact that he had confessed,

0:25:32.920 --> 0:25:36.680
<v Speaker 1>was that he was angry that the guard had turned

0:25:36.720 --> 0:25:39.359
<v Speaker 1>him away. I want to get into the apple store

0:25:39.400 --> 0:25:42.000
<v Speaker 1>early too. But did anybody venture what was wrong with him?

0:25:42.000 --> 0:25:45.240
<v Speaker 1>Did they get into his mental health? And that's part

0:25:45.240 --> 0:25:49.080
<v Speaker 1>of what the mystery is because usually people who are

0:25:49.160 --> 0:25:56.480
<v Speaker 1>pyromaniacs generally display that behavior fairly early in life. It's

0:25:56.640 --> 0:25:59.320
<v Speaker 1>very rare for someone in their twenties who has no

0:25:59.560 --> 0:26:03.320
<v Speaker 1>history ever and has never been to torch the l

0:26:03.359 --> 0:26:08.639
<v Speaker 1>a central library. Did uh? Did experts determine how the

0:26:08.680 --> 0:26:14.800
<v Speaker 1>fire was set? It's a big question. Arson is the

0:26:14.880 --> 0:26:19.480
<v Speaker 1>one of the most difficult crimes to analyze and investigate

0:26:20.160 --> 0:26:24.359
<v Speaker 1>and In fact, it's the least successfully prosecuted felony for

0:26:24.400 --> 0:26:28.320
<v Speaker 1>that very reason. Usually the means of starting a fire

0:26:28.480 --> 0:26:32.040
<v Speaker 1>get destroyed in the fire. And believe it or not,

0:26:33.160 --> 0:26:41.040
<v Speaker 1>libraries until the late eighties did not have sprinkler systems. Librarians, yeah,

0:26:41.119 --> 0:26:45.200
<v Speaker 1>it's pretty shock library they didn't have sprinkler systems because

0:26:45.240 --> 0:26:51.679
<v Speaker 1>the worry was water is as damaging. Someone set them right,

0:26:51.880 --> 0:26:55.200
<v Speaker 1>someone lights a match to you know, and and sneaking

0:26:55.200 --> 0:26:57.360
<v Speaker 1>a cigarette back in the set and then boom, you've

0:26:57.359 --> 0:26:59.600
<v Speaker 1>got your sprinkler systems going off in your books are

0:26:59.600 --> 0:27:03.879
<v Speaker 1>going to be ruined. So the American Library Association until

0:27:04.040 --> 0:27:08.760
<v Speaker 1>the late eighties advised against sprinkler systems. And this was

0:27:08.880 --> 0:27:14.439
<v Speaker 1>before they had systems that use gas. And yeah, I

0:27:14.480 --> 0:27:20.359
<v Speaker 1>mean this was not basically fired prevention at that time

0:27:20.480 --> 0:27:26.080
<v Speaker 1>was a sprinkler that would get triggered and sent. In fact,

0:27:26.280 --> 0:27:28.800
<v Speaker 1>a great number of the books that were ruined in

0:27:29.920 --> 0:27:37.320
<v Speaker 1>the fire were ruined by water that firefighters were. Yeah.

0:27:37.520 --> 0:27:40.080
<v Speaker 1>Now you grew up in Cleveland, yes, and what did

0:27:40.119 --> 0:27:45.159
<v Speaker 1>your dad do. He was a real estate developer, mostly

0:27:45.240 --> 0:27:48.440
<v Speaker 1>a mom and part time worked in a bank. When

0:27:48.440 --> 0:27:50.879
<v Speaker 1>you were growing up in that household, what were books

0:27:51.440 --> 0:27:54.959
<v Speaker 1>and your childhood and what was yourn was a big reader.

0:27:55.480 --> 0:27:58.840
<v Speaker 1>My parents were great library goers, and they grew up

0:27:58.840 --> 0:28:03.119
<v Speaker 1>in the depression. I think they felt, as many people

0:28:03.160 --> 0:28:06.000
<v Speaker 1>who grew up in the depression felt, if you could

0:28:06.080 --> 0:28:08.679
<v Speaker 1>borrow something, why would you buy it. They were not

0:28:08.880 --> 0:28:12.400
<v Speaker 1>big on buying books. It was to them a luxury

0:28:12.440 --> 0:28:16.359
<v Speaker 1>that was didn't make sense you could borrow a book.

0:28:16.720 --> 0:28:19.359
<v Speaker 1>So we would go to the library all the time.

0:28:20.080 --> 0:28:23.880
<v Speaker 1>I grew up going at least once a week, if

0:28:23.880 --> 0:28:27.840
<v Speaker 1>not twice a week, taking books out. I didn't start

0:28:27.840 --> 0:28:30.120
<v Speaker 1>buying books till I was in college, and I think

0:28:30.160 --> 0:28:35.200
<v Speaker 1>I was buying textbooks and suddenly became obsessed with owning books.

0:28:35.600 --> 0:28:38.600
<v Speaker 1>My parents, to the day they died, they had the

0:28:38.600 --> 0:28:42.240
<v Speaker 1>money to buy books. They lived through the depression and

0:28:43.400 --> 0:28:46.720
<v Speaker 1>they had were very comfortable and could have afforded any

0:28:46.760 --> 0:28:51.560
<v Speaker 1>books they wanted. They it was something that was embedded

0:28:51.600 --> 0:28:54.400
<v Speaker 1>in them that you borrowed books from the library, you

0:28:54.520 --> 0:28:56.360
<v Speaker 1>didn't buy them. So we didn't have a lot of

0:28:56.360 --> 0:28:58.240
<v Speaker 1>books in my house. Even when I go to Barnes

0:28:58.280 --> 0:29:00.200
<v Speaker 1>and Noble, I love it, and I just said, I

0:29:00.200 --> 0:29:01.560
<v Speaker 1>get the same feeling. I mean, I'm in a room

0:29:01.600 --> 0:29:03.520
<v Speaker 1>full of books. It doesn't matter whose name is on

0:29:04.000 --> 0:29:08.720
<v Speaker 1>the door by Lincoln Center, the one by now and

0:29:08.760 --> 0:29:12.040
<v Speaker 1>when it closed, I was that was my Barnes and Noble.

0:29:12.120 --> 0:29:17.240
<v Speaker 1>I was devastated. Not even the big one on Broadway

0:29:17.800 --> 0:29:20.880
<v Speaker 1>in the old Shakespeare. I didn't. I didn't. I didn't

0:29:20.920 --> 0:29:22.320
<v Speaker 1>go to that one. I didn't like that as much

0:29:22.360 --> 0:29:25.600
<v Speaker 1>as that one by Lincoln Center. I loved that bookstore.

0:29:25.600 --> 0:29:28.120
<v Speaker 1>I'm gonna close. I was so sad. Oh it's it's

0:29:28.160 --> 0:29:30.400
<v Speaker 1>a heartbreak. Now. I want to ask you, because we

0:29:30.400 --> 0:29:33.400
<v Speaker 1>are going to run out of time, how does writing

0:29:33.680 --> 0:29:36.520
<v Speaker 1>congeal in your life? Like when do you decide that's

0:29:36.520 --> 0:29:38.200
<v Speaker 1>what you're going to do with your life? And it's

0:29:38.200 --> 0:29:43.800
<v Speaker 1>a big commitment. I started writing when I learned to read,

0:29:44.680 --> 0:29:48.640
<v Speaker 1>and I never thought I would be anything other than

0:29:48.680 --> 0:29:53.480
<v Speaker 1>a writer. I wrote little books for my family when

0:29:53.480 --> 0:29:56.120
<v Speaker 1>I was really young. I'm not trying to say it

0:29:56.200 --> 0:29:59.640
<v Speaker 1>was a prodigy. I just writing always seemed to me

0:30:00.440 --> 0:30:05.120
<v Speaker 1>to be the filter through which experience made sense to me.

0:30:06.880 --> 0:30:14.120
<v Speaker 1>Communicating telling stories seemed like a natural transaction between me

0:30:14.160 --> 0:30:17.240
<v Speaker 1>and the world. Just it was just what I wanted

0:30:17.280 --> 0:30:22.880
<v Speaker 1>to do. When I was probably in college, I realized

0:30:22.920 --> 0:30:26.600
<v Speaker 1>what I really wanted to do was tell true stories.

0:30:26.800 --> 0:30:29.840
<v Speaker 1>I didn't want to write fiction. I wanted to learn

0:30:29.880 --> 0:30:33.920
<v Speaker 1>about the world, and particularly learn about things that they

0:30:33.920 --> 0:30:38.040
<v Speaker 1>hadn't noticed or hadn't thought about before. And trying to

0:30:38.040 --> 0:30:40.560
<v Speaker 1>figure out how you do that for a living was

0:30:40.640 --> 0:30:42.959
<v Speaker 1>of course a bit of a challenge. But when I

0:30:43.000 --> 0:30:47.920
<v Speaker 1>discovered the New Yorker, I thought, ah, I get it now.

0:30:48.840 --> 0:30:52.400
<v Speaker 1>This is where you write those kinds of stories where

0:30:52.440 --> 0:30:57.640
<v Speaker 1>you examine life and tell their stories. So it was

0:30:58.160 --> 0:31:02.200
<v Speaker 1>my dream to work there. And I'm lucky enough too.

0:31:02.600 --> 0:31:06.040
<v Speaker 1>And I've never done any waitress but other than that,

0:31:06.080 --> 0:31:08.480
<v Speaker 1>I've never done any other jobs. Do you think that

0:31:08.600 --> 0:31:12.360
<v Speaker 1>Orchid Thief was your most cinematic book, Well, the funny

0:31:12.400 --> 0:31:15.040
<v Speaker 1>thing is I think none of them are. And yet

0:31:15.320 --> 0:31:17.200
<v Speaker 1>what surprised you but that when they mean they made

0:31:17.200 --> 0:31:19.640
<v Speaker 1>this into a very famous movie, we did that. Surprise

0:31:19.640 --> 0:31:21.720
<v Speaker 1>you when we want to make it real. Surprise me.

0:31:21.760 --> 0:31:24.040
<v Speaker 1>In fact, when it was optioned, and it was optioned

0:31:24.080 --> 0:31:27.360
<v Speaker 1>immediately before I had even finished the book, I thought,

0:31:27.400 --> 0:31:29.520
<v Speaker 1>I have no idea what these people think they're doing.

0:31:29.680 --> 0:31:36.400
<v Speaker 1>It's a very um, discursive, sort of reflective internal book.

0:31:36.480 --> 0:31:39.800
<v Speaker 1>I cannot imagine how you're going to make a movie

0:31:39.800 --> 0:31:43.600
<v Speaker 1>out of this. But that's not my problem, that's your problem.

0:31:43.760 --> 0:31:49.520
<v Speaker 1>And I remember saying to a friend, They're gonna have

0:31:49.680 --> 0:31:53.200
<v Speaker 1>to make the crime be a murder or something more

0:31:53.280 --> 0:31:57.560
<v Speaker 1>dramatic than just stealing orchids is just impossible, and there's

0:31:57.560 --> 0:32:01.120
<v Speaker 1>going to have to be some sex in it some how,

0:32:03.360 --> 0:32:07.040
<v Speaker 1>and lo and behold, there you go. I mean, when

0:32:07.040 --> 0:32:10.000
<v Speaker 1>I got the script for adaptation, I read it and thought,

0:32:10.040 --> 0:32:12.840
<v Speaker 1>you people are crazy. I don't know what you're doing,

0:32:13.520 --> 0:32:15.960
<v Speaker 1>but at least I'm right you did have to put

0:32:16.000 --> 0:32:19.760
<v Speaker 1>in a murderer and a car crash. I've had this

0:32:19.880 --> 0:32:24.480
<v Speaker 1>funny relationship with Hollywood that I write things that I

0:32:24.520 --> 0:32:28.640
<v Speaker 1>want to write, and I they are not conventional in

0:32:28.680 --> 0:32:32.120
<v Speaker 1>any way in terms of Hollywood sense of a story,

0:32:32.400 --> 0:32:38.760
<v Speaker 1>and yet they come knocking and I'm delighted. Well, I've

0:32:38.840 --> 0:32:42.720
<v Speaker 1>never particularly been interested in it, but we are adapting

0:32:42.960 --> 0:32:45.920
<v Speaker 1>this book for television, and I thought, you know what

0:32:46.000 --> 0:32:48.320
<v Speaker 1>I'm gonna I'm gonna give it a shot. I think

0:32:48.360 --> 0:32:53.200
<v Speaker 1>it would be fun to try a different kind of writing. Um,

0:32:53.240 --> 0:32:55.560
<v Speaker 1>but there's so many things I want to write about

0:32:55.640 --> 0:33:00.400
<v Speaker 1>out in the world that um, I've never at. I

0:33:00.440 --> 0:33:03.120
<v Speaker 1>want to be the one to adapt my work. I've

0:33:03.160 --> 0:33:07.160
<v Speaker 1>always found it mostly people option my work, and I

0:33:07.200 --> 0:33:09.200
<v Speaker 1>think I have no idea what you are going to

0:33:09.320 --> 0:33:12.440
<v Speaker 1>do with this. So just call me when it's done

0:33:12.600 --> 0:33:15.560
<v Speaker 1>and I'll come to the premiere. I'm very happy. Give

0:33:15.600 --> 0:33:17.200
<v Speaker 1>me a few days notice so I can get my

0:33:17.280 --> 0:33:19.360
<v Speaker 1>dress to the drive. I feel about movies i'm in.

0:33:20.520 --> 0:33:22.160
<v Speaker 1>I don't want to see the movie. They'll say, you

0:33:22.160 --> 0:33:23.560
<v Speaker 1>want to see a kind of the movie. I'm like, no,

0:33:24.240 --> 0:33:26.600
<v Speaker 1>welcome to the premiere. I suppose now that I live

0:33:26.640 --> 0:33:31.120
<v Speaker 1>in l A, my interest in working on the adaptation

0:33:31.200 --> 0:33:34.280
<v Speaker 1>of this book is more than it was when I

0:33:34.320 --> 0:33:36.560
<v Speaker 1>lived in New York because I'm going to work on

0:33:36.600 --> 0:33:41.640
<v Speaker 1>it with a friend who's a wonderful writer. Yeah. What

0:33:41.640 --> 0:33:42.920
<v Speaker 1>do you think living in LA is going to do

0:33:42.920 --> 0:33:48.560
<v Speaker 1>to your writing? Boy? I wonder about it, except, um,

0:33:48.680 --> 0:33:52.160
<v Speaker 1>you know, there are the stories that I'm interested in writing.

0:33:52.280 --> 0:33:55.800
<v Speaker 1>I think are the same that they've always been, and

0:33:57.000 --> 0:34:01.120
<v Speaker 1>I don't see a big change in that. I've lived

0:34:01.120 --> 0:34:03.560
<v Speaker 1>in a lot of different places since I began writing.

0:34:03.600 --> 0:34:07.600
<v Speaker 1>I lived in Boston and New York, in Upstate New York,

0:34:08.560 --> 0:34:13.120
<v Speaker 1>um in Boston again, now in l A. And I

0:34:13.480 --> 0:34:16.719
<v Speaker 1>my writing has remained really consistent. I think there are

0:34:16.840 --> 0:34:21.200
<v Speaker 1>stories that I'll find out about because I live here

0:34:21.320 --> 0:34:25.080
<v Speaker 1>that I might not have seen otherwise. But in the

0:34:25.160 --> 0:34:28.000
<v Speaker 1>heart of the writing, I feel that that's such an

0:34:28.080 --> 0:34:32.080
<v Speaker 1>internal thing that where you're living doesn't affect it as much.

0:34:32.680 --> 0:34:35.680
<v Speaker 1>You're married to John Gillespie. Last time I checked worked

0:34:35.680 --> 0:34:40.000
<v Speaker 1>at the Lampoon. He did, and it is a very

0:34:40.160 --> 0:34:44.280
<v Speaker 1>He's very funny. He's very funny. But he also says

0:34:44.320 --> 0:34:48.919
<v Speaker 1>to me that the classic lampoon response to someone else

0:34:49.040 --> 0:34:52.200
<v Speaker 1>making a joke is to simply, with a very straight face,

0:34:52.239 --> 0:34:55.919
<v Speaker 1>say uh huh, yeah, that's that's funny. I co wrote

0:34:55.920 --> 0:35:00.239
<v Speaker 1>a book with Kurt Anderson, the Writing and Hurt and

0:35:00.280 --> 0:35:02.960
<v Speaker 1>I did the Trump Parody book. Wrote a book called

0:35:03.200 --> 0:35:06.000
<v Speaker 1>you Can't Spell America Without Me. It's a parody. And

0:35:06.280 --> 0:35:09.360
<v Speaker 1>what was so riveting it was truly just overwhelming to

0:35:09.400 --> 0:35:12.359
<v Speaker 1>me and just mesmerizing was how fast the book came

0:35:12.360 --> 0:35:14.400
<v Speaker 1>out of it. He wrote it just like like weeks

0:35:14.480 --> 0:35:17.759
<v Speaker 1>just came. He'd sent me, you know, chapters, and I

0:35:17.800 --> 0:35:20.600
<v Speaker 1>was overwhelmed by how I give him notes. He's so

0:35:20.719 --> 0:35:24.799
<v Speaker 1>productive yet and he's so funny. So he and my

0:35:24.920 --> 0:35:28.080
<v Speaker 1>husband were together and there were a lot of people

0:35:28.080 --> 0:35:31.560
<v Speaker 1>who emerged from that couple of years. Um, well, the

0:35:31.680 --> 0:35:37.000
<v Speaker 1>lampoon has always turned out amazingly clever, smart people, but

0:35:37.120 --> 0:35:39.319
<v Speaker 1>that particular year there were a lot of people who

0:35:39.320 --> 0:35:42.440
<v Speaker 1>have gone on to have quite illustrious careers. Is he

0:35:42.560 --> 0:35:46.360
<v Speaker 1>still writing now? My husband, he wrote a book about

0:35:46.520 --> 0:35:51.320
<v Speaker 1>corporate boards and how bad they are. Um, but mostly

0:35:51.440 --> 0:35:57.279
<v Speaker 1>he's been in the financial world, which is funny. He

0:35:57.320 --> 0:36:00.879
<v Speaker 1>finds the funny. He exactly. Well, I want to say,

0:36:01.040 --> 0:36:02.960
<v Speaker 1>because we're pretty much at a time, and I just

0:36:02.960 --> 0:36:06.239
<v Speaker 1>want to say, in my town, Massapequa, Long Island, the

0:36:06.239 --> 0:36:09.759
<v Speaker 1>Massapequa Public Library and very nice library, and it was

0:36:09.800 --> 0:36:13.160
<v Speaker 1>centrally located. It wasn't like on some outpost where they

0:36:13.200 --> 0:36:14.680
<v Speaker 1>could have got cheap land, you know what I mean.

0:36:14.719 --> 0:36:17.120
<v Speaker 1>They just was right in the heart of town. You

0:36:17.280 --> 0:36:20.160
<v Speaker 1>just got that special feeling of going to the library.

0:36:20.560 --> 0:36:23.880
<v Speaker 1>You went to the library and you were groomed almost

0:36:23.960 --> 0:36:25.640
<v Speaker 1>Because my father was a teacher, I guess this is

0:36:25.680 --> 0:36:28.000
<v Speaker 1>a part of it. Oh, there's an opportunity for me here.

0:36:28.040 --> 0:36:31.840
<v Speaker 1>Something's gonna happen here. This is a sacred a place

0:36:31.840 --> 0:36:34.840
<v Speaker 1>of real deliberation. We're gonna sit and we're gonna learn

0:36:34.960 --> 0:36:38.080
<v Speaker 1>about the research for school, obviously, and looking up, you

0:36:38.080 --> 0:36:42.480
<v Speaker 1>know about our var new Neez Kabata Devaka and the Explorers.

0:36:42.520 --> 0:36:44.560
<v Speaker 1>We would study when we were in the sixth grade,

0:36:44.600 --> 0:36:47.960
<v Speaker 1>and they had two of the old style bookmobiles. They

0:36:48.000 --> 0:36:49.799
<v Speaker 1>would be taken on the trailer hitch and it was

0:36:49.840 --> 0:36:53.560
<v Speaker 1>it was parked in the parking lot the nine whole

0:36:53.640 --> 0:36:56.279
<v Speaker 1>public golf course that existed in my neighborhood, and the

0:36:56.360 --> 0:36:58.240
<v Speaker 1>and the parking lot of the golf course was across

0:36:58.239 --> 0:37:01.000
<v Speaker 1>the street from my house, and we would walk across

0:37:01.040 --> 0:37:04.960
<v Speaker 1>the street and go into this funky, weird bubble. It

0:37:05.000 --> 0:37:07.120
<v Speaker 1>was like a little trailer and the woman was sitting

0:37:07.200 --> 0:37:09.080
<v Speaker 1>at the desk. It was almost like it was like

0:37:09.160 --> 0:37:11.640
<v Speaker 1>doll furniture was like a little little desk she was at.

0:37:12.040 --> 0:37:15.080
<v Speaker 1>And the books had all the little wooden slats to

0:37:15.160 --> 0:37:17.880
<v Speaker 1>keep them from flying off the shelf. Uh. They had

0:37:17.880 --> 0:37:20.400
<v Speaker 1>like these little guard rails they snapped on them when

0:37:20.440 --> 0:37:23.160
<v Speaker 1>they traveled so they wouldn't come flying when the thing

0:37:23.239 --> 0:37:25.799
<v Speaker 1>was driving. And I get a phone call from the

0:37:25.840 --> 0:37:27.880
<v Speaker 1>Massive People Public Library and they say, you know this

0:37:27.960 --> 0:37:30.040
<v Speaker 1>is over. You know we're gonna take these things. We're

0:37:30.040 --> 0:37:33.560
<v Speaker 1>gonna junk them. Would you like to buy one. I

0:37:33.600 --> 0:37:36.640
<v Speaker 1>bought it kid, and I stuck it, and I stuck

0:37:36.680 --> 0:37:39.280
<v Speaker 1>it in a little corner of my property on Long Island,

0:37:39.320 --> 0:37:41.960
<v Speaker 1>and I put trees around it because my neighbors complained.

0:37:42.640 --> 0:37:44.640
<v Speaker 1>My neighbors said to me, why do you have these

0:37:44.680 --> 0:37:47.879
<v Speaker 1>decrepit structures? They said, what is this? These are real

0:37:47.920 --> 0:37:50.400
<v Speaker 1>hamp the knights? Shall we say? One woman said to me,

0:37:50.440 --> 0:37:53.280
<v Speaker 1>she was I didn't realize we were living in Appalachia. God,

0:37:53.560 --> 0:37:57.640
<v Speaker 1>she said, but I remember that feeling, you know, of

0:37:58.040 --> 0:38:01.000
<v Speaker 1>going to that and getting those books, and you knew

0:38:01.040 --> 0:38:03.759
<v Speaker 1>the value the plastic coating on them to protect the

0:38:03.800 --> 0:38:09.000
<v Speaker 1>coverers and everything. And I remember the sacred experience and

0:38:09.120 --> 0:38:12.160
<v Speaker 1>handling that material, And I think that you know, I

0:38:12.200 --> 0:38:16.160
<v Speaker 1>love bookstores too, and I love owning books. Like libraries,

0:38:16.960 --> 0:38:22.520
<v Speaker 1>there is something special and sacred about the idea of

0:38:22.680 --> 0:38:28.319
<v Speaker 1>it being a shared space with shared things, that we

0:38:29.600 --> 0:38:34.880
<v Speaker 1>as a society have created this entity and we all

0:38:34.920 --> 0:38:39.240
<v Speaker 1>sharing it together, and it works almost all the time.

0:38:39.480 --> 0:38:41.759
<v Speaker 1>You take a book home, you read it, you bring

0:38:41.760 --> 0:38:47.000
<v Speaker 1>it back, someone else takes it. It is democratic, small

0:38:47.120 --> 0:38:52.680
<v Speaker 1>d experience in the most really beautiful way. And going

0:38:52.760 --> 0:38:57.239
<v Speaker 1>into a library and seeing a scholar and a teenager

0:38:57.480 --> 0:39:01.040
<v Speaker 1>and a homeless person and a wealth person, and everyone

0:39:01.080 --> 0:39:03.920
<v Speaker 1>has the same right to take the books. It feels great.

0:39:03.960 --> 0:39:05.640
<v Speaker 1>It's like how I assume some people feel when they

0:39:05.680 --> 0:39:08.520
<v Speaker 1>go to church. It feels right, it feels good. It

0:39:08.560 --> 0:39:12.200
<v Speaker 1>makes me feel I get very emotional about it. I mean,

0:39:12.239 --> 0:39:14.520
<v Speaker 1>and I'm going into a bookstore I love and it

0:39:14.560 --> 0:39:18.240
<v Speaker 1>feels amazing and I want everything, and I love walking around.

0:39:19.640 --> 0:39:22.840
<v Speaker 1>That element of thinking, wow, we can really do things

0:39:22.880 --> 0:39:27.879
<v Speaker 1>together as a society and have it work is particular

0:39:28.000 --> 0:39:33.640
<v Speaker 1>to a library, and it feels so gratifying. I'm really

0:39:33.640 --> 0:39:36.640
<v Speaker 1>looking forward to seeing a movie of this because that

0:39:36.760 --> 0:39:40.440
<v Speaker 1>something tells me, like Orchid Thief, it's an unlikely subject

0:39:40.480 --> 0:39:43.480
<v Speaker 1>into something that could become a very very engaging film.

0:39:43.760 --> 0:39:45.520
<v Speaker 1>Thank you, I hope, but I hope. I hope it

0:39:45.520 --> 0:39:47.919
<v Speaker 1>makes it to the screen in some fashion. Yeah, thank

0:39:47.960 --> 0:39:52.520
<v Speaker 1>you so much. I'm I'm excited about it, and I think, um,

0:39:52.560 --> 0:39:58.160
<v Speaker 1>it will be a pleasure to highlight this world of

0:39:58.320 --> 0:40:02.759
<v Speaker 1>libraries in some way. UM, because they really, especially at

0:40:02.800 --> 0:40:07.319
<v Speaker 1>this moment in time when so much else feels so

0:40:08.520 --> 0:40:12.880
<v Speaker 1>dark and trouble risk, they are real beacons in the

0:40:12.960 --> 0:40:17.239
<v Speaker 1>world at the moment, and there's something about being in

0:40:17.239 --> 0:40:20.120
<v Speaker 1>a room full of books. There's nothing else like it.

0:40:20.239 --> 0:40:24.880
<v Speaker 1>You I do that now. I know it's completely acceptable

0:40:24.920 --> 0:40:32.760
<v Speaker 1>in l A. To snorted book. I'm gonna Susan Orleans latest,

0:40:32.920 --> 0:40:35.960
<v Speaker 1>The Library, book about the devastation of the l A

0:40:36.040 --> 0:40:41.440
<v Speaker 1>Central Library, is in stores now from Simon and Schuster.

0:40:42.800 --> 0:40:46.040
<v Speaker 1>This is Alec Baldwin and you're listening to here's the thing.