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Speaker 1: It Scotti, Oh, Curtie Bee, Uh here it is. This

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Speaker 1: isn't a funny one, but it is a fun one, Okay.

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Speaker 2: I'm ready to laugh and laugh and laugh.

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Speaker 1: Why do ghosts float and shimmer?

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Speaker 2: She yeah, I don't know. And we're not quite all

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Speaker 2: the way into the you know, we're not full swing

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Speaker 2: Christmas Hanukah kwans yet, but we're creeping right up on Thanksgiving.

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Speaker 2: So I'll just give a little gobble gobble. It's time

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Speaker 2: for a little bananas world.

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Speaker 1: Would your livesillion pieces?

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Speaker 2: Would you? Ba ba ba ba?

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Speaker 1: Hey, guys, gals, non binary palace, Welcome to Bananas. Hello,

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Speaker 1: Scottie Landis, Howard.

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Speaker 2: Curdie b you got you look like you're in a

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Speaker 2: standing sleeping bag right now, are you.

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Speaker 1: It is so cold it has finally become cold in

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Speaker 1: Los Angeles, which is a delight. It is my My

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Speaker 1: garage maintains a deathly coldness. Uh ten degrees colder than outside.

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Speaker 1: I don't know how or why it does it.

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Speaker 2: So I am.

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Speaker 1: Yes, I'm very bundled, but you know what, I'm gonna

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Speaker 1: get warmed up and I'm gonna probably take this jacket off.

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Speaker 2: I bet you will. That reminds me. We got a message.

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Speaker 2: We had a message gim to us a while ago.

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Speaker 2: Let me find it real quick. Sadie Rain sent this

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Speaker 2: message in said Alaskan bananimal here. Heck yeah, come do

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Speaker 2: a show in Alaska. If you come in the winter,

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Speaker 2: go to Homer or sold in Soldotna.

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Speaker 1: I've never perform in Homer.

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Speaker 2: No. One just said it'll be colder than anything you've

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Speaker 2: ever experienced, but it's much more your vibe, and the

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Speaker 2: locals will be wearing sweatshirts.

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Speaker 1: That is true. I remember I did. I did some

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Speaker 1: shows in Fairbanks, and then part of the deal was

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Speaker 1: that we would drive out to this town that was

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Speaker 1: just a military base. It was essentially that's all there

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Speaker 1: was in the town was a military base. It was

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Speaker 1: about like an hour and a half for two hours

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Speaker 1: away from Fairbanks, and the whole town was like a

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Speaker 1: grocery store, a gas station, and one bar restaurant. And

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Speaker 1: the bar restaurant was where the show was at. And

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Speaker 1: it was it was October in Alaska.

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Speaker 2: It was very cold.

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Speaker 1: I had a winter jacket on and everyone was outside

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Speaker 1: in T shirts and everyone was calling me a whimp

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Speaker 1: for having my winter jacket.

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Speaker 2: Mark please well in la when it's sixty five, people

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Speaker 2: are in a snow hat and a jacket. I went

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Speaker 2: out in a T shirt and jeans just to grab

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Speaker 2: some coffee the other morning, and I was the only

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Speaker 2: person wearing a T shirt and people were full winter

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Speaker 2: apparel and it was sixty degrees out. But you just

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Speaker 2: get used to it.

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Speaker 1: It's fun. It's fun to because it's like, really, people

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Speaker 1: in La they're like, coseplay winter, you know, sixty degrees

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Speaker 1: They put all their stuff on there like here we are,

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Speaker 1: it's winter.

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Speaker 2: Really true. It's so funny because I think a lot

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Speaker 2: of people have this idea of New England. Like a

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Speaker 2: lot of women friends of mine are like, you went

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Speaker 2: to school mass Jusetts. I'm like, I sure did, and

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Speaker 2: they're like, oh, I've always wanted to go to Boston.

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Speaker 2: And then it almost always comes back to they just

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Speaker 2: really want to wear their sort of fallen winter coats

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Speaker 2: and clothing. It has nothing to do with the culture

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Speaker 2: of the city. It's absolutely has to do with the

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Speaker 2: wardrobe that you can wear when the leaves are changing

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Speaker 2: colors and a light just a light flurry is falling.

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Speaker 1: I think my favorite artarticle of clothing to purchase is

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Speaker 1: a light jacket. I will look at light jackets online

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Speaker 1: four hours. Do I ever buy them? I do not

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Speaker 1: know because I'm always like, I have a jacket already.

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Speaker 1: I can't justify I have like probably two like light jackets,

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Speaker 1: and I can't, but I want so many more light jackets.

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Speaker 2: Apparently, my dad for like thirty years, while working in

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Speaker 2: Baltimore in an office building, when fall would hit, he

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Speaker 2: would tell somebody in the office the same joke every year.

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Speaker 2: And you would say, did you hear somebody jumped out

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Speaker 2: of the building, the Lake Mason building or whatever, and

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Speaker 2: everybody go, oh, my god, no, and my dad would say,

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Speaker 2: it's okay, though they were wearing a light fall jacket.

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Speaker 1: A light fall, I mean, like so light fall, you know,

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Speaker 1: it's so almost doesn't work, but for.

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Speaker 2: Office comedy that it's a standing ovation for water cooler jokes. Oh,

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Speaker 2: it's okay. He was wearing his light fall jacket. That's

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Speaker 2: where I get it from. That's why I just keep

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Speaker 2: cranking out script after script, baby, But yes, thank you

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Speaker 2: for sending that in. We will one day do an

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Speaker 2: Alaska show. It is a Banana's Live will come to Alaska.

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Speaker 2: But I'm going to tell you right now. It's gonna

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Speaker 2: be smack dab in the middle of summer, probably July fourth.

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Speaker 1: Yeah, it would be nice if it was a NonStop sunlight.

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Speaker 1: While I either want NonStop sunlight or I want total

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Speaker 1: darkness the whole time. I want to experience that once in.

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Speaker 2: My life extreme. You're a man of extremes, you know,

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Speaker 2: I am.

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Speaker 1: I remember writing it by my journal as a fourteen

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Speaker 1: year old.

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Speaker 2: Oh boy, if.

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Speaker 1: You don't experience the extremes, how will you know where

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Speaker 1: the middle is?

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Speaker 2: That's great? Also now I usually.

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Speaker 1: I mean fourteen, I see I just see the doors

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Speaker 1: the movie, and I'll was like, that's me.

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Speaker 2: And having known you through a lot of your adult life,

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Speaker 2: I feel like you did go for the extremes, and

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Speaker 2: you know you are happily in that middle. You function

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Speaker 2: in the middle.

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Speaker 1: I am my dad. I could function very well. Yeah,

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Speaker 1: in pretty much anywhere in America at this point, I could.

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Speaker 1: I'm just right down the middle.

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Speaker 2: I think there's a coffee table book, there's a toilet

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Speaker 2: a toilet table book. There's an urban outfitters book in there.

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Speaker 2: If you could just get comedians who are successful to

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Speaker 2: give everybody gives like five journal entries from when they

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Speaker 2: were in middle school or high school, and you just

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Speaker 2: compile it and then I mean, you start with that

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Speaker 2: quote right there, and you just had caught something extreme

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Speaker 2: journaling our way to the middle. But I think people

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Speaker 2: would read that. There was that came out ten god,

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Speaker 2: maybe like fifteen years ago called The Things I've Learned

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Speaker 2: from the Women Who Dump Me. I think that's what

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Speaker 2: it was called. Of that book. It was all comics

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Speaker 2: and they would write an essay about somebody who broke

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Speaker 2: up with them and what happened the relationship itself, and

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Speaker 2: what they learned from it. I always thought that was

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Speaker 2: such a good idea for like a just pick it

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Speaker 2: up and read a book.

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Speaker 1: Oh it's a great idea. That's a fantastic idea.

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Speaker 2: But yours is even more interesting because comedians are so

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Speaker 2: everybody thinks they're dark and they're you know, they're come

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Speaker 2: from a place of hurt and a lot do but

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Speaker 2: a lot don't. They're just really sensitive people who are

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Speaker 2: very aware.

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Speaker 1: Yes, I agree one hundred percent with that. I think

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Speaker 1: it's a very sense and that is why it's very

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Speaker 1: It is funny to meet comedians now who are like

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Speaker 1: somewhat edge lords that we know. Oh yeah, that are

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Speaker 1: the like the majority, Like so many of them are

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Speaker 1: like little puddle kitty cats emotionally in person, they're just like,

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Speaker 1: how are you?

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Speaker 2: Man?

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Speaker 1: I miss you so much? Man, I love your kids.

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Speaker 1: They're so and you're just like, what is going on?

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Speaker 1: You go on stage and you say horrible things? Horrible things?

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Speaker 2: Yes, Megan Gaily are our good dear friend, and multiple

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Speaker 2: guests and multiple time guests on the pod said to

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Speaker 2: me recently over beer, she goes, the people who are

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Speaker 2: the meanest on stage are the sweetest off stage, and

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Speaker 2: the people who are the sweetest and most jovial on

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Speaker 2: stage are often the meanest off stage. Yes, I would

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Speaker 2: say that you maybe buck that trend, but your last

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Speaker 2: special was a little edgier, so maybe you're you're finding

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Speaker 2: that middle, that extreme middle.

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Speaker 1: This episode is going to be called extreme Middles.

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Speaker 2: Yeah, the extreme middle. Welcome to the extreme.

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Speaker 1: She is not wrong. I agree with that. How are you?

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Speaker 1: What's going on with you?

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Speaker 2: Palm? I'm great? Let me think if I have any

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Speaker 2: cool and interesting updates, not extremely The one big update,

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Speaker 2: well not even update, just a fun thing is for

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Speaker 2: the first time in my adult life, my family's coming

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Speaker 2: to me for the holiday for Christmas. I'm very excited

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Speaker 2: to host, and I'm very excited to just not have

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Speaker 2: to deal with holiday travel. Also, every year, you know,

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Speaker 2: doing this show now for the last four years, it's

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Speaker 2: like we get so many news stories and every year

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Speaker 2: somebody sends some version of this. But every single holiday

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Speaker 2: season they say record breaking travel, record breaking travelers say

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Speaker 2: that how is this possible?

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Speaker 1: How is it possible? They're like, they're also like the

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Speaker 1: birth rate is down, record breaking travel. Who Who's who?

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Speaker 1: Extra is traveling?

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Speaker 2: Who? Let's get into some ghosty stuff. I like to

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Speaker 2: talk ghosts. Our good friend Roz Hernandez loves to talk ghosts.

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Speaker 1: So this was I found this online. It was just

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Speaker 1: you know, the old Instagram algorithm send it to me.

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Speaker 1: This dude, Jason K. Pargin online he did like just

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Speaker 1: like a video about this, and then I found an

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Speaker 1: article about it. And this is phantasmagoria the birth of

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Speaker 1: the floating ghost. So this is specifically in you know,

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Speaker 1: Mysterious Times, Scott, how often are you reading Mysterious Times.

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Speaker 2: The real mystery is when I'm not reading there, it

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Speaker 2: is I wake up put on my oculous rift scan

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Speaker 2: until I get to mysterious times and then just zone

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Speaker 2: out for sometimes weeks at a time. Uh.

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Speaker 1: This was written by uh Kirs Mason de Raven. Oh yes, okay,

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Speaker 1: I'm starting to question the validity of this story, but

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Speaker 1: let's go for it. Kirsed Mason de Raven. Oh, man,

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Speaker 1: it's d apostrophe Raven. It's a great name, kirst de Raven.

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Speaker 1: So this is I'm getting some of these information. But

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Speaker 1: here here, this is like the kind of sub it is.

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Speaker 1: January seventeen ninety nine at TN Gaspard Robert we debuts

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Speaker 1: his Phantasmagoria in a ruined abbey in Paris. Little does

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Speaker 1: he know he is about to become the trendsetter of

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Speaker 1: the way ghosts are poor trade. So this is totally fascinating.

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Speaker 1: Oh yeah, so you know, like in the video that

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Speaker 1: I originally saw, it's like an image of the ghosts

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Speaker 1: from the opening scene of the original ghostbusterat scene right

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Speaker 1: where she's floating in a library in the Library of Congress.

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Speaker 1: And what he's explaining is basically like ghosts didn't look

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Speaker 1: like this until the mid eighteen hundreds. Before this, ghosts

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Speaker 1: were always depicted as being physical beings. They were never translucent,

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Speaker 1: They were never floating that you could never put your

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Speaker 1: hand through them. They were actual physical bodies that would

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Speaker 1: like bump into you and like knock you over, or

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Speaker 1: they would close a door. They would either be visible

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Speaker 1: or they'd be physical bodies. And then now since like

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Speaker 1: the mid eighteen hundreds, we now only see ghosts as

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Speaker 1: this type.

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Speaker 2: Of floating you know, yeah, it makes you wonder.

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Speaker 1: And so it was, and it's really comes from technology.

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Speaker 1: So there was this technological innovation in seventeen ninety nine

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Speaker 1: called it was a projector that would project an image

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Speaker 1: on a wall. And obviously the and the main thing

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Speaker 1: that they would show with these images is like ghostly things.

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Speaker 1: And since it always was on the wall, the image

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Speaker 1: never went to the ground, it always appeared as if

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Speaker 1: the image was floating. So and because it was like

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Speaker 1: you know, seventeen ninety nine technology, the light was pretty

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Speaker 1: diffuse and so it was very translucent. But people would

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Speaker 1: come and get freaked out because it would just be

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Speaker 1: like these pictures because you know, with photography, fee first off,

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Speaker 1: it started off with the phantasmagoria and then once photography

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Speaker 1: started really kicking in, you know, you had to stand

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Speaker 1: still for so long, and that's why people never smiled

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Speaker 1: and photographs back in the day, because you had to

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Speaker 1: hold it for like eight minutes.

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Speaker 2: And if you no toilets, they had no modern plumbing either.

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Speaker 2: They were just staring dead down the barrel of that camp.

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Speaker 2: They were going, They're.

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Speaker 1: Going, I wish Instagram existed. Oh, but if you got

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Speaker 1: up like two minutes into your photo session, you would

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Speaker 1: leave this like translucent image behind and so then people

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Speaker 1: would be you know, purposefully doing this, you know, dressed

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Speaker 1: up in like kind of like crazy masks and stuff

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Speaker 1: like that, and then people would be selling them as

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Speaker 1: pictures of ghosts. Great, and just because of those two

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Speaker 1: technological innovations, that is why we now only see ghosts

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Speaker 1: the way we see ghosts, and that is even to

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Speaker 1: the point where people are like, I saw a ghost,

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Speaker 1: this is what it looked like, and then they just

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Speaker 1: describe something that was invented in seventeen ninety nine, which

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Speaker 1: is very very interesting.

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Speaker 2: Yes, that is interesting because I think that obviously the

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Speaker 2: human mind is a storytelling brain.

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Speaker 1: It's our main thing.

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Speaker 2: Yeah, the main thing is we try to make sense

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Speaker 2: of the world through stories. And it's not surprising at

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Speaker 2: all to me that when the suggestion was given to

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Speaker 2: the masses, that that's what everybody pictures and everybody says

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Speaker 2: they saw.

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Speaker 1: And do you read Sapiens?

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Speaker 2: I did read Sapiens.

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Speaker 1: Yeah, that is if anybody is interested in a not

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Speaker 1: a quick.

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Speaker 2: Easy read. No, it's a dense read.

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Speaker 1: But honestly, you don't have to actually read it. I'll

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Speaker 1: just tell you what the whole thousand page book is about.

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Speaker 2: Yes, it's just about.

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Speaker 1: Everything in like the reason humans became what they are

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Speaker 1: and our evolution evolutionary advantage was just our ability to

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Speaker 1: tell stories. And if you think about it, every single

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Speaker 1: thing in our world is a story that we have invented.

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Speaker 1: From money to government, to love to science, everything is

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Speaker 1: just America.

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Speaker 2: Columbus, George Washington. I cannot tell a lie, the shootout

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Speaker 2: of the Okay Corral never you know, all those things, Like,

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Speaker 2: it's amazing how many stories that we all just assume

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Speaker 2: are true.

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Speaker 1: Most of history, most of history that we've been taught

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Speaker 1: is just a story someone made up.

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Speaker 2: Yeah, if it rhymes, you're really really gonna kick. Yeah,

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Speaker 2: you're in. If you can make history that rhymes, you're

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Speaker 2: gonna be like typic Canoe and Taylor two, you're in forever.

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Speaker 1: I don't even know what that is.

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Speaker 2: Nobody does. Nobody does. I know. It must be weird

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Speaker 2: for historians, true historians, to watch people just change history

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Speaker 2: based on opinion and to be like, but that's not

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Speaker 2: how it happened. And then you're like, well, you're just

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Speaker 2: going to accept it because the majority says this is

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Speaker 2: how it was. And then that story. I'm sure I

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Speaker 2: told this. I was down at down at Laguna friend

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Speaker 2: of mine, my friend Martha, was doing a play at

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Speaker 2: the Laguna Playhouse. It's like a really nice theater down there,

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Speaker 2: and it's one of those places where there's the older

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Speaker 2: folks go, so like if you go on a Thursday, Friday, Saturday,

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Speaker 2: Sunday matinee, it's packed and people are going to go

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Speaker 2: see And she was in what was the play? It

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Speaker 2: was the Graduate. She was doing the Graduate, And so

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Speaker 2: I thought I was going to hit nine hours of traffic,

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Speaker 2: of course, because I had to travel upwards of forty

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Speaker 2: miles in southern California, and instead I got there so

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Speaker 2: fast that I was like, oh, i'll kill some time

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Speaker 2: at a bar. And I go to this bar that's

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Speaker 2: like on the cliffs above Laguna Beach, and it was

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Speaker 2: who a bunch of older folks, and the bartender was

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Speaker 2: really good sun shining and I'm having a cocktail or two.

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Speaker 2: And this will date it a little bit too. This

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Speaker 2: woman goes to the bartender, have you seen Game of

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Speaker 2: Thrones yet? And the guy's like, no, no, no, I

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Speaker 2: haven't seen that yet. Like I heard. It's crazy though.

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Speaker 2: It's got like dragons and stuff and castles and like

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Speaker 2: brothers and sisters having sex. And the woman goes, well,

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Speaker 2: that's how it was back then, and then just high

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Speaker 2: five to her friend and stumbled out of the bar.

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Speaker 2: Just a historical recreation game of throws it was. That's

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Speaker 2: just how it was back then. Just dragons and brothers

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Speaker 2: and sisters.

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Speaker 1: And a night that lasts one hundred years. That's how

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Speaker 1: it was back then.

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Speaker 2: There's a giant wall, it was the undead. That's just

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Speaker 2: how it goes. And then just walks out like we

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Speaker 2: all put up. She gives us a couple of high fives,

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Speaker 2: just just a nice sixty year old, probably thrice divorced woman,

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Speaker 2: just letting us know how.

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Speaker 1: He's living her best life. And Laguna Beach going to

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Speaker 1: a bar in the afternoon.

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Speaker 2: Oh man, nothing else to do.

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Speaker 1: Gorgeous.

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Speaker 2: It is nothing else gorgeous.

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Speaker 1: What a nice air. My sister lives in right next

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Speaker 1: door to Laguna Beach, and it is. It's a delight.

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Speaker 1: It's a delight down there.

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Speaker 2: One of the best bars in southern California is called

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Speaker 2: Turks and it's indanea Point and it's on the Marina.

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Speaker 2: And I think the guy that owned it or started

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Speaker 2: that bar was named Turk and I he was Hercules

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Speaker 2: and a few movies in Hollywood and early Hollywood is

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Speaker 2: like a strong guy, but like strong guys back then,

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Speaker 2: they were strong, but they were kind of big and soft.

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Speaker 2: Like now they're all the rock and all that. They

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Speaker 2: all look like walnuts stuffed in stockings and it's different.

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Speaker 2: And Turks is I went there the first time. I'm like, okay,

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Speaker 2: and you'd love it. I don't know if you've been.

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Speaker 2: But it's got like fit in the ceiling. It has

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Speaker 2: fish tanks, so you look at fish.

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Speaker 1: I thought you were gonna say fish dead. I was

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Speaker 1: like classic, and then you said fish tanks. I was like,

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Speaker 1: I gotta go.

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Speaker 2: Yeah. And then they have if you want to order food,

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Speaker 2: they bring a whole chalkboard like sandwich board over your

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Speaker 2: table and just lean it there with all the it's

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Speaker 2: all written in chalk, and you're like, this is fun.

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Speaker 2: And then the bartender just came over, you know, sixty

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Speaker 2: five year old guy slides me a TUTSI roll before

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Speaker 2: I order, then after I order it comes back, you know,

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Speaker 2: slides me a little Snicker's bite and he just hands

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Speaker 2: out little candy year round to the people. Why as

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Speaker 2: you're getting drunk. It is the best Turks with a C.

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Speaker 2: T U r C is one of the best bars

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Speaker 2: in California.

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Speaker 1: All right, I'm gonna go next time. I'm down there.

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Speaker 1: My god, that sounds awesome.

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Speaker 2: And you've ever seen a ghost? Right when we talked

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Speaker 2: to Rod? Yeah, I heard. I think I heard something

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Speaker 2: talk to me once, But I've never seen a ghost. Nope.

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Speaker 2: And I watched it so bad.

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Speaker 1: I don't think I want to, but.

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Speaker 2: I'm too eager.

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Speaker 1: Yeah, you're too eager. They're like, don't even bother. No,

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Speaker 1: I've never ever ever I remember thinking I saw like

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Speaker 1: UFO when I was like twelve, But it was just

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Speaker 1: a dot in the sky, could have been at anything,

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Speaker 1: you know, not at all, And.

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Speaker 2: Why would you? I sure do Paris Calvakas sent this

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Speaker 2: in what a great name. Paris Calvakas, thank you. Can

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Speaker 2: always send your stories into the Bananas Podcast at gmaio

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Speaker 2: or the Bananas Podcast on Instagram, hm or We have

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Speaker 2: a website and I don't know, I think it links

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Speaker 2: to everything bananaspodcast dot.

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Speaker 1: Com made by Torimseth.

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Speaker 2: Tory Hemseth worldwide wonderful. And we also have new merch.

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Speaker 2: We never talked about merch on the show. We have

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Speaker 2: new t shirts and we have new campus tote bags

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Speaker 2: and all reports are the tote bags are awesome. So

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Speaker 2: if you want to get your ban animal, bron Animal,

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Speaker 2: bun Animal Scottie. Yeah.

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Speaker 1: We have not announced whatever we do on the main

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Speaker 1: On our main episode January twenty fifth, right in Los Angeles, California,

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Speaker 1: since City, we are doing a live Bananas at the

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Speaker 1: Bob Baker Marionette Theater.

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Speaker 2: City of Lights. That's right, For those who don't know,

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Speaker 2: this is a very famous theater where they have thousands

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Speaker 2: of old school, vintage handmade marionettes and then they have

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Speaker 2: these puppeteers that are absolutely incredible at operating them. So

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Speaker 2: we're gonna do a live show and we're gonna probably

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Speaker 2: have a great guest or too, I don't know. And

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Speaker 2: we're gonna incorporate our strange news stories and our personal

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Speaker 2: stories with these wonderful artists who are going to use

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Speaker 2: marionettes that either. You know, if we tell a story

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Speaker 2: about an alligator coming out of a toilet, we're gonna

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Speaker 2: have an alligator marionette puppet slithering across the stage as

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Speaker 2: we do it. It's gonna be fantastic.

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Speaker 1: It's really gonna be cool. And this theater, if you've

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Speaker 1: never been, they usually only do like children's performances. They did,

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Speaker 1: and now they're opening it up for you know, after dark,

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Speaker 1: and it is. It looks like a beautiful turn of

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Speaker 1: the century circus theater. Everything is like red velvet. It

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Speaker 1: is gorgeous. The performers, you know, they wear head to

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Speaker 1: toe red as well, so they blend in with the

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Speaker 1: back round while they're doing the marionetting.

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Speaker 2: It is.

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Speaker 1: It's it's a real it's a truly amazing experience. This

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Speaker 1: is gonna be crazy. This is gonna be the coolest

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Speaker 1: show we've ever done.

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Speaker 2: Easily, and so we welcome everybody. It will probably sell

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00:22:14,520 --> 00:22:17,159
Speaker 2: it really quick because it's a smaller theater. So if

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Speaker 2: you're interested in You're in Southern California January twenty fifth

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Speaker 2: as the Banana Boys and a bunch of Marionettes just

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Speaker 2: having a delightfully nice evening in Eagle Rock, California.

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Speaker 1: Then tickets should be up on our Instagram right right now.

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Speaker 2: That sounds so fun. Okay, So Paris Calvakas sent this

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Speaker 2: in Thank you, Paris, A bag of Cheetos created a

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00:22:42,119 --> 00:22:44,440
Speaker 2: huge impact on a national park.

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00:22:45,240 --> 00:22:47,440
Speaker 1: Oh yeah, I was, Oh yeah.

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Speaker 2: Yeah, great ap news written by the best in the

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Speaker 2: friggin biz, Susan Best Montoya in the Brian biz, Susan

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Speaker 2: Montoya Brian. It's nice to left the Montoya and there.

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Speaker 2: Normally I don't like when people leave their middle name in.

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00:23:03,480 --> 00:23:05,800
Speaker 2: It seems like they're trying to be an important author.

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00:23:05,920 --> 00:23:10,840
Speaker 2: But Susan Brian, you've met a million Susan Bryan's Susan

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Speaker 2: Montoya Brian.

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Speaker 1: That's it. More specific, Yeah.

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Speaker 2: She's got a secret Albuquerque, New Mexico. A bag of

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Speaker 2: Cheetos got dropped and left on the floor. That seems inconsequential, right,

427
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Speaker 2: hardly Rangers. I mean, I like that Susan's just having

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Speaker 2: a conversation with herself at this point. That's the Montoya

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Speaker 2: coming out. Rangers at Carlsbad Caverns National Park in southern

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Speaker 2: New Mexico described it as world changing for the tiny

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Speaker 2: microbes and insects that call this specialized subterranean environment their home.

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Speaker 2: The bag could have been there a day or two,

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Speaker 2: or maybe just hours, but those salty morsels of processed

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Speaker 2: corn made soft by thick humidity triggered the growth of

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Speaker 2: mold on the cavern floor and on nearby cave formations.

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Speaker 2: To the ecosystem of the cave had a huge impact.

437
00:24:01,560 --> 00:24:05,240
Speaker 2: The park noted on social media, explaining that cave crickets,

438
00:24:05,320 --> 00:24:08,760
Speaker 2: might spiders, flies all organized to eat and disperse the

439
00:24:08,800 --> 00:24:14,760
Speaker 2: foreign mess, essentially spreading the contamination. Wow. One bag of cheetahs.

440
00:24:14,760 --> 00:24:15,320
Speaker 1: One bag.

441
00:24:16,680 --> 00:24:18,560
Speaker 2: The bright orange bag was spotted off trail by a

442
00:24:18,640 --> 00:24:20,960
Speaker 2: ranger during one of the regular sweeps of the park

443
00:24:21,040 --> 00:24:23,920
Speaker 2: that staff make through the Big Room. The Big Room

444
00:24:24,000 --> 00:24:27,520
Speaker 2: is the largest single cave chamber by volume in North America,

445
00:24:27,880 --> 00:24:29,640
Speaker 2: and they do a sweep at the end of each day.

446
00:24:29,960 --> 00:24:32,520
Speaker 2: They are looking for straggling visitors or any litter or

447
00:24:32,560 --> 00:24:34,560
Speaker 2: other waste that might have been left behind on the

448
00:24:34,560 --> 00:24:37,439
Speaker 2: paved trail. The Big Room is a popular spot. Have

449
00:24:37,480 --> 00:24:38,639
Speaker 2: you been the Carlsbeck caverns?

450
00:24:38,640 --> 00:24:39,160
Speaker 1: I have not.

451
00:24:39,200 --> 00:24:41,959
Speaker 2: I have not. This is a road trip. We have

452
00:24:42,040 --> 00:24:44,440
Speaker 2: to do it. This seems how far away, is it?

453
00:24:44,840 --> 00:24:48,280
Speaker 2: I mean, New Mexico's not that far. Yeah, right, seven

454
00:24:48,359 --> 00:24:51,040
Speaker 2: or eight hours maybe. I mean we've never done a

455
00:24:51,040 --> 00:24:53,080
Speaker 2: show in Santa Fe or Albuquerque too. We got to

456
00:24:53,080 --> 00:24:53,639
Speaker 2: go out there.

457
00:24:53,640 --> 00:24:56,000
Speaker 1: And Arizona as well. We need to do a Phoenix show.

458
00:24:56,080 --> 00:24:57,480
Speaker 2: Yeah, we need to do a Phoenix show where we

459
00:24:57,560 --> 00:24:59,880
Speaker 2: fly in and fly out the same day. That seems

460
00:25:00,160 --> 00:25:02,440
Speaker 2: so fun. Like's fly in, do the show, have dinner,

461
00:25:02,520 --> 00:25:04,200
Speaker 2: have a couple of drinks with fans, and then fly

462
00:25:04,320 --> 00:25:07,320
Speaker 2: out of there and be like back in home Jay

463
00:25:07,440 --> 00:25:10,480
Speaker 2: Leno Bob Seger style. The Big Room is a popular

464
00:25:10,520 --> 00:25:13,520
Speaker 2: spot a Carl's Bad caverns. It's a magical expanse filled

465
00:25:13,560 --> 00:25:18,959
Speaker 2: with towering stalagmites and dainty stalactites and a cluster and

466
00:25:19,000 --> 00:25:23,879
Speaker 2: clusters of cave popcorn. According to the National Park Service,

467
00:25:23,920 --> 00:25:27,119
Speaker 2: more than three hundred million people visit the national parks

468
00:25:27,160 --> 00:25:30,080
Speaker 2: each year. It is America's greatest accomplishment. Our National park

469
00:25:30,119 --> 00:25:31,399
Speaker 2: system is the greatest thing America.

470
00:25:31,440 --> 00:25:33,399
Speaker 1: Every day I agree.

471
00:25:33,960 --> 00:25:36,720
Speaker 2: It's the only thing that we can be proud of anymore.

472
00:25:37,960 --> 00:25:41,360
Speaker 2: Jazz jazz and the National Park Service.

473
00:25:41,320 --> 00:25:43,600
Speaker 1: As based National Park Service.

474
00:25:43,840 --> 00:25:45,840
Speaker 2: Yeah, that's all we've ever given to the world.

475
00:25:46,000 --> 00:25:46,560
Speaker 1: That is it.

476
00:25:47,280 --> 00:25:49,920
Speaker 2: Yeah, and back to the Future. That's a pretty good movie.

477
00:25:50,680 --> 00:25:53,160
Speaker 2: More than three hundred million visit our national park system

478
00:25:53,160 --> 00:25:57,520
Speaker 2: each year, bringing in and generating seventy million tons of trash,

479
00:25:57,800 --> 00:25:59,880
Speaker 2: disgusting animals.

480
00:26:00,080 --> 00:26:04,200
Speaker 1: They bring in seventy million tons of trash every year, of.

481
00:26:04,119 --> 00:26:08,399
Speaker 2: Course to do I mean, of course. I took my

482
00:26:08,480 --> 00:26:11,240
Speaker 2: parents to the Grand Canyon when the government was shut

483
00:26:11,280 --> 00:26:15,639
Speaker 2: down whenever. That was god six years ago, and the

484
00:26:15,720 --> 00:26:18,719
Speaker 2: trash cans were overflowing because there was no federal funding

485
00:26:18,800 --> 00:26:21,199
Speaker 2: so and there was also nobody working the gates. We

486
00:26:21,400 --> 00:26:23,399
Speaker 2: just drove in and parked and then walked through the

487
00:26:23,400 --> 00:26:26,560
Speaker 2: Grand Canyon. It was wild. And then I saw a

488
00:26:26,560 --> 00:26:29,000
Speaker 2: guy taking a video of a tarantula on the walking

489
00:26:29,040 --> 00:26:31,639
Speaker 2: path and it just paused and turned and he backed

490
00:26:31,640 --> 00:26:33,880
Speaker 2: off so quickly. It was it was awesome to see

491
00:26:33,880 --> 00:26:35,880
Speaker 2: a transler just make a grown man jump back.

492
00:26:36,840 --> 00:26:39,960
Speaker 1: They will man, Because I ran into a Transla on

493
00:26:40,000 --> 00:26:43,639
Speaker 1: the on the path in La and it was just

494
00:26:43,680 --> 00:26:46,200
Speaker 1: like it was so many things went through my head,

495
00:26:46,240 --> 00:26:49,719
Speaker 1: like can they jump? Can they jump? I don't know?

496
00:26:49,840 --> 00:26:52,960
Speaker 1: And apparently they can't, like up to six feet seems cool.

497
00:26:52,760 --> 00:26:58,440
Speaker 2: To me for it. So for the rest of the

498
00:26:58,520 --> 00:27:02,080
Speaker 2: scarted snackbags and other debris, it often takes work to

499
00:27:02,160 --> 00:27:05,879
Speaker 2: round up the wasst. Organizations like Leave No Trace have

500
00:27:05,880 --> 00:27:08,679
Speaker 2: been pushing their message of trail heads online. That seems

501
00:27:08,720 --> 00:27:13,959
Speaker 2: like an organization we should do something with. Do do so.

502
00:27:15,200 --> 00:27:18,800
Speaker 2: As for the spilled cheetos, Ward told the Associated Press

503
00:27:18,840 --> 00:27:20,960
Speaker 2: that it could have been avoided because the park doesn't

504
00:27:21,000 --> 00:27:25,600
Speaker 2: allowed food beyond the confines of the historic underground lunch room.

505
00:27:26,080 --> 00:27:30,000
Speaker 1: So like this, whoever's a historic underground lunch room.

506
00:27:29,880 --> 00:27:34,359
Speaker 2: We gotta go to Carlsbeck caverns On. Come on, you

507
00:27:34,400 --> 00:27:37,040
Speaker 2: know you've mentioned before wanting to quit the biz and

508
00:27:37,080 --> 00:27:40,440
Speaker 2: become a ranger. Let me tell you what the rangers kit.

509
00:27:40,600 --> 00:27:43,240
Speaker 2: So they do a sweep, they leave no trays, blah

510
00:27:43,280 --> 00:27:46,800
Speaker 2: blah blah. Rangers have sweet packs and spill kits for

511
00:27:46,920 --> 00:27:49,639
Speaker 2: the more delicate and sometimes nasty work that can include

512
00:27:49,680 --> 00:27:55,840
Speaker 2: cleaning up human waste along the trail monsters. The rangers

513
00:27:55,920 --> 00:27:59,640
Speaker 2: kit can include wlack gloves.

514
00:27:59,000 --> 00:28:00,840
Speaker 1: Inside the the caverns.

515
00:28:01,080 --> 00:28:03,320
Speaker 2: People just taking dumps on the side.

516
00:28:03,280 --> 00:28:08,240
Speaker 1: Caverns inside a cavern. Just in national parks in general.

517
00:28:08,359 --> 00:28:13,159
Speaker 2: I think national parks in general. Oh okay. The ranger's

518
00:28:13,200 --> 00:28:17,600
Speaker 2: kit includes gloves, trash bags, water bleach mixtures for decontamination, vacuums,

519
00:28:17,640 --> 00:28:21,240
Speaker 2: even bamboo, toothbrushes and tweezers for those hard to reach spots.

520
00:28:22,480 --> 00:28:25,119
Speaker 2: After the bag was discovered in July, cave specialists at

521
00:28:25,160 --> 00:28:27,359
Speaker 2: the parks settled on the best way to clean it up.

522
00:28:27,400 --> 00:28:29,399
Speaker 2: Most of the mess was just scooped up and with

523
00:28:29,440 --> 00:28:33,280
Speaker 2: a toothbrush. It was. A toothbrush was used to remove

524
00:28:33,359 --> 00:28:38,160
Speaker 2: rings of mold and fungi that spread to nearby cave formations. It.

525
00:28:38,760 --> 00:28:41,840
Speaker 2: This is the funniest detail. It was a twenty minute job.

526
00:28:42,280 --> 00:28:44,760
Speaker 2: That's how this article ends. It was a twenty minute job.

527
00:28:47,200 --> 00:28:49,360
Speaker 2: If it's a twenty minute job, I don't know if

528
00:28:49,360 --> 00:28:55,680
Speaker 2: we article I thought took.

529
00:28:54,480 --> 00:28:56,480
Speaker 1: One year to clean this because of it. You know,

530
00:28:56,520 --> 00:28:59,200
Speaker 1: it's like as a twenty minute job with a toothbrush.

531
00:28:59,280 --> 00:29:02,040
Speaker 2: You couldn't clean car in twenty minutes with a toothbrush.

532
00:29:02,120 --> 00:29:05,320
Speaker 2: You clean like one good shoe. One of Shaquille O'Neill's

533
00:29:05,720 --> 00:29:09,560
Speaker 2: shoes with in twenty minutes with a toothbrush. But yeah, man,

534
00:29:09,800 --> 00:29:13,160
Speaker 2: isn't that crazy? That is crazy. I don't take God,

535
00:29:13,240 --> 00:29:15,680
Speaker 2: And if you drop it, just tell somebody. Just if

536
00:29:15,720 --> 00:29:19,360
Speaker 2: you make a mistake, You're not gonna get arrested today.

537
00:29:19,720 --> 00:29:21,640
Speaker 1: I think I've talked about it on the podcast. But

538
00:29:21,880 --> 00:29:23,880
Speaker 1: when we were driving cross country Lauren and I to

539
00:29:23,920 --> 00:29:27,320
Speaker 1: move to Los Angeles, we stopped at a cave in

540
00:29:27,600 --> 00:29:33,280
Speaker 1: Utah and the and when I moved to la I

541
00:29:33,520 --> 00:29:37,680
Speaker 1: felt like hiking up a mountain is a very specific

542
00:29:37,800 --> 00:29:40,680
Speaker 1: physical act and you and we lived in New York City,

543
00:29:40,720 --> 00:29:44,280
Speaker 1: so we walked miles a day all the time, probably

544
00:29:44,280 --> 00:29:46,160
Speaker 1: five or to ten miles a day, right, but it

545
00:29:46,200 --> 00:29:50,600
Speaker 1: was all flat and walking uphill is a big difference.

546
00:29:50,960 --> 00:29:52,920
Speaker 1: We got out of this car and the entrance to

547
00:29:52,960 --> 00:29:54,720
Speaker 1: the cave was like on the side of a mountain.

548
00:29:55,080 --> 00:29:58,560
Speaker 1: So we walked up a switchback. The switchback was paved, granted,

549
00:29:59,160 --> 00:30:02,080
Speaker 1: but we're and we're huffing and puffing. You know, we're

550
00:30:02,080 --> 00:30:06,600
Speaker 1: in fine shape. There are children like five years old

551
00:30:07,120 --> 00:30:10,120
Speaker 1: running past us up this hill. We get there and

552
00:30:10,160 --> 00:30:13,400
Speaker 1: I was just like, this is like another breed of child. Uh,

553
00:30:13,440 --> 00:30:15,080
Speaker 1: And we get up there and we go into this

554
00:30:15,920 --> 00:30:19,200
Speaker 1: cave and there was a I now understand it completely,

555
00:30:19,280 --> 00:30:22,040
Speaker 1: but at the time it drove me crazy. But there

556
00:30:22,120 --> 00:30:26,600
Speaker 1: was a child whose name was Kale, and Kal screamed

557
00:30:27,000 --> 00:30:30,440
Speaker 1: in the cave from the moment we walked in to

558
00:30:30,600 --> 00:30:33,960
Speaker 1: the moment we walked out. For one full hour, in

559
00:30:34,160 --> 00:30:37,240
Speaker 1: every room he would scream to hear his voice echo,

560
00:30:37,720 --> 00:30:43,240
Speaker 1: and the entire time was just his mom going, Kale, Kale,

561
00:30:43,280 --> 00:30:46,239
Speaker 1: don't touch that, Kale, don't touch that. And it was

562
00:30:46,280 --> 00:30:50,240
Speaker 1: and now it's me with Gus and Olive. It's now me, No, Olive,

563
00:30:50,320 --> 00:30:54,040
Speaker 1: don't touch that, don't come here, Olive, Olive, get off that,

564
00:30:54,320 --> 00:30:57,640
Speaker 1: Get off that. You know, Yeah, but that's okay, that's

565
00:30:57,680 --> 00:30:58,960
Speaker 1: it's it's what you become.

566
00:30:59,480 --> 00:31:01,920
Speaker 2: You became, I'm more empathetic you.

567
00:31:02,200 --> 00:31:05,560
Speaker 1: I'm more empathetic now. Yeah, Cale, probably a fine kid.

568
00:31:06,040 --> 00:31:09,120
Speaker 2: You know, before you and all my other friends had children,

569
00:31:09,480 --> 00:31:13,080
Speaker 2: when kids would scream on a plane, I and cry,

570
00:31:13,520 --> 00:31:16,440
Speaker 2: especially for overnights. And I still am like, just flight

571
00:31:16,520 --> 00:31:18,360
Speaker 2: during the day. I know, you just fly during the day,

572
00:31:18,520 --> 00:31:23,200
Speaker 2: just spare the adults. But now I am nicer about

573
00:31:23,200 --> 00:31:25,080
Speaker 2: it too, because all my friends have kids, and I've

574
00:31:25,080 --> 00:31:27,320
Speaker 2: met all my friends kids, and I'm like, they don't.

575
00:31:27,840 --> 00:31:31,200
Speaker 2: Nobody's happy about this. They're not happy there kids. Nobody's

576
00:31:31,240 --> 00:31:33,880
Speaker 2: happy that this child is screaming and crying the entire flight.

577
00:31:34,480 --> 00:31:39,200
Speaker 1: When I see a child, this is something I cannot abide.

578
00:31:39,600 --> 00:31:42,560
Speaker 1: When I see a child in first class, a child

579
00:31:42,560 --> 00:31:47,080
Speaker 1: that has its own seat in first class, I'm like, what, no,

580
00:31:47,560 --> 00:31:50,120
Speaker 1: what the what is wrong with you?

581
00:31:50,320 --> 00:31:51,320
Speaker 2: Dare you right?

582
00:31:51,560 --> 00:31:57,000
Speaker 1: Parents? A, You're spoiling travel for that child for the

583
00:31:57,040 --> 00:32:01,680
Speaker 1: rest of their life. Yeah, And B everyone who's paid

584
00:32:01,840 --> 00:32:04,479
Speaker 1: so much money to sit in first class to have

585
00:32:04,560 --> 00:32:08,440
Speaker 1: like a nice experience now has a child there.

586
00:32:09,080 --> 00:32:12,600
Speaker 2: It's crazy. Yeah, it is. You've given your child nowhere

587
00:32:12,640 --> 00:32:15,880
Speaker 2: to grow. You've said your child, you need no ambition.

588
00:32:16,040 --> 00:32:18,920
Speaker 2: You've already reached the top of the mountain, so just

589
00:32:19,560 --> 00:32:23,920
Speaker 2: float and complain for the rest of your life. Have

590
00:32:24,000 --> 00:32:25,280
Speaker 2: you ever been to Arawan?

591
00:32:26,360 --> 00:32:26,680
Speaker 1: I have?

592
00:32:27,080 --> 00:32:29,200
Speaker 2: It is Have you ever bought anything there?

593
00:32:29,320 --> 00:32:29,680
Speaker 1: I have?

594
00:32:30,000 --> 00:32:33,080
Speaker 2: Yes, I have. See I've been twice because they opened

595
00:32:33,080 --> 00:32:34,920
Speaker 2: one silver Lake when I was living in Acro Park

596
00:32:35,000 --> 00:32:37,200
Speaker 2: and everyone's like, have you been? And I was like, no,

597
00:32:37,280 --> 00:32:39,000
Speaker 2: I have not been. And then they had a jar

598
00:32:39,320 --> 00:32:42,280
Speaker 2: of pasta sauce or spaghetti sauce and it was a

599
00:32:42,280 --> 00:32:45,400
Speaker 2: small jar. I would say it was twelve ounces, and

600
00:32:45,480 --> 00:32:48,640
Speaker 2: it was like twenty nine dollars or something. And I'm like, okay,

601
00:32:48,640 --> 00:32:52,120
Speaker 2: I got it. But I was recently having drinks with

602
00:32:52,160 --> 00:32:56,080
Speaker 2: a laid off producer friend of mine and she's like,

603
00:32:56,080 --> 00:32:58,440
Speaker 2: I really got to get work good, I gotta get work.

604
00:32:58,480 --> 00:33:00,800
Speaker 2: I got it, Like, you know, it's really tough out there.

605
00:33:00,800 --> 00:33:03,840
Speaker 2: Nobody's hiring. I'll work in development, I'll do anything. And

606
00:33:03,880 --> 00:33:10,400
Speaker 2: then I made a joke about Sabrina Carpenter has or

607
00:33:10,560 --> 00:33:15,280
Speaker 2: had a smoothie airwon that was twenty three dollars or

608
00:33:15,280 --> 00:33:18,600
Speaker 2: twenty six dollars one smoothie. Yes, I know, the Haley

609
00:33:18,640 --> 00:33:22,040
Speaker 2: Bieber One's very popular. That one's still on the menu,

610
00:33:22,120 --> 00:33:23,800
Speaker 2: and I think it's still one of the best sellers.

611
00:33:23,840 --> 00:33:27,600
Speaker 2: That's also over twenty dollars. Yeah, And she's like, oh,

612
00:33:27,640 --> 00:33:32,200
Speaker 2: I know, I drink one every day. I was like no.

613
00:33:33,280 --> 00:33:35,880
Speaker 2: I was like, then, I can't help you. You are

614
00:33:35,880 --> 00:33:38,600
Speaker 2: a child sitting in first class. If you're complaining about

615
00:33:38,600 --> 00:33:42,600
Speaker 2: being unemployed and you're drinking a almost thirty dollars smoothie,

616
00:33:43,240 --> 00:33:46,600
Speaker 2: I can't help you. We're not the same species. We're

617
00:33:46,600 --> 00:33:50,560
Speaker 2: not the same. You are a bag of Cheetos on

618
00:33:50,680 --> 00:33:55,920
Speaker 2: the cave of life, because there's there's just simply no way.

619
00:33:56,080 --> 00:33:58,640
Speaker 2: No have you been. There's a place called Superba. It's

620
00:33:58,680 --> 00:34:00,520
Speaker 2: a really great restaurant in LA and it's like, oh

621
00:34:00,560 --> 00:34:02,720
Speaker 2: they have this chicken there that Oh yeah, we took

622
00:34:02,760 --> 00:34:06,080
Speaker 2: Lisa Maggot there for lunch. They have one of the

623
00:34:06,200 --> 00:34:08,080
Speaker 2: it's the most delicious chicken you can ever get in

624
00:34:08,080 --> 00:34:10,080
Speaker 2: a restaurant. It's crazy good. And I was like, maybe

625
00:34:10,120 --> 00:34:11,480
Speaker 2: I'll just do that for Thanksgiving.

626
00:34:11,719 --> 00:34:12,840
Speaker 1: Yeah, get that chicken.

627
00:34:13,239 --> 00:34:17,120
Speaker 2: Yeah, so rotisseri sized chicken their version. How much do

628
00:34:17,160 --> 00:34:20,640
Speaker 2: you think that one chicken is one rotistic chicken from Superba?

629
00:34:21,440 --> 00:34:23,920
Speaker 2: I mean for Thanksgiving? I should say here's what.

630
00:34:23,880 --> 00:34:26,399
Speaker 1: I'm going to say. I think it should be. I'm

631
00:34:26,400 --> 00:34:28,439
Speaker 1: not even gonna go crazy.

632
00:34:28,400 --> 00:34:29,880
Speaker 2: Don't even entertain the notion.

633
00:34:30,160 --> 00:34:32,520
Speaker 1: Yeah, so it's a fancy restaurant.

634
00:34:32,600 --> 00:34:33,600
Speaker 2: It's a fancy restaurant.

635
00:34:33,840 --> 00:34:38,400
Speaker 1: Wrote one chicken, one rotisserie chicken. And if you're taking

636
00:34:38,480 --> 00:34:42,520
Speaker 1: grocery store rotisserie chicken delicious, I'm clocking in maybe eight

637
00:34:42,560 --> 00:34:47,399
Speaker 1: to ten dollars, right, So I'm going to say, let's

638
00:34:47,440 --> 00:34:49,120
Speaker 1: triple it. Let's say thirty.

639
00:34:48,880 --> 00:34:54,120
Speaker 2: Dollars, two hundred dollars, two hundred dollars.

640
00:34:54,120 --> 00:34:56,160
Speaker 1: Are you talking it had to come with sides?

641
00:34:56,560 --> 00:34:57,240
Speaker 2: Zero sides?

642
00:34:57,560 --> 00:34:59,240
Speaker 1: No, that's impossible.

643
00:34:59,520 --> 00:35:00,040
Speaker 2: What is it?

644
00:35:00,120 --> 00:35:00,840
Speaker 1: Gold wrapped?

645
00:35:01,280 --> 00:35:05,759
Speaker 2: It's gold wrapped, platinum up the wazoo. I mean, if

646
00:35:05,800 --> 00:35:11,600
Speaker 2: you google Superba Whole Chicken Thanksgiving, it is two hundred dollars.

647
00:35:12,600 --> 00:35:14,680
Speaker 2: I was like, you know how many chickens I could

648
00:35:14,800 --> 00:35:18,040
Speaker 2: raise for two? No, because the sides are side of

649
00:35:18,160 --> 00:35:21,040
Speaker 2: mashed potatoes is like thirty eight dollars. And I was like,

650
00:35:21,120 --> 00:35:25,160
Speaker 2: there's simply no way that I always do this because

651
00:35:25,160 --> 00:35:27,360
Speaker 2: I think chicken tastes better than turkey, so I usually

652
00:35:28,400 --> 00:35:32,600
Speaker 2: I agree everybody agrees everybody, if everybody's if anybody's out

653
00:35:32,600 --> 00:35:38,359
Speaker 2: there just craving turkey, I can't even imagine that. God,

654
00:35:38,400 --> 00:35:42,080
Speaker 2: I can't wait to get into that turkey. Yeah, you're

655
00:35:42,120 --> 00:35:44,960
Speaker 2: looking it up. I'm not kidding, and it like, oh

656
00:35:44,960 --> 00:35:46,040
Speaker 2: my god, staggered, Oh.

657
00:35:46,000 --> 00:35:49,800
Speaker 1: My god, yeah, my god, it's thirteen Oh my god,

658
00:35:50,080 --> 00:35:52,600
Speaker 1: it's one hundred and ninety five dollars for a thirteen

659
00:35:52,640 --> 00:35:56,360
Speaker 1: to fifteen pound turky. Oh that's the turkey.

660
00:35:56,920 --> 00:36:03,280
Speaker 2: Yeah, the chicken isn't even that is preposterous.

661
00:36:03,120 --> 00:36:07,520
Speaker 1: One hundred dollars. Also, it's gonna get to your house

662
00:36:08,120 --> 00:36:12,759
Speaker 1: not hot. No, you're paying two hundred dollars for a

663
00:36:12,880 --> 00:36:14,920
Speaker 1: lukewarm to cold bird.

664
00:36:15,840 --> 00:36:19,319
Speaker 2: It's crazy. When I saw that, I kept reading it

665
00:36:19,320 --> 00:36:21,000
Speaker 2: because I'm like, oh, this must be like if you

666
00:36:21,080 --> 00:36:24,239
Speaker 2: host your family at the restaurant like that, you can

667
00:36:24,280 --> 00:36:26,160
Speaker 2: feed the whole family for two hundred dollars. I'm like,

668
00:36:26,239 --> 00:36:27,600
Speaker 2: that's a pretty good bargain.

669
00:36:27,680 --> 00:36:31,800
Speaker 1: No, that is legitimately the restaurant being like, we don't

670
00:36:32,000 --> 00:36:36,879
Speaker 1: want to work on Thanksgiving. Yes, here if you need it,

671
00:36:37,200 --> 00:36:38,320
Speaker 1: here's the r price.

672
00:36:38,600 --> 00:36:41,560
Speaker 2: I mean people are paying it is it that the

673
00:36:41,600 --> 00:36:45,320
Speaker 2: most preposterous also, so of course I ran the numbers

674
00:36:45,360 --> 00:36:48,160
Speaker 2: because this is what we do. We're an educational podcast. Yes, yes,

675
00:36:48,640 --> 00:36:53,120
Speaker 2: so a chick like to buy a baby chicken is

676
00:36:54,120 --> 00:36:57,400
Speaker 2: three to five dollars per chick. So that means for

677
00:36:57,480 --> 00:37:00,880
Speaker 2: the cost of one chicken at Superba, you can get

678
00:37:01,120 --> 00:37:05,439
Speaker 2: forty pet chickens. I could be raising I'll say thirty.

679
00:37:05,160 --> 00:37:09,120
Speaker 1: Great questions, Scott, Yeah, what the like? How old is

680
00:37:09,160 --> 00:37:12,360
Speaker 1: a chicken when it's made? And made?

681
00:37:13,400 --> 00:37:14,879
Speaker 2: No one knows, No one knows.

682
00:37:15,360 --> 00:37:17,560
Speaker 1: Let's say let's say it's a two year old chicken.

683
00:37:17,640 --> 00:37:20,279
Speaker 1: Let's say that. I have no idea if that's right, Sure,

684
00:37:21,120 --> 00:37:24,320
Speaker 1: how much grain does a chicken eat over the course

685
00:37:24,360 --> 00:37:28,480
Speaker 1: of two years. It might actually be two hundred dollars

686
00:37:28,520 --> 00:37:32,759
Speaker 1: worth of bread. This might actually be the real cost.

687
00:37:33,760 --> 00:37:36,520
Speaker 2: KFC would be a business if a bucket of chicken

688
00:37:36,520 --> 00:37:40,000
Speaker 2: would be like six thousand dollars. But we'll never know.

689
00:37:40,200 --> 00:37:44,280
Speaker 2: Nobody knows these answers, and we'll never know these answers. Nobody,

690
00:37:44,360 --> 00:37:45,640
Speaker 2: We just will never know this.

691
00:37:45,640 --> 00:37:48,800
Speaker 1: This is the true cost of this chicken's life.

692
00:37:49,520 --> 00:37:52,320
Speaker 2: No, I think a chicken is like a year old,

693
00:37:52,800 --> 00:37:56,759
Speaker 2: and then yeah, it's but yeah, I was it's very

694
00:37:56,880 --> 00:38:00,759
Speaker 2: rare that I'm like flabbergasted or gobsmack. And I saw

695
00:38:00,840 --> 00:38:03,080
Speaker 2: that price and I was like, there's just no way,

696
00:38:03,600 --> 00:38:06,799
Speaker 2: There's no way. So if I got if I had

697
00:38:06,800 --> 00:38:09,400
Speaker 2: four people over with that and got four Airwon shakes,

698
00:38:09,400 --> 00:38:13,279
Speaker 2: we're talking three hundred dollars with no sides, just me,

699
00:38:13,480 --> 00:38:16,720
Speaker 2: three Sabrina carpenters, and a two hundred dollars retisserie chicken.

700
00:38:17,160 --> 00:38:17,960
Speaker 2: That's a holiday.

701
00:38:18,600 --> 00:38:20,320
Speaker 1: Here's a here's ones for you, buddy.

702
00:38:20,640 --> 00:38:23,680
Speaker 2: Yeah, uh, I'll tease.

703
00:38:23,440 --> 00:38:26,400
Speaker 1: This into a into a thump some thumbs.

704
00:38:26,120 --> 00:38:27,759
Speaker 2: Ups something hackers.

705
00:38:28,480 --> 00:38:34,239
Speaker 1: Hackers demand France's Schneider Electric pay a one hundred and

706
00:38:34,320 --> 00:38:41,640
Speaker 1: twenty thousand dollars ransom in baguettes. Ooh, hackers are out

707
00:38:41,680 --> 00:38:43,959
Speaker 1: here just doing fucking crazy shit.

708
00:38:44,239 --> 00:38:49,320
Speaker 2: My kind of hackers. Tricia McKenna is double thumbing herself

709
00:38:49,440 --> 00:38:52,719
Speaker 2: up for opening her ancestry DNA results and meeting her

710
00:38:52,760 --> 00:38:54,799
Speaker 2: biological father for the first time.

711
00:38:54,880 --> 00:38:56,799
Speaker 1: Congratulations, He's not a.

712
00:38:56,760 --> 00:38:59,399
Speaker 2: Trash dad, and I'm looking forward to building a relationship

713
00:38:59,440 --> 00:39:01,480
Speaker 2: with him. So I followed up with her because I've

714
00:39:01,480 --> 00:39:03,360
Speaker 2: been thinking about this one. I was like, let us

715
00:39:03,400 --> 00:39:05,120
Speaker 2: know how it goes. And then I hear from her

716
00:39:05,360 --> 00:39:08,040
Speaker 2: and she met him in September. They met a second

717
00:39:08,080 --> 00:39:11,920
Speaker 2: time in October. They're texting. It's all going great, and

718
00:39:11,960 --> 00:39:14,239
Speaker 2: I think the next time they're gonna meet, it's gonna

719
00:39:14,239 --> 00:39:18,360
Speaker 2: be with her husband. So congratulations to Chrisia and her dad.

720
00:39:18,520 --> 00:39:21,400
Speaker 2: And if there's kindness in there and there's curiosity, we

721
00:39:21,719 --> 00:39:25,480
Speaker 2: wish you to the master building relationship. That's very nice.

722
00:39:26,280 --> 00:39:31,400
Speaker 2: Musician Jesse Haynes wants to thumb up her super supportive

723
00:39:31,600 --> 00:39:34,000
Speaker 2: Barroom Girls, which I guess is the name of the

724
00:39:34,080 --> 00:39:38,000
Speaker 2: band I'm guessing Aaron and Trina they're getting thumbed way

725
00:39:38,080 --> 00:39:40,960
Speaker 2: up because they covered all of Jesse's gigs and showered

726
00:39:41,000 --> 00:39:45,319
Speaker 2: her with encouragement when she was diagnosed with soriatic arthritis

727
00:39:45,360 --> 00:39:49,640
Speaker 2: and couldn't play for a month. And Jesse wants to

728
00:39:49,640 --> 00:39:52,480
Speaker 2: say to you and me, curty b, thanks for promoting

729
00:39:52,560 --> 00:39:54,600
Speaker 2: a live and let live lifestyle.

730
00:39:55,080 --> 00:39:58,040
Speaker 1: Oh thumbs up to hear about that time.

731
00:39:58,120 --> 00:40:00,160
Speaker 2: Yeah, but it sounds like she can play against Oh.

732
00:40:00,400 --> 00:40:03,600
Speaker 2: Maybe there's a good Maybe she's figured out a way

733
00:40:03,640 --> 00:40:07,680
Speaker 2: to live with it. Sarah A. Bukawitz, I think that's right.

734
00:40:07,719 --> 00:40:10,560
Speaker 2: Sorry Sarah if I butchered your last name. Sarah Sarah

735
00:40:10,600 --> 00:40:14,719
Speaker 2: Abukawitz or a witch is thumbing herself up. She has

736
00:40:14,880 --> 00:40:18,600
Speaker 2: terrible PSD while driving or even being in a car

737
00:40:18,680 --> 00:40:20,520
Speaker 2: after she was in a car accident where she lost

738
00:40:20,520 --> 00:40:22,640
Speaker 2: a pinky and then Sarah, gonna have to forgive me

739
00:40:22,680 --> 00:40:25,080
Speaker 2: your DM was a little I think there's an autocrack

740
00:40:25,200 --> 00:40:27,480
Speaker 2: and possibly a hand. She I think she lost at

741
00:40:27,520 --> 00:40:31,480
Speaker 2: least a pinky, but maybe also a hand. After working

742
00:40:31,520 --> 00:40:33,840
Speaker 2: in the restaurant is for over twenty years after COVID,

743
00:40:33,880 --> 00:40:38,480
Speaker 2: she decided to switch careers and started Kurt driving for FedEx.

744
00:40:39,760 --> 00:40:40,280
Speaker 1: Nice.

745
00:40:40,719 --> 00:40:44,640
Speaker 2: She said she was scared shitless but went for it. Anyways.

746
00:40:44,719 --> 00:40:48,200
Speaker 2: It's been over two years and her PTSD is much

747
00:40:48,320 --> 00:40:48,880
Speaker 2: much better.

748
00:40:49,080 --> 00:40:52,880
Speaker 1: Awesome thumbs up. Thumbs up to Sarah.

749
00:40:52,600 --> 00:40:56,160
Speaker 2: Oh Buka Witch for taking a chance and sounds like

750
00:40:56,239 --> 00:40:57,399
Speaker 2: having a great career change.

751
00:40:57,480 --> 00:40:57,680
Speaker 1: Yeah.

752
00:40:57,800 --> 00:41:00,200
Speaker 2: Nice work, facing your fears. Not easy to do.

753
00:41:00,800 --> 00:41:00,920
Speaker 1: Uh.

754
00:41:01,000 --> 00:41:02,840
Speaker 2: And last but not LEAs will do. We'll do a

755
00:41:02,840 --> 00:41:06,680
Speaker 2: happy one. Here's a good one. Will Oh. Will Oh

756
00:41:06,840 --> 00:41:10,759
Speaker 2: is thumbing himself up and banana boy number two me

757
00:41:11,239 --> 00:41:14,920
Speaker 2: for being dancing fools at weddings. Will went to a

758
00:41:14,960 --> 00:41:17,399
Speaker 2: wedding where he didn't know anyone, and he got through

759
00:41:17,400 --> 00:41:20,200
Speaker 2: the ceremony and cocktail hour without really talking to anybody.

760
00:41:20,239 --> 00:41:23,720
Speaker 2: But when it came time to boogie down, he stole

761
00:41:23,760 --> 00:41:25,680
Speaker 2: the show. He says. I had a line of people

762
00:41:25,760 --> 00:41:27,759
Speaker 2: telling me I stole the dance floor. And I kept

763
00:41:27,800 --> 00:41:30,680
Speaker 2: thinking about Scottie stories about dancing at all weddings even

764
00:41:30,719 --> 00:41:33,560
Speaker 2: when people don't know him and pretending they aren't watching,

765
00:41:33,920 --> 00:41:37,120
Speaker 2: And damn it, it worked. I'm gonna do this forever.

766
00:41:37,400 --> 00:41:39,160
Speaker 2: And I got to meet a bunch of people who

767
00:41:39,160 --> 00:41:42,480
Speaker 2: I otherwise would never have met. I even made friends

768
00:41:42,480 --> 00:41:45,040
Speaker 2: with an old lady who ran the event center and

769
00:41:45,120 --> 00:41:48,040
Speaker 2: gave me a tour and said my dancing made her night.

770
00:41:48,600 --> 00:41:49,760
Speaker 1: Oh that's awesome.

771
00:41:50,200 --> 00:41:54,160
Speaker 2: Thumbs up, Will and to anybody who's not afraid to

772
00:41:54,280 --> 00:41:57,800
Speaker 2: look like a jackass on the dance floor. If you

773
00:41:57,960 --> 00:42:00,520
Speaker 2: go with he went with his wife. I believe if

774
00:42:00,560 --> 00:42:03,840
Speaker 2: you go with a date, boy, you have no excuse

775
00:42:03,920 --> 00:42:05,839
Speaker 2: but to get out there and be a buffoon. If

776
00:42:05,880 --> 00:42:07,880
Speaker 2: you're trying to meet people, I understand you're trying to

777
00:42:07,880 --> 00:42:10,880
Speaker 2: look cool. Yeah, but if you're going with friends or

778
00:42:10,920 --> 00:42:13,799
Speaker 2: you're going with a date, get out there.

779
00:42:14,520 --> 00:42:19,240
Speaker 1: Also, going and dancing is a great way to meet people.

780
00:42:20,400 --> 00:42:25,720
Speaker 1: It is, and people there are certain people who could

781
00:42:25,719 --> 00:42:29,640
Speaker 1: be judgyn't want to be friends with those people.

782
00:42:29,840 --> 00:42:30,439
Speaker 2: That's right.

783
00:42:30,640 --> 00:42:34,920
Speaker 1: The right people are going to appreciate the vulnerability and

784
00:42:35,000 --> 00:42:39,680
Speaker 1: the hootspa to get out there and the confidence. Really,

785
00:42:39,760 --> 00:42:42,680
Speaker 1: that is what people want, you know, that is what

786
00:42:42,719 --> 00:42:46,239
Speaker 1: people want in a romantic partners. They want confidence.

787
00:42:47,000 --> 00:42:50,239
Speaker 2: I think so too. I mean, God, it to me,

788
00:42:50,360 --> 00:42:54,839
Speaker 2: it's like it's permission to move around and have fun.

789
00:42:55,040 --> 00:42:57,040
Speaker 2: And what I mean, what else are we doing it?

790
00:42:57,440 --> 00:42:58,040
Speaker 1: I mean, that's the.

791
00:42:58,200 --> 00:42:59,960
Speaker 2: Reason we're on earth, move around and have fun.

792
00:43:00,320 --> 00:43:04,440
Speaker 1: I definitely think I had a moment. I had a

793
00:43:04,440 --> 00:43:06,000
Speaker 1: moment where I stopped dancing.

794
00:43:06,239 --> 00:43:06,600
Speaker 2: I do.

795
00:43:07,040 --> 00:43:09,480
Speaker 1: I do feel that that happened because I used to

796
00:43:09,520 --> 00:43:11,759
Speaker 1: go dancing a lot, like in my twenties.

797
00:43:11,920 --> 00:43:12,359
Speaker 2: It was fine.

798
00:43:12,560 --> 00:43:15,160
Speaker 1: We would go dancing. We would go to warehouse parties

799
00:43:15,280 --> 00:43:19,200
Speaker 1: in Brooklyn and and it was just back when it

800
00:43:19,239 --> 00:43:23,440
Speaker 1: was just like this is an abandoned warehouse and we

801
00:43:23,520 --> 00:43:26,960
Speaker 1: would dance all night long, and we would do it often.

802
00:43:27,520 --> 00:43:32,319
Speaker 1: And then at a certain point I think I like

803
00:43:32,400 --> 00:43:35,600
Speaker 1: someone made fun of me, or I saw like a

804
00:43:35,719 --> 00:43:38,719
Speaker 1: video of myself or something like that, and I was like, oh,

805
00:43:38,840 --> 00:43:43,360
Speaker 1: because I'm so big, I'm a very tall, big guy.

806
00:43:43,800 --> 00:43:46,600
Speaker 1: There's no there's when you look out on a dance floor,

807
00:43:47,120 --> 00:43:50,440
Speaker 1: you see me first, no matter what I'm doing, And

808
00:43:50,520 --> 00:43:54,640
Speaker 1: so you just really do have to just go, you know,

809
00:43:54,680 --> 00:43:56,320
Speaker 1: And I'm just gonna get out there more often.

810
00:43:57,480 --> 00:44:01,520
Speaker 2: You should. Yeah, nobody cares, man. I mean, like you said,

811
00:44:01,640 --> 00:44:03,719
Speaker 2: it's like the people who judge you and stand on

812
00:44:03,760 --> 00:44:05,160
Speaker 2: the sides and they're like, who is that? What are

813
00:44:05,200 --> 00:44:06,680
Speaker 2: they doing? Oh my god, they look so dumb. That

814
00:44:06,719 --> 00:44:10,719
Speaker 2: person's life is hell, it's miserable. Yes, they are terrified of.

815
00:44:10,920 --> 00:44:12,400
Speaker 1: Terrified any tings.

816
00:44:12,640 --> 00:44:17,120
Speaker 2: Yes, yeah, they and you don't have to be good. Also,

817
00:44:17,200 --> 00:44:19,560
Speaker 2: you dance in the air, you don't dance on the ground.

818
00:44:19,560 --> 00:44:21,799
Speaker 2: I think people are feel like you're you don't know

819
00:44:21,800 --> 00:44:23,880
Speaker 2: what to do with your feet and stuff. It's like,

820
00:44:23,920 --> 00:44:26,120
Speaker 2: it's okay, you're dancing in the air. Your feet are

821
00:44:26,120 --> 00:44:29,320
Speaker 2: just gonna make sure you don't fall over. It's also,

822
00:44:29,600 --> 00:44:33,040
Speaker 2: there hasn't been a single time who I've started dancing

823
00:44:33,080 --> 00:44:35,719
Speaker 2: in a wedding and it's an empty dance floor that

824
00:44:35,920 --> 00:44:38,879
Speaker 2: someone isn't like, thank god and joins me right away.

825
00:44:38,920 --> 00:44:41,680
Speaker 2: One time, like I said, and Covington, Kentucky, it was

826
00:44:41,719 --> 00:44:44,279
Speaker 2: a boy with down syndrome. He and I dancing in

827
00:44:44,320 --> 00:44:46,880
Speaker 2: front of a gigantic band in front of one hundred

828
00:44:46,880 --> 00:44:49,360
Speaker 2: and fifty people that I had no idea except my

829
00:44:49,480 --> 00:44:53,160
Speaker 2: date who they were. And then one song later all

830
00:44:53,200 --> 00:44:55,960
Speaker 2: these women joined and then pretty soon everybody was dancing.

831
00:44:56,040 --> 00:44:58,759
Speaker 2: It's just sort of like poking a hole in the

832
00:44:58,840 --> 00:45:01,320
Speaker 2: dam and the water's starts coming out and suddenly the

833
00:45:01,360 --> 00:45:04,839
Speaker 2: whole thing and then everybody's like thanks, yeah, thank you,

834
00:45:05,680 --> 00:45:07,360
Speaker 2: And then you go to the bar and then you

835
00:45:07,400 --> 00:45:10,480
Speaker 2: say what's up. That's so fun and say.

836
00:45:10,040 --> 00:45:11,799
Speaker 1: And that is the same thing I think with a

837
00:45:11,840 --> 00:45:14,239
Speaker 1: comedy show too. If you're in the audience of a

838
00:45:14,239 --> 00:45:17,960
Speaker 1: comedy show, there is in the beginning of a comedy show,

839
00:45:18,000 --> 00:45:20,839
Speaker 1: people are nervous to laugh, people are nervous to make

840
00:45:20,880 --> 00:45:24,279
Speaker 1: a noise in that space. Yeah, and then if you

841
00:45:24,320 --> 00:45:27,080
Speaker 1: can be a person who laughs, then everybody starts getting up.

842
00:45:27,120 --> 00:45:29,319
Speaker 1: And then like midway through the show, you'll just notice

843
00:45:29,320 --> 00:45:33,640
Speaker 1: everybody's laughing and everyone is forgotten about their own self consciousness,

844
00:45:33,960 --> 00:45:35,640
Speaker 1: which is I think the reason you go to see

845
00:45:35,640 --> 00:45:39,960
Speaker 1: a comedy show. You want to forget, like to constantly

846
00:45:39,960 --> 00:45:41,360
Speaker 1: be thinking about yourself.

847
00:45:42,080 --> 00:45:44,480
Speaker 2: Yeah, And that's why the darkest comedy rooms are the

848
00:45:44,480 --> 00:45:47,160
Speaker 2: best comedy rooms. Like when those house lights are black,

849
00:45:47,320 --> 00:45:50,080
Speaker 2: it's like everybody's like, yes, I can hide and laugh

850
00:45:50,120 --> 00:45:51,240
Speaker 2: as loud as I want.

851
00:45:51,480 --> 00:45:54,120
Speaker 1: And that is why I don't do crowd work. That

852
00:45:54,200 --> 00:45:55,760
Speaker 1: is why I don't talk to the audience.

853
00:45:55,800 --> 00:45:56,960
Speaker 2: You know, I appreciate that.

854
00:45:57,080 --> 00:46:00,800
Speaker 1: I like I when I go to a show. I

855
00:46:01,080 --> 00:46:04,440
Speaker 1: like the fact that I am in a blanket of

856
00:46:04,680 --> 00:46:08,440
Speaker 1: dark anonymity. I like blending into the crowd and just

857
00:46:08,520 --> 00:46:14,400
Speaker 1: being a person, you know, a identity less mass. I

858
00:46:14,560 --> 00:46:17,520
Speaker 1: like that you don't have to do anything to turn

859
00:46:17,560 --> 00:46:21,000
Speaker 1: it around and to make the audience perform. Is like,

860
00:46:21,560 --> 00:46:23,760
Speaker 1: it's one of the worst. It's not one of the worst.

861
00:46:24,080 --> 00:46:24,960
Speaker 1: I was about to say.

862
00:46:24,800 --> 00:46:26,840
Speaker 2: It's one of the words right now. I was about to.

863
00:46:26,840 --> 00:46:28,680
Speaker 1: Say it was one of the worst things social media

864
00:46:28,719 --> 00:46:32,160
Speaker 1: has done, and that is not true. There's ten thousand

865
00:46:32,200 --> 00:46:34,520
Speaker 1: worst things social media has done. But it is an

866
00:46:34,560 --> 00:46:36,640
Speaker 1: unfortunate result of social media.

867
00:46:36,800 --> 00:46:39,239
Speaker 2: It is I know all the clips of people just

868
00:46:39,239 --> 00:46:41,960
Speaker 2: doing crowdworth, it's like it's all the same. It's all

869
00:46:41,960 --> 00:46:43,719
Speaker 2: and if you see one comic twice, they sort of

870
00:46:43,719 --> 00:46:46,640
Speaker 2: have the same can jokes, like there's stuff yeah. And

871
00:46:46,760 --> 00:46:48,560
Speaker 2: I have a one friend who I won't name, who's

872
00:46:48,600 --> 00:46:50,880
Speaker 2: so good at it. Then he's like a touring club comic.

873
00:46:50,880 --> 00:46:52,920
Speaker 2: He's so good at that. I enjoy when he does it.

874
00:46:52,920 --> 00:46:55,480
Speaker 2: But it's because he's not a mean spirited guy. He

875
00:46:55,520 --> 00:46:59,239
Speaker 2: doesn't just immediately start insulting people. Right. But if you

876
00:46:59,280 --> 00:47:02,160
Speaker 2: come to the Banana live shows, we never ever call

877
00:47:02,200 --> 00:47:04,960
Speaker 2: in the audience. We cheer you on. When you're getting

878
00:47:05,000 --> 00:47:08,839
Speaker 2: up to leave, we're like, we understand, all right, all right,

879
00:47:08,840 --> 00:47:11,240
Speaker 2: I'll send us home. Oh good choice.

880
00:47:11,360 --> 00:47:15,920
Speaker 1: Oh well, hackers demand Francis Schneider twenty five ransom.

881
00:47:15,960 --> 00:47:17,600
Speaker 2: This was in UH to send us home?

882
00:47:17,680 --> 00:47:21,360
Speaker 1: Yeah, this was in Tom's Hardware dot com.

883
00:47:23,120 --> 00:47:24,040
Speaker 2: What happened?

884
00:47:24,719 --> 00:47:26,960
Speaker 1: Where am I going to get these news stories?

885
00:47:27,000 --> 00:47:30,160
Speaker 2: Also? Did we say happy birthday to Mauricio? I think

886
00:47:30,200 --> 00:47:32,680
Speaker 2: we did right before he came out to hot tub.

887
00:47:32,800 --> 00:47:36,400
Speaker 1: I said it in at hot tub. But you know what,

888
00:47:36,520 --> 00:47:38,720
Speaker 1: Happy birthday to cop copy paste.

889
00:47:38,880 --> 00:47:41,200
Speaker 2: He brought us. I ate a cupcake, I bought him

890
00:47:41,200 --> 00:47:42,600
Speaker 2: a shot. It was great to see him.

891
00:47:43,600 --> 00:47:47,520
Speaker 1: This was written by Mark Tyson. Great name, great name

892
00:47:47,760 --> 00:47:51,880
Speaker 1: for Tom's Hardware dot Com. In the business, hackers demand

893
00:47:52,000 --> 00:47:55,360
Speaker 1: French's Francis Schneider Electric pay one hundred twenty five k

894
00:47:55,520 --> 00:48:00,120
Speaker 1: ransom in baguettes. Hungry hackers have demanded the France It's

895
00:48:00,120 --> 00:48:02,880
Speaker 1: to Schneideralactic pai one hundred twenty five thousand dollars ransom

896
00:48:02,920 --> 00:48:08,040
Speaker 1: in bag gets. Bleeping Computers report. Bleeping Computers report indicates

897
00:48:08,040 --> 00:48:10,040
Speaker 1: that a hacker group may have stolen forty gigs of

898
00:48:10,120 --> 00:48:13,880
Speaker 1: data from the major French energy management and automation engineering

899
00:48:13,920 --> 00:48:18,799
Speaker 1: group after successfully penetrating the firm's Jira system. Greppi is

900
00:48:18,840 --> 00:48:22,560
Speaker 1: thought to have or had connections with the Hellcat ransomware gang.

901
00:48:22,600 --> 00:48:23,120
Speaker 2: I love it.

902
00:48:23,160 --> 00:48:24,240
Speaker 1: I love all the names.

903
00:48:24,400 --> 00:48:27,720
Speaker 2: Yep, they don't care, just say words domes hardware.

904
00:48:28,080 --> 00:48:31,440
Speaker 1: The above tweet taunted Schneider about the purported success of

905
00:48:31,440 --> 00:48:33,360
Speaker 1: a recent cyber attack, and a follow up post and

906
00:48:33,480 --> 00:48:37,360
Speaker 1: thread reveals an example chunk of data. However, fuller details

907
00:48:37,360 --> 00:48:39,560
Speaker 1: about the purported nature and scale the data hall, as

908
00:48:39,560 --> 00:48:43,480
Speaker 1: well as the Boulangerie product demands, were published on the

909
00:48:43,560 --> 00:48:46,760
Speaker 1: dark web. If the ransom demands aren't fulfilled, the thread

910
00:48:46,840 --> 00:48:50,200
Speaker 1: is that sensitive data, including information about company, project staff

911
00:48:50,200 --> 00:48:53,480
Speaker 1: and user data, will be spilled. According to the hackers,

912
00:48:53,520 --> 00:48:54,920
Speaker 1: the stolen info includes.

913
00:48:54,600 --> 00:48:56,000
Speaker 2: Blah blah blah, blah, blah blah blah.

914
00:48:56,000 --> 00:48:58,880
Speaker 1: However, the hackers indicated that should Schneider publicly admit to

915
00:48:58,920 --> 00:49:02,480
Speaker 1: the latest data breach, the ransom would be cut in half.

916
00:49:03,000 --> 00:49:05,920
Speaker 1: Thus the ransom demanded would have decrease to sixty two

917
00:49:06,000 --> 00:49:10,080
Speaker 1: thousand and five hundred dollars worth of bagettes. We would presume,

918
00:49:10,680 --> 00:49:13,120
Speaker 1: I mean, they're just doing it for no reason. No

919
00:49:13,200 --> 00:49:15,720
Speaker 1: one can eat that many baggettes before they go bad.

920
00:49:15,880 --> 00:49:17,360
Speaker 1: That's the craziest part.

921
00:49:17,840 --> 00:49:18,440
Speaker 2: I love it.

922
00:49:18,719 --> 00:49:22,160
Speaker 1: I know it is as oft the time of writing.

923
00:49:23,080 --> 00:49:25,520
Speaker 1: Thank you, Mark, Tyson. It is difficult to know exactly

924
00:49:25,600 --> 00:49:28,600
Speaker 1: where Schneider has whether such Schneider has satisfied the ransom

925
00:49:28,600 --> 00:49:33,560
Speaker 1: admission clause. Bleeping computers, blah blah blah. That's Mark Tyson.

926
00:49:33,800 --> 00:49:36,120
Speaker 1: Give us one headline to send us home. So we

927
00:49:36,480 --> 00:49:38,120
Speaker 1: have covered four stories today.

928
00:49:38,280 --> 00:49:46,080
Speaker 2: Okay, let me see. Oh, this is a good headline.

929
00:49:46,120 --> 00:49:50,080
Speaker 2: This is a fun one. Bride'smaid finds out that bride

930
00:49:50,160 --> 00:49:53,640
Speaker 2: had a last minute change of groom on her wedding morning.

931
00:49:54,280 --> 00:49:56,960
Speaker 1: Wait what bride'smaid finds out that the bride has a

932
00:49:57,040 --> 00:49:58,880
Speaker 1: last minute change of groom.

933
00:49:59,000 --> 00:50:03,520
Speaker 2: On the wedding morning. To brides dot com by Sarah Schreiber,

934
00:50:04,560 --> 00:50:07,440
Speaker 2: Fabian send it in. I mean, do we want to

935
00:50:07,480 --> 00:50:08,600
Speaker 2: save it for the next one?

936
00:50:09,000 --> 00:50:11,319
Speaker 1: Save it for next one? Savor the next one. We

937
00:50:11,400 --> 00:50:13,160
Speaker 1: got to start with this one. I want to know.

938
00:50:13,640 --> 00:50:15,600
Speaker 2: Okay, I'll save it for the next one. I think

939
00:50:15,640 --> 00:50:18,200
Speaker 2: we have a guess coming on the end of the week.

940
00:50:18,239 --> 00:50:25,120
Speaker 2: That'll be so fun. I will say, I love one baguette.

941
00:50:26,440 --> 00:50:29,759
Speaker 2: One baguette is so much bread. Yes, it's fun to

942
00:50:29,800 --> 00:50:32,120
Speaker 2: share with a friend or a few friends.

943
00:50:32,440 --> 00:50:35,080
Speaker 1: It is a race against time to finish a bagette

944
00:50:35,560 --> 00:50:40,479
Speaker 1: because you buy it in the morning. By midnight that night,

945
00:50:40,840 --> 00:50:41,880
Speaker 1: it's not great.

946
00:50:42,280 --> 00:50:43,040
Speaker 2: It's not as good.

947
00:50:43,280 --> 00:50:47,640
Speaker 1: It's not as good. You are racing to shovel. I

948
00:50:47,719 --> 00:50:51,240
Speaker 1: don't know. Is it a yard of bread into your throat.

949
00:50:51,960 --> 00:50:55,239
Speaker 2: When I was on Tahiti, they love baguettes. You. It's

950
00:50:55,280 --> 00:50:58,920
Speaker 2: because it's French Polynesia, those French bakeries and boulie and

951
00:50:58,960 --> 00:51:02,960
Speaker 2: patiseries ever. And it's very, very common to see on

952
00:51:03,040 --> 00:51:06,600
Speaker 2: all the little to Houshon Islands people riding bikes and

953
00:51:06,640 --> 00:51:10,320
Speaker 2: scooters and mopeds with several baguettes in a paper bag,

954
00:51:10,680 --> 00:51:14,200
Speaker 2: and I would get one. We would drive around and

955
00:51:14,400 --> 00:51:16,960
Speaker 2: at night that while the crabs are crossing the road,

956
00:51:17,040 --> 00:51:20,360
Speaker 2: we would rip chunks off and throw them to dogs,

957
00:51:20,880 --> 00:51:23,440
Speaker 2: because they have like wild dogs all over the place.

958
00:51:23,880 --> 00:51:27,719
Speaker 2: And the dogs went, they couldn't be happier. They were

959
00:51:27,719 --> 00:51:29,960
Speaker 2: getting chunks of bread. And it was like, as to

960
00:51:30,000 --> 00:51:31,879
Speaker 2: your point, it's like we couldn't finish the whole thing.

961
00:51:32,520 --> 00:51:34,880
Speaker 2: I'm not sitting there eating a whole bagette, and so

962
00:51:35,120 --> 00:51:37,839
Speaker 2: we'd rip it in half and throw chunks to wild

963
00:51:37,920 --> 00:51:40,400
Speaker 2: dogs who would be like, yes, yes, yes.

964
00:51:42,360 --> 00:51:44,719
Speaker 1: You mentioned some words there. And it reminded me of

965
00:51:46,320 --> 00:51:49,319
Speaker 1: when I lived in Baltimore. I lived a roommate named Hank.

966
00:51:49,480 --> 00:51:52,640
Speaker 1: Hank was in a punk band with this dude named Doug.

967
00:51:53,400 --> 00:51:56,200
Speaker 1: Doug was a graduate student in English, I believe, but

968
00:51:56,200 --> 00:51:58,440
Speaker 1: he was a He was a He was a petite

969
00:51:58,440 --> 00:52:04,720
Speaker 1: man who who was very socially awkward but loved punk

970
00:52:04,800 --> 00:52:09,280
Speaker 1: rock music. And and he would just come over every

971
00:52:09,400 --> 00:52:14,400
Speaker 1: morning every Sunday morning amazing, like nine or ten am.

972
00:52:15,000 --> 00:52:17,040
Speaker 1: He would come into our He would just walk like

973
00:52:17,200 --> 00:52:21,040
Speaker 1: waddle into our our backyard and then call up to

974
00:52:21,120 --> 00:52:26,400
Speaker 1: Hank's window, it is time to go to the petits, Sally, Hank,

975
00:52:27,120 --> 00:52:31,879
Speaker 1: we are going to the pettisse And then Hank would

976
00:52:31,920 --> 00:52:34,560
Speaker 1: like grumble and like come down all hungover, and he'd

977
00:52:34,600 --> 00:52:37,080
Speaker 1: be like, let's go and he and then and then

978
00:52:37,120 --> 00:52:38,719
Speaker 1: Doug would be like, we are on our way to

979
00:52:38,800 --> 00:52:42,000
Speaker 1: the Pettissali. And then they would just go to Safeway.

980
00:52:42,880 --> 00:52:46,719
Speaker 2: Oh that's even better. That's so Baltimore. It's so Baltimore.

981
00:52:46,760 --> 00:52:49,719
Speaker 1: They would go to they would go to Safeway and

982
00:52:49,760 --> 00:52:52,760
Speaker 1: they would get like bread at the at the bakery

983
00:52:52,880 --> 00:52:55,520
Speaker 1: and Safeway fantastic.

984
00:52:55,800 --> 00:52:58,080
Speaker 2: That is the petit, the Sunday morning pets.

985
00:53:00,080 --> 00:53:01,400
Speaker 1: That's the Baltimore potential.

986
00:53:01,560 --> 00:53:05,360
Speaker 2: North Baltimore Safeway. God, that's so good.

987
00:53:05,520 --> 00:53:07,760
Speaker 1: Yeah on Charles on Charles Street.

988
00:53:08,520 --> 00:53:11,520
Speaker 2: Yeah, be as silly as you can, bananamals. As the

989
00:53:11,560 --> 00:53:14,240
Speaker 2: world gets weirder and worse, you just gotta get sillier

990
00:53:14,280 --> 00:53:17,359
Speaker 2: and nicer. And that's all there is to it. Thanks

991
00:53:17,440 --> 00:53:17,840
Speaker 2: Kurtie b.

992
00:53:18,280 --> 00:53:22,600
Speaker 1: Thank you, Scotty Buh. Bananas Sing.

993
00:53:32,360 --> 00:53:34,920
Speaker 2: Bananas is an exactly right media production.

994
00:53:35,040 --> 00:53:37,280
Speaker 1: Our producer and engineer is Katie Levine.

995
00:53:37,680 --> 00:53:40,920
Speaker 2: The catchy Bananas theme song was composed and performed by Kahon.

996
00:53:41,160 --> 00:53:44,440
Speaker 1: Artwork for Bananas was designed by Travis Millard.

997
00:53:44,440 --> 00:53:47,319
Speaker 2: And our benevolent overlords are the great Karen Kilgareff and

998
00:53:47,360 --> 00:53:48,200
Speaker 2: Georgia Hartstart

999
00:53:48,320 --> 00:53:51,120
Speaker 1: And Lisa Maggott is our full human, not a robot

1000
00:53:51,200 --> 00:53:52,680
Speaker 1: intern