1 00:00:00,800 --> 00:00:04,040 Speaker 1: Welcome back, Welcome back. You know what we're doing this week? 2 00:00:04,080 --> 00:00:08,119 Speaker 1: The playoffs continue, so there's plenty to talk about this episode, 3 00:00:08,400 --> 00:00:11,960 Speaker 1: and oh the Jah James Harden and the Revs coming 4 00:00:12,000 --> 00:00:16,240 Speaker 1: back with just big dad energy, making a really interesting 5 00:00:16,320 --> 00:00:18,799 Speaker 1: music video. And also we're just gonna talk all the 6 00:00:18,880 --> 00:00:21,119 Speaker 1: things making us continue to be in love with the 7 00:00:21,200 --> 00:00:24,360 Speaker 1: NBA with our guest, jazz beat writer for the Athletic, 8 00:00:24,400 --> 00:00:29,160 Speaker 1: Tony Jones. I'm Miles Gray and I'm Jack O'Brien and 9 00:00:29,320 --> 00:00:35,920 Speaker 1: this is my and Jack Got Mad boo boost imperfect 10 00:00:35,960 --> 00:00:42,040 Speaker 1: synchronization boom. Welcome back, y'all to another edition of Miles 11 00:00:42,040 --> 00:00:45,080 Speaker 1: and Jack Got Mad boost Ease. Today's realized how much 12 00:00:45,120 --> 00:00:48,440 Speaker 1: sixty minutes energy our intro has, where you're like, I'm 13 00:00:48,479 --> 00:00:52,040 Speaker 1: Miles Gray and I love Jack and I'm Morley Safer 14 00:00:55,440 --> 00:00:58,560 Speaker 1: and this is mad boost these But yes, let's introduce 15 00:00:58,600 --> 00:01:01,040 Speaker 1: our guests. We are thrilled to beat wined by Utah. 16 00:01:01,080 --> 00:01:04,280 Speaker 1: You has beat writer for the Athletic, Mr Tony Jones. 17 00:01:04,319 --> 00:01:07,000 Speaker 1: Welcome Tony, How are you guys? Thanks for having me. 18 00:01:07,000 --> 00:01:09,160 Speaker 1: I'm really excited to have you. Where are you coming 19 00:01:09,160 --> 00:01:11,640 Speaker 1: to us from? Are we talking around from? From? Not 20 00:01:11,840 --> 00:01:15,160 Speaker 1: just like right now currently your living room. I'm at 21 00:01:15,200 --> 00:01:21,080 Speaker 1: home in my living room. I just eight and you're 22 00:01:21,080 --> 00:01:23,800 Speaker 1: in Utah and I'm in Utah, okay. And then where 23 00:01:23,840 --> 00:01:27,160 Speaker 1: are you from from? I'm from New York, Okay. I've 24 00:01:27,160 --> 00:01:31,479 Speaker 1: heard of that place, Nicks fan. I am a huge 25 00:01:31,920 --> 00:01:36,880 Speaker 1: hard next died hard. What do you mean by that? 26 00:01:37,080 --> 00:01:39,200 Speaker 1: There was a there was a certain to that. I 27 00:01:39,280 --> 00:01:41,080 Speaker 1: really like, what do you what does that mean to you? 28 00:01:41,400 --> 00:01:46,040 Speaker 1: I mean, it just it's just it's just disappointment. You know, 29 00:01:46,160 --> 00:01:51,040 Speaker 1: from when h john Starts went two for eighteen in 30 00:01:51,160 --> 00:01:54,920 Speaker 1: games first this man sling us in five and nine 31 00:01:56,440 --> 00:01:59,800 Speaker 1: and you know my guys Stephan Marlburry coming back to 32 00:02:00,120 --> 00:02:03,440 Speaker 1: York and that ended up well to to us finally 33 00:02:03,480 --> 00:02:07,520 Speaker 1: being competent again with Jason Kidd and Carmelo Anthony and 34 00:02:08,000 --> 00:02:13,160 Speaker 1: Amri Stott ameyer to the last decade of just futility. 35 00:02:13,800 --> 00:02:15,680 Speaker 1: What's the Knicks memory that you hold near and dear 36 00:02:15,720 --> 00:02:18,600 Speaker 1: to your heart? The next memory that I hold near 37 00:02:18,639 --> 00:02:22,120 Speaker 1: and dear in my heart? Um, you know obviously Larry 38 00:02:22,200 --> 00:02:27,359 Speaker 1: Johnson's four point of play. M like young Mark Jackson. 39 00:02:28,000 --> 00:02:30,480 Speaker 1: This is when I was a kid like young Mark Jackson. 40 00:02:31,080 --> 00:02:35,520 Speaker 1: You know, a fresh out of St. John's. He was 41 00:02:36,080 --> 00:02:38,000 Speaker 1: shout out to Bishop Locklin because he went to Bishop 42 00:02:38,000 --> 00:02:40,680 Speaker 1: Blocklan and I grew up like five blocks away from 43 00:02:40,680 --> 00:02:44,839 Speaker 1: Bishop Blocklin, And you know, just all of my good 44 00:02:44,880 --> 00:02:48,240 Speaker 1: memories are from the nineties. But the ambiance of being 45 00:02:48,280 --> 00:02:53,360 Speaker 1: in the garden and going to basketball games, you can't 46 00:02:52,080 --> 00:02:56,120 Speaker 1: be every year, I say, you know, like my Mets. 47 00:02:56,960 --> 00:02:58,880 Speaker 1: You know, I say the same thing. This is the year, 48 00:02:59,000 --> 00:03:01,040 Speaker 1: this is the year. Hey, you might have something with 49 00:03:01,080 --> 00:03:04,760 Speaker 1: the Mets this year. My house, too bad not too 50 00:03:05,919 --> 00:03:08,440 Speaker 1: is the best player in Major League Baseball. But we're 51 00:03:08,480 --> 00:03:13,120 Speaker 1: here to talk basketball, Tony, and to redirect this to 52 00:03:13,200 --> 00:03:16,040 Speaker 1: becoming a full on Mets podcast because I'm excited to 53 00:03:16,600 --> 00:03:19,800 Speaker 1: uh gotta talk about you know, just the last week 54 00:03:19,880 --> 00:03:24,520 Speaker 1: or so has been fantastic, filled with wonderful, wonderful moments. Jack. 55 00:03:24,720 --> 00:03:27,079 Speaker 1: I know you're feeling a song for John Morant in 56 00:03:27,120 --> 00:03:30,000 Speaker 1: your heart yet again. Yeah, I'm holding a torch carrying 57 00:03:30,040 --> 00:03:32,480 Speaker 1: it around my house. Real quick. I have to tell 58 00:03:32,560 --> 00:03:36,120 Speaker 1: Mark Jackson story. So, my dad, Tony is a is 59 00:03:36,120 --> 00:03:39,800 Speaker 1: a basketball coach or he's retired now, but he was 60 00:03:39,840 --> 00:03:42,680 Speaker 1: an assistant with the Knicks when they drafted Mark Jackson 61 00:03:43,680 --> 00:03:47,680 Speaker 1: Jim O'Brien. Yeah, so he was an assistant or Patino 62 00:03:47,760 --> 00:03:51,760 Speaker 1: there he Uh, they draft Mark Jackson. I'm like six 63 00:03:51,840 --> 00:03:55,640 Speaker 1: or seven. He's my favorite player. And I wrote a 64 00:03:55,800 --> 00:03:59,000 Speaker 1: biography of him and brought it to him and watched 65 00:03:59,080 --> 00:04:02,560 Speaker 1: him read it. And I hadn't done any research on 66 00:04:03,400 --> 00:04:05,760 Speaker 1: so so the story was all about how everyone told 67 00:04:05,840 --> 00:04:08,200 Speaker 1: him he was too small to play basketball just because 68 00:04:08,200 --> 00:04:10,960 Speaker 1: he looked small next to like all the other players. 69 00:04:11,560 --> 00:04:15,880 Speaker 1: And he was very kind. Uh, he didn't throw it away, 70 00:04:16,120 --> 00:04:21,080 Speaker 1: he signed it, and uh, great guy, amazing like early 71 00:04:21,160 --> 00:04:22,960 Speaker 1: Mark Jackson. He was a Rookie of the Year even 72 00:04:22,960 --> 00:04:25,000 Speaker 1: though he wasn't like, you know, one of the one 73 00:04:25,040 --> 00:04:27,080 Speaker 1: of the top picks that year. But that was that 74 00:04:27,120 --> 00:04:31,280 Speaker 1: was a fun team. Those were fun days in New York. Yeah, 75 00:04:31,320 --> 00:04:34,520 Speaker 1: those are days, right, you know. You know Mark Jackson 76 00:04:34,520 --> 00:04:38,920 Speaker 1: and Ros Strickland both one year apart. You know, they 77 00:04:38,920 --> 00:04:41,240 Speaker 1: were kind of like a dynamic duo at the point 78 00:04:41,240 --> 00:04:44,960 Speaker 1: guard spot. Yeah, I mean, yeah, the nineties were fun. 79 00:04:45,560 --> 00:04:47,599 Speaker 1: You know, we had all the sixty seven sixty five 80 00:04:47,640 --> 00:04:52,360 Speaker 1: basketball games that we can handle on those days. Right. Also, 81 00:04:52,520 --> 00:04:55,800 Speaker 1: Rod Strickland one of my favorite references ever in a 82 00:04:56,760 --> 00:05:02,320 Speaker 1: rap song sickening guarantee made him jump Like Rod I 83 00:05:02,440 --> 00:05:05,280 Speaker 1: was like, because it's like nice and obscure, you know, 84 00:05:05,400 --> 00:05:09,039 Speaker 1: it's like a little and it's like, isn't it the 85 00:05:09,120 --> 00:05:16,680 Speaker 1: last rhyme that rout it out? Yeah? We are from 86 00:05:16,680 --> 00:05:22,680 Speaker 1: New York. He was a bucket getter. Uh yeah, yeah, alright, well, 87 00:05:22,680 --> 00:05:26,040 Speaker 1: speaking of bucket getters, I gotta talk jab you know 88 00:05:26,120 --> 00:05:28,880 Speaker 1: that we while we're recording this, there's just a report 89 00:05:28,920 --> 00:05:31,359 Speaker 1: that he might be out for the remainder of the series. 90 00:05:31,760 --> 00:05:33,720 Speaker 1: We'll see how the series plays out. It might be 91 00:05:33,760 --> 00:05:36,560 Speaker 1: over by the time people listen to this. But we 92 00:05:36,680 --> 00:05:41,320 Speaker 1: recorded our last episode right before he dropped forty seven, 93 00:05:41,640 --> 00:05:44,880 Speaker 1: including the final fifth team for the Grizzlies. You know, 94 00:05:44,960 --> 00:05:47,040 Speaker 1: became the first player to score forty five plus and 95 00:05:47,080 --> 00:05:50,120 Speaker 1: multiple playoff games before the age of twenty three. But 96 00:05:50,880 --> 00:05:53,960 Speaker 1: like there's this one play uh you know, I think 97 00:05:53,960 --> 00:05:59,719 Speaker 1: Golden States job brings it up. He twist the defender 98 00:05:59,800 --> 00:06:03,080 Speaker 1: up so bad that he just sits down and is 99 00:06:03,160 --> 00:06:06,120 Speaker 1: turned around like backwards and then just sits down as 100 00:06:06,200 --> 00:06:11,120 Speaker 1: Joh just you know puts it in over everybody with 101 00:06:11,320 --> 00:06:15,360 Speaker 1: just perfect touch switch. Now he's got two under two 102 00:06:15,360 --> 00:06:23,360 Speaker 1: minutes to go, you know what the way, It's like 103 00:06:23,560 --> 00:06:25,440 Speaker 1: he was trying to move with Jah and then the 104 00:06:25,520 --> 00:06:29,440 Speaker 1: second job was like I might just pivot. It's like 105 00:06:29,760 --> 00:06:31,800 Speaker 1: Pool was completely gave up and it's like, all right, 106 00:06:31,839 --> 00:06:34,919 Speaker 1: I need to completely or reorient my body. Just to 107 00:06:35,040 --> 00:06:38,320 Speaker 1: find out that he was sold a faulty pitch where 108 00:06:38,320 --> 00:06:40,840 Speaker 1: he was like, wait, where do you go? He's like, sorry, 109 00:06:40,920 --> 00:06:43,200 Speaker 1: it's this is this is what I'm doing right now. 110 00:06:43,240 --> 00:06:45,440 Speaker 1: I think the best part about that move was Jordan 111 00:06:45,600 --> 00:06:49,520 Speaker 1: was completely beaten and joh still gave him another move 112 00:06:49,600 --> 00:06:54,000 Speaker 1: after that. R That's what it was like, Okay, my 113 00:06:54,080 --> 00:06:58,600 Speaker 1: knees just collapsed. I touched Earth. And I think it's 114 00:06:58,600 --> 00:07:01,080 Speaker 1: a proposed because Jordan Pool been doing at the defenders 115 00:07:01,120 --> 00:07:04,680 Speaker 1: all year, right, somebody got him back. So like the 116 00:07:04,760 --> 00:07:10,160 Speaker 1: fourth quarter when Jah took over was I don't know again. 117 00:07:10,240 --> 00:07:14,800 Speaker 1: I keep referencing the Lebron series against the Pistons, that 118 00:07:14,840 --> 00:07:16,480 Speaker 1: game where he just took over and could get to 119 00:07:16,480 --> 00:07:19,280 Speaker 1: the rim anytime he wanted, and nobody thought that the 120 00:07:19,320 --> 00:07:22,640 Speaker 1: Calves were gonna beat the Pistons, and just all of 121 00:07:22,680 --> 00:07:24,880 Speaker 1: a sudden it was like, oh, they have no answer 122 00:07:24,960 --> 00:07:28,840 Speaker 1: for him. He is at the rim at will and 123 00:07:29,000 --> 00:07:32,040 Speaker 1: there's something that's how That's how it felt watching joh 124 00:07:32,200 --> 00:07:36,240 Speaker 1: just get into the lane and get easy shots like 125 00:07:36,440 --> 00:07:39,200 Speaker 1: you know, most most of them. By the time he 126 00:07:39,280 --> 00:07:42,239 Speaker 1: was done cooking his defenders, he had just wide open 127 00:07:42,280 --> 00:07:44,840 Speaker 1: looks from like three ft out. And there's just something 128 00:07:45,000 --> 00:07:49,240 Speaker 1: weird about watching it, I think, because they make it 129 00:07:49,320 --> 00:07:53,160 Speaker 1: look so easy. The shots look easy, But what's really happening, 130 00:07:53,200 --> 00:07:55,920 Speaker 1: I think is everyone else is operating at a speed 131 00:07:56,000 --> 00:07:59,640 Speaker 1: that's like cent slower than him, and so it's like 132 00:07:59,720 --> 00:08:02,080 Speaker 1: what bullet time would have looked like if the camera 133 00:08:02,120 --> 00:08:05,040 Speaker 1: didn't slow down to how like Neo was perceiving time. 134 00:08:05,800 --> 00:08:09,960 Speaker 1: It's just right, he's just moving and more locked in 135 00:08:10,120 --> 00:08:15,760 Speaker 1: by a significant enough margin that like he's just doing 136 00:08:15,840 --> 00:08:19,800 Speaker 1: whatever he wants with the ball. Yeah, there's a casual 137 00:08:19,880 --> 00:08:22,360 Speaker 1: nous of but I think the only time I experienced 138 00:08:22,360 --> 00:08:25,160 Speaker 1: that is when I play against children. Yeah, and you 139 00:08:25,200 --> 00:08:28,280 Speaker 1: play against children a lot, which is you know a 140 00:08:28,320 --> 00:08:30,800 Speaker 1: lot of people question that decision by you. But like 141 00:08:30,840 --> 00:08:32,959 Speaker 1: I've always said, you got to try your sham God 142 00:08:33,080 --> 00:08:35,720 Speaker 1: on kids first before you can really take that to 143 00:08:35,760 --> 00:08:37,440 Speaker 1: the court. I can hit him with the sham God 144 00:08:37,440 --> 00:08:39,120 Speaker 1: really easy, and that's it helps me feel like a 145 00:08:39,240 --> 00:08:42,080 Speaker 1: fully formed adult, I guess, but it's true that that's 146 00:08:42,080 --> 00:08:46,559 Speaker 1: sort of that same feeling. Uh but yeah, it's I 147 00:08:47,120 --> 00:08:49,360 Speaker 1: hope that I hope he's okay. Though I hope he's okay. 148 00:08:49,640 --> 00:08:52,880 Speaker 1: I think there's been a conversation happening. What level is 149 00:08:52,920 --> 00:08:55,440 Speaker 1: he had at least this season? You hear him compared 150 00:08:55,480 --> 00:09:00,000 Speaker 1: to like some very good, like m v P caliber people, 151 00:09:00,160 --> 00:09:02,400 Speaker 1: and then sometimes people like bring up, you know, is 152 00:09:02,440 --> 00:09:06,160 Speaker 1: he going to be top three, top five at some point? 153 00:09:06,200 --> 00:09:08,839 Speaker 1: This moment felt like one of those things that I'm 154 00:09:08,880 --> 00:09:11,839 Speaker 1: going to remember, like this playoffs in general, Like also 155 00:09:11,960 --> 00:09:16,120 Speaker 1: that incredible second half against the Wolves where he had 156 00:09:16,280 --> 00:09:18,920 Speaker 1: the best dunk of the season and then like that, 157 00:09:19,360 --> 00:09:21,880 Speaker 1: the momentum of that just like blew that game up 158 00:09:21,920 --> 00:09:24,559 Speaker 1: and suddenly you know, he was just scoring at will. 159 00:09:25,040 --> 00:09:28,120 Speaker 1: Like it. It did remind me of those playoff moments 160 00:09:28,960 --> 00:09:32,400 Speaker 1: that you've seen from Lebron and m J and like 161 00:09:32,520 --> 00:09:36,360 Speaker 1: a couple others. But like it's it felt rarefied. It 162 00:09:36,440 --> 00:09:40,839 Speaker 1: felt like next level. Like I hope at least we're 163 00:09:40,880 --> 00:09:45,760 Speaker 1: in the jaw era now, you know, uh, you know, 164 00:09:46,320 --> 00:09:48,120 Speaker 1: I don't know if we're in a gy era, because 165 00:09:48,120 --> 00:09:50,760 Speaker 1: I mean Lucas in the same era. Yeah, and there 166 00:09:50,840 --> 00:09:53,040 Speaker 1: was a play. There's a play this week where Luca 167 00:09:53,120 --> 00:09:55,360 Speaker 1: did the same thing, turned somebody around and then the 168 00:09:55,360 --> 00:09:59,679 Speaker 1: person sat down. I mean, I think it's safe to 169 00:09:59,679 --> 00:10:04,080 Speaker 1: say wearing a another golden there or point guards. I mean, 170 00:10:04,679 --> 00:10:09,160 Speaker 1: you know Luca, Jah, Trey Young, you know those guys 171 00:10:09,640 --> 00:10:12,760 Speaker 1: obviously at the forefront. You know, I think the best 172 00:10:13,080 --> 00:10:15,280 Speaker 1: example to use how much talent there is in the 173 00:10:15,360 --> 00:10:17,360 Speaker 1: league is if you look at Luca and you look 174 00:10:17,400 --> 00:10:20,679 Speaker 1: at John, look at their secondary point guards. Look at 175 00:10:20,720 --> 00:10:24,559 Speaker 1: Jalen Brunson and entire Jones. Both of those guys are 176 00:10:24,559 --> 00:10:28,200 Speaker 1: starters in this league. Yeah, hyas Jones is coming off 177 00:10:28,240 --> 00:10:31,160 Speaker 1: the bench. Obviously, Jalen Brunson starts, but you know he 178 00:10:31,240 --> 00:10:34,400 Speaker 1: kind of starts on the wing. But you know, both 179 00:10:34,400 --> 00:10:36,800 Speaker 1: of those guys, I mean, these are guys that aren't 180 00:10:36,960 --> 00:10:39,760 Speaker 1: day in, day out point guards, and yet they're gonna 181 00:10:39,800 --> 00:10:41,560 Speaker 1: go to different teams next year and they are going 182 00:10:41,640 --> 00:10:44,480 Speaker 1: to get paid. And I think that, as much as anything, 183 00:10:44,559 --> 00:10:47,400 Speaker 1: is a testament to how much talent there is at 184 00:10:47,440 --> 00:10:50,640 Speaker 1: the position right now. Yeah, I mean, I I've had 185 00:10:50,640 --> 00:10:53,280 Speaker 1: the same feeling that like this is the most talented 186 00:10:53,320 --> 00:10:58,439 Speaker 1: the position has been collectively like ever and I've been wondering, 187 00:10:58,840 --> 00:11:01,800 Speaker 1: is it that people, you know, this is a generation 188 00:11:01,880 --> 00:11:06,120 Speaker 1: that like watch Steph for you know, so long, just 189 00:11:06,200 --> 00:11:08,439 Speaker 1: like kind of changing the game and breaking it open 190 00:11:08,480 --> 00:11:12,000 Speaker 1: by like you know, doing things differently. Is it just 191 00:11:12,679 --> 00:11:16,760 Speaker 1: that there is you know, more people playing basketball, and 192 00:11:17,760 --> 00:11:22,320 Speaker 1: there's more available like clips and you know, ways to 193 00:11:22,440 --> 00:11:26,199 Speaker 1: learn the game, and so you know, just by sheer, 194 00:11:26,280 --> 00:11:30,200 Speaker 1: you know, population numbers people who are tall enough to 195 00:11:30,200 --> 00:11:32,600 Speaker 1: play point guard. There there's more of them, and so 196 00:11:32,640 --> 00:11:35,840 Speaker 1: you're just gonna have like I don't I don't know why. 197 00:11:36,320 --> 00:11:38,280 Speaker 1: You kind of are seeing in the NFL with wide 198 00:11:38,320 --> 00:11:41,719 Speaker 1: receivers too, that like this one position has just like 199 00:11:41,920 --> 00:11:47,080 Speaker 1: kind of suddenly kind of become just you want to 200 00:11:47,160 --> 00:11:49,600 Speaker 1: draft a wide receiver now because like all of a sudden, 201 00:11:49,640 --> 00:11:52,600 Speaker 1: wide receivers are better than they used to be. Um 202 00:11:52,679 --> 00:11:55,840 Speaker 1: like significantly, I feel like we're kind of seeing a 203 00:11:55,880 --> 00:11:58,319 Speaker 1: similar thing with point guard. I don't know what. I 204 00:11:58,640 --> 00:12:02,000 Speaker 1: love to hear theories. I've always thought, you know, the 205 00:12:02,040 --> 00:12:04,600 Speaker 1: point guard is the most important position on the floor. 206 00:12:04,840 --> 00:12:07,560 Speaker 1: You gotta have dynamic pick and role players. You've gotta 207 00:12:07,600 --> 00:12:09,360 Speaker 1: have guys that can touch the paint. With two feet 208 00:12:09,400 --> 00:12:11,760 Speaker 1: off the trouble. You gotta have guys that that can 209 00:12:11,800 --> 00:12:16,120 Speaker 1: bend the defense and you know, put defenses in tough spots. 210 00:12:16,360 --> 00:12:19,320 Speaker 1: And you know, you look at some of the best 211 00:12:19,360 --> 00:12:22,240 Speaker 1: point guards in the league. You look at Steph you 212 00:12:22,320 --> 00:12:25,959 Speaker 1: look at Job, look at Chris Paul, you look at 213 00:12:26,000 --> 00:12:29,560 Speaker 1: Trey Young, look at Luca. Obviously, you know those guys 214 00:12:30,040 --> 00:12:33,000 Speaker 1: they've been your defense, and you have the game plan 215 00:12:33,160 --> 00:12:36,520 Speaker 1: for for those guys and when they do been your defense. 216 00:12:36,760 --> 00:12:42,160 Speaker 1: They're incredible shot makers, which is collectively something that that's 217 00:12:42,240 --> 00:12:45,160 Speaker 1: kind of jaw dropping in today's game, but they're also 218 00:12:45,280 --> 00:12:49,839 Speaker 1: really great playmakers for other people. You know, always key 219 00:12:49,880 --> 00:12:52,440 Speaker 1: on them. But yeah, I think to your point, like 220 00:12:52,640 --> 00:12:55,960 Speaker 1: even what you're saying that the amount of information that's 221 00:12:55,960 --> 00:12:59,439 Speaker 1: available to somebody who's interested in playing basketball is at 222 00:12:59,480 --> 00:13:02,040 Speaker 1: a really different level than it used to be. Like 223 00:13:02,840 --> 00:13:05,280 Speaker 1: I saw better kids whooping than I did by going 224 00:13:05,320 --> 00:13:08,240 Speaker 1: to the gym and then whatever I could catch on TV. 225 00:13:08,920 --> 00:13:11,480 Speaker 1: There wasn't like YouTube clips I could then go to 226 00:13:11,559 --> 00:13:14,960 Speaker 1: try and like actually developed very specific parts in my game. 227 00:13:15,000 --> 00:13:18,120 Speaker 1: I think that part is also the information amount of 228 00:13:18,160 --> 00:13:21,079 Speaker 1: information about I think something else too that's pretty underrated 229 00:13:21,200 --> 00:13:23,520 Speaker 1: all right, let's take a quick break and then Miles, 230 00:13:23,640 --> 00:13:26,000 Speaker 1: we're gonna find out what your clip of the week 231 00:13:26,200 --> 00:13:38,760 Speaker 1: was and then do a little playoff recap and we're back. 232 00:13:39,160 --> 00:13:41,440 Speaker 1: Uh And you know, I just I wanted to to 233 00:13:41,480 --> 00:13:44,120 Speaker 1: get in some Philadelphia love just for a moment, because 234 00:13:44,160 --> 00:13:47,160 Speaker 1: I'm watching this, you know, this this postseason as a neutral, 235 00:13:47,960 --> 00:13:51,320 Speaker 1: but there is something I just love those dagger moments 236 00:13:51,320 --> 00:13:55,760 Speaker 1: in games when players can absolutely just take the momentum 237 00:13:55,800 --> 00:13:59,120 Speaker 1: away from the other team in one simple movement. And 238 00:13:59,600 --> 00:14:03,160 Speaker 1: I have to talk about James Harden the fourth quarter 239 00:14:03,240 --> 00:14:07,720 Speaker 1: of that game, for uh. I, I've never watched something 240 00:14:07,960 --> 00:14:10,200 Speaker 1: that was so satisfying to me as a neutral in 241 00:14:10,200 --> 00:14:14,359 Speaker 1: a long time, mostly just because of those debilitating, demoralizing 242 00:14:14,400 --> 00:14:17,120 Speaker 1: step backs. There was like a maxi lob that was 243 00:14:17,160 --> 00:14:22,080 Speaker 1: sandwiched in between Harden threes that just every time it 244 00:14:22,160 --> 00:14:26,400 Speaker 1: felt like there was a chance for just some kind 245 00:14:26,440 --> 00:14:29,080 Speaker 1: of momentum to go the other way, he was just 246 00:14:29,200 --> 00:14:32,440 Speaker 1: there immediately to snuff out the flame of of Miami. 247 00:14:32,520 --> 00:14:35,520 Speaker 1: And yeah, I'll just we'll play a little bit of 248 00:14:35,640 --> 00:14:37,240 Speaker 1: the sounds from that so you can get a bit 249 00:14:37,280 --> 00:14:40,400 Speaker 1: of an experience right now, Philadelphia, and he needs to 250 00:14:40,400 --> 00:14:45,760 Speaker 1: touch the ball on this possession, here comes Harden now 251 00:14:45,960 --> 00:14:49,920 Speaker 1: thing right through the teeth in the defense. Stand corrected. 252 00:14:51,040 --> 00:14:54,640 Speaker 1: J are continuing to attack. Let that drama build here 253 00:14:54,640 --> 00:14:59,000 Speaker 1: in South Philly, Maxie three to shoot pardon from deep. 254 00:15:00,240 --> 00:15:04,640 Speaker 1: See those moments right Miami's it's one oh one to 255 00:15:04,720 --> 00:15:07,880 Speaker 1: one oh six. You're in the fourth quarter as a fan, 256 00:15:07,960 --> 00:15:11,440 Speaker 1: You're thinking, Okay, if we can get a stop, maybe 257 00:15:11,440 --> 00:15:14,600 Speaker 1: we're in it. And then just casually, here comes this 258 00:15:14,680 --> 00:15:18,800 Speaker 1: bearded man to completely ruin your day. And I just like, 259 00:15:19,280 --> 00:15:21,240 Speaker 1: and I know, Jack, you were not you weren't you 260 00:15:21,280 --> 00:15:23,120 Speaker 1: were watching at the time, and I said, please watch 261 00:15:23,160 --> 00:15:27,960 Speaker 1: it because I always watched the Winds. I just watched 262 00:15:28,000 --> 00:15:30,840 Speaker 1: him after the fact because otherwise that just takes too 263 00:15:30,920 --> 00:15:33,000 Speaker 1: much out of me. And I also just have to 264 00:15:33,000 --> 00:15:36,640 Speaker 1: give a shout out to my man who somehow during 265 00:15:36,680 --> 00:15:41,760 Speaker 1: all of that, found a moment to sleep through I 266 00:15:41,800 --> 00:15:43,720 Speaker 1: don't know, like this is in the third quarter, just 267 00:15:43,800 --> 00:15:49,920 Speaker 1: to sleep on the baseline. Absolutely found found a moment 268 00:15:49,920 --> 00:15:52,000 Speaker 1: of respite, and I just I thought that was that 269 00:15:52,080 --> 00:15:54,120 Speaker 1: warmed my heart altogether. I was like, Yeah, this is 270 00:15:54,160 --> 00:15:56,080 Speaker 1: this Philadelphia Games giving me a lot of a lot 271 00:15:56,160 --> 00:15:58,840 Speaker 1: to enjoy. Yeah, they caught him in the background, Kyle 272 00:15:58,880 --> 00:16:02,320 Speaker 1: Larry's bringing the ball up and uh, you know you 273 00:16:02,400 --> 00:16:06,800 Speaker 1: just see him on the baseline catchten Z. It's it's 274 00:16:06,800 --> 00:16:10,080 Speaker 1: a real dad move. I've done it during Um you 275 00:16:10,080 --> 00:16:12,480 Speaker 1: know I went. I took my kids to see Sonic too, 276 00:16:13,200 --> 00:16:16,720 Speaker 1: And you know that that was a nap. That's what 277 00:16:16,840 --> 00:16:19,680 Speaker 1: That's all. That was. That's all it was designed to be. 278 00:16:20,160 --> 00:16:23,200 Speaker 1: Now at a four point playoff game, where you're sitting 279 00:16:23,200 --> 00:16:26,280 Speaker 1: on the floor, I mean you might you must be 280 00:16:26,400 --> 00:16:29,000 Speaker 1: very tired, sir. He's working, he's he must have put 281 00:16:29,040 --> 00:16:32,280 Speaker 1: in a shift. I get being tired. Some places I've 282 00:16:32,280 --> 00:16:34,320 Speaker 1: fallen it. The only sporting event I've ever fallen asleep 283 00:16:34,360 --> 00:16:38,000 Speaker 1: at is a baseball game. Energetically, that feels like the environment. 284 00:16:38,040 --> 00:16:41,560 Speaker 1: But there's something about how you can be on the floor, 285 00:16:42,120 --> 00:16:45,160 Speaker 1: like you're saying, in a playoff game through wearing like 286 00:16:45,240 --> 00:16:48,280 Speaker 1: six Ers gear. I'd imagine you were a fan and 287 00:16:48,280 --> 00:16:51,600 Speaker 1: you still you just had to sneak in that little 288 00:16:52,000 --> 00:16:54,720 Speaker 1: shut I But yeah, being on the floor in an 289 00:16:54,800 --> 00:16:59,160 Speaker 1: NBA game is a life changing experience. It changed Like 290 00:16:59,840 --> 00:17:05,040 Speaker 1: I I was courtside once and I was like, oh, 291 00:17:05,240 --> 00:17:08,679 Speaker 1: this changes everything about like what I think that a 292 00:17:08,800 --> 00:17:12,080 Speaker 1: human body can do, just like seeing them that close, 293 00:17:12,119 --> 00:17:15,200 Speaker 1: seeing how fast and strong and big and like high 294 00:17:15,440 --> 00:17:20,159 Speaker 1: they are actually jumping up close. Yeah, so maybe that's what. 295 00:17:20,240 --> 00:17:22,800 Speaker 1: Maybe he just like took in a couple of quick 296 00:17:22,840 --> 00:17:28,840 Speaker 1: breaths and like needed a feigning couch. He hardens. Resurgence 297 00:17:28,920 --> 00:17:31,760 Speaker 1: was too much by the end of that hardening kind of, 298 00:17:31,880 --> 00:17:35,720 Speaker 1: I mean, the game was over. My man obviously put 299 00:17:35,760 --> 00:17:38,879 Speaker 1: in a grave guard shift the night before the third shifter. 300 00:17:39,560 --> 00:17:42,840 Speaker 1: It was just, you know, he's like, the game is over, 301 00:17:43,040 --> 00:17:47,760 Speaker 1: hard and put their lights out to too, wake me, 302 00:17:47,440 --> 00:17:50,879 Speaker 1: wake me wine. Game five starts, and it's funny. He 303 00:17:50,920 --> 00:17:53,200 Speaker 1: did an interview like right after and he's like, nah, 304 00:17:53,200 --> 00:17:55,879 Speaker 1: I just they caught me quite literally at the moment. 305 00:17:55,920 --> 00:17:57,960 Speaker 1: I just caught in a couple of zase and I 306 00:17:58,000 --> 00:18:01,000 Speaker 1: woke right back up. But unfortunately, when you're you know, 307 00:18:01,080 --> 00:18:04,600 Speaker 1: on the baseline and the camera can't get you, it's 308 00:18:04,600 --> 00:18:06,640 Speaker 1: a great quality to have just be able to turn 309 00:18:06,640 --> 00:18:08,840 Speaker 1: it on and off. Right. Just got me at the 310 00:18:08,840 --> 00:18:11,160 Speaker 1: wrong time. I was just sleeping while he was bringing 311 00:18:11,160 --> 00:18:12,800 Speaker 1: the ball up the court. The second they got into 312 00:18:12,800 --> 00:18:14,439 Speaker 1: the teeth of the offense, I was I was going 313 00:18:14,480 --> 00:18:19,240 Speaker 1: to be back up they just you know, um, but 314 00:18:19,320 --> 00:18:22,960 Speaker 1: that series is fun too too. As of this recording, uh, 315 00:18:23,040 --> 00:18:25,760 Speaker 1: one of the teams will be up three two and 316 00:18:25,920 --> 00:18:28,359 Speaker 1: looking to close out by the time you are listening 317 00:18:28,440 --> 00:18:32,879 Speaker 1: to this. Let's talk. We gotta talk the Celtics. You know, 318 00:18:33,040 --> 00:18:36,480 Speaker 1: last week we talked um Janice after what he did 319 00:18:36,560 --> 00:18:39,840 Speaker 1: to the Celtics in Game one. But the Celtics have 320 00:18:40,000 --> 00:18:44,440 Speaker 1: come roaring back to tie it to too, And man, 321 00:18:44,560 --> 00:18:48,200 Speaker 1: Jayson Tatum is I don't know. His footwork is so 322 00:18:48,359 --> 00:18:52,400 Speaker 1: out of control, nice and like precise, and I don't 323 00:18:52,400 --> 00:18:55,840 Speaker 1: know some of his euro stepping. His footwork is one 324 00:18:55,880 --> 00:18:59,119 Speaker 1: of the first things I noticed about him. And also 325 00:18:59,240 --> 00:19:02,240 Speaker 1: when he's on it really feels tony. I talk a 326 00:19:02,280 --> 00:19:06,760 Speaker 1: lot about like when Clay Thompson is locked in and 327 00:19:07,040 --> 00:19:10,000 Speaker 1: the ball is not not just going in, it's hitting 328 00:19:10,080 --> 00:19:14,399 Speaker 1: the like mathematical, like geometric center of the rim, like 329 00:19:14,480 --> 00:19:17,240 Speaker 1: every single time that he puts it up. I I 330 00:19:17,280 --> 00:19:20,879 Speaker 1: feel like Tatum gets in those zones too, where it's 331 00:19:21,280 --> 00:19:26,840 Speaker 1: kind of uncanny. Boston's leader seven tat, he's been great 332 00:19:27,200 --> 00:19:33,480 Speaker 1: seven half. I think he's got a chance to be 333 00:19:33,960 --> 00:19:38,560 Speaker 1: the next American born player to be NBA m V 334 00:19:38,640 --> 00:19:42,639 Speaker 1: pow Yeah, you know, just the footwork and you know 335 00:19:43,320 --> 00:19:46,800 Speaker 1: the number of counters that he has combined with you 336 00:19:46,840 --> 00:19:49,960 Speaker 1: know his positional size, the ball handling ability. You know, 337 00:19:50,040 --> 00:19:52,360 Speaker 1: he's always an attack mode. He's always going at you, 338 00:19:52,680 --> 00:19:55,000 Speaker 1: and the fact that he defends really well. Yeah, one 339 00:19:55,000 --> 00:19:57,800 Speaker 1: of the best perimeter defenders. Yeah, plays both sides of 340 00:19:57,800 --> 00:20:00,200 Speaker 1: the ball. So I think that the next have you 341 00:20:00,200 --> 00:20:03,440 Speaker 1: seen an American born player be named the NBA's MVP 342 00:20:03,640 --> 00:20:05,880 Speaker 1: has got a good chance to be Jackson Tatum. Yeah, 343 00:20:05,920 --> 00:20:08,400 Speaker 1: he made me sit down at one time. He put 344 00:20:08,440 --> 00:20:10,679 Speaker 1: someone in the spins like on my legs, stopped working. 345 00:20:11,280 --> 00:20:14,439 Speaker 1: And then we also got to talk Luca right. I 346 00:20:14,480 --> 00:20:16,560 Speaker 1: think the last time we recorded that they were down 347 00:20:16,800 --> 00:20:19,840 Speaker 1: oh one. So he's got six d fifty five points 348 00:20:19,840 --> 00:20:26,120 Speaker 1: through twenty playoff games. That is third behind Will and Jordan's. 349 00:20:26,760 --> 00:20:34,560 Speaker 1: That's it. That's um interesting company. Yeah, they're interesting company. Um, 350 00:20:35,359 --> 00:20:38,480 Speaker 1: those guys are good. Uh do you see the play 351 00:20:38,520 --> 00:20:41,800 Speaker 1: where he was on the ground and just threw a 352 00:20:41,880 --> 00:20:44,720 Speaker 1: perfect time like from from his butt on the court, 353 00:20:45,520 --> 00:20:50,480 Speaker 1: had an ocean, Luca drives the clothes out. It should 354 00:20:50,480 --> 00:20:54,639 Speaker 1: be a favorable matchup for Donchen. The defense by a 355 00:20:54,800 --> 00:20:58,240 Speaker 1: that went straight up comes right to lud the past 356 00:20:58,280 --> 00:21:05,800 Speaker 1: from us bottles reminded me of Magic, and I believe 357 00:21:07,119 --> 00:21:13,880 Speaker 1: the Kurt Rambers or Ac Green Magic was on his backside. Me. Yeah, yeah, 358 00:21:14,080 --> 00:21:16,560 Speaker 1: that summed everything up for me, because everything he does 359 00:21:16,640 --> 00:21:19,760 Speaker 1: seem so relaxed, like he might as well be sitting 360 00:21:19,800 --> 00:21:22,240 Speaker 1: down for a lot of the plays. As a playoff 361 00:21:22,280 --> 00:21:25,879 Speaker 1: performer right now, I'm not sure that there's a guy 362 00:21:25,960 --> 00:21:28,280 Speaker 1: that I'd rather have in a playoff game right now. 363 00:21:28,280 --> 00:21:31,199 Speaker 1: And look at Yeah, I mean it's hard to argue with, 364 00:21:31,359 --> 00:21:34,440 Speaker 1: especially on offense. I think he's that good. I think 365 00:21:34,480 --> 00:21:40,320 Speaker 1: that he's the best player since Lebron and Magic at 366 00:21:40,520 --> 00:21:45,440 Speaker 1: dictating pace and making you play possession of possession at 367 00:21:45,480 --> 00:21:49,920 Speaker 1: his pace. You know, Magic obviously super fast, but Lebron 368 00:21:50,000 --> 00:21:55,280 Speaker 1: and Luca, you know, they slowed you down. And Lebron's 369 00:21:55,280 --> 00:21:57,360 Speaker 1: ability to slow a team down is the reason why 370 00:21:57,760 --> 00:22:00,280 Speaker 1: he was able to be successful against the Warriors in 371 00:22:01,320 --> 00:22:04,520 Speaker 1: so that's Lucas Probably that's one of his best traits 372 00:22:04,640 --> 00:22:07,640 Speaker 1: is you know he grabbed the defensive rebound, who get 373 00:22:07,680 --> 00:22:09,720 Speaker 1: you up the floor and he's gonna slow you down 374 00:22:09,720 --> 00:22:12,040 Speaker 1: and you're gonna play at his face. At his number 375 00:22:12,040 --> 00:22:15,879 Speaker 1: of possessions, and you gotta get better possessions and his 376 00:22:15,960 --> 00:22:19,360 Speaker 1: number of possessions then he does. And that's extremely hard 377 00:22:19,400 --> 00:22:22,320 Speaker 1: to do. And right now, I just don't know that 378 00:22:22,400 --> 00:22:24,919 Speaker 1: there's a guy, a single guy in the league that 379 00:22:24,960 --> 00:22:26,960 Speaker 1: I in a in a playoff scenario. But I'll take 380 00:22:26,960 --> 00:22:29,879 Speaker 1: over over Luca. Just looking at the West, who do 381 00:22:29,920 --> 00:22:31,359 Speaker 1: you like in that series? And do you see the 382 00:22:31,359 --> 00:22:34,680 Speaker 1: eventual finals contender and that series or do you think 383 00:22:34,760 --> 00:22:36,320 Speaker 1: who do you like? You like the Grizzlies, how do 384 00:22:36,359 --> 00:22:38,879 Speaker 1: you see that all playing out right now? Probably favorite 385 00:22:38,880 --> 00:22:41,879 Speaker 1: the Warriors slightly to come out of the West, but 386 00:22:42,880 --> 00:22:47,320 Speaker 1: you know, Phoenix in Golden State would be a fascinating series, 387 00:22:48,320 --> 00:22:51,240 Speaker 1: and honestly, Dallas and Golden State would be a fascinating 388 00:22:51,240 --> 00:22:57,159 Speaker 1: series as well, just because I'm not sure, like, you know, 389 00:22:57,200 --> 00:22:59,560 Speaker 1: how many bodies can you throw at Luca if you're 390 00:22:59,560 --> 00:23:02,919 Speaker 1: the Warrior person. And I think the beauty of the 391 00:23:02,960 --> 00:23:05,879 Speaker 1: Mavericks is, you know nobody talks about it is they have, 392 00:23:06,440 --> 00:23:09,280 Speaker 1: you know, a lot of wing defenders, you know, Dorian Phinney, Smith, 393 00:23:09,520 --> 00:23:15,359 Speaker 1: Reggie Bullock, Josh Green, you know, Frank Nickelina. They have 394 00:23:16,160 --> 00:23:20,320 Speaker 1: a lot of wing defenders that make shots so structurally 395 00:23:20,440 --> 00:23:25,399 Speaker 1: they're they're they're structured pretty pretty perfectly around Luca, and 396 00:23:26,720 --> 00:23:29,960 Speaker 1: it's just really, you know, it's that they're hard to 397 00:23:30,000 --> 00:23:33,359 Speaker 1: beat in you know, I watched them up close with 398 00:23:33,680 --> 00:23:36,040 Speaker 1: you know, in the series with the Jazz. You know, 399 00:23:36,080 --> 00:23:37,840 Speaker 1: they were really hard to beat them, and they're proving 400 00:23:37,920 --> 00:23:39,600 Speaker 1: to be hard to beat right now. You know. I 401 00:23:39,600 --> 00:23:43,679 Speaker 1: think a lot of people talking about Boston being on 402 00:23:43,720 --> 00:23:45,680 Speaker 1: a territ towards the end of the season rightly so, 403 00:23:45,720 --> 00:23:48,959 Speaker 1: but I didn't realize Dallas has the second best record 404 00:23:49,119 --> 00:23:52,720 Speaker 1: since January one. So Phoenix has the best record because 405 00:23:52,720 --> 00:23:54,480 Speaker 1: they just had the best record all year. They just 406 00:23:54,600 --> 00:23:58,080 Speaker 1: stayed winning the whole time. Dallas has the second best 407 00:23:58,119 --> 00:24:02,480 Speaker 1: record since since January first uh and then Boston, then 408 00:24:02,520 --> 00:24:06,919 Speaker 1: Memphis and then the Sixers. Um. So I don't know 409 00:24:07,040 --> 00:24:10,439 Speaker 1: that that that was instructive because watching some of these 410 00:24:10,600 --> 00:24:13,360 Speaker 1: Sons Mavericks games, I was like, wait, are the Mavericks 411 00:24:13,400 --> 00:24:15,280 Speaker 1: like my pick to come out if they if they 412 00:24:15,320 --> 00:24:17,399 Speaker 1: beat the Suns, Like, would they be my pick? And 413 00:24:17,440 --> 00:24:20,159 Speaker 1: I'm like starting to like be open to that idea. 414 00:24:20,320 --> 00:24:22,760 Speaker 1: Even though I've been you know, kind of pulling for 415 00:24:22,760 --> 00:24:25,680 Speaker 1: the Warriors, I've been really interested in seeing like what 416 00:24:25,720 --> 00:24:30,080 Speaker 1: they do with this new nucleus, and they are really 417 00:24:30,119 --> 00:24:32,000 Speaker 1: fun when they get it going like they did in 418 00:24:32,080 --> 00:24:35,680 Speaker 1: Game three. But I don't know, man, Dallas is tough. 419 00:24:35,760 --> 00:24:39,760 Speaker 1: Luca is very very hard to stop. Yeah, yeah, he's 420 00:24:40,000 --> 00:24:44,760 Speaker 1: He's extremely difficult to stop. And you know, they've got 421 00:24:45,160 --> 00:24:48,960 Speaker 1: they defend really well, and you know, when they go 422 00:24:49,640 --> 00:24:53,680 Speaker 1: five out, it's just really hard to to defend them 423 00:24:53,720 --> 00:24:56,840 Speaker 1: because you know, they've got five shooters on the floor 424 00:24:57,440 --> 00:25:01,000 Speaker 1: at any given and the able defend out of that, 425 00:25:01,359 --> 00:25:04,200 Speaker 1: even though they're small, and they've been able to they've 426 00:25:04,200 --> 00:25:05,959 Speaker 1: proven to be able to rebound out of that, even 427 00:25:06,000 --> 00:25:09,359 Speaker 1: though they're small. Dallas is just a bear. They're they're 428 00:25:09,440 --> 00:25:14,679 Speaker 1: bare structurally, and you know, obviously Luca, you know, he 429 00:25:14,720 --> 00:25:18,200 Speaker 1: telps the scales in a major way. And you know what, 430 00:25:18,400 --> 00:25:21,640 Speaker 1: and shout out to Jason Kidd, not only Jason Kidd, 431 00:25:21,640 --> 00:25:25,240 Speaker 1: but shot out the coast off his chief assistant. Those 432 00:25:25,240 --> 00:25:27,360 Speaker 1: two guys have main coaching their behinds off all year 433 00:25:27,440 --> 00:25:30,760 Speaker 1: and that's continued in some playoffs. Yeah. Absolutely. I mean 434 00:25:30,840 --> 00:25:33,480 Speaker 1: Jason Kidd used to torture me when I was a 435 00:25:33,520 --> 00:25:36,000 Speaker 1: Celtics fan and he was just putting them out of 436 00:25:36,040 --> 00:25:38,680 Speaker 1: the playoffs every year. That was the first time I 437 00:25:38,720 --> 00:25:40,880 Speaker 1: saw somebody where I was like, oh, they are a 438 00:25:40,920 --> 00:25:44,080 Speaker 1: computer that always just puts the ball in the exact 439 00:25:44,240 --> 00:25:47,920 Speaker 1: right position every single time for like optimum and then 440 00:25:48,080 --> 00:25:51,040 Speaker 1: Lebron like has done that his entire career. But Jason 441 00:25:51,080 --> 00:25:53,680 Speaker 1: Kidd was the first time where watching someone do that 442 00:25:53,760 --> 00:25:58,399 Speaker 1: felt very helpless, like, oh man, I just can't stop 443 00:25:58,680 --> 00:26:01,800 Speaker 1: him from making the decision. Let's take a quick break 444 00:26:01,840 --> 00:26:13,760 Speaker 1: and then we'll be right back. And we're back. It's 445 00:26:13,760 --> 00:26:17,280 Speaker 1: time to ask our guests. Tony. Uh, you know, what 446 00:26:17,600 --> 00:26:20,760 Speaker 1: is the wildest thing you've ever seen on the basketball court? 447 00:26:20,960 --> 00:26:23,320 Speaker 1: To you? With whether you saw it as on TV 448 00:26:23,480 --> 00:26:25,440 Speaker 1: or just experience, but what is what is that moment 449 00:26:25,480 --> 00:26:28,360 Speaker 1: to you that kind of defines you just being like, Wow, 450 00:26:28,440 --> 00:26:30,160 Speaker 1: I don't want to hear the wildest thing that I've 451 00:26:30,200 --> 00:26:33,840 Speaker 1: seen on the basketball court because in the NBA game, 452 00:26:34,600 --> 00:26:39,040 Speaker 1: And that's just on the basketball part, Okay, alright, so me, 453 00:26:39,240 --> 00:26:43,720 Speaker 1: we're not talking about the wildest thing. Okay that that 454 00:26:43,760 --> 00:26:46,080 Speaker 1: would have ended up and uh yeah that that was 455 00:26:46,119 --> 00:26:50,600 Speaker 1: not good. Um, we're talking just the NBA game. While 456 00:26:50,680 --> 00:26:53,760 Speaker 1: this thing we've seen an NBA game probably uh, you know, 457 00:26:53,840 --> 00:26:57,600 Speaker 1: the chase down block in Yeah, that's got to be 458 00:26:57,640 --> 00:27:00,879 Speaker 1: one of the greatest players ever, right right, yeah, either 459 00:27:00,920 --> 00:27:13,840 Speaker 1: side of the court. Yeah, just incredible, Like wow, block 460 00:27:13,920 --> 00:27:16,040 Speaker 1: of the game that's we come up on the middle 461 00:27:16,040 --> 00:27:19,240 Speaker 1: of the half pro Lebron run as fast as that. 462 00:27:19,280 --> 00:27:22,879 Speaker 1: Ever since then? Has there anyone, I mean, the determination 463 00:27:23,040 --> 00:27:24,919 Speaker 1: what that block meant, I don't know. I don't know 464 00:27:24,960 --> 00:27:27,040 Speaker 1: if he has, you know, shout out j R. Smith 465 00:27:27,080 --> 00:27:31,760 Speaker 1: who made Um Andrea Goodalla change his shot exactly Without 466 00:27:31,600 --> 00:27:36,040 Speaker 1: that initial contest from j r. Um, Lebron gets dumped on. 467 00:27:36,400 --> 00:27:39,640 Speaker 1: Yeah right right were you were you kind of a 468 00:27:39,640 --> 00:27:46,760 Speaker 1: career long Lebron fan. Yeah, I've always been at so 469 00:27:47,880 --> 00:27:51,359 Speaker 1: some fact about me. I was born in Akron, Ohio. Okay, 470 00:27:51,640 --> 00:27:54,280 Speaker 1: you know, I was adopted. So that's why I grew 471 00:27:54,359 --> 00:27:57,080 Speaker 1: up in New York because the woman who would adopted me, 472 00:27:57,200 --> 00:27:59,320 Speaker 1: my mother moved in New York and that's where I 473 00:27:59,520 --> 00:28:03,160 Speaker 1: grew up. But my siblings all grew up in Akron, 474 00:28:03,520 --> 00:28:07,960 Speaker 1: so niece's nephews. Point being, I was probably a Lebron 475 00:28:08,080 --> 00:28:11,480 Speaker 1: family just because of that, right, Yeah. Did you play 476 00:28:11,480 --> 00:28:14,800 Speaker 1: a lot growing up? Oh? Yeah, I got played. Who 477 00:28:14,800 --> 00:28:17,080 Speaker 1: are some of the people you you come up against 478 00:28:17,280 --> 00:28:21,040 Speaker 1: UH during that time. My high school teammate was Mark Jackson, 479 00:28:22,040 --> 00:28:27,879 Speaker 1: who not that Mark Jock, not the point guard. Yea, 480 00:28:28,359 --> 00:28:31,359 Speaker 1: I played that Roman Catholic in Philly. Played with and 481 00:28:31,440 --> 00:28:34,879 Speaker 1: against a lot of people Coatino Mobley, Alvin Williams, played 482 00:28:34,880 --> 00:28:38,920 Speaker 1: against the she Wallace. Okay, those are those are people 483 00:28:39,240 --> 00:28:41,440 Speaker 1: that you know. I grew up with when I was 484 00:28:41,480 --> 00:28:44,040 Speaker 1: in New York before I left New York stat Farm, Malberry, 485 00:28:44,080 --> 00:28:49,160 Speaker 1: Philippe Lopez, Reggie Freeman. My sophomore year when I was 486 00:28:49,200 --> 00:28:52,520 Speaker 1: at our say Lutheran, I played with Caboo Stewart who 487 00:28:52,520 --> 00:28:55,840 Speaker 1: played for the Philadelphia seventy six ers. So I mean 488 00:28:55,880 --> 00:28:57,760 Speaker 1: I've played with and against a lot of people that 489 00:28:57,840 --> 00:29:00,080 Speaker 1: played in the league. Was your best moment playing in 490 00:29:00,520 --> 00:29:02,760 Speaker 1: and what was? Did you ever get embarrassed that? But 491 00:29:02,800 --> 00:29:05,640 Speaker 1: you're proud to say you were embarrassed by somebody? So 492 00:29:05,840 --> 00:29:08,600 Speaker 1: my best moment, I would say one of my best 493 00:29:08,640 --> 00:29:12,440 Speaker 1: moment was actually in sunny Hill practice, because um my 494 00:29:12,480 --> 00:29:16,360 Speaker 1: sunny Hill League team, we had Alvin Williams who played 495 00:29:16,360 --> 00:29:21,320 Speaker 1: a vine over played for the Toronto Raptors and Alvin 496 00:29:22,000 --> 00:29:26,160 Speaker 1: people don't realize probably had I would say Alvin Williams 497 00:29:26,160 --> 00:29:29,320 Speaker 1: had one of the ten best crossovers in NBA history, 498 00:29:29,480 --> 00:29:32,640 Speaker 1: and people don't he doesn't get credit for it. So, 499 00:29:33,440 --> 00:29:35,840 Speaker 1: you know, when we're in high school, everybody said, yo, 500 00:29:35,920 --> 00:29:38,280 Speaker 1: don't press up on album because he's just gonna cross 501 00:29:38,840 --> 00:29:40,920 Speaker 1: you know, he's six five and he was long or whatever. 502 00:29:41,080 --> 00:29:45,120 Speaker 1: So one day I played for John Hartnett, who was 503 00:29:45,800 --> 00:29:49,040 Speaker 1: legendary coach, a whole bunch of pros rest in piece 504 00:29:49,040 --> 00:29:52,320 Speaker 1: of John. But we were scrimmaging and on one possession, 505 00:29:52,360 --> 00:29:55,080 Speaker 1: Alvin came down and he hit me with one of 506 00:29:55,080 --> 00:29:58,520 Speaker 1: his crossovers like left the right. I basically did the 507 00:29:58,600 --> 00:30:04,840 Speaker 1: Jordan pool like I touched Earth and and you know 508 00:30:05,320 --> 00:30:11,160 Speaker 1: it was it was bad enough, like they stopped practice. 509 00:30:12,400 --> 00:30:17,080 Speaker 1: So so I was just like, you know, I mean, 510 00:30:17,120 --> 00:30:20,280 Speaker 1: I was just like, effic like, I'm gonna go and 511 00:30:20,280 --> 00:30:22,479 Speaker 1: get him back. So the next time I came up 512 00:30:22,480 --> 00:30:27,400 Speaker 1: the floor, I called the play and album was pressing 513 00:30:27,440 --> 00:30:29,800 Speaker 1: up on me, and I crossed them back over and 514 00:30:30,440 --> 00:30:36,000 Speaker 1: he stumbled and he almost fell touched earth, and everybody 515 00:30:36,040 --> 00:30:40,400 Speaker 1: was like, oh, the funny thing about that was I 516 00:30:40,440 --> 00:30:43,920 Speaker 1: went from like getting no playing time up to that 517 00:30:43,960 --> 00:30:46,800 Speaker 1: point to get my twenty minutes a game just because. 518 00:30:47,040 --> 00:30:49,320 Speaker 1: So that was probably one of my best moments. I 519 00:30:49,560 --> 00:30:51,440 Speaker 1: love that you got the up and the down all 520 00:30:51,520 --> 00:30:54,680 Speaker 1: in one very clean Yeah, it was like up and down, 521 00:30:54,800 --> 00:30:58,120 Speaker 1: like two possessions. But yeah it was fun. All right. 522 00:30:58,320 --> 00:31:00,400 Speaker 1: So we're coming to the end of the So this 523 00:31:00,480 --> 00:31:03,680 Speaker 1: is where we like to talk about some of the 524 00:31:03,680 --> 00:31:08,760 Speaker 1: funniest things we've seen this week. Last week we already 525 00:31:08,760 --> 00:31:11,320 Speaker 1: gave a shout out to the dude falling asleep front 526 00:31:11,400 --> 00:31:14,520 Speaker 1: row at the Sixers game, but we gotta follow the 527 00:31:14,560 --> 00:31:18,280 Speaker 1: saga between the NBA refs, Jack Harlow the NBA reft 528 00:31:18,360 --> 00:31:22,720 Speaker 1: bringing big Dad energy. Um, Miles, do you have the clip? 529 00:31:22,840 --> 00:31:24,160 Speaker 1: Do you want to? You want to just like tell 530 00:31:24,240 --> 00:31:26,600 Speaker 1: us what is happening in this clip? I mean yeah, 531 00:31:26,680 --> 00:31:29,320 Speaker 1: so we I think last week we covered I believe 532 00:31:29,320 --> 00:31:33,800 Speaker 1: it Scott Foster and Ed malloy who were confounded by 533 00:31:33,840 --> 00:31:37,440 Speaker 1: the presence of Jack Harlow. They said it was Jack Harlow. Uh, 534 00:31:37,480 --> 00:31:40,480 Speaker 1: and you know that he's that guy over there? Yeah, 535 00:31:40,520 --> 00:31:44,480 Speaker 1: but who is he? What did you'all think of his album? No, 536 00:31:44,600 --> 00:31:47,720 Speaker 1: I don't listen to Jack Harlo. I mean, I'm the 537 00:31:47,760 --> 00:31:49,920 Speaker 1: Scott Foster of this podcast. That's what we were saying, 538 00:31:49,920 --> 00:31:52,479 Speaker 1: we're like, wow, man, were washed because look at us. 539 00:31:52,480 --> 00:31:56,000 Speaker 1: We were quoting uh the Woo Tang Double album lyrics 540 00:31:56,040 --> 00:31:58,760 Speaker 1: a second ago from nineties seven or ninety six, and 541 00:31:58,800 --> 00:32:00,880 Speaker 1: now we're like Jack har Look, I mean, I've heard 542 00:32:00,880 --> 00:32:02,760 Speaker 1: of a few of his things. I know he's he's 543 00:32:02,840 --> 00:32:05,160 Speaker 1: nice with it. Well, I wanted to skip summer school 544 00:32:05,200 --> 00:32:07,000 Speaker 1: that year, so I just got the Woo Tang Double 545 00:32:07,120 --> 00:32:09,760 Speaker 1: LP and that was all the education that I needed. 546 00:32:11,520 --> 00:32:14,040 Speaker 1: But yeah, that moment, I think, you know it was 547 00:32:14,080 --> 00:32:16,000 Speaker 1: it was very hilarious, and I think for him, he 548 00:32:16,080 --> 00:32:19,400 Speaker 1: used that to troll a bit. But you know, the 549 00:32:19,440 --> 00:32:22,640 Speaker 1: refs clapped back in epic fashion where they were just saying, 550 00:32:22,880 --> 00:32:25,240 Speaker 1: you know, actually, we do know who Jack Harlow is. 551 00:32:26,360 --> 00:32:31,720 Speaker 1: Where's Jack Carlo's the guy over here right here? Oh 552 00:32:32,160 --> 00:32:36,560 Speaker 1: so now we got them walking into a dabbing people 553 00:32:36,720 --> 00:32:40,320 Speaker 1: hotel lobby. I didn't get why he gives that one 554 00:32:40,320 --> 00:32:44,920 Speaker 1: guy the cold shoulder. That's the other ref. He's like, 555 00:32:44,960 --> 00:32:49,280 Speaker 1: hey man, And so now they're all on the ref 556 00:32:49,320 --> 00:33:05,160 Speaker 1: in the car back Jack dance like and I'm not okay, 557 00:33:05,240 --> 00:33:09,880 Speaker 1: Scott Foster does it okay? Job too, Like he he's 558 00:33:10,280 --> 00:33:15,120 Speaker 1: I knows the words that was pretty good. That was fire, Yeah, 559 00:33:15,440 --> 00:33:17,800 Speaker 1: because he had a little flavor. I'm not gonna lie. 560 00:33:18,440 --> 00:33:21,880 Speaker 1: Jack's album is pretty good. I mean based off that, 561 00:33:21,960 --> 00:33:25,040 Speaker 1: I was like, no, it's that there's like fourteen songs 562 00:33:25,040 --> 00:33:28,440 Speaker 1: of that. Oh say less. I think I'm too focused 563 00:33:28,440 --> 00:33:32,080 Speaker 1: on Kendrick's album coming out this week that I was like, Okay, yes, yes, listen, 564 00:33:32,320 --> 00:33:34,640 Speaker 1: there's gonna be a time for Kendrick. All right, Friday 565 00:33:34,720 --> 00:33:37,840 Speaker 1: is gonna come. You know what I'm saying that Carlo 566 00:33:38,040 --> 00:33:41,600 Speaker 1: like think of mac Miller. Okay, let me not go 567 00:33:41,680 --> 00:33:44,320 Speaker 1: that far because if people on social media here that 568 00:33:44,360 --> 00:33:47,360 Speaker 1: I said Jack Carlo mac Miller, they're gonna care. I'm 569 00:33:47,360 --> 00:33:49,600 Speaker 1: not saying that Jack Carlow was as good as mac 570 00:33:49,640 --> 00:33:52,960 Speaker 1: Miller because he's not. Mac Miller was more talented. But 571 00:33:53,080 --> 00:33:55,240 Speaker 1: it's the same type of stous you know, the same 572 00:33:55,280 --> 00:33:57,560 Speaker 1: type of hip hop. I'm here for it. I'm here 573 00:33:57,600 --> 00:34:00,040 Speaker 1: for it, and I'm here for refs, you know, to 574 00:34:00,080 --> 00:34:03,440 Speaker 1: say I'm not a fashioned niece. I'm like, ok, really 575 00:34:03,720 --> 00:34:09,640 Speaker 1: nailing that delivery. But I'm flying though. Man, I'm curious 576 00:34:09,680 --> 00:34:11,760 Speaker 1: what they're listening to in the locker room before the games. 577 00:34:11,760 --> 00:34:16,440 Speaker 1: Probably not. Yeah, like John Tesh. Probably just the John 578 00:34:16,440 --> 00:34:22,840 Speaker 1: Tesh basketball theme, like over and over again. That's what 579 00:34:22,920 --> 00:34:26,680 Speaker 1: gets me pumped. Man tes roundball, rock around. That's right, 580 00:34:26,719 --> 00:34:31,319 Speaker 1: that's but yeah, I long made this. Uh, I don't 581 00:34:31,320 --> 00:34:34,279 Speaker 1: know meme last I'm I'm curious. Yeah, we'll see if 582 00:34:34,320 --> 00:34:36,920 Speaker 1: there's an escalation or not, if if there's a response, 583 00:34:37,560 --> 00:34:39,920 Speaker 1: But I don't know. It's always nice to see a 584 00:34:39,920 --> 00:34:43,640 Speaker 1: sense of humor from from everybody involved. I can't imagine 585 00:34:43,640 --> 00:34:47,279 Speaker 1: that this is crossing Jack Harlow's radar at all. I'm 586 00:34:47,280 --> 00:34:50,239 Speaker 1: sure it is all right maybe, but like if he 587 00:34:50,360 --> 00:34:53,040 Speaker 1: comes back and it's like, you know, claps back, it's 588 00:34:53,040 --> 00:34:59,480 Speaker 1: got Foster, it's like a drake push a feud. Oh wow, right, 589 00:34:59,800 --> 00:35:02,400 Speaker 1: but I think it would be hilarious on the next track, 590 00:35:02,560 --> 00:35:06,480 Speaker 1: it's like Jack Harlow featuring Scott Foster and Ed Malloyd, 591 00:35:06,719 --> 00:35:10,200 Speaker 1: like just a feature with those full names. I would like, Oh, 592 00:35:10,239 --> 00:35:12,640 Speaker 1: you know he's gonna play that clip. Who's Jack Harlow. 593 00:35:12,920 --> 00:35:16,080 Speaker 1: I have no idea right there that's gonna be that 594 00:35:16,080 --> 00:35:18,040 Speaker 1: that little sound clip is going to be how you 595 00:35:18,080 --> 00:35:22,200 Speaker 1: open a show. Yeah, exactly, Well, Tony, such a pleasure 596 00:35:22,239 --> 00:35:24,680 Speaker 1: having you. Thank you so much for joining us man. 597 00:35:24,960 --> 00:35:27,000 Speaker 1: Thank you so much for having me. I appreciate it. 598 00:35:27,160 --> 00:35:30,399 Speaker 1: Where can people find you? Follow you all that good stuff? Well, 599 00:35:30,640 --> 00:35:32,719 Speaker 1: you can find me on T Jones on the n 600 00:35:32,760 --> 00:35:37,720 Speaker 1: b A, on Instagram, T John's Athletic and nobody uses 601 00:35:37,719 --> 00:35:42,319 Speaker 1: Facebook anymore? True Miles, where can people find you? Find me? 602 00:35:42,360 --> 00:35:45,719 Speaker 1: At Miles of Gray? Wherever you have at symbols? Jack? 603 00:35:45,719 --> 00:35:49,680 Speaker 1: Where can they find you? Jack Underscore O'Brien only on 604 00:35:49,719 --> 00:35:55,239 Speaker 1: Twitter and on the Daily Sight guys, yep, Monday through Friday. Yeah, yeah, 605 00:35:56,040 --> 00:35:58,680 Speaker 1: you can find me waiting two hours and then checking 606 00:35:58,680 --> 00:36:02,840 Speaker 1: the sixer score? Uh to see you? How long this 607 00:36:02,960 --> 00:36:07,120 Speaker 1: season is gonna lack? Alright, y'all, we'll catch you next time. 608 00:36:07,160 --> 00:36:10,319 Speaker 1: Thanks for checking in with Mad Boosties. I'm sure we'll 609 00:36:10,320 --> 00:36:12,239 Speaker 1: have plenty more to talk about next week. All right, 610 00:36:12,280 --> 00:36:16,200 Speaker 1: take care your so bye bye