WEBVTT - Episode 1:  The Hotel Constance

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<v Speaker 1>There's a kind of inside joke in the hotel industry

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<v Speaker 1>that the last guest of the day is typically your worst.

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<v Speaker 2>That's Devon Khan. He's a reservation supervisor at the hotel

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<v Speaker 2>Constance in Pasadena, California.

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<v Speaker 1>It's always that last person that prevents you from being

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<v Speaker 1>able to go home on time.

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<v Speaker 3>Not me, basically my girlfriend.

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<v Speaker 4>There ahead a bunch of breaks. Breathing right now, you're

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<v Speaker 4>absolutely breathing, and I'm a doctor at is.

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<v Speaker 5>You wake out?

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<v Speaker 4>No?

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<v Speaker 1>Now, I'm pretty sure I'm not going home anytime soon.

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<v Speaker 2>Devon Khan has been in the hotel business for most

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<v Speaker 2>of his career, and working in hospitality has shown him

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<v Speaker 2>some truth about.

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<v Speaker 5>Human nature, not all of it.

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<v Speaker 2>Great Gevon knows that once you get pass an upscale

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<v Speaker 2>hotel's elegant lobby on the other side of that do

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<v Speaker 2>not disturb sign all kinds of human dramas play out,

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<v Speaker 2>and people are not always what they see. This is

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<v Speaker 2>a story that begins in a hotel room in Pasadena

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<v Speaker 2>and it ends with the undoing of some of the

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<v Speaker 2>most powerful people in Los Angeles. It's about influence and

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<v Speaker 2>money and how they can eat away at people and

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<v Speaker 2>make them look past things they know are very, very wrong.

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<v Speaker 2>My name is Paul Pringle. I'm an investigative reporter for

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<v Speaker 2>the La Times. This is Fallen Angels, a story of

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<v Speaker 2>California corruption, Episode one.

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<v Speaker 5>The Hotel Constance.

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<v Speaker 2>Pasadena, California is a smaller city wrapped into greater in

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<v Speaker 2>La Leafy, largely old money, rich and quiet. It's a

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<v Speaker 2>place you can raise a family even if you're not

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<v Speaker 2>part of the town's upper class, and Devon Khan is not.

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<v Speaker 1>I was living in Pasadena with my wife and my

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<v Speaker 1>daughter and had gone through a few career ups and

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<v Speaker 1>downs and kind of bounced around from a few hotels

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<v Speaker 1>and reinvented myself as a massage therapist and was also

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<v Speaker 1>doing uber I always found a way to earn money

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<v Speaker 1>and keep a chicken in the pot, so to speak.

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<v Speaker 2>The Hotel Constance opened in the nineteen twenties. It went

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<v Speaker 2>through some tough times over the years. For a while

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<v Speaker 2>it was a retirement home, but it's been renovated and

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<v Speaker 2>now it bills itself as the only luxury, boutine hotel

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<v Speaker 2>in this part of town.

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<v Speaker 1>The clientele that we catered to was kind of really

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<v Speaker 1>all over the place. Because our rates were relatively low.

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<v Speaker 1>We really had a mix of people who were affluent

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<v Speaker 1>and came to the hotel because it was a brand

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<v Speaker 1>new hotel in old town Pasadena. But we also attracted

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<v Speaker 1>the late night partiers who found a one hundred and

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<v Speaker 1>nineteen dollars rate online, and so you never knew who

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<v Speaker 1>you were going to get.

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<v Speaker 2>It's Friday, March fourth, twenty sixteen, and Devon is finishing

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<v Speaker 2>up his shift. It's been a long day.

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<v Speaker 1>The day of the incident, I wasn't in a particularly

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<v Speaker 1>good mood. I had been passed over for promotion that

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<v Speaker 1>was pretty much promised to me by the previous general manager.

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<v Speaker 1>There was no leadership at the hotel. Everyone was across

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<v Speaker 1>the street at the corporate office. I'd say probably somewhere

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<v Speaker 1>around three o'clock, the front desk agent called me and

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<v Speaker 1>asked if I could assist him because there was someone

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<v Speaker 1>who wanted to speak to a manager. And I went

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<v Speaker 1>to the desk and tried to get the gist of

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<v Speaker 1>what the situation was. There was a guest that was

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<v Speaker 1>supposed to check out but wanted to extend his stay.

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<v Speaker 1>It was room three oh four. I'd looked to see

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<v Speaker 1>what the name of the guests was in the room.

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<v Speaker 1>It did come up as Carmen Puliafido. Once I arrived

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<v Speaker 1>to the third floor, everything about the situation was not

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<v Speaker 1>what I expected. Waiting for me at the elevator was

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<v Speaker 1>a housekeeping supervisor and a security agent. They stopped me

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<v Speaker 1>before I went to the room and gave me a

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<v Speaker 1>heads up that inside the room there was an unconscious

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<v Speaker 1>female whom they were very concerned about that they felt

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<v Speaker 1>that she needed medical attention.

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<v Speaker 5>He knocks on the door of room three zero four.

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<v Speaker 2>The guest, a mister Puliafido, opens it, but he keeps

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<v Speaker 2>the door closed behind it.

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<v Speaker 1>He looked like he was in his sixties. He was

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<v Speaker 1>very disheveled. He just looked like he had had a

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<v Speaker 1>rough night. I don't know if he was a partying

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<v Speaker 1>all night or whatnot. The first thing he asks me

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<v Speaker 1>is if I have his room key, And now I'm

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<v Speaker 1>confused because I don't know what he's talking about. He

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<v Speaker 1>made no mention of the girl. He says, they said

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<v Speaker 1>that you could change my room for me since I

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<v Speaker 1>can't stay in this room, and I'm like, okay, awesome,

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<v Speaker 1>that sounds like an easy fix to the situation. I

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<v Speaker 1>can move him to a new room, and as i'm

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<v Speaker 1>moving him, I'll have an opportunity to see the young

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<v Speaker 1>lady in the room and to ascertain if we need

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<v Speaker 1>to get paramedics involved. As I'm leaving to go get

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<v Speaker 1>him a room key, I'm stopped again by the security agent.

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<v Speaker 1>He advises me that the day prior, housekeeping had found

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<v Speaker 1>what they believed to be methamphetamine in the guest room,

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<v Speaker 1>and that the manager had said that they were not

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<v Speaker 1>going to extend his stay. But I'm like, you just

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<v Speaker 1>told me that there's an unconscious woman in the room

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<v Speaker 1>and I need to get eyes on her. So if

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<v Speaker 1>I have to allow him to stay another night and

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<v Speaker 1>do the room move as a method of getting eyes

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<v Speaker 1>on the girl, That's what I'm gonna do.

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<v Speaker 2>Devon finds the guests another room, so now he has

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<v Speaker 2>access to room three h four. He gets his key

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<v Speaker 2>card and opens the door. It's not what he expected.

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<v Speaker 5>It's worse. Room three oh four. It's a disaster.

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<v Speaker 1>It looks like a crime scene. There's obvious drug activity

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<v Speaker 1>that has taken place. I'm seeing little nitrous oxide canisters

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<v Speaker 1>and balloons strewn around the floor. There are scorch marks

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<v Speaker 1>on the linens from where it was obviously burned, and

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<v Speaker 1>there was an empty box, but it had the outline

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<v Speaker 1>of abutane torch.

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<v Speaker 5>Devon knows what this means.

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<v Speaker 2>Someone's been doing drugs in this room, smoking heroin, cocaine

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<v Speaker 2>or meth.

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<v Speaker 1>Unfortunately, I was very familiar with the paraphernalia that was

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<v Speaker 1>around the room. I recognized what that box was for

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<v Speaker 1>because my mother had been addicted to crack cocaine for many,

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<v Speaker 1>many years.

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<v Speaker 5>And then he sees them.

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<v Speaker 1>In the wheelchair was this very young lady that was

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<v Speaker 1>clearly too young to be with this gentleman. She was

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<v Speaker 1>literally like a rag doll in the chair, all her

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<v Speaker 1>limbs just completely just dead weight, wearing nothing but one

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<v Speaker 1>of the hotel robes. But the thing that really made

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<v Speaker 1>my skin crawl was attached to the television, was like

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<v Speaker 1>a tripod that would hold like a recording device or

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<v Speaker 1>cell phone or whatnot. I could look at that situation

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<v Speaker 1>and see exactly for what it was. I saw every

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<v Speaker 1>father's worst nightmare, but I had to remain professional. I'm

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<v Speaker 1>pushing the wheelchair of the young lady down the hallway.

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<v Speaker 1>I'm speaking to her, ma'am, ma'am, are you okay? It's

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<v Speaker 1>at that time that I advice mister Puliafedo that it's

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<v Speaker 1>my intention to call the paramedics.

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<v Speaker 2>But despite the woman's condition, this older man, mister Puliofido,

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<v Speaker 2>is strangely blasse. He says, there's no need for paramedics.

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<v Speaker 1>He tried to talk me out of it. He says, well,

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<v Speaker 1>she's just had too much to drink. I'm going to

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<v Speaker 1>be keeping an eye on her. I'm a doctor, and

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<v Speaker 1>I didn't believe that he was a doctor. As far

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<v Speaker 1>as I could throw him. In my mind, there's no

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<v Speaker 1>way this guy's a doctor.

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<v Speaker 2>Although it goes against all his years following hotel protocol

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<v Speaker 2>to assure the guests every need is met, to never

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<v Speaker 2>make a scene, to handle awkward situations with total discretion.

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<v Speaker 2>Devon ignores Polyiffido and he calls the paramedics himself.

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<v Speaker 5>The dispatcher picks up Farmed.

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<v Speaker 4>I am calling from the hotel Constence in Pasadena nine

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<v Speaker 4>two eight East, Colorado. And what room is the pion

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<v Speaker 4>in three twelve? A male or female female?

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<v Speaker 1>How old does she uh?

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<v Speaker 4>I'd say maybe mid twenties. She's passed out?

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<v Speaker 1>Unresponse, is she breathing? Yes?

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<v Speaker 4>Are you able to transfer me to that room or.

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<v Speaker 2>Devon transfers the nine to one one call and pull

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<v Speaker 2>ther Fido.

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<v Speaker 4>Answers, hi's a fire department. You say you call for

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<v Speaker 4>one one, not me.

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<v Speaker 1>Basically, my girlfriend here ahead.

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<v Speaker 6>A bunch of drinks.

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<v Speaker 1>Is she wake now?

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<v Speaker 2>No, This is a guy who claims he's a doctor,

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<v Speaker 2>whose girlfriend, which is what he calls her, is unconscious,

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<v Speaker 2>whose room looks like a crime scene.

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<v Speaker 1>We're going to be there early to check her out.

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<v Speaker 3>Okay, okay, fine, fine, fine, thank you.

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<v Speaker 4>Do you know how much she drinks a bunch? Did

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<v Speaker 4>take anythingales with it or just the alcohol?

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<v Speaker 1>I think just the.

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<v Speaker 5>Alcohol, just the alcohol. That's a lie.

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<v Speaker 2>Devon stays on the third floor to make sure the

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<v Speaker 2>situations under control.

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<v Speaker 1>I observed the paramedics bringing the young lady out of

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<v Speaker 1>the room on a gurney. They were taking her into

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<v Speaker 1>the service elevator. They were speaking to her the same way,

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<v Speaker 1>trying to get some response from her. They were calling

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<v Speaker 1>her by name, and this is the first time that

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<v Speaker 1>I learned that her name was Sarah, which gave me

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<v Speaker 1>chills because my daughter's name is Sarah.

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<v Speaker 2>While Sarah is being wheeled away, Devon brings the chief

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<v Speaker 2>paramedic into the room.

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<v Speaker 1>The chief came with me. We go into the room

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<v Speaker 1>and he surveys the room. Our security had opened the

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<v Speaker 1>safe and inside the safe were the drugs white crystally

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<v Speaker 1>substance that was in the little plastic ziplock back which

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<v Speaker 1>appeared to be methamphetamine. He took one look at the room.

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<v Speaker 1>He's like, lock this room and don't let anyone come

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<v Speaker 1>in here or touch anything until the police get here.

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<v Speaker 2>It will be hard for the police to miss the drugs,

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<v Speaker 2>but Devon wants to make sure they follow up on

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<v Speaker 2>what he feels is the most disturbing detail.

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<v Speaker 1>The tripod was still on the television. I advised our

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<v Speaker 1>general manager once he came onto the scene, I said,

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<v Speaker 1>when the police get here, make sure they get his

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<v Speaker 1>phone because I'm positive there's some nasty stuff on there.

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<v Speaker 2>Now that the general manager has shown up, Devon can

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<v Speaker 2>finally block out.

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<v Speaker 1>I was ready to go at that point, but I

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<v Speaker 1>was looking forward to coming on Monday to find out

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<v Speaker 1>what happened. Once the police arrived, I had supreme confidence

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<v Speaker 1>in the system that this guy would get what was

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<v Speaker 1>coming to him.

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<v Speaker 2>The young woman, Sarah, still unconscious, is taken to hospital.

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<v Speaker 2>Devon heads down to gather his things. It's business as

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<v Speaker 2>usual in the lobby, the sirens fading into the distance.

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<v Speaker 2>You never know anything out of the ordinary had happened upstairs.

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<v Speaker 2>But any confidence Davon feels in the system, as he

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<v Speaker 2>calls it, it turns out that's badly misplaced. Three days later,

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<v Speaker 2>on Monday, March seventh, Devon is anxious to get back

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<v Speaker 2>to work. He's been wondering all weekend about what happened

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<v Speaker 2>at the hotel after he left.

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<v Speaker 1>I arrived one Monday, and the only other leader that

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<v Speaker 1>is there when I arrive is the director of finance.

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<v Speaker 1>He and I were pretty close. We happened to meet

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<v Speaker 1>in front of the coffee station and and I'm really

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<v Speaker 1>excited to hear what happened to this guy Once the

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<v Speaker 1>police arrived. He goes, the police didn't do anything. I'm like,

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<v Speaker 1>what do you mean, didn't do anything?

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<v Speaker 2>Despite a young woman in severe distress, a room littered

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<v Speaker 2>with illicit drugs, a camera with recordings of whatever had

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<v Speaker 2>happened in that room. Devon's colleague tells him the guests

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<v Speaker 2>in three or four had just walked away, and this

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<v Speaker 2>makes no sense to Devon.

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<v Speaker 1>I'm like, the drugs were in the room, they see

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<v Speaker 1>the drugs, because yeah, they saw the drugs, but they

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<v Speaker 1>said that drug abuse is not a crime, it's a disease.

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<v Speaker 1>And when I heard him say that, my blood just

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<v Speaker 1>boiled because you have to realize, at this time, it

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<v Speaker 1>seemed like unarmed African American men were being shot weekly

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<v Speaker 1>by the police. I knew that if I was found

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<v Speaker 1>in a room with an unconscious white girl and drugs

0:15:00.400 --> 0:15:02.760
<v Speaker 1>were in the room, the police aren't going to be

0:15:02.800 --> 0:15:07.000
<v Speaker 1>that compassionate with me. He goes, dev I don't know,

0:15:07.040 --> 0:15:09.680
<v Speaker 1>it's like the police knew. It's like they knew who

0:15:09.720 --> 0:15:12.120
<v Speaker 1>he was before they got here.

0:15:13.120 --> 0:15:16.120
<v Speaker 5>They knew who he was. What exactly does that mean?

0:15:16.440 --> 0:15:19.240
<v Speaker 1>And he says, well, he really is a doctor. And

0:15:19.280 --> 0:15:21.960
<v Speaker 1>I'm like, there's no way that that guy is a doctor.

0:15:22.040 --> 0:15:24.480
<v Speaker 1>I'm like, how do you know, he goes because we

0:15:24.560 --> 0:15:28.760
<v Speaker 1>googled him. He's the dean of medicine for USC.

0:15:32.600 --> 0:15:35.960
<v Speaker 2>Doctor Carmen Puliaffido Is It's true, the dean of the

0:15:36.040 --> 0:15:39.800
<v Speaker 2>University of Southern California's Kech School of Medicine. He's a

0:15:39.840 --> 0:15:43.400
<v Speaker 2>world renowned ophthalmologist and his salary is one point one

0:15:43.680 --> 0:15:45.040
<v Speaker 2>million dollars a year.

0:15:49.200 --> 0:15:53.880
<v Speaker 7>Doctor Puliafido is exciting, dynamic, brilliant and phenomenal.

0:15:54.040 --> 0:15:57.200
<v Speaker 1>So we thank USC for loaning him to us.

0:15:57.280 --> 0:16:01.760
<v Speaker 8>Doctor Puliafido, thank you everyone, and welcome to the Kech

0:16:01.800 --> 0:16:05.880
<v Speaker 8>School of Medicine. Macular degeneration is the leading cause of

0:16:06.080 --> 0:16:08.400
<v Speaker 8>blindness in the industrialized world.

0:16:08.440 --> 0:16:12.160
<v Speaker 2>That's Pulyifido making a presentation at a conference of fellow doctors.

0:16:13.120 --> 0:16:16.680
<v Speaker 2>Pulyifido co invented a breakthrough technology to treat eye diseases.

0:16:17.360 --> 0:16:20.920
<v Speaker 2>He founded Harvard's Laser Research Lab, He launched the New

0:16:21.000 --> 0:16:23.480
<v Speaker 2>England Eye Center, and he had run the University of

0:16:23.480 --> 0:16:26.520
<v Speaker 2>Miami's I Institute, the number one ophthalmology school in the

0:16:26.520 --> 0:16:30.000
<v Speaker 2>country according to the US News and World Report. And that

0:16:30.080 --> 0:16:32.680
<v Speaker 2>makes Bulyiarfido a very valuable guy.

0:16:34.040 --> 0:16:37.520
<v Speaker 7>When people around the world think of the intellectual giants

0:16:37.520 --> 0:16:40.840
<v Speaker 7>of the twenty first century, they will be thinking of

0:16:40.920 --> 0:16:45.440
<v Speaker 7>the University of Southern California. For the past two centuries

0:16:46.000 --> 0:16:49.760
<v Speaker 7>we have lived in the age of the Atlantic. As

0:16:49.880 --> 0:16:54.360
<v Speaker 7>our world today is shifting to a Pacific century. USC

0:16:54.760 --> 0:17:01.080
<v Speaker 7>is better positioned than anyone else to lead this change.

0:17:05.840 --> 0:17:08.679
<v Speaker 2>That's Max Deakias, then the president of the University of

0:17:08.680 --> 0:17:12.520
<v Speaker 2>Southern California. He's given a commencement speech to a class

0:17:12.520 --> 0:17:16.080
<v Speaker 2>of bright eyed graduates. Nikias landed in the top job

0:17:16.119 --> 0:17:19.080
<v Speaker 2>at USC in twenty ten, and he was a man

0:17:19.280 --> 0:17:19.919
<v Speaker 2>on a mission.

0:17:20.680 --> 0:17:23.320
<v Speaker 6>We are betting the future of the university as a

0:17:23.440 --> 0:17:28.920
<v Speaker 6>research university on the medical and biological sciences. So it's

0:17:29.040 --> 0:17:31.880
<v Speaker 6>by far one of our very, very top.

0:17:31.680 --> 0:17:35.959
<v Speaker 2>Priorities, as he says on the packed red carpet at

0:17:35.960 --> 0:17:39.320
<v Speaker 2>a fundraising gala. Nikias was determined to make USC one

0:17:39.359 --> 0:17:42.400
<v Speaker 2>of the top schools in the country, and he had

0:17:42.400 --> 0:17:45.760
<v Speaker 2>his work cut out for him. For years, US had

0:17:45.800 --> 0:17:48.720
<v Speaker 2>a reputation as the kind of place rich parents send

0:17:48.880 --> 0:17:53.000
<v Speaker 2>kids who couldn't get into UCLA. USC didn't have a

0:17:53.040 --> 0:17:56.320
<v Speaker 2>big endowment like Stanford up the coast, so they were

0:17:56.359 --> 0:17:59.600
<v Speaker 2>constantly fundraising. Big money is what brings in big name

0:17:59.640 --> 0:18:02.800
<v Speaker 2>faculty who then get big grants for high end research.

0:18:03.440 --> 0:18:05.480
<v Speaker 2>That's what gets you up in the rankings at US

0:18:05.600 --> 0:18:08.960
<v Speaker 2>News and World Report, and that is what Max Takias

0:18:09.040 --> 0:18:12.480
<v Speaker 2>was determined to do. Some am like Carmen Puliaffido, who'd

0:18:12.480 --> 0:18:15.440
<v Speaker 2>taken Miami to number one. He was just the kind

0:18:15.480 --> 0:18:27.880
<v Speaker 2>of talent Nikias needed at the Keech School of medicine.

0:18:27.880 --> 0:18:31.400
<v Speaker 2>We are committed to training the physician leaders of tomorrow.

0:18:31.920 --> 0:18:34.919
<v Speaker 2>We are grateful for our many supporters who've made it

0:18:35.080 --> 0:18:38.320
<v Speaker 2>possible for us to recruit the best and the brightest

0:18:38.440 --> 0:18:42.879
<v Speaker 2>to our medical school. In the School of Medicine, and

0:18:42.960 --> 0:18:46.840
<v Speaker 2>that slick US admissions video, Pulliafido is looking sharp in

0:18:46.880 --> 0:18:50.240
<v Speaker 2>a jacket and tie. A wall of medical journals behind him.

0:18:51.600 --> 0:18:54.440
<v Speaker 2>Tikias has managed to poach him from the University of Miami.

0:18:55.160 --> 0:18:58.600
<v Speaker 2>When Puliafido arrived at USC, the school was twenty five

0:18:58.640 --> 0:19:03.040
<v Speaker 2>spots behind UCLA, it's crosstown rival, But the new Dean

0:19:03.080 --> 0:19:04.440
<v Speaker 2>of Medicine got right to work.

0:19:05.080 --> 0:19:06.520
<v Speaker 5>Pull the Afido lured.

0:19:06.320 --> 0:19:09.960
<v Speaker 2>Seventy professors to kick from other institutions, and with those

0:19:10.000 --> 0:19:14.000
<v Speaker 2>professors came millions of dollars in research funding. By the

0:19:14.040 --> 0:19:16.280
<v Speaker 2>time pullia Fido got on that nine to one one

0:19:16.280 --> 0:19:19.320
<v Speaker 2>call at the Hotel Constance, he claimed he brought in

0:19:19.400 --> 0:19:22.439
<v Speaker 2>over a billion dollars a new funding for the medical school.

0:19:24.560 --> 0:19:27.400
<v Speaker 2>Devon and his colleagues at the hotel don't know any

0:19:27.440 --> 0:19:30.480
<v Speaker 2>of this, but that quick Google search makes it clear

0:19:30.520 --> 0:19:36.399
<v Speaker 2>that this man is a big deal at USC. But

0:19:36.800 --> 0:19:40.760
<v Speaker 2>impressive credentials and famous names don't typically help in situations

0:19:40.840 --> 0:19:44.879
<v Speaker 2>like this, where there's an unconscious young woman, drugs.

0:19:44.680 --> 0:19:45.280
<v Speaker 5>And a camera.

0:19:46.440 --> 0:19:49.680
<v Speaker 2>Devon wants to have faith in the quote unquote system,

0:19:49.960 --> 0:19:53.240
<v Speaker 2>but days go by, weeks and there's no news of

0:19:53.280 --> 0:19:56.480
<v Speaker 2>an arrest or any other information on what happened to Sarah.

0:19:56.720 --> 0:19:57.639
<v Speaker 5>The young woman.

0:20:00.160 --> 0:20:04.920
<v Speaker 1>Was boiling on so many levels. I saw my mom

0:20:05.080 --> 0:20:09.800
<v Speaker 1>do things that she would never have done before she

0:20:10.440 --> 0:20:14.320
<v Speaker 1>became addicted to crack, and she was like a completely

0:20:14.320 --> 0:20:17.359
<v Speaker 1>different person after that. So I knew that there was

0:20:17.400 --> 0:20:19.679
<v Speaker 1>no way that this young lady would want anything to

0:20:19.720 --> 0:20:23.880
<v Speaker 1>do with this man, if not for the drugs and

0:20:24.119 --> 0:20:27.920
<v Speaker 1>the duality of the injustice where this guy could do

0:20:28.000 --> 0:20:33.160
<v Speaker 1>something so egregious and have no repercussions whatsoever.

0:20:34.400 --> 0:20:37.200
<v Speaker 2>He agonizes over what to do, and he doesn't feel

0:20:37.240 --> 0:20:38.320
<v Speaker 2>the police or the answer.

0:20:39.440 --> 0:20:42.960
<v Speaker 1>My trust in the Pasadena Police Department at that time

0:20:43.160 --> 0:20:46.720
<v Speaker 1>was not very high. They had every opportunity to do

0:20:46.800 --> 0:20:48.560
<v Speaker 1>the right thing, and they didn't.

0:20:49.400 --> 0:20:52.639
<v Speaker 2>Given the unwritten rules of the hotel trade, Devon can't

0:20:52.640 --> 0:20:54.720
<v Speaker 2>afford to come forward on his own.

0:20:55.600 --> 0:21:00.760
<v Speaker 1>My wife was really concerned after the incident about meep

0:21:00.800 --> 0:21:03.760
<v Speaker 1>getting too involved. She really didn't want me to do

0:21:03.800 --> 0:21:06.080
<v Speaker 1>anything to jeopardize our livelihood.

0:21:14.000 --> 0:21:16.840
<v Speaker 2>Maybe it's the memory of his mother's desperation, or the

0:21:16.880 --> 0:21:20.159
<v Speaker 2>shamelessness of the man in room three h four, or

0:21:20.160 --> 0:21:22.280
<v Speaker 2>the fact that the young woman's name is Sarah like

0:21:22.359 --> 0:21:26.480
<v Speaker 2>his daughter. Devon knows he needs to say something, but

0:21:26.560 --> 0:21:28.359
<v Speaker 2>he has to find a way to keep his name

0:21:28.400 --> 0:21:31.520
<v Speaker 2>out of it so he can hopefully keep his job.

0:21:34.760 --> 0:21:36.159
<v Speaker 5>So how do you do that?

0:21:36.960 --> 0:21:41.600
<v Speaker 2>He submits an anonymous complaint to the Pasadena City Attorney.

0:21:41.200 --> 0:21:45.720
<v Speaker 1>Wrote up a little email, and basically told them that

0:21:45.760 --> 0:21:49.000
<v Speaker 1>there was an incident that took place on March fourth

0:21:49.240 --> 0:21:53.679
<v Speaker 1>at the hotel constance, that the police arrived but didn't

0:21:53.680 --> 0:21:56.720
<v Speaker 1>really do anything. I lied and said the press was

0:21:56.760 --> 0:22:00.760
<v Speaker 1>already aware of the incident and that I wouldn't want

0:22:00.800 --> 0:22:04.520
<v Speaker 1>to see Pasadena Police Department portrayed in a bad light

0:22:04.640 --> 0:22:07.800
<v Speaker 1>because they didn't do the right thing. I was pretty

0:22:08.240 --> 0:22:12.520
<v Speaker 1>satisfied that was an appropriate course of action, but the

0:22:12.520 --> 0:22:15.440
<v Speaker 1>more I thought about it, I just wasn't convinced that

0:22:15.880 --> 0:22:16.639
<v Speaker 1>it was enough.

0:22:18.560 --> 0:22:19.159
<v Speaker 5>It wasn't.

0:22:19.680 --> 0:22:22.200
<v Speaker 2>There's no response to his complaint, no news of a

0:22:22.280 --> 0:22:26.040
<v Speaker 2>dean at usc wrapped up in a scandal, so he

0:22:26.119 --> 0:22:31.119
<v Speaker 2>decides to take it to the press. The only times

0:22:31.200 --> 0:22:34.520
<v Speaker 2>is well known for its hard hitting investigative journalism. It

0:22:34.600 --> 0:22:37.800
<v Speaker 2>had recently published a major investigation into big Pharma in

0:22:37.840 --> 0:22:43.800
<v Speaker 2>the OxyContin crisis. Well, when Devin calls The Times, the

0:22:43.800 --> 0:22:45.879
<v Speaker 2>switchboard at the paper tells him he can leave a

0:22:45.920 --> 0:22:47.760
<v Speaker 2>message on the tip line.

0:22:48.560 --> 0:22:51.360
<v Speaker 1>They say, we have a recording that we send our

0:22:51.400 --> 0:22:53.879
<v Speaker 1>tips to, and I'm like, no, I don't want to

0:22:53.920 --> 0:22:56.560
<v Speaker 1>leave a recording because then I'd have to leave my

0:22:56.680 --> 0:22:58.680
<v Speaker 1>name and number and have someone call me back.

0:22:59.400 --> 0:23:02.760
<v Speaker 2>Still doesn't give up, He wonders if it's possible that

0:23:02.880 --> 0:23:04.440
<v Speaker 2>USC itself is in the dark.

0:23:05.480 --> 0:23:08.920
<v Speaker 1>I love USC. I had planned to transfer there to

0:23:09.280 --> 0:23:11.719
<v Speaker 1>go to the film School, but after I got married,

0:23:11.880 --> 0:23:16.399
<v Speaker 1>my priority was keeping a chicken in the pot. I

0:23:16.680 --> 0:23:19.919
<v Speaker 1>had very fond feelings for USC, and this was another

0:23:20.000 --> 0:23:22.760
<v Speaker 1>reason why I wanted to give them the opportunity to

0:23:22.800 --> 0:23:26.480
<v Speaker 1>do the right thing, because I knew the impact that

0:23:26.600 --> 0:23:30.320
<v Speaker 1>this scandal would have on the college.

0:23:30.600 --> 0:23:33.080
<v Speaker 2>So he places a call to the office of the President,

0:23:33.160 --> 0:23:35.600
<v Speaker 2>Max to Kias, but he has to be careful.

0:23:37.960 --> 0:23:41.040
<v Speaker 1>I went outside because I clearly didn't want to make

0:23:41.119 --> 0:23:46.080
<v Speaker 1>the call from the hotel. I walked out on Mentor Avenue,

0:23:46.359 --> 0:23:49.560
<v Speaker 1>walked about a block or so down the street.

0:23:54.440 --> 0:23:55.320
<v Speaker 9>Thank you for calling.

0:23:55.400 --> 0:23:57.160
<v Speaker 4>Please remain on the line and we'll be.

0:23:57.160 --> 0:24:00.000
<v Speaker 3>Right with you.

0:24:00.119 --> 0:24:03.159
<v Speaker 1>And the first person I got, you know, obviously, I

0:24:03.200 --> 0:24:05.360
<v Speaker 1>told them that I need to speak to the president.

0:24:05.640 --> 0:24:09.040
<v Speaker 1>She says, yeah, he doesn't take calls, but asking me

0:24:09.119 --> 0:24:13.160
<v Speaker 1>what it was regarding, and I advised her quickly that

0:24:13.440 --> 0:24:17.080
<v Speaker 1>your dean of medicine was involved in the incident with

0:24:17.480 --> 0:24:20.640
<v Speaker 1>an unconscious female that was in his room, and there

0:24:20.640 --> 0:24:24.000
<v Speaker 1>are also drugs found in the room, and that the

0:24:24.080 --> 0:24:27.440
<v Speaker 1>press was aware, and that they might want to take

0:24:27.480 --> 0:24:30.480
<v Speaker 1>action before the story was made public.

0:24:31.000 --> 0:24:33.800
<v Speaker 2>When I imagine how this call went, I hear the

0:24:33.840 --> 0:24:35.240
<v Speaker 2>line go very quiet.

0:24:35.480 --> 0:24:38.679
<v Speaker 1>She put me on hold, and someone else came to

0:24:39.200 --> 0:24:43.920
<v Speaker 1>the phone and I basically explained the same thing to her,

0:24:44.200 --> 0:24:47.800
<v Speaker 1>and she said that they would need something in writing,

0:24:48.160 --> 0:24:51.040
<v Speaker 1>and advised hers, I'm not going to put anything in

0:24:51.080 --> 0:24:55.080
<v Speaker 1>writing because I wanted to remain anonymous. But everything that

0:24:55.119 --> 0:24:58.120
<v Speaker 1>I'm telling you is verifiable. I said, the police were

0:24:58.160 --> 0:25:01.800
<v Speaker 1>called to the hotel, addicks were called to the hotel. Now,

0:25:01.880 --> 0:25:04.840
<v Speaker 1>she just said that she would need me to give

0:25:04.880 --> 0:25:06.240
<v Speaker 1>her something in writing.

0:25:06.359 --> 0:25:09.200
<v Speaker 5>And Devon just can't do that. This is as far

0:25:09.240 --> 0:25:10.120
<v Speaker 5>as he can go.

0:25:10.400 --> 0:25:14.200
<v Speaker 1>At this point. I've done everything that I feel comfortable doing.

0:25:17.200 --> 0:25:21.840
<v Speaker 1>I was constantly googling Carmen poopet Fido to see if

0:25:21.880 --> 0:25:26.280
<v Speaker 1>there was anything popping up, like he resigns or he's

0:25:26.320 --> 0:25:29.680
<v Speaker 1>fired or anything like that, and there was no new

0:25:29.720 --> 0:25:32.959
<v Speaker 1>information coming up. And he was still on the website

0:25:33.119 --> 0:25:35.439
<v Speaker 1>as the dean of medicine. So it was at that

0:25:35.480 --> 0:25:37.960
<v Speaker 1>point and I was like, Okay, well, you know, clearly

0:25:39.240 --> 0:25:40.600
<v Speaker 1>he's still being protected.

0:25:48.560 --> 0:25:50.760
<v Speaker 2>It's been about a month since the incident. At the

0:25:50.760 --> 0:25:52.200
<v Speaker 2>hotel Constance.

0:25:52.440 --> 0:25:57.199
<v Speaker 1>Our neighbor was having a party. The uncle of my

0:25:57.359 --> 0:26:01.720
<v Speaker 1>neighbor was there, and this the first time I'm meeting him.

0:26:02.080 --> 0:26:04.560
<v Speaker 5>The neighbor's uncle is named Ricardo der Antonia.

0:26:05.760 --> 0:26:10.159
<v Speaker 10>I've been the La Times since nineteen eighty nine and

0:26:10.240 --> 0:26:14.840
<v Speaker 10>I've been doing all kinds of photojournalism events and lose.

0:26:15.800 --> 0:26:18.920
<v Speaker 2>The month before, Riccardo had been covering the funeral motorcade

0:26:18.920 --> 0:26:21.840
<v Speaker 2>for Nancy Reagan when he was confronted by three Semi

0:26:21.880 --> 0:26:26.240
<v Speaker 2>Valley police officers. Someone had reported it he looked suspicious

0:26:26.280 --> 0:26:30.080
<v Speaker 2>while he was transmitting photos from his car. According to Riccardo,

0:26:30.160 --> 0:26:33.480
<v Speaker 2>the cops swarmed him, forced him to the ground, and handcuffed.

0:26:33.000 --> 0:26:37.040
<v Speaker 1>Him his arm was in a sling and he was

0:26:37.080 --> 0:26:41.120
<v Speaker 1>talking about how he got ruffed up by LAPD while

0:26:41.119 --> 0:26:43.639
<v Speaker 1>he was working, and he was very upset about it.

0:26:43.680 --> 0:26:45.800
<v Speaker 1>And he was like, wait till my work gets a

0:26:45.800 --> 0:26:47.600
<v Speaker 1>hold of these guys. You know, they're not going to

0:26:47.680 --> 0:26:50.720
<v Speaker 1>know what hit him. And out of curiosity, I said, well,

0:26:50.760 --> 0:26:53.600
<v Speaker 1>who do you work for? And he says the La Times.

0:26:54.160 --> 0:26:56.840
<v Speaker 1>I'm like, oh my god, you know I've been trying

0:26:56.880 --> 0:26:58.960
<v Speaker 1>to get a hold of someone from the La Times.

0:26:59.240 --> 0:27:02.800
<v Speaker 10>He started talking about this incident that you witnessed. It

0:27:03.359 --> 0:27:06.920
<v Speaker 10>started telling me that there was a cover up the cops,

0:27:07.000 --> 0:27:10.480
<v Speaker 10>game and fire department and they all kind of just

0:27:11.320 --> 0:27:17.080
<v Speaker 10>sweeping everything under the rug drugs and officials cover up.

0:27:18.840 --> 0:27:19.800
<v Speaker 5>You couldn't believe it.

0:27:20.440 --> 0:27:22.240
<v Speaker 1>I laid it out for him and he's like, yeah,

0:27:22.400 --> 0:27:25.280
<v Speaker 1>that's a story. He's like, I can get the tip

0:27:25.359 --> 0:27:27.840
<v Speaker 1>to the right person. He goes it, said okay that

0:27:28.119 --> 0:27:31.240
<v Speaker 1>you know, I give him your contact information. Now it's reluctant,

0:27:31.240 --> 0:27:35.000
<v Speaker 1>but I said, okay, yes, but let them know that

0:27:35.160 --> 0:27:38.000
<v Speaker 1>I want to be completely anonymous. I don't want to

0:27:38.040 --> 0:27:41.159
<v Speaker 1>go on record because I could lose my job and

0:27:41.240 --> 0:27:43.879
<v Speaker 1>I can't have that. And he said, no problem, and

0:27:44.119 --> 0:27:46.919
<v Speaker 1>a short time after that, I get a call from Paul.

0:27:55.640 --> 0:27:55.920
<v Speaker 5>Again.

0:27:56.560 --> 0:27:59.520
<v Speaker 2>My name's Paul Pringle. I'm an investigative reporter for the

0:27:59.640 --> 0:28:02.399
<v Speaker 2>La Time Times. When I made that call to Devon

0:28:02.480 --> 0:28:05.359
<v Speaker 2>Khan in April of twenty sixteen, I thought I'd be

0:28:05.400 --> 0:28:08.600
<v Speaker 2>writing a quick hitch story about a drug overdose. I

0:28:08.640 --> 0:28:11.600
<v Speaker 2>had no idea it would take me much deeper into

0:28:11.640 --> 0:28:14.439
<v Speaker 2>the darkest corners of money and influence at two of

0:28:14.440 --> 0:28:26.479
<v Speaker 2>the most powerful institutions in LA Coming up this season

0:28:26.680 --> 0:28:27.800
<v Speaker 2>Onfallen Angels.

0:28:27.840 --> 0:28:29.720
<v Speaker 5>When people fall in line, they fall in live.

0:28:29.880 --> 0:28:33.560
<v Speaker 9>It's a cover up by people that just do not care,

0:28:33.880 --> 0:28:35.480
<v Speaker 9>didn't matter to them at all.

0:28:35.560 --> 0:28:39.719
<v Speaker 3>We were investigating USC, we were investigating Puliathido. Only a

0:28:39.760 --> 0:28:43.880
<v Speaker 3>month or two after the investigation began, I received some

0:28:44.040 --> 0:28:45.959
<v Speaker 3>strange visitors at my house.

0:28:46.400 --> 0:28:48.000
<v Speaker 9>Hey, how did you find this out?

0:28:48.120 --> 0:28:49.320
<v Speaker 3>How did you wink us together?

0:28:49.400 --> 0:28:53.400
<v Speaker 9>Do you understand that people are choosing you of sexually

0:28:53.480 --> 0:28:55.960
<v Speaker 9>assaulting young women for decades?

0:28:56.080 --> 0:29:00.680
<v Speaker 3>There were actually several instances that looking back, I realized, Oh,

0:29:00.760 --> 0:29:01.440
<v Speaker 3>everyone knew.

0:29:02.920 --> 0:29:05.080
<v Speaker 1>She was on the balcony and screaming about all the

0:29:05.120 --> 0:29:06.240
<v Speaker 1>method better means in the grip.

0:29:06.840 --> 0:29:09.200
<v Speaker 3>It's hard enough when a member of your family is

0:29:09.240 --> 0:29:13.480
<v Speaker 3>a drug addict, but add to that unlimited access to money.

0:29:13.760 --> 0:29:15.960
<v Speaker 3>How do you get them out of that situation. I

0:29:16.000 --> 0:29:18.520
<v Speaker 3>had to participate in this effort to get this story

0:29:18.560 --> 0:29:21.560
<v Speaker 3>published otherwise, which is betray my core values.

0:29:21.560 --> 0:29:23.000
<v Speaker 2>Why of a journalists in the first place.

0:29:23.240 --> 0:29:25.560
<v Speaker 9>We're always going to have predators, but it's the good

0:29:25.560 --> 0:29:27.640
<v Speaker 9>people who stand by and do nothing that allow them

0:29:27.640 --> 0:29:28.200
<v Speaker 9>to flourish.

0:29:28.800 --> 0:29:31.560
<v Speaker 5>That's coming up this season on Fallen Angels.

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<v Speaker 2>Fallen Angels, The Story of California Corruption is a production

0:29:38.480 --> 0:29:42.480
<v Speaker 2>of iHeart Podcasts in partnership with Best Case Studios. I'm

0:29:42.520 --> 0:29:46.240
<v Speaker 2>Paul Pringle. This show is based on my book Bad City,

0:29:46.360 --> 0:29:50.040
<v Speaker 2>Peril and Power in the City of Angels. Fallen Angels

0:29:50.080 --> 0:29:53.600
<v Speaker 2>was written by Isabel Evans, Adam Pinks, and Brent Katz.

0:29:54.440 --> 0:29:57.840
<v Speaker 2>Isabel Evans is our producer. Brent Katz is co producer.

0:29:58.560 --> 0:30:04.200
<v Speaker 2>Associate producers are Hannah Leibowitz, Lockhart and Onfajo lock Executive

0:30:04.200 --> 0:30:07.800
<v Speaker 2>producers are Me, Paul Pringle, Joe Piccarello, and Adam Pinkus

0:30:07.800 --> 0:30:11.520
<v Speaker 2>for Best Case Studios. Original music is by James Newberry.

0:30:12.400 --> 0:30:15.600
<v Speaker 2>This episode was edited by Daniel Turek with assistants from

0:30:15.680 --> 0:30:20.200
<v Speaker 2>Max Michael Miller, additional editings, sound design and additional music

0:30:20.320 --> 0:30:24.240
<v Speaker 2>by Dean White, Harriet Ryan, Matt Hamilton, Sarah Parvini and

0:30:24.280 --> 0:30:28.480
<v Speaker 2>Adam Olmaik are consulting producers. Our iHeart team is Ali

0:30:28.560 --> 0:30:32.520
<v Speaker 2>Perry and Carl Ketel. Follow and rate Fallen Angels wherever

0:30:32.520 --> 0:30:33.600
<v Speaker 2>you get your podcasts