WEBVTT - Knife Throwing: Super Cool

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<v Speaker 1>Hello, Colorado, the States so nice. We're playing there twice,

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<v Speaker 1>two days in a row. Chuck, we added a second

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<v Speaker 1>show to our Gothic Theater tour. That's right, we're gonna

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<v Speaker 1>be there June seventh and June now sold out, but

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<v Speaker 1>one of those weird cases where you go see the

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<v Speaker 1>first show you were actually late buying tickets. Right. We're

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<v Speaker 1>also going to be in Boston April four, d c

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<v Speaker 1>April five. We're gonna be in St. Louis on May

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<v Speaker 1>and Cleveland one, and then of course we're gonna wrap

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<v Speaker 1>this summer up on June at the Gothic Theater in Colorado.

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<v Speaker 1>So go to s y s K live dot com

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<v Speaker 1>for all of your information and ticket needs. Welcome to

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<v Speaker 1>Stuff you Should Know from House Stuff Works dot com. Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark, there's Charles Chuck,

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<v Speaker 1>and there's all Right the sparres. Some explanation. So I

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<v Speaker 1>was doing my Stevie from Malcolm in the Middle of Impression,

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<v Speaker 1>which one is Stevie. He was the kid in the

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<v Speaker 1>wheelchair who was like breathed like that, who talked like

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<v Speaker 1>that because he he had serious asthma. Yeah, remember him

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<v Speaker 1>was he just like a classmate. Yeah, he was like

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<v Speaker 1>his best friend. I believe I remember I like I

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<v Speaker 1>like that show. Well that's not what I was doing. Really. No,

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<v Speaker 1>we're slightly out of breath because we just had a

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<v Speaker 1>fire alarm. Yeah, we had to walk down four stairs,

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<v Speaker 1>four flights of stairs, and not like this, the one,

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<v Speaker 1>the kind of flight where it's like down, landing down again,

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<v Speaker 1>two flights. Yeah, so we walked down eight flights of

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<v Speaker 1>stairs and then walked back eight more. Right when we

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<v Speaker 1>got down, stopped and immediately turned around to go back in.

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<v Speaker 1>It was ridiculous. It was the kind of thing that

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<v Speaker 1>makes you say, maybe I won'ly next time it was

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<v Speaker 1>a fire alarm. I was prepared to hide in the

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<v Speaker 1>studio and keep working. Yeah, we thought about it, but

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<v Speaker 1>there's a fire marshal who works here, so you can't

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<v Speaker 1>can't run a foul him. Man, he got on that

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<v Speaker 1>orange vest quick changes everything. So I ever heard of

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<v Speaker 1>those guys that sneak into places with those vests? Yes,

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<v Speaker 1>I have, I don't is there a name for what

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<v Speaker 1>I think these? I'm sure more than one person has

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<v Speaker 1>done this, But there's these two guys in particular who

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<v Speaker 1>uh kind of got I don't know about famous, but

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<v Speaker 1>made a name for themselves for putting on the orange

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<v Speaker 1>vests and saying basically like, if you wear one of these,

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<v Speaker 1>you can get in anywhere you want them. If you

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<v Speaker 1>have orange vest on, you look like you're supposed to

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<v Speaker 1>be there. Well, yeah, you gotta have that steely sense

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<v Speaker 1>of nerve and alwakie talkie is probably a good thing

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<v Speaker 1>to have to But they can go anywhere because the

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<v Speaker 1>orange vest guy. That means that's something's wrong in the

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<v Speaker 1>orange vest guy has to take care of it. Like

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<v Speaker 1>they showed pictures in the in front of a I

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<v Speaker 1>can't remember what show it was, but a big, big

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<v Speaker 1>concert where they were in that buffer area between the

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<v Speaker 1>people in the stage, right, yeah, and fred Durst is like, oh,

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<v Speaker 1>there's an orange guest, the best guy. Something must be

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<v Speaker 1>going on. What year was that, This would have been

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<v Speaker 1>two thousand two, maybe the fred Durst years, Great Years,

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<v Speaker 1>the Wonder years. Right. Well, man, I'm hot now too,

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<v Speaker 1>I'm I feel good. I got like that, got the

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<v Speaker 1>endorphins fall and this is gonna be a cool episode, buddy. Well,

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<v Speaker 1>the irony is I so grossly out of shape. I

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<v Speaker 1>started getting on the peloton Yeah, last week. So I've

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<v Speaker 1>been and this is not a plug for pellets, I

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<v Speaker 1>guess it is, but a little bit. It's not an ad,

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<v Speaker 1>but I've been getting on that thing. So my legs

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<v Speaker 1>are ham rubber rubber band hams right now. Anyway, Yeah, hey, y'all,

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<v Speaker 1>prepare yourself for the rubber band ham that's hey, will

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<v Speaker 1>you indulge me for one moment? Oh man, I've been

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<v Speaker 1>waiting for you to ask me that for a long time. Alright,

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<v Speaker 1>So I've got the old side gig going with Movie Crush,

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<v Speaker 1>my podcast where every Friday I sit down with someone

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<v Speaker 1>awesome and talk about their favorite movie and kill it.

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<v Speaker 1>Thank you. But I have now added a second weekly

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<v Speaker 1>episode that publishes on Monday called Mini Crushes, and that's

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<v Speaker 1>where I just sit in here with producer Noel. He's

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<v Speaker 1>sort of the omniscient voice of God, uh and he

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<v Speaker 1>sort of chimes in and I source a lot of

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<v Speaker 1>questions from Facebook to the Movie Crush Facebook page. Um

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<v Speaker 1>listener mails that the recommendations, it's just a really interactive

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<v Speaker 1>fan based experience. So I want to plug the mini

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<v Speaker 1>Crushes and let everyone know that yesterday I dropped a

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<v Speaker 1>very special mini Crush, which was The Chuck and it's

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<v Speaker 1>Emily's podcast debut. Oh congratulations, man, that's it's called The

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<v Speaker 1>Chuck and Emily drink wine, uh and talk about the

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<v Speaker 1>Oscar nominations. Oh yes, nice. Yeah, So we recorded this

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<v Speaker 1>thing at home. We put the kid to bed and

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<v Speaker 1>broke out some nice wine and did our pre Oscar

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<v Speaker 1>round up. So that dropped yesterday, and then next Monday,

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<v Speaker 1>the day after the Oscars, we're going to have our

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<v Speaker 1>post Oscar round up where we talked about who won

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<v Speaker 1>and what the speeches were like and who wore it best.

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<v Speaker 1>That's awesome, man, Emily is going to be a star. Chuck. Yeah,

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<v Speaker 1>she was actually pretty great. And if you want a

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<v Speaker 1>little peek behind the Merritle curtain, uh, this is this

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<v Speaker 1>is your chance. So yeah, if you could check out

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<v Speaker 1>movie Crush on Apple Podcasts or where we get your podcasts.

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<v Speaker 1>Nice man, do you feel indulged? Very much? Good? All right,

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<v Speaker 1>let's talk about knife throwing. So I'm a little psyched

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<v Speaker 1>about this because knife throwing taps into my ninja training

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<v Speaker 1>that I did under Tommy Roper, as I'm sure I've

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<v Speaker 1>mentioned before, uh reading about this researching it, I never

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<v Speaker 1>threw knives. We never made it that far in Maybe

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<v Speaker 1>now I'll be I'll be hang gliding throwing knives at

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<v Speaker 1>the same time, going to get into both at once.

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<v Speaker 1>But I did a little throwing star stuff. Throwing star

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<v Speaker 1>is like the dummies, uh, knife throwing because that always sticks, right, Yeah,

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<v Speaker 1>I mean, depending on how many spikes you got coming

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<v Speaker 1>off of it, and um, and and whether the tree

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<v Speaker 1>is actually like a metal pole or not, you're probably

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<v Speaker 1>gonna stick a throwing star. Throwing a knife is an

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<v Speaker 1>entirely different endeavor, and it's something that anybody can do that.

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<v Speaker 1>Nicholas Jerbis were Gurbs never met him yet. Um. He

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<v Speaker 1>points out this is actually kind of like a low

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<v Speaker 1>hanging hobby that you could. You can get a set

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<v Speaker 1>of knives for ten fifteen bucks apiece. You probably one

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<v Speaker 1>about five is well will explain why, um, maybe six.

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<v Speaker 1>And then you just practice, give yourself a good block

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<v Speaker 1>of wood and practice and anybody can do this. It's

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<v Speaker 1>not like you're born to throw knives. You practice and

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<v Speaker 1>if you like it, you keep going. You just get

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<v Speaker 1>better and better at it, and you can impress your

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<v Speaker 1>friends and neighbors. Yes, and here's the point in the

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<v Speaker 1>show where we issue our c o A. Kids, if

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<v Speaker 1>you're out there, do not go get a steake knife

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<v Speaker 1>from your drawer and start throwing it at your dog.

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<v Speaker 1>That is not a throwing knife. And never throw anything

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<v Speaker 1>at your dog, kids. I will come find you. Yeah,

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<v Speaker 1>never throw anything at anybody that's sharp. But Um throwing

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<v Speaker 1>knives are built to throw. They're weighted and balanced to throw.

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<v Speaker 1>They're not like regular old knives. And we'll get into

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<v Speaker 1>all that. But just if you really want to try

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<v Speaker 1>throwing knives, go ask mom and dad or Tommy Roper

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<v Speaker 1>and get ready, get ready for a no and then

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<v Speaker 1>and then play them this podcast where it is an

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<v Speaker 1>actual um circus art. And please, for the love of God,

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<v Speaker 1>tell me this is the last one. I don't think

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<v Speaker 1>of the circus arts. No, it's not. What else is, sir?

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<v Speaker 1>There's a bunch we've done. The Globe of Death. Yeah,

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<v Speaker 1>flame swallowing, lion taming, swords swallowing, sword swallowing. We did

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<v Speaker 1>circus families, just straight up circus families. Human cannonball just

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<v Speaker 1>got to be it. I don't think so, man. I

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<v Speaker 1>think it's going to keep going in cloud clowns. Clowns

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<v Speaker 1>for sure, yeah, Um, they don't don't want to p

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<v Speaker 1>T Barnum though, No, you mean Hugh Jackman. What is it,

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<v Speaker 1>Chuck Stradamus, I don't know, something like that make one

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<v Speaker 1>lucky casting call, predict one sexual predator and one bad

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<v Speaker 1>Lifetime movie? Or what what was shark Nato sci fi

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<v Speaker 1>sci fi movie? Three little things? That's all. That doesn't

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<v Speaker 1>make me nuxtra Domans haven't won the lottery yet. I

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<v Speaker 1>think of all the things I've said that didn't come

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<v Speaker 1>true right way more. Yeah, I guess that's true. You know, yeah,

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<v Speaker 1>whenever writes in and so, well that didn't happen, right,

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<v Speaker 1>you really got that? Actually, they do right in to

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<v Speaker 1>tell us we've got stuff wrong a lot. So we're

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<v Speaker 1>gonna take this seriously because we want you ten year

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<v Speaker 1>olds out there who want to get your parents to

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<v Speaker 1>let you do this, to to see that you're taking

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<v Speaker 1>this seriously by listening to this podcast. First. Okay, that's right.

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<v Speaker 1>So what we're talking about specifically is known as, uh

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<v Speaker 1>somewhat ironically as an impalement act um, which is really

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<v Speaker 1>weird thing to call it. It's well, it's um, yeah,

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<v Speaker 1>it really is. I think it's a little tongue in cheek,

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<v Speaker 1>you think, because the point is tyn to not write.

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<v Speaker 1>The point is to not impale somebody with this kind

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<v Speaker 1>of thing, right, And and impalement acts are an umbrella

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<v Speaker 1>term that cover not just knife throwing, but bull whip cracking, oh, shoot,

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<v Speaker 1>sharp shooting, archery, William tell kind of thing. All of

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<v Speaker 1>those fall under the the umbrella term of impalement X.

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<v Speaker 1>Jerry's undressing over there to our left. She got very

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<v Speaker 1>hot in the fire drop Um. All right, so this

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<v Speaker 1>goes back if we can get back in the way

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<v Speaker 1>back machine, all the way back to the late nineteenth century,

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<v Speaker 1>we gotta go back here further than that. Are you

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<v Speaker 1>gonna go like to ancient times? No, No, We'll still

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<v Speaker 1>will just go with the nineteenth century, because I'm sure

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<v Speaker 1>Chinese people in ancient times through stuff that's stuck in walls. Well,

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<v Speaker 1>I looked at I looked up the oldest knife and

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<v Speaker 1>every apparently they did. Apparently they found the oldest knife

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<v Speaker 1>five thousand years ago. Oh, the oldest knife knife. So

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<v Speaker 1>we've been using knives longer than there have been modern humans. Yeah,

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<v Speaker 1>for sure. And then we at some point, probably about

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<v Speaker 1>four hundred and ninety nine thousand years ago we started

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<v Speaker 1>throwing knives. It's stabbing is okay, but throwing a knife

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<v Speaker 1>is when you really can come to appreciate what a

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<v Speaker 1>knife does. Okay. Man, there was nothing better in it,

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<v Speaker 1>like an eighties movie than when like James Bond through

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<v Speaker 1>a knife and I got a guy or American ninja.

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<v Speaker 1>That's what I was trained on. Yeah. Um, alright, so

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<v Speaker 1>wild uh wild West shows. Buffalo Bill and his Wild

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<v Speaker 1>West Shows travel throughout the United States, throughout Europe. Um,

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<v Speaker 1>knife throwing became a big spectacle at things like this,

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<v Speaker 1>as well as obviously sharp shooting and probably archery. They

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<v Speaker 1>probably did all the impalement arts. So they definitely did

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<v Speaker 1>um and they really brought it to the world. Um,

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<v Speaker 1>to the to the point where you can just basically

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<v Speaker 1>say that's where it started, was Buffalo Bill's Wild West Show. Yeah.

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<v Speaker 1>And this is one of those things where, through a

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<v Speaker 1>modern lens, it is incredibly misogynistic to think about the

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<v Speaker 1>fact that you say, hey, let me take a scantily

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<v Speaker 1>clad woman, a target girl. Yeah that's what they call him,

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<v Speaker 1>a target girl, and throw knives at her. Yeah, just

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<v Speaker 1>stand there still, Yeah, their knives near her. It's always

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<v Speaker 1>a lady. She's always got on like a bikini or something.

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<v Speaker 1>She's just like almost like while West steampunk renaissance fair thing, right,

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<v Speaker 1>you know, just to cover all of the all of

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<v Speaker 1>the geek boys dreams and desires. Right, But when you

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<v Speaker 1>look at it through the modern lens, it's like, man,

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<v Speaker 1>that that is totally misogynistic to Uh, that is the act. Um,

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<v Speaker 1>it's got a burlesque thing going on. Yeah, sure, I

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<v Speaker 1>mean you can see what they're trying to do is

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<v Speaker 1>to delate to the young boys in the audience. They're

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<v Speaker 1>trying to sell tickets, and it probably wouldn't have sold

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<v Speaker 1>as many tickets that they just had build a farmhand

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<v Speaker 1>with a balloon in his mouth getting popped, you know.

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<v Speaker 1>I mean it's still pretty cool. You're still seeing the

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<v Speaker 1>same thing. But yeah, it's just basically tradition and customed

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<v Speaker 1>to have a scantily clad woman as your target girl. Again,

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<v Speaker 1>that's what they call him, is the target girl, and

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<v Speaker 1>that is the one of the two people involved in

0:12:54.080 --> 0:12:58.080
<v Speaker 1>this impalement act. That's right. Um, we mentioned the balloon

0:12:58.120 --> 0:13:00.360
<v Speaker 1>in the mouth. That was one of the big tricks. Uh.

0:13:00.360 --> 0:13:02.760
<v Speaker 1>There was a German husband and wife named the Gibsons

0:13:03.240 --> 0:13:07.880
<v Speaker 1>who introduced the very famous Wheel of Death at the

0:13:07.920 --> 0:13:11.080
<v Speaker 1>Ringling Brothers show at in Madison Square Garden. Have you

0:13:11.120 --> 0:13:14.480
<v Speaker 1>seen this? Yeah? Okay, so I had seen stuff like

0:13:14.520 --> 0:13:17.199
<v Speaker 1>with knife throwing before, and I always thought Flee Circus

0:13:17.200 --> 0:13:20.200
<v Speaker 1>was another one. Do you remember our Flee Circus episode

0:13:20.200 --> 0:13:22.880
<v Speaker 1>where it turns out that Flee Circus has actually involved

0:13:22.880 --> 0:13:25.480
<v Speaker 1>real Flea's Yeah, that was the best of the circus arts,

0:13:25.559 --> 0:13:27.640
<v Speaker 1>and everybody thought it was like, no, it's magnets are

0:13:27.760 --> 0:13:31.400
<v Speaker 1>just your imagination power of suggestion, and that's just not

0:13:31.480 --> 0:13:36.079
<v Speaker 1>the case. The same thing applies to knife throwing impalement acts,

0:13:36.160 --> 0:13:39.360
<v Speaker 1>Like I always thought, did you really? Yeah? I thought

0:13:39.400 --> 0:13:42.040
<v Speaker 1>I think there was like a Happy Days or something

0:13:42.080 --> 0:13:45.520
<v Speaker 1>like that where somebody gets volunteered. There's definitely an I

0:13:45.600 --> 0:13:49.080
<v Speaker 1>Love Lucy with a Knife act where she's the target girl.

0:13:49.520 --> 0:13:53.880
<v Speaker 1>But there's some show where maybe Laverne and surely not

0:13:54.000 --> 0:13:56.880
<v Speaker 1>I think about it anyway, the guys throwing them and

0:13:56.960 --> 0:14:00.160
<v Speaker 1>like the knives are coming out of the backboard around up.

0:14:00.280 --> 0:14:04.120
<v Speaker 1>So it's all an illusion, right, That is not true?

0:14:04.400 --> 0:14:08.200
<v Speaker 1>In knife acts, you're if you're the target girl, a

0:14:08.320 --> 0:14:13.760
<v Speaker 1>dude is throwing twelve inch long extremely sharp, pointy knives

0:14:14.080 --> 0:14:16.079
<v Speaker 1>right at your head and it's trying to get as

0:14:16.120 --> 0:14:19.760
<v Speaker 1>close as possible to you without hitting you. Correct And

0:14:19.800 --> 0:14:22.880
<v Speaker 1>again it's not just that's just the profile where they're

0:14:22.920 --> 0:14:25.600
<v Speaker 1>throwing knives around you and making like a chalk outline

0:14:25.640 --> 0:14:28.720
<v Speaker 1>of your of your body. That's the profile. But there's

0:14:28.720 --> 0:14:31.440
<v Speaker 1>other ones like holding a cigarette in your mouth and

0:14:31.760 --> 0:14:35.160
<v Speaker 1>knocking the ash off with a knife, or you're holding

0:14:35.160 --> 0:14:37.760
<v Speaker 1>a flower in your mouth and they slowly like cut

0:14:37.760 --> 0:14:40.960
<v Speaker 1>the stem off piece by piece. There's some some pretty

0:14:41.000 --> 0:14:44.520
<v Speaker 1>interesting things that people have done with knife acts. Yeah, sometimes,

0:14:44.960 --> 0:14:47.760
<v Speaker 1>and this is the riskiest of all moves. Risky or

0:14:47.840 --> 0:14:50.200
<v Speaker 1>even more so than the wheel of death is when

0:14:50.200 --> 0:14:53.760
<v Speaker 1>they do the when they covered the target over with paper, Yeah,

0:14:53.760 --> 0:14:56.080
<v Speaker 1>the veiled wheel of death, so you can't even see

0:14:56.200 --> 0:14:58.400
<v Speaker 1>that spinning who is behind there? You just have to

0:14:58.400 --> 0:15:01.600
<v Speaker 1>have it timed completely perfectly right. But if you take

0:15:01.640 --> 0:15:05.480
<v Speaker 1>a step back and think about this, there is nothing

0:15:05.640 --> 0:15:12.000
<v Speaker 1>about that act that should allow you to say, oh,

0:15:12.080 --> 0:15:15.080
<v Speaker 1>if I throw like this, I will I will miss

0:15:15.120 --> 0:15:18.040
<v Speaker 1>the person because they're spinning, so you have to know

0:15:18.040 --> 0:15:20.480
<v Speaker 1>where their body is at every second. But you've taken

0:15:20.520 --> 0:15:24.040
<v Speaker 1>away how you know that, which is your vision because

0:15:24.080 --> 0:15:26.960
<v Speaker 1>they're behind a big sheet of paper that you're throwing

0:15:27.040 --> 0:15:30.040
<v Speaker 1>knives through. And there's this guy who will talk about

0:15:30.120 --> 0:15:33.520
<v Speaker 1>a little further. His name is the Great throw Denie Love.

0:15:33.560 --> 0:15:39.320
<v Speaker 1>This guy. Uh, he he has done something. It's probably

0:15:39.360 --> 0:15:43.480
<v Speaker 1>the most dangerous, most impressive knife throwing act anyone's ever done.

0:15:43.880 --> 0:15:47.960
<v Speaker 1>He did the veiled wheel of death with two target

0:15:48.000 --> 0:15:51.440
<v Speaker 1>girls on it. So he has two girls strapped to

0:15:51.480 --> 0:15:55.160
<v Speaker 1>a board spinning behind a big piece of paper that

0:15:55.200 --> 0:15:58.920
<v Speaker 1>he can't see them through, and he's throwing knives at them. Yes,

0:15:59.040 --> 0:16:00.960
<v Speaker 1>very fast. The guy through room on an average of

0:16:01.720 --> 0:16:05.680
<v Speaker 1>a knife every point five nine seconds um. And he

0:16:05.760 --> 0:16:09.520
<v Speaker 1>didn't hit either one of them. Amazing, it is amazing.

0:16:09.560 --> 0:16:11.160
<v Speaker 1>It's so amazing. I think we just take a break

0:16:11.160 --> 0:16:40.480
<v Speaker 1>and re regroup. We're back. We just watched uh one

0:16:40.520 --> 0:16:45.800
<v Speaker 1>hour of great thirteen even videos. Uh. He apparently caught

0:16:45.800 --> 0:16:48.360
<v Speaker 1>on like in its fifties. Yeah, it's like, hey, I'm

0:16:48.360 --> 0:16:51.680
<v Speaker 1>pretty good at this. Back in just I guess somebody

0:16:51.800 --> 0:16:54.240
<v Speaker 1>was like, maybe have you tried throwing knives? And he

0:16:54.240 --> 0:16:55.880
<v Speaker 1>said no, I haven't, And they were like, well, try

0:16:55.960 --> 0:16:58.160
<v Speaker 1>throwing knives and he said, well, fine, I will. A

0:16:58.200 --> 0:17:00.480
<v Speaker 1>couple of weeks later, he tried throwing and he said,

0:17:00.520 --> 0:17:03.760
<v Speaker 1>I really like this. Um. He said it felt natural

0:17:03.840 --> 0:17:07.320
<v Speaker 1>and right. So he started throwing knives and entered competitions

0:17:08.040 --> 0:17:11.359
<v Speaker 1>and um started winning. I think he became world champion

0:17:11.359 --> 0:17:15.960
<v Speaker 1>with him like two years he beat the other four people. Uh.

0:17:16.000 --> 0:17:18.000
<v Speaker 1>And then he said, you know what, this is fun

0:17:18.040 --> 0:17:21.480
<v Speaker 1>and all like these competitions, but I think I want

0:17:21.520 --> 0:17:24.160
<v Speaker 1>to try and act like an old throwback and palement act.

0:17:24.240 --> 0:17:28.439
<v Speaker 1>So we started one when basically but his wife Barbara

0:17:29.480 --> 0:17:34.000
<v Speaker 1>Target girl, get up target Girl, one of them. Yeah,

0:17:34.040 --> 0:17:36.359
<v Speaker 1>I think she may have been the original one. Uh.

0:17:36.560 --> 0:17:38.919
<v Speaker 1>Taught her to smoke cigarettes so he could knock the

0:17:39.000 --> 0:17:41.119
<v Speaker 1>ash off of the end of them. And there you go.

0:17:42.520 --> 0:17:45.879
<v Speaker 1>Impalement act achieved. But not only that, Chuck like the

0:17:45.920 --> 0:17:50.720
<v Speaker 1>guy is like legitimately the best knife thrower on the planet. Well,

0:17:50.800 --> 0:17:52.840
<v Speaker 1>he's one of them. He holds a record for fastest.

0:17:52.880 --> 0:17:55.760
<v Speaker 1>But boy, you go down a YouTube rabbit hole and

0:17:55.880 --> 0:18:01.440
<v Speaker 1>to like people like Ralph Thorne and better than Thordin. Huh, well,

0:18:01.440 --> 0:18:04.600
<v Speaker 1>great Thordini does the impalement act as in the circus art.

0:18:05.080 --> 0:18:07.640
<v Speaker 1>Ralph Thorn is like if you're running through the woods

0:18:08.960 --> 0:18:11.439
<v Speaker 1>chasing somebody I haven't seen this guy and this is

0:18:11.480 --> 0:18:13.960
<v Speaker 1>well that's the thorn style. We'll get into those styles later.

0:18:14.800 --> 0:18:16.760
<v Speaker 1>But um, yeah, he will like launch himself off of

0:18:16.800 --> 0:18:19.000
<v Speaker 1>a tree stump in the air and throw one behind

0:18:19.040 --> 0:18:23.880
<v Speaker 1>his back and see now that's basically the training I was. Yeah, yeah,

0:18:23.920 --> 0:18:30.880
<v Speaker 1>like martial arts, real world, suburban neighborhood dangers. There's a raccoon.

0:18:31.840 --> 0:18:36.560
<v Speaker 1>Oh no, no, no, no, you're not throwing a raccoons. Um, alright,

0:18:36.600 --> 0:18:43.000
<v Speaker 1>so raccoon comes at me. Well sure, okay, Um, here's

0:18:43.000 --> 0:18:45.200
<v Speaker 1>what you need if you if you're gonna throw a knife,

0:18:45.320 --> 0:18:47.960
<v Speaker 1>you need a throwing knife. Throwing knife, Like I said,

0:18:48.000 --> 0:18:50.880
<v Speaker 1>it's not a steak knife. It is very much made

0:18:50.920 --> 0:18:54.159
<v Speaker 1>to be thrown. It is balanced so that you throw it,

0:18:54.520 --> 0:18:56.879
<v Speaker 1>and we'll talk about the different ways that they're balanced.

0:18:57.200 --> 0:19:02.160
<v Speaker 1>But one thing they're not is sharp up on the sides. Yeah,

0:19:02.160 --> 0:19:05.040
<v Speaker 1>they're very pointy, but um, they're dull on the edges

0:19:05.119 --> 0:19:06.920
<v Speaker 1>because you're gonna a lot of times to be throwing

0:19:06.920 --> 0:19:11.840
<v Speaker 1>it by that blade. Um, so get a knife for throwing.

0:19:12.920 --> 0:19:17.919
<v Speaker 1>The old saying, Um, sharp of point, sharper point is

0:19:17.920 --> 0:19:23.240
<v Speaker 1>the point sharp of edge? Uh it doesn't. It does

0:19:23.280 --> 0:19:27.240
<v Speaker 1>you no good that old saying yeah, that's a great thing,

0:19:27.520 --> 0:19:30.960
<v Speaker 1>like that should go on a T shirt. You should so, um, yeah,

0:19:31.040 --> 0:19:33.160
<v Speaker 1>you want a sharp point, but there's there's nothing about

0:19:33.160 --> 0:19:35.000
<v Speaker 1>a sharp edge that's going to help you in any way,

0:19:35.000 --> 0:19:38.760
<v Speaker 1>shape or form, because the whole point, again, is the

0:19:38.800 --> 0:19:42.760
<v Speaker 1>point that's gonna stick into that endo, whatever that target is,

0:19:42.800 --> 0:19:46.520
<v Speaker 1>which is usually a block of wood. Right. So, um,

0:19:46.760 --> 0:19:49.720
<v Speaker 1>depending on where how you're going to throw it, you

0:19:49.720 --> 0:19:52.600
<v Speaker 1>want to throw the heavy end first. And there's a

0:19:52.640 --> 0:19:56.119
<v Speaker 1>reason for this. The reason is is that, if you

0:19:56.240 --> 0:20:01.920
<v Speaker 1>want to get technical about it, velocity equals um distance

0:20:02.080 --> 0:20:05.280
<v Speaker 1>divided by time, right, And when you're throwing a knife,

0:20:05.400 --> 0:20:09.600
<v Speaker 1>especially the heavy end first, the heavy end has traveled

0:20:09.840 --> 0:20:12.679
<v Speaker 1>a further distance in the same amount of time than

0:20:12.720 --> 0:20:16.399
<v Speaker 1>the lighter end. This, friends, creates something very important a

0:20:16.440 --> 0:20:21.680
<v Speaker 1>knife throwing, although not fundamental, which is spin. Okay, And

0:20:21.800 --> 0:20:24.440
<v Speaker 1>so if you throw the throw the knife, you're gonna

0:20:24.440 --> 0:20:27.879
<v Speaker 1>throw it either blade end or handle end. And the

0:20:28.119 --> 0:20:34.320
<v Speaker 1>end regards what you're holding when you throw it. And

0:20:34.359 --> 0:20:37.960
<v Speaker 1>if you're holding say a knife handle, and you're throwing

0:20:37.960 --> 0:20:41.800
<v Speaker 1>it from the handle end, you're the front of the knife.

0:20:41.880 --> 0:20:44.080
<v Speaker 1>The point is going to be weighted. It's going to

0:20:44.119 --> 0:20:47.280
<v Speaker 1>be heavier so that that starts the spin. If you're

0:20:47.280 --> 0:20:50.560
<v Speaker 1>throwing it blade first, the handle itself will be heavier,

0:20:51.280 --> 0:20:53.640
<v Speaker 1>so that will start the spin. And there's a couple

0:20:53.640 --> 0:20:58.520
<v Speaker 1>of different depending on which way you're throwing. There's a

0:20:59.240 --> 0:21:02.080
<v Speaker 1>the spin is going to take place over this the

0:21:02.240 --> 0:21:07.080
<v Speaker 1>course of um a very short distance actually, and so

0:21:07.359 --> 0:21:10.160
<v Speaker 1>let me let me just back up a second here. Okay,

0:21:10.640 --> 0:21:15.960
<v Speaker 1>there's there's some factors involved. Okay, they are distanced to target,

0:21:16.480 --> 0:21:20.560
<v Speaker 1>length of nighte, weight and balance and then knife type. Right,

0:21:21.160 --> 0:21:23.840
<v Speaker 1>So the distance the target is going to is going

0:21:23.880 --> 0:21:29.920
<v Speaker 1>to tell you what type of throw you want, that's right, Um,

0:21:30.520 --> 0:21:34.280
<v Speaker 1>the kind of knife. Uh, they say, for every good

0:21:34.359 --> 0:21:35.960
<v Speaker 1>rule of thumb here, just throw it out. But they

0:21:35.960 --> 0:21:40.000
<v Speaker 1>do mention a rule of thumb regardless. That says a

0:21:40.040 --> 0:21:44.399
<v Speaker 1>blade that weighs about one ounce per inch, so in

0:21:44.440 --> 0:21:47.680
<v Speaker 1>thiss per inch of your the whole knife. Yeah, so um,

0:21:48.640 --> 0:21:51.080
<v Speaker 1>they shouldn't. Well, you can throw it ever you want,

0:21:51.160 --> 0:21:56.240
<v Speaker 1>but ten to sixteen ounces is a good starter knife, uh,

0:21:56.520 --> 0:21:58.600
<v Speaker 1>you know, and about that long or maybe twelve to

0:21:58.600 --> 0:22:02.200
<v Speaker 1>fourteen inches and about that many ounces is where you

0:22:02.240 --> 0:22:04.919
<v Speaker 1>want to start off as a beginner. All kinds of

0:22:04.920 --> 0:22:08.760
<v Speaker 1>shapes to like definitely. Some of them are like little spears. Uh.

0:22:08.800 --> 0:22:12.640
<v Speaker 1>Some have multiple points, more like throwing stars. Uh. They

0:22:12.680 --> 0:22:15.679
<v Speaker 1>really run the gamut right there. Um. So, depending on

0:22:15.720 --> 0:22:17.720
<v Speaker 1>how you're gonna throw, whether it's a handle throw or

0:22:17.760 --> 0:22:20.080
<v Speaker 1>a blade throw, the weight of the knife is going

0:22:20.119 --> 0:22:21.919
<v Speaker 1>to be either in the handle or the blade. It's

0:22:21.920 --> 0:22:26.040
<v Speaker 1>going to be the opposite of where you're holding the knife. Um.

0:22:26.119 --> 0:22:29.679
<v Speaker 1>And if you throw holding the blade, you're going to

0:22:29.720 --> 0:22:33.440
<v Speaker 1>throw a half turn. It's a half turn throw right, Yeah.

0:22:34.000 --> 0:22:36.040
<v Speaker 1>And the reason they call it that is because the

0:22:36.119 --> 0:22:41.160
<v Speaker 1>knife only makes one half turn. The blade straightens out

0:22:41.320 --> 0:22:44.320
<v Speaker 1>from your hand towards the target, and then that's the

0:22:44.320 --> 0:22:46.600
<v Speaker 1>only turn it makes. Yeah, it's not like in the

0:22:46.640 --> 0:22:49.400
<v Speaker 1>movies a lot of times you'll see you go right

0:22:49.520 --> 0:22:51.520
<v Speaker 1>and turn like nine times and stick the guy in

0:22:51.560 --> 0:22:55.240
<v Speaker 1>the forehead. That's really not what you're doing with knife throwing. No,

0:22:55.520 --> 0:22:58.159
<v Speaker 1>it's basically if you if you're throwing it by the blade,

0:22:58.200 --> 0:23:00.439
<v Speaker 1>it's gonna make one half turn and that's it. So

0:23:00.600 --> 0:23:03.879
<v Speaker 1>you if your blade throwing, you would stand closest to

0:23:04.000 --> 0:23:06.720
<v Speaker 1>the target, right, So if some guys coming at you

0:23:06.800 --> 0:23:09.040
<v Speaker 1>dressed as a raccoon and you know, he's gonna hurt you,

0:23:09.080 --> 0:23:10.840
<v Speaker 1>and you can throw a knife and he's real close,

0:23:10.920 --> 0:23:14.520
<v Speaker 1>you would throw by the blade, that's right. Uh. And

0:23:14.560 --> 0:23:16.879
<v Speaker 1>in fact, I don't even know if it's possible to

0:23:16.920 --> 0:23:18.480
<v Speaker 1>throw a knife like they do in the movies that

0:23:18.920 --> 0:23:21.639
<v Speaker 1>I don't think. So just tumbles because every video I

0:23:21.680 --> 0:23:24.440
<v Speaker 1>saw there, like you try and prevent tumbling as much

0:23:24.480 --> 0:23:27.359
<v Speaker 1>as you can, Like that's the whole game as too,

0:23:28.200 --> 0:23:31.240
<v Speaker 1>because physics says that a revolving object that suddenly breaks

0:23:31.280 --> 0:23:34.399
<v Speaker 1>free will continue to move in a straight line tangential

0:23:34.440 --> 0:23:37.280
<v Speaker 1>to the point at which it's released. In other words,

0:23:38.320 --> 0:23:40.080
<v Speaker 1>that release points a little tricky. You know, you gotta

0:23:40.160 --> 0:23:43.280
<v Speaker 1>dial that in. But we'll get to that too. And

0:23:43.320 --> 0:23:47.200
<v Speaker 1>on the actual throwing right, Um, so the uh, the

0:23:47.240 --> 0:23:51.000
<v Speaker 1>next the next furthest away from the target is if

0:23:51.040 --> 0:23:55.280
<v Speaker 1>you're holding the the knife by the handle and you're

0:23:55.320 --> 0:23:57.560
<v Speaker 1>throwing it, it's going to make that's a full turn,

0:23:57.720 --> 0:24:01.400
<v Speaker 1>full spin uh, to where a blade goes from facing

0:24:01.400 --> 0:24:03.960
<v Speaker 1>the target, facing away from the target, and back to

0:24:04.000 --> 0:24:07.120
<v Speaker 1>facing the target in time to stick into that target

0:24:07.440 --> 0:24:10.199
<v Speaker 1>and not embarrassingly bounce off because it hit the blade

0:24:10.320 --> 0:24:14.280
<v Speaker 1>or the handle first. That's very humiliating. So humiliating. Uh.

0:24:14.359 --> 0:24:16.760
<v Speaker 1>And then the last one is the furthest throwing away

0:24:16.800 --> 0:24:19.359
<v Speaker 1>and it's about the most you would ever want a

0:24:19.359 --> 0:24:23.479
<v Speaker 1>blade to turn, which is two times. That's about thirty

0:24:23.480 --> 0:24:26.719
<v Speaker 1>ft or about ten meters away from your target. You

0:24:26.760 --> 0:24:30.520
<v Speaker 1>could possibly get it to spin twice, but usually you

0:24:30.600 --> 0:24:34.920
<v Speaker 1>just wanted to spin once or half and that's it. Yeah.

0:24:35.000 --> 0:24:37.920
<v Speaker 1>And uh, did you say a half turn's about seven

0:24:38.040 --> 0:24:39.720
<v Speaker 1>or eight feet? I don't think I did. I just

0:24:39.760 --> 0:24:41.920
<v Speaker 1>said it was the closest. Yeah, about seven or eight feet.

0:24:41.920 --> 0:24:44.199
<v Speaker 1>It depends full spin about twelve to fifteen And like

0:24:44.240 --> 0:24:49.000
<v Speaker 1>you said, the the great throw Dni double Bondini double

0:24:49.200 --> 0:24:54.800
<v Speaker 1>twist is up. Yeah. Although one of these other throws

0:24:54.840 --> 0:24:57.080
<v Speaker 1>that we're gonna get into this thorn throw. One of

0:24:57.080 --> 0:25:00.840
<v Speaker 1>the benefits is you can throw from anywhere, supposedly. So

0:25:01.160 --> 0:25:02.960
<v Speaker 1>we're gonna take one more break and then we're gonna

0:25:02.960 --> 0:25:06.280
<v Speaker 1>come back and teach you a little bit about throwing

0:25:06.880 --> 0:25:35.600
<v Speaker 1>and then, uh, what to look for in a good knife. Okay,

0:25:35.640 --> 0:25:38.200
<v Speaker 1>so you've got you know about how close you want

0:25:38.240 --> 0:25:40.280
<v Speaker 1>to stand at the target, depending on whether you're holding

0:25:40.320 --> 0:25:44.040
<v Speaker 1>the knife by the blade or the handle. The good

0:25:44.040 --> 0:25:46.520
<v Speaker 1>thing is is there are a couple of different grips,

0:25:46.560 --> 0:25:48.520
<v Speaker 1>but they're very similar. So if you're like I want

0:25:48.520 --> 0:25:50.840
<v Speaker 1>to get into blade throwing first because that looks pretty cool,

0:25:51.800 --> 0:25:55.760
<v Speaker 1>you're going to basically pinch them the blade of the knife.

0:25:55.800 --> 0:25:58.000
<v Speaker 1>And remember these are not sharp edges, so you should

0:25:58.000 --> 0:26:00.480
<v Speaker 1>be fine if you do. If you I saw, if

0:26:00.520 --> 0:26:03.159
<v Speaker 1>you are using a sharp edge knife, you want to

0:26:03.240 --> 0:26:05.879
<v Speaker 1>hold the blunt end. Yeah, but you don't want to

0:26:05.920 --> 0:26:07.880
<v Speaker 1>do that. You don't even want to do that, so

0:26:07.880 --> 0:26:09.560
<v Speaker 1>so it doesn't really matter which way you're holding it.

0:26:09.640 --> 0:26:11.200
<v Speaker 1>But if you if it is sharp on what edge,

0:26:11.359 --> 0:26:13.520
<v Speaker 1>hold the other edge and you're just basically pinching it

0:26:13.600 --> 0:26:16.960
<v Speaker 1>between your your thumb and your first three fingers, just

0:26:17.000 --> 0:26:19.200
<v Speaker 1>a little pitch. Yeah, it's just just a teeny pinch.

0:26:19.359 --> 0:26:22.640
<v Speaker 1>Maybe stick your pinky out for effect, all right, and

0:26:22.680 --> 0:26:25.720
<v Speaker 1>that that's the blade throw. Yeah, and you've already got

0:26:25.720 --> 0:26:27.240
<v Speaker 1>your target. By the way, at this point, I know

0:26:27.320 --> 0:26:31.399
<v Speaker 1>you mentioned a block of wood, but they recommend um

0:26:31.560 --> 0:26:35.200
<v Speaker 1>aims small. What does it start small? Aim small? Yeah,

0:26:35.240 --> 0:26:38.919
<v Speaker 1>which is don't don't You don't need a tree trunk

0:26:39.560 --> 0:26:42.760
<v Speaker 1>um sliced up and put on a wall, like you

0:26:42.840 --> 0:26:45.119
<v Speaker 1>just need like whatever, a little twelve inch by twelve

0:26:45.160 --> 0:26:47.440
<v Speaker 1>inch block of wood, or maybe if you want to

0:26:48.000 --> 0:26:49.840
<v Speaker 1>uh screw a bunch of wood together and then draw

0:26:49.880 --> 0:26:52.200
<v Speaker 1>a target on there, that's fine too. Yeah. You should

0:26:52.240 --> 0:26:55.639
<v Speaker 1>probably glue though, because the screws might your your knife

0:26:55.680 --> 0:26:59.879
<v Speaker 1>might bounce off of them. Yeah, you know if you

0:27:00.080 --> 0:27:04.840
<v Speaker 1>using metal screws as opposed to the traditional wooden dell. Right.

0:27:05.960 --> 0:27:11.639
<v Speaker 1>So um, right, so the the that's the what did

0:27:11.680 --> 0:27:14.480
<v Speaker 1>I say, that's the blade throw? Right? Ye, there's a

0:27:14.520 --> 0:27:17.040
<v Speaker 1>handle throw too, and this one is called a hatchet

0:27:17.040 --> 0:27:20.120
<v Speaker 1>throw or hammer throw or the handle throw you could

0:27:20.119 --> 0:27:22.800
<v Speaker 1>call it to and everybody all know what you're talking about. Yeah,

0:27:22.800 --> 0:27:26.000
<v Speaker 1>and you stand, uh, you're a little further back for

0:27:26.080 --> 0:27:30.600
<v Speaker 1>this one because you've got your your full turn going, uh,

0:27:30.640 --> 0:27:32.680
<v Speaker 1>and then you just grip it like a baseball bat

0:27:32.720 --> 0:27:35.439
<v Speaker 1>and swing away right right, close your eyes, and you

0:27:35.920 --> 0:27:41.560
<v Speaker 1>hope for the best ninja strike, right yeah. Yeah. So um.

0:27:41.640 --> 0:27:44.680
<v Speaker 1>The cool thing is what you were saying about starting small,

0:27:44.720 --> 0:27:48.320
<v Speaker 1>aiming small, is that when you when you figure out

0:27:48.359 --> 0:27:51.160
<v Speaker 1>that there's actually just a few mechanics going on here,

0:27:51.600 --> 0:27:54.440
<v Speaker 1>you'll be able to tell what part of your throw

0:27:54.600 --> 0:27:58.280
<v Speaker 1>is actually off, whether it's distance, whether it's when you're releasing,

0:27:58.640 --> 0:28:02.919
<v Speaker 1>whether it's um how you're gripping it. The problems are

0:28:02.960 --> 0:28:05.600
<v Speaker 1>the issues with your throw will show up, and you'll

0:28:05.640 --> 0:28:08.560
<v Speaker 1>be able to read based on how the knife is

0:28:08.640 --> 0:28:12.760
<v Speaker 1>landing or sticking. What's wrong with your throw? Yeah, Like

0:28:12.840 --> 0:28:18.200
<v Speaker 1>if you are throwing, I think blade first, and it sticks,

0:28:18.800 --> 0:28:21.000
<v Speaker 1>but it's sticking at a really hard angle where the

0:28:21.160 --> 0:28:24.399
<v Speaker 1>where the handle is pointing down. Then they say, maybe

0:28:24.400 --> 0:28:30.160
<v Speaker 1>just move back six inches with your stance. That is it. Yeah,

0:28:30.240 --> 0:28:32.600
<v Speaker 1>you're right, you're right, and then try it again. Yeah,

0:28:32.600 --> 0:28:36.600
<v Speaker 1>because that means that you're the knife didn't get its

0:28:36.640 --> 0:28:40.440
<v Speaker 1>full rotation. You wanted to basically be sticking straight out

0:28:40.480 --> 0:28:44.840
<v Speaker 1>perpendicular to the target. Yeah, that's a correct throw as

0:28:44.840 --> 0:28:46.680
<v Speaker 1>you're as you're learning to do this. Yeah, and did

0:28:46.680 --> 0:28:50.000
<v Speaker 1>you say that it's generally your opposite leg of your

0:28:50.000 --> 0:28:54.520
<v Speaker 1>throwing hand forward, So so yeah, so the stance, yeah,

0:28:54.520 --> 0:28:56.800
<v Speaker 1>I mean generally. But then again I also saw this

0:28:56.920 --> 0:29:02.480
<v Speaker 1>Russian guy that through with his throwing leg or the

0:29:02.520 --> 0:29:05.120
<v Speaker 1>same leg as a throwing hand forward, and he was like,

0:29:05.200 --> 0:29:09.640
<v Speaker 1>you know it all works basically was this thing. I

0:29:09.720 --> 0:29:13.240
<v Speaker 1>knew you had the Italian thing going on, but Russian

0:29:13.280 --> 0:29:15.400
<v Speaker 1>that was good. I can I can do that. So

0:29:15.480 --> 0:29:18.200
<v Speaker 1>let's get into the throw them. Okay, So the stance,

0:29:18.240 --> 0:29:20.240
<v Speaker 1>I should say, so with the with the stance, you're

0:29:20.280 --> 0:29:25.440
<v Speaker 1>standing with your um, you're you're throwing arm. The leg

0:29:25.480 --> 0:29:28.240
<v Speaker 1>opposite you're throwing arm is closest to the target. It's

0:29:28.280 --> 0:29:32.560
<v Speaker 1>kind of like you're throwing a dart, you know, um, yes, okay,

0:29:33.520 --> 0:29:37.200
<v Speaker 1>like that. Well, actually that's not quite true when I

0:29:37.240 --> 0:29:40.440
<v Speaker 1>throw it. When you throw a dart, you're the leg

0:29:40.480 --> 0:29:42.040
<v Speaker 1>that is, the foot that is on the line is

0:29:42.160 --> 0:29:45.320
<v Speaker 1>the same side as you're throwing hand, is it. Yeah? Okay,

0:29:45.320 --> 0:29:47.880
<v Speaker 1>well this is the opposite of that. Maybe I've been

0:29:47.880 --> 0:29:52.480
<v Speaker 1>throwing darts throng arms time. So the so the the

0:29:52.600 --> 0:29:55.240
<v Speaker 1>leg opposite you're throwing arm is the one you want

0:29:55.280 --> 0:29:59.720
<v Speaker 1>closest to the target. Traditionally, right, Traditionally your weight is

0:29:59.760 --> 0:30:01.920
<v Speaker 1>on your back leg, that is you're throwing, and what

0:30:01.960 --> 0:30:05.920
<v Speaker 1>you're doing is you're gripping the knife. However you want

0:30:05.960 --> 0:30:10.600
<v Speaker 1>to blade or handle either way. You line it up

0:30:11.160 --> 0:30:14.320
<v Speaker 1>right with your eye against the target, bring your arm

0:30:14.400 --> 0:30:19.320
<v Speaker 1>back behind your head, and then keeping your wrists straight.

0:30:19.480 --> 0:30:21.520
<v Speaker 1>You don't want to flip your wrist or anything like it.

0:30:22.160 --> 0:30:25.280
<v Speaker 1>You bring it in an arc in front of you,

0:30:25.360 --> 0:30:29.720
<v Speaker 1>and you finish like you are shaking somebody's hand. You're going, hey,

0:30:29.720 --> 0:30:32.400
<v Speaker 1>how are you right? But I got a knife? Right.

0:30:32.520 --> 0:30:35.959
<v Speaker 1>The thing is, here's the thing. You're gonna want to

0:30:36.200 --> 0:30:39.720
<v Speaker 1>release at that handshake part when your hand is straight

0:30:39.720 --> 0:30:41.920
<v Speaker 1>out in front of you, and you're gonna find nothing

0:30:41.920 --> 0:30:46.600
<v Speaker 1>but heartache trying to throw a knife like that. Oh,

0:30:46.680 --> 0:30:49.280
<v Speaker 1>if you release it right at the end, it goes,

0:30:49.320 --> 0:30:51.480
<v Speaker 1>it'll go straight down, right, It'll go down in front

0:30:51.480 --> 0:30:54.280
<v Speaker 1>of you. Because when you release an object that's going

0:30:54.320 --> 0:30:56.479
<v Speaker 1>in an arc, it wants to go straight in a

0:30:56.480 --> 0:31:00.960
<v Speaker 1>tangential line from the the the top of the arc. Right,

0:31:01.000 --> 0:31:03.600
<v Speaker 1>that's right. So you want to release it at the

0:31:03.640 --> 0:31:07.280
<v Speaker 1>top of the arc. That's right. So that is I

0:31:07.320 --> 0:31:13.200
<v Speaker 1>was practicing just in the air, trying to to make

0:31:13.240 --> 0:31:16.040
<v Speaker 1>my brain release it at the top. And that is

0:31:16.120 --> 0:31:19.200
<v Speaker 1>really difficult to do because you think initially that the

0:31:19.280 --> 0:31:21.840
<v Speaker 1>nicest gonna go shooting up into the air. It's not.

0:31:21.920 --> 0:31:26.000
<v Speaker 1>It's gonna go straight. That's right. Pretty neat stuff, that's right.

0:31:26.680 --> 0:31:28.920
<v Speaker 1>And this is just I don't even know what the

0:31:28.920 --> 0:31:33.080
<v Speaker 1>traditional throw was called, you, I know, I didn't see

0:31:33.080 --> 0:31:36.240
<v Speaker 1>a name for it. Well, there are some other throws

0:31:36.280 --> 0:31:38.920
<v Speaker 1>which I might as well go ahead and mention I've teased.

0:31:39.680 --> 0:31:44.760
<v Speaker 1>One is the aforementioned Thorn style from Ralph Thorne. Okay,

0:31:44.760 --> 0:31:47.120
<v Speaker 1>that's named after a dude. Was named after a dude.

0:31:47.280 --> 0:31:51.600
<v Speaker 1>Either way, it sounds cool. Yeah this one, Um, did

0:31:51.600 --> 0:31:53.400
<v Speaker 1>you see this one at all? Inline? I didn't see

0:31:53.440 --> 0:31:55.200
<v Speaker 1>that one. I kind of had an idea of what

0:31:55.240 --> 0:31:57.480
<v Speaker 1>they were talking about based on the article. Yeah, they

0:31:57.480 --> 0:32:01.880
<v Speaker 1>say that it resembles spear throwing. The action, um, I guess,

0:32:01.920 --> 0:32:05.640
<v Speaker 1>and that you're you're not taking the knife like behind

0:32:05.680 --> 0:32:09.080
<v Speaker 1>your ear. You're sort of just extending your whole arm

0:32:09.120 --> 0:32:12.120
<v Speaker 1>and doing a big almost like you're throwing a baseball pitch. Sure,

0:32:12.200 --> 0:32:14.240
<v Speaker 1>that's what I imagine. Yeah, that's what it sort of

0:32:14.240 --> 0:32:17.080
<v Speaker 1>looked like, sort of like a bunch of people were

0:32:17.120 --> 0:32:18.840
<v Speaker 1>doing it different. And then this guy's jumping all over

0:32:19.080 --> 0:32:22.920
<v Speaker 1>behind his back like Thorne style seems to be two

0:32:24.560 --> 0:32:28.040
<v Speaker 1>just do whatever you want. Okay, that's not true. Thorne's

0:32:28.040 --> 0:32:34.480
<v Speaker 1>probably just like so angry right now he's Uh. Then

0:32:34.560 --> 0:32:38.160
<v Speaker 1>there was the Russian style and this look it's a

0:32:38.320 --> 0:32:41.560
<v Speaker 1>very compact um, the elbow is in near the body,

0:32:42.000 --> 0:32:44.840
<v Speaker 1>you hold the knife behind the ear. Uh. And this

0:32:44.960 --> 0:32:47.000
<v Speaker 1>I saw it was a little bit more like, you know,

0:32:47.080 --> 0:32:49.560
<v Speaker 1>like that kind of thing. So that seems to me

0:32:49.640 --> 0:32:51.760
<v Speaker 1>like depending on how close you're holding your elbow to

0:32:51.800 --> 0:32:53.640
<v Speaker 1>your body, like you're gonna chop the top of your

0:32:53.640 --> 0:32:57.000
<v Speaker 1>ear off. Well you want to avoid that, but it's

0:32:57.000 --> 0:33:00.840
<v Speaker 1>it's more like you're pushing it out rather than throwing

0:33:00.880 --> 0:33:05.280
<v Speaker 1>it like a tomahawk. So that's what I thought. Um

0:33:05.840 --> 0:33:10.080
<v Speaker 1>mom you on style was like where you're basically like

0:33:10.880 --> 0:33:15.880
<v Speaker 1>shoving the knife forward. Well what I saw with that style,

0:33:15.960 --> 0:33:18.440
<v Speaker 1>and again all these videos were different, so I don't

0:33:18.440 --> 0:33:20.760
<v Speaker 1>know if these people are just I mean, it is

0:33:20.800 --> 0:33:23.800
<v Speaker 1>YouTube making it. It's not like they're like, I'm an

0:33:23.840 --> 0:33:29.480
<v Speaker 1>accredited thornist. But the MoMu In style looks like they

0:33:29.480 --> 0:33:32.680
<v Speaker 1>were having the knife like in their hand, like kind

0:33:32.680 --> 0:33:35.080
<v Speaker 1>of in their palm and would throw it. But I

0:33:35.120 --> 0:33:37.960
<v Speaker 1>don't know if that was because of the knife, because

0:33:38.000 --> 0:33:40.320
<v Speaker 1>the guy on there was like, this is a bo

0:33:40.640 --> 0:33:45.719
<v Speaker 1>bo hurrikan spike which is thrown in the MoMu in style.

0:33:46.560 --> 0:33:49.080
<v Speaker 1>Then that's what this article said to people really get

0:33:49.120 --> 0:33:51.760
<v Speaker 1>into this on online though, right, That's what I did discover.

0:33:52.000 --> 0:33:55.640
<v Speaker 1>So the three the three things, those three types thorn style,

0:33:55.720 --> 0:33:58.959
<v Speaker 1>mom you on, and Russian style. Those are all styles

0:33:58.960 --> 0:34:01.800
<v Speaker 1>of knife throwing. Them all no spin. That's what the

0:34:01.880 --> 0:34:04.440
<v Speaker 1>common thread that they all have. Yeah, which is pretty cool.

0:34:04.600 --> 0:34:06.120
<v Speaker 1>It is cool. And there's a couple of reasons you

0:34:06.160 --> 0:34:08.759
<v Speaker 1>want to do this. The most knife throwers say that's

0:34:08.800 --> 0:34:11.680
<v Speaker 1>really tough on the joints after a while, that's what

0:34:11.760 --> 0:34:15.120
<v Speaker 1>they say. And um, the reason why is because it

0:34:15.160 --> 0:34:18.840
<v Speaker 1>involves like doing crazy like snapping motions with your elbow

0:34:18.880 --> 0:34:21.719
<v Speaker 1>and your wrist and stuff. Whereas with knife throwing it's

0:34:21.760 --> 0:34:24.600
<v Speaker 1>just a smooth arc you're making it. Almost all of

0:34:24.600 --> 0:34:27.560
<v Speaker 1>the motion is in your shoulder and your elbow, your

0:34:27.600 --> 0:34:31.399
<v Speaker 1>wrist stays straight, and you just are generally releasing your

0:34:31.440 --> 0:34:35.799
<v Speaker 1>grasp on the NiFe right into his ape all day long. Right. Yeah.

0:34:36.360 --> 0:34:39.560
<v Speaker 1>With the no spin styles, it is, it's just tougher.

0:34:39.680 --> 0:34:42.160
<v Speaker 1>It's more of a snapping motion. That's like you're gonna

0:34:42.200 --> 0:34:45.440
<v Speaker 1>get tennis elbow after a while. The reason the advantage

0:34:45.480 --> 0:34:47.560
<v Speaker 1>that these have is like, if you're trying to throw

0:34:47.600 --> 0:34:50.120
<v Speaker 1>a knife through a hole, you can't have a twelve

0:34:50.160 --> 0:34:53.520
<v Speaker 1>inch knife spinning making this twenty four inch arc basically

0:34:54.040 --> 0:34:57.360
<v Speaker 1>or circle. Um, you just want to send it straight

0:34:57.360 --> 0:35:00.600
<v Speaker 1>like a missile through that hole in to some dude's

0:35:00.680 --> 0:35:06.680
<v Speaker 1>leg in his calf, and then you you pounce on him,

0:35:07.520 --> 0:35:10.040
<v Speaker 1>put your hand over his mouth and nose until he

0:35:10.040 --> 0:35:14.840
<v Speaker 1>falls asleep, and then you can advance further towards the castle. Well,

0:35:14.920 --> 0:35:19.160
<v Speaker 1>the the Russian guy I saw was talking about the

0:35:19.200 --> 0:35:22.319
<v Speaker 1>first thing you do is find the balance point. So

0:35:22.440 --> 0:35:25.520
<v Speaker 1>he held out his finger and put the knife on

0:35:25.560 --> 0:35:27.839
<v Speaker 1>it until, you know, like a little sea solid till

0:35:27.840 --> 0:35:29.920
<v Speaker 1>he found the exact point. And he's like, there's a

0:35:29.920 --> 0:35:32.480
<v Speaker 1>balance point. So once you find out where that is,

0:35:32.520 --> 0:35:35.200
<v Speaker 1>that will teach you exactly how to hold it um

0:35:36.680 --> 0:35:39.520
<v Speaker 1>in any in any scenario. Basically, I know where the

0:35:39.560 --> 0:35:42.080
<v Speaker 1>balance point is though, So whatever you're doing, though, if

0:35:42.120 --> 0:35:45.080
<v Speaker 1>if this sounds like something you want to do, whether

0:35:45.160 --> 0:35:49.359
<v Speaker 1>it's spin throwing or no spin throwing techniques, the key

0:35:49.520 --> 0:35:53.320
<v Speaker 1>to knife throwing of any kind is practice, practice, practice,

0:35:54.080 --> 0:35:57.280
<v Speaker 1>And this article actually gives a really good piece of advice.

0:35:57.360 --> 0:36:00.480
<v Speaker 1>It says, get a little set of throwing nives, the

0:36:00.520 --> 0:36:04.120
<v Speaker 1>best you can afford, because the more expensive they are,

0:36:04.160 --> 0:36:07.600
<v Speaker 1>typically with them, the better the more well made they are.

0:36:08.719 --> 0:36:11.600
<v Speaker 1>And um, get some, get like I said, of three

0:36:11.719 --> 0:36:14.880
<v Speaker 1>or five or whatever, because you're you're going to have

0:36:14.920 --> 0:36:18.440
<v Speaker 1>to practice repeatedly. And if you have one knife and

0:36:18.440 --> 0:36:21.319
<v Speaker 1>you're standing fifteen feet away, you throw it, you have

0:36:21.360 --> 0:36:23.640
<v Speaker 1>to go get it. You throw it again and go

0:36:23.719 --> 0:36:26.200
<v Speaker 1>get it. That's not nearly as fun as trying to

0:36:26.320 --> 0:36:29.600
<v Speaker 1>throw like five quickly in a row. So you're number one,

0:36:29.600 --> 0:36:32.520
<v Speaker 1>you're gonna be more entertained. Um. But also if you do,

0:36:32.640 --> 0:36:34.560
<v Speaker 1>no matter how many knives you have, if you start

0:36:34.600 --> 0:36:37.000
<v Speaker 1>to lose focus, if you start to get bored or frustrated,

0:36:37.360 --> 0:36:40.600
<v Speaker 1>stop because if there's one thing about knife throwing, it's

0:36:40.640 --> 0:36:44.680
<v Speaker 1>meant to be fun. And if you're practicing with your friends, uh,

0:36:45.040 --> 0:36:47.120
<v Speaker 1>don't they don't stand to the side of the target.

0:36:47.920 --> 0:36:51.520
<v Speaker 1>They don't stand directly behind you. UM. I would recommend

0:36:51.600 --> 0:36:55.480
<v Speaker 1>they stand well behind you and well to one side

0:36:55.520 --> 0:36:57.920
<v Speaker 1>of you. I've got one even better. Don't even don't

0:36:57.920 --> 0:37:00.480
<v Speaker 1>even let your friends anywhere near you. You you have

0:37:00.560 --> 0:37:03.840
<v Speaker 1>to be alone while you're practicing throwing knives, but you

0:37:03.920 --> 0:37:06.800
<v Speaker 1>have to be in text or phone contact with your parents.

0:37:07.320 --> 0:37:10.960
<v Speaker 1>We're watching you from a safe distance. Sing it to

0:37:11.040 --> 0:37:14.399
<v Speaker 1>your parents. Maybe. So, Uh, you should go and look

0:37:14.440 --> 0:37:16.480
<v Speaker 1>at some of these Ralph Thorn videos because the funnies,

0:37:16.680 --> 0:37:23.320
<v Speaker 1>the funniest part is, uh, the almost um, not angry,

0:37:23.360 --> 0:37:28.160
<v Speaker 1>but just his trudge towards the target afterward is very like,

0:37:29.040 --> 0:37:30.520
<v Speaker 1>I don't know, it's weird. He'll jump up in the

0:37:30.520 --> 0:37:32.920
<v Speaker 1>air and throw a few and then he's just like

0:37:33.160 --> 0:37:36.799
<v Speaker 1>do do do and then walks over and undoes it

0:37:36.840 --> 0:37:39.560
<v Speaker 1>from the log like I don't know. All the pizzazz

0:37:39.680 --> 0:37:43.120
<v Speaker 1>leaves as soon as he's thrown. That's when you need.

0:37:43.120 --> 0:37:45.000
<v Speaker 1>The pizzazz is during the throwing. The rest is just

0:37:45.080 --> 0:37:47.319
<v Speaker 1>wasted energy. Yeah, but you don't see throw Deny. That's

0:37:47.320 --> 0:37:51.320
<v Speaker 1>the difference between an impalement act and a dudeness backyard

0:37:51.360 --> 0:37:53.680
<v Speaker 1>on YouTube. Well, throw DENI has the smarts to hire

0:37:53.680 --> 0:37:56.600
<v Speaker 1>an editor to edit that part out. Yeah, it's a

0:37:56.600 --> 0:37:59.319
<v Speaker 1>good point. I don't know if we said the great

0:37:59.320 --> 0:38:02.879
<v Speaker 1>throw Denie's name. His name is David ed Amovitch and

0:38:03.000 --> 0:38:07.239
<v Speaker 1>he's a neat guy. Great name. So if you want

0:38:07.239 --> 0:38:10.200
<v Speaker 1>to know more about the great throw Deanie or what's

0:38:10.320 --> 0:38:14.439
<v Speaker 1>what's Thorne's first name, Jesse Thorn, the other thing Ralph

0:38:14.840 --> 0:38:17.480
<v Speaker 1>Ralph Thorn, or any kind of night throw and go

0:38:17.480 --> 0:38:20.719
<v Speaker 1>go check out some videos. Again, do not do this

0:38:21.239 --> 0:38:24.120
<v Speaker 1>unless your parents say it's okay, and do it safely.

0:38:24.200 --> 0:38:27.520
<v Speaker 1>Don't be stupid and never ever throw any living thing

0:38:27.640 --> 0:38:30.120
<v Speaker 1>ever of any kind ever, or Josh and Chuck are

0:38:30.120 --> 0:38:33.000
<v Speaker 1>going to be so mad at you. Uh. And in

0:38:33.040 --> 0:38:38.960
<v Speaker 1>the meantime, let's listen to some listener Matt, all right,

0:38:40.120 --> 0:38:43.040
<v Speaker 1>I'm gonna call this, oh, welcome back to the fold.

0:38:43.520 --> 0:38:45.880
<v Speaker 1>This just delighted me. I like this one too. You

0:38:45.920 --> 0:38:48.680
<v Speaker 1>know in April it's gonna be ten years, which is

0:38:49.480 --> 0:38:54.120
<v Speaker 1>just nutty, nutty, nutty. No one ever thought we'd be

0:38:54.120 --> 0:38:57.239
<v Speaker 1>doing this so long. Jerry has an age today, now

0:38:57.360 --> 0:39:03.360
<v Speaker 1>she hasn't, but she's taken up more clothes as the podcasts. Uh,

0:39:03.560 --> 0:39:05.439
<v Speaker 1>she's getting ready for a gig as a target girl.

0:39:06.880 --> 0:39:11.560
<v Speaker 1>Um all right, guys, um, and Jerry, whoever, whoever else

0:39:11.560 --> 0:39:14.360
<v Speaker 1>that Stuff you should Know might actually be reading this.

0:39:14.840 --> 0:39:16.719
<v Speaker 1>I don't know how famil works, is what she says.

0:39:17.239 --> 0:39:20.200
<v Speaker 1>This is how it works. Yeah, we read it. I realized, um,

0:39:20.840 --> 0:39:23.279
<v Speaker 1>that the most I'm realistically going to achieve by stating this.

0:39:23.600 --> 0:39:26.280
<v Speaker 1>It's making you feel old. But when I was eleven

0:39:26.360 --> 0:39:29.239
<v Speaker 1>years old in two thousand eleven, Stuff you Should Know

0:39:29.320 --> 0:39:32.200
<v Speaker 1>was my favorite podcast and listen to every episode. Kept

0:39:32.200 --> 0:39:34.000
<v Speaker 1>on listening for a couple of years until I was

0:39:34.080 --> 0:39:38.319
<v Speaker 1>thirteen when I stopped listening to it, because that's all

0:39:38.400 --> 0:39:40.480
<v Speaker 1>we lose them is when they get too cool for school.

0:39:40.560 --> 0:39:43.879
<v Speaker 1>That's right. So for those those of your teenagers who

0:39:43.880 --> 0:39:47.120
<v Speaker 1>have kept listening through your teen years, we think you're cool.

0:39:47.280 --> 0:39:49.879
<v Speaker 1>You're doing it right. Your peers probably don't, but we do.

0:39:50.920 --> 0:39:53.120
<v Speaker 1>I have no idea why I stopped guys up until today.

0:39:53.120 --> 0:39:55.080
<v Speaker 1>I actually figured you guys must have stopped making it,

0:39:55.520 --> 0:39:57.880
<v Speaker 1>and I never bothered to go back and check until today.

0:39:58.160 --> 0:40:01.160
<v Speaker 1>Isn't that funny to think back? To think that someone

0:40:01.200 --> 0:40:05.319
<v Speaker 1>can think back like, oh remember those guys? Like how

0:40:05.360 --> 0:40:09.319
<v Speaker 1>long a daily? Weekly life? So funny. I'm not sure

0:40:09.320 --> 0:40:12.319
<v Speaker 1>how to properly put how I feel into words, though, Uh,

0:40:12.640 --> 0:40:14.920
<v Speaker 1>because not a lot else from when I was that

0:40:15.040 --> 0:40:18.080
<v Speaker 1>age still exist. I grew up with the Internet, but

0:40:18.120 --> 0:40:20.439
<v Speaker 1>poking around Google and looking for old sites I used

0:40:20.440 --> 0:40:24.520
<v Speaker 1>to just uh, it reveals a trail of deleted accounts

0:40:24.560 --> 0:40:28.200
<v Speaker 1>and domain names that no longer resolve. What does she

0:40:28.280 --> 0:40:30.840
<v Speaker 1>find an old computer or something? I don't know. Maybe

0:40:31.080 --> 0:40:33.440
<v Speaker 1>she's definitely taking a trip down memory lane. I know, man,

0:40:33.520 --> 0:40:35.759
<v Speaker 1>I've moved countries, so most of my physical stuff was

0:40:35.760 --> 0:40:38.680
<v Speaker 1>either given away or thrown into a landfill across the Atlantic.

0:40:38.680 --> 0:40:40.840
<v Speaker 1>The fact that stuff you should know still exists and

0:40:40.840 --> 0:40:43.680
<v Speaker 1>it's still making episodes that are just as good as

0:40:43.760 --> 0:40:48.280
<v Speaker 1>I remember them being as incredible. Wow, this is crazy.

0:40:48.320 --> 0:40:50.440
<v Speaker 1>This is from Hazel. She has to We have a

0:40:50.440 --> 0:40:53.640
<v Speaker 1>po box as you can send some Jofa cakes. Oh

0:40:53.719 --> 0:40:56.320
<v Speaker 1>this I don't remember if I gave Hazel or address,

0:40:57.120 --> 0:40:59.520
<v Speaker 1>well please do. But Hazel, if you're right back, we'll

0:40:59.520 --> 0:41:01.320
<v Speaker 1>give you our dress and we can get some chopic cakes.

0:41:01.520 --> 0:41:05.160
<v Speaker 1>Thanks for coming back. Yeah, we appreciate that. We're glad

0:41:05.200 --> 0:41:08.040
<v Speaker 1>to have kept the home fires burning for you there, Hazel.

0:41:08.160 --> 0:41:11.320
<v Speaker 1>I'd like to hear from Sarah. Sarah Sparrow, the amazing

0:41:11.960 --> 0:41:14.600
<v Speaker 1>ninety year old fan. Yeah, she's eleven years old. I

0:41:14.600 --> 0:41:16.520
<v Speaker 1>think she was at the time. No, she was like

0:41:17.080 --> 0:41:20.399
<v Speaker 1>was she like eight or nine? Yeah, I can't remember

0:41:20.440 --> 0:41:23.520
<v Speaker 1>when she started. Yeah, but she was really young. Yeah

0:41:23.680 --> 0:41:26.000
<v Speaker 1>she became a cool teenage, she definitely did. But maybe

0:41:26.040 --> 0:41:29.680
<v Speaker 1>she'll become an actually cool college student in Yeah. Well

0:41:29.719 --> 0:41:33.080
<v Speaker 1>thanks a lot, Hazel. Uh, if you left us and

0:41:33.120 --> 0:41:35.080
<v Speaker 1>came back and thought it was as good as ever,

0:41:35.280 --> 0:41:37.799
<v Speaker 1>we can hear that stuff all day long. You can

0:41:37.840 --> 0:41:40.360
<v Speaker 1>tweet to us at josh um Clark or s Y

0:41:40.520 --> 0:41:43.719
<v Speaker 1>s K podcast. You can join us on Facebook dot com,

0:41:43.760 --> 0:41:46.799
<v Speaker 1>slash Charles W. Chuck Bryant, or slash stuff You Should Know.

0:41:47.120 --> 0:41:49.239
<v Speaker 1>You can send us an email The Stuff podcast at

0:41:49.239 --> 0:41:51.400
<v Speaker 1>how stuff works dot com and has always joined us

0:41:51.400 --> 0:41:58.360
<v Speaker 1>at her home on the web. Stuff You shnow dot com.

0:41:58.400 --> 0:42:00.840
<v Speaker 1>For more on this and thousands of other topics. Is

0:42:00.840 --> 0:42:12.080
<v Speaker 1>it how stuff works dot com mhm