WEBVTT - The Voice of BUGS BUNNY Can Freaking Draw!

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<v Speaker 1>Hey, everybody, I'm Welfer. I'm Christy Carlson Romano, and welcome

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<v Speaker 1>to I Hear Voices. It's a podcast that we're also

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<v Speaker 1>filming on my YouTube channel, and it's going to be

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<v Speaker 1>every week where we're interviewing the most iconic voiceover actors

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<v Speaker 1>of all time. That's right. We're gonna be able to

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<v Speaker 1>put some of the names with the faces and the

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<v Speaker 1>faces with the voices of all the people that you

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<v Speaker 1>grew up watching from some of the most iconic animated

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<v Speaker 1>characters in the history of television and film. Who is

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<v Speaker 1>our guest today? Our guest today? We are starting big, folks,

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<v Speaker 1>we are starting really really big. Uh. Let's say bugs money.

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<v Speaker 1>Let's say Daffy Duck. Let's say twee tweety bird. Let's

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<v Speaker 1>say Marvin the Martian. Let's say gijoel say g I Joe.

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<v Speaker 1>Let's say there's too many to count. Eric Bowsa is here.

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<v Speaker 1>Let's get into it. I hear voice. Do you know

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<v Speaker 1>who we're here with. We're here with Derik Bowsa. Yeah,

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<v Speaker 1>I do. Yeah, you play everyone well, you know, I

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<v Speaker 1>wouldn't say that I am lucky to just at the

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<v Speaker 1>before the before times to leave the house we called

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<v Speaker 1>we called b c T here before. Uh yeah, I

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<v Speaker 1>mean I wouldn't say everyone because there's there's so many

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<v Speaker 1>rules for everyone. Yes, but you play most of them,

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<v Speaker 1>which is the joy of it. This is the wonderfulness. Well,

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<v Speaker 1>I mean at least the ones that um, I like

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<v Speaker 1>to say helped raise me as a child, which is good. Yeah,

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<v Speaker 1>which is incredib Well, first of all, I would read

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<v Speaker 1>we'll get into some of your your credits here. Um,

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<v Speaker 1>I'd read them all, but we've only got an hour.

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<v Speaker 1>Reading Eric Bows's credits is like reading you know, Jay

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<v Speaker 1>Lenos car list. It's like there should be four but

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<v Speaker 1>there's eight hundreds, which, by the way, you could catch

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<v Speaker 1>him every Tuesday's eating a chicken sandwich at Chick fil

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<v Speaker 1>A in Bourbe learned every single Tuesday. Well, actually, sad story,

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<v Speaker 1>happy story, and uncle of mine passed away recently. That's

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<v Speaker 1>the sad part. The good part is that he was

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<v Speaker 1>a hoarder, just like me, and when he left, he

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<v Speaker 1>left all of his things behind, including this old junker

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<v Speaker 1>of a car, which was a nineteen Pontiac gt O

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<v Speaker 1>with the top down that actually transported him from Toronto, Ontario,

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<v Speaker 1>Canada in in the late sixties early seventies to l A.

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<v Speaker 1>And he's the very same uncle that told me that

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<v Speaker 1>I should move here to work in voice. So when

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<v Speaker 1>he passed away, um, you know, it wasn't like it

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<v Speaker 1>was left for anyone. It was just left. It was

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<v Speaker 1>just left behind. And I talked to my other uncle

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<v Speaker 1>who lives very far away in a land called Orange County,

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<v Speaker 1>and so does anyone want you need a passport and

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<v Speaker 1>an extra from there? That's why, Yeah, exactly, passport, the

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<v Speaker 1>Genie Pass. They call it out no more fast passes.

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<v Speaker 1>It called the Genie Pass. Wow, you would think they'd

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<v Speaker 1>go with Lightning McQueen pass genius, you know, one one

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<v Speaker 1>of the roles that you didn't play. Yeah on the show.

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<v Speaker 1>You know, I know this is the way of the

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<v Speaker 1>voice of artists. As we start five conversations at the

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<v Speaker 1>same time the car, I'll go back in order. So

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<v Speaker 1>the car, I asked my other uncle, is anyone what

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<v Speaker 1>are we doing with this thing? And they he pretty

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<v Speaker 1>much said, it's all yours if you want. You know,

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<v Speaker 1>this thing it was not in pieces, but it was

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<v Speaker 1>definitely as we said. As a car person, you say,

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<v Speaker 1>needs some love fixer. Uh, But talking about Disney. I

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<v Speaker 1>think you're born on one side of the fence, the

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<v Speaker 1>Disney side or the Warner Brothers. Yeah, and I you know,

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<v Speaker 1>I feel like I'm talking to do to Disney kids.

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<v Speaker 1>Quite No. I actually I was a very big loony

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<v Speaker 1>tune you Yeah. Yeah, I have to say, was parked

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<v Speaker 1>in front of the TV for hours and I was

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<v Speaker 1>watching looney Tunes and then it became like more of

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<v Speaker 1>the ren and stimpy, you know what. Woodpecker was my

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<v Speaker 1>jam growing up until I until I got a little

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<v Speaker 1>older and found G. I. Joe, which you've done, But

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<v Speaker 1>until I found G I. Joe at like seven or eight,

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<v Speaker 1>Woody Woodpecker was my thing. Yeah, he was. He was

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<v Speaker 1>a troublemaker. Yeah, And I was kind of like, is

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<v Speaker 1>he a Loony tune? Is he a Hannah Barbara character?

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<v Speaker 1>I couldn't tell him. He was his own little thing.

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<v Speaker 1>And not even like um like Jay Word cartoons like

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<v Speaker 1>Rocky and Bully, they kind of looked like like Hanna Barbara,

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<v Speaker 1>very limited style. But what he kind of was in

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<v Speaker 1>that era of like full animation until like it hit

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<v Speaker 1>the nineties and then it was a little bit more limited. Yeah.

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<v Speaker 1>Now it's like very rare that you would get like

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<v Speaker 1>full animation coming from Woody unless Woody Woodpecker is a

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<v Speaker 1>feature film. When you say limited for those out there

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<v Speaker 1>that may not be. Yeah, so like full animation, like

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<v Speaker 1>classic Looney Tunes where it's like they spent like nine

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<v Speaker 1>months making one of those animated shorts, the seven minute ones,

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<v Speaker 1>What's opera doc or any of like the classic ones,

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<v Speaker 1>and none of that was sent overseas. That was all

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<v Speaker 1>done in Hollywood, in Burbank, all by hand, all nothing.

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<v Speaker 1>And you know, us modern artists looked to that as

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<v Speaker 1>a reference, and I'm like, what were they looking at

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<v Speaker 1>when they were making these cartoons? What kind of things

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<v Speaker 1>were in their head they are doing? They were listening

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<v Speaker 1>to the voices and there they probably did like a

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<v Speaker 1>lot of unfiltered tobacco smoking indoors in the ceiling, drinking

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<v Speaker 1>at eleven am their inspiration. Well, actually, do you have um,

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<v Speaker 1>do you have any sort of like has anyone really

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<v Speaker 1>brought you into how Mel sort of conceived of all

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<v Speaker 1>of that or I mean his process was not. I

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<v Speaker 1>mean I think we all have been a part of

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<v Speaker 1>that process. If we're talking about an original idea in

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<v Speaker 1>that sense, yes, if there was an original cartoon show

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<v Speaker 1>with original characters. I'm thinking about something like Uncle Grandpa,

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<v Speaker 1>which was kind of like a very wacky, whimsical cartoon

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<v Speaker 1>network type show. I played a talking Fannie Pack named

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<v Speaker 1>belly Bang, and uh, I was like, I wonder what

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<v Speaker 1>his you know, like what a talking Fannie Pack would

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<v Speaker 1>sound like. And my inspiration for that was like what

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<v Speaker 1>I would sound like if I were a Muppet character.

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<v Speaker 1>So I kind of had this weird voice that sounded

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<v Speaker 1>like this that he immediately became the Lisa Simpson of

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<v Speaker 1>the show. Like no one liked him. They're like, well,

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<v Speaker 1>no one really likes Fannie Packs, right, Like they're coming back.

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<v Speaker 1>Apparently there's gonna be a big there. I see one

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<v Speaker 1>in the in the there they're coming back, So they're

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<v Speaker 1>coming back. That's exactly you could put some VHS was yes, yes,

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<v Speaker 1>but yeah in that sense, yes, original, But as far

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<v Speaker 1>as legacy characters, you know, I guess you kind of

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<v Speaker 1>just want to stay as close to the original character

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<v Speaker 1>as possible, only because so many people, especially for talking

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<v Speaker 1>about Bugs, who's like eighty one years old, they all

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<v Speaker 1>know him like they know, like a relative. It's like,

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<v Speaker 1>you know, like, well helped raise generations, but funny helped

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<v Speaker 1>to raise generations of kids. It's again, if you're looking

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<v Speaker 1>at the Warner brother side, you're looking at it's the equivalent.

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<v Speaker 1>You know, you look at someone like Jim Jim Cummings

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<v Speaker 1>and Winnie the Pooh, it's like, it's pretty insane, Like

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<v Speaker 1>how amazing some of my inspirational you know who I

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<v Speaker 1>look up to, like the Billy West's or the Coummings

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<v Speaker 1>of the world, or you know, even someone like Tara

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<v Speaker 1>Strong who does Rocky now for Rocky and Bowling Culture,

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<v Speaker 1>and she does she does her best voice match to

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<v Speaker 1>June four A. But let's go into the beginning. Well,

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<v Speaker 1>that's the thing I wanted to talk to you about,

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<v Speaker 1>because you didn't start as a voice actor. You started

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<v Speaker 1>as an artist, didn't you. I started out as a

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<v Speaker 1>production assistant, and then I slowly started to move away

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<v Speaker 1>from that until like kind of production manager. I know

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<v Speaker 1>how photocopier works pretty good at that, changing the Xerox cartridges.

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<v Speaker 1>But yeah, like production assisting and then like editing I

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<v Speaker 1>was doing. I was editing animatics and sound effects. Had

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<v Speaker 1>you had any schooling prior though, like when your uncle

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<v Speaker 1>told you to come down to California. It was basically

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<v Speaker 1>to fix and take care of his lawn. And then

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<v Speaker 1>and then he saw that I could act, like what

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<v Speaker 1>is that a pencil? Was like yes, but yeah it was.

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<v Speaker 1>It was because he knew that I like to draw

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<v Speaker 1>and and and that was a hobby, you know that

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<v Speaker 1>we're talking about like middle school, elementary school is when

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<v Speaker 1>he first started sending me newspaper I still have all

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<v Speaker 1>these l A Times newspaper clippings of like how well

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<v Speaker 1>the Little Mermaid did in the box office, you know,

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<v Speaker 1>like here's something that you might find interesting and an

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<v Speaker 1>idea thing you should come down here. So he was

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<v Speaker 1>like your mentor kind of yeah, you know, aside from

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<v Speaker 1>the support of my parents, who were you know, you're

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<v Speaker 1>talking about immigrants from the Philippines that were like trying

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<v Speaker 1>to find a better life. And at that time, you know,

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<v Speaker 1>late sixties, early seventies, and I'm sure you can attest

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<v Speaker 1>from your folks advice. The better job was go to school,

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<v Speaker 1>become a lawyer, become a doctor. Yeah, that's all we got.

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<v Speaker 1>That's it. Going to dead yeah, yeah, no job after

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<v Speaker 1>the fixed people or soup people, that's that's that's that

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<v Speaker 1>was it were your parents first generation. Yeah, they were,

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<v Speaker 1>they were born and raised. I was not. I was

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<v Speaker 1>born in Toronto. I've never been to the Philippines. If

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<v Speaker 1>I went, I would stick out like a sore thumb.

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<v Speaker 1>I'm sure you were like that guy eats. So you

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<v Speaker 1>were interested in the animation then you you were watching it.

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<v Speaker 1>Would you remember watching your first Bugs Buddy cartoon or

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<v Speaker 1>you know again eighties and nineties, right, we were exposed

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<v Speaker 1>to some of the first way as of Looney Tunes

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<v Speaker 1>in syndication, So it was kind of like a Saturday

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<v Speaker 1>morning thing where you're like, wow, like these are really

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<v Speaker 1>good cartoons, and then they would be shown right next

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<v Speaker 1>to you know, like the eighties PLC they call them

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<v Speaker 1>program length commercials, which are kind of like I mean,

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<v Speaker 1>Ducktails was really cool because it was like comic strip.

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<v Speaker 1>But you're talking more which which we worked on all

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<v Speaker 1>that kind of stuff. Let's yeah, and and boy did

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<v Speaker 1>it work even Jim and Jim, So were you when

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<v Speaker 1>you were a kid that great? Were silver Hawks? Let

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<v Speaker 1>we could get it. So when when you were a

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<v Speaker 1>kid then, were you more Bugs Bunny or were you

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<v Speaker 1>more g I Joe Transformers? It would have to be

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<v Speaker 1>like a photo finish. It would have to be like

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<v Speaker 1>a two way time because I I liked it all,

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<v Speaker 1>like for the most part, like they didn't really have

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<v Speaker 1>many Bugs Bunny or Looney Tunes toys. I think I

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<v Speaker 1>had one bendable Bugs Bunny toy. Yeah, they didn't really know.

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<v Speaker 1>They had this the PVC kind of like and you'd

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<v Speaker 1>go by as many as you could, and you had

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<v Speaker 1>like you get the Smurf village and somebody be like,

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<v Speaker 1>here's Gargament and you be like, I don't really want

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<v Speaker 1>that one, but that's what you But it was all

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<v Speaker 1>the toys were all the action awesome g I Joe

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<v Speaker 1>talk about all this kind of stuff where you needed

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<v Speaker 1>every little figure and then you lose the gun in

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<v Speaker 1>like two seconds. And but yeah, I mean I liked

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<v Speaker 1>it all, but definitely like there was something magical to

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<v Speaker 1>me about Bugs Bunny and Looney Tunes and and just

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<v Speaker 1>the characters. There are such solid characters, like you know,

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<v Speaker 1>and it was such a simple set up to I

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<v Speaker 1>think that's what it was. It was very easy to

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<v Speaker 1>to really I think sink your teeth into uh. And

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<v Speaker 1>that's why it's tough when you watch some of these

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<v Speaker 1>classic characters try to expand and you know, and again

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<v Speaker 1>I'm guilty. I'm part of almost all the reboots seeing

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<v Speaker 1>it in different variations. You know, I've been a part

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<v Speaker 1>of Looney Tunes in a big feature film. I've been

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<v Speaker 1>a part of Looney Tunes in a in a Jordan

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<v Speaker 1>Nike shoo commercial. And I've been a part of Looney

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<v Speaker 1>Tunes where the twenty two minute like animated sitcom where

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<v Speaker 1>you know, Bugs and Daffy are roommates in a neighborhood.

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<v Speaker 1>So what's different You are both of them, right, Not me?

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<v Speaker 1>That was actually Jeff Bergman. It was Yeah, that was

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<v Speaker 1>Mr Jeff Bergman, who was like one of the the

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<v Speaker 1>first guy to I would have to say again another

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<v Speaker 1>if you're a nerd like me and you and you

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<v Speaker 1>keep a rolling decks of oh yeah, I'm working on

0:12:23.080 --> 0:12:26.640
<v Speaker 1>my nerd dumb though you're trying to become, you're between

0:12:26.679 --> 0:12:29.880
<v Speaker 1>two nerds, should be the name. That's one of the things.

0:12:29.880 --> 0:12:31.599
<v Speaker 1>One of the reasons we did this is because she's like,

0:12:31.640 --> 0:12:34.920
<v Speaker 1>we're doing It's the twenty anniversary Compossible and congratulations to

0:12:35.000 --> 0:12:37.439
<v Speaker 1>you guys the way, and we're talking about all that,

0:12:37.520 --> 0:12:39.199
<v Speaker 1>and then she's doing Big Hero six and then we're

0:12:39.200 --> 0:12:40.920
<v Speaker 1>talking about animation and I'm going off on her and

0:12:40.960 --> 0:12:42.480
<v Speaker 1>she's like, you know, for all the animation I do,

0:12:42.520 --> 0:12:44.120
<v Speaker 1>I don't really know much about it. And I was like, a,

0:12:45.200 --> 0:12:47.520
<v Speaker 1>so you're like the Charlie Adler type who like I'm

0:12:47.559 --> 0:12:50.040
<v Speaker 1>sitting there talking to Charlie Adler at a session nerding

0:12:50.040 --> 0:12:52.880
<v Speaker 1>out about like tiny tuons. He's like, I don't care.

0:12:53.200 --> 0:12:56.040
<v Speaker 1>I just you know, I hang my coat up and

0:12:56.080 --> 0:12:58.160
<v Speaker 1>I go, you know, like you know, and that's a

0:12:58.200 --> 0:13:00.320
<v Speaker 1>great way to do. It's a quick way the loose.

0:13:00.480 --> 0:13:02.760
<v Speaker 1>I care because you're right, it is probably a great

0:13:02.760 --> 0:13:05.680
<v Speaker 1>way to But we love to talk about getting married

0:13:05.720 --> 0:13:09.000
<v Speaker 1>and buried in this Dino exactly that, which is how

0:13:09.040 --> 0:13:13.600
<v Speaker 1>I'm the the what was that fan? Yeah, the flint

0:13:13.640 --> 0:13:19.920
<v Speaker 1>Stone bam bam, and about it working on it, you

0:13:19.920 --> 0:13:21.680
<v Speaker 1>know what. You know what though, here's the thing, Okay,

0:13:22.360 --> 0:13:24.600
<v Speaker 1>my childhood was was kind of wrapped up in the theater,

0:13:24.640 --> 0:13:26.240
<v Speaker 1>so I kind of say that I'm a theater nerd.

0:13:26.360 --> 0:13:29.680
<v Speaker 1>So I didn't get a lot of exposure to I

0:13:29.720 --> 0:13:32.360
<v Speaker 1>didn't have that extra afternoon time. A lot of time

0:13:32.360 --> 0:13:35.400
<v Speaker 1>it was after I came home, and I remember, no,

0:13:35.480 --> 0:13:37.840
<v Speaker 1>I didn't have friends, not no, No, our friends are

0:13:37.880 --> 0:13:39.520
<v Speaker 1>on the TV. No, I didn't. I think it was

0:13:39.559 --> 0:13:41.320
<v Speaker 1>because I was going back and forth because I started

0:13:41.480 --> 0:13:43.000
<v Speaker 1>at six, and so I was back and forth on

0:13:43.040 --> 0:13:44.720
<v Speaker 1>the train a lot. So I didn't have access to

0:13:44.800 --> 0:13:47.120
<v Speaker 1>TV until I got home, and it was about six

0:13:47.120 --> 0:13:48.640
<v Speaker 1>o'clock at night, and my mom went straight to the

0:13:48.720 --> 0:13:50.680
<v Speaker 1>kitchen to make dinner for everybody. And at that time,

0:13:50.880 --> 0:13:53.679
<v Speaker 1>but was in syndication. I wasn't six. I think it

0:13:53.800 --> 0:13:55.839
<v Speaker 1>was more like eight, ten years old. Stuff like that.

0:13:56.400 --> 0:13:58.800
<v Speaker 1>Thirty seven right now, but I'll be thirty eight and

0:13:58.840 --> 0:14:05.840
<v Speaker 1>a couple of goods for young people. Have you seen

0:14:05.880 --> 0:14:09.880
<v Speaker 1>my shoes? They looked like coffins, Like, you're still younger

0:14:09.880 --> 0:14:12.840
<v Speaker 1>than me, though, I think, uh, maybe are we going

0:14:12.880 --> 0:14:17.600
<v Speaker 1>to go down this guy? Are we gonna I'm turning

0:14:17.840 --> 0:14:24.320
<v Speaker 1>uh three this year? Oh, I'm gonna okay in the world,

0:14:24.360 --> 0:14:26.560
<v Speaker 1>you guys look so dang young. Why is it that

0:14:26.600 --> 0:14:29.000
<v Speaker 1>guy is always age in reverse? It's I don't think

0:14:29.040 --> 0:14:33.000
<v Speaker 1>that's true. Five years ago, I'm gonna steal a friend

0:14:33.000 --> 0:14:34.840
<v Speaker 1>of mine's joke because it was the greatest joke in

0:14:34.840 --> 0:14:36.200
<v Speaker 1>the world. She always says, you know, I went to

0:14:36.240 --> 0:14:38.920
<v Speaker 1>my kindergarten reunion and I was really embarrassed because I

0:14:38.920 --> 0:14:41.640
<v Speaker 1>put on like a hundred pounds and I always thought

0:14:41.680 --> 0:14:43.200
<v Speaker 1>that was just the greatest thing in the world. Because

0:14:43.280 --> 0:14:45.360
<v Speaker 1>we don't really don't know what ages the reverse. We're

0:14:45.400 --> 0:14:47.720
<v Speaker 1>all looking like that's Wendy leaving by the way, but

0:14:47.760 --> 0:14:50.840
<v Speaker 1>we we all still jokes. You don't know. I know,

0:14:51.000 --> 0:14:54.360
<v Speaker 1>I say, who might do? You've always credited? But okay,

0:14:54.360 --> 0:14:57.320
<v Speaker 1>so back to them too. I mean, like when he's

0:14:57.320 --> 0:14:59.600
<v Speaker 1>growing up, you're learning about Looney Tunes, you're being exposed

0:14:59.640 --> 0:15:01.440
<v Speaker 1>all of sudd then you're starting to pick up a pencil,

0:15:01.480 --> 0:15:03.040
<v Speaker 1>you said, and then you're starting to draw the thing.

0:15:03.080 --> 0:15:06.440
<v Speaker 1>You're a pretty phenomenal artist. I could draw right now

0:15:06.480 --> 0:15:11.600
<v Speaker 1>for you. And that's another one of them. But yeah,

0:15:11.640 --> 0:15:14.440
<v Speaker 1>I mean like it was one of those things where

0:15:14.480 --> 0:15:17.680
<v Speaker 1>where it was it was like a little bit of

0:15:17.720 --> 0:15:22.920
<v Speaker 1>the the art. Just give him a post it note.

0:15:22.960 --> 0:15:26.720
<v Speaker 1>Watch it's going to happen. Elizabeth's got it. Elizabeth does

0:15:26.760 --> 0:15:30.920
<v Speaker 1>everything you did offer did. I just don't also want

0:15:30.920 --> 0:15:36.120
<v Speaker 1>to like damage your table. You have a sharpie, then

0:15:36.160 --> 0:15:37.880
<v Speaker 1>I would need a second piece of paper. But you

0:15:37.920 --> 0:15:39.520
<v Speaker 1>know what, let's just do it like this, Let's just

0:15:39.560 --> 0:15:43.440
<v Speaker 1>do it. So I mean it's like, see you haven't.

0:15:43.480 --> 0:15:45.600
<v Speaker 1>I didn't. I don't want to. Like lacquer, He's the

0:15:45.640 --> 0:15:47.520
<v Speaker 1>guy when you're at a party and they go, hey,

0:15:47.560 --> 0:15:49.520
<v Speaker 1>you know we're gonna play picton and like Eric's team

0:15:51.280 --> 0:15:55.520
<v Speaker 1>pizza hasn't arrived and the magician hasn't showed up. Here's another,

0:15:55.680 --> 0:15:58.000
<v Speaker 1>here's is this one better? This is a little penny thing?

0:15:59.120 --> 0:16:04.200
<v Speaker 1>This is this is it's Marvin the Marsha. Yes, he's

0:16:04.320 --> 0:16:08.760
<v Speaker 1>a bowling bowl with a spartan helmet on. And I

0:16:08.800 --> 0:16:12.120
<v Speaker 1>did that all off microphone? How unprofessional? When when I

0:16:12.160 --> 0:16:14.600
<v Speaker 1>am in animation mode, it's kind of like you kind

0:16:14.600 --> 0:16:19.640
<v Speaker 1>of like lose all how fast? Exception of time? Marvin

0:16:19.680 --> 0:16:23.560
<v Speaker 1>the Martian? Uh right here, you could buy this for

0:16:23.680 --> 0:16:28.880
<v Speaker 1>only keeping it anything person. We got one better, and

0:16:28.960 --> 0:16:36.600
<v Speaker 1>it's Eric's mother. But are you marshall, since we're talking,

0:16:36.600 --> 0:16:38.600
<v Speaker 1>since you as you're signing that, because we haven't really

0:16:38.600 --> 0:16:40.880
<v Speaker 1>said this out loud, what the heck? Let's just start

0:16:40.920 --> 0:16:44.240
<v Speaker 1>listing some stinks. Okay, yes, Earth Creature if I'm right,

0:16:44.280 --> 0:16:48.400
<v Speaker 1>bugs Bunny, that's right, Doc, what's up? I hear voices too?

0:16:48.720 --> 0:16:52.120
<v Speaker 1>And ain't I stink it? Oh? I see you got

0:16:52.120 --> 0:16:56.280
<v Speaker 1>Marvin's good side, Daffy Duck. Yes, I would do it,

0:16:56.320 --> 0:16:59.960
<v Speaker 1>but it's not a pandemic friendly voice. I'm so glad

0:17:00.000 --> 0:17:04.520
<v Speaker 1>we're at least six feet away from my bill Tweetie. Oh,

0:17:04.680 --> 0:17:09.040
<v Speaker 1>I thought I taught a very highly decorated table. Marvin

0:17:09.080 --> 0:17:12.679
<v Speaker 1>the Martian. Yes, I believe we've done this one already,

0:17:12.960 --> 0:17:15.760
<v Speaker 1>but for for the sake of the show Earth Creature,

0:17:15.840 --> 0:17:20.719
<v Speaker 1>I'll do it again. Woody Woodpecker. That's it. That's all

0:17:20.760 --> 0:17:22.680
<v Speaker 1>I can do. You know already I was like, oh,

0:17:22.720 --> 0:17:24.760
<v Speaker 1>my nose is going to start bleeding. That's like one

0:17:24.760 --> 0:17:27.120
<v Speaker 1>of those like he need to be facing the wall

0:17:27.160 --> 0:17:30.399
<v Speaker 1>when I do this voice, Porky Pig, I did it

0:17:30.440 --> 0:17:34.320
<v Speaker 1>for a speed a space jam, but that honor usually

0:17:34.400 --> 0:17:37.240
<v Speaker 1>falls upon Mr Bob Bergen. He's he's one of those

0:17:37.320 --> 0:17:40.200
<v Speaker 1>guys that I feel like he's he's turned it into

0:17:40.680 --> 0:17:45.040
<v Speaker 1>an art form, uh and and and has done it justice.

0:17:45.280 --> 0:17:47.840
<v Speaker 1>But you did it in a little film called Little

0:17:48.359 --> 0:17:51.160
<v Speaker 1>It was a little independent, little independent film that we're

0:17:51.200 --> 0:17:55.800
<v Speaker 1>hoping to it's gonna maybe wreak out. I believe it

0:17:55.880 --> 0:18:01.440
<v Speaker 1>was about soccer. This time exactly be Valley Valley Quiet.

0:18:01.520 --> 0:18:05.800
<v Speaker 1>I'm hunting Webb, but who I think if they ever

0:18:05.840 --> 0:18:08.399
<v Speaker 1>did a live action movie, it could be Seth broken

0:18:08.960 --> 0:18:16.400
<v Speaker 1>definitely very quiet, like he has them hunting Webb. Yeah,

0:18:16.440 --> 0:18:20.560
<v Speaker 1>he actually could. You're going to do all Seth if

0:18:20.640 --> 0:18:22.960
<v Speaker 1>you know, John c Riley could be a good omer

0:18:23.000 --> 0:18:26.639
<v Speaker 1>fund yeah, you know, or or a good record Ralph

0:18:28.880 --> 0:18:32.399
<v Speaker 1>Puss in boots. That is correct, aim a voice match

0:18:32.840 --> 0:18:36.960
<v Speaker 1>for Antonio banderis for pooss in boots. Yeah, and that

0:18:37.440 --> 0:18:40.399
<v Speaker 1>the voice match not an ab match, you know, like

0:18:40.440 --> 0:18:43.320
<v Speaker 1>I can't do the abs of Antonio or the bank account,

0:18:43.359 --> 0:18:45.040
<v Speaker 1>but I can definitely copy the voice. I have a

0:18:45.119 --> 0:18:46.600
<v Speaker 1>question for you, because we could. We could be here

0:18:46.640 --> 0:18:48.640
<v Speaker 1>all day, which I could easily do and just nerd

0:18:48.680 --> 0:18:51.679
<v Speaker 1>out and be so totally happy. But my question is

0:18:53.040 --> 0:18:55.160
<v Speaker 1>every single thing you watch growing up, did you try

0:18:55.200 --> 0:18:58.840
<v Speaker 1>to mimic? I think almost every child does at some point, right,

0:18:58.880 --> 0:19:03.800
<v Speaker 1>like when you're watching No, Yeah, I think that's the thing.

0:19:03.880 --> 0:19:07.919
<v Speaker 1>It's like it's kids just they'll they'll do voices or

0:19:08.280 --> 0:19:10.840
<v Speaker 1>think that they're doing good voices and they're not because

0:19:10.880 --> 0:19:15.160
<v Speaker 1>their kids when they he does. And you know what's

0:19:15.200 --> 0:19:17.560
<v Speaker 1>crazy about my son is that he knows the difference

0:19:17.600 --> 0:19:20.200
<v Speaker 1>between like when I'm doing it or mel blank or

0:19:20.760 --> 0:19:24.199
<v Speaker 1>so he's got yeah. No, like uh, I was in

0:19:24.240 --> 0:19:27.000
<v Speaker 1>the kitchen making him a little lunch and he was

0:19:27.080 --> 0:19:29.120
<v Speaker 1>just just a few feet away in the living room

0:19:29.160 --> 0:19:32.320
<v Speaker 1>watching Fast and the Furious Spy Racers, which is like

0:19:32.320 --> 0:19:38.520
<v Speaker 1>an DreamWorks Netflix cartoon, and he goes Dad, and he

0:19:38.560 --> 0:19:40.439
<v Speaker 1>pauses it. He goes, is this you? And then he

0:19:40.480 --> 0:19:44.080
<v Speaker 1>rewinds it and it's this completely over as a top

0:19:44.160 --> 0:19:47.520
<v Speaker 1>chum and character that I was doing, and I forgot

0:19:47.560 --> 0:19:50.280
<v Speaker 1>that I did the episode and I go yes, and

0:19:50.320 --> 0:19:52.600
<v Speaker 1>I was like, I was like, oh my god, you

0:19:52.760 --> 0:19:54.760
<v Speaker 1>not only do you know my voices, but also the

0:19:54.760 --> 0:19:58.080
<v Speaker 1>bad ones, like the really bad acting. Well, our kids

0:19:58.080 --> 0:20:03.040
<v Speaker 1>are our greatest critics, absolute lutely absolutely like, yes, that

0:20:03.119 --> 0:20:08.520
<v Speaker 1>jacket does make you look Yes, I like, thank you know,

0:20:08.640 --> 0:20:10.320
<v Speaker 1>that's really cool. So he really does have the ear

0:20:10.359 --> 0:20:12.520
<v Speaker 1>because that's yeah, you know. But Eric is one of

0:20:12.520 --> 0:20:14.440
<v Speaker 1>those guys when we're reading all the things, you think

0:20:14.480 --> 0:20:16.520
<v Speaker 1>you're a voice over actor and you're like, I'm pretty

0:20:16.560 --> 0:20:18.880
<v Speaker 1>good at what I do, and then you sit next

0:20:18.880 --> 0:20:20.680
<v Speaker 1>to Eric and you go like, and now I'm going

0:20:20.720 --> 0:20:23.480
<v Speaker 1>to find something else to do. Here's the thing, though,

0:20:23.680 --> 0:20:26.520
<v Speaker 1>It's like, there are like the freaks that do you know,

0:20:26.880 --> 0:20:29.840
<v Speaker 1>weird impressions. But you know, I sit there. I listened

0:20:29.840 --> 0:20:33.959
<v Speaker 1>to yourself in a session and it's like, that's just

0:20:34.400 --> 0:20:40.000
<v Speaker 1>that's just solid acting, and that's really amazing. Imprompt Yeah,

0:20:40.000 --> 0:20:43.680
<v Speaker 1>oh my god, I wish that were actually accurately. You're

0:20:43.760 --> 0:20:47.440
<v Speaker 1>like the eternal leading man and everything that we play.

0:20:47.600 --> 0:20:51.520
<v Speaker 1>If he's my sidekick, though, that's true, you were the

0:20:51.560 --> 0:20:53.480
<v Speaker 1>leading you were you were by far the lead. And

0:20:55.280 --> 0:20:57.960
<v Speaker 1>if you if there's ever I have some really good

0:20:58.000 --> 0:21:00.320
<v Speaker 1>t for you. Okay, if there's a reboot of KP

0:21:01.080 --> 0:21:03.720
<v Speaker 1>Kim Possible, because you you know, oh yes, we've heard

0:21:03.720 --> 0:21:08.040
<v Speaker 1>some some grumblings. Yes, do you want to tell him? Well,

0:21:08.119 --> 0:21:13.359
<v Speaker 1>we just saw the We we worked with a director

0:21:13.400 --> 0:21:16.520
<v Speaker 1>who you are very familiar with, Miss Lisia Shaeffer. I

0:21:16.560 --> 0:21:18.639
<v Speaker 1>loved Death. She is the one who cast us on

0:21:18.760 --> 0:21:21.040
<v Speaker 1>Kim Possible. And we were talking about if, if, and

0:21:21.080 --> 0:21:23.960
<v Speaker 1>when there is a reboot of Kim Possible. Some of

0:21:24.000 --> 0:21:26.679
<v Speaker 1>the people she got on the show were just insanely

0:21:26.760 --> 0:21:29.399
<v Speaker 1>amazing and some unfortunately passed, and one of those is

0:21:29.480 --> 0:21:33.200
<v Speaker 1>Ricardo Montalba. Oh my god. So we were like, who

0:21:33.280 --> 0:21:36.080
<v Speaker 1>is going to play senior? Senior? Senior, And before we

0:21:36.119 --> 0:21:39.880
<v Speaker 1>even got it out. She was like, Eric, oh my god. Well,

0:21:40.000 --> 0:21:43.720
<v Speaker 1>Ricardo Montalban again is like one of those amazing performers

0:21:43.760 --> 0:21:46.119
<v Speaker 1>that you know once in a lifetime, like I was

0:21:46.160 --> 0:21:52.119
<v Speaker 1>old enough to see Fantasy Island and then in The

0:21:52.240 --> 0:21:57.280
<v Speaker 1>Naked Gun with Lisie. So yes, they said that you

0:21:57.280 --> 0:21:59.879
<v Speaker 1>would be casting. I mean it was Ricardo Montobon, Jean's

0:22:00.040 --> 0:22:04.760
<v Speaker 1>mart Gary Cole, some of the people. Yeah, now it's

0:22:04.840 --> 0:22:11.080
<v Speaker 1>just or another voice over artist, Christian Lance, who is phenomenal.

0:22:11.400 --> 0:22:15.840
<v Speaker 1>He also has a very spot on Antonio Ben Daris

0:22:16.119 --> 0:22:18.840
<v Speaker 1>and I believe if you, you know, do you guys

0:22:18.880 --> 0:22:21.000
<v Speaker 1>ever just sit around and do dueling. Ben Daris is well,

0:22:21.040 --> 0:22:24.880
<v Speaker 1>there was an episode of dul the Name of our

0:22:24.920 --> 0:22:29.400
<v Speaker 1>band back and forth. Yeah, we we actually kind of did,

0:22:29.400 --> 0:22:34.240
<v Speaker 1>because he did a very somewhat similar voice for Teenage

0:22:34.320 --> 0:22:38.320
<v Speaker 1>Mutant Ninja Turtles the two thousand twelve reboot. His character's

0:22:38.400 --> 0:22:42.920
<v Speaker 1>name was fish Face for the series, not for the Yeah,

0:22:43.480 --> 0:22:46.280
<v Speaker 1>and it was definitely like in the vein of an

0:22:46.280 --> 0:22:50.959
<v Speaker 1>Antonio or a Mr Montalban. And then they did another

0:22:51.960 --> 0:22:55.840
<v Speaker 1>recent reimagining of Ninja Turtles where they had us play

0:22:55.960 --> 0:23:01.560
<v Speaker 1>brothers and basically just do our Ben rrisa so it

0:23:01.680 --> 0:23:03.400
<v Speaker 1>was kind of funny to be in the same room

0:23:03.440 --> 0:23:10.080
<v Speaker 1>as UM and just hearing that. It was like, yeah,

0:23:10.480 --> 0:23:13.479
<v Speaker 1>Teenage mutan in Shurtals is the only TM that's what

0:23:13.480 --> 0:23:19.359
<v Speaker 1>the kids calling. Are you talking about? Yeah? Exactly. Only

0:23:19.720 --> 0:23:22.080
<v Speaker 1>show I watched growing up that I have never been

0:23:22.119 --> 0:23:26.119
<v Speaker 1>cast in even one line ever is Teenage Mutanturnals. That

0:23:26.160 --> 0:23:29.200
<v Speaker 1>blows my mind because I'm like, you would be amazing

0:23:29.280 --> 0:23:34.440
<v Speaker 1>as almost all close on every single role had never

0:23:34.640 --> 0:23:39.960
<v Speaker 1>once been cast, not even once. Is Leo though, come on, no, no, never.

0:23:40.840 --> 0:23:43.320
<v Speaker 1>I never thought that. Never as anyone. I've always come

0:23:43.359 --> 0:23:45.320
<v Speaker 1>close and never been able to that. Same with G

0:23:45.480 --> 0:23:48.040
<v Speaker 1>I Joe. I did two shows growing up that were

0:23:48.080 --> 0:23:51.240
<v Speaker 1>my favorite, and no G I Joe either I loved

0:23:51.240 --> 0:23:52.760
<v Speaker 1>because G I Joe was the best. It was like

0:23:52.920 --> 0:23:55.720
<v Speaker 1>and it's like it's so went, yeah, well that one

0:23:55.840 --> 0:23:57.959
<v Speaker 1>was like I have I remember the last time they

0:23:57.960 --> 0:24:00.080
<v Speaker 1>did like a g I. Well, weren't you in? You

0:24:00.119 --> 0:24:02.440
<v Speaker 1>were in resolute? I was in resolute. Yeah, I think

0:24:02.440 --> 0:24:03.800
<v Speaker 1>that was I think that was the last g I

0:24:04.119 --> 0:24:06.040
<v Speaker 1>they had something after that? Did they? Really? There was

0:24:06.080 --> 0:24:09.160
<v Speaker 1>another one? Which one was the is the one you did?

0:24:09.720 --> 0:24:12.520
<v Speaker 1>The one that Marsden was Duke or was that the

0:24:12.560 --> 0:24:15.000
<v Speaker 1>one after? I think that was the one after. Who

0:24:15.000 --> 0:24:18.600
<v Speaker 1>were you in Resolute? I was storm Shadow, Tunnel Rats

0:24:18.640 --> 0:24:22.840
<v Speaker 1>and destro of. Can I please hear your destro Uh?

0:24:22.920 --> 0:24:27.359
<v Speaker 1>You know it's crazy? I did? And Arthur author Burghart,

0:24:27.359 --> 0:24:31.040
<v Speaker 1>who was the original destro like this kind of voice,

0:24:31.280 --> 0:24:35.160
<v Speaker 1>but he's actually a Scottish arms dealer if you ever

0:24:39.000 --> 0:24:43.360
<v Speaker 1>are you guy? So I didn't author Burghart, but with

0:24:43.440 --> 0:24:49.959
<v Speaker 1>a Scottish action, so it almost added like Sean if

0:24:49.960 --> 0:24:54.800
<v Speaker 1>Sean Connery and Arnold Schwarzenegger. That's when anybody asked me

0:24:54.840 --> 0:24:56.600
<v Speaker 1>what role I would play? I would I always pick

0:24:56.720 --> 0:24:59.160
<v Speaker 1>Cobra commander, Cobra commander. I never, I've never. I don't

0:24:59.160 --> 0:25:00.639
<v Speaker 1>think I've ever played a bag in my life. He

0:25:00.680 --> 0:25:03.000
<v Speaker 1>would love to play They never have. They never happen

0:25:03.000 --> 0:25:04.840
<v Speaker 1>to play the bag guy. But but just your own

0:25:04.920 --> 0:25:11.400
<v Speaker 1>voice is like, sounds so nice under that mask. Can

0:25:11.440 --> 0:25:14.000
<v Speaker 1>we just maybe get Duke to lay down his arms

0:25:14.119 --> 0:25:16.240
<v Speaker 1>so he can try to take over the world. There

0:25:16.119 --> 0:25:20.480
<v Speaker 1>are people imagine like a big meeting, like with that

0:25:20.840 --> 0:25:23.360
<v Speaker 1>sound coming out of that helmet is like, okay, so

0:25:23.680 --> 0:25:26.520
<v Speaker 1>I just told you and I think that's pretty important.

0:25:26.720 --> 0:25:29.520
<v Speaker 1>The one role I would do if I had the opportunity.

0:25:29.680 --> 0:25:32.160
<v Speaker 1>Is there any role you've never done that you want

0:25:32.160 --> 0:25:38.200
<v Speaker 1>to do? Batman? Yeah, I've never been Batman. Now would

0:25:38.240 --> 0:25:40.679
<v Speaker 1>you be a new Batman like I was a new Batman?

0:25:40.760 --> 0:25:43.160
<v Speaker 1>Or would you be do you want to be Bruce? I? Well,

0:25:43.240 --> 0:25:46.760
<v Speaker 1>you know, I mean so many great questions. It's coming

0:25:46.800 --> 0:25:51.639
<v Speaker 1>for your job. No, I mean that better I would.

0:25:51.680 --> 0:25:54.479
<v Speaker 1>I mean, come on, Batman Beyond Like I grew up

0:25:54.480 --> 0:25:57.639
<v Speaker 1>watching like every day after school. That Warner Brothers block

0:25:57.800 --> 0:25:59.840
<v Speaker 1>for whatever is pretty great blocks like that Freak is

0:26:00.119 --> 0:26:04.920
<v Speaker 1>talking about Ricardo Montoid, tiny Tuons, Animaniacs, Batman the animated series,

0:26:04.920 --> 0:26:08.800
<v Speaker 1>and then Batman Beyond Es and that was like amazing.

0:26:08.960 --> 0:26:11.760
<v Speaker 1>I loved I love that show and was a huge

0:26:11.760 --> 0:26:15.720
<v Speaker 1>fan and I hope and I'm like when I was like,

0:26:15.800 --> 0:26:18.200
<v Speaker 1>come on, I can't tell you without any shadow of

0:26:18.240 --> 0:26:20.640
<v Speaker 1>a doubt, I'm by far the best Terry McGinnis there's

0:26:20.640 --> 0:26:27.440
<v Speaker 1>ever been. Yeah, unbeat only one, literally the best one ever.

0:26:28.520 --> 0:26:30.520
<v Speaker 1>That's amazing though if you think about it, like how

0:26:30.560 --> 0:26:32.919
<v Speaker 1>many bat Batman have there been? There's been a lot

0:26:32.920 --> 0:26:35.080
<v Speaker 1>of Batman. It's like it's weird to say that there's

0:26:35.080 --> 0:26:36.679
<v Speaker 1>been a lot of Batman, there's a lot. Yeah, this

0:26:36.760 --> 0:26:39.000
<v Speaker 1>is what Bruce Tim would tell me. So Bruce Tim,

0:26:39.040 --> 0:26:41.399
<v Speaker 1>who created a Batman the animated series, created Batman Beyond.

0:26:41.800 --> 0:26:44.159
<v Speaker 1>He said that the great thing about the Batman character

0:26:44.280 --> 0:26:46.399
<v Speaker 1>was that, like when the movies were really dark, the

0:26:46.440 --> 0:26:49.600
<v Speaker 1>cartoons were really light, you know, like the Christian Bale

0:26:50.000 --> 0:26:52.159
<v Speaker 1>movies came out and it was like Batman Brave in

0:26:52.200 --> 0:26:54.480
<v Speaker 1>the Bold. And when the movies were really light, like

0:26:54.520 --> 0:26:57.440
<v Speaker 1>the Arnold Schwarzenegger ones, the cartoons got really dark, he said,

0:26:57.440 --> 0:26:59.320
<v Speaker 1>because there always has to be a Batman for everyone,

0:26:59.440 --> 0:27:02.200
<v Speaker 1>like a cont so there's always there's the dark Batman

0:27:02.240 --> 0:27:04.200
<v Speaker 1>for the adults. There's gotta be lighter ones for the kids.

0:27:04.400 --> 0:27:08.760
<v Speaker 1>But Kevin just approached it as a straight up Shakespeare. Yes, absolutely,

0:27:08.800 --> 0:27:10.919
<v Speaker 1>and I've talked to him too about that where it's

0:27:11.000 --> 0:27:13.920
<v Speaker 1>just like it's hard for me to hear anyone in

0:27:14.000 --> 0:27:18.000
<v Speaker 1>that role. But also that like the show in its entirety,

0:27:18.119 --> 0:27:20.040
<v Speaker 1>the style of the show, the writing of the show,

0:27:20.080 --> 0:27:22.760
<v Speaker 1>with the tone of the show. I mean Andrea, Andrea

0:27:22.840 --> 0:27:24.600
<v Speaker 1>Romano and you got to work with her and Batman

0:27:24.600 --> 0:27:28.240
<v Speaker 1>Beyond first. She cast me first, we have to She's

0:27:28.280 --> 0:27:31.359
<v Speaker 1>mentioned in every single she will becoming. It's amazing. I

0:27:31.400 --> 0:27:33.040
<v Speaker 1>think I was one of the last people to work

0:27:33.040 --> 0:27:36.200
<v Speaker 1>with her before she went into retirement. That that was

0:27:36.240 --> 0:27:38.080
<v Speaker 1>the first time I was ever nominated for an Emmy.

0:27:38.320 --> 0:27:40.439
<v Speaker 1>Was was because the beat can pull it out of you.

0:27:40.760 --> 0:27:44.840
<v Speaker 1>There's I know. He's a just a insanely talented woman.

0:27:44.960 --> 0:27:46.879
<v Speaker 1>She was one of the first people I started working

0:27:46.880 --> 0:27:49.480
<v Speaker 1>with when I was doing the Ricardo montal Bond impression

0:27:49.520 --> 0:27:53.360
<v Speaker 1>on Degre The Adventures of Money Rivera And and I

0:27:53.440 --> 0:27:57.120
<v Speaker 1>was so green, like greener than Kermit the frog snot

0:27:58.280 --> 0:28:01.240
<v Speaker 1>like I mean, and that's green the chunks in it,

0:28:02.800 --> 0:28:05.879
<v Speaker 1>but like, but she said, I don't know what happened

0:28:05.880 --> 0:28:07.760
<v Speaker 1>to you, like, you know, in a year or two,

0:28:07.840 --> 0:28:10.040
<v Speaker 1>Like just now, what does that mean? I don't know

0:28:10.080 --> 0:28:12.280
<v Speaker 1>what happened to you? What did you mean? I'm curious?

0:28:13.800 --> 0:28:15.239
<v Speaker 1>But is that what you meant? I mean, is that

0:28:15.280 --> 0:28:17.960
<v Speaker 1>what she meant? That you could? I believe? So it

0:28:18.040 --> 0:28:20.600
<v Speaker 1>was like, you know, and and that's the best policy

0:28:20.640 --> 0:28:24.640
<v Speaker 1>ever see you sucking? Well, yeah, I mean walk it back.

0:28:24.720 --> 0:28:27.600
<v Speaker 1>So how did you fall into his work? Going from

0:28:27.640 --> 0:28:29.959
<v Speaker 1>and I'm going to say this is where going back,

0:28:30.000 --> 0:28:32.199
<v Speaker 1>going back to where we're starting back there's gonna be

0:28:32.240 --> 0:28:36.840
<v Speaker 1>so many beginnings of the show. It was like maybe

0:28:36.840 --> 0:28:39.000
<v Speaker 1>one of the last jobs I worked in animation was

0:28:39.400 --> 0:28:42.560
<v Speaker 1>actually on LT Gray at six point Harness. So I

0:28:42.600 --> 0:28:45.840
<v Speaker 1>was working as a character layout artists. So I would

0:28:45.880 --> 0:28:47.960
<v Speaker 1>be the guy that you would. I would take a

0:28:48.000 --> 0:28:51.000
<v Speaker 1>storyboard and I would flesh out poses of these characters

0:28:51.040 --> 0:28:54.200
<v Speaker 1>final poses, and then those poses would get animated by

0:28:54.200 --> 0:28:56.959
<v Speaker 1>somebody else. I'm sorry, stopped very quickly flush out. Does

0:28:57.000 --> 0:28:59.680
<v Speaker 1>that mean you're you doing the color or I'm doing

0:28:59.720 --> 0:29:02.480
<v Speaker 1>like the full like? So a storyboard would be the rudimentary,

0:29:02.640 --> 0:29:05.640
<v Speaker 1>crude like it could be a stick figure of you know,

0:29:05.760 --> 0:29:08.160
<v Speaker 1>Kim Possible, like in this post. I would be the

0:29:08.200 --> 0:29:11.240
<v Speaker 1>guy that would do the final pose of Kim Possible

0:29:12.560 --> 0:29:16.120
<v Speaker 1>full out, and then someone would take like six strongs

0:29:16.120 --> 0:29:18.680
<v Speaker 1>of mine and then in between them so they would

0:29:18.840 --> 0:29:22.800
<v Speaker 1>animate like those six solid posts. Yea, And that actually

0:29:22.880 --> 0:29:25.160
<v Speaker 1>the job that I do now is actually quite glorified.

0:29:25.240 --> 0:29:28.080
<v Speaker 1>I don't even think that that exists anymore in TV

0:29:28.200 --> 0:29:35.720
<v Speaker 1>animation because the storyboard artists now practically animate. Yes, but

0:29:35.760 --> 0:29:37.880
<v Speaker 1>like I mean, they still like hand draw like even

0:29:37.920 --> 0:29:40.840
<v Speaker 1>though it's digital. But I'm saying it's like they if

0:29:40.880 --> 0:29:43.600
<v Speaker 1>you've seen a Family Guy animatic, which is the voice

0:29:43.640 --> 0:29:48.080
<v Speaker 1>with the storyboard. It's like the things animated because yeah,

0:29:48.120 --> 0:29:50.240
<v Speaker 1>so when they ship it overseas or wherever it goes

0:29:50.360 --> 0:29:53.400
<v Speaker 1>to get animated, there's no there's nothing really lost in translation.

0:29:53.680 --> 0:29:56.040
<v Speaker 1>There's not a lot of room for error at that point.

0:29:56.360 --> 0:29:58.400
<v Speaker 1>You're not going to be doing like a lot of retakes.

0:29:59.000 --> 0:30:01.440
<v Speaker 1>You know. Again, I'm an nerd and you guys are

0:30:01.480 --> 0:30:08.959
<v Speaker 1>like retakes. I always got you talk to him about Batman.

0:30:09.200 --> 0:30:12.160
<v Speaker 1>I don't know, but yeah, I was gonna say, uh,

0:30:12.320 --> 0:30:15.920
<v Speaker 1>that was like the last job that I did because

0:30:15.920 --> 0:30:19.480
<v Speaker 1>I had audition for Jorgega Terrace and his wife Sandra Cuwa.

0:30:19.560 --> 0:30:22.680
<v Speaker 1>They created LT. Gray. They also just did Maya and

0:30:22.800 --> 0:30:26.400
<v Speaker 1>the Three for So you're animating the show and you

0:30:26.520 --> 0:30:28.480
<v Speaker 1>auditioned to be on the show. Yeah, I I had

0:30:28.480 --> 0:30:31.240
<v Speaker 1>auditioned to be in the pilot for LT. Gray. And

0:30:31.720 --> 0:30:33.640
<v Speaker 1>did they know that you did voices and you you

0:30:33.720 --> 0:30:36.000
<v Speaker 1>were you trying to find a way in. So Jorge,

0:30:36.040 --> 0:30:38.400
<v Speaker 1>the creative the show, was like, you have to do this.

0:30:38.520 --> 0:30:40.200
<v Speaker 1>I want you to do voices on this. I think

0:30:40.200 --> 0:30:43.560
<v Speaker 1>you're great because you have a really magical talking voice

0:30:43.600 --> 0:30:45.920
<v Speaker 1>too weird, but I'm just still thinking about your so

0:30:45.960 --> 0:30:49.080
<v Speaker 1>you're animating the thing. Yeah. At that point, that was like,

0:30:49.200 --> 0:30:51.760
<v Speaker 1>that was it. I was like I had got on

0:30:51.800 --> 0:30:55.280
<v Speaker 1>the show. Nickelodeon really did try to not hire me

0:30:55.440 --> 0:30:58.680
<v Speaker 1>because they're like this guy of psychopath, who is this person?

0:30:58.800 --> 0:31:01.400
<v Speaker 1>Like he's never I don't see any credits, I don't

0:31:01.400 --> 0:31:05.240
<v Speaker 1>know who he is. He's not even a married Yeah. Yeah,

0:31:06.560 --> 0:31:11.320
<v Speaker 1>crazy uncle kept sending him newspaper clippings that you're Canadian form,

0:31:11.520 --> 0:31:14.320
<v Speaker 1>well most of us. I loved Canada. I got married

0:31:14.320 --> 0:31:19.520
<v Speaker 1>in Canada really wow, beautiful, very very nice. That's where

0:31:19.560 --> 0:31:22.520
<v Speaker 1>I got divorced. And I'm just kidding with you. I'm

0:31:22.560 --> 0:31:26.000
<v Speaker 1>just kidding. I've never been married, so so there you go.

0:31:26.080 --> 0:31:28.240
<v Speaker 1>How could I get divorced if I was never married?

0:31:29.080 --> 0:31:31.920
<v Speaker 1>So yeah, I got on the show. We had been

0:31:31.920 --> 0:31:34.360
<v Speaker 1>recording episodes and it was just one of those things

0:31:34.440 --> 0:31:38.200
<v Speaker 1>where I was like, well, this is it. I'm gonna

0:31:38.280 --> 0:31:40.080
<v Speaker 1>be on a show. This is gonna go on for

0:31:40.160 --> 0:31:42.560
<v Speaker 1>thirty years like The Simpsons. I already bought my house

0:31:42.600 --> 0:31:45.440
<v Speaker 1>and I started talking like John Lovett's at that point.

0:31:45.800 --> 0:31:49.400
<v Speaker 1>And after I quit my job, they canceled the show,

0:31:49.960 --> 0:31:52.520
<v Speaker 1>and I was like damn it. And I went crawling

0:31:52.520 --> 0:31:55.880
<v Speaker 1>back to animation and I was like, well, this is

0:31:56.000 --> 0:31:59.240
<v Speaker 1>awkward because I just quit, and I told everyone to

0:31:59.320 --> 0:32:01.200
<v Speaker 1>f themselves, says I left the building and I'm just

0:32:01.240 --> 0:32:07.960
<v Speaker 1>kidding family like that, you just showed up back to

0:32:07.960 --> 0:32:09.840
<v Speaker 1>work the next day and pretended it didn't happen. I

0:32:09.880 --> 0:32:12.200
<v Speaker 1>was like, what are you talking about, guys? I never left.

0:32:12.480 --> 0:32:15.160
<v Speaker 1>Uh No. Six point Harness one of the best animation

0:32:15.160 --> 0:32:17.480
<v Speaker 1>studios in Hollywood. They do lots of stuff for adults,

0:32:17.480 --> 0:32:21.320
<v Speaker 1>swim Nickelodeon, obviously in your cartoon network. But they were

0:32:21.400 --> 0:32:24.880
<v Speaker 1>always encouraging towards me chasing my dream as a voice

0:32:24.880 --> 0:32:27.800
<v Speaker 1>of artist. They knew. They're like, you're actually so much

0:32:27.800 --> 0:32:30.640
<v Speaker 1>more better at voices than you're at so please leave.

0:32:30.920 --> 0:32:35.720
<v Speaker 1>What should tell you something because you're pretty good at drawing? Thanks? Yeah,

0:32:35.800 --> 0:32:39.560
<v Speaker 1>I mean, come on, you do own an original? I do? Actually,

0:32:40.080 --> 0:32:41.640
<v Speaker 1>you know where I think I own another original? If

0:32:41.680 --> 0:32:44.800
<v Speaker 1>I'm not wrong. Didn't you draw a picture on my bathroom? Yeah?

0:32:44.920 --> 0:32:49.560
<v Speaker 1>So I own another original? I think. Is this a

0:32:49.600 --> 0:32:51.560
<v Speaker 1>party that you had at your hand? Yes? So I

0:32:51.600 --> 0:32:54.200
<v Speaker 1>have a bathroom in my in my house off the

0:32:54.200 --> 0:32:56.800
<v Speaker 1>theater that we just have pens in and anybody who

0:32:56.800 --> 0:32:58.240
<v Speaker 1>has movie quotes can just write on the wall. You

0:32:58.320 --> 0:33:00.200
<v Speaker 1>write up all your favorite movie quotes, which just to

0:33:00.240 --> 0:33:06.160
<v Speaker 1>movie quotes, and Eric came over. I hired most of them. Um,

0:33:06.200 --> 0:33:08.680
<v Speaker 1>it was Eric in a bunch of paid extras, and

0:33:08.720 --> 0:33:11.320
<v Speaker 1>then I walked in. There's all these Yeah, I've got

0:33:11.400 --> 0:33:14.560
<v Speaker 1>my exactly Mitch, and it was effort. That was was

0:33:14.560 --> 0:33:17.600
<v Speaker 1>that Transformers. It was a Transformers party and I've got

0:33:18.120 --> 0:33:21.800
<v Speaker 1>also I've got an original bows on my on my wall,

0:33:21.840 --> 0:33:25.120
<v Speaker 1>which is very very cool. Yeah. But going back to animation,

0:33:25.440 --> 0:33:29.720
<v Speaker 1>I found out that Joe's Don't Last Forever. I clearly

0:33:29.840 --> 0:33:33.680
<v Speaker 1>was wrong, and I went back and I actually without

0:33:33.720 --> 0:33:36.480
<v Speaker 1>any leads at that point the show had been canceled.

0:33:36.960 --> 0:33:39.560
<v Speaker 1>I quit again and was like, this is it. This

0:33:39.640 --> 0:33:41.680
<v Speaker 1>is the kind of leap of faith that you might

0:33:41.720 --> 0:33:45.440
<v Speaker 1>have to take to force yourself to start booking. You know,

0:33:45.560 --> 0:33:47.920
<v Speaker 1>did you have an agent? I did? You did? Okay?

0:33:48.080 --> 0:33:52.400
<v Speaker 1>I did, Cynthia McLean SPV Okay, still my agent. Great.

0:33:52.720 --> 0:33:57.200
<v Speaker 1>So that was the kind of like thing that I

0:33:57.240 --> 0:33:59.200
<v Speaker 1>needed to do. The fire that you have to light

0:33:59.280 --> 0:34:04.480
<v Speaker 1>under yourself kind of and you know, work with people

0:34:04.520 --> 0:34:07.520
<v Speaker 1>like Andrea Romano. And then two years later, We've been

0:34:07.520 --> 0:34:09.719
<v Speaker 1>told a lot and we we tend to agree with this,

0:34:09.800 --> 0:34:12.399
<v Speaker 1>is that the acting part of it kind of comes

0:34:12.400 --> 0:34:14.680
<v Speaker 1>into play. It's not just that you have the voice nailed, right.

0:34:14.760 --> 0:34:16.160
<v Speaker 1>Do you think that maybe in that year and a

0:34:16.200 --> 0:34:18.680
<v Speaker 1>half that you kind of like something? Is that what

0:34:18.719 --> 0:34:21.400
<v Speaker 1>it was? Well, you know, you start going into rooms.

0:34:21.400 --> 0:34:24.239
<v Speaker 1>I think the first really gigantic big cast that I

0:34:24.280 --> 0:34:26.839
<v Speaker 1>was a part of after that was benten Omini Verse

0:34:27.920 --> 0:34:30.839
<v Speaker 1>and an episode or two I think, And then you're

0:34:30.880 --> 0:34:33.480
<v Speaker 1>sitting in a room with people like Bumper Robinson and

0:34:34.360 --> 0:34:38.440
<v Speaker 1>Tara Strong and Urylenthal and Jeff Bennett and Rob Paulson

0:34:38.480 --> 0:34:41.280
<v Speaker 1>and John Domaggio and you're just like, oh my god,

0:34:41.800 --> 0:34:45.680
<v Speaker 1>like the imposter syndrome. Still get it? I still get it?

0:34:45.719 --> 0:34:47.880
<v Speaker 1>And I'm talking about that the first card one of

0:34:47.880 --> 0:34:51.000
<v Speaker 1>the first Cartoon Network studio rooms where we were actually

0:34:51.239 --> 0:34:55.920
<v Speaker 1>three people on a mic. So wow, being in a

0:34:56.040 --> 0:34:58.120
<v Speaker 1>room and you're sitting on the floor and you're like

0:34:58.200 --> 0:35:01.200
<v Speaker 1>listening to you know, yak A Warner and Johnny Bravo

0:35:01.280 --> 0:35:05.439
<v Speaker 1>have a conversation in dueling don knots voices but still

0:35:05.480 --> 0:35:07.640
<v Speaker 1>being able to pull off a scene that makes you

0:35:07.680 --> 0:35:10.480
<v Speaker 1>want to cry in goofy voices. So that's the kind

0:35:10.480 --> 0:35:12.160
<v Speaker 1>of thing that you're like, well, I got the goofy

0:35:12.280 --> 0:35:16.480
<v Speaker 1>voices down, and uh, I still have a Canadian accent.

0:35:17.440 --> 0:35:23.759
<v Speaker 1>Do you say, only when I go back, only start

0:35:23.840 --> 0:35:31.120
<v Speaker 1>sounding like the Mackenzie brothers from TV. Yeah. Oh, but yeah.

0:35:31.160 --> 0:35:33.400
<v Speaker 1>It was kind of like being in those kind of

0:35:33.520 --> 0:35:36.719
<v Speaker 1>big rooms. You're kind of just like, man, it's not

0:35:36.840 --> 0:35:40.400
<v Speaker 1>just about the voices up about the acting, and the

0:35:40.680 --> 0:35:44.360
<v Speaker 1>voices will come later. If they need you to be wacky,

0:35:44.520 --> 0:35:48.399
<v Speaker 1>you could definitely show your range by being completely off

0:35:48.400 --> 0:35:51.319
<v Speaker 1>the charts, but you've got to be able to be

0:35:51.400 --> 0:35:53.879
<v Speaker 1>able to be real back they need you to be.

0:35:54.239 --> 0:35:57.600
<v Speaker 1>But you also have to admit there are very few

0:35:57.680 --> 0:35:59.919
<v Speaker 1>actors like yourself that have the combination of the two.

0:36:00.280 --> 0:36:02.040
<v Speaker 1>Because I think there are some people that can act

0:36:02.080 --> 0:36:03.520
<v Speaker 1>and can't do a whole bunch of voices. I think

0:36:03.520 --> 0:36:05.719
<v Speaker 1>I'm a decent actor. I can't do fifty voices. I've

0:36:05.719 --> 0:36:07.680
<v Speaker 1>never been able to do that. And then there's people

0:36:07.680 --> 0:36:09.120
<v Speaker 1>that can do a whole bunch of voices. But until

0:36:09.440 --> 0:36:11.480
<v Speaker 1>that great as an actor, I gotta say though, until

0:36:11.520 --> 0:36:14.560
<v Speaker 1>maybe you're asked to or be pushed to. I've been

0:36:14.560 --> 0:36:17.400
<v Speaker 1>in a couple of times, but not to that. I mean,

0:36:17.440 --> 0:36:20.040
<v Speaker 1>there's some people. I mean again, the marriage of being

0:36:20.080 --> 0:36:22.080
<v Speaker 1>able to do the number of voices that you do

0:36:22.400 --> 0:36:25.520
<v Speaker 1>with the acting talent is pretty could do it right

0:36:25.640 --> 0:36:28.400
<v Speaker 1>now on your show. We could break down a character

0:36:28.560 --> 0:36:31.440
<v Speaker 1>like Bugs or Tweety and see if we could get you,

0:36:31.440 --> 0:36:34.319
<v Speaker 1>guys close to that voice. If you'd like, oh man,

0:36:34.360 --> 0:36:36.680
<v Speaker 1>I'm down for anything, how could you could you? You

0:36:36.719 --> 0:36:39.040
<v Speaker 1>honestly think you could teach us right here to break

0:36:39.040 --> 0:36:42.040
<v Speaker 1>down a voice like Bugs or tweeting. Let's go, okay,

0:36:43.400 --> 0:36:45.720
<v Speaker 1>let's let's boll try. Let's both try. It's funny because

0:36:45.800 --> 0:36:47.959
<v Speaker 1>for me, they kind of live in the same I say,

0:36:48.040 --> 0:36:50.240
<v Speaker 1>a lot of Melds voices live in the same house,

0:36:50.360 --> 0:36:52.839
<v Speaker 1>just in different parts of the house. So I just

0:36:52.880 --> 0:36:56.520
<v Speaker 1>say Bugs lives on like the second floor, closest to

0:36:56.600 --> 0:36:59.399
<v Speaker 1>the attic where Tweetie lives. Tweetie lives in the top

0:36:59.440 --> 0:37:03.920
<v Speaker 1>floor because he's all the way up here why and

0:37:04.000 --> 0:37:08.359
<v Speaker 1>he has a weird affectation, like a baby kind of voice. Ye.

0:37:08.760 --> 0:37:11.879
<v Speaker 1>But I honestly feel also by the way that they

0:37:11.920 --> 0:37:14.759
<v Speaker 1>pitch the hell out of that voice. They pitch it

0:37:14.880 --> 0:37:17.160
<v Speaker 1>up pitching for people that may not know is when

0:37:17.200 --> 0:37:20.120
<v Speaker 1>they digitally go in and kind of tweak. Yeah, and

0:37:20.160 --> 0:37:22.919
<v Speaker 1>you think they're doing that for they have to. Yeah,

0:37:22.960 --> 0:37:25.600
<v Speaker 1>but but even before digital, when they were on three

0:37:25.680 --> 0:37:27.759
<v Speaker 1>quarter inch tape from Mell, they would they would pitch

0:37:27.800 --> 0:37:30.400
<v Speaker 1>it up. Did you know that Daffy's voice is actually

0:37:30.400 --> 0:37:35.040
<v Speaker 1>Sylvester's voice but pitched up? No, yeah, same voice. How

0:37:35.080 --> 0:37:37.759
<v Speaker 1>I'm gonna do. I'm gonna shield you from my Faliva

0:37:38.360 --> 0:37:43.560
<v Speaker 1>and Sylvester if a big floppy, hungry cat that always

0:37:43.640 --> 0:37:46.880
<v Speaker 1>wants to eat that canary. But if you just change

0:37:46.920 --> 0:37:50.960
<v Speaker 1>the attitude to your despicable like like in that same

0:37:51.000 --> 0:37:55.560
<v Speaker 1>arena and pitch that voice up. But when I do Daffy,

0:37:55.640 --> 0:37:58.839
<v Speaker 1>it's it's the self pitched version, so you don't have

0:37:58.920 --> 0:38:00.880
<v Speaker 1>to do it my verse and of Daffy if the

0:38:01.000 --> 0:38:04.360
<v Speaker 1>Richard dry Fith with a lift, Okay, that makes sense, Bob,

0:38:04.640 --> 0:38:08.920
<v Speaker 1>I'm on vacation. All that little shark mtur Von wants

0:38:09.000 --> 0:38:12.839
<v Speaker 1>to do is eat and make little baby shark really

0:38:12.920 --> 0:38:17.520
<v Speaker 1>is the miracle of life. Jaws all Jaws quotes with

0:38:17.600 --> 0:38:20.719
<v Speaker 1>a list. But let's yeah, let's try bugs. If if

0:38:20.760 --> 0:38:24.440
<v Speaker 1>you could start, you know, by just almost putting your

0:38:24.520 --> 0:38:27.600
<v Speaker 1>voice here, almost putting your voice here, yeah, and you

0:38:27.719 --> 0:38:30.560
<v Speaker 1>kind of start pushing it towards your nose, kind of

0:38:30.920 --> 0:38:34.160
<v Speaker 1>start pushing it towards your nose, and then start doing

0:38:34.200 --> 0:38:37.040
<v Speaker 1>like a New York Brooklyn type accent, and then do

0:38:37.120 --> 0:38:40.759
<v Speaker 1>like a New York Brooklyn type accent, and it becomes uh,

0:38:41.080 --> 0:38:43.720
<v Speaker 1>your version of bugs or a very spot on Joe Pesci.

0:38:45.120 --> 0:38:47.200
<v Speaker 1>You see what I mean though, But it's up here

0:38:47.200 --> 0:38:48.759
<v Speaker 1>a little. But I mean, it doesn't sound like bugs

0:38:48.800 --> 0:38:50.200
<v Speaker 1>at all to me, and it doesn't sound like you

0:38:50.280 --> 0:38:53.360
<v Speaker 1>at all to me, but amazing interesting. So it's just

0:38:53.440 --> 0:38:55.759
<v Speaker 1>kind of changing where you put the stuff. But then

0:38:55.760 --> 0:38:58.120
<v Speaker 1>if you add the lift, like we're talking about now

0:38:58.160 --> 0:39:02.080
<v Speaker 1>stop now, stop doing the New York okay and stay

0:39:02.320 --> 0:39:05.960
<v Speaker 1>here now start talking like with a baby accent like

0:39:06.000 --> 0:39:10.080
<v Speaker 1>I taught, I ta potty taught. And then you take

0:39:10.120 --> 0:39:11.719
<v Speaker 1>that and you put you pitch that up and it

0:39:11.760 --> 0:39:16.440
<v Speaker 1>becomes tweety. This is crazy? Is ever crazy? But now

0:39:16.480 --> 0:39:19.160
<v Speaker 1>are you change that from my here voices? I do?

0:39:20.400 --> 0:39:23.960
<v Speaker 1>But again I am so. We heard another interesting thing

0:39:24.040 --> 0:39:26.960
<v Speaker 1>which was somebody said, don't like try to do the character.

0:39:27.080 --> 0:39:30.200
<v Speaker 1>Don't try to do somebody doing the character. So it's like,

0:39:30.239 --> 0:39:33.400
<v Speaker 1>you know, I don't want to do Eric Bowsa doing

0:39:33.480 --> 0:39:36.120
<v Speaker 1>Bugs Bunny. Yeah, I want to try to do Bugs Bunny.

0:39:36.160 --> 0:39:37.560
<v Speaker 1>But at the end of the day, isn't that just

0:39:37.600 --> 0:39:40.400
<v Speaker 1>then trying to do Mel Blank? Kind of Yeah? You know.

0:39:40.440 --> 0:39:42.080
<v Speaker 1>I I talked about this in a in a recent

0:39:42.120 --> 0:39:44.719
<v Speaker 1>interview where it's like even growing up as a kid,

0:39:45.280 --> 0:39:46.920
<v Speaker 1>you know, and Mel Blank passed away, it was it

0:39:47.000 --> 0:39:49.400
<v Speaker 1>was pretty sad, and I was like, you know, it

0:39:49.480 --> 0:39:52.360
<v Speaker 1>was just a kid. I was sad enough to understand

0:39:52.520 --> 0:39:55.799
<v Speaker 1>what that meant, but I was still like, okay, like

0:39:56.719 --> 0:40:00.120
<v Speaker 1>moving past what he did in the original forty your

0:40:00.200 --> 0:40:02.719
<v Speaker 1>run of Looney Tunes, watching like all the stuff come

0:40:02.760 --> 0:40:07.000
<v Speaker 1>out in the eighties where it it wasn't him, Like

0:40:07.080 --> 0:40:11.160
<v Speaker 1>I knew that, but I could still appreciate who was

0:40:11.239 --> 0:40:14.640
<v Speaker 1>doing the voices. So like I got that with the Muppets, Yeah,

0:40:15.040 --> 0:40:17.520
<v Speaker 1>I really got that. When Jim Henson passed, I got

0:40:17.600 --> 0:40:21.320
<v Speaker 1>that kind of but you have a day or two

0:40:21.680 --> 0:40:25.520
<v Speaker 1>of that's not Jim Henson, and then you kind of go, Okay,

0:40:25.560 --> 0:40:30.880
<v Speaker 1>it's not Jim Henson, Like, but I still like the character. Yeah,

0:40:30.920 --> 0:40:34.160
<v Speaker 1>and I still I can appreciate what that person is

0:40:34.160 --> 0:40:36.799
<v Speaker 1>is bringing to the table. And you've been Muppets too,

0:40:36.800 --> 0:40:46.000
<v Speaker 1>haven't you? Ah? Yeah, what what every time I stopped

0:40:46.000 --> 0:40:47.839
<v Speaker 1>my tongue? Do you maintain? I mean we've talked about

0:40:47.840 --> 0:40:50.239
<v Speaker 1>our voices getting thrashed before, but I mean you've got

0:40:50.239 --> 0:40:53.359
<v Speaker 1>to how do you prepare for a session? And then

0:40:53.520 --> 0:40:55.439
<v Speaker 1>really I don't go to the gym, as you can

0:40:55.480 --> 0:41:01.160
<v Speaker 1>see because my vocal Jim is watching Looney Tunes like

0:41:01.160 --> 0:41:04.359
<v Speaker 1>an hour a day. Yeah, I watch it with my son.

0:41:04.400 --> 0:41:06.600
<v Speaker 1>I'll watch at least like at least I wouldn't say

0:41:06.600 --> 0:41:10.319
<v Speaker 1>an hour, but like four shorts, like almost there, and

0:41:10.360 --> 0:41:13.400
<v Speaker 1>are you working along with it or no, I'm just

0:41:13.440 --> 0:41:16.040
<v Speaker 1>listen it is you're just listening a lot, and that's

0:41:16.120 --> 0:41:19.040
<v Speaker 1>your But then I'll be like, you know, say, little Philla,

0:41:19.120 --> 0:41:21.879
<v Speaker 1>were you off to what? South Pool? And then I'll

0:41:21.920 --> 0:41:27.560
<v Speaker 1>like I'll look at like my son and he's like yeah, okay, yeah,

0:41:27.640 --> 0:41:30.640
<v Speaker 1>yeah yeah. When you're at the schoolyard, you know, at

0:41:30.680 --> 0:41:33.920
<v Speaker 1>the park, I'm like, you know, like classic dad on

0:41:33.960 --> 0:41:36.319
<v Speaker 1>his phone at the on the bench and he's like, Dad,

0:41:36.360 --> 0:41:38.719
<v Speaker 1>come over here and do the voice, you know, and

0:41:38.760 --> 0:41:40.520
<v Speaker 1>then I do it. Then it's like okay, go go away,

0:41:40.560 --> 0:41:43.279
<v Speaker 1>go AWAYA But I mean, can you imagine where it's like.

0:41:43.640 --> 0:41:45.799
<v Speaker 1>And now, Johnny, who do you have? This is my dad.

0:41:45.840 --> 0:41:49.480
<v Speaker 1>He works at a bank. Okay, good career day, and uh,

0:41:50.040 --> 0:41:53.560
<v Speaker 1>this is my dad, Eric Bowser. He does the voices

0:41:53.600 --> 0:41:55.680
<v Speaker 1>of everything. I mean, can you can imagine that? I

0:41:55.680 --> 0:41:58.239
<v Speaker 1>can only imagine honestly. So there is a question I

0:41:58.280 --> 0:41:59.960
<v Speaker 1>wanted to ask, and you you brought up your son.

0:42:00.600 --> 0:42:03.960
<v Speaker 1>What is story time like? Yeah? I was gonna say

0:42:04.000 --> 0:42:06.720
<v Speaker 1>the same thing. You must be agree. We do we do? Uh?

0:42:06.760 --> 0:42:09.600
<v Speaker 1>You know we we do the characters. We do as

0:42:09.640 --> 0:42:12.359
<v Speaker 1>many different things as possible. It is It's awesome, that's

0:42:14.239 --> 0:42:16.120
<v Speaker 1>what you said. We were talking before. Your son is

0:42:16.120 --> 0:42:19.040
<v Speaker 1>a big Star Wars fan. So are you doing all

0:42:19.040 --> 0:42:21.160
<v Speaker 1>the Star Wars characters for him? As he's reading stuff,

0:42:21.200 --> 0:42:23.560
<v Speaker 1>you know, playing with the toys and we were. We

0:42:23.600 --> 0:42:26.160
<v Speaker 1>spent about a good solid hour yesterday playing with our

0:42:26.160 --> 0:42:29.400
<v Speaker 1>Ghostbusters toys. And you know I was trying to do

0:42:29.480 --> 0:42:31.960
<v Speaker 1>my best dan Achroid you know impression, not even like

0:42:32.000 --> 0:42:35.239
<v Speaker 1>the Frank Welker race stance, but ghost are the ghost

0:42:35.280 --> 0:42:40.200
<v Speaker 1>Arian you know, I was doing like the and who Texas.

0:42:40.440 --> 0:42:43.479
<v Speaker 1>Someone asked if you're a god? You say yes, yeah,

0:42:44.800 --> 0:42:49.600
<v Speaker 1>But anytime I do Bloomer. It's just Garfield. Yeah, big

0:42:49.640 --> 0:42:53.160
<v Speaker 1>fan of Ghostbusters, big big. I'm actually a huge fan

0:42:53.239 --> 0:42:56.839
<v Speaker 1>of Ghostbusters. That new Ghostbusters was fantastic. Did you like it?

0:42:56.960 --> 0:43:01.040
<v Speaker 1>I haven't seen it? Good and right, yes I heard

0:43:01.040 --> 0:43:03.560
<v Speaker 1>it's good. I like him, Please go see it. How

0:43:03.600 --> 0:43:06.680
<v Speaker 1>many voices were you in that zero? And they had

0:43:06.719 --> 0:43:11.080
<v Speaker 1>they had opportunity? Well, yeah, where where was spoiler? Yeah?

0:43:11.080 --> 0:43:13.760
<v Speaker 1>I was gonna say, well, thanks for ruining that. Thanks everybody,

0:43:14.800 --> 0:43:18.160
<v Speaker 1>Darth Vaders. It's not like they could kill his character. Actually,

0:43:18.200 --> 0:43:20.000
<v Speaker 1>don't think it was. I'm sorry. I don't think it

0:43:20.040 --> 0:43:21.600
<v Speaker 1>was a slimer. I don't think that. I don't try

0:43:21.600 --> 0:43:25.560
<v Speaker 1>to donk gonna watch it. You know, Apparently the original

0:43:25.920 --> 0:43:29.000
<v Speaker 1>script was written so well for for Bill Murray that

0:43:29.040 --> 0:43:30.680
<v Speaker 1>in the entire film, and they won't say which one,

0:43:30.680 --> 0:43:33.440
<v Speaker 1>there's only one line he ad lived in the entire film.

0:43:33.680 --> 0:43:36.319
<v Speaker 1>Every other line Bill Murray said in the original Ghostbusters

0:43:36.320 --> 0:43:39.200
<v Speaker 1>was scripted for him. And that's that's pretty impressive when

0:43:39.200 --> 0:43:41.319
<v Speaker 1>it's Bill Murray, when the lines are written so well.

0:43:41.440 --> 0:43:43.880
<v Speaker 1>They go check out the blooper reel there they have

0:43:44.080 --> 0:43:47.040
<v Speaker 1>multiple takes of so many of those classic scenes that

0:43:47.920 --> 0:43:51.720
<v Speaker 1>and it's like It's pretty funny to see what, aside

0:43:51.719 --> 0:43:54.759
<v Speaker 1>from what we all know, the alternate versions of the

0:43:54.800 --> 0:43:57.359
<v Speaker 1>things that you know of these well known scenes are

0:43:57.400 --> 0:43:59.480
<v Speaker 1>out there that are now like because you know they

0:43:59.520 --> 0:44:01.960
<v Speaker 1>cracked open the vault. Yeah, you're a big nerd with

0:44:02.000 --> 0:44:05.600
<v Speaker 1>that stuff, though, aren't you. Like I am with them, Yeah,

0:44:05.960 --> 0:44:09.400
<v Speaker 1>the biggest, man, it's a tough one. I'd say Ghostbusters

0:44:09.520 --> 0:44:12.279
<v Speaker 1>is number one, and then like Ghostbusters number one? Really,

0:44:12.760 --> 0:44:17.080
<v Speaker 1>Firstbusters is like two, that's awesome. Yeah, what's your number one?

0:44:17.200 --> 0:44:18.680
<v Speaker 1>I don't know if I know as much as you,

0:44:18.760 --> 0:44:22.200
<v Speaker 1>but I'm passionate about Ghostbusters. And like I like cried,

0:44:22.480 --> 0:44:24.319
<v Speaker 1>like Mabe my husband who was sitting next to me

0:44:24.880 --> 0:44:26.920
<v Speaker 1>when I watched this last movie, like okay, don't give

0:44:26.920 --> 0:44:29.279
<v Speaker 1>you Oh my god, don't give it away. It wasn't

0:44:29.320 --> 0:44:33.520
<v Speaker 1>at any particular point. I just the entire as soon

0:44:33.520 --> 0:44:35.359
<v Speaker 1>as the lights went dim and as soon as they

0:44:35.360 --> 0:44:38.520
<v Speaker 1>started the music, Like the music was amazing. That's actually

0:44:38.600 --> 0:44:41.719
<v Speaker 1>pretty interesting you say that, because you know that was

0:44:41.760 --> 0:44:44.400
<v Speaker 1>a big aspect they were they were going for. They

0:44:44.440 --> 0:44:47.160
<v Speaker 1>actually just you know, note for note almost took the

0:44:47.320 --> 0:44:49.600
<v Speaker 1>entire original score of the first one, which was a

0:44:49.640 --> 0:44:52.800
<v Speaker 1>phenomenal l Elmer Bernstein, who also did like American Werewolf

0:44:53.120 --> 0:44:56.640
<v Speaker 1>in London, um crazy. It was, you know, that's such

0:44:56.640 --> 0:45:00.880
<v Speaker 1>a nostalgic music that it becomes is a character on

0:45:00.960 --> 0:45:04.160
<v Speaker 1>its own. It was absolutely important for that they honored that,

0:45:04.239 --> 0:45:06.279
<v Speaker 1>and they didn't honor it in the movie before, which

0:45:06.280 --> 0:45:08.000
<v Speaker 1>maybe we don't need to talk about. And they didn't

0:45:08.040 --> 0:45:11.520
<v Speaker 1>honor it in the movie after the first one, Ghostbusters two,

0:45:12.600 --> 0:45:15.120
<v Speaker 1>it was more like eighties simple well, you know why

0:45:15.160 --> 0:45:17.160
<v Speaker 1>because I think Beverly Hills Cop had come out and

0:45:17.200 --> 0:45:19.800
<v Speaker 1>that theme song from Beverly Hills Cop was so popular

0:45:20.440 --> 0:45:22.560
<v Speaker 1>and it was all synth that they went, that's the

0:45:22.600 --> 0:45:24.120
<v Speaker 1>way we've got to do, you know now, that's what

0:45:24.200 --> 0:45:26.759
<v Speaker 1>it's got to be now. And then they did what

0:45:26.800 --> 0:45:29.920
<v Speaker 1>was it with Bobby Brown that he did the second

0:45:30.080 --> 0:45:31.640
<v Speaker 1>he did he did one of the songs in it,

0:45:31.840 --> 0:45:34.520
<v Speaker 1>and then und did it. So they were kind of

0:45:34.560 --> 0:45:36.960
<v Speaker 1>I think going more more hip hop, but also more

0:45:37.000 --> 0:45:39.120
<v Speaker 1>synth because that was the big thing at the time,

0:45:39.400 --> 0:45:41.720
<v Speaker 1>and it changed the whole soundtrack, which kind of changes

0:45:41.719 --> 0:45:42.920
<v Speaker 1>the whole vibe of the film. I mean it what

0:45:43.080 --> 0:45:46.799
<v Speaker 1>it does. People don't realize how important soundtracks are. But

0:45:46.880 --> 0:45:49.640
<v Speaker 1>again also in animation, I mean you go back and

0:45:49.800 --> 0:45:52.600
<v Speaker 1>you watched some of the original Warner Brothers stuff. We're

0:45:52.640 --> 0:45:54.399
<v Speaker 1>going back to like yeah, if we're gonna go back

0:45:54.440 --> 0:45:57.080
<v Speaker 1>to Luny to selling, but if we're gonna go Batman,

0:45:57.200 --> 0:46:01.200
<v Speaker 1>it's like, you know, and Man the animated series too,

0:46:01.239 --> 0:46:04.120
<v Speaker 1>with the full orchestral soundtrack on on an animated show,

0:46:05.360 --> 0:46:07.719
<v Speaker 1>which we talked about with Kevin just changed, I mean

0:46:07.840 --> 0:46:12.279
<v Speaker 1>change everything. Yeah, Dani Elfman was involved in that. No, no, no,

0:46:12.360 --> 0:46:17.160
<v Speaker 1>Danny Elfman did did the originality, but but I think

0:46:17.200 --> 0:46:19.080
<v Speaker 1>he did the theme song though he did the theme

0:46:19.160 --> 0:46:21.520
<v Speaker 1>song from Batman the Animated series, yes, yeah, and then

0:46:22.640 --> 0:46:25.600
<v Speaker 1>I think it was Christopher Carter I think did Beyond

0:46:25.680 --> 0:46:29.759
<v Speaker 1>did that awesome kind of very one from Beyond, very

0:46:29.880 --> 0:46:32.160
<v Speaker 1>very kind of very moderate, but it does. It's it gets,

0:46:32.200 --> 0:46:35.440
<v Speaker 1>it's you know, can can change the whole vibe of

0:46:35.480 --> 0:46:37.640
<v Speaker 1>something the music that that you bring in absolutely, and

0:46:38.080 --> 0:46:40.480
<v Speaker 1>that in animation. There are some shorts where they're not

0:46:40.560 --> 0:46:43.560
<v Speaker 1>even talking, like road Runner and well Kayla, oh yeah,

0:46:43.800 --> 0:46:48.000
<v Speaker 1>it's all music. Yeah, absolutely, Fantasia, I mean, look at

0:46:48.040 --> 0:46:50.279
<v Speaker 1>look at the scenes in Fantage. You know it's Mickey

0:46:50.320 --> 0:46:52.120
<v Speaker 1>Mouse cutting stuff up and you just got the orchestral

0:46:52.120 --> 0:46:53.800
<v Speaker 1>score Underneathan and he I don't think he said a

0:46:53.840 --> 0:46:56.440
<v Speaker 1>word in Fantasia, did he? For the most part? Yeah, no,

0:46:56.520 --> 0:46:59.200
<v Speaker 1>I mean it's no, he doesn't. Yeah, It's just the

0:46:59.280 --> 0:47:01.719
<v Speaker 1>music can can do that so and also too, it

0:47:01.760 --> 0:47:07.359
<v Speaker 1>can link generationally the characters, right, so even if your

0:47:07.440 --> 0:47:11.239
<v Speaker 1>son can tell the difference between your bugs Bunny and

0:47:11.320 --> 0:47:16.400
<v Speaker 1>Meles Bugs Bunny, the music can still hold the structure

0:47:16.480 --> 0:47:19.240
<v Speaker 1>together even if it's that nuance. Well, especially with Looning

0:47:19.239 --> 0:47:21.239
<v Speaker 1>Tunes cartoons, which is the one that I'm in for

0:47:21.239 --> 0:47:25.040
<v Speaker 1>for HBO Max, they are like if you listen to that,

0:47:25.719 --> 0:47:29.600
<v Speaker 1>it's the whole scored. This quite amazingly scored to, like

0:47:29.600 --> 0:47:32.080
<v Speaker 1>like full orchestra. That's probably for the first time in

0:47:32.080 --> 0:47:33.920
<v Speaker 1>a very long that's you know, you get that. You

0:47:33.960 --> 0:47:35.960
<v Speaker 1>know where you get that in a huge, huge way

0:47:36.160 --> 0:47:38.960
<v Speaker 1>is the Star Wars universe. You know, move walks on

0:47:39.040 --> 0:47:42.239
<v Speaker 1>screen even if it's in episode whenever, if it was

0:47:42.280 --> 0:47:44.120
<v Speaker 1>episode four where we first see him, or you know,

0:47:44.160 --> 0:47:45.640
<v Speaker 1>it's the one of the newer phones and and the

0:47:45.719 --> 0:47:51.759
<v Speaker 1>Luke Skywalker theme starts. I've been watching, you watch, I

0:47:51.800 --> 0:47:56.239
<v Speaker 1>haven't I watch, haven't watched yet. I watched Mandalorian. I

0:47:56.280 --> 0:47:58.720
<v Speaker 1>think once I got what it was, once I figured

0:47:58.719 --> 0:48:00.560
<v Speaker 1>out it was the A Team, then I'm then I

0:48:00.600 --> 0:48:02.680
<v Speaker 1>was fine with it. You know. It took me a

0:48:02.680 --> 0:48:05.000
<v Speaker 1>while to get to that mental space because I was

0:48:05.040 --> 0:48:06.359
<v Speaker 1>just like, oh, I keep showing up in a town,

0:48:06.400 --> 0:48:08.200
<v Speaker 1>he's got to solve a crime, and then what was

0:48:08.239 --> 0:48:09.680
<v Speaker 1>the eight Team? It's like Okay. Once I got there,

0:48:09.719 --> 0:48:11.200
<v Speaker 1>then I was like, now I can enjoy it because

0:48:11.200 --> 0:48:13.759
<v Speaker 1>I'm not trying to Star Wars it out, you know

0:48:13.760 --> 0:48:17.799
<v Speaker 1>what I mean. But yeah, there's I'm also I'm a

0:48:17.800 --> 0:48:19.839
<v Speaker 1>lot of times a big fan of less is more

0:48:20.520 --> 0:48:23.480
<v Speaker 1>so when there's sixty two Star Wars shows in the making,

0:48:23.520 --> 0:48:25.680
<v Speaker 1>it's kind of like, Okay, do you feel like we're

0:48:25.800 --> 0:48:28.600
<v Speaker 1>we're living in that there's too much stuff out there.

0:48:28.680 --> 0:48:30.759
<v Speaker 1>I do like so far, we're like have you seen that?

0:48:30.840 --> 0:48:33.120
<v Speaker 1>And you're like nope, nope, I never even heard of that. Yeah,

0:48:33.200 --> 0:48:37.400
<v Speaker 1>it's like that too busy life. Yeah, like, if we

0:48:37.480 --> 0:48:39.080
<v Speaker 1>have to do something in the house, if you want

0:48:39.080 --> 0:48:42.040
<v Speaker 1>to see my wife have an instant like anxiety attack,

0:48:42.120 --> 0:48:45.160
<v Speaker 1>take her to like tile World where there's like ten

0:48:45.239 --> 0:48:48.080
<v Speaker 1>thousand samples and she's like, I know, I can't. She's like,

0:48:48.120 --> 0:48:49.600
<v Speaker 1>I need two samples in front of me. I need

0:48:49.600 --> 0:48:50.920
<v Speaker 1>to pick from this one or this one, and then

0:48:50.920 --> 0:48:52.520
<v Speaker 1>that's what I have to do. And I kind of

0:48:52.520 --> 0:48:54.440
<v Speaker 1>feel like that's what it's getting like with content, where

0:48:54.480 --> 0:48:58.440
<v Speaker 1>it shows there's just too long, and I'm like, who's

0:48:58.520 --> 0:49:01.120
<v Speaker 1>making all this stuff? And yet and yet none of

0:49:01.160 --> 0:49:04.360
<v Speaker 1>my friends can sell anything, which is the part that

0:49:04.400 --> 0:49:06.640
<v Speaker 1>I love where it's like everybody's got content, but no

0:49:06.680 --> 0:49:12.920
<v Speaker 1>one's buying. Um. So it's very very strange. So all

0:49:13.760 --> 0:49:16.600
<v Speaker 1>in everything you've done, all the stuff you've done, all

0:49:16.600 --> 0:49:21.319
<v Speaker 1>the stuff you've watched, everything, favorite animated character of all time,

0:49:22.040 --> 0:49:25.359
<v Speaker 1>oh man, favorite animated character of all times, whether you've

0:49:25.400 --> 0:49:28.440
<v Speaker 1>done the part or not. I mean, I'm gonna have

0:49:28.520 --> 0:49:32.839
<v Speaker 1>to fall back on on Bugs Bunny only because you know,

0:49:33.400 --> 0:49:36.920
<v Speaker 1>for me, he was, you know, so iconic in everything

0:49:36.960 --> 0:49:39.520
<v Speaker 1>that he's ever done and ever appeared in. And I

0:49:39.560 --> 0:49:43.319
<v Speaker 1>always thought, even especially after, you know, and if it's

0:49:43.320 --> 0:49:45.520
<v Speaker 1>not Ghostbusters for me, that maybe the next one down

0:49:45.560 --> 0:49:48.160
<v Speaker 1>might be who framed Roger Rabbitt? You know, as far

0:49:48.200 --> 0:49:50.440
<v Speaker 1>as like one of the greatest movies ever made, U

0:49:51.000 --> 0:49:54.280
<v Speaker 1>for being a cartoon nerd or nut and just seeing

0:49:54.320 --> 0:49:58.719
<v Speaker 1>like these characters exist in real life with people you know,

0:50:00.160 --> 0:50:04.160
<v Speaker 1>ready ready for me to ruin our podcast. Oh you

0:50:04.160 --> 0:50:06.120
<v Speaker 1>don't like Roger Rabbit in our whole world? You don't

0:50:06.120 --> 0:50:10.479
<v Speaker 1>like Roger Rabbit. I've never seen Roger rab But that's good.

0:50:10.680 --> 0:50:13.560
<v Speaker 1>You can we can change that. I've never seen Roger Rabbit.

0:50:13.719 --> 0:50:16.160
<v Speaker 1>You know what, we should do a very special episode

0:50:16.040 --> 0:50:18.640
<v Speaker 1>where where we we we watch, we will we will

0:50:18.680 --> 0:50:22.120
<v Speaker 1>find a theater. Now, who voiced Roger Rabbit Charles Flesher,

0:50:22.239 --> 0:50:25.360
<v Speaker 1>Charles Flesher, who was a stand up comic if you've

0:50:25.360 --> 0:50:27.719
<v Speaker 1>seen the documentary on how they made that film. I

0:50:27.760 --> 0:50:29.960
<v Speaker 1>mean he basically came to set every day dressed up

0:50:30.000 --> 0:50:32.960
<v Speaker 1>as the character, like the maybe the first ever evidence

0:50:33.000 --> 0:50:38.759
<v Speaker 1>of a causeplay ever, Like he just method yes, yes, yes, yes,

0:50:39.239 --> 0:50:41.960
<v Speaker 1>he was basically in character on set all the time.

0:50:42.280 --> 0:50:45.960
<v Speaker 1>To be there to provide the voice. I'm sure that

0:50:46.040 --> 0:50:49.319
<v Speaker 1>was like later on, that's yeah, but to be there

0:50:49.360 --> 0:50:51.920
<v Speaker 1>to be that character, which is kind of impressive, and

0:50:51.960 --> 0:50:53.920
<v Speaker 1>that would be your second nerdom, you think your second

0:50:54.000 --> 0:50:55.879
<v Speaker 1>if you're going down a tier, yeah, because I mean

0:50:55.920 --> 0:50:59.360
<v Speaker 1>it had almost all the all the best cartoon characters

0:50:59.360 --> 0:51:03.000
<v Speaker 1>ever made in one world, Like I actually own an

0:51:03.080 --> 0:51:07.240
<v Speaker 1>animation cell of the parachute scene where it's Mickey Mouse

0:51:07.239 --> 0:51:11.160
<v Speaker 1>and Bugs Bunny on screen at the same time. Okay,

0:51:11.200 --> 0:51:12.480
<v Speaker 1>so now I gotta see it because I didn't. I

0:51:12.600 --> 0:51:17.680
<v Speaker 1>please see it. I will. I thought I wasn't the nerd. Yeah,

0:51:17.719 --> 0:51:19.960
<v Speaker 1>I never saw it. There's a lot of stuff I've

0:51:20.000 --> 0:51:22.399
<v Speaker 1>never seen, which I probably should because at that time

0:51:22.440 --> 0:51:25.279
<v Speaker 1>you're probably busy working. Yeah. Yeah, but it was also,

0:51:25.360 --> 0:51:26.960
<v Speaker 1>you know, so my my best friend in the world,

0:51:27.080 --> 0:51:29.680
<v Speaker 1>Jason Marsden, that was like his favorite movie ever. And

0:51:29.960 --> 0:51:31.960
<v Speaker 1>I don't not try ever. I think I always just smiling,

0:51:32.000 --> 0:51:33.759
<v Speaker 1>be like yeah, awesome, and never admitted to him like

0:51:33.760 --> 0:51:36.560
<v Speaker 1>I've never actually seen this movie. That would be so great.

0:51:36.600 --> 0:51:39.719
<v Speaker 1>So two teenage boys didn't just like sit together and

0:51:39.760 --> 0:51:42.520
<v Speaker 1>like watch, like be very careful where you're going with

0:51:43.040 --> 0:51:47.200
<v Speaker 1>you watch. Anyone could edit anything at that because their

0:51:47.280 --> 0:51:49.359
<v Speaker 1>way you could have said that without starting with two

0:51:49.400 --> 0:51:51.400
<v Speaker 1>teenage boys. I don't know why that took it to

0:51:51.440 --> 0:51:54.120
<v Speaker 1>a strange place. It was meant to, like, of course

0:51:54.120 --> 0:51:56.239
<v Speaker 1>you guys didn't sit down and watch Roger Rabbit. Why not?

0:51:57.000 --> 0:51:58.520
<v Speaker 1>Marson and I would sit down and watch stuff together

0:51:58.560 --> 0:52:00.120
<v Speaker 1>all the time. Was like our favorite thing. The was

0:52:00.120 --> 0:52:01.600
<v Speaker 1>fun at to this day I've ever had in a

0:52:01.680 --> 0:52:04.680
<v Speaker 1>movie theater was opening Knife Show Girls in Burbank and

0:52:04.719 --> 0:52:08.400
<v Speaker 1>it was Jason and I as it was just because

0:52:08.480 --> 0:52:11.520
<v Speaker 1>after the first line, like literally she I'll never forget this,

0:52:11.560 --> 0:52:13.239
<v Speaker 1>she pulls a knife on the guy and she goes chill,

0:52:14.920 --> 0:52:17.960
<v Speaker 1>and somebody in the in the audience went oh, and

0:52:18.040 --> 0:52:20.920
<v Speaker 1>it became Mystery Science Theater at that point. Just it

0:52:21.000 --> 0:52:23.680
<v Speaker 1>was no holds bar, just everyone for the rest of

0:52:23.719 --> 0:52:30.080
<v Speaker 1>the rood, and that was it. And then we all

0:52:30.200 --> 0:52:34.960
<v Speaker 1>just started throwing outlines. I missed that experience and it

0:52:35.080 --> 0:52:37.680
<v Speaker 1>was so much fun. I had that experience once again,

0:52:37.719 --> 0:52:41.480
<v Speaker 1>except when I watched the Ghostbusters movie had to go

0:52:41.520 --> 0:52:44.160
<v Speaker 1>back to that and I was probably the only person

0:52:44.360 --> 0:52:50.239
<v Speaker 1>living that experience and speaking and oh yes, so the

0:52:50.280 --> 0:52:52.439
<v Speaker 1>new one. I went on a date night with my husband,

0:52:52.480 --> 0:52:54.040
<v Speaker 1>which I never do, and we went to one of

0:52:54.080 --> 0:52:56.239
<v Speaker 1>those fancy places that you can kick up the chair

0:52:56.920 --> 0:53:00.879
<v Speaker 1>and like fancy nachos. They had the not chilling the case,

0:53:00.960 --> 0:53:04.840
<v Speaker 1>so dip and the kick up your feet, children becomes

0:53:04.880 --> 0:53:09.279
<v Speaker 1>the fancy it's been. It was two years. I hadn't

0:53:09.280 --> 0:53:11.359
<v Speaker 1>seen a movie because I lockdown everything. I haven't seen

0:53:11.400 --> 0:53:14.520
<v Speaker 1>a movie in you know, in the theaters. So I

0:53:14.560 --> 0:53:16.960
<v Speaker 1>was like, Mom is going out tonight? Okay. So then

0:53:17.080 --> 0:53:20.279
<v Speaker 1>we're there and it starts and the music starts, and

0:53:20.440 --> 0:53:26.360
<v Speaker 1>I'm like, I was like, I was like, and I

0:53:26.440 --> 0:53:28.040
<v Speaker 1>was like, and I sort of got it. I turned him.

0:53:28.040 --> 0:53:34.759
<v Speaker 1>I was like, don't you take this for me for

0:53:34.800 --> 0:53:40.040
<v Speaker 1>the fancy place tonight. My feet are fully reclined and

0:53:40.120 --> 0:53:43.719
<v Speaker 1>the nachos exactly going out tonight. Yeah, we gotta watch it.

0:53:43.800 --> 0:53:45.880
<v Speaker 1>Oh my, all right, Well this is a perfect place

0:53:45.880 --> 0:53:47.400
<v Speaker 1>to get us to a fun segue that we have

0:53:47.560 --> 0:53:51.440
<v Speaker 1>right now. It's called throw things at Eric no um.

0:53:51.640 --> 0:53:54.799
<v Speaker 1>So I was too fast. I feel like waiting to

0:53:54.840 --> 0:54:00.200
<v Speaker 1>grab this. I know how to throw things. Took the

0:54:00.200 --> 0:54:02.080
<v Speaker 1>heavy stuff away. I come from a long line of

0:54:02.280 --> 0:54:06.279
<v Speaker 1>shoe throwing moms. Yeah that's classic, that's classic. I have

0:54:06.320 --> 0:54:09.319
<v Speaker 1>so many questions, a long line of shoe throwing moms. Anyway,

0:54:10.920 --> 0:54:13.279
<v Speaker 1>the original title of this what do you think? And

0:54:13.360 --> 0:54:15.440
<v Speaker 1>not throw a shoe? But you were driving? I think

0:54:15.800 --> 0:54:18.120
<v Speaker 1>she was driving. I think me and my siblings are

0:54:18.120 --> 0:54:20.760
<v Speaker 1>in the back fighting, and so she's she would reach

0:54:20.920 --> 0:54:24.960
<v Speaker 1>down while operating a motor vehicle to remove her shoewear

0:54:25.080 --> 0:54:30.960
<v Speaker 1>to throw it at you. That's our magic, like her

0:54:31.000 --> 0:54:37.600
<v Speaker 1>watching Ghostbusters that apply and that it was a stick

0:54:37.600 --> 0:54:41.960
<v Speaker 1>shift too, that Jackie Chan's got nothing on your unbelievable.

0:54:42.760 --> 0:54:44.839
<v Speaker 1>So while we are not quite there yet, we will

0:54:44.880 --> 0:54:47.080
<v Speaker 1>be up for the next round because we're building up

0:54:47.239 --> 0:54:50.000
<v Speaker 1>everything we have to do. Eventually, I hear Voices is

0:54:50.040 --> 0:54:52.680
<v Speaker 1>going to be fully interactive. So what we're going to have,

0:54:52.680 --> 0:54:53.880
<v Speaker 1>which is kind of cool, is we're gonna have a

0:54:53.880 --> 0:54:56.080
<v Speaker 1>big screen here and kids from all across the country

0:54:56.080 --> 0:54:58.560
<v Speaker 1>adults as well, are going to be able to skype in,

0:54:58.680 --> 0:55:01.240
<v Speaker 1>zoom in, and cook to the favorite voice over actors,

0:55:01.239 --> 0:55:04.319
<v Speaker 1>but also show us their own personal artwork and have

0:55:05.480 --> 0:55:07.359
<v Speaker 1>the best voice over actors in the world put a

0:55:07.440 --> 0:55:10.680
<v Speaker 1>voice to the characters that they've created. So while we

0:55:10.719 --> 0:55:13.200
<v Speaker 1>couldn't do it fully interacted this time, Christie, that's the

0:55:13.280 --> 0:55:14.920
<v Speaker 1>lady who you can throw a shoe at right here,

0:55:15.239 --> 0:55:18.800
<v Speaker 1>I'll catch it with my hand. That's the other She's magic.

0:55:19.960 --> 0:55:23.760
<v Speaker 1>She went on her social media and we had got

0:55:23.800 --> 0:55:26.879
<v Speaker 1>a stack of original art from kids and people from

0:55:26.920 --> 0:55:30.480
<v Speaker 1>across the country, and we were hoping that you could

0:55:30.480 --> 0:55:34.279
<v Speaker 1>grab one or two at random, or we're going to

0:55:34.400 --> 0:55:36.520
<v Speaker 1>talk about the person who sent it. We've had some

0:55:36.880 --> 0:55:38.920
<v Speaker 1>from some six year olds, from eight year old some

0:55:38.920 --> 0:55:42.680
<v Speaker 1>some adults have sent and you were going to be

0:55:42.760 --> 0:55:46.560
<v Speaker 1>put a voice if you would entertain us to whatever characters.

0:55:46.760 --> 0:55:51.040
<v Speaker 1>So this is like a blind bag Russian Roulette with

0:55:51.160 --> 0:55:55.440
<v Speaker 1>no gunfire, with the safe version of Russian Roulette exactly.

0:55:57.080 --> 0:55:59.920
<v Speaker 1>Oh boy, now, and now it should say on the

0:56:00.040 --> 0:56:01.560
<v Speaker 1>top who it is and what their name? Is There

0:56:01.560 --> 0:56:04.279
<v Speaker 1>a backstory to this picture, Elizabeth, because sometimes they have

0:56:04.400 --> 0:56:06.680
<v Speaker 1>there is a backstory. That's a person for sure that

0:56:07.239 --> 0:56:11.120
<v Speaker 1>submitted the drawing. It was submitted at six for eight am.

0:56:13.840 --> 0:56:22.160
<v Speaker 1>Yes personality, yes easily because she's not very street smart.

0:56:22.600 --> 0:56:26.520
<v Speaker 1>She's Christie. It just kind of looks if I were

0:56:27.120 --> 0:56:29.960
<v Speaker 1>you guys have almost the same hair sty you need

0:56:30.000 --> 0:56:35.439
<v Speaker 1>to get well, okay, we got Yuki and um if

0:56:35.520 --> 0:56:38.239
<v Speaker 1>Yuki were a character, I mean I might not be

0:56:38.280 --> 0:56:40.839
<v Speaker 1>able to qualify for this because if if, if you're

0:56:40.840 --> 0:56:42.920
<v Speaker 1>going to get cast, you know, you never know. I

0:56:42.960 --> 0:56:45.439
<v Speaker 1>know things are very political these days. Derek. You pitch

0:56:45.480 --> 0:56:48.240
<v Speaker 1>your voice through your nose, yeah, if you push it forward.

0:56:50.040 --> 0:56:53.439
<v Speaker 1>Well okay, so again you you can very is very

0:56:53.480 --> 0:56:59.360
<v Speaker 1>bubbly and you can get tricked easily. And old is

0:56:59.400 --> 0:57:02.200
<v Speaker 1>the kid that that drew this again, like and I

0:57:02.280 --> 0:57:04.160
<v Speaker 1>think it's like a twelve year old kid or something

0:57:06.560 --> 0:57:14.120
<v Speaker 1>ten years old. And Evie, thank you so much. And

0:57:14.160 --> 0:57:18.360
<v Speaker 1>I'd have to say that if Yuki could talk, maybe, um,

0:57:18.400 --> 0:57:21.280
<v Speaker 1>you know, maybe Yuki bites sound like this. You know,

0:57:21.640 --> 0:57:23.920
<v Speaker 1>she kind of has that weird that cat mouth that

0:57:24.080 --> 0:57:26.680
<v Speaker 1>kind of has like that to me, Like if you're

0:57:26.680 --> 0:57:30.840
<v Speaker 1>looking at a drawing, the physicality always helps you kind

0:57:30.880 --> 0:57:35.320
<v Speaker 1>of find a voice. And if if she is very uh,

0:57:35.440 --> 0:57:40.800
<v Speaker 1>you know, bubbly, But I don't I don't know why

0:57:40.840 --> 0:57:42.840
<v Speaker 1>is Yuki a girl? Is Yuki a girl? For sure?

0:57:43.480 --> 0:57:46.760
<v Speaker 1>I think whatever, it couldn't be a boy. Well, then

0:57:46.800 --> 0:57:49.840
<v Speaker 1>if it were a boy, he would probably still sound

0:57:49.880 --> 0:57:55.120
<v Speaker 1>like this because I'm not that creative, you know, bubbly.

0:57:55.760 --> 0:57:59.120
<v Speaker 1>I don't know would a bubbly person be that susceptible

0:57:59.200 --> 0:58:02.400
<v Speaker 1>to Yeah, look for me, this is me. Let me

0:58:02.440 --> 0:58:06.560
<v Speaker 1>just take this character. It's me basically, That's all I'm saying. Well,

0:58:06.600 --> 0:58:08.439
<v Speaker 1>then maybe if you he's a boy and a little

0:58:08.480 --> 0:58:10.800
<v Speaker 1>bit more high energy, like it might sound like this.

0:58:11.040 --> 0:58:13.840
<v Speaker 1>There you go. So wait, what you're saying is that

0:58:13.880 --> 0:58:16.320
<v Speaker 1>I haven't been drinking water? Yeah, that that would be

0:58:16.360 --> 0:58:18.920
<v Speaker 1>That would be my yuki yea, so we we'll do

0:58:19.040 --> 0:58:22.000
<v Speaker 1>We'll do another. Okay, okay, it might it might be

0:58:22.040 --> 0:58:24.240
<v Speaker 1>a cat. We've got a lot. We've got a lot

0:58:24.280 --> 0:58:28.959
<v Speaker 1>of cats. At mission, I was on a show called

0:58:29.040 --> 0:58:32.840
<v Speaker 1>Unikitty You were Unity. Christie didn't realize that when she

0:58:32.840 --> 0:58:34.840
<v Speaker 1>she posted all this on National Cat Day, which is

0:58:34.840 --> 0:58:40.480
<v Speaker 1>why a lot of people's oh character, I believe this

0:58:40.600 --> 0:58:43.280
<v Speaker 1>was based off of me. This is this is what

0:58:43.360 --> 0:58:46.360
<v Speaker 1>I look like when I put on my eighties sweats

0:58:47.080 --> 0:58:49.959
<v Speaker 1>and I'm at the gym. Who is that? By the way,

0:58:50.080 --> 0:58:53.320
<v Speaker 1>that's a lie, right, because this is from Sam. This

0:58:53.400 --> 0:58:56.760
<v Speaker 1>is from Sam. Sam created the logo, created the show

0:58:56.920 --> 0:58:59.680
<v Speaker 1>for us. And this character's name is do we know

0:58:59.720 --> 0:59:05.280
<v Speaker 1>the name? This is a nameless rabbit. Maybe maybe because

0:59:05.280 --> 0:59:07.320
<v Speaker 1>it sounds like this, you know, he's he always has

0:59:07.360 --> 0:59:10.360
<v Speaker 1>the giggles all the time and uh and and he

0:59:10.440 --> 0:59:12.920
<v Speaker 1>wants to work out, but he's never going to get

0:59:12.920 --> 0:59:15.840
<v Speaker 1>around to it because he is a bit round himself.

0:59:16.360 --> 0:59:18.480
<v Speaker 1>Uh and uh. I don't know what we could name him.

0:59:18.480 --> 0:59:20.080
<v Speaker 1>What would you guys name this guy? He kind of

0:59:20.120 --> 0:59:22.800
<v Speaker 1>looks like a Sanrio type character, like a Hello Kitty,

0:59:23.240 --> 0:59:25.160
<v Speaker 1>like he could live in the Hello Kiddy I could

0:59:25.160 --> 0:59:32.200
<v Speaker 1>see that bunny boy or wow, funny boy by well,

0:59:32.200 --> 0:59:39.640
<v Speaker 1>we clearly know who the hey, then guys having just

0:59:39.680 --> 0:59:43.920
<v Speaker 1>a regular name like Randy, I'm like, that's Randy. This

0:59:44.080 --> 0:59:50.080
<v Speaker 1>is Charles. Yeah, this is Charles. Yeah, there you go. Yeah.

0:59:50.520 --> 0:59:52.400
<v Speaker 1>But for me, I don't know why. He kind of

0:59:52.400 --> 0:59:55.160
<v Speaker 1>sounds like this and it could be maybe lent to

0:59:55.200 --> 0:59:58.600
<v Speaker 1>like that Seth Rogan type giggling. But okay, but yeah,

0:59:58.800 --> 1:00:02.200
<v Speaker 1>it looks like he's being rushed into the air by

1:00:02.200 --> 1:00:04.440
<v Speaker 1>Maybe he's he's had too many carrots and he's got

1:00:04.480 --> 1:00:07.200
<v Speaker 1>a lot of gas. That I saw, I figured he

1:00:07.320 --> 1:00:09.800
<v Speaker 1>was just hit by a tennis racket, Oh my gosh,

1:00:10.120 --> 1:00:12.640
<v Speaker 1>and he's lying away. Maybe he's a tennis ball bunny,

1:00:12.760 --> 1:00:14.880
<v Speaker 1>that's what Maybe he could be like like colored, like

1:00:14.920 --> 1:00:18.880
<v Speaker 1>a tennis ball, like that yellow one. Yeah, I love that,

1:00:19.680 --> 1:00:22.200
<v Speaker 1>but I do. I do like this character design very

1:00:22.280 --> 1:00:26.720
<v Speaker 1>very very Thank you Sam and thank you Eric. It

1:00:26.760 --> 1:00:29.000
<v Speaker 1>has truly been an honor to have you here. Well,

1:00:29.160 --> 1:00:32.680
<v Speaker 1>I had no fun at all. This is by the way,

1:00:32.720 --> 1:00:34.600
<v Speaker 1>this was exactly apparently what it was like when she

1:00:34.640 --> 1:00:38.760
<v Speaker 1>was at the Fancy Place watching Ghostbusters. Please don't say

1:00:38.640 --> 1:00:45.360
<v Speaker 1>the fancy Place. Almost almost drowned the fancy listen. By

1:00:45.400 --> 1:00:48.760
<v Speaker 1>the way, is your vocal courts are they ensured? Then

1:00:48.960 --> 1:00:51.920
<v Speaker 1>I am not Selene dion if by the way, if

1:00:51.960 --> 1:00:55.160
<v Speaker 1>you're not, if you thought you were talking to Selene today?

1:00:55.560 --> 1:00:59.560
<v Speaker 1>Did she has a Canadian French actually cutting out all

1:00:59.600 --> 1:01:03.320
<v Speaker 1>the type hand questions. Who was not present for Leo

1:01:04.200 --> 1:01:11.600
<v Speaker 1>or Kate on the set of My Very Bad I

1:01:11.760 --> 1:01:15.720
<v Speaker 1>was not here? That's very good. She's a very intentions.

1:01:17.400 --> 1:01:23.960
<v Speaker 1>She's a very intention What did this? Why did you

1:01:24.200 --> 1:01:29.120
<v Speaker 1>wait till the end? You got to start with you know,

1:01:29.280 --> 1:01:31.240
<v Speaker 1>that's the sign of a good host. Though, thank you,

1:01:31.240 --> 1:01:34.640
<v Speaker 1>you're making it. You like you could do some stuff

1:01:34.760 --> 1:01:36.560
<v Speaker 1>and then jumped in and showed your voice work. That's

1:01:36.600 --> 1:01:38.520
<v Speaker 1>the way. That's what Christie does. So yeah, I mean

1:01:38.680 --> 1:01:44.040
<v Speaker 1>clearly like she's never happy with someone mentioned Selene today.

1:01:45.800 --> 1:01:47.600
<v Speaker 1>We've been waiting for this. Every guy. She's like, you

1:01:47.600 --> 1:01:49.840
<v Speaker 1>think they're going to mention Selene. I'm like, I don't know.

1:01:50.120 --> 1:01:53.320
<v Speaker 1>Did you send him the orally send him the subliminal

1:01:53.400 --> 1:01:57.080
<v Speaker 1>message email where every other word is Selene, or just

1:01:57.120 --> 1:02:01.280
<v Speaker 1>the case your limo driver is named on me to

1:02:01.320 --> 1:02:05.320
<v Speaker 1>pick you up. He'll be se leaning against the car

1:02:06.200 --> 1:02:09.520
<v Speaker 1>now too far anyway, Eric, I don't even know what

1:02:09.600 --> 1:02:11.080
<v Speaker 1>to say. It has been an honor to have you

1:02:11.120 --> 1:02:13.560
<v Speaker 1>on here. You are thank you, most talented human being

1:02:13.560 --> 1:02:15.960
<v Speaker 1>working today. I'm convinced to be in the presence of

1:02:16.040 --> 1:02:19.000
<v Speaker 1>show such fine actors and hosts. And congratulations and I

1:02:19.080 --> 1:02:21.080
<v Speaker 1>wish you guys the best. Thank you. They're going to

1:02:21.120 --> 1:02:25.080
<v Speaker 1>pick this up for many seasons. Literally were canceled halfway through.

1:02:25.160 --> 1:02:27.840
<v Speaker 1>All right, where can we fight? Yes, this is important

1:02:27.920 --> 1:02:32.320
<v Speaker 1>right here in this downtown when actually, can you guys leave?

1:02:32.440 --> 1:02:34.760
<v Speaker 1>This is my apartment. I know a lot of people

1:02:34.760 --> 1:02:36.800
<v Speaker 1>actually really like our place. They want to live here.

1:02:36.840 --> 1:02:38.800
<v Speaker 1>It's a cool pad. But I'm assuming we can find

1:02:38.840 --> 1:02:42.720
<v Speaker 1>you in the fancy place. Fancy place and then eating nachos,

1:02:42.760 --> 1:02:50.640
<v Speaker 1>pinkies up, pinkies up this cave. I'm to this is

1:02:50.760 --> 1:03:00.840
<v Speaker 1>date night, Higgins do. But this the ninety two. I

1:03:00.960 --> 1:03:03.880
<v Speaker 1>see it's a good deal. Yes, thank you very much.

1:03:04.080 --> 1:03:09.120
<v Speaker 1>Mixed the Cherry and the Blue, and you're on cameo

1:03:09.440 --> 1:03:14.480
<v Speaker 1>or cameo doing all of Ken Jong's work. By the way,

1:03:14.520 --> 1:03:17.160
<v Speaker 1>everyone keeps saying give me this shout out from the

1:03:17.200 --> 1:03:23.520
<v Speaker 1>masked singer host, I'm like, not me. Not guys are you, Instagram, Twitter,

1:03:23.600 --> 1:03:27.160
<v Speaker 1>everything is all at at bow Zilla. I have to

1:03:27.240 --> 1:03:29.640
<v Speaker 1>do something creative with me and now we've only got

1:03:29.760 --> 1:03:33.040
<v Speaker 1>three hours left. So what do you have coming up?

1:03:33.240 --> 1:03:37.200
<v Speaker 1>So it's like, so we're barely even halfway. I guess

1:03:37.200 --> 1:03:41.200
<v Speaker 1>just HBO Max. There's there's lots coming from Looney Tunes

1:03:41.720 --> 1:03:43.920
<v Speaker 1>that I wish I could talk about now that can't.

1:03:44.640 --> 1:03:48.360
<v Speaker 1>But there's definitely some stuff coming that called that you

1:03:48.440 --> 1:03:51.000
<v Speaker 1>will be very happy to hear from me. Again, it's

1:03:51.080 --> 1:03:53.880
<v Speaker 1>the characters and space Jam is still out there. Go

1:03:53.960 --> 1:03:57.080
<v Speaker 1>check out spaces you have. It's still out there doing

1:03:57.120 --> 1:04:00.080
<v Speaker 1>pretty darn good saically Okay, I guess you know the

1:04:00.480 --> 1:04:03.240
<v Speaker 1>little engine that it is. It's like people really want

1:04:03.240 --> 1:04:05.560
<v Speaker 1>to see this tiny little film get you gotta shoot

1:04:05.560 --> 1:04:08.800
<v Speaker 1>company behind you than anything it tends to it's well,

1:04:08.840 --> 1:04:12.040
<v Speaker 1>that's you know exactly. It's it's it's helpful, to be honest,

1:04:12.280 --> 1:04:14.880
<v Speaker 1>it's helped word out, the word out. I do have

1:04:14.920 --> 1:04:20.960
<v Speaker 1>to bring these shoes back by the way you can started.

1:04:22.680 --> 1:04:26.600
<v Speaker 1>They do. Nothing's for keeps, it's just for fun. It's

1:04:27.920 --> 1:04:30.360
<v Speaker 1>thank you, thank you, thank you so much for coming

1:04:30.360 --> 1:04:32.160
<v Speaker 1>and spending the time with us, and really appreciate you.

1:04:32.280 --> 1:04:34.480
<v Speaker 1>Eric we love you so much. Please come back again

1:04:34.520 --> 1:04:36.400
<v Speaker 1>when we get fully interactive. Come back again because we're

1:04:36.400 --> 1:04:38.240
<v Speaker 1>gonna have people chime in and they're gonna love to

1:04:38.280 --> 1:04:40.200
<v Speaker 1>talk to you that I can't wait, which will be great.

1:04:40.240 --> 1:04:42.160
<v Speaker 1>And don't forget they say that youth is wasted on

1:04:42.200 --> 1:04:48.720
<v Speaker 1>the young, go prove them wrong. Thanks everybody. I Hear

1:04:48.800 --> 1:04:51.200
<v Speaker 1>Voices assosted by Wilfred L and Christie Garls and Romano,

1:04:51.400 --> 1:04:54.040
<v Speaker 1>produced by Elizabe Joy Windom and executive produced by Brendan

1:04:54.120 --> 1:04:56.920
<v Speaker 1>Rooney and Wilfred L. Our sound engineer and editor is

1:04:56.920 --> 1:04:59.360
<v Speaker 1>Elizabeth Joy Windham and our video editor is at Guardo

1:04:59.440 --> 1:05:03.480
<v Speaker 1>Gamba And that was my announcer voice. Some side effects

1:05:03.480 --> 1:05:06.160
<v Speaker 1>of listening to I Hear Voices are sore abs from

1:05:06.240 --> 1:05:09.360
<v Speaker 1>larity falling down the Coco melon rabbit hole, sneezing due

1:05:09.360 --> 1:05:12.480
<v Speaker 1>to mass nostalgia, and hugs follow I Hear Voices Wherever

1:05:12.520 --> 1:05:14.400
<v Speaker 1>you listen to podcasts, you don't miss any of the

1:05:14.440 --> 1:05:17.400
<v Speaker 1>amazing voices. Be sure to follow us on Instagram and

1:05:17.480 --> 1:05:20.680
<v Speaker 1>TikTok at I Hear Voices podcast. To see the video stream,

1:05:20.720 --> 1:05:22.920
<v Speaker 1>subscribe to my YouTube channel. You can also check us

1:05:22.920 --> 1:05:27.360
<v Speaker 1>out on my Space o'meegl Vine, lime Wire, am a napster. Okay, well,

1:05:27.440 --> 1:05:29.120
<v Speaker 1>let's teach you about the Internet. What