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Speaker 1: Hey, everybody, I'm Welfer. I'm Christy Carlson Romano, and welcome

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Speaker 1: to I Hear Voices. It's a podcast that we're also

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Speaker 1: filming on my YouTube channel, and it's going to be

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Speaker 1: every week where we're interviewing the most iconic voiceover actors

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Speaker 1: of all time. That's right. We're gonna be able to

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Speaker 1: put some of the names with the faces and the

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Speaker 1: faces with the voices of all the people that you

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Speaker 1: grew up watching from some of the most iconic animated

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Speaker 1: characters in the history of television and film. Who is

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Speaker 1: our guest today? Our guest today? We are starting big, folks,

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Speaker 1: we are starting really really big. Uh. Let's say bugs money.

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Speaker 1: Let's say Daffy Duck. Let's say twee tweety bird. Let's

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Speaker 1: say Marvin the Martian. Let's say gijoel say g I Joe.

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Speaker 1: Let's say there's too many to count. Eric Bowsa is here.

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Speaker 1: Let's get into it. I hear voice. Do you know

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Speaker 1: who we're here with. We're here with Derik Bowsa. Yeah,

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Speaker 1: I do. Yeah, you play everyone well, you know, I

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Speaker 1: wouldn't say that I am lucky to just at the

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Speaker 1: before the before times to leave the house we called

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Speaker 1: we called b c T here before. Uh yeah, I

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Speaker 1: mean I wouldn't say everyone because there's there's so many

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Speaker 1: rules for everyone. Yes, but you play most of them,

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Speaker 1: which is the joy of it. This is the wonderfulness. Well,

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Speaker 1: I mean at least the ones that um, I like

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Speaker 1: to say helped raise me as a child, which is good. Yeah,

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Speaker 1: which is incredib Well, first of all, I would read

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Speaker 1: we'll get into some of your your credits here. Um,

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Speaker 1: I'd read them all, but we've only got an hour.

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Speaker 1: Reading Eric Bows's credits is like reading you know, Jay

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Speaker 1: Lenos car list. It's like there should be four but

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Speaker 1: there's eight hundreds, which, by the way, you could catch

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Speaker 1: him every Tuesday's eating a chicken sandwich at Chick fil

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Speaker 1: A in Bourbe learned every single Tuesday. Well, actually, sad story,

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Speaker 1: happy story, and uncle of mine passed away recently. That's

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Speaker 1: the sad part. The good part is that he was

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Speaker 1: a hoarder, just like me, and when he left, he

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Speaker 1: left all of his things behind, including this old junker

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Speaker 1: of a car, which was a nineteen Pontiac gt O

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Speaker 1: with the top down that actually transported him from Toronto, Ontario,

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Speaker 1: Canada in in the late sixties early seventies to l A.

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Speaker 1: And he's the very same uncle that told me that

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Speaker 1: I should move here to work in voice. So when

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Speaker 1: he passed away, um, you know, it wasn't like it

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Speaker 1: was left for anyone. It was just left. It was

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Speaker 1: just left behind. And I talked to my other uncle

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Speaker 1: who lives very far away in a land called Orange County,

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Speaker 1: and so does anyone want you need a passport and

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Speaker 1: an extra from there? That's why, Yeah, exactly, passport, the

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Speaker 1: Genie Pass. They call it out no more fast passes.

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Speaker 1: It called the Genie Pass. Wow, you would think they'd

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Speaker 1: go with Lightning McQueen pass genius, you know, one one

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Speaker 1: of the roles that you didn't play. Yeah on the show.

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Speaker 1: You know, I know this is the way of the

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Speaker 1: voice of artists. As we start five conversations at the

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Speaker 1: same time the car, I'll go back in order. So

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Speaker 1: the car, I asked my other uncle, is anyone what

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Speaker 1: are we doing with this thing? And they he pretty

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Speaker 1: much said, it's all yours if you want. You know,

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Speaker 1: this thing it was not in pieces, but it was

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Speaker 1: definitely as we said. As a car person, you say,

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Speaker 1: needs some love fixer. Uh, But talking about Disney. I

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Speaker 1: think you're born on one side of the fence, the

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Speaker 1: Disney side or the Warner Brothers. Yeah, and I you know,

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Speaker 1: I feel like I'm talking to do to Disney kids.

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Speaker 1: Quite No. I actually I was a very big loony

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Speaker 1: tune you Yeah. Yeah, I have to say, was parked

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Speaker 1: in front of the TV for hours and I was

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Speaker 1: watching looney Tunes and then it became like more of

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Speaker 1: the ren and stimpy, you know what. Woodpecker was my

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Speaker 1: jam growing up until I until I got a little

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Speaker 1: older and found G. I. Joe, which you've done, But

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Speaker 1: until I found G I. Joe at like seven or eight,

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Speaker 1: Woody Woodpecker was my thing. Yeah, he was. He was

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Speaker 1: a troublemaker. Yeah, And I was kind of like, is

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Speaker 1: he a Loony tune? Is he a Hannah Barbara character?

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Speaker 1: I couldn't tell him. He was his own little thing.

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Speaker 1: And not even like um like Jay Word cartoons like

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Speaker 1: Rocky and Bully, they kind of looked like like Hanna Barbara,

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Speaker 1: very limited style. But what he kind of was in

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Speaker 1: that era of like full animation until like it hit

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Speaker 1: the nineties and then it was a little bit more limited. Yeah.

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Speaker 1: Now it's like very rare that you would get like

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Speaker 1: full animation coming from Woody unless Woody Woodpecker is a

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Speaker 1: feature film. When you say limited for those out there

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Speaker 1: that may not be. Yeah, so like full animation, like

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Speaker 1: classic Looney Tunes where it's like they spent like nine

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Speaker 1: months making one of those animated shorts, the seven minute ones,

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Speaker 1: What's opera doc or any of like the classic ones,

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Speaker 1: and none of that was sent overseas. That was all

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Speaker 1: done in Hollywood, in Burbank, all by hand, all nothing.

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Speaker 1: And you know, us modern artists looked to that as

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Speaker 1: a reference, and I'm like, what were they looking at

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Speaker 1: when they were making these cartoons? What kind of things

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Speaker 1: were in their head they are doing? They were listening

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Speaker 1: to the voices and there they probably did like a

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Speaker 1: lot of unfiltered tobacco smoking indoors in the ceiling, drinking

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Speaker 1: at eleven am their inspiration. Well, actually, do you have um,

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Speaker 1: do you have any sort of like has anyone really

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Speaker 1: brought you into how Mel sort of conceived of all

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Speaker 1: of that or I mean his process was not. I

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Speaker 1: mean I think we all have been a part of

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Speaker 1: that process. If we're talking about an original idea in

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Speaker 1: that sense, yes, if there was an original cartoon show

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Speaker 1: with original characters. I'm thinking about something like Uncle Grandpa,

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Speaker 1: which was kind of like a very wacky, whimsical cartoon

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Speaker 1: network type show. I played a talking Fannie Pack named

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Speaker 1: belly Bang, and uh, I was like, I wonder what

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Speaker 1: his you know, like what a talking Fannie Pack would

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Speaker 1: sound like. And my inspiration for that was like what

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Speaker 1: I would sound like if I were a Muppet character.

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Speaker 1: So I kind of had this weird voice that sounded

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Speaker 1: like this that he immediately became the Lisa Simpson of

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Speaker 1: the show. Like no one liked him. They're like, well,

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Speaker 1: no one really likes Fannie Packs, right, Like they're coming back.

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Speaker 1: Apparently there's gonna be a big there. I see one

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Speaker 1: in the in the there they're coming back, So they're

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Speaker 1: coming back. That's exactly you could put some VHS was yes, yes,

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Speaker 1: but yeah in that sense, yes, original, But as far

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Speaker 1: as legacy characters, you know, I guess you kind of

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Speaker 1: just want to stay as close to the original character

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Speaker 1: as possible, only because so many people, especially for talking

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Speaker 1: about Bugs, who's like eighty one years old, they all

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Speaker 1: know him like they know, like a relative. It's like,

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Speaker 1: you know, like, well helped raise generations, but funny helped

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Speaker 1: to raise generations of kids. It's again, if you're looking

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Speaker 1: at the Warner brother side, you're looking at it's the equivalent.

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Speaker 1: You know, you look at someone like Jim Jim Cummings

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Speaker 1: and Winnie the Pooh, it's like, it's pretty insane, Like

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Speaker 1: how amazing some of my inspirational you know who I

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Speaker 1: look up to, like the Billy West's or the Coummings

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Speaker 1: of the world, or you know, even someone like Tara

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Speaker 1: Strong who does Rocky now for Rocky and Bowling Culture,

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Speaker 1: and she does she does her best voice match to

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Speaker 1: June four A. But let's go into the beginning. Well,

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Speaker 1: that's the thing I wanted to talk to you about,

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Speaker 1: because you didn't start as a voice actor. You started

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Speaker 1: as an artist, didn't you. I started out as a

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Speaker 1: production assistant, and then I slowly started to move away

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Speaker 1: from that until like kind of production manager. I know

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Speaker 1: how photocopier works pretty good at that, changing the Xerox cartridges.

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Speaker 1: But yeah, like production assisting and then like editing I

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Speaker 1: was doing. I was editing animatics and sound effects. Had

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Speaker 1: you had any schooling prior though, like when your uncle

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Speaker 1: told you to come down to California. It was basically

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Speaker 1: to fix and take care of his lawn. And then

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Speaker 1: and then he saw that I could act, like what

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Speaker 1: is that a pencil? Was like yes, but yeah it was.

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Speaker 1: It was because he knew that I like to draw

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Speaker 1: and and and that was a hobby, you know that

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Speaker 1: we're talking about like middle school, elementary school is when

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Speaker 1: he first started sending me newspaper I still have all

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Speaker 1: these l A Times newspaper clippings of like how well

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Speaker 1: the Little Mermaid did in the box office, you know,

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Speaker 1: like here's something that you might find interesting and an

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Speaker 1: idea thing you should come down here. So he was

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Speaker 1: like your mentor kind of yeah, you know, aside from

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Speaker 1: the support of my parents, who were you know, you're

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Speaker 1: talking about immigrants from the Philippines that were like trying

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Speaker 1: to find a better life. And at that time, you know,

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Speaker 1: late sixties, early seventies, and I'm sure you can attest

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Speaker 1: from your folks advice. The better job was go to school,

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Speaker 1: become a lawyer, become a doctor. Yeah, that's all we got.

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Speaker 1: That's it. Going to dead yeah, yeah, no job after

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Speaker 1: the fixed people or soup people, that's that's that's that

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Speaker 1: was it were your parents first generation. Yeah, they were,

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Speaker 1: they were born and raised. I was not. I was

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Speaker 1: born in Toronto. I've never been to the Philippines. If

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Speaker 1: I went, I would stick out like a sore thumb.

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Speaker 1: I'm sure you were like that guy eats. So you

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Speaker 1: were interested in the animation then you you were watching it.

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Speaker 1: Would you remember watching your first Bugs Buddy cartoon or

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Speaker 1: you know again eighties and nineties, right, we were exposed

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Speaker 1: to some of the first way as of Looney Tunes

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Speaker 1: in syndication, So it was kind of like a Saturday

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Speaker 1: morning thing where you're like, wow, like these are really

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Speaker 1: good cartoons, and then they would be shown right next

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Speaker 1: to you know, like the eighties PLC they call them

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Speaker 1: program length commercials, which are kind of like I mean,

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Speaker 1: Ducktails was really cool because it was like comic strip.

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Speaker 1: But you're talking more which which we worked on all

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Speaker 1: that kind of stuff. Let's yeah, and and boy did

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Speaker 1: it work even Jim and Jim, So were you when

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Speaker 1: you were a kid that great? Were silver Hawks? Let

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Speaker 1: we could get it. So when when you were a

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Speaker 1: kid then, were you more Bugs Bunny or were you

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Speaker 1: more g I Joe Transformers? It would have to be

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Speaker 1: like a photo finish. It would have to be like

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Speaker 1: a two way time because I I liked it all,

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Speaker 1: like for the most part, like they didn't really have

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Speaker 1: many Bugs Bunny or Looney Tunes toys. I think I

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Speaker 1: had one bendable Bugs Bunny toy. Yeah, they didn't really know.

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Speaker 1: They had this the PVC kind of like and you'd

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Speaker 1: go by as many as you could, and you had

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Speaker 1: like you get the Smurf village and somebody be like,

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Speaker 1: here's Gargament and you be like, I don't really want

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Speaker 1: that one, but that's what you But it was all

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Speaker 1: the toys were all the action awesome g I Joe

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Speaker 1: talk about all this kind of stuff where you needed

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Speaker 1: every little figure and then you lose the gun in

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Speaker 1: like two seconds. And but yeah, I mean I liked

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Speaker 1: it all, but definitely like there was something magical to

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Speaker 1: me about Bugs Bunny and Looney Tunes and and just

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Speaker 1: the characters. There are such solid characters, like you know,

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Speaker 1: and it was such a simple set up to I

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Speaker 1: think that's what it was. It was very easy to

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Speaker 1: to really I think sink your teeth into uh. And

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Speaker 1: that's why it's tough when you watch some of these

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Speaker 1: classic characters try to expand and you know, and again

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Speaker 1: I'm guilty. I'm part of almost all the reboots seeing

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Speaker 1: it in different variations. You know, I've been a part

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Speaker 1: of Looney Tunes in a big feature film. I've been

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Speaker 1: a part of Looney Tunes in a in a Jordan

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Speaker 1: Nike shoo commercial. And I've been a part of Looney

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Speaker 1: Tunes where the twenty two minute like animated sitcom where

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Speaker 1: you know, Bugs and Daffy are roommates in a neighborhood.

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Speaker 1: So what's different You are both of them, right, Not me?

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Speaker 1: That was actually Jeff Bergman. It was Yeah, that was

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Speaker 1: Mr Jeff Bergman, who was like one of the the

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Speaker 1: first guy to I would have to say again another

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Speaker 1: if you're a nerd like me and you and you

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Speaker 1: keep a rolling decks of oh yeah, I'm working on

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Speaker 1: my nerd dumb though you're trying to become, you're between

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Speaker 1: two nerds, should be the name. That's one of the things.

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Speaker 1: One of the reasons we did this is because she's like,

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Speaker 1: we're doing It's the twenty anniversary Compossible and congratulations to

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Speaker 1: you guys the way, and we're talking about all that,

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Speaker 1: and then she's doing Big Hero six and then we're

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Speaker 1: talking about animation and I'm going off on her and

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Speaker 1: she's like, you know, for all the animation I do,

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Speaker 1: I don't really know much about it. And I was like, a,

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Speaker 1: so you're like the Charlie Adler type who like I'm

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Speaker 1: sitting there talking to Charlie Adler at a session nerding

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Speaker 1: out about like tiny tuons. He's like, I don't care.

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Speaker 1: I just you know, I hang my coat up and

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Speaker 1: I go, you know, like you know, and that's a

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Speaker 1: great way to do. It's a quick way the loose.

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Speaker 1: I care because you're right, it is probably a great

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Speaker 1: way to But we love to talk about getting married

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Speaker 1: and buried in this Dino exactly that, which is how

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Speaker 1: I'm the the what was that fan? Yeah, the flint

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Speaker 1: Stone bam bam, and about it working on it, you

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Speaker 1: know what. You know what though, here's the thing, Okay,

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Speaker 1: my childhood was was kind of wrapped up in the theater,

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Speaker 1: so I kind of say that I'm a theater nerd.

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Speaker 1: So I didn't get a lot of exposure to I

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Speaker 1: didn't have that extra afternoon time. A lot of time

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Speaker 1: it was after I came home, and I remember, no,

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Speaker 1: I didn't have friends, not no, No, our friends are

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Speaker 1: on the TV. No, I didn't. I think it was

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Speaker 1: because I was going back and forth because I started

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Speaker 1: at six, and so I was back and forth on

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Speaker 1: the train a lot. So I didn't have access to

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Speaker 1: TV until I got home, and it was about six

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Speaker 1: o'clock at night, and my mom went straight to the

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Speaker 1: kitchen to make dinner for everybody. And at that time,

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Speaker 1: but was in syndication. I wasn't six. I think it

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Speaker 1: was more like eight, ten years old. Stuff like that.

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Speaker 1: Thirty seven right now, but I'll be thirty eight and

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Speaker 1: a couple of goods for young people. Have you seen

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Speaker 1: my shoes? They looked like coffins, Like, you're still younger

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Speaker 1: than me, though, I think, uh, maybe are we going

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Speaker 1: to go down this guy? Are we gonna I'm turning

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Speaker 1: uh three this year? Oh, I'm gonna okay in the world,

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Speaker 1: you guys look so dang young. Why is it that

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Speaker 1: guy is always age in reverse? It's I don't think

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Speaker 1: that's true. Five years ago, I'm gonna steal a friend

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Speaker 1: of mine's joke because it was the greatest joke in

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Speaker 1: the world. She always says, you know, I went to

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Speaker 1: my kindergarten reunion and I was really embarrassed because I

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Speaker 1: put on like a hundred pounds and I always thought

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Speaker 1: that was just the greatest thing in the world. Because

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Speaker 1: we don't really don't know what ages the reverse. We're

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Speaker 1: all looking like that's Wendy leaving by the way, but

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Speaker 1: we we all still jokes. You don't know. I know,

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Speaker 1: I say, who might do? You've always credited? But okay,

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Speaker 1: so back to them too. I mean, like when he's

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Speaker 1: growing up, you're learning about Looney Tunes, you're being exposed

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Speaker 1: all of sudd then you're starting to pick up a pencil,

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Speaker 1: you said, and then you're starting to draw the thing.

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Speaker 1: You're a pretty phenomenal artist. I could draw right now

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Speaker 1: for you. And that's another one of them. But yeah,

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Speaker 1: I mean like it was one of those things where

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Speaker 1: where it was it was like a little bit of

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Speaker 1: the the art. Just give him a post it note.

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Speaker 1: Watch it's going to happen. Elizabeth's got it. Elizabeth does

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Speaker 1: everything you did offer did. I just don't also want

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Speaker 1: to like damage your table. You have a sharpie, then

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Speaker 1: I would need a second piece of paper. But you

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Speaker 1: know what, let's just do it like this, Let's just

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Speaker 1: do it. So I mean it's like, see you haven't.

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Speaker 1: I didn't. I don't want to. Like lacquer, He's the

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Speaker 1: guy when you're at a party and they go, hey,

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Speaker 1: you know we're gonna play picton and like Eric's team

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Speaker 1: pizza hasn't arrived and the magician hasn't showed up. Here's another,

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Speaker 1: here's is this one better? This is a little penny thing?

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Speaker 1: This is this is it's Marvin the Marsha. Yes, he's

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Speaker 1: a bowling bowl with a spartan helmet on. And I

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Speaker 1: did that all off microphone? How unprofessional? When when I

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Speaker 1: am in animation mode, it's kind of like you kind

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Speaker 1: of like lose all how fast? Exception of time? Marvin

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Speaker 1: the Martian? Uh right here, you could buy this for

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Speaker 1: only keeping it anything person. We got one better, and

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Speaker 1: it's Eric's mother. But are you marshall, since we're talking,

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Speaker 1: since you as you're signing that, because we haven't really

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Speaker 1: said this out loud, what the heck? Let's just start

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Speaker 1: listing some stinks. Okay, yes, Earth Creature if I'm right,

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Speaker 1: bugs Bunny, that's right, Doc, what's up? I hear voices too?

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Speaker 1: And ain't I stink it? Oh? I see you got

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Speaker 1: Marvin's good side, Daffy Duck. Yes, I would do it,

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Speaker 1: but it's not a pandemic friendly voice. I'm so glad

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Speaker 1: we're at least six feet away from my bill Tweetie. Oh,

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Speaker 1: I thought I taught a very highly decorated table. Marvin

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Speaker 1: the Martian. Yes, I believe we've done this one already,

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Speaker 1: but for for the sake of the show Earth Creature,

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Speaker 1: I'll do it again. Woody Woodpecker. That's it. That's all

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Speaker 1: I can do. You know already I was like, oh,

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Speaker 1: my nose is going to start bleeding. That's like one

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Speaker 1: of those like he need to be facing the wall

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Speaker 1: when I do this voice, Porky Pig, I did it

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Speaker 1: for a speed a space jam, but that honor usually

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Speaker 1: falls upon Mr Bob Bergen. He's he's one of those

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Speaker 1: guys that I feel like he's he's turned it into

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Speaker 1: an art form, uh and and and has done it justice.

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Speaker 1: But you did it in a little film called Little

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Speaker 1: It was a little independent, little independent film that we're

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Speaker 1: hoping to it's gonna maybe wreak out. I believe it

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Speaker 1: was about soccer. This time exactly be Valley Valley Quiet.

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Speaker 1: I'm hunting Webb, but who I think if they ever

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Speaker 1: did a live action movie, it could be Seth broken

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Speaker 1: definitely very quiet, like he has them hunting Webb. Yeah,

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Speaker 1: he actually could. You're going to do all Seth if

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Speaker 1: you know, John c Riley could be a good omer

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Speaker 1: fund yeah, you know, or or a good record Ralph

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Speaker 1: Puss in boots. That is correct, aim a voice match

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Speaker 1: for Antonio banderis for pooss in boots. Yeah, and that

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Speaker 1: the voice match not an ab match, you know, like

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Speaker 1: I can't do the abs of Antonio or the bank account,

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Speaker 1: but I can definitely copy the voice. I have a

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Speaker 1: question for you, because we could. We could be here

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Speaker 1: all day, which I could easily do and just nerd

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Speaker 1: out and be so totally happy. But my question is

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Speaker 1: every single thing you watch growing up, did you try

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Speaker 1: to mimic? I think almost every child does at some point, right,

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Speaker 1: like when you're watching No, Yeah, I think that's the thing.

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Speaker 1: It's like it's kids just they'll they'll do voices or

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Speaker 1: think that they're doing good voices and they're not because

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Speaker 1: their kids when they he does. And you know what's

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Speaker 1: crazy about my son is that he knows the difference

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Speaker 1: between like when I'm doing it or mel blank or

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Speaker 1: so he's got yeah. No, like uh, I was in

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Speaker 1: the kitchen making him a little lunch and he was

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Speaker 1: just just a few feet away in the living room

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Speaker 1: watching Fast and the Furious Spy Racers, which is like

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Speaker 1: an DreamWorks Netflix cartoon, and he goes Dad, and he

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Speaker 1: pauses it. He goes, is this you? And then he

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Speaker 1: rewinds it and it's this completely over as a top

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Speaker 1: chum and character that I was doing, and I forgot

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Speaker 1: that I did the episode and I go yes, and

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Speaker 1: I was like, I was like, oh my god, you

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Speaker 1: not only do you know my voices, but also the

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Speaker 1: bad ones, like the really bad acting. Well, our kids

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Speaker 1: are our greatest critics, absolute lutely absolutely like, yes, that

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Speaker 1: jacket does make you look Yes, I like, thank you know,

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Speaker 1: that's really cool. So he really does have the ear

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Speaker 1: because that's yeah, you know. But Eric is one of

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Speaker 1: those guys when we're reading all the things, you think

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Speaker 1: you're a voice over actor and you're like, I'm pretty

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Speaker 1: good at what I do, and then you sit next

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Speaker 1: to Eric and you go like, and now I'm going

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Speaker 1: to find something else to do. Here's the thing, though,

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Speaker 1: It's like, there are like the freaks that do you know,

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Speaker 1: weird impressions. But you know, I sit there. I listened

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Speaker 1: to yourself in a session and it's like, that's just

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Speaker 1: that's just solid acting, and that's really amazing. Imprompt Yeah,

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Speaker 1: oh my god, I wish that were actually accurately. You're

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Speaker 1: like the eternal leading man and everything that we play.

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Speaker 1: If he's my sidekick, though, that's true, you were the

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Speaker 1: leading you were you were by far the lead. And

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Speaker 1: if you if there's ever I have some really good

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Speaker 1: t for you. Okay, if there's a reboot of KP

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Speaker 1: Kim Possible, because you you know, oh yes, we've heard

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Speaker 1: some some grumblings. Yes, do you want to tell him? Well,

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Speaker 1: we just saw the We we worked with a director

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Speaker 1: who you are very familiar with, Miss Lisia Shaeffer. I

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Speaker 1: loved Death. She is the one who cast us on

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Speaker 1: Kim Possible. And we were talking about if, if, and

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Speaker 1: when there is a reboot of Kim Possible. Some of

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Speaker 1: the people she got on the show were just insanely

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Speaker 1: amazing and some unfortunately passed, and one of those is

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Speaker 1: Ricardo Montalba. Oh my god. So we were like, who

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Speaker 1: is going to play senior? Senior? Senior, And before we

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Speaker 1: even got it out. She was like, Eric, oh my god. Well,

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Speaker 1: Ricardo Montalban again is like one of those amazing performers

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Speaker 1: that you know once in a lifetime, like I was

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Speaker 1: old enough to see Fantasy Island and then in The

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Speaker 1: Naked Gun with Lisie. So yes, they said that you

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Speaker 1: would be casting. I mean it was Ricardo Montobon, Jean's

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Speaker 1: mart Gary Cole, some of the people. Yeah, now it's

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Speaker 1: just or another voice over artist, Christian Lance, who is phenomenal.

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Speaker 1: He also has a very spot on Antonio Ben Daris

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Speaker 1: and I believe if you, you know, do you guys

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Speaker 1: ever just sit around and do dueling. Ben Daris is well,

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Speaker 1: there was an episode of dul the Name of our

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00:22:24,920 --> 00:22:29,400
Speaker 1: band back and forth. Yeah, we we actually kind of did,

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Speaker 1: because he did a very somewhat similar voice for Teenage

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Speaker 1: Mutant Ninja Turtles the two thousand twelve reboot. His character's

407
00:22:38,400 --> 00:22:42,920
Speaker 1: name was fish Face for the series, not for the Yeah,

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Speaker 1: and it was definitely like in the vein of an

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Speaker 1: Antonio or a Mr Montalban. And then they did another

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Speaker 1: recent reimagining of Ninja Turtles where they had us play

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Speaker 1: brothers and basically just do our Ben rrisa so it

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00:23:01,680 --> 00:23:03,400
Speaker 1: was kind of funny to be in the same room

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Speaker 1: as UM and just hearing that. It was like, yeah,

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Speaker 1: Teenage mutan in Shurtals is the only TM that's what

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00:23:13,480 --> 00:23:19,359
Speaker 1: the kids calling. Are you talking about? Yeah? Exactly. Only

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Speaker 1: show I watched growing up that I have never been

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Speaker 1: cast in even one line ever is Teenage Mutanturnals. That

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Speaker 1: blows my mind because I'm like, you would be amazing

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Speaker 1: as almost all close on every single role had never

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00:23:34,640 --> 00:23:39,960
Speaker 1: once been cast, not even once. Is Leo though, come on, no, no, never.

421
00:23:40,840 --> 00:23:43,320
Speaker 1: I never thought that. Never as anyone. I've always come

422
00:23:43,359 --> 00:23:45,320
Speaker 1: close and never been able to that. Same with G

423
00:23:45,480 --> 00:23:48,040
Speaker 1: I Joe. I did two shows growing up that were

424
00:23:48,080 --> 00:23:51,240
Speaker 1: my favorite, and no G I Joe either I loved

425
00:23:51,240 --> 00:23:52,760
Speaker 1: because G I Joe was the best. It was like

426
00:23:52,920 --> 00:23:55,720
Speaker 1: and it's like it's so went, yeah, well that one

427
00:23:55,840 --> 00:23:57,959
Speaker 1: was like I have I remember the last time they

428
00:23:57,960 --> 00:24:00,080
Speaker 1: did like a g I. Well, weren't you in? You

429
00:24:00,119 --> 00:24:02,440
Speaker 1: were in resolute? I was in resolute. Yeah, I think

430
00:24:02,440 --> 00:24:03,800
Speaker 1: that was I think that was the last g I

431
00:24:04,119 --> 00:24:06,040
Speaker 1: they had something after that? Did they? Really? There was

432
00:24:06,080 --> 00:24:09,160
Speaker 1: another one? Which one was the is the one you did?

433
00:24:09,720 --> 00:24:12,520
Speaker 1: The one that Marsden was Duke or was that the

434
00:24:12,560 --> 00:24:15,000
Speaker 1: one after? I think that was the one after. Who

435
00:24:15,000 --> 00:24:18,600
Speaker 1: were you in Resolute? I was storm Shadow, Tunnel Rats

436
00:24:18,640 --> 00:24:22,840
Speaker 1: and destro of. Can I please hear your destro Uh?

437
00:24:22,920 --> 00:24:27,359
Speaker 1: You know it's crazy? I did? And Arthur author Burghart,

438
00:24:27,359 --> 00:24:31,040
Speaker 1: who was the original destro like this kind of voice,

439
00:24:31,280 --> 00:24:35,160
Speaker 1: but he's actually a Scottish arms dealer if you ever

440
00:24:39,000 --> 00:24:43,360
Speaker 1: are you guy? So I didn't author Burghart, but with

441
00:24:43,440 --> 00:24:49,959
Speaker 1: a Scottish action, so it almost added like Sean if

442
00:24:49,960 --> 00:24:54,800
Speaker 1: Sean Connery and Arnold Schwarzenegger. That's when anybody asked me

443
00:24:54,840 --> 00:24:56,600
Speaker 1: what role I would play? I would I always pick

444
00:24:56,720 --> 00:24:59,160
Speaker 1: Cobra commander, Cobra commander. I never, I've never. I don't

445
00:24:59,160 --> 00:25:00,639
Speaker 1: think I've ever played a bag in my life. He

446
00:25:00,680 --> 00:25:03,000
Speaker 1: would love to play They never have. They never happen

447
00:25:03,000 --> 00:25:04,840
Speaker 1: to play the bag guy. But but just your own

448
00:25:04,920 --> 00:25:11,400
Speaker 1: voice is like, sounds so nice under that mask. Can

449
00:25:11,440 --> 00:25:14,000
Speaker 1: we just maybe get Duke to lay down his arms

450
00:25:14,119 --> 00:25:16,240
Speaker 1: so he can try to take over the world. There

451
00:25:16,119 --> 00:25:20,480
Speaker 1: are people imagine like a big meeting, like with that

452
00:25:20,840 --> 00:25:23,360
Speaker 1: sound coming out of that helmet is like, okay, so

453
00:25:23,680 --> 00:25:26,520
Speaker 1: I just told you and I think that's pretty important.

454
00:25:26,720 --> 00:25:29,520
Speaker 1: The one role I would do if I had the opportunity.

455
00:25:29,680 --> 00:25:32,160
Speaker 1: Is there any role you've never done that you want

456
00:25:32,160 --> 00:25:38,200
Speaker 1: to do? Batman? Yeah, I've never been Batman. Now would

457
00:25:38,240 --> 00:25:40,679
Speaker 1: you be a new Batman like I was a new Batman?

458
00:25:40,760 --> 00:25:43,160
Speaker 1: Or would you be do you want to be Bruce? I? Well,

459
00:25:43,240 --> 00:25:46,760
Speaker 1: you know, I mean so many great questions. It's coming

460
00:25:46,800 --> 00:25:51,639
Speaker 1: for your job. No, I mean that better I would.

461
00:25:51,680 --> 00:25:54,479
Speaker 1: I mean, come on, Batman Beyond Like I grew up

462
00:25:54,480 --> 00:25:57,639
Speaker 1: watching like every day after school. That Warner Brothers block

463
00:25:57,800 --> 00:25:59,840
Speaker 1: for whatever is pretty great blocks like that Freak is

464
00:26:00,119 --> 00:26:04,920
Speaker 1: talking about Ricardo Montoid, tiny Tuons, Animaniacs, Batman the animated series,

465
00:26:04,920 --> 00:26:08,800
Speaker 1: and then Batman Beyond Es and that was like amazing.

466
00:26:08,960 --> 00:26:11,760
Speaker 1: I loved I love that show and was a huge

467
00:26:11,760 --> 00:26:15,720
Speaker 1: fan and I hope and I'm like when I was like,

468
00:26:15,800 --> 00:26:18,200
Speaker 1: come on, I can't tell you without any shadow of

469
00:26:18,240 --> 00:26:20,640
Speaker 1: a doubt, I'm by far the best Terry McGinnis there's

470
00:26:20,640 --> 00:26:27,440
Speaker 1: ever been. Yeah, unbeat only one, literally the best one ever.

471
00:26:28,520 --> 00:26:30,520
Speaker 1: That's amazing though if you think about it, like how

472
00:26:30,560 --> 00:26:32,919
Speaker 1: many bat Batman have there been? There's been a lot

473
00:26:32,920 --> 00:26:35,080
Speaker 1: of Batman. It's like it's weird to say that there's

474
00:26:35,080 --> 00:26:36,679
Speaker 1: been a lot of Batman, there's a lot. Yeah, this

475
00:26:36,760 --> 00:26:39,000
Speaker 1: is what Bruce Tim would tell me. So Bruce Tim,

476
00:26:39,040 --> 00:26:41,399
Speaker 1: who created a Batman the animated series, created Batman Beyond.

477
00:26:41,800 --> 00:26:44,159
Speaker 1: He said that the great thing about the Batman character

478
00:26:44,280 --> 00:26:46,399
Speaker 1: was that, like when the movies were really dark, the

479
00:26:46,440 --> 00:26:49,600
Speaker 1: cartoons were really light, you know, like the Christian Bale

480
00:26:50,000 --> 00:26:52,159
Speaker 1: movies came out and it was like Batman Brave in

481
00:26:52,200 --> 00:26:54,480
Speaker 1: the Bold. And when the movies were really light, like

482
00:26:54,520 --> 00:26:57,440
Speaker 1: the Arnold Schwarzenegger ones, the cartoons got really dark, he said,

483
00:26:57,440 --> 00:26:59,320
Speaker 1: because there always has to be a Batman for everyone,

484
00:26:59,440 --> 00:27:02,200
Speaker 1: like a cont so there's always there's the dark Batman

485
00:27:02,240 --> 00:27:04,200
Speaker 1: for the adults. There's gotta be lighter ones for the kids.

486
00:27:04,400 --> 00:27:08,760
Speaker 1: But Kevin just approached it as a straight up Shakespeare. Yes, absolutely,

487
00:27:08,800 --> 00:27:10,919
Speaker 1: and I've talked to him too about that where it's

488
00:27:11,000 --> 00:27:13,920
Speaker 1: just like it's hard for me to hear anyone in

489
00:27:14,000 --> 00:27:18,000
Speaker 1: that role. But also that like the show in its entirety,

490
00:27:18,119 --> 00:27:20,040
Speaker 1: the style of the show, the writing of the show,

491
00:27:20,080 --> 00:27:22,760
Speaker 1: with the tone of the show. I mean Andrea, Andrea

492
00:27:22,840 --> 00:27:24,600
Speaker 1: Romano and you got to work with her and Batman

493
00:27:24,600 --> 00:27:28,240
Speaker 1: Beyond first. She cast me first, we have to She's

494
00:27:28,280 --> 00:27:31,359
Speaker 1: mentioned in every single she will becoming. It's amazing. I

495
00:27:31,400 --> 00:27:33,040
Speaker 1: think I was one of the last people to work

496
00:27:33,040 --> 00:27:36,200
Speaker 1: with her before she went into retirement. That that was

497
00:27:36,240 --> 00:27:38,080
Speaker 1: the first time I was ever nominated for an Emmy.

498
00:27:38,320 --> 00:27:40,439
Speaker 1: Was was because the beat can pull it out of you.

499
00:27:40,760 --> 00:27:44,840
Speaker 1: There's I know. He's a just a insanely talented woman.

500
00:27:44,960 --> 00:27:46,879
Speaker 1: She was one of the first people I started working

501
00:27:46,880 --> 00:27:49,480
Speaker 1: with when I was doing the Ricardo montal Bond impression

502
00:27:49,520 --> 00:27:53,360
Speaker 1: on Degre The Adventures of Money Rivera And and I

503
00:27:53,440 --> 00:27:57,120
Speaker 1: was so green, like greener than Kermit the frog snot

504
00:27:58,280 --> 00:28:01,240
Speaker 1: like I mean, and that's green the chunks in it,

505
00:28:02,800 --> 00:28:05,879
Speaker 1: but like, but she said, I don't know what happened

506
00:28:05,880 --> 00:28:07,760
Speaker 1: to you, like, you know, in a year or two,

507
00:28:07,840 --> 00:28:10,040
Speaker 1: Like just now, what does that mean? I don't know

508
00:28:10,080 --> 00:28:12,280
Speaker 1: what happened to you? What did you mean? I'm curious?

509
00:28:13,800 --> 00:28:15,239
Speaker 1: But is that what you meant? I mean, is that

510
00:28:15,280 --> 00:28:17,960
Speaker 1: what she meant? That you could? I believe? So it

511
00:28:18,040 --> 00:28:20,600
Speaker 1: was like, you know, and and that's the best policy

512
00:28:20,640 --> 00:28:24,640
Speaker 1: ever see you sucking? Well, yeah, I mean walk it back.

513
00:28:24,720 --> 00:28:27,600
Speaker 1: So how did you fall into his work? Going from

514
00:28:27,640 --> 00:28:29,959
Speaker 1: and I'm going to say this is where going back,

515
00:28:30,000 --> 00:28:32,199
Speaker 1: going back to where we're starting back there's gonna be

516
00:28:32,240 --> 00:28:36,840
Speaker 1: so many beginnings of the show. It was like maybe

517
00:28:36,840 --> 00:28:39,000
Speaker 1: one of the last jobs I worked in animation was

518
00:28:39,400 --> 00:28:42,560
Speaker 1: actually on LT Gray at six point Harness. So I

519
00:28:42,600 --> 00:28:45,840
Speaker 1: was working as a character layout artists. So I would

520
00:28:45,880 --> 00:28:47,960
Speaker 1: be the guy that you would. I would take a

521
00:28:48,000 --> 00:28:51,000
Speaker 1: storyboard and I would flesh out poses of these characters

522
00:28:51,040 --> 00:28:54,200
Speaker 1: final poses, and then those poses would get animated by

523
00:28:54,200 --> 00:28:56,959
Speaker 1: somebody else. I'm sorry, stopped very quickly flush out. Does

524
00:28:57,000 --> 00:28:59,680
Speaker 1: that mean you're you doing the color or I'm doing

525
00:28:59,720 --> 00:29:02,480
Speaker 1: like the full like? So a storyboard would be the rudimentary,

526
00:29:02,640 --> 00:29:05,640
Speaker 1: crude like it could be a stick figure of you know,

527
00:29:05,760 --> 00:29:08,160
Speaker 1: Kim Possible, like in this post. I would be the

528
00:29:08,200 --> 00:29:11,240
Speaker 1: guy that would do the final pose of Kim Possible

529
00:29:12,560 --> 00:29:16,120
Speaker 1: full out, and then someone would take like six strongs

530
00:29:16,120 --> 00:29:18,680
Speaker 1: of mine and then in between them so they would

531
00:29:18,840 --> 00:29:22,800
Speaker 1: animate like those six solid posts. Yea, And that actually

532
00:29:22,880 --> 00:29:25,160
Speaker 1: the job that I do now is actually quite glorified.

533
00:29:25,240 --> 00:29:28,080
Speaker 1: I don't even think that that exists anymore in TV

534
00:29:28,200 --> 00:29:35,720
Speaker 1: animation because the storyboard artists now practically animate. Yes, but

535
00:29:35,760 --> 00:29:37,880
Speaker 1: like I mean, they still like hand draw like even

536
00:29:37,920 --> 00:29:40,840
Speaker 1: though it's digital. But I'm saying it's like they if

537
00:29:40,880 --> 00:29:43,600
Speaker 1: you've seen a Family Guy animatic, which is the voice

538
00:29:43,640 --> 00:29:48,080
Speaker 1: with the storyboard. It's like the things animated because yeah,

539
00:29:48,120 --> 00:29:50,240
Speaker 1: so when they ship it overseas or wherever it goes

540
00:29:50,360 --> 00:29:53,400
Speaker 1: to get animated, there's no there's nothing really lost in translation.

541
00:29:53,680 --> 00:29:56,040
Speaker 1: There's not a lot of room for error at that point.

542
00:29:56,360 --> 00:29:58,400
Speaker 1: You're not going to be doing like a lot of retakes.

543
00:29:59,000 --> 00:30:01,440
Speaker 1: You know. Again, I'm an nerd and you guys are

544
00:30:01,480 --> 00:30:08,959
Speaker 1: like retakes. I always got you talk to him about Batman.

545
00:30:09,200 --> 00:30:12,160
Speaker 1: I don't know, but yeah, I was gonna say, uh,

546
00:30:12,320 --> 00:30:15,920
Speaker 1: that was like the last job that I did because

547
00:30:15,920 --> 00:30:19,480
Speaker 1: I had audition for Jorgega Terrace and his wife Sandra Cuwa.

548
00:30:19,560 --> 00:30:22,680
Speaker 1: They created LT. Gray. They also just did Maya and

549
00:30:22,800 --> 00:30:26,400
Speaker 1: the Three for So you're animating the show and you

550
00:30:26,520 --> 00:30:28,480
Speaker 1: auditioned to be on the show. Yeah, I I had

551
00:30:28,480 --> 00:30:31,240
Speaker 1: auditioned to be in the pilot for LT. Gray. And

552
00:30:31,720 --> 00:30:33,640
Speaker 1: did they know that you did voices and you you

553
00:30:33,720 --> 00:30:36,000
Speaker 1: were you trying to find a way in. So Jorge,

554
00:30:36,040 --> 00:30:38,400
Speaker 1: the creative the show, was like, you have to do this.

555
00:30:38,520 --> 00:30:40,200
Speaker 1: I want you to do voices on this. I think

556
00:30:40,200 --> 00:30:43,560
Speaker 1: you're great because you have a really magical talking voice

557
00:30:43,600 --> 00:30:45,920
Speaker 1: too weird, but I'm just still thinking about your so

558
00:30:45,960 --> 00:30:49,080
Speaker 1: you're animating the thing. Yeah. At that point, that was like,

559
00:30:49,200 --> 00:30:51,760
Speaker 1: that was it. I was like I had got on

560
00:30:51,800 --> 00:30:55,280
Speaker 1: the show. Nickelodeon really did try to not hire me

561
00:30:55,440 --> 00:30:58,680
Speaker 1: because they're like this guy of psychopath, who is this person?

562
00:30:58,800 --> 00:31:01,400
Speaker 1: Like he's never I don't see any credits, I don't

563
00:31:01,400 --> 00:31:05,240
Speaker 1: know who he is. He's not even a married Yeah. Yeah,

564
00:31:06,560 --> 00:31:11,320
Speaker 1: crazy uncle kept sending him newspaper clippings that you're Canadian form,

565
00:31:11,520 --> 00:31:14,320
Speaker 1: well most of us. I loved Canada. I got married

566
00:31:14,320 --> 00:31:19,520
Speaker 1: in Canada really wow, beautiful, very very nice. That's where

567
00:31:19,560 --> 00:31:22,520
Speaker 1: I got divorced. And I'm just kidding with you. I'm

568
00:31:22,560 --> 00:31:26,000
Speaker 1: just kidding. I've never been married, so so there you go.

569
00:31:26,080 --> 00:31:28,240
Speaker 1: How could I get divorced if I was never married?

570
00:31:29,080 --> 00:31:31,920
Speaker 1: So yeah, I got on the show. We had been

571
00:31:31,920 --> 00:31:34,360
Speaker 1: recording episodes and it was just one of those things

572
00:31:34,440 --> 00:31:38,200
Speaker 1: where I was like, well, this is it. I'm gonna

573
00:31:38,280 --> 00:31:40,080
Speaker 1: be on a show. This is gonna go on for

574
00:31:40,160 --> 00:31:42,560
Speaker 1: thirty years like The Simpsons. I already bought my house

575
00:31:42,600 --> 00:31:45,440
Speaker 1: and I started talking like John Lovett's at that point.

576
00:31:45,800 --> 00:31:49,400
Speaker 1: And after I quit my job, they canceled the show,

577
00:31:49,960 --> 00:31:52,520
Speaker 1: and I was like damn it. And I went crawling

578
00:31:52,520 --> 00:31:55,880
Speaker 1: back to animation and I was like, well, this is

579
00:31:56,000 --> 00:31:59,240
Speaker 1: awkward because I just quit, and I told everyone to

580
00:31:59,320 --> 00:32:01,200
Speaker 1: f themselves, says I left the building and I'm just

581
00:32:01,240 --> 00:32:07,960
Speaker 1: kidding family like that, you just showed up back to

582
00:32:07,960 --> 00:32:09,840
Speaker 1: work the next day and pretended it didn't happen. I

583
00:32:09,880 --> 00:32:12,200
Speaker 1: was like, what are you talking about, guys? I never left.

584
00:32:12,480 --> 00:32:15,160
Speaker 1: Uh No. Six point Harness one of the best animation

585
00:32:15,160 --> 00:32:17,480
Speaker 1: studios in Hollywood. They do lots of stuff for adults,

586
00:32:17,480 --> 00:32:21,320
Speaker 1: swim Nickelodeon, obviously in your cartoon network. But they were

587
00:32:21,400 --> 00:32:24,880
Speaker 1: always encouraging towards me chasing my dream as a voice

588
00:32:24,880 --> 00:32:27,800
Speaker 1: of artist. They knew. They're like, you're actually so much

589
00:32:27,800 --> 00:32:30,640
Speaker 1: more better at voices than you're at so please leave.

590
00:32:30,920 --> 00:32:35,720
Speaker 1: What should tell you something because you're pretty good at drawing? Thanks? Yeah,

591
00:32:35,800 --> 00:32:39,560
Speaker 1: I mean, come on, you do own an original? I do? Actually,

592
00:32:40,080 --> 00:32:41,640
Speaker 1: you know where I think I own another original? If

593
00:32:41,680 --> 00:32:44,800
Speaker 1: I'm not wrong. Didn't you draw a picture on my bathroom? Yeah?

594
00:32:44,920 --> 00:32:49,560
Speaker 1: So I own another original? I think. Is this a

595
00:32:49,600 --> 00:32:51,560
Speaker 1: party that you had at your hand? Yes? So I

596
00:32:51,600 --> 00:32:54,200
Speaker 1: have a bathroom in my in my house off the

597
00:32:54,200 --> 00:32:56,800
Speaker 1: theater that we just have pens in and anybody who

598
00:32:56,800 --> 00:32:58,240
Speaker 1: has movie quotes can just write on the wall. You

599
00:32:58,320 --> 00:33:00,200
Speaker 1: write up all your favorite movie quotes, which just to

600
00:33:00,240 --> 00:33:06,160
Speaker 1: movie quotes, and Eric came over. I hired most of them. Um,

601
00:33:06,200 --> 00:33:08,680
Speaker 1: it was Eric in a bunch of paid extras, and

602
00:33:08,720 --> 00:33:11,320
Speaker 1: then I walked in. There's all these Yeah, I've got

603
00:33:11,400 --> 00:33:14,560
Speaker 1: my exactly Mitch, and it was effort. That was was

604
00:33:14,560 --> 00:33:17,600
Speaker 1: that Transformers. It was a Transformers party and I've got

605
00:33:18,120 --> 00:33:21,800
Speaker 1: also I've got an original bows on my on my wall,

606
00:33:21,840 --> 00:33:25,120
Speaker 1: which is very very cool. Yeah. But going back to animation,

607
00:33:25,440 --> 00:33:29,720
Speaker 1: I found out that Joe's Don't Last Forever. I clearly

608
00:33:29,840 --> 00:33:33,680
Speaker 1: was wrong, and I went back and I actually without

609
00:33:33,720 --> 00:33:36,480
Speaker 1: any leads at that point the show had been canceled.

610
00:33:36,960 --> 00:33:39,560
Speaker 1: I quit again and was like, this is it. This

611
00:33:39,640 --> 00:33:41,680
Speaker 1: is the kind of leap of faith that you might

612
00:33:41,720 --> 00:33:45,440
Speaker 1: have to take to force yourself to start booking. You know,

613
00:33:45,560 --> 00:33:47,920
Speaker 1: did you have an agent? I did? You did? Okay?

614
00:33:48,080 --> 00:33:52,400
Speaker 1: I did, Cynthia McLean SPV Okay, still my agent. Great.

615
00:33:52,720 --> 00:33:57,200
Speaker 1: So that was the kind of like thing that I

616
00:33:57,240 --> 00:33:59,200
Speaker 1: needed to do. The fire that you have to light

617
00:33:59,280 --> 00:34:04,480
Speaker 1: under yourself kind of and you know, work with people

618
00:34:04,520 --> 00:34:07,520
Speaker 1: like Andrea Romano. And then two years later, We've been

619
00:34:07,520 --> 00:34:09,719
Speaker 1: told a lot and we we tend to agree with this,

620
00:34:09,800 --> 00:34:12,399
Speaker 1: is that the acting part of it kind of comes

621
00:34:12,400 --> 00:34:14,680
Speaker 1: into play. It's not just that you have the voice nailed, right.

622
00:34:14,760 --> 00:34:16,160
Speaker 1: Do you think that maybe in that year and a

623
00:34:16,200 --> 00:34:18,680
Speaker 1: half that you kind of like something? Is that what

624
00:34:18,719 --> 00:34:21,400
Speaker 1: it was? Well, you know, you start going into rooms.

625
00:34:21,400 --> 00:34:24,239
Speaker 1: I think the first really gigantic big cast that I

626
00:34:24,280 --> 00:34:26,839
Speaker 1: was a part of after that was benten Omini Verse

627
00:34:27,920 --> 00:34:30,839
Speaker 1: and an episode or two I think, And then you're

628
00:34:30,880 --> 00:34:33,480
Speaker 1: sitting in a room with people like Bumper Robinson and

629
00:34:34,360 --> 00:34:38,440
Speaker 1: Tara Strong and Urylenthal and Jeff Bennett and Rob Paulson

630
00:34:38,480 --> 00:34:41,280
Speaker 1: and John Domaggio and you're just like, oh my god,

631
00:34:41,800 --> 00:34:45,680
Speaker 1: like the imposter syndrome. Still get it? I still get it?

632
00:34:45,719 --> 00:34:47,880
Speaker 1: And I'm talking about that the first card one of

633
00:34:47,880 --> 00:34:51,000
Speaker 1: the first Cartoon Network studio rooms where we were actually

634
00:34:51,239 --> 00:34:55,920
Speaker 1: three people on a mic. So wow, being in a

635
00:34:56,040 --> 00:34:58,120
Speaker 1: room and you're sitting on the floor and you're like

636
00:34:58,200 --> 00:35:01,200
Speaker 1: listening to you know, yak A Warner and Johnny Bravo

637
00:35:01,280 --> 00:35:05,439
Speaker 1: have a conversation in dueling don knots voices but still

638
00:35:05,480 --> 00:35:07,640
Speaker 1: being able to pull off a scene that makes you

639
00:35:07,680 --> 00:35:10,480
Speaker 1: want to cry in goofy voices. So that's the kind

640
00:35:10,480 --> 00:35:12,160
Speaker 1: of thing that you're like, well, I got the goofy

641
00:35:12,280 --> 00:35:16,480
Speaker 1: voices down, and uh, I still have a Canadian accent.

642
00:35:17,440 --> 00:35:23,759
Speaker 1: Do you say, only when I go back, only start

643
00:35:23,840 --> 00:35:31,120
Speaker 1: sounding like the Mackenzie brothers from TV. Yeah. Oh, but yeah.

644
00:35:31,160 --> 00:35:33,400
Speaker 1: It was kind of like being in those kind of

645
00:35:33,520 --> 00:35:36,719
Speaker 1: big rooms. You're kind of just like, man, it's not

646
00:35:36,840 --> 00:35:40,400
Speaker 1: just about the voices up about the acting, and the

647
00:35:40,680 --> 00:35:44,360
Speaker 1: voices will come later. If they need you to be wacky,

648
00:35:44,520 --> 00:35:48,399
Speaker 1: you could definitely show your range by being completely off

649
00:35:48,400 --> 00:35:51,319
Speaker 1: the charts, but you've got to be able to be

650
00:35:51,400 --> 00:35:53,879
Speaker 1: able to be real back they need you to be.

651
00:35:54,239 --> 00:35:57,600
Speaker 1: But you also have to admit there are very few

652
00:35:57,680 --> 00:35:59,919
Speaker 1: actors like yourself that have the combination of the two.

653
00:36:00,280 --> 00:36:02,040
Speaker 1: Because I think there are some people that can act

654
00:36:02,080 --> 00:36:03,520
Speaker 1: and can't do a whole bunch of voices. I think

655
00:36:03,520 --> 00:36:05,719
Speaker 1: I'm a decent actor. I can't do fifty voices. I've

656
00:36:05,719 --> 00:36:07,680
Speaker 1: never been able to do that. And then there's people

657
00:36:07,680 --> 00:36:09,120
Speaker 1: that can do a whole bunch of voices. But until

658
00:36:09,440 --> 00:36:11,480
Speaker 1: that great as an actor, I gotta say though, until

659
00:36:11,520 --> 00:36:14,560
Speaker 1: maybe you're asked to or be pushed to. I've been

660
00:36:14,560 --> 00:36:17,400
Speaker 1: in a couple of times, but not to that. I mean,

661
00:36:17,440 --> 00:36:20,040
Speaker 1: there's some people. I mean again, the marriage of being

662
00:36:20,080 --> 00:36:22,080
Speaker 1: able to do the number of voices that you do

663
00:36:22,400 --> 00:36:25,520
Speaker 1: with the acting talent is pretty could do it right

664
00:36:25,640 --> 00:36:28,400
Speaker 1: now on your show. We could break down a character

665
00:36:28,560 --> 00:36:31,440
Speaker 1: like Bugs or Tweety and see if we could get you,

666
00:36:31,440 --> 00:36:34,319
Speaker 1: guys close to that voice. If you'd like, oh man,

667
00:36:34,360 --> 00:36:36,680
Speaker 1: I'm down for anything, how could you could you? You

668
00:36:36,719 --> 00:36:39,040
Speaker 1: honestly think you could teach us right here to break

669
00:36:39,040 --> 00:36:42,040
Speaker 1: down a voice like Bugs or tweeting. Let's go, okay,

670
00:36:43,400 --> 00:36:45,720
Speaker 1: let's let's boll try. Let's both try. It's funny because

671
00:36:45,800 --> 00:36:47,959
Speaker 1: for me, they kind of live in the same I say,

672
00:36:48,040 --> 00:36:50,240
Speaker 1: a lot of Melds voices live in the same house,

673
00:36:50,360 --> 00:36:52,839
Speaker 1: just in different parts of the house. So I just

674
00:36:52,880 --> 00:36:56,520
Speaker 1: say Bugs lives on like the second floor, closest to

675
00:36:56,600 --> 00:36:59,399
Speaker 1: the attic where Tweetie lives. Tweetie lives in the top

676
00:36:59,440 --> 00:37:03,920
Speaker 1: floor because he's all the way up here why and

677
00:37:04,000 --> 00:37:08,359
Speaker 1: he has a weird affectation, like a baby kind of voice. Ye.

678
00:37:08,760 --> 00:37:11,879
Speaker 1: But I honestly feel also by the way that they

679
00:37:11,920 --> 00:37:14,759
Speaker 1: pitch the hell out of that voice. They pitch it

680
00:37:14,880 --> 00:37:17,160
Speaker 1: up pitching for people that may not know is when

681
00:37:17,200 --> 00:37:20,120
Speaker 1: they digitally go in and kind of tweak. Yeah, and

682
00:37:20,160 --> 00:37:22,919
Speaker 1: you think they're doing that for they have to. Yeah,

683
00:37:22,960 --> 00:37:25,600
Speaker 1: but but even before digital, when they were on three

684
00:37:25,680 --> 00:37:27,759
Speaker 1: quarter inch tape from Mell, they would they would pitch

685
00:37:27,800 --> 00:37:30,400
Speaker 1: it up. Did you know that Daffy's voice is actually

686
00:37:30,400 --> 00:37:35,040
Speaker 1: Sylvester's voice but pitched up? No, yeah, same voice. How

687
00:37:35,080 --> 00:37:37,759
Speaker 1: I'm gonna do. I'm gonna shield you from my Faliva

688
00:37:38,360 --> 00:37:43,560
Speaker 1: and Sylvester if a big floppy, hungry cat that always

689
00:37:43,640 --> 00:37:46,880
Speaker 1: wants to eat that canary. But if you just change

690
00:37:46,920 --> 00:37:50,960
Speaker 1: the attitude to your despicable like like in that same

691
00:37:51,000 --> 00:37:55,560
Speaker 1: arena and pitch that voice up. But when I do Daffy,

692
00:37:55,640 --> 00:37:58,839
Speaker 1: it's it's the self pitched version, so you don't have

693
00:37:58,920 --> 00:38:00,880
Speaker 1: to do it my verse and of Daffy if the

694
00:38:01,000 --> 00:38:04,360
Speaker 1: Richard dry Fith with a lift, Okay, that makes sense, Bob,

695
00:38:04,640 --> 00:38:08,920
Speaker 1: I'm on vacation. All that little shark mtur Von wants

696
00:38:09,000 --> 00:38:12,839
Speaker 1: to do is eat and make little baby shark really

697
00:38:12,920 --> 00:38:17,520
Speaker 1: is the miracle of life. Jaws all Jaws quotes with

698
00:38:17,600 --> 00:38:20,719
Speaker 1: a list. But let's yeah, let's try bugs. If if

699
00:38:20,760 --> 00:38:24,440
Speaker 1: you could start, you know, by just almost putting your

700
00:38:24,520 --> 00:38:27,600
Speaker 1: voice here, almost putting your voice here, yeah, and you

701
00:38:27,719 --> 00:38:30,560
Speaker 1: kind of start pushing it towards your nose, kind of

702
00:38:30,920 --> 00:38:34,160
Speaker 1: start pushing it towards your nose, and then start doing

703
00:38:34,200 --> 00:38:37,040
Speaker 1: like a New York Brooklyn type accent, and then do

704
00:38:37,120 --> 00:38:40,759
Speaker 1: like a New York Brooklyn type accent, and it becomes uh,

705
00:38:41,080 --> 00:38:43,720
Speaker 1: your version of bugs or a very spot on Joe Pesci.

706
00:38:45,120 --> 00:38:47,200
Speaker 1: You see what I mean though, But it's up here

707
00:38:47,200 --> 00:38:48,759
Speaker 1: a little. But I mean, it doesn't sound like bugs

708
00:38:48,800 --> 00:38:50,200
Speaker 1: at all to me, and it doesn't sound like you

709
00:38:50,280 --> 00:38:53,360
Speaker 1: at all to me, but amazing interesting. So it's just

710
00:38:53,440 --> 00:38:55,759
Speaker 1: kind of changing where you put the stuff. But then

711
00:38:55,760 --> 00:38:58,120
Speaker 1: if you add the lift, like we're talking about now

712
00:38:58,160 --> 00:39:02,080
Speaker 1: stop now, stop doing the New York okay and stay

713
00:39:02,320 --> 00:39:05,960
Speaker 1: here now start talking like with a baby accent like

714
00:39:06,000 --> 00:39:10,080
Speaker 1: I taught, I ta potty taught. And then you take

715
00:39:10,120 --> 00:39:11,719
Speaker 1: that and you put you pitch that up and it

716
00:39:11,760 --> 00:39:16,440
Speaker 1: becomes tweety. This is crazy? Is ever crazy? But now

717
00:39:16,480 --> 00:39:19,160
Speaker 1: are you change that from my here voices? I do?

718
00:39:20,400 --> 00:39:23,960
Speaker 1: But again I am so. We heard another interesting thing

719
00:39:24,040 --> 00:39:26,960
Speaker 1: which was somebody said, don't like try to do the character.

720
00:39:27,080 --> 00:39:30,200
Speaker 1: Don't try to do somebody doing the character. So it's like,

721
00:39:30,239 --> 00:39:33,400
Speaker 1: you know, I don't want to do Eric Bowsa doing

722
00:39:33,480 --> 00:39:36,120
Speaker 1: Bugs Bunny. Yeah, I want to try to do Bugs Bunny.

723
00:39:36,160 --> 00:39:37,560
Speaker 1: But at the end of the day, isn't that just

724
00:39:37,600 --> 00:39:40,400
Speaker 1: then trying to do Mel Blank? Kind of Yeah? You know.

725
00:39:40,440 --> 00:39:42,080
Speaker 1: I I talked about this in a in a recent

726
00:39:42,120 --> 00:39:44,719
Speaker 1: interview where it's like even growing up as a kid,

727
00:39:45,280 --> 00:39:46,920
Speaker 1: you know, and Mel Blank passed away, it was it

728
00:39:47,000 --> 00:39:49,400
Speaker 1: was pretty sad, and I was like, you know, it

729
00:39:49,480 --> 00:39:52,360
Speaker 1: was just a kid. I was sad enough to understand

730
00:39:52,520 --> 00:39:55,799
Speaker 1: what that meant, but I was still like, okay, like

731
00:39:56,719 --> 00:40:00,120
Speaker 1: moving past what he did in the original forty your

732
00:40:00,200 --> 00:40:02,719
Speaker 1: run of Looney Tunes, watching like all the stuff come

733
00:40:02,760 --> 00:40:07,000
Speaker 1: out in the eighties where it it wasn't him, Like

734
00:40:07,080 --> 00:40:11,160
Speaker 1: I knew that, but I could still appreciate who was

735
00:40:11,239 --> 00:40:14,640
Speaker 1: doing the voices. So like I got that with the Muppets, Yeah,

736
00:40:15,040 --> 00:40:17,520
Speaker 1: I really got that. When Jim Henson passed, I got

737
00:40:17,600 --> 00:40:21,320
Speaker 1: that kind of but you have a day or two

738
00:40:21,680 --> 00:40:25,520
Speaker 1: of that's not Jim Henson, and then you kind of go, Okay,

739
00:40:25,560 --> 00:40:30,880
Speaker 1: it's not Jim Henson, Like, but I still like the character. Yeah,

740
00:40:30,920 --> 00:40:34,160
Speaker 1: and I still I can appreciate what that person is

741
00:40:34,160 --> 00:40:36,799
Speaker 1: is bringing to the table. And you've been Muppets too,

742
00:40:36,800 --> 00:40:46,000
Speaker 1: haven't you? Ah? Yeah, what what every time I stopped

743
00:40:46,000 --> 00:40:47,839
Speaker 1: my tongue? Do you maintain? I mean we've talked about

744
00:40:47,840 --> 00:40:50,239
Speaker 1: our voices getting thrashed before, but I mean you've got

745
00:40:50,239 --> 00:40:53,359
Speaker 1: to how do you prepare for a session? And then

746
00:40:53,520 --> 00:40:55,439
Speaker 1: really I don't go to the gym, as you can

747
00:40:55,480 --> 00:41:01,160
Speaker 1: see because my vocal Jim is watching Looney Tunes like

748
00:41:01,160 --> 00:41:04,359
Speaker 1: an hour a day. Yeah, I watch it with my son.

749
00:41:04,400 --> 00:41:06,600
Speaker 1: I'll watch at least like at least I wouldn't say

750
00:41:06,600 --> 00:41:10,319
Speaker 1: an hour, but like four shorts, like almost there, and

751
00:41:10,360 --> 00:41:13,400
Speaker 1: are you working along with it or no, I'm just

752
00:41:13,440 --> 00:41:16,040
Speaker 1: listen it is you're just listening a lot, and that's

753
00:41:16,120 --> 00:41:19,040
Speaker 1: your But then I'll be like, you know, say, little Philla,

754
00:41:19,120 --> 00:41:21,879
Speaker 1: were you off to what? South Pool? And then I'll

755
00:41:21,920 --> 00:41:27,560
Speaker 1: like I'll look at like my son and he's like yeah, okay, yeah,

756
00:41:27,640 --> 00:41:30,640
Speaker 1: yeah yeah. When you're at the schoolyard, you know, at

757
00:41:30,680 --> 00:41:33,920
Speaker 1: the park, I'm like, you know, like classic dad on

758
00:41:33,960 --> 00:41:36,319
Speaker 1: his phone at the on the bench and he's like, Dad,

759
00:41:36,360 --> 00:41:38,719
Speaker 1: come over here and do the voice, you know, and

760
00:41:38,760 --> 00:41:40,520
Speaker 1: then I do it. Then it's like okay, go go away,

761
00:41:40,560 --> 00:41:43,279
Speaker 1: go AWAYA But I mean, can you imagine where it's like.

762
00:41:43,640 --> 00:41:45,799
Speaker 1: And now, Johnny, who do you have? This is my dad.

763
00:41:45,840 --> 00:41:49,480
Speaker 1: He works at a bank. Okay, good career day, and uh,

764
00:41:50,040 --> 00:41:53,560
Speaker 1: this is my dad, Eric Bowser. He does the voices

765
00:41:53,600 --> 00:41:55,680
Speaker 1: of everything. I mean, can you can imagine that? I

766
00:41:55,680 --> 00:41:58,239
Speaker 1: can only imagine honestly. So there is a question I

767
00:41:58,280 --> 00:41:59,960
Speaker 1: wanted to ask, and you you brought up your son.

768
00:42:00,600 --> 00:42:03,960
Speaker 1: What is story time like? Yeah? I was gonna say

769
00:42:04,000 --> 00:42:06,720
Speaker 1: the same thing. You must be agree. We do we do? Uh?

770
00:42:06,760 --> 00:42:09,600
Speaker 1: You know we we do the characters. We do as

771
00:42:09,640 --> 00:42:12,359
Speaker 1: many different things as possible. It is It's awesome, that's

772
00:42:14,239 --> 00:42:16,120
Speaker 1: what you said. We were talking before. Your son is

773
00:42:16,120 --> 00:42:19,040
Speaker 1: a big Star Wars fan. So are you doing all

774
00:42:19,040 --> 00:42:21,160
Speaker 1: the Star Wars characters for him? As he's reading stuff,

775
00:42:21,200 --> 00:42:23,560
Speaker 1: you know, playing with the toys and we were. We

776
00:42:23,600 --> 00:42:26,160
Speaker 1: spent about a good solid hour yesterday playing with our

777
00:42:26,160 --> 00:42:29,400
Speaker 1: Ghostbusters toys. And you know I was trying to do

778
00:42:29,480 --> 00:42:31,960
Speaker 1: my best dan Achroid you know impression, not even like

779
00:42:32,000 --> 00:42:35,239
Speaker 1: the Frank Welker race stance, but ghost are the ghost

780
00:42:35,280 --> 00:42:40,200
Speaker 1: Arian you know, I was doing like the and who Texas.

781
00:42:40,440 --> 00:42:43,479
Speaker 1: Someone asked if you're a god? You say yes, yeah,

782
00:42:44,800 --> 00:42:49,600
Speaker 1: But anytime I do Bloomer. It's just Garfield. Yeah, big

783
00:42:49,640 --> 00:42:53,160
Speaker 1: fan of Ghostbusters, big big. I'm actually a huge fan

784
00:42:53,239 --> 00:42:56,839
Speaker 1: of Ghostbusters. That new Ghostbusters was fantastic. Did you like it?

785
00:42:56,960 --> 00:43:01,040
Speaker 1: I haven't seen it? Good and right, yes I heard

786
00:43:01,040 --> 00:43:03,560
Speaker 1: it's good. I like him, Please go see it. How

787
00:43:03,600 --> 00:43:06,680
Speaker 1: many voices were you in that zero? And they had

788
00:43:06,719 --> 00:43:11,080
Speaker 1: they had opportunity? Well, yeah, where where was spoiler? Yeah?

789
00:43:11,080 --> 00:43:13,760
Speaker 1: I was gonna say, well, thanks for ruining that. Thanks everybody,

790
00:43:14,800 --> 00:43:18,160
Speaker 1: Darth Vaders. It's not like they could kill his character. Actually,

791
00:43:18,200 --> 00:43:20,000
Speaker 1: don't think it was. I'm sorry. I don't think it

792
00:43:20,040 --> 00:43:21,600
Speaker 1: was a slimer. I don't think that. I don't try

793
00:43:21,600 --> 00:43:25,560
Speaker 1: to donk gonna watch it. You know, Apparently the original

794
00:43:25,920 --> 00:43:29,000
Speaker 1: script was written so well for for Bill Murray that

795
00:43:29,040 --> 00:43:30,680
Speaker 1: in the entire film, and they won't say which one,

796
00:43:30,680 --> 00:43:33,440
Speaker 1: there's only one line he ad lived in the entire film.

797
00:43:33,680 --> 00:43:36,319
Speaker 1: Every other line Bill Murray said in the original Ghostbusters

798
00:43:36,320 --> 00:43:39,200
Speaker 1: was scripted for him. And that's that's pretty impressive when

799
00:43:39,200 --> 00:43:41,319
Speaker 1: it's Bill Murray, when the lines are written so well.

800
00:43:41,440 --> 00:43:43,880
Speaker 1: They go check out the blooper reel there they have

801
00:43:44,080 --> 00:43:47,040
Speaker 1: multiple takes of so many of those classic scenes that

802
00:43:47,920 --> 00:43:51,720
Speaker 1: and it's like It's pretty funny to see what, aside

803
00:43:51,719 --> 00:43:54,759
Speaker 1: from what we all know, the alternate versions of the

804
00:43:54,800 --> 00:43:57,359
Speaker 1: things that you know of these well known scenes are

805
00:43:57,400 --> 00:43:59,480
Speaker 1: out there that are now like because you know they

806
00:43:59,520 --> 00:44:01,960
Speaker 1: cracked open the vault. Yeah, you're a big nerd with

807
00:44:02,000 --> 00:44:05,600
Speaker 1: that stuff, though, aren't you. Like I am with them, Yeah,

808
00:44:05,960 --> 00:44:09,400
Speaker 1: the biggest, man, it's a tough one. I'd say Ghostbusters

809
00:44:09,520 --> 00:44:12,279
Speaker 1: is number one, and then like Ghostbusters number one? Really,

810
00:44:12,760 --> 00:44:17,080
Speaker 1: Firstbusters is like two, that's awesome. Yeah, what's your number one?

811
00:44:17,200 --> 00:44:18,680
Speaker 1: I don't know if I know as much as you,

812
00:44:18,760 --> 00:44:22,200
Speaker 1: but I'm passionate about Ghostbusters. And like I like cried,

813
00:44:22,480 --> 00:44:24,319
Speaker 1: like Mabe my husband who was sitting next to me

814
00:44:24,880 --> 00:44:26,920
Speaker 1: when I watched this last movie, like okay, don't give

815
00:44:26,920 --> 00:44:29,279
Speaker 1: you Oh my god, don't give it away. It wasn't

816
00:44:29,320 --> 00:44:33,520
Speaker 1: at any particular point. I just the entire as soon

817
00:44:33,520 --> 00:44:35,359
Speaker 1: as the lights went dim and as soon as they

818
00:44:35,360 --> 00:44:38,520
Speaker 1: started the music, Like the music was amazing. That's actually

819
00:44:38,600 --> 00:44:41,719
Speaker 1: pretty interesting you say that, because you know that was

820
00:44:41,760 --> 00:44:44,400
Speaker 1: a big aspect they were they were going for. They

821
00:44:44,440 --> 00:44:47,160
Speaker 1: actually just you know, note for note almost took the

822
00:44:47,320 --> 00:44:49,600
Speaker 1: entire original score of the first one, which was a

823
00:44:49,640 --> 00:44:52,800
Speaker 1: phenomenal l Elmer Bernstein, who also did like American Werewolf

824
00:44:53,120 --> 00:44:56,640
Speaker 1: in London, um crazy. It was, you know, that's such

825
00:44:56,640 --> 00:45:00,880
Speaker 1: a nostalgic music that it becomes is a character on

826
00:45:00,960 --> 00:45:04,160
Speaker 1: its own. It was absolutely important for that they honored that,

827
00:45:04,239 --> 00:45:06,279
Speaker 1: and they didn't honor it in the movie before, which

828
00:45:06,280 --> 00:45:08,000
Speaker 1: maybe we don't need to talk about. And they didn't

829
00:45:08,040 --> 00:45:11,520
Speaker 1: honor it in the movie after the first one, Ghostbusters two,

830
00:45:12,600 --> 00:45:15,120
Speaker 1: it was more like eighties simple well, you know why

831
00:45:15,160 --> 00:45:17,160
Speaker 1: because I think Beverly Hills Cop had come out and

832
00:45:17,200 --> 00:45:19,800
Speaker 1: that theme song from Beverly Hills Cop was so popular

833
00:45:20,440 --> 00:45:22,560
Speaker 1: and it was all synth that they went, that's the

834
00:45:22,600 --> 00:45:24,120
Speaker 1: way we've got to do, you know now, that's what

835
00:45:24,200 --> 00:45:26,759
Speaker 1: it's got to be now. And then they did what

836
00:45:26,800 --> 00:45:29,920
Speaker 1: was it with Bobby Brown that he did the second

837
00:45:30,080 --> 00:45:31,640
Speaker 1: he did he did one of the songs in it,

838
00:45:31,840 --> 00:45:34,520
Speaker 1: and then und did it. So they were kind of

839
00:45:34,560 --> 00:45:36,960
Speaker 1: I think going more more hip hop, but also more

840
00:45:37,000 --> 00:45:39,120
Speaker 1: synth because that was the big thing at the time,

841
00:45:39,400 --> 00:45:41,720
Speaker 1: and it changed the whole soundtrack, which kind of changes

842
00:45:41,719 --> 00:45:42,920
Speaker 1: the whole vibe of the film. I mean it what

843
00:45:43,080 --> 00:45:46,799
Speaker 1: it does. People don't realize how important soundtracks are. But

844
00:45:46,880 --> 00:45:49,640
Speaker 1: again also in animation, I mean you go back and

845
00:45:49,800 --> 00:45:52,600
Speaker 1: you watched some of the original Warner Brothers stuff. We're

846
00:45:52,640 --> 00:45:54,399
Speaker 1: going back to like yeah, if we're gonna go back

847
00:45:54,440 --> 00:45:57,080
Speaker 1: to Luny to selling, but if we're gonna go Batman,

848
00:45:57,200 --> 00:46:01,200
Speaker 1: it's like, you know, and Man the animated series too,

849
00:46:01,239 --> 00:46:04,120
Speaker 1: with the full orchestral soundtrack on on an animated show,

850
00:46:05,360 --> 00:46:07,719
Speaker 1: which we talked about with Kevin just changed, I mean

851
00:46:07,840 --> 00:46:12,279
Speaker 1: change everything. Yeah, Dani Elfman was involved in that. No, no, no,

852
00:46:12,360 --> 00:46:17,160
Speaker 1: Danny Elfman did did the originality, but but I think

853
00:46:17,200 --> 00:46:19,080
Speaker 1: he did the theme song though he did the theme

854
00:46:19,160 --> 00:46:21,520
Speaker 1: song from Batman the Animated series, yes, yeah, and then

855
00:46:22,640 --> 00:46:25,600
Speaker 1: I think it was Christopher Carter I think did Beyond

856
00:46:25,680 --> 00:46:29,759
Speaker 1: did that awesome kind of very one from Beyond, very

857
00:46:29,880 --> 00:46:32,160
Speaker 1: very kind of very moderate, but it does. It's it gets,

858
00:46:32,200 --> 00:46:35,440
Speaker 1: it's you know, can can change the whole vibe of

859
00:46:35,480 --> 00:46:37,640
Speaker 1: something the music that that you bring in absolutely, and

860
00:46:38,080 --> 00:46:40,480
Speaker 1: that in animation. There are some shorts where they're not

861
00:46:40,560 --> 00:46:43,560
Speaker 1: even talking, like road Runner and well Kayla, oh yeah,

862
00:46:43,800 --> 00:46:48,000
Speaker 1: it's all music. Yeah, absolutely, Fantasia, I mean, look at

863
00:46:48,040 --> 00:46:50,279
Speaker 1: look at the scenes in Fantage. You know it's Mickey

864
00:46:50,320 --> 00:46:52,120
Speaker 1: Mouse cutting stuff up and you just got the orchestral

865
00:46:52,120 --> 00:46:53,800
Speaker 1: score Underneathan and he I don't think he said a

866
00:46:53,840 --> 00:46:56,440
Speaker 1: word in Fantasia, did he? For the most part? Yeah, no,

867
00:46:56,520 --> 00:46:59,200
Speaker 1: I mean it's no, he doesn't. Yeah, It's just the

868
00:46:59,280 --> 00:47:01,719
Speaker 1: music can can do that so and also too, it

869
00:47:01,760 --> 00:47:07,359
Speaker 1: can link generationally the characters, right, so even if your

870
00:47:07,440 --> 00:47:11,239
Speaker 1: son can tell the difference between your bugs Bunny and

871
00:47:11,320 --> 00:47:16,400
Speaker 1: Meles Bugs Bunny, the music can still hold the structure

872
00:47:16,480 --> 00:47:19,240
Speaker 1: together even if it's that nuance. Well, especially with Looning

873
00:47:19,239 --> 00:47:21,239
Speaker 1: Tunes cartoons, which is the one that I'm in for

874
00:47:21,239 --> 00:47:25,040
Speaker 1: for HBO Max, they are like if you listen to that,

875
00:47:25,719 --> 00:47:29,600
Speaker 1: it's the whole scored. This quite amazingly scored to, like

876
00:47:29,600 --> 00:47:32,080
Speaker 1: like full orchestra. That's probably for the first time in

877
00:47:32,080 --> 00:47:33,920
Speaker 1: a very long that's you know, you get that. You

878
00:47:33,960 --> 00:47:35,960
Speaker 1: know where you get that in a huge, huge way

879
00:47:36,160 --> 00:47:38,960
Speaker 1: is the Star Wars universe. You know, move walks on

880
00:47:39,040 --> 00:47:42,239
Speaker 1: screen even if it's in episode whenever, if it was

881
00:47:42,280 --> 00:47:44,120
Speaker 1: episode four where we first see him, or you know,

882
00:47:44,160 --> 00:47:45,640
Speaker 1: it's the one of the newer phones and and the

883
00:47:45,719 --> 00:47:51,759
Speaker 1: Luke Skywalker theme starts. I've been watching, you watch, I

884
00:47:51,800 --> 00:47:56,239
Speaker 1: haven't I watch, haven't watched yet. I watched Mandalorian. I

885
00:47:56,280 --> 00:47:58,720
Speaker 1: think once I got what it was, once I figured

886
00:47:58,719 --> 00:48:00,560
Speaker 1: out it was the A Team, then I'm then I

887
00:48:00,600 --> 00:48:02,680
Speaker 1: was fine with it. You know. It took me a

888
00:48:02,680 --> 00:48:05,000
Speaker 1: while to get to that mental space because I was

889
00:48:05,040 --> 00:48:06,359
Speaker 1: just like, oh, I keep showing up in a town,

890
00:48:06,400 --> 00:48:08,200
Speaker 1: he's got to solve a crime, and then what was

891
00:48:08,239 --> 00:48:09,680
Speaker 1: the eight Team? It's like Okay. Once I got there,

892
00:48:09,719 --> 00:48:11,200
Speaker 1: then I was like, now I can enjoy it because

893
00:48:11,200 --> 00:48:13,759
Speaker 1: I'm not trying to Star Wars it out, you know

894
00:48:13,760 --> 00:48:17,799
Speaker 1: what I mean. But yeah, there's I'm also I'm a

895
00:48:17,800 --> 00:48:19,839
Speaker 1: lot of times a big fan of less is more

896
00:48:20,520 --> 00:48:23,480
Speaker 1: so when there's sixty two Star Wars shows in the making,

897
00:48:23,520 --> 00:48:25,680
Speaker 1: it's kind of like, Okay, do you feel like we're

898
00:48:25,800 --> 00:48:28,600
Speaker 1: we're living in that there's too much stuff out there.

899
00:48:28,680 --> 00:48:30,759
Speaker 1: I do like so far, we're like have you seen that?

900
00:48:30,840 --> 00:48:33,120
Speaker 1: And you're like nope, nope, I never even heard of that. Yeah,

901
00:48:33,200 --> 00:48:37,400
Speaker 1: it's like that too busy life. Yeah, like, if we

902
00:48:37,480 --> 00:48:39,080
Speaker 1: have to do something in the house, if you want

903
00:48:39,080 --> 00:48:42,040
Speaker 1: to see my wife have an instant like anxiety attack,

904
00:48:42,120 --> 00:48:45,160
Speaker 1: take her to like tile World where there's like ten

905
00:48:45,239 --> 00:48:48,080
Speaker 1: thousand samples and she's like, I know, I can't. She's like,

906
00:48:48,120 --> 00:48:49,600
Speaker 1: I need two samples in front of me. I need

907
00:48:49,600 --> 00:48:50,920
Speaker 1: to pick from this one or this one, and then

908
00:48:50,920 --> 00:48:52,520
Speaker 1: that's what I have to do. And I kind of

909
00:48:52,520 --> 00:48:54,440
Speaker 1: feel like that's what it's getting like with content, where

910
00:48:54,480 --> 00:48:58,440
Speaker 1: it shows there's just too long, and I'm like, who's

911
00:48:58,520 --> 00:49:01,120
Speaker 1: making all this stuff? And yet and yet none of

912
00:49:01,160 --> 00:49:04,360
Speaker 1: my friends can sell anything, which is the part that

913
00:49:04,400 --> 00:49:06,640
Speaker 1: I love where it's like everybody's got content, but no

914
00:49:06,680 --> 00:49:12,920
Speaker 1: one's buying. Um. So it's very very strange. So all

915
00:49:13,760 --> 00:49:16,600
Speaker 1: in everything you've done, all the stuff you've done, all

916
00:49:16,600 --> 00:49:21,319
Speaker 1: the stuff you've watched, everything, favorite animated character of all time,

917
00:49:22,040 --> 00:49:25,359
Speaker 1: oh man, favorite animated character of all times, whether you've

918
00:49:25,400 --> 00:49:28,440
Speaker 1: done the part or not. I mean, I'm gonna have

919
00:49:28,520 --> 00:49:32,839
Speaker 1: to fall back on on Bugs Bunny only because you know,

920
00:49:33,400 --> 00:49:36,920
Speaker 1: for me, he was, you know, so iconic in everything

921
00:49:36,960 --> 00:49:39,520
Speaker 1: that he's ever done and ever appeared in. And I

922
00:49:39,560 --> 00:49:43,319
Speaker 1: always thought, even especially after, you know, and if it's

923
00:49:43,320 --> 00:49:45,520
Speaker 1: not Ghostbusters for me, that maybe the next one down

924
00:49:45,560 --> 00:49:48,160
Speaker 1: might be who framed Roger Rabbitt? You know, as far

925
00:49:48,200 --> 00:49:50,440
Speaker 1: as like one of the greatest movies ever made, U

926
00:49:51,000 --> 00:49:54,280
Speaker 1: for being a cartoon nerd or nut and just seeing

927
00:49:54,320 --> 00:49:58,719
Speaker 1: like these characters exist in real life with people you know,

928
00:50:00,160 --> 00:50:04,160
Speaker 1: ready ready for me to ruin our podcast. Oh you

929
00:50:04,160 --> 00:50:06,120
Speaker 1: don't like Roger Rabbit in our whole world? You don't

930
00:50:06,120 --> 00:50:10,479
Speaker 1: like Roger Rabbit. I've never seen Roger rab But that's good.

931
00:50:10,680 --> 00:50:13,560
Speaker 1: You can we can change that. I've never seen Roger Rabbit.

932
00:50:13,719 --> 00:50:16,160
Speaker 1: You know what, we should do a very special episode

933
00:50:16,040 --> 00:50:18,640
Speaker 1: where where we we we watch, we will we will

934
00:50:18,680 --> 00:50:22,120
Speaker 1: find a theater. Now, who voiced Roger Rabbit Charles Flesher,

935
00:50:22,239 --> 00:50:25,360
Speaker 1: Charles Flesher, who was a stand up comic if you've

936
00:50:25,360 --> 00:50:27,719
Speaker 1: seen the documentary on how they made that film. I

937
00:50:27,760 --> 00:50:29,960
Speaker 1: mean he basically came to set every day dressed up

938
00:50:30,000 --> 00:50:32,960
Speaker 1: as the character, like the maybe the first ever evidence

939
00:50:33,000 --> 00:50:38,759
Speaker 1: of a causeplay ever, Like he just method yes, yes, yes, yes,

940
00:50:39,239 --> 00:50:41,960
Speaker 1: he was basically in character on set all the time.

941
00:50:42,280 --> 00:50:45,960
Speaker 1: To be there to provide the voice. I'm sure that

942
00:50:46,040 --> 00:50:49,319
Speaker 1: was like later on, that's yeah, but to be there

943
00:50:49,360 --> 00:50:51,920
Speaker 1: to be that character, which is kind of impressive, and

944
00:50:51,960 --> 00:50:53,920
Speaker 1: that would be your second nerdom, you think your second

945
00:50:54,000 --> 00:50:55,879
Speaker 1: if you're going down a tier, yeah, because I mean

946
00:50:55,920 --> 00:50:59,360
Speaker 1: it had almost all the all the best cartoon characters

947
00:50:59,360 --> 00:51:03,000
Speaker 1: ever made in one world, Like I actually own an

948
00:51:03,080 --> 00:51:07,240
Speaker 1: animation cell of the parachute scene where it's Mickey Mouse

949
00:51:07,239 --> 00:51:11,160
Speaker 1: and Bugs Bunny on screen at the same time. Okay,

950
00:51:11,200 --> 00:51:12,480
Speaker 1: so now I gotta see it because I didn't. I

951
00:51:12,600 --> 00:51:17,680
Speaker 1: please see it. I will. I thought I wasn't the nerd. Yeah,

952
00:51:17,719 --> 00:51:19,960
Speaker 1: I never saw it. There's a lot of stuff I've

953
00:51:20,000 --> 00:51:22,399
Speaker 1: never seen, which I probably should because at that time

954
00:51:22,440 --> 00:51:25,279
Speaker 1: you're probably busy working. Yeah. Yeah, but it was also,

955
00:51:25,360 --> 00:51:26,960
Speaker 1: you know, so my my best friend in the world,

956
00:51:27,080 --> 00:51:29,680
Speaker 1: Jason Marsden, that was like his favorite movie ever. And

957
00:51:29,960 --> 00:51:31,960
Speaker 1: I don't not try ever. I think I always just smiling,

958
00:51:32,000 --> 00:51:33,759
Speaker 1: be like yeah, awesome, and never admitted to him like

959
00:51:33,760 --> 00:51:36,560
Speaker 1: I've never actually seen this movie. That would be so great.

960
00:51:36,600 --> 00:51:39,719
Speaker 1: So two teenage boys didn't just like sit together and

961
00:51:39,760 --> 00:51:42,520
Speaker 1: like watch, like be very careful where you're going with

962
00:51:43,040 --> 00:51:47,200
Speaker 1: you watch. Anyone could edit anything at that because their

963
00:51:47,280 --> 00:51:49,359
Speaker 1: way you could have said that without starting with two

964
00:51:49,400 --> 00:51:51,400
Speaker 1: teenage boys. I don't know why that took it to

965
00:51:51,440 --> 00:51:54,120
Speaker 1: a strange place. It was meant to, like, of course

966
00:51:54,120 --> 00:51:56,239
Speaker 1: you guys didn't sit down and watch Roger Rabbit. Why not?

967
00:51:57,000 --> 00:51:58,520
Speaker 1: Marson and I would sit down and watch stuff together

968
00:51:58,560 --> 00:52:00,120
Speaker 1: all the time. Was like our favorite thing. The was

969
00:52:00,120 --> 00:52:01,600
Speaker 1: fun at to this day I've ever had in a

970
00:52:01,680 --> 00:52:04,680
Speaker 1: movie theater was opening Knife Show Girls in Burbank and

971
00:52:04,719 --> 00:52:08,400
Speaker 1: it was Jason and I as it was just because

972
00:52:08,480 --> 00:52:11,520
Speaker 1: after the first line, like literally she I'll never forget this,

973
00:52:11,560 --> 00:52:13,239
Speaker 1: she pulls a knife on the guy and she goes chill,

974
00:52:14,920 --> 00:52:17,960
Speaker 1: and somebody in the in the audience went oh, and

975
00:52:18,040 --> 00:52:20,920
Speaker 1: it became Mystery Science Theater at that point. Just it

976
00:52:21,000 --> 00:52:23,680
Speaker 1: was no holds bar, just everyone for the rest of

977
00:52:23,719 --> 00:52:30,080
Speaker 1: the rood, and that was it. And then we all

978
00:52:30,200 --> 00:52:34,960
Speaker 1: just started throwing outlines. I missed that experience and it

979
00:52:35,080 --> 00:52:37,680
Speaker 1: was so much fun. I had that experience once again,

980
00:52:37,719 --> 00:52:41,480
Speaker 1: except when I watched the Ghostbusters movie had to go

981
00:52:41,520 --> 00:52:44,160
Speaker 1: back to that and I was probably the only person

982
00:52:44,360 --> 00:52:50,239
Speaker 1: living that experience and speaking and oh yes, so the

983
00:52:50,280 --> 00:52:52,439
Speaker 1: new one. I went on a date night with my husband,

984
00:52:52,480 --> 00:52:54,040
Speaker 1: which I never do, and we went to one of

985
00:52:54,080 --> 00:52:56,239
Speaker 1: those fancy places that you can kick up the chair

986
00:52:56,920 --> 00:53:00,879
Speaker 1: and like fancy nachos. They had the not chilling the case,

987
00:53:00,960 --> 00:53:04,840
Speaker 1: so dip and the kick up your feet, children becomes

988
00:53:04,880 --> 00:53:09,279
Speaker 1: the fancy it's been. It was two years. I hadn't

989
00:53:09,280 --> 00:53:11,359
Speaker 1: seen a movie because I lockdown everything. I haven't seen

990
00:53:11,400 --> 00:53:14,520
Speaker 1: a movie in you know, in the theaters. So I

991
00:53:14,560 --> 00:53:16,960
Speaker 1: was like, Mom is going out tonight? Okay. So then

992
00:53:17,080 --> 00:53:20,279
Speaker 1: we're there and it starts and the music starts, and

993
00:53:20,440 --> 00:53:26,360
Speaker 1: I'm like, I was like, I was like, and I

994
00:53:26,440 --> 00:53:28,040
Speaker 1: was like, and I sort of got it. I turned him.

995
00:53:28,040 --> 00:53:34,759
Speaker 1: I was like, don't you take this for me for

996
00:53:34,800 --> 00:53:40,040
Speaker 1: the fancy place tonight. My feet are fully reclined and

997
00:53:40,120 --> 00:53:43,719
Speaker 1: the nachos exactly going out tonight. Yeah, we gotta watch it.

998
00:53:43,800 --> 00:53:45,880
Speaker 1: Oh my, all right, Well this is a perfect place

999
00:53:45,880 --> 00:53:47,400
Speaker 1: to get us to a fun segue that we have

1000
00:53:47,560 --> 00:53:51,440
Speaker 1: right now. It's called throw things at Eric no um.

1001
00:53:51,640 --> 00:53:54,799
Speaker 1: So I was too fast. I feel like waiting to

1002
00:53:54,840 --> 00:54:00,200
Speaker 1: grab this. I know how to throw things. Took the

1003
00:54:00,200 --> 00:54:02,080
Speaker 1: heavy stuff away. I come from a long line of

1004
00:54:02,280 --> 00:54:06,279
Speaker 1: shoe throwing moms. Yeah that's classic, that's classic. I have

1005
00:54:06,320 --> 00:54:09,319
Speaker 1: so many questions, a long line of shoe throwing moms. Anyway,

1006
00:54:10,920 --> 00:54:13,279
Speaker 1: the original title of this what do you think? And

1007
00:54:13,360 --> 00:54:15,440
Speaker 1: not throw a shoe? But you were driving? I think

1008
00:54:15,800 --> 00:54:18,120
Speaker 1: she was driving. I think me and my siblings are

1009
00:54:18,120 --> 00:54:20,760
Speaker 1: in the back fighting, and so she's she would reach

1010
00:54:20,920 --> 00:54:24,960
Speaker 1: down while operating a motor vehicle to remove her shoewear

1011
00:54:25,080 --> 00:54:30,960
Speaker 1: to throw it at you. That's our magic, like her

1012
00:54:31,000 --> 00:54:37,600
Speaker 1: watching Ghostbusters that apply and that it was a stick

1013
00:54:37,600 --> 00:54:41,960
Speaker 1: shift too, that Jackie Chan's got nothing on your unbelievable.

1014
00:54:42,760 --> 00:54:44,839
Speaker 1: So while we are not quite there yet, we will

1015
00:54:44,880 --> 00:54:47,080
Speaker 1: be up for the next round because we're building up

1016
00:54:47,239 --> 00:54:50,000
Speaker 1: everything we have to do. Eventually, I hear Voices is

1017
00:54:50,040 --> 00:54:52,680
Speaker 1: going to be fully interactive. So what we're going to have,

1018
00:54:52,680 --> 00:54:53,880
Speaker 1: which is kind of cool, is we're gonna have a

1019
00:54:53,880 --> 00:54:56,080
Speaker 1: big screen here and kids from all across the country

1020
00:54:56,080 --> 00:54:58,560
Speaker 1: adults as well, are going to be able to skype in,

1021
00:54:58,680 --> 00:55:01,240
Speaker 1: zoom in, and cook to the favorite voice over actors,

1022
00:55:01,239 --> 00:55:04,319
Speaker 1: but also show us their own personal artwork and have

1023
00:55:05,480 --> 00:55:07,359
Speaker 1: the best voice over actors in the world put a

1024
00:55:07,440 --> 00:55:10,680
Speaker 1: voice to the characters that they've created. So while we

1025
00:55:10,719 --> 00:55:13,200
Speaker 1: couldn't do it fully interacted this time, Christie, that's the

1026
00:55:13,280 --> 00:55:14,920
Speaker 1: lady who you can throw a shoe at right here,

1027
00:55:15,239 --> 00:55:18,800
Speaker 1: I'll catch it with my hand. That's the other She's magic.

1028
00:55:19,960 --> 00:55:23,760
Speaker 1: She went on her social media and we had got

1029
00:55:23,800 --> 00:55:26,879
Speaker 1: a stack of original art from kids and people from

1030
00:55:26,920 --> 00:55:30,480
Speaker 1: across the country, and we were hoping that you could

1031
00:55:30,480 --> 00:55:34,279
Speaker 1: grab one or two at random, or we're going to

1032
00:55:34,400 --> 00:55:36,520
Speaker 1: talk about the person who sent it. We've had some

1033
00:55:36,880 --> 00:55:38,920
Speaker 1: from some six year olds, from eight year old some

1034
00:55:38,920 --> 00:55:42,680
Speaker 1: some adults have sent and you were going to be

1035
00:55:42,760 --> 00:55:46,560
Speaker 1: put a voice if you would entertain us to whatever characters.

1036
00:55:46,760 --> 00:55:51,040
Speaker 1: So this is like a blind bag Russian Roulette with

1037
00:55:51,160 --> 00:55:55,440
Speaker 1: no gunfire, with the safe version of Russian Roulette exactly.

1038
00:55:57,080 --> 00:55:59,920
Speaker 1: Oh boy, now, and now it should say on the

1039
00:56:00,040 --> 00:56:01,560
Speaker 1: top who it is and what their name? Is There

1040
00:56:01,560 --> 00:56:04,279
Speaker 1: a backstory to this picture, Elizabeth, because sometimes they have

1041
00:56:04,400 --> 00:56:06,680
Speaker 1: there is a backstory. That's a person for sure that

1042
00:56:07,239 --> 00:56:11,120
Speaker 1: submitted the drawing. It was submitted at six for eight am.

1043
00:56:13,840 --> 00:56:22,160
Speaker 1: Yes personality, yes easily because she's not very street smart.

1044
00:56:22,600 --> 00:56:26,520
Speaker 1: She's Christie. It just kind of looks if I were

1045
00:56:27,120 --> 00:56:29,960
Speaker 1: you guys have almost the same hair sty you need

1046
00:56:30,000 --> 00:56:35,439
Speaker 1: to get well, okay, we got Yuki and um if

1047
00:56:35,520 --> 00:56:38,239
Speaker 1: Yuki were a character, I mean I might not be

1048
00:56:38,280 --> 00:56:40,839
Speaker 1: able to qualify for this because if if, if you're

1049
00:56:40,840 --> 00:56:42,920
Speaker 1: going to get cast, you know, you never know. I

1050
00:56:42,960 --> 00:56:45,439
Speaker 1: know things are very political these days. Derek. You pitch

1051
00:56:45,480 --> 00:56:48,240
Speaker 1: your voice through your nose, yeah, if you push it forward.

1052
00:56:50,040 --> 00:56:53,439
Speaker 1: Well okay, so again you you can very is very

1053
00:56:53,480 --> 00:56:59,360
Speaker 1: bubbly and you can get tricked easily. And old is

1054
00:56:59,400 --> 00:57:02,200
Speaker 1: the kid that that drew this again, like and I

1055
00:57:02,280 --> 00:57:04,160
Speaker 1: think it's like a twelve year old kid or something

1056
00:57:06,560 --> 00:57:14,120
Speaker 1: ten years old. And Evie, thank you so much. And

1057
00:57:14,160 --> 00:57:18,360
Speaker 1: I'd have to say that if Yuki could talk, maybe, um,

1058
00:57:18,400 --> 00:57:21,280
Speaker 1: you know, maybe Yuki bites sound like this. You know,

1059
00:57:21,640 --> 00:57:23,920
Speaker 1: she kind of has that weird that cat mouth that

1060
00:57:24,080 --> 00:57:26,680
Speaker 1: kind of has like that to me, Like if you're

1061
00:57:26,680 --> 00:57:30,840
Speaker 1: looking at a drawing, the physicality always helps you kind

1062
00:57:30,880 --> 00:57:35,320
Speaker 1: of find a voice. And if if she is very uh,

1063
00:57:35,440 --> 00:57:40,800
Speaker 1: you know, bubbly, But I don't I don't know why

1064
00:57:40,840 --> 00:57:42,840
Speaker 1: is Yuki a girl? Is Yuki a girl? For sure?

1065
00:57:43,480 --> 00:57:46,760
Speaker 1: I think whatever, it couldn't be a boy. Well, then

1066
00:57:46,800 --> 00:57:49,840
Speaker 1: if it were a boy, he would probably still sound

1067
00:57:49,880 --> 00:57:55,120
Speaker 1: like this because I'm not that creative, you know, bubbly.

1068
00:57:55,760 --> 00:57:59,120
Speaker 1: I don't know would a bubbly person be that susceptible

1069
00:57:59,200 --> 00:58:02,400
Speaker 1: to Yeah, look for me, this is me. Let me

1070
00:58:02,440 --> 00:58:06,560
Speaker 1: just take this character. It's me basically, That's all I'm saying. Well,

1071
00:58:06,600 --> 00:58:08,439
Speaker 1: then maybe if you he's a boy and a little

1072
00:58:08,480 --> 00:58:10,800
Speaker 1: bit more high energy, like it might sound like this.

1073
00:58:11,040 --> 00:58:13,840
Speaker 1: There you go. So wait, what you're saying is that

1074
00:58:13,880 --> 00:58:16,320
Speaker 1: I haven't been drinking water? Yeah, that that would be

1075
00:58:16,360 --> 00:58:18,920
Speaker 1: That would be my yuki yea, so we we'll do

1076
00:58:19,040 --> 00:58:22,000
Speaker 1: We'll do another. Okay, okay, it might it might be

1077
00:58:22,040 --> 00:58:24,240
Speaker 1: a cat. We've got a lot. We've got a lot

1078
00:58:24,280 --> 00:58:28,959
Speaker 1: of cats. At mission, I was on a show called

1079
00:58:29,040 --> 00:58:32,840
Speaker 1: Unikitty You were Unity. Christie didn't realize that when she

1080
00:58:32,840 --> 00:58:34,840
Speaker 1: she posted all this on National Cat Day, which is

1081
00:58:34,840 --> 00:58:40,480
Speaker 1: why a lot of people's oh character, I believe this

1082
00:58:40,600 --> 00:58:43,280
Speaker 1: was based off of me. This is this is what

1083
00:58:43,360 --> 00:58:46,360
Speaker 1: I look like when I put on my eighties sweats

1084
00:58:47,080 --> 00:58:49,959
Speaker 1: and I'm at the gym. Who is that? By the way,

1085
00:58:50,080 --> 00:58:53,320
Speaker 1: that's a lie, right, because this is from Sam. This

1086
00:58:53,400 --> 00:58:56,760
Speaker 1: is from Sam. Sam created the logo, created the show

1087
00:58:56,920 --> 00:58:59,680
Speaker 1: for us. And this character's name is do we know

1088
00:58:59,720 --> 00:59:05,280
Speaker 1: the name? This is a nameless rabbit. Maybe maybe because

1089
00:59:05,280 --> 00:59:07,320
Speaker 1: it sounds like this, you know, he's he always has

1090
00:59:07,360 --> 00:59:10,360
Speaker 1: the giggles all the time and uh and and he

1091
00:59:10,440 --> 00:59:12,920
Speaker 1: wants to work out, but he's never going to get

1092
00:59:12,920 --> 00:59:15,840
Speaker 1: around to it because he is a bit round himself.

1093
00:59:16,360 --> 00:59:18,480
Speaker 1: Uh and uh. I don't know what we could name him.

1094
00:59:18,480 --> 00:59:20,080
Speaker 1: What would you guys name this guy? He kind of

1095
00:59:20,120 --> 00:59:22,800
Speaker 1: looks like a Sanrio type character, like a Hello Kitty,

1096
00:59:23,240 --> 00:59:25,160
Speaker 1: like he could live in the Hello Kiddy I could

1097
00:59:25,160 --> 00:59:32,200
Speaker 1: see that bunny boy or wow, funny boy by well,

1098
00:59:32,200 --> 00:59:39,640
Speaker 1: we clearly know who the hey, then guys having just

1099
00:59:39,680 --> 00:59:43,920
Speaker 1: a regular name like Randy, I'm like, that's Randy. This

1100
00:59:44,080 --> 00:59:50,080
Speaker 1: is Charles. Yeah, this is Charles. Yeah, there you go. Yeah.

1101
00:59:50,520 --> 00:59:52,400
Speaker 1: But for me, I don't know why. He kind of

1102
00:59:52,400 --> 00:59:55,160
Speaker 1: sounds like this and it could be maybe lent to

1103
00:59:55,200 --> 00:59:58,600
Speaker 1: like that Seth Rogan type giggling. But okay, but yeah,

1104
00:59:58,800 --> 01:00:02,200
Speaker 1: it looks like he's being rushed into the air by

1105
01:00:02,200 --> 01:00:04,440
Speaker 1: Maybe he's he's had too many carrots and he's got

1106
01:00:04,480 --> 01:00:07,200
Speaker 1: a lot of gas. That I saw, I figured he

1107
01:00:07,320 --> 01:00:09,800
Speaker 1: was just hit by a tennis racket, Oh my gosh,

1108
01:00:10,120 --> 01:00:12,640
Speaker 1: and he's lying away. Maybe he's a tennis ball bunny,

1109
01:00:12,760 --> 01:00:14,880
Speaker 1: that's what Maybe he could be like like colored, like

1110
01:00:14,920 --> 01:00:18,880
Speaker 1: a tennis ball, like that yellow one. Yeah, I love that,

1111
01:00:19,680 --> 01:00:22,200
Speaker 1: but I do. I do like this character design very

1112
01:00:22,280 --> 01:00:26,720
Speaker 1: very very Thank you Sam and thank you Eric. It

1113
01:00:26,760 --> 01:00:29,000
Speaker 1: has truly been an honor to have you here. Well,

1114
01:00:29,160 --> 01:00:32,680
Speaker 1: I had no fun at all. This is by the way,

1115
01:00:32,720 --> 01:00:34,600
Speaker 1: this was exactly apparently what it was like when she

1116
01:00:34,640 --> 01:00:38,760
Speaker 1: was at the Fancy Place watching Ghostbusters. Please don't say

1117
01:00:38,640 --> 01:00:45,360
Speaker 1: the fancy Place. Almost almost drowned the fancy listen. By

1118
01:00:45,400 --> 01:00:48,760
Speaker 1: the way, is your vocal courts are they ensured? Then

1119
01:00:48,960 --> 01:00:51,920
Speaker 1: I am not Selene dion if by the way, if

1120
01:00:51,960 --> 01:00:55,160
Speaker 1: you're not, if you thought you were talking to Selene today?

1121
01:00:55,560 --> 01:00:59,560
Speaker 1: Did she has a Canadian French actually cutting out all

1122
01:00:59,600 --> 01:01:03,320
Speaker 1: the type hand questions. Who was not present for Leo

1123
01:01:04,200 --> 01:01:11,600
Speaker 1: or Kate on the set of My Very Bad I

1124
01:01:11,760 --> 01:01:15,720
Speaker 1: was not here? That's very good. She's a very intentions.

1125
01:01:17,400 --> 01:01:23,960
Speaker 1: She's a very intention What did this? Why did you

1126
01:01:24,200 --> 01:01:29,120
Speaker 1: wait till the end? You got to start with you know,

1127
01:01:29,280 --> 01:01:31,240
Speaker 1: that's the sign of a good host. Though, thank you,

1128
01:01:31,240 --> 01:01:34,640
Speaker 1: you're making it. You like you could do some stuff

1129
01:01:34,760 --> 01:01:36,560
Speaker 1: and then jumped in and showed your voice work. That's

1130
01:01:36,600 --> 01:01:38,520
Speaker 1: the way. That's what Christie does. So yeah, I mean

1131
01:01:38,680 --> 01:01:44,040
Speaker 1: clearly like she's never happy with someone mentioned Selene today.

1132
01:01:45,800 --> 01:01:47,600
Speaker 1: We've been waiting for this. Every guy. She's like, you

1133
01:01:47,600 --> 01:01:49,840
Speaker 1: think they're going to mention Selene. I'm like, I don't know.

1134
01:01:50,120 --> 01:01:53,320
Speaker 1: Did you send him the orally send him the subliminal

1135
01:01:53,400 --> 01:01:57,080
Speaker 1: message email where every other word is Selene, or just

1136
01:01:57,120 --> 01:02:01,280
Speaker 1: the case your limo driver is named on me to

1137
01:02:01,320 --> 01:02:05,320
Speaker 1: pick you up. He'll be se leaning against the car

1138
01:02:06,200 --> 01:02:09,520
Speaker 1: now too far anyway, Eric, I don't even know what

1139
01:02:09,600 --> 01:02:11,080
Speaker 1: to say. It has been an honor to have you

1140
01:02:11,120 --> 01:02:13,560
Speaker 1: on here. You are thank you, most talented human being

1141
01:02:13,560 --> 01:02:15,960
Speaker 1: working today. I'm convinced to be in the presence of

1142
01:02:16,040 --> 01:02:19,000
Speaker 1: show such fine actors and hosts. And congratulations and I

1143
01:02:19,080 --> 01:02:21,080
Speaker 1: wish you guys the best. Thank you. They're going to

1144
01:02:21,120 --> 01:02:25,080
Speaker 1: pick this up for many seasons. Literally were canceled halfway through.

1145
01:02:25,160 --> 01:02:27,840
Speaker 1: All right, where can we fight? Yes, this is important

1146
01:02:27,920 --> 01:02:32,320
Speaker 1: right here in this downtown when actually, can you guys leave?

1147
01:02:32,440 --> 01:02:34,760
Speaker 1: This is my apartment. I know a lot of people

1148
01:02:34,760 --> 01:02:36,800
Speaker 1: actually really like our place. They want to live here.

1149
01:02:36,840 --> 01:02:38,800
Speaker 1: It's a cool pad. But I'm assuming we can find

1150
01:02:38,840 --> 01:02:42,720
Speaker 1: you in the fancy place. Fancy place and then eating nachos,

1151
01:02:42,760 --> 01:02:50,640
Speaker 1: pinkies up, pinkies up this cave. I'm to this is

1152
01:02:50,760 --> 01:03:00,840
Speaker 1: date night, Higgins do. But this the ninety two. I

1153
01:03:00,960 --> 01:03:03,880
Speaker 1: see it's a good deal. Yes, thank you very much.

1154
01:03:04,080 --> 01:03:09,120
Speaker 1: Mixed the Cherry and the Blue, and you're on cameo

1155
01:03:09,440 --> 01:03:14,480
Speaker 1: or cameo doing all of Ken Jong's work. By the way,

1156
01:03:14,520 --> 01:03:17,160
Speaker 1: everyone keeps saying give me this shout out from the

1157
01:03:17,200 --> 01:03:23,520
Speaker 1: masked singer host, I'm like, not me. Not guys are you, Instagram, Twitter,

1158
01:03:23,600 --> 01:03:27,160
Speaker 1: everything is all at at bow Zilla. I have to

1159
01:03:27,240 --> 01:03:29,640
Speaker 1: do something creative with me and now we've only got

1160
01:03:29,760 --> 01:03:33,040
Speaker 1: three hours left. So what do you have coming up?

1161
01:03:33,240 --> 01:03:37,200
Speaker 1: So it's like, so we're barely even halfway. I guess

1162
01:03:37,200 --> 01:03:41,200
Speaker 1: just HBO Max. There's there's lots coming from Looney Tunes

1163
01:03:41,720 --> 01:03:43,920
Speaker 1: that I wish I could talk about now that can't.

1164
01:03:44,640 --> 01:03:48,360
Speaker 1: But there's definitely some stuff coming that called that you

1165
01:03:48,440 --> 01:03:51,000
Speaker 1: will be very happy to hear from me. Again, it's

1166
01:03:51,080 --> 01:03:53,880
Speaker 1: the characters and space Jam is still out there. Go

1167
01:03:53,960 --> 01:03:57,080
Speaker 1: check out spaces you have. It's still out there doing

1168
01:03:57,120 --> 01:04:00,080
Speaker 1: pretty darn good saically Okay, I guess you know the

1169
01:04:00,480 --> 01:04:03,240
Speaker 1: little engine that it is. It's like people really want

1170
01:04:03,240 --> 01:04:05,560
Speaker 1: to see this tiny little film get you gotta shoot

1171
01:04:05,560 --> 01:04:08,800
Speaker 1: company behind you than anything it tends to it's well,

1172
01:04:08,840 --> 01:04:12,040
Speaker 1: that's you know exactly. It's it's it's helpful, to be honest,

1173
01:04:12,280 --> 01:04:14,880
Speaker 1: it's helped word out, the word out. I do have

1174
01:04:14,920 --> 01:04:20,960
Speaker 1: to bring these shoes back by the way you can started.

1175
01:04:22,680 --> 01:04:26,600
Speaker 1: They do. Nothing's for keeps, it's just for fun. It's

1176
01:04:27,920 --> 01:04:30,360
Speaker 1: thank you, thank you, thank you so much for coming

1177
01:04:30,360 --> 01:04:32,160
Speaker 1: and spending the time with us, and really appreciate you.

1178
01:04:32,280 --> 01:04:34,480
Speaker 1: Eric we love you so much. Please come back again

1179
01:04:34,520 --> 01:04:36,400
Speaker 1: when we get fully interactive. Come back again because we're

1180
01:04:36,400 --> 01:04:38,240
Speaker 1: gonna have people chime in and they're gonna love to

1181
01:04:38,280 --> 01:04:40,200
Speaker 1: talk to you that I can't wait, which will be great.

1182
01:04:40,240 --> 01:04:42,160
Speaker 1: And don't forget they say that youth is wasted on

1183
01:04:42,200 --> 01:04:48,720
Speaker 1: the young, go prove them wrong. Thanks everybody. I Hear

1184
01:04:48,800 --> 01:04:51,200
Speaker 1: Voices assosted by Wilfred L and Christie Garls and Romano,

1185
01:04:51,400 --> 01:04:54,040
Speaker 1: produced by Elizabe Joy Windom and executive produced by Brendan

1186
01:04:54,120 --> 01:04:56,920
Speaker 1: Rooney and Wilfred L. Our sound engineer and editor is

1187
01:04:56,920 --> 01:04:59,360
Speaker 1: Elizabeth Joy Windham and our video editor is at Guardo

1188
01:04:59,440 --> 01:05:03,480
Speaker 1: Gamba And that was my announcer voice. Some side effects

1189
01:05:03,480 --> 01:05:06,160
Speaker 1: of listening to I Hear Voices are sore abs from

1190
01:05:06,240 --> 01:05:09,360
Speaker 1: larity falling down the Coco melon rabbit hole, sneezing due

1191
01:05:09,360 --> 01:05:12,480
Speaker 1: to mass nostalgia, and hugs follow I Hear Voices Wherever

1192
01:05:12,520 --> 01:05:14,400
Speaker 1: you listen to podcasts, you don't miss any of the

1193
01:05:14,440 --> 01:05:17,400
Speaker 1: amazing voices. Be sure to follow us on Instagram and

1194
01:05:17,480 --> 01:05:20,680
Speaker 1: TikTok at I Hear Voices podcast. To see the video stream,

1195
01:05:20,720 --> 01:05:22,920
Speaker 1: subscribe to my YouTube channel. You can also check us

1196
01:05:22,920 --> 01:05:27,360
Speaker 1: out on my Space o'meegl Vine, lime Wire, am a napster. Okay, well,

1197
01:05:27,440 --> 01:05:29,120
Speaker 1: let's teach you about the Internet. What