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Speaker 1: Welcome back to those amigos.

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Speaker 2: I Wilmer Valderama and I am Freddie Rodriguez.

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Speaker 3: That's what and uh and today we officially are three amigos.

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Speaker 3: Welcome named back.

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Speaker 1: Are our brother for gret so for Grace in the house? Yes,

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Speaker 1: thank you man?

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Speaker 4: Were you and can Harley?

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Speaker 1: Wait?

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Speaker 4: I was, yeah, okay, please cut all this out, man.

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Speaker 4: If this is where that group of knuckleheads I was

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Speaker 4: friends with in college who Wilmer's met a couple of them.

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Speaker 4: Another Dare situation was we snuck into the oscars because

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Speaker 4: the shrine auditorium where the oscars used to happen was

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Speaker 4: right across the street from our dorm, Harnerment, and so

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Speaker 4: we rented. Like I'm drinking looking down on it, We're like,

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Speaker 4: I bet we could just like take a limo and

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Speaker 4: just drive into that tomorrow. This is pre nine eleven city. God,

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Speaker 4: So we rented it. We called a limo place, and

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Speaker 4: they're like, no, the limos are all booked, it's the Oscar.

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Speaker 4: But I was like, give me a hundred bucks, I'll

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Speaker 4: come around the block and pick you up. And so

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Speaker 4: we went and rented uh like tuxedos. No, we didn't

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Speaker 4: have enough money for tuxedos. We rented bow ties and

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Speaker 4: then wore black jackets and black pants got in this.

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Speaker 4: It turns out, by the way, it was like whoever's

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Speaker 4: limo it was had their credentials in it. So it's

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Speaker 4: like Nicole Kimmon took it there, it had hurt credentials.

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Speaker 4: So we came around and got us. So we got

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Speaker 4: through the barricade, no way. We just walked out the

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Speaker 4: red carpet. We were waving and everyone everyone was like

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Speaker 4: kind of like, who's that. Like, we just I we

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Speaker 4: had a roll you know those roll up cameras and we're

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Speaker 4: taking pictures of ourselves and anyway, oh, we were doing

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Speaker 4: crazy stuff like that. We just sat and watch like

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Speaker 4: you know, Matt and ben Wan and Titanic wait so

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Speaker 4: in oh, yeah, the whole the audience is only seed fillers,

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Speaker 4: Like it's only the first five rows that have the

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Speaker 4: biggest stars in the world. And then you know it's

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Speaker 4: so we were I was like sitting behind and share

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Speaker 4: and like I remember I took a piss next to

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Speaker 4: Gregory Peck because he was like at the urinal next

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Speaker 4: to me. That's some crazy story. So we were like

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Speaker 4: Hollywood's fun, and I didn't feel like, you know, I

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Speaker 4: didn't think I was ever gonna work here and the other.

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Speaker 1: Get in trouble for something like that, like what are

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Speaker 1: you gonna do?

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Speaker 4: Yeah, what are you gonna do? You know, jail for

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Speaker 4: they could kick us out of the thing. You'd love it.

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Speaker 4: When a guy insecurity came up to us at one

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Speaker 4: point and was like like, who are you And as

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Speaker 4: he did, I just started yelling at one of the

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Speaker 4: other guys like he was my assistant. And the guy

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Speaker 4: left because he was like this was embarrassing. Like I

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Speaker 4: was like, no, we can get him to me now, No,

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Speaker 4: your job is to get and he was like all right,

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Speaker 4: he just left, all right, kept hanging out. But then

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Speaker 4: we we maybe because of that, we started calling you

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Speaker 4: remember Daily Ridy used to have the productions that were

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Speaker 4: going on.

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Speaker 1: Yeah, in the course, so we're like.

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Speaker 4: Oh my god, Jennifer love youew it's starring in this

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Speaker 4: movie called The Party.

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Speaker 1: Oh yeah, I was called the Party.

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Speaker 4: That sounds like we all just seem uh, I know,

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Speaker 4: she's last summer or whatever. She'm like, let's go to that.

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Speaker 4: So we called the producer. I mean, really, don't include

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Speaker 4: this if this is too boring.

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Speaker 1: No, this is like you're the best part of the buck.

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Speaker 4: And we were like, my friend came up with this.

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Speaker 4: He called up and he goes, Hi, who's this. She

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Speaker 4: goes Susie, who's this? And he hung up on her

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Speaker 4: and then he called back like half an hour and

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Speaker 4: he goes, Hi, Susie's Chris from Jim Browner's office at Universal.

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Speaker 4: She's like, Hi. There was no internet, so you couldn't

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Speaker 4: like look at He's like, so to for Grace and

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Speaker 4: his friends are going to be I want to come

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Speaker 4: down to the set. You know, he's John Grace's son,

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Speaker 4: which but not a lie, but John Grace is just

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Speaker 4: my dad wasn't kidding it. So uh, he wants to

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Speaker 4: come by to the set and say hi to the cast,

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Speaker 4: and like, all right, we'll leave some passes for him.

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Speaker 4: So we just went where where were you? Shue I

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Speaker 4: was and some warehouse and like way out of the middle.

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Speaker 2: No, oh, we dude, we shot where you guys shoot

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Speaker 2: the CBO's record. No, and santel Oh that's what it was.

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Speaker 4: We had to take a long like we almost went

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Speaker 4: broke on the top ride there. We got there, we

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Speaker 4: walked in and everyone was there. I was like, this

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Speaker 4: was We definitely picked the rest. So we hung out

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Speaker 4: for a day. I don't think we met, but if

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Speaker 4: you saw some like, you know, preppy, young idiot just

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Speaker 4: hanging out by the monitors, like looking around, So.

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Speaker 1: Who'd you get to see?

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Speaker 4: What?

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Speaker 1: You were there?

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Speaker 4: Like?

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Speaker 1: She loved? Was she?

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Speaker 5: Yeah?

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Speaker 1: I love?

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Speaker 4: Was like, Hi? We saw who else? I think Jerry

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Speaker 4: O'Connell was there that day?

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Speaker 1: Oh, Jerry, Yeah?

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Speaker 4: And who else?

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Speaker 1: Uh?

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Speaker 4: Jamie and Jamie Presley we're on like hello.

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Speaker 1: And Seth Green was probably somewhere in there.

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Speaker 4: Seth was probably there. Yeah, yeah, which is funny because like, now.

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Speaker 1: Did you ever tell him that story? Sam Green?

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Speaker 4: I don't know. I shouldn't tell him that. I don't

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Speaker 4: know why. I just thought I think I remembered you

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Speaker 4: were in because then we went to see the movie,

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Speaker 4: We're like, yeah, Like Hollywood's fun.

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Speaker 3: So so for Grays, when it comes to working with

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Speaker 3: direct who did you feel you learn from the most?

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Speaker 4: Well? Number one be David Trainer. And I'm not saying

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Speaker 4: that because you're David directed every single episode of that

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Speaker 4: seven show, which is very rare in a sitcom, and

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Speaker 4: I maintain I told him this we would lunch. Recently,

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Speaker 4: I was like, if you had been sick one day,

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Speaker 4: if he'd missed one day of that show, the show

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Speaker 4: would have fallen above. But he knew us all before

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Speaker 4: it happened, and he knew how to kind of wrangle everyone,

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Speaker 4: and he was he's kind of stage guy, like, yeah,

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Speaker 4: he comes from the theater, and he actually pushed me

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Speaker 4: to do theater, which I did, and he actually, I

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Speaker 4: don't know if you know when I did that play,

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Speaker 4: I mean you came to see it. He flew to

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Speaker 4: New York to see it was like just wonderful. So

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Speaker 4: the most from him, and I could tell you one

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Speaker 4: hundred separate things that he taught me besides just decorum

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Speaker 4: and how to act on a set. Winner and then

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Speaker 4: after that I would.

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Speaker 1: Say, I mean you had you Sam Rammy. Yeah, it's

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Speaker 1: funny with Christopher.

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Speaker 4: Soberg Spike Lee, but but specifically with Sodaberg expect Lee.

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Speaker 4: They say very little, so I don't think.

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Speaker 1: I think they trust their castings.

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Speaker 4: We're just like, if I want to be a director,

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Speaker 4: I think I can learn a lot from them. As

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Speaker 4: an actor. You're kind of like very appreciative yours. They

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Speaker 4: just like they I think it's because Stephen comes from

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Speaker 4: documentary filmmaking. So I remember one time asking him because

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Speaker 4: I was used to getting more direction than he was

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Speaker 4: giving me, which is zero, and I was like, hey,

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Speaker 4: I mean he was walking around with the camera filming

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Speaker 4: it different ways. I'd say like, hey, do you want

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Speaker 4: me to do you have any direction for me? Or

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Speaker 4: do you want me to do it this way? And

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Speaker 4: he went, oh, I don't know. It's such a great

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Speaker 4: answer because it's true. He's like, I don't want to

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Speaker 4: put my fingerprints on your So those guys I admire

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Speaker 4: a lot, and their films are amazing, but I don't know.

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Speaker 4: I guess I did learn something about trust and trusting

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Speaker 4: your teammates. But they're so do your own thing. They

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Speaker 4: don't do a lot of takes. And Chris Nolan's like

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Speaker 4: that too. I had a small role in Interstellar, but

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Speaker 4: he did like you think he does like one hundred

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Speaker 4: takes because films are so precise, but he's so precise

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Speaker 4: that he only does like one or two.

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Speaker 2: Wow, And does he did you get a lot of

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Speaker 2: direction from him?

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Speaker 5: No?

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Speaker 1: No, No.

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Speaker 4: I think mostly what I've learned from them is that

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Speaker 4: the masters and I'm sure This is true for people

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Speaker 4: who were masters before I started working that they they

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Speaker 4: are so dialed in and know what they want that

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Speaker 4: like production is not an afterthought, but it's like they've

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Speaker 4: figured it all out. You're the person who is supposed

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Speaker 4: to be playing the role. This is the person supposed

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Speaker 4: to doing wardrobe, and it's almost like I think an exercise.

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Speaker 4: They could take themselves out of it almost a little bit.

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Speaker 4: You know what I worked with who I really loved

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Speaker 4: who was like that is Curtis Hansen. He passed, but

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Speaker 4: he did like La Confidential eight mile and stuff, and

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Speaker 4: he's he did too big to fail, and he he

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Speaker 4: was like that. He was like he didn't want to tell.

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Speaker 4: He was like overseeing the process to make sure no

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Speaker 4: one interfered with anyone and everyone did their best work.

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Speaker 4: And then you watch the thing and you go, right,

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Speaker 4: just brilliant. I'll Spike, it's amazing. The other thing I've

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Speaker 4: learned from all those guys that I just mentioned, they're

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Speaker 4: all really fun. You think they're serious, especially Chris, probably

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Speaker 4: because you know his films are so serious and Spike

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Speaker 4: maybe you'd think is serious, but they are like you're

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Speaker 4: having a blast, Like the energy is always at like

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Speaker 4: seventy two degrees with you know, thirty percent chance. It's

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Speaker 4: like always like it I'm perfect. They never let it dip.

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Speaker 4: They also don't let it get too crazy. Like it's

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Speaker 4: just they're kind of masters of what the tone is.

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Speaker 4: And I love, love working with those guys. I mean,

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Speaker 4: and you're not you guys have worked with directors like this.

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Speaker 4: You're not just excited to work with them because you

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Speaker 4: think the film's gonna be a hit. It truly is

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Speaker 4: like if the film were never to come out. It's

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Speaker 4: truly a great experience.

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Speaker 1: Yeah.

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Speaker 3: I have a couple of friends were in the Odyssey, right,

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Speaker 3: not shooting that's going to be a very challenging shoot.

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Speaker 1: For what I hear, it's like pretty challenging. Oh yeah,

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Speaker 1: it's just like, yeah, the scope of it right, pretty cool.

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Speaker 1: I mean you're talking about four thousand.

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Speaker 4: But said, I'm telling you, he's a funny guy, Like

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Speaker 4: I had a lot of laughs with him, like you would.

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Speaker 4: You would love him, like you guys would really get along.

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Speaker 4: And it's like they always make sure, you know, it's

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Speaker 4: like they take it so seriously and then they don't

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Speaker 4: take it too seriously, which is kind of great. Actors too.

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Speaker 5: I think maybe well he's.

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Speaker 3: He's like he has the perfect scenario. He can ask

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Speaker 3: studio give me three hundred million dollars and then yeah,

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Speaker 3: you know, it's like so he's like, you know how

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Speaker 3: back at it being when you're on said with him,

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Speaker 3: it's kind of amazing.

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Speaker 1: I do feel, you know.

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Speaker 3: I remember doing Fast Nation with Richard Ling later and

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Speaker 3: he he was also.

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Speaker 4: That I die to work with him.

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Speaker 3: He was so yeah, but then he would just like

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Speaker 3: it was a vibe.

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Speaker 1: You know, that's right, that's right.

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Speaker 3: You know, he come in and he he'd be like

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Speaker 3: Wilmer for you, it's like like why not first time everything?

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Speaker 1: Do it again?

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Speaker 3: And like you go back and then he's like action

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Speaker 3: and then he say cut and he'll be like.

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Speaker 1: Yeah, good, thank you.

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Speaker 4: Yeah, Like so, like you said, dude, it's a vibe.

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Speaker 1: Yeah.

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Speaker 4: I think the best director is they know that the

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Speaker 4: whole thing is depending on like the floor.

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Speaker 3: They're they're like it's an orchestra, right, Like they're just

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Speaker 3: like pulling here, pushing there, you know, and and it's

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Speaker 3: he's letting it move on its own, but he's like

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Speaker 3: just guiding it a little bit.

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Speaker 1: Yeah, you know.

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Speaker 2: Yeah, Tarantino was like that I did. I did a

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Speaker 2: movie called Grindhouse. Who was Robert Rodriguez.

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Speaker 4: Don't tell me he doesn't talk a lot though, Quinn. Yeah,

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Speaker 4: don't tell me. He's like the silent No.

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Speaker 1: No, man, No, he's.

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Speaker 2: You know he what you see is what you yet

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Speaker 2: you know, like like he wears his heart on his sleeve.

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Speaker 1: Was so gracious and nice to me.

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Speaker 2: Well, he I starred in Roberts Have but there were

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Speaker 2: supposed to be two movies that we were shooting back

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Speaker 2: to back. But he was there during the whole experience and.

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Speaker 1: Direct because he was a feature.

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Speaker 4: It was a double feature, but he was doing he

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Speaker 4: was directing what the unit on.

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Speaker 2: No, No, he's so so. Our movie was called Planetarror.

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Speaker 4: Okay, yeah, but but he was doing his own thing correct.

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Speaker 2: But he was just there like while we were shooting

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Speaker 2: our thing, because he just wanted to be part of

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Speaker 2: the experience. And there'll be times that Robert will be like, hey, Quentin,

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Speaker 2: just direct the scene. Man, I'm gonna go like step

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Speaker 2: in and direct the scene. You know, great, yeah, yeah,

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Speaker 2: but but you see the genius.

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Speaker 1: Man, it's unexplainable.

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Speaker 2: He's he's a library of film Uh, and it's so

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Speaker 2: like effortless, but you just you feel the genius just

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Speaker 2: not them.

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Speaker 1: It's it's so effortless.

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Speaker 4: If he gives you a lot of stuff to think about,

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Speaker 4: is that difficult?

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Speaker 1: No? Did he give me a lot of.

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Speaker 4: Stuff like when he comes up to you in between.

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Speaker 2: No, he's just very instinctual, you know. You know, you

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Speaker 2: never like went the film score anything. He's all instinct,

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Speaker 2: you know. So if you're doing a scene, like it's

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Speaker 2: all about his instinct and he's like, no, do it

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Speaker 2: a little more this way, a little that way. But

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Speaker 2: you but you feel that it's coming from a from

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Speaker 2: a place that is so seeped in like film history,

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Speaker 2: and it's.

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Speaker 4: Coming pure love, like pure love, totally totally.

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Speaker 2: But I worked with the Hughes brothers. I think we

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Speaker 2: had this conversation at dinner.

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Speaker 5: Uh.

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Speaker 2: I did a movie called Dead Presidents with those guys,

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Speaker 2: and probably out of all of the directors I ever

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Speaker 2: worked with, I learned the most from them because and

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Speaker 2: I think maybe this had to do we're so young

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Speaker 2: at the time and uh, like we had like a

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Speaker 2: couple of weeks of rehearsal before we shot the movie,

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Speaker 2: and it wasn't even like rehearsal, really like rehearsing scenes.

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Speaker 2: But every night we would sit down and watch a

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Speaker 2: movie and they would tell us why a movie was

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Speaker 2: good and why it wasn't, why a performance was good

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Speaker 2: and why it wasn't. It was like the best film

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Speaker 2: school I'd ever wold, and they were so gracious.

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Speaker 1: With that knowledge and with their time.

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Speaker 3: You know, So do you think your transition into a

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Speaker 3: director at some point?

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Speaker 4: I think you'd be such a good director.

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Speaker 3: Because because you know, I know, we in some of

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Speaker 3: our notes that our producers are here gracefully.

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Speaker 1: Really really worked hard on it.

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Speaker 3: We're talking about home economics, because you were almost every

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Speaker 3: possible had you could think of, from the editing room

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Speaker 3: to the writer's room to.

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Speaker 4: I was in the writer's room, but you know, but

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Speaker 4: you you had you create that. No, it was a

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Speaker 4: great script that I read that I loved, and everyone

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Speaker 4: was nice enough to really let me be a part.

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Speaker 4: You know those things what they say, we want you

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Speaker 4: to be a producer, but then they're kind of like

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Speaker 4: but not really right. But these guys were in order

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Speaker 4: for you to say yes, yeah, exactly. But they were

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Speaker 4: awesome and I got to participate as much as I

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Speaker 4: wanted to. I kind of didn't want to go into

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Speaker 4: the writer's room because I thought they were so talented

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Speaker 4: and it was very funny. I love that show and Carla.

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Speaker 4: Carla is amazing. I really loved working I mean I

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Speaker 4: love working with everyone on that show.

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Speaker 1: You love working with her more than you working with.

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Speaker 4: Me, i'd say, by double or triple.

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Speaker 1: Wait, that's a lot.

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Speaker 4: Yeah, well that's a lot. Like just putting you guys

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Speaker 4: in that instantly sweat right now, thinking about both of

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Speaker 4: you guys in my mind, I go like, how are

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Speaker 4: you even acting?

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Speaker 3: But you wore so many hats, right, So I was wondering,

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Speaker 3: why haven't you thought that directing is something because you

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Speaker 3: think about all the details and you pay attention.

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Speaker 1: To all that.

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Speaker 4: That's very kind you to say, I.

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Speaker 1: It's very kind.

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Speaker 4: Made a little too kind, a little, I might just

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Speaker 4: take it back. I feel like I don't have a

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Speaker 4: visual sense, Like when I'm reading a script, I'm whenever

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Speaker 4: I go on set, I'm like, oh, that's a better idea.

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Speaker 4: Like my idea of how to shoot it is like

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Speaker 4: the wrong idea, and the directors.

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Speaker 3: Grab an amazing DP right, who knows how to put

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Speaker 3: the lenses where you need to need them. You could

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Speaker 3: really guide a total innovative story.

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Speaker 4: Well I would. I would work for you if you

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Speaker 4: were directing something. But I for me, I'm like, I

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Speaker 4: feel like a jack of all trades, like I really have.

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Speaker 4: I feel like I had a natural skill at acting,

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Speaker 4: you know, proved by the fact that I ever acted,

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Speaker 4: and then I got the show and so I'm very

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Speaker 4: happy to do that and love it. And then I've

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Speaker 4: loved educating myself about editing more, educating myself about you know,

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Speaker 4: writing without I've never written anything but I that I've shared,

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Speaker 4: but but I want to know as much about all

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Speaker 4: the other what everyone else does. So I when I'm

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Speaker 4: in the editing room, like I've never edited, uh something

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Speaker 4: that I've been in. But when I'm in the editing room,

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Speaker 4: I don't make an ass out of myself, you know,

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Speaker 4: I kind of understand what that is. And when I'm

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Speaker 4: if I were to go to the writer's room, I

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Speaker 4: don't think i'd say something that people are going, oh

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Speaker 4: my god, this guy is an actor. So that's my

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Speaker 4: goal and it's and it's fun to learn stuff that's around,

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Speaker 4: you know, I think it makes you a better actor.

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Speaker 4: If you learn about all that stuff, I'll tell you

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Speaker 4: editing for me has been amazing because I I used

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Speaker 4: to do a lot of the same take over and

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Speaker 4: over again, and now I do just crazy different takes.

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Speaker 1: Oh you mean you're trying to get that one choice right,

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Speaker 1: Well I get.

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Speaker 4: The editor of five of the same options, right, and

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Speaker 4: now I do a lot of difference.

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Speaker 3: So speaking of editing, yeah, right, perfect, We think it's over.

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Speaker 1: I don't even know I even know how you did it,

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Speaker 1: but we really wanted to talk to you about the

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Speaker 1: Star Wars situation.

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Speaker 4: Yeah, how did this get blown in the out of proportion?

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Speaker 1: But let me let me also say a couple of things.

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Speaker 3: One of the biggest bonding moments for us is that

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Speaker 3: we love the same movies too, right, So like Back

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Speaker 3: to the Future, Jeraccid Park, right, you know, Star Wars,

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Speaker 3: Like we were really into these you know, larger than

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Speaker 3: life ideas.

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Speaker 4: Home were I insed to have a game on set.

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Speaker 4: It's kind of just kids who grew up in the

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Speaker 4: eighties game where I'd say to him, like the game was,

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Speaker 4: you say to the other person, where's he going? And

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Speaker 4: the other person says home? So team me up, say

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Speaker 4: where is he going?

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Speaker 1: Where's he going.

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Speaker 4: Home? And we do that for hours, and the posites

385
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Speaker 4: would go so long and so corny whatever, But that

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Speaker 4: was because we grew up watching all the same females.

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Speaker 4: Where's he going?

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Speaker 1: We should have gone a long time again.

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Speaker 5: That you changed?

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Speaker 4: Oh man, we had this.

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Speaker 1: Honestly, that was like that. That was the ending to the.

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Speaker 3: Yeah, we also thought, like, what if at the end

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Speaker 3: of seventies show that vised cruiser or like the minivan

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Speaker 3: or whatever, just to cough up.

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Speaker 5: That's right.

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Speaker 4: It was what FS was never from from.

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Speaker 3: Somebody like Jackie or somebody goes, Where's where's fans going?

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Speaker 1: He's going home? Starting the show was just so bizarre. Honestly,

399
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Speaker 1: that would have been an epic And I.

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Speaker 4: Hope everyone just saw it. That's what we were doing,

401
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Speaker 4: literally hours and hours.

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Speaker 1: I love it.

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Speaker 4: Yeah, were you asking a qu We were asking a

404
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Speaker 4: question or something. I'm sorry, well.

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Speaker 2: You brought up editing and and and I was I

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Speaker 2: haven't seen it, but you all were explaining it to

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Speaker 2: me that you and maybe you can.

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Speaker 1: Explain so he do chronologically.

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Speaker 4: Okay, here's what happened. I produced a film. Another thing

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Speaker 4: I loved learning about was also it's just great. How

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Speaker 4: you start to realize acting acting and actors are such

412
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Speaker 4: a small part of the process, you know. I started realizing,

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Speaker 4: like I was, what's going on in post? Like why

414
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Speaker 4: is it taking them so long? Like you know what

415
00:19:22,880 --> 00:19:25,120
Speaker 4: I mean? Like we shot the movie, put it in order,

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Speaker 4: and when I went into post, I made such an

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Speaker 4: ass out of myself. I gave such terrible notes and

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Speaker 4: I still am so regretful about it. So I bought

419
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Speaker 4: an avid and I hired someone to tutor me how

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Speaker 4: to cut things myself, not to cut things. I was, Yeah,

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Speaker 4: I went on eBay and figured it out. And the

422
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Speaker 4: show when ended and we had the time, and I

423
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Speaker 4: wanted to learn just you know, there's that rainbow keyboard

424
00:19:51,880 --> 00:19:54,400
Speaker 4: that you're and the ball and I didn't know how

425
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Speaker 4: to use any of it. And I learned it all.

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Speaker 4: And the way I learned was I first took a

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00:19:59,320 --> 00:20:04,280
Speaker 4: tonement you remember film James McAvoy and I I had

428
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Speaker 4: an idea about how there's these flashbacks that happened right after,

429
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Speaker 4: and I was like, wait, you could reorder it and

430
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Speaker 4: go to the present and do it all. So it

431
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Speaker 4: was like a forty minute short film that people I've

432
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Speaker 4: showed people who hadn't watched a toement. They were like,

433
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Speaker 4: that's good. I mean it was totally different, like they

434
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Speaker 4: lived in the ending and had a happy end. Oh totally.

435
00:20:22,960 --> 00:20:27,080
Speaker 4: But people like that's a good like short, but why

436
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Speaker 4: is it forty minutes. It's like, I got to find

437
00:20:28,960 --> 00:20:31,480
Speaker 4: something that's really long. And I do love Star Wars,

438
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Speaker 4: and so I took. I wasn't so hot on the prequels,

439
00:20:35,000 --> 00:20:37,919
Speaker 4: so I took the new three films. They didn't have

440
00:20:38,000 --> 00:20:41,280
Speaker 4: the jj Abrams ones out yet, so it's just these

441
00:20:41,280 --> 00:20:44,639
Speaker 4: ones with Natalie Portman, and I put them back to

442
00:20:44,680 --> 00:20:47,600
Speaker 4: back to back and inserted all the outtakes because the

443
00:20:47,640 --> 00:20:49,920
Speaker 4: outtakes have all the effects done in them because it

444
00:20:49,960 --> 00:20:51,920
Speaker 4: would just be them on a green screen. So it's

445
00:20:51,920 --> 00:20:54,000
Speaker 4: like nine and a half hour long movie. And I

446
00:20:54,080 --> 00:20:56,560
Speaker 4: just whittled it as I'm learning to edit, whittled into

447
00:20:56,600 --> 00:20:59,280
Speaker 4: like a hour and a half. And there's kind of

448
00:20:59,320 --> 00:21:05,600
Speaker 4: within that trilogy, there's one actually a good movie. Yeah

449
00:21:05,640 --> 00:21:09,240
Speaker 4: that's the problem, but it was and I showed it

450
00:21:09,359 --> 00:21:12,120
Speaker 4: one time, but there was a blogger in the audience,

451
00:21:12,440 --> 00:21:14,600
Speaker 4: so it really blew up.

452
00:21:14,640 --> 00:21:17,080
Speaker 1: You know, I never went to the space you had

453
00:21:17,119 --> 00:21:17,720
Speaker 1: a screen.

454
00:21:17,680 --> 00:21:19,399
Speaker 4: Screening at the Soow House. It was like, you know,

455
00:21:19,400 --> 00:21:23,480
Speaker 4: one hundred people and people were going insane. I ended

456
00:21:23,480 --> 00:21:26,560
Speaker 4: it a more fun part. I think, like right when

457
00:21:26,560 --> 00:21:29,800
Speaker 4: that mask is coming on and I but people were

458
00:21:29,840 --> 00:21:31,240
Speaker 4: really going nuts. And then I did a couple of

459
00:21:31,240 --> 00:21:33,080
Speaker 4: times we did Close Encounters, which is a lot of

460
00:21:33,080 --> 00:21:36,000
Speaker 4: different version of that movie, and we did with the Hobbit.

461
00:21:36,720 --> 00:21:38,560
Speaker 4: But it was and I was doing with friends were

462
00:21:38,560 --> 00:21:39,800
Speaker 4: doing it too, so it was like a bunch of

463
00:21:39,800 --> 00:21:44,480
Speaker 4: people I know who cut And it was again I

464
00:21:44,520 --> 00:21:47,000
Speaker 4: don't ever want to cut, especially the future directors I

465
00:21:47,000 --> 00:21:49,600
Speaker 4: work with. I never want to cut anything I'm on.

466
00:21:50,119 --> 00:21:54,760
Speaker 4: But it was just informative to me how the process works.

467
00:21:55,480 --> 00:21:57,600
Speaker 1: But that I mean, it's epic. By the way, that's

468
00:21:57,680 --> 00:21:58,920
Speaker 1: a lot of foots.

469
00:21:58,640 --> 00:21:59,120
Speaker 5: To go through.

470
00:21:59,359 --> 00:22:01,720
Speaker 3: How did you It's the music and all that stuff,

471
00:22:01,760 --> 00:22:02,640
Speaker 3: like the cues and music.

472
00:22:02,640 --> 00:22:03,440
Speaker 1: CU's hard.

473
00:22:03,440 --> 00:22:05,560
Speaker 4: There's a way to we just cutting per scenes or

474
00:22:05,680 --> 00:22:07,640
Speaker 4: now you get you can strip the music out by

475
00:22:07,680 --> 00:22:13,119
Speaker 4: going onto like different channels and oh it's boring, sneaky grace.

476
00:22:13,920 --> 00:22:17,199
Speaker 2: So it was like an exercise in editing more than

477
00:22:17,240 --> 00:22:17,880
Speaker 2: anything to.

478
00:22:18,200 --> 00:22:20,639
Speaker 4: Yeah, and I'll be honest, if I took it out now,

479
00:22:20,640 --> 00:22:23,040
Speaker 4: it's probably not even so good. But I think it

480
00:22:23,080 --> 00:22:25,840
Speaker 4: was that Star Wars had no one knew there was

481
00:22:25,880 --> 00:22:27,280
Speaker 4: ever going to be another one, so it felt like

482
00:22:27,400 --> 00:22:30,480
Speaker 4: it was over and there was oh, there's like a

483
00:22:30,520 --> 00:22:34,320
Speaker 4: new one kind of right now, there's enough Star Wars material.

484
00:22:34,440 --> 00:22:36,720
Speaker 1: I'm saying, I think you should consider directing.

485
00:22:37,720 --> 00:22:40,160
Speaker 4: You'd be surprised, but I'll edit your film that you direct.

486
00:22:40,240 --> 00:22:44,320
Speaker 1: That would be pretty awesome. What is that credit going

487
00:22:44,400 --> 00:22:46,480
Speaker 1: up there? You know, but that's your passion.

488
00:22:46,800 --> 00:22:50,119
Speaker 2: I hear Giovanni Ribisi is a DP.

489
00:22:50,480 --> 00:22:51,320
Speaker 4: Apparently it's incredible.

490
00:22:51,400 --> 00:23:01,960
Speaker 5: Yeah, were you?

491
00:23:02,280 --> 00:23:03,520
Speaker 1: I mean you directed before?

492
00:23:04,119 --> 00:23:06,919
Speaker 2: I have not, not on a major level like that.

493
00:23:07,680 --> 00:23:11,119
Speaker 2: I got really passionate about producing, you know. I love

494
00:23:11,359 --> 00:23:14,040
Speaker 2: like to me is like a puzzle, you know, and

495
00:23:14,119 --> 00:23:17,520
Speaker 2: I love like putting the puzzle together. And I think

496
00:23:17,560 --> 00:23:20,480
Speaker 2: I have good instincts and so like having the instinct

497
00:23:20,480 --> 00:23:23,159
Speaker 2: to go that that guy should be the director, that

498
00:23:23,200 --> 00:23:26,439
Speaker 2: guy should be you know, like I just I go

499
00:23:26,480 --> 00:23:29,719
Speaker 2: off of instinct and feel, and I think I'm all

500
00:23:29,800 --> 00:23:30,280
Speaker 2: right at it.

501
00:23:30,320 --> 00:23:31,840
Speaker 4: You know what I started loving when I got into

502
00:23:31,880 --> 00:23:33,760
Speaker 4: producing is that clearances.

503
00:23:34,600 --> 00:23:37,240
Speaker 1: Clearances, like really getting into.

504
00:23:37,119 --> 00:23:39,479
Speaker 4: The nitty gritty of clearing something, meaning when you're watching

505
00:23:39,480 --> 00:23:42,400
Speaker 4: a movie and they have like not a coke can,

506
00:23:42,440 --> 00:23:45,000
Speaker 4: but something fake, like a fake soda, and you're like, yeah,

507
00:23:45,040 --> 00:23:46,560
Speaker 4: it took me out of it, or the numbers five

508
00:23:46,600 --> 00:23:50,000
Speaker 4: five five, which I love getting into it, or getting

509
00:23:50,040 --> 00:23:52,840
Speaker 4: a song that you can't get clear. They go, but

510
00:23:52,880 --> 00:23:55,320
Speaker 4: the artist will never let that happen. And I love

511
00:23:56,280 --> 00:23:59,119
Speaker 4: really getting into it and being like, no, I had

512
00:23:59,160 --> 00:24:02,640
Speaker 4: a film where we wanted to clear I won't even

513
00:24:02,680 --> 00:24:05,159
Speaker 4: say who the artist was, but some popular song from

514
00:24:05,160 --> 00:24:10,199
Speaker 4: the most it's called Opening Night, and we're trying to

515
00:24:10,200 --> 00:24:12,840
Speaker 4: clear it. They couldn't do it, they said. They finally

516
00:24:12,880 --> 00:24:18,160
Speaker 4: called the musician's agent, and the agent said, yeah, if

517
00:24:18,160 --> 00:24:22,560
Speaker 4: Tovah Grace feels so passionate about it, if he walks

518
00:24:22,560 --> 00:24:25,639
Speaker 4: into my cubicle and hands me the check for fifty

519
00:24:25,680 --> 00:24:28,240
Speaker 4: thousand dollars, and then I'll make sure it clears. Because

520
00:24:28,280 --> 00:24:30,160
Speaker 4: it was the song was gonna cost fifty grand or something,

521
00:24:30,359 --> 00:24:32,120
Speaker 4: but we had the money. We just didn't the artist

522
00:24:32,119 --> 00:24:34,920
Speaker 4: wouldn't clear it. So I just I mean, it's nothing

523
00:24:34,920 --> 00:24:36,480
Speaker 4: to hop in your car and just drive down to

524
00:24:36,520 --> 00:24:38,240
Speaker 4: this guy's office. But the guy was like, oh my god,

525
00:24:38,240 --> 00:24:40,359
Speaker 4: I'm so sorry. I didn't really think you'd show it

526
00:24:40,440 --> 00:24:41,840
Speaker 4: and I was like, here, man, do we get the

527
00:24:41,880 --> 00:24:42,320
Speaker 4: songs good?

528
00:24:42,359 --> 00:24:42,560
Speaker 1: Yeah?

529
00:24:42,600 --> 00:24:44,240
Speaker 4: And then you get this song that no one can

530
00:24:44,240 --> 00:24:46,520
Speaker 4: ever get, you know. He had to call this artist

531
00:24:46,600 --> 00:24:50,639
Speaker 4: and be like, sorry, I promised someone you could use

532
00:24:50,680 --> 00:24:54,280
Speaker 4: it in your film. But I love I love all

533
00:24:54,280 --> 00:24:56,000
Speaker 4: the little things about it. That's what I love so

534
00:24:56,080 --> 00:24:58,760
Speaker 4: much about doing producing on home economics. But you can

535
00:24:59,119 --> 00:25:03,640
Speaker 4: move so many thing things. Fame is such a stupid currency.

536
00:25:03,680 --> 00:25:05,560
Speaker 4: But when you use it like that and you start

537
00:25:05,600 --> 00:25:07,600
Speaker 4: to feel like, oh, you know, it's good.

538
00:25:07,800 --> 00:25:09,920
Speaker 3: I mean, everybody wins, right, Like that's the other things,

539
00:25:09,920 --> 00:25:11,960
Speaker 3: like you you you know, you can make these phone calls,

540
00:25:12,000 --> 00:25:14,960
Speaker 3: you create exciting packages, the clear and stuff. I mean,

541
00:25:15,000 --> 00:25:18,120
Speaker 3: I've always been I have a passion for getting titles

542
00:25:18,160 --> 00:25:22,240
Speaker 3: that people think I should never have. Like I went

543
00:25:22,320 --> 00:25:27,800
Speaker 3: to I approached cop Con in Japan and I control

544
00:25:27,840 --> 00:25:31,600
Speaker 3: street Fighter for like two years and nobody knows that,

545
00:25:31,840 --> 00:25:35,440
Speaker 3: and everybody's like, you know, like I titched it to everyone.

546
00:25:35,080 --> 00:25:37,680
Speaker 1: As like a like a.

547
00:25:37,000 --> 00:25:41,440
Speaker 3: Ground and gritty, like you know, underground fight club type

548
00:25:41,440 --> 00:25:44,480
Speaker 3: of situation that eventually the pond gives getting deeper the later.

549
00:25:44,680 --> 00:25:47,200
Speaker 4: I'm into that right now, No one was into that, well,

550
00:25:47,280 --> 00:25:48,040
Speaker 4: they're like, oh, you.

551
00:25:48,000 --> 00:25:50,280
Speaker 3: Know comic books and video games, like did you know

552
00:25:50,320 --> 00:25:53,760
Speaker 3: that really doesn't work? Like nobody's waing. Like I was like,

553
00:25:53,800 --> 00:25:55,520
Speaker 3: oh my gosh, yeah. I was like so I had

554
00:25:55,520 --> 00:25:59,320
Speaker 3: the same thing with Archie Comics. I control Archie Comics

555
00:25:59,320 --> 00:26:01,840
Speaker 3: for like like a whole year. I sold it to

556
00:26:01,880 --> 00:26:04,680
Speaker 3: twentieth Century Fox. It's like, you know, like, oh, it's

557
00:26:04,680 --> 00:26:07,600
Speaker 3: like a hipster single camera show. It takes place in

558
00:26:07,640 --> 00:26:11,400
Speaker 3: silver leg and it's a comedy. But you know, they're

559
00:26:11,359 --> 00:26:13,840
Speaker 3: all still wearing vintage clothes because hipsters, and.

560
00:26:13,800 --> 00:26:16,600
Speaker 1: You know, they were like a good idea. It was

561
00:26:16,600 --> 00:26:18,080
Speaker 1: really cool and uh and.

562
00:26:18,040 --> 00:26:20,800
Speaker 3: Then the rights holder was like I want to write

563
00:26:20,800 --> 00:26:22,560
Speaker 3: it and I also want to direct it.

564
00:26:24,600 --> 00:26:25,160
Speaker 1: And there where.

565
00:26:25,240 --> 00:26:27,280
Speaker 3: But the street Fower one was a major win for me.

566
00:26:27,960 --> 00:26:30,399
Speaker 3: Just getting Street Fighter was crazy. It was like I

567
00:26:30,440 --> 00:26:34,000
Speaker 3: control street Fighter or the It was insane, you know wow.

568
00:26:34,280 --> 00:26:36,280
Speaker 3: And there was Zoro too, But Zora was like I

569
00:26:36,880 --> 00:26:39,080
Speaker 3: fell in love with John Girtz, who you know holds

570
00:26:39,080 --> 00:26:40,600
Speaker 3: the rise and the copy rights and all that stuff,

571
00:26:40,640 --> 00:26:41,640
Speaker 3: and it's a huge deal.

572
00:26:41,880 --> 00:26:44,440
Speaker 1: Oh my god, it's crazy. It's crazy. People like you

573
00:26:44,440 --> 00:26:45,080
Speaker 1: did what.

574
00:26:45,440 --> 00:26:46,960
Speaker 3: But that's the point, right, Like the point is you

575
00:26:47,000 --> 00:26:50,399
Speaker 3: make these phone calls. You'll never know if he's a

576
00:26:50,480 --> 00:26:52,600
Speaker 3: yay or an A unless you make the phone call.

577
00:26:53,280 --> 00:26:55,200
Speaker 3: Like your agents can tell you that it's gonna be

578
00:26:55,240 --> 00:26:57,040
Speaker 3: a heavy lift and be like, Okay, I guess, I

579
00:26:57,040 --> 00:26:59,680
Speaker 3: guess that's where it ends. But then you decide, Okay,

580
00:26:59,720 --> 00:27:01,959
Speaker 3: let me see what happens when I call, you know,

581
00:27:02,080 --> 00:27:03,840
Speaker 3: and and that's half of this town.

582
00:27:03,920 --> 00:27:07,360
Speaker 1: That's how she gets done. You got that right? How

583
00:27:07,400 --> 00:27:09,120
Speaker 1: do you feel like knowing him?

584
00:27:09,160 --> 00:27:12,359
Speaker 2: Since he was a wee lad and now he's like

585
00:27:12,400 --> 00:27:18,200
Speaker 2: some big mogul company owner, show producer, movie producer. I mean,

586
00:27:18,320 --> 00:27:22,000
Speaker 2: you know, multifaceted, A great place for you to tell

587
00:27:22,000 --> 00:27:23,000
Speaker 2: the hair story.

588
00:27:25,160 --> 00:27:27,600
Speaker 4: Story, you know, Yeah, okay, I will tell this. So

589
00:27:27,680 --> 00:27:30,560
Speaker 4: but I would say, I don't think I'm actually that surprise.

590
00:27:30,600 --> 00:27:32,560
Speaker 4: I don't think you and I are that different than

591
00:27:32,560 --> 00:27:35,080
Speaker 4: we were twenty years ago. So I don't think I'm

592
00:27:35,200 --> 00:27:37,720
Speaker 4: very surprised about any of it. But I mean that

593
00:27:37,720 --> 00:27:41,879
Speaker 4: as a compliment. But when we first met, so what

594
00:27:41,920 --> 00:27:47,560
Speaker 4: should we end on this? Our first meeting was Wilmer

595
00:27:48,880 --> 00:27:53,600
Speaker 4: was new to America, new to English.

596
00:27:52,680 --> 00:27:55,800
Speaker 1: And new to like American humor. Yeah, I have my

597
00:27:55,840 --> 00:27:56,280
Speaker 1: own like.

598
00:27:56,800 --> 00:27:58,800
Speaker 4: By the way, I should say that is something that

599
00:27:58,840 --> 00:28:01,440
Speaker 4: I loved about you. Was like, this humor is different,

600
00:28:01,640 --> 00:28:04,679
Speaker 4: like it's from it's coming from a different place. The

601
00:28:04,720 --> 00:28:07,200
Speaker 4: first time I realized Wilma was funny was he did

602
00:28:07,200 --> 00:28:09,600
Speaker 4: an impression of a chipmunk. And I don't mean like

603
00:28:09,600 --> 00:28:11,920
Speaker 4: the chipmunks in the show, like a chipmunk we saw

604
00:28:11,920 --> 00:28:15,040
Speaker 4: on the sidewalk and it was so funny. I was like,

605
00:28:15,240 --> 00:28:18,960
Speaker 4: what is this, Like everyone does impressions of people, Like

606
00:28:19,000 --> 00:28:20,840
Speaker 4: why is he doing an animal? This is such a

607
00:28:20,840 --> 00:28:23,200
Speaker 4: weird story, but it's true. I was like, Oh, that's

608
00:28:23,280 --> 00:28:25,680
Speaker 4: like he's coming from like Neptune. Like I don't even

609
00:28:25,680 --> 00:28:28,240
Speaker 4: think it's normal. His sense of humor in Venezuela. I

610
00:28:28,320 --> 00:28:31,919
Speaker 4: just think it's like Wilmer's sense of humor so specific

611
00:28:31,960 --> 00:28:34,919
Speaker 4: to him. Yeah, when we first started the show, I

612
00:28:34,920 --> 00:28:38,000
Speaker 4: mean I'm talking like day one of us showing up,

613
00:28:38,080 --> 00:28:43,600
Speaker 4: we went to the wardrobe at Third Rock because we

614
00:28:43,640 --> 00:28:45,200
Speaker 4: didn't have our own wardrobe area yet.

615
00:28:45,240 --> 00:28:47,000
Speaker 1: Yeah, we didn't have our own production offices yet.

616
00:28:47,080 --> 00:28:49,520
Speaker 4: And Bonnie was sitting with us all in a circle,

617
00:28:49,640 --> 00:28:51,520
Speaker 4: and she said, should we all do trust falls? Do

618
00:28:51,520 --> 00:28:53,640
Speaker 4: you remember that? She was joking, but I was like,

619
00:28:53,720 --> 00:28:56,000
Speaker 4: I think this is actually like an orientation. It's like

620
00:28:56,000 --> 00:29:00,120
Speaker 4: I don't know any of these kids. And everyone was

621
00:29:00,160 --> 00:29:03,480
Speaker 4: going around, everyone was being the fact that Ashton was

622
00:29:03,520 --> 00:29:06,800
Speaker 4: just chilling out, like everyone was being their quietest myself

623
00:29:07,600 --> 00:29:10,240
Speaker 4: and didn't want to screw it up. And then and

624
00:29:10,280 --> 00:29:11,880
Speaker 4: she said, why don't we go around in a circle

625
00:29:11,920 --> 00:29:15,040
Speaker 4: and say who we are and where we're from and everyone,

626
00:29:15,120 --> 00:29:18,000
Speaker 4: you know, I was like, I'm still over. I'm from Connecticut,

627
00:29:18,680 --> 00:29:21,600
Speaker 4: recently got out of boarding school. You know. Ashton was

628
00:29:21,600 --> 00:29:23,480
Speaker 4: in college or had been in college and was in

629
00:29:23,480 --> 00:29:26,680
Speaker 4: New York and came to Wilmer and he said, my

630
00:29:26,760 --> 00:29:30,840
Speaker 4: name is Wilma, and my hair talks to me. My

631
00:29:30,920 --> 00:29:33,520
Speaker 4: hair talks. Everyone was like, I mean, even if we

632
00:29:33,560 --> 00:29:37,239
Speaker 4: wanted to be nice, it was like what what? And

633
00:29:37,280 --> 00:29:40,120
Speaker 4: then he didn't know English well enough to recover whatever

634
00:29:40,160 --> 00:29:42,480
Speaker 4: it was he was trying to say, which I which,

635
00:29:42,560 --> 00:29:45,040
Speaker 4: like I think like literally ten years later, I was like, dude,

636
00:29:45,040 --> 00:29:47,960
Speaker 4: what was that joke supposed to be we.

637
00:29:47,760 --> 00:29:48,520
Speaker 1: Were talking about?

638
00:29:48,840 --> 00:29:50,920
Speaker 3: There was like conversation of like I have so much

639
00:29:50,960 --> 00:29:53,080
Speaker 3: hair and it's like so think of it, like it's

640
00:29:53,080 --> 00:29:55,680
Speaker 3: hard to do anything, like my hair has his own personality.

641
00:29:55,800 --> 00:29:58,360
Speaker 4: Oh uh, huh yeah, okay, so still not a great joke.

642
00:29:59,240 --> 00:29:59,840
Speaker 4: Is the point of that?

643
00:30:00,640 --> 00:30:02,400
Speaker 1: You know, I just want you to get to know me.

644
00:30:04,600 --> 00:30:05,520
Speaker 4: Well, this is our show.

645
00:30:06,240 --> 00:30:09,400
Speaker 3: Thank you so much for On that note, uh so

646
00:30:09,600 --> 00:30:12,320
Speaker 3: for thank you man for for coming and besting our

647
00:30:12,360 --> 00:30:16,640
Speaker 3: show and being so open to to reminisce and and

648
00:30:16,640 --> 00:30:20,200
Speaker 3: what I mean. Obviously you know I remained an incredible

649
00:30:20,240 --> 00:30:23,880
Speaker 3: big fan, but most importantly excited that, you know, the

650
00:30:23,920 --> 00:30:26,920
Speaker 3: world gets to see you on TV again. When is

651
00:30:26,960 --> 00:30:29,680
Speaker 3: this Netflix show? You know, when it's gonna happen this

652
00:30:29,800 --> 00:30:30,440
Speaker 3: June already?

653
00:30:30,640 --> 00:30:31,400
Speaker 5: Whoa? Whoa?

654
00:30:31,440 --> 00:30:32,920
Speaker 1: How many episodes do you guys?

655
00:30:32,920 --> 00:30:36,320
Speaker 4: Only eight episodes? But it's it's you know what, I

656
00:30:36,320 --> 00:30:38,000
Speaker 4: haven't seen it yet, but I think it's great. You know,

657
00:30:38,080 --> 00:30:39,400
Speaker 4: that's the feeling when you come out of it.

658
00:30:39,560 --> 00:30:42,600
Speaker 3: And by the way, Netflix consistently doesn't put together packages

659
00:30:42,680 --> 00:30:44,760
Speaker 3: like that, but I think you are. You work with

660
00:30:44,800 --> 00:30:47,080
Speaker 3: Maria Bello there my old coaster from NCIS and that.

661
00:30:47,160 --> 00:30:49,880
Speaker 4: The reason she's great at Hope McNally, most of the noise,

662
00:30:50,320 --> 00:30:53,400
Speaker 4: Jake Leary just it's like cross the board, great actors.

663
00:30:53,440 --> 00:30:58,600
Speaker 4: What's it's about a family that kind of runs drugs

664
00:30:59,120 --> 00:31:03,320
Speaker 4: in North Carolina? But they're like, you know, like one

665
00:31:03,320 --> 00:31:05,520
Speaker 4: of those streaming shows. They're like the good drug guys

666
00:31:05,600 --> 00:31:06,880
Speaker 4: and I'm like the bad drug guy.

667
00:31:07,640 --> 00:31:10,320
Speaker 1: Yeah, and are you can you?

668
00:31:10,560 --> 00:31:11,960
Speaker 4: Are you one of the I'm the bad guy?

669
00:31:12,280 --> 00:31:12,640
Speaker 1: Wow?

670
00:31:12,760 --> 00:31:16,760
Speaker 4: So it's like, oh yeah, they talk about I don't

671
00:31:16,800 --> 00:31:19,240
Speaker 4: come in until episode four or something. So it's like

672
00:31:21,680 --> 00:31:24,000
Speaker 4: the whole time, I think it's a little bit of

673
00:31:24,000 --> 00:31:27,040
Speaker 4: a joke that it's me, but but I I loved

674
00:31:27,040 --> 00:31:29,600
Speaker 4: it. It was such a great Kevin Williamson wrote it and

675
00:31:29,640 --> 00:31:31,960
Speaker 4: he's like amazing.

676
00:31:32,880 --> 00:31:35,920
Speaker 1: And how long when you in North Carolina for months?

677
00:31:36,040 --> 00:31:38,080
Speaker 4: I mean it was It's funny they say it's a show,

678
00:31:38,120 --> 00:31:40,680
Speaker 4: but you go, these are eight movies. It's the same

679
00:31:40,720 --> 00:31:42,960
Speaker 4: thing with these other big shows on Netflix. You just

680
00:31:43,000 --> 00:31:46,080
Speaker 4: go at the very least like three movies, like a trilogy.

681
00:31:46,080 --> 00:31:48,920
Speaker 1: You're showing is the same director all the way through.

682
00:31:48,840 --> 00:31:51,320
Speaker 4: No no different directors. But but you know, it's like

683
00:31:51,880 --> 00:31:54,120
Speaker 4: it's so epic the money they have for these.

684
00:31:54,560 --> 00:31:56,480
Speaker 1: Yeah, Like I mean they can really create stuff.

685
00:31:56,480 --> 00:31:58,120
Speaker 4: There's an explosion in one of them and I was like,

686
00:31:58,160 --> 00:32:01,080
Speaker 4: this is straight up Michael bay Old stuff.

687
00:32:01,720 --> 00:32:04,840
Speaker 3: That's that's that's amazing. And you have anything else coming

688
00:32:04,880 --> 00:32:06,640
Speaker 3: out this year? This is this is going to be

689
00:32:06,680 --> 00:32:07,880
Speaker 3: your Uh.

690
00:32:08,600 --> 00:32:11,320
Speaker 4: I did a thing with Glenn Powell, with our buddy

691
00:32:11,320 --> 00:32:13,560
Speaker 4: Glenn Powell. He's he didn't move and I did a

692
00:32:13,560 --> 00:32:16,040
Speaker 4: couple of days on it, and but I don't know

693
00:32:16,080 --> 00:32:18,960
Speaker 4: when that comes out. But that's like in South Africa.

694
00:32:19,040 --> 00:32:22,080
Speaker 4: He's I mean, you know the words out. But Glenn

695
00:32:22,120 --> 00:32:24,480
Speaker 4: pal is awesome. I know everyone knows I'm not breaking

696
00:32:24,480 --> 00:32:27,360
Speaker 4: any news. But so he's a budd of yours. Yeah, yeah,

697
00:32:27,360 --> 00:32:29,040
Speaker 4: I love I knew him a little bit before him

698
00:32:29,320 --> 00:32:29,840
Speaker 4: such a great I.

699
00:32:29,840 --> 00:32:32,360
Speaker 1: Love him so much and I'm so so proud.

700
00:32:32,040 --> 00:32:35,040
Speaker 3: Of him because he he really manifested everything he's got.

701
00:32:35,240 --> 00:32:37,000
Speaker 1: And uh, he's one of those guys.

702
00:32:37,000 --> 00:32:40,080
Speaker 4: Man, he's one of like, you know, one of these guys.

703
00:32:38,960 --> 00:32:40,880
Speaker 1: He comes in a room and lights it up. You know,

704
00:32:41,040 --> 00:32:41,960
Speaker 1: he's just like that guy.

705
00:32:42,040 --> 00:32:44,600
Speaker 4: He's still the same guy. I mean, you know, he's great.

706
00:32:45,000 --> 00:32:48,120
Speaker 1: He's great on screen. He has a great lessence about him.

707
00:32:48,600 --> 00:32:50,840
Speaker 3: Know, he's he's really he's really great. We have so

708
00:32:50,960 --> 00:32:53,160
Speaker 3: many friends in comment to we we laugh all the time.

709
00:32:53,200 --> 00:32:56,240
Speaker 3: He sent me a picture the other way the other

710
00:32:56,360 --> 00:33:01,240
Speaker 3: day of like I think it was like he was

711
00:33:01,320 --> 00:33:03,480
Speaker 3: like eighteen years old or something.

712
00:33:03,480 --> 00:33:05,200
Speaker 1: Like that we were both like this and I was like,

713
00:33:05,320 --> 00:33:08,400
Speaker 1: when did that? Like it was crazy, dude, I assure

714
00:33:08,440 --> 00:33:09,560
Speaker 1: the picture was pretty insane.

715
00:33:09,600 --> 00:33:12,719
Speaker 3: But but over again, man, thank you for raising our

716
00:33:12,760 --> 00:33:15,280
Speaker 3: show and for blessing us here with your thoughts.

717
00:33:15,360 --> 00:33:17,440
Speaker 4: I'm not I'm here because I love your show, but

718
00:33:17,480 --> 00:33:20,880
Speaker 4: I'm really here because you've been such a big part

719
00:33:20,920 --> 00:33:23,120
Speaker 4: of my life and you still are. And I'm just

720
00:33:24,000 --> 00:33:25,560
Speaker 4: so thrilled to be able to say it publicly.

721
00:33:25,840 --> 00:33:27,800
Speaker 1: Thank you. No, it means so much. I mean so

722
00:33:27,840 --> 00:33:30,520
Speaker 1: much so that you read your book, or at least you know.

723
00:33:30,560 --> 00:33:32,040
Speaker 4: I actually really did read the book, and I'd say,

724
00:33:32,040 --> 00:33:33,960
Speaker 4: I don't know who hasn't read the book. Who's listening

725
00:33:33,960 --> 00:33:37,120
Speaker 4: to your podcast? It also is on tape, yeah, but

726
00:33:37,280 --> 00:33:39,920
Speaker 4: like I recorded it, but you it's it's such a

727
00:33:42,200 --> 00:33:45,080
Speaker 4: I think when it comes to like memoirs, a lot

728
00:33:45,080 --> 00:33:46,920
Speaker 4: of people are just kind of like saying the events

729
00:33:46,960 --> 00:33:48,680
Speaker 4: that happened in their life. And it's so cool to

730
00:33:48,720 --> 00:33:52,000
Speaker 4: see it come from a from a perspective for really

731
00:33:52,000 --> 00:33:53,640
Speaker 4: interesting and you even even you could have written it

732
00:33:53,640 --> 00:33:56,000
Speaker 4: different ways, but you took it from like one perspective.

733
00:33:56,120 --> 00:33:57,160
Speaker 4: It is really smart.

734
00:33:58,000 --> 00:34:00,200
Speaker 3: Well, thank you, man, appreciate that so much and this

735
00:34:00,280 --> 00:34:04,200
Speaker 3: is an awesome episode of Those Amigos. I am Wilmer Valdorama,

736
00:34:04,200 --> 00:34:07,760
Speaker 3: I'm Freddie Rodriguez and stay tuned for the next episode.

737
00:34:12,080 --> 00:34:15,960
Speaker 2: Dose Amigos is a production from WV Sound and iHeartMedia's

738
00:34:16,080 --> 00:34:20,160
Speaker 2: Michael Throda podcast network, hosted by Me, Freddie Rodriguez and

739
00:34:20,239 --> 00:34:21,239
Speaker 2: Wilmer Valdorama.

740
00:34:21,480 --> 00:34:25,680
Speaker 6: Those Amigos is produced by Aaron Burlson and Sophie Spencer Zabos.

741
00:34:25,680 --> 00:34:30,400
Speaker 2: Our executive producers are Wilmer Valderama, Freddie Rodriguez, Aaron Burlson,

742
00:34:30,600 --> 00:34:32,720
Speaker 2: and Leo Klem at WV Sound.

743
00:34:33,000 --> 00:34:35,400
Speaker 6: This episode was shot and edited by Ryan Posts and

744
00:34:35,560 --> 00:34:38,800
Speaker 6: mixed by Sean Tracy and features original music by Madison

745
00:34:38,800 --> 00:34:40,040
Speaker 6: Devenport and Hello Boy.

746
00:34:40,200 --> 00:34:40,920
Speaker 1: Our cover art.

747
00:34:40,880 --> 00:34:45,440
Speaker 2: Photography is by David Avalos and designed by Deny Holtzkall and.

748
00:34:45,480 --> 00:34:48,120
Speaker 6: Thank you for being there third Amigo today. I appreciate

749
00:34:48,120 --> 00:34:50,560
Speaker 6: you guys. Always listening to Those Amigos.

750
00:34:50,080 --> 00:34:52,239
Speaker 2: The more podcast from my Heart, visit the r Heart

751
00:34:52,320 --> 00:34:55,520
Speaker 2: Radio app, Apple podcast, or wherever you listen to your

752
00:34:55,560 --> 00:34:56,280
Speaker 2: favorite shows.

753
00:34:56,520 --> 00:35:00,600
Speaker 5: So you next week