WEBVTT - Illegal Racing on Japan’s Kanjo Loop

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<v Speaker 1>Causer Media. You're listening to the Away Days podcast on

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<v Speaker 1>the ground outside reporting from the underbelly with me Jake Hanrahan.

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<v Speaker 1>To watch Awaydays documentaries, go to YouTube dot com slash

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<v Speaker 1>at Away Days TV. This is part three Speed Tribe

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<v Speaker 1>twenty five, Episode one. This podcast is a production of

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<v Speaker 1>H eleven Studio and Call Zone Media, Osaka, Japan. I'm

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<v Speaker 1>sat in a car that's doing over one hundred miles

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<v Speaker 1>per hour on a stretch of road known locally as

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<v Speaker 1>the Kanjo Loop. The guide driving is sending a text

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<v Speaker 1>at the same time. I'm terrified. I gripped the chair

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<v Speaker 1>and the seatbelt, then the back of my own head

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<v Speaker 1>as we zoom around the corner at top speed. The

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<v Speaker 1>car is a souped up nineties era Honda Civic, the

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<v Speaker 1>only car the Kanjo races driving a sack up. Both

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<v Speaker 1>the back seats have been torn out to keep the

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<v Speaker 1>car as light as possible. This Civic is for racing

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<v Speaker 1>on Japan's highways and back ropes. As we speed down

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<v Speaker 1>the elevated road of the Kanjo Loop, the street lights

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<v Speaker 1>stream past the windows like flares in the night. The

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<v Speaker 1>driver shifts the heavy gearstick as if it's part of

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<v Speaker 1>his extended anatomy. He grips the wheel with his gloved hands.

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<v Speaker 1>The car roars, tires screech, one wrong move and that's

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<v Speaker 1>us card punched, dead, mangled, wreck of smoking steel and

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<v Speaker 1>burned flesh. But the driver does have control and we

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<v Speaker 1>are most definitely alive. Scary, but I can't lie. It's

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<v Speaker 1>also exhilarating. We're driving so fast the car shakes every

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<v Speaker 1>time the driver weaves in and out of the traffic.

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<v Speaker 1>This is not a racetrack dot not in the legal sense.

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<v Speaker 1>This is real Japanese street racing. This is kanjo, zoku

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<v Speaker 1>or kanjo for sure. Kanjo is not about car park

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<v Speaker 1>meetups with shiny alloys and a harmon card and sound system.

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<v Speaker 1>This is not a car club you'll find on Facebook.

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<v Speaker 1>Kanjo is chaos. It's driving Balaklava's hinge number plates and

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<v Speaker 1>civics hit in ninety at three a m. It's street

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<v Speaker 1>racing in its most defiant form. This racing culture centers

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<v Speaker 1>around the Hanshin Expressway loop here in Osaka. It's kind

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<v Speaker 1>of a ring road, a circular elevated highway that cuts

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<v Speaker 1>through the city like a racetrack, built by accident from

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<v Speaker 1>ground level. Its snakes throughout the city like a huge

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<v Speaker 1>concrete dragon. It's a pretty incredible thing of architecture. Now,

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<v Speaker 1>at night, when the traffic thins out and the city

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<v Speaker 1>is mostly asleep, the Hanshin Expressway transforms into the Kanjo Loop.

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<v Speaker 1>This highway becomes the battleground for civic cruise to race

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<v Speaker 1>and taunt the police. Kanjo Zoku started in the late

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<v Speaker 1>eighties and early nineties. Back then, Japan's economy was absolutely booming.

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<v Speaker 1>After getting smashed a bit by the nukes in World

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<v Speaker 1>War Two, Japan rebuilt itself. First. Of course, they had

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<v Speaker 1>the help of the US, which began pouring money into

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<v Speaker 1>the country's new leadership during the Korean War. But the

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<v Speaker 1>Japanese have a very hard work ethic, and so they

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<v Speaker 1>hit the ground running, saved a lot, and focused on

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<v Speaker 1>tech and manufacturing cars electronics in heavy industry. But the

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<v Speaker 1>nineteen seventies, companies like Sony, Toyota, and Panasonic were becoming

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<v Speaker 1>household names all around the world. But the real explosion

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<v Speaker 1>came in the eighties. Thanks to loose policy and even

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<v Speaker 1>looser rules around money, credit and a culture of corporate loyalty,

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<v Speaker 1>the Japanese economy went into overdrive. Banks were lending like crazy.

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<v Speaker 1>Everyone was investing in the stock market or pouring money

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<v Speaker 1>into property. It created a giant asset bubble. At the peak,

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<v Speaker 1>the Japanese stock index hit nearly thirty nine thousand, nineteen

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<v Speaker 1>eighty nine. It wasn't just financial though. The whole vibe

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<v Speaker 1>of the era was go fast, spend lots, accumulate, accumulate, accumulate.

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<v Speaker 1>To give you an idea of the abundance of the time,

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<v Speaker 1>Japan began buying up iconic American assets such as Columbia

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<v Speaker 1>pictures in the Rockefeller Center. Japanese fashion, cas and consumer

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<v Speaker 1>tech were everywhere. Some even speculated that Japan might overtake

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<v Speaker 1>the US as the world's top economy. This was the

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<v Speaker 1>wild backdrop for the beginnings of the Kanjo street culture.

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<v Speaker 1>There was a surge of young bard petrol heads with

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<v Speaker 1>time and a chip on their shoulder as they saw

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<v Speaker 1>the whole country getting rich. The Kanjo scene came from this.

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<v Speaker 1>It was kind of like a spot, kind of like

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<v Speaker 1>a gang and everything else in between. Crews would take

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<v Speaker 1>to the Kanjo Loop at night in heavily modified hondas,

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<v Speaker 1>weaving through the traffic, dodging police and taunting rival groups.

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<v Speaker 1>As you can imagine, this was all completely and utterly illegal,

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<v Speaker 1>but that's kind of what made it so alluring to

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<v Speaker 1>the youth of that era. The Kanjo CRUs in turn,

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<v Speaker 1>had respect, an air of danger and non stop street cred.

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<v Speaker 1>Here in Asaka. At the center of it all, there

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<v Speaker 1>could only be one car, the Honda Civic old school

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<v Speaker 1>high revving featherweight Civics from the ef EG and EK generations,

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<v Speaker 1>built from the late eighties to early two thousands. These

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<v Speaker 1>are the cars that Kanjo began with and now the

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<v Speaker 1>ones they still roll with. The use of the Civic

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<v Speaker 1>was a perfect emblem of the movement. It was cheap,

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<v Speaker 1>fast and deadly nimble on a tight highway circuit. With

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<v Speaker 1>a few modications like a stripped interior, coil overs, semi slicks,

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<v Speaker 1>and a roaring B sixteen or B eighteen engine, you've

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<v Speaker 1>got something that can run circles around almost anything else

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<v Speaker 1>on the road. It's the perfect vehicle for the Kanjo loop.

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<v Speaker 1>Good luck to any of the police that tried to

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<v Speaker 1>catch up with them. No chance. But it's not just

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<v Speaker 1>about speed. As I said, the Civic became the symbol

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<v Speaker 1>of Kanjo. These are not pretty show builds or slick

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<v Speaker 1>aerodynamic sports cars that banged up race cars, stickered vinyl

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<v Speaker 1>rough and with all the comforts model out of them.

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<v Speaker 1>The Kanjo Civic is ugly in the most beautiful way possible.

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<v Speaker 1>As well as the cars themselves. The other fascinating part

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<v Speaker 1>of the kanjo scene is just how tribal it is.

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<v Speaker 1>This isn't just a bunch of lads racing around the city.

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<v Speaker 1>These are solid, well organized crews, tight knit, disciplined, and

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<v Speaker 1>often very secretive. Names like No Good Racing, Temple Racing,

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<v Speaker 1>Law Break, and Team Flox a legendary in the scene.

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<v Speaker 1>Some of them go back decades. No Good Racing, for example,

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<v Speaker 1>is the most iconic kanjo crew in Japan. The name

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<v Speaker 1>alone is a giant fock to the public, who deemed

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<v Speaker 1>the Kanjo racers as quote unquote no good. The Japanese

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<v Speaker 1>police even used their name in anti street racing campaigns

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<v Speaker 1>with posters that said don't be like No Good Racing. Obviously,

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<v Speaker 1>that didn't work, and it only made their legend grow

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<v Speaker 1>bigger and bigger. The series will go to meet Not Good.

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<v Speaker 1>Each crew had its own identity stickers, slogans, and color schemes.

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<v Speaker 1>Some of them even had connections to Japan's criminal underworld,

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<v Speaker 1>specifically the yakuza. Either way, these were not casual hobbyists.

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<v Speaker 1>You couldn't just pull up and join. There was a

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<v Speaker 1>serious hierarchy, loyalty, respect, rivalries. It's gang culture, but with

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<v Speaker 1>a v tech engine. Now, as you can probably imagine,

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<v Speaker 1>underground street racing crews in Japan are not that easy

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<v Speaker 1>to find. You might see them zoom past you on

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<v Speaker 1>the expressway, but that's about it. The car rime in

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<v Speaker 1>is being driven by a contact I've made through a

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<v Speaker 1>friend of a friend. He's part of one of the

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<v Speaker 1>local kanjo crews here in Osaka. He's agreed to take

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<v Speaker 1>me to a garage that is kind of a base

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<v Speaker 1>for a few of the next generation of kanjo drivers

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<v Speaker 1>around here. After the white knuckle ride on the expressway,

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<v Speaker 1>we put off the snaking roads and drive for a

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<v Speaker 1>while into what is clearly a blue collar neighborhoods away

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<v Speaker 1>from the city center. This is not the QT anime

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<v Speaker 1>style Japan that weves stupidly stereotyped the whole country to

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<v Speaker 1>be like. This is a wear and tear area, hard graft.

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<v Speaker 1>Only everyone in this neighborhood works, construction or car paths.

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<v Speaker 1>There's no thrills here whatsoever. Every inch serves a purpose,

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<v Speaker 1>mostly industrial. We pull up to a garage topped to

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<v Speaker 1>away at the back of a small estate. It's around

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<v Speaker 1>ten at night now, but business is clearly still open.

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<v Speaker 1>The lights are on and I can see the silhouettes

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<v Speaker 1>of a few men smoking and chatting outside. How our

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<v Speaker 1>guide makes a call and the gates are opened. We

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<v Speaker 1>pull in and part behind a row of Honda Civics.

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<v Speaker 1>Of course, this is a garage where people come to

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<v Speaker 1>get their illegal race cars tuned up and repaired. If,

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<v Speaker 1>like me, you find some kind of beauty in the

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<v Speaker 1>raw aesthetic of something like a Civic, you will absolutely

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<v Speaker 1>love the Caanjo Loop race cars. They are raw, compact,

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<v Speaker 1>just perfect. These are cars meant for high speed racing

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<v Speaker 1>at night, blurred vision and streaming brake lights on each

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<v Speaker 1>door and bonnet. There's a decaled specific to whichever crew

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<v Speaker 1>the races belong to. We enter the garage. It's a

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<v Speaker 1>borderline cyberpunk scene of stickered civics, removed head gaskets, raised engines,

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<v Speaker 1>dust and oil. The yellow halogen bulbs above flicker as

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<v Speaker 1>a man steps forward to shake my hand. He's got

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<v Speaker 1>bleached blonde hair and visible scars across his face. He's

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<v Speaker 1>dressed fashionably with a metal chain around his neck. He

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<v Speaker 1>runs this garage for the racers and is eager to

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<v Speaker 1>talk about the subculture that he grew up in.

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<v Speaker 2>Con I guess kanjo zoku are young speed addicts. It

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<v Speaker 2>all started when the kids who were riding in motorcycle

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<v Speaker 2>gangs evolved from the bikes into racing the cars. According

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<v Speaker 2>to the olders I know, in this subculture, they began

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<v Speaker 2>to modify cheap cars like the Civic or even other

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<v Speaker 2>cheap cars back then, like the Hachiroku AEE eighty six

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<v Speaker 2>or the Starlet. They drive at illegal speeds on the

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<v Speaker 2>Osaka Loop road and they'd race around the normal people

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<v Speaker 2>in their cars. This is the counterculture in Osaka. It

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<v Speaker 2>has been popular with young people for a long time.

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<v Speaker 2>During a normal day, these kids who race can be

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<v Speaker 2>really quiet and orderly. They don't make trouble, but deep

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<v Speaker 2>down they're searching for something extraordinary at that place on

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<v Speaker 2>the Loop. I think it's the feeling of being able

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<v Speaker 2>to ride however you want that they seek. That's kanjo.

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<v Speaker 1>It's controversial, obviously, the police want to come after you, guys.

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<v Speaker 1>They don't want you to be doing it.

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<v Speaker 2>Mo Conzo's well, realistically, the number of people street racing

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<v Speaker 2>has decreased due to police enforcement. They've cracked down and

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<v Speaker 2>have become much stricter. It's become increasingly difficult to race.

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<v Speaker 2>Every year. The police have become much harsher, so punishment

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<v Speaker 2>is worse. Several years ago there was a big roundup

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<v Speaker 2>of conjo racers in which nearly one hundred people were arrested.

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<v Speaker 2>After that, no one properly raced for about two years.

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<v Speaker 1>So what will happen to you if the police catch

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<v Speaker 1>you running the cando?

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<v Speaker 2>If you get caught running the canjo now, you'll usually

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<v Speaker 2>get arrested for what the police call joint dangerous behavior.

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<v Speaker 2>That's the charge. The first time penalty is they take

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<v Speaker 2>away your license away for two years and give you

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<v Speaker 2>a fine. Also, some people have had accidents involving ordinary

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<v Speaker 2>people's cars where they abandon their civic and run away.

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<v Speaker 2>When that happens, the police come to their homes the

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<v Speaker 2>next day. I've heard many cases like this.

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<v Speaker 1>In recent years. The kanjo scene has been decimated by

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<v Speaker 1>the police crut down. Understandably, they don't want people flying

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<v Speaker 1>around the expressway in excess of one hundred miles per hour.

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<v Speaker 1>Legal race tracks have been opened for the racers to

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<v Speaker 1>get their kicks, but for many it's just not the same.

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<v Speaker 1>If Kanjo is morphed into some kind of legal racing hobby,

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<v Speaker 1>it's no longer Kanjo. The underground nature of it and

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<v Speaker 1>the cat and mouse chases with the police is what

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<v Speaker 1>makes it special for the people involved. In the early

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<v Speaker 1>two thousands, the police began to try and contain this

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<v Speaker 1>outlaw racing culture. They were tried to catch the racers

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<v Speaker 1>on the spot, but it rarely worked. The cando drivers

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<v Speaker 1>knew the loop inside out, had fast cas and were

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<v Speaker 1>usually gone long before the sirens kicked in. But things

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<v Speaker 1>changed when the police started to play the long game.

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<v Speaker 1>Instead of chasing, they started watching. High end cameras were

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<v Speaker 1>set up around the highway and undercover traffic units began

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<v Speaker 1>quietly tracking the races. They grab license plate numbers, follow

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<v Speaker 1>the cars home, and then start building proper cases. Honestly,

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<v Speaker 1>the police were pretty smart about it. They waited, watched,

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<v Speaker 1>and then picked people off one by one, often at

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<v Speaker 1>home in quiet raids. Sometimes these came even weeks after

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<v Speaker 1>the illegal races, the police went after more than just

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<v Speaker 1>the drivers too. Tuning shops that were known to help

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<v Speaker 1>modify the kanjo cars like the one we've just been

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<v Speaker 1>in started getting police visits. If you were selling illegal

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<v Speaker 1>exhaust systems or helping tweak their ECUs off the books,

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<v Speaker 1>you were on the radar of the cops. A few

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<v Speaker 1>shop owners even got hit with charges for aiding illegal racing.

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<v Speaker 1>The police were not messing about. At the same time,

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<v Speaker 1>public pressure started building. Videos of the races were all

0:14:53.080 --> 0:14:57.640
<v Speaker 1>over the internet, flashy clips showing cars weaving through traffic

0:14:57.720 --> 0:15:04.120
<v Speaker 1>at crazy speeds. People were not happy. Understandably, regular drivers

0:15:04.160 --> 0:15:06.880
<v Speaker 1>did not want to get killed on their commute, and

0:15:06.920 --> 0:15:09.320
<v Speaker 1>the government didn't want to be seen letting it slide.

0:15:10.360 --> 0:15:15.120
<v Speaker 1>So the crackdown kept on going. Things got worse. More surveillance,

0:15:15.520 --> 0:15:19.400
<v Speaker 1>more arrests, more cars impounded, more pressure on the whole

0:15:19.520 --> 0:15:26.720
<v Speaker 1>kanjo scene. Now, in a way, this was very effective

0:15:26.800 --> 0:15:29.480
<v Speaker 1>in crushing the scene, but at the same time it

0:15:29.640 --> 0:15:34.560
<v Speaker 1>forced it to evolve. Many rival crews joined forces by

0:15:34.640 --> 0:15:38.520
<v Speaker 1>establishing networks and friendships to let each other know where

0:15:38.560 --> 0:15:41.640
<v Speaker 1>anti kanjo measures were placed on the highways they race.

0:15:42.800 --> 0:15:46.920
<v Speaker 1>This was completely new. Before they absolutely hated each other.

0:15:47.320 --> 0:15:50.840
<v Speaker 1>Now they had to work together, and so the people

0:15:50.960 --> 0:15:54.160
<v Speaker 1>still involved are the most hardcore of the hard core.

0:15:54.920 --> 0:15:57.720
<v Speaker 1>Threats of arrest don't seem to phase them, even in

0:15:57.720 --> 0:16:01.080
<v Speaker 1>a country with a conviction rate of over ninety nine percent.

0:16:02.520 --> 0:16:06.840
<v Speaker 1>The police's illegal street racing crackdowns aren't just focused on Kanjo,

0:16:06.920 --> 0:16:10.320
<v Speaker 1>though there are several different underground street racing scenes and

0:16:10.400 --> 0:16:14.920
<v Speaker 1>styles here in Japan. The bigger threats from law enforcement

0:16:15.040 --> 0:16:19.160
<v Speaker 1>and also the crashing economy has created a new generation.

0:16:19.560 --> 0:16:22.920
<v Speaker 1>Amidst all of these racing styles in Japan, we plan

0:16:23.040 --> 0:16:40.360
<v Speaker 1>to document as many as possible. Later that night, I

0:16:40.440 --> 0:16:42.920
<v Speaker 1>head out on foot to find a building adjacent to

0:16:42.960 --> 0:16:45.280
<v Speaker 1>the loop. I want to find a high point to

0:16:45.280 --> 0:16:47.880
<v Speaker 1>get an idea of the scale of this road that

0:16:48.040 --> 0:16:51.280
<v Speaker 1>underneath is huge. As a walk along the pavement at

0:16:51.280 --> 0:16:56.160
<v Speaker 1>ground level, the road above looms over everything. Huge metal

0:16:56.240 --> 0:16:58.880
<v Speaker 1>and concrete pillars rise up here and there to support

0:16:58.920 --> 0:17:02.280
<v Speaker 1>the loop. With the help of a local, I find

0:17:02.280 --> 0:17:05.959
<v Speaker 1>a nearby building with an open door, explain what I'm

0:17:06.000 --> 0:17:08.960
<v Speaker 1>trying to do, and one of the residents kindly unlocks

0:17:08.960 --> 0:17:11.800
<v Speaker 1>a door from the stairwell to a small office that

0:17:11.960 --> 0:17:16.320
<v Speaker 1>has a balcony. From this vantage point, I can see

0:17:16.320 --> 0:17:19.960
<v Speaker 1>the Kanjo Loop wind throughout the city. It's like a

0:17:20.040 --> 0:17:30.080
<v Speaker 1>huge concrete serpent climbing through the urban landscape. Suddenly I

0:17:30.119 --> 0:17:33.480
<v Speaker 1>hear the high speed gearshifts of two cars driving way

0:17:33.520 --> 0:17:36.840
<v Speaker 1>too fast. I can't see them from here, but I

0:17:36.880 --> 0:17:45.199
<v Speaker 1>can hear them Kanjoe Zoku. Before the loop was this

0:17:45.440 --> 0:17:48.680
<v Speaker 1>neon lit racetrack for modern civics. The road was a

0:17:48.760 --> 0:17:53.560
<v Speaker 1>key infrastructure development that transformed a saca's urban transit system.

0:17:54.000 --> 0:17:58.200
<v Speaker 1>As I mentioned earlier, Japan underwent rapid economic recovery after

0:17:58.280 --> 0:18:03.560
<v Speaker 1>World War Two. This included a massive focus on infrastructure.

0:18:04.480 --> 0:18:07.840
<v Speaker 1>For the nineteen sixties, traffic jams had become a major

0:18:07.880 --> 0:18:11.879
<v Speaker 1>issue in big cities like Osaka. Roads were narrow and

0:18:11.960 --> 0:18:15.760
<v Speaker 1>car ownership was increasing rapidly due to the economic bubble.

0:18:16.880 --> 0:18:21.399
<v Speaker 1>The government and private companies like Hanschin Expressway Company stepped

0:18:21.440 --> 0:18:27.119
<v Speaker 1>in to build high capacity elevated roadways throughout the city,

0:18:27.359 --> 0:18:31.440
<v Speaker 1>and so the Hanschin Expressway system the Kanjo Loop began

0:18:31.560 --> 0:18:36.240
<v Speaker 1>construction in the early nineteen sixties. It was a response

0:18:36.280 --> 0:18:40.280
<v Speaker 1>to the nineteen sixty four Tokyo Olympics boom in Japan's

0:18:40.400 --> 0:18:45.560
<v Speaker 1>growing economy in Asakka, planners imagined a ring road style

0:18:45.640 --> 0:18:50.320
<v Speaker 1>expressway that would loop around the central commercial districts. This

0:18:50.400 --> 0:18:54.480
<v Speaker 1>circular route would ease traffic by connecting various outward roads

0:18:54.520 --> 0:18:58.359
<v Speaker 1>and relieving pressure from the ground level street network, and

0:18:58.440 --> 0:19:02.080
<v Speaker 1>so the Kanjo Loop was built primarily between nineteen sixty

0:19:02.119 --> 0:19:06.600
<v Speaker 1>four and nineteen sixty nine. For the shear's scale and

0:19:06.800 --> 0:19:10.159
<v Speaker 1>ambition of the project, that wasn't bad time at all.

0:19:11.400 --> 0:19:13.920
<v Speaker 1>The loop forms a seven and a half mile circular

0:19:14.000 --> 0:19:19.240
<v Speaker 1>route cuts through Asaka's central areas. During construction, the loop

0:19:19.280 --> 0:19:22.560
<v Speaker 1>had to be elevated above a crowded, built up city,

0:19:23.000 --> 0:19:29.560
<v Speaker 1>requiring meticulous planning to minimize disruption. Surrounded by homes, roads,

0:19:29.560 --> 0:19:33.560
<v Speaker 1>and commercial businesses, the loop was built on large reinforced

0:19:33.640 --> 0:19:37.760
<v Speaker 1>concrete legs to fit in and around the area. Had

0:19:37.760 --> 0:19:39.480
<v Speaker 1>they not done it this way, they would have had

0:19:39.480 --> 0:19:43.840
<v Speaker 1>to demolish huge swarths of buildings. As it is, most

0:19:43.840 --> 0:19:47.760
<v Speaker 1>of the road hobvers ten to fifteen meters above ground level.

0:19:48.240 --> 0:19:52.680
<v Speaker 1>It's a site to behold, and whilst this obviously wasn't planned.

0:19:53.080 --> 0:19:56.679
<v Speaker 1>The expressway is designed like the perfect racetrack for rogue

0:19:56.800 --> 0:20:00.960
<v Speaker 1>canjo drivers. Many of the curves and owners are sharp

0:20:01.280 --> 0:20:06.399
<v Speaker 1>and require extreme precision driving. This makes it ideal for racing,

0:20:06.800 --> 0:20:11.760
<v Speaker 1>but also incredibly risky. There are over a dozen tightly

0:20:11.800 --> 0:20:16.040
<v Speaker 1>spaced on ramps and off ramps, often requiring sharp merges

0:20:16.080 --> 0:20:21.119
<v Speaker 1>and quick acceleration. These ramps contribute to the loop's notorious

0:20:21.119 --> 0:20:25.119
<v Speaker 1>difficulty at high speeds. This road was never designed for

0:20:25.200 --> 0:20:27.640
<v Speaker 1>cars to be hitting it at one hundred miles an hour,

0:20:28.119 --> 0:20:32.240
<v Speaker 1>especially with the low visibility. Pretty much the entirety of

0:20:32.280 --> 0:20:35.679
<v Speaker 1>the loop as high walls, sound barriers, and narrow lanes.

0:20:37.240 --> 0:20:40.080
<v Speaker 1>For the street racers, these features just add to the

0:20:40.080 --> 0:20:44.040
<v Speaker 1>thrill of the Kanjo experience. The danger blows their hair back.

0:20:47.800 --> 0:20:51.520
<v Speaker 1>For the nineteen seventies, the loop was fully operational. It

0:20:51.600 --> 0:20:55.480
<v Speaker 1>became a crucial part of a sucker's transit puzzle, especially

0:20:55.520 --> 0:20:59.520
<v Speaker 1>for commuters and commercial vehicles trying to avoid the city

0:20:59.600 --> 0:21:04.080
<v Speaker 1>center congestion, and as we know, it also became a

0:21:04.160 --> 0:21:10.399
<v Speaker 1>makeshift underground racetrack. Now, some people will tell you that

0:21:10.520 --> 0:21:14.320
<v Speaker 1>Kanjo Zoku is dead, It's done, no one really raises anymore,

0:21:14.720 --> 0:21:17.919
<v Speaker 1>but that is simply not true. There are several different

0:21:17.960 --> 0:21:21.040
<v Speaker 1>crews still active, and some of them are even growing

0:21:21.080 --> 0:21:24.880
<v Speaker 1>as they remain largely in the shadows. There are dozens

0:21:24.920 --> 0:21:28.000
<v Speaker 1>and dozens of crews or teams still, but the main

0:21:28.040 --> 0:21:32.760
<v Speaker 1>ones are forever remembered and refused to disappear. Kanjozoku dot

0:21:32.800 --> 0:21:36.560
<v Speaker 1>Com and excellent resource on this world with first hand

0:21:36.600 --> 0:21:42.080
<v Speaker 1>and second hand sources, has documented this well. They're right quote.

0:21:42.440 --> 0:21:45.359
<v Speaker 1>Since the late seventies, there have been many many teams

0:21:45.359 --> 0:21:47.600
<v Speaker 1>that have either ran on the Loop or claimed to

0:21:47.640 --> 0:21:50.800
<v Speaker 1>have had. Some of these teams still exist to this day,

0:21:51.119 --> 0:21:53.800
<v Speaker 1>whilst others have been ingrained into the asphalt of the

0:21:53.840 --> 0:21:57.520
<v Speaker 1>Loop itself and faded into local folklore, so to speak.

0:21:58.680 --> 0:22:00.919
<v Speaker 1>To look at some of the estab names we can

0:22:00.960 --> 0:22:04.320
<v Speaker 1>speak of, No Good Racing formed in nineteen eighty five,

0:22:04.760 --> 0:22:07.240
<v Speaker 1>and that uses their ever so tongue in cheek motto

0:22:07.359 --> 0:22:11.520
<v Speaker 1>of bye by police, a pretty self explanatory statement of

0:22:11.560 --> 0:22:14.480
<v Speaker 1>their intentions should they be met by any form of

0:22:14.520 --> 0:22:18.879
<v Speaker 1>resistance by local law enforcement. The first senior of No

0:22:19.040 --> 0:22:21.000
<v Speaker 1>Good Racing said that when he was racing in his

0:22:21.040 --> 0:22:23.919
<v Speaker 1>earlier years, people would say it was No Good and

0:22:23.960 --> 0:22:26.199
<v Speaker 1>it became a sort of running joke that stuck and

0:22:26.240 --> 0:22:29.600
<v Speaker 1>became the team's name. Of course, as the group would

0:22:29.600 --> 0:22:31.800
<v Speaker 1>go on to become one of, if not the most

0:22:31.880 --> 0:22:35.159
<v Speaker 1>well known group. The name took on other meanings, but

0:22:35.200 --> 0:22:39.920
<v Speaker 1>we can leave that to your imagination. How about Temple Racing,

0:22:40.680 --> 0:22:44.720
<v Speaker 1>formed in nineteen seventy eight in the Higashi Shimiyoshi area

0:22:44.840 --> 0:22:48.720
<v Speaker 1>of Asaka. That's right, teams had a home turf, so

0:22:48.920 --> 0:22:52.200
<v Speaker 1>to speak, so being careful and respectful in another area

0:22:52.280 --> 0:22:55.639
<v Speaker 1>of the city would mean avoiding confrontation, either from another

0:22:55.680 --> 0:23:00.359
<v Speaker 1>team or again the Red Siren Crew the police. The

0:23:00.440 --> 0:23:03.720
<v Speaker 1>team name derives from the character Simon Temple from the

0:23:03.760 --> 0:23:07.760
<v Speaker 1>English TV series called the Saints, a popular character used

0:23:07.760 --> 0:23:11.840
<v Speaker 1>in the team's style at the time. Other names such

0:23:11.880 --> 0:23:15.800
<v Speaker 1>as Warp Racing formed in nineteen eighty two. They are

0:23:15.840 --> 0:23:18.480
<v Speaker 1>well seen across social media as the current group of

0:23:18.520 --> 0:23:22.640
<v Speaker 1>players attend such tracks as the Central Circuit in Hiogo

0:23:22.760 --> 0:23:28.159
<v Speaker 1>Prefecture or again Suzuku Circuit over in My Prefecture. But

0:23:28.200 --> 0:23:30.440
<v Speaker 1>that's not to say they don't appear in the nighttime

0:23:30.520 --> 0:23:34.080
<v Speaker 1>of the city in any one place. The resonation of

0:23:34.320 --> 0:23:38.480
<v Speaker 1>B series engines coming and disappearing in a flash to

0:23:38.560 --> 0:23:41.280
<v Speaker 1>provide just a glimpse of how many teams there are

0:23:41.400 --> 0:23:45.080
<v Speaker 1>or were. Some names we can talk about are no

0:23:45.200 --> 0:23:50.080
<v Speaker 1>good Racing, Temple Racing, Warp Racing, Late Riser, Law Break Checker,

0:23:50.400 --> 0:23:56.560
<v Speaker 1>Top Gun Racing, Magnuani Racing, Borough Racing, Crafty Dust, Fairness, Fantasy,

0:23:56.800 --> 0:24:02.320
<v Speaker 1>Fine Formation, Get Chapin Racing, Get On, Child Hampty, Joker Racing,

0:24:02.400 --> 0:24:06.439
<v Speaker 1>Kaiser Loop, Loose Racing Loop in Mercury, and so and

0:24:06.480 --> 0:24:11.560
<v Speaker 1>so it goes on and on end. Quote. Clearly, there

0:24:11.560 --> 0:24:14.680
<v Speaker 1>are many different crews here in Osaka, but they don't

0:24:14.720 --> 0:24:18.200
<v Speaker 1>exactly stand around advertising what they do when they're not racing.

0:24:18.800 --> 0:24:20.480
<v Speaker 1>I want to sit down with one of these major

0:24:20.520 --> 0:24:22.639
<v Speaker 1>players and try to ride along with them in a

0:24:22.720 --> 0:24:27.080
<v Speaker 1>proper underground race on the Kanjo Loop. A friend of mine,

0:24:27.200 --> 0:24:30.800
<v Speaker 1>a local, is helping us due to the illegalities of

0:24:31.000 --> 0:24:34.119
<v Speaker 1>Kanjo and his strong ties to it. I want to

0:24:34.200 --> 0:24:38.880
<v Speaker 1>keep him very anonymous. We'll just call him John. John

0:24:39.000 --> 0:24:42.399
<v Speaker 1>has various connections with different crews across the city. He

0:24:42.480 --> 0:24:44.920
<v Speaker 1>knows what he's talking about, and he knows what he's doing.

0:24:45.800 --> 0:24:48.000
<v Speaker 1>He was around in a time when Kanjo Cruise would

0:24:48.000 --> 0:24:51.080
<v Speaker 1>have full on gang fights, various meetups if there was

0:24:51.119 --> 0:24:55.720
<v Speaker 1>ever a dispute. He's old school, So John reaches out

0:24:55.760 --> 0:24:58.000
<v Speaker 1>to various different crews for us to try and meet

0:24:58.440 --> 0:25:00.520
<v Speaker 1>he vouches for us. We have a hit history of

0:25:00.560 --> 0:25:03.959
<v Speaker 1>not fucking anybody over when it comes to anonymity, and

0:25:04.000 --> 0:25:09.439
<v Speaker 1>we cover underground countercultures properly. It's all good. Eventually we

0:25:09.480 --> 0:25:12.800
<v Speaker 1>get a call. There are a few lads who are interested.

0:25:13.600 --> 0:25:16.240
<v Speaker 1>I can't say which group it is why will become

0:25:16.280 --> 0:25:19.040
<v Speaker 1>clear later, but we're told to head out and meet

0:25:19.080 --> 0:25:21.000
<v Speaker 1>them at a garage a late one night on the

0:25:21.000 --> 0:25:25.120
<v Speaker 1>outskirts of Osaka. We drive over and meet a few

0:25:25.200 --> 0:25:28.520
<v Speaker 1>lads in what looks like a completely normal mechanics center,

0:25:29.200 --> 0:25:33.600
<v Speaker 1>mainstream equipment, regular cars, nothing particularly out of the ordinary,

0:25:34.080 --> 0:25:38.679
<v Speaker 1>and nothing that screams kanjo. Turns out, though, that this

0:25:38.840 --> 0:25:42.680
<v Speaker 1>garage moonlights as a base for various illegal underground racing

0:25:42.760 --> 0:25:46.639
<v Speaker 1>crews across the city. Backroom deals for band off the

0:25:46.680 --> 0:25:50.639
<v Speaker 1>books equipment take place here. The next generation of Kanjo

0:25:51.080 --> 0:25:55.560
<v Speaker 1>is very much hidden in plain sight. After we shake

0:25:55.600 --> 0:25:58.679
<v Speaker 1>hands and exchange pleasantries, some of the guys at the

0:25:58.680 --> 0:26:01.159
<v Speaker 1>garage usher us into a room behind a row of

0:26:01.240 --> 0:26:05.400
<v Speaker 1>kas in various states of repair. The main guy, we'll

0:26:05.400 --> 0:26:09.000
<v Speaker 1>call him Himari, has an aura about him that's unmatched.

0:26:09.359 --> 0:26:12.640
<v Speaker 1>He's scruffy, short, skinny, and he looks as if he's

0:26:12.720 --> 0:26:15.159
<v Speaker 1>just woken up at all times, but he has this

0:26:15.280 --> 0:26:18.280
<v Speaker 1>air about him that just tells you this is the guy.

0:26:18.680 --> 0:26:22.399
<v Speaker 1>He doesn't even need to make an effort. It's just him.

0:26:22.680 --> 0:26:24.600
<v Speaker 1>He chain smokes as he makes us tea in the

0:26:24.640 --> 0:26:27.440
<v Speaker 1>back room and invites us to sit down in the chairs,

0:26:27.840 --> 0:26:32.119
<v Speaker 1>which are all old repurpose civic seats. This room is

0:26:32.160 --> 0:26:35.919
<v Speaker 1>decorated with old car parts, withered racing posters, and a

0:26:35.960 --> 0:26:39.960
<v Speaker 1>half dozen ash traits. The lads inside are all linked

0:26:40.000 --> 0:26:44.000
<v Speaker 1>to Kando directly. The super friendly and happy to help us,

0:26:44.359 --> 0:26:46.760
<v Speaker 1>but they're also very cautious due to the level of

0:26:46.840 --> 0:26:52.240
<v Speaker 1>police crackdown. After some chatting, tea, drinking, and what seems

0:26:52.240 --> 0:26:55.880
<v Speaker 1>to be about a thousand cigarettes, Himari makes a phone call.

0:26:56.840 --> 0:27:00.240
<v Speaker 1>When he's done, it's good news. One of the big

0:27:00.240 --> 0:27:02.840
<v Speaker 1>bosses of one of the biggest kanjo crews in a

0:27:02.960 --> 0:27:06.119
<v Speaker 1>Soaca is willing to meet us tomorrow night. We'll get

0:27:06.160 --> 0:27:17.240
<v Speaker 1>dinner with them. They'll decide if we can race alongside them.

0:27:17.359 --> 0:27:19.840
<v Speaker 1>The young guys are editing in the foot so that

0:27:20.160 --> 0:27:37.080
<v Speaker 1>today go very well. Next week we'll discover the surprisingly

0:27:37.160 --> 0:27:42.960
<v Speaker 1>close connection that canjo racers have to organize crime you've

0:27:42.960 --> 0:27:46.520
<v Speaker 1>been listening to the Away Days podcast. To watch independent

0:27:46.560 --> 0:27:50.879
<v Speaker 1>Away Days documentaries, subscribe to our channel at YouTube dot

0:27:50.880 --> 0:27:56.240
<v Speaker 1>com slash at away Days TV. Your Wait Days podcast

0:27:56.320 --> 0:28:03.080
<v Speaker 1>is a production of H eleven Studio for Cool Zone Media. Reporting, producing, writing,

0:28:03.480 --> 0:28:08.760
<v Speaker 1>editing and research by me Jake Hanrahan, co producing by

0:28:08.880 --> 0:28:14.320
<v Speaker 1>Sophie Lichterman, Music by Sam Black, Sound mixed by Splicing Block.

0:28:14.800 --> 0:28:18.920
<v Speaker 1>Photography by Johnny Pickup and Louis Hollis. Graphic design by

0:28:18.960 --> 0:28:21.400
<v Speaker 1>Laura Adamson and Casey Hifield.